[{"data":1,"prerenderedAt":2708},["ShallowReactive",2],{"artist-shi-tao-618":3},{"artist":4,"artworks":17},{"id":5,"slug":6,"name":7,"dynasty":8,"birthAndDeath":9,"shortDesc":10,"longDesc":11,"coverUrl":12,"tags":13,"workNumber":14,"initial":15,"showCount":16},618,"shi-tao-618","石涛","清","1642年－1708年","明末清初著名画家，原姓朱，名若极，广西桂林人，小字阿长，别号很多，如大涤子、清湘老人、苦瓜和尚、瞎尊者，法号有元济、原济等，明靖江王朱亨嘉之子，与弘仁、髡残、朱耷合称“明末四僧”。\n石涛是中国绘画史上一位十分重要的人物，他既是绘画实践的探索者、革新者，又是艺术理论家。\n他幼年遭变后出家为僧，驻锡于安徽宣城敬亭山广教寺，后半世云游，以卖画为业。早年山水师法宋元诸家，画风疏秀明洁，晚年用笔纵肆，墨法淋漓，格法多变，尤精册页小品；花卉潇洒隽朗，天真烂漫，清气袭人；人物生拙古朴，别具一格。工书法，能诗文。存世作品有《石涛罗汉百开册页》《搜尽奇峰打草稿图》《山水清音图》《竹石图》等。著有《苦瓜和尚画语录》。名言有“一画论”、“搜尽奇峰打草稿”、“笔墨当随时代”等。","","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F8d675bfa825848fc195c23b6950913d6.jpg",[],237,"S",563,[18,45,63,82,101,115,126,142,155,167,176,189,203,213,224,235,246,258,268,276,285,296,307,315,326,335,344,352,360,373,382,390,399,407,418,427,435,443,456,467,475,485,494,502,509,519,530,541,552,564,573,581,596,608,616,628,636,645,655,666,674,682,693,702,713,722,730,741,750,757,765,775,787,795,804,813,821,829,838,846,855,864,873,883,894,901,913,921,930,938,947,955,963,972,982,994,1003,1011,1020,1027,1036,1044,1053,1062,1070,1078,1087,1098,1106,1115,1122,1130,1139,1146,1152,1162,1170,1179,1187,1195,1204,1213,1220,1227,1236,1243,1250,1257,1265,1275,1283,1291,1299,1306,1312,1320,1328,1336,1344,1351,1357,1365,1372,1379,1388,1395,1401,1409,1417,1424,1430,1437,1445,1452,1459,1468,1475,1481,1489,1497,1505,1513,1520,1526,1532,1538,1546,1553,1559,1566,1574,1582,1590,1599,1607,1616,1623,1629,1635,1643,1651,1658,1665,1674,1688,1694,1701,1708,1715,1721,1728,1734,1740,1746,1752,1760,1770,1781,1790,1797,1806,1812,1821,1827,1833,1841,1849,1856,1870,1877,1884,1890,1897,1904,1910,1916,1922,1928,1934,1941,1948,1960,1966,1972,1978,1984,1993,2000,2006,2012,2018,2024,2032,2039,2046,2053,2062,2070,2080,2088,2094,2103,2109,2115,2122,2129,2135,2142,2149,2157,2164,2172,2179,2186,2192,2199,2205,2211,2217,2226,2232,2239,2245,2252,2260,2267,2273,2279,2285,2291,2297,2305,2314,2323,2338,2349,2355,2361,2368,2377,2384,2391,2397,2403,2409,2416,2424,2434,2442,2448,2454,2461,2471,2480,2490,2500,2506,2515,2524,2533,2543,2552,2562,2570,2579,2588,2597,2607,2616,2625,2634,2644,2653,2663,2672,2681,2690,2699],{"id":19,"slug":20,"title":21,"dynasty":8,"author":7,"museum":22,"description":23,"tags":24,"thumbUrl":36,"material":37,"size":38,"collection":39,"collections":40,"showCount":41,"zanCount":42,"manualWeight":43,"mainColor":44},214892,"shan-shui-tu-ce-shi-tao-214892","山水图册","大英博物馆","大英博物馆在1965年7月购进的这套八开本《山水图》册是一件相当出色的石涛真迹精品。\n该图分别画夜泊采石太白楼下、游浦汀溪、登灵隐飞来峰、登雨花台、登岳阳楼、登幕山大观亭、登天印山、访东山等八景，涉及苏、浙、皖三地的名胜，亦可谓是“搜尽奇峰汇成册”，这个时期，他已从新安画派集中表现黄山险境的格局中脱离了出来，更加注重广取博揽天下有特性的景物。其画渐渐趋于老，行笔凝重沉静，用花青、赭石轻轻淡染，顿显生机；其构图巧用“Z”形和“S”形，十分灵活且紧凑，变化自然，动感鲜明，景象开阔深邃，令人遐想无限。",[25,26,27,28,29,30,31,32,33,34,35],"高清","国画","水墨","皴法","册","山水","楼阁","树木","远岫","船帆","印章","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fcc4335799b8ab6338748c15eda11ad45.jpg","纸本,设色","20.3x27.5cm","山水画精选",[39],1469,6,0,"BDBDBD",{"id":46,"slug":47,"title":48,"dynasty":8,"author":7,"museum":49,"description":50,"tags":51,"thumbUrl":58,"material":37,"size":11,"collection":59,"collections":60,"showCount":61,"zanCount":62,"manualWeight":43,"mainColor":44},218130,"shui-xian-zhu-zhi-tu-shi-tao-218130","水仙竹枝图","美国弗利尔美术馆","石涛，法名原济，靖江王朱守谦十世孙，工书法，能诗文。早年山水师法宋元诸家，画风疏秀明洁，晚年用笔纵肆，墨法淋漓，格法多变，尤精册页小品。花卉潇洒隽朗，天真烂漫，清气袭人；人物生拙古朴，别具一格。",[25,26,27,52,53,54,55,56,35,57],"设色","写意","竹","水仙","孤石","书法","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F112234b8c56ae7eab1e3115341e7947f.jpg","花鸟画精选",[59],1313,3,{"id":64,"slug":65,"title":66,"dynasty":8,"author":7,"museum":67,"description":68,"tags":69,"thumbUrl":76,"material":77,"size":78,"collection":79,"collections":80,"showCount":81,"zanCount":62,"manualWeight":43,"mainColor":44},224526,"ku-mu-zhu-shi-tu-juan-shi-tao-224526","枯木竹石图卷","藏地不详","石涛（1642一约1707），清代画家、中国画一代宗师。法名原济，一作元济。本姓朱，名若极。字石涛，又号苦瓜和尚、大涤子、清湘陈人等。广西全州人，晚年定居扬州。明靖江王后裔，幼年遭变后出家为僧，半世云游，以卖画为业。早年山水师法宋元诸家，画风疏秀明洁，晚年用笔纵肆，墨法淋漓，格法多变，尤精册页小品；花卉潇洒隽朗，天真烂漫，清气袭人；人物生拙古朴，别具一格。工书法，能诗文。存世作品有《搜尽奇峰打草稿图》《山水清音图》《竹石图》等。",[25,26,70,71,27,28,72,54,73,30,74,57,75,35],"书画","长卷","枯木","石","松","行书","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fb4e40f18081971367110555976691d9e.jpg","纸本墨笔","纵23.5厘米，横213.5厘米","水墨画精选",[79],845,{"id":83,"slug":84,"title":85,"dynasty":8,"author":7,"museum":86,"description":87,"tags":88,"thumbUrl":95,"material":96,"size":97,"collection":39,"collections":98,"showCount":99,"zanCount":62,"manualWeight":43,"mainColor":100},220423,"shan-shui-qing-yin-tu-shi-tao-220423","山水清音图","上海博物馆","该画作未明是画何地方，但从画面上来看，描绘的地方明显是黄山景色。虽是黄山景色，但却不知是哪一个黄山景色。图中峭壁大岭，飞泉湍急，新松夭矫，丛篁滴翠。水阁凉亭间，两位高士正对坐桥亭，默参造化的神机。画面上重重叠叠的坡陀峰峦，或直耸、或斜出、或横卧，把境界推向深远，右侧则以峭壁贯通天地，构造新颖。",[25,26,27,28,89,30,90,91,92,93,94,32],"立轴","瀑布","松树","山石","房屋","流水","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F296cf8c8039f22c3cd7610cdf01cbd29.jpg","纸本,水墨","纵102.6厘米，横42.5厘米",[39,79],469,"795548",{"id":102,"slug":103,"title":104,"dynasty":8,"author":7,"museum":49,"description":50,"tags":105,"thumbUrl":111,"material":37,"size":11,"collection":59,"collections":112,"showCount":113,"zanCount":114,"manualWeight":43,"mainColor":44},218128,"qiu-shui-he-ye-tu-shi-tao-218128","秋水荷叶图",[25,26,70,106,29,27,52,53,107,108,109,110,35],"名画","荷","荷叶","莲花","明月","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F1cfdd37fcf60f013839a1cf9ac9c4700.jpg",[59],451,1,{"id":116,"slug":117,"title":118,"dynasty":8,"author":7,"museum":49,"description":50,"tags":119,"thumbUrl":122,"material":37,"size":11,"collection":59,"collections":123,"showCount":124,"zanCount":125,"manualWeight":43,"mainColor":44},218131,"tao-hua-zhu-zhi-tu-shi-tao-218131","桃花竹枝图",[25,26,70,120,27,52,121,54,35],"花鸟","桃花","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F82ae9fc9a5c2869c1270ee768459d876.jpg",[59],446,5,{"id":127,"slug":128,"title":129,"dynasty":8,"author":7,"museum":86,"description":130,"tags":131,"thumbUrl":136,"material":37,"size":137,"collection":138,"collections":139,"showCount":141,"zanCount":125,"manualWeight":43,"mainColor":44},220358,"xi-yuan-ya-ji-tu-juan-shi-tao-220358","西园雅集图卷","此长图景物繁复。庭园中芳草如茵，劲松盘根虬曲，柳树成荫，石桥流水，曲径通幽，清溪深处翠荫茂密，处处雅静怡人。此图布局严密，繁而不乱，密而不塞。通过作者苦心经营，将诸多不同人物、树木、山石、草木、花木及一些陈设，巧妙地统一在这幅长卷中。全卷结构井然有序，运思精妙，布局停匀。通卷虽不留空白，而疏密有致。\n全图共写人物24人，神态不一，衣着各异，人物组合有疏有密，却与空间的景物浑然一体。人物形象均以墨线勾写，几乎全为白描，设色淡雅，衣纹等看似信笔率意而成，实则深具功力，笔笔送到。人物形象逼真生动，有的造形略有夸张。总体来说，此画用笔淋漓纵率之中显得工致缜密，沉着痛快，墨色浓淡得宜。人物俱用细笔，所谓一种“细笔石涛”，精气逼人。山石、松木、芭蕉等，均在工写之间，形象精到，而又意趣动人。故此画不但是石涛的代表作，更是清代人物画发展中的精品。",[25,106,26,70,71,52,28,132,30,133,94,134,73,135],"人物","小桥","树","桌子","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F38f5d3c589f09a558783d6079a9170b7.jpg","纵36.5厘米，横328厘米","人物画精选",[138,140],"设色画精选",443,{"id":143,"slug":144,"title":145,"dynasty":8,"author":7,"museum":67,"description":146,"tags":147,"thumbUrl":152,"material":11,"size":11,"collection":39,"collections":153,"showCount":154,"zanCount":62,"manualWeight":43,"mainColor":44},224509,"shan-shui-tu-ce-8-kai-shi-tao-224509","山水图册8开","此作以淡墨晕染江波，留白铺就浩渺水色，似将朝雾笼于纸面。近岸以枯笔皴擦岩壁，赭石敷色晕出沙汀暖意，苔点错落点缀野趣。两间山居素净朴拙，静立崖边，与斜渡的赭帆渔舟相映成趣，暗合江天悠悠的闲逸氛围。\n\n笔致松秀灵动，虚实相生，将阔远山水缩于尺幅之间，题诗与画境相融，尽抒寄情丘壑的隐逸襟怀，淡远清和的意绪漫溢纸面。",[25,26,70,29,27,52,28,30,148,149,150,92,32,151,35],"孤舟","帆船","小屋","水面","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F40fd268d38073e0d113ca5d35047fc17.jpg",[39,140],374,{"id":156,"slug":157,"title":158,"dynasty":8,"author":7,"museum":159,"description":160,"tags":161,"thumbUrl":162,"material":163,"size":11,"collection":11,"collections":164,"showCount":165,"zanCount":166,"manualWeight":43,"mainColor":44},234231,"yuan-ji-shan-shui-tu-juan-shi-tao-234231","原济山水图卷","北京故宫博物院","石涛（1642年－1708年）明末清初著名画家，原姓朱，名若极，广西桂林人，小字阿长，别号很多，如大涤子、清湘老人、苦瓜和尚、瞎尊者，法号有元济、原济等，明靖江王朱亨嘉之子，与弘仁、髡残、朱耷合称“明末四僧”。\n石涛是中国绘画史上一位十分重要的人物，他既是绘画实践的探索者、革新者，又是艺术理论家。\n他幼年遭变后出家为僧，驻锡于安徽宣城敬亭山广教寺，后半世云游，以卖画为业。早年山水师法宋元诸家，画风疏秀明洁，晚年用笔纵肆，墨法淋漓，格法多变，尤精册页小品；花卉潇洒隽朗，天真烂漫，清气袭人；人物生拙古朴，别具一格。工书法，能诗文。存世作品有《石涛罗汉百开册页》《搜尽奇峰打草稿图》《山水清音图》《竹石图》等。著有《苦瓜和尚画语录》。名言有“一画论”、“搜尽奇峰打草稿”、“笔墨当随时代”等。",[25,26,27,71,28,30,133,94,92,32,93,132],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F98857fb9227e3d88875c038ee2e558af.jpg","纸本，水墨",[],312,4,{"id":168,"slug":169,"title":170,"dynasty":8,"author":7,"museum":67,"description":171,"tags":172,"thumbUrl":173,"material":11,"size":11,"collection":11,"collections":174,"showCount":175,"zanCount":43,"manualWeight":43,"mainColor":44},229001,"jin-ling-sheng-ji-tu-ce-zhang-da-qian-ti-zhen-shi-tao-229001","金陵胜迹图册(张大千题)帧","此帧以淡赭晕染危崖，笔意简括古拙，衬出峭壁高峙之态。崖巅楼宇寥寥数笔，凭栏人影幽然，衬出山巅阒寂清旷。枯淡墨色点苔绘木，苍劲松灵，淡墨扫出空蒙天色，与赭色崖身相映，冷逸出尘。\n\n配行书题诗，诗书与画境相融，笔墨间浸透着清冷禅意，将冬初山阁清寂之景，与幽人寄怀合而为一，于尺幅间尽绘高旷出尘之致，尽显纵逸灵动的笔底才情，把山巅初消寒意的雅趣，晕染得淡远空灵，韵致悠长。",[25,106,26,70,29,52,28,35,57,30,31,134,92],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fc6ddb8b7cfbb4648cbf6458bf7f8aaa0.jpg",[],284,{"id":177,"slug":178,"title":179,"dynasty":8,"author":7,"museum":180,"description":181,"tags":182,"thumbUrl":185,"material":37,"size":186,"collection":59,"collections":187,"showCount":188,"zanCount":114,"manualWeight":43,"mainColor":44},214566,"mo-zui-za-hua-tu-ce-shi-tao-214566","墨醉杂画图册","私人收藏","石涛此册花鸟山水，除两开山水外，都是各种农家花卉果蔬小品，包括芙蓉河石、黄瓜豇豆、水仙竹枝、杏果柿子、莲藕扁豆等，作画构图新奇，笔法松柔秀拙，笔情恣肆，淋漓洒脱，具有一种豪放郁勃的生动气息!",[25,106,26,70,29,27,52,30,132,56,183,184],"柳树","野草","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ffe201a3420f1c56b81b5ab47c63b832a.jpg","纵51.4厘米，横35.4厘米",[59],282,{"id":190,"slug":191,"title":192,"dynasty":8,"author":7,"museum":193,"description":194,"tags":195,"thumbUrl":199,"material":96,"size":200,"collection":39,"collections":201,"showCount":202,"zanCount":62,"manualWeight":43,"mainColor":100},220256,"gu-mu-chui-yin-tu-shi-tao-220256","古木垂阴图","辽宁省博物馆","近景层岩嶙峋，树木丰茂，山径曲折，楼阁深藏，远山挺拔峭立，云烟缭绕。用笔皴法多变，赋色雅淡。右上角有作者长题，石涛（公元1640~？），亦署大涤子、苦瓜和尚等，明宗室后裔，俗名朱若极，清亡后削发为僧。善画山水，为清初四画僧之一。",[25,26,70,89,27,28,30,196,92,94,197,198,32,56,35],"古木","云雾","亭","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ffd206f53b4e26c9e4a001ab119062d2e.jpg","纵175,横50.7cm",[39],273,{"id":204,"slug":205,"title":206,"dynasty":8,"author":7,"museum":49,"description":207,"tags":208,"thumbUrl":209,"material":37,"size":210,"collection":11,"collections":211,"showCount":212,"zanCount":114,"manualWeight":43,"mainColor":44},214533,"yi-jin-ling-ce-shi-tao-214533","忆金陵册","此册计十二开，每开写金陵一景。按照弗利尔美术馆的英文含义，此册名称直译应为《南京记忆》。和李鱓《花果册》一样，弗利尔美术馆对每一页均做了单独的说明，但大同小异，并未对作品的艺术内容进行评价或解说，只不过说明每一页的标题而已。此册用笔恣肆，水墨淋漓，色墨交融，是典型的石涛成熟时期作品。",[26,70,27,52,30,31,133,94,148,92,32,28,35],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fb9786c88deb9d34c1413b59771dba7d8.jpg","纵23.8厘米，横19.2厘米",[],241,{"id":214,"slug":215,"title":216,"dynasty":8,"author":7,"museum":159,"description":217,"tags":218,"thumbUrl":219,"material":220,"size":221,"collection":39,"collections":222,"showCount":223,"zanCount":114,"manualWeight":43,"mainColor":44},233123,"yuan-ji-shan-shui-ce-shi-tao-233123","原济山水册","本册共八开。设色画山水小景。\n原济(1642—1707年)，俗姓朱，名若极，广西全州(今全县)人，明宗室靖江王后裔。明亡之际出家为僧，僧名原济，号石涛、清湘老人、苦瓜和尚等。他最擅画山水，兼擅花竹、人物等。所绘山水之景苍润雄浑，风格新奇，笔墨淋漓酣畅，墨气浓润，笔意苍逸，手法变幻无穷，独成一家。在绘画理论上贡献卓著。他主张“笔墨当随时代”和“借古以开今”，强调对大自然要有真切的艺术感受，在艺术创作时要“我自用我法”，反对泥古不化。",[26,53,52,27,29,28,30,91,198,132,92,32],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F123c2863fe8464093b6bc302b984f3bf.jpg","纸本","纵33.2cm，横22.8cm",[39,140],235,{"id":225,"slug":226,"title":227,"dynasty":8,"author":7,"museum":159,"description":228,"tags":229,"thumbUrl":231,"material":220,"size":232,"collection":59,"collections":233,"showCount":234,"zanCount":114,"manualWeight":43,"mainColor":44},220392,"mei-zhu-tu-juan-shi-tao-220392","梅竹图卷","诗文与画作的有机结合不仅增添了文人画的书卷气息，同时也展示了作者于画艺之外的诗文功底和精湛的书法造诣。图中所绘梅竹或细笔勾勒，或阔笔勾斫，线条于方圆结合中秀拙相生。其多样的笔法与酣畅淋漓的施墨在半生半熟的纸质上达到了湿润而不漫漶的笔墨效果，堪称石涛晚年的写意画佳作。",[25,26,70,71,27,28,57,35,230,54,56],"梅","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F440c586308456b8200d8bd68ac0e8093.jpg","纵34.2厘米，横194.4厘米",[59],232,{"id":236,"slug":237,"title":238,"dynasty":8,"author":7,"museum":67,"description":239,"tags":240,"thumbUrl":243,"material":11,"size":11,"collection":11,"collections":244,"showCount":245,"zanCount":125,"manualWeight":43,"mainColor":44},224525,"sou-jin-qi-feng-da-cao-gao-tu-juan-shi-tao-224525","搜尽奇峰打草稿图卷","原济《搜尽奇峰打草稿图》卷，中国清代画家原济代表作。\n原济(1642～约171)原名朱若极，字石涛，号大涤子、清湘老人等。\n广西人。\n明宗室后裔，明亡后出家为僧。\n擅画山水、花卉。\n此图纸本，墨笔，纵42.8厘米，横285.5厘米。\n画面崇山峻岭，茂树参天，泉水淙淙，山道崎岖，纡回盘旋。\n城垣、楼阁、亭桥、书屋、渔舟等分布其间。\n全幅构图繁密，画法用披麻皴参以点子皴，信手涂抹，自然流畅，笔墨苍劲，气势磅礴。\n画幅右上方自题“搜尽奇峰打草稿”7字。\n并题记一则，内容涉及其绘画艺术思想，是研究其艺术创作的宝贵资料。\n本幅后有墨香堂、杨重英、陈奕禧、徐云、叶河音布、潘季彤各家题诗、题记及鉴藏印数十方。\n《听楼书画记》著录。\n现藏故宫博物院。",[25,26,70,71,27,53,28,75,57,35,30,241,242,32,56,198],"山峦","河流","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F13975dcc09a4d534503a0ad3b0211bc2.jpg",[],228,{"id":247,"slug":248,"title":249,"dynasty":8,"author":7,"museum":67,"description":160,"tags":250,"thumbUrl":252,"material":253,"size":254,"collection":11,"collections":255,"showCount":256,"zanCount":257,"manualWeight":43,"mainColor":44},287444,"lan-zhu-tu-shi-tao-287444","兰竹图",[106,26,70,89,27,54,251,56,35],"兰","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F78897544684d19c2db3989df6b58bf38.jpg","未知","Xcm*Xcm",[],211,2,{"id":259,"slug":260,"title":261,"dynasty":8,"author":7,"museum":49,"description":50,"tags":262,"thumbUrl":265,"material":37,"size":11,"collection":59,"collections":266,"showCount":267,"zanCount":257,"manualWeight":43,"mainColor":44},218126,"yu-xiang-jiao-ye-tu-shi-tao-218126","雨乡蕉叶图",[25,26,27,52,75,35,263,264],"蕉叶","草","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F3d80c7cb86c795587ab382481f9fcbed.jpg",[59],205,{"id":269,"slug":270,"title":271,"dynasty":8,"author":7,"museum":67,"description":160,"tags":272,"thumbUrl":273,"material":253,"size":254,"collection":11,"collections":274,"showCount":275,"zanCount":257,"manualWeight":43,"mainColor":44},287968,"shan-shui-li-zhou-shi-tao-287968","山水立轴",[26,106,70,89,27,30,56,91,198,35,28],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ff04d5c206c3321255a29bfe472c9932e.jpg",[],200,{"id":277,"slug":278,"title":279,"dynasty":8,"author":7,"museum":67,"description":280,"tags":281,"thumbUrl":282,"material":11,"size":11,"collection":11,"collections":283,"showCount":284,"zanCount":257,"manualWeight":43,"mainColor":44},234169,"yuan-ji-song-zhu-shi-tu-juan-shi-tao-234169","原济松竹石图卷","原济(1642—1707年)，俗姓朱，名若极，广西全州(今全县)人，明宗室靖江王后裔。明亡之际出家为僧，僧名原济，号石涛、清湘老人、苦瓜和尚等。他最擅画山水，兼擅花竹、人物等。所绘山水之景苍润雄浑，风格新奇，笔墨淋漓酣畅，墨气浓润，笔意苍逸，手法变幻无穷，独成一家。在绘画理论上贡献卓著。他主张“笔墨当随时代”和“借古以开今”，强调对大自然要有真切的艺术感受，在艺术创作时要“我自用我法”，反对泥古不化。",[25,26,27,71,28,74,54,73,57,75],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fa7a026c786782c5ee0e249a5786dafbd.jpg",[],199,{"id":286,"slug":287,"title":288,"dynasty":8,"author":7,"museum":67,"description":289,"tags":290,"thumbUrl":293,"material":11,"size":11,"collection":39,"collections":294,"showCount":295,"zanCount":114,"manualWeight":43,"mainColor":44},224497,"shan-shui-ce-shi-tao-224497","山水册","此作以峡谷江流铺展画卷，春水澹澹载扁舟穿峡而过，舱中旅人静对山光。浅绛轻施晕染山石，清润柔和间见嶙峋风骨，枯笔皴擦点染枯枝，苍劲朴拙，与柔缓水色相映成趣。\n题诗伴画，将羁旅闲愁融进山岚烟波，画随诗添寂廖清旷之致。笔意灵动不拘一格，以淡墨轻岚晕开早春空蒙水雾，把文人隐逸襟怀寄寓在山水间，简淡画面中藏着悠长余韵，尽得山水写意之妙。",[25,26,52,27,28,29,30,148,94,92,291,292],"老树","渔乐","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fe13ec00a8f9b85ce3fb668f29eabc877.jpg",[39,140],194,{"id":297,"slug":298,"title":299,"dynasty":8,"author":7,"museum":67,"description":300,"tags":301,"thumbUrl":304,"material":11,"size":11,"collection":79,"collections":305,"showCount":306,"zanCount":114,"manualWeight":43,"mainColor":44},235889,"yuan-ji-huang-shan-you-tu-ce-shi-tao-235889","原济黄山游图册","此作用笔疏密相宜，淡墨铺陈烟林远景，以浓墨点染近木。几株杂木高低错立，或繁枝遒劲，或疏桠寥落，极简笔触便写尽枯荣姿态。篱边茅斋素朴安然，黛瓦白墙隐于林间，将江南山居的清寂野趣娓娓铺展。\n\n右上角题诗与画作相映成趣，诗书画印融为一体，禅意漫溢其间。笔墨间藏着春日山居的悠然意趣，把胸中林泉化作纸上丘壑，淡远清和，朴拙天真，观之恍若踏入画中，静赏春景，沉潜于物我两忘的幽谧意境之中。",[26,70,27,29,28,30,134,302,303,35],"茅屋","竹子","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F04027f2c689ff46da102ff937cdb3245.jpg",[79,39],163,{"id":308,"slug":309,"title":310,"dynasty":8,"author":7,"museum":67,"description":160,"tags":311,"thumbUrl":312,"material":11,"size":11,"collection":39,"collections":313,"showCount":314,"zanCount":166,"manualWeight":43,"mainColor":44},237928,"yuan-ji-shan-shui-tu-zhou-shi-tao-237928","原济山水图轴",[26,27,28,89,70,57,75,35,30,133,94,32,93,132,92,90,56],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fdfa72c6c88f5d950dcb00da4e61fa4c0.jpg",[39,79],162,{"id":316,"slug":317,"title":318,"dynasty":8,"author":7,"museum":67,"description":319,"tags":320,"thumbUrl":322,"material":163,"size":323,"collection":79,"collections":324,"showCount":325,"zanCount":62,"manualWeight":43,"mainColor":44},224527,"jiang-shan-sheng-lan-shi-tao-224527","江山胜揽","此卷绘山川湖泊。山峦连绵起伏，景物屑迭。树木茂密丛生，瀑布、溪水倾泻而下。水面宽广，云雾蒸腾，有寂静空灵之美。画中线条极细，有素描效果。山石用披麻铍，横直交错，秀灵而坚实。密集的破笔苔点，使山势更显苍莽。篁叶取法倪瓒，只是变萧疏为茂密。墨色的干湿浓淡恰到好处。画作用笔和山石构置繁密，但作者巧妙地运用虚实、黑白的均衡布局，通过水的空灵和云雾的蒸腾，避免了过分的迫塞。综合而论，这是一幅能代表石涛笔墨清腴，风格恣肆洒脱的山水作品。",[25,26,71,27,30,28,57,35,32,321,242,197],"岩石","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fe0fd2208972fffab3bc42dc072272735.jpg","纵20厘米，横762厘米",[79],161,{"id":327,"slug":328,"title":329,"dynasty":8,"author":7,"museum":22,"description":23,"tags":330,"thumbUrl":332,"material":37,"size":38,"collection":11,"collections":333,"showCount":334,"zanCount":43,"manualWeight":43,"mainColor":44},214891,"shan-shui-tu-ce-2-shi-tao-214891","山水图册-2",[25,26,27,28,29,30,94,148,331,32,92,35],"屋舍","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fd319f48bef574dd573647e67866a3b95.jpg",[],159,{"id":336,"slug":337,"title":338,"dynasty":8,"author":7,"museum":67,"description":339,"tags":340,"thumbUrl":341,"material":11,"size":11,"collection":11,"collections":342,"showCount":343,"zanCount":114,"manualWeight":43,"mainColor":44},228994,"zhu-shi-zhen-ji-tu-shi-tao-228994","竹石真迹图","此作用水墨写意绘就幽境。以淋漓淡墨勾皴巨石轮廓，留白为体，枯笔侧锋扫出苍涩纹理，朴拙雄浑间尽显嶙峋风骨。几竿新竹斜倚石畔，中锋写干清劲挺拔，竹叶以焦墨挥写，聚散错落，偃仰有态，尽显萧疏清逸之致。左下角兰草柔婉，与竹石刚健相映成趣。\n\n整幅画以少胜多，墨色干湿浓淡层次丰盈，笔意纵恣洒脱，将竹之劲节、石之沉稳融于尺幅之间，寄寓文人劲节自持的襟怀，尽显以形写意、天人合一的审美意趣，是水墨小品中的隽秀之作。",[25,106,26,27,53,54,73,35,89],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F37275658c9a76d23ae4cf87b6f96f432.jpg",[],140,{"id":345,"slug":346,"title":347,"dynasty":8,"author":7,"museum":22,"description":23,"tags":348,"thumbUrl":350,"material":37,"size":38,"collection":11,"collections":351,"showCount":343,"zanCount":114,"manualWeight":43,"mainColor":44},214890,"shan-shui-tu-ce-3-shi-tao-214890","山水图册-3",[25,26,70,29,27,52,28,30,148,94,92,32,197,132,349],"坡岸","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F9f99fe4ff77ab4950fd6bc2d79236725.jpg",[],{"id":353,"slug":354,"title":355,"dynasty":8,"author":7,"museum":67,"description":160,"tags":356,"thumbUrl":357,"material":253,"size":254,"collection":39,"collections":358,"showCount":359,"zanCount":114,"manualWeight":43,"mainColor":100},235515,"yuan-ji-shan-shui-tu-ce-shi-tao-235515","原济山水图册",[26,27,28,29,30,133,32,92,31],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ff14a3da145e6ba299fd3a7795c0f342c.jpg",[39,79],134,{"id":361,"slug":362,"title":363,"dynasty":8,"author":7,"museum":22,"description":23,"tags":364,"thumbUrl":370,"material":37,"size":38,"collection":11,"collections":371,"showCount":372,"zanCount":257,"manualWeight":43,"mainColor":44},214886,"shan-shui-tu-ce-6-shi-tao-214886","山水图册-6",[25,26,27,28,29,30,31,134,92,93,365,197,366,367,368,369],"远山","建筑","枯树","庭院","浅绛","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F6f36b552940e2b7131526b7cd389c0cb.jpg",[],133,{"id":374,"slug":375,"title":376,"dynasty":8,"author":7,"museum":67,"description":377,"tags":378,"thumbUrl":379,"material":11,"size":11,"collection":11,"collections":380,"showCount":381,"zanCount":43,"manualWeight":43,"mainColor":44},228999,"zeng-liu-shi-tou-shan-shui-ce-shi-tao-228999","赠刘石头山水册","石涛（1642-177），明靖江王朱赞仪十世孙，朱亨嘉子。\n全州（今广西全县）人。\n原姓朱，名若极，小字阿长，明亡后出家为僧，自称苦瓜和尚，别号有大涤子、清湘遗人、清湘陈人、靖江后人、清湘老人，晚号瞎尊者、零丁老人等。\n顺治十三年（1656），石涛由江西庐山转赴安徽黄山，并在那里住了二十三年。\n期间他又先后游历扬州、杭州、宣城、贵池、泾县等处，后由黄山转赴南京、北京等地。\n【规格】册页，纸本，设色，纵57.79cm，横5.56cm 【馆藏】（美）纳尔逊-艾特金斯艺术馆馆 书画名传品类高，先生高出众皮毛。\n老夫也在皮毛类，一笑题成迅彩毫。\n大涤子呈石头先生传教。\n康熙三十二年（169）至扬州，直到雍正二年（1724）去世。\n石涛在山水、花鸟画上均取得很大成就，能熔铸千古，独出手眼，构图奇妙，笔墨神化。\n画山水一欲夺其造化，则莫神于好，莫精于勤，莫大于饱游天看，历历罗列于胸中，故勤于貌写名山大川，所谓搜尽奇峰打草稿，充分把握住自然的神韵，终成一代大师。",[106,26,70,29,27,28,30,56,291,198,54],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F549054364d68f4bbcf0732c4d69324e7.jpg",[],131,{"id":383,"slug":384,"title":355,"dynasty":8,"author":7,"museum":67,"description":385,"tags":386,"thumbUrl":387,"material":11,"size":11,"collection":39,"collections":388,"showCount":389,"zanCount":114,"manualWeight":43,"mainColor":44},235878,"yuan-ji-shan-shui-tu-ce-shi-tao-235878","这一开诗画合璧，行书题诗笔力苍劲清隽，墨色朗润，将山居幽寂的诗意先行铺展。画面以淡墨晕染烟岚，山峦在雨意濛濛间晕化开朦胧轮廓，留白衬出空濛水汽。几椽山居隐在深林浅坳间，伴着茂树流泉，朴拙静雅。\n\n石涛以灵动写意的笔墨，把诗中霁后溪山的萧散意境全然绘出，简淡笔墨裹着秀润的江南意趣，诗画相映，恍若能听见古寺钟鸣随云霭漫过山峦，将文人画诗禅合一的意韵抒发尽致，带人踏入这世外幽居。",[26,70,29,27,52,28,57,35,30,32,93,92,197],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F99ca5c119bb37305c4db3d52e47af545.jpg",[39],129,{"id":391,"slug":392,"title":393,"dynasty":8,"author":7,"museum":49,"description":50,"tags":394,"thumbUrl":396,"material":37,"size":11,"collection":59,"collections":397,"showCount":398,"zanCount":43,"manualWeight":43,"mainColor":44},218129,"mu-dan-chun-tu-shi-tao-218129","牡丹春图",[25,26,70,27,52,120,395,35],"牡丹","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F54421eb9c1a00afe897aab682510aa31.jpg",[59],128,{"id":400,"slug":401,"title":402,"dynasty":8,"author":7,"museum":22,"description":23,"tags":403,"thumbUrl":404,"material":37,"size":38,"collection":11,"collections":405,"showCount":406,"zanCount":43,"manualWeight":43,"mainColor":44},214883,"shan-shui-tu-ce-8-shi-tao-214883","山水图册-8",[25,26,27,28,29,35,57,30,133,132,56,291,94],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F2b7ef45c74e90c04ee9fc52e892419d2.jpg",[],127,{"id":408,"slug":409,"title":410,"dynasty":8,"author":7,"museum":67,"description":411,"tags":412,"thumbUrl":414,"material":220,"size":415,"collection":39,"collections":416,"showCount":417,"zanCount":43,"manualWeight":43,"mainColor":44},233378,"yuan-ji-jin-shan-long-you-si-shi-yi-ce-shi-tao-233378","原济金山龙游寺诗意册","本幅墨笔山水画金山龙游寺风景。