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。”他是唐代山水田园派的代表。开元进士。任过大乐丞、右拾遗等官，安禄山叛乱时，曾被迫出任伪职。其诗、画成就都很高，苏东坡赞他“诗中有画，画中有诗”，尤以山水诗成就为最，与孟浩然合称“王孟”，晚年无心仕途，专诚奉佛，故后世人称其为“诗佛”。",[25,26,27,74,28,126,55,30,127,128,32,33,97],"水墨","雪山","江河","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F627ae19f708849d303e0326ebd7204c5.jpg","纸本","纵31.3厘米，横207.3厘米",[],183,1,"BDBDBD",{"id":137,"slug":138,"title":139,"dynasty":8,"author":7,"museum":140,"description":141,"tags":142,"thumbUrl":148,"material":100,"size":149,"collection":42,"collections":150,"showCount":151,"zanCount":84,"manualWeight":46,"mainColor":47},219042,"jiang-gan-xue-yi-tu-juan-wang-wei-219042","江干雪意图卷","台北故宫博物院","这幅画描绘了冬天的河边村庄，雪覆盖了大地，树叶枯萎了，大雁飞过天空，给寂静的村庄带来了活力。卷轴上有四个题字，包括沈周、王鏊（1450-1524）、董其昌和顾从德的题字。王鏊是明代著名的大臣和文学家，他在朝廷任职三十年，为人正直，头脑清晰。后来他回到了苏州，成为一个博学多才的作家，写出了《震泽集》。沈周比王鏊大二十三岁，两人是难忘的朋友，在弘治九年（1496年）文林（文征明的父亲）的宴会上第一次见面，此后诗画成缘，歌声不断。沈周去世后，王鏊写了《石田先生墓志铭》。",[25,27,74,28,126,55,143,144,31,30,32,95,145,34,146,147,33],"书法","行书","流水","蓑笠","亭","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F2ac7c35d3e1ee2820f169b402774623c.jpg","24.8x162.8",[42],172,{"id":153,"slug":154,"title":155,"dynasty":8,"author":7,"museum":156,"description":157,"tags":158,"thumbUrl":170,"material":130,"size":11,"collection":11,"collections":171,"showCount":172,"zanCount":46,"manualWeight":46,"mainColor":47},221146,"wang-chuan-tu-juan-wang-wei-221146","辋川图卷","美国西雅图美术馆","《辋川图》是唐代王维所作的单幅壁画，原作已无存，现只有历代临摹本存世。\n《辋川图》主画面亭台楼榭掩映于群山绿水之中，古朴端庄。别墅外，山下云水流肆，偶有舟楫过往。《辋川图》里的人物，弈棋饮酒。投壶流觞。一个个的都是儒冠羽衣，意态萧然。\n《辋川图》开启了后人诗画并重的先河。《辋川图》在韩国获得了极高的赞誉，并对韩国古代的文人山水画和山水田园诗的创作产生了深远影响。在评价中国文人山水画时，韩国文人往往以《辋川图》作为最高的境界或标准。",[26,27,159,160,161,28,54,162,30,163,145,164,96,165,166,167,168,169],"壁画","临摹","拓本","文人画","亭台楼榭","舟楫","饮酒","弈棋","投壶","田园","意态萧然","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F87ac5cea2dc5878a9ef466c907a570d5.jpg",[],134,{"id":174,"slug":175,"title":176,"dynasty":8,"author":7,"museum":22,"description":177,"tags":178,"thumbUrl":181,"material":62,"size":63,"collection":11,"collections":182,"showCount":183,"zanCount":46,"manualWeight":46,"mainColor":184},288455,"jiang-shan-xue-ji-tu-wang-wei-288455","江山雪霁图","图绘峰峦层叠，长松杂树，瀑布由山腰奔腾而下，隐入林中。中景山脚平陂，古木耸立，房舍寺院；左侧白雪覆山，小径曲折通向远处，农夫相间往来，石岩之前溪流潺缓，注入冬湖，近岸又有板桥一座。近景高树参天，坡石伏岸，竹篱房舍隐见。此图构思成熟，笔法谨严认真，多以细秀圆润笔作皴画石，一丝不苟，再加以平衬染渲，点缀勾提。显示出一种清静、纯洁、寒意袭人的气氛。细微处，可见篱栅圈地，旅人穿山而行，更是增添了一种盎然生机。",[27,28,54,126,38,32,179,33,180],"寒林","萧瑟","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fcec14c9886abbd9d04a89c8b10683b62.jpg",[],96,"37474F",{"id":186,"slug":187,"title":188,"dynasty":8,"author":7,"museum":22,"description":189,"tags":190,"thumbUrl":12,"material":191,"size":192,"collection":42,"collections":193,"showCount":195,"zanCount":46,"manualWeight":46,"mainColor":47},221145,"jiang-gao-hui-yu-tu-wang-wei-221145","江皋会遇图","王维（701年－761年，一说699年—761年），河东蒲州（今山西运城）人，祖籍山西祁县。唐朝著名诗人、画家，字摩诘，号摩诘居士。\n王维出身河东王氏，于开元十九年（731年）状元及第。历官右拾遗、监察御史、河西节度使判官。唐玄宗天宝年间，王维拜吏部郎中、给事中。安禄山攻陷长安时，王维被迫受伪职。长安收复后，被责授太子中允。唐肃宗乾元年间任尚书右丞，故世称“王右丞”。\n王维参禅悟理，学庄信道，精通诗、书、画、音乐等，以诗名盛于开元、天宝间，尤长五言，多咏山水田园，与孟浩然合称“王孟”，有“诗佛”之称。