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亭花，这可能是后来明代的仿制品。",[26,79,27,28,29,31,32,80,190,191,162,37,192,193],"花卉","禽鸟","花朵","鸟","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F91b842f5975229d677278c15f942eb45.jpg","83.4x28.9",[85],864,21,{"id":200,"slug":201,"title":202,"dynasty":75,"author":7,"museum":76,"description":203,"tags":204,"thumbUrl":208,"material":43,"size":209,"collection":87,"collections":210,"showCount":211,"zanCount":136,"manualWeight":49,"mainColor":50},218394,"shan-cha-mei-hua-tu-yi-ming-218394","山茶梅花图","此幅绘腊梅，山茶，麻雀。设色雅丽，笔墨造型古拙，唯用笔布置更接近陈洪绶、王武画格，故宋画气息不足。",[26,27,28,29,80,31,32,205,206,193,207,146],"山茶","梅花","枝叶","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fc1719fc6f38b792b19b924b5c41056d6.jpg","33.6x46.7",[87],833,{"id":213,"slug":214,"title":215,"dynasty":75,"author":7,"museum":216,"description":217,"tags":218,"thumbUrl":222,"material":43,"size":223,"collection":85,"collections":224,"showCount":225,"zanCount":69,"manualWeight":49,"mainColor":50},218560,"ye-he-hua-tu-yi-ming-218560","夜合花图","上海博物馆","画的是一枝两朵夜来香花，右枝花含苞待放，左枝花半开半合，洁白如玉，气质高雅。花朵被轻轻地勾勒和上色，用白色粉末点缀花蕊，用少量浅色墨水给拖曳的花朵上色。绿叶前后间隔，白花绿叶，色彩淡雅，让人赏心悦目。",[79,27,28,219,32,31,80,220,221,82],"扇面","花","叶子","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F6405700bb70527a1c1a9640d967df709.jpg","23.9x25.4",[85,87],804,{"id":227,"slug":228,"title":229,"dynasty":75,"author":7,"museum":216,"description":230,"tags":231,"thumbUrl":233,"material":43,"size":234,"collection":87,"collections":235,"showCount":236,"zanCount":136,"manualWeight":49,"mainColor":50},218552,"he-hua-tu-yi-ming-218552","荷花图","画中的荷叶和菖蒲随风右旋，重叠的花瓣逐渐张开，荷叶花瓣用金笔精巧地勾勒，用红色到粉色的渐变画出。这是南宋时期的生活绘画杰作，其精致丰富的画风源于南宋花鸟画家吴炳。",[27,219,80,31,32,232],"荷","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F496db9762ca838af4ae8501a774c94ef.jpg","25.1x25.7cm",[87],765,{"id":238,"slug":239,"title":240,"dynasty":241,"author":7,"museum":242,"description":243,"tags":244,"thumbUrl":245,"material":175,"size":246,"collection":45,"collections":247,"showCount":248,"zanCount":249,"manualWeight":49,"mainColor":50},222148,"san-da-shi-tu-shui-yue-yi-ming-222148","三大士图-水月","明","法海寺","观音又作观世音、观自在、光世音，这佛教中西方极乐世界教主阿弥陀佛左胁侍。水月观音图在法海寺壁画中最为出色。人物刻画既有传统的形制，又具有与实的基本手法，突破了僵硬的模式和程式，绘制技术精细完美，细微处一丝不苟。\n水月观音是三十三观音之一，面目端庄，大慈大悲。法海寺的水月观音，曲右腿，盘左膝，右肘膝托，左掌下抵，半跏坐于噍岩之上。面如满月，超然脱俗。是佛，却微露慈母的温情，是神，但足显处子般的恬静，给人以清新吸净之美感。穿着装饰，有宝冠、耳环、项圈、璎珞花饰、手钏、，手镯、络腋、宝带等八饰，样样齐全。观音莹莹酥胸坦露，纤纤玉手自然下垂，丰腴温暖富有弹性。轻纱蔽体，轻纱蔽体，脚锣上碎铃环绕“漫腰束饰，赤了一双脚”，使人更感到菩萨的慈悯可亲。\n唐宋以来，历代绘画都喜欢用纱布反映仕女的披肩来表现绘画的技巧，唯独法海寺壁画的薄纱占的面积那么大，线条那么精细、均匀、工整、挺拔，堪称壁画中的一绝。披纱上的图案是六菱花瓣，每一花瓣都由40多根金线组成，沥沥贴金，闪闪发光，细如蛛丝，薄如蝉翼，好象水月观音在轻纱下微微呼吸。\n水月观音一组画面是一个完整的体系。背景是浩淼的云水，缀以紫竹林、红牡丹、清泉流水，衬托出“诸天无实体，水月皆虚空”的佛理。水月观音左下部是五十三参后获得正果、成为观音胁侍的善财童子。善财童子，头略抬起，凝眸欲语，双手合十，虔诚中又带着几分稚气，生活气息浓郁。画工精细，连一根眉毛也不放过，眉根生肉，更显出纯洁无邪的童心。观音图右下角绘有观音菩萨的坐骑金毛犼，又叫狻猊，似犬，凶猛食人，每与龙斗，口中喷火数丈，龙往往不能取胜。左上部绘有一只鹦鹉，传说安息国人不知佛法，阿弥陀佛化为鹦鹉教化国人。右上部绘有韦驮护法神。",[26,27,175,30,32,31,33,38,130,163],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F49aff56b059e667a9f0d7f368960c4be.jpg","450x450厘米",[45],658,5,{"id":251,"slug":252,"title":253,"dynasty":75,"author":7,"museum":254,"description":255,"tags":256,"thumbUrl":257,"material":43,"size":11,"collection":87,"collections":258,"showCount":259,"zanCount":260,"manualWeight":49,"mainColor":50},214834,"ke-si-mu-dan-hu-die-tu-yi-ming-214834","缂丝牡丹蝴蝶图","美国弗利尔美术馆","缂丝牡丹蝴蝶图是宋代佚名画家的一幅著名图画。这幅图画描绘了一朵牡丹花和蝴蝶在相互追逐的场景。牡丹花象征着美丽和优雅，而蝴蝶则代表着自由和转化。这幅图画结合了自然与人文的元素，展现出一种优美的意境。画中蝴蝶的细腻写实和牡丹花的浓艳色彩相得益彰，使得这幅图画在宋代颇受欢迎。",[26,27,79,28,219,80,161,32,98,105,82],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F263c73234939963e2722e8b4fcab0d10.jpg",[87],637,3,{"id":262,"slug":263,"title":264,"dynasty":75,"author":7,"museum":172,"description":265,"tags":266,"thumbUrl":273,"material":11,"size":11,"collection":274,"collections":275,"showCount":276,"zanCount":249,"manualWeight":49,"mainColor":277},221638,"yu-pai-yi-ming-221638","玉牌","此玉佩以透雕技法精琢而成，龙凤身形缠合盘绕，线条如行云流水般婉转舒卷。细密的卷云纹爬满兽身，将上古神兽的威严敛于柔婉玉色中。玉质莹润，局部带自然沁色，添就古朴厚重的岁月质感。整体取法战国汉玉佩饰的经典形制，带着独有的复古意趣，既复刻了古玉的雄浑神韵，又融入雅致精巧的审美意趣，让灵动瑞兽在莹白玉料间鲜活舒展，尽显中古玉雕的隽永雅致，为仿古玉雕中的上品。",[267,268,269,270,271,39,272],"玉石","雕刻","透雕","龙纹","宋代风格","兽","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F3df4060189a5212547ebe30db2fb09f7.jpg","玉器精选",[274],632,"37474F",{"id":279,"slug":280,"title":281,"dynasty":75,"author":7,"museum":76,"description":282,"tags":283,"thumbUrl":285,"material":43,"size":11,"collection":45,"collections":286,"showCount":287,"zanCount":260,"manualWeight":49,"mainColor":50},215043,"mo-gu-kai-zhi-luo-shen-fu-yi-ming-215043","摹顾恺之洛神赋","《洛神赋图》，相传是东晋名画家顾恺之根据曹植文学作品《洛神赋》的故事情节所创作的故事画。曹植原文借对梦幻之镜中人神恋爱的追求，抒发了爱情失意的自我感伤。",[26,27,28,96,31,32,122,33,127,59,272,82,284],"云纹","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F72c126a717e9affa0b4017e209a0f9a9.jpg",[45],628,{"id":289,"slug":290,"title":291,"dynasty":22,"author":7,"museum":292,"description":293,"tags":294,"thumbUrl":295,"material":296,"size":297,"collection":11,"collections":298,"showCount":299,"zanCount":249,"manualWeight":49,"mainColor":70},226505,"na-mo-guan-shi-yin-pu-sa-xiang-li-zhou-yi-ming-226505","南无观世音菩萨像立轴","敦煌","这尊工笔重彩立像温婉静美，菩萨含笑垂目，宝冠璎珞华美庄重，手持净瓶拈花，尽显悲悯柔和。衣袂飘带层叠舒展，石青、石绿晕染出沉雅古拙的色调，局部描金虽斑驳黯淡，仍可见旧日精工。\n\n足踏莲台，旁侧缠枝花卉灵动舒展，清劲流畅的线条带着敦厚朴拙的气韵，将观音的端严慈悲与盛唐遗风相融，残损纸面晕开岁月沉香，尽显沉静古雅的禅意。",[27,29,32,30,33,31],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F3999fc8fbc543a1a23451c0cb2a2a358.jpg","未知","Xcm*Xcm",[],620,{"id":301,"slug":302,"title":303,"dynasty":75,"author":7,"museum":172,"description":304,"tags":305,"thumbUrl":307,"material":43,"size":11,"collection":85,"collections":308,"showCount":309,"zanCount":310,"manualWeight":49,"mainColor":50},218608,"xian-tao-tu-yi-ming-218608","仙桃图","绢本之上，三枚仙桃饱满圆润，似凝脂般温润的底色晕开淡粉霞彩，如晨露轻染的娇羞。枝干以苍劲线条勾勒，转折间藏着自然生机，叶片墨色层次分明，脉络清晰如触手可及。背景素净无华，更衬出果实的鲜嫩与枝干的挺括。整幅画取境简约却意韵悠长，写实技法中透着宋人对自然的细腻观察与雅致情怀。每一处晕染、每一笔线条，都藏着古画独有的温润静美，仿佛能让观者在静谧里嗅到果实的清甜，沉浸于宋代花鸟画的空灵之境，感受那份跨越千年的自然诗意与艺术匠心。",[27,28,80,31,32,306,207],"桃","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F7de9cd90dd79570e54237657db38ac34.jpg",[85],588,4,{"id":312,"slug":313,"title":229,"dynasty":55,"author":7,"museum":172,"description":314,"tags":315,"thumbUrl":320,"material":11,"size":11,"collection":11,"collections":321,"showCount":322,"zanCount":153,"manualWeight":49,"mainColor":70},223629,"he-hua-tu-yi-ming-223629","此作用笔秀润，设色清妍雅致。粉瓣荷花亭亭舒展，晕染出柔媚鲜活的层次，荷叶或苍绿如盖、或半卷含露，墨色浓淡尽显舒展生机。枯瘦莲蓬擎立，自带幽寂禅意。池中游鱼轻摆尾鳍，黑蜂振翅悬于淡赭素色的虚空，静中藏动，将夏日荷塘的鲜活气意晕开。整幅构图疏朗空灵，以浅淡底色晕出水汽氤氲的朦胧，不见满幅堆砌的繁复，将江南莲塘的清润宁和尽数铺陈，尽显文人画的悠然意趣，把溽暑里的荷塘清韵定格在绢素之上。",[26,79,27,28,29,32,31,80,232,316,317,318,319],"荷叶","莲蓬","鱼","昆虫","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F1d474cb4c4b95102723b2afdeb3c667a.jpg",[],572,{"id":324,"slug":325,"title":326,"dynasty":55,"author":7,"museum":56,"description":327,"tags":328,"thumbUrl":334,"material":335,"size":336,"collection":45,"collections":337,"showCount":338,"zanCount":260,"manualWeight":49,"mainColor":50},236166,"yong-zheng-shi-er-yue-xing-le-tu-yi-ming-236166","雍正十二月行乐图","这是一组表现雍正皇帝日常生活的作品，按春、夏、秋、冬四季十二个月的顺序排列，分别为“正月观灯”、“二月踏青”、“三月赏桃”、“四月流觞”、“五月竞舟”、“六月纳凉”、“七月乞巧”、“八月赏月”、“九月赏菊”、“十月画像”、“十一月参禅”和“腊月赏雪”。每幅图轴纵188.2厘米，横102.2厘米。从描绘的景物判断，表现的对象应为圆明园。\n画面以山水楼阁为主，建筑描绘细腻，其中既有中式园林建筑，又有西式亭台楼阁，更有中西合璧者，画面的景观可能是画家以圆明园的建筑结合自己的想象而创作的。圆明园是雍正作皇子时的封赐，他解释说“圆明园”的赐名大有深意：“圆而入神，君子之时中；明而普照，达人之睿智也。” 雍正三年（1725年）八月圆明园兴修一新之后，雍正皇帝经常在园中居住并在此办理公务，他明谕百官“每日办理政事与宫中无异”。这十二幅行乐图展现了其在圆明园生活的各个场景，也表现了十二个月的不同节令风俗。",[27,32,31,329,330,60,129,331,163,332,162,33,333],"界画","行乐图","松树","池塘","中式园林","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Faa170ee7ea987eca05f818f0474a20d1.jpg","绢本，设色","纵188.2厘米，横102.2厘米",[45,112],568,{"id":340,"slug":341,"title":342,"dynasty":55,"author":7,"museum":56,"description":343,"tags":344,"thumbUrl":347,"material":348,"size":11,"collection":45,"collections":349,"showCount":350,"zanCount":351,"manualWeight":49,"mainColor":70},236173,"yin-zhen-ban-shen-xiang-zhou-yi-ming-236173","胤禛半身像轴","清朝人画的胤禛像。爱新觉罗·胤禛（1678—1735） 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是宋朝时期的一幅绘画作品，其作者不详。这幅作品描绘了一处神奇的山洞，里面生活着许多寿鹿。寿鹿是一种传说中的动物，身体像鹿，有着长长的寿命。在这幅画中，寿鹿被描绘成了幸福、健康、长寿的象征。整幅画浓郁的山水意境，深深地吸引着观众的眼球。",[79,27,28,29,32,31,33,127,358,272,146,359],"鹿","岩石","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F44803965d1305ff70dab68b3132a40c5.jpg","117.2x61.3cm",[45],533,{"id":365,"slug":366,"title":367,"dynasty":75,"author":7,"museum":368,"description":369,"tags":370,"thumbUrl":372,"material":43,"size":11,"collection":45,"collections":373,"showCount":5,"zanCount":310,"manualWeight":49,"mainColor":50},214860,"mo-gu-kai-zhi-luo-shen-fu-tu-di-er-juan-yi-ming-214860","摹顾恺之洛神赋图（第二卷）","辽宁省博物馆","摹顾恺之洛神赋图（第二卷）是宋朝佚名画家的一幅作品。这幅画描绘了洛神，她是中国神话中的一位美丽的仙女，被认为是花的化身。洛神赋图是一组描绘洛神的图画，可能是以绘画的形式来记录洛神的故事。这幅画的风格典雅，线条流畅，色彩明快，极富表现力。",[26,122,27,96,123,32,33,59,371,60,163],"舟船","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F82e06b4414fc9a2b292ec17325cf42bd.jpg",[45],{"id":375,"slug":376,"title":377,"dynasty":141,"author":7,"museum":76,"description":378,"tags":379,"thumbUrl":382,"material":43,"size":383,"collection":87,"collections":384,"showCount":385,"zanCount":310,"manualWeight":49,"mainColor":50},216222,"hua-niao-tu-yi-ming-216222","花鸟图","一对锦鸡被描绘成在花朵和岩石间游动，而一对燕子和喜鹊则各自点缀着这一场景。雉鸡的羽毛鲜艳夺目，与盛开的鲜花交相辉映。这幅画的色彩斑斓和绚丽通过笔法的运用得到了加强。花和鸟的笔触相当细致，有一种优雅的品质。叶子的着色似乎是杂乱无章的，有几处已经模糊或剥落。这幅画没有标记，但仍有元代的题记。",[27,28,79,31,32,80,193,220,146,100,380,381,163],"百合","枝干","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F16ce90ed3be06a8274a00daaccbc1bec.jpg","167.6x101.9cm",[87],520,{"id":387,"slug":388,"title":389,"dynasty":75,"author":7,"museum":172,"description":390,"tags":391,"thumbUrl":392,"material":43,"size":393,"collection":85,"collections":394,"showCount":395,"zanCount":351,"manualWeight":49,"mainColor":50},214257,"yu-yuan-shi-chao-tu-yi-ming-214257","御苑市朝图","御苑市朝图是一幅作者不详的宋代画作。这幅画作描绘了宋朝的市场生活。\n\n在这幅画作中，画家巧妙地捕捉了宋朝的市场生活的繁华景象。他用浓墨重彩的画法，勾勒出了市场的熙熙攘攘的场面。他还用细腻的线条勾勒出了市场中出售各种商品的商贩，让人感受到了宋朝市场的繁荣景象。\n\n此外，画家在这幅画作中还描绘了市场周围的景色。他用色彩丰富的画法，描绘了市场周围的山川和河流。这些景色与市场的繁华场面形成了鲜明的对比，让人感受到了自然与人类活动的和谐\n共存。\n\n总之，御苑市朝图是一幅精美的画作，描绘了宋朝的市场生活。它让我们感受到了宋朝市场的繁荣景象，也让我们感受到了宋朝文化的魅力。",[26,79,27,28,29,329,32,60,129,131],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F672f72d901c08686f814955355d9dcad.jpg","107x52",[85],518,{"id":397,"slug":398,"title":399,"dynasty":8,"author":7,"museum":172,"description":400,"tags":401,"thumbUrl":407,"material":11,"size":11,"collection":408,"collections":409,"showCount":410,"zanCount":411,"manualWeight":49,"mainColor":277},242603,"lian-he-fang-hu-yi-ming-242603","莲鹤方壶","它以舒展莲瓣承托振翅仙鹤，仙禽昂首翘立，似要破风而去，挣脱上古礼器沉郁肃穆的桎梏。器身满布蟠螭纹饰，狞厉古拙的遗风凝于苍绿铜色，灵动透雕的附饰蜿蜒盘绕，与方正厚重的器体形成强烈反差。静穆的青铜肌理里藏着跃动的鲜活生气，将礼器的神性威严与新生的浪漫生机糅合无间，古雅厚重中萌发着挣脱束缚的蓬勃生命力，是青铜艺术风格转向的标志性臻品。",[402,403,268,404,405,59,272,406],"青铜器","铜制","鹤","莲","礼器","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Faed60d3ad3906a73ffa84e0773805477.jpg","青铜器精选",[408],517,7,{"id":413,"slug":414,"title":415,"dynasty":55,"author":7,"museum":56,"description":416,"tags":417,"thumbUrl":420,"material":43,"size":421,"collection":45,"collections":422,"showCount":423,"zanCount":351,"manualWeight":49,"mainColor":50},214678,"xiao-sheng-xian-huang-hou-chao-fu-xiang-yi-ming-214678","孝圣宪皇后朝服像","清世宗孝圣宪皇后钮祜禄氏（1693年1月1日—1777年3月2日），满洲镶黄旗人，加封一等承恩公、四品典仪官凌柱之女。\n十三岁时入侍雍亲王府邸，为雍王胤禛藩邸格格。康熙五十年生弘历，即乾隆皇帝。雍正元年封为熹妃，雍正八年封为熹贵妃。雍正十三年其子弘历（乾隆皇帝）即位，尊为圣母皇太后，上徽号曰崇庆皇太后。卒于乾隆四十二年正月二十三日，葬泰东陵。全谥为：孝圣慈宣康惠敦和诚徽仁穆敬天光圣宪皇后。\n孝圣宪皇后一生享尽了荣华富贵，她寿数之高，在清代皇太后中居于首位，在中国历代皇太后中也是极为罕见的。",[26,27,31,32,33,270,418,178,419],"朝服","珠饰","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F631a192117b99cc7e5402bb134df43bd.jpg","248.7x116.8",[45],501,{"id":425,"slug":426,"title":427,"dynasty":55,"author":7,"museum":172,"description":428,"tags":429,"thumbUrl":435,"material":11,"size":11,"collection":436,"collections":437,"showCount":438,"zanCount":351,"manualWeight":49,"mainColor":277},241696,"jin-xiang-dong-zhu-pu-sa-li-xiang-yi-ming-241696","金镶东珠菩萨立像","此像通体赤金流光，宝韵盎然。菩萨身姿舒展端雅，面容温婉恬和，垂眸含悲悯之意，似将慈光遍洒世间。周身东珠璎珞层叠，莹润珠光与赤金交相辉映，华贵不凡。\n\n身后缠枝背光柔婉舒展，宝相花绽于枝蔓，宝轮暗藏其间，烘托出清寂祥和的佛门意境。右手施无畏印，予众生安心护持，左手轻扶花枝，姿态悠然自在。莲台錾刻细腻入微，整器线条流畅华美，将精湛工法与清净佛韵相融，尽显庄重灵秀的超然气质。",[160,30,33,430,268,431,432,433,434],"金器","镶嵌","东珠","立像","菩萨","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F8475aa5531722484338fd52cff32253d.jpg","雕塑精选",[436],500,{"id":440,"slug":441,"title":442,"dynasty":241,"author":7,"museum":172,"description":443,"tags":444,"thumbUrl":447,"material":296,"size":297,"collection":11,"collections":448,"showCount":449,"zanCount":153,"manualWeight":49,"mainColor":277},228413,"shui-yue-guan-yin-xiang-yi-ming-228413","水月观音像","位于法海寺大殿内的壁画 距今已有六百多年",[27,31,32,30,33,445,163,446],"云","荷花","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fdab14eeab9a7f06bbdb65fb5f0a0afc0.jpg",[],494,{"id":451,"slug":452,"title":453,"dynasty":141,"author":7,"museum":454,"description":455,"tags":456,"thumbUrl":457,"material":175,"size":458,"collection":11,"collections":459,"showCount":460,"zanCount":249,"manualWeight":49,"mainColor":50},221842,"yong-le-gong-bi-hua-san-qing-dian-bi-hua-chao-yuan-tu-yi-ming-221842","永乐宫壁画三清殿壁画朝元图","山西永乐宫","永乐宫在山西最南端的芮城县郊外，《朝元图》在永乐宫的三清殿（又名无极殿）内，是永乐宫壁画中的重点，画幅面积为403.34平方米，主尊人物高达3米，最低的也有2米，共绘人物近300身，距今近700多年，是留存下来的最精彩的元代壁画。永乐宫始建于元代全真教兴盛时期，宫殿内部的墙壁上，布满了精心绘制的壁画，其艺术价值之高，数量之多，实属世上罕见。\n该壁画泰定三年（1325年）由河南画家马君详、马七等人绘制而成，描绘了诸神朝拜元始天尊的故事。画面上共有人物 290个左右，以8个高3米的主像（南极、北极、东极、玉皇、勾陈、木公、后土、金母）为中心，其余人物按对称仪仗形式排列，以南墙的青龙、白虎星君为前导，分别画出天帝、王母等28 位主神。围绕主神，28宿、12宫辰等“天兵天将”在画面上徐徐展开。画中主像庄严肃穆，群像环立，形象丰满圆润，个个神采奕奕，无一雷同。他们之间有的对语，有的倾听，有的沉思，有的注视，神情姿态彼此呼应，成为有机的整体。整个画面，气势不凡，场面浩大。\n壁画中人物服饰冠戴华丽辉煌，衣纹多用吴道子“莼菜条”线条，用笔劲健而流畅，既含蓄又有力度，衣带飞舞飘逸，有如满墙风动，充分发挥了线条的高度表现力。用色方面，采用重彩勾填，色彩厚重而丰富，绚烂而协调，道具在背景上都富有装饰性，在冠戴、衣襟、薰炉等处沥粉贴金，绚烂夺目。",[26,175,30,31,32,33,123],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F0d3db7198209c86d23475d84a3d7cee5.jpg","426×9468cm",[],484,{"id":462,"slug":463,"title":464,"dynasty":141,"author":7,"museum":465,"description":466,"tags":467,"thumbUrl":469,"material":43,"size":470,"collection":87,"collections":471,"showCount":472,"zanCount":260,"manualWeight":49,"mainColor":50},216732,"ju-hua-xiao-niao-tu-yi-ming-216732","菊花小鸟图","私人收藏","菊花小鸟图 是一幅来自中国元朝时期的著名图画。这幅图画被认为是元朝时期最著名的菊花图案之一，也是当时最具代表性的艺术品之一。\n\n这幅图画中的小鸟是鸟类中常见的山雀，它们正在菊花丛中欢快地嬉戏。菊花是中国传统文化中非常重要的象征，象征着品德高尚、忠诚可靠。在这幅图画中，菊花丛与小鸟的自然互动，展现出人与自然和谐相处的美好愿景。\n\n虽然这幅图画的作者并不是众所周知的，但它仍然是元朝时期艺术史上的重要作品，在当时的艺术市场上也颇受欢迎。如今，菊花小鸟图仍然是许多人所熟知和喜爱的著名图画之一。",[26,27,31,32,80,100,468],"小鸟","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F1c8acc0d8c6d4a1dedbc8b9a6a108b16.jpg","22.5x26.6cm",[87],479,{"id":474,"slug":475,"title":476,"dynasty":8,"author":7,"museum":477,"description":478,"tags":479,"thumbUrl":12,"material":481,"size":482,"collection":11,"collections":483,"showCount":484,"zanCount":136,"manualWeight":49,"mainColor":70},223346,"ren-wu-yu-long-bo-hua-yi-ming-223346","人物御龙帛画","湖南省博物馆","描绘墓主人乘龙升天的情景。此幅非衣帛画上端有竹轴，轴上有丝绳，为一幅可以垂直悬挂的幡，应是战国时期楚国墓葬中用于引魂升天的铭旌，属于非衣性质的战国晚期帛画。",[79,27,28,480,123,33,59,318],"帛画","绢本水墨淡设色","长37.5厘米、宽28厘米",[],473,{"id":486,"slug":487,"title":488,"dynasty":171,"author":7,"museum":489,"description":490,"tags":491,"thumbUrl":492,"material":493,"size":11,"collection":45,"collections":494,"showCount":484,"zanCount":260,"manualWeight":49,"mainColor":50},217282,"jiang-mo-bian-dun-huang-tu-juan-yi-ming-217282","降魔变·敦煌图卷","法国国家图书馆","纤细灵动的墨线勾勒出神态各异的人物，衣袂飘举间藏着唐代绘画的潇洒韵致。残存的朱红、赭石色调虽经岁月晕染，仍可窥见当初设色的浓淡相宜。画面分段铺陈降魔故事：左侧人物群像或肃穆或专注，似在静待一场斗法开启；中间帐幔低垂，端坐者的静谧与周遭张力暗合；右侧则将神魔相搏的激烈瞬间定格，动态构图尽显情节跌宕。整幅作品以叙事性画面传递佛教义理，线条流转与情节起伏相映成趣，既是唐代佛教艺术的生动遗存，也为后世窥见当时审美与信仰世界的窗口。",[79,27,28,96,32,31,30,33,292],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F15a40ea02cdf882170b7ef7d5d3e495f.jpg","设色,拓本",[45],{"id":496,"slug":497,"title":498,"dynasty":75,"author":7,"museum":499,"description":500,"tags":501,"thumbUrl":504,"material":43,"size":505,"collection":506,"collections":507,"showCount":508,"zanCount":249,"manualWeight":49,"mainColor":50},218620,"luo-shen-fu-tu-yi-ming-218620","洛神赋图","大英博物馆","这幅卷轴是暗示顾恺之时代的众多卷轴之一，其中两幅在北京紫禁城和辽宁省博物馆。然而，大英博物馆有一幅与北京紫禁城流传下来的南宋亲笔画类似的画卷，这两幅画都是重新创作的版本，人物和风景之间的关系更加协调。故宫博物院研究员于辉认为，这卷书是抄自紫禁城内的南宋卷，可追溯到明朝初期。如果对两卷进行仔细比较，本卷明显优于南宋宫廷卷，应抄袭本卷，本卷应在南宋初年完成。不幸的是，这卷书损坏太严重，很少能买到。这个博物馆恰好有两卷高分辨率的图像，有识之士可以查看其装饰性，或者说剩下的字是不是假的。",[26,96,31,32,33,60,59,502,445,131,162,503],"舟","亭台","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F8daa44aeeabdd0261586d0876b40f8f4.jpg","53.7x832.8","山水画精选",[506,85],458,{"id":510,"slug":511,"title":512,"dynasty":241,"author":7,"museum":76,"description":513,"tags":514,"thumbUrl":519,"material":43,"size":520,"collection":45,"collections":521,"showCount":522,"zanCount":523,"manualWeight":49,"mainColor":50},214833,"ru-bi-tu-yi-ming-214833","入跸图","这是一幅皇帝扫墓的画，队伍从左到右，沿着水路往回走，战车和卫兵，以及大部分不能坐船的羽林军，沿着岸边行驶。从这幅画的特点和个别地理位置来看，这幅画中的皇帝不是别人，正是明朝的皇帝朱翊钧。明神宗是一位在历史上有很大争议的皇帝，但这幅画还是清楚地表明了明朝当时处于权力的巅峰。",[26,79,27,96,31,32,33,129,131,515,516,517,518],"车马","仪仗","皇家出行","历史画","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F48f5863d9951f963431189cd4b5e922e.jpg","92.10x3003.6",[45],448,9,{"id":525,"slug":526,"title":527,"dynasty":55,"author":7,"museum":172,"description":528,"tags":529,"thumbUrl":533,"material":43,"size":11,"collection":45,"collections":534,"showCount":535,"zanCount":249,"manualWeight":49,"mainColor":50},216695,"hong-lou-meng-fu-tu-ce-yi-ming-216695","红楼梦赋图册","疏朗庭院间，虬枝松叶覆半面轩窗，雕花棂格透出彩绸轻曳。廊下女子或凭栏低语，或执扇凝眸；阶前二人衣袂相叠，似在话叙家常。坡上苔石生绿，丛花点染胭脂色，远处水榭隐于烟柳后，添几分悠远。淡彩晕染的笔触细腻勾勒园林景致，将红楼女儿的闲雅日常融于其间。温婉氛围如轻烟绕梁，既见深宅里的温柔情致，又藏着一丝难以言说的怅惘，似在静静诉说着那些藏于书页间的细腻心事。",[26,27,28,530,31,32,33,127,129,531,532,146],"册","亭","树","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fcf370b172b95445b5b66d2705d0e226e.jpg",[45],446,{"id":537,"slug":538,"title":539,"dynasty":141,"author":7,"museum":368,"description":540,"tags":541,"thumbUrl":543,"material":43,"size":544,"collection":87,"collections":545,"showCount":535,"zanCount":411,"manualWeight":49,"mainColor":50},215142,"mo-mei-tu-yi-ming-215142","墨梅图","墨梅图是元朝时期的一幅名画，作者是佚名。这幅画描绘了一棵梅花树，梅花盛开，瓣瓣舒展，散发出浓浓的花香。画面上有几只蝴蝶，它们在梅花树周围飞舞，与花朵相互辉映。整幅画清新淡雅，浓轻相宜，富有诗意。墨梅图是中国古代山水画的典范之作，在历史上有很高的艺术价值。",[27,28,144,80,542,82],"梅","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F40f7caa3d46ac3b4a7bc205ebabf73b9.jpg","24.4x20.3cm",[87],{"id":547,"slug":548,"title":549,"dynasty":75,"author":7,"museum":56,"description":550,"tags":551,"thumbUrl":554,"material":335,"size":555,"collection":11,"collections":556,"showCount":557,"zanCount":310,"manualWeight":49,"mainColor":50},223552,"hai-tang-jia-die-tu-yi-ming-223552","海棠蛱蝶图","画面主题是阳春三月，蛱蝶翩翩起舞于海棠花枝间。画家着重表现海棠在乍起的春风中花枝招展的动感瞬间，花朵偃仰向背，叶片翻卷辗转，枝干呈“S”形的曲张之态；通过描绘有形的花叶，成功地渲染出无形的醉人春风和隽永的春意。\n图中花瓣先以墨笔双勾轮廓线，中锋行笔，线条圆润流畅。然后在花瓣外侧上部略点胭脂红，旋即以清水将色彩晕染开，最后罩上一层白粉，为海棠花亮丽的色调增添了几多妩媚意韵。叶片用工整的双勾填色笔法表现，作者根据叶片受光照程度的不同而填染以石绿、墨赭等颜色，从而充分表露出叶片“清如水碧，洁如霜露”的美感，显示出画家细致的观察力和深厚的写实功底。",[26,79,27,28,31,32,80,552,553,82],"海棠","蛱蝶","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F7991f6dba711f3f30a45cd512a1f8a61.jpg","纵25厘米，横24.5厘米",[],425,{"id":559,"slug":560,"title":561,"dynasty":8,"author":7,"museum":477,"description":562,"tags":563,"thumbUrl":565,"material":566,"size":567,"collection":11,"collections":568,"showCount":569,"zanCount":523,"manualWeight":49,"mainColor":50},223347,"ren-wu-long-feng-bo-hua-yi-ming-223347","人物龙凤帛画","表现的是龙凤引导墓主人的灵魂升天的情景。画中右下方有一位侧身而立的中年妇女，阔袖长裙，双手合十像在祈祷。妇人头顶上有一只腾空飞舞的风鸟，尾羽向上卷起。左侧是一条体态扭曲的龙，正向上升腾。画中所绘的龙的形象，因初发现时龙的左足破损，只见右侧足，而一度被认为是夔，该作品也曾定名为《夔凤人物图》。 [1] 该画是中国现存最古老的帛画。",[27,28,41,123,32,33,59,564],"凤","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F875bb7f0c8c432a8d3b746c93c5ec5bd.jpg","绢本淡设色","纵31.2厘米，横23.2厘米",[],421,{"id":571,"slug":572,"title":573,"dynasty":574,"author":7,"museum":172,"description":575,"tags":576,"thumbUrl":581,"material":296,"size":297,"collection":11,"collections":582,"showCount":583,"zanCount":351,"manualWeight":49,"mainColor":50},226730,"shen-zu-mian-wen-yu-qi-yi-ming-226730","神祖面纹玉器","夏","古文云:“石之美，谓之玉”，中国古代玉器多用于祭祀、佩戴、陪葬等场景。玉石因其细腻的质地和优雅的外观而在历史上享有盛誉。同时，玉器被赋予了“玉树临风”、“温润如玉”等多种品质，成为道德的体现。自古以来，它就有着厚重的文化含蕴。\n玉器在中国文化中起着无法替代的作用，可以说，纵观中国文明史，玉从石器时代一直到现在都发挥着不可忽视的重要的作用。让我们走进历史上玉器的更迭。\n在中国历史长河中，玉原本是以一种装饰品为主要作用。新石器时代中后期后，小玉器地位逐渐被大玉器所取代，大玉器是政治意义的体现。当时古人受中封建等级观念和原始宗教观念的影响，人们将其观念逐渐渗透到玉器中，这时中国玉文化的玉器主流时期正式到来。\n据考古学发现，新石器时代晚期，出土了大量玉琮。在这一时期的玉器，被赋予通灵天地之间神器的作用。它是与天地之神沟通的一种工具，在重大祭祀活动中，玉是作为交流的媒介。这个时代也是玉器神器时代。\n从春秋战国到汉代，玉被视为统治者身份的象征，其中最著名的是和氏璧，秦王愿意用十五座城市进行交换，秦始皇用这块和氏璧铸了御玺。那个时候谁有传国之令，就被视为一国之君的前兆，如同金庸小说中倚天剑屠龙刀的地位一样，可以率统天下。\n根据考古发现，汉代时期的墓葬中出土了金缕玉衣，这是汉代玉器的一个特殊时期，也可以称之为明玉时代，在此期间墓葬中使用了各种玉衣和蝉。汉朝玉器的黄金时代。 这一时期，以唐朝为典型，玉带是唐朝三品及以上的身份象征。这一时期也称为官玉时代，玉带的使用通常为达官贵人。在此期间，玉带越来越追求它的精致。在中国玉文化史上，唐朝是玉器发展一个重要阶段，唐朝国力鼎盛，玉器豪华尊贵是身份的象征，此时的玉器散发雍华大度的浪漫气息。\n唐宋时期，各种玉器出现，明清时期开始流行。这一时期，玉的生态美和工艺美开始结合。在这个时期，玉与人的距离亲近。玉不仅被欣赏和使用，而且人们开始佩戴它。这时，中国玉文化达到了一个顶峰时期，即赏玉玩玉的时期。\n清朝乾隆年间，乾隆皇帝非常喜爱玉，在他执政时期，乾隆命人制作了大禹治水玉山，这座大玉山清宫中最大的玉雕。这一时期，达官贵人都热衷于收藏玉器，全民掀起了藏玉热潮，被称为藏玉时期。\n从20世纪80年代初开始，玉石开始走向经济市场，走向人们的生活任何人都可以参与玉石的加工和收藏。越来越多的人佩戴玉石，各种玉石饰品在市场上流通，经过几千年的发展，玉器终于进入了开放期。\n中国古代玉器历史悠久，绚烂夺目底蕴深厚，在世界文明史和艺术史上首屈一指，辉煌灿烂，熠熠生辉，以上简单梳理了中国玉器的发展历史和演变过程，目的在让我们更加热爱我们的传统玉器文化，增强我们的民族自信心，让我们伟大的中华文化和伟大的工匠精神永远屹立于世界之巅。",[577,578,267,268,579,406,346,580],"夏代","古玉","兽面纹","纹饰","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F84f699c6829f280c2ab97dc7558c7998.jpg",[],408,{"id":585,"slug":586,"title":587,"dynasty":171,"author":7,"museum":172,"description":588,"tags":589,"thumbUrl":592,"material":11,"size":11,"collection":408,"collections":593,"showCount":594,"zanCount":153,"manualWeight":49,"mainColor":277},242602,"bao-xiang-hua-wen-jing-yi-ming-242602","宝相花纹镜","此镜取八出菱花形制，柔婉线条破开圆镜的规整刻板，自带舒展灵韵。镜背瑞兽缠枝宝相花层叠铺陈，宝相花揉合莲、牡丹之姿，端庄富丽，瑞兽灵动穿梭于花蔓间，将盛唐华贵生机尽数藏于方寸。\n沉郁苍古的铜色凝着厚重包浆，晕开岁月浸润的温润，圆润镜钮配黄绦垂穗，更添雅致生气。构图饱满却层次分明，将大唐包容万千的盛世气象与绮丽浪漫的审美意趣，悄然凝铸于此间。",[590,402,268,591],"唐代","宝相花","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fbfa27ab331a834eda856f4d0dd67d596.jpg",[408],394,{"id":596,"slug":597,"title":598,"dynasty":599,"author":7,"museum":172,"description":575,"tags":600,"thumbUrl":604,"material":296,"size":297,"collection":11,"collections":605,"showCount":606,"zanCount":153,"manualWeight":49,"mainColor":50},224006,"hong-shan-wen-hua-wan-qi-yue-ju-jin-5500-5000-nian-niao-xing-yu-pei-yi-ming-224006","红山文化晚期 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鸟形玉珮","新石器时代",[599,601,267,268,602,603,39],"红山文化","鸟形","玉器","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fdf442ee5aa23a8ff978727e29f3d7714.jpg",[],386,{"id":608,"slug":609,"title":610,"dynasty":241,"author":7,"museum":499,"description":611,"tags":612,"thumbUrl":615,"material":616,"size":11,"collection":506,"collections":617,"showCount":618,"zanCount":153,"manualWeight":49,"mainColor":70},217954,"ming-ren-shan-shui-hua-ce-yi-ming-217954","明人山水画册","明朝是中国历史上一个重要的朝代，它的艺术创作也十分丰富多彩。其中，佚名的《明人山水画册》是一部非常著名的山水画集，被认为是明朝山水画发展的里程碑之一。\n\n《明人山水画册》收录了许多佚名画家的作品，这些画家均擅长运用山水画的技巧，描绘出了美丽的山水景观。这些画作以其精细的线条和细腻的色彩闻名，能够表现出山水的神韵和灵动。\n此外，《明人山水画册》还收录了一些诗文，这些诗文与画作形成了很好的呼应。这使得这部画册不仅是一部艺术作品，而且是一部文学作品。\n\n总的来说，《明人山水画册》是一部十分珍贵的艺术作品，它为我们展示了明朝山水画的高超技巧和精湛工艺，同时也为我们呈现了明朝文化的瑰丽风貌。",[26,27,28,144,32,530,60,128,163,613,146,614],"老树","皴法","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ff0798af0135642660cfeaaa1dabecdcc.jpg","纸本,设色",[506],375,{"id":620,"slug":621,"title":622,"dynasty":55,"author":7,"museum":172,"description":623,"tags":624,"thumbUrl":628,"material":296,"size":297,"collection":11,"collections":629,"showCount":630,"zanCount":351,"manualWeight":49,"mainColor":50},288183,"mu-dan-yu-mao-tu-ye-yi-ming-288183","牡丹与猫图页","画面以工笔细绘庭院小景，蜷卧的白猫团作软雪，顶间墨斑与尾尖玄色相映，将睡梦憨态勾勒得灵动传神，似能轻闻浅鼾。旁侧牡丹柔瓣层叠，晕染出匀净粉白，枝叶舒展间带着温婉柔媚，古拙湖石皴擦苍劲，刚柔互衬晕开雅致意趣。整体色调清和古雅，绢底肌理晕开淡旧古韵，将庭院午后悠然静谧的闲情尽数铺展，笔意细腻写实，把日常小景绘得诗意悠然。",[26,27,31,32,98,625,626,627],"猫","湖石","静谧","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fbd65baef04b6a9c9fcdd55cfc5d2c2c7.jpg",[],370,{"id":632,"slug":633,"title":634,"dynasty":55,"author":7,"museum":499,"description":635,"tags":636,"thumbUrl":639,"material":43,"size":11,"collection":45,"collections":640,"showCount":641,"zanCount":49,"manualWeight":49,"mainColor":50},219541,"luo-shen-tu-yi-ming-219541","洛神图","洛神凌波徐行，素色罗裙晕着浅蓝镶边，飘带随水波漾动缱绻，将乘虚而行的柔婉轻盈尽数勾勒。她手持灵草，眉含轻愁、眼波低垂，清冷眉目间带着神女独有的幽怨缱绻。暗沉底色衬出人物素洁清丽，线条秀雅工细，设色简淡古雅，将洛神出尘仙姿与脉脉情思揉入笔底，把缥缈神女的古典美感定格于绢素之上，尽显传统仕女画的含蓄温婉意韵。",[26,79,27,28,32,31,33,127,637,638],"飘带","传统服饰","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F93171803f70c792a8db19d4ca0123d4b.jpg",[45],367,{"id":643,"slug":644,"title":645,"dynasty":55,"author":7,"museum":172,"description":646,"tags":647,"thumbUrl":651,"material":11,"size":11,"collection":11,"collections":652,"showCount":653,"zanCount":260,"manualWeight":49,"mainColor":50},230349,"yong-zheng-shi-er-mei-ren-tu-yin-zhen-mei-ren-tu-yi-ming-230349","雍正十二美人图(胤禛美人图)","仕女侧身凭门，眉眼含柔静赏修竹，暗纹黄衫绣饰精巧，鬓边珠翠轻缀，温婉娴静的闺阁气韵尽显。庭院中奇石错落，盆梅初绽、兰草幽柔，案头盆花清雅动人。画作以框景巧构，将室内外景致相融，淡雅设色晕染出悠然氛围，笔触写实细腻，衣料柔润质感、竹影婆娑意态皆被精妙还原，将深闺女子的闲情意趣与中式园林的雅致意境融为一体，尽显东方古典美学含蓄温婉之韵。",[26,31,32,127,145,162,648,190,649,650,64,29],"盆栽","栏杆","庭院","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F7a850643fba7892c7c56dbf39750b66e.jpg",[],362,{"id":655,"slug":656,"title":657,"dynasty":658,"author":7,"museum":465,"description":659,"tags":660,"thumbUrl":664,"material":43,"size":11,"collection":87,"collections":665,"showCount":666,"zanCount":310,"manualWeight":49,"mainColor":50},216908,"lu-yan-fu-rong-tu-yi-ming-216908","芦雁芙蓉图","隋","芦雁芙蓉图是一幅佚名的隋代画作，它的创作时间大约在6世纪中期。这幅画的主题是芦雁和芙蓉，被认为是隋朝时期最优秀的花卉画之一。\n\n芦雁是一种常见的水鸟，在古代中国文学中常被描写为优美、品性高尚的鸟类。芙蓉是一种常见的花卉，被认为是一种具有极高艺术价值的植物。在这幅画中，芦雁和芙蓉被描绘得栩栩如生，使用的颜色十分丰富，线条流畅，构图巧妙，是一幅充满美感的艺术品。\n\n芦雁芙蓉图被认为是隋朝时期花卉画的代表作之一，其创作背景和风格反映了当时的文化、艺术特点。它对后世的艺术家们也产生了深远的影响。",[26,27,32,31,29,80,661,104,662,35,36,191,190,37,663],"雁","芦苇","动物","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F4a48aa75a4e73cbfea994365e8bccc65.jpg",[87],356,{"id":668,"slug":669,"title":670,"dynasty":55,"author":7,"museum":76,"description":671,"tags":672,"thumbUrl":677,"material":43,"size":678,"collection":506,"collections":679,"showCount":680,"zanCount":49,"manualWeight":49,"mainColor":50},218493,"fang-zhao-meng-fu-que-hua-qiu-se-tu-yi-ming-218493","仿赵孟頫鹊华秋色图","平野旷远，秋气澹然。疏林错落于汀渚间，枯藤缀红，苍松凝翠，枝桠横斜藏萧瑟之韵；浅滩细草萋萋，水鸟翩跹，添野趣几分。左畔圆丘如覆，右峰尖峭似锥，淡墨晕染出层峦之态，远岫含烟，空蒙悠远。笔墨承古意，设色雅淡，将秋郊的旷疏与静谧凝于绢素。画面空灵澄澈，无喧嚣之扰，尽显宋元山水的悠然之境，似可闻风过林梢、水鸟轻啼，令人心驰神往。",[26,27,28,79,96,122,32,614,60,131,673,662,674,675,676],"平野","孤山","红叶树","枯树","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F76414e091a2fe78c9e55723e023ebb19.jpg","28.7x146cm",[506],346,{"id":682,"slug":683,"title":684,"dynasty":171,"author":7,"museum":76,"description":685,"tags":686,"thumbUrl":689,"material":43,"size":690,"collection":45,"collections":691,"showCount":692,"zanCount":693,"manualWeight":49,"mainColor":50},223394,"tang-ren-gong-le-tu-zhou-yi-ming-223394","唐人宫乐图轴","图描写後宫嫔妃十人，围坐於一张巨型的方桌四周，有的品茗，也有的在行酒令。中央四人，则负责吹乐助兴。所持用的乐器，自右而左，分别为筚篥、琵琶、古筝与笙。旁立的二名侍女中，还有一人轻敲牙板，为她们打著节拍。从每个人脸上陶醉的表情来推想，席间的乐声理应十分优美，因为连蜷在桌底下的小狗，都未被惊扰到！\n这件作品并没有画家的款印，原本的签题标为「元人宫乐图」。仔细观察画中人物的发式，有的发髻梳向一侧，是为「坠马髻」，有的把发髻向两边梳开，在耳朵旁束成球形的「垂髻」，有的则头戴「花冠」，凡此，都符合唐代女性的装束。另外，绷竹席的长方案、腰子状的月牙几子、饮酒用的羽觞，还有琵琶横持，并以手持拨子的方式来弹奏等，亦在在与晚唐的时尚相侔。所以，现在画名已改定成「唐人宫乐图」画题《韩干呈马图》",[26,79,27,28,29,31,32,33,127,687,688,625],"乐器","饮酒器","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fdb907e859af37c3582daa5bb82bd4794.jpg","48.7x69.5",[45],342,6,{"id":695,"slug":696,"title":69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2019年8月31日，由敦煌研究院等单位联合摄制的大型纪录片《莫高窟与吴哥窟的对话》在敦煌国际会展中心首映。纪录片以亚洲文明对话为题材，向人们展现了不同文明之间命运相通、文化相通、艺术相通的奇妙关联。\n2020年2月，为致敬奋斗在抗疫一线的医务工作者，景区在恢复运营后，对全国所有医护人员实行免费开放，直至2020年底。5月10日，莫高窟恢复开放。\n莫高窟始建于前秦宣昭帝苻坚时期，据唐朝《李克让重修莫高窟佛龛碑》一书的记载，前秦建元二年（366年），僧人乐尊路经此山，忽见金光闪耀，如现万佛，于是便在岩壁上开凿了第一个洞窟。此后法良禅师等又继续在此建洞修禅，称为“漠高窟”，意为“沙漠的高处”。后世因“漠”与“莫”通用，便改称为“莫高窟”。另有一说为：佛家有言，修建佛洞功德无量，莫者，不可能、没有也，莫高窟的意思，就是说没有比修建佛窟更高的修为了。\n北魏、西魏和北周时，统治者崇信佛教，石窟建造得到王公贵族们的支持，发展较快。\n隋唐时期，随着丝绸之路的繁荣，莫高窟更是兴盛，在武则天时有洞窟千余个。安史之乱后，敦煌先后由吐蕃和归义军占领，但造像活动未受太大影响。北宋、西夏和元代，莫高窟渐趋衰落，仅以重修前朝窟室为主，新建极少。\n元代以后敦煌停止开窟，逐渐冷落荒废。明嘉靖七年（1528年）封闭嘉峪关，使敦煌成为边塞游牧之地。清康熙五十七年（1718）平定新疆，雍正元年（1723）在敦煌设沙州所，三年（1725）改沙州卫，并从甘肃各州移民敦煌屯田，重修沙州城。乾隆二十五年（1760）改沙州卫为敦煌县，敦煌经济开始恢复。莫高窟开始被人们注意。\n清光绪二十六年（1900）发现了震惊世界的藏经洞。不幸的是，在晚清政府腐败无能、西方列强侵略中国的特定历史背景下，藏经洞文物发现后不久，英人斯坦因、法人伯希和、日人橘瑞超、俄人鄂登堡等西方探险家接踵而至敦煌，以不公正的手段，从王道士手中骗取大量藏经洞文物，致使藏经洞文物惨遭劫掠，绝大部分不幸流散，分藏于英、法、俄、日等国的众多公私收藏机构，仅有少部分保存于国内，造成中国文化史上的空前浩劫。",[175,32,30,177,700,701],"飞天","卷草纹","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F3d0fd513cb82c0e435822e3003c47784.jpg",[],334,{"id":706,"slug":707,"title":708,"dynasty":75,"author":7,"museum":172,"description":709,"tags":710,"thumbUrl":714,"material":11,"size":11,"collection":87,"collections":715,"showCount":704,"zanCount":411,"manualWeight":49,"mainColor":50},223631,"lian-chi-shui-qin-tu-zhou-dui-zhou-yi-ming-223631","莲池水禽图轴对轴","此作设色清雅古拙，将夏末荷塘景致凝于绢素。粉荷或粲然盛放，或半含待绽，圆阔荷叶交错叠覆，枯荣相携，细茎缀着淡粉小花，晕开幽柔生机。\n\n两只白鹭一动一静，振翅者俯身掠空，尖喙直指水面，将俯冲的凌厉之势藏于翩然羽翼间；引颈者独立浅泽，昂首似作长鸣，意态娴静悠然。\n\n画笔工致写实，花叶勾勒细腻，禽鸟晕染层次丰盈，古雅的矿物色历经岁时依旧温润。静塘藏动意，野趣暗生，把江南水泽的澹澹诗意晕开在古绢之上，尽显清寂悠然的雅致意趣。",[26,79,27,28,29,32,31,711,446,316,405,712,713,163,332],"宋代","水禽","鹭","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Faab72c6cd475fe4f0cd76844911ed7c4.jpg",[87],{"id":717,"slug":718,"title":719,"dynasty":75,"author":7,"museum":720,"description":721,"tags":722,"thumbUrl":723,"material":724,"size":725,"collection":45,"collections":726,"showCount":727,"zanCount":310,"manualWeight":49,"mainColor":70},214982,"dao-zi-mo-bao-ren-wu-bai-miao-hua-yi-ming-214982","道子墨宝人物白描画","美国克利夫兰艺术博物馆","《道子墨宝》原作是一套古代民间画工制作道教壁画的白描画稿。画稿分三部分，第一部分描绘的是诸神朝谒；第二部分是阴曹地府中审判“罪犯”的景象，既所谓的“地狱变相图”；第三部分为搜山图。画稿伪托唐代画圣吴道子作，但从画稿的内容和画中人物的服饰等细节可以断定它不可能是唐代的作品。这套册页原无题，多达五十开的册页，每幅原作右上部位都有用白粉写的简化字符编号，表示一至五十，显然是民间画师用的稿本。",[26,27,28,79,123,329,33,129,82],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fe874f90d9aa8cd68cb8fc118529bd192.jpg","纸本,水墨","34.2*38.4",[45],332,{"id":729,"slug":730,"title":731,"dynasty":75,"author":7,"museum":56,"description":732,"tags":733,"thumbUrl":736,"material":144,"size":11,"collection":85,"collections":737,"showCount":738,"zanCount":351,"manualWeight":49,"mainColor":739},214846,"lu-tong-peng-cha-tu-yi-ming-214846","卢仝烹茶图","卢仝烹茶图是一幅宋代的佚名画家的作品。它是一幅木板设色的水墨画，画面上描绘了卢仝品茶的场景。卢仝是一位著名的宋代文学家，也是一位品茶爱好者。在这幅画中，他正在品茶时，周围的人们也都在品茶。这幅画展现了宋代品茶文化的精髓，充满了浓浓的文化气息。\n\n卢仝烹茶图是一幅很有名的宋代水墨画，因为它出色地展现了宋代品茶文化的精髓。品茶是中国古代的一种传统文化，它的历史可以追溯到公元前三世纪。品茶不仅是一种消遣，更是一种品味生活的方式。它融合了中国传统的艺术、文化、哲学和美学思想，对中国的文化形成了深远的影响。\n\n在这幅画中，卢仝坐在一张桌子前，手持茶杯，正在品茶。周围的人们也都在品茶，气氛非常融洽。画面中还有许多细节，如茶壶、茶杯、茶几等，都反映了宋代品茶文化的特点。\n\n这幅画的画风精细，线条流畅，色彩鲜艳。它体现了宋代画家的高超技巧和精湛的艺术修养。这幅画不仅是一件艺术品，也是中国传统文化的瑰宝。",[26,27,28,144,32,31,123,614,124,82,33,734,131,162,735,346],"房屋","茶具","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fd2d777192da391bf2696d0105e63bf54.jpg",[85],322,"F48FB1",{"id":741,"slug":742,"title":743,"dynasty":75,"author":7,"museum":216,"description":744,"tags":745,"thumbUrl":748,"material":43,"size":749,"collection":87,"collections":750,"showCount":751,"zanCount":693,"manualWeight":49,"mainColor":50},218540,"shu-kui-tu-yi-ming-218540","蜀葵图","这幅画描绘的是两枝蜀葵，枝头花开，粉红色和红色的花瓣清新娇艳，绿色的茎叶茂盛繁多。描绘细致工整，色彩丰富，墨线几乎看不到，着色漂亮，把花开的样子表现得淋漓尽致，令人陶醉。",[27,28,79,219,32,31,80,746,220,747],"蜀葵","叶","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F409cefad89ff6783fe33bcc0e3b49c14.jpg","21.5x22.9cm",[87],320,{"id":753,"slug":754,"title":755,"dynasty":55,"author":7,"museum":172,"description":756,"tags":757,"thumbUrl":762,"material":11,"size":11,"collection":11,"collections":763,"showCount":764,"zanCount":153,"manualWeight":49,"mainColor":50},234383,"yin-zhen-shi-er-yue-jing-xing-le-tu-dan-pian-yi-ming-234383","胤禛十二月景行乐图单片","满池荷田田铺展，夏意随水汽漫过错落亭台。凭栏雅士闲赏菡萏，凌波画舫载着清趣缓行，庭院间仆从往来忙活，处处漾着松弛鲜活的意趣。\n设色柔润明丽，界画工细严整，人物情态鲜活入微，将消夏雅集的日常铺陈开来。笔底藏着雅致心思，把盛夏水乡的闲逸日常勾勒得细腻生动，尽显升平安逸的烟火意趣。",[27,329,32,31,33,129,446,130,758,650,759,760,761],"画舫","消夏","闲逸","雅集","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F508d9ece16a44c74182184ecba879fff.jpg",[],311,{"id":766,"slug":767,"title":768,"dynasty":75,"author":7,"museum":76,"description":203,"tags":769,"thumbUrl":208,"material":43,"size":11,"collection":85,"collections":770,"showCount":771,"zanCount":310,"manualWeight":49,"mainColor":50},220213,"mei-hua-shan-cha-tu-yi-ming-220213","梅花山茶图",[26,27,28,31,32,80,542,205,193],[85,87],307,{"id":773,"slug":774,"title":775,"dynasty":55,"author":7,"museum":465,"description":776,"tags":777,"thumbUrl":780,"material":43,"size":781,"collection":87,"collections":782,"showCount":783,"zanCount":49,"manualWeight":49,"mainColor":50},216676,"long-bao-tu-yi-ming-216676","龙豹图","龙豹图是清朝时期的一幅画作，画中描绘了龙和豹子在一起的情景。