共12开，每开均有自印，第十二开上方有自题一段。印记：“子英秘玩”，“蜀客”，“浙东陆钢鉴藏之印”等印45方。后页二方。题跋：后页姚虞琴题记一段。\n原济(1642—1707年)，俗姓朱，名若极，广西全州(今全县)人，明宗室靖江王后裔。明亡之际出家为僧，僧名原济，号石涛、清湘老人、苦瓜和尚等。他最擅画山水，兼擅花竹、人物等。所绘山水之景苍润雄浑，风格新奇，笔墨淋漓酣畅，墨气浓润，笔意苍逸，手法变幻无穷，独成一家。在绘画理论上贡献卓著。他主张“笔墨当随时代”和“借古以开今”，强调对大自然要有真切的艺术感受，在艺术创作时要“我自用我法”，反对泥古不化。",[26,27,28,29,35,30,133,94,32,93,92,413],"草丛","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F5af052cf182809b3d590f54883cbc337.jpg","纵24.6cm横17.6cm",[39,59],126,{"id":419,"slug":420,"title":355,"dynasty":8,"author":7,"museum":159,"description":280,"tags":421,"thumbUrl":423,"material":424,"size":221,"collection":39,"collections":425,"showCount":426,"zanCount":43,"manualWeight":43,"mainColor":44},234296,"yuan-ji-shan-shui-tu-ce-shi-tao-234296",[106,26,70,29,52,27,28,30,134,132,93,365,422,35],"近水","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ff66ce93c8dd6e2917b723381f2a32347.jpg","纸本，设色",[39,140],121,{"id":428,"slug":429,"title":430,"dynasty":8,"author":7,"museum":67,"description":160,"tags":431,"thumbUrl":432,"material":253,"size":254,"collection":11,"collections":433,"showCount":434,"zanCount":114,"manualWeight":43,"mainColor":44},290425,"shan-shui-ce-8-zhen-shi-tao-290425","山水册8帧",[26,29,30,27,52,28,241,197,32,57,35],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F10e43bd7167cf84e5eb97a9e84d36de0.jpg",[],120,{"id":436,"slug":437,"title":438,"dynasty":8,"author":7,"museum":67,"description":439,"tags":440,"thumbUrl":441,"material":11,"size":11,"collection":11,"collections":442,"showCount":434,"zanCount":114,"manualWeight":43,"mainColor":44},228995,"hua-hui-ce-shi-zhen-shi-tao-228995","花卉册十帧","此作以桃花配墨竹，刚柔互衬。粉桃花朵晕染柔润，娇妍含露，枯笔写枝拙朴苍劲，尽显花柔枝老的生趣。右下角墨竹以浓墨挥写，叶片挺拔清瘦，与柔媚桃花相映，愈见雅致。\n\n行书题款舒朗流畅，诗文借春日江南景致抒放逸闲情，诗书画意相融无间。整幅以淡墨轻色写意，随性疏朗，以简淡笔墨托出春日清妍，将文人心底的闲情雅趣寄于花枝竹影间，淡而有味，简而有神，尽显文人画的写意真趣。",[106,26,70,29,27,52,120,121,54],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fade10183679772013e35beae8b8ea357.jpg",[],{"id":444,"slug":445,"title":446,"dynasty":8,"author":7,"museum":159,"description":447,"tags":448,"thumbUrl":451,"material":452,"size":453,"collection":11,"collections":454,"showCount":455,"zanCount":114,"manualWeight":43,"mainColor":44},233122,"sou-jin-qi-feng-tu-juan-shi-tao-233122","搜尽奇峰图卷","画卷迎首处，石涛自题：“搜尽奇峰打草稿”，钤“老涛”。画尾的空白处，有石涛于画兴之余所题写的长篇画论：“郭河阳论画，山有可望者、可游者、可居者。余曰：江南江北，水陆平川，新沙古岸，是可居者。浅则赤壁苍横，湖桥断岸，深则林峦翠滴，瀑水悬争，是可游者。峰峰入云，飞岩堕日，山无凡土，石长无根，木不妄有，是可望者。今之游于笔墨者，总是名山大川未览，幽岩独屋何居？出郭何曾百里入室，那容半年交泛滥之酒杯，货簇新之古董，道眼未明，纵横习气安可辩焉？自之曰：此某家笔墨，此某家法派，犹盲人之示盲人、丑妇之评丑妇尔，赏鉴云乎哉。不立一法，是吾宗也，不舍一法，是吾旨也，学者知之乎。时辛未二月，余将南还客且憨斋，宫纸余案，主人慎庵先生索画并识请教，清湘枝下人石涛元济。”钤“苦瓜和尚”、“冰雪悟前身”、“石涛”。\n后隔水及尾纸，有墨香堂、陈奕禧、徐云、叶河音布等家题诗和题记。全幅钤鉴藏印数十方。\n此图是他50岁云游京师所作。图中有一段对长城的描绘，这不仅是长城图像首次在山水画中出现，同时，也印证了此画的写实性以及作者所提倡的师法造化“搜尽奇峰打草稿”的美学观。该画在表现上，于奇险中见雄浑，严谨处寓虚空。虽看似笔墨豪放，皴擦点染尽在无意，而在整体上却把握了峰峦层次，云气走向及林木隐现的神韵。特别是，它的构图虽然充塞满纸，却丝毫不失疏朗空灵，这的确是只有搜尽奇峰才能炼就出的本领。",[26,70,71,27,30,28,57,35,75,449,241,242,32,92,197,450,331],"奇峰","舟楫","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fe2509a448a26e43ea37e9080967b1229.jpg","纸本，墨笔","纵42.8厘米，横285.5厘米",[],118,{"id":457,"slug":458,"title":459,"dynasty":8,"author":7,"museum":67,"description":160,"tags":460,"thumbUrl":464,"material":253,"size":254,"collection":11,"collections":465,"showCount":466,"zanCount":114,"manualWeight":43,"mainColor":44},288091,"shan-shui-tu-juan-shi-tao-288091","山水图卷",[25,26,71,70,27,28,30,31,92,461,94,331,198,462,75,57,35,463],"林木","篆书","秋景","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F1f6af245446b0e5843dd2cd8f5b76edc.jpg",[],112,{"id":468,"slug":469,"title":470,"dynasty":8,"author":7,"museum":22,"description":23,"tags":471,"thumbUrl":472,"material":37,"size":38,"collection":11,"collections":473,"showCount":474,"zanCount":43,"manualWeight":43,"mainColor":44},214889,"shan-shui-tu-ce-4-shi-tao-214889","山水图册-4",[25,26,27,28,29,57,35,30,94,148,92,32],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F4d80b1de337411d72d248e61d4a115b1.jpg",[],108,{"id":476,"slug":477,"title":478,"dynasty":8,"author":7,"museum":67,"description":160,"tags":479,"thumbUrl":482,"material":253,"size":254,"collection":11,"collections":483,"showCount":484,"zanCount":114,"manualWeight":43,"mainColor":44},290459,"shan-shui-qing-ya-tu-ce-shi-tao-290459","山水清雅图册",[106,26,70,29,30,52,28,92,331,480,365,35,481],"古松","清雅","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fe3bd638039d20e8dcda51965ebdcf87c.jpg",[],107,{"id":486,"slug":487,"title":488,"dynasty":8,"author":7,"museum":22,"description":23,"tags":489,"thumbUrl":491,"material":37,"size":38,"collection":11,"collections":492,"showCount":493,"zanCount":43,"manualWeight":43,"mainColor":44},214888,"shan-shui-tu-ce-5-shi-tao-214888","山水图册-5",[25,26,27,52,29,28,30,31,32,490,197],"山峰","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F69c7502bb24d845dbe3fdcd70b9b300d.jpg",[],105,{"id":495,"slug":496,"title":206,"dynasty":8,"author":7,"museum":67,"description":160,"tags":497,"thumbUrl":499,"material":253,"size":254,"collection":11,"collections":500,"showCount":501,"zanCount":114,"manualWeight":43,"mainColor":44},287452,"yi-jin-ling-ce-shi-tao-287452",[26,29,27,57,35,28,30,367,302,92,110,498],"山居","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F4024d85ab10042e974297b9aa2ce45b2.jpg",[],103,{"id":503,"slug":504,"title":355,"dynasty":8,"author":7,"museum":67,"description":160,"tags":505,"thumbUrl":506,"material":11,"size":11,"collection":39,"collections":507,"showCount":508,"zanCount":43,"manualWeight":43,"mainColor":44},237762,"yuan-ji-shan-shui-tu-ce-shi-tao-237762",[26,70,29,27,28,35,30,91,90,94,92],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F2602ace4f9f01cb00770af8e9295051f.jpg",[39,140],102,{"id":510,"slug":511,"title":512,"dynasty":8,"author":7,"museum":67,"description":513,"tags":514,"thumbUrl":515,"material":452,"size":516,"collection":59,"collections":517,"showCount":518,"zanCount":43,"manualWeight":43,"mainColor":44},233679,"yuan-ji-lan-zhu-ce-mei-lan-shi-shi-tao-233679","原济兰竹册－梅兰石","石涛的花鸟、兰竹，不拘成法，自抒胸臆，笔墨爽利峻迈，淋漓清润，极富个性。石涛还讲求气势。他笔情恣肆，淋漓洒脱，不拘小处瑕疵，作品具有一种豪放郁勃的气势，以奔放之势见胜。郑板桥在《板桥题画》中云：“石涛善画，盖有万种，兰竹其余事也。”可见他对石涛的兰竹之作评级最高。此石涛《兰竹册》为故宫馆藏精品，计十八开，以兰为主，配以竹、石、梅等。",[26,70,29,27,75,57,35,230,251,56],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F5adcbe7ff4a237a50f27c41a03aba237.jpg","纵43.2cm，横30.2cm",[59],100,{"id":520,"slug":521,"title":522,"dynasty":8,"author":7,"museum":159,"description":523,"tags":524,"thumbUrl":526,"material":452,"size":527,"collection":11,"collections":528,"showCount":529,"zanCount":114,"manualWeight":43,"mainColor":44},233405,"mo-he-tu-zhou-shi-tao-233405","墨荷图轴","图绘欣欣向荣的荷塘景色。构图疏密交错，通过荷叶、茨菰、莲蓬、蒲草间的相互掩映构筑出变化丰富的空间层次。用墨淋漓尽致，浓淡、枯润相生，显现出作者较强的笔墨把控能力。\n本幅自题七言诗一首，款署：“大涤子邗上秋日写”。钤白文印二方：“靖江后人”、“大涤堂”。",[26,70,89,27,75,107,108,525],"荷花","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F86fe017aa56845f71e72ee664ba076f8.jpg","纵90.2厘米，横50.4厘米",[],96,{"id":531,"slug":532,"title":533,"dynasty":8,"author":7,"museum":159,"description":534,"tags":535,"thumbUrl":537,"material":220,"size":538,"collection":11,"collections":539,"showCount":540,"zanCount":114,"manualWeight":43,"mainColor":44},233956,"yuan-ji-shan-shui-heng-zhou-shi-tao-233956","原济山水横轴","本册10开，或墨笔或设色，末开自款“时甲子新夏呈阆翁火词宗夫子，清湘秃发济”，钤“冰雪悟前身”，（白文方印）每开上“忍庵图书”一印。\n原济(1642—1707年)，俗姓朱，名若极，广西全州(今全县)人，明宗室靖江王后裔。明亡之际出家为僧，僧名原济，号石涛、清湘老人、苦瓜和尚等。他最擅画山水，兼擅花竹、人物等。所绘山水之景苍润雄浑，风格新奇，笔墨淋漓酣畅，墨气浓润，笔意苍逸，手法变幻无穷，独成一家。在绘画理论上贡献卓著。他主张“笔墨当随时代”和“借古以开今”，强调对大自然要有真切的艺术感受，在艺术创作时要“我自用我法”，反对泥古不化。",[26,70,536,27,28,30,321,32,94,148,132,90,91,92],"横轴","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ff862291aff18cd6d44ac688b5b35c856.jpg","纵46.5cm，横30.7cm",[],94,{"id":542,"slug":543,"title":544,"dynasty":8,"author":7,"museum":545,"description":546,"tags":547,"thumbUrl":548,"material":220,"size":549,"collection":11,"collections":550,"showCount":551,"zanCount":114,"manualWeight":43,"mainColor":44},231362,"qin-huai-he-tu-shi-tao-231362","秦淮河图","美国克利夫兰艺术博物馆","石涛与弘仁、髡残、朱耷合称“清初四僧”，在中国书画史上影响巨大。本博分享的石涛国画作品，选自美国弗利尔美术馆（Freer Gallery of Art）珍藏的金陵山水册页：《金陵怀古册》，画面多为金陵（今南京）之景。作品中可以看出，石涛用笔恣肆，水墨淋漓，色墨交融，是典型的石涛成熟时期作品。",[26,70,27,52,28,30,148,132,367,35],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F9bfce3ea245449c5759644e50c10c5ea.jpg","25.5 x 20.2厘米",[],93,{"id":553,"slug":554,"title":555,"dynasty":8,"author":7,"museum":67,"description":556,"tags":557,"thumbUrl":561,"material":11,"size":11,"collection":11,"collections":562,"showCount":563,"zanCount":114,"manualWeight":43,"mainColor":44},228984,"tao-yuan-tu-shou-juan-shi-tao-228984","桃源图手卷","此卷以水墨绘就世外幽境，烟波浩渺处山峦层叠，云气裹挟峰峦，虚实相生。溪谷村居错落枕山而卧，隐合桃源意趣。\n作者以干笔皴擦点染山峦苍劲质感，湿笔晕染云水，将空濛灵秀尽数铺展。长卷题诗与画意呼应，书与画浑然一体，以诗衬景，写尽武陵寻踪的澹然逸趣，将陶公笔下的避世之境化为眼前水墨云山，尽显寄情林泉、追慕世外丘壑的文人雅怀，把桃源的幽隐之美揉进笔墨山河之中。",[26,70,71,52,30,28,75,35,57,121,148,558,31,133,94,198,32,92,197,559,560],"飞鸟","人家","路径","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F080a81c9dd7e1efb524af89d227ecaf4.jpg",[],91,{"id":565,"slug":566,"title":567,"dynasty":8,"author":7,"museum":67,"description":568,"tags":569,"thumbUrl":571,"material":37,"size":538,"collection":39,"collections":572,"showCount":563,"zanCount":257,"manualWeight":43,"mainColor":44},220124,"cai-shi-tu-zhou-shi-tao-220124","采石图轴","石涛(1642—1707年)，俗姓朱，名若极，广西全州(今全县)人，明宗室靖江王后裔。明亡之际出家为僧，僧名原济，号石涛、清湘老人、苦瓜和尚等。他最擅画山水，兼擅花竹、人物等。所绘山水之景苍润雄浑，风格新奇，笔墨淋漓酣畅，墨气浓润，笔意苍逸，手法变幻无穷，独成一家。在绘画理论上贡献卓著。他主张“笔墨当随时代”和“借古以开今”，强调对大自然要有真切的艺术感受，在艺术创作时要“我自用我法”，反对泥古不化。",[25,26,70,89,27,52,30,56,91,570,197,365,198,28],"悬崖","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fda809bfbd4f3ca60ab1f69468e34e8e1.jpg",[39],{"id":574,"slug":575,"title":576,"dynasty":8,"author":7,"museum":67,"description":160,"tags":577,"thumbUrl":578,"material":11,"size":11,"collection":39,"collections":579,"showCount":580,"zanCount":114,"manualWeight":43,"mainColor":44},234647,"yuan-ji-jin-ling-shi-jing-tu-ce-shi-tao-234647","原济金陵十景图册",[26,27,75,29,30,148,558,151,241,57],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F6020bc5a26b64366dfa9a8384032aebb.jpg",[39],88,{"id":582,"slug":583,"title":584,"dynasty":8,"author":7,"museum":159,"description":585,"tags":586,"thumbUrl":592,"material":424,"size":593,"collection":59,"collections":594,"showCount":595,"zanCount":43,"manualWeight":43,"mainColor":44},233771,"yuan-ji-tao-yuan-ming-shi-yi-ce-shi-tao-233771","原济陶渊明诗意册","本图册是作者根据东晋著名诗人陶渊明诗句而创作。陶渊明是中国田园诗的创始者，他的诗不仅反映出田园生活的美好与自然，更流露出他徘徊于出仕与归隐之间的矛盾。绘画者显然非常赞赏这种避身独处、与世无争、乐天安命的人生哲学，通过描绘回归自然、淡于荣禄、不与统治者合作的隐士陶渊明来表现自己美好的理想。\n这里择两开赏析。\n第二开《悠然见南山》：陶渊明的许多诗篇中都有关于菊花的诗句：“采菊东篱下，悠然见南山”、“秋菊有佳色，裛露掇其英”均写出了他远离世俗的心境和陶醉于自然的乐趣。他常以菊自喻，借菊花凌秋傲霜的品质表达自己清高的节操和情怀。石涛仰慕陶渊明的高尚情操，故此图借陶渊明爱菊寄寓了画家自己的思想感情。画中篱笆院中菊花盛开，一高士手持菊花观赏，悠然之态可见。此图结构精巧，人物用笔细密。远山以墨笔烘染，山腰云雾密布，不见山脚，以此表现烟云飘渺的动态和气势。这种中锋、细勾、渍染相结合的画法使画面有动有静，虚实结合，意趣无穷。\n第六开《遥遥望白云 怀古一何深》：描绘一位着布衣宽袍的老者临溪而立。老者远望青山，脚下溪水流淌。面对满目凄凉、空无一人的山水，主人公似思绪万千，发思古之幽情。画家借此图深刻而恰当地表达了自己零丁孤苦、怀才不遇之情。构图采用一水两岸的自然分疆法。画面上只见弥漫的云山、层山断处的房舍和半露的松林而不见山脚，山顶则似露非露地隐现。树木用水墨渍出，以衬托山腰白云的动感。",[106,26,70,587,588,27,52,30,57,75,28,91,302,241,589,590,132,92,93,591],"册页","清代","平原","烟树","小径","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fa60253ab4b37909a1fca2e563c4ae780.jpg","纵27厘米，横21.3厘米",[59,39,140],87,{"id":597,"slug":598,"title":599,"dynasty":8,"author":7,"museum":159,"description":600,"tags":601,"thumbUrl":604,"material":220,"size":605,"collection":11,"collections":606,"showCount":607,"zanCount":257,"manualWeight":43,"mainColor":44},233793,"heng-tang-ye-lv-tu-zhou-shi-tao-233793","横塘曳履图轴","图绘疏林湖畔高士拽杖独行的情景。设景布势以“S”形湖堤为主线，通过对近景树石的具象描绘，烘托出远山平湖的虚空迷蒙，画面空间在景致的虚实互映中得“咫尺千里”之趣。画中的山石杂木以饱含水分的润墨表现，点染生动，显现出作者较强的笔墨驾驭能力。此图并非对实景写生，而是作者“搜尽奇峰打草稿”后的胸中丘壑的写照，面目独具，妙得自然。",[26,27,89,28,30,133,94,32,93,92,558,56,602,74,365,603,560,197],"垂柳","村落","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fec35a9c7d7a205ee549cc4e63ce41cbd.jpg","纵131.4厘米，横44.2厘米",[],86,{"id":609,"slug":610,"title":611,"dynasty":8,"author":7,"museum":67,"description":612,"tags":613,"thumbUrl":614,"material":253,"size":254,"collection":11,"collections":615,"showCount":607,"zanCount":43,"manualWeight":43,"mainColor":100},224528,"mu-dan-lan-hua-tu-zhou-shi-tao-224528","牡丹兰花图轴","石涛的花鸟、兰竹，多用水墨写意法，行笔爽利，用墨淋漓简练，给人以清峻、挺拔、浑厚之感。石涛的兰竹画为中国画史中的一绝。图中兰叶瘦劲，浓墨托出，交迭穿插，兰花散发出幽香。",[25,106,26,70,89,27,53,57,35,120,395,251],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fde9163948f16c605409d424d9bc05e56.jpg",[],{"id":617,"slug":618,"title":619,"dynasty":8,"author":7,"museum":67,"description":620,"tags":621,"thumbUrl":625,"material":11,"size":11,"collection":11,"collections":626,"showCount":627,"zanCount":114,"manualWeight":43,"mainColor":100},228987,"you-zhang-gong-dong-tu-shi-tao-228987","游张公洞图","此作以全景铺展丘壑，溪谷盘绕于层叠峰峦间，村居错落掩映林泉。清润的皖南山水底色间，揉进雄健恣肆的皴擦点染，丹红林木轻点秋意，实景生趣与写意空灵相融。\n书画合璧，长题以文释意，将探幽快意寄于尺幅，林泉高致与文人雅兴浑然一体。笔底带着恣肆性灵，以山水写心，将搜尽奇峰的丘丘磊磊，化作澄怀观道的林泉佳处，尽显文人画借景抒怀的精髓。",[25,26,70,71,52,30,28,57,75,35,622,623,133,31,32,321,560,624,132],"山","水","洞穴","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F6aef0f36d2f6bb2fa1e6e2e83d6241bf.jpg",[],81,{"id":629,"slug":630,"title":631,"dynasty":8,"author":7,"museum":22,"description":23,"tags":632,"thumbUrl":633,"material":37,"size":38,"collection":11,"collections":634,"showCount":635,"zanCount":43,"manualWeight":43,"mainColor":44},214885,"shan-shui-tu-ce-7-shi-tao-214885","山水图册-7",[25,106,26,70,29,27,52,30,56,32,365,197,28,35,57],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F4ecda7769b032a5905973de3864dbb28.jpg",[],78,{"id":637,"slug":638,"title":639,"dynasty":8,"author":7,"museum":67,"description":640,"tags":641,"thumbUrl":642,"material":11,"size":11,"collection":11,"collections":643,"showCount":644,"zanCount":43,"manualWeight":43,"mainColor":44},228997,"hua-niao-tu-ce-12-kai-shi-tao-228997","花鸟图册12开","此作用笔简淡清逸，枯湿浓淡的笔墨绘就枝叶，偃仰之间自带舒展生韵。淡黄绿色轻晕花形，不着勾勒，似含露半绽，朦胧雅致。\n行书题诗与画意相得益彰，笔势同画中笔墨呼应相生，以花木寄寓出脱尘的襟怀。画面留白空濛悠远，以少胜多，将草木清灵意趣与文人雅逸情志相融，淡远萧疏之间，尽显自在风骨，是以画写心的佳作。",[26,70,29,27,52,120,57,35,53],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F9e3557a950fe9eb3922bef3edf50e34b.jpg",[],70,{"id":646,"slug":647,"title":648,"dynasty":8,"author":7,"museum":67,"description":649,"tags":650,"thumbUrl":12,"material":11,"size":11,"collection":11,"collections":653,"showCount":654,"zanCount":43,"manualWeight":43,"mainColor":100},224496,"gu-mu-chui-yin-shi-tao-224496","古木垂荫","《古木垂阴图》是清朝的文物， 纵175,横5.7cm。\n古木垂阴图 古木垂阴图 清（1644-1911） 纸本 水墨 纵175,横5.7cm 设色绘近景层岩嶙峋，树木丰茂，山径曲折，楼阁深藏，远山挺拔峭立，云烟缭绕。\n用笔皴法多变，赋色雅淡。\n右上角有作者长题，石涛（公元164~？），亦署大涤子、苦瓜和尚等，明宗室后裔，俗名朱若极，清亡后削发为僧。\n善画山水，为清初四画僧之一。",[25,106,26,70,89,27,28,30,196,92,242,651,32,652,35],"亭子","枯藤",[],69,{"id":656,"slug":657,"title":658,"dynasty":8,"author":7,"museum":67,"description":659,"tags":660,"thumbUrl":663,"material":11,"size":11,"collection":138,"collections":664,"showCount":665,"zanCount":43,"manualWeight":43,"mainColor":44},228989,"bai-kai-luo-han-tu-1-shi-tao-228989","百开罗汉图1","《石涛罗汉百开册页》是石涛青年时期绘制的工笔人物作品，为完整一百开册页，共画山水背景中的罗汉人物1位，各册页中罗汉左右分别陪饰众多人物及似龙、虎、鹿、狮等神兽形象。\n根据 在画中自题，最早一开创作于“丁未” (1667 年)，石涛时年26岁。\n整套册页作品分别作于1667年、1669年、167年，1672年，即从石涛的26岁至1岁，历时6年之久，实为石涛倾力之作。\n《罗汉百开图》册页集人物、山水、花鸟之大成，是石涛技艺日臻成熟时的作品，所绘人物，造型生动，神态各异，笔墨洗练，叙事清楚，饱含人文情怀。\n石涛最早的人物画是康熙时期所作的《百美图》，这是对仇英作品的临摹，更是一次再创作。\n吴湖帆正是看了此画，才有上面提到的‘石涛画人物最佳’之说。\n这幅画被石涛的老师梅青借走，供于香案之上，每日膜拜，后不知所踪。\n美国大都会博物馆所藏《十六应真图》，长达六米，人物纯用线描，而配以山水背景。\n另外还听说波士顿博物馆藏有一幅石涛人物画。\n有记录的石涛作品，现存世约4件，《石涛罗汉百开册页》占了其中1件。\n崔如琢还另外藏有石涛的两套册页以及手卷、中堂、条幅若干，藏品总数达1件，应该是收藏石涛作品最多的人。\n但他始终认为，《石涛罗汉百开册页》的价值最为独特，较之同时代西方文艺复兴时期的绘画，无论内容、题材、技法都称得上相映生辉。",[26,70,661,27,662,132,291,56,35],"宗教","白描","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F0cedcff1d2c958f6590b2e104032c599.jpg",[138],68,{"id":667,"slug":668,"title":669,"dynasty":8,"author":7,"museum":67,"description":670,"tags":671,"thumbUrl":672,"material":11,"size":11,"collection":11,"collections":673,"showCount":665,"zanCount":43,"manualWeight":43,"mainColor":44},228985,"jiang-nan-chun-ai-tu-shi-tao-228985","江南春霭图","淡赭晕染坡岸，老松虬枝盘曲如盖，竹树掩映间藏着矮屋，漾出林下幽居的闲散意趣。远景山峦以干笔皴擦，再笼上淡墨轻烟，春霭漫过江天，扁舟孤悬水面，将江南春日空濛柔婉的景致晕染开来。\n\n整幅以松秀笔墨绘就山水灵韵，页面上下题满行书，笔势纵宕不羁，诗画相生合契，把江南春景的澹远幽恬尽藏其中。以简淡笔墨勾勒出山川自然之趣，又寄寓文人幽居的清雅襟怀，尽显山水与心神相融的文人画逸致。",[106,26,70,27,52,30,28,75,35,291,652,198,133,94,148,558],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F1398b65b6b1e8c394747527e5b645ab4.jpg",[],{"id":675,"slug":676,"title":677,"dynasty":8,"author":7,"museum":67,"description":160,"tags":678,"thumbUrl":679,"material":11,"size":11,"collection":59,"collections":680,"showCount":681,"zanCount":43,"manualWeight":43,"mainColor":44},237535,"yuan-ji-zhu-shi-tu-zhou-shi-tao-237535","原济竹石图轴",[26,70,89,27,53,28,54,73,35,57],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F042b55af991c313cd4588dd0d5c88465.jpg",[59],66,{"id":683,"slug":684,"title":685,"dynasty":8,"author":7,"museum":159,"description":686,"tags":687,"thumbUrl":689,"material":11,"size":11,"collection":690,"collections":691,"showCount":692,"zanCount":43,"manualWeight":43,"mainColor":44},220391,"dui-niu-tan-qin-tu-zhou-shi-tao-220391","对牛弹琴图轴","《对牛弹琴图》构图奇险，笔墨老到，意境突出，是石涛人物画杰作。“对牛弹琴”一词本是讥笑说话的人不看对象。但此图通过作者自题“世上琴声尽说假，不如此牛听得真”等诗句，反映出作者难遇知音，而只能寄托于“牛声一呼真妙解”，反映了作者孤独落寞的心境。",[25,26,70,89,27,53,132,688,57,35],"牛","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F30ddceb25e9a6e5e8adc1edb2963e9c9.jpg","人物精选",[690],64,{"id":694,"slug":695,"title":696,"dynasty":8,"author":7,"museum":67,"description":697,"tags":698,"thumbUrl":699,"material":11,"size":11,"collection":11,"collections":700,"showCount":701,"zanCount":114,"manualWeight":43,"mainColor":100},229000,"jiao-ye-mo-se-tu-ce-12-kai-shi-tao-229000","郊野墨色图册12开","《石涛花卉》是219年中国书店出版的图书，作者是孙棋。\n石涛是一位多才多艺的艺术家，善画山水，兼工墨竹、花卉、人物。\n他吸收传统文化的精髓，但不受传统精神束缚，反对墨守成规，敢于打破陈法，主张对绘画技法进行变革和创新，是中国绘画史上出类拔萃、屈指可数的人物之一。\n石涛精于花卉蔬果，尤其是传统的“四君子”题材的绘画。\n他在继承传统的基础上进行创新，花卉潇洒隽朗、天真烂漫、清气袭人，人物生拙古朴、别具一格。\n可以说，石涛开清代花鸟画之先河，在中国花鸟画史上有着不可替代的地位。\n着色花卉图册八帧 岷江春色图 花卉图册十二帧 细笔花卉图册十帧 山水花卉图册八帧 郊野墨色图册十二帧 苦瓜和尚书画册十二帧 人物花鸟图册八帧 陶渊明诗意图册十二帧 写枝山诗意图册十帧",[26,27,52,28,29,30,622,623,32,93,92],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F34a1d8a7dff20448467a31c175199486.jpg",[],63,{"id":703,"slug":704,"title":705,"dynasty":8,"author":7,"museum":67,"description":706,"tags":707,"thumbUrl":710,"material":11,"size":11,"collection":11,"collections":711,"showCount":712,"zanCount":114,"manualWeight":43,"mainColor":100},228982,"liu-xi-xing-zhou-tu-shi-tao-228982","柳溪行舟图","此作诗书画印浑然相融，尽展林泉野致。山峦以皴擦互用，写就岩崖苍厚嶙峋，林麓间山居藏隐，藏露之间暗合幽栖雅意。\n溪湾扁舟轻漾，独棹的渔翁将画面意趣引向空濛烟水，板桥连缀溪谷，荒草苍松点染其间，朴茂苍劲。笔墨干湿浓淡交叠，带着萧散旷达的文人心性，把丘壑烟岚的清寂诗意落于笔底，将文人山水的诗境与画韵揉合为一，尽显幽远空疏的林下风致。",[25,26,27,28,89,70,75,30,708,709,133,94,74,73,264,132],"柳","舟","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fa88ee2c58c5ce1b367e94b44021285a3.jpg",[],62,{"id":714,"slug":715,"title":716,"dynasty":8,"author":7,"museum":67,"description":160,"tags":717,"thumbUrl":719,"material":253,"size":254,"collection":11,"collections":720,"showCount":721,"zanCount":43,"manualWeight":43,"mainColor":44},288273,"xiao-pin-shi-tao-288273","小品",[26,716,52,263,57,35,718],"悠然","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F6ebeed5d921918aa4363b232b4501e06.jpg",[],61,{"id":723,"slug":724,"title":725,"dynasty":8,"author":7,"museum":67,"description":160,"tags":726,"thumbUrl":728,"material":11,"size":11,"collection":39,"collections":729,"showCount":721,"zanCount":114,"manualWeight":43,"mainColor":44},237470,"yuan-ji-tao-shi-cai-ju-tu-zhou-shi-tao-237470","原济陶诗采菊图轴",[26,27,89,30,28,622,91,367,321,302,727],"苔点","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fa3235b3438219ed07d2bd0482e005116.jpg",[39,79],{"id":731,"slug":732,"title":733,"dynasty":8,"author":7,"museum":159,"description":734,"tags":735,"thumbUrl":738,"material":220,"size":739,"collection":11,"collections":740,"showCount":721,"zanCount":43,"manualWeight":43,"mainColor":44},234082,"yuan-ji-zhu-ju-xiu-shi-tu-zhou-shi-tao-234082","原济竹菊秀石图轴","此画集中体现了石涛所谓“化”、“略无纪律而纪律自在其中”的艺术特点。画面左下侧湖石挺拔而起，矗立至画幅左中部。湖石脚下画有数茎兰花，花朵吐出清幽的芳香，散发在湿润的空气中。山石腰部和顶端长了花草。湖石后面，耸立着两竿新竹，竹叶直伸展画面顶端，竹叶交迭穿插，有的仰俯，有的平展，有的下垂。湖石后面又一株菊花，依石与新竹穿插生长，花朵盛开，枝叶茂盛。\n此画构图紧凑，画面虽竖长条，上不留天，下不留地，在画的右侧下，有作者自题识。此画的竹、菊全以浓墨写出，仅以淡墨点几点苔点及花萼、花蕊。画成以后，即以淡墨水全幅遍染，仅仅留出菊花的花瓣的白底子，在灰色的背景下，显得格外清亮。在背景的淡墨水将干未干之际，用较深的墨作草书题款。由于对水分的掌握恰到好处。字迹与画的底色渗化融合，浑然一体。总之，此画中的菊、竹、湖石画得淋漓挥洒，纵横豪宕绝无霸悍之气，似乎信手拈来，一挥而就，且无一笔不合画理和法度，达到了天才和功力的完美统一，是一幅笔墨意境均出神入化的佳作。",[26,27,89,53,54,736,56,264,737],"菊","花卉","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F89d6e081a28cf954997b56c68ef141d0.jpg","51.16*129.02厘米",[],{"id":742,"slug":743,"title":744,"dynasty":8,"author":7,"museum":67,"description":160,"tags":745,"thumbUrl":746,"material":11,"size":747,"collection":59,"collections":748,"showCount":749,"zanCount":43,"manualWeight":43,"mainColor":44},237761,"mo-mei-tu-zhou-shi-tao-237761","墨梅图轴",[26,70,89,27,662,230,56,35],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F6fab0adcf142610f1d8c057e202ce5f9.jpg","133×66cm.",[59],60,{"id":751,"slug":752,"title":310,"dynasty":8,"author":7,"museum":159,"description":160,"tags":753,"thumbUrl":754,"material":220,"size":11,"collection":39,"collections":755,"showCount":756,"zanCount":43,"manualWeight":43,"mainColor":44},237235,"yuan-ji-shan-shui-tu-zhou-shi-tao-237235",[26,27,89,70,106,30,570,32,90,321,150,94,35,57,28],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fb5e43feaef33afb1b1431c649b984048.jpg",[39],59,{"id":758,"slug":759,"title":760,"dynasty":8,"author":7,"museum":67,"description":160,"tags":761,"thumbUrl":762,"material":253,"size":254,"collection":11,"collections":763,"showCount":764,"zanCount":43,"manualWeight":43,"mainColor":44},239482,"yuan-ji-mo-zhu-tu-zhou-shi-tao-239482","原济墨竹图轴",[26,70,89,27,54],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F2ab0ea574ed0f16f3b678d121a5225fa.jpg",[],58,{"id":766,"slug":767,"title":768,"dynasty":8,"author":7,"museum":159,"description":769,"tags":770,"thumbUrl":772,"material":424,"size":773,"collection":11,"collections":774,"showCount":764,"zanCount":62,"manualWeight":43,"mainColor":44},233959,"dui-ju-tu-zhou-shi-tao-233959","对菊图轴","图绘双松虬结的庭院内梅、竹互映，房舍错落，屋内高士观赏秋菊，其品菊的举止生动传神，点明了“对菊”的画作主题。庭院外是迂回盘桓的山峦和自远而近的江水，它们为高士远离世俗的隐居之地平添了几分清幽。