书画特臻其妙，后人推其为南宗山水画之祖。苏轼评价其：“味摩诘之诗，诗中有画；观摩诘之画，画中有诗。”存诗400余首，代表诗作有《相思》、《山居秋暝》等。著作有《王右丞集》、《画学秘诀》。\n此《著色山水》（江皋会遇图）据传为唐代著名诗人王维的山水作品。由于年代久远，已破损严重，泛黄变暗，依稀可见山水、树木与村落，卷首部分有北宋刘唐老的题跋。",[25,27,74,28,126,30,37,56,144,112,55,162],"纸本设色","29x128厘米",[42,194],"设色画精选",82,{"id":197,"slug":198,"title":199,"dynasty":8,"author":7,"museum":22,"description":200,"tags":201,"thumbUrl":203,"material":62,"size":63,"collection":11,"collections":204,"showCount":205,"zanCount":46,"manualWeight":46,"mainColor":135},288361,"jiang-gan-xue-ji-tu-wang-wei-288361","江干雪霁图","王维的水墨画风，几乎影响着中唐以后的中国山水画发展的全部历史。至少可以说，占据中国古代山水画主流的文人画，都接受了王维的影响。苏轼的“诗中有画，画中有诗”的赞语，奠定了王维在中国绘画史上的地位。明朝董其昌的文人画理论，把文人画的内涵，全部具体化于王维，称王维是南宗画之祖。",[25,26,27,74,28,126,30,38,32,202,36,35,33],"房屋","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ff18c80dfbf2d7b2f44a1ccaf36b3e7de.jpg",[],74,{"id":207,"slug":208,"title":209,"dynasty":8,"author":7,"museum":22,"description":210,"tags":211,"thumbUrl":213,"material":62,"size":63,"collection":11,"collections":214,"showCount":215,"zanCount":46,"manualWeight":46,"mainColor":47},289895,"dong-xue-shan-jing-tu-wang-wei-289895","冬雪山景图","王维（701年—761年），字摩诘，号摩诘居士。河东蒲州（今山西永济）人，祖籍山西祁县。唐朝诗人、画家。\n王维出身河东王氏，于唐玄宗开元九年（721年）中进士第，为太乐丞。历官右拾遗、监察御史、河西节度使判官。天宝年间，拜吏部郎中、给事中。安禄山攻陷长安时，被迫受伪职。长安收复后，被责授太子中允。唐肃宗乾元年间任尚书右丞，世称“王右丞”。\n王维参禅悟理，精通诗书音画，以诗名盛于开元、天宝间，尤长五言，多咏山水田园，与孟浩然合称“王孟”，因笃诚奉佛，有“诗佛”之称。书画特臻其妙，后人推其为南宗山水画之祖。著有《王右丞集》《画学秘诀》，存诗约400首。北宋苏轼评云：“味摩诘之诗，诗中有画；观摩诘之画，画中有诗。”",[27,54,126,38,127,32,35,212,55],"冬季","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fcc6f6f348624fd227878f784726002c9.jpg",[],64,{"id":217,"slug":218,"title":219,"dynasty":8,"author":7,"museum":22,"description":210,"tags":220,"thumbUrl":221,"material":62,"size":63,"collection":11,"collections":222,"showCount":223,"zanCount":46,"manualWeight":46,"mainColor":47},290239,"wan-shan-ji-xue-tu-wang-wei-290239","万山积雪图",[25,26,27,28,30,38,127,145,37,147,55,29],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F784f5c4fab22ae5e6ea7f75c69dcfa56.jpg",[],52,{"id":225,"slug":226,"title":227,"dynasty":8,"author":7,"museum":22,"description":228,"tags":229,"thumbUrl":232,"material":11,"size":11,"collection":11,"collections":233,"showCount":234,"zanCount":46,"manualWeight":46,"mainColor":47},227087,"dong-xue-shan-jing-tu-ye-wang-wei-227087","冬雪山景图页","雪地实景，苍茫而润泽，冰雪覆盖了自然界中的山川树木，使人们的视觉不再被五彩缤纷的万物所迷惑，从而使人们更为关注于白茫茫的冰雪积压、融变的过程，这种自然属性恰好与水墨形式相得益彰。因此，雪景山水画一直是中国山水画中的一个很有特色的部分。\n\n据文献记载，水墨雪景山水为唐代王维首创。王维山水画成就很高，尤其是雪景山水更令人瞩目。据文献记载，王维曾有20余幅雪景山水流传，将雪景山水的千变万化和神奇美妙表现得淋漓尽致，并赋予其不同的人文意蕴。研究表明，王维的雪景山水没有留下真迹，而流传于世的历代摹本或托名之作，多出于古代画家崇拜王维雪景山水的至深至诚之情。\n\n在清代学者高士奇的《江村消夏录》中记载，明代沈周在看到王维《万峰积雪图》后，写出如下题文:“城中十日暑如炙，头目眩花尘土塞。僧楼今日见此卷，雪意茫茫寒欲逼。古栟修柳枝袅矫，下有幽簧侧从碧。隔溪胶艇不受呼，平地贯渚无人迹。”在夏日炎炎的酷暑，看到王维的雪景山水作品，能有“雪意茫茫寒欲逼”的感受，或许这是没有空调的古代人常用的一种消夏避暑方式？（本平台独家专稿《画说古人如何过夏天》将于近期推出，敬请关注。）\n\n自王维之后，历代许多名家都热衷于雪景山水的创作，为我们留下了大量的经典传世之作。让我们展开画卷，一起走入艺术家们为我们营造的冰雪世界中，感觉这份凉意与惬意吧！",[25,26,27,74,230,30,29,55,127,35,32,231,60],"唐代","积雪","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fb1cc41d747600fbec5bb8ee4187a8527.jpg",[],37,1777535621327]