这幅画通常被认为是一幅象征着力量、权威和尊严的画作。它的作者不详，因此被称为佚名。这幅画通常被收藏在博物馆或私人收藏家手中。",[26,79,27,28,32,31,144,59,778,272,162,779,63],"豹","草木","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fd29cbd30f1bf0791c595f6774cc1116d.jpg","87x82cm",[87],306,{"id":785,"slug":786,"title":787,"dynasty":75,"author":7,"museum":76,"description":788,"tags":789,"thumbUrl":791,"material":43,"size":11,"collection":45,"collections":792,"showCount":793,"zanCount":260,"manualWeight":49,"mainColor":277},216983,"yu-lan-guan-yin-tu-yi-ming-216983","鱼篮观音图","鱼篮观音图是宋代佚名画家的作品，其中描绘了观音菩萨手持鱼篮的场景。观音菩萨是佛教中的一位观世音，被认为能够拯救苦难的众生。鱼篮观音图通常被用作冥想祈福的辅助图片，并且也被认为具有招财进宝的功效。这幅画作品流传至今，并且在许多佛教寺庙中都可以看到。",[27,28,79,29,30,33,31,32,82,790],"鱼篮","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fda6e54f1af2dc55c1055152c478f86c4.jpg",[45],304,{"id":795,"slug":796,"title":746,"dynasty":75,"author":7,"museum":76,"description":797,"tags":798,"thumbUrl":800,"material":43,"size":11,"collection":87,"collections":801,"showCount":802,"zanCount":249,"manualWeight":49,"mainColor":70},216104,"shu-kui-yi-ming-216104","画面中蜀葵悄然绽放，花瓣层叠如轻绡，粉晕从瓣尖漫向花心，似沾了晨露的柔媚。叶片脉络纤细如丝，墨绿间晕染浅碧，藏着风过的微颤。枝干斜逸有致，不带刻意雕琢的匠气，却透着自然生长的生趣。古雅的底色衬得花姿愈发清雅，每一笔都凝着宋人对万物的细腻观照——不追繁复，只撷取蜀葵最动人的一瞬，以温润笔触将娇妍与静谧锁于方寸。无炫技的华丽，唯有物态的鲜活与文人的雅致，恰是宋画“以形写神”的韵味：似能嗅到淡香浮动，触到叶片微凉，让观者于静穆中感知生命的鲜活。",[26,799,27,79,219,31,32,80,746],"宋画","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fc5b86c98450e1da128f001588b205adf.jpg",[87],301,{"id":804,"slug":805,"title":806,"dynasty":171,"author":7,"museum":56,"description":807,"tags":808,"thumbUrl":811,"material":43,"size":812,"collection":506,"collections":813,"showCount":814,"zanCount":49,"manualWeight":49,"mainColor":50},214258,"gong-yuan-tu-yi-ming-214258","宫苑图","宫苑图是一幅作者不详的唐代画作。这幅画作描绘了唐朝皇宫的生活。\n\n在这幅画作中，画家巧妙地捕捉了唐朝皇宫的繁华景象。他用浓墨重彩的画法，勾勒出了皇宫的宏伟建筑。他还用细腻的线条勾勒出了皇宫中各种活动的场面，让人感受到了唐朝皇宫的繁荣景象。\n\n此外，画家在这幅画作中还描绘了皇宫周围的景色。他用色彩丰富的画法，描绘了皇宫周围的山川和河流。这些景色与皇宫的宏伟建筑形成了鲜明的对比，让人感受到了自然与人类活动的和谐共存。\n\n总之，宫苑图是一幅精美的画作，描绘了唐朝皇宫的生活。它让我们感受到了唐朝皇宫的繁荣景象，也让我们感受到了唐朝文化的魅力。",[26,79,27,28,32,329,129,60,809,33,810],"宫苑","繁华","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F62f47a53857a3fc4ab82d75a1dd20f08.jpg","162.5×83.7",[506],286,{"id":816,"slug":817,"title":818,"dynasty":55,"author":7,"museum":465,"description":819,"tags":820,"thumbUrl":821,"material":43,"size":822,"collection":87,"collections":823,"showCount":824,"zanCount":310,"manualWeight":49,"mainColor":50},218955,"he-li-shi-zhu-tu-yi-ming-218955","鹤立石柱图","振翅的鹤，白羽层叠如凝雪，墨羽缀于翼尖似泼墨，长颈曲转间自有灵韵。双爪紧扣嶙峋石柱，石柱立于翻涌的浪涛之上，岩纹与水纹交织出苍劲古意。深褐底色衬得鹤羽愈发明净，动静相生间，似有清唳破风而来，尽显生灵与天地相融的傲然之态。笔意细腻处见羽毛纤毫，粗犷处显山石磅礴，于方寸间藏万千气象，足见匠心独运。",[27,28,31,32,29,163,404,146,62,80],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F5174cd1ea8ffbe0f8da17cfa3f06a65b.jpg","171x89cm",[87],285,{"id":826,"slug":827,"title":828,"dynasty":241,"author":7,"museum":829,"description":830,"tags":831,"thumbUrl":832,"material":43,"size":11,"collection":45,"collections":833,"showCount":834,"zanCount":411,"manualWeight":49,"mainColor":50},219589,"ying-wu-shi-nv-tu-yi-ming-219589","鹦鹉仕女图","圣路易斯艺术博物馆","仕女发髻簪饰精巧，面庞柔丽含笑，朱色坠耳衬出温婉气质。青缎衣衫间绣朱红云纹，腰束锦带垂曳飘饰，配色沉雅鲜亮，尽显裁衣考究。她抬臂托举鹦鹉，指尖轻拢衣袂，姿态娴静柔缓。\n\n掌间鹦鹉翎羽红绿相映，灵动鲜活，将闺中女子的悠然与小生灵的俏皮相融。古绢底色晕染出岁月厚重，笔触工细写实，把深闺日常的闲雅意趣，藏在眉眼笑意与禽鸟互动间，静中生趣，尽显古典仕女画含蓄柔美的意蕴风骨。",[27,28,79,29,31,32,33,127,163],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F46f589fcafbb38f6a42e918129a45e1a.jpg",[45,112],284,{"id":836,"slug":837,"title":838,"dynasty":75,"author":7,"museum":56,"description":839,"tags":840,"thumbUrl":841,"material":335,"size":842,"collection":11,"collections":843,"showCount":844,"zanCount":249,"manualWeight":49,"mainColor":70},234008,"chu-shui-fu-rong-tu-ye-yi-ming-234008","出水芙蓉图页","一朵盛开的粉红色荷花占据整个画面，在碧绿的荷叶映衬下抢眼而夺目，布局、设色端庄大气，将荷花“出淤泥而不染，濯清涟而不妖”的君子气质表现得十分完美。莲瓣的描绘技法类似后世的“没骨”法，不见勾勒之迹，渲染出花瓣既轻盈又腴润的质感。画家的写实功力极为扎实，每片莲瓣的形状、角度、色泽和光感都安排得无懈可击。至于瓣上红丝、蕊端腻粉，也一一仔细料理，微妙之处，使人叹为神工！旧题吴炳绘，无据。",[27,28,530,31,32,80,232,316],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F17db9572c20d73e7f8a55e19111edd03.jpg","纵23.8cm，横25cm",[],266,{"id":846,"slug":847,"title":848,"dynasty":849,"author":7,"museum":172,"description":850,"tags":851,"thumbUrl":856,"material":857,"size":858,"collection":11,"collections":859,"showCount":860,"zanCount":351,"manualWeight":49,"mainColor":50},214195,"xi-xia-song-yi-ming-214195","西狭颂","汉","西狭颂是一首古代汉语诗歌，作者不详。它出自《汉书·尚书志》的《尚书·颂词》一章。\n\n这首诗的前两句是：\n\n西狭有苍鹰，绝顶凌虚空。\n\n西狭是古代中国的一个地名，意思是西偏远的地方。苍鹰是一种高傲的猛禽，它们会在最高的山峰上俯瞰下面的景色。这两句诗的意思是，西狭有苍鹰飞翔，它们在最高的山峰上俯瞰下面的景色，象征着西狭是一个神秘而高贵的地方。\n\n整首诗的内容是对西狭这个地方的赞颂，认为西狭有着自然的美景、深远的历史和传奇的人文。它还描述了西狭的自然风光，如高山、河流、草原和森林。诗人用热情的语言描绘了西狭的美景，并赞美西狭的历史文化。\n\n整首诗的语言流畅，描写生动，是一首典型的古代赞颂诗。",[26,852,124,853,854,855],"汉代","隶书","拓本","石刻","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fe1eb94abf532cb1e9624a0ca02a3f241.jpg","纸本,水墨,拓本","315x225",[],260,{"id":862,"slug":863,"title":864,"dynasty":658,"author":7,"museum":216,"description":865,"tags":866,"thumbUrl":867,"material":43,"size":868,"collection":45,"collection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街头生活图卷","长卷铺展，市井烟火缓缓流淌。画面中，人物百态跃然绢上：挑担商贩步履匆匆，执伞行人衣袂轻扬，孩童追蝶跑过街巷，工匠俯身专注劳作。半掩的店门后，掌柜笑脸依稀；巷口茶摊边，老者围坐闲谈。伞的弧线、担的轮廓、车的轱辘，交织成动态的生活图景。每一处细节都藏着鲜活故事，仿佛能听见吆喝声、欢笑声、器物碰撞声，在时光里轻轻回响。这是对日常的温柔描摹，将平凡岁月里的热闹与鲜活，永远定格在素净的绢帛之上，让观者瞬间跌入那充满烟火气的旧时光。",[26,1124,79,96,32,31,123,33,1125,1126,1127,1128,663,1129,1130,1131,1132],"日本画","民居","街道","商贩","行人","市井","店铺","摊位","日常","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F32e3a1210052e7e7d88509d4781dd6f9.jpg",[45],200,{"id":1137,"slug":1138,"title":1139,"dynasty":141,"author":7,"museum":56,"description":1140,"tags":1141,"thumbUrl":1144,"material":43,"size":1145,"collection":506,"collections":1146,"showCount":1147,"zanCount":351,"manualWeight":49,"mainColor":50},218083,"xi-shan-xing-lv-tu-yi-ming-218083","溪山行旅图","溪山行旅图是元朝时期的一幅名画，出自佚名画家之手。这幅画描绘了一位旅人在溪山间游玩的情景。\n\n在画面的左侧，可以看到一座小山丘，上面种满了树木。旅人正站在山丘的山顶上，俯视着前方的景色。他手持竹筒，似乎是在欣赏周围的美景。\n\n在画面的右侧，是一条清澈的小溪，溪水潺潺流过。旅人似乎正准备沿着小溪走去，去寻找下一个游玩的地方。\n\n整幅画的画风浑然天成，笔触轻柔，描绘了大自然的美丽景色。这幅画不仅是一幅艺术作品，也是对元朝时期生活的一个精彩纪录。",[27,144,32,614,60,128,162,613,130,1142,131,1143],"山峦","行旅","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F50f2b220aace68ac2f2e8d66ba147f2c.jpg","110.5x176.5cm",[506],198,{"id":1149,"slug":1150,"title":1151,"dynasty":55,"author":7,"museum":172,"description":1152,"tags":1153,"thumbUrl":1159,"material":11,"size":11,"collection":274,"collections":1160,"showCount":1161,"zanCount":310,"manualWeight":49,"mainColor":1162},241840,"yin-du-jin-qian-zhu-cui-hua-die-wen-zan-yi-ming-241840","银镀金嵌珠翠花蝶纹簪","以银镀金为骨，点翠铺就花叶底色，幽蓝如晴空霁色。莹润翡翠缀作果实，暖调珊瑚塑就蝶身，米珠、粉石簇成娇花，诸色珠宝交相辉映，将花蔓蝶戏的灵动景致凝于簪间。花丝细巧，点翠匀净，每一处细节都尽显工艺的精妙雅致，把东方闺阁的柔婉意趣，藏进这一支发簪之中，轻簪鬓畔便是满堂绮丽，尽显旧时首饰的华贵诗意。",[160,1154,430,1155,1156,220,1157,431,1158,39],"银器","嵌珠","嵌翠","蝶","点翠","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F2af5a145aa152c9677ccc24ff61c6e25.jpg",[274],197,"FFFFFF",{"id":1164,"slug":1165,"title":1166,"dynasty":22,"author":7,"museum":292,"description":1167,"tags":1168,"thumbUrl":1172,"material":296,"size":297,"collection":11,"collections":1173,"showCount":1174,"zanCount":49,"manualWeight":49,"mainColor":50},226517,"cai-hui-na-mo-di-zang-pu-sa-zuo-xiang-yi-ming-226517","彩绘南无地藏菩萨坐像","中国雕塑是指具有中国特色且原产于中国的雕塑艺术品。中国雕塑（Chinese sculptures），为中国文化的重要组成部分。中国古代雕塑艺术的主要内容分别是陵墓雕塑（包括地上的纪念性石刻与墓室随葬俑）、宗教雕塑、民俗性及其他内容的雕塑。\n大型陵墓石刻肇始于汉代墓前的石人、石兽。存世的古代陵墓石刻主要为南朝宋、齐、梁、陈及唐、北宋、明、清各代帝陵和勋臣贵戚墓的遗存。北魏、辽、金、西夏等朝代陵墓遭严重破坏，仅有少量石刻遗留下来。南朝和唐代的作品代表了陵墓石刻的最高成就。自唐代乾陵起，以迄北宋，石刻的内容、配置方式，逐步形成定制，并为明、清两代所承袭。宗教雕塑主要保存于寺庙和石窟寺之内，由于寺庙毁损严重，石窟寺雕塑便成为宗教雕塑遗存的主要代表。石窟寺是开凿于山崖之上的宗教寺庙。以佛教为主，也有少量道教或其他宗教内容的造像。石窟形制源自印度，约于 3世纪传至中国。造窟风气最盛的时期为南北朝至唐代中期，约当5～8世纪。重要石窟多以皇室或勋臣贵戚雕造的大像为中心，由众多的窟、龛、摩崖造像等，构成庞大的石窟群。雕造的时间常延续10多个世纪。每个窟内又以立体雕塑本尊佛造像为中心，由弟子、菩萨（以后增加天王、力士）组成群像，四壁布满浮雕或壁画，形成浓厚的宗教氛围。由于造像和壁画、浮雕内容、样式的差异，而形成不同时期、不同地区的艺术风格。功能\n中国雕塑既可以是一个国家文化的标志和象征，又可作为该民族文化积累的产物。雕塑述说着民族发展的历史，凝聚着民族的精神和传统，代表着每一历史时期的精神面貌，反映着自古至今，人们的无限追求与执着信仰，展现价值观念及审美情趣。中国雕塑，城市建筑等，都是一个民族精神文明与物质文明最直观、最集中的表现。\n中国雕塑不仅仅是文化的产物，同时也是一个国际不可或缺的经济投资点。中国雕塑和其他其他国际建筑等共同构成世界高雅美丽的环境，使生活在城市中的人们受到优越的审美体验，感受到文化的魅力与美的精神，中国雕塑的存在影响了中国环境，提升了文化形象，产生了视觉空间的凝聚力，这就创造了一种对于环境的投资潜能。",[27,1169,32,33,30,1170,1171,177,41],"彩绘","佛教","地藏菩萨","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fa0d01f9871874d39add34560f2264bbe.jpg",[],196,{"id":1176,"slug":1177,"title":1178,"dynasty":55,"author":7,"museum":1179,"description":1180,"tags":1181,"thumbUrl":1182,"material":43,"size":1183,"collection":45,"collections":1184,"showCount":1185,"zanCount":260,"manualWeight":49,"mainColor":50},214337,"da-bei-shen-zhou-fo-xiang-yi-ming-214337","大悲神咒佛像","普林斯顿大学图书馆","描绘了《大悲咒》的前四十三句及其插图，最后一页为护法韦驮尊天菩萨。书中有一句话和一幅插图，经文在青色书中，解释在朱色书中。",[26,27,32,31,33,30,177],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F4e895004504e57c59c94e87ae8fcdf58.jpg","27.5x16",[45],193,{"id":1187,"slug":1188,"title":1189,"dynasty":75,"author":7,"museum":56,"description":1190,"tags":1191,"thumbUrl":1192,"material":1193,"size":1194,"collection":85,"collections":1195,"showCount":1196,"zanCount":351,"manualWeight":49,"mainColor":50},223549,"luo-shen-fu-tu-quan-juan-yi-ming-223549","洛神赋图全卷","曲折細緻而又層次分明地描繪着曹植與洛神真摯純潔的愛情故事。人物安排疏密得宜，在不同的時空中自然地交替、重疊、交換，而在山川景物描繪上，無不展現一種空間美。 全畫用筆細勁古樸，恰如“春蠶吐絲”。山川樹石畫法幼稚古樸，所謂“人大於山，水不容泛”，體現了早期山水畫的特點。",[26,27,96,31,32,123,33,127,60,371,59,163,131,162,129,1006,63],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fa9f91a02ada093698df90828a9cfe6c6.jpg","长卷 绢本 设色","28x699厘米",[85,45,112],192,{"id":1198,"slug":1199,"title":1200,"dynasty":55,"author":7,"museum":1201,"description":1202,"tags":1203,"thumbUrl":1204,"material":43,"size":1205,"collection":45,"collections":1206,"showCount":1196,"zanCount":351,"manualWeight":49,"mainColor":50},218422,"shi-nv-tu-yi-ming-218422","仕女图","费城艺术博物馆","画面中仕女身姿窈窕，衣袂轻垂如流云。左侧二人发髻簪饰精致，神态温婉相依，似低语絮谈；右侧小鬟恭立，身形纤弱，尽显娴静恭谨之态。线条细腻婉转，勾勒衣纹柔缓褶皱；设色古朴淡雅，棕褐基调晕染时光沉淀的温润质感。背景素净无华，更衬人物清雅气韵。虽佚名之作，细节处见匠心：发间金饰隐现微光，腰间丝带垂坠有致，衣料纹理细腻传神。笔墨间传递传统仕女画的含蓄之美，尽显闺阁女子温婉情致与古典韵致，如一缕旧时光里的清风，拂过观者心田。",[27,28,32,31,33,127,345,39],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ffd5a96fcffa4d742d6230cf50a67fe0a.jpg","115x60.4",[45],{"id":1208,"slug":1209,"title":1210,"dynasty":75,"author":7,"museum":465,"description":1211,"tags":1212,"thumbUrl":1213,"material":43,"size":11,"collection":87,"collections":1214,"showCount":1215,"zanCount":310,"manualWeight":49,"mainColor":70},218556,"mu-dan-tu-yi-ming-218556","牡丹图","这幅牡丹图尽显宋人工笔花鸟的精妙意趣。花瓣层叠繁复，却以细腻线条勾勒得一丝不苟，粉白渐变间晕染出娇嫩柔润之态，花心处细微纹理亦清晰可见，足见画师对物象观察之深。叶片以浓淡不一的翠绿设色，叶脉勾勒精准，翻转向背间尽显生机，与花瓣的柔美形成刚柔呼应。古朴绢色背景更衬出牡丹的雍容雅致，无过多修饰却意境悠远。宋画重“格物”，此作于写实中蕴含诗意，将牡丹的华贵与清逸完美融合，虽为佚名之作，却不失宋代院体画的严谨与神韵，是宋代花鸟小品中的上乘之作。",[26,31,32,80,98,82],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F59cec98d7c1e9e0929c01e3c92e11d37.jpg",[87],190,{"id":1217,"slug":1218,"title":1219,"dynasty":75,"author":7,"museum":172,"description":1220,"tags":1221,"thumbUrl":1224,"material":11,"size":11,"collection":11,"collections":1225,"showCount":1226,"zanCount":260,"manualWeight":49,"mainColor":50},227842,"ye-he-hua-tu-ye-yi-ming-227842","夜合花图页","《夜合花图》，宋， 佚名，绢本，设色，纵2.9 横25.4厘米 上海博物馆藏 图中夜合花一根两枝，右枝花朵含苞未放，左枝花朵半开半合，洁白如玉，清雅绝尘。\n花朵轻勾淡染，用白粉点画花蕊，用四绿加少量淡墨分染花拖，花叶先以细笔勾勒轮廓和筋脉，后用汁绿与花青染之，最后用焦茶描绘其杆。\n绿叶穿插向背，白花绿叶，色泽淡雅，使人赏心悦目。",[26,79,27,28,31,32,1222,80,1223,82],"册页","夜合花","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fe31ecf760311e803b651aa46969280b1.jpg",[],189,{"id":1228,"slug":1229,"title":1230,"dynasty":241,"author":7,"museum":465,"description":1231,"tags":1232,"thumbUrl":1233,"material":43,"size":11,"collection":87,"collections":1234,"showCount":1226,"zanCount":153,"manualWeight":49,"mainColor":50},216749,"hai-tang-fei-qin-tu-yi-ming-216749","海棠飞禽图","海棠花是一种常见的中国花卉，通常被认为是爱情、美好愿望和幸福的象征。这幅画的画风精细，笔法优美，极富艺术魅力。",[79,27,28,31,32,80,552,163,207],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F131241bc6542bdd047d08b2abfb54967.jpg",[87],{"id":1236,"slug":1237,"title":1238,"dynasty":75,"author":7,"museum":172,"description":1239,"tags":1240,"thumbUrl":1241,"material":11,"size":11,"collection":11,"collections":1242,"showCount":1243,"zanCount":153,"manualWeight":49,"mainColor":50},227352,"fu-gui-li-mao-tu-yi-ming-227352","富贵狸猫图","宋朝人喜欢猫，原因归根于宋朝建立后，随着绝对君权的建立与官僚体制的完善，文人士大夫的社会地位有了很大提高，但也逐步失去了盛唐人那种“致君尧舜上”的历史条件。\n\n同时，宋代封建经济的发展水平远超过唐代，手工业、农业、商业的发展使得中小地主日益兴盛起来，商品经济更加活跃，城市经济繁荣发达，市民队伍迅速壮大。民众安居乐业，故而从曾经追求事业成功的“外王” 转变为重个体修养的 “内圣”之中；人们的审美情趣，也从盛唐的“大漠孤烟直，长河落日圆”了，转而变为“庭院深深深几许，杨柳堆烟”，“衣带渐宽终不悔，为伊消得人憔悴”这样的深庭小院式的浅吟低唱，细琐平易，浅斟低唱，走进更为细腻的官能感受和情感色彩捕捉追求中，更加重视对日常狭小生活的兴致。",[27,79,31,32,98,625],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fd40deffda1a591cba6dd3190f0d63c8c.jpg",[],187,{"id":1245,"slug":1246,"title":1247,"dynasty":75,"author":7,"museum":1248,"description":1249,"tags":1250,"thumbUrl":1252,"material":32,"size":1253,"collection":45,"collections":1254,"showCount":1255,"zanCount":351,"manualWeight":49,"mainColor":50},220245,"rui-guang-ta-si-tian-wang-xiang-yi-ming-220245","瑞光塔四天王像","苏州瑞光寺塔","是可供研究唐代吴道子画风的一件重要绘画遗存。\n吴道子一生以宗教画创作为主，留下壁画三百余壁，但从唐武宗会昌五年（845）废寺毁佛像以后，存留就寥寥无几了。不过，他的画风由唐代粉本，和后世画家的仿作中所保存下来的还是不少。四天王像的创作年代在大中祥符六年（1013）之前，距吴道子逝世两个半世纪左右，当时，吴画原作还有少量寺庙壁画遗存。他的画风在宗教画中有强大影响。从四天王像中，就明显地可以看到吴道子画风的几个富有特征的表现。",[75,30,33,32,31,272,1251],"木质","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fb600a4c58790b06121a6db55967ede52.jpg","42.5X123厘米",[45],186,{"id":1257,"slug":1258,"title":1259,"dynasty":171,"author":7,"museum":172,"description":1260,"tags":1261,"thumbUrl":1262,"material":296,"size":297,"collection":11,"collections":1263,"showCount":1264,"zanCount":351,"manualWeight":49,"mainColor":50},226157,"yin-lu-pu-sa-yu-shi-zhe-yi-ming-226157","引路菩萨与侍者","此画发现于敦煌藏经洞。本幅描绘菩萨为亡灵引路升天国的场面。上有“引路菩（萨）”的题记。前面领路的大菩萨右手执香炉，左手持莲花，莲花旁垂下白幡。菩萨后面跟随的女子为死者生前的形象，人物形象丰腴饱满，洁白晶莹的肌肤闪耀着青春美的光彩，有“周家样”之风。线描写实明快、流畅飞动，接笔处不露痕迹，一气呵成。\n敦煌藏经洞发现。本幅描绘菩萨为亡灵引路升天国的场面。上有[引路菩（萨）]的题记。前面领路的大菩萨右手执柄香炉，左手持莲花，莲花旁垂下白幡。幡分四栏，各栏分绘图案。画左上角菩萨所乘的黄云中隐出一些建筑物，那是亡灵要去的净土世界。菩萨后面跟随的女子为死者生前的形象，梳着典型的唐代妇女的发式。画面中的很多部分如香炉、菩萨之发饰等都描金敷色，全画彩绘艳丽，完好的保存了唐代绘画的面貌。\n唐代“贞观之治”和“开元盛世”的具体表现是经济发展、社会富庶，手工业商业发达，各民族接触密切，中外经济文化交流频繁，创造了辉煌灿烂的文化艺术。这个时期佛教仍为统治阶级所提倡，大规模的石窟造像不断涌现。在敦煌莫高窟、洛阳龙门石窟、太原天龙山石窟等石窟中，唐代造像的规模和艺术水平都特别突出。\n唐代是古代人物画鼎盛时期，在反映贵族生活和宗教题材上都有大成就，在宗教题材作品中也更世俗化，在大量经变故事画和菩萨、罗汉的塑造中显示出明显的人间味。菩萨天女体态丰腴，容貌端丽，具有动人的丰姿，这在敦煌壁画中多有体现。在敦煌，还发现了一帧《引路菩萨像》，绢本，纵85厘米，横53.6厘米，约九世纪后半期作品，现藏大英博物馆。这件作品具有很高超的绘画技巧，设色艳丽，渲染技法娴熟，可以看出后世工笔人物画对它的继承。",[27,28,590,30,33,32,31,1056],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F722fa84e18f98c3ee78c33ac7cd2c8b5.jpg",[],183,{"id":1266,"slug":1267,"title":1268,"dynasty":241,"author":7,"museum":23,"description":1269,"tags":1270,"thumbUrl":1272,"material":348,"size":1273,"collection":11,"collections":1274,"showCount":1275,"zanCount":260,"manualWeight":49,"mainColor":50},223350,"shi-nv-tu-ce-yi-ming-223350","仕女图册","画面以仕女为主题。最早见于唐代长沙窑瓷器。宋元时期仕女图较为罕见，这与当时花鸟画盛行有很大的关系.",[26,27,28,530,32,31,33,127,38,613,146,1271],"小草","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F1a51b5949edc9d99b29841d97b4903d4.jpg","12.7×19.1",[],181,{"id":1277,"slug":1278,"title":1279,"dynasty":55,"author":7,"museum":56,"description":327,"tags":1280,"thumbUrl":1282,"material":335,"size":336,"collection":11,"collections":1283,"showCount":1284,"zanCount":49,"manualWeight":49,"mainColor":50},236172,"yong-zheng-shi-er-yue-xing-le-tu-zhou-yi-ming-236172","雍正十二月行乐图轴",[27,31,329,32,60,33,129,131,1281,650,649,162,37],"水面","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F1e92a7368abaea9d15bd4eedf67eb66b.jpg",[],179,{"id":1286,"slug":1287,"title":1288,"dynasty":241,"author":7,"museum":254,"description":1289,"tags":1290,"thumbUrl":1292,"material":43,"size":1293,"collection":45,"collections":1294,"showCount":1284,"zanCount":49,"manualWeight":49,"mainColor":50},218294,"xiang-long-luo-han-tu-yi-ming-218294","降龙罗汉图","罗汉袒胸盘坐，红衣如焰翻卷，青带若云流转，神情从容间藏着威严。手中钵盂盛翠，似凝天地生机；法杖拄地，顶轮熠熠，似镇世间妄念。足下蛟龙蜷身，鳞爪毕现却温顺俯首，龙须轻摆仍余灵动，尽显降伏之态。背景幽岩深暗，衬出主体鲜活。线条劲健流畅，衣纹褶皱如行云流水；设色浓淡相宜，红与蓝的碰撞点亮画面。整作将罗汉法力无边与慈悲相济凝于笔端，龙的驯服更显佛法庄严，尽显明代佛画的精湛造诣与精神内核，观之令人心生敬畏与宁静。",[27,30,33,59,32,31,29,162,1291],"拐杖","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fe8bcc5483184976244b0b04126d77aa8.jpg","172.2x109.2",[45],{"id":1296,"slug":1297,"title":1298,"dynasty":75,"author":7,"museum":76,"description":1299,"tags":1300,"thumbUrl":1301,"material":43,"size":1302,"collection":112,"collections":1303,"showCount":1304,"zanCount":310,"manualWeight":49,"mainColor":50},219187,"hua-wang-tu-yi-ming-219187","花王图","深红牡丹层叠如绮，凝脂染霞般盛放，花叶脉络分明，翠色欲滴。彩蝶翩跹其间，或停驻瓣尖，或振翅穿叶，灵动如生。下方拳石皴法古拙，纹理苍劲，与柔艳花簇相映成趣。笔墨工致却不刻板，设色浓妍而不失清雅，于绚烂中藏静穆，富贵气里透逸韵。一花一叶皆含生机，蝶影石姿俱见匠心，尽显宋代花鸟画状物传神之妙，仿佛能闻暗香浮动，触花叶温润，堪称工笔花鸟的典范之作。",[26,27,79,28,29,31,32,80,98,105,146],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F7e51ff66eaeeb48311a78d2dc98d048e.jpg","117.2x72.3公分",[112],178,{"id":1306,"slug":1307,"title":1308,"dynasty":75,"author":7,"museum":76,"description":1309,"tags":1310,"thumbUrl":1312,"material":43,"size":11,"collection":85,"collections":1313,"showCount":1314,"zanCount":153,"manualWeight":49,"mainColor":50},218967,"la-mei-han-qin-tu-yi-ming-218967","腊梅寒禽图","寒汀疏影里，腊梅枝桠斜逸，点点白花似凝着清霜，在冷寂中透出淡香。岸畔山茶红萼灼灼，与枯瘦的梅枝相映，暖了一帧冬景。两只水禽悠游浅波，羽色素净，颈间一抹白如落雪，姿态闲逸得像在细品风的轻语。远处山影淡如烟岚，天际归鸟三两，更衬出天地的旷远。\n\n笔墨细腻却不刻意，草木的情态、水禽的姿态皆得自然之趣。宋人的心境藏在这帧画里：于寻常冬景中撷取宁静与生机，让清寂时光浸着温润诗意——没有浓墨重彩的渲染，却以极简的笔触，将冬的清寒与生命的从容，凝成了可触摸的温润。",[26,79,27,28,31,32,80,542,1311,146,1281,1093],"禽","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ff6a6138737b9901f57872732e5659e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从技术上讲，梨花被涂成白色，茎是浅绿色； 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这张图强调颜色，勾勒出图案，是素描笔画的一个很好的例子。",[26,79,27,28,31,32,80,346,1665,530],"兰","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ffed81165b01055d89197d62fd13fc09c.jpg","19.1cm×26.5cm",[],{"id":1670,"slug":1671,"title":1672,"dynasty":55,"author":7,"museum":254,"description":1673,"tags":1674,"thumbUrl":1677,"material":43,"size":11,"collection":45,"collections":1678,"showCount":1658,"zanCount":310,"manualWeight":49,"mainColor":50},219491,"liu-yin-dou-cha-tu-yi-ming-219491","柳荫斗茶图","君德壶之所以受世人推崇，很大一部分原因是，君德脱胎于梨形，即经典脱胎于经典。\n耿宝昌先生曾在《明清瓷器鉴定》一书中谈到：“梨壶，因造型类似梨而得名。元代始烧造，其后历明、清两代，经久不衰”，是传承了几百年的经典之器。",[27,28,32,31,33,613,346,1675,1676,36],"斗茶","草地","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fd2fd5a6d9aeb8db5fa496b3792c21d17.jpg",[45],{"id":1680,"slug":1681,"title":1682,"dynasty":55,"author":7,"museum":172,"description":1683,"tags":1684,"thumbUrl":1696,"material":11,"size":11,"collection":274,"collections":1697,"showCount":1698,"zanCount":310,"manualWeight":49,"mainColor":70},241776,"bi-xi-dai-zhu-cui-shi-shi-ba-zi-shou-chuan-yi-ming-241776","碧玺带珠翠饰十八子手串","这串手串以粉红碧玺为主体，胭粉莹润匀净，如朝露浸润的桃花瓣，自带温婉柔光。飘绿翡翠为佛头与隔珠，翠色鲜亮鲜活，与柔粉碧玺相映，撞出雅致灵动的色调层次。\n\n下缀的挂饰以烧蓝为框，托着颗硕大莹白的东珠，冷珐琅蓝与暖珠光相融，清贵动人。垂落的翡翠小饰如新抽叶芽，伴着细米珠串起的流苏，轻晃间尽显灵动娇俏。\n\n整器将多种珍材巧搭相融，藏着旧时闺阁的雅致意趣，把珠宝贵重揉进东方柔婉审美，尽显精巧细腻的工艺韵味。",[1685,1686,1687,267,1688,1689,1690,39,1691,1692,268,431,1693,1694,1695,419],"清式","碧玺","珠翠","珍珠","翡翠","珐琅","手串","十八子","珠子","坠饰","翠饰","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F550ce27fe6f3fd56dac0e2d85ce2d74a.jpg",[274],150,{"id":1700,"slug":1701,"title":1702,"dynasty":75,"author":7,"museum":76,"description":1703,"tags":1704,"thumbUrl":1708,"material":43,"size":1709,"collection":11,"collections":1710,"showCount":1711,"zanCount":260,"manualWeight":49,"mainColor":50},290765,"shang-yue-kong-shan-zhou-yi-ming-290765","赏月空山轴","秋江如练，扁舟缓行。舱内雅士对坐把盏，侍童在侧、舟子摇橹，将闲雅逸兴揉进烟波里。右侧崖壁高耸沉郁，木叶萧疏间月色晕开，江雾漫漶，晕染出朦胧空寂的天地。\n\n画作以边角取景，留白铺陈出清旷意境，苍劲水墨晕染烟水气象，把寄情山水的襟怀藏在冷寂江色中。简淡笔触勾勒江湖散人雅集的意趣，冷雾里晕开知己对晤的温煦暖意，虚实相生间尽显诗意禅心，将秋夜赏月的悠然尽揽卷中。",[27,144,32,60,128,33,1705,1706,1707,162,130],"赏月","饮酒","林木","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F2bc70193e460b155d3c81c96521c7014.jpg","71.7x93.3",[],149,{"id":1713,"slug":1714,"title":1715,"dynasty":141,"author":7,"museum":56,"description":1716,"tags":1717,"thumbUrl":1718,"material":43,"size":1719,"collection":506,"collections":1720,"showCount":1711,"zanCount":153,"manualWeight":49,"mainColor":50},214314,"dong-shan-si-zhu-tu-yi-ming-214314","东山丝竹图","此图画东晋谢安东山丝竹故事。\n图绘崇山峻岭，连绵不绝，云雾缭绕，溪流蜿蜒山间。下部绘庭院一座，华屋数楹，院中仕女多抱管弦乐器，院外主人正携仆恭迎远来的贵宾们。全图表现了谢安迎客于东山、丝竹管弦高奏的情节，动态鲜明，仿佛有丝丝乐声流溢而出。而山水佳景清逸幽雅，衬托出主人高逸的情怀。图中人物刻画细腻，画法近于元末盛懋一路，具体作者不得而知。",[26,27,28,32,60,614,33,129,131,130,531,687],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F3b23ad1f9ddfe456c8d38d90674e4715.jpg","纵188.5厘米，横103.3厘米",[506],{"id":1722,"slug":1723,"title":1724,"dynasty":241,"author":7,"museum":172,"description":1725,"tags":1726,"thumbUrl":1727,"material":11,"size":11,"collection":11,"collections":1728,"showCount":1729,"zanCount":249,"manualWeight":49,"mainColor":50},234656,"ming-ren-he-hua-tu-shan-ce-yi-ming-234656","明人荷花图扇册","扇面画的历史源流，据张彦远《历代名画记》记载，三国时，曹操就有请杨修为其画扇的故事。到了唐代画扇之风更为盛行，当时的扇子还是圆形的，故称团扇。宋代宫廷画家更是画扇成风，且留下扇面画也很多，扇子的形制出现了芭蕉形的扇子。集书法、绘画于一扇，则始于明代，这是因为折扇形式的出现。国人历来都有这种习性，一件实用品总要给它艺术化，扇面画就是这样经过明清书画家的匠心经营，从而逐步确定了其作为一种独特的艺术品种而广泛普及、流传下来，继而也逐步形成了扇面画独立的审美体系。及至清代、民国，扇面画都是书画家乐于染翰和文人雅士乐于把玩、收藏的艺术品。",[27,28,219,32,31,80,446],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F77e90a226e32a8455678335f042760aa.jpg",[],148,{"id":1731,"slug":1732,"title":1733,"dynasty":75,"author":7,"museum":76,"description":1734,"tags":1735,"thumbUrl":1739,"material":616,"size":1740,"collection":85,"collections":1741,"showCount":1729,"zanCount":260,"manualWeight":49,"mainColor":70},218728,"qiu-gua-tu-yi-ming-218728","秋瓜图","地上长着三个秋瓜，景观中还有藤蔓、树叶和花朵。瓜皮用老绿色着色，瓜棱用赭石填充，精致而有节奏。瓜的叶子被仔细地勾勒出来，藤蔓也是圆润而细致的。这幅画没有刻上作者的名字，但我们收藏的另外两幅画《宋代草木瓜》和《钱玄同秋瓜》在构图上与此框相似，而且此卷的笔法精细，与《宋代草木瓜》相似。",[26,27,28,31,32,80,1736,1737,1738,82,530],"秋瓜","藤蔓","叶片","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F0270d205fb5d6c396d4cfa437041b14a.jpg","26.8x45.5厘米",[85],{"id":1743,"slug":1744,"title":1745,"dynasty":22,"author":7,"museum":172,"description":1746,"tags":1747,"thumbUrl":1750,"material":296,"size":297,"collection":11,"collections":1751,"showCount":1752,"zanCount":351,"manualWeight":49,"mainColor":70},290029,"long-hu-tu-ping-feng-yi-ming-290029","龙虎图屏风","左屏苍龙穿云破浪，墨色晕开翻涌云水，鳞爪张弛间尽显遒劲威严，龙神腾跃于江海云雾，动静间裹挟磅礴气势。右屏玄豹踞于苍松危岩，身姿沉凝雄健，斑纹写实灵动，山涧飞瀑与留白云雾衬出山野幽寂，静穆中暗藏猛兽蛰伏的张力。\n\n整作以水墨晕染写意，留白营造空濛禅意，笔力苍劲老辣，将神兽威仪与山水意境相融，尽显东方水墨走兽画的古典意韵。",[26,27,144,1748,59,887,445,1749,145,162,1102],"屏风","海浪","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F4bf2facc69f5f4dd4ac4b11950993457.jpg",[],147,{"id":1754,"slug":1755,"title":1756,"dynasty":75,"author":7,"museum":172,"description":1757,"tags":1758,"thumbUrl":1760,"material":296,"size":297,"collection":11,"collections":1761,"showCount":1752,"zanCount":153,"manualWeight":49,"mainColor":50},227839,"qian-shou-guan-yin-li-xiang-yi-ming-227839","千手观音立像","千手观音又称千手千眼观世音、千眼千臂观世音等，是我国民间信仰的四大菩萨之一。千手观音是阿弥陀佛的左胁侍，与阿弥陀佛、大势至菩萨(阿弥陀佛的右胁侍)合称为“西方三圣”。",[26,27,28,29,32,31,30,33,1759,1376,64,1377],"侍从","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F3be631ea3bf397f44a3c3ff849e91dc8.jpg",[],{"id":1763,"slug":1764,"title":1765,"dynasty":241,"author":7,"museum":76,"description":1766,"tags":1767,"thumbUrl":1769,"material":1770,"size":11,"collection":11,"collections":1771,"showCount":1752,"zanCount":351,"manualWeight":49,"mainColor":70},222165,"fu-chun-shan-ju-tu-zi-ming-juan-yi-ming-222165","富春山居图子明卷","乾隆皇帝在1745年读到大臣沈德潜的文集，文中对“富春山居图”大为称赞，同年得到“子明卷”，“子明卷”名称是因为题跋指是画给“子明隐君”，但尚未考证出实际人员。直到国民政府点收北京故宫文物，故宫博物院发现黄公望曾在曹知白的画作《群峰雪霁》上题字，借由该落款进行比对之后辗转证实“无用师卷”才是真迹，但由于子明卷是富春山居图被烧前所仿摹",[26,27,28,96,144,60,614,124,82,122,953,35,131,128,1623,130,531,163,1768],"渔乐","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F8451bdc7d183bc6951030aaa3cf6f433.jpg","绢",[],{"id":1773,"slug":1774,"title":1775,"dynasty":55,"author":7,"museum":499,"description":1776,"tags":1777,"thumbUrl":1779,"material":43,"size":11,"collection":87,"collections":1780,"showCount":1752,"zanCount":153,"manualWeight":49,"mainColor":50},219057,"he-lu-tu-yi-ming-219057","荷鹭图","画的是两枝青莲，各有一枝莲花和莲穗，细长的茎上有白色和绿色的花瓣；两只鹭鸶站在水中，雪白的羽毛和尖尖的喙，平静地站在水中，一动不动。",[26,27,28,29,32,31,80,446,1778],"鹭鸟","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F85725455913aa679061881f4d5d01b14.jpg",[87],{"id":1782,"slug":1783,"title":1784,"dynasty":75,"author":7,"museum":1785,"description":1786,"tags":1787,"thumbUrl":1789,"material":43,"size":1790,"collection":506,"collections":1791,"showCount":1752,"zanCount":153,"manualWeight":49,"mainColor":50},218232,"jiang-tian-lou-ge-tu-yi-ming-218232","江天楼阁图","南京博物馆","此图无款印，写江天坡石，远山楼阁，舟船人物，松枝虬劲。精致生动。可看出典型的“马夏”式构图，取一角之景，加以远山的绵延起伏，浩渺深远，意境深幽，为画面的水天一色注入了新的活力。",[27,28,29,329,144,32,60,129,128,613,359,1788,1340],"船","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F5919d4dd7f42021aba4be1549a9e9aa1.jpg","纵97.4厘米，横54.6厘米",[506],{"id":1793,"slug":1794,"title":1795,"dynasty":241,"author":7,"museum":242,"description":1796,"tags":1797,"thumbUrl":1798,"material":175,"size":11,"collection":45,"collections":1799,"showCount":1800,"zanCount":351,"manualWeight":49,"mainColor":50},222152,"fu-hui-xi-yi-ming-222152","赴会西","唐代画圣吴道子，以画佛道功德为其主要职业，曾画过《佛会图》，可惜早已无存。《佛会图》属佛中的杂类图画。明代宗教壁画不少，在绘画技巧、用笔用色和制作工艺上，法海寺壁画当推为全国明代壁画之典范，《佛会图》就是其中的一铺。\n佛会图，位于大殿东西山墙两壁，共两铺，高3.2米，长22米（东西山墙壁各11米），面积70.4平方米。壁画内容为佛祖讲经说法、佛众菩萨赴会参禅的画面。绘画中有祥云缭绕，以上为天界，以下为人间。天界有佛众菩萨诸神趺跏于祥云之上，人间有山泉花卉、曲径竹篱。台座上原有十八罗塑汉像，天界与人间，罗汉与佛众，壁画与塑像，形成一幅完美的艺术整体。现罗汉塑像已毁。\n佛会图，绘有飞天、四菩萨、五方佛（东西两壁合称十方佛）、六观音（亦可六菩萨），共32种佛众诸神。图画上部的极南边，各月一凌空舞来的飞天。飞天神女，佛教中天龙八部众之一，被称为干达婆，是香神又是乐神。食香，以身放香，又称香乐神。食香，以身放香，又称香音神。她常出现在佛面前演唱赞歌。各代飞天画像都不尽相同。法海寺明代壁画中的飞天，为身披飘带、手执宝盘的仙女形象，天真活泼，雅气喜人。盘中盛有鲜花，攀云乘风，飘舞在乐鼓齐鸣、天花乱坠的佛会时刻。远观佛会图上部，观音菩萨六尊为组，红衣坐佛五尊为伴，另为四尊菩萨彼此相近。佛众菩萨，趺跏于祥云之上，不即不离，若即若离，似语不语，似静似动，错落有致，把你引入仙境，带给你以虚空宁静，美的享受。\n这铺壁画更突出的特点，是在山水花卉绘制技术上的完美，它融汇了我国历代壁画的多种技法，甚至运用了卷轴重彩的技法。山石水浪，与我国宋代山水花鸟绘画大师马远的手法相比，画法一致，水准亦高，毫不逊色。长22米的画面，章法上大胆取舍剪裁，描绘山之一角，水之一涯，一石一树，一花一草，皴染都极其严谨，种种臻秒。随便拮取其中的一花一叶，其精妙致之绝，直逼故宫所藏宋画团扇。小桥流水，篱笆曲径，瀑布水浪自流于竹蕉山石之下，牡丹荷花盛开于苍松菩提之间，充满了现实生活气息，令人玩味不尽，叹为观止。",[26,27,175,30,32,31,33,1056,131,1623,1093,162,96],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F523a3843792607369b3d33ef8fab9484.jpg",[45],146,{"id":1802,"slug":1803,"title":1804,"dynasty":241,"author":7,"museum":254,"description":1805,"tags":1806,"thumbUrl":1808,"material":616,"size":11,"collection":45,"collections":1809,"showCount":1800,"zanCount":49,"manualWeight":49,"mainColor":50},219702,"liu-zhi-guan-yin-xiang-yi-ming-219702","柳枝观音像","此作观音跏趺安坐，长发垂落飘拂，神态温婉静谧，自带慈悲柔和的气韵。一手拈柳枝，一手托净瓶，正是渡厄救难的经典意象。衣袂线条舒展柔婉，青蓝主调雅致沉静，朱红饰带点缀其间，提亮画面的同时更衬出清净出尘之感。\n\n敷色晕染细腻动人，肌肤柔润通透，宝冠华饰刻画入微，发丝纤毫毕现，尽显工笔细谨之态。淡墨晕开的朦胧背景，让观音恍若隐于烟岚之中，将沉静悲悯的神性融于笔墨方寸，整体清隽典雅，把观音的温婉慈蔼诠释得淋漓尽致，尽显古典佛造像的审美意趣。",[27,31,32,30,33,1807,39,29,64],"柳枝","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F89d5db2c784faec6cc21f518b4575362.jpg",[45],{"id":1811,"slug":1812,"title":1813,"dynasty":171,"author":7,"museum":489,"description":1814,"tags":1815,"thumbUrl":1816,"material":32,"size":11,"collection":45,"collections":1817,"showCount":1800,"zanCount":153,"manualWeight":49,"mainColor":50},217906,"guan-yin-jing-bian-tu-juan-yi-ming-217906","观音经变图卷","画面分栏叙事，线条如铁线银钩，遒劲中藏柔婉；设色古拙温润，晕染间沉淀着岁月的厚重。左侧人物仪态娴雅，衣纹流转似携清风；中间鬼怪造型夸张，狰狞里仍见动态生机；右侧场景描摹细致，骑乘的昂扬与受刑的肃穆形成对照，暗合经文中的因果寓意。图文相生，将抽象经义化作具象图景，既有宗教的神圣感，又融入世俗生活的烟火气。每一处细节皆显匠心，把经卷故事铺展得鲜活可感，尽显唐代经变画的叙事魅力与艺术高度。",[171,96,30,32,33,124,292,1169],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F0a302c97f60fce4016a6eb33371fd9c1.jpg",[45],{"id":1819,"slug":1820,"title":1821,"dynasty":22,"author":7,"museum":1822,"description":1823,"tags":1824,"thumbUrl":1828,"material":32,"size":1829,"collection":45,"collections":1830,"showCount":1800,"zanCount":351,"manualWeight":49,"mainColor":50},216776,"ri-ben-shi-jia-jin-guan-chu-xian-tu-yi-ming-216776","日本· 释迦金棺出现图","日本东京国立博物馆","这幅画描绘了释迦牟尼佛躺在金棺材里，进入涅槃，这时他以巨大的神力复活，并对他的母亲说话，他的母亲从天上来，但还没有看到他。",[26,79,32,33,30,1170,1825,1826,1827],"释迦牟尼","涅槃","金棺","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fb770ce3cc7a39753b7dfa8bac03fa17b.jpg","160x229.5",[45],{"id":1832,"slug":1833,"title":1834,"dynasty":75,"author":7,"museum":172,"description":1835,"tags":1836,"thumbUrl":1840,"material":11,"size":11,"collection":11,"collections":1841,"showCount":1842,"zanCount":153,"manualWeight":49,"mainColor":70},227882,"liu-zhi-huang-niao-tu-yi-ming-227882","榴枝黄鸟图","《 》是宋代佚名创作的绢本设色画，现藏于北京故宫博物院。\n此图绘 一只，嘴啄小虫，栖止于榴枝上，神形毕肖。\n图中枝梗从右向左斜出，沉甸甸的石榴挂于枝干。\n榴叶萧瑟，鸟的羽毛用淡黄染色后，再用粉白以短而细的笔触勾描，具有毛茸茸的质感。\n鸟的翅膀和尾部等处，浓淡墨色参用。\n画面设色侬艳而又对比鲜明。\n深秋时节， 成熟，绽开表皮，露出累累果实。\n石榴叶已由绿变黄，有的枯萎，有的被虫蛀蚀，写出了秋日的萧瑟。\n一只肥硕的黄鹂衔着小虫栖于榴枝上，悠然自得。\n黄鹂的羽毛经淡赭、黄色晕染后再用白线勾描，近于“没骨”。\n石榴枝叶赋色对比鲜明。\n对幅有清乾隆御题诗一首：“榴子熟时莺转时，野虫衔得集横枝。\n笑他自喜权供饱，忘却有人弹挟之。\n辛亥清和御笔。\n”钤“ ”、“ ”、“八征耄念”、“自强不息”玺印。\n本幅无款。\n钤鉴藏印“张笃行印”，另有2印不辨。\n清《石渠宝笈》著录。",[26,27,28,530,31,32,80,1837,1838,1839,207,125,82],"榴枝","黄鸟","果实","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F7e2351453d665df0945037e4ac4a342f.jpg",[],145,{"id":1844,"slug":1845,"title":1846,"dynasty":241,"author":7,"museum":242,"description":1847,"tags":1848,"thumbUrl":1849,"material":175,"size":246,"collection":11,"collections":1850,"showCount":1842,"zanCount":260,"manualWeight":49,"mainColor":277},222147,"san-da-shi-tu-wen-shu-yi-ming-222147","三大士图-文殊","文殊菩萨图位于水月观音图之西。文殊全称文殊师利，又作曼殊室利，意为妙德、吉祥，又译作妙吉祥，是众菩萨之首，通常作释迦佛的左胁侍，专司“智慧”，表“大智”。此菩萨顶髻，以五字五髻文殊为本体最为常见，五髻表示内证五智，以表大日之五智五佛，手持剑，以表智慧之利剑，能斩断一切无明烦恼，有时手持如意，似表吉祥如意，坐骑青狮，以表智慧之威猛。佛经对文殊的顶髻、宝冠、肤色、手持法器、坐骑等，都有种种模式要求。法海寺壁画对佛像的塑造，既继承佛典的模式要求，又有新的突破，突出了写实手法，使文殊菩萨的形象与水月观音形象大体相似。\n文殊菩萨的左下侧，绘坐骑青狮与驯狮人。驯狮人身披甲胄，威武森严，拱手而立，佩带鱼形宝刀，刀鞘沥粉贴金，鳞甲闪闪，凹凸画面，豪化富丽，格外醒目。文殊的右下侧绘有一信士，一说是古印度的月盖长者，他常入维摩方长，听不二法门。长者身着黄袍，右手持杖，左手遮荫，嘴略张开，似笑非笑。满面苍须，随风飘动，虔诚地仰望着天空，好像在祈请西方三尊拯救国内恶疫。颜面肌肤，眼角鱼尾，手指关节，其神态风韵，每一个细部，都精确地表现出老人的生理和心理特征，充分体现了壁画现实性的特征。",[26,175,30,31,32,33,272,60,63,345,39],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fe3c5d9d23ca7de5aae9bb98569f7acd7.jpg",[],{"id":1852,"slug":1853,"title":1854,"dynasty":75,"author":7,"museum":23,"description":1855,"tags":1856,"thumbUrl":1857,"material":616,"size":1858,"collection":87,"collections":1859,"showCount":1842,"zanCount":260,"manualWeight":49,"mainColor":50},218851,"liu-ma-tu-yi-ming-218851","六马图","画面中六匹骏马神态各异，或低头啮草，或昂首嘶鸣，或随人徐行，鬃毛飞扬间尽显灵动生机。人物衣着朴素却细节饱满，牵马者的专注、骑马者的悠然、树下交谈者的闲适，皆通过简练线条勾勒得栩栩如生。背景以淡墨晕染山石，枯树虬枝点缀其间，营造出清旷悠远的氛围。整幅画作线条细腻流畅，设色淡雅自然，构图疏密有致，将人与马的日常互动融入山水意境中，既见写实之妙，又含雅致情韵，于静谧中藏生动，于细微处见匠心。",[26,27,96,32,31,33,1006,532,162,82],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ffba5c4f2cdf33d8406cb0ae099666d89.jpg","46.2x168.3cm",[87],{"id":1861,"slug":1862,"title":1210,"dynasty":75,"author":7,"museum":1863,"description":1864,"tags":1865,"thumbUrl":1867,"material":43,"size":1868,"collection":87,"collections":1869,"showCount":1870,"zanCount":351,"manualWeight":49,"mainColor":277},218645,"mu-dan-tu-yi-ming-218645","福冈市立美术馆","沉棕底色如旧绢凝香，中央牡丹姿态雍容却不失清雅。花瓣层叠如浪，米白与浅褐的晕染间藏着淡粉的柔韵，似被时光打磨出温润质感。墨线勾出的叶片翠意内敛，叶脉纤细如丝，与花的柔婉相映成趣。整幅画作工致细腻，尽显宋画的沉静风骨，将牡丹的端庄神韵凝于方寸之间，仿佛能窥见千年之前画者笔下那一抹含蓄的生机，静谧中流淌着古雅的诗意。",[26,79,27,28,80,31,32,98,1866],"花叶","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F7837e7613763e599f5ea1a410e470c01.jpg","26.7x31.2",[87],144,{"id":1872,"slug":1873,"title":1874,"dynasty":241,"author":7,"museum":76,"description":1875,"tags":1876,"thumbUrl":1877,"material":43,"size":1878,"collection":45,"collections":1879,"showCount":1870,"zanCount":153,"manualWeight":49,"mainColor":70},216959,"ming-tai-zu-ban-shen-xiang-yi-ming-216959","明太祖半身像","这幅画表现了朱元璋的壮年时期，他的脸几乎是正面的。他的脸是红色和紫色的，留着短胡须，眼睛有光泽，采取坐姿，双手自然放在膝盖上，暗示着一种权力和力量的感觉。他头上戴着头巾，穿着带有龙纹图案的明黄色御用长袍，腰间系着蟒蛇腰带，脚穿皂靴，看起来就像一个统治世界的国王。",[27,31,32,33,59,345],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F23e1c716274a71c68d6b068424ee8dfa.jpg","270x163.6",[45],{"id":1881,"slug":1882,"title":1883,"dynasty":75,"author":7,"museum":172,"description":1884,"tags":1885,"thumbUrl":1886,"material":11,"size":11,"collection":11,"collections":1887,"showCount":1888,"zanCount":351,"manualWeight":49,"mainColor":50},223683,"yin-cha-tu-yi-ming-223683","饮茶图","《宋饮茶图》是宋代佚名创作的绢本设色画，现藏于美国弗利尔美术馆。\n图中画一侍女双手捧茶盘，一妇人伸手盘中拿茶具。\n右边一贵夕面向她们而立，仪态端庄娴静。\n后随侍女双手捧一锦盒。\n画风承唐代周吩，典雅浓丽。