此图与石涛贯有的笔墨雄健纵恣、豪放洒脱的画风不同，刻画工整细腻，或徐或疾的笔致和富于节奏变化的朱点、墨点自得一股苍莽之气。此幅当属石涛居住扬州时期创作的一幅难得的精细之作。",[26,70,27,28,89,35,30,74,736,771,92,32,133,94],"民居","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F7030dd986967133b9acf5ab16c143856.jpg","纵99.5厘米，横40.2厘米",[],{"id":776,"slug":777,"title":778,"dynasty":8,"author":7,"museum":67,"description":779,"tags":780,"thumbUrl":784,"material":11,"size":11,"collection":11,"collections":785,"showCount":786,"zanCount":114,"manualWeight":43,"mainColor":44},228983,"tao-yuan-tu-shi-tao-228983","桃源图","此作用淡墨晕染烟岚，赭石青绿轻敷山峦，留白铺展云气溪谷，村居错落隐于林麓溪畔，营造出幽谧空濛的世外丘壑。写意笔法脱略具象，点染之间将笔下山水化为可游可居之境。\n卷后题跋书法朴拙苍劲，题诗与绘境呼应，将武陵渔父误入桃源的悠然逸致娓娓道来，诗画交融无间。\n整作以淡远萧散的意境，寄寓着文人避世幽居的理想，把陶潜笔下的幻梦山水化为现实笔墨，尽显山水写意的诗性之美。",[26,70,71,52,30,27,28,241,197,603,93,32,558,94,591,559,121,781,782,365,783,132],"渔父","溪流","近景","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fa7ff77b63e584f962b6ea92555a2a5a1.jpg",[],57,{"id":788,"slug":789,"title":790,"dynasty":8,"author":7,"museum":67,"description":791,"tags":792,"thumbUrl":793,"material":11,"size":11,"collection":11,"collections":794,"showCount":786,"zanCount":43,"manualWeight":43,"mainColor":100},224529,"zi-yun-jing-kai-yi-zhi-yan-shi-tao-224529","自云荆开一支眼","此作用开合之法排布丘壑，左右双峰雄峙，清溪自幽谷蜿蜒而出，层层铺展山水景深。笔法师法自然却不拘成法，方折勾勒山石轮廓，皴擦间带出苍厚质感，以赭石晕染岩面、花青点染林木苔痕，冷暖色调交织晕融，让雄奇山势裹着清润秀逸。\n\n谷间山居隐于林麓，暗合幽栖林下的野逸意趣，题识与画面相映成趣，诗画共生。笔墨纵恣灵变，摆脱摹古桎梏，以己心观照山水，将丘壑藏于笔底，尽显洒脱疏朗的性灵意趣，是借山川写胸臆的佳构。",[25,26,70,30,52,28,92,32,93,35,29],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F8d708bf201803287d6fb36b1c9262a54.jpg",[],{"id":796,"slug":797,"title":798,"dynasty":8,"author":7,"museum":67,"description":799,"tags":800,"thumbUrl":801,"material":11,"size":11,"collection":11,"collections":802,"showCount":803,"zanCount":43,"manualWeight":43,"mainColor":44},228996,"hua-hui-shan-shui-ce-ye-12-kai-shi-tao-228996","花卉山水册页12开","《陈师曾画集》是以画家个案研究为切入点，以介绍画家作品为主线，将过去未被出版的近现代有影响画家作品编辑出版，为近现代绘画学习、研究提供第一手资料。\n进入二十世纪来，中国近代画家成为美术界、收藏界研究、关注的热点。\n《陈师曾画集》由 出版。\n菊花书画卷(局部) 花卉山水人物册页四开 花卉册页二开 仿李觯册页四开 花卉(合作) 花卉山水册页五开 山水册页二开 山水 墨兰 水仙 梅花 碧霞元君祠图 拟沈周夏日山居图 北京风俗图册页三十四开 秋花奇石 墨荷 鬼趣图 钟馗读书图 达摩图 读画图 深山古寺 山林人家 仙鹤 岁寒清供图 深山秋烟 姚华小像 花卉四条 清供图 菊石图 山水册页四开 花卉四条 松树 听秋图 蔬笋 拟吴仲圭山水 群仙上寿图 山水 花鸟四屏 山水 仿沈周山水 山水 山水册页四开 忽见千帆 半山流泉 荷 芍药 些 芭蕉 花卉四屏 菊石 兰竹 仿石涛山水 鸡冠花 金壶细叶 携酒与鱼 梅花 兰石 梅竹双雀(合作) 佛手 赤壁图 山水 桃花 梅石 芭蕉菊花 腊梅秀石 山水长卷(合作) 花卉 山水册页 溪流浣衣 江乡秋获 山原行旅 村醪泥醉 雨洗铅华 空谷幽香 烟寒雨昏 老圃秋容 梅竹 月季花 花卉四条 秋园晚艳 桃花 绣球花 山林楼影 姜白石词意图册十二开 山水册页四开 山水诗画册页十六开 竹 写摩诘诗意 园林小景册页六开 山水册页二开 花卉山水册页十开 山水花果册页四开 枇杷 竹笋 杨诚斋诗意图册页六开 花卉册页八开 枇杷 秋柳图 达摩图 猴戏图(合作) 菊石 玉兰 墨笔山水 溪山松居图 山林静处 霜林红万山 山林深处 竹石 花红叶翠 附：常用印章 陈师曾年表",[26,70,29,52,27,30,31,558,110,32,35],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F0f22ccc2a5c9017120af6648fb95f4bf.jpg",[],55,{"id":805,"slug":806,"title":807,"dynasty":8,"author":7,"museum":808,"description":809,"tags":810,"thumbUrl":811,"material":37,"size":11,"collection":39,"collections":812,"showCount":803,"zanCount":43,"manualWeight":43,"mainColor":44},214831,"dong-po-shi-xu-shi-yi-tu-ce-shi-tao-214831","东坡时序诗意图册","日本大阪市立美术馆","石涛是一位著名的清代画家，他的东坡时序诗意图册是他的一部杰作。这本图册包含了许多精美的图画，描绘了东坡时期的生活情景。东坡是一位著名的宋代诗人，他的诗歌富有感性和诗意，与石涛的画风十分契合。石涛在这本图册中描绘了东坡时期的各种生活场景，包括山水风景、城市景观、家庭生活、社会活动等。他的画作富有浓郁的诗意气息，充满了东坡诗歌中的感性情感。整本图册是一部经典的艺术作品，值得一看。\n\n石涛，原名石炯，字涛，号青山，是一位著名的清代画家。他生于清朝康熙年间，擅长画山水、人物、花鸟。石涛的画风浓郁诗意，被称为“诗画一体”。他的代表作品有《东坡时序诗意图册》、《石涛画集》等。他的画作曾多次在国内外展览中展出，并受到广泛好评。",[25,26,29,52,27,30,57,75,28,53,622,623,134,93,198,133,94,132,56,291,558],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F41710880fbba161352187f5a38967874.jpg",[39],{"id":814,"slug":815,"title":145,"dynasty":8,"author":7,"museum":67,"description":816,"tags":817,"thumbUrl":818,"material":11,"size":11,"collection":11,"collections":819,"showCount":820,"zanCount":114,"manualWeight":43,"mainColor":44},228979,"shan-shui-tu-ce-8-kai-shi-tao-228979","此作取景清逸疏淡，枯淡笔墨勾皴江岸崖石，浅赭晕染土质坡台，素白村居朴拙静雅，隐于山坳江湾。苍松倚岸，添了几分苍润生机。江上双帆缓行，似是收棹将归，细笔轻描微波，水色空明澄澈，晕开江天静穆悠然。\n左侧题笔隽秀，诗画相融，点出如镜江色的清灵意趣。笔墨干湿互用，皴擦间带着疏朗纵逸之气，未作繁复堆砌，只以极简景致，绘出渔乡日暮的安闲意韵，尽显山水间萧散淡远的林下之风。",[106,26,70,29,27,52,30,149,92,32,150,151,28,35],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fc902b0dd15f94b2abc4bd478738d2ba3.jpg",[],54,{"id":822,"slug":823,"title":824,"dynasty":8,"author":7,"museum":159,"description":585,"tags":825,"thumbUrl":826,"material":424,"size":593,"collection":11,"collections":827,"showCount":828,"zanCount":114,"manualWeight":43,"mainColor":44},233770,"tao-yuan-ming-shi-yi-tu-ce-shi-tao-233770","陶渊明诗意图册",[26,70,29,27,52,75,57,30,32,93,560],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F21739288ecf9a96bf144d35e36186e18.jpg",[],53,{"id":830,"slug":831,"title":832,"dynasty":8,"author":7,"museum":159,"description":833,"tags":834,"thumbUrl":835,"material":163,"size":11,"collection":11,"collections":836,"showCount":837,"zanCount":114,"manualWeight":43,"mainColor":44},234504,"yuan-ji-mei-hua-ce-dan-ye-shi-tao-234504","原济梅花册单页","石涛（1642年－1708年）清代著名画家，原姓朱，名若极，广西桂林人，小字阿长，别号很多，如大涤子、清湘老人、苦瓜和尚、瞎尊者，法号有元济、原济等。明靖江王朱亨嘉之子。与弘仁、髡残、朱耷合称“清初四僧”。\n石涛是中国绘画史上一位十分重要的人物，他既是绘画实践的探索者、革新者，又是艺术理论家。\n他幼年遭变后出家为僧，驻锡于安徽宣城敬亭山广教寺，后半世云游，以卖画为业。早年山水师法宋元诸家，画风疏秀明洁，晚年用笔纵肆，墨法淋漓，格法多变，尤精册页小品；花卉潇洒隽朗，天真烂漫，清气袭人；人物生拙古朴，别具一格。工书法，能诗文。存世作品有《石涛罗汉百开册页》《搜尽奇峰打草稿图》《山水清音图》《竹石图》等。著有《苦瓜和尚画语录》。名言有“一画论”、“搜尽奇峰打草稿”、“笔墨当随时代”等。",[26,70,106,29,27,662,75,35,230],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Faf3586e802482ec56e20f1a800f31d1e.jpg",[],52,{"id":839,"slug":840,"title":841,"dynasty":8,"author":7,"museum":159,"description":842,"tags":843,"thumbUrl":844,"material":163,"size":11,"collection":11,"collections":845,"showCount":837,"zanCount":114,"manualWeight":43,"mainColor":44},234145,"yuan-ji-shan-shui-ren-wu-tu-juan-shi-tao-234145","原济山水人物图卷","石涛（1630-1724），清初画家。法名原济，一作元济、道济。石涛本姓朱，名若极，字石涛，又号苦瓜和尚、大涤子、清湘陈人等，汉族，广西全州人，晚年定居扬州。明靖江王之后，出家为僧。半世云游，饱览名山大川，工诗文，善书画。所画山水，笔法恣肆，离奇苍古而又能细秀妥帖，画花卉也别有生趣。与弘仁、髡残、石涛、八大并称画坛“四僧”。\n出生于帝王胄裔，国破家亡之痛，感触尤深。但其出家更多只是一种政治姿态，这与渐江的“受性偏孤”不同，石涛性格中充满“动”而身处佛门心向红尘。康熙南巡时，石涛曾两次接驾，主动进京交结达官显贵，企图出人头地，但权贵们仅将其当作一名会画画的和尚，并未与之计较，故而功败垂成。因此其在清高自许与不甘岑寂之间矛盾地渡过了一生，但他巧妙地把这种矛盾发泄到画作之中，使作品纵横排闼、闪转腾挪，充满了动感与张力，这也正是其异于常人的高明之处。\n石涛具有创新才能且创作题材广泛，为一多产画家。他的表现手法富于变化，又能将独特、和谐统一为自己的风格特色。一生游历过广西、江西、湖北、安徽、浙江、江苏和北京等地，在自然的真实感受和探索中加以对前人技法长处的融会。对绘画创作强调“师法自然”，把绘画创作和审美体系构成为“借笔墨以写天地而陶泳乎我也”。石涛的画似有一种超凡脱俗的意境，无论是山水、人物、还是花卉、走兽都有很高的艺术成就，“搜尽奇峰打草稿”是其绘画艺术取得成功的重要关键。\n擅山水，兼工兰竹。山水不局限于师承某家某派，而广泛师法历代画家之长，将传统的笔墨技法加以变化，又注重师法造化，从大自然吸取创作源泉，并完善表现技法。作品笔法流畅凝重，松柔秀拙，尤长于点苔，密密麻麻，劈头盖面，丰富多彩；用墨浓淡干湿，或笔简墨淡，或浓重滋润，酣畅淋漓，极尽变化；构图新奇，或全景式场面宏阔，或局部特写，景物突出，变幻无穷。尤其善用“截取法”以特写之景传达深邃之境，无论是黄山云烟，江南水墨，还是悬崖峭壁，枯树寒鸦，或平远、深远、高远之景，均力求布局新奇、意境翻新。画风新颖奇异、苍劲恣肆、纵横排奡、生意盎然。\n其作花鸟、兰竹亦不拘成法，自抒胸臆，笔墨爽利峻迈，淋漓清润，极富个性。花鸟继承徐渭等人的大写意花鸟传统，并自探“灵苗”，以天骨开张的艺术魅力表现其对生命与自然的热爱。作花卉墨竹，纵横肆意，于无法中有法，直抒性灵，并讲求诗意与绘画的结合生发，开拓了作品的意蕴。\n代表作品有《泼墨山水卷》、《山水清音图》、《苦瓜和尚妙谛册》等。著有《苦瓜和尚画语录》，以“一画”的命题把山水画理论提高到哲理的高度。",[25,26,71,27,28,75,662,30,132,148,92,32,183,91,782],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F58b8c89ebfd89cb31b396bff027a9532.jpg",[],{"id":847,"slug":848,"title":849,"dynasty":8,"author":7,"museum":67,"description":850,"tags":851,"thumbUrl":853,"material":11,"size":11,"collection":11,"collections":854,"showCount":837,"zanCount":43,"manualWeight":43,"mainColor":44},228998,"she-se-shan-shui-ce-shi-tao-228998","设色山水册","此作以虚实相生之趣写山林幽境，主峰半隐于翻涌云海间，一道飞瀑垂落，破开山石沉凝。留白衬出云气的空濛氤氲，干湿浓淡的水墨晕染出山峦苍润肌理。右下亭台隐于深林，坡岸幽草间似有幽人卧看云起，野趣横生。两枚朱红点染左上，为水墨素朴添了古雅意趣。\n\n笔墨简淡却丘壑暗藏，以意造境，将江南山林的静穆萧散尽显，仿佛能聆听到瀑声潺潺，嗅见草木清芬，于尺幅之间尽显林泉高致，藏着文人山水独有的幽寂禅意与雅逸情怀。",[26,52,27,30,31,90,197,92,852,132,35,28,29],"植物","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F6ae6fd993ba1f516bdea0e22920187e0.jpg",[],{"id":856,"slug":857,"title":858,"dynasty":8,"author":7,"museum":67,"description":859,"tags":860,"thumbUrl":861,"material":11,"size":11,"collection":11,"collections":862,"showCount":863,"zanCount":166,"manualWeight":43,"mainColor":44},224521,"shan-shui-tu-ce-8-kai-7-shi-tao-224521","山水图册8开-7","此作以高远之法取景，陡崖奇崛凌霄，枯笔皴擦写出山石嶙峋肌理，勾勒出峭拔苍劲的山势。崖畔林麓隐着古寺，山道间策杖行旅徐行，松下石台点缀幽境，留白处淡墨晕染云海，虚实相生，漾出空山幽寂之韵。\n\n笔墨干湿互用，松针勾勒劲挺老辣，题款小字清隽雅致，朱红印章点染提亮，既有黄山风骨，又自具萧散疏朗的文人意趣，将天地浩渺与林泉幽怀相融，藏着以造化为师的灵思，尽显山水间悠然淡远的禅意。",[25,106,26,70,29,27,52,28,30,132,32,92,197,31,35],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F66a6020bb641d0c028408138c6b6de59.jpg",[],51,{"id":865,"slug":866,"title":867,"dynasty":8,"author":7,"museum":67,"description":868,"tags":869,"thumbUrl":870,"material":11,"size":11,"collection":11,"collections":871,"showCount":872,"zanCount":114,"manualWeight":43,"mainColor":44},235908,"yuan-ji-shan-shui-ren-wu-tu-ye-shi-tao-235908","原济山水人物图页","这幅水墨小景以平远之法铺陈，淡墨晕染的远山如笼轻烟，虚灵悠远，将江天的空寂缓缓铺展。近岸茅舍错落，枯木遒劲疏朗，不着片叶，清寒萧索之意扑面而来。两位策杖逸士缓行低语，简括的衣纹里藏着松弛意趣，为冷寂山水晕开鲜活的人间烟火气。\n\n笔墨枯淡松秀，皴擦简省，只以淡墨扫出山形轮廓，留白疏密相宜，将江村冬日的清旷淡远尽数勾勒，禅意与野趣相融，于尺幅小景中尽显萧散简远的文人意趣，淡而有味，简中见深，藏着林泉幽居的悠悠雅怀。",[106,26,27,28,29,30,132,367,93,92],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fa9fcbddf539067fbbc2e5d9fd3d589cc.jpg",[],50,{"id":874,"slug":875,"title":876,"dynasty":8,"author":7,"museum":877,"description":878,"tags":879,"thumbUrl":880,"material":220,"size":11,"collection":11,"collections":881,"showCount":882,"zanCount":257,"manualWeight":43,"mainColor":44},232606,"ku-gua-he-shang-shu-hua-ce-shi-tao-232606","苦瓜和尚书画册.","美国大都会艺术博物馆","此画册《苦瓜和尚书画册》为清代画家石涛绘，共12幅，一图一诗。旧藏日本大收藏家桑名铁城，书名页 “石涛道人书画神品”为日本著名画家富冈铁斋题，现藏于美国大都会博物馆。这些书画大约书绘于1695年。\n石涛（1642年－1708年），清初画家，原姓朱，名若极，广西桂林人，祖籍安徽鳳陽，小字阿长，别号很多，如大涤子、清湘老人、苦瓜和尚、瞎尊者，法号有元济、原济等。与弘仁、髡残、朱耷合称“清初四僧”。石涛是中国绘画史上一位十分重要的人物，他既是绘画实践的探索者、革新者，又是艺术理论家。\n石涛擅长山水，常体察自然景物，主张“笔墨当随时代”，画山水者应“脱胎于山川”，“搜尽奇峰打草稿”，进而“法自我立”。所画的山水、兰竹、花果、人物，讲求新格，构图善于变化，笔墨笔墨恣肆，意境苍莽新奇，一反当时仿古之风。\n第十二帧：君与梅花同赏，岁寒时许争夸，暖日睛窗拈笔，几回清思无涯。小乘客，济。",[26,70,29,27,75,35,525],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F07884430a5f9c035d5167b0df2cde5b3.jpg",[],49,{"id":884,"slug":885,"title":886,"dynasty":8,"author":7,"museum":887,"description":888,"tags":889,"thumbUrl":891,"material":37,"size":892,"collection":39,"collections":893,"showCount":882,"zanCount":43,"manualWeight":43,"mainColor":100},219930,"liu-xi-diao-ting-tu-shi-tao-219930","柳溪钓艇图","香港艺术馆","石涛（1642年－1708年）明末清初著名画家，原姓朱，名若极，广西桂林人，小字阿长，僧名元济，一作原济，别号很多，大滌子、钝根、石道人、苦瓜和尚、瞎尊者、清湘陈人、清湘老人、清湘遗人、零丁老人。 明靖江王朱亨嘉之子，与弘仁、髡残、朱耷合称“明末四僧”。",[25,26,27,28,89,30,708,148,94,890,32,132,31,292],"石头","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F1ff3288481cb043a71d1eaf11cecb7e0.jpg","127.4x54",[39],{"id":895,"slug":896,"title":158,"dynasty":8,"author":7,"museum":67,"description":280,"tags":897,"thumbUrl":898,"material":11,"size":11,"collection":11,"collections":899,"showCount":900,"zanCount":43,"manualWeight":43,"mainColor":44},234168,"yuan-ji-shan-shui-tu-juan-shi-tao-234168",[25,26,70,71,27,28,30,490,32,93,242,197,75,57,35],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F815dd148ee14a764573968a252a39549.jpg",[],48,{"id":902,"slug":903,"title":904,"dynasty":8,"author":7,"museum":159,"description":905,"tags":906,"thumbUrl":908,"material":909,"size":910,"collection":11,"collections":911,"showCount":912,"zanCount":43,"manualWeight":43,"mainColor":44},233404,"yuan-ji-jiao-ju-zhou-shi-tao-233404","原济蕉菊轴","本幅水墨，自题五言诗一首，款：“蕉诗偶书其意，石涛济”。钤“搜尽奇锋打草稿。”朱方。下钤：“问亭鉴赏图书”等收藏印。\n原济(1642—1707年)，俗姓朱，名若极，广西全州(今全县)人，明宗室靖江王后裔。明亡之际出家为僧，僧名原济，号石涛、清湘老人、苦瓜和尚等。他最擅画山水，兼擅花竹、人物等。所绘山水之景苍润雄浑，风格新奇，笔墨淋漓酣畅，墨气浓润，笔意苍逸，手法变幻无穷，独成一家。在绘画理论上贡献卓著。他主张“笔墨当随时代”和“借古以开今”，强调对大自然要有真切的艺术感受，在艺术创作时要“我自用我法”，反对泥古不化。",[26,27,89,120,907,736,54,35],"芭蕉","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fa59523118ad25166a662d1dd8cd731f9.jpg","纸本 ，水墨","纵91.8cm，横49.5cm",[],46,{"id":914,"slug":915,"title":916,"dynasty":8,"author":7,"museum":67,"description":917,"tags":918,"thumbUrl":919,"material":11,"size":11,"collection":11,"collections":920,"showCount":912,"zanCount":43,"manualWeight":43,"mainColor":44},228976,"shan-shui-ce-12-kai-shi-tao-228976","山水册12开","此帧取峡谷行舟之景，以淡赭浅绿晕染峰峦，笔墨清润秀雅。江流蜿蜒淌过春色，两岸崖石简括空灵，枯槎倒挂于危岩，野趣暗生。扁舟篷屋静立，舟子缓棹行于碧波，将羁旅闲意揉进烟岚里。\n\n左侧题诗与山水相契，把远客随波逐流的幽寂心境藏在空濛山色中。画师以灵动简约的笔法，融山川清旷与江湖行旅的澹泊诗意于一纸。不着浓艳重彩，仅以浅墨淡彩铺陈暮春江峡的柔婉空蒙，寥寥数笔便勾画出天地间的悠然意趣，引观者随舟驶入这片清远绝尘的山水烟霞，沉醉于疏朗安闲的世外情致之中。",[26,70,29,52,27,30,148,94,92,32,28,35],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F1eda3d02caac8e2863fc2d9a4078a1ad.jpg",[],{"id":922,"slug":923,"title":924,"dynasty":8,"author":7,"museum":180,"description":181,"tags":925,"thumbUrl":927,"material":37,"size":186,"collection":59,"collections":928,"showCount":929,"zanCount":43,"manualWeight":43,"mainColor":44},214565,"mo-zui-za-hua-tu-ce-2-shi-tao-214565","墨醉杂画图册-2",[25,26,70,29,52,27,28,56,926,107,264,151],"芙蓉","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fd3bb60e03b8a80aef02ca4e630d97a6a.jpg",[59],45,{"id":931,"slug":932,"title":933,"dynasty":8,"author":7,"museum":67,"description":160,"tags":934,"thumbUrl":935,"material":253,"size":254,"collection":11,"collections":936,"showCount":937,"zanCount":43,"manualWeight":43,"mainColor":44},289930,"dan-ya-ju-he-tu-zhou-shi-tao-289930","丹崖巨壑图轴",[26,70,27,28,30,321,91,782,132,57,35],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ff090c35d7e1dcc8c4a08bd16d3b69000.jpg",[],44,{"id":939,"slug":940,"title":941,"dynasty":8,"author":7,"museum":67,"description":942,"tags":943,"thumbUrl":944,"material":11,"size":11,"collection":11,"collections":945,"showCount":946,"zanCount":43,"manualWeight":43,"mainColor":44},228978,"shan-shui-tu-ce-8-kai-zhang-da-qian-jiu-cang-shi-tao-228978","山水图册8开-张大千旧藏","此作笔墨简淡萧疏，以淡墨晕开远山，只留朦胧轮廓，似烟霭轻笼，清寂淡远之味扑面而来。近侧丘石以枯笔皴擦，朴拙苍厚，带着不加修饰的古雅意趣。坡岸林木尽褪繁叶，枝桠错落伸展，空寒疏朗间尽显秋冬的萧索清宁。临水茅舍三两间隐于石木之间，幽寂安闲，似藏着避世幽居的自在意趣。\n\n题句与四方朱印错落排布，诗书画印相融，为素淡画面晕开一抹朱红暖意。整幅以简驭繁，将空山新雨后的微茫清润藏在尺幅间，笔底漫着林下幽居的静穆悠然。",[26,27,28,29,30,367,93,92,35],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F1034ecc6c707758e750317af7df068c0.jpg",[],43,{"id":948,"slug":949,"title":950,"dynasty":8,"author":7,"museum":67,"description":160,"tags":951,"thumbUrl":952,"material":253,"size":254,"collection":11,"collections":953,"showCount":954,"zanCount":43,"manualWeight":43,"mainColor":44},290464,"ren-wu-hua-niao-tu-ce-shi-tao-290464","人物花鸟图册",[26,70,29,132,120,35],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fda671d3425246904c82606608365164f.jpg",[],42,{"id":956,"slug":957,"title":958,"dynasty":8,"author":7,"museum":67,"description":160,"tags":959,"thumbUrl":961,"material":253,"size":254,"collection":11,"collections":962,"showCount":954,"zanCount":43,"manualWeight":43,"mainColor":44},235807,"yuan-ji-mei-hua-tu-shan-shi-tao-235807","原济梅花图扇",[26,70,960,27,230,35],"扇面","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F33ad238ab940dbfc5b3cb36729abcd03.jpg",[],{"id":964,"slug":965,"title":966,"dynasty":8,"author":7,"museum":67,"description":967,"tags":968,"thumbUrl":969,"material":11,"size":11,"collection":79,"collections":970,"showCount":971,"zanCount":43,"manualWeight":43,"mainColor":44},224531,"huang-xie-zhu-feng-tu-juan-shi-tao-224531","黄澥诸峰图卷","此作用水墨铺就群峰崔嵬，壁立危岩间奇松倒挂，烟云在幽谷间缓缓氤氲，将山川的苍莽灵秀晕染开来。干湿浓墨互衬，皴擦勾勒出山岩硬朗肌理，既铺展出峰峦雄奇气势，又晕出江南山水独有的空濛诗意。\n\n左侧题字笔势纵逸跌宕，笔墨酣畅淋漓，文气与山岚相融，将壮游山水的快意寄寓其中。诗画合璧，把天地山河之美与文人笔墨情志共生一处，尽显山水与文思交织的悠然意境。",[25,26,70,71,27,28,75,57,30,490,321,32,365,197],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F8f153cf680d5f5ec448dd4e9ab6b5e63.jpg",[79],40,{"id":973,"slug":974,"title":975,"dynasty":8,"author":7,"museum":67,"description":976,"tags":977,"thumbUrl":979,"material":11,"size":11,"collection":11,"collections":980,"showCount":981,"zanCount":114,"manualWeight":43,"mainColor":44},228980,"shan-shui-hua-hui-tu-ce-shi-tao-228980","山水花卉图册","在石涛的山水花卉图册共有八幅，多为水墨设色。\n在此选二幅，其一《豆角》，笔意恣肆，浓墨点干写藤，豆角略敷彩青，繁简细拙，得自天成。\n于画幅中自题：“紫花白花狼藉尽，眉毛碧翠眼中青。\n炎炎日晒草先腐，遮过流萤几点星。\n”属款“清湘枝下人济”。\n: : : 作者: 流派: 原作尺寸:51．92．4cm (1642―约1718)：清初书画家、画学理论家。\n僧人。\n俗姓朱，名若极，广西全州人。\n法名原济，一作元济(后人传为“道济”，道乃尊称，非名字，实误)，小字阿长，字石涛，号大涤子、清湘陈人、清湘遗人，晚号瞎尊者、零丁老人等， 自称苦瓜和尚。\n明宗室靖江王赞仪之十世孙。\n与梅清、梅庚、戴本孝等交往，相互影响，合称“黄山派”。\n擅画花果兰竹，兼工人物，尤擅山水，画名极盛。\n与弘仁、髡残、朱耷合称“清初四僧”。\n对后来扬州画派与近代画风影响极大。\n传世作品有《春江垂钓图》、《细雨虬松图》、《 》、《黄山八胜图》、《采菊图》、《秋山图》、《双清阁图》、《山水清音图》、《竹石图》、《荷花图》、《李白诗意图》。\n著有《苦瓜和尚画语录》，阐述了他对山水画的认识，提出“一画”说，主张“借古以开今”，“我用我法”，和“搜尽奇峰打草稿”等，在中国画史画论上具有十分重要的影响与意义。\n其二《芙蓉》，写芙蓉花临波照影之姿。\n以淡墨疏笔横写水波，浅青纵点，形成水波粼粼之态。\n粗笔大写花叶，芙蓉却以细笔勾出筋脉，娇艳柔美，墨彩相得益彰。\n画幅左下角自题：“秋水江楼弥洁，芙蓉曲岸生文。\n小立坡头如画，夕阳影落缤纷。\n”属款“膏肓子济”。",[106,26,70,29,27,28,57,35,30,133,94,148,321,32,978],"题字","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F37d4a84d90ea1a3c6dfbcb2ae487102f.jpg",[],39,{"id":983,"slug":984,"title":985,"dynasty":8,"author":7,"museum":159,"description":986,"tags":987,"thumbUrl":990,"material":424,"size":991,"collection":11,"collections":992,"showCount":993,"zanCount":43,"manualWeight":43,"mainColor":44},233958,"yun-shan-tu-zhou-shi-tao-233958","云山图轴","此图轴是石涛晚年之作，此时他的山水画构图新颖大胆，出奇制胜，极尽含蓄隐约之妙。图中打破一层地、二层树、三层山的“三叠式”和北宋式的上留天、下留地、中间设景的构图程式，而是用“截取法”直接截取景致中最优美、最有代表性的一段。作者描绘半露的山体，树木间以水墨渍出云态，天空用淡墨渲染，以显现出云的白净和飘浮的动感。",[26,70,89,27,28,30,988,197,92,32,989,57,35],"云山","雪景","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F8523eeee7217dae1b5bb91657e0c2417.jpg","纵45.1厘米，横30.8厘米",[],38,{"id":995,"slug":996,"title":997,"dynasty":8,"author":7,"museum":67,"description":998,"tags":999,"thumbUrl":1001,"material":11,"size":11,"collection":11,"collections":1002,"showCount":993,"zanCount":43,"manualWeight":43,"mainColor":44},224519,"shan-shui-tu-ce-8-kai-6-shi-tao-224519","山水图册8开-6","此作以极简笔墨铺陈林泉幽境，虬松苍劲盘曲，焦墨攒写松针，古拙老辣尽现岁寒风骨。茅舍板桥轻勾淡染，野朴天真。浅赭花青晕染远山，留白代水，虚实相生间漾开空濛淡远的烟岚之气。\n\n桥头渔翁寥寥数笔，便勾画出垂纶忘机的闲淡模样，暗合寄情丘壑、与世无争的林下襟怀。全幅笔致纵逸灵秀，以水墨浅绛写就幽居逸趣，淡而愈远，简中见雅，将文人幽栖林泉的意趣藏入每寸笔墨，悠悠然漾出静穆清和的林下之风。",[25,106,26,70,29,27,28,30,133,302,91,1000],"蓑笠","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F47caab48b06d630ce9946e368b7e7336.jpg",[],{"id":1004,"slug":1005,"title":1006,"dynasty":8,"author":7,"museum":67,"description":160,"tags":1007,"thumbUrl":1008,"material":253,"size":254,"collection":11,"collections":1009,"showCount":1010,"zanCount":43,"manualWeight":43,"mainColor":44},288834,"xun-xian-ce-ye-8-shi-tao-288834","寻仙册页-8",[26,29,27,52,30,132,148,558,56,94,292,35,57],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F43215ec3ec475a27bed140b5da70b60f.jpg",[],37,{"id":1012,"slug":1013,"title":1014,"dynasty":8,"author":7,"museum":159,"description":1015,"tags":1016,"thumbUrl":1017,"material":220,"size":11,"collection":39,"collections":1018,"showCount":1010,"zanCount":114,"manualWeight":43,"mainColor":100},237409,"yuan-ji-tai-bai-shi-yi-shan-shui-tu-zhou-shi-tao-237409","原济太白诗意山水图轴","清初的画坛上，和尚画家之多，在中国绘画史上是极其罕见的。更为人所熟知的，便是弘仁、髡残、八大山人、石涛这四位活跃于明末清初的僧人画家，他们与清初“四王”分庭抗礼，在画史上合称“四僧”。为了让读者更加了解他们的生平及书画创作风格，文藏特将此作为系列文章形式展现给大家。\n石涛是中国艺术史上一位颇具研究话题的人物，他的身世经历、佛老信仰，交游关系，书画理论、诗文解读、作品辨伪，无不令后世的书画爱好者、鉴藏者和研究者们着迷。然而他的这些话题之所以会引起后世如此巨大的关注度，正是源自他的书画艺术，在历经三百多年的沉淀之后，依旧散发着无穷的魅力，给人以新鲜之感。这种魅力便是其每幅作品中无不体现着的诗境、书境和画境的完美结合。\n石涛原名朱若极，广西桂林人，是明宗室后裔，明靖江王朱亨嘉的长子，他晚年常自署款「阿长」、「极」，并有「赞之十世孙阿长」等印，以表明自己的身世。石涛出生仅两年明王朝就灭亡了，随后，他的父亲朱亨嘉又在南明朝廷内部的权力斗争中失败被杀。此时，年仅四岁的石涛，不得不由家中仆臣护送逃至全州躲藏，后在当地湘山寺出家为僧，法名原济，字石涛；他的仆臣也一同在此出家，法名原亮，字喝涛。从此二人以佛门师兄弟相称。在明末清初政权更迭的时候，很多不愿降清的明室宗亲和文人旧臣除了以死殉国，就只能选择隐藏身份出家为僧这一条路了，而石涛更要躲避来自清王朝和南明政权的双重追杀。\n隐居期间，石涛读书临帖，研习书画，同时跟随师兄喝涛旅居武昌，游历两湖地区，后又从武昌顺江而下，经庐山、南京、松江至杭州，再由越中到宣城。石涛居宣城十四年，在此结识了施闰章、吴肃公、梅清、梅庚等当地遗民诗人画家，经常与他们结伴游览黄山、敬亭山。他们一起不仅以诗文相唱和，绘画创作亦相互影响，于笔墨和构图上探索求新。这期间，石涛与喝涛还曾同拜旅庵本月为师，正式确立了在禅林中的地位。然而，佛门身份和朋友交游，并没有抹去石涛在自己身份上的孤寂感与逃避感，他在作品中，常借山水、人物等题材来表达其孤、隐之意。他这一时期所创作的《山水人物图》卷、《山水图》册、《陶诗采菊图》轴等书画，都有这种心境的流露。\n石涛在第二次接驾康熙时得识博尔都，则让他看到希望。作为清室皇族，博尔都是一位颇具慧眼的书画鉴赏家，石涛从他的赏识中找到了艺术认同感，故接受了博尔都北游的邀请。在北京期间，石涛为博尔都创作了大量书画，博尔都也利用各种机会向京城名流推介石涛的作品。但这些努力并没有让石涛被主流画坛所接受，遂于一六九二年秋离京南返，再次回归他徜徉于江南山水间的闲逸生活。然而内心的孤独与苦闷依旧。石涛在五十八岁时画《太白诗意山水图》轴自题云：「李白将进酒。此诗何可画？虽似任达放浪，然太白素抱用世之才而不遇合，亦自慰解之词耳。吾亦借此诗，写此画，消吾之岁月云。」这些都是石涛晚年回到扬州后，孤独失落心境的真实写照。",[26,70,89,53,27,28,30,93,32,91,92,94,132,57,35],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F0671f77e48690f57096fdd8ba83ed84c.jpg",[39,1019],"书法精选",{"id":1021,"slug":1022,"title":760,"dynasty":8,"author":7,"museum":67,"description":160,"tags":1023,"thumbUrl":1024,"material":11,"size":11,"collection":79,"collections":1025,"showCount":1026,"zanCount":43,"manualWeight":43,"mainColor":44},237930,"yuan-ji-mo-zhu-tu-zhou-shi-tao-237930",[26,70,89,27,54,57,35,53],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fe56ab48f8433faa0c3d1fc3aa96ea0d3.jpg",[79,1019],35,{"id":1028,"slug":1029,"title":1030,"dynasty":8,"author":7,"museum":159,"description":1031,"tags":1032,"thumbUrl":1033,"material":1034,"size":538,"collection":11,"collections":1035,"showCount":1026,"zanCount":43,"manualWeight":43,"mainColor":44},233957,"yuan-ji-cai-shi-tu-zhou-shi-tao-233957","原济采石图轴","《采石图》中石头峻峭奇丽，独具一格。石涛石涛山水画非常大胆新奇，他对景物的勾勒描绘灵活多变，意境高深，他人很难模仿，他笔下的景物有一种灵性和生命，是中国山水画的珍品。",[26,27,28,89,30,56,91,92,94,35],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F1a194ee879f1e77435ad72edf054ce3b.jpg","纸本 ，设色",[],{"id":1037,"slug":1038,"title":216,"dynasty":8,"author":7,"museum":159,"description":534,"tags":1039,"thumbUrl":1040,"material":1041,"size":1042,"collection":11,"collections":1043,"showCount":1026,"zanCount":43,"manualWeight":43,"mainColor":44},233426,"yuan-ji-shan-shui-ce-shi-tao-233426",[26,27,28,29,30,92,591,32,93],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fd8b294c65ccb30f4efcb803f6d027904.jpg","纸本 ，设色\u002F墨笔","纵27.7cm，横39.7cm",[],{"id":1045,"slug":1046,"title":1047,"dynasty":8,"author":7,"museum":67,"description":1048,"tags":1049,"thumbUrl":1050,"material":11,"size":11,"collection":11,"collections":1051,"showCount":1026,"zanCount":257,"manualWeight":43,"mainColor":1052},224513,"shan-shui-tu-ce-8-kai-3-shi-tao-224513","山水图册8开-3","此作用笔纵逸朴拙，以淡赭晕染坡石，浓墨点染林木，皴擦间写出山岩苍浑肌理，远近层次随墨色虚实铺陈开来。近景村居隐于松荫之下，谷间蹊径蜿蜒向林壑深处，远景峰峦裹挟空濛岚气，将山野幽寂尽数藏于尺幅。\n\n题诗衬景，把寻幽山径、千峰如帘的诗意融于画中，尽显林泉山居的澹泊桃源之趣。虚实相生间落笔随性自在，不滞成法，将对山野深秀静穆的偏爱藏在笔底，淡墨浅彩里满是出世幽居的悠然意致。",[25,26,70,29,27,28,30,32,93,92,94],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fa82a28274ae84fa01320bbfa5f181452.jpg",[],"F48FB1",{"id":1054,"slug":1055,"title":1056,"dynasty":8,"author":7,"museum":67,"description":160,"tags":1057,"thumbUrl":1059,"material":253,"size":254,"collection":11,"collections":1060,"showCount":1061,"zanCount":43,"manualWeight":43,"mainColor":44},288176,"luo-han-tu-zhou-si-tiao-ping-shi-tao-288176","罗汉图轴四条屏",[25,26,89,27,662,132,661,1058,367,92,35],"罗汉","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F66c84d5e6a7fd73e848716f9d8934ef5.jpg",[],32,{"id":1063,"slug":1064,"title":1065,"dynasty":8,"author":7,"museum":67,"description":160,"tags":1066,"thumbUrl":1068,"material":253,"size":254,"collection":11,"collections":1069,"showCount":1061,"zanCount":43,"manualWeight":43,"mainColor":44},287351,"hui-yi-qin-huai-he-shan-shui-tu-zhou-shi-tao-287351","回忆秦淮河山水图轴",[25,26,1067,27,52,28,56,365,151,54,35],"山水画","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fa2bd565a5fe40e54bbc59f4ec18b424c.jpg",[],{"id":1071,"slug":1072,"title":1073,"dynasty":8,"author":7,"museum":67,"description":160,"tags":1074,"thumbUrl":1076,"material":253,"size":254,"collection":11,"collections":1077,"showCount":1061,"zanCount":43,"manualWeight":43,"mainColor":44},287350,"min-jiang-chun-se-tu-shi-tao-287350","岷江春色图",[25,26,70,1067,27,52,28,241,32,331,148,57,75,35,1075],"春色","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ff493d294fe1e9a424e15c0a58ebbf15b.jpg",[],{"id":1079,"slug":1080,"title":1081,"dynasty":8,"author":7,"museum":67,"description":1082,"tags":1083,"thumbUrl":1085,"material":11,"size":11,"collection":11,"collections":1086,"showCount":1061,"zanCount":43,"manualWeight":43,"mainColor":44},228986,"yuan-ming-shi-yi-ce-ye-shi-tao-228986","渊明诗意册页","《陶渊明诗意图》是清代石涛创作的纸本设色画册。\n本图册是作者根据东晋著名诗人陶渊明诗句而创作。\n陶渊明是中国田园诗的创始者，他的诗不仅反映出田园生活的美好与自然，更流露出他徘徊于出仕与归隐之间的矛盾。\n绘画者显然非常赞赏这种避身独处、与世无争、乐天安命的人生哲学，通过描绘回归自然、淡于荣禄、不与统治者合作的隐士陶渊明来表现自己美好的理想。\n第二开《悠然见南山》：陶渊明的许多诗篇中都有关于菊花的诗句：“采菊东篱下，悠然见南山”、“秋菊有佳色，裛露掇其英”均写出了他远离世俗的心境和陶醉于自然的乐趣。\n他常以菊自喻，借菊花凌秋傲霜的品质表达自己清高的节操和情怀。\n石涛仰慕陶渊明的高尚情操，故此图借陶渊明爱菊寄寓了画家自己的思想感情。\n画中篱笆院中菊花盛开，一高士手持菊花观赏，悠然之态可见。\n此图结构精巧，人物用笔细密。\n远山以墨笔烘染，山腰云雾密布，不见山脚，以此表现烟云飘渺的动态和气势。\n这种中锋、细勾、渍染相结合的画法使画面有动有静，虚实结合，意趣无穷。\n第六开《遥遥望白云 怀古一何深》：描绘一位着布衣宽袍的老者临溪而立。\n老者远望青山，脚下溪水流淌。\n面对满目凄凉、空无一人的山水，主人公似思绪万千，发思古之幽情。\n画家借此图深刻而恰当地表达了自己零丁孤苦、怀才不遇之情。\n构图采用一水两岸的自然分疆法。\n画面上只见弥漫的云山、层山断处的房舍和半露的松林而不见山脚，山顶则似露非露地隐现。\n树木用水墨渍出，以衬托山腰白云的动感。\n石涛（1642年－178年），清初画家，原姓朱，名若极，明靖江王朱赞仪的十世孙， 的长子。\n广西桂林人，祖籍安徽凤阳，小字阿长，别号很多，如大涤子、清湘老人、苦瓜和尚、瞎尊者，法号有元济、原济等。\n与 、 、 合称“清初四僧”。\n早年山水师法宋元诸家，画风疏秀明洁，晚年用笔纵肆，墨法淋漓，格法多变，尤精册页小品；花卉潇洒隽朗，天真烂漫，清气袭人；人物生拙古朴，别具一格。\n工书法，能诗文。\n存世作品有《搜尽奇峰打草稿图》、《 》、《竹石图》、《 》等。",[26,70,29,52,28,75,30,93,32,1084,132,57],"山崖","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F6b2d3809eadb6e757b646a89b366f1d6.jpg",[],{"id":1088,"slug":1089,"title":1090,"dynasty":8,"author":7,"museum":67,"description":833,"tags":1091,"thumbUrl":1095,"material":11,"size":11,"collection":11,"collections":1096,"showCount":1097,"zanCount":43,"manualWeight":43,"mainColor":44},234544,"yuan-ji-san-tao-tu-zhou-shi-tao-234544","原济三桃图轴",[26,70,89,27,52,120,1092,1093,1094,35,57,75],"桃","树枝","叶子","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F734589d4fb2c5b2b166fe490b533beaa.jpg",[],31,{"id":1099,"slug":1100,"title":1101,"dynasty":8,"author":7,"museum":67,"description":1102,"tags":1103,"thumbUrl":1104,"material":11,"size":11,"collection":11,"collections":1105,"showCount":1097,"zanCount":114,"manualWeight":43,"mainColor":44},224517,"shan-shui-tu-ce-8-kai-5-shi-tao-224517","山水图册8开-5","此作用笔松秀灵动，以淡墨勾勒皴擦近坡顽石，苍润朴厚，浅滩留白暗合流泉婉转之姿，石畔杂草萧疏，野意自生。湖面空阔明净，一扁舟轻泛其上，渔翁独钓，寥寥数笔写尽江湖散淡之趣。\n\n右上角题字朴拙率意，与画境浑然相融，尽显诗书画合一的文人雅趣。整幅简淡幽远，以简驭繁，将天地清寂与隐逸襟怀融为一体，淡墨轻岚间漾着萧散空寂之美，观之便觉湖风拂面，恍若身临幽旷水滨，静赏江湖闲逸之境。",[25,26,70,29,27,28,30,148,56,264],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fceb1a75acc650de321142f50190900d8.jpg",[],{"id":1107,"slug":1108,"title":1109,"dynasty":8,"author":7,"museum":67,"description":160,"tags":1110,"thumbUrl":1112,"material":11,"size":11,"collection":1019,"collections":1113,"showCount":1114,"zanCount":43,"manualWeight":43,"mainColor":44},239910,"yuan-ji-shi-juan-shi-tao-239910","原济诗卷",[25,26,70,71,27,75,1111,57,35],"草书","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F2b5781609d7b62ce41d0583ef62356b2.jpg",[1019],30,{"id":1116,"slug":1117,"title":355,"dynasty":8,"author":7,"museum":67,"description":1118,"tags":1119,"thumbUrl":1120,"material":11,"size":11,"collection":11,"collections":1121,"showCount":1114,"zanCount":43,"manualWeight":43,"mainColor":44},235882,"yuan-ji-shan-shui-tu-ce-shi-tao-235882","此作书画合璧，尽显文人雅趣。绘卷以淡墨轻皴山石，信笔挥写篁竹木卉，萧疏纵逸，随性自然。坡岸茅庐掩映于繁叶之间，远山淡染留白，晕染出江南水乡的澹泊野逸，仿若幽居江湖的避世之境。\n题诗行书笔意苍劲纵恣，与画中清寂意境相得益彰。诗画相映，将文人寄情山水、栖身林下的襟怀尽显无余，简淡笔墨间风神自现，寥寥数笔勾勒出悠远林下意趣，以写意抒怀，尽显随性疏朗的文人画风貌。",[26,70,29,27,75,35,30,54,302],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F3639aa9933df3fcdbab944c903548fff.jpg",[],{"id":1123,"slug":1124,"title":1125,"dynasty":8,"author":7,"museum":67,"description":1126,"tags":1127,"thumbUrl":1128,"material":11,"size":11,"collection":11,"collections":1129,"showCount":1114,"zanCount":114,"manualWeight":43,"mainColor":44},224523,"shan-shui-tu-ce-8-kai-8-shi-tao-224523","山水图册8开-8","此作用边角布局造景，右侧崖壁以浓墨皴擦，朴拙苍劲，留白铺就浩渺湖面，虚实相映尽显烟波空濛。水面渔舟错落，渔人或撑舟放网，或围坐闲谈，野趣盎然，崖头行人凭栏远眺，一动一静间，将湖畔日常的闲散诗意铺陈开来。\n\n墨色干湿浓淡层次分明，远山以淡墨晕染，朦胧悠远，近岸苔点灵动鲜活，晕染出江南水泽的温润生机。题诗朱印与画作浑然一体，书画印相映成趣，把偶然得见的湖光野景寄于笔墨，将文人雅趣与世俗烟火相融，尽是师法自然的恬淡悠然。",[25,26,27,52,28,29,35,75,30,148,132,558,56,94,292],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F31c782c5e41a5ccb190b00e358db8a2c.jpg",[],{"id":1131,"slug":1132,"title":1133,"dynasty":8,"author":7,"museum":67,"description":160,"tags":1134,"thumbUrl":1136,"material":253,"size":254,"collection":11,"collections":1137,"showCount":1138,"zanCount":43,"manualWeight":43,"mainColor":44},289909,"ye-se-ce-ye-shi-tao-289909","野色册页",[26,27,587,35,57,30,558,367,133,132,56,1135],"孤寂","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F406cac18541976b3f7edf604d75728e4.jpg",[],29,{"id":1140,"slug":1141,"title":1142,"dynasty":8,"author":7,"museum":67,"description":160,"tags":1143,"thumbUrl":1144,"material":253,"size":254,"collection":11,"collections":1145,"showCount":1138,"zanCount":43,"manualWeight":43,"mainColor":100},288212,"gu-mu-chui-yin-shen-se-shi-tao-288212","古木垂荫（深色）",[25,106,26,70,89,27,52,30,196,92,94,198,133,28],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fbc8a7850faaf974bb88b01aee62393cc.jpg",[],{"id":1147,"slug":1148,"title":216,"dynasty":8,"author":7,"museum":159,"description":534,"tags":1149,"thumbUrl":1150,"material":1041,"size":1042,"collection":11,"collections":1151,"showCount":1138,"zanCount":43,"manualWeight":43,"mainColor":44},233423,"yuan-ji-shan-shui-ce-shi-tao-233423",[26,70,29,27,28,30,56,291,91,93,321,591],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F206f61189ac2d29273e312c7d8b2dc6c.jpg",[],{"id":1153,"slug":1154,"title":1155,"dynasty":8,"author":7,"museum":1156,"description":68,"tags":1157,"thumbUrl":1158,"material":1159,"size":1160,"collection":11,"collections":1161,"showCount":1138,"zanCount":43,"manualWeight":43,"mainColor":44},224522,"shan-shui-tu-ce-8-kai-7-zhang-da-qian-jiu-cang-shi-tao-224522","山水图册8开-7-张大千旧藏","张大千先生的旧藏",[25,26,27,28,29,30,56,32,35],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F38185d388bd2aef7f301241ae98f8694.jpg","纸本 设色","14.9x27.3cm",[],{"id":1163,"slug":1164,"title":1165,"dynasty":8,"author":7,"museum":67,"description":1166,"tags":1167,"thumbUrl":1168,"material":11,"size":11,"collection":11,"collections":1169,"showCount":1138,"zanCount":257,"manualWeight":43,"mainColor":44},224515,"shan-shui-tu-ce-8-kai-4-shi-tao-224515","山水图册8开-4","淡墨晕染出山峦肌理，远山隐在烟岚之中，如笼轻绡。左崖飞瀑垂落，为静寂山林注入灵动生机。坡上苍松错落虬劲，撑起山野清寂风骨，茅舍静立平坡，素朴安然，似藏幽人栖居之趣。\n\n此作用干淡笔墨皴擦山体，湿墨点染松针，简淡见苍润。留白烘衬出空濛云烟，寥寥数笔铺陈开林泉幽寂，笔意松秀清脱，尽显萧散淡远的林下意趣，观之便如踏入幽僻山居，尘俗烟火尽涤。",[25,26,27,52,29,28,30,622,90,91,302,197],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ff2ad686bc962b57eed356778454ad1df.jpg",[],{"id":1171,"slug":1172,"title":1173,"dynasty":8,"author":7,"museum":67,"description":1174,"tags":1175,"thumbUrl":1177,"material":11,"size":11,"collection":11,"collections":1178,"showCount":1138,"zanCount":114,"manualWeight":43,"mainColor":44},224511,"shan-shui-tu-ce-8-kai-2-shi-tao-224511","山水图册8开-2","此作用淡墨轻岚晕染远山，虚实相生间漾开空濛雾气，将山峦融在朦胧烟霭里，褪去峻拔锋芒只剩柔润余韵。近景村居错落，茅舍柴篱隐在林木苇草间，朴拙野趣扑面而来。枯笔焦墨点染丛树苔痕，淡赭轻敷屋舍坡岸，设色浅淡柔和，笔致松秀灵动。留白恰到好处，水汽氤氲的溪面与烟岚呼应，营造出静谧清寂的乡野氛围，似能将观者带入幽远山居闲境。笔墨藏着随性自在的画中真意，淡而有味，简中生趣，尽显文人山水的雅逸禅意。",[25,26,70,29,27,52,28,30,93,32,92,413,365,422,1176],"芦苇","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F21f2a9746cd204e4d9f37a292700b3b8.jpg",[],{"id":1180,"slug":1181,"title":216,"dynasty":8,"author":7,"museum":159,"description":534,"tags":1182,"thumbUrl":1184,"material":1041,"size":1042,"collection":11,"collections":1185,"showCount":1186,"zanCount":43,"manualWeight":43,"mainColor":44},233425,"yuan-ji-shan-shui-ce-shi-tao-233425",[26,70,29,27,52,28,30,150,32,92,1183,978],"杂草","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F7570e2d7e819c7dbd70ebd7ddbb567db.jpg",[],28,{"id":1188,"slug":1189,"title":1190,"dynasty":8,"author":7,"museum":67,"description":1191,"tags":1192,"thumbUrl":1193,"material":11,"size":11,"collection":11,"collections":1194,"showCount":1186,"zanCount":43,"manualWeight":43,"mainColor":44},224530,"li-pu-yi-pei-juan-shi-tao-224530","醴浦遗佩卷","以水墨绘就兰竹顽石，起手野兰配淡墨牡丹，焦墨兰叶纵逸跌宕如虬龙逶迤，花瓣含露，幽姿绰约。中段蕙兰丛生繁花绽枝，笔意渐趋简淡，与疏竹交错，清寂之致尽显。末段兰草倚石而生，苔痕皴染古雅，顽石朴拙苍劲。\n\n全卷以草书笔意入画，墨色干湿浓淡互衬，一气呵成。题识榜书朴茂雄浑，与画作清逸互为表里，将兰之幽贞、石之古厚融为一体，绘写出幽兰遗世独立、如佩环叮咚的清逸风骨，墨痕间满溢疏淡幽远的林下风致，尽显文人以物明志的清雅意趣。",[25,26,70,71,27,251,54,56,57,35,75],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fe167157fb1e1c6dcb8e7e354c9d500e8.jpg",[],{"id":1196,"slug":1197,"title":1198,"dynasty":8,"author":7,"museum":67,"description":1199,"tags":1200,"thumbUrl":1202,"material":11,"size":11,"collection":11,"collections":1203,"showCount":1186,"zanCount":43,"manualWeight":43,"mainColor":44},224508,"shan-shui-ce-kai-si-shi-tao-224508","山水冊开(四)","此作用淡彩晕染出清润空濛的氤氲之气，远山以花青轻扫，糅合浅赭底色，将山岚初醒的柔缓暖意晕开。一江春水蜿蜒穿谷，两侧山石枯笔皴擦，兼施淡墨点苔，苍松矮柏错落栖于岩间，野趣横生。\n江心扁舟上渔翁垂坐，似静听水声松涛，将天地悠然诗意凝于咫尺。右上角行书题诗笔墨疏朗，与山水清寂意境相映，尽显文人画诗书画印相融的雅趣。\n整体笔致松秀灵动，删繁就简，不假雕琢却生机暗涌，将江南山水的温润澹远与幽居野钓的林下襟怀融为一体，漫溢静穆淡宕的禅意。",[25,26,70,29,27,52,30,148,94,241,32,1201,35,28],"渔翁","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Faa34fc4fd4add0addbea11ed1f356d11.jpg",[],{"id":1205,"slug":1206,"title":1207,"dynasty":8,"author":7,"museum":180,"description":181,"tags":1208,"thumbUrl":1211,"material":37,"size":186,"collection":59,"collections":1212,"showCount":1186,"zanCount":43,"manualWeight":43,"mainColor":44},214563,"mo-zui-za-hua-tu-ce-4-shi-tao-214563","墨醉杂画图册-4",[25,26,27,75,29,1209,70,230,1210],"墨","器","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F709d7e0db49796aa6bb86cfde848cf40.jpg",[59],{"id":1214,"slug":1215,"title":355,"dynasty":8,"author":7,"museum":159,"description":280,"tags":1216,"thumbUrl":1217,"material":1034,"size":221,"collection":11,"collections":1218,"showCount":1219,"zanCount":43,"manualWeight":43,"mainColor":44},234998,"yuan-ji-shan-shui-tu-ce-shi-tao-234998",[106,26,70,29,27,52,30,94,92,32,90,132,93,28,35],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F37a9d770c7c8d6328bae3a2edfaafc2d.jpg",[],27,{"id":1221,"slug":1222,"title":1223,"dynasty":8,"author":7,"museum":1156,"description":68,"tags":1224,"thumbUrl":1225,"material":1159,"size":1160,"collection":11,"collections":1226,"showCount":1219,"zanCount":43,"manualWeight":43,"mainColor":44},224524,"shan-shui-tu-ce-8-kai-8-zhang-da-qian-jiu-cang-shi-tao-224524","山水图册8开-8-张大千旧藏",[25,26,27,28,29,70,35,75,30,148,1176,32],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F3e46120bfc311a87046dd8a2c51cf479.jpg",[],{"id":1228,"slug":1229,"title":1230,"dynasty":8,"author":7,"museum":67,"description":1231,"tags":1232,"thumbUrl":1234,"material":11,"size":11,"collection":11,"collections":1235,"showCount":1219,"zanCount":43,"manualWeight":43,"mainColor":44},224507,"shan-shui-ce-kai-shi-er-shi-tao-224507","山水冊开(十二)","此作用笔灵动苍润，以高远、平远之法铺展丘壑。远处群峰以淡赭浅墨晕染，峰峦层叠间氤氲着空濛清气，似含朝烟暮霭。近景顽石以浓墨勾皴，朴拙厚重，与远山的虚淡相映成趣。留白作水，扁舟渔父悄然行于烟波，林间墨点为木，寥寥数笔便点染出幽寂野趣。\n\n题画诗与山水浑然相融，将山河野旷间的放逸襟怀娓娓道来，寄寓着纵浪天地、栖心林泉的隐逸之思。笔墨干湿浓淡相生，以简驭繁，萧散淡远中尽显清逸灵秀的意韵，将天地山水间的自在之境铺陈开来，余韵悠长。",[25,26,70,29,27,52,28,35,30,148,92,32,1233],"水域","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F921716ec4a10b4154f9394b12795127a.jpg",[],{"id":1237,"slug":1238,"title":1239,"dynasty":8,"author":7,"museum":49,"description":50,"tags":1240,"thumbUrl":1241,"material":37,"size":11,"collection":138,"collections":1242,"showCount":1219,"zanCount":43,"manualWeight":43,"mainColor":44},218127,"zhong-song-tu-shi-tao-218127","种松图",[25,26,52,27,57,35,75,132,74,56],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fd2c08b724a41ded1b9e47ee7bd779b63.jpg",[138],{"id":1244,"slug":1245,"title":1246,"dynasty":8,"author":7,"museum":180,"description":181,"tags":1247,"thumbUrl":1248,"material":37,"size":186,"collection":59,"collections":1249,"showCount":1219,"zanCount":43,"manualWeight":43,"mainColor":44},214555,"mo-zui-za-hua-tu-ce-12-shi-tao-214555","墨醉杂画图册-12",[25,26,70,29,27,35,230,120],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F0cf179e6fbf7e601ff7c204a40316518.jpg",[59],{"id":1251,"slug":1252,"title":1253,"dynasty":8,"author":7,"museum":49,"description":207,"tags":1254,"thumbUrl":1255,"material":37,"size":210,"collection":11,"collections":1256,"showCount":1219,"zanCount":43,"manualWeight":43,"mainColor":44},214532,"yi-jin-ling-ce-2-shi-tao-214532","忆金陵册-2",[26,70,27,29,291,57,35],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fee05031faa7b7a1afd8c79955a639fcb.jpg",[],{"id":1258,"slug":1259,"title":299,"dynasty":8,"author":7,"museum":67,"description":1260,"tags":1261,"thumbUrl":1262,"material":11,"size":11,"collection":11,"collections":1263,"showCount":1264,"zanCount":114,"manualWeight":43,"mainColor":44},235893,"yuan-ji-huang-shan-you-tu-ce-shi-tao-235893","以灵动皴擦勾勒山石奇崛肌理，干湿墨色晕染出山林的湿润清寂。山居隐于繁木之间，溪谷蜿蜒穿林而过，野意盎然。诗题与画境浑然相融，笔意纵恣却暗含秀逸，将丘壑灵秀内化于纸面，苍郁朴拙中见平淡天真。画者以眼观山、以心绘境，将林泉雅意寄于尺幅，幽居之景衬出林烟空濛，尽显寄情山水的文人意趣，师法自然又自出机杼，藏着对林烟丘壑的眷恋。",[26,27,30,28,56,29],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F9fcbef86eeaaaf2bf9948b9025ca3666.jpg",[],26,{"id":1266,"slug":1267,"title":1268,"dynasty":8,"author":7,"museum":159,"description":1269,"tags":1270,"thumbUrl":1271,"material":1272,"size":1273,"collection":11,"collections":1274,"showCount":1264,"zanCount":43,"manualWeight":43,"mainColor":44},234053,"yuan-ji-shan-shui-shan-shi-tao-234053","原济山水扇","石涛（1642年－1708年），清初画家。本姓朱，名若极，小字阿长，削发为僧后，更名元济、超济、原济，自称苦瓜和尚。游南京时，得长竿一枝，因号枝下叟，别署阿长，钝根，山乘客、济山僧、石道人、一枝阁。他的别号很多，还有大涤子、清湘遗人、清湘陈人、靖江后人、清湘老人、晚号瞎尊者、零丁老人等。与弘仁、髡残、朱耷合称“清初四僧”。\n其擅花果兰竹，兼工人物，尤善山水，常体察自然景物，主张“笔墨当随时代”，画山水者应“脱胎于山川”，“搜尽奇峰打草稿”，进而“法自我立”。所画的山水、兰竹、花果、人物，讲求新格，构图善于变化，笔墨恣肆，意境苍莽新奇，一反当时仿古之风。早年山水师法宋元诸家，画风疏秀明洁，晚年用笔纵肆，墨法淋漓，格法多变，尤精册页小品、折扇扇面；花卉潇洒隽朗，天真烂漫，清气袭人；人物生拙古朴，别具一格。工书法，能诗文。",[26,960,27,28,30,92,32,198],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F2219facf2cfab380a36a40003b932061.jpg","金笺 ，设色","纵17.6cm，横50.7cm",[],{"id":1276,"slug":1277,"title":1278,"dynasty":8,"author":7,"museum":67,"description":513,"tags":1279,"thumbUrl":1281,"material":452,"size":516,"collection":11,"collections":1282,"showCount":1264,"zanCount":43,"manualWeight":43,"mainColor":44},233696,"yuan-ji-lan-zhu-ce-lan-hua-shi-tao-233696","原济兰竹册－兰花",[26,70,29,27,1280,57],"兰花","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fddc0814175ef770f4c9b367ac117eec8.jpg",[],{"id":1284,"slug":1285,"title":1286,"dynasty":8,"author":7,"museum":67,"description":160,"tags":1287,"thumbUrl":1289,"material":253,"size":254,"collection":11,"collections":1290,"showCount":1264,"zanCount":43,"manualWeight":43,"mainColor":44},228988,"bai-miao-luo-han-tu-juan-shi-tao-228988","白描罗汉图卷",[25,106,26,70,71,662,661,132,92,32,1288,35],"虎","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ff9099139807f3e55a6295db547dc07a8.jpg",[],{"id":1292,"slug":1293,"title":1294,"dynasty":8,"author":7,"museum":67,"description":1295,"tags":1296,"thumbUrl":1297,"material":11,"size":11,"collection":11,"collections":1298,"showCount":1264,"zanCount":43,"manualWeight":43,"mainColor":44},224502,"shan-shui-ce-kai-wu-shi-tao-224502","山水冊开(五)","此作用笔简括空灵，以淡赭、花青晕染山峦，干湿墨色相生，晕开江南水乡的清润秀雅。近岸枯槎疏枝带着残冬清寂，零星墨叶点缀出些许生机，板桥卧波，黛林掩映村舍，浅渚渔舟悠然随波，渔人安坐其中，自在松弛。\n\n远景山峦淡逸朦胧，与留白水面相映，铺展出萧散淡远的意境。题画诗与景致相融，将寄迹林泉、脱却尘俗的幽怀藏于笔墨丘壑间，以画言情，尽显隐逸文人心境，淡墨轻岚间晕染出闲逸野趣。",[25,26,27,52,28,29,30,133,94,148,291,92,93,32,35],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fdf60ae206638ff7c579a55431223839b.jpg",[],{"id":1300,"slug":1301,"title":216,"dynasty":8,"author":7,"museum":159,"description":534,"tags":1302,"thumbUrl":1303,"material":1041,"size":1042,"collection":11,"collections":1304,"showCount":1305,"zanCount":114,"manualWeight":43,"mainColor":44},233422,"yuan-ji-shan-shui-ce-shi-tao-233422",[26,70,29,27,30,28,622,134,591,35,75],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F92e990046d184cb379e8605e984086c1.jpg",[],25,{"id":1307,"slug":1308,"title":216,"dynasty":8,"author":7,"museum":159,"description":217,"tags":1309,"thumbUrl":1310,"material":220,"size":221,"collection":11,"collections":1311,"showCount":1305,"zanCount":43,"manualWeight":43,"mainColor":44},233130,"yuan-ji-shan-shui-ce-shi-tao-233130",[26,70,29,27,52,28,30,92,32,93,591,241],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F4c90f5b10c8750c2a37695ac1a3187d5.jpg",[],{"id":1313,"slug":1314,"title":1315,"dynasty":8,"author":7,"museum":67,"description":1316,"tags":1317,"thumbUrl":1318,"material":11,"size":11,"collection":11,"collections":1319,"showCount":1305,"zanCount":114,"manualWeight":43,"mainColor":44},224518,"shan-shui-tu-ce-8-kai-5-zhang-da-qian-jiu-cang-shi-tao-224518","山水图册8开-5-张大千旧藏","这幅画以板桥通幽开篇，苍虬古木引向临渊茅舍，二人松下晤谈，岸柳轻拂添了灵动生机。远景群峰用枯涩皴笔写就，墨色干湿浓淡交织，于简淡勾勒间见出层峦雄浑之态。\n整幅以笔意载山乡幽怀，将林下隐逸的桃源意趣藏于尺幅。题字纵逸朴拙，与山水笔墨浑然相合，不见雕琢之痕。观之如踏入烟岚溪山，俗虑尽消，尽显笔底丘壑的林下清趣。",[25,106,26,70,29,27,28,30,134,132,94,198],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ff1db64bd599b59aa160742e31ee3c7ca.jpg",[],{"id":1321,"slug":1322,"title":1323,"dynasty":8,"author":7,"museum":67,"description":1324,"tags":1325,"thumbUrl":1326,"material":11,"size":11,"collection":11,"collections":1327,"showCount":1305,"zanCount":43,"manualWeight":43,"mainColor":44},224506,"shan-shui-ce-kai-shi-yi-shi-tao-224506","山水冊开(十一)","淡墨晕染江天，烟霭轻笼远山，将春日春江晕染得愈发空濛柔婉。岸侧垂柳疏条袅袅，几只禽鸟栖止枝头，清寂中又添几分灵动生机。江心孤帆半展，随波缓行，似载着晚春归人，悠悠划入淡远烟波之中。\n整幅画作笔墨简淡空灵，不着浓艳色彩，以写意之笔勾勒出江乡暮春的闲散幽寂。题诗与画境浑然相融，把春昼悠长的慵懒恬然藏在浅淡笔墨间，寥寥数笔便将悠远空寂的江天胜境铺展开来，尽显雅致文心。",[25,26,70,29,27,28,30,148,94,558,652,291],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F2a05b280c06a6313490c10405c040edb.jpg",[],{"id":1329,"slug":1330,"title":1331,"dynasty":8,"author":7,"museum":67,"description":1332,"tags":1333,"thumbUrl":1334,"material":11,"size":11,"collection":11,"collections":1335,"showCount":1305,"zanCount":43,"manualWeight":43,"mainColor":44},224498,"shan-shui-ce-kai-qi-shi-tao-224498","山水冊开(七)","此作用淡青晕染远山，朦胧如含烟笼雾，留白湖面恰似空濛烟波，汀渚苇草轻曳，将江渚清寂铺陈开来。近坡以浓墨点苔，苍润朴拙，村居隐于繁荫之下，檐下仿佛有幽人对坐，暗合题诗里的江村闲意。\n行书题跋错落排布，与水墨山水相融相生，笔墨随性却章法自洽。将江南野居的清寂诗意晕染纸上，淡而不薄，简而不空，把文人幽居寄情山水的意趣藏在每一处皴擦点染里，观之如临无人烟渚，坐忘林泉，尽得山野闲逸之味。",[25,26,27,29,28,52,30,558],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fc61e210656cf02ca4c403e9a8efe90f9.jpg",[],{"id":1337,"slug":1338,"title":1339,"dynasty":8,"author":7,"museum":67,"description":160,"tags":1340,"thumbUrl":1341,"material":253,"size":254,"collection":11,"collections":1342,"showCount":1343,"zanCount":43,"manualWeight":43,"mainColor":44},236343,"yuan-ji-lan-shi-shan-shi-tao-236343","原济兰石扇",[106,26,70,960,27,251,56,35],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F681a6f9bf2925a9eb7dfa44cdf8ba289.jpg",[],24,{"id":1345,"slug":1346,"title":355,"dynasty":8,"author":7,"museum":67,"description":1347,"tags":1348,"thumbUrl":1349,"material":11,"size":11,"collection":11,"collections":1350,"showCount":1343,"zanCount":43,"manualWeight":43,"mainColor":44},235883,"yuan-ji-shan-shui-tu-ce-shi-tao-235883","此开以淡墨晕染出夜江空濛之境，远山如笼轻烟，朦胧柔婉。坡岸古松虬曲苍劲，枝叶疏密交错，暗合晚风拂林之态。浅滩扁舟静泊，舱内灯影隐约，将羁旅夜泊的清寂诗意缓缓铺陈。\n\n行书题诗与画面相映成趣，笔意疏朗清逸，诗句将烟月横塘的缱绻旅思娓娓道来，诗画交融无间。整幅以简驭繁，淡设色烘托出静谧悠远的晚江氛围，寥寥数笔便写尽江湖寄兴的闲淡意绪，尽显文人画诗画合璧的雅致风神，把幽寂淡远的羁愁融于尺幅之间。",[26,70,29,27,52,30,91,150,241,75,57,35,28],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F2d386381e3f4f6870eb0fa126626adb4.jpg",[],{"id":1352,"slug":1353,"title":216,"dynasty":8,"author":7,"museum":159,"description":534,"tags":1354,"thumbUrl":1355,"material":1041,"size":1042,"collection":11,"collections":1356,"showCount":1343,"zanCount":43,"manualWeight":43,"mainColor":44},233420,"yuan-ji-shan-shui-ce-shi-tao-233420",[26,27,28,30,291,150,92,151,35],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F13c86746ad2136d441ce39e6d598d2b7.jpg",[],{"id":1358,"slug":1359,"title":1360,"dynasty":8,"author":7,"museum":67,"description":1361,"tags":1362,"thumbUrl":1363,"material":11,"size":11,"collection":11,"collections":1364,"showCount":1343,"zanCount":43,"manualWeight":43,"mainColor":44},224512,"shan-shui-tu-ce-8-kai-2-zhang-da-qian-jiu-cang-shi-tao-224512","山水图册8开-2-张大千旧藏","这幅山水以留白铺就江天空寂，右侧危崖飞瀑直落，笔墨苍莽朴拙，尽显山石嶙峋质感。左侧崖巅孤松斜曳，茅舍孑立，归雁成阵掠过长空，远江帆影悠悠往来。\n\n简淡设色晕染山石松枝，寥寥数笔便勾勒出山野清寂之境。