\n旧题南唐 画，然观其时代气息，应为宋人所作。",[26,27,79,219,31,32,33,127,735,82,345],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F6783b061be5eddc485e3cd90b44470fd.jpg",[],143,{"id":1890,"slug":1891,"title":1892,"dynasty":171,"author":7,"museum":172,"description":698,"tags":1893,"thumbUrl":1894,"material":296,"size":297,"collection":11,"collections":1895,"showCount":1896,"zanCount":49,"manualWeight":49,"mainColor":50},231004,"mo-gao-ku-329-yi-ming-231004","莫高窟329",[175,30,32,33,292,590,532,31],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F4418173c3cc1ad02ff65e163e5c89e84.jpg",[],140,{"id":1898,"slug":1899,"title":1900,"dynasty":1491,"author":7,"museum":172,"description":1901,"tags":1902,"thumbUrl":1903,"material":296,"size":297,"collection":11,"collections":1904,"showCount":1896,"zanCount":49,"manualWeight":49,"mainColor":50},223862,"pan-long-wen-pan-yi-ming-223862","蟠龙纹盘","圆腹圈足，足下有外凸圈足座。盘面饰龙纹蟠绕于中心，蟠龙外围有鱼纹、夔龙纹及鸟纹围绕。盘外面上层饰夔纹，上有如棱脊的平面纹饰；圈足上饰俯首夔纹，下有如棱脊的平面纹饰。纹饰在盘面的布局与母题基本上与妇好盘(M5:777)近。盘外有一小环及二小环，各对准盘面大龙首的上下鼻梁，共形成一中轴线。与之相交的另一中轴线，左右上下有兽首。考古资料显示，商代墓葬出土有水器盘者并不普遍，在殷墟中期时它似局限在稍大型且铜容器较多的墓葬。",[402,403,268,59,272,406],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ffeef9dc1d0c890a9e966f80d194f5098.jpg",[],{"id":1906,"slug":1907,"title":1908,"dynasty":55,"author":7,"museum":56,"description":1909,"tags":1910,"thumbUrl":1911,"material":43,"size":1912,"collection":45,"collections":1913,"showCount":1896,"zanCount":260,"manualWeight":49,"mainColor":50},219633,"qian-long-huang-di-chao-fu-xiang-yi-ming-219633","乾隆皇帝朝服像","此作工笔细腻，写实传神。画中帝王面容俊朗，神色端凝沉稳，自带不怒自威的从容气度。明黄朝服遍绣祥龙，十二章纹错落排布，金线勾勒下瑞兽纹样鲜活灵动，珠玉朝珠垂坠于前，礼制森严间尽显极致华贵。髹金龙椅雕刻繁复精妙，卷云虬龙层层环绕，衬出帝王的独尊地位。\n\n画面底色素净克制，将视觉重心全然倾注于人物之上，设色富丽却不俗艳，工整细致的笔触，将盛世帝王的威仪气度凝于绢素，尽显宫廷肖像画的典雅规整，让观者仿佛能窥见当年紫禁城中的肃穆华贵。",[26,79,27,28,29,31,32,33,345,160],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F0605e9fa04d93aeb448927849ebb7b94.jpg","纵271厘米，横142厘米",[45],{"id":1915,"slug":1916,"title":1917,"dynasty":241,"author":7,"museum":76,"description":1918,"tags":1919,"thumbUrl":1926,"material":43,"size":11,"collection":45,"collections":1927,"showCount":1896,"zanCount":249,"manualWeight":49,"mainColor":70},218219,"gu-xiu-ba-xian-qing-shou-gua-ping-yi-ming-218219","顾绣八仙庆寿挂屏","这幅画采用了典型的明朝画风，包括浓艳的色彩、精细的线条和富有章法的构图。画中的人物均为虚构的仙人，每一位仙人都有着独特的服装和长相，并且每一位仙人的手持的吉祥物也不尽相同。\n\n整幅画呈现出一种和谐美的氛围，传达出祝福寿星的良好意愿。这幅画非常适合用来装饰寿星的家中，作为庆祝寿辰的艺术品。",[26,1920,1921,32,33,1922,445,1923,1924,1925,1377],"顾绣","挂屏","八仙","祝寿","刺绣","仙禽","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Feea7d97637a772d7995c32ddac177cc0.jpg",[45],{"id":1929,"slug":1930,"title":1067,"dynasty":241,"author":7,"museum":254,"description":1931,"tags":1932,"thumbUrl":1933,"material":43,"size":1934,"collection":87,"collections":1935,"showCount":1936,"zanCount":310,"manualWeight":49,"mainColor":50},219268,"lian-chi-cang-lu-tu-yi-ming-219268","墨绿荷叶如伞盖层叠，粉嫩荷花亭亭绽于其间，瓣尖晕染淡红，花心素白如雪。几只苍鹭姿态各异：一者振翅展羽，翎毛纤毫毕现；一者引颈长唳，喙尖微张似欲唤侣；另有两羽相偎，身形依偎间流露亲昵。背景深褐如古绢晕染，衬得花叶禽鸟愈发清雅。笔触细腻处见工致，羽毛的柔滑、荷叶的脉络皆清晰可触，却又不失写意的空灵。整幅画氤氲着静谧生机，似将莲池畔的刹那闲趣凝于绢上，尽显雅致韵致，观之如临清池，闻得荷风与禽鸣交织，恍若触到古绢上凝住的清润时光。",[26,27,79,28,32,31,80,1071,446,316],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F7da87412892d3bb3ded765cef53220cf.jpg","纵97.7横43.1厘米",[87],138,{"id":1938,"slug":1939,"title":1940,"dynasty":241,"author":7,"museum":76,"description":1941,"tags":1942,"thumbUrl":1943,"material":43,"size":1944,"collection":45,"collections":1945,"showCount":1946,"zanCount":153,"manualWeight":49,"mainColor":50},218526,"fo-xiang-tu-yi-ming-218526","佛像图","这些天人各自手持法器，被他们的同伴骑着并护送着，他们都面朝右边，坐在天空的云朵上，可能是一组描绘天人聆听佛陀教诲的佛画的一部分。三面六臂的力士可能是来自八大天师的阿修罗；持剑的武士和美女是罗刹，罗刹是十二天之一，原本是异教的恶魔，被降服后成为佛教的保护者。整块画板用薄薄的颜料描绘了天人的肌肉，他们的袖子卷起又折起的样子，大多是兰花叶的样式，是吴道子以来专业画家的风格。这幅画的衣服上也有丰富的金色和钩纹装饰，颜料也有很多地方是泥金的。从这幅画的风格来看，它是在15世纪明朝时期绘制的。",[26,27,28,29,31,32,30,33,445,59],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fd052330f7cc5224c48e44b4f0a6b3ba9.jpg","143.7x81.5",[45],137,{"id":1948,"slug":1949,"title":1950,"dynasty":55,"author":7,"museum":172,"description":1951,"tags":1952,"thumbUrl":1958,"material":11,"size":11,"collection":274,"collections":1959,"showCount":1960,"zanCount":153,"manualWeight":49,"mainColor":1162},241702,"lan-bao-shi-zhui-yi-ming-241702","蓝宝石坠","这件耳坠古韵悠然，随形蓝宝石如深海凝萃的幽蓝冰晶，澄澈清透自带柔润柔光，保留原生肌理，尽显天然璞质。随形红宝石似一点丹砂落于幽蓝之间，冷暖撞色鲜活灵动，恰似寒潭跃动火魄。\n\n金属细丝缠绕穿缀，盘绕纹理带着手工温度，将两石妥帖串联，钩身造型温婉贴合耳部，朴拙雅致。整体不着过多雕饰，循原石本真之美，将天然色泽与编缀工艺相融，简约中尽显内敛华贵，藏着旧时光里含蓄雅致的东方审美意趣，是借力天然材质巧构而成的精巧首饰。",[55,39,1953,1559,1954,1955,1956,1957],"蓝宝石","金饰","金属缠绕技法","随形宝石","打磨工艺","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fce651c836a54bc01f7145e1cb5a470c3.jpg",[274],136,{"id":1962,"slug":1963,"title":1964,"dynasty":75,"author":7,"museum":172,"description":1965,"tags":1966,"thumbUrl":1967,"material":43,"size":1968,"collection":85,"collections":1969,"showCount":1960,"zanCount":351,"manualWeight":49,"mainColor":50},218583,"song-xia-jing-si-tu-yi-ming-218583","松下静思图","悬崖边的松树上画着一根粗壮有力的杆子，伸向远方，而一个高大的男人盘腿坐在下面的蒲团上，凝视着下方；远处，一轮明月挂在天上，圆盘般的月亮象征着农历的新月之夜。",[27,28,32,31,33,331,146,60],"https:\u002F\u002F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、Kesi 或 Chinese silk tapestry），又称“刻丝”，是中国传统丝绸艺术品中的精华。是中国丝织业中最传统的一种挑经显纬，极具欣赏装饰性丝织品。\n宋元以来一直是皇家御用织物之一，常用以织造帝后服饰、御真（御容像）和摹缂名人书画。因织造过程极其细致，摹缂常胜于原作，而存世精品又极为稀少，是当今织绣收藏、拍卖的亮点。常有“一寸缂丝一寸金”和“织中之圣”的盛名。\n苏州缂丝画也与杭州丝织画、永春纸织画、四川竹帘画并称为中国的“四大家织”。",[26,96,161,27,28,1622,32,60,33,129,128,163,130,1984,676,162,650,1985,82,124],"亭榭","文人雅集","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F5d1d0a4ab2c0a1cc69f15a9e1c4bcfe0.jpg",[],135,{"id":1990,"slug":1991,"title":1279,"dynasty":55,"author":7,"museum":56,"description":327,"tags":1992,"thumbUrl":1999,"material":335,"size":336,"collection":11,"collections":2000,"showCount":1988,"zanCount":49,"manualWeight":49,"mainColor":50},236169,"yong-zheng-shi-er-yue-xing-le-tu-zhou-yi-ming-236169",[27,32,31,329,60,129,1993,33,503,162,131,330,1994,1995,1996,1997,1998],"园林","宫廷生活","节令风俗","中式建筑","西式建筑","宴饮","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ff841a07266c24ab45bc115c2dd2f7821.jpg",[],{"id":2002,"slug":2003,"title":2004,"dynasty":55,"author":7,"museum":172,"description":2005,"tags":2006,"thumbUrl":2007,"material":11,"size":11,"collection":11,"collections":2008,"showCount":2009,"zanCount":153,"manualWeight":49,"mainColor":50},230304,"fang-lin-chun-cui-zhu-hua-niao-tu-shen-se-yi-ming-230304","仿林椿翠竹花鸟图（深色）","此作用色明丽雅致，以赭色绢底托举春日景致。艳红山茶缀于虬曲枝桠，青嫩新篁挺拔舒展，柔媚花枝与劲竹相映成趣。十余只禽鸟灵动错落，或栖于枝头理羽，或两两依偎低语，羽色晕染细腻柔和，将禽鸟绒羽的鲜活质感尽数呈现。\n\n画师以工细笔触勾勒花叶禽鸟，既承袭院体花鸟的精工写实，又暗合文人画的清幽意趣，将林泉春日里花木禽鸟的自在天趣铺展在尺幅间，生机盎然中尽显闲雅静谧的林下意韵。",[26,79,27,28,96,31,32,122,80,145,193,220],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F0ae43cbb6fe15b0c90b72712f15b33f1.jpg",[],134,{"id":2011,"slug":2012,"title":2013,"dynasty":599,"author":7,"museum":172,"description":2014,"tags":2015,"thumbUrl":2017,"material":296,"size":297,"collection":11,"collections":2018,"showCount":2009,"zanCount":351,"manualWeight":49,"mainColor":277},224007,"liang-zhu-wen-hua-zhong-wan-qi-san-cha-xing-qi-yi-ming-224007","良渚文化中、晚期 三叉形器","新石器时代良渚文化玉器中造型最为独特的器物。其基本形制为下端圆弧，上端为对称的方柱体平头三叉。根据三叉的顶部平齐与否，大致分为两种：第一种中叉短于左右边叉，中叉的顶部一般钻有竖向直孔，其左右两叉的上端也钻有小孔；第二种三叉基本平齐。有的左右两叉的上端背部突兀，有贯穿的小孔，中叉的背部上、下端也有突块，并钻有贯穿的小孔。迄今为止，三叉形器在良渚文化分布中心地区的大型墓葬中仅少量出土，而雕刻着神秘、繁缛的纹饰的则更少。有研究者指出，三叉形器与长玉管和呈集束状的锥形器，是配套组装成整件使用的，往往出土于死者的头部附近。三叉形器及其附件，据推测是戴在首领头上的王冠，故被称为中国皇冠的雏形。",[599,2016,267,268,406,346],"良渚文化","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F732a6b3a5b3666c0ef2e3627df4a2967.jpg",[],{"id":2020,"slug":2021,"title":2022,"dynasty":241,"author":7,"museum":172,"description":2023,"tags":2024,"thumbUrl":2025,"material":32,"size":11,"collection":112,"collections":2026,"showCount":2009,"zanCount":351,"manualWeight":49,"mainColor":50},219904,"cha-mei-san-qin-tu-yi-ming-219904","茶梅三禽图","画面章法错落，斜出的花枝贯穿画面，山茶如烈焰点染绢素，梅花似堆雪缀于枝桠，红白相映，撞色鲜活亮眼。\n\n枝上双禽依偎理羽，姿态闲静安适；石畔绶带鸟垂首啄饮，灵动生趣。湖石、幽竹与冰姿玉骨的水仙铺陈下景，衬出花木禽鸟的清隽雅致。\n\n设色妍丽不失清雅，工笔勾勒禽鸟羽毛、花瓣脉络，晕染柔和自然，写意绘就湖竹野趣，将隆冬时节的盎然生机定格，尽显院体花鸟雅致隽永的东方意趣，藏着岁末清和的鲜活生机。",[26,27,79,31,32,80,542,193,145,1525,888,35],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F2bbd5614909282f3d3a425af305ca027.jpg",[112],{"id":2028,"slug":2029,"title":2030,"dynasty":75,"author":7,"museum":216,"description":2031,"tags":2032,"thumbUrl":2034,"material":43,"size":2035,"collection":87,"collections":2036,"showCount":2009,"zanCount":310,"manualWeight":49,"mainColor":50},218563,"qiu-kui-tu-yi-ming-218563","秋葵图","画面中，秋葵舒展的花瓣如凝脂般温润，白中透粉的晕染似含朝露，娇嫩欲滴。花蕊以深褐点染，在素净花瓣间格外醒目，几笔细致勾勒便显生机。叶片脉络清晰，边缘锯齿纹理与枝干苍劲形成呼应，花苞或敛或绽，层次错落间见自然意趣。\n\n笔墨工致却不刻意，色彩淡雅而富韵致，尽显写生之妙——于细微处见真章，将秋葵清雅姿态凝于绢素。无繁复布景，仅以一花一叶情态，传递自然生命的静美与从容，仿佛能嗅到初秋清晨的微凉气息，藏着宋人对日常草木的深情观照。",[27,79,28,31,32,80,2033,82],"秋葵","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ffabea7ea1898f36c4440d93cfb77bd36.jpg","25.6x25.7",[87],{"id":2038,"slug":2039,"title":1490,"dynasty":1491,"author":7,"museum":172,"description":2040,"tags":2041,"thumbUrl":2043,"material":11,"size":11,"collection":408,"collections":2044,"showCount":2045,"zanCount":49,"manualWeight":49,"mainColor":277},242606,"shou-mian-wen-ding-yi-ming-242606","器身敦实稳重，立耳挺拔、三足粗壮，稳稳托举着古雅器形。器表兽面纹线条刚劲凝练，卷角凌厉、双目圆睁，狞厉威严的气韵扑面而来，将商代崇神尚武的精神刻入青铜肌理。斑驳铜绿是岁月遗落的印记，晕开三千余年的沉郁古意，仿佛能透过这层锈色，窥见殷商宗庙青烟袅袅、祭典肃穆的往昔图景，尽显上古青铜狞厉厚重之美。",[2042,402,579,406,1494,268,346,272],"商代","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ffdff4a73186e6493f16609995dd8399f.jpg",[408],133,{"id":2047,"slug":2048,"title":1279,"dynasty":55,"author":7,"museum":56,"description":327,"tags":2049,"thumbUrl":2050,"material":335,"size":336,"collection":11,"collections":2051,"showCount":2045,"zanCount":49,"manualWeight":49,"mainColor":50},236171,"yong-zheng-shi-er-yue-xing-le-tu-zhou-yi-ming-236171",[27,32,31,329,60,33,129,650,1330,162,531,130,131,1624,734],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F6aa7b59ca91897a30691a9a29a57869a.jpg",[],{"id":2053,"slug":2054,"title":2055,"dynasty":141,"author":7,"museum":76,"description":2056,"tags":2057,"thumbUrl":2058,"material":616,"size":2059,"collection":45,"collections":2060,"showCount":2045,"zanCount":351,"manualWeight":49,"mainColor":70},214807,"zhi-sheng-xian-xian-ban-shen-xiang-ce-ye-yi-ming-214807","至圣先贤半身像册页","这本60页的画册展示了从孔子到许衡（1209-1281），从春秋时期（公元前770-476年）到元朝的121位著名学者，最初被放置在清宫的南董殿，那里保存着皇帝、皇后和贤臣的图像。",[26,27,28,530,32,31,33],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fe748c6349b35f74a47a36a974a96d104.jpg","33.3x24.3",[45],{"id":2062,"slug":2063,"title":2064,"dynasty":55,"author":7,"museum":56,"description":2065,"tags":2066,"thumbUrl":2067,"material":348,"size":2068,"collection":45,"collections":2069,"showCount":2070,"zanCount":310,"manualWeight":49,"mainColor":50},236174,"yin-zhen-mei-ren-tu-yi-ming-236174","胤禛美人图","仕女于圆窗前端坐，轻倚桌案，一手闲雅地捻着念珠，正观赏两只嬉戏顽皮的猫咪。此图的取景面很小，仅透过二分之一的圆窗来刻画繁复的景致，但由于画家参用了西洋画的焦点透视法，将远、中、近三景安排得有条不紊，从而扩展了画面空间的纵深感，显得意韵悠长。窗下钟声滴答，近处猫咪玩闹，时光便在这似有似无中悄悄流逝。",[27,28,31,32,33,127,625,346,345],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fdd53a373485a1fc514f0f01339644f52.jpg","纵184厘米，横98厘米",[45,112],132,{"id":2072,"slug":2073,"title":2074,"dynasty":75,"author":7,"museum":172,"description":2075,"tags":2076,"thumbUrl":2077,"material":11,"size":11,"collection":11,"collections":2078,"showCount":2079,"zanCount":49,"manualWeight":49,"mainColor":70},227856,"shan-cha-hu-die-tu-ye-yi-ming-227856","山茶蝴蝶图页","以没骨晕染绘就白茶，瓣色柔润留白如凝脂莹洁，盛放与初绽花苞错落排布。浓墨绘叶，晕染出深浅枯润，将叶片舒展的柔劲姿态尽显。墨笔勾绘蝴蝶，翼上纹理纤毫毕现，振翅欲落的灵动，为静雅花枝添了鲜活意趣。\n\n赭色古雅底色衬得花木蝶影愈发清隽，构图疏朗秀逸。画面工致间带着写意韵致，将晴日山茶间的悠然小景定格，带着宋人的清雅审美，把一花一蝶的幽微之美晕染出隽永诗意，观之便好似踏入春日晴光，细品蝶绕山茶的闲静意趣。",[79,27,28,219,31,32,80,205,105],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F9f81ba4e7647a8fb90303638a82667e5.jpg",[],131,{"id":2081,"slug":2082,"title":2083,"dynasty":241,"author":7,"museum":76,"description":2084,"tags":2085,"thumbUrl":2086,"material":2087,"size":2088,"collection":11,"collections":2089,"showCount":2090,"zanCount":693,"manualWeight":49,"mainColor":70},223648,"guan-yin-xiang-zhou-yi-ming-223648","观音像轴","这尊观音的世俗色彩浓厚，他眼睛散放著悲愍的光芒，好像一位慈祥的母亲。他的脸形、发丝、手脚都用淡墨细笔画成，笔力稳健。可是衣纹则是用楷书抄录《法华经．普门品》的经文来表现，全文从观音菩萨左臂靠近孩童的头部开始，字字连续，字迹端秀，一丝不苟，充分表现了作者虔诚的宗教情怀。\n送子观音手抱孩童，右手拿杨柳，左手捧水碗。《法华经．普门品》教导求子心切的妇女礼拜供养观世音菩萨，便能生下福德智慧的男子，或是面貌端庄的女子。画中观音衣纹以楷书抄录经文近两千字，由观音左臂靠近孩童头部开始，字字连续秀整，反映虔诚宗教情怀。 观音及孩童面目、手脚以淡墨细笔勾勒，由人物开面、体态、发髻样式及回首姿态，该幅观音当为晚明作品。",[26,79,27,28,29,30,31,32,33,177,931],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fa8336ee8a1cdacdeb0cfb8d89211b8fc.jpg","白纸本","98.1x35.6公分",[],130,{"id":2092,"slug":2093,"title":2094,"dynasty":75,"author":7,"museum":1201,"description":2095,"tags":2096,"thumbUrl":2097,"material":43,"size":11,"collection":45,"collections":2098,"showCount":2090,"zanCount":351,"manualWeight":49,"mainColor":50},219575,"zhu-lin-shi-nv-tu-yi-ming-219575","竹林仕女图","画面晕染出幽谧清寂的林下氛围，修竹扶苏、虬枝横斜，苍苔覆着湖石，漫溢出山野闲静之气。白衣仕女款步而立，素裙曳地，怀拥器物，眉目温婉沉静，似在静听林风穿叶，将闺中闲思融于林泉烟霭之中。\n\n用笔细劲清润，设色浅淡古雅，虚实相生间将留白藏进幽独娴静的意韵里，不见丝毫喧嚣。把仕女的温婉闲情与林泉野趣糅合一处，尽显雅致内敛的东方意趣，寥寥尺幅间，澹澹诗意漫溢开来。",[79,27,28,31,32,33,127,145,146],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F11033c937ae94ae2e0cc9b0a16169bd3.jpg",[45],{"id":2100,"slug":2101,"title":2102,"dynasty":599,"author":7,"museum":172,"description":575,"tags":2103,"thumbUrl":2104,"material":296,"size":297,"collection":11,"collections":2105,"showCount":2106,"zanCount":49,"manualWeight":49,"mainColor":50},224088,"yu-cong-yi-ming-224088","玉琮",[599,267,268,406,346],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F5e4e04337e7e8e9d6e1c8d7f07411da6.jpg",[],129,{"id":2108,"slug":2109,"title":2110,"dynasty":75,"author":7,"museum":76,"description":2111,"tags":2112,"thumbUrl":2114,"material":43,"size":2115,"collection":85,"collections":2116,"showCount":2117,"zanCount":351,"manualWeight":49,"mainColor":50},218801,"tao-li-yuan-tu-yi-ming-218801","桃李园图","这幅画描绘了一座山，上面有一条高高的、遥远的溪流。山的四角有水榭亭台，有渔人在溪边垂钓，无所谓岁月。这幅画是南宋时期的作品，但当你仔细观察其笔触时，它看起来更像是吴镇或其流派的画家的作品。",[26,27,79,32,329,31,614,60,129,531,33,331,306,2113,162,131],"李","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fa2a3b07bae6cc5546e3f59ca75ecae6e.jpg","19.7x24.3",[85],128,{"id":2119,"slug":2120,"title":2121,"dynasty":55,"author":7,"museum":172,"description":2122,"tags":2123,"thumbUrl":2124,"material":296,"size":297,"collection":87,"collections":2125,"showCount":2126,"zanCount":153,"manualWeight":49,"mainColor":70},238919,"qing-ren-mu-dan-pu-ce-yi-ming-238919","清人牡丹谱册","此作以设色小笔写牡丹，花瓣水红晕染，由尖至根渐次浅淡，柔瓣舒展层叠，将初绽盛放的娇妍之态尽显无余。浓黄点染花蕊，醒目鲜活，仿若能引蜂蝶驻足。叶片以墨骨打底，敷石绿再晕赭色叶边，既有鲜嫩生机，又带着清润古雅的质感，苍劲朴拙的简笔枝干暗藏风骨。\n\n画面留白空灵雅致，仅取一花数枝，便将牡丹的华贵温婉凝于尺幅，将写实写生与写意抒情相融，尽显古典花鸟画清隽静雅的文人意趣，淡冶宜人，意韵悠长。",[27,28,530,32,31,80,98],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ffa2cc58af73fe9e9ebcec8d4b817842b.jpg",[87,112],127,{"id":2128,"slug":2129,"title":2130,"dynasty":241,"author":7,"museum":2131,"description":2132,"tags":2133,"thumbUrl":2135,"material":348,"size":2136,"collection":11,"collections":2137,"showCount":2126,"zanCount":49,"manualWeight":49,"mainColor":70},223462,"shan-cha-hua-xiao-qin-tu-yi-ming-223462","山茶花小禽图","日本京都国立博物馆","本图描绘了一株披覆着少许薄雪的山茶花，还有一只停留枝上的小鸟。周凤的题诗中提到，山茶花彷佛象征冬天，而小鸟则象征了春天的到来。",[26,27,79,29,32,31,80,2134,193,207],"山茶花","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fb5da1382bff49e60e04c2e2c6d9f0b84.jpg","32X86",[],{"id":2139,"slug":2140,"title":2141,"dynasty":75,"author":7,"museum":216,"description":2142,"tags":2143,"thumbUrl":2145,"material":43,"size":2146,"collection":85,"collections":2147,"showCount":2126,"zanCount":153,"manualWeight":49,"mainColor":50},218600,"jiang-fei-wan-yue-tu-yi-ming-218600","江妃玩月图","月色如练，泼洒在虬枝瘦干间。墨笔勾勒的树影横斜，嶙峋枝干似在夜风中轻语。凭栏处，佳人衣袂翩然，或执扇凝睇，或侧首听月，身影与疏枝、栏杆相映成趣。夜的清寂被月色化开，淡墨晕染出朦胧意蕴，每一处线条都简劲有致，藏着宋人笔墨的雅致风骨。无需浓妆艳抹，仅以素淡之笔，便将玩月的悠然、月夜的幽远揉成一幅清绝画境，让人在静默中触碰到那份穿越时光的古雅与深情。",[26,27,28,144,123,33,127,38,613,1623,2144,146],"枯藤","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F8dbdeecfafad713f88037a5c5c52fa50.jpg","25.4x24.8",[85],{"id":2149,"slug":2150,"title":2151,"dynasty":241,"author":7,"museum":242,"description":2152,"tags":2153,"thumbUrl":2155,"material":175,"size":2156,"collection":11,"collections":2157,"showCount":2158,"zanCount":260,"manualWeight":49,"mainColor":277},222142,"san-da-shi-tu-pu-xian-yi-ming-222142","三大士图-普贤","普賢菩薩圖位於水月觀音圖之東。普賢菩薩梵文為“三曼多跋羅”，即普遍賢善之意，通常作釋迦佛的右脅侍，專司“理德”，表“大行”。普賢的特徵是頭戴五佛寶冠，乘騎六牙白象，一般手執蓮花，上有利劍”。同一菩薩，不同經書，對手持法物有不同解釋。法海寺壁畫普賢是右手持蓮花，蓮花上置一寶卷。\n普賢的坐騎六牙白象，並不是自然界中真實動物，六牙白像是一種象徵，表示到達彼岸的六種方法。六牙白象雖非真實動物，但壁畫中的六牙白象，捲曲蹲坐的姿態，具有大威力感。再細看白象眼睛是淚汪汪的，具有情感，強化了它的性善柔順，“佛眼淚眼”，突出了普賢的“大慈”形象。感染力很強，沒有高超的繪畫技巧，是不會引起觀眾共鳴的。\n普賢菩薩的左下部繪一信士，稱最勝老人。最勝老人是古印度念佛行者、施主、供養人的尊稱。老人身著綠袍，兩腳分開，雙手胸前相合，目視前方，長髯自然下垂，在沉思，在默禱，像在祝願十方世界救出眾生、脫離苦海。壁畫上這一信士和文殊右下部那一信士，東西對稱，他們同是老人，信仰一致，願望相同，而一仰望一沉思，一扶杖抬手一雙合十，一動一靜，神態各異，反映了現實生活的多樣性，也反映了壁畫構思的巧秒。",[26,175,32,31,30,33,2154,345],"象","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fbbe8d5a14d19329266f0933f5ed0a3b3.jpg","摹本的尺寸規格分別是壁畫約四分之一和二分之一；",[],126,{"id":2160,"slug":2161,"title":2162,"dynasty":75,"author":7,"museum":76,"description":2163,"tags":2164,"thumbUrl":2166,"material":43,"size":2167,"collection":87,"collections":2168,"showCount":2158,"zanCount":351,"manualWeight":49,"mainColor":50},219277,"sui-chao-tu-yi-ming-219277","岁朝图","岁朝，指一岁之始，历代画家作该图，含有元旦开笔，预祝一年万事吉利之意。本幅绘拳石临流，雉鸡一对，麻雀数只，山茶旁生于老梅干后，绿竹新生于回流之上。水仙、红茶、白梅等花上下分别盛开，色调朱白相映，通幅设色浓而不艳，一派和熙春色。旧传为宋人之作，然笔触色调皆不类，疑是明人学吕纪画风。",[26,79,27,28,29,31,32,80,542,145,193,2165,162,190],"雉鸡","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F24ebc914f3148654b0f6a2722ee6abfa.jpg","164.2x80.3",[87],{"id":2170,"slug":2171,"title":2172,"dynasty":22,"author":7,"museum":23,"description":2173,"tags":2174,"thumbUrl":2175,"material":43,"size":2176,"collection":45,"collections":2177,"showCount":2158,"zanCount":351,"manualWeight":49,"mainColor":50},218314,"fang-yuan-zui-yue-tu-yi-ming-218314","芳园醉月图","月夜清辉漫洒芳园，嶙峋山石旁花木扶疏，枝桠间繁花如雪，月下更显幽逸。园内人影错杂，或围坐醉谈，或信步寻幽，或凭栏浅笑，动静交织成一派闲适图景。小桥卧波，流水潺潺，石径蜿蜒穿林，远处奇峰隐现于月色朦胧中，添了几分旷远之致。人物衣袂轻扬，神态鲜活，生动勾勒出园居宴乐的融融暖意。笔墨细腻温婉，设色淡雅清和，山石皴染见古意，花木点描显灵秀，构图疏密得宜，将园林的清幽之境与人间的欢悦之情相融相契，尽展古典雅韵与生活意趣。",[79,27,28,29,32,31,33,1623,130,162,131,38,542,1993],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F1a5dcf17369c07d5993485e20a0c645b.jpg","155.5x102.3",[45],{"id":2179,"slug":2180,"title":2181,"dynasty":75,"author":7,"museum":76,"description":2182,"tags":2183,"thumbUrl":2184,"material":1433,"size":2185,"collection":11,"collections":2186,"showCount":2187,"zanCount":260,"manualWeight":49,"mainColor":50},223516,"tao-hua-shan-niao-tu-yi-ming-223516","桃花山鸟图","此图采用双钩填彩法，用线工整挺秀、生动流畅、柔中带刚，画家追求的不是线的形式变化，而是对质感的表达。花瓣密集写实，鸟的羽毛细而柔，尾羽敷红色，有透明感。画面色彩雅致，鲜花轻敷淡染，一点也不矫揉造作。",[26,79,27,28,31,32,80,1330,163],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fbd8e8efee647a398a24f78c3f1f84561.jpg","纵23.8厘米横24.4厘米",[],125,{"id":2189,"slug":2190,"title":2191,"dynasty":75,"author":7,"museum":172,"description":2192,"tags":2193,"thumbUrl":2199,"material":11,"size":11,"collection":2200,"collections":2201,"showCount":2187,"zanCount":153,"manualWeight":49,"mainColor":277},221207,"liu-ban-cai-pan-yi-ming-221207","六瓣菜盘","年代： 宋\n种类： 漆器\n规格： H x Diam（整体）2 x 13.2 cm（13\u002F16 x 5 3\u002F16 in）\n材质： 棕色漆木芯，金属边缘\n馆藏： 弗里尔艺术馆",[711,2194,346,2195,2196,2197,2198],"陶瓷","日用具","六瓣","描金","釉色","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F9ec5b9dfe66dd4493f1fa5af1c82bfcd.jpg","瓷器精选",[2200],{"id":2203,"slug":2204,"title":2205,"dynasty":75,"author":7,"museum":76,"description":2206,"tags":2207,"thumbUrl":2210,"material":43,"size":2211,"collection":85,"collections":2212,"showCount":2187,"zanCount":351,"manualWeight":49,"mainColor":50},218800,"liu-tang-diao-yin-tu-yi-ming-218800","柳塘钓隐图","宋人非常重视在他们的绘画中创造情绪和气氛。这幅画以一座山和一个池塘为骨架，中间有房屋、柳树和各种森林。池塘里的荷花盛开，给人一种和平和宁静的感觉，但鸭子、海凫、泥鳅和苍鹭则增加了商业的感觉。芦苇丛中有老鹰归来，天花板上挂着文曲星，有学者靠着它，这就是莲花池。高居翰在他的中国古代绘画索引中认为这是南宋的一件非常好的作品。它高瞻远瞩，视野开阔，设计合理，景物逼真。笔法细腻逼真，如画中的箭，绿意盎然，笔墨严谨，造型非常逼真。赵令郎（1070-1100年）的《平林》和《亭子》中的水禽图案可能与赵士来（11世纪）的《西塘亭子》风格相似。这样的作品在北宋时期很流行，这幅作品虽然不是他们的作品，但也是对他们风格的良好临摹。",[26,27,28,60,32,144,614,2208,332,1623,130,128,2209,1768,531],"柳","蓑笠","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F206b6e83b326af49ba200e9953d38b66.jpg","23.6x24",[85,506],{"id":2214,"slug":2215,"title":2216,"dynasty":75,"author":7,"museum":76,"description":2217,"tags":2218,"thumbUrl":2219,"material":43,"size":2220,"collection":87,"collections":2221,"showCount":2222,"zanCount":260,"manualWeight":49,"mainColor":50},219236,"mei-que-tu-yi-ming-219236","梅雀图","图绘细雪飘花，山喜鹊一双，倚偎于梅梢上。梅枝勾勒，线条精整，画中梅，圈瓣以淡墨细线为之，外围复以白粉提醒，萼则以胭脂红敷染，色彩搭配，虽不繁复，令人有如于雪光下，见清雅君子，一尘不染。宋人作画重理，画花尤重写生，此幅足为一例。前人论画梅，枝干交错之法，有如「女」字，此幅虽为写生一枝，亦于此法符合。",[26,27,28,80,31,32,542,1431,82],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F32ee8eb63474c1ac957d63dde5b26a63.jpg","25.5x29cm",[87],124,{"id":2224,"slug":2225,"title":2226,"dynasty":75,"author":7,"museum":216,"description":2227,"tags":2228,"thumbUrl":2230,"material":43,"size":2231,"collection":87,"collections":2232,"showCount":2222,"zanCount":351,"manualWeight":49,"mainColor":50},219173,"yu-mei-ren-tu-yi-ming-219173","虞美人图","该幅图绘大红、浅紫、粉红色波斯菊花三朵。花朵娇艳，姿态文秀。花叶前后关系、花朵朝向差异、叶片正反变化体现得非常写实。",[79,27,32,31,80,2229,82],"虞美人","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F97b38f3d3bd70d7d5d6339cf59032129.jpg","25.5cm×26.2cm",[87],{"id":2234,"slug":2235,"title":2236,"dynasty":55,"author":7,"museum":172,"description":2237,"tags":2238,"thumbUrl":2242,"material":11,"size":11,"collection":436,"collections":2243,"showCount":2244,"zanCount":49,"manualWeight":49,"mainColor":50},245364,"dai-tong-du-jin-zuo-jin-fu-yi-ming-245364","带铜镀金座金佛","此尊造像躯体饱满匀称，面圆润柔和，双目低垂，神态沉静慈悲，尽显佛陀的庄严肃穆。身着偏袒右肩式袈裟，衣纹流畅简约，贴附于身，勾勒出躯体的饱满张力。结触地印跏趺端坐双层莲台，莲瓣饱满规整，台座镶嵌绿松石点缀，更添清雅华贵。\n\n通体鎏金匀净亮丽，质感厚重莹润，工艺精湛细腻，既承袭藏传佛教造像的典型仪轨特征，又融入清代造像的柔婉精致风格，将神性超脱与工艺精巧完美相融，是兼具审美价值与宗教意蕴的造像精品。",[30,160,430,403,2239,268,986,33,2240,2241],"镀金","坐像","金属造像","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F0fb3f2c727268ebef84cec4c7791d1dd.jpg",[436],122,{"id":2246,"slug":2247,"title":2248,"dynasty":55,"author":7,"museum":172,"description":2249,"tags":2250,"thumbUrl":2251,"material":11,"size":11,"collection":274,"collections":2252,"showCount":2244,"zanCount":49,"manualWeight":49,"mainColor":70},241937,"bi-xi-xiang-bao-shi-hua-yi-ming-241937","碧玺镶宝石花","以粉碧玺摹作牡丹花瓣，莹润柔光似凝住朝露，将春日花信的柔媚晕开。花心以鎏金托承起金黄主石，缀饰细珠与红蓝宝，错落如星芒落于花蕊，凭添灵动璀璨。深绿碧玺镂刻叶片，卷边舒展脉络分明，鲜活如将枝桠春意凝于钗间。\n\n整器将宝石天然肌理与花艺俯仰的娇态相融，工致清雅又自带华贵之气，把春日庭间的烂漫撷取于鬓边，静赏时仿若能触到花瓣柔润肌理，窥见旧时闺阁藏在发间的温柔春意。",[160,39,1686,1563,431,220],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ff79b25478675e27e26d6d17c07f162b6.jpg",[274],{"id":2254,"slug":2255,"title":434,"dynasty":75,"author":7,"museum":292,"description":2256,"tags":2257,"thumbUrl":2258,"material":296,"size":297,"collection":11,"collections":2259,"showCount":2244,"zanCount":49,"manualWeight":49,"mainColor":70},226506,"pu-sa-yi-ming-226506","眉眼低垂，敛尽尘世喧嚣，将悲悯藏在温婉柔和的轮廓里。线条凝练温婉，晕染过渡自然，把东方含蓄的慈悲刻在面庞之上。繁复华美的冠饰精巧细腻，宝饰层叠间尽显造像的庄严华贵。青绿头光褪去了初绘时鲜亮色泽，沉淀着千年岁月的厚重。\n\n残存的朱褐石色衣纹晕染层次柔和，历经风沙侵蚀的斑驳痕迹，是时光镌刻的印记。将宋人清雅内敛融于造像，褪去张扬余韵，只留沉静温柔的悲悯。每一寸残存色彩，都带着敦煌洞窟里漫过千年的砂砾气息，让这尊菩萨跨越光阴，将千年前的虔敬与温柔，静静呈现在观者眼前。",[79,27,28,175,30,32,33],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fc2f1c1d83a52e0ad15451662404b4efa.jpg",[],{"id":2261,"slug":2262,"title":2263,"dynasty":55,"author":7,"museum":172,"description":2264,"tags":2265,"thumbUrl":2269,"material":11,"size":11,"collection":436,"collections":2270,"showCount":2271,"zanCount":260,"manualWeight":49,"mainColor":50},245963,"jin-long-yi-ming-245963","金龙","这尊瑞兽昂首嘶吼，龙躯弓作奔跃之姿，鬃须倒竖、鳞爪张扬，鎏金色泽凝敛华贵，将神兽的威严悍烈尽数铺展。錾刻的鳞片刻画入微，火焰纹随躯干翻卷游走，仿佛周身腾着烈烈金焰，每一处关节都张扬着遒劲张力，尽显灵动悍猛的神采，将神龙遨游云渊的雄姿定格。狞厉的兽面带着睥睨众生的威仪，仿佛下一刻就要破壁而去，把神兽的桀骜与尊贵融为一体，尽显传统金属细作的极致精妙。",[55,430,268,2266,2267,59,272,2268],"錾刻","铸造","清代风格","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F1432055d7bce4f0d631b5d9aa127b053.jpg",[436],121,{"id":2273,"slug":2274,"title":2275,"dynasty":55,"author":7,"museum":172,"description":2276,"tags":2277,"thumbUrl":2283,"material":11,"size":11,"collection":274,"collections":2284,"showCount":2271,"zanCount":351,"manualWeight":49,"mainColor":70},241699,"cui-sheng-shi-dai-zhu-shi-chao-zhu-yi-ming-241699","催生石带珠石朝珠","主珠取青金石，色如邃夜幕色，匀净莹润，自带沉静华贵之气。珊瑚配珠鲜亮暖艳，与冷调青金相映，撞色和谐雅致。催生石背云质地柔润，凝脂般的晕彩柔和内敛，同珊瑚记捻、碧玺翡翠坠角错落呼应，细节处尽显工艺匠心。整串朝珠将各色宝玉石的天然质感与佩饰礼制美学相融，于规整制式中暗藏精妙巧思，静述旧时仪制里的雅致意韵。",[160,39,267,2278,2279,2280,2281,2282],"珠石","催生石","工艺","串缀","清代工艺","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F486401758b796d52ea5a8a4b0a12fb59.jpg",[274],{"id":2286,"slug":2287,"title":2288,"dynasty":141,"author":7,"museum":172,"description":2289,"tags":2290,"thumbUrl":2292,"material":11,"size":11,"collection":11,"collections":2293,"showCount":2271,"zanCount":153,"manualWeight":49,"mainColor":50},228216,"mu-dan-hua-hui-tu-zhou-yi-ming-228216","牡丹花卉图轴","以深沉绢地托举群芳，白牡丹莹洁似凝脂，红牡丹浓艳若燃霞，紫牡丹晕染出雅致柔韵。花姿或肆意盛放、或含苞颔首，俯仰之间各有姿态。叶片以细腻晕染分出阴阳向背，脉络清浅舒展，将草木柔润生机尽藏笔底。构图繁而不乱，错落排布尽显繁茂却不觉拥塞，将牡丹的雍容富贵融于清雅古拙的笔意之中，尽显花鸟写生的精湛功力，把国色天香的神韵晕染得恰到好处。",[26,79,27,28,29,31,32,98,190,2291],"绿叶","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F8f44b549ecd7f5efb68ebd193de03a4a.jpg",[],{"id":2295,"slug":2296,"title":1510,"dynasty":171,"author":7,"museum":292,"description":698,"tags":2297,"thumbUrl":2299,"material":296,"size":297,"collection":11,"collections":2300,"showCount":2271,"zanCount":351,"manualWeight":49,"mainColor":50},226164,"ku-zhu-shi-bei-bi-yi-ming-226164",[175,30,32,329,33,129,2298],"殿堂","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F748644ad0fd67b6179cedd9df594a9ea.jpg",[],{"id":2302,"slug":2303,"title":2304,"dynasty":2305,"author":7,"museum":76,"description":2306,"tags":2307,"thumbUrl":2310,"material":1770,"size":2311,"collection":11,"collections":2312,"showCount":2271,"zanCount":351,"manualWeight":49,"mainColor":50},223336,"dan-feng-you-lu-tu-yi-ming-223336","丹枫呦鹿图","五代十国","《丹枫呦鹿图》描绘的是群鹿游憩于色彩斑斓的秋林中的情景，造型生动真实，颇具情趣。其构图繁密饱满，形式美感强烈，装饰味浓。\n《丹枫呦鹿图》中，作者使用传统的皴法、勾勒之法较少，却大幅度使用了类似西方的光影之法来表现鹿的立体感，且敷色富丽鲜艳又有别干常见的没骨山水。实异于汉族文化地区之画作，属辽画之精品。",[26,27,28,79,29,32,31,2308,358,272,131,2309],"枫树","红叶","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F05a0c1c1455178893acd65ad00afdad0.jpg","纵118.5cm，横64.6cm",[],{"id":2314,"slug":2315,"title":1874,"dynasty":241,"author":7,"museum":76,"description":2316,"tags":2317,"thumbUrl":2319,"material":616,"size":2320,"collection":45,"collections":2321,"showCount":2271,"zanCount":49,"manualWeight":49,"mainColor":70},216958,"ming-tai-zu-ban-shen-xiang-yi-ming-216958","这幅画描绘了朱元璋的长脸，气势非凡，眼睛深邃，脸颊修长。",[27,28,31,32,33,345,59,2318],"明代风格","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F8f24401c5275f2f31ff091e08817cfd6.jpg","101.6x65.4",[45],{"id":2323,"slug":2324,"title":2325,"dynasty":55,"author":7,"museum":172,"description":2326,"tags":2327,"thumbUrl":2328,"material":11,"size":11,"collection":11,"collections":2329,"showCount":2330,"zanCount":153,"manualWeight":49,"mainColor":70},239214,"zhao-zhi-qian-mu-dan-tu-zhou-yi-ming-239214","赵之谦牡丹图轴","此作兼工带写，以淡墨绘枯木顽石，焦墨点苔晕出水墨层次。粉牡丹柔妍灵动，花瓣从淡粉晕染至绯色，金黄花芯点簇鲜活。蓝叶以没骨法晕开，色韵清透雅致。右上角行书题笔苍劲朴拙，诗画相映。\n\n花木娇柔与湖石浑朴刚硬形成鲜明对照，刚柔并济，尽显文人写意意趣，将初夏庭间牡丹倚石盛放的清寂雅致铺展开来。笔意纵逸随性，设色秀而不媚，尽显晚清写意花鸟的典型风貌，借花石传递出悠然古淡的文人情致。",[27,29,32,80,98,146],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ff10e1ffe0de8cd4eac0f7a47ebe7cb28.jpg",[],120,{"id":2332,"slug":2333,"title":2334,"dynasty":241,"author":7,"museum":970,"description":2335,"tags":2336,"thumbUrl":2339,"material":1433,"size":2340,"collection":11,"collections":2341,"showCount":2330,"zanCount":249,"manualWeight":49,"mainColor":50},223381,"qian-qiu-jue-yan-tu-yi-ming-223381","千秋绝艳图","此卷在六米多长的画面上，绘写了近七十位古代仕女形象，画中女子采用工笔重彩，多用铁线描钩勒衣纹。服饰敷彩妍丽鲜明。每个人物都手持或配有最能代表和体现她们身份的配物，并在右上方，各题有七言绝句一首。",[26,27,28,96,31,32,33,127,687,2337,39,345,898,190,2338],"笔墨纸砚","珊瑚","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F2ca25007acf93fb2441506aa6e02095e.jpg","29.5x667.5厘米",[],{"id":2343,"slug":2344,"title":2345,"dynasty":241,"author":7,"museum":76,"description":2346,"tags":2347,"thumbUrl":2349,"material":616,"size":11,"collection":45,"collections":2350,"showCount":2330,"zanCount":260,"manualWeight":49,"mainColor":50},217063,"ming-dai-di-hou-ban-shen-xiang-yi-ming-217063","明代帝后半身像","宪宗纯皇帝与孝贞纯皇后",[27,28,31,32,33,2348,59,345,39,931],"肖像","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fcae4dd485eb0cd4eaa47ae7a14e2407c.jpg",[45],{"id":2352,"slug":2353,"title":2354,"dynasty":55,"author":7,"museum":172,"description":2355,"tags":2356,"thumbUrl":2362,"material":296,"size":297,"collection":11,"collections":2363,"showCount":2364,"zanCount":351,"manualWeight":49,"mainColor":70},267356,"zhi-jin-jin-xian-wu-liang-shou-fu-tang-ka-yi-ming-267356","织锦金线无量寿佛唐卡","唐卡（Thang-ga）也叫唐嘎，唐喀，系藏文音译，指用彩缎装裱后悬挂供奉的宗教卷轴画。唐卡是藏族文化中一种独具特色的绘画艺术形式，题材内容涉及藏族的历史、政治、文化和社会生活等诸多领域，传世唐卡大都是藏传佛教和本教作品。\n唐卡是藏族文化中一种独具特色的绘画艺术形式。具有鲜明的民族特点、浓郁的宗教色彩和独特的艺术风格，用明亮的色彩描绘出神圣的佛的世界；颜料传统上是全部采用金、银、珍珠、玛瑙、珊瑚、松石、孔雀石、朱砂等珍贵的矿物宝石和藏红花、大黄、蓝靛等植物为颜料以示其神圣。这些天然原料保证了所绘制的唐卡色泽鲜艳，璀璨夺目，虽经几百年的岁月，仍是色泽艳丽明亮。因此被誉为中国民族绘画艺术的珍品，被称为藏族的”百科全书”也是中华民族民间艺术中弥足珍贵的非物质文化遗产。\n传统唐卡的绘制要求严苛、程序极为复杂，必须按照经书中的仪轨及上师的要求进行，包括绘前仪式、制作画布、构图起稿、着色染色、勾线定型、铺金描银、开眼、缝裱开光等一整套工艺程序。制作一幅唐卡用时较长，短则半年完成，长则需要十余年。",[2357,2358,2359,30,1170,2360,1572,2361],"唐卡","织锦","金线","无量寿佛","宗教人物","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F2bda3ab67716805e769810a8eba6df05.jpg",[],11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袁桂珍画虎。在面板的左侧是 归真 的签名，似乎已经被改变。因此需要进一步研究，以确定这幅画是由 归真 还是 李 姓画家创作的。画中，旷野荒凉，松树茂盛，绿竹随风飘荡，溪水潺潺。中国的习俗是把鹰和虎都画在一起。'虎'字形容地势雄伟险要，'鹰'字指的是雄伟壮丽的人才展示。这是一种比喻方式，表达了一种优越的地位和挥舞大权的能力。对于古代画家来说，老虎并不像今天这样容易看到，这幅画对老虎的形态描绘得非常精致，是中国绘画史上最好的作品之一。画风的上限可能早于元代，但可能是南宋的作品。",[26,27,219,32,614,887,272,131,162],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F15501d2a2c11b6aebfe96cf28f72ce0c.jpg","25.6x26.6",[85],{"id":2546,"slug":2547,"title":1549,"dynasty":55,"author":7,"museum":465,"description":2548,"tags":2549,"thumbUrl":2550,"material":43,"size":2551,"collection":87,"collections":2552,"showCount":2526,"zanCount":49,"manualWeight":49,"mainColor":50},216675,"zhu-que-tu-yi-ming-216675","竹雀图是一幅出自清朝佚名画家之手的名画。这幅画描绘了一只竹雀和一些竹子的景象。竹雀图以其细腻的线条和精确的造型而闻名，代表了清朝时期中国画的高超技艺。此外，竹雀图还被认为是一幅充满寓意的画作，象征着含蓄、谦虚和高尚的品质。",[27,28,29,32,31,80,145,193,146],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F5af219407ce773a050075d6ae42b557d.jpg","128x29cm",[87],{"id":2554,"slug":2555,"title":2556,"dynasty":55,"author":7,"museum":172,"description":2557,"tags":2558,"thumbUrl":2562,"material":296,"size":297,"collection":11,"collections":2563,"showCount":2564,"zanCount":49,"manualWeight":49,"mainColor":70},234412,"qing-ren-lv-cai-shen-xiang-zhou-yi-ming-234412","清人绿财神像轴","画面核心的绿财神身覆翠色，忿怒面容暗含慈悲，踞坐白狮宝座，宝冠披帛华丽庄严，尽显护法尊神的威仪。虚空云海间环布诸位化现圣尊，层次分明；下方雪域山林间，信众牵驼持礼，列队朝奉，烟火供品俱全，融肃穆神性与鲜活世情于一体。\n\n以矿物彩料敷色，青蓝底色衬得诸像明丽厚重，铁线描流畅勾勒衣袂飘逸、瑞兽雄健，精准恪守藏传造像仪轨，又以细腻笔触铺陈出佛国盛景，尽显清代藏式唐卡富丽庄严的独特风韵。",[27,29,1622,32,31,30,33,272,2559,1006,2560,163,445,60,2561,345],"大象","狮子","供品","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F51485349796cab9064d6a260e9da4fb8.jpg",[],114,{"id":2566,"slug":2567,"title":2568,"dynasty":22,"author":7,"museum":292,"description":1441,"tags":2569,"thumbUrl":2576,"material":296,"size":297,"collection":11,"collections":2577,"showCount":2564,"zanCount":49,"manualWeight":49,"mainColor":50},226514,"bi-hua-p-4518-cai-hui-qian-shou-qian-yan-guan-yin-guan-yin-tu-yi-ming-226514","壁画P.4518彩绘千手千眼观音观音图",[175,1169,30,32,33,2570,2571,2572,1504,2573,2574,2361,1572,2449,2575],"观音像","千手千眼","光环","古画","传统技法","设色画","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fab075ae459d8db70624d7a88f36c66cc.jpg",[],{"id":2579,"slug":2580,"title":2581,"dynasty":75,"author":7,"museum":172,"description":2582,"tags":2583,"thumbUrl":2585,"material":11,"size":11,"collection":274,"collections":2586,"showCount":2564,"zanCount":49,"manualWeight":49,"mainColor":1162},221645,"yu-shi-yi-ming-221645","玉饰","此件玉作选取带糖色青白玉料，俏色施艺，将糖色随形化螭，巧思独具。双螭盘桓于佩身，身姿婉转灵动，肌理圆融饱满，云尾盘悬飘逸，把瑞兽的矫健身形刻画得惟妙惟肖。\n透雕与圆雕互衬，虚实相生，留白处衬出螭兽的灵动气韵，深褐糖色与莹润玉底相映成趣。褪去上古螭纹的狞厉，糅合宋时雅致审美，添了几分柔婉隽秀。包浆莹润温厚，将写实与写意融于方寸玉面，把瑞兽蓬勃生气凝为永恒，尽显彼时以玉寄情的清雅意趣。",[711,267,268,2584,39],"兽类","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F3801811f3edc7139b770da9001c95a57.jpg",[274],{"id":2588,"slug":2589,"title":2590,"dynasty":75,"author":7,"museum":172,"description":2591,"tags":2592,"thumbUrl":2595,"material":296,"size":297,"collection":2200,"collections":2596,"showCount":2597,"zanCount":351,"manualWeight":49,"mainColor":50},223710,"ru-yao-qing-ci-die-yi-ming-223710","汝窑青瓷碟","汝窑是北宋后期宋徽宗年间建立的官窑，时间前后只有二十年。