题款朱印错落于崖侧，与水墨相映成趣，以写意之笔铺陈出天人相融的幽远意趣，尽显简淡疏朗的林下之风，将江乡山居的空阔自在藏于尺幅之中。",[25,106,26,70,587,27,28,53,30,148,91,651,90,558,92,94],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fcffdcba7a6958b40f93316c1d03b2b96.jpg",[],{"id":1366,"slug":1367,"title":1368,"dynasty":8,"author":7,"museum":180,"description":181,"tags":1369,"thumbUrl":1370,"material":37,"size":186,"collection":59,"collections":1371,"showCount":1343,"zanCount":43,"manualWeight":43,"mainColor":44},214557,"mo-zui-za-hua-tu-ce-10-shi-tao-214557","墨醉杂画图册-10",[25,26,27,29,53,56,251],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ff998fee36b8e50230bcb1d322886a862.jpg",[59],{"id":1373,"slug":1374,"title":1375,"dynasty":8,"author":7,"museum":49,"description":207,"tags":1376,"thumbUrl":1377,"material":37,"size":210,"collection":11,"collections":1378,"showCount":1343,"zanCount":43,"manualWeight":43,"mainColor":44},214531,"yi-jin-ling-ce-3-shi-tao-214531","忆金陵册-3",[26,70,29,27,52,30,132,291,148,93,32,35,28],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fb2aff57056092af138d63c25edfe525d.jpg",[],{"id":1380,"slug":1381,"title":1382,"dynasty":8,"author":7,"museum":67,"description":160,"tags":1383,"thumbUrl":1385,"material":253,"size":254,"collection":11,"collections":1386,"showCount":1387,"zanCount":43,"manualWeight":43,"mainColor":100},287999,"liu-hua-tu-li-zhou-shi-tao-287999","榴花图立轴",[25,26,106,89,70,52,120,1384,1210,75,35],"榴花","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fbe1a8f3e2a2c5a53a9f7c3fd8ca7bf1c.jpg",[],23,{"id":1389,"slug":1390,"title":1391,"dynasty":8,"author":7,"museum":67,"description":160,"tags":1392,"thumbUrl":1393,"material":253,"size":254,"collection":11,"collections":1394,"showCount":1387,"zanCount":114,"manualWeight":43,"mainColor":44},235806,"yuan-ji-mei-zhu-shuang-qing-tu-shan-ye-shi-tao-235806","原济梅竹双清图扇页",[960,26,70,27,230,54,57,35],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fcbaa40b42a07dc9925f78ca1a903edc5.jpg",[],{"id":1396,"slug":1397,"title":216,"dynasty":8,"author":7,"museum":159,"description":534,"tags":1398,"thumbUrl":1399,"material":1041,"size":1042,"collection":11,"collections":1400,"showCount":1387,"zanCount":114,"manualWeight":43,"mainColor":44},233424,"yuan-ji-shan-shui-ce-shi-tao-233424",[106,26,70,29,27,28,35,30,622,197,32,92],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fc8b281a289ed6ab616f64e10b152cd89.jpg",[],{"id":1402,"slug":1403,"title":1404,"dynasty":8,"author":7,"museum":180,"description":181,"tags":1405,"thumbUrl":1407,"material":37,"size":186,"collection":59,"collections":1408,"showCount":1387,"zanCount":43,"manualWeight":43,"mainColor":44},214564,"mo-zui-za-hua-tu-ce-3-shi-tao-214564","墨醉杂画图册-3",[25,106,26,70,29,27,75,57,53,1406,1094,35],"果实","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F2a5352e5f92c7271679bc91ceab1620a.jpg",[59],{"id":1410,"slug":1411,"title":1412,"dynasty":8,"author":7,"museum":67,"description":160,"tags":1413,"thumbUrl":1414,"material":253,"size":254,"collection":11,"collections":1415,"showCount":1416,"zanCount":43,"manualWeight":43,"mainColor":44},290458,"da-feng-tang-ti-qing-qi-shan-shui-ce-shi-tao-290458","大风堂题清沏山水册",[26,70,29,27,75,35,525,57],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Feea1bbbc82bc03b1616c198da660c409.jpg",[],22,{"id":1418,"slug":1419,"title":355,"dynasty":8,"author":7,"museum":67,"description":1420,"tags":1421,"thumbUrl":1422,"material":11,"size":11,"collection":11,"collections":1423,"showCount":1416,"zanCount":43,"manualWeight":43,"mainColor":44},235881,"yuan-ji-shan-shui-tu-ce-shi-tao-235881","近景茅舍隐于茂林，古木虬枝横斜，生机暗涌，远处危岩拔地而起，皴笔朴拙苍劲，苔点错落灵动，淡赭铺陈晕开清和秋意。笔墨纵逸秀润，看似率意挥写，实则骨力内蕴，将实景奇崛与胸中丘壑相融。\n\n搭配上行书题跋，笔墨舒展跌宕，书画相映成趣，尽显文人雅韵。整幅小品以简淡构图承载蓬勃生机，借山川形貌抒发襟怀，将搜尽奇峰的体悟凝于尺幅之间，萧散清寂中藏着通透灵秀，尽显清寂淡远的文人山水意境，是借笔写心的精妙之作。",[26,70,29,27,52,30,56,32,331,35,57,75,28],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F9da1cb3425542def690c3e5f73f06ab4.jpg",[],{"id":1425,"slug":1426,"title":355,"dynasty":8,"author":7,"museum":159,"description":280,"tags":1427,"thumbUrl":1428,"material":1034,"size":221,"collection":11,"collections":1429,"showCount":1416,"zanCount":43,"manualWeight":43,"mainColor":44},235000,"yuan-ji-shan-shui-tu-ce-shi-tao-235000",[26,27,29,28,30,56,558,198,32,92],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F827300976b1c7e0d41a3cb96f2232948.jpg",[],{"id":1431,"slug":1432,"title":1433,"dynasty":8,"author":7,"museum":159,"description":833,"tags":1434,"thumbUrl":1435,"material":424,"size":11,"collection":11,"collections":1436,"showCount":1416,"zanCount":43,"manualWeight":43,"mainColor":44},234505,"yuan-ji-shui-zai-gan-shi-shi-yi-tu-dan-ye-shi-tao-234505","原济水灾感事诗意图单页",[26,70,27,52,75,28,29,30,365,32,1233,57,35],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F0ad7ee64e8e7b98701b3672d4cb80d8f.jpg",[],{"id":1438,"slug":1439,"title":1440,"dynasty":8,"author":7,"museum":67,"description":1441,"tags":1442,"thumbUrl":1443,"material":11,"size":11,"collection":11,"collections":1444,"showCount":1416,"zanCount":43,"manualWeight":43,"mainColor":44},224520,"shan-shui-tu-ce-8-kai-6-zhang-da-qian-jiu-cang-shi-tao-224520","山水图册8开-6-张大千旧藏","近处村舍错落，农人悠然，烟火气晕开山林野趣。中峰以枯笔勒石骨，淡墨晕出山岚，焦墨点苔缀松，干湿浓淡铺展出苍莽层次。右侧题笔朴拙老辣，诗画相映，将秋山萧索寄于木叶疏凉。\n\n笔意纵恣灵秀，不拘成法，以简淡笔墨写尽丘壑生机，把山居隐逸的静穆与山川清旷融为一体，借景抒怀，尽显山野朴拙之态，亦藏画者洒落襟怀。",[25,26,27,52,29,28,30,93,32,241,35],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Feb60ef25126ad857219560ef580fe319.jpg",[],{"id":1446,"slug":1447,"title":1448,"dynasty":8,"author":7,"museum":180,"description":181,"tags":1449,"thumbUrl":1450,"material":37,"size":186,"collection":59,"collections":1451,"showCount":1416,"zanCount":43,"manualWeight":43,"mainColor":44},214562,"mo-zui-za-hua-tu-ce-5-shi-tao-214562","墨醉杂画图册-5",[25,26,27,29,30,133,94,198,134,92,28],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F03764d89703a85a5c1c4ed5cbf14bef2.jpg",[59],{"id":1453,"slug":1454,"title":1455,"dynasty":8,"author":7,"museum":180,"description":181,"tags":1456,"thumbUrl":1457,"material":37,"size":186,"collection":59,"collections":1458,"showCount":1416,"zanCount":114,"manualWeight":43,"mainColor":44},214558,"mo-zui-za-hua-tu-ce-9-shi-tao-214558","墨醉杂画图册-9",[25,26,70,29,27,107,57,35],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F1cdf81f64770e9e9b552ef55ba85f192.jpg",[59],{"id":1460,"slug":1461,"title":1462,"dynasty":8,"author":7,"museum":180,"description":181,"tags":1463,"thumbUrl":1466,"material":37,"size":186,"collection":59,"collections":1467,"showCount":1416,"zanCount":43,"manualWeight":43,"mainColor":44},214556,"mo-zui-za-hua-tu-ce-11-shi-tao-214556","墨醉杂画图册-11",[25,26,70,29,27,53,57,35,1464,1465],"黄瓜","藤蔓","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Febdbd76a06b62918678b9c5d1e935e84.jpg",[59],{"id":1469,"slug":1470,"title":355,"dynasty":8,"author":7,"museum":67,"description":160,"tags":1471,"thumbUrl":1472,"material":11,"size":11,"collection":11,"collections":1473,"showCount":1474,"zanCount":43,"manualWeight":43,"mainColor":44},237770,"yuan-ji-shan-shui-tu-ce-shi-tao-237770",[26,70,29,27,28,30,367,92,198],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fc0569d30c8c1e7e5d53b701ff531c8ac.jpg",[],21,{"id":1476,"slug":1477,"title":410,"dynasty":8,"author":7,"museum":67,"description":411,"tags":1478,"thumbUrl":1479,"material":220,"size":415,"collection":11,"collections":1480,"showCount":1474,"zanCount":43,"manualWeight":43,"mainColor":44},233389,"yuan-ji-jin-shan-long-you-si-shi-yi-ce-shi-tao-233389",[26,70,29,27,28,30,32,93,570,365,91,558],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F0dd07e263d6842255d1b2f9f64607308.jpg",[],{"id":1482,"slug":1483,"title":1484,"dynasty":8,"author":7,"museum":67,"description":1485,"tags":1486,"thumbUrl":1487,"material":11,"size":11,"collection":11,"collections":1488,"showCount":1474,"zanCount":114,"manualWeight":43,"mainColor":44},224510,"shan-shui-tu-ce-8-kai-1-zhang-da-qian-jiu-cang-shi-tao-224510","山水图册8开-1-张大千旧藏","淡墨晕染远山，恍如烟霭轻笼，望之渺渺。近前丘峦以枯笔焦墨皴擦勾勒，苍劲朴拙，自带厚重古意。坡岸寒林萧疏，枝桠错落淡写，空寂清寒之境跃然纸上。右侧三两茅舍依偎岩岫，隐于林木间，尽出世幽居之趣。\n书画相融，题诗佐景，朱红金石印章错落点缀，更添雅致。笔意纵恣又不失内敛，将山雨初歇后的微茫空濛铺陈开来，淡而弥厚，简而愈远，尽显静穆萧散的文人逸趣，把江南山野的幽淡之美，晕作悠然忘尘的林下诗意。",[25,106,26,70,29,27,28,30,367,93,92,35],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F93031ba8b540688941b476a31e5177ff.jpg",[],{"id":1490,"slug":1491,"title":1492,"dynasty":8,"author":7,"museum":67,"description":1493,"tags":1494,"thumbUrl":1495,"material":11,"size":11,"collection":11,"collections":1496,"showCount":1474,"zanCount":43,"manualWeight":43,"mainColor":44},224500,"shan-shui-ce-kai-jiu-shi-tao-224500","山水冊开(九)","近景虬松斜出，板桥横卧浅溪，野意悠然。中景崖边村居错落，山径蜿蜒隐入青山，远江烟棹朦胧，翠微含黛，浅绛设色晕染出温润清和的春日山乡。\n\n枯笔皴擦勾勒山石，朴拙苍劲间带着灵动生气，林木简笔点染，形神兼备。题画诗与山水相融，将伤春怀远的幽寂心绪藏在清寂丘壑里，以山川写尽文人缱绻情思，简淡天真中见纵逸灵秀，笔底既有林泉野趣，又含寄情山水的文人心魂，尽显平淡悠远的画中真意。",[25,106,26,27,52,28,29,30,133,94,93,32,92,35],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F112ef3c7e0ff3fa7d53483405b5d3c67.jpg",[],{"id":1498,"slug":1499,"title":1500,"dynasty":8,"author":7,"museum":49,"description":1501,"tags":1502,"thumbUrl":1503,"material":37,"size":11,"collection":138,"collections":1504,"showCount":1474,"zanCount":43,"manualWeight":43,"mainColor":44},219483,"zi-hua-zhong-song-tu-shi-tao-219483","自画种松图","画中，作者踞坐嶙峋危石，青衫素朴，倚杖凝神静思，神色萧散淡然，尽显林下高士俊逸风骨。旁侧老松虬枝斜逸，笔墨清简苍秀，寥寥数笔便写尽古松疏朗之姿。\n\n整幅作品书画相融，满幅题跋错落排布，以画为引、以诗言志，借种松寄寓守拙向道的山林幽怀。笔意简淡清逸，意境空灵淡远，将自身超尘出世的襟怀藏在淡远笔墨间，文气与画意浑然相合，尽显文人写意画的精神内核，清寂幽远的意韵直入人心。",[26,70,27,57,132,56,74],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F94c91da8d2c1f4034f3f690a6c1284bf.jpg",[138],{"id":1506,"slug":1507,"title":355,"dynasty":8,"author":7,"museum":67,"description":1508,"tags":1509,"thumbUrl":1510,"material":11,"size":11,"collection":11,"collections":1511,"showCount":1512,"zanCount":43,"manualWeight":43,"mainColor":44},235880,"yuan-ji-shan-shui-tu-ce-shi-tao-235880","行书笔致纵逸苍劲，诗文清雅隽秀，墨色浓淡辗转间笔势连贯舒展，尽显随性放达的文人意趣。\n\n下方山水以淡墨晕染铺就烟岚轻笼的悠远底色，山峦以枯笔皴擦勾勒肌理，植被点染灵动错落。留白虚实相生，铺陈出丘林幽寂的空濛意境，淡赭晕染山脚，糅合出清雅温润的色调层次，将江南山水的氤氲柔婉与嶙峋风骨相融。\n\n整幅诗画合璧，书意与画韵彼此衬映，诗书画印相得益彰，尽显文人画雅致品格，把幽居林泉的隐逸心境藏于笔墨之中，意韵悠长。",[26,70,29,75,27,52,28,57,35,30,241,32,56],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F5f749a49e7b8c667c20c3c60e27a09e8.jpg",[],20,{"id":1514,"slug":1515,"title":355,"dynasty":8,"author":7,"museum":67,"description":1516,"tags":1517,"thumbUrl":1518,"material":11,"size":11,"collection":11,"collections":1519,"showCount":1512,"zanCount":43,"manualWeight":43,"mainColor":44},235879,"yuan-ji-shan-shui-tu-ce-shi-tao-235879","这幅册页诗画合璧，行书题诗萧散俊逸，笔墨间自带林下幽居的清寂意趣。\n\n山水取景奇崛苍润，危崖拔地而起，飞泉挂壁落于溪涧，苍松杂木错落生姿，山居隐于林间烟岚之中，淡墨轻皴写尽丘壑之态。笔底兼具黄山奇峭风神，又融禅意隐逸之思，以简驭繁，将诗中静伴秋雨、枯禅幽栖的心境，铺陈在咫尺画卷里。\n诗境衬着画境，画境晕染诗心，淡远空灵的气韵漫溢纸面，尽显文人画诗画交融的雅致风神。",[26,70,29,75,27,30,56,32,35,57,28],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F73b855edfdb93578bdd513ec9b3f934a.jpg",[],{"id":1521,"slug":1522,"title":216,"dynasty":8,"author":7,"museum":159,"description":217,"tags":1523,"thumbUrl":1524,"material":220,"size":221,"collection":11,"collections":1525,"showCount":1512,"zanCount":43,"manualWeight":43,"mainColor":44},233129,"yuan-ji-shan-shui-ce-shi-tao-233129",[26,70,29,27,52,30,366,32,365,28],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F73ea36ca025104421f82367b525e57ec.jpg",[],{"id":1527,"slug":1528,"title":216,"dynasty":8,"author":7,"museum":159,"description":217,"tags":1529,"thumbUrl":1530,"material":220,"size":221,"collection":11,"collections":1531,"showCount":1512,"zanCount":43,"manualWeight":43,"mainColor":44},233125,"yuan-ji-shan-shui-ce-shi-tao-233125",[26,70,29,27,52,30,31,367,92,35,57,28],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F93ecd5e9a88ca195d5a33c884ecf3e42.jpg",[],{"id":1533,"slug":1534,"title":216,"dynasty":8,"author":7,"museum":159,"description":217,"tags":1535,"thumbUrl":1536,"material":220,"size":221,"collection":11,"collections":1537,"showCount":1512,"zanCount":43,"manualWeight":43,"mainColor":44},233124,"yuan-ji-shan-shui-ce-shi-tao-233124",[26,27,52,28,29,30,31,133,94,148,198,32,93,365,35],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F7c602cd77091e21913fd0d6ad29641db.jpg",[],{"id":1539,"slug":1540,"title":1541,"dynasty":8,"author":7,"museum":67,"description":160,"tags":1542,"thumbUrl":1543,"material":253,"size":254,"collection":11,"collections":1544,"showCount":1545,"zanCount":43,"manualWeight":43,"mainColor":44},287728,"hua-hui-ce-shi-tao-287728","花卉册",[26,70,29,52,120,395,737,35,75],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F03ec98074d94e6ee8aa8cae0d8802d73.jpg",[],19,{"id":1547,"slug":1548,"title":299,"dynasty":8,"author":7,"museum":67,"description":1549,"tags":1550,"thumbUrl":1551,"material":11,"size":11,"collection":11,"collections":1552,"showCount":1545,"zanCount":43,"manualWeight":43,"mainColor":44},235894,"yuan-ji-huang-shan-you-tu-ce-shi-tao-235894","此作用笔干湿互济，左侧危崖以焦墨勾勒皴擦，线条朴拙厚重，苍劲雄浑。右侧水泽间芦荻随风轻曳，浅渚扁舟静泊，淡墨晕染出水气空濛的柔润质感，虚实相生晕开江南水畔清寂氛围。\n\n题诗落于左上角，以书入画诗画相融，铺展出江湖幽独的野逸之趣。画师以极简笔墨绘就林泉隐逸之景，淡简中自含苍茫悠远的意境，寄寓着寄情山水的隐逸襟怀，尽显萧散淡远的文人意趣。",[106,26,70,29,27,28,30,56,94,148],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F7e8cd68e458f9c8cd71f269d55f44adc.jpg",[],{"id":1554,"slug":1555,"title":355,"dynasty":8,"author":7,"museum":159,"description":280,"tags":1556,"thumbUrl":1557,"material":1034,"size":221,"collection":11,"collections":1558,"showCount":1545,"zanCount":43,"manualWeight":43,"mainColor":44},235001,"yuan-ji-shan-shui-tu-ce-shi-tao-235001",[106,26,27,28,29,30,56,291,52,35],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F51a9ea9a82d8c25e4dde2472c9cda449.jpg",[],{"id":1560,"slug":1561,"title":355,"dynasty":8,"author":7,"museum":159,"description":280,"tags":1562,"thumbUrl":1564,"material":1034,"size":221,"collection":11,"collections":1565,"showCount":1545,"zanCount":43,"manualWeight":43,"mainColor":44},234997,"yuan-ji-shan-shui-tu-ce-shi-tao-234997",[26,70,29,27,28,30,148,94,92,32,558,93,1563],"水草","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F60998edd7aa06ac4ca0e9c4fd7984022.jpg",[],{"id":1567,"slug":1568,"title":1569,"dynasty":8,"author":7,"museum":67,"description":513,"tags":1570,"thumbUrl":1572,"material":452,"size":516,"collection":11,"collections":1573,"showCount":1545,"zanCount":43,"manualWeight":43,"mainColor":44},233695,"yuan-ji-lan-zhu-ce-shao-yao-lan-hua-shi-tao-233695","原济兰竹册－芍药兰花",[26,70,29,27,75,35,1571,1280,54,120],"芍药","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F12f18ac7f2acb5a537d77e712c542ae8.jpg",[],{"id":1575,"slug":1576,"title":1577,"dynasty":8,"author":7,"museum":67,"description":513,"tags":1578,"thumbUrl":1580,"material":452,"size":516,"collection":11,"collections":1581,"showCount":1545,"zanCount":43,"manualWeight":43,"mainColor":44},233694,"yuan-ji-lan-zhu-ce-jiao-ye-lan-cao-shi-tao-233694","原济兰竹册－蕉叶兰草",[26,27,29,57,35,263,1579],"兰草","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fc875a99432f40c241a769dd8181d1b2e.jpg",[],{"id":1583,"slug":1584,"title":1585,"dynasty":8,"author":7,"museum":67,"description":1586,"tags":1587,"thumbUrl":1588,"material":11,"size":11,"collection":11,"collections":1589,"showCount":1545,"zanCount":43,"manualWeight":43,"mainColor":44},224505,"shan-shui-ce-kai-shi-shi-tao-224505","山水冊开(十)","此作以淡墨晕染山水，江上扁舟轻漾，白衣士人立舟头，身伴仙鹤，与撑篙舟子共赴江天。远山以浅赭淡墨晕化，似笼着氤氲薄雾，虚实相生间尽显江空岑寂之美。近岸以枯涩焦笔勾勒嶙峋怪石，与淡远云山形成刚柔对照。右侧题笔纵逸苍劲，诗画相融，将乘舟遣兴的悠然襟怀诉诸笔端，以简淡之笔写尽江湖散人意趣，笔墨随心生发，尽显随性放达的文人风骨。",[25,26,70,27,30,148,132,622,35,57,29],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F329d8a848e21eec4000cbfe815172720.jpg",[],{"id":1591,"slug":1592,"title":1593,"dynasty":8,"author":7,"museum":67,"description":1594,"tags":1595,"thumbUrl":1597,"material":11,"size":11,"collection":11,"collections":1598,"showCount":1545,"zanCount":43,"manualWeight":43,"mainColor":44},224504,"shan-shui-ce-kai-liu-shi-tao-224504","山水冊开(六)","此作用淡赭轻晕山峦，焦墨点染林木，笔意纵肆苍秀。近观村舍错落溪畔，渔翁独棹扁舟泛于清波，丹崖翠岫间松柯虬劲，墨色苍润见层次。远景峰岫隐在烟岚留白中，晕出水气空濛的夏夕凉意。\n\n页首题诗与画境浑然相融，将山畔闲居、横塘晚风的清寂悠然铺展开来，以尺幅写尽江南水乡的淡远萧散，借山水寄寓胸中丘壑，尽显文人画幽淡旷达的意趣。",[26,70,29,27,52,28,30,148,32,93,241,94,1596],"渔舟","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fee7ed3d690ac35d0a82eb7f20090f30a.jpg",[],{"id":1600,"slug":1601,"title":1602,"dynasty":8,"author":7,"museum":67,"description":1603,"tags":1604,"thumbUrl":1605,"material":11,"size":11,"collection":11,"collections":1606,"showCount":1545,"zanCount":43,"manualWeight":43,"mainColor":44},224499,"shan-shui-ce-kai-san-shi-tao-224499","山水冊开(三)","石涛（1642—177）名原济，号大涤子、清湘老人、苦瓜和尚、济山僧、瞎尊者等。\n石涛原名朱若极，明代藩靖江王后裔，父朱享嘉于南明隆武时在广西自称“监国”，遭俘杀。\n石涛便隐匿起来，后出家为僧。\n石涛曾游历过许多名山大川，有“搜尽奇峰打草稿”、“笔墨当随时代”名言。\n石涛晚年寓居扬州，卖画为业。\n这里介绍的石涛山水，是藏于故宫博物院、以唐代王维、李白、张说等人诗意创作的八开册页中的一页。\n每开册页纵2.厘米，横16.5厘米，纸本，水墨淡设色。\n石涛擅山水、花卉，师宋、元诸家，参以造化，自创一格，笔墨清新多变、天真烂漫，对后世影响极大。\n石涛与石溪并称“二石”，再加朱耷、弘仁，便称“清初四画僧”。\n石涛存世作品尚多，著述则有《苦瓜和尚画语录》、《 》。\n这开画表现李白的千古名篇“静夜思”。\n月光在画面上并没有出现，只画一人倚于窗前做望月状，这就足够了。\n屋后的灌木以白粉掺色画出，再加上屋后的山以隐隐约约的笔触写出，迷迷朦朦，霜意表现的极佳。\n册页左上以隶书题写，古拙可爱。\n唯“床前明月光”之“前、明”写作“头、看”，这是因为版本不同的缘故。",[25,26,27,52,28,29,30,148,291,93,92,32,94,35],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F6fde1928ce926a554338cf76be73ab55.jpg",[],{"id":1608,"slug":1609,"title":1610,"dynasty":8,"author":7,"museum":86,"description":1611,"tags":1612,"thumbUrl":1613,"material":11,"size":11,"collection":59,"collections":1614,"showCount":1545,"zanCount":43,"manualWeight":43,"mainColor":1615},203138,"he-zuo-hua-guo-tu-ce-shi-tao-203138","合作花果图册","墨梅枝干虬劲，笔力顿挫间显古拙之姿，枝梢横斜逸出，疏花点点如凝霜。淡墨晕染与干笔勾勒相济，花朵或绽或含，清雅冷逸。笔墨间裹挟着文人的孤傲逸气，简淡中见精神，寥寥数笔便将梅的坚韧与清韵托出，观之如临寒枝，暗香隐隐浮动，意趣悠长。",[26,70,29,27,120,230,53,25],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fe056893912a8e39a3b48b9a03e412da7.jpg",[59],"b59f90",{"id":1617,"slug":1618,"title":355,"dynasty":8,"author":7,"museum":67,"description":160,"tags":1619,"thumbUrl":1620,"material":11,"size":11,"collection":11,"collections":1621,"showCount":1622,"zanCount":43,"manualWeight":43,"mainColor":44},237765,"yuan-ji-shan-shui-tu-ce-shi-tao-237765",[26,27,28,29,30,92,90,32,94,35],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fe09dc0c32ab98fa7cdb90b009cd5e906.jpg",[],18,{"id":1624,"slug":1625,"title":355,"dynasty":8,"author":7,"museum":159,"description":280,"tags":1626,"thumbUrl":1627,"material":1034,"size":221,"collection":11,"collections":1628,"showCount":1622,"zanCount":43,"manualWeight":43,"mainColor":44},235003,"yuan-ji-shan-shui-tu-ce-shi-tao-235003",[26,70,29,27,52,30,148,183,365,151,132,35,28],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F098b21ce73fa0300f031aec7f760b977.jpg",[],{"id":1630,"slug":1631,"title":355,"dynasty":8,"author":7,"museum":159,"description":280,"tags":1632,"thumbUrl":1633,"material":1034,"size":221,"collection":11,"collections":1634,"showCount":1622,"zanCount":43,"manualWeight":43,"mainColor":44},234999,"yuan-ji-shan-shui-tu-ce-shi-tao-234999",[106,26,70,29,27,52,30,367,92,365,28],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F4125a44cb17a489613587b83a15c7d5a.jpg",[],{"id":1636,"slug":1637,"title":216,"dynasty":8,"author":7,"museum":159,"description":534,"tags":1638,"thumbUrl":1641,"material":1041,"size":1042,"collection":11,"collections":1642,"showCount":1622,"zanCount":43,"manualWeight":43,"mainColor":44},233421,"yuan-ji-shan-shui-ce-shi-tao-233421",[106,26,70,29,27,28,30,92,291,32,150,1639,1640],"栅栏","坡地","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F09c55c1ae79c7d14fcee18a101340766.jpg",[],{"id":1644,"slug":1645,"title":1646,"dynasty":8,"author":7,"museum":67,"description":1647,"tags":1648,"thumbUrl":1649,"material":11,"size":11,"collection":11,"collections":1650,"showCount":1622,"zanCount":43,"manualWeight":43,"mainColor":44},224501,"shan-shui-ce-kai-er-shi-tao-224501","山水冊开(二)","此作以水墨淡彩写就江南水乡之景，构图虚实相生，上部题诗留空疏朗开阔，下部绘景层次分明。近岸坡石上孤屋临水，旁植古松垂柳，枝条轻拂水面，野意悠然。中景水村错落，粉墙黛瓦隐于林木间，渔舟漾波，渔人往来作业，鲜活尽显水乡日常烟火。\n\n笔墨简率松灵，山石林木多以点染而成，不重精描细摹，以写意之趣托出萧散淡远的意境。题画诗与画面浑然相融，诗画映发，尽显文人画清雅逸致，将江南渔隐的闲淡安宁娓娓道来，暗含画者寄情丘壑的隐逸襟怀。",[25,26,70,29,27,52,28,30,148,94,93,32,292,92,133],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fb3c8d79112bf34afe23e5983c9cb11e3.jpg",[],{"id":1652,"slug":1653,"title":1654,"dynasty":8,"author":7,"museum":49,"description":207,"tags":1655,"thumbUrl":1656,"material":37,"size":210,"collection":11,"collections":1657,"showCount":1622,"zanCount":43,"manualWeight":43,"mainColor":44},214527,"yi-jin-ling-ce-7-shi-tao-214527","忆金陵册-7",[26,70,29,52,30,31,198,32,92,132,57,75,35,28],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fc6d08d0d08e1dbd868f3111e7bbc625a.jpg",[],{"id":1659,"slug":1660,"title":1661,"dynasty":8,"author":7,"museum":49,"description":207,"tags":1662,"thumbUrl":1663,"material":37,"size":210,"collection":11,"collections":1664,"showCount":1622,"zanCount":43,"manualWeight":43,"mainColor":44},214521,"yi-jin-ling-ce-13-shi-tao-214521","忆金陵册-13",[26,27,28,35,57,75,29,30,92,32,198],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F5f56ff0dacc1059db5508b00fe0e1e40.jpg",[],{"id":1666,"slug":1667,"title":1668,"dynasty":8,"author":7,"museum":86,"description":1669,"tags":1670,"thumbUrl":1671,"material":11,"size":11,"collection":39,"collections":1672,"showCount":1622,"zanCount":43,"manualWeight":43,"mainColor":1673},202070,"shi-bi-ming-qin-tu-zhou-shi-tao-202070","石壁鸣琴图轴","石壁嶙峋，流泉漱石，松枝盘曲横斜，竹影疏密交错。近岸二人，一坐一立，坐者凝眸听泉，似悟水声如琴韵；立者侧侍，神态闲淡。笔墨纵逸，皴染互济，山石以浓淡墨线勾皴肌理，草木用简劲笔触点染，尽显清幽雅致的文人意趣与自然生机。",[26,27,30,28,132,54,94,89,25],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fbeab9824aa4b59b6678548a5564ac158.jpg",[39],"90897f",{"id":1675,"slug":1676,"title":1677,"dynasty":8,"author":7,"museum":159,"description":1678,"tags":1679,"thumbUrl":1685,"material":11,"size":11,"collection":1019,"collections":1686,"showCount":1687,"zanCount":43,"manualWeight":43,"mainColor":44},240036,"yuan-ji-shu-guang-ling-shu-xia-zuo-shi-shi-tao-240036","原济书广陵树下作诗","原济(1642一1707)，俗姓朱。名若极，字石涛，号大涤子，广西全州人。明藩靖江王朱守谦后裔，父亲在明末被追杀，时若极五岁，削发为僧得以存活。法名原济，一作元济，自称苦瓜和尚。与弘仁、髡残、朱耷合称“四僧”。在绘画理论上贡献卓著。他主张“笔墨当随时代”和“借古以开今”，强调对大自然要有真切的艺术感受，在艺术创作时要“我自用我法”，反对泥古不化。对后来扬州画派和近代画风，影响极大。",[57,75,623,1680,1681,198,622,1682,1683,134,1684,35],"云","孤云","崖","烟岚","鹤","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ff15ca7091459c0f80d077ebe7c568a8b.jpg",[1019],17,{"id":1689,"slug":1690,"title":355,"dynasty":8,"author":7,"museum":67,"description":160,"tags":1691,"thumbUrl":1692,"material":11,"size":11,"collection":11,"collections":1693,"showCount":1687,"zanCount":43,"manualWeight":43,"mainColor":44},237764,"yuan-ji-shan-shui-tu-ce-shi-tao-237764",[26,70,29,27,28,30,133,94,93,32,92,35],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F0ac1ee90f748a167e69acc2042541dba.jpg",[],{"id":1695,"slug":1696,"title":299,"dynasty":8,"author":7,"museum":67,"description":1697,"tags":1698,"thumbUrl":1699,"material":11,"size":11,"collection":11,"collections":1700,"showCount":1687,"zanCount":43,"manualWeight":43,"mainColor":44},235891,"yuan-ji-huang-shan-you-tu-ce-shi-tao-235891","这幅山水以水墨晕染烟岚，春山隐在翻涌云气间，虚实掩映晕出空山新雨的湿润。近景茅庐藏于芦荻深处，水牛静卧溪头，田畴青苗含露。\n以枯湿浓淡的多变笔墨绘就山峦苔点，苍劲朴拙，烟霭则以淡墨留白晕染，铺展出山野初春的空蒙柔润。题诗与画境相融，将山农冒雨春耕的野趣藏在淡烟疏柳里，揉合田园闲逸与山野生机，笔底兼具自然意趣与文人气韵，寄寓着隐逸耕读的林下雅情。",[26,27,28,53,106,30,622,197,264,688,35],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F95a1219c43d19bd359589ad745709dc4.jpg",[],{"id":1702,"slug":1703,"title":299,"dynasty":8,"author":7,"museum":67,"description":1704,"tags":1705,"thumbUrl":1706,"material":11,"size":11,"collection":11,"collections":1707,"showCount":1687,"zanCount":43,"manualWeight":43,"mainColor":44},235890,"yuan-ji-huang-shan-you-tu-ce-shi-tao-235890","此作以淡墨晕染出空山清寂之境，湿笔披麻皴扫过坡石，带着氤氲水汽，将丘壑的温润苍古尽显。几株苍松虬枝简括，疏朗点苔，自带清瘦劲挺之姿。策杖幽人简笔勾勒，衣袂飘然，于山隅驻足，似在静听松风，又似寻幽访旧。\n左上题笔行书朴拙苍劲，诗画相融，将寻石听松的雅趣和山林空寂的意境合而为一。全幅笔墨简淡却意蕴悠长，淡墨轻岚间漾着悠然禅意，将山居清旷之景与幽人萧散心境完美契合，尽显山水寄情的文人意趣。",[26,70,29,27,30,132,56,134,28],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F4be577e5e9240c95abe5fc1a640d2f39.jpg",[],{"id":1709,"slug":1710,"title":355,"dynasty":8,"author":7,"museum":67,"description":160,"tags":1711,"thumbUrl":1713,"material":253,"size":254,"collection":11,"collections":1714,"showCount":1687,"zanCount":43,"manualWeight":43,"mainColor":44},235516,"yuan-ji-shan-shui-tu-ce-shi-tao-235516",[106,26,70,29,27,28,30,94,890,134,1712,35],"屋","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F71841c15cb618845d5db6ccb80c74caa.jpg",[],{"id":1716,"slug":1717,"title":576,"dynasty":8,"author":7,"museum":67,"description":160,"tags":1718,"thumbUrl":1719,"material":11,"size":11,"collection":11,"collections":1720,"showCount":1687,"zanCount":43,"manualWeight":43,"mainColor":44},234648,"yuan-ji-jin-ling-shi-jing-tu-ce-shi-tao-234648",[26,70,29,27,75,35,30,56,57,28],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F3b94e4bc4ae513265cb49273e2b24099.jpg",[],{"id":1722,"slug":1723,"title":1724,"dynasty":8,"author":7,"museum":67,"description":160,"tags":1725,"thumbUrl":1726,"material":11,"size":11,"collection":11,"collections":1727,"showCount":1687,"zanCount":43,"manualWeight":43,"mainColor":44},234250,"yuan-ji-shi-hua-he-bi-tu-juan-shi-tao-234250","原济诗画合璧图卷",[25,26,70,71,27,75,54,35],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F72859f2d1a40d9ef1ad376d60d03ee12.jpg",[],{"id":1729,"slug":1730,"title":584,"dynasty":8,"author":7,"museum":159,"description":585,"tags":1731,"thumbUrl":1732,"material":424,"size":593,"collection":11,"collections":1733,"showCount":1687,"zanCount":43,"manualWeight":43,"mainColor":44},233781,"yuan-ji-tao-yuan-ming-shi-yi-ce-shi-tao-233781",[26,70,106,587,27,53,75,28,30,302,32,92,132],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F935a7b3b458e5a228f740951a8462ba8.jpg",[],{"id":1735,"slug":1736,"title":410,"dynasty":8,"author":7,"museum":67,"description":411,"tags":1737,"thumbUrl":1738,"material":220,"size":415,"collection":11,"collections":1739,"showCount":1687,"zanCount":43,"manualWeight":43,"mainColor":44},233384,"yuan-ji-jin-shan-long-you-si-shi-yi-ce-shi-tao-233384",[26,27,28,29,35,30,93,32,570,94,92],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fa6d3a4c8528fd2d713c7fc6167e55db4.jpg",[],{"id":1741,"slug":1742,"title":410,"dynasty":8,"author":7,"museum":67,"description":411,"tags":1743,"thumbUrl":1744,"material":220,"size":415,"collection":11,"collections":1745,"showCount":1687,"zanCount":43,"manualWeight":43,"mainColor":44},233380,"yuan-ji-jin-shan-long-you-si-shi-yi-ce-shi-tao-233380",[26,27,28,29,35,30,91,92,591,94],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fb0bbd7d92c80a69a6c6a4f2a0813882f.jpg",[],{"id":1747,"slug":1748,"title":216,"dynasty":8,"author":7,"museum":159,"description":217,"tags":1749,"thumbUrl":1750,"material":220,"size":221,"collection":11,"collections":1751,"showCount":1687,"zanCount":43,"manualWeight":43,"mainColor":44},233128,"yuan-ji-shan-shui-ce-shi-tao-233128",[26,70,29,27,52,28,30,133,94,93,367,148],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ffb4ac134c0a0d2cc60b898eb588378dc.jpg",[],{"id":1753,"slug":1754,"title":1755,"dynasty":8,"author":7,"museum":67,"description":1756,"tags":1757,"thumbUrl":1758,"material":11,"size":11,"collection":11,"collections":1759,"showCount":1687,"zanCount":43,"manualWeight":43,"mainColor":44},224514,"shan-shui-tu-ce-8-kai-3-zhang-da-qian-jiu-cang-shi-tao-224514","山水图册8开-3-张大千旧藏","淡墨晕开平湖烟波，水汽裹着远山晕成一片黛色，皴擦写意的峰峦带着朴拙苍劲的质感，晕染出清旷的天地底色。近岸林木错落，干湿浓墨交织出深浅层次，三两渔舟横斜泊岸，静卧于烟水间。江畔幽坐的旅人凝望远山，留白铺就的水面将万般归思揉进空濛雾色。题画小字清雅错落，朱红闲章点缀素净画面，盘活了满卷静气。整幅笔意纵恣随性，以极简笔墨勾勒出山川清旷之美，将羁旅幽怀融于烟水林峦，藏着静穆淡远的禅意，尽显写意山水的空濛悠远。",[25,26,27,28,29,70,35,30,148,32,241,132,302],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F546454255510cf28a6ced2790a597e6c.jpg",[],{"id":1761,"slug":1762,"title":1763,"dynasty":8,"author":7,"museum":86,"description":1764,"tags":1765,"thumbUrl":1767,"material":11,"size":11,"collection":39,"collections":1768,"showCount":1687,"zanCount":43,"manualWeight":43,"mainColor":1769},202163,"shan-chuang-yan-du-tu-zhou-shi-tao-202163","山窗研读图轴","这幅立轴山水以水墨铺陈，上半段奇峰陡峭，岩石纹理用多变皴法勾勒，墨色浓淡交织，尽显山川雄浑之势；下半段林木错落，枝干苍劲，茅舍隐于树荫间，暗合“研读”之题，营造出文人静居的雅致氛围。石涛笔墨纵逸，皴擦点染间兼具自然野趣与人文情韵，将山水之灵与读书之静融为一体，尽显其“搜尽奇峰”的创作理念与文人画的精神内核。",[26,27,30,28,89,32,70,1766,25],"文人画","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ff91e2b04194fe3eca5cf94a86d7d0057.jpg",[39],"9d948a",{"id":1771,"slug":1772,"title":355,"dynasty":8,"author":7,"museum":67,"description":160,"tags":1773,"thumbUrl":1778,"material":11,"size":11,"collection":11,"collections":1779,"showCount":1780,"zanCount":43,"manualWeight":43,"mainColor":44},237771,"yuan-ji-shan-shui-tu-ce-shi-tao-237771",[26,27,52,29,28,30,148,367,94,56,35,291,1774,1775,1776,1777,53],"河岸","小船","枯枝","淡彩","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fcbdf2030026657b64f84e1fb3e57e390.jpg",[],16,{"id":1782,"slug":1783,"title":299,"dynasty":8,"author":7,"museum":67,"description":1784,"tags":1785,"thumbUrl":1788,"material":11,"size":11,"collection":11,"collections":1789,"showCount":1780,"zanCount":43,"manualWeight":43,"mainColor":100},235892,"yuan-ji-huang-shan-you-tu-ce-shi-tao-235892","此作以奇崛危崖撑起画面骨架，焦墨勾勒崖壁嶙峋肌理，淡墨晕染出云气在峰谷间漫漶，明暗虚实铺就山谷的空寂幽深。谷内林麓掩映茅舍，三两旅人或策杖徐行，或围坐晤谈，将山水静穆与林下雅集的悠然意趣相融，动静相生。\n\n笔墨兼具苍润，湿笔晕染出山间空蒙水汽，枯笔皴擦刻画出岩石坚实质感，尽显黄山的清灵出尘。边角题诗与山水呼应，将探幽问道的雅趣藏于丘壑，尽显文人林泉栖隐之思。",[26,70,29,27,28,35,57,75,30,1786,132,1787,92,32,498],"孤峰","马","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ff96f0d743602994e646e67e90a61dcf4.jpg",[],{"id":1791,"slug":1792,"title":355,"dynasty":8,"author":7,"museum":67,"description":1793,"tags":1794,"thumbUrl":1795,"material":11,"size":11,"collection":11,"collections":1796,"showCount":1780,"zanCount":114,"manualWeight":43,"mainColor":100},235523,"yuan-ji-shan-shui-tu-ce-shi-tao-235523","此作用枯淡笔墨写就秋林逸景，坡岸错落在浅滩之侧，奇崛山石以披麻皴写就，苍劲松竹错落林间，茅庐隐于林麓深处。水畔留白见空茫，寥寥几笔便将秋水清寂铺陈开来。左侧题字笔意纵逸，与画境相生相融。\n全画简淡萧疏，枯润笔墨相映，留白处尽得山水悠远之致，将秋郊水畔冷寂澹然与幽居文人的散淡意趣相融，尽显文心画骨，把寄情林泉的幽怀藏在笔底。",[26,70,27,28,29,30,303,92,94,35,57],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F2c0f27c31545873ecbd11eb7ab97c011.jpg",[],{"id":1798,"slug":1799,"title":355,"dynasty":8,"author":7,"museum":67,"description":1800,"tags":1801,"thumbUrl":1804,"material":11,"size":11,"collection":11,"collections":1805,"showCount":1780,"zanCount":43,"manualWeight":43,"mainColor":44},235522,"yuan-ji-shan-shui-tu-ce-shi-tao-235522","此作用枯笔淡墨绘就山水幽居之境。远山清瘦层叠，烟岚轻笼峰腰，晕染出空濛淡远之致。近处怪石盘迂，苍松杂木错落生姿，茅舍半隐林麓，林下幽人对坐抚琴，尽得林泉高致。\n\n左侧题诗与画面相映成趣，笔致萧散简淡，以诗衬画，将静听松风、默然会意的雅逸心境铺展纸上。整体画风疏秀空灵，脱尽尘俗，以极简笔墨勾勒悠远林下之思，把文人耽爱山水、寄情丝桐的襟怀融于尺幅间，淡而弥永，意韵悠长。",[26,27,29,28,30,56,32,302,365,1802,782,1803,368],"近石","松枝","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F7c9ee25418441b56893f0e81e4198921.jpg",[],{"id":1807,"slug":1808,"title":355,"dynasty":8,"author":7,"museum":159,"description":280,"tags":1809,"thumbUrl":1810,"material":1034,"size":221,"collection":11,"collections":1811,"showCount":1780,"zanCount":43,"manualWeight":43,"mainColor":44},235002,"yuan-ji-shan-shui-tu-ce-shi-tao-235002",[26,27,29,28,30,291,93,92,32],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fa88700a465848b4bfef96013a08e833f.jpg",[],{"id":1813,"slug":1814,"title":1815,"dynasty":8,"author":7,"museum":159,"description":1816,"tags":1817,"thumbUrl":1818,"material":452,"size":1819,"collection":11,"collections":1820,"showCount":1780,"zanCount":43,"manualWeight":43,"mainColor":44},234047,"yuan-ji-qi-feng-tu-shan-ye-shi-tao-234047","原济奇峰图扇页","此幅应是原济晚年之作。图绘黄山两处重要景观莲花峰和文殊院。构图新颖大胆，极尽含蓄隐现之妙。画幅中部的莲花峰以“截取法”表现，重点刻画了交叠错落的山顶，其山腰以下的部分利用“无中生有”的艺术手法，通过虚无飘渺的白云将它隐去，从而反衬出此峰的高深与雄伟，令整个画面也由此成为一个烟云流动、气势壮丽而又深邃空灵的小世界。",[26,960,27,28,30,449,32,35],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F7a7869dbee107a474422c0cb53686895.jpg","纵17.5厘米，横49厘米",[],{"id":1822,"slug":1823,"title":216,"dynasty":8,"author":7,"museum":159,"description":534,"tags":1824,"thumbUrl":1825,"material":1041,"size":1042,"collection":11,"collections":1826,"showCount":1780,"zanCount":43,"manualWeight":43,"mainColor":44},233417,"yuan-ji-shan-shui-ce-shi-tao-233417",[26,27,29,28,30,56,291,652],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F3bbc7f6586f3953ae969d45c5a8d59a6.jpg",[],{"id":1828,"slug":1829,"title":216,"dynasty":8,"author":7,"museum":159,"description":217,"tags":1830,"thumbUrl":1831,"material":220,"size":221,"collection":11,"collections":1832,"showCount":1780,"zanCount":43,"manualWeight":43,"mainColor":44},233127,"yuan-ji-shan-shui-ce-shi-tao-233127",[26,70,29,27,52,28,30,148,241,32,93,197,75,35],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F20cb7a6d40f44117b887d4717d35798b.jpg",[],{"id":1834,"slug":1835,"title":1836,"dynasty":8,"author":7,"museum":67,"description":1837,"tags":1838,"thumbUrl":1839,"material":11,"size":11,"collection":11,"collections":1840,"showCount":1780,"zanCount":43,"manualWeight":43,"mainColor":44},224516,"shan-shui-tu-ce-8-kai-4-zhang-da-qian-jiu-cang-shi-tao-224516","山水图册8开-4-张大千旧藏","此作笔墨纵逸灵秀，近景矶石层叠错落，古松浓荫如盖，半山楼阁隐现其间，扁舟系于石畔，漾出静雅思致。水面留白悠远，远景以淡墨晕染平峦，淡青轻覆山尖，虚实相生间晕开江南水畔的清寂底色。\n\n笔意枯湿浓淡随性自然，将山林幽居的萧散野趣尽显无余，题书朴拙苍劲，与画境浑然相融，藏着寄情林泉的隐逸襟怀，寥寥数笔便勾勒出静穆淡远的诗意山水。",[25,26,27,52,29,28,30,148,198,134,92,365,35],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fffcb11f13f60708864df487319738a70.jpg",[],{"id":1842,"slug":1843,"title":1844,"dynasty":8,"author":7,"museum":67,"description":1845,"tags":1846,"thumbUrl":1847,"material":11,"size":11,"collection":11,"collections":1848,"showCount":1780,"zanCount":43,"manualWeight":43,"mainColor":44},224503,"shan-shui-ce-kai-ba-shi-tao-224503","山水冊开(八)","此作用笔清润秀雅，以淡墨晕染远山，将春山笼在烟岚薄雾之中。江岸村落隐于林莽间，江渚渔舟系泊静卧，近岸茅舍错落，柔柳轻拂堤岸，浅赭淡绿敷色晕染，晕开春日融融暖意。\n\n右上题诗与画面相生，将江畔春景揉进诗意之中，简淡空灵间尽显田园意趣。笔墨简而意足，淡而弥厚，把江南春日的缱绻春深藏在浅淡晕染里，将乡野间恬然闲静的春日氛围铺陈开来，让观者仿若踏入这烟柳春江，沉醉在这份闲寂又充满生机的乡野春光中。",[25,26,70,29,27,52,28,57,35,30,148,94,93,32,365],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fa5e7cb140b5bf9176162a92b4b69e5d7.jpg",[],{"id":1850,"slug":1851,"title":1852,"dynasty":8,"author":7,"museum":49,"description":207,"tags":1853,"thumbUrl":1854,"material":37,"size":210,"collection":11,"collections":1855,"showCount":1780,"zanCount":43,"manualWeight":43,"mainColor":44},214529,"yi-jin-ling-ce-5-shi-tao-214529","忆金陵册-5",[26,70,29,27,28,30,94,1787,35],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fd11b0327f171c26bf52b3c73b65611a6.jpg",[],{"id":1857,"slug":1858,"title":1859,"dynasty":8,"author":7,"museum":159,"description":1678,"tags":1860,"thumbUrl":1867,"material":11,"size":11,"collection":1019,"collections":1868,"showCount":1869,"zanCount":43,"manualWeight":43,"mainColor":44},240034,"yuan-ji-guan-lian-hua-feng-shi-shi-tao-240034","原济观莲花峰诗",[70,57,75,27,35,1861,1680,1862,1863,1864,1865,1866,110,94],"雨","楼","青山","洲","树影","落日","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fc75ac02d4b3bcace5ae32d3549fb30ff.jpg",[1019],15,{"id":1871,"slug":1872,"title":1873,"dynasty":8,"author":7,"museum":159,"description":1678,"tags":1874,"thumbUrl":1875,"material":11,"size":11,"collection":1019,"collections":1876,"showCount":1869,"zanCount":43,"manualWeight":43,"mainColor":44},240032,"yuan-ji-shu-ti-xue-jiang-juan-zi-shi-ye-shi-tao-240032","原济书题雪江卷子诗页",[57,75,27,35,70,29],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F23a26c844631d7bbf1965025ddc3e5ad.jpg",[1019],{"id":1878,"slug":1879,"title":355,"dynasty":8,"author":7,"museum":67,"description":160,"tags":1880,"thumbUrl":1882,"material":11,"size":11,"collection":11,"collections":1883,"showCount":1869,"zanCount":43,"manualWeight":43,"mainColor":44},237768,"yuan-ji-shan-shui-tu-ce-shi-tao-237768",[106,26,70,29,27,52,28,30,56,93,32,365,1881,151,35],"近山","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F2fdf237b23a0eee60675e6fe8c367619.jpg",[],{"id":1885,"slug":1886,"title":584,"dynasty":8,"author":7,"museum":159,"description":585,"tags":1887,"thumbUrl":1888,"material":424,"size":593,"collection":11,"collections":1889,"showCount":1869,"zanCount":43,"manualWeight":43,"mainColor":44},233773,"yuan-ji-tao-yuan-ming-shi-yi-ce-shi-tao-233773",[26,70,29,27,52,30,32,150,94,92,132,75,35,28,198,133],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Facfe15b15dd27ffce25b8a5334ea64a4.jpg",[],{"id":1891,"slug":1892,"title":1893,"dynasty":8,"author":7,"museum":67,"description":513,"tags":1894,"thumbUrl":1895,"material":452,"size":516,"collection":11,"collections":1896,"showCount":1869,"zanCount":43,"manualWeight":43,"mainColor":44},233693,"yuan-ji-lan-zhu-ce-mei-zhu-shi-shi-tao-233693","原济兰竹册－梅竹石",[26,70,27,29,230,54,56,53],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fe61a39c4a7e08e81fbed3a68467d98df.jpg",[],{"id":1898,"slug":1899,"title":1900,"dynasty":8,"author":7,"museum":67,"description":513,"tags":1901,"thumbUrl":1902,"material":452,"size":516,"collection":11,"collections":1903,"showCount":1869,"zanCount":43,"manualWeight":43,"mainColor":44},233687,"yuan-ji-lan-zhu-ce-lan-shi-shi-tao-233687","原济兰竹册－兰石",[26,70,29,27,251,73,35],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F0b386c4c2ab9e8e8da4c2020c0e60748.jpg",[],{"id":1905,"slug":1906,"title":216,"dynasty":8,"author":7,"museum":159,"description":534,"tags":1907,"thumbUrl":1908,"material":1041,"size":1042,"collection":11,"collections":1909,"showCount":1869,"zanCount":43,"manualWeight":43,"mainColor":44},233419,"yuan-ji-shan-shui-ce-shi-tao-233419",[26,29,27,28,30,56,32,31],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F8da9e78838b6d56b888f9f6637ee1aae.jpg",[],{"id":1911,"slug":1912,"title":216,"dynasty":8,"author":7,"museum":159,"description":534,"tags":1913,"thumbUrl":1914,"material":1041,"size":1042,"collection":11,"collections":1915,"showCount":1869,"zanCount":43,"manualWeight":43,"mainColor":44},233418,"yuan-ji-shan-shui-ce-shi-tao-233418",[26,27,28,56,30,365,151,29,35],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F92361a4fe6fb74ea4f312c51d24294e9.jpg",[],{"id":1917,"slug":1918,"title":410,"dynasty":8,"author":7,"museum":67,"description":411,"tags":1919,"thumbUrl":1920,"material":220,"size":415,"collection":11,"collections":1921,"showCount":1869,"zanCount":43,"manualWeight":43,"mainColor":44},233385,"yuan-ji-jin-shan-long-you-si-shi-yi-ce-shi-tao-233385",[26,27,28,29,35,30,91,321],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fb16bc5ac03306415ab3da3f1c18c313e.jpg",[],{"id":1923,"slug":1924,"title":410,"dynasty":8,"author":7,"museum":67,"description":411,"tags":1925,"thumbUrl":1926,"material":220,"size":415,"collection":11,"collections":1927,"showCount":1869,"zanCount":43,"manualWeight":43,"mainColor":44},233383,"yuan-ji-jin-shan-long-you-si-shi-yi-ce-shi-tao-233383",[26,70,27,28,29,30,133,94,92,132,366,32],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fe6a2cb0bf3c261545bb9cb2f6d60a55a.jpg",[],{"id":1929,"slug":1930,"title":216,"dynasty":8,"author":7,"museum":159,"description":217,"tags":1931,"thumbUrl":1932,"material":220,"size":221,"collection":11,"collections":1933,"showCount":1869,"zanCount":43,"manualWeight":43,"mainColor":44},233126,"yuan-ji-shan-shui-ce-shi-tao-233126",[106,26,70,29,27,28,30,56,291,198,132,623],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fd3a307905955c7d593b96754ac05d484.jpg",[],{"id":1935,"slug":1936,"title":1937,"dynasty":8,"author":7,"museum":180,"description":181,"tags":1938,"thumbUrl":1939,"material":37,"size":186,"collection":59,"collections":1940,"showCount":1869,"zanCount":43,"manualWeight":43,"mainColor":44},214559,"mo-zui-za-hua-tu-ce-8-shi-tao-214559","墨醉杂画图册-8",[25,26,70,29,27,53,120,54,55,35,57],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F20c1fe0779c8c79e2684164129c8d6d4.jpg",[59],{"id":1942,"slug":1943,"title":1944,"dynasty":8,"author":7,"museum":49,"description":207,"tags":1945,"thumbUrl":1946,"material":37,"size":210,"collection":11,"collections":1947,"showCount":1869,"zanCount":43,"manualWeight":43,"mainColor":44},214522,"yi-jin-ling-ce-12-shi-tao-214522","忆金陵册-12",[26,70,29,27,52,30,132,32,365,331,35,57,75,28],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fe936edd910ced608e05568f8a4a03582.jpg",[],{"id":1949,"slug":1950,"title":1951,"dynasty":8,"author":7,"museum":67,"description":160,"tags":1952,"thumbUrl":1957,"material":253,"size":254,"collection":11,"collections":1958,"showCount":1959,"zanCount":43,"manualWeight":43,"mainColor":44},287426,"shi-liu-luo-han-tu-juan-quan-juan-shi-tao-287426","十六罗汉图卷(全卷)",[26,71,662,27,1953,1954,1955,1058,1956,1288,92,32,94],"人物画","宗教画","佛教","龙","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fb0277a576b1ecf73a9a35381215e88e4.jpg",[],14,{"id":1961,"slug":1962,"title":355,"dynasty":8,"author":7,"museum":67,"description":160,"tags":1963,"thumbUrl":1964,"material":11,"size":11,"collection":11,"collections":1965,"showCount":1959,"zanCount":43,"manualWeight":43,"mainColor":44},237769,"yuan-ji-shan-shui-tu-ce-shi-tao-237769",[26,70,29,52,28,30,321,32,93,242,35],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F975178692752951cb0cf686cd98c9afa.jpg",[],{"id":1967,"slug":1968,"title":355,"dynasty":8,"author":7,"museum":159,"description":280,"tags":1969,"thumbUrl":1970,"material":1034,"size":221,"collection":11,"collections":1971,"showCount":1959,"zanCount":43,"manualWeight":43,"mainColor":44},235005,"yuan-ji-shan-shui-tu-ce-shi-tao-235005",[26,27,30,148,28,32,490,197,29],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fdbd784b91f6631c5f760dc9d90bdcebb.jpg",[],{"id":1973,"slug":1974,"title":355,"dynasty":8,"author":7,"museum":159,"description":280,"tags":1975,"thumbUrl":1976,"material":1034,"size":221,"collection":11,"collections":1977,"showCount":1959,"zanCount":43,"manualWeight":43,"mainColor":44},235004,"yuan-ji-shan-shui-tu-ce-shi-tao-235004",[106,26,70,27,52,28,29,57,35,30,132,367,197,1084],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ffe1d5969137e19a3568085176acf242b.jpg",[],{"id":1979,"slug":1980,"title":584,"dynasty":8,"author":7,"museum":159,"description":585,"tags":1981,"thumbUrl":1982,"material":424,"size":593,"collection":11,"collections":1983,"showCount":1959,"zanCount":43,"manualWeight":43,"mainColor":44},233780,"yuan-ji-tao-yuan-ming-shi-yi-ce-shi-tao-233780",[26,70,29,75,57,27,52,53,28,132,134,74,708,92,591],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F08b5ac46bfdfbb00f6719c0a94a89517.jpg",[],{"id":1985,"slug":1986,"title":1987,"dynasty":8,"author":7,"museum":67,"description":513,"tags":1988,"thumbUrl":1991,"material":452,"size":516,"collection":11,"collections":1992,"showCount":1959,"zanCount":43,"manualWeight":43,"mainColor":44},233688,"yuan-ji-lan-zhu-ce-xue-zhong-mei-zhu-shi-tao-233688","原济兰竹册－雪中梅竹",[26,70,29,27,53,1989,1990,303,1579],"雪","梅花","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F13d98440534b36c7c573bc21674f6b05.jpg",[],{"id":1994,"slug":1995,"title":1996,"dynasty":8,"author":7,"museum":67,"description":513,"tags":1997,"thumbUrl":1998,"material":452,"size":516,"collection":11,"collections":1999,"showCount":1959,"zanCount":43,"manualWeight":43,"mainColor":44},233685,"yuan-ji-lan-zhu-ce-zhu-lan-shi-tao-233685","原济兰竹册－竹兰",[106,26,70,29,27,251,54,35],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F682ad7be838217a702824a55aa1508fe.jpg",[],{"id":2001,"slug":2002,"title":410,"dynasty":8,"author":7,"museum":67,"description":411,"tags":2003,"thumbUrl":2004,"material":220,"size":415,"collection":11,"collections":2005,"showCount":1959,"zanCount":43,"manualWeight":43,"mainColor":44},233388,"yuan-ji-jin-shan-long-you-si-shi-yi-ce-shi-tao-233388",[26,70,106,29,27,28,30,198,32,92,94,35],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fcfadec0df955c224faf8b25ed405b4d4.jpg",[],{"id":2007,"slug":2008,"title":410,"dynasty":8,"author":7,"museum":67,"description":411,"tags":2009,"thumbUrl":2010,"material":220,"size":415,"collection":11,"collections":2011,"showCount":1959,"zanCount":43,"manualWeight":43,"mainColor":44},233387,"yuan-ji-jin-shan-long-you-si-shi-yi-ce-shi-tao-233387",[26,70,27,29,30,32,92,93,35],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F518aa7dd00c502fe66ea06d0603877ca.jpg",[],{"id":2013,"slug":2014,"title":410,"dynasty":8,"author":7,"museum":67,"description":411,"tags":2015,"thumbUrl":2016,"material":220,"size":415,"collection":11,"collections":2017,"showCount":1959,"zanCount":43,"manualWeight":43,"mainColor":44},233386,"yuan-ji-jin-shan-long-you-si-shi-yi-ce-shi-tao-233386",[26,27,30,367,92,32,241,264,93,35,28],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F435bc7272985c485bd8f4ebb1b716b7b.jpg",[],{"id":2019,"slug":2020,"title":410,"dynasty":8,"author":7,"museum":67,"description":411,"tags":2021,"thumbUrl":2022,"material":220,"size":415,"collection":11,"collections":2023,"showCount":1959,"zanCount":43,"manualWeight":43,"mainColor":44},233382,"yuan-ji-jin-shan-long-you-si-shi-yi-ce-shi-tao-233382",[26,27,28,29,30,148,558,32,93,94,35],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F4fd5561b8af9b8a8f168bf1d305d0bda.jpg",[],{"id":2025,"slug":2026,"title":2027,"dynasty":8,"author":7,"museum":180,"description":181,"tags":2028,"thumbUrl":2030,"material":37,"size":186,"collection":59,"collections":2031,"showCount":1959,"zanCount":43,"manualWeight":43,"mainColor":44},214561,"mo-zui-za-hua-tu-ce-6-shi-tao-214561","墨醉杂画图册-6",[25,106,26,70,29,27,120,736,2029,57,35],"蜻蜓","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F576f4adf720f042e76cb0d887900cf4b.jpg",[59],{"id":2033,"slug":2034,"title":2035,"dynasty":8,"author":7,"museum":49,"description":207,"tags":2036,"thumbUrl":2037,"material":37,"size":210,"collection":11,"collections":2038,"showCount":1959,"zanCount":43,"manualWeight":43,"mainColor":44},214528,"yi-jin-ling-ce-6-shi-tao-214528","忆金陵册-6",[26,70,29,27,52,28,30,291,56,57,35],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ff2b452f3101ec1685c039d9bb4dfd5c6.jpg",[],{"id":2040,"slug":2041,"title":2042,"dynasty":8,"author":7,"museum":49,"description":207,"tags":2043,"thumbUrl":2044,"material":37,"size":210,"collection":11,"collections":2045,"showCount":1959,"zanCount":43,"manualWeight":43,"mainColor":44},214525,"yi-jin-ling-ce-9-shi-tao-214525","忆金陵册-9",[26,70,29,27,28,30,32,93,591,92,57,35],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F99d0768fdd95790b013468eae8620264.jpg",[],{"id":2047,"slug":2048,"title":2049,"dynasty":8,"author":7,"museum":49,"description":207,"tags":2050,"thumbUrl":2051,"material":37,"size":11,"collection":11,"collections":2052,"showCount":1959,"zanCount":43,"manualWeight":43,"mainColor":44},214524,"yi-jin-ling-ce-10-shi-tao-214524","忆金陵册-10",[26,27,30,133,148,291,28,29,35],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F3ddf28697a603132b907edcc82b620ba.jpg",[],{"id":2054,"slug":2055,"title":2056,"dynasty":8,"author":7,"museum":86,"description":2057,"tags":2058,"thumbUrl":2059,"material":11,"size":11,"collection":11,"collections":2060,"showCount":1959,"zanCount":43,"manualWeight":43,"mainColor":2061},203464,"shan-shui-ren-wu-hua-hui-ce-shi-tao-203464","山水人物花卉册","画面以水墨写意绘花卉，苍劲枝干携生拙之趣，叶片浓淡墨晕染，线条勾出清晰脉络，虚实相生；聚簇果实墨色层次丰富，饱满鲜活。