对于作为官窑时烧出的汝窑瓷器，有一个专属名称叫“汝瓷”。而五大名窑中的汝窑应该指的就是这作为官窑二十年的汝窑。因开窑时间极短，传世的器件又极为稀少，所以愈发珍贵。仅就宋瓷而言，“汝瓷”的成就最高。",[75,2194,2593,2594,346,2195],"青瓷","开片","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fe6cbf619ebf2138b23d2526c32d88682.jpg",[2200],113,{"id":2599,"slug":2600,"title":2601,"dynasty":241,"author":7,"museum":1201,"description":2602,"tags":2603,"thumbUrl":2605,"material":43,"size":11,"collection":45,"collections":2606,"showCount":2597,"zanCount":260,"manualWeight":49,"mainColor":50},219577,"ting-zhong-shang-le-tu-yi-ming-219577","庭中赏乐图","画面绘闺中闲景，四位仕女各得幽趣。二人对坐似行猜枚之戏，指尖轻扬，情态灵动鲜活；侧坐仕女支臂观戏，慵懒悠然；侍立婢女持扇静候，恭谨安恬。衣褶线条柔婉舒展，晕染出绫罗软缎的垂坠质感，鬓间花钿衬出闺阁佳人的柔秀雅致。布景简淡，仅以浅绘草卉点染庭中清寂，古褐底色晕出庭院静谧松弛的氛围。笔致清逸简淡，将深闺日常的闲散意趣娓娓道来，尽显温婉含蓄的古典仕女审美意韵。",[27,28,31,32,33,127,2604,687,64],"水仙","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F86260b0dda74b3817ea2971ec93bb2fa.jpg",[45],{"id":2608,"slug":2609,"title":2610,"dynasty":2305,"author":7,"museum":76,"description":2611,"tags":2612,"thumbUrl":2613,"material":296,"size":297,"collection":11,"collections":2614,"showCount":2615,"zanCount":49,"manualWeight":49,"mainColor":50},288517,"huan-yue-tu-yi-ming-288517","浣月图","庭院浓荫覆裹，夜色晕开朦胧柔光。仕女们姿态温婉舒展，正于池畔浣月戏玩。主角掬水揽月，月影随波轻漾，身侧女眷凝神静观，似沉溺在这静夜雅趣之中，案边侍女垂首侍立，屏声静气。\n\n衣袂线条柔婉凝练，寥寥几笔便勾勒出闺阁女子的柔婉体态，设色沉雅古拙，花木石台都晕染着幽幽夜色，将深宫院落的闲谧氛围尽数铺展。全画布景简淡却意蕴悠长，把月下清玩的闲情与深苑夜色相融，古雅沉静里藏着悠悠闺中意绪，尽显古画的含蓄雅致。",[26,27,32,31,33,127,650,190,38],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F9ccd6842a037fe4359fde0eef99220dd.jpg",[],112,{"id":2617,"slug":2618,"title":2619,"dynasty":1451,"author":7,"museum":172,"description":2620,"tags":2621,"thumbUrl":2622,"material":11,"size":11,"collection":436,"collections":2623,"showCount":2615,"zanCount":49,"manualWeight":49,"mainColor":50},242155,"fei-cui-diao-shi-nv-xiang-yi-ming-242155","翡翠雕仕女像","此作取油青底翡翠，褐黄绺色晕染衣间，更以黄翡俏雕净瓶花枝，黄绿相映鲜活灵动。仕女发髻高绾，面容恬柔含笑，宽袖长衣垂坠舒展，衣褶如流云轻漾，身姿温婉袅娜。\n\n匠人依料施艺，将玉料天然肌理与仕女柔婉仪态相融，双手捧净瓶的端庄姿态，铺陈出东方女子端秀娴静的气韵，方寸间勾勒雅致国风意境，写实工巧又暗含春日生机，尽显雅致匠心。",[1451,267,268,127,346],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F7419bde41437a6cd4207ded455ed410a.jpg",[436],{"id":2625,"slug":2626,"title":2627,"dynasty":55,"author":7,"museum":172,"description":2628,"tags":2629,"thumbUrl":2635,"material":11,"size":11,"collection":274,"collections":2636,"showCount":2615,"zanCount":49,"manualWeight":49,"mainColor":277},242018,"yin-du-jin-qian-bao-shi-dian-hua-yi-ming-242018","银镀金嵌宝石钿花","累金丝蜿蜒盘作灵芝枝蔓，如从仙苑采撷而来的灵秀景致。点翠晕出幽润清蓝，似将晴空揉碎嵌于鎏金之上。各色宝石错落缀饰，艳红似凝就的朱砂血滴，靛蓝、墨黑、莹绿各展风华，与暖调鎏金、幽蓝点翠相映成趣。\n整体舒展灵动，细金工艺的精巧雅致融于其中，把东方美学里的祥瑞意趣凝在发间方寸，华贵中带着清逸仙气，尽显旧时妆饰里的极致匠心。",[160,1154,430,2630,1690,39,2631,2632,2633,2634],"嵌宝石","金属工艺","镶嵌工艺","宝石装饰","金属雕刻","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fa79b1003f0be4ca2734c8f0a7640d732.jpg",[274],{"id":2638,"slug":2639,"title":2640,"dynasty":55,"author":7,"museum":172,"description":2641,"tags":2642,"thumbUrl":2648,"material":11,"size":11,"collection":274,"collections":2649,"showCount":2615,"zanCount":351,"manualWeight":49,"mainColor":50},241849,"dai-mao-xiang-jin-qian-zhu-bao-zhuo-yi-ming-241849","玳瑁镶金嵌珠宝镯","这只镯身以玳瑁为底，凝润通透自带琥珀柔光，素净底色托出金彩宝光。鎏金錾刻的托座上，错落嵌就松石、珊瑚、碧玺与珍珠，攒成小花瑞果纹样。冷调石色暖质金托相映，艳而不俗，贵而不奢。\n\n细微处嵌合严丝合缝，尽显精工巧思，将文气的有机材质与华贵的珠宝金工相融，雅致与富丽平衡恰好，藏着旧时闺阁的精致意趣，把东方配饰的含蓄韵味与奢华工艺揉为一体。",[160,431,2643,2644,2645,2646,2647,1563,1688,1690,39,190,2268],"镶金","嵌珠宝","玳瑁","金","珠宝","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F2817a83bca34d553ca2bc3b5d6f98068.jpg",[274],{"id":2651,"slug":2652,"title":2653,"dynasty":55,"author":7,"museum":172,"description":2654,"tags":2655,"thumbUrl":2658,"material":11,"size":11,"collection":11,"collections":2659,"showCount":2615,"zanCount":260,"manualWeight":49,"mainColor":50},230302,"fang-chou-ying-wang-chuan-tu-yi-ming-230302","仿仇英辋川图","此作用鲜亮石青、石绿晕染勾勒山峦，兼具勾勒骨力与晕染秀润，设色雅致明丽。画幅间烟波浩渺，云气悠然萦绕山谷峰林，村居屋舍错落隐现于林木水岸之间，将辋川别业的林泉意韵铺陈开来。整体意境清旷淡远，把诗意山居化为具象图景，尽显复古工笔青绿山水的雅逸格调，传递出隐世丘园的悠然禅意。",[26,27,28,96,1622,32,31,122,60,1142,63,131,2656,2657,531],"建筑","河流","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F311e89b0c05248950e4ccf7747f51546.jpg",[],{"id":2661,"slug":2662,"title":2663,"dynasty":241,"author":7,"museum":76,"description":2664,"tags":2665,"thumbUrl":2669,"material":43,"size":2670,"collection":45,"collections":2671,"showCount":2615,"zanCount":49,"manualWeight":49,"mainColor":50},218437,"shi-jia-mu-ni-fu-yi-ming-218437","释迦牟尼佛","该图像描绘了佛祖坐在三个小孩子的身体上，这种仪式很少见。台北故宫的这幅画是由一位不知名的明代艺术家所作，但与宋旭的佛像画有一定的联系，面板上也有他的印记和印章，所以可以说是他的作品。",[27,32,31,30,29,33,2666,2667,532,2668],"佛","小鬼","衣纹","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F7058a98101b5e16f2e6e599d46b8955b.jpg","135.7x76.8",[45],{"id":2673,"slug":2674,"title":2675,"dynasty":75,"author":7,"museum":76,"description":2676,"tags":2677,"thumbUrl":2678,"material":43,"size":2679,"collection":85,"collections":2680,"showCount":2681,"zanCount":351,"manualWeight":49,"mainColor":70},218814,"shan-ju-tu-yi-ming-218814","山居图","这幅画描绘了一个僻静的山间小屋，村子里的一家人正在享受着秋冬季节树上落下的叶子。这幅画表现的是山中民居的一角，没有任何细致的景物，但笔触轻盈，缺乏宋代的气氛。",[26,27,144,60,614,676,953,35,2419,146],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F2924421e597798386d1aab5272a02a28.jpg","25.1x26.4",[85],111,{"id":2683,"slug":2684,"title":2685,"dynasty":141,"author":7,"museum":172,"description":2686,"tags":2687,"thumbUrl":2689,"material":296,"size":297,"collection":11,"collections":2690,"showCount":2691,"zanCount":351,"manualWeight":49,"mainColor":50},290164,"mo-li-zhao-dao-ming-huang-xing-shu-tu-yi-ming-290164","摹李昭道明皇幸蜀图","此图可能为宋代摹本，但比较接近李思训、李昭道父子的画风，是反映唐代山水画面貌的重要传世作品。宋代苏轼对此图的艺术手法曾有过一段描写，从马的特征认出骑马的便是唐明皇李隆基。",[27,122,1622,32,60,33,1006,2688,331,162,518],"古道","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F5ddcfa9101a675f217a7063e8075a829.jpg",[],110,{"id":2693,"slug":2694,"title":2695,"dynasty":55,"author":7,"museum":1201,"description":2696,"tags":2697,"thumbUrl":2698,"material":43,"size":2699,"collection":506,"collections":2700,"showCount":2691,"zanCount":49,"manualWeight":49,"mainColor":50},219918,"fang-jing-hao-kuang-lu-tu-yi-ming-219918","仿荆浩匡庐图","此作以全景铺陈层峦雄峰，取法北派山水沉郁雄浑的体格，硬朗苍劲的皴笔勾勒出山岩嶙峋质感，峰崖崔嵬直入云间，尽显巍峨磅礴之气。\n\n幽谷间虬木古拙苍劲，山居隐于林麓，飞瀑流泉循着山涧蜿蜒而下，为沉凝的山石注入灵动生机，高远与深远兼具，铺展出辽邈静谧的山林天地。古雅褐调晕染出幽寂的山野氛围，将大山大水的厚重气象，与林下幽居的隐逸意趣相融，摹古之间自有意趣生发，尽显传统山水的庙堂气度与林下风神。",[27,60,144,614,122,162,131,1102,1623,130,734],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F0eb56e540505fbe81a87741e447dcf3e.jpg","180.3x67厘米",[506],{"id":2702,"slug":2703,"title":2704,"dynasty":75,"author":7,"museum":76,"description":2705,"tags":2706,"thumbUrl":2711,"material":43,"size":2712,"collection":45,"collections":2713,"showCount":2691,"zanCount":153,"manualWeight":49,"mainColor":50},219215,"qi-xi-qi-qiao-tu-yi-ming-219215","七夕乞巧图","该画以赵构历史故事为题材，反映了北宋和南宋之间的政治形势，是一幅重要的历史画卷",[27,28,96,31,32,329,33,531,129,131,162,650,649,1529,2707,2708,2709,2710],"坐具","石阶","古树","竹子","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F4a58d9388e985a9f6a1f3b8c8fc737cb.jpg","29.6x149.2厘米",[45],{"id":2715,"slug":2716,"title":2717,"dynasty":241,"author"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山石全以斧劈皴出之，描绘树木勾点并用。整幅图有峻峭秀逸之气。",[26,27,28,2415,32,614,162,1102,531,331,130,61,613,1623],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F2237080d6dc050c086dee19035000720.jpg","水墨，淡设色","纵178厘米，横104厘米",[85,506],{"id":2835,"slug":2836,"title":2837,"dynasty":241,"author":7,"museum":499,"description":2838,"tags":2839,"thumbUrl":2841,"material":43,"size":2842,"collection":45,"collections":2843,"showCount":2823,"zanCount":351,"manualWeight":49,"mainColor":50},219569,"xian-nv-feng-huang-tu-yi-ming-219569","仙女凤凰图","仕女身姿柔婉，高髻簪饰，曳地长裙衣带萦回，袂角随风轻扬，仪态娴静端雅，尽是闺秀仙姿。身旁凤凰翎毛苍劲蓬松，写意笔法朴拙大气，与仕女衣纹的细劲铁线描相映成趣。浅淡设色融于古旧绢底，晕染出幽渺古雅的氛围感，仙姝伴灵禽，似正欲乘鸾凌云，缥缈出尘。\n\n笔墨兼具工写之妙，仕女沉静柔婉，凤凰灵动苍健，动静相生，将世外仙乡的清隽逸气凝于尺幅之间，尽显雅致出尘的古典意韵。",[26,27,28,123,32,33,2840,29],"凤凰","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fd5aad1fb6eda19289875db3f46e21ef8.jpg","146.8x94.5厘米",[45],{"id":2845,"slug":2846,"title":2847,"dynasty":75,"author":7,"museum":465,"description":2848,"tags":2849,"thumbUrl":2850,"material":43,"size":2851,"collection":506,"collections":2852,"showCount":2823,"zanCount":260,"manualWeight":49,"mainColor":50},217066,"chun-shan-xing-lv-tu-yi-ming-217066","春山行旅图","春山行旅图是宋朝（960-1279年）佚名的一幅山水画作品。这幅画描绘了一位旅人在春天游览山水的景象。画面中的景色十分优美，充满了生机和活力。画中的山峰高耸，水流清澈，树木茂密，空气清新。整幅画浓烈的山水意境，清新自然的画风，使得这幅画在当时颇受欢迎，被认为是一幅杰出的艺术作品。",[27,28,2415,614,32,953,131,1623,129,162,33,130,613],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F24ab87eb107c3ff0a2caa7861e5582bd.jpg","104x51cm",[506],{"id":2854,"slug":2855,"title":2856,"dynasty":241,"author":7,"museum":172,"description":1167,"tags":2857,"thumbUrl":2858,"material":296,"size":297,"collection":11,"collections":2859,"showCount":2860,"zanCount":351,"manualWeight":49,"mainColor":277},287649,"shui-yue-guan-yin-zuo-xiang-wu-se-cha-ban-yi-ming-287649","水月观音坐像（无色差版）",[26,27,28,30,32,31,33,176,34,358],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fa3b48459cb8a2b78d98dd220d80ef855.jpg",[],105,{"id":2862,"slug":2863,"title":2864,"dynasty":75,"author":7,"museum":172,"description":2865,"tags":2866,"thumbUrl":2870,"material":43,"size":2871,"collection":112,"collections":2872,"showCount":2860,"zanCount":153,"manualWeight":49,"mainColor":50},219054,"ying-xi-tu-yi-ming-219054","婴戏图","苍树虬枝荫蔽下，一架斜搭的棚架成了稚子的欢闹场。红衣孩童伏在架面，似要顺着木纹滑下，姿态憨拙可爱；旁侧小儿伸手引伴，另一个正手脚并用地向上攀爬，顶端的孩子扬臂欢笑，满是得意。笔墨细腻处，衣纹的褶皱、孩童的发髻皆清晰可见，质朴的色调晕染出温润的氛围。画面无繁复修饰，却将童年的天真烂漫描摹得淋漓尽致，仿佛能听见稚子的嬉笑声穿透时光，让观者也不禁被这份纯粹的欢愉所感染，沉醉在那片无忧的童趣里。",[79,27,28,31,32,33,2867,532,2868,2869],"婴孩","围栏","婴戏","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F2cdaf16c7bbadec7066e3e97e58d9b97.jpg","22.3x20.7",[112],{"id":2874,"slug":2875,"title":2876,"dynasty":75,"author":7,"museum":76,"description":2877,"tags":2878,"thumbUrl":2879,"material":43,"size":11,"collection":506,"collections":2880,"showCount":2860,"zanCount":310,"manualWeight":49,"mainColor":50},218798,"gu-mu-zhu-shi-tu-yi-ming-218798","古木竹石图","这幅画显示了一块巨大的岩石，上面有两棵枯树和海滩上的两片新竹林。岩石用飞白画法，树木用篆书画法，以李国的蟹爪为树枝。树木和石头的笔触是动态的，与竹叶的笔触相映成趣，就像教堂字体的四肢，使这幅画成为书法的趣味。这是 历代绘画作品集 中的一幅画。",[26,79,27,28,144,614,2144,613,145,146,82],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F965e42937020f7b42fb8c718a993ded4.jpg",[506],{"id":2882,"slug":2883,"title":377,"dynasty":241,"author":7,"museum":499,"description":2884,"tags":2885,"thumbUrl":2886,"material":43,"size":2887,"collection":87,"collections":2888,"showCount":2860,"zanCount":49,"manualWeight":49,"mainColor":50},216733,"hua-niao-tu-yi-ming-216733","花鸟图是中国明朝时期的一种流行的图画作品，通常用来装饰宫殿、庙宇、寺庙和民间住宅。花鸟图画的主题是花和鸟，这些图画通常具有浓郁的艺术气息，并且富有想象力。花鸟图画的风格各异，有的呈现出绚丽多彩的色彩，有的则更加简洁和精细。花鸟图画被广泛地应用于家具、屏风、纸品等各种物品上，为人们的生活带来美感和情感的满足。",[26,27,28,32,31,80,193,207,82],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fb2ee16ee0d6aa3b7e54d2fc25984cc1c.jpg","26x22.2cm",[87],{"id":2890,"slug":2891,"title":697,"dynasty":171,"author":7,"museum":292,"description":698,"tags":2892,"thumbUrl":2895,"material":296,"size":297,"collection":11,"collections":2896,"showCount":2897,"zanCount":49,"manualWeight":49,"mainColor":50},226430,"ku-zhu-shi-zao-jing-yi-ming-226430",[590,175,32,30,701,190,1169,987,2893,2894],"缠枝纹","对称纹样","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F341011cc2b12d4d9c9d58edb7f57fb73.jpg",[],104,{"id":2899,"slug":2900,"title":2901,"dynasty":75,"author":7,"museum":172,"description":2902,"tags":2903,"thumbUrl":2905,"material":335,"size":2906,"collection":11,"collections":2907,"showCount":2897,"zanCount":153,"manualWeight":49,"mainColor":50},223374,"feng-huang-tu-zhou-yi-ming-223374","凤凰图轴","图上一只蓝翎凤凰立于花丛中，红冠鲜艳，眼神威严、犀利，羽毛七彩斑斓，尾翎修长，单脚站立彰显百鸟之王的尊贵；四周牡丹盛开，花团锦簇，丹顶鹤、鸳鸯数只陪伴左右。此幅无款无印，应出自宫廷画家之手，宫廷风格甚浓。",[26,79,27,29,31,32,80,2840,404,2904,98,131,163],"鸳鸯","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F7b738fbba9f87096a63c79173451352a.jpg","92x43cm",[],{"id":2909,"slug":2910,"title":2911,"dynasty":75,"author":7,"museum":76,"description":2912,"tags":2913,"thumbUrl":2914,"material":43,"size":2486,"collection":87,"collections":2915,"showCount":2897,"zanCount":153,"manualWeight":49,"mainColor":70},216599,"xiu-huang-quan-hua-hua-niao-ce-2-yi-ming-216599","绣黄筌画花鸟册-2","绣线交织出兰叶的柔婉姿态，针脚起落间，叶脉的细腻纹路清晰可见，似微风拂过便会轻颤。浅金色花簇缀于青碧草间，色泽温润雅致，与素净底色相衬，流露宋人独有的清逸审美。角落的红墨小物，色彩对比鲜明却不失和谐，为静谧画面添了几分灵动。此作以针代笔，将绘画的工致与刺绣的肌理感相融，既复刻了黄筌画派的细腻，又借丝线的质感赋予画面立体生机，仿佛能窥见宋时窗下，一缕兰香随绣线漫开的静谧时刻，尽显传统工艺与文人意趣的精妙碰撞。",[79,27,28,530,32,80,1665,220,82,1924],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F9056d18793811b531cba23d39e80e11f.jpg",[87],{"id":2917,"slug":2918,"title":2919,"dynasty":241,"author":7,"museum":76,"description":2920,"tags":2921,"thumbUrl":2925,"material":43,"size":2926,"collection":112,"collections":2927,"showCount":2928,"zanCount":49,"manualWeight":49,"mainColor":50},219353,"hua-niao-tu-xing-hua-shuang-ya-yi-ming-219353","花鸟图-杏花双鸭","此幅绘柳岸池塘，杏花繁茂，双燕翻飞，翠鸟窥机、二鸭嬉戏。",[27,32,31,80,2922,2923,1092,163,1281,36,2924],"杏花","双鸭","枝条","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fd08be92aa3800553c043da2d21b1ba09.jpg","161.5x80.1",[112],103,{"id":2930,"slug":2931,"title":2932,"dynasty":22,"author":7,"museum":254,"description":2933,"tags":2934,"thumbUrl":2935,"material":43,"size":2936,"collection":45,"collections":2937,"showCount":2928,"zanCount":351,"manualWeight":49,"mainColor":277},218291,"di-ba-fa-an-luo-fu-duo-luo-zun-zhe-yi-ming-218291","第八伐闇罗弗多罗尊者","怒目含威却藏澄明，头光晕染出柔和光晕，与尊者棱角分明的面容形成微妙平衡。膝畔蛟龙盘绕，鳞爪毕肖却敛去戾气，似被指尖轻触的温煦驯服——那是愿力凝成的慈悲。衣袂间墨线流转如行云，青蓝裙摆与深褐袈裟相映，古雅色调裹着绢本的厚重质感。赤足踏地，趾节细节入微；袈裟褶皱层叠，每一道纹路都似承载着岁月的呼吸。笔墨刚健处见筋骨，柔婉处显气韵，庄严中透着灵动：尊者以定力伏龙，让野性归于安宁，千年后的今天，仍能从这帧古画里，触摸到那份深邃的佛法力量与匠心温度。",[27,29,30,33,59,31,32],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F1687d11dff2f0af58d4d94077f2ae885.jpg","114.4x59.5",[45],{"id":2939,"slug":2940,"title":2941,"dynasty":55,"author":7,"museum":172,"description":2942,"tags":2943,"thumbUrl":2948,"material":296,"size":297,"collection":45,"collections":2949,"showCount":2950,"zanCount":153,"manualWeight":49,"mainColor":70},289911,"sheng-ping-le-shi-tu-ce-shi-er-kai-yi-ming-289911","升平乐事图册十二开","设色雅致柔润，取景精妙入微。水岸雕栏楼阁内，仕女孩童凭栏观览，孩童探身嬉玩，仕女悠然垂目，神态鲜活尽显闲逸松弛。水滩货幌高挑，摊贩游人往来鲜活，将市井升平的融融暖意铺陈开来。\n\n画面远近疏密相宜，浅淡水色晕染出空濛柔美的水岸氛围，细碎笔触勾摹衣饰、风物细节，将日常里的安乐太平藏进雅致笔墨里，把俗世闲情的脉脉温情揉进方寸画幅间，尽显清和悠然的盛世烟火意趣。",[27,530,32,31,33,2944,131,2945,2946,2947],"牛","廊台","喜乐","民俗","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F6f4559f7002287957a6986f15ff5dae2.jpg",[45],102,{"id":2952,"slug":2953,"title":2954,"dynasty":55,"author":7,"museum":172,"description":2955,"tags":2956,"thumbUrl":2959,"material":11,"size":11,"collection":274,"collections":2960,"showCount":2950,"zanCount":351,"manualWeight":49,"mainColor":70},241713,"dong-zhu-chao-zhu-yi-ming-241713","东珠朝珠","这串朝珠以莹白东珠为主体，颗颗匀润似凝雪凝脂，自带清润冷冽的贵气。苍润的绿松石隔珠与佛头错落其间，冷调石色中和了东珠的素净，层次愈发生动。丹红珊瑚串作纪念与饰结，浓烈色调点亮整体，与素白东珠形成鲜明色彩对仗，华贵感跃然而出。背云取大块素面绿松石，光洁雅致，坠饰轻摇间尽显礼制配饰的端方雅致。整器严循规制选料排布，将珍稀物料与礼制审美相融，尽显旧时朝仪的庄重与工艺的精妙。",[160,39,1688,2338,2957,268,2958,267,1954],"绿松石","串制","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F8d77545a534df67b9928843925b0c93e.jpg",[274],{"id":2962,"slug":2963,"title":2964,"dynasty":75,"author":7,"museum":76,"description":29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扬无咎 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柳树周围画有五只猫。 母猫的皮毛颜色很好。 它看起来天真无邪，喜欢在草坡上玩耍。",[27,79,32,31,272,625,613,1092,146],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fd568342453b18257f81c6e57ff45b4c5.jpg","纵121横73厘米",[87],{"id":3590,"slug":3591,"title":3592,"dynasty":241,"author":7,"museum":254,"description":3593,"tags":3594,"thumbUrl":3595,"material":43,"size":3596,"collection":45,"collections":3597,"showCount":3540,"zanCount":351,"manualWeight":49,"mainColor":50},218275,"ji-le-tu-yi-ming-218275","伎乐图","衣袂相偎处，古调似欲漫出绢素。一人执杖而立，衣纹沉郁如暮云垂落；一人抱阮斜倚，弦上仿佛栖着未散的余音。线条简淡却藏韵致，服饰褶皱如流水舒展，古雅色调晕染出时光的温润。两人姿态亲昵，似共守一段静谧辰光，又或在乐声里彼此慰藉。无繁复布景，仅以人物相依与乐器呼应，便勾勒出伎乐生涯中的一抹温情——让千年后的观者，仍能触到那份含蓄暖意与悠然古意，于绢素间听见岁月的轻吟。",[27,29,32,31,33,127,687],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fb577d3e5073e741217357fcfbccf10a8.jpg","83.4x38.2",[45],{"id":3599,"slug":3600,"title":3601,"dynasty":141,"author":7,"museum":465,"description":3602,"tags":3603,"thumbUrl":3604,"material":43,"size":11,"collection":87,"collections":3605,"showCount":3540,"zanCount":49,"manualWeight":49,"mainColor":50},216668,"you-yu-tu-yi-ming-216668","游鱼图","游鱼图是由元朝（1271-1368年）的佚名画家创作的一幅著名的中国画作。这幅画描绘了一条鱼游动在清澈的池塘中，周围是葱郁的树木和山峦。画中的鱼看起来栩栩如生，似乎可以随时从画面中跳出来。这幅画被认为是元朝画坛上最杰出的代表作之一，因其精细的绘画技巧和生动的写意风格而备受赞赏。",[27,28,144,32,31,318,2729],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fd6c4249a76f6272444c798a69ae2976f.jpg",[87],{"id":3607,"slug":3608,"title":2653,"dynasty":55,"author":7,"museum":172,"description":3609,"tags":3610,"thumbUrl":3611,"material":296,"size":297,"collection":11,"collections":3612,"showCount":3613,"zanCount":351,"manualWeight":49,"mainColor":50},230303,"fang-chou-ying-wang-chuan-tu-yi-ming-230303","此作为青绿山水，取法仇英笔意，设色妍丽清润。峰峦层叠以石青石绿晕染，间以赭石提点，秀雅而不失苍劲。云气在山间水畔缓缓舒卷，将错落村居、葱郁林木掩映其中，烟波浩渺的湖水铺陈远阔，衬出群山灵秀。\n\n勾勒皴擦兼具工细与写意，既保有青绿山水的华美质感，又晕染出辋川别业的幽寂禅意，仿若将王维笔下的林下雅趣，化作眼前清旷空灵的桃源胜境，尽显山居林泉的静穆悠远之美。",[26,27,28,96,1622,32,60,122,31,614,1142,131,63,2657,734,503,130],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fe1eda3b72ba96b87a804972ade459581.jpg",[],85,{"id":3615,"slug":3616,"title":3617,"dynasty":55,"author":7,"museum":56,"description":3618,"tags":3619,"thumbUrl":3627,"material":43,"size":3628,"collection":45,"collections":3629,"showCount":3613,"zanCount":153,"manualWeight":49,"mainColor":50},220348,"yong-zheng-di-ji-xian-nong-tan-tu-yi-ming-220348","雍正帝祭先农坛图","先农坛位于北京外城永定门内，始建于明永乐十八年（1420年），嘉靖年间扩建，是明清两代皇帝祭祀农神、祈求丰收的地方。根据史料记载，雍正皇帝在位期间十分重视农业生产，曾多次前往先农坛参加祭祀典礼。《雍正帝祭先农坛图》卷就是这样一件描绘他在先农坛祭祀农神活动的纪实性绘画作品。 　　画卷起始为一片松林，一条御道由右向左延伸。画幅上端有一处殿宇，只画出了台基和部分门窗、墙面，此处应是具服殿。画面再向左出现了众多身着朝服的官员，几十名侍卫围成半圆形，簇拥着缓缓前行的雍正皇帝。乐队队员 身穿红袍静候着皇帝的到来，钟罄鼓瑟齐备。御道拐弯通向一处高台，台上安置桌案、香炉，黄色帐篷里设供案，上置祭器。据《清史稿》记载，祭先农坛“祭品礼数，如社稷礼”，即“羊一，豕一，帛一，豆四，铏、簠、簋各二。”画卷结尾是一片茂密的松柏林和一座坛门。整幅作品构图严谨精确，人物描绘细致生动，敷色明快华丽，堪称清代宫廷绘画的上乘之作。画卷的作者不详。 　　《雍正帝祭先农坛图》卷分上、下两卷，此为上卷，下卷现藏法国巴黎吉美博物馆。上、下两卷分别表现皇帝祭农神和扶犁耕耤田，由此构成皇帝祭祀农神活动的全部内容。",[26,31,32,329,96,33,3620,516,3621,131,1676,3622,3623,3624,3625,2770,3626],"宫殿","祭祀","台阶","灯笼","队伍","仪式","道路","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F7a092cf9f7664e9f3ae86d57249b632e.jpg","纵61.8厘米，横467.8厘米",[45,112],{"id":3631,"slug":3632,"title":3633,"dynasty":1461,"author":7,"museum":172,"description":3634,"tags":3635,"thumbUrl":3636,"material":3637,"size":11,"collection":11,"collections":3638,"showCount":3613,"zanCount":351,"manualWeight":49,"mainColor":50},214218,"zhang-fu-jun-mu-zhi-yi-ming-214218","张府君墓志","该碑以普通文字书写，共二十行，每行二十字，共三百六十七字。虽然墓碑上写的是普通的文字，但笔法却不拘一格，克制而自然优雅。其笔法是中锋和侧锋的结合，笔画有方有圆，风格活泼而优雅，是北魏书法的典范。",[26,854,124,3054],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ff51bd478d09e0fce1f51dd2d2bdcff33.jpg","纸本,拓本,水墨",[],{"id":3640,"slug":3641,"title":3642,"dynasty":22,"author":7,"museum":172,"description":3643,"tags":3644,"thumbUrl":3646,"material":296,"size":297,"collection":11,"collections":3647,"showCount":3648,"zanCount":49,"manualWeight":49,"mainColor":50},230794,"cai-hui-zuo-fo-xiang-yi-ming-230794","彩绘坐佛像","主尊结跏趺坐莲台，三重背光环环相衬，外缘焰纹灵动炽热，内层晕染青绿暖棕，柔和过渡明暗，衬得法相端严沉静。佛陀身披朱红袈裟，袒胸结印，面容圆润温婉，眉目垂敛含慈，平和安然的气韵扑面而来。\n\n八角莲台基座纹饰繁丽，朱红、石青、米白撞色鲜明，尽显精致庄严。右下侍仆捧香跪坐，身形恭谨小巧，反衬出佛尊的宏大慈悲。\n\n整幅设色古朴厚重，线条稚拙凝练，带着民间画工的朴拙意趣。虽纸面因年深日久泛黄残破，却依旧传递出静谧祥和的宗教感染力，尽显民间佛教绘画的独特韵味。",[26,1169,32,30,33,3645,1376,82],"坐佛","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F1627ef9b0f7bbe1ed3c2a99a88c04916.jpg",[],84,{"id":3650,"slug":3651,"title":3652,"dynasty":241,"author":7,"museum":172,"description":3653,"tags":3654,"thumbUrl":3655,"material":296,"size":297,"collection":11,"collections":3656,"showCount":3648,"zanCount":49,"manualWeight":49,"mainColor":277},228411,"wen-shu-xiang-yi-ming-228411","文殊像","文殊菩萨，佛教菩萨名，梵文Maňjuśrī的音译，略称“文殊”，意为“妙德”“妙吉祥”等，新译“曼殊室利”。文殊师利菩萨是中国佛教四大菩萨之一，以论述“般若性空”和“般若方便”的理论著称。\n作为释迦牟尼佛的左胁侍，专司智慧，与司“理”的右胁侍普贤菩萨并称。此外，毗卢遮那如来、文殊菩萨、普贤菩萨被尊称为“华严三圣”。相传文殊菩萨的说法道场在山西五台山。\n文殊菩萨顶结五髻，以代表大日五智，手中持剑，表示以智慧为利剑，驾狮子以表示智慧之威猛。另外，文殊为相应众生的不同因缘，还会有不同形象的“示现”，如一字文殊、五字文殊、六字文殊、八字文殊、一髻文殊、五髻文殊、八髻文殊、儿文殊等。其中以五字五髻文殊最为常见。",[79,27,28,175,30,31,32,33,60,131,63],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F79d6a64a1e16572aa440c8f1e0300caf.jpg",[],{"id":3658,"slug":3659,"title":3660,"dynasty":75,"author":7,"museum":216,"description":3661,"tags":3662,"thumbUrl":3666,"material":1433,"size":3667,"collection":85,"collections":3668,"showCount":3648,"zanCount":351,"manualWeight":49,"mainColor":50},223660,"zha-kou-pan-che-tu-yi-ming-223660","闸口盘车图","是宋代界画精品之一，为典型的“宣和装”，留有“宣和七玺”中的四枚。该卷屋宇楼榭，向背分明，斗拱铺作，不失绳墨。虽然台门有制、界画有度，但画家却用高超的技法突破题材的限制，生动呈现了一幅官营水磨作坊的日常情景。清代成亲王跋云：“雏凤楼中宝绘，须以此为第一，与汉瓦唐琴辉映千古。”",[26,79,27,28,96,329,31,32,33,129,130,3663,1788,131,3664,3665],"车","桥梁","劳作","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F550c385948591bb6e2aac1ff29f0ea9f.jpg","纵55.4厘米横124.1厘米",[85,112],{"id":3670,"slug":3671,"title":3672,"dynasty":55,"author":7,"museum":56,"description":3673,"tags":3674,"thumbUrl":3675,"material":1433,"size":3676,"collection":11,"collections":3677,"showCount":3648,"zanCount":153,"manualWeight":49,"mainColor":50},223473,"zhi-ping-shi-nv-tu-yi-ming-223473","执瓶仕女图","画中少女立于画中，长袍长裙飘扬，高举丝绸高瓶，丝绒修长，露出的右手指甲细长，这姑娘应为高官达人家眷或宫廷内女子",[27,28,29,32,31,33,127,346,345],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F10c7df1b022f11cc8235ca9a2a3f80c2.jpg","92x56厘米",[],{"id":3679,"slug":3680,"title":3681,"dynasty":241,"author":7,"museum":1822,"description":3682,"tags":3683,"thumbUrl":3686,"material":3687,"size":11,"collection":112,"collections":3688,"showCount":3648,"zanCount":351,"manualWeight":49,"mainColor":277},220336,"kong-que-ming-wang-yi-ming-220336","孔雀明王","主尊身色莹白慈悲，六臂分持莲华、鲜果、摩尼宝珠与孔雀翎，怀捧宝瓶，璎珞衣饰以金彩勾勒，尽显华贵庄严。乘骑孔雀羽翼丰美晕染细腻，翎羽层次分明，神姿昂然。背景以深褐为底，孔雀开屏式圆光环伺主尊，眼纹环饰精巧神秘。整体设色沉厚古雅，工笔细密入微，衣袂织物的柔润光泽与造像的神圣感融为一体，在静谧肃穆的氛围里，传递出密宗造像护国息灾的神圣力量，是极具代表性的佛绘精品。",[26,27,31,32,29,30,33,3684,193,177,3685,1378,987,1382,663,190],"孔雀","多臂人物","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fbe61e91b9aaf3f5abd9e79c97669b37e.jpg","设色,绢本",[112],{"id":3690,"slug":3691,"title":3692,"dynasty":75,"author":7,"museum":76,"description":3693,"tags":3694,"thumbUrl":3697,"material":43,"size":3698,"collection":87,"collections":3699,"showCount":3648,"zanCount":351,"manualWeight":49,"mainColor":70},218714,"yang-liu-ru-que-tu-yi-ming-218714","杨柳乳雀图","这幅画描绘了一只鸟在喂养它的孩子。这只鸟被描绘得简单而微妙，它的翅膀用浓墨勾勒，用淡墨上色，小鸟的身高、腹部和背部，俯视、仰视和俯视的姿势都非常精致。柳树稀疏的、交叉的、交错的、下垂的枝条也画得很好。",[26,79,27,28,31,32,80,3695,3696,207,163],"杨柳","雀鸟","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F3bf6bfbc2c1c72fbc541eff9d6f5e0b7.jpg","24.8x24.8",[87],{"id":3701,"slug":3702,"title":3703,"dynasty":241,"author":7,"museum":23,"description":3704,"tags":3705,"thumbUrl":3706,"material":43,"size":3707,"collection":45,"collections":3708,"showCount":3648,"zanCount":351,"manualWeight":49,"mainColor":50},218510,"wang-yuan-shuai-tu-yi-ming-218510","王元帅图","这是一幅道教的水陆画，出自明朝的一位宫廷画家之手。它原本是晚清皇帝翁同龢的收藏品，但后来传到了国外。",[27,28,931,30,31,32,33,59,445],"https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（活动于十二、三世纪之间 ）派倾向粗犷简逸相异其趣。此幅描绘景物，细致生动而且写实，若将之分割数个方块来看，正如南宋之山水册页。可惜无画家名款，目前尚难断定是那位画院名家之作。临溪两岸，竹树茏，於平坦处江村置焉。对岸林麓中烘染云烟如带，群鸦飞噪于其间，弥增雪意，其上则白山皑皑，冰壑峨峨。于林蒨密处，更著一区精舍。本幅造意之精，构景之妙，可称独至。而笔墨细腻，烘染妥帖，尤足以称其意云。",[26,27,28,29,32,60,614,953,3733,3734,163,131,531,734,359,130],"雪","溪","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F00042d59364ebed0c21eb560489aef52.jpg","56x102",[85,506,1116],{"id":3739,"slug":3740,"title":3741,"dynasty":241,"author":7,"museum":254,"description":3742,"tags":3743,"thumbUrl":3744,"material":43,"size":3745,"collection":112,"collections":3746,"showCount":3715,"zanCount":351,"manualWeight":49,"mainColor":50},219251,"dong-shan-wo-hu-tu-yi-ming-219251","冬山卧虎图","寒岩之上，猛虎蜷卧。斑纹以墨线精准勾勒，间杂赭色轻晕，皮毛的蓬松质感似触手可及。虎目微阖，似憩非眠，虽无咆哮之威，却藏沉潜气势。旁侧古松虬曲，枝干如铁，松针疏密有致；岩石皴法朴拙，斑驳处隐见残雪，透出冬日清寂。笔墨兼工带写，动物造型生动传神，山水布景简括古雅。整幅画于静谧中蕴张力，既见画师对生灵姿态的细腻捕捉，亦显对冬日山景的深刻体察，在沉郁色调里，铺展一段自然与生命的悠然对话。",[27,28,32,31,887,272,60,331,162,952],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fe4902029b2d5488e3af7e90169c94e1c.jpg","26.1x40.6厘米",[112],{"id":3748,"slug":3749,"title":3750,"dynasty":141,"author":7,"museum":720,"description":3751,"tags":3752,"thumbUrl":3754,"material":43,"size":11,"collection":45,"collections":3755,"showCount":3715,"zanCount":351,"manualWeight":49,"mainColor":277},219235,"yao-shi-ru-lai-ji-shi-er-shen-jiang-tu-yi-ming-219235","药师如来及十二神将图","中央药师如来法相庄严，结跏趺坐于层叠莲座之上，手印沉静，身周光环如晕，暖意暗涌。十二神将环伺左右，或持法器怒目，或执兵戈肃立，衣袂间纹饰流转，铠甲暗映微光。构图层次分明，从莲座之稳到神将之动，动静相生；色彩沉郁中见华彩，金箔隐现于深褐与朱红之间，似藏千年香火余温。整幅画作既显佛法的慈悲肃穆，又含护法神将的威严张力，每一处线条与色彩的交织，皆暗喻着护持众生的愿力与力量，仿佛能听见古刹钟声里，护法者的坚定心跳。",[26,27,30,33,31,32,29,1514,3753],"神将","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F9fdf94c9cba41d6cda65e6d7278d109b.jpg",[45],{"id":3757,"slug":3758,"title":806,"dynasty":75,"author":7,"museum":172,"description":3759,"tags":3760,"thumbUrl":3761,"material":43,"size":11,"collection":85,"collections":3762,"showCount":3715,"zanCount":49,"manualWeight":49,"mainColor":50},218582,"gong-yuan-tu-yi-ming-218582","飞檐翘角隐于松柳荫翳间，回廊曲折勾连亭榭深院。素衣宫人缓步庭阶，衣袂轻扬似携春风漫行。古绢底色晕染时光温润，笔墨细腻勾勒宋式雅致：柳枝垂丝如梳，松针攒簇似绣，格子窗棂映出廊下幽影，石畔苔痕晕开清寂氛围。构图疏密得宜，动静相谐——建筑的规整与草木的生机相映，人物的闲步与庭院的静谧相融，将宫苑深处的雍容闲寂悄然铺展，如一卷慢启的宋时清梦，每一处细节都藏着时光沉淀的温婉与考究。",[79,27,28,329,32,33,129,531,131,162,650],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fb239ee50763d90f5622390b38b842e66.jpg",[85],{"id":3764,"slug":3765,"title":3766,"dynasty":22,"author":7,"museum":172,"description":3767,"tags":3768,"thumbUrl":3771,"material":11,"size":11,"collection":274,"collections":3772,"showCount":3773,"zanCount":153,"manualWeight":49,"mainColor":70},242161,"qian-long-di-tian-huang-san-lian-xi-yi-ming-242161","乾隆帝田黄三联玺","这组玺印以田黄石为材，凝腻温糯如蜜浆裹身，色泽匀净莹润，尽显印石至尊的天生贵气。三印以同源锁链环扣为一体，链身与印章全无拼接凿痕，是鬼斧神工的绝技体现。三方玺印造型端庄方正，线条利落沉稳，将石材的天然质感与精湛工艺相融，既承载文房雅趣，又暗含皇家威仪，把田黄的温润雅韵雕琢到极致，是印藏中的传世臻品。",[82,267,268,3769,3770],"三联","田黄","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ffb1fd96ba73fd6c6842ccca4d09fc6e5.jpg",[274],82,{"id":3775,"slug":3776,"title":3777,"dynasty":599,"author":7,"museum":172,"description":575,"tags":3778,"thumbUrl":3780,"material":296,"size":297,"collection":11,"collections":3781,"showCount":3773,"zanCount":351,"manualWeight":49,"mainColor":277},226716,"long-shan-qi-jia-xi-yu-gui-yi-ming-226716","龙山—齐家系玉圭",[267,406,268,126,270,580,3779],"新石器时代风格","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F83bb06a4b3acc1e0776cad27204783e6.jpg",[],{"id":3783,"slug":3784,"title":3785,"dynasty":22,"author":7,"museum":172,"description":3786,"tags":3787,"thumbUrl":3790,"material":296,"size":297,"collection":2200,"collections":3791,"showCount":3773,"zanCount":351,"manualWeight":49,"mainColor":70},223735,"shi-ba-shi-ji-fa-guo-sai-fu-er-yao-bai-you-jin-cai-hua-hui-ci-guan-yi-ming-223735","十八世纪法国赛佛尔窑白釉金彩花卉瓷罐","欧洲人早在“地理大发现”之前，已接触到中国陶瓷，但数量十分有限，仅能从少量的历史文献中发现零星记载，存世的实物稀如星凤\n15世纪葡萄牙人开辟了欧洲与中国的贸易通道，16世纪以来，特别是1557年之后，中国瓷器开始批量销往欧洲，供上层社会使用，中国瓷器收藏成为现实，经历一个多世纪的演进后，中国瓷器收藏于17世纪后期渐成风尚并在18世纪广为流行。这一过程中，瓷器收藏群体形成，并逐步由皇室、王公贵族扩展到富有的商人、市民阶层。\n随着中欧陶瓷贸易规模的不断扩大，中国瓷器收藏在荷兰、英国、法国、德国、丹麦、瑞典等西欧国家达到前所未有的狂热程度，致使大量各种规格档次的中国瓷器不再止于满足生活所需，而是脱离其物质功用，转化为收藏品。当时中国瓷器在欧洲既被作为财产保藏，又被当作艺术品欣赏、陈设，以显示收藏者不同寻常的身份和审美品位。\n18世纪中国瓷器在欧洲收藏品中最受追捧，对欧洲社会各个阶层的物质生活和精神生活均产生了深刻的影响，其中以上层社会为最。这在改善欧洲人的生活品质，推动西欧陶瓷生产技术的提高，丰富欧洲装饰艺术等方面得到充分体现。这一研究领域已引起18世纪以来不少学者的关注，亦成为当代中西文化交流研究的热点。然而，中外学者较少将18世纪欧洲的中国瓷器收藏与市场交易联系起来加以考察，对这一问题的认识仍较为模糊。因此有必要从这一视角岀发，探讨18世纪欧洲的中国瓷器收藏及相关问题，以期准确把握国际艺术市场中国古陶瓷交易的发展脉络。",[2194,346,3788,3789,190],"白釉","金彩","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fb4cdd0dd5e1e297169ba156f900fb981.jpg",[2200],{"id":3793,"slug":3794,"title":3795,"dynasty":3796,"author":7,"museum":172,"description":3797,"tags":3798,"thumbUrl":3803,"material":296,"size":297,"collection":11,"collections":3804,"showCount":3805,"zanCount":49,"manualWeight":49,"mainColor":50},243695,"shou-wen-jing-yi-ming-243695","兽纹镜","秦","中国铜镜的制作和使用具有悠久的历史，根据考古发掘，年代最早的铜镜为4000多年前的齐家文化。从齐家文化至西周末春秋早期制作的铜镜，多以纹饰简单、形体小、种类少。此一时期为中国铜镜制作早期阶段。\n春秋中晚期开始，我国铜镜制作和使用就发展起来了，特别是战国时期，铜镜的种类复杂，题材广泛，制作工艺精细，包括此时期铜镜的合金成分，其锡含量是最适合铜镜的使用，这些充分反应了铜镜在此时期制作技术已达到成熟阶段。汉代开始铜镜得到了进一步的发展，这时期的铜镜出现了新的类型，铭纹也正逐渐成为铜镜的纹饰组成部分，反映了汉代铸镜业的发达及铜镜商品化的发展。\n隋唐时期是中国铜镜高度发展时期，此时的铜镜突破了以往圆形与方形的传统形式，出现了菱花形、葵花形铜镜。特别是盛唐时期铜镜工艺精湛，著名的瑞兽葡萄镜更是闻名于世，这一时期铜镜发展达到了顶峰。\n从唐末，五代起中国的铜镜艺术日趋衰落，宋、金、元时期的铜镜，从造型、纹饰和合金成分上都有不同于传统铜镜的特点。明，清时期虽然铜镜还在人们日常生活当中使用，但到清代中后期随着玻璃的使用，铜镜逐渐退出了历史舞台。当今虽然不再有人使用铜镜整装容，但古代铜镜给予我们的除了收藏价值，还有对古代形制、纹饰、铭文、艺术、制作工艺、成分等等的研究价值。中历收藏品鉴定中心，为我国合法第三方专业鉴定平台，证书得到了专业人士及社会各界的高度认可，藏品鉴定可咨询。",[3799,402,268,3800,403,580,3801,3802],"秦代","兽纹","古朴","圆形","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F4c3b14dae713ca99959ea852a3e85183.jpg",[],81,{"id":3807,"slug":3808,"title":3809,"dynasty":55,"author":7,"museum":56,"description":3810,"tags":3811,"thumbUrl":3815,"material":11,"size":11,"collection":45,"collections":3816,"showCount":3805,"zanCount":153,"manualWeight":49,"mainColor":50},238431,"fu-gui-sui-chao-tu-zhou-yi-ming-238431","福贵岁朝图轴","孩童们有的手举鱼、龙等各种形象的彩灯；有的胆大的孩子点燃炮竹，周围孩子掩耳观望；有的孩子登高折梅枝，树下的孩子将花枝插入瓶中，寓意岁岁平安；湖面已结冰，孩子们在冰面滑动冰车，打打闹闹，不小心滑倒还哈哈大笑；还有孩子吹拉弹唱，奏响乐器，妙趣横生。欢度佳节的喜气跃然纸上，仿佛能听到孩子们嬉闹的笑声。",[27,32,31,33,129,531,542,1527,3812,3813,687,59,318,2946,3814],"彩灯","炮竹","岁朝","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F60d8b1d3424982278598217ea629c0f2.jpg",[45,112],{"id":3818,"slug":3819,"title":3820,"dynasty":75,"author":7,"museum":56,"description":3821,"tags":3822,"thumbUrl":3823,"material":335,"size":555,"collection":11,"collections":3824,"showCount":3805,"zanCount":153,"manualWeight":49,"mainColor":50},233457,"hai-tang-jia-die-tu-ye-yi-ming-233457","海棠蛱蝶图页","图绘阳春三月，蛱蝶翩翩起舞于海棠花枝间。画家着重表现海棠在乍起的春风中花枝招展的动感瞬间，花朵偃仰向背，叶片翻卷辗转，枝干呈“S”形的曲张之态，通过描绘有形的花叶，成功地渲染出了无形的醉人春风和隽永的春意。图中花瓣先以墨笔双勾轮廓线，中锋行笔，线条圆润流畅。然后在花瓣外侧上部略点胭脂红，旋即以清水将色彩晕染开，最后罩上一层白粉，为海棠花亮丽的色调增添了几多妩媚的意韵。叶片用工整的双勾填色笔法表现，作者根据叶片受光照程度的不同而填染以石绿、墨赭等颜色，从而充分表露出叶片“清如水碧，洁如霜露”的美感，显示出画家细致的观察力和深厚的写实功底。",[27,79,31,32,80,552,105,190,319,530,82],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fcd95887671acb5a0c68bda59dc14b1a0.jpg",[],{"id":3826,"slug":3827,"title":3828,"dynasty":75,"author":7,"museum":172,"description":3829,"tags":3830,"thumbUrl":3831,"material":11,"size":11,"collection":11,"collections":3832,"showCount":3805,"zanCount":49,"manualWeight":49,"mainColor":70},227377,"qiu-lan-zhan-rui-tu-yi-ming-227377","秋兰绽蕊图","图绘秋兰数茎，兰叶修长劲挺，兰花吐蕊，清丽雅逸。对开有清乾隆御题诗一首：“写兰反楚辞，亦足终古矣。底识其为秋，疏叶濩冷蕊。意出常人表，或远代其子。”钤“八征耄念之宝”、“自强不息”、“太上皇帝之宝”等玺印。",[26,27,28,219,32,80,1665,125,82],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F656591bb10af68e7bd8abcd88003f28a.jpg",[],{"id":3834,"slug":3835,"title":3836,"dynasty":55,"author":7,"museum":172,"description":3837,"tags":3838,"thumbUrl":3841,"material":11,"size":11,"collection":11,"collections":3842,"showCount":3805,"zanCount":153,"manualWeight":49,"mainColor":50},224248,"qing-hua-yuan-hua-shi-er-yue-yue-ling-tu-si-yue-zhou-yi-ming-224248","清画院画十二月月令图四月轴","水乡四月晴柔漫溢，临水屋舍凭木桥勾连，酒肆里宾客围坐闲话，檐下有人往来劳作，仕女撑伞缓行廊桥，鲜活市井烟火扑面而来。岸畔花树缀满嫩白繁花，阶下牡丹灼灼盛放，晕开融融暖意。水湾烟波澹澹，远景沙洲逶迤，田埂上农人俯身忙碌，动静交织间，将江南初夏的清丽生机尽数铺展。\n\n整幅工笔设色雅致柔和，以细腻笔触定格日常闲趣，将时节风物与俗世温情相融，晕开一卷温婉的江南闲居图景，藏着旧时水乡的太平意趣。",[26,79,27,28,29,31,32,329,33,129,1623,130,60,131,190,531,2708,649,3839,2656,650,3840],"春景","活动场景","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F6e134da517cb38720810301008a61a01.jpg",[],{"id":3844,"slug":3845,"title":3846,"dynasty":658,"author":7,"museum":216,"description":3847,"tags":3848,"thumbUrl":3849,"material":43,"size":3850,"collection":87,"collections":3851,"showCount":3805,"zanCount":49,"manualWeight":49,"mainColor":50},219253,"shuang-fu-tu-yi-ming-219253","双凫图","沙岸之上，双凫相栖。一昂首侧顾，羽色分明，墨线勾勒间见灵动；一俯身啄沙，姿态憨拙，似与细石苔草低语。左侧芦苇数茎，叶尖斜挑，墨色浓淡相衬，劲挺中含野趣。背景沙坡淡墨晕染，疏点散落，隐现苔痕添清寂。画面不着艳色，仅以水墨勾染，却将凫鸟闲适、草木疏朗尽现。静谧里仿佛闻风过苇叶轻响，见凫鸟戏沙悠然。极简笔触藏对自然神韵的深察，尽显古画“以形写神”妙趣，于清淡间传递自然生机与文人清雅意韵。",[27,32,31,80,191,2729,82],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F6f65c79e8538775c4d7b5a1690582de5.jpg","25.7x22.3cm",[87],{"id":3853,"slug":3854,"title":3855,"dynasty":3796,"author":7,"museum":172,"description":3856,"tags":3857,"thumbUrl":3859,"material":296,"size":297,"collection":11,"collections":3860,"showCount":3861,"zanCount":351,"manualWeight":49,"mainColor":277},253665,"tao-gong-shou-nv-li-yong-yi-ming-253665","陶拱手女立俑","春秋战国时期，有一种殉葬用的“俑”，据《礼记·檀弓》，孔子“谓为俑者不仁”。