留白透气空灵，与墨色景物相映成趣，尽显自然生机。笔墨洒脱不拘，豪放中藏细腻，凝花卉情态意韵于笔端，尽展文人画雅致生机，读之忘俗。",[26,70,29,27,120,1094,1406,35],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F1da8417de5da33012f6d2e5a88e612a4.jpg",[],"ab9a8d",{"id":2063,"slug":2064,"title":2065,"dynasty":8,"author":7,"museum":67,"description":160,"tags":2066,"thumbUrl":2067,"material":253,"size":254,"collection":11,"collections":2068,"showCount":2069,"zanCount":43,"manualWeight":43,"mainColor":44},240963,"yuan-ji-xing-lu-li-bai-shi-wu-shou-shan-mian-shi-tao-240963","原济行录李白诗五首扇面",[960,75,57,27,35],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F46c2409ed2d25ebe8b2868ad5c269148.jpg",[],13,{"id":2071,"slug":2072,"title":2073,"dynasty":8,"author":7,"museum":159,"description":2074,"tags":2075,"thumbUrl":2076,"material":2077,"size":2078,"collection":1019,"collections":2079,"showCount":2069,"zanCount":43,"manualWeight":43,"mainColor":44},240405,"zeng-gao-xiang-ke-yin-qi-gu-shi-zhou-shi-tao-240405","赠高翔刻印七古诗轴","释文：\n书画图章本一体，精雄老丑贵传神。秦汉相形新出古，今人作意古从新。灵幻只教逼造化 ，急就草创留天真。非云事迹代不精，收藏鉴赏谁其人。只有黄金不变色，磊盘珠玉生埃尘。凤冈凤冈向来铁笔许何程，安得闽石千百换与君 ，凿开混沌仍人嗔。\n署款：“凤冈高世兄以印章见赠，书谢博笑。清湘遗人大涤子草。”款下钤：“伴个溪”、“大涤子”、“大本堂若极”、“清湘遗人”印。引首印为“痴绝”。\n此书是石涛写给凤冈的一首七言古诗，以感谢赠印一事。凤冈即高翔，工书画，兼擅治印，为扬州八怪之一。\n此书以隶书为框架，并参以行楷的笔法，变化丰富。结字并非刻意安排，却能不求工而自工。行笔的笔画虽非完全顺畅，但笔画之粗细，字之大小，形态各异，因此避免了平板单调之感。整幅书法奇宕劲逸，姿态横生，显示出石涛书法艺术的个性和新意。",[70,89,75,35,57],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fbc726ac025a860cc95815b28d7aa6044.jpg","绫本，隶书","纵443厘米，横27.6厘米",[1019],{"id":2081,"slug":2082,"title":2083,"dynasty":8,"author":7,"museum":159,"description":1678,"tags":2084,"thumbUrl":2086,"material":11,"size":11,"collection":1019,"collections":2087,"showCount":2069,"zanCount":43,"manualWeight":43,"mainColor":44},240035,"yuan-ji-xi-jin-qiao-shang-zuo-shi-shi-tao-240035","原济西津桥上作诗",[57,75,27,588,2085,35],"诗","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F672cc5593011db22953ce5d243c66d5a.jpg",[1019],{"id":2089,"slug":2090,"title":355,"dynasty":8,"author":7,"museum":67,"description":160,"tags":2091,"thumbUrl":2092,"material":11,"size":11,"collection":11,"collections":2093,"showCount":2069,"zanCount":43,"manualWeight":43,"mainColor":44},237767,"yuan-ji-shan-shui-tu-ce-shi-tao-237767",[26,27,52,28,29,30,198,92,32],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fcb720500e56108bb30df9fbe8edeaf13.jpg",[],{"id":2095,"slug":2096,"title":355,"dynasty":8,"author":7,"museum":67,"description":2097,"tags":2098,"thumbUrl":2101,"material":11,"size":11,"collection":11,"collections":2102,"showCount":2069,"zanCount":43,"manualWeight":43,"mainColor":100},235520,"yuan-ji-shan-shui-tu-ce-shi-tao-235520","淡墨皴擦出层叠山峦，带着苍莽野逸之气，蜿蜒山道串起深谷山居，晕开雨后初霁的湿润空濛。前景林木错落，虬曲枝干间点叶疏密有致，将江南山野的幽寂鲜活铺展。\n\n右上角题诗与画面呼应，诗画交融，暗合山乡行路的澹然况味。笔意纵恣却不失秀润，干湿墨色互用，让山石肌理灵动自然，全无刻硬之感，尽显山水清灵雅致。将天地间静穆生机凝于尺幅，随性旷达的文人意趣藏在每一处笔墨里，是意韵悠长的山水佳构。",[26,70,27,28,29,53,30,622,134,2099,92,2100,241,32],"古道","小路","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F8d5c6622bc1fcd2c25c587e7049d8fce.jpg",[],{"id":2104,"slug":2105,"title":355,"dynasty":8,"author":7,"museum":67,"description":160,"tags":2106,"thumbUrl":2107,"material":253,"size":254,"collection":11,"collections":2108,"showCount":2069,"zanCount":43,"manualWeight":43,"mainColor":44},235517,"yuan-ji-shan-shui-tu-ce-shi-tao-235517",[26,70,29,27,28,30,92,32,133,94,56],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F539be3c07015b163b46cd40a7d09dfe6.jpg",[],{"id":2110,"slug":2111,"title":584,"dynasty":8,"author":7,"museum":159,"description":585,"tags":2112,"thumbUrl":2113,"material":424,"size":593,"collection":11,"collections":2114,"showCount":2069,"zanCount":43,"manualWeight":43,"mainColor":44},233779,"yuan-ji-tao-yuan-ming-shi-yi-ce-shi-tao-233779",[26,30,52,28,75,35,92,94,32,302,349,133,183,91],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F08499dfe7a18b26f6177db834ea5c8ca.jpg",[],{"id":2116,"slug":2117,"title":2118,"dynasty":8,"author":7,"museum":67,"description":513,"tags":2119,"thumbUrl":2120,"material":452,"size":516,"collection":11,"collections":2121,"showCount":2069,"zanCount":43,"manualWeight":43,"mainColor":44},233690,"yuan-ji-lan-zhu-ce-lan-cao-shi-tao-233690","原济兰竹册－兰草",[26,70,29,27,75,35,251],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F57d41cd98cbd4b7710323d21f2b19cd9.jpg",[],{"id":2123,"slug":2124,"title":2125,"dynasty":8,"author":7,"museum":67,"description":513,"tags":2126,"thumbUrl":2127,"material":452,"size":516,"collection":11,"collections":2128,"showCount":2069,"zanCount":43,"manualWeight":43,"mainColor":44},233689,"yuan-ji-lan-zhu-ce-quan-shi-lan-zhi-shi-tao-233689","原济兰竹册－泉石兰芝",[26,70,29,27,251,54,56,35],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ff06ea8d1a5f19d483fa4e2721b2b3214.jpg",[],{"id":2130,"slug":2131,"title":1278,"dynasty":8,"author":7,"museum":67,"description":513,"tags":2132,"thumbUrl":2133,"material":452,"size":516,"collection":11,"collections":2134,"showCount":2069,"zanCount":43,"manualWeight":43,"mainColor":44},233684,"yuan-ji-lan-zhu-ce-lan-hua-shi-tao-233684",[26,70,29,27,75,35,251,120],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fe2180aa17525b58af0bb2e537112baac.jpg",[],{"id":2136,"slug":2137,"title":2138,"dynasty":8,"author":7,"museum":67,"description":513,"tags":2139,"thumbUrl":2140,"material":452,"size":516,"collection":11,"collections":2141,"showCount":2069,"zanCount":43,"manualWeight":43,"mainColor":44},233680,"yuan-ji-lan-zhu-ce-gu-mu-lan-cao-shi-tao-233680","原济兰竹册－古木兰草",[26,70,29,27,75,251,56,35],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F797de6a6914b98ce9c32818051c84e45.jpg",[],{"id":2143,"slug":2144,"title":2145,"dynasty":8,"author":7,"museum":67,"description":1082,"tags":2146,"thumbUrl":2147,"material":11,"size":11,"collection":11,"collections":2148,"showCount":2069,"zanCount":43,"manualWeight":43,"mainColor":44},229002,"tao-yuan-ming-shi-yi-tu-shi-tao-229002","陶渊明诗意图",[26,70,29,52,30,75,57,35,28,1084,302,32,132],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fd852bf65fd37c1462cfb4617891b0385.jpg",[],{"id":2150,"slug":2151,"title":2152,"dynasty":8,"author":7,"museum":180,"description":181,"tags":2153,"thumbUrl":2155,"material":37,"size":186,"collection":59,"collections":2156,"showCount":2069,"zanCount":43,"manualWeight":43,"mainColor":44},214560,"mo-zui-za-hua-tu-ce-7-shi-tao-214560","墨醉杂画图册-7",[25,26,70,29,27,53,120,1465,2154,57,35],"豆荚","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fdaa2f55a704ff2548d16f954b2f29491.jpg",[59],{"id":2158,"slug":2159,"title":2160,"dynasty":8,"author":7,"museum":49,"description":207,"tags":2161,"thumbUrl":2162,"material":37,"size":210,"collection":11,"collections":2163,"showCount":2069,"zanCount":43,"manualWeight":43,"mainColor":44},214523,"yi-jin-ling-ce-11-shi-tao-214523","忆金陵册-11",[26,27,30,148,32,365,151,57,35,28],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fe0c9597cb335d0687e04ead266b505f9.jpg",[],{"id":2165,"slug":2166,"title":2167,"dynasty":8,"author":7,"museum":159,"description":1678,"tags":2168,"thumbUrl":2169,"material":11,"size":11,"collection":1019,"collections":2170,"showCount":2171,"zanCount":43,"manualWeight":43,"mainColor":44},240039,"yuan-ji-song-jin-shan-jue-ding-ye-shi-tao-240039","原济颂金山绝顶页",[588,57,75,27,35],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fcbbbd3c582e163ef87e6d33252387817.jpg",[1019],12,{"id":2173,"slug":2174,"title":2175,"dynasty":8,"author":7,"museum":159,"description":1678,"tags":2176,"thumbUrl":2177,"material":11,"size":11,"collection":1019,"collections":2178,"showCount":2171,"zanCount":43,"manualWeight":43,"mainColor":44},240033,"yuan-ji-zeng-weng-shan-shi-ye-shi-tao-240033","原济赠翁山诗页",[26,70,57,75,27,35],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F7b71aa2c0e79bb949456e320b138809b.jpg",[1019],{"id":2180,"slug":2181,"title":355,"dynasty":8,"author":7,"museum":67,"description":2182,"tags":2183,"thumbUrl":2184,"material":11,"size":11,"collection":11,"collections":2185,"showCount":2171,"zanCount":43,"manualWeight":43,"mainColor":44},237763,"yuan-ji-shan-shui-tu-ce-shi-tao-237763","此帧以淡墨挥写坡岸幽篁，参差修竹挺拔清健，枝叶以中锋撇捺，笔意疏朗灵动，墨色晕染深浅自然，尽显竹之潇爽风神。浅淡皴擦的坡石简括朴拙，衬出竹林的秀逸清奇。\n\n右上角题书与画境相映，诗画合璧，将林下幽居的澹寂意趣诉诸尺幅，不见繁复刻画，却以极简笔墨勾勒出空寂悠远的林下天地，尽显以意驭笔、寄情于物的文人雅韵，寥寥数笔，便将尘嚣之外的幽栖之境铺陈眼前，余韵悠长。",[26,70,29,27,54,56,35,28],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F0ac55975a4208e42209158f4bcbbd273.jpg",[],{"id":2187,"slug":2188,"title":355,"dynasty":8,"author":7,"museum":67,"description":160,"tags":2189,"thumbUrl":2190,"material":253,"size":254,"collection":11,"collections":2191,"showCount":2171,"zanCount":43,"manualWeight":43,"mainColor":100},235519,"yuan-ji-shan-shui-tu-ce-shi-tao-235519",[26,70,29,27,52,30,367,92,31,110,54,28,35],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ffa2a78c5b32a9df0169ae4148b73f13e.jpg",[],{"id":2193,"slug":2194,"title":355,"dynasty":8,"author":7,"museum":159,"description":280,"tags":2195,"thumbUrl":2197,"material":1034,"size":221,"collection":11,"collections":2198,"showCount":2171,"zanCount":43,"manualWeight":43,"mainColor":44},235006,"yuan-ji-shan-shui-tu-ce-shi-tao-235006",[26,70,27,30,28,75,29,490,92,2196],"书法题字","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F0ec9d3f7466864419bc306fe52d74c45.jpg",[],{"id":2200,"slug":2201,"title":576,"dynasty":8,"author":7,"museum":67,"description":160,"tags":2202,"thumbUrl":2203,"material":11,"size":11,"collection":11,"collections":2204,"showCount":2171,"zanCount":43,"manualWeight":43,"mainColor":44},234655,"yuan-ji-jin-ling-shi-jing-tu-ce-shi-tao-234655",[26,70,29,27,75,57,30,28,56],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F071016330c634259e44baae9b2e5dae8.jpg",[],{"id":2206,"slug":2207,"title":576,"dynasty":8,"author":7,"museum":67,"description":160,"tags":2208,"thumbUrl":2209,"material":11,"size":11,"collection":11,"collections":2210,"showCount":2171,"zanCount":43,"manualWeight":43,"mainColor":44},234654,"yuan-ji-jin-ling-shi-jing-tu-ce-shi-tao-234654",[26,70,29,27,75,35,30,241,32,93,28],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F57b5033947f4b0a441807f1b0facb7a0.jpg",[],{"id":2212,"slug":2213,"title":584,"dynasty":8,"author":7,"museum":159,"description":585,"tags":2214,"thumbUrl":2215,"material":424,"size":593,"collection":11,"collections":2216,"showCount":2171,"zanCount":43,"manualWeight":43,"mainColor":44},233777,"yuan-ji-tao-yuan-ming-shi-yi-ce-shi-tao-233777",[26,70,29,27,52,75,28,30,132,93,32,365,197],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fa129f1fd9aee99203d27679dcaa08816.jpg",[],{"id":2218,"slug":2219,"title":584,"dynasty":8,"author":7,"museum":159,"description":585,"tags":2220,"thumbUrl":2224,"material":424,"size":593,"collection":11,"collections":2225,"showCount":2171,"zanCount":43,"manualWeight":43,"mainColor":44},233774,"yuan-ji-tao-yuan-ming-shi-yi-ce-shi-tao-233774",[26,70,29,27,52,30,183,651,2221,132,2222,1680,2223,75,53,28],"菊花","夕阳","花草","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F8ca4420878f973ed6cbf1457c2815973.jpg",[],{"id":2227,"slug":2228,"title":584,"dynasty":8,"author":7,"museum":159,"description":585,"tags":2229,"thumbUrl":2230,"material":424,"size":593,"collection":11,"collections":2231,"showCount":2171,"zanCount":43,"manualWeight":43,"mainColor":44},233772,"yuan-ji-tao-yuan-ming-shi-yi-ce-shi-tao-233772",[26,70,29,27,52,75,28,30,91,302,132,92,32],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F37b13f182bff57b8fc3868382c434e29.jpg",[],{"id":2233,"slug":2234,"title":2235,"dynasty":8,"author":7,"museum":67,"description":513,"tags":2236,"thumbUrl":2237,"material":452,"size":516,"collection":11,"collections":2238,"showCount":2171,"zanCount":43,"manualWeight":43,"mainColor":44},233692,"yuan-ji-lan-zhu-ce-zhu-lan-shi-po-shi-tao-233692","原济兰竹册－竹兰石坡",[26,70,29,27,251,54,73],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F4c88861d0864e685181fe2408ea90707.jpg",[],{"id":2240,"slug":2241,"title":1900,"dynasty":8,"author":7,"museum":67,"description":513,"tags":2242,"thumbUrl":2243,"material":452,"size":516,"collection":11,"collections":2244,"showCount":2171,"zanCount":43,"manualWeight":43,"mainColor":44},233681,"yuan-ji-lan-zhu-ce-lan-shi-shi-tao-233681",[106,26,70,29,27,28,56,1579,35],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F9d93a65f4c725c210abdf4ee1e5accca.jpg",[],{"id":2246,"slug":2247,"title":2248,"dynasty":8,"author":7,"museum":49,"description":207,"tags":2249,"thumbUrl":2250,"material":37,"size":210,"collection":11,"collections":2251,"showCount":2171,"zanCount":43,"manualWeight":43,"mainColor":44},214526,"yi-jin-ling-ce-8-shi-tao-214526","忆金陵册-8",[26,70,29,27,28,30,198,94,56,35,57,75],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F75951298d9f9cb463c2e3032e8fb2dd0.jpg",[],{"id":2253,"slug":2254,"title":2255,"dynasty":8,"author":7,"museum":159,"description":1678,"tags":2256,"thumbUrl":2257,"material":11,"size":11,"collection":1019,"collections":2258,"showCount":2259,"zanCount":43,"manualWeight":43,"mainColor":44},240038,"yuan-ji-dui-xue-shi-ye-shi-tao-240038","原济对雪诗页",[106,26,70,57,75,35,588,27],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F0eb5b79f4c7f387675ed4c8066ff45ec.jpg",[1019],11,{"id":2261,"slug":2262,"title":355,"dynasty":8,"author":7,"museum":67,"description":2263,"tags":2264,"thumbUrl":2265,"material":11,"size":11,"collection":11,"collections":2266,"showCount":2259,"zanCount":43,"manualWeight":43,"mainColor":44},235524,"yuan-ji-shan-shui-tu-ce-shi-tao-235524","枯笔轻勾远景山居，林木萧疏散淡，坡崖以苔点皴擦出苍润质感，留白作溪田野径，将郊野清寂秋意铺展纸上。\n\n整幅画作简净空灵，以少胜多，不着浓墨重彩，却藏丘壑于心间。笔意松秀随性，毫无雕琢痕迹，题款轻附边角，与画面浑然一体，尽显文人山水的静穆禅意。仿佛能听见山风穿林而过，溪田静默无言，将郊野的清幽闲淡与文人情思相融，淡而有味，简而意足，把山水的天然意趣藏于简淡笔墨之中。",[26,70,29,27,28,30,32,198,92,35],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F73a44354a3e42f4bc287386a2df18f00.jpg",[],{"id":2268,"slug":2269,"title":355,"dynasty":8,"author":7,"museum":159,"description":280,"tags":2270,"thumbUrl":2271,"material":1034,"size":221,"collection":11,"collections":2272,"showCount":2259,"zanCount":43,"manualWeight":43,"mainColor":44},235007,"yuan-ji-shan-shui-tu-ce-shi-tao-235007",[26,27,52,28,57,35,30,92,32,91,29],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F2f95e070eb30a633e86a181baaa50863.jpg",[],{"id":2274,"slug":2275,"title":584,"dynasty":8,"author":7,"museum":159,"description":585,"tags":2276,"thumbUrl":2277,"material":424,"size":593,"collection":11,"collections":2278,"showCount":2259,"zanCount":43,"manualWeight":43,"mainColor":44},233776,"yuan-ji-tao-yuan-ming-shi-yi-ce-shi-tao-233776",[26,70,29,52,30,132,93,32,92,1680,57,75,35,28],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F4915b7fd405c9234966f025821e03ed9.jpg",[],{"id":2280,"slug":2281,"title":1900,"dynasty":8,"author":7,"museum":67,"description":513,"tags":2282,"thumbUrl":2283,"material":452,"size":516,"collection":11,"collections":2284,"showCount":2259,"zanCount":43,"manualWeight":43,"mainColor":44},233691,"yuan-ji-lan-zhu-ce-lan-shi-shi-tao-233691",[26,27,29,251,56,35],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F7e224dbd84a4eb93b5effb45a3ce2c52.jpg",[],{"id":2286,"slug":2287,"title":1900,"dynasty":8,"author":7,"museum":67,"description":513,"tags":2288,"thumbUrl":2289,"material":452,"size":516,"collection":11,"collections":2290,"showCount":2259,"zanCount":43,"manualWeight":43,"mainColor":44},233686,"yuan-ji-lan-zhu-ce-lan-shi-shi-tao-233686",[26,70,29,27,251,56],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fcface694a307906f45bdc6019882cf45.jpg",[],{"id":2292,"slug":2293,"title":410,"dynasty":8,"author":7,"museum":67,"description":411,"tags":2294,"thumbUrl":2295,"material":220,"size":415,"collection":11,"collections":2296,"showCount":2259,"zanCount":43,"manualWeight":43,"mainColor":44},233381,"yuan-ji-jin-shan-long-you-si-shi-yi-ce-shi-tao-233381",[26,70,29,27,28,75,35,30,91,92,1183],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fc555274dea7bbe31768bc088686b31c1.jpg",[],{"id":2298,"slug":2299,"title":2300,"dynasty":8,"author":7,"museum":67,"description":2301,"tags":2302,"thumbUrl":2303,"material":11,"size":11,"collection":11,"collections":2304,"showCount":2259,"zanCount":43,"manualWeight":43,"mainColor":44},228993,"bai-kai-luo-han-tu-81-shi-tao-228993","百开罗汉图81","此作以水墨绘就两位罗汉立身奔涌浪涛之中，背景是冷峻苍劲的崖壁。作者以淋漓墨色晕染翻涌水浪，细密线条勾勒罗汉衣袍纹饰，一动一静对比强烈。浪涛汹涌激荡，罗汉却神态静穆安然，于激流中泰然自处，尽显禅心澄澈。干湿浓淡的墨色皴擦出岩壁的厚重质感，工细的衣纹与写意山水形成鲜明反差，烘托出罗汉静定超脱的出世之态，将禅宗于喧嚣中守持本心的意涵融于笔底，笔情墨趣间尽显空灵悠远的禅境。",[26,70,29,27,661,132,92,623,35],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F6f980403a2ac64c265f5de8dbb005cb3.jpg",[],{"id":2306,"slug":2307,"title":2308,"dynasty":8,"author":7,"museum":86,"description":2309,"tags":2310,"thumbUrl":2311,"material":11,"size":11,"collection":39,"collections":2312,"showCount":2259,"zanCount":43,"manualWeight":43,"mainColor":2313},202146,"yue-ye-fan-zhou-tu-zhou-shi-tao-202146","月夜泛舟图轴","夜色如墨晕染开山水轮廓，朦胧月色里，孤舟轻泛于烟波之上。近景松枝虬曲，墨色苍劲；小屋隐于林麓间，小桥卧波，添几分人间清趣。笔触纵逸洒脱，皴擦点染间丘壑自生，水墨淋漓处空濛尽现，将月夜的静谧与悠远铺陈开来。舟中之人似凭栏远眺，与天地相融，尽显文人雅士寄情山水的悠然心境。画面简淡却意韵悠长，于简括中见深致，是写意山水的精妙之作。",[26,27,30,148,133,110,28,89,35,25],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fa8af4bb5920483fa5ab0914c1d46a963.jpg",[39],"b4a990",{"id":2315,"slug":2316,"title":2317,"dynasty":8,"author":7,"museum":86,"description":2318,"tags":2319,"thumbUrl":2320,"material":11,"size":11,"collection":59,"collections":2321,"showCount":2259,"zanCount":114,"manualWeight":43,"mainColor":2322},201607,"jiao-ju-zhu-shi-tu-zhou-shi-tao-201607","焦菊竹石图轴","画面以水墨写意写竹石蕉菊，笔墨纵逸洒脱。焦墨挥就的竹叶如剑戟横斜，尽显劲节；阔大蕉叶浓淡相破，层次叠生；嶙峋奇石皴擦兼施，肌理毕现；丛菊点缀石畔，淡雅疏朗。整幅画气韵生动，以简驭繁，将竹的坚韧、石的苍劲、蕉的清逸、菊的傲岸融为一体，尽显文人画“以物喻志”的意趣。笔势跌宕，墨色淋漓，于山野之趣中藏笔墨之妙，不经意间流露自然生机与人格寄托，是写意花鸟中情景交融的佳作。",[27,28,54,736,56,120,25],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F0d75643bba6c7a73727d229570de7ff2.jpg",[59],"c2b6aa",{"id":2324,"slug":2325,"title":2326,"dynasty":8,"author":7,"museum":67,"description":160,"tags":2327,"thumbUrl":2335,"material":253,"size":254,"collection":11,"collections":2336,"showCount":2337,"zanCount":43,"manualWeight":43,"mainColor":44},289949,"shan-shui-ren-wu-juan-shi-tao-289949","山水人物卷",[25,26,106,71,27,70,57,75,30,132,148,367,241,94,2328,2329,2330,2331,2332,2333,2334,35,28],"怪石","幽林","隐士","僧人","渔者","隐逸","闲适","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F9823a172113e0e371319b858615943f8.jpg",[],10,{"id":2339,"slug":2340,"title":2341,"dynasty":8,"author":7,"museum":159,"description":1678,"tags":2342,"thumbUrl":2347,"material":11,"size":11,"collection":1019,"collections":2348,"showCount":2337,"zanCount":43,"manualWeight":43,"mainColor":44},240037,"yuan-ji-jin-shan-liu-yun-ting-chang-he-yun-shi-ye-shi-tao-240037","原济金山留云亭唱和韵诗页",[70,57,588,75,1111,27,220,35,2343,2085,2344,2345,2346],"文字","笔墨","毛笔","传统","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F1ea08cb353e3a80880d6cb515cd68110.jpg",[1019],{"id":2350,"slug":2351,"title":576,"dynasty":8,"author":7,"museum":67,"description":160,"tags":2352,"thumbUrl":2353,"material":11,"size":11,"collection":11,"collections":2354,"showCount":2337,"zanCount":43,"manualWeight":43,"mainColor":44},234649,"yuan-ji-jin-ling-shi-jing-tu-ce-shi-tao-234649",[26,70,29,27,57,35,30,31,32,198],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F8d314cb0315176e04a49841016a5e44e.jpg",[],{"id":2356,"slug":2357,"title":584,"dynasty":8,"author":7,"museum":159,"description":585,"tags":2358,"thumbUrl":2359,"material":424,"size":593,"collection":11,"collections":2360,"showCount":2337,"zanCount":43,"manualWeight":43,"mainColor":44},233778,"yuan-ji-tao-yuan-ming-shi-yi-ce-shi-tao-233778",[106,26,70,29,27,52,30,132,133,94,32,92,197,93,57],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F27c18c2805cdb7dbe845a2784a765741.jpg",[],{"id":2362,"slug":2363,"title":2364,"dynasty":8,"author":7,"museum":67,"description":513,"tags":2365,"thumbUrl":2366,"material":452,"size":516,"collection":11,"collections":2367,"showCount":2337,"zanCount":43,"manualWeight":43,"mainColor":44},233682,"yuan-ji-lan-zhu-ce-po-shi-lan-cao-shi-tao-233682","原济兰竹册－坡石兰草",[26,70,29,27,251,56,35,75],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F542666f0feb5f13e36b289e2702f417f.jpg",[],{"id":2369,"slug":2370,"title":2371,"dynasty":8,"author":7,"museum":67,"description":2372,"tags":2373,"thumbUrl":2375,"material":11,"size":11,"collection":11,"collections":2376,"showCount":2337,"zanCount":43,"manualWeight":43,"mainColor":44},228992,"bai-kai-luo-han-tu-61-shi-tao-228992","百开罗汉图61","淡墨晕染出翻涌不息的江海惊涛，四位罗汉乘浮叶凌波而行。众人神情各别，或垂眉敛目沉于禅思，或抬眼远眺浪涛，将行旅从容与烟波动荡形成鲜明对照。\n\n衣纹线条简劲灵动，皴染结合晕出僧衣厚重质感，更衬出罗汉静定无扰的禅心。