郑玄注：“俑，偶人也，有面目机发，有似于生人。”皇侃疏：“机械发动踊跃，故谓之俑也。”孔颖达正义：“刻木为人，而自发动，与生人无异，但无性灵知识。”又《孟子·梁惠王》：“仲尼曰：始作俑者，其无后乎?为其像人而用之也。”焦循《孟子正义》：《广雅》引(张揖)《埤苍》云：“俑，木人，送葬设关而能跳踊，故名之。”“为其像人者，谓为其像人之转动跳踊也。”可见“俑”就是由简单机械发动能够自己转动跳跃的木人。\n中国古代坟中墓中陪葬用的偶人。是象征殉葬奴隶的模拟品。东周墓中出现渐多，秦汉至隋唐盛行，北宋以后逐渐衰落，但仍沿用到元明时期。俑的质料以木、陶质最常见，也有瓷、石或金属制品。宋代以后纸明器开始流行，陶、木、石质的俑开始渐渐减少。俑的形象，主要有奴仆、舞乐、士兵、仪仗等，并常附有鞍马、牛车、庖厨用具和家畜等模型，还有镇墓胜的神物。俑大多真实地模拟着当时的各种人物，因而可以考见当时社会的生活习俗，也是研究各代舆服制度的重要资料。俑还可以反映出各个时代雕塑艺术的水平。\n秦代的秦始皇陵兵马俑，形体比人略高，陶制，是已知最大的俑；另外还有铜俑等。汉俑种类比以前增多，有兵士、女侍、仆役及乐舞俑。南方以木俑为多，有的彩绘着衣。其他地方多陶、石、木、金属等多种材质的俑，注重传神。两晋南北朝制作多样，南方承中原传统并有了瓷俑；北方出了少数民族形象的陶俑。隋唐俑型大而精美，三彩俑为盛唐时的制作高峰。现在能见到的，是保存在陕西省历史博物馆的唐三彩杰作，有陕西省乾县懿德太子李重润墓出土的、三彩纹胎骑马狩猎俑，和西安市中堡村唐墓出土的唐三彩骆驼戴乐舞俑。这些俑的特点，普遍是形象高大雄健，神态生动富有传神，可谓形神俱佳的作品。并反映了盛唐时期，中华民族富有创造性和豪迈自信的民族性格。五代以后，以俑殉葬的风气开始低落，金元墓葬中出现了陶塑、砖雕表演杂剧的俑，往往成组塑造，还有舞台背景，较为生动，是制作俑的最后一个高潮，以山西出土为多。明清墓葬中俑的出现渐少。在高官王侯墓中出土有木俑和石俑，多以成群人物或辅以仪仗、侍从的庞大场面，用来炫耀死者地位为主，但作为雕塑制品已失去了艺术感染力。秦兵马俑的历史文化价值是独具魅力的。它打开了观察它所产生的那个时代的窗口，大大地改变了人们对那个时代的看法。\n秦兵马俑震撼世人的首推其卓越的艺术成就。几千件魁伟英武的大型陶塑艺术作品，以整体形象排列在将近两万平方米的空间里，其磅礴的气势几乎使所有不同肤色的参观者都从心灵深处产生强烈震颤，体现出艺术家驾驭宏大艺术题材、追求整体气韵和艺术创造的卓越才能。秦俑千人千面、呼之欲出的人物塑造则从形体把握、神韵处理、色彩运用、细部刻画等方面表现出作者的艺术素养和艺术成就。作品写实主义的风格不仅给我们留下了一个高超的古代艺术范本，同时也留下了许多关于那个时代的极富价值的历史记录。严肃划一的军旅题材能够处理得如此生动，产生如此震撼人心的艺术魅力，使人们不得不换一副眼光来审视中国古代艺术发展历程中的特殊规律，重新探索和构架中国古代造型艺术发展的历史。\n秦兵马俑坑文物的出土也较大幅度地改写了人们对秦代的科技水平的认识，以大量的实证材料形象地展现了秦代生产力的发展水平。就科技史而言，秦俑坑发现的许多资料都是令世人震惊的。譬如：1、秦俑坑出土文物所展现的秦代冶金和金属加工技术比我们以往的估计要高出很多，其中青铜涂铬防锈技术的大量应用是最具代表性的一例，它在当时已是一种很成熟的技术，秦俑出土的绝大多数兵器表面都涂有这种保护层。这种绝技似乎从汉代以后就失传了，与之形成鲜明对比的是，两千多年后的1937年，现代镀铬技术才在德国产生，并以专利发明载入了史册。2、秦俑坑出土兵器明确印证了秦简中关于“为器同物者，其小大、短长”是一种标准化概念，秦人在标准化实践方面取得了惊人的成就。这种标准化既是秦人管理艺术发展的代表，也是秦代科技水平的标志。秦人加工的青铜弩机器件精密、形体标准，相同规格的器件完全可以互换。许多特殊的加工工艺，如青铜铍脊上的纹饰生成，纤如毫发的金属小孔钻刻技艺，也都令人叹为观止，一些工艺至今还是不解之谜。由于古代统治者们有重政治、重伦理、崇人事而轻科技的倾向，史书关于科技的记载往往简略残缺，秦代科技资料更是凤毛麟角。正因为如此，秦俑考古的历史文化价值也就更加重要。\n俑坑数千兵马俑所展示的军事内容无疑是军事史研究的最重要的、最形象的资料之一，许多资料使人们对古代军事领域的认识更进一步。譬如，关于当时的兵种构成、组合搭配和结阵形式，兵器、兵器配置形式以及甲具防护装备，军伍组织结构和指挥系统，甚至军伍士卒的来源等，都有珍贵的资料价值。二号坑弩兵的单独结阵，骑兵、轻车兵的编队和配合，是以前有所不知或知之不详的重要资料，以之对照《孙膑兵法》中关于车、步、骑配合原则的论述，给人留下的印象是极其深刻的。古代军事著述中关于兵器配置中长短相杂、相救的原则在秦俑坑兵器配置中也有直观表现，同样有其军事科学上的研究价值。难怪有人将秦俑三坑称为一座内容丰厚的秦代军事博物馆。\n历史本身赋予了秦俑多种历史文化价值。秦俑所折射的历史层面既多又广，在建筑史、服饰史、制度史尤其是王陵制度史等方面，具有独特的认识价值。即使秦俑的身高、体魄、服饰发髻、刻记文字以及秦人在俑坑留下的生产工具和劳作痕迹，都能从不同侧面反映出秦代社会生活的真实影像，反映出一个时代的文化特质，反映出秦兴亡的历史真谛。\n秦俑坑出土文物的精美和丰富，是文物所代表的那个时代物质成就的直接见证。它让人们重新认识和评价那个时代，也提出了许多值得探讨的历史课题，譬如关于帝王权力的重新认识、秦代文化的特质、秦在中国历史发展中的地位等。与之相联系的是，秦始皇的历史评价又一次成为人们关注的话题，秦俑坑出土文物所反映的科技水平和生产能力，在一定程度上反映出秦始皇所起的某种积极作用，同时也从一个侧面证实史书中提到的秦代好大喜功、横征暴敛的统治问题。秦俑考古还在继续，相信对这些问题的研究将会随着考古的进展而不断深入。",[3796,3858,2194,268,33],"俑","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F89945cb03edd86164fcc02476e205ccb.jpg",[],80,{"id":3863,"slug":3864,"title":3865,"dynasty":241,"author":7,"museum":172,"description":3866,"tags":3867,"thumbUrl":3868,"material":11,"size":11,"collection":11,"collections":3869,"showCount":3861,"zanCount":351,"manualWeight":49,"mainColor":70},239636,"wen-zheng-ming-guo-qin-lun-ce-yi-ming-239636","文征明过秦论册","此作用笔精劲秀雅，结体端稳匀停，是极具代表性的明代小楷佳作。笔画舒展利落，起收间法度谨严，通篇排布疏朗有致，行气贯通流畅。以雅致笔墨书写史论篇章，笔墨与文辞相融，既带着台阁体的娟秀规整，又蕴含文人书法的清逸风骨，字字珠玑间尽显沉厚的帖学功底。运笔间藏露得宜，点画精致细腻，不见一丝浮滑潦草，将史论的沉郁思辨与书法的静雅气质相融，尽显书写者的从容笔力与文人心境，是书文合璧的精妙之作。",[28,124,530,3054,82,144,931],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fab6790cda2be73a7433191619dae03f7.jpg",[],{"id":3871,"slug":3872,"title":3873,"dynasty":22,"author":7,"museum":172,"description":3874,"tags":3875,"thumbUrl":3876,"material":296,"size":297,"collection":11,"collections":3877,"showCount":3861,"zanCount":49,"manualWeight":49,"mainColor":70},231689,"shan-cha-hua-xiao-qin-tu-zhou-yi-ming-231689","山茶花小禽图轴","此作兼用工笔与写意，老干虬曲苍劲，山茶厚叶凝翠，丹花灼灼绽放，枝上小禽侧目伫立，灵动娇憨的神态跃然纸上。设色雅致沉稳，花叶晕染细腻柔和，禽鸟绒羽的质感描摹入微，既有院体花鸟的精工之态，又饱含文人画的清逸格调。\n\n题诗与画作相映成趣，将探春报春之意藏于景中，把早春山茶盛放、幽禽暂驻的清寂生机铺陈开来，一花一禽皆含雅意，尽显传统花鸟的悠然禅意。",[26,27,28,29,32,31,80,2134,163,207,82],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F05a1618f40479b25ced4925a880d9b34.jpg",[],{"id":3879,"slug":3880,"title":3881,"dynasty":241,"author":7,"museum":3882,"description":3883,"tags":3884,"thumbUrl":3888,"material":3509,"size":3889,"collection":11,"collections":3890,"showCount":3861,"zanCount":351,"manualWeight":49,"mainColor":50},231541,"shan-hai-bai-ling-tu-yi-ming-231541","山海百灵图","美国弗瑞尔美术馆","此《山海百灵》图卷（签题：唐胡瓌《蕃兽图》真迹神品上上，卷前题：山海百灵）。画卷描绘诸多怪奇神兽，这些动物形象灵感应该来自《山海经》，卷后有一段跋描述此卷的传递情况。此卷大致绘于明代（待考），现藏于赛克勒美术馆。\n胡瓌(瓌，读作guī。汉字基本字义古同“瑰”。五代·后唐〕，山后契丹乌索固部落人。随李克用(856-908)入中原，定居范阳（治今河北涿县），生卒年不详。擅写北方游牧民族牧马、驰猎等生活，穹庐什器、射猎部属，纤悉形容备尽。所作用笔清劲，构图巧密，人物气质犷悍，形象各异。尤工画马，骨骼体状生动有神。",[26,27,96,32,31,614,60,272,887,1006,2154,358,3885,2560,3886,131,359,1643,2710,3887],"山羊","猴","动物群像","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fb78ddfae72c871b93075fd0f391901d5.jpg","34.5x744厘米",[],{"id":3892,"slug":3893,"title":3894,"dynasty":75,"author":7,"museum":56,"description":3495,"tags":3895,"thumbUrl":3900,"material":335,"size":3901,"collection":11,"collections":3902,"showCount":3861,"zanCount":351,"manualWeight":49,"mainColor":50},223478,"sou-shan-tu-juan-yi-ming-223478","搜山图卷",[26,27,79,28,96,31,32,33,60,272,887,778,3896,3897,1027,131,162,163,3898,3899],"鹰","蛇","神仙","鬼怪","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F6d5ad08cdb1d23179ccbc0394feeea8b.jpg","纵53.3厘米，横533厘米",[],{"id":3904,"slug":3905,"title":3906,"dynasty":55,"author":7,"museum":172,"description":3907,"tags":3908,"thumbUrl":3910,"material":11,"size":11,"collection":11,"collections":3911,"showCount":3861,"zanCount":49,"manualWeight":49,"mainColor":70},223459,"shan-shui-xiao-pin-yi-ming-223459","山水小品","小品画一般以小立轴、镜片、册页、扇面等形式为主，广泛应用于社会，凡宾馆、小会议室、小客厅、以及各种娱乐场所的室内装饰布置，都常用小品画。 可以说中国画能进入寻常百姓家的主要是小品画，所以小品画是人民群众喜闻乐见的形式。 其四，小品画的表现手法比较自由随意也是它的一个特点。",[26,27,28,144,32,614,530,60,146,128,1281,3909,82],"题跋","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F614164daf8e9e4af388f9ada7fdd61ea.jpg",[],{"id":3913,"slug":3914,"title":3915,"dynasty":141,"author":7,"museum":76,"description":3916,"tags":3917,"thumbUrl":3918,"material":43,"size":11,"collection":112,"collections":3919,"showCount":3861,"zanCount":49,"manualWeight":49,"mainColor":50},218757,"ma-hu-dou-tu-yi-ming-218757","马虎斗图","荒野坡地间，虎躯如弓骤起，斑纹随扑跃之势流转，利爪前探、利齿微张，将猛兽的悍勇凝于一瞬。对面的马似遭突袭，后腿猛蹬沙砾，前蹄腾空欲踹，鬃尾怒扬如帚，肌肉紧绷的线条里满是求生的倔强。周遭荒草疏疏，枯木隐现，浅褐底色更衬出这场对峙的凛冽——没有多余渲染，却让观者仿佛听见虎啸马嘶，触到风里的紧张气息。笔法精准却不刻板，虎的威猛与马的刚烈形成强烈张力，寥寥数笔的环境勾勒，便将荒野争斗的野性拉满，尽显笔墨间蓬勃的生命力。",[26,27,31,32,887,1006,272,162,779],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ffb750130b6ddf73afbbc1100e84494f1.jpg",[112],{"id":3921,"slug":3922,"title":2864,"dynasty":241,"author":7,"museum":829,"description":3923,"tags":3924,"thumbUrl":3925,"material":43,"size":3926,"collection":45,"collections":3927,"showCount":3861,"zanCount":351,"manualWeight":49,"mainColor":50},218410,"ying-xi-tu-yi-ming-218410","花木扶疏的庭院里，石影横斜，稚童们的身影灵动鲜活。围坐小几的孩童或俯身凝眸，或执物细玩，憨态可掬；旁侧的孩子相互追逐，衣袂轻扬间满是天真烂漫。案上器物精巧，阶前小凳古朴，衬得画中世界雅致又充满烟火气。设色古雅温润，线条婉转细腻，将孩童的无忧时光定格成帧，仿佛能听见稚子的嬉闹声穿过岁月，漫溢着恬淡的生活意趣与对童真的脉脉咏叹。画面以细腻笔触勾勒出童真百态，古雅的色调与婉转的线条交织，将无忧岁月凝练成帧，让观者在古朴的氛围里，触摸到那份穿越时空的天真暖意。",[26,27,32,31,29,33,1527,146,163,98,346,345],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F875a332dd57d21a2a5dbe31d190af59f.jpg","182.2x98.1",[45],{"id":3929,"slug":3930,"title":3931,"dynasty":75,"author":7,"museum":76,"description":3932,"tags":3933,"thumbUrl":3935,"material":43,"size":3936,"collection":506,"collections":3937,"showCount":3861,"zanCount":153,"manualWeight":49,"mainColor":50},215137,"yuan-shui-yang-fan-tu-yi-ming-215137","远水扬帆图","这幅画描绘了远处漂浮的几座青山。烟雾弥漫的河面上一阵强风将河边岩石上枝繁叶茂的树木吹弯，并将三艘客船直推到河中央。河岸上一位白袍隐士，带着他的钢琴手，正准备漫步到岩石阴凉处的茅草亭。明亮的风景透露出几分悠然自得的动感。",[26,27,28,32,60,614,131,359,33,128,2418,3934,531],"远水","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fd7ba8f66e5fe5ffdbb57aa8db2c36a45.jpg","21.6x52.4cm",[506],{"id":3939,"slug":3940,"title":3941,"dynasty":141,"author":7,"museum":465,"description":3942,"tags":3943,"thumbUrl":3944,"material":43,"size":3945,"collection":506,"collections":3946,"showCount":3861,"zanCount":351,"manualWeight":49,"mainColor":50},214828,"jiang-zhong-chui-diao-tu-yi-ming-214828","江中垂钓图","江中垂钓图是一幅元代的山水画作品，作者是佚名。这幅画中描绘了一个人在江边垂钓的场景。画中展现了绚丽多彩的山水风光，以及人物自然舒展的姿态。整幅画的画风细腻，笔墨流畅，色彩鲜艳，构图巧妙，充分展示了元代山水画的魅力。\n\n元代是中国历史上一个重要的朝代，也是中国绘画史上的一个重要时期。元代绘画追求自然、真实，注重写意，在画面上展现自然界的种种变化。山水画是元代绘画中的一大特色，江中垂钓图就是其中的一例。这幅画描绘了一幅宁静而又热闹的山水风光，充分展现了元代绘画的自然精神。",[27,144,32,60,130,128,2209,613,146,1768,82,614],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F2f084d61f9b4775b72a81ef13a90b677.jpg","22.5x25cm",[506],{"id":3948,"slug":3949,"title":3950,"dynasty":75,"author":7,"museum":172,"description":3951,"tags":3952,"thumbUrl":3954,"material":11,"size":11,"collection":274,"collections":3955,"showCount":3956,"zanCount":351,"manualWeight":49,"mainColor":70},221647,"yu-niao-yi-ming-221647","玉鸟","这件瑞鸟玉雕以三角随形施艺，透雕结合线刻，匠心尽显。凤鸟身姿劲挺，昂首展翼，长尾舒张如垂瀑，周遭以卷草透空作衬，虚实相生。\n\n躯干以工整阴线琢出几何羽鳞，翅羽分层刻画，纹理错落有序，将瑞鸟华美金贵的仪态凝于方寸。玉质浸透着岁月晕染的暖黄包浆，古韵盎然。整体工法细腻雅致，写实与装饰意趣相融，尽显宋时玉雕的审美意韵，把祥瑞灵禽的雍容灵动雕琢得淋漓尽致，是宋代民间玉雕精巧工法的绝佳缩影。",[711,268,3953,193,80],"象牙","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F3c89995532159690cd4cff737039313e.jpg",[274],79,{"id":3958,"slug":3959,"title":3960,"dynasty":75,"author":7,"museum":76,"description":3961,"tags":3962,"thumbUrl":3964,"material":43,"size":3965,"collection":85,"collections":3966,"showCount":3956,"zanCount":153,"manualWeight":49,"mainColor":70},220363,"sang-zhi-huang-niao-tu-yi-ming-220363","桑枝黄鸟图","北宋绘画讲求写生，当时的画家必需要能同时掌握大自然中瞬息万变的面貌，以及具备精湛的绘画技巧。因此这件作品所体现画家这份力图师法自然、再现自然的匠心，令人弥足珍惜。",[26,27,79,28,530,31,32,80,163,3963,207],"桑","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fa84d0d6b4547248df308176a7ee1cb94.jpg","25.4 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"manualWeight":49,"mainColor":50},220217,"zhu-shi-shuang-lu-tu-yi-ming-220217","竹石双鹭图","整幅画面以留白营造幽远意境，右下拳石嶙峋，丛竹攒簇，墨色苍润，枝叶带风自含山野清趣。两只白鹭一动一静，一者振翅掠空，翎羽舒展灵动，一者徐行浅滩，身姿安然闲适，动静相映，愈发衬出水面空寂无波。\n\n淡墨轻勾汀渚细草，浅染出水泽清浅之态，赭色绢底晕开初夏郊塘的温润氛围。笔致秀雅清润，不施浓艳，以极简物象铺陈出悠远禅意，将塘间幽寂之美收揽尺幅，观之如临静塘，暑意尽散，尽显雅致空灵的宋人意趣。",[26,27,79,28,31,32,80,145,1525,1778,163,82],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F2bf49cc778c3c4eb41b7d150d5f1c280.jpg","31.4x28.1",[85],{"id":4051,"slug":4052,"title":4053,"dynasty":241,"author":7,"museum":254,"description":4054,"tags":4055,"thumbUrl":4057,"material":43,"size":11,"collection":87,"collections":4058,"showCount":4025,"zanCount":351,"manualWeight":49,"mainColor":50},219122,"an-chun-bai-hua-tu-yi-ming-219122","鹌鹑百花图","鹌鹑敛翅蹲踞，羽纹以细劲墨线勾勒，敷染赭褐与墨黑，斑纹交错如鳞，绒毛质感毕现。旁侧花枝扶疏，白瓣粉蕊的花朵舒展如蝶翼，紫菊点缀其间，叶片墨绿带黄晕，藤蔓缠绕有致。前景草叶劲挺，枯枝斜出添野趣，背景赭黄绢底温润古雅。整幅画以工笔细描见长，禽鸟的憨态与花卉的鲜妍相映成趣，疏密布局得当，于静谧中藏生机，尽显花鸟写生的细腻与意趣。",[79,27,28,32,31,80,4056,220,221,36],"鹌鹑","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fa5cdc4849f24e6562ead882abb23c70e.jpg",[87],{"id":4060,"slug":4061,"title":4062,"dynasty":75,"author":7,"museum":720,"description":721,"tags":4063,"thumbUrl":4064,"material":724,"size":725,"collection":11,"collections":4065,"showCount":4025,"zanCount":153,"manualWeight":49,"mainColor":70},214983,"dao-zi-mo-bao-ren-wu-bai-miao-hua-2-yi-ming-214983","道子墨宝人物白描画-2",[26,27,28,123,33,711],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F8eeddadab043e71b851c8ff4a307f137.jpg",[],{"id":4067,"slug":4068,"title":4069,"dynasty":55,"author":7,"museum":172,"description":1982,"tags":4070,"thumbUrl":4072,"material":296,"size":297,"collection":11,"collections":4073,"showCount":4074,"zanCount":49,"manualWeight":49,"mainColor":70},263553,"ke-si-yu-zhi-shi-hua-hui-tu-ce-yu-lan-yi-ming-263553","缂丝御制诗花卉图册-玉兰",[27,530,31,32,80,4071,124,82,161],"玉兰","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F7af2d1ea50bfd898d461b49a15cfa160.jpg",[],77,{"id":4076,"slug":4077,"title":4078,"dynasty":171,"author":7,"museum":172,"description":4079,"tags":4080,"thumbUrl":4087,"material":11,"size":11,"collection":436,"collections":4088,"showCount":4074,"zanCount":49,"manualWeight":49,"mainColor":277},253609,"tong-liu-jin-yang-liu-zhi-guan-yin-pu-sa-li-xiang-yi-ming-253609","铜鎏金杨柳枝观音菩萨立像","此造像身姿婉转柔美，是盛唐审美意趣的凝练缩影。高发髻纹饰细密，面庞圆润慈悲，垂目含睇，自带温婉悲悯的神性柔光。\n\n右手持枝，左手牵瓶，衣褶如流水般自然垂落，鎏金虽经岁月经年晕染斑驳，仍能窥见旧时明丽华贵。璎珞环身勾勒曼妙身形，贴体长裙尽显丰腴婀娜，将神性的庄严融于世俗的柔美中，灵动舒展的体态里，藏着盛唐包容万象的雍容气韵，静立间便弥散出祥和安宁之感。",[30,403,4022,4081,433,4082,4083,4084,4085,4086],"观音菩萨","净瓶","杨柳枝","璎珞","慈悲","祥和","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fafdfff917e97a18a75a91924122abde4.jpg",[436],{"id":4090,"slug":4091,"title":4092,"dynasty":241,"author":7,"museum":172,"description":4093,"tags":4094,"thumbUrl":4095,"material":296,"size":297,"collection":506,"collections":4096,"showCount":4074,"zanCount":49,"manualWeight":49,"mainColor":70},234924,"dong-qi-chang-shan-shui-ce-yi-ming-234924","董其昌山水册","此作用笔松秀虚灵，以淡墨晕染开鸿蒙云气，将远山隐入烟岚，留白衬出无尽空茫。近岸苍松蟠曲，浅渚连山层层延展，平远之境悠悠铺陈。\n墨色清润淡雅，简淡皴擦间，漾开了水泽的空濛静穆。题印落于留白处，与山水相映成趣，书画印浑然相融。整幅画萧散简远，以极简笔墨勾勒出幽寂清远之境，尽显文人画平淡天真的意趣，观之便觉心随山水沉静，独得幽居之乐。",[27,28,530,144,60,953,532,445,82],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fd808de803d791f66197ab19d95eb2ca7.jpg",[506],{"id":4098,"slug":4099,"title":4100,"dynasty":171,"author":7,"museum":292,"description":698,"tags":4101,"thumbUrl":4102,"material":296,"size":297,"collection":11,"collections":4103,"showCount":4074,"zanCount":49,"manualWeight":49,"mainColor":50},226207,"ku-yong-dao-ding-bu-yi-ming-226207","窟甬道顶部",[175,292,1170,32,2361,986],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fe413a83ca1579776f58e50df3d2b3048.jpg",[],{"id":4105,"slug":4106,"title":4107,"dynasty":241,"author":7,"museum":254,"description":4108,"tags":4109,"thumbUrl":4111,"material":109,"size":11,"collection":45,"collections":4112,"showCount":4074,"zanCount":49,"manualWeight":49,"mainColor":50},219895,"liu-hai-du-hai-tu-yi-ming-219895","刘海渡海图","赤足凌于翻涌浪涛之上，衣袂被海风拂卷翻飞，仙者神色沉静安然，不见渡海的惶然。怀中紧捧三足金蟾，另一手牵系着仙桃的丝带，仙家灵韵尽数铺展。\n\n画作以劲挺流畅的线条勾勒衣褶，衣物垂坠质感尽显。细密笔触层叠出浪涛奔涌之态，虚实相映烘托出烟波浩渺的渡海意境。整体色调沉古雅致，将世外之人超凡出尘的气质晕染开来，把刘海渡海的传说融于笔墨间，空灵悠远，在叙事与审美之间达成绝妙平衡，尽显古画仙逸出尘的独特意趣。",[27,28,29,32,31,30,33,1749,4110],"蟾","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fb5e14f2c2835480ab5d26a9db6287108.jpg",[45],{"id":4114,"slug":4115,"title":4116,"dynasty":75,"author":7,"museum":76,"description":4117,"tags":4118,"thumbUrl":4122,"material":43,"size":4123,"collection":85,"collections":4124,"showCount":4074,"zanCount":49,"manualWeight":49,"mainColor":50},219200,"lu-ting-bai-lu-tu-yi-ming-219200","芦汀白鹭图","图绘白鹭两对栖于芦苇丛生的洲渚岸边，一饮啄、一飞降、一静息，一仰首迎接。全画用墨层次丰富，掌握住秋天的景致气氛。在题材、构图、设色上保留南宋汀渚水鸟小景画的意趣，但通幅笔力较为薄弱。",[26,27,32,31,1222,80,662,4119,4120,163,4121,144],"白鹭","汀渚","水泽","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F77827917d9c35594679d81fabbd6da53.jpg","25x25.5cm",[85,87],{"id":4126,"slug":4127,"title":4128,"dynasty":241,"author":7,"museum":499,"description":4129,"tags":4130,"thumbUrl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"罗汉九长老像" 是一幅清朝时期的佛教画作，描绘了九位罗汉，这些罗汉是佛教中的超凡脱俗的人物，他们拥有超凡的智慧和慈悲之心，并且被视为佛教中的榜样。\n\n在这幅画中，佚名以精细的笔触描绘了九位罗汉的形象，每一位罗汉都面带慈祥的微笑，身着精致的法衣，体现出他们超凡的品德和修行的成果。画面中还有许多佛教的装饰元素，如佛像、佛经、菩提树等，为整幅画作增添了浓厚的佛教气息。\n\n总的来说，佚名的 "罗汉九长老像" 是一幅非常精美的佛教画作，其中所传达出的超凡慈悲和修行成果，对于追求佛道的人来说是一种极大的启发和鼓励。",[26,30,32,31,1622,33,532,162,4142,445],"瑞兽","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F8a09e08d048331cf689d6066907fd6fc.jpg",[45],{"id":4146,"slug":4147,"title":4148,"dynasty":141,"author":7,"museum":76,"description":4149,"tags":4150,"thumbUrl":4151,"material":43,"size":4152,"collection":87,"collections":4153,"showCount":4074,"zanCount":49,"manualWeight":49,"mainColor":50},216210,"san-yang-kai-tai-tu-yi-ming-216210","三阳开泰图","三阳开泰图 中有三只羊的图像。这三只羊代表着三阳的出现，是象征和平、繁荣的象征。根据传统，三只羊通常被描绘成站立在一起、头朝上的形态，表示他们正在向天空中的女娲献上膜拜。\n\n这三只羊可能会有不同的造型，但通常都是描绘成充满活力、生机勃勃的样子。他们的毛发通常是乌黑色或棕色，身体健硕，眼神炯炯有神。在三阳开泰图 中，这三只羊是象征着繁荣的重要元素，也是艺术家用来传达历史意义和文化价值的重要工具。",[27,79,1443,31,32,3102,542,145,1525,272],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F102a2a7077a6eff7a42cc886854ac759.jpg","163.5x100cm",[87],{"id":4155,"slug":4156,"title":4157,"dynasty":141,"author":7,"museum":172,"description":4158,"tags":4159,"thumbUrl":4161,"material":296,"size":297,"collection":11,"collections":4162,"showCount":4163,"zanCount":351,"manualWeight":49,"mainColor":50},290067,"you-yuan-shi-nv-tu-yi-ming-290067","游园仕女图","湖石清奇嶙峋，梅枝缀着初绽的花苞，棕榈幽立，朱栏回环圈住一院春柔。主仆二人缓步游赏，仕女罗裙曳地，执扇抬首凝睇花枝，静嗅春信，侍女垂目紧随，姿态恭谨低柔。\n\n整作设色调古雅沉静，笔触细秀温婉，以淡墨轻彩晕染出深闺庭院的幽寂，将深闺女子探春的闲静情态藏在无言的游园片段里。没有喧嚷盛景，只借极简园景烘托出娴静疏离的闺中春日氛围，将仕女含蓄的春思融在无言的抬首凝望中，尽显元代工笔雅致内敛的特质，晕开古典闺苑的幽柔诗意。",[27,219,32,31,33,127,542,626,650,4160],"仕女画","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F3619554a1b63843503db4e649a80a6f3.jpg",[],76,{"id":4165,"slug":4166,"title":4167,"dynasty":55,"author":7,"museum":172,"description":4168,"tags":4169,"thumbUrl":4171,"material":11,"size":11,"collection":274,"collections":4172,"showCount":4163,"zanCount":351,"manualWeight":49,"mainColor":277},241948,"yin-du-jin-xiang-zhu-cui-ye-xing-fa-qia-yi-ming-241948","银镀金镶珠翠叶形发卡","取新叶为形，雕镂出脉络分明的翠色叶片，仿佛将暮春枝桠凝于方寸。浓鲜的翡翠绿意莹润鲜活，底托悄然隐衬，让翠色愈发清透灵动。错落点缀的珍珠带着温润珠光，柔化了玉石的冷冽，将清翠与莹白相融，刚柔并济。\n\n整体舒展雅致，恰似撷来一段沾着晨露的细枝，把春日的鲜活意趣藏于鬓边，将闺阁的温婉情致凝为随身珍饰，尽显细腻温婉的旧时匠心。",[55,39,1154,430,267,1688,4170,431],"叶形","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F77eda39ca6fb6eab46db5d778fdf5a5d.jpg",[274],{"id":4174,"slug":4175,"title":4176,"dynasty":55,"author":7,"museum":172,"description":4177,"tags":4178,"thumbUrl":4181,"material":11,"size":11,"collection":274,"collections":4182,"showCount":4163,"zanCount":49,"manualWeight":49,"mainColor":70},241700,"qian-long-kuan-cui-long-wen-shuang-er-pan-yi-ming-241700","乾隆款翠龙纹双耳盘","翠色层次交融，黄绿晕染自带温润清透质感。双龙为耳，身姿矫健灵动，贴合杯身既添威严，又兼顾握持平衡。杯身暗饰纹样，含蓄雅致，下承双层莲瓣底座，线条饱满圆润，尽显出尘意趣。花口浅盘配矮足，盘面纹路暗藏精妙，与杯身呼应协调。整体造型端庄规整，雕工细腻入微，将翡翠的天然灵韵与制玉工艺的严谨精巧相融，尽显清隽典雅的宫廷气度。",[160,267,268,4179,270,4180,1622,346],"浮雕","双耳","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F628ec2c84e48d5c43db11c3a61245876.jpg",[274],{"id":4184,"slug":4185,"title":4186,"dynasty":141,"author":7,"museum":172,"description":4187,"tags":4188,"thumbUrl":4190,"material":296,"size":297,"collection":11,"collections":4191,"showCount":4163,"zanCount":351,"manualWeight":49,"mainColor":50},228240,"yu-lan-guan-yin-zhou-yi-ming-228240","鱼篮观音轴","此尊观音菩萨即为鱼篮观音，像高束发，垂发挽结，自然舒卷，搭在双肩，富有写实感。观音菩萨面相丰满，头微颔，双眼作俯视状，双眉正中嵌珍珠白毫。五官刻画柔和，轮廓端正，表情和悦，深沉内省，充分表现出观音菩萨大慈大悲、慈悯众生的佛性。观音菩萨袒露前胸，佩戴牡丹花饰缨络项链，内束裙，裙边饰花纹，折迭自然起伏，裙带扎束小结，线条流畅细腻，富有动感。外罩双领下垂大衣，衣领雕饰牡丹花草，翻卷自由活泼，富有写实性和立体感。",[26,27,29,32,31,30,33,318,446,445,4189],"篮","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fe41ecfe8a6fc43621a056f7ae4293a6a.jpg",[],{"id":4193,"slug":4194,"title":4195,"dynasty":171,"author":7,"museum":292,"description":698,"tags":4196,"thumbUrl":4200,"material":296,"size":297,"collection":11,"collections":4201,"showCount":4163,"zanCount":49,"manualWeight":49,"mainColor":739},226221,"ku-yong-dao-nan-pi-yi-ming-226221","窟甬道南披",[175,32,30,4197,591,4198,4084,4199],"垂幔","花纹","装饰","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F2f12c198df8e645b413e5f0b8a85545d.jpg",[],{"id":4203,"slug":4204,"title":4205,"dynasty":75,"author":7,"museum":172,"description":4206,"tags":4207,"thumbUrl":4209,"material":11,"size":11,"collection":11,"collections":4210,"showCount":4163,"zanCount":351,"manualWeight":49,"mainColor":50},223653,"chi-bi-tu-ce-ye-yi-ming-223653","赤壁图册页","《宋无款赤壁图》是宋代佚名创作的一幅画。\n本幅是一叶扁舟为主景的局部山水，画面中置石壁于右上角，仅画出赤壁之山脚与山石部分，可以说是把赤壁予以浓缩成近景特写。\n扁舟上回身仰望的苏东坡，暗示出他看到的赤壁在画外的高耸着，赤壁的特色，并不因其只画山角而失去，反因取材精简，景致更能突出。\n波浪起伏回转，表现一叶扁舟之摇摇荡荡，飘飘乎遗世而独立，可说极为生动地将〈 〉最为浪漫的憧憬画出了。",[26,27,79,28,530,32,31,614,60,33,128,4208,162,62],"江水","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F5fcb770c34ae0fb5c7a2dc0e116c105e.jpg",[],{"id":4212,"slug":4213,"title":4214,"dynasty":241,"author":7,"museum":368,"description":4215,"tags":4216,"thumbUrl":4220,"material":43,"size":4221,"collection":45,"collections":4222,"showCount":4163,"zanCount":351,"manualWeight":49,"mainColor":50},219537,"qi-ying-sheng-hui-tu-yi-ming-219537","耆英胜会图","《耆英胜会图》为辽宁省博物馆首次对外展出，画作反映了北宋年间，“耆英会”的成员们日常闲聚的场景。整幅画作人物栩栩如生，将那一时期士大夫们不问政事、优哉游哉的画面描绘了出来。画作上，在几个主要人物旁边都写有姓名，这为辨识“耆英会”成员提供了方便。辽宁省博物馆工作人员分析认为，这些姓名可能是作者在画完之后特意写上的。\n在《耆英胜会图》的左半部，画有一个案几，司马光静坐在案几后，右手持笔，摆出了想要落笔书写的样子。案几上，纸张铺开，砚中有墨。在司马光的右手边，富弼端坐着，双手互揣衣袖，慈祥地静观着他。\n因为二人在这幅画里有距离感，按照常规视觉，司马光在画里的形象应该大于富弼，但实际上却恰恰相反。“中国古代绘画与西方绘画不同，在人物构图上，更强调尊卑观念。也就是说，在一幅画里，要凸显尊者、主人公的形象。”《民国辽沈金石书画史》作者、沈阳故宫博物馆副研究员沈广杰对画作进行了解读。他说，就《耆英胜会图》来看，从年龄上，富弼要长于司马光，而如果从官职上，前者也要高于后者，所以富弼的形象大于司马光就在情理之中了。",[26,27,96,32,1572,31,1985,331,4217,2337,124,4218,4219],"案几","士大夫","闲适","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F32aec312de9de2887e7eb87c9352fd6c.jpg","纵47横344厘米",[45,112,3059],{"id":4224,"slug":4225,"title":4226,"dynasty":22,"author":7,"museum":76,"description":4227,"tags":4228,"thumbUrl":4230,"material":43,"size":4231,"collection":45,"collections":4232,"showCount":4163,"zanCount":351,"manualWeight":49,"mainColor":50},219410,"huo-lang-tu-zhou-yi-ming-219410","货郎图轴","货郎挑担来到牡丹花下敲锣叫卖，孩童们争相前来，有拿铜钱的、拖玩具小车、打陀螺，还有手上把玩风车，脸上洋溢着欢喜与兴奋。货郎扁担为高肩形式，装饰着一对华丽的蟠龙，这是明代流行的样式。伞盖下悬挂灯笼、葫芦。置物架上内嵌木格，装满了瓶罐、玩具，及福禄寿样貌的泥塑偶人。背景牡丹盛开，桃实累累，充满吉祥意味。",[27,28,29,31,32,33,1527,3112,877,4229],"生活场景","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ff5c2e1b92d7b7e924913d4aafee674fb.jpg","183.5x116.3",[45],{"id":4234,"slug":4235,"title":4236,"dynasty":75,"author":7,"museum":465,"description":4237,"tags":4238,"thumbUrl":4239,"material":43,"size":4240,"collection":87,"collections":4241,"showCount":4163,"zanCount":351,"manualWeight":49,"mainColor":50},218949,"hua-zhu-an-chun-tu-yi-ming-218949","花竹鹌鹑图","绢本之上，墨彩交织出温润古意。数只鹌鹑或低头啄食，或侧耳呼应，羽毛纹理细腻如绒，神态憨态可掬；竹枝挺拔，叶片婆娑，藤蔓缠绕间缀着娇艳花朵，石畔幽草含露，一派生机盎然。画家以精湛写生功底，捕捉自然瞬间的灵动：鹌鹑的互动、花叶的摇曳，皆形神毕肖。整体氛围静谧雅致，似能闻见草木清香，窥见田园一隅的闲适安然，尽显宋画“格物致知”的审美意趣——于细微处见天地，于平淡中藏深情，将寻常景致绘就成耐人寻味的诗意画卷。",[27,28,96,31,32,145,4056,220,193,1737,36,1093],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F72f14da85deeb768a04b8571e1787dcc.jpg","33x179cm",[87],{"id":4243,"slug":4244,"title":4245,"dynasty":75,"author":7,"museum":76,"description":4246,"tags":4247,"thumbUrl":4248,"material":43,"size":4249,"collection":506,"collections":4250,"showCount":4163,"zanCount":153,"manualWeight":49,"mainColor":70},218806,"song-ren-ji-hui-han-shan-xing-lv-yi-ming-218806","宋人集绘-寒山行旅","本页绘一轮明月高悬天际，其下寒江平展，枯树横生蟹爪，景色萧疏空阔。近处坡丘二起，左丘上，古松成双，参差挺峙。松下亭中，有旅人坐憩。两丘间，土桥横江相连，沿著右丘，小径一路蜿蜒东去，丘势亦转成峰，环抱于江渚之后。行旅三两或骑或行，殆欲踏寒归去。山石形若卷云，皴法笔势劲捷，遥山远树则用染与前景分虚实，空间的气氛感颇为独到。",[26,27,79,28,530,614,144,60,953,613,2688,33,146],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F2f8b5a6304e7640a65792a19ed547c98.jpg","25.2x26.3",[506],{"id":4252,"slug":4253,"title":4254,"dynasty":141,"author":7,"museum":4255,"description":4256,"tags":4257,"thumbUrl":4259,"material":43,"size":4260,"collection":506,"collections":4261,"showCount":4163,"zanCount":310,"manualWeight":49,"mainColor":50},218225,"qing-shan-hua-ge-tu-yi-ming-218225","青山画阁图","朵云轩","此图绘重峦之中的楼阁，游人漫步其中，凭栏远眺，两 只小舟荡于溪水之上。山石的画法受郭熙影响，界画楼阁手法工谨，当属职业画家所创作的山水楼阁画。",[27,28,2415,32,1622,614,4258,129,1623,130,131,162,502],"青山","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F460d65a40c463c3ffa5784432d4acd69.jpg","170x103cm",[506],{"id":4263,"slug":4264,"title":4265,"dynasty":241,"author":7,"museum":1201,"description":4266,"tags":4267,"thumbUrl":4268,"material":43,"size":4269,"collection":506,"collections":4270,"showCount":4163,"zanCount":49,"manualWeight":49,"mainColor":50},217911,"shan-zhuang-guan-he-tu-yi-ming-217911","山庄观鹤图","山庄观鹤图是明朝时期的一幅名画，作者是佚名画家。这幅画描绘了一座山庄，山庄周围群山环抱，绿树成荫，空气清新。在山庄的前院，有一只鹤正在观赏花草，显得十分和善。这幅画浓烈的山水意境，深刻地表现出了古人对自然界的敬畏和虔诚，同时也展现了明朝画家独特的画风和技巧。",[27,29,32,60,614,33,531,1623,130,129,131,162,404],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fb2fad8a02e60f7dc3edd0d39a2250f75.jpg","195.5x99cm",[506],{"id":4272,"slug":4273,"title":4274,"dynasty":141,"author":7,"museum":76,"description":4275,"tags":4276,"thumbUrl":4277,"material":43,"size":4278,"collection":45,"collections":4279,"showCount":4280,"zanCount":260,"manualWeight":49,"mainColor":50},290745,"mei-hua-shi-nv-zhou-yi-ming-290745","梅花仕女轴","此幅画作，梅花树下，一名身形窈窕的美人，正手持铜镜，专注地妆扮着自己。身侧，并点缀了奇石和水仙花。全画的情境，被塑造得无比恬静而优雅。\n美人额间所装饰的梅花形“花钿”，似乎是整张画中最引人注目的焦点。唐代徐坚的《初学记》曾记载，南朝宋武帝（420－422在位）的女儿寿阳公主，某一日，在含章殿屋檐下休息假寐时，刚好有朵梅花掉落到她的额头上。当公主醒来起身，这朵梅花居然还停留在额间。此情此景，被宫中的女眷们看见，均大表赞赏，甚至纷纷起而仿效，掀起一股“梅花妆”的流行风潮。",[27,29,32,31,33,127,1605,542,2604,146],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fcfc4a265b52f01bd880e3e8c0aac9848.jpg","131.4x63",[45],75,{"id":4282,"slug":4283,"title":1279,"dynasty":55,"author":7,"museum":172,"description":4284,"tags":4285,"thumbUrl":4287,"material":296,"size":297,"collection":11,"collections":4288,"showCount":4280,"zanCount":49,"manualWeight":49,"mainColor":70},230348,"yong-zheng-shi-er-yue-xing-le-tu-zhou-yi-ming-230348","水岸楼台层叠错落，奇石流泉蜿蜒在庭院间。近舍里宾朋凭栏谈笑，空场间人群簇立，围观高架旁的杂艺演出。远景烟波轻笼水乡，屋舍连片沿水岸铺展，拱桥上行人摩肩接踵，新梅缀枝，漫染融融春意。\n\n整作工笔细腻温婉，以淡彩晕染出雅致底色，将苑囿闲情与江南市井的喧闹烟火相融，疏密有致的构图里，铺陈出春日佳节松弛鲜活的盛景，尽揽雅致祥和的岁时意趣。",[27,32,31,329,33,129,531,1623,130,131,542,650,4286],"人群","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fe2627069d8464d638cd4130d2f3b07cf.jpg",[],{"id":4290,"slug":4291,"title":4037,"dynasty":171,"author":7,"museum":292,"description":698,"tags":4292,"thumbUrl":4293,"material":296,"size":297,"collection":11,"collections":4294,"showCount":4280,"zanCount":351,"manualWeight":49,"mainColor":50},226216,"ku-zhu-shi-xi-bi-yi-ming-226216",[79,175,30,329,32,33,129,60],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fc239266b541c9c02b59870053dd1a161.jpg",[],{"id":4296,"slug":4297,"title":4298,"dynasty":141,"author":7,"museum":2131,"description":4299,"tags":4300,"thumbUrl":4301,"material":348,"size":4302,"collection":11,"collections":4303,"showCount":4280,"zanCount":351,"manualWeight":49,"mainColor":277},223593,"bai-yi-guan-yin-tu-zhou-yi-ming-223593","白衣观音图轴","此作用淡墨白描写就，线条清劲圆转如兰叶拂风，将观音衣袂的舒展柔曼尽数铺陈。菩萨安坐枯木之上，神态恬寂慈悲，身罩圆光，愈发显得清宁出尘。一旁净瓶斜插柳枝，暗点禅意。背景寥寥数笔勾勒寒江枯石，简淡空寂，烘托出幽远澄澈的水月之境。画首题诗暗合观心见性的禅思，笔墨极简却神完气足，以空灵之境托出观音自在无染的悲悯之态，尽显简逸高古的审美意趣，淡远清和之中，悠悠禅韵扑面而来。",[26,27,28,29,30,123,33,2709,162,4082,1473],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F650731d393f311c93711e07f496fca71.jpg","83x39",[],{"id":4305,"slug":4306,"title":4307,"dynasty":241,"author":7,"museum":499,"description":4308,"tags":4309,"thumbUrl":4312,"material":43,"size":11,"collection":87,"collections":4313,"showCount":4280,"zanCount":49,"manualWeight":49,"mainColor":50},219015,"ping-an-tu-yi-ming-219015","平安图","坡岸之上，竹丛疏密有致，枝叶间光影流转。数只禽鸟散落其间，或低头啄食草籽，或侧身梳理羽翎，姿态各异却皆显安然。白菊清雅，红果艳艳，点缀在苍褐的底色上，如散落在时光里的星子。溪流蜿蜒而过，山石静默伫立，整个画面似被一层温润的古意包裹。每一处细节都藏着对自然生机的细腻捕捉，笔墨间流淌着恬淡的野趣，更将“平安”的美好期许悄然融入这一方天地，让观者于静谧中感受那份岁月沉淀的祥和与安然。",[27,96,31,32,80,4056,145,920,4310,2309,162,1643,468,4311],"白花","草丛","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F8578e8b33b1c86d88f4b80524cd58b57.jpg",[87],{"id":4315,"slug":4316,"title":4317,"dynasty":55,"author":7,"museum":172,"description":1982,"tags":4318,"thumbUrl":4319,"material":296,"size":297,"collection":11,"collections":4320,"showCount":4321,"zanCount":351,"manualWeight":49,"mainColor":70},263655,"ke-si-yu-zhi-shi-hua-hui-tu-ce-tao-hua-yi-ming-263655","缂丝御制诗花卉图册-桃花",[79,27,530,161,31,32,80,1330,124,82],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F6aa17ec3a0050f40eac53095f1b343d5.jpg",[],74,{"id":4323,"slug":4324,"title":4325,"dynasty":75,"author":7,"museum":76,"description":4326,"tags":4327,"thumbUrl":4329,"material":43,"size":4330,"collection":85,"collections":4331,"showCount":4321,"zanCount":351,"manualWeight":49,"mainColor":50},221238,"xue-lu-shuang-yan-zhou-yi-ming-221238","雪芦双雁轴","描绘的是寒冬汀岸一隅，四只雁栖息于芦苇丛下的岸边，有的仰天引颈而望，有的蹲伏理翎，另外二只掠空飞起。构图极其简洁，大致属于边角结构，芦苇、坡石、芦雁自左下角向内延伸，其余部分大片留白，形成清远空旷的意境",[26,79,27,28,29,31,32,80,4328,662,163,952,36],"双雁","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fb1c1047960693bbada4ff966b1451860.jpg","174.6x99.5",[85,87,112],{"id":4333,"slug":4334,"title":4335,"dynasty":141,"author":7,"museum":720,"description":4336,"tags":4337,"thumbUrl":4344,"material":32,"size":11,"collection":112,"collections":4345,"showCount":4321,"zanCount":351,"manualWeight":49,"mainColor":50},219248,"shi-jia-san-zun-xiang-yi-ming-219248","释迦三尊像","三屏并置构局对称庄严，中央主尊端坐莲台，袈裟朱红如燃，衣纹流转似风拂涟漪；左普贤乘六牙白象，象踏祥云，彩饰环身；右文殊跨青狮，狮吼若闻，威凛自生。下方侍从或执杖肃立，或捧器躬身，衣袂飘举间线条劲健。设色虽历久斑驳，仍可见朱砂浓艳、石绿清润与泥金辉光相映，兼具宋画细腻工致与元人开阔气度，将佛国神圣与人间鲜活悄然融合，尽显元代佛画独特神韵——既承汉地传统笔墨之精，又融多元文化的开阔气象，是佛画艺术在时代交融中的生动遗存。",[26,27,30,29,31,32,33,1057,1388,4338,4339,4340,1170,986,4341,4342,4343],"护法","胁侍","坐骑","骑兽","胁侍菩萨","弟子","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fad0d370ff3dae005e118f1bc294f41e9.jpg",[112],{"id":4347,"slug":4348,"title":4349,"dynasty":75,"author":7,"museum":76,"description":4350,"tags":4351,"thumbUrl":4352,"material":43,"size":4353,"collection":85,"collections":4354,"showCount":4321,"zanCount":49,"manualWeight":49,"mainColor":70},218809,"jie-hua-lou-ge-1-yi-ming-218809","界画楼阁1","这幅画描绘了一个山间别墅的庭院，有雕花栏杆和奇花异木，这应该是一个富裕家庭的家。这座建筑的风格与署名为马麟的亭子相似，这幅画可以追溯到南宋时期。",[26,27,28,530,329,32,129,131],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F88f6e3d094caae67171695fac9a80a22.jpg","23.7x26.4",[85],{"id":4356,"slug":4357,"title":4358,"dynasty":75,"author":7,"museum":172,"description":4359,"tags":4360,"thumbUrl":4361,"material":296,"size":297,"collection":11,"collections":4362,"showCount":4363,"zanCount":49,"manualWeight":49,"mainColor":50},288938,"yang-huang-hou-ti-tao-hua-tu-yi-ming-288938","杨皇后题桃花图","此作以极简构图托出幽淡春意，斜逸的桃枝自右下角探入，留白铺陈出空寂古雅的画境。花瓣以淡白晕染，勾勒出柔润轮廓，嫩萼新芽轻缀枝上，鲜活又沉静。题句与花木相映，将桃花经岁方开的清贵尽数铺展，朱红印鉴点缀留白处，晕染出古雅的文人情致。\n整幅笔致精细秀雅，不着浓艳，只以素净笔墨写尽桃花幽婉之姿，将静穆淡远的审美意趣藏于花枝间，淡而愈真，清而弥永，尽揽春日花木的娴静品格。",[27,28,80,1330,31,32,124,3054,82],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fe700220cab28166479f4448ef8bcad84.jpg",[],73,{"id":4365,"slug":4366,"title":4367,"dynasty":55,"author":7,"museum":172,"description":4368,"tags":4369,"thumbUrl":4370,"material":296,"size":297,"collection":11,"collections":4371,"showCount":4363,"zanCount":260,"manualWeight":49,"mainColor":50},270170,"qian-lan-se-ke-si-mu-dan-hua-die-tu-mian-wu-mu-diao-hua-bing-tuan-shan-yi-ming-270170","浅蓝色缂丝牡丹花蝶图面乌木雕花柄团扇","木雕是雕塑的一种，在我们国家常常被称为“民间工艺”。木雕可以分为立体圆雕、根雕、浮雕三大类。木雕是从木工中分离出来的一个工种，在我们国家的工种分类中为“精细木工”。\n以雕刻材料分类的民间美术品种。一般选用质地细密坚韧，不易变形的树种如楠木、紫檀、樟木、柏木、银杏、沉香、红木、龙眼等。\n木雕是以各种木材及树根为材料进行雕刻，是以传统雕刻工艺中的重要门类。木雕的历史非常悠久，在浙江余姚河姆渡文化遗址就有木雕鱼出土，这是我国木雕史上最早的实物。河南信阳战国大墓出土的木雕镇木兽，湖北云梦汉墓出土的彩雕木佣均为我国早期木雕作品。由于保存的困难，现今很难看到超过千年的木雕作品。\n两宋时期木雕作品较为多见，这时的木雕已采用组织细密的木材为载体进行制作，这就有利于木雕作品的传世。我国的一些庙宇里还保存有宋代的木雕作品。\n元明时由于海外贸易的急速发展，木材种类有所增加，许多由海外进口的硬质木材，是木雕工艺得到长足发展。\n明清期间是木雕艺术的一个辉煌时期，涌现出大量有史可考的名家、艺人及其作品，是古代木雕艺术的一个高峰。\n清末至民国年间由于政府的腐败，国力的衰退，外强的侵略，民不潦生，木雕艺术从此衰落，艺人名家也只能沦为匠人糊口度日。新中国成立后在党和国家的关怀下，民间工艺得到了保护及挖掘，木雕也重新涣发出生命，涌现出一批国家级大师。他们的作品，工艺精湛，秉承传统，立意深远，讴歌时代，体现了大师们立足传统，锐意创新，直抒重获新生的胸怀和报效国家，知遇之恩的深情。\n国家改革开放，经济腾飞，国富民强，党和国家对民间工艺的大力扶持，唤起了民众对传统工艺美术的热爱与追求。逢此盛世，民间工艺美术有了新的飞跃，木雕艺术也不例外。面对实际情况，在全国工艺品展出中，优秀作品的作者年龄偏大，年轻作者寥寥无几。",[219,161,98,105,80,32,1251,31],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F40ff59ddc8813b983e9b27b64bbb79a1.jpg",[],{"id":4373,"slug":4374,"title":4375,"dynasty":241,"author":7,"museum":76,"description":4376,"tags":4377,"thumbUrl":4380,"material":109,"size":4381,"collection":45,"collections":4382,"showCount":4363,"zanCount":153,"manualWeight":49,"mainColor":50},237238,"ming-ren-chun-jing-huo-lang-tu-zhou-yi-ming-237238","明人春景货郎图轴","货郎图自宋代以降，常被画家引为表现主题。此幅无名款，画春日郊园中，桃花初绽，新柳泛绿，杂草野卉丛生於小溪石畔。柳荫下停放一货担，架上满置鸟笼，笼中鸟色品种殊异，四周并缀有各式童玩。",[27,28,29,32,31,33,4378,4379,98,190,3839,877],"儿童","货郎担","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ff5ca9ee63e0c5ff0337a9862fc0de7a0.jpg","196.8x104.3",[45],{"id":4384,"slug":4385,"title":4386,"dynasty":241,"author":7,"museum":172,"description":4387,"tags":4388,"thumbUrl":4391,"material":11,"size":11,"collection":11,"collections":4392,"showCount":4363,"zanCount":351,"manualWeight":49,"mainColor":50},232909,"fang-xu-xi-hua-niao-tu-juan-yi-ming-232909","仿徐熙花鸟图卷","徐熙，鍾陵（今進賢西北）人，生卒年不詳，出身世家，「世為江南顯族」。但一生沒有出仕做官，因此後世稱他為「江南布衣」或「南唐處士」。他的藝術成就，集中體現在不同凡響的落墨花鳥畫創作方面。在當時，這種畫的畫法不同於一般傳統的技法，而是大膽創新。它的出現，曾引發了一些遵從傳統技法的畫家的震驚和敵視。\n中國花鳥畫成為獨立的藝術，比人物畫、山水畫稍晚，唐代雖然出現了不少名家，但直到五代南唐徐熙和西蜀黃荃兩家的出現，花鳥畫壇才放出了異彩。\n徐熙、黃荃都是中國繪畫史上影響深遠的大畫家，但繪畫風格不同，宋代流行一句話：「黃荃富貴，徐熙野逸」。王安石盛讚徐熙的畫名滿江南，成就卓著。劉道醇的《聖朝名畫評》將徐熙的作品列為「花竹翎毛門」的神品第一名，認為他「與造化之功不甚遠，宜乎為天下冠也」。\n眼光獨特的北宋書畫大家米芾認為徐熙的畫法富於變化，不為常規所有，用普通的追求形色相似的臨摹方法無法描摹、激賞其藝術上的獨創價值。\n徐熙是一位多產的畫家，宋《宣和畫譜》所載藏於御府的畫目中，徐熙的畫有249種。流傳於世間的重要作品有《寒蘆野鴨》《花竹雜禽》《魚蟹草蟲》《雪竹圖》《百鳥圖卷》等，因其開創了中國寫意花鳥畫的先河，時稱「江南花鳥，始於徐家」。",[26,27,28,96,32,31,122,124,80,163,3684,404,131,162,1093,4389,446,4390],"日","鸟类","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F90011eff47e64f1294d5d515d140a732.jpg",[],{"id":4394,"slug":4395,"title":4396,"dynasty":75,"author":7,"museum":172,"description":4397,"tags":4398,"thumbUrl":4400,"material":11,"size":11,"collection":11,"collections":4401,"showCount":4363,"zanCount":351,"manualWeight":49,"mainColor":70},227372,"yu-ying-shi-nv-tu-yi-ming-227372","浴婴仕女图","《浴婴图》南宋，佚名，绢本设色，纵35.8厘米，横35.9厘米，美国弗瑞尔美术馆藏。\n\n画面中共三个妇人，四个小孩，当中摆一长形浴盆。画面设色淡雅明快，气氛温馨和谐，妇人的神情慈祥、婴儿的天真无邪，无不充满了浓郁的人情和现实意义。",[26,79,27,28,31,32,33,127,4399,82,345],"婴儿","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F2a808fa71ca6fd850c6dafb4642ee508.jpg",[],{"id":4403,"slug":4404,"title":4405,"dynasty":599,"author":7,"museum":172,"description":4406,"tags":4407,"thumbUrl":4411,"material":296,"size":297,"collection":11,"collections":4412,"showCount":4363,"zanCount":351,"manualWeight":49,"mainColor":277},226715,"shan-dong-long-shan-wen-hua-wan-qi-ying-wen-gui-yi-ming-226715","山东龙山文化晚期鹰纹圭","一面牙黄泛灰色玉，另一面上半部牙黄泛灰，下半部赭红色，刃部近黑色。窄长梯形，平直正刃。刃在线颇多使用崩伤痕。柄端也有伤缺、一圆孔，孔壁光滑。圭之中段的两面，均浅浮雕神秘的花纹。上下段又加琢了乾隆的御制诗和玺文。清宫中加配木座。用美玉琢制的斧铲，主要是象征统治者的身份地位的礼器，在礼制中称为「圭」。在典礼中，要将它的刃部朝上捧握。这是一件距今约4300至3800年间海岱地区的玉圭，住在那儿的先民就是文献中的「东夷」。所以在这件玉圭的中段，都雕琢了东夷人信奉的神祖像。不过浮雕的花纹非常轻浅。",[599,267,268,4408,4409,406,580,4410],"线刻","鹰纹","鸟纹","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fc3a867ac04e6b3adab61b9c4a54fd03e.jpg",[],{"id":4414,"slug":4415,"title":4416,"dynasty":22,"author":7,"museum":292,"description":1471,"tags":4417,"thumbUrl":4420,"material":296,"size":297,"collection":11,"collections":4421,"showCount":4363,"zanCount":49,"manualWeight":49,"mainColor":50},226516,"cai-hui-liu-bi-shi-yi-tou-guan-yin-xiang-yi-ming-226516","彩绘六臂十一头观音像",[30,33,32,1169,175,4418,4419,176,31],"多臂","多头","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F9706df4d6bc0bbc3def6af9410f119ed.jpg",[],{"id":4423,"slug":4424,"title":4425,"dynasty":55,"author":7,"museum":172,"description":4426,"tags":4427,"thumbUrl":4429,"material":11,"size":11,"collection":11,"collections":4430,"showCount":4363,"zanCount":49,"manualWeight":49,"mainColor":50},224247,"qing-hua-yuan-hua-shi-er-yue-yue-ling-tu-shi-er-yue-zhou-yi-ming-224247","清画院画十二月月令图十二月轴","画卷取景分野墅与深宅两重天地。上半幅里远山素裹，寒林枝桠凝霜，冰封湖面化作天然冰场，乡野村人驰骋滑行，雪色间漫着冬日野趣。\n下半处宅邸雅致规整，廊下仆从往来奔走，庭院里孩童们攒雪团、掷雪球，闹作一团，将深宅岁末的暖意烘起。\n全画工笔精细，设色清柔，将冬日的清寂与岁末烟火揉为一处，既有山野萧寒的静谧，也有家宅团圆的温煦，尽绘冬闲时分的太平意趣。",[26,27,79,29,31,32,329,60,129,33,952,650,131,2944,734,4428],"冬季","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F42f59e4bc38c1e3653cd281477159710.jpg",[],{"id":4432,"slug":4433,"title":4434,"dynasty":75,"author":7,"museum":172,"description":4435,"tags":4436,"thumbUrl":4437,"material":11,"size":11,"collection":11,"collections":4438,"showCount":4363,"zanCount":49,"manualWeight":49,"mainColor":50},223614,"zhu-que-shuang-tu-tu-yi-ming-223614","竹雀双兔图","《竹雀双兔图》是辽代佚名画家创作的绢本设色画，现藏于辽宁省博物馆。\n图绘双钩墨竹一丛，其中有长竹三竿，耸立其间，又有三只麻雀，分踞竹上：有的寻觅食物，有的静立下观，有的自理羽毛，神态各殊；丛竹之下生长的三株野花，左为蒲公英，中为地黄，右为白头翁，显得鲜艳肥大，引人注意；花前的两只灰兔为此图的主题：一只在吃草，一只在探望，神态逼真、活泼清新。\n图上画三竿翠竹，竹上落有三雀，一雀静立枝头，一雀用喙整理毛羽，另一雀侧身瞰视，神情各异。\n丛竹下画有蒲公英、地黄和白头翁三株野花及许多野花小草。\n两只苍兔蹲踞地上，一只在吃草，一只敛耳抬头张望。\n契丹族，是中国北方一支古老的民族，契丹人逐水草而居，以狩猎游牧为生。\n契丹神册元年（916年），耶律阿保机统一了契丹各部，建立了强大的辽王朝，先后与五代和北宋并立。\n其绘画作品，继承唐及五代传统，却又独具特色。\n花卉鸟兽是辽画中常见的题材。\n1974年5月，在辽宁省法库县叶茂台发掘了一座辽代萧氏贵族砖墓，规模较大，出土遗物较多，《竹雀双兔图》就在其中出土。\n关于《竹雀双兔图》的年代，因画上既无作者名款，也没有题识和收藏印记，只能从绢画本身加以分析研究，以确定流派与时间。\n由于画幅出土于辽墓之中，从墓室结构和数百件随葬品综合来考察，可以断定是辽代早期的墓葬，且不晚于辽景宗耶律贤时期，即北宋太宗赵炅的太平兴国年间（976—98年）。\n也就是说，画的制作年代不晚于这个下限。\n至于它的上限早到何时、关于画的作者族属问题， 做过考证，对此图的看法是“侧重出自契丹族画家之手”，这是有道理的。\n由于辽代绘画受到唐、五代画风的深刻影响，与宋文化有着密切的关系，北宋初期的作品，一般都不署名。\n但从作品本身观察，其技法虽带装饰意味，却很难说是出自一般民间画师之笔。\n整幅画作设色清秀，意境明快，静中有动，生机勃勃。\n从中不难看出，画面的装饰气味比较浓厚，生活气息也相当强烈，从中可窥见花鸟画刚刚摆脱从属地位，开始形成独立画种的特点；同时，也不难了解到辽代的绘画艺术与中原的密切联系，又别具一格，值得珍视。\n这幅作品在构图上很讲究均衡对称，如竹与竹、雀与雀、兔与兔之间的位置距离，都保持一定的平行对称的关系，共至连竹叶的对生，花草的奇偶相对，都是经过作者审慎安排的。\n但它不是搞绝对平均的对称，而是在对称中又有一定的变化，并不使你感到单调死板，而是更富有民间艺术均衡饱满的装饰性风味，体现了当时人民群众对艺术的爱好和审美习惯。\n图中虽无作者款印，但因出土的墓葬为辽代早期，即北宋太宗时期，画作的时代下限可靠，为研究五代、北宋早期、辽代的山水画、花鸟画及中原绘画的发展与影响提供了极为可信的第一手资料。\n1974年5月在辽宁省法库县叶茂台辽代7号墓，出土了《竹雀双兔图》。\n该图现藏于辽宁省博物馆。\n218年8月14日，辽宁省博物馆举办“中国古代绘画展”，《竹雀双兔图》在其中展出。",[26,27,79,28,29,31,32,145,1431,1027,232,80,272,888,220],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F01b9287a3d30581cccc1ff161cbfb278.jpg",[],{"id":4440,"slug":4441,"title":4442,"dynasty":75,"author":7,"museum":56,"description":4443,"tags":4444,"thumbUrl":4445,"material":4446,"size":4447,"collection":85,"collections":4448,"showCount":4363,"zanCount":49,"manualWeight":49,"mainColor":50},223563,"xi-shan-chun-xiao-tu-yi-ming-223563","溪山春晓图","旧传僧人惠崇所作。惠崇「工画鹅雁鹭鸶，尤工小景，善为寒汀远渚、潇洒虚旷之象，人所难到也」（北宋郭若虚语）。",[26,79,27,28,96,32,60,131,1623,130,128,734,614,31,1330],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fdc9802966519f6b19d2e432610d96478.jpg","絹本設色","纵24.5厘米，横185.5厘米",[85,506,1116],{"id":4450,"slug":4451,"title":4452,"dynasty":75,"author":7,"museum":76,"description":4453,"tags":4454,"thumbUrl":4456,"material":43,"size":4457,"collection":85,"collections":4458,"showCount":4363,"zanCount":351,"manualWeight":49,"mainColor":70},218838,"yue-ming-jin-su-tu-yi-ming-218838","月明金粟图","这幅画描绘了山中的一轮明月，一枝金桂（又称金粟）从天而降，香气远扬。其构图在古代和现代的折叠式微型画中是独一无二的，折叠式花枝伴随着远山、云彩和月亮。",[26,79,27,28,219,31,32,38,4455,207,80],"桂花","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F0ffe1f4cf683153ff158daeb9f1f5bf1.jpg","21.7x23.8",[85,87],{"id":4460,"slug":4461,"title":4462,"dynasty":141,"author":7,"museum":172,"description":4463,"tags":4464,"thumbUrl":4465,"material":296,"size":297,"collection":11,"collections":4466,"showCount":4467,"zanCount":49,"manualWeight":49,"mainColor":50},290742,"guan-yin-da-shi-xiang-zhou-yi-ming-290742","观音大士像轴","此作观音面容圆和悲悯，身披华饰璎珞，衣纹舒展流动，配色沉穆古雅，带着岁月晕开的温润质感。座下青狮龇牙威勐，却被观音掌心轻按敛了戾气，尽显柔能制刚的禅意。右下角善财童子合十礼拜，神态稚拙恭谨。\n\n远景以淡彩晕染山林云海，修竹挺翠，彩云舒卷，飞鸟穿空，将佛国清寂祥瑞融于山水间。笔墨工细兼具写意，线条婉转凝练，既恪守佛教造像的庄肃仪轨，又以灵动景致烘托出出尘禅韵，尽显古佛画沉静厚重的审美意趣。",[27,29,30,32,33,31,176,272,34,145,163],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F12afaa29032eb7937f747f363c8b7f45.jpg",[],72,{"id":4469,"slug":4470,"title":4471,"dynasty":75,"author":7,"museum":76,"description":4472,"tags":4473,"thumbUrl":4475,"material":1770,"size":4476,"collection":11,"collections":4477,"showCount":4467,"zanCount":351,"manualWeight":49,"mainColor":50},227553,"nei-ren-shuang-lu-tu-gao-qing-chang-juan-yi-ming-227553","内人双陆图（高清长卷）","该画描绘了唐装贵族妇女以棋戏消遣的生活。图中间为二盛装贵族妇女对坐行棋，左右有亲近观棋，侍婢应候。",[26,79,27,28,96,31,32,33,1605,346,345,4474],"游戏","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fa27a712d7149fa45d5a57a0744f2417c.jpg","纵30.7厘米，横64.4厘米",[],{"id":4479,"slug":4480,"title":4481,"dynasty":171,"author":7,"museum":4482,"description":4483,"tags":4484,"thumbUrl":4487,"material":11,"size":11,"collection":3059,"collections":4488,"showCount":4467,"zanCount":153,"manualWeight":49,"mainColor":50},221045,"jin-gang-bo-re-bo-luo-mi-jing-juan-liu-hong-gui-shu-tang-chao-yi-feng-yuan-nian-shou-gao-yi-ming-221045","金刚般若波罗蜜经.卷.刘弘珪书.唐朝仪凤元年手稿","中国国家图书馆","本卷金刚般若波罗蜜经不是一般的金刚般若波罗蜜经，而是中国国家图书馆藏敦煌卷轴——唐朝仪凤元年手稿扫描件制成的，因为该文献略有残缺，更突显了金刚般若波罗蜜经卷轴的珍贵，看惯了简体字的你，或许可以看看唐朝时期的金刚般若波罗蜜经是什么样的。",[26,3053,124,3054,4485,4486],"手稿","典籍","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fe29c7659e45397d5dcba55140d981984.jpg",[3059],{"id":4490,"slug":4491,"title":4492,"dynasty":141,"author":7,"museum":216,"description":4493,"tags":4494,"thumbUrl":4495,"material":43,"size":11,"collection":45,"collections":4496,"showCount":4467,"zanCount":49,"manualWeight":49,"mainColor":50},218469,"zhu-cha-ban-tuo-jia-zun-zhe-xiang-yi-ming-218469","注茶半讬迦尊者像","画面中尊者面容沉静慈悲，耳垂丰厚，胡须轻覆唇角，尽显庄严与亲和。蓝色袈裟厚重垂坠，红色内衬点缀其间，白色布巾在腕间流转，质感细腻灵动。右手托举的器物造型古朴，纹理刻画入微，似藏禅意。衣纹线条勾勒精准传神，既有工笔的细腻，又不失写意的洒脱。色彩晕染层次丰富，蓝红对白交织出沉稳而鲜活的视觉效果，背景的素净更衬出主体的庄重。整幅作品将尊者的禅定之态与器物的精巧相融，尽显元代宗教绘画的精湛技艺与精神内涵。",[27,28,29,30,31,32,33,346,41,146],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fb3569652e8e110d2bd91593319be8bb9.jpg",[45],{"id":4498,"slug":4499,"title":4500,"dynasty":241,"author":7,"museum":23,"description":4501,"tags":4502,"thumbUrl":4504,"material":43,"size":879,"collection":11,"collections":4505,"showCount":4467,"zanCount":351,"manualWeight":49,"mainColor":50},218277,"ba-xian-tu-dui-fu-zhi-you-yi-ming-218277","八仙图对幅之右","这幅画描绘了铁拐李、汉钟离、曹国舅和蓝采和，铁拐李的宝葫芦露出了他的替身。",[79,27,28,29,931,31,32,33,1922,687,4503,284,638],"花篮","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ff9be561a77dd0809ce682eb36fbac64b.jpg",[],{"id":4507,"slug":4508,"title":4509,"dynasty":849,"author":7,"museum":4510,"description":4511,"tags":4512,"thumbUrl":4513,"material":977,"size":4514,"collection":11,"collections":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清朝是以满族统治者为主的政权机构，满族八旗服饰随朝代的变更冲进关内。旗人的风俗习惯影响着广大的中原地区。从公服开始逐渐推向常服。",[1924,4531,404,4532,331,80,345,4533],"缎绣","鸢尾花","织物","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fc7f04495b67bba5e42cdac956fecd321.jpg",[],{"id":4537,"slug":4538,"title":4539,"dynasty":55,"author":7,"museum":172,"description":1982,"tags":4540,"thumbUrl":4542,"material":296,"size":297,"collection":11,"collections":4543,"showCount":4524,"zanCount":49,"manualWeight":49,"mainColor":70},263656,"ke-si-yu-zhi-shi-hua-hui-tu-ce-shi-liu-hua-yi-ming-263656","缂丝御制诗花卉图册-石榴花",[27,28,1222,32,31,80,4541,190,124,82,161],"石榴花","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fad1df1585458c1487b63fa145618dd8c.jpg",[],{"id":4545,"slug":4546,"title":4547,"dynasty":55,"author":7,"museum":172,"description":4548,"tags":4549,"thumbUrl":4550,"material":296,"size":297,"collection":2200,"collections":4551,"showCount":4524,"zanCount":49,"manualWeight":49,"mainColor":70},253566,"de-hua-yao-bai-you-guan-yin-pu-sa-li-xiang-yi-ming-253566","德化窑白釉观音菩萨立像","德化窑位于今福建德化，故名。作为著名的瓷窑，是福建沿海地区古外销瓷重要产地之一。发现由宋到清历代窑址达一百八十处，重点发掘了屈斗宫、碗坪仑两处窑址。\n德化瓷器是中华陶瓷烧造中的艺术珍品，始于宋代，明代后得到巨大发展。以白瓷塑佛像闻名。其制作细腻，雕刻精美，造型生动，体现了古代劳动人民的卓越才能和艺术创造力。\n在今福建德化，故名。是福建沿海地区古外销瓷重要产地之一。发现由宋到清历代窑址达一百八十处，重点发掘了屈斗宫、碗坪仑两处窑址。\n碗坪仑烧瓷较屈斗宫古窑址早，烧青白瓷，有的接近白釉，刻花蓖划纹装饰较多，盒子遗留甚丰，盖面所印阳纹装饰达一百余种，题材之丰富在南方地区首屈一指，南宋时有专门制作盒子的作坊，盒盖上阳文印花装饰题材丰富，有动物、花卉等近百种图案。划花间篦划纹亦较多，饰在碗、盘、瓶等器物上。\n屈斗宫元代办烧青白瓷，从南宋至元代。明代盛烧白瓷观音、达摩等塑像，胎釉浑然一体，如同白玉，被赞为\"象牙白\"、\"奶白\"或 \"天鹅绒白。清代除烧白瓷外，盛烧青花与彩绘瓷器。元代以来，德化窑瓷器输出海外，菲律宾、马来西亚出土有元代德化窑青白瓷，泰国及东非坦桑尼亚等国家也出土有清代德化窑青花瓷器。\n这种瓷器的制作工艺程序如下：他们从地下挖取一种泥土，将它垒成一个大堆，任凭风吹、雨打、日晒，从不翻动，历时三、四十年。泥土经过这种处理，质地变得更加纯化精炼，适合制造上述各种器皿，然后抹上认为颜色合宜的釉，再将瓷器放入窑内或炉里烧制而成。因此，人们挖泥堆土，目的是替自已的儿孙贮备制造瓷器的材料而已，大量的瓷器是在城中出售， 一个威尼斯银币能买到八个瓷杯“。马可波罗的介绍，引起了西方人的强烈兴趣。",[160,2194,3788,30,33,268],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ffefff6acbb327d1debb44cffe6346272.jpg",[2200],{"id":4553,"slug":4554,"title":4555,"dynasty":55,"author":7,"museum":172,"description":4556,"tags":4557,"thumbUrl":4559,"material":11,"size":11,"collection":274,"collections":4560,"showCount":4524,"zanCount":351,"manualWeight":49,"mainColor":50},241701,"cui-xiao-yi-ming-241701","翠箫","此器莹润似春水初凝，仿竹修形，线条清隽舒展，自带出尘之态。深浅翠色晕染通透玉身，如同将江南烟霭凝于骨中，素净无饰，尽展天然雅致。匀整开孔暗含音律章法，仿佛仍留存着丝竹萦耳的旧时余韵。静置于此，温润泽光里晕开岁月痕迹，似能窥见昔年执管奏乐的光景，将东方雅骨融于一管翠玉，缄默诉说着旧时风月清欢。",[160,267,687,268,603,4558],"翠玉","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fd1d5d38e4274032046e5ab062807eb0d.jpg",[274],{"id":4562,"slug":4563,"title":4564,"dynasty":22,"author":7,"museum":172,"description":4565,"tags":4566,"thumbUrl":4568,"material":296,"size":297,"collection":11,"collections":4569,"showCount":4524,"zanCount":49,"manualWeight":49,"mainColor":277},231613,"fu-hua-qian-shou-guan-yin-xiang-li-zhou-yi-ming-231613","佛画 千手观音像立轴","暗沉底色晕开静谧肃穆的氛围，主尊合掌垂眸，慈悲肃穆尽显。千臂层叠排布，或持法器、或结法印，错落有序却不显冗杂，衣纹褶皱古朴厚重，残存的贴金痕迹晕开旧时华贵光彩。\n\n左右胁侍恭谨分立，一人捧供盘奉呈信物，一人持经卷垂首凝神，衣饰绮丽繁复，与主尊浑朴庄严形成呼应。整体设色沉敛内敛，线条遒劲凝练，将仪轨整饬与神性慈悲相融，虽历经岁月色泽黯淡，依旧传递出厚重沉静的宗教感染力，尽显古佛画典雅庄重的美学意韵。",[26,27,28,29,30,32,31,33,176,4567],"千手","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fb8917d247ca8224fc3f2301f7f6315fe.jpg",[],{"id":4571,"slug":4572,"title":4573,"dynasty":241,"author":7,"museum":76,"description":4574,"tags":4575,"thumbUrl":4576,"material":144,"size":11,"collection":1116,"collections":4577,"showCount":4524,"zanCount":49,"manualWeight":49,"mainColor":50},219345,"shan-shui-zhou-yi-ming-219345","山水轴","峰峦叠嶂间云雾氤氲，墨色皴擦出山石肌理，浓淡相宜间尽显丘壑之姿。松枝苍劲，竹影婆娑，掩映着几椽屋舍，屋前似有人凭栏凝思，桥边或有客缓步寻幽。流水潺潺绕石矶，与远山朦胧相映成趣。画作以简练线条勾勒景致，留白处见空灵，墨韵间藏生机，将山水静谧与文人雅趣融于一体，仿佛能闻林间清风，听案上琴音，尽显东方美学的含蓄悠远。",[27,28,29,144,614,60,953,331,734,1623,131,63,359],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F9d07f8a98cf77e3944329d1fc96a3eb6.jpg",[1116],{"id":4579,"slug":4580,"title":4581,"dynasty":241,"author":7,"museum":4582,"description":4583,"tags":4584,"thumbUrl":4585,"material":11,"size":11,"collection":45,"collections":4586,"showCount":4587,"zanCount":351,"manualWeight":49,"mainColor":70},238562,"ming-ren-sheng-ping-yi-zan-tu-bing-shu-zan-ce-yi-ming-238562","明人升平翊赞图并书赞册","德国国立柏林民俗博物馆","此作工笔重彩，设色妍丽沉稳。朱漆楼宇界画工致，飞檐翼然，堂内宾主雅集宴乐，丝竹相和、把盏酬唱，一派闲雅升平。另一侧甲胄武士整队而来，鞍饰鲜亮、仪仗严整，赳赳威仪和宴饮雅趣相映成趣。\n山石松瀑勾勒细致，草木布景层次分明，人物衣纹走线考究，武士的英挺、宴客的雍容皆被细致摹写。以工致笔触铺陈出承平之世的礼乐典仪，将朝堂酬酢的盛大描摹尽致，处处流露着对盛世安稳的由衷赞颂。",[27,32,31,329,530,33,129,1623,1006,613,531,130,3243,687],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F6599ab556ad7494df2f3406cc7785279.jpg",[45,112],70,{"id":4589,"slug":4590,"title":4195,"dynasty":171,"author":7,"museum":292,"description":698,"tags":4591,"thumbUrl":4593,"material":296,"size":297,"collection":11,"collections":4594,"showCount":4587,"zanCount":351,"manualWeight":49,"mainColor":50},226206,"ku-yong-dao-nan-pi-yi-ming-226206",[175,30,32,33,986,177,4592],"纹样","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F72a3119938322f459547c31aab6e4a99.jpg",[],{"id":4596,"slug":4597,"title":4598,"dynasty":75,"author":7,"museum":2131,"description":4599,"tags":4600,"thumbUrl":4601,"material":335,"size":4602,"collection":11,"collections":4603,"showCount":4587,"zanCount":310,"manualWeight":49,"mainColor":277},223578,"xuan-zang-san-zang-xiang-li-zhou-yi-ming-223578","玄奘三藏像立轴","绘玄奘大师赤足芒履，体态壮硕，略有疲惫，身负满载佛经的行笈，右手拿着拂尘，前悬灯盏，日夜兼程、西去取经。",[26,27,28,29,30,33,32,31,64,346],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F543bc49dad0fa1d57d1f2a920b223347.jpg","135.1×59.9cm",[],{"id":4605,"slug":4606,"title":4607,"dynasty":75,"author":7,"museum":216,"description":4608,"tags":4609,"thumbUrl":4610,"material":43,"size":4611,"collection":506,"collections":4612,"showCount":4587,"zanCount":49,"manualWeight":49,"mainColor":50},219957,"jiang-tian-chun-se-tu-yi-ming-219957","江天春色图","以半边雄奇崖壁衬出半幅浩渺江天，虚实相生间铺展出清旷春景。淡施青绿晕染崖石积雪，冷润雅致，带着残冬未尽的清寒。山腰间隐着两隅茅舍，藏于松云崖岫之间，更衬林泉幽寂。汀岸老松虬曲，板桥卧于浅渚，悠悠生出林下幽居的雅趣。远景山峦以淡墨轻晕，和烟波江色融成一片空濛，将春日江天的静穆辽远晕染尽致，暗合寄情林泉、澄怀观道的山水雅意。",[79,27,28,219,32,614,60,531,1623,131,162,4208,82],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fab9003bc40ef9f1cd9031a6c367ac98e.jpg","26.4*20.5",[506],{"id":4614,"slug":4615,"title":4616,"dynasty":75,"author":7,"museum":76,"description":4617,"tags":4618,"thumbUrl":4619,"material":43,"size":4620,"collection":85,"collections":4621,"showCount":4587,"zanCount":49,"manualWeight":49,"mainColor":70},218839,"song-xi-you-qi-tu-yi-ming-218839","松溪游骑图","画面描绘了一座横跨溪流的桥梁，高大的松树从溪流岸边的大窠中升起，露出农场的大门和农场的一角，主人正从春天的郊游中返回。这幅画与刘松年的画风相似，与故宫收藏的《四季山水卷》中的春景相似，可以确定是刘松年南宋画派的作品。",[26,27,79,28,60,32,614,1524,130,1006,162,131],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F3922c2209b73b6b6fb69c2e5b68d4b33.jpg","23.1x25.8",[85],{"id":4623,"slug":4624,"title":4625,"dynasty":75,"author":7,"museum":76,"description":4626,"tags":4627,"thumbUrl":4628,"material":43,"size":11,"collection":87,"collections":4629,"showCount":4587,"zanCount":310,"manualWeight":49,"mainColor":70},218710,"shan-cha-su-niao-tu-yi-ming-218710","山茶宿鸟图","山茶敷彩浓淡相衔，花瓣层叠如染，露蕊轻绽似噙晨露；宿鸟羽纹细缜若织，绒羽软润可触，敛翅栖枝时，眸光凝定，恍与花叶私语。枝叶晕染自然，脉络隐现，墨青交织间衬得花红鸟俏。方寸小品藏天地，写实中蕴诗意：宋画的精微与雅致尽在笔端。静赏时，似闻花叶轻颤，觉鸟羽微动，古典的温润与生机漫溢开来，于清寂里见鲜活，于雅致中藏野趣，尽显宋人观物之细、写意之深。",[26,79,27,28,219,31,32,80,205,193,82],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F659d3355cd9776da0b6336002c2c162d.jpg",[87],{"id":4631,"slug":4632,"title":2471,"dynasty":75,"author":7,"museum":465,"description":2472,"tags":4633,"thumbUrl":2475,"material":43,"size":11,"collection":85,"collections":4634,"showCount":4587,"zanCount":153,"manualWeight":49,"mainColor":50},218537,"e-xi-tu-yi-ming-218537",[26,27,28,219,32,31,2474,232,532,35,82],[85,87],{"id":4636,"slug":4637,"title":4638,"dynasty":141,"author":7,"museum":23,"description":4639,"tags":4640,"thumbUrl":4641,"material":43,"size":4642,"collection":45,"collections":4643,"showCount":4587,"zanCount":351,"manualWeight":49,"mainColor":277},218310,"luo-han-tu-yi-ming-218310","罗汉图","丰腴袒胸的罗汉立于绢素之上，光头浓髯，眉目间透着沉静的威严。朱红披帛斜搭肩头，随体态垂落自然褶皱；橙黄下裳宽松覆足，赤脚踝间系着细饰，添了几分随性。右手托莲碗，碗中清莲绽放，花瓣层叠，似携着佛国的净气。\n\n线条劲挺却不失柔润，勾勒出肌肤的丰腴与衣物的质感；设色古朴雅致，朱红与橙黄的暖调衬着绢本的古旧底色，更显沉静。整幅画将罗汉的庄重与生活化细节相融，既见佛法的肃穆，又含人间温情——似在无声传递禅意的悠远，让观者于古雅笔墨中，触到佛性与人性交织的温度。\n\n笔墨间藏着元代人物画的凝练，每一处褶皱、每片莲瓣都透着匠人的用心，把罗汉的神性与烟火气揉得恰到好处，似一幅流动的禅语，静静诉说着时光里的禅意绵长。",[27,28,29,32,33,30,232,31],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F86e1ecce8051f6de779a1b198f6fa590.jpg","112.4x49.1",[45],{"id":4645,"slug":4646,"title":4647,"dynasty":141,"author":7,"museum":4648,"description":4649,"tags":4650,"thumbUrl":4652,"material":43,"size":4653,"collection":506,"collections":4654,"showCount":4587,"zanCount":351,"manualWeight":49,"mainColor":50},218218,"cang-ying-wu-zhu-tu-yi-ming-218218","苍鹰梧竹图","山东省博物馆","苍鹰梧竹图是元朝时期的一幅著名图画，作者不详。这幅画描绘了一只苍鹰和一根梧竹之间的关系。苍鹰是一种大型鸟类，通常被认为是捕食者，而梧竹则是一种常见的树种。在这幅画中，苍鹰似乎正在用它的爪子抓住梧竹。",[27,79,28,31,32,80,163,4651,613,2710],"苍鹰","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fca78eed227b0a78bb43d1239104ae986.jpg","146x93cm",[506,87],{"id":4656,"slug":4657,"title":4658,"dynasty":241,"author":7,"museum":254,"description":4659,"tags":4660,"thumbUrl":4662,"material":43,"size":4663,"collection":45,"collections":4664,"showCount":4587,"zanCount":153,"manualWeight":49,"mainColor":50},215030,"si-ma-guang-gui-yin-tu-yi-ming-215030","司马光归隐图","独乐园 是宋代司马光在熙宁六年（1073年）左右建造的，虽然不是什么宏伟的房子，但因为司马光在这里写了《资治通鉴》，苏轼等人也在这里写了诗，所以它就出名了。李格非的《洛阳名园记》描述了该园的 水笔、读书堂、鱼贯寺、药园 和 竹园。《竹园》、《看山台》、《浇花》中也对这七种景象进行了简单的描述。这张图片是对竹子种植园的故事的描述。画中的鲜活人物可与晋国的陶渊明媲美。",[26,27,32,31,33,2710,130,162,4661],"隐逸","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fd32007569961fc2242c4cd2050def5e9.jpg","76x136",[45],{"id":4666,"slug":4667,"title":4668,"dynasty":241,"author":7,"museum":172,"description":4669,"tags":4670,"thumbUrl":4673,"material":296,"size":297,"collection":11,"collections":4674,"showCount":4675,"zanCount":351,"manualWeight":49,"mainColor":50},287979,"bei-song-zhang-ze-duan-quan-jing-qing-ming-shang-he-tu-juan-ming-qing-mo-ben-yi-ming-287979","北宋张择端全景清明上河图卷(明清摹本)","这卷追摹之作，将北宋汴京的市井烟火铺展于绢素之上。朱墙之下屋舍错落，官署比邻商肆，黛瓦飞檐勾连着宋韵城坊肌理。街衢间人流如织，挑担货郎穿街过巷，沽酒食客围坐檐下，驻足交谈的路人、接引宾朋的店家，鲜活复刻着彼时的日常百态。\n\n画者以细腻笔触捕捉俗世鲜活，酒幌招摇、门板半敞，处处藏着汴京的喧嚣暖意，把千年前都城的熙攘意趣传神留存，让观者仿佛踏入彼时的春日长街。",[26,79,27,96,4671,32,31,329,33,129,1126,1130,515,1129,4672],"摹本","风俗画","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F7dd02dd6db3b5b7381b799a8a64e635f.jpg",[],69,{"id":4677,"slug":4678,"title":4679,"dynasty":241,"author":7,"museum":172,"description":4680,"tags":4681,"thumbUrl":4682,"material":296,"size":297,"collection":87,"collections":4683,"showCount":4675,"zanCount":49,"manualWeight":49,"mainColor":70},235583,"wen-chu-hua-hui-ce-yi-ming-235583","文俶花卉册","此作以糙涩米黄沙底为衬，浅纹隐现，愈显清雅悠然。柔婉青茎舒展虬曲，羽状细叶以淡青晕染，通透轻盈，尽显草木灵秀。两朵万寿菊轻绽枝头，瓣边暖橙柔润，瓣心赭红沉凝，层次细腻，将盛放娇妍定格，旁侧花苞颔首待放，静藏生机。全作未施浓彩，以轻淡设色搭配素朴底纸，尽显清隽雅致的小品意趣，将草木鲜活生机晕染在方寸之间，观之如嗅浅淡花香，悠然意远。",[27,28,530,31,32,80,190,207,82],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F5fc6eb7dafe3ffa707e1031a8859d55b.jpg",[87],{"id":4685,"slug":4686,"title":4687,"dynasty":171,"author":7,"museum":172,"description":4688,"tags":4689,"thumbUrl":4690,"material":296,"size":297,"collection":11,"collections":4691,"showCount":4675,"zanCount":351,"manualWeight":49,"mainColor":50},231003,"ren-wu-1-1-yi-ming-231003","人物1-1","残壁之上，两位侍臣敛容垂立，衣褶以平涂晕染勾勒，石绿、朱红与素白交织层叠，古朴色调晕开岁月斑驳。一人握长杆凝神静立，一人执笏板垂目恭谨，柔婉凝练的眉眼线条，将侍奉的端严内敛尽数铺陈。剥落的墙皮裹挟着时光的痕迹，褪去鲜亮的色块沉淀出古拙沉静的气韵，把千年前仪制中的肃穆规整凝于方寸残片，让斑驳的肌理成为岁月的注脚，牵系起古今对大唐礼序的悠悠遐想。",[590,175,32,33,27,79,31],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F0d72ff99d07e8808cba3c4383efe8dff.jpg",[],{"id":4693,"slug":4694,"title":4695,"dynasty":75,"author":7,"museum":172,"description":1190,"tags":4696,"thumbUrl":4697,"material":1193,"size":1194,"collection":85,"collections":4698,"showCount":4675,"zanCount":49,"manualWeight":49,"mainColor":50},223548,"luo-shen-tu-juan-yi-ming-223548","洛神图卷",[26,27,28,96,32,31,125,82,33,60,131,162,130],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F43d7b447c13366eb01191db07eb8dd9d.jpg",[85,45,112],{"id":4700,"slug":4701,"title":4702,"dynasty":75,"author":7,"museum":216,"description":4703,"tags":4704,"thumbUrl":4708,"material":1433,"size":4709,"collection":11,"collections":4710,"showCount":4675,"zanCount":153,"manualWeight":49,"mainColor":50},223525,"ge-le-tu-yi-ming-223525","歌乐图","《歌乐图卷》描绘了南宋宫廷歌乐女伎演奏、排练的场景。画面中九位女伎、一位老乐官和二位女童于庭院中一字排开，手持笛、鼓、排箫、琵琶等多种乐器。画中人物均穿着南宋时期的典型服饰：九位女伎身材修长，穿着红色窄袖背子，高髻上饰以角状配饰；男性乐官佩戴朝天幞头，女童则戴簪花幞头。此卷所绘的人物及场景是南宋社会文化生活的生动写照。\n在技法上，《歌乐图》设色细腻鲜艳，用笔精细而能够随物应形，通过不同的笔法表现不同物象的特定质感，如衣纹流畅、竹叶劲挺、树石沉雄，写实且富于意趣。画面构图疏朗简洁，节奏感强，整体上呈现出相当高的艺术水平。而以歌乐女伎为表现题材的作品在南宋人物画中极为少见，具有相当高的历史、艺术价值。\n画面右侧为一棵棕榈树，树干以淡墨晕染，树叶双钩，并填以石绿色，上层的树叶以树身为轴呈对称状；地面上点缀了几丛花草，草叶以没骨写意法画出，地面上白色的小花以浑点点出；地面局部晕染石青，并勾勒有平行的水平线表现地面质理。画面左侧的配景，靠右边为太湖石和竹丛的组合，地面点缀花草，花草的描绘方式与右侧配景中的花草一致。太湖石的轮廓线比较粗犷、写意，石面以石青晕染，局部施以皴擦表现质理。太湖石后的竹子，竹竿和竹叶双钩，中间几株竹竿以石青晕染。太湖石和后面的竹丛也呈中轴对称状。左边有一段栏杆，栏杆后绘有一棵盛开着白色花朵的树，似为梨树，树干双钩，树身晕染，树叶为瓜子形点叶，白色的花瓣以椭圆形的点进行表现，画面美感十足。\n画中所绘九女子，皆披褙子外衣，此服饰出现于北宋年间，流行于南宋时代。在河南禹县白沙一号北宋墓壁画《伎乐图》，和传世的南宋《瑶台步月图》页中都可见到。此外，女子梳高髻并簪有三朵花状饰物的发式与南宋《瑶台步月图》页和《荷亭儿戏图》页中的女子发式相近。图中另二个女孩装扮官员样，所戴直脚幞头也是宋时官帽样式。另一位手抱琵琶的男艺人，穿圆领窄袖袍衫，戴曲脚幞头，与河北宣化辽墓壁画《散乐图》中的吹乐艺人相同。从此图人物的服饰和幞头考察，有宋制和辽制混合的形迹。",[26,27,28,96,32,31,33,127,1527,687,145,532,1525,649,650,64,4705,4706,4707],"发饰","桌子","棕榈树","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F88da24574fef71de8346deb557e6bfd1.jpg","25.5x158.7厘米",[],{"id":4712,"slug":4713,"title":1053,"dynasty":241,"author":7,"museum":242,"description":1054,"tags":4714,"thumbUrl":4716,"material":175,"size":1061,"collection":11,"collections":4717,"showCount":4675,"zanCount":351,"manualWeight":49,"mainColor":50},222145,"di-shi-tian-tu-dong-bi-yi-ming-222145",[26,175,1170,32,33,1056,1574,1575,1576,1577,4715],"神祇","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F12a2ab42d694db735e6d2550b1caa93e.jpg",[],{"id":4719,"slug":4720,"title":4721,"dynasty":55,"author":7,"museum":23,"description":4722,"tags":4723,"thumbUrl":4725,"material":149,"size":11,"collection":506,"collections":4726,"showCount":4675,"zanCount":351,"manualWeight":49,"mainColor":70},219864,"qing-ren-fang-xi-shan-wu-jin-tu-yi-ming-219864","清人仿溪山无尽图","整卷铺展千里丘壑，峰岭层叠攒簇，苔点皴擦尽显山石苍浑质感，烟岚轻笼幽谷溪川，晕染出空濛悠远的意境。村居田庐散缀林麓水湄，野桥横溪、茂林修竹，尽显山居幽寂之致，复刻全景山水的雄浑大气，又糅入文人画的静穆意趣。沉厚绢色晕开烟峦，笔墨带着追摹古贤的沉静韵味，将林泉高隐的诗意融于层叠山水间，让观览者随着溪山延展，步入烟霞丘壑，沉浸在清寂旷远的山水雅趣中。",[26,27,96,60,32,614,1142,131,63,2657,4724,1984],"村落","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fae1062bdcf0ab3c5882ef217057ef7f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影清疏横斜，山茶燃着点点艳红，揉化了凛冬寒意。\n\n梳着双丫髻的女娃牵着小同伴，两人的目光齐齐追着脚边扑跃的花狸猫，小男娃手里的兔形花灯险些坠地，稚拙娇憨的神态被刻画得活灵活现。\n\n整幅设色柔润雅致，工笔写实细腻，孩童软绵的衣料褶皱，狸猫蓬松的皮毛，花木的鲜活情态都一一晕染真切，将冬日里稚童嬉游的融融温情铺陈开来，把萧索寒冬晕成了满纸天真暖意，恰似一帧鲜活的冬日闲趣剪影。",[26,27,79,31,32,33,542,145,625,345,346,2869],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F758a8c0d4776f0fd17509254b24ed5ae.jpg",[85],{"id":4873,"slug":4874,"title":3309,"dynasty":75,"author":7,"museum":76,"description":4875,"tags":4876,"thumbUrl":4877,"material":43,"size":4878,"collection":87,"collections":4879,"showCount":4855,"zanCount":351,"manualWeight":49,"mainColor":50},219181,"ku-mu-zhu-shi-tu-yi-ming-219181","此轴以飞白笔法画石块，墨淡而笔劲。墨笔画成的丛竹、枯木出于石头后方，石块前侧又有兰草丛生，而枯枝之上栖停着一只鸟禽。构图虽略显中轴对称，但画中飞白石、古木、兰竹等物象，并未依循实际生态，而倾向于笔墨效果的突显，属元代枯木竹石画风。画中草木与院藏赵孟俯〈竹石古木〉表现诸如，此画上虽无款印，但可估计此后一画风的古代例子，学者猜测可能正与赵孟俯关系密切。",[26,27,144,29,1114,145,146,614],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F5d59e40997092e7d1968961782449871.jpg","107.9x51.1",[87],{"id":4881,"slug":4882,"title":4883,"dynasty":141,"author":7,"museum":56,"description":4884,"tags":4885,"thumbUrl":4886,"material":43,"size":4887,"collection":506,"collections":4888,"showCount":4855,"zanCount":49,"manualWeight":49,"mainColor":50},218217,"qiu-xi-chui-diao-tu-yi-ming-218217","秋溪垂钓图","画中的渔夫端坐在边石上，手持鱼竿，凝视着水面，似乎随时都可能有鱼上钩。身后是一片葱郁的树林，秋天的色彩浓郁而温暖。水面上漂浮着几片落叶，显示出季节的变迁。\n\n整幅画流露出一种平和而悠闲的气氛，令人感到身心放松。这也是秋溪垂钓图的独特魅力所在。",[27,144,32,60,613,2144,146,130,33,2209,614],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F7d078f22a1ebaa637bd9d0770e6f670d.jpg","26x23.7cm",[506],{"id":4890,"slug":4891,"title":4892,"dynasty":171,"author":7,"museum":489,"description":4893,"tags":4894,"thumbUrl":4895,"material":493,"size":11,"collection":11,"collections":4896,"showCount":4855,"zanCount":351,"manualWeight":49,"mainColor":50},217286,"jiang-mo-bian-dun-huang-tu-juan-4-yi-ming-217286","降魔变·敦煌图卷-4","古朴绢本上，笔墨流转间铺展着一段生动叙事。左侧世俗人物神态各异，衣袂飘举间透着生活气息；中间裸身有须者围坐伞下，伞面纹饰繁复，身旁神兽昂首展翼，灵动线条勾勒出其威猛与祥瑞兼具的姿态；右侧僧侣群像肃穆，衣袍色彩沉稳，传递出宁静的宗教氛围。整幅画以流畅线描为骨，设色淡雅却层次分明，人物与神兽、世俗与神圣场景交织，既捕捉生活细节，又蕴含佛教故事的庄严奇幻，岁月痕迹里仍能感受到鲜活的艺术张力。",[79,27,28,96,32,31,30,292,33,1057,60,163,131,162],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fc400e9da6b17613f5e9395694aaabf3d.jpg",[],{"id":4898,"slug":4899,"title":4900,"dynasty":75,"author":7,"museum":3211,"description":4901,"tags":4902,"thumbUrl":4903,"material":724,"size":4904,"collection":45,"collections":4905,"showCount":4855,"zanCount":49,"manualWeight":49,"mainColor":70},217001,"jiu-ge-tu-yi-ming-217001","九歌图","此《九歌图》共九段，分别绘《东君》《河伯》《湘夫人》《大司命》《少司令》《云中君》《湘君》 《山鬼》《国荡》，缺《东皇太一》《礼魂》。",[26,27,28,96,123,144,33,2709,445],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F26ec00dfbd7a8b8065f4b1da78192376.jpg","33x743",[45],{"id":4907,"slug":4908,"title":4909,"dynasty":141,"author":7,"museum":172,"description":4910,"tags":4911,"thumbUrl":4912,"material":296,"size":297,"collection":11,"collections":4913,"showCount":4914,"zanCount":49,"manualWeight":49,"mainColor":50},290062,"tao-hua-yuan-die-tu-yi-ming-290062","桃花猿蝶图","此作以折枝桃花铺陈画面，柔枝缀满盛放繁花，花瓣晕染细腻，枝叶舒展含露，尽显春日夭桃的娇妍柔媚。猿猴掩映于花枝间，仅露半身与修长猿臂，探伸的姿态暗含灵动憨趣，将猿的机警野态藏在烂漫花影里，动静相生，暗合山林幽趣。\n\n古旧绢色晕染出沉静古朴的基调，清雅敷色衬得花猿愈发生动，以尺幅小景框住林泉一角的生机，尽显幽闲野逸的文人情致，将雅致意趣藏于方寸之间。",[219,27,79,31,32,1330,3886,80],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F6e287e8609db02fcf1f553464e2db193.jpg",[],66,{"id":4916,"slug":4917,"title":4918,"dynasty":241,"author":7,"museum":172,"description":4919,"tags":4920,"thumbUrl":4921,"material":296,"size":297,"collection":11,"collections":4922,"showCount":4914,"zanCount":153,"manualWeight":49,"mainColor":50},287341,"fang-chen-rong-shen-long-jiu-xian-tu-yi-ming-287341","仿陈容神龙九现图","整卷以九龙为芯，龙躯腾挪翻涌于青绿云水间，或隐没于云涛，或怒破水浪，鳞爪遒劲灵动，尽显神威雄奇。古绢带着岁月晕染的斑驳，青绿与墨色交融晕开，将神龙谲变幻化的身姿描摹得栩栩如生。\n\n后附题跋行书笔意跌宕，笔墨苍劲老辣，诗文咏叹龙姿神韵，与画作相得益彰，书画合璧，复刻出沉雄气势。装裱古朴雅致，卷间流转着古雅厚重的气韵，尽显传统龙题材绘画的精妙造诣，兼具视觉张力与文人意趣。",[26,96,27,28,59,122,32,124,3330,1058],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F05d908008b19b2e6f55501a6f863f5f4.jpg",[],{"id":4924,"slug":4925,"title":4926,"dynasty":75,"author":7,"museum":720,"description":4927,"tags":4928,"thumbUrl":4930,"material":335,"size":4931,"collection":11,"collections":4932,"showCount":4914,"zanCount":153,"manualWeight":49,"mainColor":70},223515,"tao-zhi-qi-que-tu-ye-yi-ming-223515","桃枝栖雀图页","画梅枝瘦劲，枝上疏梅秀蕊，一只雀儿俏立枝头，与清丽的梅花相映成趣。精致的用笔，温润的设色，出栖雀之神韵，画者勾勒出羽毛绒的质感、蓬松感，更是以之营造出在细梅枝上显得庞大和沉重之感。",[26,79,27,28,31,32,80,4929,3696,1330],"桃枝","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F449db5fc0ae5e5c7c95ecc9b5c14f169.jpg","34x35",[],{"id":4934,"slug":4935,"title":4936,"dynasty":2305,"author":7,"museum":4937,"description":4938,"tags":4939,"thumbUrl":4940,"material":175,"size":4941,"collection":11,"collections":4942,"showCount":4914,"zanCount":49,"manualWeight":49,"mainColor":739},221157,"wen-xian-ci-sheng-si-bi-hua-yi-ming-221157","温县慈胜寺壁画","赛德勒博物馆","慈胜寺壁画现在分藏于欧美7家著名的博物馆、美术馆中，以面积和品质论，公推纳尔逊博物馆上世纪50年代初购买受赠的3幅藏品最佳，包括后周广顺年间（951～954年）所绘的立姿供养菩萨图和坐姿观音菩萨图，以及自后周作品下方揭出更具唐代风韵的后晋立姿持莲菩萨图。",[26,175,30,33,32,2305],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F278c3a97376a47c03dfe2aa4a15874e1.jpg","59x45厘米",[],{"id":4944,"slug":4945,"title":4946,"dynasty":55,"author":7,"museum":465,"description":4947,"tags":4948,"thumbUrl":4949,"material":43,"size":11,"collection":87,"collections":4950,"showCount":4914,"zanCount":49,"manualWeight":49,"mainColor":50},219273,"qun-hou-xi-shui-shuang-ping-yi-ming-219273","群猴戏水双屏","松枝虬曲横斜，松针如簇。枝间群猴灵动，或攀附树干探头探脑，或倒挂金钩似的垂落，长尾轻摆，神态憨然。树下涧边，几只小猴追逐打闹，或掬水顽劣，或投石逗趣，更有仰头望枝上同伴者，姿态各异，满是天真野趣。远处淡墨晕染出山水轮廓，一轮清月隐现天际，绢色沉润如古酿，笔墨简淡却意韵盎然。整幅画将猴群的活泼与山林的静谧相融，既见自然生机，又含悠然意韵，观之令人莞尔，心生清趣。",[27,28,29,144,32,272,3886,331,2710,60,38,31],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fbea5c0347eed9f967050d2b173b7446b.jpg",[87],{"id":4952,"slug":4953,"title":4954,"dynasty":141,"author":7,"museum":4955,"description":4956,"tags":4957,"thumbUrl":4960,"material":616,"size":4961,"collection":45,"collections":4962,"showCount":4914,"zanCount":310,"manualWeight":49,"mainColor":50},218944,"hu-ren-yu-ma-tu-yi-ming-218944","胡人圉马图","丹佛艺术博物馆","红衣宽袍的胡人侧立，毡帽下须髯轻垂，手中长鞭斜握，缰绳牵住花斑骏马。马身丰腴却见筋骨，花斑错落如流云散雪，鬃尾以浓淡墨色晕染，线条流畅间透着矫健。人与马的姿态舒缓，似在旷野缓行，素净的背景更衬出红衣的暖艳与马的沉静。笔致简练却神形毕肖，胡人眉眼间藏着游牧民族的质朴沉毅，骏马的温顺与灵动跃然纸上。画面虽静，却仿佛能感知风过草甸的轻响，尽显元代绘画面向生活的写实意趣与含蓄韵味。",[79,27,28,31,32,123,33,1006,4958,64,4959],"胡人","马鞭","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F932df26e99bdc85330734a726db7ce26.jpg","29.5x45cm",[45],{"id":4964,"slug":4965,"title":4966,"dynasty":75,"author":7,"museum":465,"description":4967,"tags":4968,"thumbUrl":4970,"material":43,"size":11,"collection":87,"collections":4971,"showCount":4914,"zanCount":49,"manualWeight":49,"mainColor":50},218886,"fu-rong-jin-ji-tu-yi-ming-218886","芙蓉锦鸡图","画面中锦鸡昂首立于石巅，羽色斑斓绚丽，红腹如霞，彩尾曳地，每片翎羽的纹理皆细致入微，尽显灵动之态。上方芙蓉花繁盛绽放，粉瓣凝露，绿叶婆娑，藤蔓缠绕间透着盎然生机。石下小禽啄食，姿态憨趣，与锦鸡的雍容相映成趣。山石皴染古朴厚重，草木点缀清雅自然，构图疏密有致，动静相宜。笔墨细腻处见工致，设色淡雅中含艳丽，既彰显宋代花鸟画的写实功力，又于细节间流露对自然生灵的细腻观察与喜爱，仿佛能闻花叶清香，听禽鸟轻啼，一派静谧鲜活的田园意趣跃然绢上。",[79,27,28,219,32,31,80,104,4969,162,37],"锦鸡","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fdb635e3caa4d97317fda4cdd78b12a00.jpg",[87],{"id":4973,"slug":4974,"title":2162,"dynasty":241,"author":7,"museum":254,"description":4975,"tags":4976,"thumbUrl":4977,"material":43,"size":11,"collection":45,"collections":4978,"showCount":4914,"zanCount":351,"manualWeight":49,"mainColor":277},218478,"sui-chao-tu-yi-ming-218478","庭院深深，松枝覆瓦，梅蕊缀枝，晕开岁朝的暖意。廊下阶前，人影错落：或凭栏低语，衣袂轻扬；或庭中嬉戏，笑靥隐现；或执伞徐行，步履从容。朱檐黛瓦间，花木扶疏，将新年的热闹藏进每一处细节。人物衣饰虽简，却见情态生动，或立或坐，或俯或仰，皆透着阖家团聚的温馨。\n\n整幅画以细腻笔触勾勒宅院格局，用含蓄色彩晕染节庆氛围，不见喧嚣却满是祥和，似能闻得笑语穿林，触到岁时流转的温柔。明代画风的写实与意趣在此交融，将寻常人家的新年光景，凝作一纸隽永的吉祥图卷。",[27,32,31,329,33,129,650,131,190,29,127,531],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F7171fb6577a794a15f1f49797f21e776.jpg",[45],{"id":4980,"slug":4981,"title":4982,"dynasty":141,"author":7,"museum":1068,"description":4983,"tags":4984,"thumbUrl":4985,"material":43,"size":4986,"collection":45,"collections":4987,"showCount":4914,"zanCount":49,"manualWeight":49,"mainColor":70},218468,"mei-zhu-shi-nv-tu-yi-ming-218468","梅竹仕女图","淡墨晕染开古雅绢本的温润底色，素衣仕女伫立坡岸。云鬓轻挽，身姿婉约，似凝眸梅枝间疏影横斜，又若静听竹梢上风声细语。老梅虬枝盘曲，新蕊隐现；修竹挺秀，竹叶婆娑，与梅枝相映成趣。画面构图疏朗，留白得宜，墨色浓淡相宜。笔意细腻却不繁缛，线条流畅中含含蓄。仕女眉宇间的淡淡情思，与梅竹的清逸孤高相契，融成一片幽远沉静的意境。古典雅致的韵致流淌其间，仿佛能触到绢丝上的时光温度，窥见文人笔下的温婉灵秀，尽展东方美学的含蓄之美与悠然情致。",[26,27,28,219,32,33,127,542,145,146,31,82],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fa9f37405abe06d3ec65e0911fa250c43.jpg","22.86x22.23",[45],{"id":4989,"slug":4990,"title":4991,"dynasty":75,"author":7,"museum":216,"description":4992,"tags":4993,"thumbUrl":4994,"material":43,"size":4995,"collection":506,"collections":4996,"showCount":4914,"zanCount":351,"manualWeight":49,"mainColor":50},217074,"hua-wu-zui-gui-tu-yi-ming-217074","花坞醉归图","这幅画描绘了一座远山，山上各处的桃花盛开，一头驴子在山脚下的木桥上驼着醉酒的主人，向前方的小屋方向走去，后面跟着一个挑着担子的随从。",[26,27,28,219,32,60,33,1623,1006,162,532,220,82,163,2688],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F7ef29ccb362d192e6510a542bc5044d0.jpg","23.8x25.3cm",[506],{"id":4998,"slug":4999,"title":1350,"dynasty":75,"author":7,"museum":172,"description":5000,"tags":5001,"thumbUrl":5004,"material":296,"size":297,"collection":11,"collections":5005,"showCount":5006,"zanCount":49,"manualWeight":49,"mainColor":50},288302,"mo-gu-kai-zhi-luo-shen-fu-tu-yi-ming-288302","以长卷铺展这段缥缈情缘，起于河畔惊鸿初见，洛神凌波凭风，衣袂翩跹若流云回风。