作者以浓淡墨色铺陈水势虚实，留白间尽显江海浩渺空濛，以极简笔墨写尽世外僧人的自在超脱，借渡海意象诠释禅家无往不适的境界，于动静相生间晕染出悠远禅意，尽显笔底禅心与山水意趣的交融。",[26,70,29,662,27,661,132,35,2374],"海浪","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F07723a0fddcca8b958cabbdd724ab54f.jpg",[],{"id":2378,"slug":2379,"title":355,"dynasty":8,"author":7,"museum":67,"description":160,"tags":2380,"thumbUrl":2381,"material":11,"size":11,"collection":11,"collections":2382,"showCount":2383,"zanCount":43,"manualWeight":43,"mainColor":44},237766,"yuan-ji-shan-shui-tu-ce-shi-tao-237766",[26,27,29,28,70,30,291,94,148,35],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F662445e86dd448d2670228648e14a762.jpg",[],9,{"id":2385,"slug":2386,"title":355,"dynasty":8,"author":7,"museum":67,"description":2387,"tags":2388,"thumbUrl":2389,"material":11,"size":11,"collection":11,"collections":2390,"showCount":2383,"zanCount":43,"manualWeight":43,"mainColor":100},235521,"yuan-ji-shan-shui-tu-ce-shi-tao-235521","此作以水墨晕染江南烟岚之景，右侧林木以湿墨点簇，层叠枝叶浑茫蓊郁，林麓深处隐现屋舍，藏山居野逸之趣。远山以淡墨轻笼，化作烟霭中朦胧黛影，与留白水色融成空濛辽远之境。\n\n左侧题诗与画境呼应，笔墨文心相融，虚实相生间铺展出温润朦胧的山水意致。绘者不拘成法，泼染兼施，以萧散简淡的笔致，将天地清逸灵秀与林下幽居的自在襟怀融为一体，尽显文人山水的雅致逸韵。",[26,70,106,29,27,28,978,35,30,32,365],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fbc13a2871174db5294ca190206f1e548.jpg",[],{"id":2392,"slug":2393,"title":355,"dynasty":8,"author":7,"museum":67,"description":160,"tags":2394,"thumbUrl":2395,"material":253,"size":254,"collection":11,"collections":2396,"showCount":2383,"zanCount":43,"manualWeight":43,"mainColor":44},235518,"yuan-ji-shan-shui-tu-ce-shi-tao-235518",[26,70,27,29,28,30,303,558,198,94,35],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F4f0cd6d5b1ed5c33a810caed58cc099c.jpg",[],{"id":2398,"slug":2399,"title":576,"dynasty":8,"author":7,"museum":67,"description":160,"tags":2400,"thumbUrl":2401,"material":11,"size":11,"collection":11,"collections":2402,"showCount":2383,"zanCount":43,"manualWeight":43,"mainColor":44},234650,"yuan-ji-jin-ling-shi-jing-tu-ce-shi-tao-234650",[26,70,29,662,27,30,31,367],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F6e6ae281bab731ccb23526b7cc5efbf0.jpg",[],{"id":2404,"slug":2405,"title":584,"dynasty":8,"author":7,"museum":159,"description":585,"tags":2406,"thumbUrl":2407,"material":424,"size":593,"collection":11,"collections":2408,"showCount":2383,"zanCount":43,"manualWeight":43,"mainColor":44},233775,"yuan-ji-tao-yuan-ming-shi-yi-ce-shi-tao-233775",[26,70,106,587,27,75,53,132,92,32,570,2343],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fe59fcd12bb8e349f58148bff1682a02f.jpg",[],{"id":2410,"slug":2411,"title":2412,"dynasty":8,"author":7,"museum":67,"description":513,"tags":2413,"thumbUrl":2414,"material":452,"size":516,"collection":11,"collections":2415,"showCount":2383,"zanCount":43,"manualWeight":43,"mainColor":44},233683,"yuan-ji-lan-zhu-ce-lan-zhu-shi-shi-tao-233683","原济兰竹册－兰竹石",[26,70,29,27,75,35,28,251,54,56],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F635dcd1c255c153d2eb6030b17e88b3e.jpg",[],{"id":2417,"slug":2418,"title":2419,"dynasty":8,"author":7,"museum":67,"description":2420,"tags":2421,"thumbUrl":2422,"material":11,"size":11,"collection":11,"collections":2423,"showCount":2383,"zanCount":43,"manualWeight":43,"mainColor":44},228990,"bai-kai-luo-han-tu-21-shi-tao-228990","百开罗汉图21","《石涛大士百页罗汉画册》是 于21年出版的图书。\n石涛（164—177），原名朱若极，又名原济，一作元济。\n别号大涤子、清湘老人、苦瓜和尚、瞎尊者、石道人、痴纯、若极等，朱元璋侄子朱文正子靖江王朱守谦十世孙。\n生于明崇祯十三年（164）。\n①顺治二年（1645）夏，清军攻入南京，福王朱由菘等为清军所擒。\n黄道周、郑芝龙等拥立唐王朱聿键在福州称帝，石涛的父亲朱亨嘉也在桂林自称监国。\n广西巡抚瞿式耜因为朱亨嘉非皇室嫡系，没有资格称帝，暗中遣人报唐王朱聿键，朱聿键遣军攻之，朱亨嘉为其所俘，执至福州，囚禁而死。\n石涛当时年仅5岁，由内宫太监携带逃亡，遁入佛门，太监法号喝涛，朱若极法号石涛，二人以师兄弟相称。\n朱若极遂以石涛知名于世。\n石涛幼年聪颖，喜读书。\n既通晓佛典，复好诗文，并喜爱书画，十余岁时即描摹兰草花卉，小有所成。\n未成人，随师兄喝涛北上，游历荆楚岳阳、武昌一带。\n丁酉年春，复由荆楚云游江浙。\n这一时期，是石涛初学书画的时期。\n于前人书法独喜颜真卿，而没有随着当时风气学习董其昌。\n康熙丁未（1667），石涛至宣城。\n在之后的十多年中，石涛以宣城为中心，往返于宣城、太平和黄山之间，并多次游历黄山。\n得黄山烟云变幻之助，画境日进。\n当时所与游者，有著名画家梅清，曹冠五、半山和尚、黄燕思、梅庚、施闰章、江注、吴震伯等。\n诸人既以诗文相酬唱，复以画艺相切磋。\n而梅清对石涛的影响尤其巨大。\n三游黄山，更对石涛的山水绘画产生了巨大影响。\n石涛这一时期留下的绘画作品如藏于日本泉屋博古馆的《黄山八胜图》、北京故宫博物院所藏的《黄山图》21帧等，就带有明显的新安画派风格，清秀淡雅，多用淡墨枯笔，许多画面可以与黄山风景相对应。\n因此石涛曾题画云：“黄山是我师，我是黄山友。\n心期万类中，黄峰无不有。\n” 除了山水画成就外，石涛同样精于人物绘画，其传世作品经常穿插人物形象。\n石涛勤于摹古，主要师法对象有宋代画家李公麟和米芾等，并留下一些带有浓厚古风的作品。\n《石涛大士百页罗汉图册》就是这一时期的代表作。",[26,70,29,27,662,661,132,291,31,35],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fa3d6691bef27d77f387063553b249a7f.jpg",[],{"id":2425,"slug":2426,"title":2427,"dynasty":8,"author":7,"museum":86,"description":2428,"tags":2429,"thumbUrl":2431,"material":11,"size":11,"collection":11,"collections":2432,"showCount":2383,"zanCount":43,"manualWeight":43,"mainColor":2433},203185,"hua-hui-shan-shui-tu-ce-shi-tao-203185","花卉山水图册","这两幅花卉册页，以水墨写意入笔，尽显笔墨灵动之趣。兰草疏叶淡花，墨色层次清雅，题款行书流畅，与兰之飘逸相契，文画交融见文人雅趣；菊花淡墨勾瓣，浓叶衬花，枝干苍劲，花蕊点染细腻，姿态傲岸，传递凌霜之气。画面构图简括却意蕴悠长，笔势纵逸中见法度，将花卉神韵与书法意趣浑然一体，展现出“我自用我法”的艺术个性，于简约中藏万千气象。",[26,70,29,27,120,75,53,251,736,2430],"文人","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F636091cf10df30d7002b14e0adfa5f27.jpg",[],"cfc6b7",{"id":2435,"slug":2436,"title":576,"dynasty":8,"author":7,"museum":67,"description":160,"tags":2437,"thumbUrl":2439,"material":11,"size":11,"collection":11,"collections":2440,"showCount":2441,"zanCount":43,"manualWeight":43,"mainColor":44},234653,"yuan-ji-jin-ling-shi-jing-tu-ce-shi-tao-234653",[106,26,70,29,27,30,148,558,603,2438,57,35],"江河","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fd9c273784c28f30a319aebee28df4fd0.jpg",[],8,{"id":2443,"slug":2444,"title":576,"dynasty":8,"author":7,"museum":67,"description":160,"tags":2445,"thumbUrl":2446,"material":11,"size":11,"collection":11,"collections":2447,"showCount":2441,"zanCount":43,"manualWeight":43,"mainColor":44},234652,"yuan-ji-jin-ling-shi-jing-tu-ce-shi-tao-234652",[26,70,29,27,662,30,94,148,132,31,57,35],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F7fd166cb66c4d93605eac1451ef52090.jpg",[],{"id":2449,"slug":2450,"title":410,"dynasty":8,"author":7,"museum":67,"description":411,"tags":2451,"thumbUrl":2452,"material":220,"size":415,"collection":11,"collections":2453,"showCount":2441,"zanCount":43,"manualWeight":43,"mainColor":100},233379,"yuan-ji-jin-shan-long-you-si-shi-yi-ce-shi-tao-233379",[26,70,29,27,28,30,90,367,35],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F84f4f3e06583f50b3e11703cde8bfd4e.jpg",[],{"id":2455,"slug":2456,"title":2457,"dynasty":8,"author":7,"museum":49,"description":207,"tags":2458,"thumbUrl":2459,"material":220,"size":210,"collection":11,"collections":2460,"showCount":2441,"zanCount":43,"manualWeight":43,"mainColor":44},214530,"yi-jin-ling-ce-4-shi-tao-214530","忆金陵册-4",[26,70,29,27,75,35,30],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F80a7803618806a6e64a816a81e6df1b0.jpg",[],{"id":2462,"slug":2463,"title":2464,"dynasty":8,"author":7,"museum":86,"description":2465,"tags":2466,"thumbUrl":2468,"material":11,"size":11,"collection":11,"collections":2469,"showCount":2441,"zanCount":43,"manualWeight":43,"mainColor":2470},203452,"shu-guo-ce-shi-tao-203452","蔬果册","这幅画以水墨写意藤蔓豆荚，墨色浓淡相济，叶片阔笔挥洒，苍劲中见润泽；豆荚勾勒简练却形神兼备，藤蔓线条婉转灵动，似含生机。旁侧题字笔意洒脱，与蔬果之趣相映，朱红印章点缀，雅韵自生。画面简而不空，水墨淋漓间藏自然野趣，将日常蔬果点染出诗意，尽显文人画的随性与意趣，于小景中见大境界。",[26,70,27,29,75,35,57,2467,2154,1094],"蔬果","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fc6c0251832ef828bd4f8fade4152af5f.jpg",[],"c7b998",{"id":2472,"slug":2473,"title":2474,"dynasty":8,"author":7,"museum":86,"description":2475,"tags":2476,"thumbUrl":2477,"material":11,"size":11,"collection":39,"collections":2478,"showCount":2441,"zanCount":43,"manualWeight":43,"mainColor":2479},203292,"shu-hua-ji-ce-shi-tao-203292","书画集册","笔墨相生，书画相映成趣。书法以灵动线条挥写，墨色浓淡间见韵致，笔势流转如行云流水，尽显文人笔意；绘画则以水墨晕染出山水清境，老树虬枝盘曲，枝干苍劲有力，人物立于山间小径，衣袂轻扬似与自然相融，远山淡抹，意境幽远静谧。整幅作品将书与画的意趣交织，既有书法的笔墨神采，又含山水人物的恬淡之境，尽显清代文人书画的雅致格调，于方寸册页间藏纳万千气象。",[26,70,29,27,30,132,291,75,35,25],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fb93a90a5d00144191bb6b2c2f37bd142.jpg",[39],"cebfad",{"id":2481,"slug":2482,"title":2483,"dynasty":8,"author":7,"museum":86,"description":2484,"tags":2485,"thumbUrl":2487,"material":11,"size":11,"collection":11,"collections":2488,"showCount":2441,"zanCount":43,"manualWeight":43,"mainColor":2489},202458,"zhong-kui-tu-zhou-shi-tao-202458","钟馗图轴","钟馗盘腿趺坐于石上，宽袍大袖随势铺展，线条如行云流水，寥寥数笔勾勒出衣袂飘逸与身躯敦实。头戴软巾，长髯垂胸，眉眼间凛然正气中藏几分散淡。身后竹影疏斜，山石皴擦简括，墨色浓淡相间，与人物白描线条相映成趣。画作以简驭繁，笔墨洒脱，既刻画出钟馗威严气度，又透着文人画清逸韵致，似见画中人于林泉间暂忘尘俗的悠然心境。",[26,132,662,27,56,54,35,2344,2486,25],"线条","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F5e144fe3ed3089e51488b72b7d172fc2.jpg",[],"77614f",{"id":2491,"slug":2492,"title":2493,"dynasty":8,"author":7,"museum":67,"description":160,"tags":2494,"thumbUrl":2497,"material":253,"size":254,"collection":11,"collections":2498,"showCount":2499,"zanCount":43,"manualWeight":43,"mainColor":1052},240826,"yuan-ji-shu-lin-jin-tang-shu-tie-juan-shi-tao-240826","原济书临晋唐书帖卷",[25,106,26,70,71,75,2495,2496,27,35,57],"临摹","字帖","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F694240edd7e464f72a2832d04f43f0cc.jpg",[],7,{"id":2501,"slug":2502,"title":576,"dynasty":8,"author":7,"museum":67,"description":160,"tags":2503,"thumbUrl":2504,"material":11,"size":11,"collection":11,"collections":2505,"showCount":2499,"zanCount":43,"manualWeight":43,"mainColor":44},234651,"yuan-ji-jin-ling-shi-jing-tu-ce-shi-tao-234651",[26,70,29,27,75,30,32,31,133,94,28],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fcc3c47ff1ca092b02ce909b3e40643c4.jpg",[],{"id":2507,"slug":2508,"title":2509,"dynasty":8,"author":7,"museum":86,"description":2510,"tags":2511,"thumbUrl":2512,"material":11,"size":11,"collection":39,"collections":2513,"showCount":2499,"zanCount":43,"manualWeight":43,"mainColor":2514},203463,"xi-nan-ba-jing-tu-ce-shi-tao-203463","溪南八景图册","墨色淋漓间，山水之趣跃然纸上。枯笔皴擦出老树虬枝，湿墨晕染出云雾轻笼，小桥横卧溪上，茅屋隐于林麓，飞鸟数点划破空寂。笔意纵恣不拘，于浓淡虚实中见生机，尽显自然野逸之态。石涛以心观物，将对山水的体悟凝于笔端，画面清寂却不失灵动，每一处笔墨皆藏着对天地的深情。",[25,26,70,27,29,28,133,94,32,93,92,558],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F9f24a13e1f7609d0a2297e67a9313067.jpg",[39],"bab3aa",{"id":2516,"slug":2517,"title":2518,"dynasty":8,"author":7,"museum":86,"description":2519,"tags":2520,"thumbUrl":2521,"material":11,"size":11,"collection":79,"collections":2522,"showCount":2499,"zanCount":114,"manualWeight":43,"mainColor":2523},201622,"zhu-shi-mei-hua-tu-zhou-shi-tao-201622","竹石梅花图轴","这幅水墨写意之作，嶙峋湖石以粗笔皴擦，尽显古拙厚重之态；数竿修竹挺拔而立，竹叶浓淡交错点染，笔势洒脱劲健，尽显清劲气节；旁侧梅枝疏朗，几点花蕊悄然点缀，添得清雅意趣。三者相依相衬，石之苍劲、竹之坚韧与梅之孤高浑然一体。笔墨淋漓纵逸，虚实相生间传递出文人画特有的清逸风骨，于简淡疏朗中藏生机深致，尽显自然与心性交融之美。",[26,27,54,73,230,89,28,70,53,25],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F432435d9b83acda8867ea45dedfb5b7c.jpg",[79],"d5d2c6",{"id":2525,"slug":2526,"title":2527,"dynasty":8,"author":7,"museum":86,"description":2528,"tags":2529,"thumbUrl":2530,"material":11,"size":11,"collection":79,"collections":2531,"showCount":42,"zanCount":43,"manualWeight":43,"mainColor":2532},202183,"sui-han-san-you-tu-zhou-shi-tao-202183","岁寒三友图轴","墨色流转间，竹枝劲挺如戟，叶态疏密有致，浓墨勾筋、淡墨染叶，尽显清刚之气；孤石以皴擦兼晕染出肌理，朴拙中藏苍劲；梅枝疏斜横逸，花苞隐现，似携暗香浮动。整幅画以水墨写岁寒三友，笔势纵逸不拘，将文人风骨与自然意趣融于一纸，观者可感竹韧、石稳、梅雅，于氤氲里见傲骨精神。",[26,27,89,54,230,56,28,25],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fd828269eaab06b508f74325835e6592f.jpg",[79],"b1a292",{"id":2534,"slug":2535,"title":2536,"dynasty":8,"author":7,"museum":86,"description":2537,"tags":2538,"thumbUrl":2540,"material":11,"size":11,"collection":11,"collections":2541,"showCount":42,"zanCount":43,"manualWeight":43,"mainColor":2542},201796,"lan-zhu-tu-zhou-shi-tao-201796","兰竹图轴","此图以水墨写兰竹，笔墨洒脱自如。竹枝挺劲，线条如篆隶般沉实；竹叶错落，撇捺带行书意趣，尽显书画同源之妙。墨色层次丰富，干湿浓淡间见生机，兰草幽柔与竹之刚健相映成趣。石涛以己意造境，兰竹不再是寻常清供，而是心性的外化，笔端流转着文人的风骨与灵韵，寥寥数笔却意蕴悠长。",[26,27,54,251,35,70,2539],"行","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F3253bb6f9dfd04a1b0e98828000ada74.jpg",[],"b1aba2",{"id":2544,"slug":2545,"title":2546,"dynasty":8,"author":7,"museum":86,"description":2547,"tags":2548,"thumbUrl":2549,"material":11,"size":11,"collection":11,"collections":2550,"showCount":42,"zanCount":43,"manualWeight":43,"mainColor":2551},201428,"lin-feng-chang-xiao-tu-zhou-shi-tao-201428","临风长啸图轴","墨竹挺秀，枝叶以浓淡干湿之墨挥洒，笔触劲健洒脱，如风过林梢，飒飒有声。枝干苍劲中见灵动，疏密交错的竹叶与留白相映，尽显空灵逸气。石涛以竹托志，笔墨淋漓间藏胸中逸趣，寥寥数笔却意境悠远，将竹的清刚与生机诠释得入木三分，观之如临清风，心随竹韵荡漾。",[106,26,70,89,27],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F0eaadf62324cf70d945e5ae134470da5.jpg",[],"bcb8b1",{"id":2553,"slug":2554,"title":2555,"dynasty":8,"author":7,"museum":86,"description":2556,"tags":2557,"thumbUrl":2559,"material":11,"size":11,"collection":11,"collections":2560,"showCount":42,"zanCount":43,"manualWeight":43,"mainColor":2561},201427,"kan-mei-tu-zhou-shi-tao-201427","看梅图轴","梅枝夭矫盘桓，墨色浓淡间缀以疏花，笔意灵动中见清逸。旁侧巨石以粗犷笔触皴擦，嶙峋苍劲；阔大芭蕉叶层叠舒展，墨韵层次丰富。画面构图错落，虚实相生，水墨淋漓处尽显纵恣之趣，自然景物间暗藏幽远禅意，是文人画中笔墨与意境交融的典范之作。",[26,27,89,230,56,28,2558],"花","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F674a517a37835790fe183283ea5bfe40.jpg",[],"937d62",{"id":2563,"slug":2564,"title":2565,"dynasty":8,"author":7,"museum":67,"description":2566,"tags":2567,"thumbUrl":2568,"material":11,"size":11,"collection":11,"collections":2569,"showCount":125,"zanCount":43,"manualWeight":43,"mainColor":44},228991,"bai-kai-luo-han-tu-41-shi-tao-228991","百开罗汉图41","此作用水墨晕染出清寂禅境，双罗汉对晤于松崖之间。右侧罗汉安坐危崖，衣纹圆转舒展，神色悠然抬眼望向山巅，松间罗汉隐于虬枝之下，目光回睇似共论禅机。古松盘桓错节，松针攒簇苍劲老辣，崖石以枯笔皴擦尽显奇崛之势。背景流云以涡旋墨色铺陈，裹挟空濛仙气，虚实相生间晕化出幽渺山境。\n笔意纵恣灵秀，将禅家超旷出尘的意趣融于山水人物之中，简淡笔墨里藏着苍莽空灵的世外之韵，尽显禅画合一的精妙意致。",[106,26,70,29,27,28,662,661,132,91,92,35],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fa49d7565bc3db5a2c1dec7feb41f1899.jpg",[],{"id":2571,"slug":2572,"title":288,"dynasty":8,"author":7,"museum":86,"description":2573,"tags":2574,"thumbUrl":2576,"material":11,"size":11,"collection":11,"collections":2577,"showCount":125,"zanCount":43,"manualWeight":43,"mainColor":2578},203296,"shan-shui-ce-shi-tao-203296","水墨晕染间，远山如黛含烟，近树浓墨苍劲，几间茅舍藏于林麓，小桥轻架溪畔，似闻流水清音。笔墨纵逸洒脱，干湿浓淡交织，皴擦点染皆见匠心，既得山川灵秀之态，又显笔情墨趣之妙，于简淡中蕴深远意境，尽显自然与心性的交融。",[26,27,30,29,28,2575],"小","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F5dbe334b9628bb9e55c6d7af478418a4.jpg",[],"928579",{"id":2580,"slug":2581,"title":2582,"dynasty":8,"author":7,"museum":86,"description":2583,"tags":2584,"thumbUrl":2585,"material":11,"size":11,"collection":11,"collections":2586,"showCount":125,"zanCount":43,"manualWeight":43,"mainColor":2587},203187,"hua-hui-tu-ce-shi-tao-203187","花卉图册","墨枝虬劲如铁，疏梅淡点似雪，寥寥数笔便勾出梅的清逸风骨。石涛以挥洒自如的水墨技法写梅，干笔皴擦枝干显苍劲，湿墨晕染花瓣见灵秀，浓淡虚实间藏生机。题跋墨迹与梅枝交错，朱红印章点缀其间，书画印三者浑然一体，尽显文人画的雅趣。画面于简括中见奇崛，笔墨纵逸不羁，将梅的孤傲品格与画家的洒脱心性相融，是清代花鸟册页中的精品。",[26,27,230,35,70,120],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F247629bc2501ed192d107141609e82a8.jpg",[],"dbd2ca",{"id":2589,"slug":2590,"title":2591,"dynasty":8,"author":7,"museum":86,"description":2592,"tags":2593,"thumbUrl":2594,"material":11,"size":11,"collection":39,"collections":2595,"showCount":125,"zanCount":43,"manualWeight":43,"mainColor":2596},201694,"shan-lin-le-shi-tu-zhou-shi-tao-201694","山林乐事图轴","笔墨纵横间，山石以皴擦相济之法尽显奇崛，近松苍劲虬曲，中景山峦叠嶂，小径蜿蜒处隐见亭榭与行游之人，远景峰岫含烟，云雾轻笼。整幅以水墨为底，浓淡干湿交织，将山林清幽与文人逸趣融于一体，既见笔力雄浑，又藏诗意禅味，仿佛引观者步入静谧丘壑，共品自然与人文交织的悠然之乐。",[26,27,30,28,91,133,198,132,89,70,25],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fc0c853f21885c4cdc3feb90aeb68b6c7.jpg",[39],"a9a39d",{"id":2598,"slug":2599,"title":2600,"dynasty":8,"author":7,"museum":86,"description":2601,"tags":2602,"thumbUrl":2604,"material":11,"size":11,"collection":11,"collections":2605,"showCount":166,"zanCount":43,"manualWeight":43,"mainColor":2606},202293,"chang-xia-xiao-xian-tu-zhou-shi-tao-202293","长夏消闲图轴","长夏闲意凝于纸端，远山以灵动皴法写就，墨气氤氲间见丘壑起伏；近树苍劲，泼墨点染的枝叶间藏着夏木荫浓的生机。林间隐现小屋一角，似有幽人于此静度时光。题字笔意洒脱，与水墨景致相映成趣，印章错落更添古雅韵致。画面不拘谨于形似，墨色浓淡相宜，将山林的静谧与文人的悠然心境融于一体，尽显写意之妙，让人仿佛踏入那片清宁的夏日丘园。",[27,30,28,75,35,196,150,365,2603],"写","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fc1a72d0a4635352b833c9a756538cb65.jpg",[],"a5a49b",{"id":2608,"slug":2609,"title":2610,"dynasty":8,"author":7,"museum":86,"description":2611,"tags":2612,"thumbUrl":2613,"material":11,"size":11,"collection":39,"collections":2614,"showCount":166,"zanCount":43,"manualWeight":43,"mainColor":2615},201543,"qiu-sheng-fu-tu-juan-shi-tao-201543","秋声赋图卷","秋意浸染的林泉之境里，树木扶疏，山石嶙峋，几间屋舍隐于枝叶间，似有文人在此静听秋声。笔墨淋漓处，干湿浓淡的墨色交织，皴擦点染的技法错落，山石的肌理与老树的姿态皆透着自然野趣。不刻意雕琢的线条，将秋的清寂与生机揉合——风过枝头的轻颤，叶坠石上的微响，仿佛藏在墨色晕染里。文人情思融于图景，观者能捕捉秋风私语，感受时序流转的敏感哲思，意境悠远耐品。",[26,71,27,30,28,32,92,291,70,25],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F61b746a88b356cd6f07b79f31e13f58d.jpg",[39],"a8927d",{"id":2617,"slug":2618,"title":2619,"dynasty":8,"author":7,"museum":86,"description":2620,"tags":2621,"thumbUrl":2622,"material":11,"size":11,"collection":11,"collections":2623,"showCount":166,"zanCount":257,"manualWeight":43,"mainColor":2624},201529,"jin-dai-tong-xin-tu-zhou-shi-tao-201529","锦带同心图轴","墨韵淋漓间，瓶荷景致相映成趣。荷叶以泼墨写就，浓淡交织见层次；花瓣勾勒灵动，似含清露。旁侧行书题跋与朱红印章错落，添文人雅趣。笔意纵肆洒脱，尽显写意之妙，寥寥数笔却藏生机，传递出清逸自然的意韵，是融诗书画印于一体的文人画典范。",[26,27,120,107,35,75],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fa052b6fc9493c4b05f10142712cbd3bb.jpg",[],"b2aea6",{"id":2626,"slug":2627,"title":2628,"dynasty":8,"author":7,"museum":86,"description":2629,"tags":2630,"thumbUrl":2631,"material":11,"size":11,"collection":11,"collections":2632,"showCount":62,"zanCount":43,"manualWeight":43,"mainColor":2633},202358,"guan-yin-tu-zhou-shi-tao-202358","观音图轴","画中观音盘腿趺坐于石畔，衣袂线条婉转流畅，墨色浓淡相间，尽显衣物质感与飘逸。其面容恬静慈悲，双目微阖，似在冥思观照世间。背景孤石以粗犷笔触勾勒，皴擦结合，苍劲有力；旁侧疏竹数枝，笔墨简洁，更添清幽之韵。整幅作品以水墨写意见长，将观音神圣与自然静谧相融，尽显石涛笔墨灵动与禅意悠远，于简淡中见深邃，素净中藏慈悲。",[26,27,132,56,54,661,89,28,25],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F61c7dbd72ed52d6b1ed7c7ae381b2cd8.jpg",[],"c5bbb1",{"id":2635,"slug":2636,"title":2637,"dynasty":8,"author":7,"museum":86,"description":2638,"tags":2639,"thumbUrl":2641,"material":11,"size":11,"collection":11,"collections":2642,"showCount":62,"zanCount":43,"manualWeight":43,"mainColor":2643},202282,"song-zhu-shuang-qing-tu-zhou-shi-tao-202282","松竹双清图轴","苍松倚石而立，枝干盘曲如虬，松针以浓墨点簇，层叠交错，尽显老松苍劲之态；旁侧修竹数竿，竹叶以劲挺线条勾勒，疏朗有致，与松枝相映成趣。山石以泼墨皴擦，墨色淋漓，点苔错落，肌理浑厚。整幅以水墨写意为主，笔墨纵逸洒脱，皴擦点染并用，简淡中见精神，松竹双清，传递出文人画特有的高洁清逸之韵，于方寸间藏丘壑，于水墨里显性情。",[26,27,74,54,56,53,28,89,2640],"书","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F6dcedc759aa6c79df764a477853c8893.jpg",[],"7a7b77",{"id":2645,"slug":2646,"title":2647,"dynasty":8,"author":7,"museum":86,"description":2648,"tags":2649,"thumbUrl":2650,"material":11,"size":11,"collection":79,"collections":2651,"showCount":62,"zanCount":43,"manualWeight":43,"mainColor":2652},201740,"hua-shan-ji-shi-tao-201740","画扇集","扇面之上，墨韵流转生姿。右侧水墨绘荷与山石，皴擦点染间见苍润之致；左侧行书笔意洒脱，笔势与画面气韵相生，书画交融成趣。笔触简劲却含生机，墨色浓淡相宜，咫尺方寸间尽显文人雅趣与传统艺术的灵动韵致。",[960,27,525,75,28,70,25],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F08eb32e84bb529391964825b3f5cf3f6.jpg",[79],"d6d1c9",{"id":2654,"slug":2655,"title":2656,"dynasty":8,"author":7,"museum":86,"description":2657,"tags":2658,"thumbUrl":2660,"material":11,"size":11,"collection":11,"collections":2661,"showCount":257,"zanCount":43,"manualWeight":43,"mainColor":2662},202364,"zhu-shi-tu-ye-shi-tao-202364","竹石图页","墨竹以浓淡干湿之笔挥洒，竹叶层叠却疏密有致，似带飒飒风声；顽石用粗犷皴法勾勒，肌理厚重与竹的清劲形成呼应。笔墨纵逸中藏法度，既得文人画竹的雅致，又显个性的挥洒，尽显“我法”之妙。竹石相依，隐现山野幽趣，题款与画面交融，文气与画意共生，是文人竹石题材的佳作。",[26,27,54,73,28,70,2659],"名","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F2f8f524dd9ba45f76342728f84941363.jpg",[],"cbcbc7",{"id":2664,"slug":2665,"title":2666,"dynasty":8,"author":7,"museum":86,"description":2667,"tags":2668,"thumbUrl":2669,"material":11,"size":11,"collection":11,"collections":2670,"showCount":257,"zanCount":43,"manualWeight":43,"mainColor":2671},202248,"fang-mi-shan-shui-zhou-shi-tao-202248","仿米山水轴","这幅山水以水墨为基调，米氏点染技法铺陈云峦，山石以简括笔触勾勒，晕染间显苍润质感。近岸孤石旁松枝摇曳，亭宇半藏于林麓；江中孤舟一叶，蓑笠人影隐约，添得清寂幽远之致。笔墨纵逸中见法度，既承袭米派云山的空濛意趣，又注入石涛独有的灵动生机，虚实相生间，将自然丘壑与文人胸臆相融，尽显山水之灵秀与诗意。",[26,27,30,148,1000,198,56,28,2495,70,89,25],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F6c62f448eabf37913d48c0eea7c3a560.jpg",[],"c4b7a7",{"id":2673,"slug":2674,"title":2675,"dynasty":8,"author":7,"museum":86,"description":2676,"tags":2677,"thumbUrl":2678,"material":11,"size":11,"collection":11,"collections":2679,"showCount":114,"zanCount":43,"manualWeight":43,"mainColor":2680},201266,"mei-zhu-tu-zhou-shi-tao-201266","梅竹图轴","石涛以水墨写梅竹，梅干虬曲苍劲，墨色浓淡交错间尽显笔意纵逸；竹枝挺拔有姿，竹叶劲挺勾勒，与梅枝的婉转形成刚柔相济之趣。梅花疏影清雅，淡墨点染花瓣，似含暗香浮动。左侧题跋笔墨流畅，与画面气韵相融，朱红印章点缀，更添文人雅韵。整幅画作诗书印合一，既有自然生趣，又藏画家孤傲风骨，是其写意花鸟的典型之作。",[26,70,89,27,120,230,54,35,2539],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fb0cd325626a545294fe0a8e93aa20161.jpg",[],"c4bcb0",{"id":2682,"slug":2683,"title":2684,"dynasty":8,"author":7,"museum":86,"description":2685,"tags":2686,"thumbUrl":2687,"material":11,"size":11,"collection":39,"collections":2688,"showCount":43,"zanCount":43,"manualWeight":43,"mainColor":2689},201258,"shui-chu-gao-yuan-tu-zhou-shi-tao-201258","水出高源图轴","画面山峦层叠，云雾轻笼，高旷之势暗合题旨。近处苍松盘曲，笔墨恣肆，松针疏密有致，尽显苍劲；山间茅屋隐于林木，素净雅致，流露世外逸趣。山石以多变皴法写就，干湿浓淡交织，既摹峰峦肌理，又透灵动气韵。构图虚实相济，远峰巍峨含浑，近景幽寂生动，融自然壮阔与文人逸怀于一体。石涛以“我法”造境，借山水寄情，简笔藏深意，尽显不拘一格的艺术风骨。",[30,27,28,89,91,302,25],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fed6689e544ac43ca74b27b7d974e5e2b.jpg",[39],"a28a63",{"id":2691,"slug":2692,"title":2693,"dynasty":8,"author":7,"museum":86,"description":2694,"tags":2695,"thumbUrl":2696,"material":11,"size":11,"collection":79,"collections":2697,"showCount":43,"zanCount":43,"manualWeight":43,"mainColor":2698},201255,"lan-zhu-shui-xian-tu-zhou-shi-tao-201255","兰竹水仙图轴","画面以水墨写意绘就，孤石旁兰草疏朗舒展，竹叶劲挺有姿，水仙隐现其间。笔墨洒脱淋漓，墨色浓淡相生，线条抑扬顿挫，兼具刚柔之美。石之苍劲与草木之秀雅相映成趣，题跋与朱印错落点缀，更添文人意韵。整体气韵生动，风骨清逸，尽显超然物外的雅致情怀。",[26,70,89,27,251,54,55,56,53,35,25],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F8f1ffa73d0c04cab03af3e110aedeae3.jpg",[79],"c1b5a0",{"id":2700,"slug":2701,"title":2702,"dynasty":8,"author":7,"museum":86,"description":2703,"tags":2704,"thumbUrl":2705,"material":11,"size":11,"collection":39,"collections":2706,"showCount":43,"zanCount":43,"manualWeight":43,"mainColor":2707},201246,"zui-yin-tu-zhou-shi-tao-201246","醉吟图轴","画面以水墨皴染为主，淡设色辅之。山石勾勒粗犷灵动，皴法多变尽显丘壑肌理；林木浓淡相间，苍劲中见秀逸；茅屋隐于林间，屋内人影若醉若吟，意境清寂含逸。构图错落有致，虚实相生，笔墨纵逸洒脱，将山水之幽与文人之趣融于一体，尽显石涛“我法”之妙。",[27,28,52,30,56,132,291,25],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F6702227e832df71792af1b4dfe30f1d5.jpg",[39],"92846f",1777535621322]