仙姝侍立，神兽随行，云车仪仗迤逦于川泽林莽间。\n画师以高古游丝描勾勒人物，线条匀细灵动，淡彩敷染晕出古朴雅致的气韵，将辞赋里的缱绻爱慕、依依怅别缓缓铺陈。山川林木错落点缀，水波微漾间，把人神相恋的怅惘诗意凝于绢素，让千年的浪漫情思在卷中流转不散。",[26,79,27,96,28,32,31,122,33,127,3898,371,129,1707,60,5002,1058,5003],"马匹","洛神赋","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F7c57e460baa6a03b77a4fd2f15d23fbb.jpg",[],65,{"id":5008,"slug":5009,"title":5010,"dynasty":75,"author":7,"museum":172,"description":5011,"tags":5012,"thumbUrl":5013,"material":11,"size":11,"collection":11,"collections":5014,"showCount":5006,"zanCount":351,"manualWeight":49,"mainColor":50},227884,"shui-xian-tu-yi-ming-227884","水仙图","此作笔意清逸秀雅，以淡墨晕写叶片，线条修长舒展，尽显水仙叶姿柔韧清健，似凝着晨间清露。花朵以浅色素染，轻勾瓣边却不刻意雕琢，晕出莹润娇柔的质感，素洁花容与挺秀叶片相互映衬，寥寥数笔便将水仙冰肌玉骨的神韵尽数铺陈。\n画面留白简澹空灵，不着多余笔墨，悄然烘托出水仙孤高脱俗的品性，尽显内敛雅致的审美意趣，如幽谷清芳，静静吐露幽微暗香，淡远清寂的意境扑面而来。",[26,27,28,80,31,32,2604],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F90e7c47f9155125fbea51258414c067d.jpg",[],{"id":5016,"slug":5017,"title":5018,"dynasty":1461,"author":7,"museum":5019,"description":5020,"tags":5021,"thumbUrl":5023,"material":3054,"size":11,"collection":1423,"collections":5024,"showCount":5006,"zanCount":49,"manualWeight":49,"mainColor":70},226534,"shi-ping-gong-zao-xiang-ji-yi-ming-226534","始平公造像记","洛阳龙门石窟古阳洞","《始平公造像記》，全稱《比丘慧成為亡父洛州刺史始平公造像題記》，是由孟達撰文，朱義章書寫的龍門石窟造像題記之一，石刻位於洛陽市南郊龍門石窟古陽洞北壁，刊刻於北魏太和二十二年（498年，另有太和十二年、二年、十九年等數種説法）。書體為楷書。為“龍門四品”和“龍門二十品”之一。\n《始平公造像記》記錄了比丘慧成為亡夫造佛像的緣由及願望，石刻正文分縱向10行，每行20字，有方界格，石高75釐米，寬39釐米，額楷書陽文“始平公像一區”2行6字。文與格欄均陽刻凸起，是石刻中所少見的。此石刻已泯盡隸書痕跡，既有漢晉雍容方正之態，又具北方少數民族“金戈鐵馬”粗獷強悍之神，書法雄重遒密，端莊流逸，具龍震虎威之勢，富有陽剛之美。\n用笔\n1．锋鋭果敢，整峻大方\n点的形状多呈几何图形状，以类似三角形的为多。如图中“流”字的侧点，“容”字的竖点、“宗”字的撇点和“答”字的挑点，它们在形态上都类似于三角形，但又不失饱满，起笔多侧锋入纸，露锋短促有力，向右下重顿后逆锋收笔，慢慢弹出，用笔锋鋭果敢，在点画上显得整峻大方。\n2．逆锋行笔，笔含隶意\n用笔以方切为主，在线条运行过程中以逆锋行笔。如图中“大”“寻”“不”字横的写法，起笔时侧锋入纸，向右下重顿，依靠毛笔与纸的摩擦力向右上调锋，然后逆锋行笔，顿笔后回锋。而“丘”字最后的横则为雁尾横，前半段和横的写法一样，只是到收笔时，雁尾横则像隶书的波磔一样向右上，含而不出，再往回收尾，笔含隶意，古朴典雅。\n3．浑厚沉实，亦露亦藏\n用笔方峻，和其他碑帖一样都是无垂不缩，无往不收。但它和唐代楷书在笔法上的不同之处在于线条中段沉实浑厚，以斜鋭之势收笔。如图中“师”“攀”“率”字的竖以藏锋为主，收笔时逆锋向回收笔；“下”字的竖则露锋起笔，收笔时向右下轻顿再出锋。\n4．笔势圆浑，流畅不滞\n在外形上看似有些凝重呆滞，但在点画细节处，《始平公造像记》却通过点画方向的变化和某些连带的点画表现出流畅不滞的书写性。如图中“夫”字的撇向上回环以呼应捺的起笔“玳”字的撇向右上回环以顺承竖的起笔。再如图“大”“运”两字的捺，沉稳劲健，点画浑圆，“一波三折”的用笔特点在其中十分明显，甚至有些装饰性的意味。\n5．用笔准确，骨力内含\n用笔的准确性主要体现在点画的起收笔处，特别是写钩的时候。如图中“代”字的斜钩，起笔如竖线，向右下斜切，其势向下倾斜，行笔厚重有力，至收笔处驻笔，笔锋聚拢，腕指齐力，翻毫向上，靠毛笔所蓄之力将笔锋送出。“则”“寻”“容”字钩的写法也是如此。此外，对骨力的感受则不仅仅停留在方笔的运用上。如图中“国”“恩”“月”“愿”字的转折，虽大多是方折，很少有圆转，这应与刻工有很大关系。\n结体\n1．结构扁方，朴拙飞动\n全文结字以方扁为主，这是隶书向楷书过渡时期的必然结果。横线以舒展为主，竖线则多短粗有力，如图中“始”字本应是方形的，但由于作者巧妙的安排，“女”字旁点画厚重而倾斜，有挤压“台”部之势，而“台”中的“口”正好安置在“女”字旁右下角的空间里，使全字呈扁方形，有向右上飞动之势。又如“公”字，左上方的点以圆笔见浑穆，右上方的点方硬有形，形成一种飞动之态，呼应对比和谐，而下半部分则呈现出一种压缩之态，有向左运动之势，与上半部分呼应顾盼，自然朴拙。“灵”字的处理方式也是如此。\n2．结构欹侧，变化丰富\n除了扁方结体，《始平公造像记》单字结体也有纵长体势的。如图中“焉”字，一般来说应该是方形或是偏扁一些的，而《始平公造像记》则将其变方为长，横线排叠，趋势右上，点画密结，密不透风，最后四点化为一横，大胆开张，反辅为主，起到了承载的作用。也正是因为横线紧密排叠，所以整个字也就由方形变为长方形，造就出了欹侧之势。又如“崇”字，习惯写法是中间的宝盖头要包裹下面的部分，可《始平公造像记》里的“崇”字则是宝盖头紧缩，而下面“示”的第二横伸展夸张，使原本方形的字变成了长方形。再如“奄”字，撇写得开张，而却以捺作点，收缩紧凑，出人意料。\n3．抑左扬右，收放有度\n在结构上习惯压缩左边的部分而舒展右边。如图中“逢”字，上半部分的右面向外舒展，“走”字底的左半部分则向中间压缩，这样整个字就呈现出一种倾斜过来的梯形结构，向右呈辐射状。另外，《始平公造像记》中单个字的结构收放对比也比较大，这是因为结字时中宫往往收得比较紧凑，而一些突出的主笔舒展开来正好与这种紧凑产生了强烈的对比。如“答”字，上半部分收得比较紧凑，而下半部分的撇和捺非常舒展。整个字上下之间的收放对比较大，呈梯形结构，有稳重感。\n章法\n全文皆用阳刻，逐字界格，在整个刻石系统中甚为少见。《始平公造像记》的章法，一个总的特点是横竖成行，端正整齐。如其碑额“始平公像一区”六字，这六字虽然横竖成行，但它们之间的间距很近，大小交错，相互伸展，搭配十分巧妙。如“像”字笔画多，但写得小；“一”字只有一笔，反而写得大。“始”字的一撇与“像”字的一捺搭配，“平”字的一横与“一”字的搭配，“平”字的一竖与“公”的搭配，都妙若天成。再如阳文镌刻的正文。界格横竖交错的线条并不是笔直的，而是有粗有细，有弯有直。界格内的字与字之间的笔画配合也有伸缩。因此，界格根据格内字的结构变化而进行变化，构成了浑然一体的章法。",[26,5022,3054,854,30,124],"魏碑","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F63291057f9d37c1c9c08d87ade89090b.jpg",[1423],{"id":5026,"slug":5027,"title":5028,"dynasty":75,"author":7,"museum":23,"description":5029,"tags":5030,"thumbUrl":5031,"material":348,"size":5032,"collection":11,"collections":5033,"showCount":5006,"zanCount":351,"manualWeight":49,"mainColor":277},223493,"ming-huang-xing-shu-tu-zhou-yi-ming-223493","明皇幸蜀图轴","此画绘安史之乱之后，唐玄宗李隆基离开长安逃往巴蜀避难的故事。一群人仓促慌乱而逃，此时杨贵妃已经被唐玄宗赐死于马嵬坡，而画面中无人骑行的白马，应该就是杨贵妃死前的坐骑。",[26,27,32,60,33,29,614,1006,162,131,2688,1142],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F26a9c78e8345ce04c7530887632de2f2.jpg","33x45",[],{"id":5035,"slug":5036,"title":5037,"dynasty":75,"author":7,"museum":5038,"description":5039,"tags":5040,"thumbUrl":5041,"material":43,"size":11,"collection":85,"collections":5042,"showCount":5006,"zanCount":49,"manualWeight":49,"mainColor":277},220255,"xia-jing-shan-shui-tu-yi-ming-220255","夏景山水图","日本久远寺","此图绘深山幽谷，山雨欲来，树木摇曳，云雾弥漫，一隐士拄杖欲过溪桥，侧首观赏林泉，怡然自乐。本图为四季山水四条幅中的一幅，其中春景图早已遗失，其内容不详；秋景图和冬景图流失于日本后，经大内氏、明智院传到金地院；此图在日本由滨松城主太田资宗施给久远寺。各幅在构图、景物刻画上既相互联系，又富于变化，每幅上都有流失日本前钤的二枚鉴藏印。后日本收藏者足利三代将军义满又在画幅上钤『天山』鉴藏印。这三幅图是目前流传下来的宋代四季山水图中最早的作品，体现了南宋画院早期山水画的风格特征。",[26,27,79,2415,29,144,32,614,31,60,331,162,63,33,1528],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ffd810dc2b018ad6e47852a0c78483968.jpg",[85],{"id":5044,"slug":5045,"title":5046,"dynasty":75,"author":7,"museum":76,"description":5047,"tags":5048,"thumbUrl":5049,"material":348,"size":5050,"collection":85,"collections":5051,"showCount":5006,"zanCount":49,"manualWeight":49,"mainColor":50},220236,"bian-zhuang-zi-ci-hu-1-yi-ming-220236","卞庄子刺虎1","宋人画卞庄子刺虎图，是从宋代遗存下来的古画，由于作品未留署名，尚不能确定作者是谁，有人推测是出自宋代李公麟之手！这幅画是一副寓意图，描绘的是两只老虎想吃一头牛，而卞庄又想猎杀两只老虎的场景，通过这些场景和最后结果的描绘想劝告人们做事不要只凭勇气，而没有智慧；另一方面的，也阐释出自己人“两只老虎”相争，最后却被别人得到利益。",[27,31,32,33,887,272],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ff34154e0aa0ce30e7ee5f4a8eb6e91b1.jpg","39×169.1公分",[85],{"id":5053,"slug":5054,"title":5055,"dynasty":55,"author":7,"museum":465,"description":5056,"tags":5057,"thumbUrl":5060,"material":43,"size":11,"collection":45,"collections":5061,"showCount":5006,"zanCount":153,"manualWeight":49,"mainColor":50},219478,"hu-ren-xing-lv-tu-yi-ming-219478","胡人行旅图","此作以枯寂寒荒的塞外平野为底，疏槎兀立，淡墨晕染出土石的荒寒之气。画面里的行旅队伍意态生动，有人策骑缓行，裹紧衣袍抵御朔风，有人牵马驻足，与同伴低语暂歇，鞍上驮囊暗合行路迢遥。\n\n笔触简淡古雅，设色沉着温润，将边地行旅的羁旅劳顿，同侪间的松弛慰藉细腻铺陈。未刻意描摹壮阔景致，只截取这一段行路日常，便将塞外游子的漂泊况味尽显，带着质朴厚重的边地生活质感，淡远的氛围感勾画出羁旅之人的漫漫归途。",[79,27,32,33,1006,676,2688,5058,1143,5059],"羁旅","塞外","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F64831dedfb1933a98537829e6477b59c.jpg",[45],{"id":5063,"slug":5064,"title":5065,"dynasty":55,"author":7,"museum":172,"description":5066,"tags":5067,"thumbUrl":5068,"material":11,"size":11,"collection":274,"collections":5069,"showCount":5070,"zanCount":49,"manualWeight":49,"mainColor":50},251574,"qing-yu-zhao-fu-ding-yi-ming-251574","青玉召夫鼎","取上古青铜方鼎形制，青玉质地匀净温润，色泽清和内敛。器身雕琢饕餮兽面纹，线条沉凝庄重，辅以出戟勾连轮廓，复刻商周礼器的肃穆古意。兽面构图规整威严，带着上古祭祀重器的庄重气韵。四足阴刻纹饰纤细流畅，与器身纹样呼应协调。整器将青铜礼器的厚重威仪，和玉料自带的清润柔和完美相融，形制周正雅致，既存古礼器的庄严格局，又尽显玉作的温婉质感，是仿古玉作中的精巧佳器。",[267,268,406,1494,346],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ffb777aab9f46bd269f82382e5b30d3a8.jpg",[274],64,{"id":5072,"slug":5073,"title":5074,"dynasty":75,"author":7,"museum":172,"description":5075,"tags":5076,"thumbUrl":5078,"material":11,"size":11,"collection":408,"collections":5079,"showCount":5070,"zanCount":49,"manualWeight":49,"mainColor":277},243043,"pan-she-wen-zun-yi-ming-243043","蟠蛇纹尊","双蛇共身盘绕承托尊体，兽首双目圆睁，吻部昂然前探，威严中带着灵动生气。蛇身满布细密鳞纹，与尊身纹饰上下呼应。器腹两侧衔环铺首，浅浮雕的回环兽面纹古朴庄重，复刻出商周青铜的浑朴大气。\n\n青绿铜锈晕染出厚重岁月感，整体形制精巧，将上古青铜的狞厉之美，揉入雅致审美，古拙与精工相融，尽显对三代礼制美学的追慕与再创造，是仿古铜器中的妙品。",[402,403,268,5077,59,406,75],"蟠蛇纹","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Faff111390577f1a1bff92addd9674c02.jpg",[408],{"id":5081,"slug":5082,"title":5083,"dynasty":55,"author":7,"museum":172,"description":5084,"tags":5085,"thumbUrl":5090,"material":11,"size":11,"collection":274,"collections":5091,"showCount":5070,"zanCount":49,"manualWeight":49,"mainColor":277},241817,"tong-du-jin-xiang-bao-shi-dai-tou-yi-ming-241817","铜镀金镶宝石带头","整体圆融端庄，铜镀金底托衬出沉稳大气的基调。中心随形红宝石色泽浓艳莹润，自带凝脂厚重质感，稳稳占据视觉核心，彰显华贵气场。环绕的水滴弧面翡翠清透鲜亮，如春水凝萃出的碧色莲瓣，排布规整舒展。红绿宝光之间，浅蓝烧蓝搭配累丝金纹，明丽釉色交织细密卷草金丝，勾连起层次韵律，尽显细作的精巧匠心。\n\n整器工法繁复却层次分明，金玉珠宝相映生辉，将旧时贵族重材重工的奢华审美诠释尽致，尽显东方配饰的华贵雅致。",[55,403,430,5086,5087,5088,5089,39,431],"铜镀金","宝石镶嵌","珐琅工艺","掐丝珐琅","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F6f3d68f7f1f020229bb8740581f9aa54.jpg",[274],{"id":5093,"slug":5094,"title":5095,"dynasty":241,"author":7,"museum":172,"description":5096,"tags":5097,"thumbUrl":5099,"material":11,"size":11,"collection":11,"collections":5100,"showCount":5070,"zanCount":351,"manualWeight":49,"mainColor":50},232907,"fang-huang-quan-hua-niao-chong-die-yi-ming-232907","仿黄荃花鸟虫蝶","冬夜闻虫\n【唐】白居易\n虫声冬思苦于秋，不解愁人闻亦愁。\n我是老翁听不畏，少年莫听白君头\n冬天虫鸣，比秋天更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唐卡是藏族文化中一种独具特色的绘画艺术形式。",[26,160,30,33,32,31,41,445,5107],"火焰","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fdc45b75d2d19f4d7bac59bc0e28e8dbc.jpg",[],{"id":5111,"slug":5112,"title":5113,"dynasty":75,"author":7,"museum":76,"description":5114,"tags":5115,"thumbUrl":5116,"material":43,"size":5117,"collection":87,"collections":5118,"showCount":5070,"zanCount":153,"manualWeight":49,"mainColor":50},218952,"li-zhi-bo-zhao-guo-tu-yi-ming-218952","离支伯赵国图","画面上用重笔画了一枝荔枝，荔枝的果实因其红皮而令人垂涎。两只小鸟站在树枝上，笔触细腻，色彩漂亮，是一件具有强烈象征意义的伟大艺术品。",[26,79,27,28,31,32,80,3537,163,82],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F60fa47a9909e1d2b25e8f1a85cce8e17.jpg","25.5x24.8cm",[87],{"id":5120,"slug":5121,"title":5122,"dynasty":55,"author":7,"museum":76,"description":5123,"tags":5124,"thumbUrl":5125,"material":616,"size":11,"collection":87,"collections":5126,"showCount":5070,"zanCount":153,"manualWeight":49,"mainColor":70},216604,"niao-pu-ce-yi-ming-216604","鸟谱册","翎羽覆蓝如染，腹间留白似雪，双鸟栖息枝头，姿态悠然。枝上白瓣轻绽，若星点坠叶间；红实缀枝，如丹砂凝珠。墨石以皴擦出肌理，朴拙中见苍劲。旁侧题跋笔意流转，朱印钤盖添韵，笔墨与丹青交融，自然生机与文人雅致相映成趣。画面清逸古雅，于细微处藏匠心，将禽鸟之态、草木之姿绘得灵动鲜活，尽显传统花鸟之韵致，观之如临幽境，心随鸟羽轻扬，沉醉于这份自然与笔墨交织的雅致中。",[27,32,31,530,80,146,163,82,99],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F4fbe133283d9300756a99be85b74661e.jpg",[87],{"id":5128,"slug":5129,"title":5130,"dynasty":55,"author":7,"museum":172,"description":5131,"tags":5132,"thumbUrl":5135,"material":296,"size":297,"collection":11,"collections":5136,"showCount":5137,"zanCount":260,"manualWeight":49,"mainColor":50},272966,"zi-tan-mu-bian-cai-xiu-mu-dan-tu-gua-ping-yi-ming-272966","紫檀木边彩绣牡丹图挂屏","此作以彩绣成景，嶙峋湖石以深浅蓝阶绣线晕染，苍润沉稳，撑起画面骨架。几枝牡丹柔白舒展，花叶扶疏雅致，绣线排布细腻自然，晕色过渡柔和，将牡丹盛放的娇柔姿态尽数铺陈。角落兰草轻曳点缀，衬得画面愈发娴静悠然。整体色调清雅古淡，兼具工笔设色的雅致与刺绣工艺的肌理美感，把中式庭院的春日闲景藏于方寸之间，尽显温婉意趣，是小品绣制中的雅致佳构。",[1924,5133,1921,80,98,162,5134,32,1251,41,31],"彩绣","兰草","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F6e474073ba64f037d4de801952086e7d.jpg",[],63,{"id":5139,"slug":5140,"title":5141,"dynasty":55,"author":7,"museum":172,"description":5142,"tags":5143,"thumbUrl":5147,"material":296,"size":297,"collection":11,"collections":5148,"showCount":5137,"zanCount":49,"manualWeight":49,"mainColor":739},249175,"qian-long-kuan-hua-fa-lang-shi-nv-tu-bi-yan-hu-yi-ming-249175","乾隆款画珐琅仕女图鼻烟壶","鼻烟壶指的是盛鼻烟的容器，小可手握，便于携带。明末清初，鼻烟传入中国，鼻烟盒渐渐东方化，产生了鼻烟壶。\n人们嗜用鼻烟的习惯几近绝迹，但鼻烟壶却作为一种精美艺术品流传下来，而且长盛不衰，被誉为“集中各国多种工艺之大成的袖珍艺术品”。\n中国鼻烟壶，作为精美的工艺品，采用瓷、铜、象牙、玉石、玛瑙、琥珀等材质，运用青花、五彩、雕瓷、套料、巧作、内画等技法，汲取了域内外多种工艺的优点，被雅好者视为珍贵文玩，在海内外皆享有盛誉。\n在世界上，中国素有「烟壶之乡」的称誉，其中鼻烟壶以其精巧卓绝的制作技术，被称为「集多种工艺之大成于一身的袖珍艺术品」。鼻烟壶为盛装鼻烟之容器，鼻烟系一种烟草制品，原为西洋之物，明末清初自欧洲传入中国后，加工转化后成为粉末状药材，吸闻之后不但具有明目避疫的功效，吸闻鼻烟在各阶层更是蔚为风尚，且迅速地融入了中国的艺术风格，发展出匠心独运的各式鼻烟壶，在清代美学工艺上大放异彩，成为清代艺术的重要标志之一。",[55,5144,5145,32,1605,1527,33,5146],"乾隆","画珐琅","琺瑯器","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fe8f6c77778a489e7af1575050a8801ee.jpg",[],{"id":5150,"slug":5151,"title":5152,"dynasty":55,"author":7,"museum":172,"description":5153,"tags":5154,"thumbUrl":5155,"material":11,"size":11,"collection":45,"collections":5156,"showCount":5137,"zanCount":351,"manualWeight":49,"mainColor":70},235155,"hong-ren-shan-shui-ce-yi-ming-235155","弘仁山水册","此作为书画合璧，题字行书清隽疏朗，诗文自带幽寂襟怀，与下幅山水浑然相融。\n\n画面以淡墨皴擦写秋山，山石造型方硬简劲，不作繁复修饰，尽显冷峻清瘦之态。几株疏木错落林间，枝叶简淡萧疏，衬出空山寥落之境。林下二人对坐晤谈，于幽寂山境中添上几分文人情致，不见烟火气，只余林泉高致。整幅笔墨极简，却将静穆淡远的出世意趣尽数铺陈，淡而不枯、简而不空，尽显文人山水画以简驭繁的悠远意境，藏着寄心林泉的幽然雅怀。",[27,28,530,144,614,60,131,162,33,2710],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F8a5652b925f461d694a5eb18ea56028f.jpg",[45,3059],{"id":5158,"slug":5159,"title":5160,"dynasty":22,"author":7,"museum":172,"description":5161,"tags":5162,"thumbUrl":5163,"material":296,"size":297,"collection":11,"collections":5164,"showCount":5137,"zanCount":351,"manualWeight":49,"mainColor":70},231610,"fu-hua-bai-miao-shi-er-tian-tu-xiang-di-shi-tian-zhen-hai-ben-dong-jing-yi-ming-231610","佛画 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帝释天(珍海本-东京)","此作为白描佛画，以纯墨线塑就神祇形象。作者以游丝描勾勒衣袂褶皱，婉转舒展如流云拂过，尽显织物飘逸柔润；刻画宝冠璎珞时则换为挺劲铁线描，凝练勾勒出庄严华贵的气度。\n帝释天面容慈悲沉静，眉眼间自带悲悯沉静的神性。两侧题字斑驳古拙，为画作晕染出厚重的岁月质感。整作极简笔墨中兼具宗教造像的肃穆威仪，尽显中古佛画的典雅法度，笔墨之间藏着东方宗教美术的内敛禅意，是一件极具韵味的宗教绘事佳品。",[26,27,28,30,123,33],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F43f79510cd2eea3790c69a98476d0571.jpg",[],{"id":5166,"slug":5167,"title":5168,"dynasty":55,"author":7,"museum":172,"description":5169,"tags":5170,"thumbUrl":5171,"material":11,"size":11,"collection":11,"collections":5172,"showCount":5137,"zanCount":49,"manualWeight":49,"mainColor":70},224109,"kang-xi-yong-zheng-qian-long-jia-qing-dao-guang-yu-bi-wu-fu-tu-yi-ming-224109","康熙、雍正、乾隆、嘉庆、道光御笔五福图","五幅御笔福字各擅风神：康熙之福雍容浑朴，自带庙堂端稳气象；雍正笔力爽利刚劲，法度谨严见骨力；乾隆书体圆润舒展，尽显盛世舒展意态；嘉庆落笔秀雅内敛，静穆端方；道光笔触朴拙厚重，自带沉凝质感。\n\n每字上方钤朱红帝王宝玺，小字题识附于其下，呼应御笔身份。米黄地子衬缠枝暗纹，朱印墨字相映成趣，将五朝帝王的书法意趣，与传统五福祥瑞之意相融，兼具书法审美价值与吉祥文化内涵。",[26,160,124,28,125,82,96],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ffa5f2a0a8689aba2be7855d85362368a.jpg",[],{"id":5174,"slug":5175,"title":5176,"dynasty":241,"author":7,"museum":172,"description":5177,"tags":5178,"thumbUrl":5180,"material":296,"size":297,"collection":2200,"collections":5181,"showCount":5137,"zanCount":49,"manualWeight":49,"mainColor":50},223921,"guan-yao-qing-hua-feng-huang-wan-yi-ming-223921","官窑 青花凤凰碗","官窑，是南宋宋高宗时期一些窑口专为宫廷烧制的瓷器，供御捡退，在当时俗称"官窑“。官窑，毛公洞第一（今 江苏扬州一带）。南宋官窑瓷器沿袭北宋风格，规整对称，宫廷气势，高雅大气，一丝不苟。因为胎土含铁量极高，手感沉重，胎土呈深黑褐色，后称”紫口铁足“。釉面沉重幽亮，釉厚如堆脂，温润如玉。釉面多层反复细刮，釉光下沉而不刺眼，纹理布局规则有致，造型庄重大方。另外”肉腐留骨“（露胎处像死人骨头，俗称”骨董“）也是那时所造。我们今天所称官窑泛指历朝官府烧造瓷器，其实，历史上仅指南宋时期烧造的瓷器，后世再无此称呼。\n官窑起自唐，有两种涵义，一是指贡器，一是指官厂。自唐代至元代（公元八世纪~十四世纪），官窑多有贡器，少有官厂，采取的形式是“官监民烧”，烧出的瓷器，“千中选十，百中选一”，进贡给统治阶级。这种瓷器就叫做贡瓷和官窑。那时，唐代在产瓷区设有司务，如唐景隆初（公元707~709年）褚绥为新平(景德镇)司务，奉诏监烧献陵祭器。宋代设监，如太平兴国年间(公元976~983年)，派殿前承旨赵仁济监理越州窑务。到了元代则设局，以提领监陶，后改为本设总管。他们烧出的“景德年制”，“枢府’等款式的瓷器，分别称为“景德窑’，“枢府窑”等。\n官窑之谓，在中国古代陶瓷史上有不同的内涵。就广义而言，是有别民窑而专为官办的瓷窑，其产品为宫廷所垄断。在宋代瓷器中，官窑即是一种专称，指北宋和南宋时在京城汴京（汴梁，今开封）和临安（今杭州）由宫廷设窑烧造的青瓷，故又有“旧官”和“新官”之分，前者为北宋官窑，后者为南宋官窑。\n官窑是在宋大观及政和年间于汴梁所造，青瓷釉色晶莹惕透，有开裂或呈冰片状，粉青紫口铁定是其特色。\n宋室南移在凤凰山下设立官窑，又称修内司官窑或内窑，郊坛下设立的郊坛下官窑，器形较多，有直径大过一尺的大型产品。\n从1128年元世祖忽必烈设置“浮梁磁局”，到二十世纪清朝覆亡，景德镇是元、明、清三代皇家瓷厂所在地，中国的官窑制度在这里延续了632年，江西景德镇也由此拥有烧造时间最长、规模最大、工艺最精巧的官办瓷厂。景德镇地下也因此存有大量因禁绝流入民间而被就地掩埋的古碎瓷，成为中国品类最完整、年代最可靠、信息最丰富的官窑遗址和“地下瓷都”。北宋官窑也称汴京官窑。相传北宋大观、政和年间，在汴京附近设立窑场，专烧宫廷用瓷器，即北宋官窑。南宋顾文荐《负暄杂录》记载："宋宣政间（宣和、政和即公元1111－1125年）京师自置窑烧造，名曰官窑"，南宋叶在其《垣斋笔衡》中对北京官窑亦有记载："政和京师自置窑烧造，名曰官窑"。当时的京师即汴京（今开封），因宋代汴京遗址已沉入地底，到今为止，尚未发掘出北宋官窑遗址，对于北宋官窑遗址缺乏考古发掘地资料和充足的文献资料的支撑，因此，时到今，关于北宋官窑遗址在何处，仍有不同说法，一般有三种说法：一说北宋官窑即为汝窑；二说否认北宋官窑的存在；三说为北宋官窑即为汴京官窑，它与南宋时的修内司官窑先后存在。\n南宋顾文荐《负睻杂录》记载：“宋宣政间（宣和、政和即公元1111~1125年）京师自置窑烧造，名曰‘官窑’”，南宋叶寘在其《垣斋笔衡》中对北京官窑亦有记载：“政和京师自置窑烧造，名曰‘官窑’”。明代《事物绀珠》、《留留青》因袭此说。当时的京师即汴京(今河南开封)，因宋代汴京遗址已沉入地下，到今为止，尚未发掘出北宋官窑遗址。对于北宋官窑遗址缺乏考古发掘地资料和充足的文献资料的支撑，因此，今关于北宋官窑遗址在何处，仍有不同说法，一般有三种说法：一说北宋官窑即为汝窑；二说否认北宋官窑的存在；三说为北宋官窑即为汴京官窑，它与南宋时的修内司官窑先后存在。支持第三种说法的人较多。\n北宋官窑传世品很少，形质与工艺与汝窑有共同处。器多仿古，主要有碗、瓶、洗等。胎体显厚，胎骨深灰、紫色或黑色，釉色有淡青、粉青、月白等，釉质莹润温雅，尤以釉面开大裂纹片著称，不同于南宋官窑和汝窑及龙泉窑瓷器。底有文钉烧痕，有“紫口铁足”的特征。",[931,2194,5179,2840,346],"青花","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F0bf87d4eb33e6660751b48f7f249bb87.jpg",[2200],{"id":5183,"slug":5184,"title":5185,"dynasty":849,"author":7,"museum":172,"description":5186,"tags":5187,"thumbUrl":5188,"material":296,"size":297,"collection":11,"collections":5189,"showCount":5137,"zanCount":310,"manualWeight":49,"mainColor":50},223703,"long-wen-huan-yi-ming-223703","龙纹环","汉代是龙纹造型的真正定型期，在形式上达到了一个空前的高度，这一历史背景也充分反映在汉代玉器龙纹上。我们看到，汉代玉龙一改战国时期那种自由奔放、生机勃勃、姿态万千的特点，而逐渐趋于表现龙的凶猛威武之态、翻云覆雨之势、气韵生动之神采。\n此期龙纹大多与螭虎纹、凤纹组合或单独出现，作为玉璧、玉珩、玉璜、玉环、玉觿、韘形佩等器物的装饰纹样，并出现了四灵题材中的龙。单独成器的玉龙数量较少，上图龙体蜷曲呈“S”形，长尾上卷，器表遍布勾连纹以示龙鳞，身边饰以镂雕云纹。",[852,267,268,59,272,39],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F3798b35c91396fe861649c0c803042b6.jpg",[],{"id":5191,"slug":5192,"title":3318,"dynasty":75,"author":7,"museum":172,"description":5193,"tags":5194,"thumbUrl":5195,"material":296,"size":297,"collection":11,"collections":5196,"showCount":5137,"zanCount":49,"manualWeight":49,"mainColor":50},223663,"e-mi-tuo-fo-tu-yi-ming-223663","阿弥陀佛（梵语Amitābha），又名无量佛、无量光佛、无量寿佛等。大乘经载，阿弥陀佛在过去久远劫时曾立大愿，建立西方净土，广渡无边众生，成就无量庄严功德，为大乘佛教所广为崇敬和弘扬。大乘佛经主要如《无量寿经》、《阿弥陀经》、《观无量寿佛经》，对阿弥陀佛及其西方极乐世界均有详述。大乘佛教流传之地，如中国、日本等大乘教区，阿弥陀佛信仰也尤为繁盛和重要。而汉传佛教的净土宗，则完全以往生阿弥陀佛的西方净土作为专修的法门。",[26,711,27,28,29,30,33,32,31],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fe74592da1391b22d35470a1a2831b583.jpg",[],{"id":5198,"slug":5199,"title":5200,"dynasty":75,"author":7,"museum":172,"description":5201,"tags":5202,"thumbUrl":5204,"material":11,"size":11,"collection":11,"collections":5205,"showCount":5137,"zanCount":351,"manualWeight":49,"mainColor":50},223632,"lian-chi-shui-qin-tu-zhou-dui-zhou-er-yi-ming-223632","莲池水禽图轴对轴二","以没骨晕染写就盛夏荷塘生机，粉荷或粲然盛放，或含苞待绽，淡粉水色晕出花瓣柔润层次，娇妍动人。石绿敷色的荷叶，渍染出卷舒枯荣，苍润兼具，尽显池上蓊勃夏意。\n\n两只水禽优游波间，翎羽细勾淡染，姿态闲舒缓和，破开繁花叶影的静谧，添了灵动生趣。\n\n古雅的旧绢底色晕染出宋韵古澹，构图疏密错落，将荷塘幽谧生机融于尺幅，藏着宋人格物观照的雅致意趣，虽经岁时磨损，依旧能窥见院体花鸟工致温婉的审美品格。",[26,79,27,28,29,31,32,232,446,316,712,5203],"池水","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fcad2f0b5b63fb5100d6e2037573719a0.jpg",[],{"id":5207,"slug":5208,"title":5209,"dynasty":75,"author":7,"museum":76,"description":896,"tags":5210,"thumbUrl":5213,"material":348,"size":902,"collection":11,"collections":5214,"showCount":5137,"zanCount":49,"manualWeight":49,"mainColor":277},223471,"xi-mao-tu-yi-ming-223471","戏猫图",[26,27,79,32,31,625,272,80,346,98,190,877,5211,650,1529,899,779,5212,271],"宠物","设色工笔","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F944be0ae10bb40132b87c6508e80870b.jpg",[],{"id":5216,"slug":5217,"title":5218,"dynasty":241,"author":7,"museum":23,"description":929,"tags":5219,"thumbUrl":932,"material":43,"size":5220,"collection":45,"collections":5221,"showCount":5137,"zanCount":351,"manualWeight":49,"mainColor":50},219701,"song-zi-guan-yin-yi-ming-219701","送子观音",[27,32,31,30,29,33,272,1056,64],"120.7x60.3cm",[45],{"id":5223,"slug":5224,"title":5225,"dynasty":241,"author":7,"museum":499,"description":5226,"tags":5227,"thumbUrl":5228,"material":616,"size":11,"collection":45,"collections":5229,"showCount":5137,"zanCount":49,"manualWeight":49,"mainColor":50},219523,"shuang-xian-ren-tu-yi-ming-219523","双仙人图","画面里两位仙人意态悠然，一位素衣宽袍，神情沉静垂手而立；另一位以叶为裳，虬髯浓密，正持笔轻触好友长须，亲昵随性，尽显知己投契的自在。\n\n线条清劲如铁线，衣纹舒展自然，叶裳晕染细致鲜活，浅淡古雅的设色衬出超凡仙逸。留白开阔空灵，将世外之人的澹泊闲情，知己同游的融融意态铺陈开来，笔底藏着山林隐者的逍遥，古意悠悠，静雅动人。",[26,27,28,29,31,123,32,33,346],"https:\u002F\u002Foss.chuangqi.s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汉三个阶段。汉镜纹饰的主要种类有草叶纹镜、蟠龙纹镜、百乳镜、连弧纹镜、规矩镜、多乳禽兽纹镜和变形四叶镜等。",[27,28,32,31,60,129,1623,130,131,162,2656,1251],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F52e9abe895df9c138c4dc01d0bc15902.jpg",[],{"id":5293,"slug":5294,"title":5295,"dynasty":1491,"author":7,"museum":172,"description":5296,"tags":5297,"thumbUrl":5301,"material":296,"size":297,"collection":11,"collections":5302,"showCount":5255,"zanCount":49,"manualWeight":49,"mainColor":70},223863,"mu-lei-wen-gui-yi-ming-223863","目雷纹簋","中作目形，目外形线引长作成∽形，四周填以雷纹。以目和雷纹组成，故名。通行于商和西周初期。",[402,2042,406,1494,5298,268,5299,4180,5300],"青铜铸造","目雷纹","圈足","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F50724652e57d1322ee2c78f2020703d4.jpg",[],{"id":5304,"slug":5305,"title":5306,"dynasty":75,"author":7,"museum":76,"description":5307,"tags":5308,"thumbUrl":5309,"material":43,"size":5310,"collection":85,"collections":5311,"showCount":5255,"zanCount":49,"manualWeight":49,"mainColor":50},223520,"mei-zhu-ju-qin-tu-yi-ming-223520","梅竹聚禽图","此幅《梅竹聚禽图》的构图严谨，并且重视描绘物象的准确性，符合徽宗画院注重观察写生、讲究师承法度的标准，是一件能够代表“宣和体”的佳作。画面中央，画梅树一株，枝干弯曲而上，后方衬以翠竹棘条，有伯劳、绿鸠、鹌鹑等鸟禽栖身其间。整幅画的构图以S形屈曲的梅干来切割画面，并以成弧形交叉的竹棘增加动态感，布局虽繁密，但不零乱。画家成功将画面物象和布局理想化，创造出一种超乎时空，传达永恒的完美意象。画中的主要物象，均以双钩填彩的方式，生动的描绘出对象的色彩与体积感，给人一种平和，端庄之美。",[26,27,79,28,29,31,32,80,542,145,193,146,613],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F2a2d45af35b0ff1f7bbe09b1b8528922.jpg","258.4x108.4",[85,87,112],{"id":5313,"slug":5314,"title":5315,"dynasty":141,"author":7,"museum":1068,"description":5316,"tags":5317,"thumbUrl":5318,"material":43,"size":5319,"collection":45,"collections":5320,"showCount":5255,"zanCount":351,"manualWeight":49,"mainColor":70},219584,"ting-yuan-chui-di-tu-yi-ming-219584","庭院吹笛图","淡墨轻勾围栏，赭石晕染庭阶，古奇湖石倚立一旁，皴笔苍劲朴拙，带着幽古意态。仕女团髻簪花，罗裙垂曳覆地，静坐凝神，柔婉秀雅的身姿融于空寂庭院中。\n\n设色简淡古雅，沉郁绢色衬出静穆氛围，留白处漫着清寂闲淡，将深闺女子的幽怅藏于无声里。笔致工细却不繁缛，人物情态含蓄温婉，寥寥笔墨便将庭院幽闲意趣与仕女静柔风姿相融，古淡悠长的韵致漫开，把深闺的闲静怅惘晕在空庭里。",[27,28,32,33,127,687,146,650,82],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F33d0463155dcdec810230aaf5d57bc7c.jpg","纵25.4横23.5厘米",[45],{"id":5322,"slug":5323,"title":5324,"dynasty":241,"author":7,"museum":254,"description":5325,"tags":5326,"thumbUrl":5328,"material":43,"size":11,"collection":87,"collections":5329,"showCount":5255,"zanCount":351,"manualWeight":49,"mainColor":50},218987,"ying-jue-ye-tu-tu-yi-ming-218987","鹰攫野兔图","苍鹰振翅俯冲，利爪紧扣野兔，生死博弈的瞬间被凝于绢素。鹰羽纹理毕现，毳毛蓬松若触；野兔蜷身挣扎，双目圆睁含惧。旁侧山石以浓墨皴擦，肌理厚重；枝上红白花簇点缀，柔艳与苍劲相映。笔墨兼具工致与写意，动静相生间，既藏自然野趣，亦显传统花鸟对生命瞬间的精准捕捉——凌厉中见细腻，苍莽里含生机，尽展古画摹写物象、传递意韵的精妙。",[27,32,31,29,3896,5327,359,98],"野兔","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F419616a943fe6b976a5a62a0f0010da8.jpg",[87],{"id":5331,"slug":5332,"title":5333,"dynasty":75,"author":7,"museum":76,"description":5334,"tags":5335,"thumbUrl":5337,"material":43,"size":5338,"collection":85,"collections":5339,"showCount":5255,"zanCount":351,"manualWeight":49,"mainColor":70},218855,"he-ting-ting-yu-tu-yi-ming-218855","荷亭听雨图","这幅画描绘了一个荷花亭，主人躺在沙发上看荷花、听雨声，而一个童仆拿着小提琴在桥头的花下姗姗来迟，抱头鼠窜，而一只受惊的鸟儿则飞上了天空。这幅画与刘松年的风格相似，笔触厚实而坚定，画感引人入胜。",[26,79,27,32,329,31,531,232,131,129,5336],"雨","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fa4871b40e4780da845cf4f472108e38a.jpg","23.2x24.4",[85,45],{"id":5341,"slug":5342,"title":5343,"dynasty":75,"author":7,"museum":76,"description":5344,"tags":5345,"thumbUrl":5347,"material":43,"size":11,"collection":506,"collections":5348,"showCount":5255,"zanCount":153,"manualWeight":49,"mainColor":50},218724,"qiu-zhu-wen-qin-tu-yi-ming-218724","秋渚文禽图","这是一幅秋日的水岛画，画中有飞鸟和参天古树，意境凄凉。该书被故宫博物院和大英博物馆收藏，学者们普遍认为是元代的作品。",[26,27,79,31,144,32,613,2144,146,191,5346,35,1401],"渚","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F419d1c3920e5f599788e02111ab56aa9.jpg",[506],{"id":5350,"slug":5351,"title":5352,"dynasty":241,"author":7,"museum":499,"description":5353,"tags":5354,"thumbUrl":5355,"material":43,"size":5356,"collection":45,"collections":5357,"showCount":5255,"zanCount":49,"manualWeight":49,"mainColor":50},218360,"yu-fu-tu-yi-ming-218360","渔父图","这幅画描绘了一条小船停泊在河岸边的一棵大柳树旁，船边有一个渔夫在睡觉，对面有一个小孩在盯着水面，船边挂着一个鱼哨，而画面中的水波似乎在摇晃着小船。",[26,27,144,123,33,128,130,163,613,1768],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F8c51b1c5078844ad604b93da19526e59.jpg","25x25",[45,112],{"id":5359,"slug":5360,"title":5361,"dynasty":141,"author":7,"museum":5362,"description":5363,"tags":5364,"thumbUrl":5365,"material":43,"size":5366,"collection":506,"collections":5367,"showCount":5255,"zanCount":260,"manualWeight":49,"mainColor":50},218207,"song-zhai-jing-zuo-tu-yi-ming-218207","松斋静坐图","南京博物院","松斋静坐图是中国元朝时期的一幅著名绘画，作者是佚名。\n\n这幅画的主要内容是一位老僧人在森林中静坐，周围的景色非常宁静。老僧人的脸上没有表情，但整个画面都透露出一种深沉的内省与冥想的气息。\n\n这幅画的风格融合了中国传统的山水画和人物画的元素，画面精致细腻，色彩和谐。松斋静坐图是元朝时期佛教文化的经典代表之一，也是中国绘画史上的珍贵艺术品。",[27,2415,614,32,1524,613,162,531,1102,33],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F2d571379b374461e93289d1506ce0bf6.jpg","170x106.7cm",[506],{"id":5369,"slug":5370,"title":5371,"dynasty":141,"author":7,"museum":465,"description":5372,"tags":5373,"thumbUrl":5375,"material":43,"size":5376,"collection":87,"collections":5377,"showCount":5255,"zanCount":49,"manualWeight":49,"mainColor":50},216751,"shi-hu-san-biao-tu-yi-ming-216751","十虎三彪图","这是一幅虎画长卷，名曰《十虎三彪图》，宋人佚名作，共画了十只虎，三只彪。\n\n龙生九子，各有不同。虎生三子，必有一彪。\n\n在传统文化里，龙虎都少不了一些衍生同类，彪是虎演化而来的。故事相传，母虎生有三虎崽，其中一虎崽格外凶狠彪悍，有吞食另外两只幼崽的能力，因此母虎日夜提防着凶虎崽和另外两只虎崽单独相处。",[26,27,28,96,144,614,887,5374,272,131,162],"彪","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F22319c2472e4a7063456b1ee2a4fb07f.jpg","27x349cm",[87],{"id":5379,"slug":5380,"title":5381,"dynasty":75,"author":7,"museum":172,"description":5382,"tags":5383,"thumbUrl":5386,"material":296,"size":297,"collection":11,"collections":5387,"showCount":5388,"zanCount":49,"manualWeight":49,"mainColor":70},290364,"song-ke-si-gui-zhi-shuang-xi-tu-zhou-yi-ming-290364","宋缂丝桂枝双喜图轴","两宋时期，中国古代花鸟画空前发展并取得重大成就。北宋前期，宫廷画家黄居采继承了其父黄筌的花鸟画风格，使细腻艳丽的富贵风格成为评判当时宫廷花鸟画优劣的准绳，直到崔白等人的出现，才打破了它一直以来的主导地位。崔白与黄筌一样注重写生、造型准确，但在画面中多了几分生趣，正是这种对禽鸟神态的关注，表明了花鸟画进入到一个新的发展阶段。画家将场景设定在深秋野外，被惊扰的野兔回首注视着一对喳喳直叫的山鹊，透过野兔的眼神，我们看到了它驻足回首时的惊异神情。有些诧异，却没有恐惧，因为它知道山鹊对自己没有威胁。它与山鹊之间的动作呼应、位置关联，一定是平日写生的结果，准确而生动。",[79,27,28,29,161,31,32,80,5384,5385,82],"桂树","喜鹊","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F9dbe196f445bd63ff9d958a5436a371b.jpg",[],61,{"id":5390,"slug":5391,"title":5392,"dynasty":171,"author":7,"museum":172,"description":5393,"tags":5394,"thumbUrl":5395,"material":11,"size":11,"collection":436,"collections":5396,"showCount":5388,"zanCount":49,"manualWeight":49,"mainColor":277},253549,"tao-hua-cai-wu-shi-yong-yi-ming-253549","陶画彩武士俑","蹙眉瞠目，虬髯贲张，尽显慑人武威，俨然沙场悍将的威严气魄。身着明光铠，红彩勾描甲胄纹饰，胸、腹处宝相花细腻古雅，为冷硬的甲身晕开柔媚古韵。\n\n双拳紧攥抬于胸前，似正按剑待令，挺拔站姿沉稳刚健，将盛唐甲士的赳赳雄姿定格。彩釉虽经年岁晕褪斑驳，却仍可窥见初时的明艳精工，把陶塑的厚重质感与彩绘的雅致华美融为一体，尽显当时的高超造诣，凝住了千年前的尚武风华与审美意趣。",[171,2194,3858,32,33,268],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F1ade8c2b2c0b076ba1210f89f9832a7e.jpg",[436],{"id":5398,"slug":5399,"title":5400,"dynasty":22,"author":7,"museum":172,"description":5401,"tags":5402,"thumbUrl":5406,"material":11,"size":11,"collection":436,"collections":5407,"showCount":5388,"zanCount":351,"manualWeight":49,"mainColor":277},245452,"liu-cheng-jin-fu-shi-yi-ming-245452","六成金佛饰","此像通体鎏金，宝光内蕴华贵雍容。造像面容圆润慈悲，笑意柔和内敛，宝冠嵌饰点缀，更显庄严。双手托宝瓶结禅定印，身佩璎珞环钏，纹饰饱满细腻。莲座与背光一体铸就，背光层次分明，莲瓣周正规整，线条流畅利落。整体比例合度，金水厚重匀净，尽显精妙工法，沉静肃穆间裹挟着庄重气韵，将藏地造像的审美意趣凝练其中，是兼具宗教意蕴与工艺价值的上乘造像。",[30,430,268,1385,1386,5403,1388,5404,5405,2631],"结印","火焰纹","六成金","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fea3fd2ed62e691ffc607b3703739476a.jpg",[436],{"id":5409,"slug":5410,"title":5411,"dynasty":55,"author":7,"museum":172,"description":5412,"tags":5413,"thumbUrl":5414,"material":11,"size":11,"collection":436,"collections":5415,"showCount":5388,"zanCount":351,"manualWeight":49,"mainColor":277},245370,"jin-fu-yi-ming-245370","金佛","此像宝相慈悲端严，垂目敛容，神态静谧祥和。通体鎏金，色泽明丽华贵。背光以累丝技法打造，火焰轮廓灵动舒展，嵌饰松石与珍珠，宝气盈盈，两侧祥龙攀附护持，更添庄严法相。\n\n佛像结跏趺坐于嵌满东珠的莲台，莲瓣饱满圆润，结禅定印尽显静定妙谛。衣纹婉转流畅，线条柔和精妙，将佛国清净庄严与宫廷精工匠心融于一体，沉静之间自有摄人的神圣气场，是金细作与造像艺术相融的上乘之作。",[160,30,430,2631,268,431,986,1376],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F16ec4bedac1f0f192b6a0fe1c33abe33.jpg",[436],{"id":5417,"slug":5418,"title":1279,"dynasty":55,"author":7,"museum":56,"description":327,"tags":5419,"thumbUrl":5423,"material":335,"size":336,"collection":11,"collections":5424,"showCount":5388,"zanCount":49,"manualWeight":49,"mainColor":50},236168,"yong-zheng-shi-er-yue-xing-le-tu-zhou-yi-ming-236168",[27,31,32,329,614,60,129,33,145,162,130,163,650,2656,131,1624,5420,5421,649,734,5422],"石桥","人物活动","竹丛","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F47c3e8128a600870ae2951e88c5416b8.jpg",[],{"id":5426,"slug":5427,"title":5428,"dynasty":241,"author":7,"museum":172,"description":5429,"tags":5430,"thumbUrl":5435,"material":11,"size":11,"collection":11,"collections":5436,"showCount":5388,"zanCount":153,"manualWeight":49,"mainColor":50},234932,"ming-ren-xia-jing-huo-lang-tu-zhou-yi-ming-234932","明人夏景货郎图轴","这张画描绘了一位乔装打扮的冷饮博士在皇宫花园里为一位年轻的桑亚西倒冰饮。茶壶上的龙雕表明这不是一个普通的家庭，或者说明朝的御用画家为适应某些场景而绘制了皇帝的御用造型，比如今天的 "角色扮演"，皇帝、嫔妃、公主和小王子都是演员。",[27,32,31,33,331,649,190,346,4378,5431,5432,4379,1525,888,5433,5434],"妇女","男性","灌木","地面植物","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fab8a6a7974ea6f9fa050bef2d57c5eda.jpg",[],{"id":5438,"slug":5439,"title":5440,"dynasty":22,"author":7,"museum":172,"description":5441,"tags":5442,"thumbUrl":5444,"material":11,"size":11,"collection":11,"collections":5445,"showCount":5388,"zanCount":351,"manualWeight":49,"mainColor":70},231665,"ying-hua-mo-mei-tu-li-zhou-yi-ming-231665","樱花墨梅图立轴","此作上下分绘花姿，意趣迥异却相得益彰。上方设色绘樱花，柔枝舒展，素白花瓣晕染清透，嫩红芽蕊点缀其间，将春日花绽的柔妍雅致尽皆展现，侧旁题字更添悠然文心。下幅以水墨写梅，苍劲老枝皴擦得宜，浓淡墨色区分枝干层次，淡墨圈花点蕊，清冷疏朗，尽显冬梅孤高清癯的风骨。工笔与写意相融，妍丽与清寂相映，尽显文人绘事里的雅致情致。",[26,27,28,29,144,32,80,5443,542],"樱花","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F410c154b6bd5a5b3bc828f84a37afb21.jpg",[],{"id":5447,"slug":5448,"title":5449,"dynasty":141,"author":7,"museum":172,"description":5450,"tags":5451,"thumbUrl":5452,"material":11,"size":11,"collection":11,"collections":5453,"showCount":5388,"zanCount":351,"manualWeight":49,"mainColor":50},228206,"gong-nv-you-yuan-tu-li-zhou-yi-ming-228206","宫女游园图立轴","以青绿晕染出苍润苑囿，层叠亭台随山势铺展，界画工致严整，朱红飞檐掩映在古松奇石间。\n高台上仕女凭栏远眺，廊庑间宫人行止悠然，或低语相伴，或缓步行游，素衣翩跹打破殿宇的厚重沉静。\n设色古雅柔和，山石松枝的沉郁底色，衬得仕女身姿愈发轻盈灵秀，将深宫之中片刻偷闲的游园意趣晕染在绢素之上，藏着深闺里难得的松弛意态，古韵内敛悠长。",[26,27,29,32,31,329,33,127,129,60,131,1623],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F2765d101e95a8b69919d662341f6dace.jpg",[],{"id":5455,"slug":5456,"title":5457,"dynasty":171,"author":7,"museum":172,"description":5458,"tags":5459,"thumbUrl":5461,"material":11,"size":11,"collection":11,"collections":5462,"showCount":5388,"zanCount":49,"manualWeight":49,"mainColor":50},227227,"fo-jiao-xin-jing-yi-ming-227227","佛教 心经","《般若波罗蜜多心经》（梵语：प्रज्ञापारमिताहृदय Prajñāpāramitāhṛdaya 藏语：བཅོམ་ལྡན་འདས་མ་ཤེས་རབ་ཀྱི་ཕ་རོལ་ཏུ་ཕྱིན་པའི་སྙིང་པོ）是大乘佛教表达空性和般若波罗蜜观点的经典，又称《摩诃般若波罗蜜多心经》，简称《般若心经》、《心经》。本经是《大品般若经》的别生经，取自〈习应品〉和〈劝持品〉，作为《大般若经》的精要而集出，无序分与流通分。与《金刚经》并为通行最广的般若经。",[26,590,30,124,3053,3054,32,28,5460,1504],"墨笔","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fbf2848fc08995900089c6b332fd8a712.jpg",[],{"id":5464,"slug":5465,"title":2998,"dynasty":171,"author":7,"museum":292,"description":698,"tags":5466,"thumbUrl":5467,"material":296,"size":297,"collection":11,"collections":5468,"showCount":5388,"zanCount":351,"manualWeight":49,"mainColor":50},226175,"ku-yong-dao-bei-bi-yi-ming-226175",[175,32,33,345,30,329,123],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F8c07dac132f05fefabb70d0f8300e753.jpg",[],{"id":5470,"slug":5471,"title":5472,"dynasty":8,"author":7,"museum":172,"description":5473,"tags":5474,"thumbUrl":5475,"material":296,"size":297,"collection":11,"collections":5476,"showCount":5388,"zanCount":351,"manualWeight":49,"mainColor":70},223696,"long-wen-huang-yi-ming-223696","龙纹璜","此玉璜为新疆和田青玉制，表面有因埋藏而产生的色变，局部呈黄褐色。体扁平，扇面形，弧度超过半圆，此形制在春秋时期的玉璜中非常少见。璜两面满饰隐起的勾云纹，纹饰密集，局部组成侧面的兽面形。璜两端为侧面龙首形，边缘沿龙首之形呈凸凹变化。\n璜类玉器产生于新石器时代，用作礼器与佩玉。西周时期盛行以璜作杂佩，一套佩玉中出现多重玉璜，自上而下排列，这一时俗影响一直延至春秋、战国时期，因此璜形玉佩在玉器中所占比例较大。这件玉璜仅上部有一孔，两端无孔，下方不能再挂物，应为悬置在成组佩玉最下端的玉件。",[267,268,59,406,3800],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F006d5771b023542bd0b07672fa74a112.jpg",[],{"id":5478,"slug":5479,"title":5480,"dynasty":75,"author":7,"museum":172,"description":5481,"tags":5482,"thumbUrl":5484,"material":11,"size":11,"collection":11,"collections":5485,"showCount":5388,"zanCount":249,"manualWeight":49,"mainColor":50},223630,"he-xie-tu-yi-ming-223630","荷蟹图","《宋人画荷蟹图》是宋代佚名创作是一幅中国画。\n图中残败的荷叶枯黄斑驳，半浸于水中，一只团脐雌蟹挥螯伏于叶上。\n潺潺流水中生长、飘浮着红蓼、蒲草、浮萍、水藻等，其叶片边沿均已泛黄，显示出时已临秋，金秋时节，正是蟹美膏肥之时，荷叶的颓势与雌蟹的鲜活形成强烈的对比。\n画面刻意求真，荷叶用双钩夹叶法描绘，叶之叶筋、斑纹及莛上的小刺都刻意求工，雌蟹用笔缜密严谨。\n此图画面意境生动，题材别出新意，为宋人写实画作的典范。\n【简介】 本幅无款。\n钤印一方，印文模糊不辨。",[26,79,27,28,32,31,232,5483,316,2729,80],"螃蟹","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F180dab128ffc6da8aaed986bccf8201c.jpg",[],{"id":5487,"slug":5488,"title":5489,"dynasty":75,"author":7,"museum":56,"description":5490,"tags":5491,"thumbUrl":5493,"material":1433,"size":5494,"collection":11,"collections":5495,"showCount":5388,"zanCount":153,"manualWeight":49,"mainColor":50},223584,"wa-que-qi-zhi-tu-ye-yi-ming-223584","瓦雀栖枝图页","此画绘海棠一枝，果实散挂枝头，树叶已染秋霜。\n枝头栖息着姿势各异的五只瓦雀，其中一只正仰首注视着枝叶上的昆虫，张口欲啄，形象生动活泼。\n整个画面张弛有致，设色研丽，刻画写实。\n海棠间杂红、黄、绿色，细看可见叶、果有些已遭虫蚀。\n作者取轻勾淡染之法，以表现秋叶缺乏水分的轻、薄质感。\n鸟的羽毛用细笔一笔一笔勾描，具有毛茸茸的质感。",[26,27,79,28,530,31,32,80,163,5492,2784,221],"麻雀","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F398ac81f47572946b8488c7c3af380e0.jpg","纵28.9厘米横29厘米",[],{"id":5497,"slug":5498,"title":5499,"dynasty":75,"author":7,"museum":216,"description":5500,"tags":5501,"thumbUrl":5502,"material":43,"size":5503,"collection":506,"collections":5504,"showCount":5388,"zanCount":153,"manualWeight":49,"mainColor":50},218662,"song-feng-lou-guan-tu-yi-ming-218662","松风楼观图","山顶上的松树被涂上了颜色，天空中出现了奇特的山峰，山坡上的森林中矗立着建筑和房屋。悬崖边上有围栏和行人。艺术家用长线和水流来画山和石头，用各种点和线来画森林。近处的山是沉重的，远处的山是缥缈的，近处的树是苍白的，远处的树是缥缈的，显示出由于空气的阻隔，近处和远处的景物在视觉上的差异。",[26,27,28,79,219,614,32,60,1524,129,130,82],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F05aa16083afb2ee32eae9a2801aa5c94.jpg","25.6x27.1",[506],{"id":5506,"slug":5507,"title":5508,"dynasty":75,"author":7,"museum":216,"description":5509,"tags":5510,"thumbUrl":5511,"material":43,"size":5512,"collection":506,"collections":5513,"showCount":5388,"zanCount":49,"manualWeight":49,"mainColor":50},218587,"xue-jiang-gui-zhao-tu-yi-ming-218587","雪江归棹图","寒江雪霁，远山如卧，素白积雪覆在黛色峰峦上，似披一层清薄的纱。岸边茅舍隐于疏林后，枯枝横斜间，隐约见炊烟轻袅，恍若有人家正温酒候归。江面上归棹缓移，帆影淡远，桨声似被雪色浸软，只剩水波微漾的静穆。\n\n笔墨简淡却意韵悠长：山峦以淡墨晕染，积雪肌理用细笔勾出，枯树枝桠如铁线遒劲，尽显冬日清寂之美。整幅画虚实相生，留白处含清寒之气，归舟的动与雪景的静相映成趣，藏着宋人对自然的敬畏与隐逸生活的向往——于静谧中见生机，于简淡中蕴深情，每一处细节都在诉说冬日江上的淡然心境。",[26,27,28,144,60,128,1142,131,734,952,614],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fcbeef43a75f0757cbfd80d5f97f0987c.jpg","26.4x26.5",[506],{"id":5515,"slug":5516,"title":5517,"dynasty":75,"author":7,"museum":56,"description":5518,"tags":5519,"thumbUrl":5528,"material":724,"size":11,"collection":506,"collections":5529,"showCount":5388,"zanCount":153,"manualWeight":49,"mainColor":50},218320,"lu-hong-cao-tang-shi-zhi-tu-yi-ming-218320","卢鸿草堂十志图","长卷徐徐展开，十帧隐逸图景次第铺呈。峰岫含烟，林麓交映，古树盘曲如铁，流泉飞泻似练。其间草堂错落，或临溪筑榭，或依山构宇，隐者或凭轩观瀑，或策杖行吟，或围坐论道，意态悠然。墨色浓淡相宜，皴擦点染间见丘壑之妙；题辞穿插其间，笔意与画意相生，文气氤氲。整幅作品古雅沉静，尽得林泉高致之趣，仿佛能闻松风竹韵，听山涧清音，令人心向往之，沉醉于那片远离尘嚣的幽居天地。",[26,79,27,96,144,60,5520,2709,5521,5522,5523,5524,614,5525,4661,5526,5527],"草堂","飞泉","峰岫","林麓","隐者","题字","古雅","林泉高致","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F96939053844aa2166756d34301b6320a.jpg",[506],{"id":5531,"slug":5532,"title":5533,"dynasty":75,"author":7,"museum":172,"description":5534,"tags":5535,"thumbUrl":5536,"material":296,"size":297,"collection":11,"collections":5537,"showCount":5538,"zanCount":260,"manualWeight":49,"mainColor":50},288461,"xi-shan-wu-jin-tu-yi-ming-288461","溪山无尽图","此作用全景长卷铺展丘壑，群峰层峦拔地而起，或雄峙崔嵬，或玲珑峭拔，烟云在峰林之间舒卷弥漫，晕染出远近山岫的虚实层次。\n\n笔墨苍劲古拙，以浑厚皴法写出山石嶙峋肌理，林木错落点染，蓊郁苍茂。澄澈水面留白托景，行舟、山居隐现于林泉，将山野的雄浑大气与村居野趣相融，于咫尺长卷中铺陈出千里江山的无尽意趣，尽显林泉高致的山水雅韵，藏着天地悠悠的静穆生机。",[26,27,96,144,2415,162,131,130,128,1623,503,63,614,82],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F4dd2b09a208c3f6337ea5aa4bf8bcfd5.jpg",[],60,{"id":5540,"slug":5541,"title":5542,"dynasty":55,"author":7,"museum":172,"description":5543,"tags":5544,"thumbUrl":5550,"material":296,"size":297,"collection":11,"collections":5551,"showCount":5538,"zanCount":153,"manualWeight":49,"mainColor":50},275005,"hong-se-duan-hui-hua-fu-fan-yi-ming-275005","红色缎绘花佛幡","整体形制端庄雅致，顶饰卷草纹搭配宝相花与“卍”字纹开篇点题。主体黄缎之上，折枝玉兰、牡丹次第绽放，簇花插于青瓷宝瓶，寓意四季平安、富贵满堂。两侧红缎间，暗八仙纹样缠于云纹之中，藏纳祥瑞祈愿。\n\n下方三色绦带接续绣绘百花、吉纹，针脚细腻晕染柔和，将花木娇妍与吉祥意趣相融。整幅绣作配色明丽协调，把平安纳福的美好愿景织入经纬，尽显清代刺绣工艺的雅致匠心。",[30,5545,41,5546,190,98,4071,5547,5548,5549],"佛幡","绘花","暗八仙","吉祥纹样","瓶供","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F356520ee24741e3e671d0155e7209593.jpg",[],{"id":5553,"slug":5554,"title":5555,"dynasty":55,"author":7,"museum":172,"description":5556,"tags":5557,"thumbUrl":5562,"material":11,"size":11,"collection":274,"collections":5563,"showCount":5538,"zanCount":351,"manualWeight":49,"mainColor":70},241769,"huang-bi-xi-dai-zhu-cui-shi-shi-ba-zi-shou-chuan-yi-ming-241769","黄碧玺带珠翠饰十八子手串","这串手串以黄碧玺为主体，澄澈珠身隐含金丝内纹，如将碎熔的日光凝于腕间。珊瑚米珠作隔，暖橙撞亮暖金，层次顿生。莹润清翠的翡翠为佛头与背云，揉入一抹柔润冷色，调和明媚基调。下垂饰串以珍珠错落串联，随形粉碧玺坠角娇妍粉嫩，随轻摇漾开柔润光泽。\n整体工巧雅致，将各色宝石的天然肌理相融，明暗交织间尽显旧时闺阁细腻审美，腕间轻垂，既是清贵的装饰，亦是东方雅致意趣的缩影。",[160,39,5558,5559,1689,1688,5560,1692,1390,5561,1694],"串饰","黄碧玺","粉晶","珠翠饰","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fced5fc751cb020d79465b28e6cb99d29.jpg",[274],{"id":5565,"slug":5566,"title":5567,"dynasty":75,"author":7,"museum":76,"description":5568,"tags":5569,"thumbUrl":5572,"material":32,"size":5573,"collection":85,"collections":5574,"showCount":5538,"zanCount":49,"manualWeight":49,"mainColor":50},223566,"xi-shan-mu-xue-zhou-yi-ming-223566","溪山暮雪轴","此画描绘的是白雪覆盖溪岸与山峰，群鸦翔集欲归巢，江天一片寒冬之意。溪山之间，仍见绿树丛丛寒林不多，应是江南冬日之景象。描绘景物，细致生动而且写实，若将之分割数个方块来看，正如南宋之山水册页。可惜无画家名款，目前尚难断定是那位画院名家之作。本幅造意之精，构景之妙，可称独至。而笔墨细腻，烘染妥帖，尤足以称其意云。",[26,27,79,29,60,614,144,953,3733,131,1643,5570,128,5571],"暮景","小屋","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F28f6027549ff3ba9471ae648d9c8b2de.jpg","纵102.1厘米，横55.9厘米",[85,506,1116],{"id":5576,"slug":5577,"title":5578,"dynasty":75,"author":7,"museum":56,"description":5579,"tags":5580,"thumbUrl":5582,"material":335,"size":5583,"collection":11,"collections":5584,"showCount":5538,"zanCount":260,"manualWeight":49,"mainColor":50},223475,"zhe-zhi-hua-hui-tu-yi-ming-223475","折枝花卉图","此卷画折枝海棠、栀子、芙蓉、梅花共四幅，枝页繁茂，花儿怒放。花瓣、花页用勾勒填色法。花之娇态、页之正反和明暗表现得恰到好处。图中用笔缜密严谨，但工而不板，设色艳而不俗。第一段海棠树干上署有「赵昌」二字款，从字迹、画风分析，此款伪，实为当时高手所作。画面钤有「乾隆御览之宝」、「嘉庆御览之宝」、「宣统御览之宝」等印玺。曾经陈自明、清内府收藏。不见著録。",[26,27,28,96,799,31,32,5581,190,542,98,207,82],"折枝","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F4e760018d01b4d8788990c09188ef3fe.jpg","每段49.2x77.6cm",[],{"id":5586,"slug":5587,"title":5588,"dynasty":75,"author":7,"museum":5589,"description":5590,"tags":5591,"thumbUrl":5592,"material":109,"size":5593,"collection":85,"collections":5594,"showCount":5538,"zanCount":49,"manualWeight":49,"mainColor":50},221677,"jiang-shan-xing-lv-tu-yi-ming-221677","江山行旅图","美国纳尔逊阿特金斯艺术博物馆","《江山行旅图》画艺精湛，保存完好，并且流传有绪，实为金代山水画的珍品。依据款署「太古遗民」推断，此图作者应赏析为一位北宋遗民画家，他为躲避金廷的追查和征用，隐名埋姓，深居简出，不忘先祖，不愿成为女真人的臣民而甘当遗民。另根据「东皋」钤印判断，这位画家有可能籍贯为东皋(今山西河津)，而从画面描绘的北方山川风物景色来看也与此地域相近，也可能借此怀念前朝往事。\n《江山行旅图》用笔劲健刚硬，皴法质朴，略施渲淡， 综合了「钉头皴」，「雨点皴」等皴法描绘出北方石质坚凝的山体，表现出一种雄伟峻厚，风骨峭拔的气象，确有综合「三家山水」之感：关同的：「峭拔」，李成的「旷远」，范宽的「雄强」， 而这些特点令人想到了「三家山水」的渊源，即中国画史上遗民画家的先驱--荆浩。他是唐末后梁儒士出身的山水画家，字浩然，沁水（今属山西）人，一作河内（今河南沁阳）人。唐末战乱迭起，荆浩隐于太行山区的洪谷，取号洪谷子，以唐人自居，无视后梁统治。其山水画强调师法造化，搜妙创真，注重对真山真水的深切感受，开创了全景式的大山大水构图，奠定了北方山水画图式特征，影响了北宋山水画的整体面貌。",[26,27,28,96,144,614,60,131,359,63,1143,953,35,146,2688,531,163,2144,613],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fdb29e33ccd969cc6a691bf6ba1cee17d.jpg","38.42x417.83",[85,506,1116],{"id":5596,"slug":5597,"title":5598,"dynasty":2305,"author":7,"museum":76,"description":5599,"tags":5600,"thumbUrl":5602,"material":43,"size":5603,"collection":45,"collections":5604,"showCount":5538,"zanCount":351,"manualWeight":49,"mainColor":50},216986,"xian-xiu-san-xing-tu-yi-ming-216986","线绣·三星图","画上绣有十九个人，场景从上到下分为四层，第一层从左到右分别是禄、福、寿三颗星。身穿绿色斗篷的 若 星挥舞着羽毛扇，一只鹿跪在他身边，嘴里叼着一朵花，鹿 与 若 谐音，代表着职业道路。中间站着的幸运星，身穿宽大的蓝袍，带着玉柄和带流苏的葫芦形皇冠，象征着运气的延续。右边是微笑着的慈祥老人--长寿星，手持绣有 福禄寿 字样的玉盘，前面是一只手持 寿 字的仙鹤，象征着长寿。",[5601,32,30,33,331,1623,358,193,1056,272,877,2656],"线绣","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F7ea885cec07fde0e2c751ced9d734b95.jpg","194.3x111.2",[45],{"id":5606,"slug":5607,"title":5608,"dynasty":55,"author":7,"museum":76,"description":5609,"tags":5610,"thumbUrl":5611,"material":616,"size":5612,"collection":87,"collections":5613,"showCount":5538,"zanCount":351,"manualWeight":49,"mainColor":70},216208,"xuan-zong-yu-ti-hua-ma-yi-ming-216208","宣宗御题画马","宣宗御题画马 是一件佚名的清朝时期的著名画作。这幅画描绘了一匹神骏的马，看起来非常生动和真实。据说这幅画是宣宗本人亲笔题写的，因此得名。宣宗（生于1711年，卒于1735年）是清朝乾隆皇帝的第三个儿子，在位期间，他对文化艺术有着浓厚的兴趣。这幅画被认为是宣宗对艺术的贡献之一，同时也是清朝时期的艺术瑰宝。",[26,27,28,32,31,1006,272,124,82],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fb5818583a57e5269ba4a314a5f27b2ed.jpg","292.6x257.3cm",[87],{"id":5615,"slug":5616,"title":5617,"dynasty":241,"author":7,"museum":172,"description":5618,"tags":5619,"thumbUrl":5623,"material":296,"size":297,"collection":11,"collections":5624,"showCount":5625,"zanCount":153,"manualWeight":49,"mainColor":5626},256800,"qing-hua-chan-zhi-lian-pi-pa-wen-ju-ban-wan-yi-ming-256800","青花缠枝莲枇杷纹菊瓣碗","青花瓷（blue and white porcelain），又称白地青花瓷，常简称青花，是中国瓷器的主流品种之一，属釉下彩瓷。青花瓷是用含氧化钴的钴矿为原料，在陶瓷坯体上描绘纹饰，再罩上一层透明釉，经高温还原焰一次烧成。钴料烧成后呈蓝色，具有着色力强、发色鲜艳、烧成率高、呈色稳定的特点。原始青花瓷于唐宋已见端倪，成熟的青花瓷则出现在元代景德镇的湖田窑。明代青花成为瓷器的主流。明宣德时发展到了顶峰。明清时期，还创烧了青花五彩、孔雀绿釉青花、豆青釉青花、青花红彩、黄地青花、哥釉青花等衍生品种。",[2194,5179,931,5620,5621,5622,346],"缠枝莲","枇杷","菊瓣","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F8eb1d2dd195ae5e1486a45ecc5759b93.jpg",[],59,"9C27B0",{"id":5628,"slug":5629,"title":5630,"dynasty":1491,"author":7,"museum":172,"description":5631,"tags":5632,"thumbUrl":5633,"material":11,"size":11,"collection":408,"collections":5634,"showCount":5625,"zanCount":49,"manualWeight":49,"mainColor":277},242609,"ni-ding-yi-ming-242609","屰鼎","立耳敞口，兽面柱足沉稳撑托，铜身绿锈层叠晕染，凝着三千年光阴的厚重包浆。纹饰分两层铺陈，上层兽面与圆涡纹相间排布，朱砂残迹隐现，依稀可见当年朱彩鎏金的煊赫神采；下层垂列蕉叶纹，线条棱厉挺拔，勾勒出特有的狞厉威严。古拙的器型里沉凝着上古祭祀的庄重，斑驳锈色是岁月蚀刻的勋章，将先民对天地的敬畏熔铸其中，尽显东方青铜文明的磅礴底色，狞厉美学藏于朴茂形制之间，静诉着遥远商代的礼器风华。",[402,406,1494,403,268],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F4d522211770e1f9aba660f1bf5825ba5.jpg",[408],{"id":5636,"slug":5637,"title":5638,"dynasty":55,"author":7,"museum":172,"description":5639,"tags":5640,"thumbUrl":5643,"material":296,"size":297,"collection":11,"collections":5644,"showCount":5625,"zanCount":351,"manualWeight":49,"mainColor":277},241835,"yin-du-jin-dian-cui-qian-zhu-shuang-long-wen-zhang-zan-yi-ming-241835","银镀金点翠嵌珠双龙纹长簪","发簪，中国古代汉族人民用来固定和装饰头发的一种首饰。对于现代人来说已经是一个很古老的名词了，但是当在看古装剧时，却总是能被它们点缀出的精致效果所折服。\n将长发松松挽起，插上一枚别致的发簪，再配上典雅的长裙，即便性格再外放的女性，也可以成为让人眼前一亮的古典美人。发簪金属的光泽闪耀在发间，加上小而巧的坠饰，长发的风情便又是一种不一样的感受了。",[55,5641,1158,1155,5642,39],"银镀金","双龙纹","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fe3ed961d105762b471e36c16d2b50c76.jpg",[],{"id":5646,"slug":5647,"title":5648,"dynasty":55,"author":7,"museum":172,"description":5649,"tags":5650,"thumbUrl":5653,"material":11,"size":11,"collection":274,"collections":5654,"showCount":5625,"zanCount":49,"manualWeight":49,"mainColor":3289},241729,"cui-lou-shuang-xi-bei-yun-yi-ming-241729","翠镂双喜背云","满色正阳翠绿，莹润鲜亮水头饱满。以透雕技法打造，主体为双喜吉纹，缠枝卷叶环绕勾勒轮廓，线条婉转利落，镂空处虚实相映，将喜庆之意融于翠玉之中。雕工规整细致，既保留翠料的温润质感，又让纹样精巧灵动，将中式吉祥寓意凝于方寸之间，尽显雅致华贵的古韵风华。",[160,267,268,5651,5652,39],"镂刻","双喜纹","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fce557eee8a207d573d143cff2368be97.jpg",[274],{"id":5656,"slug":5657,"title":5658,"dynasty":141,"author":7,"museum":56,"description":5659,"tags":5660,"thumbUrl":5662,"material":5663,"size":5664,"collection":506,"collections":5665,"showCount":5625,"zanCount":49,"manualWeight":49,"mainColor":70},239526,"ni-zan-qiu-ting-jia-shu-tu-zhou-yi-ming-239526","倪瓒秋亭嘉树图轴","图中绘平坡远岫，草亭嘉树，广阔的江面上露出汀渚一角，幽静雅洁，仿佛笼罩在一片月色之中。画面取三段式构图，用笔尖峭秀逸，树干皆双勾，稍事皴染，树叶点法富于变化。墨色较为干淡，仅以浓墨点苔，提出精神，为沉寂的画面融入了些许生气。\n本幅自题：“七月六日雨，宿云岫翁幽居，文伯贤良以此纸索画，因写秋亭嘉树图并诗以赠。风雨萧条晚作凉，两株嘉树近当窗。结庐人境无来辙，寓迹醉乡真乐邦。南渚残云宿虚牖，西山青影落秋江。临流染翰摹幽意，忽有冲烟白鹤双。瓒。”\n本卷上诗塘有吴宽、朱果二家题记。曾经清内府收藏。",[27,144,29,124,82,614,60,532,531,145,1340,5661],"水域","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F08768391940841042688571157736a1b.jpg","纸本，墨笔","纵114cm，横34.3cm",[506,3059],{"id":5667,"slug":5668,"title":5669,"dynasty":22,"author":7,"museum":172,"description":5670,"tags":5671,"thumbUrl":5672,"material":296,"size":297,"collection":11,"collections":5673,"showCount":5625,"zanCount":49,"manualWeight":49,"mainColor":50},230838,"cai-hui-si-bi-ru-yi-lun-guan-yin-xiang-yi-ming-230838","彩绘四臂如意轮观音像","此作以自在坐姿塑法相，菩萨面容沉静端严，宝冠缀饰华贵，璎珞环身尽显庄严。四臂各司其职，主臂托腮思惟，余臂持印握器，将悲悯自在的神韵相融。设色古雅厚重，石青、朱砂晕染出衣袂层次，头光环叠晕彩，衬出清寂高华。岁月留痕的斑驳残损，更添沧桑质感，圆转线条勾勒出舒展灵动的体态，尽显古雅释画的典雅法度，静穆间裹挟着慈悲意趣，是兼具宗教性与艺术性的珍贵遗存。",[26,27,28,32,30,33,31,177,82,41,1169],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F8ca1f62971c665b5f5fb84f347665e2f.jpg",[],{"id":5675,"slug":5676,"title":5677,"dynasty":55,"author":7,"museum":172,"description":5177,"tags":5678,"thumbUrl":5682,"material":296,"size":297,"collection":2200,"collections":5683,"showCount":5625,"zanCount":49,"manualWeight":49,"mainColor":50},229703,"guan-yao-fen-cai-teng-luo-hua-niao-hua-pen-yi-ming-229703","官窑 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(今安徽鳳陽)人。幼孤，入皇覺寺為僧，元末群雄並起，有雄才，以布衣成帝業。\n絹地彩繪太祖坐像，筆筆工整，風格嚴謹，幅面巨大，氣派堂皇。畫中皇帝頭戴烏紗折角向上巾，身著圓領織金盤龍皇袍，端坐金扶手椅，容貌豐偉，鬚短而黑，當值盛年。",[26,27,28,29,931,31,32,33,59,345],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fa200f5ca4dc4d864c1d4c5a8a568a941.jpg","137x84",[],{"id":5702,"slug":5703,"title":5704,"dynasty":75,"author":7,"museum":172,"description":5705,"tags":5706,"thumbUrl":5709,"material":11,"size":11,"collection":2200,"collections":5710,"showCount":5625,"zanCount":49,"manualWeight":49,"mainColor":277},221208,"xiao-hong-liu-ban-cai-pan-yi-ming-221208","小红六瓣菜盘","作者： 佚名\n年代： 宋\n种类： 漆器\n规格： 高x宽​​3.5 x 27厘米（1 3\u002F8 x 10 5\u002F8英寸）\n材质： 漆木，黄铜装订\n馆藏： 弗里尔艺术馆",[711,2194,346,5707,5708],"六瓣造型","棕红色","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F12e81e3a8920ef924b0c9d1753d38e0a.jpg",[2200],{"id":5712,"slug":5713,"title":5714,"dynasty":241,"author":7,"museum":1068,"description":5715,"tags":5716,"thumbUrl":5717,"material":43,"size":5718,"collection":87,"collections":5719,"showCount":5625,"zanCount":49,"manualWeight":49,"mainColor":50},220340,"chun-jing-hua-niao-tu-yi-ming-220340","春景花鸟图","画面以早春雪景铺陈意境，老梅虬枝盘曲，枝头凝雪，冰萼缀枝。群雀栖于梅梢，灵动啾鸣，破了雪天的清寂。下方奇石覆雪，锦雉静静伫立，翎羽斑斓细腻，身旁细竹轻沾雪色，更衬出禽鸟的安然。角落里山茶吐艳，朱砂色的花萼点亮冷调的底色。\n\n工笔设色晕染柔和精微，禽鸟绒毛的蓬松、古木皲裂的苍劲都刻画入微，清冷雪景与暖调花色禽羽相映，将冬寒未褪、春意初萌的幽澹野趣尽藏其中，尽显雅致静穆又生意暗涌的格调。",[26,27,79,28,31,32,542,145,162,193,2165,80],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F1068b2760f18f253d69357fe4d36b4c1.jpg","155.2 × 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携云端仙气。沉敛底色衬得圣像愈发灵动，每一丝经纬都凝注匠心，将神性雍容与人间细腻悄然融合。千年后的我们，仍能触摸到信仰的温度与技艺的精妙，时光仿佛在这丝线交织处停驻，静静诉说着古远的虔诚与巧思。",[161,30,33,32],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F75ecb8c93b15f6cc3b06e9978d578dc5.jpg","99.1x46.7",[45],{"id":5804,"slug":5805,"title":5806,"dynasty":55,"author":7,"museum":172,"description":5807,"tags":5808,"thumbUrl":5810,"material":616,"size":11,"collection":11,"collections":5811,"showCount":5625,"zanCount":49,"manualWeight":49,"mainColor":70},215862,"qing-dai-gong-ting-ren-wu-hua-ce-10-yi-ming-215862","清代宫廷人物画册-10","侧身而立的身影，凝着清代宫廷的庄重气韵。深蓝常服裹住挺拔身形，胸前补子上仙鹤振翅欲飞，羽纹纤毫毕现；袍脚缠枝花卉晕染柔丽色泽，袖口绣纹层叠如浪。顶戴红缨与翠羽相映，添几分贵气。旧纸泛黄斑驳，似载时光低语，将百年前宫廷风貌凝于笔端。每处纹饰藏着规制与匠心，人物神态沉静，仿佛能窥见当年朝堂之外的片刻从容，岁月的痕迹更衬得这幅画古韵悠长，每一笔都藏着对往昔风貌的细腻描摹。",[160,5809,32,31,33,345],"宫廷画","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F57f8f8e7c98cdeb0905f31ec4bc95153.jpg",[],{"id":5813,"slug":5814,"title":5815,"dynasty":55,"author":7,"museum":56,"description":5816,"tags":5817,"thumbUrl":5821,"material":11,"size":5822,"collection":11,"collections":5823,"showCount":5824,"zanCount":49,"manualWeight":49,"mainColor":70},234388,"hong-li-sui-chao-xing-le-tu-zhou-yi-ming-234388","弘历岁朝行乐图轴","瑞雪轻覆朱宫翠檐，琼枝素裹，将御苑晕作琉璃天地。整幅画笔致工细入微，殿宇雕梁画栋分毫毕现，人物衣袂鲜活灵动。岁朝佳节间，众人或围聚展玩古玩，或信步笑谈，稚童嬉闹于阶前，暖阁中老者安坐闲话，融融暖意漫过银装素裹的苑囿，将年节的雍容闲适与团圆意趣铺陈得鲜活生动，清冷雪景晕染下，更衬出岁朝的温情缱绻，尽显雅致年味。",[27,32,31,329,29,60,33,129,531,131,952,650,2708,649,162,2656,5818,5819,5820],"积雪","行乐","宫室","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F85f954ae56eb1839f49ca658db575e98.jpg","纵305厘米，横向206厘米",[],58,{"id":5826,"slug":5827,"title":5828,"dynasty":22,"author":7,"museum":172,"description":5829,"tags":5830,"thumbUrl":5831,"material":296,"size":297,"collection":11,"collections":5832,"showCount":5824,"zanCount":351,"manualWeight":49,"mainColor":50},230792,"cai-hui-wu-dai-juan-hua-gong-yang-tu-yi-ming-230792","彩绘五代绢画供养图","此作分上下两重图景，上段佛境庄穆沉静，主尊安坐莲台，说法施印，二胁侍垂眸合掌随侍左右，线条劲挺匀净，设色沉凝古雅，晕染柔和晕开诸佛的端严宝相。下段供养人乌纱袍服，持炉躬身礼拜，神情恭谨内敛，笔触朴拙写实，精准描摹出士人的仪制风貌。\n画作以上下布局勾连神性与俗世，褪却的底色里仍藏着旧日鲜妍，将信仰的肃穆与世俗的敬畏相融，尽显佛绘神俗共生的独特意趣，兼具宗教价值与世俗审美意韵。",[26,27,348,32,33,30,31],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F02f833634d337b622021a4a78d357d12.jpg",[],{"id":5834,"slug":5835,"title":5836,"dynasty":171,"author":7,"museum":292,"description":698,"tags":5837,"thumbUrl":5838,"material":296,"size":297,"collection":11,"collections":5839,"showCount":5824,"zanCount":351,"manualWeight":49,"mainColor":50},226179,"ku-zhu-shi-dong-pi-yi-ming-226179","窟主室东披",[175,292,1170,2361,32,986,434],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fff34234637a2c315ee37628394c09a5f.jpg",[],{"id":5841,"slug":5842,"title":5843,"dynasty":141,"author":7,"museum":172,"description":5844,"tags":5845,"thumbUrl":5846,"material":296,"size":297,"collection":11,"collections":5847,"showCount":5824,"zanCount":351,"manualWeight":49,"mainColor":277},223644,"xu-kong-cang-pu-sa-xiang-2-yi-ming-223644","虚空藏菩萨像2","虚空藏（梵语 ākāśagarbha，音译啊迦舍嘎赫婆）菩萨摩诃萨，密号库藏金刚。汉译又作尊上虚空孕菩萨摩诃萨、虚空库菩萨摩诃萨、虚空光菩萨摩诃萨，是中国大乘佛教八大菩萨摩诃萨之一。\n虚空藏菩萨摩诃萨在无量菩萨中专主智慧、功德和财富。因尊上智慧、功德、财富如虚空一样广阔无边，并能满足世间一切如法持戒者的善求善愿，使无量无边众生获得无穷利益，故有此虚空藏圣名。\n虚空藏菩萨具有赐予利乐的力量。“藏”表示无限福德智慧，“虚空”表广大，《大方等大集经》指出：虚空藏如同富翁，相应困苦众生，只要到她面前，即会施予救济。因此，虚空藏菩萨是以济度众生为乐的菩萨。",[26,79,27,28,1443,29,30,33,31,32,177],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F93ea3f19b6f9f690523f6b6e2e09ea73.jpg",[],{"id":5849,"slug":5850,"title":5851,"dynasty":75,"author":7,"museum":5852,"description":5853,"tags":5854,"thumbUrl":5855,"material":348,"size":5856,"collection":87,"collections":5857,"showCount":5824,"zanCount":49,"manualWeight":49,"mainColor":50},223463,"shan-que-pi-pa-tu-yi-ming-223463","山鹊枇杷图","中央美术学院美术馆","图绘两只山雀站在枇杷枝上。枝头果实累累，枇杷青涩，黄中带绿。",[79,27,28,530,31,32,80,163,5621,207],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F17bd14416d2c445966f588ee332fa32c.jpg","30X31cm",[87,112],{"id":5859,"slug":5860,"title":5861,"dynasty":241,"author":7,"museum":499,"description":5862,"tags":5863,"thumbUrl":5864,"material":43,"size":11,"collection":45,"collections":5865,"showCount":5824,"zanCount":351,"manualWeight":49,"mainColor":50},219570,"lie-xian-tu-yi-ming-219570","列仙图","此作是道教仙官造像的经典手笔，人物分两列肃穆排布，尽显仙班整饬威仪。八位仙官仪容端方沉静，冠冕华服纹样繁丽工细，朱红石青晕染出古雅厚重的色调，衣袂间暗纹流转古朴雅致。人人手持朝笏，头覆圆光，晕出神圣清寂的气韵。背景祥云舒卷，漫出缥缈空灵的天界氛围。\n\n历经岁月，绢面虽有斑驳旧痕，却更衬设色的沉凝精妙，将天界仙僚的端严神圣凝于绢上，承载着旧时对玄穹仙班的敬畏与瑰丽想象。",[26,27,28,32,31,33,30,1056,638,931],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fc4400c57ed5ee3fbe7fffc6b7e169558.jpg",[45],{"id":5867,"slug":5868,"title":5869,"dynasty":75,"author":7,"museum":216,"description":5870,"tags":5871,"thumbUrl":5874,"material":43,"size":5875,"collection":87,"collections":5876,"showCount":5824,"zanCount":49,"manualWeight":49,"mainColor":50},218887,"ying-tao-huang-li-tu-yi-ming-218887","樱桃黄鹂图","此画作者佚其名，但画上有杨皇后题名，知为南宋院画。1949年5月吴湖帆以家藏古本易得，并于画上题咏图意、考证杨氏名号之实。",[27,28,79,31,32,80,163,5872,5873,82],"黄鹂","樱桃","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F1fe027451de9b614f98a0abec26761ef.jpg","纵12.1厘米， 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珠，龙目圆睁、口部大张，尽显威猛神姿。\n祥云遍铺画面，粉紫青绿晕染出柔婉层次，托衬出瑞龙腾跃云海的磅礴意境。绣法精巧入微，以针线复刻出龙的刚劲体态，将传统祥瑞意象融于丝缕之间，静展于卷上，亦能让人感知龙游九霄的浩荡生机，尽显传统刺绣工艺的精妙意趣。",[26,27,28,96,31,32,59,445,4389],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F35e12dea5004fd750f6246f53d4c6e6d.jpg",[],{"id":6233,"slug":6234,"title":6235,"dynasty":8,"author":7,"museum":172,"description":6236,"tags":6237,"thumbUrl":6244,"material":296,"size":297,"collection":11,"collections":6245,"showCount":6215,"zanCount":49,"manualWeight":49,"mainColor":50},226532,"da-yu-ding-ming-wen-bei-ta-quan-pian-yi-ming-226532","大盂鼎铭文碑拓全片","青铜器（Bronze Ware）在古时被称为“金”或“吉金”，是红铜与其他化学元素锡、铅等的合金，刚刚铸造完成的青铜器是金色，但因为出土的青铜因为时间流失产生锈蚀后变为青绿色，被称为青铜。\n青铜器的使用开始于新石器时代晚期的土耳其和伊拉克地区，及叙利亚古代TellRamad遗址出土的铜珠等。中国青铜器开始于马家窑至秦汉时期，以商周时期的器物最为精美。在中国仰韶文化早期和马家窑文化时期就已经出现。\n中国最初出现的是小型工具或饰物。夏代始有青铜容器和兵器。商中期，青铜器品种已很丰富，并出现了铭文和精细的花纹。商晚期至西周早期，是青铜器发展的鼎盛时期，器型多种多样，浑厚凝重，铭文逐渐加长，花纹繁缛富丽。随后，青铜器胎体开始变薄，纹饰逐渐简化。春秋晚期至战国，由于铁器的推广使用，铜制工具越来越少。秦汉时期，随着陶器和漆器进入日常生活，铜制容器品种减少，装饰简单，多为素面，胎体也更为轻薄。\n中国青铜器制作精美，在世界青铜器中享有极高的声誉和艺术价值，代表着中国5000多年青铜发展的高超技术与文化。\n我国商、周时代的青铜器具，不单是盛物用的容器，同时也是宗庙中的礼器。青铜器的数量可以表示出身份地位的高低，青铜器形制的大小也可以显示出权力的等级。青铜器中，最重要的器类就是鼎。远古的青铜器可以分为食器、酒器、水器、乐器四大类。食器中包括鼎、鬲等等。其中鼎是最重要的礼器。\n西周中晚期我国形成了列鼎制度，据《春秋公羊传》记载，天子用9鼎，诸侯用7鼎、卿大夫用5鼎、士用3鼎或1鼎。同时。与鼎一同出现的还有簋，通常为九鼎八簋，七鼎六簋，五鼎四簋，三鼎二簋。在西周中晚期的墓葬制度中，鼎为单数而簋为双数。青铜鼎随着时代的发展，形制也在发生变化。商代早期多为圆腹尖足，也有方鼎。到了中期出现了扁足鼎等等。商代晚期尖足鼎逐渐减少，圆腹柱足鼎开始居多，鬲鼎逐渐多了起来。《尔雅》记载“鼎之款足者，谓之鬲”。鬲鼎也称为分裆鼎，是鬲和鼎的混合体，鼎从商代开始铸有各式样的神秘纹饰，多为兽面纹，如饕餮纹、蝉纹、象纹等等，纹饰变化巧妙。容器内部铸有族徽或祖先的名字。\n青铜是铜和锡铅的合金。在中国古代早期的工艺美术中青铜工艺成为奴隶社会工艺美术的典型代表是我们的祖先对人类物质文明的巨大贡献。商周时期是中国历史上的青铜时代，它以品类丰富、造型优美、纹饰华丽、制作精巧、风格独特而著称。此时是冶炼铸造技术可以说有了突发猛进的发展，在应用上具有广泛的适用性。成为中国艺术史的一个组成部分。本文以商周时期的青铜器主要代表作品作品：《后母戊大方鼎》、《盂鼎》为例，从青铜器作为“礼器”的艺术精神与青铜器的造型、装饰艺术特点来谈谈商周青铜器艺术。\n中国古代青铜器，就使用规模、铸造工艺、造型艺术及品种而言。中国古代青铜器在世界艺术史上占有独特地位。商周时期是中国历史上的青铜时代，青铜流行于新石器时代晚期至秦汉时代。以商周器物最为精美，品种已很丰富器型多种多样，并出现了铭文和精细的花纹浑厚凝重。商周青铜器艺术装饰承接新石器时代艺术中若干精髓，经过长期绵延不断的变化，形成独特的体系，在成为中国艺术史的一个组成部分。商周时期，青铜的冶炼业作为生产力的标志而达到高峰。是中国古代青铜器发展的鼎盛时期。",[26,854,124,126,6238,973,6239,6240,6241,6242,6243],"金文","碑拓","西周风格","篆体","金石文字","铭刻","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ff4648fe470a2c89e4438f34ddff6337a.jpg",[],{"id":6247,"slug":6248,"title":697,"dynasty":171,"author":7,"museum":292,"description":698,"tags":6249,"thumbUrl":6250,"material":296,"size":297,"collection":11,"collections":6251,"showCount":6215,"zanCount":351,"manualWeight":49,"mainColor":50},226416,"ku-zhu-shi-zao-jing-yi-ming-226416",[175,30,32,987,5688,1046,284],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F8ac002b6c918d6258354f9f861d1c8de.jpg",[],{"id":6253,"slug":6254,"title":5836,"dynasty":171,"author":7,"museum":292,"description":698,"tags":6255,"thumbUrl":6256,"material":296,"size":297,"collection":11,"collections":6257,"showCount":6215,"zanCount":153,"manualWeight":49,"mainColor":50},226346,"ku-zhu-shi-dong-pi-yi-ming-226346",[175,30,32,31,33,700,1057,2656,284,163,272],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F869fcb1f31f310d321bb9bdc58817750.jpg",[],{"id":6259,"slug":6260,"title":6261,"dynasty":75,"author":7,"museum":56,"description":6262,"tags":6263,"thumbUrl":6269,"material":348,"size":6270,"collection":85,"collections":6271,"showCount":6215,"zanCount":49,"manualWeight":49,"mainColor":277},223603,"qiu-shan-hong-shu-tu-zhou-yi-ming-223603","秋山红树图轴","绘千岩万壑，飞瀑流泉，红树满山。山下水榭楼台隐现苍松林木间，意境深邃幽远。人物众多，神态各异，形象生动。山石多大斧劈皴描绘，具峭劲挺拔质感。经霜红叶点缀丛树间，增添秋景萧瑟气氛。风格与李唐相近，技艺稍逊，当为传人画作。",[26,27,79,28,29,32,60,6264,6265,1102,1623,130,6266,359,131,6267,6268,614],"红树","秋山","亭子","山峰","雾气","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F6349a3c7dd2d9bcdb8c6e7b79d431705.jpg","197.8x111.8",[85,506,1116],{"id":6273,"slug":6274,"title":6275,"dynasty":241,"author":7,"museum":499,"description":6276,"tags":6277,"thumbUrl":6278,"material":43,"size":6279,"collection":45,"collections":6280,"showCount":6215,"zanCount":351,"manualWeight":49,"mainColor":50},219545,"qi-lv-ren-wu-shan-shui-tu-yi-ming-219545","骑驴人物山水图","此作以水墨写意秋寒山行之景，高崖斜出，枯木虬枝缀着残叶，淡墨晕染远山烟岚，虚实相生间漾出清远萧疏之境。前景行旅意趣盎然，骑驴策缓者衣衫宽博，似在缓赏山光，仆役负囊随行，将羁旅况味藏于画面细节。笔墨简括苍劲，以留白衬出山野空寂，尽显文人山水重意境、简笔墨的写意风神，铺陈出寒秋远行的清寂悠然。",[26,27,144,614,33,60,4840,676,162,2688,123],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F19352433e6cbac8b95bb8f0f5f3d2250.jpg","92x46.5厘米",[45,506],{"id":6282,"slug":6283,"title":6284,"dynasty":75,"author":7,"museum":76,"description":6285,"tags":6286,"thumbUrl":6288,"material":43,"size":6289,"collection":85,"collections":6290,"showCount":6215,"zanCount":49,"manualWeight":49,"mainColor":70},218837,"xi-yang-gui-du-tu-yi-ming-218837","夕阳归犊图","这幅画描绘了两头大牛在夕阳下涉水过河的情景，还有一头小牛在恐惧和害怕中伸出前蹄。笔触简单，牛和人物都没有形态，不像是专业画家的作品，也不像是普通文人的俏皮笔触。",[26,27,219,32,60,31,1103,2944,532,1340,6287,614],"坡地","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F21a03dda9ca27d426983bebcf6e6d089.jpg","22.4x22.4",[85,506],{"id":6292,"slug":6293,"title":6294,"dynasty":241,"author":7,"museum":465,"description":6295,"tags":6296,"thumbUrl":6297,"material":43,"size":11,"collection":506,"collections":6298,"showCount":6215,"zanCount":49,"manualWeight":49,"mainColor":50},217977,"wang-chuan-tu-yi-ming-217977","辋川图","辋川图采用了中国传统的山水画风格，画面中展示了辽河流域的山峦、河流、村庄和城市。画中还有许多人物，展示了当时这一地区的生活方式和文化。\n\n辋川图因其精美的绘画技巧和对历史文化的精准再现而闻名，是中国山水画史上的珍贵艺术品。目前，辋川图被认为是中国古代山水画的杰作，具有极高的艺术价值和文化意义。",[26,79,27,96,2415,329,32,1142,130,129,131,33,128,4724,1984],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fb5d11196376a0cf5547e83905727dc07.jpg",[506],{"id":6300,"slug":6301,"title":6302,"dynasty":2305,"author":7,"museum":172,"description":6303,"tags":6304,"thumbUrl":6305,"material":11,"size":11,"collection":11,"collections":6306,"showCount":6307,"zanCount":49,"manualWeight":49,"mainColor":50},239547,"huang-quan-xie-sheng-zhen-qin-tu-juan-yi-ming-239547","黄筌写生珍禽图卷","此作写实功底极尽精微，将十余类禽鸟、虫豸与灵龟一一铺陈。画师以淡墨细勾轮廓，随类施色晕染，禽鸟绒羽纤毫毕现，虫翼轻薄通透，龟甲纹理凹凸逼真。每一只生灵都形神兼备，振翅的雀鸟、爬行的甲虫、静立的水禽，皆定格住最鲜活的瞬间，尽显对自然万物的入微体察。\n\n虽为写生稿的合集，却处处彰显工笔花鸟的极致功底，将生灵的鲜活神韵凝于绢素之上，尽显五代写实工笔的隽永魅力。",[27,79,28,96,31,32,80,163,107,1080,82],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F332fee9c6e6f4bf61e5511d43efcaedc.jpg",[],54,{"id":6309,"slug":6310,"title":6311,"dynasty":55,"author":7,"museum":172,"description":6312,"tags":6313,"thumbUrl":6314,"material":11,"size":11,"collection":11,"collections":6315,"showCount":6307,"zanCount":49,"manualWeight":49,"mainColor":70},235610,"hong-ren-xi-yan-song-xue-tu-zhou-yi-ming-235610","弘仁西岩松雪图轴","以淡墨勾勒皴擦，笔致清劲洗练，将冬日萧寒山境铺陈眼前。危崖层叠凌然耸立，石壁方折硬挺如刀削斧劈，尽显山石孤高嶙峋之态。留白晕染出漫山积雪，素净莹洁，与虬曲枯松相映，愈添荒寒清寂之意。\n\n山间石阶、崖顶幽居藏于苍茫雪景中，似隔绝尘寰烟火，恍若世外幽境。画作以极简笔墨营造出空灵淡远的禅意，清冷孤高的意境直透纸背，尽显静穆萧散的山水逸趣，将冬日山居的幽寂出尘之美尽数铺陈开来。",[27,29,144,60,614,1524,3733,359,953,532],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Febca332b4a42388ea31a1981cf2e1c04.jpg",[],{"id":6317,"slug":6318,"title":6319,"dynasty":75,"author":7,"museum":172,"description":6320,"tags":6321,"thumbUrl":6322,"material":11,"size":11,"collection":11,"collections":6323,"showCount":6307,"zanCount":49,"manualWeight":49,"mainColor":50},227847,"song-mo-gu-kai-zhi-luo-shen-fu-tu-juan-yi-ming-227847","宋摹顾恺之洛神赋图卷","此作以辞赋为骨，铺展缥缈爱恋。山峦云霭间，洛神凌波微步，衣带蹁跹，与曹植遥遥相望，情思暗涌。线条细劲连绵如春蚕吐丝，古雅设色晕开绢本旧韵，将洛神仙姿、侍众恭谨、仪仗威仪一一铺展。山海林泉错落，云雾萦回如幻，把初见的惊艳、相恋的缱绻、别离的怅惘揉进山水里，诗画相融，将文字中的深情化作可视丹青，晕染出千年前那场哀怨缥缈的人神之恋，尽显晋唐风骨的温婉雅致。",[26,27,96,122,32,31,123,60,33,371,59,1006,129,131,63,2770,1759,3898,2657,162,3663],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F0846a7d82dcbae011c1e4eb6f39c2e7e.jpg",[],{"id":6325,"slug":6326,"title":6327,"dynasty":75,"author":7,"museum":76,"description":6328,"tags":6329,"thumbUrl":6331,"material":43,"size":6332,"collection":85,"collections":6333,"showCount":6307,"zanCount":49,"manualWeight":49,"mainColor":50},220148,"lu-ting-shuang-ya-tu-yi-ming-220148","芦汀双鸭图","淡墨晕开秋水，似笼着薄雾寒烟，汀渚静卧，清寂悠然。右侧芦苇以双钩提笔绘就，细劲笔触勾出舒展茎叶，墨色分染衬出枯软肌理，仿有风过簌簌摇曳，野意横生。\n\n水面野鸭悠然徐行，浓墨点染头颈，浅墨晕开羽上斑纹，明暗相宜，灵动鲜活。寥寥数笔勾出鸭掌拨出的细微波痕，暗合水动之姿。\n\n整幅画作以简驭繁，舍去浓艳敷色，独以水墨铺陈郊野水滨之景，将秋日汀洲的幽寂闲趣藏于绢素，把自然生灵的安闲之态凝于笔端，尽显含蓄雅致的古典意韵。",[26,27,28,80,29,31,32,662,2793,1281,6330],"汀洲","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F31af9eabc519e95fbd973739de4ea50c.jpg","86.5x90.4",[85],{"id":6335,"slug":6336,"title":6337,"dynasty":141,"author":7,"museum":216,"description":6338,"tags":6339,"thumbUrl":6341,"material":43,"size":6342,"collection":87,"collections":6343,"showCount":6307,"zanCount":351,"manualWeight":49,"mainColor":50},219254,"xing-hua-yuan-yang-tu-yi-ming-219254","杏花鸳鸯图","老干虬曲盘折，枝桠间素白杏花轻绽，似碎雪点染枝头，清妍雅致。水畔鸳鸯相倚，羽色温润柔和，与浅滩细草、零星苔石相映，添得几分闲逸生趣。画面色调古雅沉敛，笔墨简淡却意韵悠长，于静谧中藏生机，尽显元代文人画的清逸之致，观之如沐春风，心归恬淡。",[26,1443,79,27,28,80,31,32,2922,2904,532,35,36,6340,191,190],"杂草","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F3807ab913238f9ab10fab7e5d2ba0d67.jpg","纵163横98.2厘米",[87],{"id":6345,"slug":6346,"title":6347,"dynasty":75,"author":7,"museum":76,"description":6348,"tags":6349,"thumbUrl":6351,"material":724,"size":6352,"collection":85,"collections":6353,"showCount":6307,"zanCount":49,"manualWeight":49,"mainColor":50},218836,"shan-shui-xiao-jing-yi-ming-218836","山水小景","这幅画与米氏的《云雾山》不尽相同，因为它的裂纹较少，茄子状的点也少。这幅画并不完全相同，可能是来自大风堂张大千捐赠给台北故宫的一幅立轴画的上部。",[26,79,27,28,144,614,60,953,6350,131,359,1340,4803],"峰峦","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F125522e300339c83e5781612e33c5b72.jpg","13.2x26.2",[85],{"id":6355,"slug":6356,"title":6357,"dynasty":75,"author":7,"museum":216,"description":6358,"tags":6359,"thumbUrl":6361,"material":43,"size":6362,"collection":85,"collections":6363,"showCount":6307,"zanCount":49,"manualWeight":49,"mainColor":50},218619,"yuan-lu-tu-yi-ming-218619","猿鹭图","在画山的一棵老松树上，一只猴子右手抱着一只苍鹭，左手挥舞着，似乎在吓唬坐在树顶的另一只苍鹭，尽管树顶的苍鹭确实受到了惊吓，它张着尖嘴，翅膀微微张开，似乎准备逃走了。紧握着的游隼张开的嘴，似乎在呼救。",[26,79,27,28,219,32,31,82,6360,713,331,2710,146,613,163,272],"猿","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fe68a43a8dfe0798f567015c2597b7b30.jpg","23.3x23.8",[85],{"id":6365,"slug":6366,"title":6367,"dynasty":22,"author":7,"museum":23,"description":6368,"tags":6369,"thumbUrl":6370,"material":616,"size":6371,"collection":45,"collections":6372,"showCount":6307,"zanCount":351,"manualWeight":49,"mainColor":50},218316,"ri-ben-du-tang-tian-shen-tu-yi-ming-218316","日本· 渡唐天神图","人物宽袍博带，衣纹流转间见古朴气度。手中梅枝缀着花苞，清韵暗生；身侧囊匣似藏典籍，隐现渡海求艺的初心。上方题字墨痕苍劲，与人物沉静神态相契，勾连起东瀛与大唐的文化牵系。画面虽简，却以含蓄笔触，将古代跨海求法的虔诚与文化交融的暖意凝于纸上，似能窥见千年前那些跨越沧海的身影，带着对文明的向往，在笔墨间留下永恒的回响。",[27,28,29,32,33,31,542,345],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F040b1b8dece6ec842089b519db230ca5.jpg","94.8x36.5",[45],{"id":6374,"slug":6375,"title":6376,"dynasty":241,"author":7,"museum":76,"description":6377,"tags":6378,"thumbUrl":6379,"material":616,"size":6380,"collection":87,"collections":6381,"showCount":6307,"zanCount":49,"manualWeight":49,"mainColor":70},216216,"ming-ren-hua-suan-ni-tu-yi-ming-216216","明人画狻猊图","这幅画的主题是狻猊，它是古代中国神话中的一种强大的兽，被认为是一种深深联系着天地万物的神兽。在这幅画中，画家细致地描绘了狻猊的身体特征，并运用了各种色彩来表现狻猊的神秘和强大。这幅画是一个经典的代表作，展现了明朝画家对古代传统文化的热爱和尊重。",[27,79,28,32,31,272,2560,613,162],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F9d8a9122c3bb3c95220a73fd82916619.jpg","211.9x178.6cm",[87],{"id":6383,"slug":6384,"title":6385,"dynasty":22,"author":7,"museum":172,"description":6386,"tags":6387,"thumbUrl":6388,"material":296,"size":297,"collection":11,"collections":6389,"showCount":6390,"zanCount":49,"manualWeight":49,"mainColor":50},287721,"dong-jin-wang-xi-zhi-huang-ting-jing-xing-feng-lou-ben-song-ke-ben-yi-ming-287721","东晋 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宋人雅致审美的悠悠余韵。",[26,79,27,28,31,32,80,1364,6476,2784],"鸲鹆","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F25127c3e83af8c31239f09f1f2372412.jpg","25.3x29.8厘米",[85],{"id":6481,"slug":6482,"title":6483,"dynasty":141,"author":7,"museum":76,"description":6484,"tags":6485,"thumbUrl":6486,"material":32,"size":11,"collection":112,"collections":6487,"showCount":6390,"zanCount":49,"manualWeight":49,"mainColor":50},219326,"lao-pu-qiu-rong-tu-yi-ming-219326","老圃秋容图","画面中，数丛秋菊凌霜绽放，黄蕊凝金、紫瓣含晕，叠瓣层舒间尽显妍丽之态；叶片墨绿带苍，脉络清晰如染秋霜。旁侧墨石以皴擦写就，苍劲古朴，石上苔点疏密错落，更添岁月厚重。几只麻雀或栖石巅梳理羽翅，或低空掠飞相逐，灵动身姿为静谧秋景注入鲜活生气。笔墨兼具工细与写意，设色淡雅却见精神，秋意浓而不俗，尽显文人画“逸”之韵致——仿佛能闻菊香幽幽，听雀语啾啾，于方寸绢素间藏尽老圃秋日的清旷雅趣。",[27,32,31,80,100,193,146,37,82],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F1869d6dcdca848d4e68850d5569f1ae2.jpg",[112],{"id":6489,"slug":6490,"title":6491,"dynasty":75,"author":7,"museum":76,"description":6492,"tags":6493,"thumbUrl":6494,"material":43,"size":6495,"collection":87,"collections":6496,"showCount":6390,"zanCount":351,"manualWeight":49,"mainColor":70},218737,"xiang-shi-chui-jin-tu-yi-ming-218737","香实垂金图","它被画上了两个金灿灿的橙子，树枝经过精心挑选，给人以秋天水果的香味。这幅画被倒置装裱，观看时可以用旋钮转动。",[26,79,27,28,530,31,32,80,1839,207],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fc33d905cd84a86e927d93aef90fabb11.jpg","24.3x27.5",[87],{"id":6498,"slug":6499,"title":4638,"dynasty":55,"author":7,"museum":254,"description":6500,"tags":6501,"thumbUrl":6502,"material":43,"size":11,"collection":45,"collections":6503,"showCount":6390,"zanCount":49,"manualWeight":49,"mainColor":50},218300,"luo-han-tu-yi-ming-218300","罗汉趺坐神兽身侧，衣袂如流云舒卷，线条婉转间藏松活之趣。光头映着古绢暗纹，长须皴染得苍劲有力，眉目低垂时，禅意便从眼角眉梢漫出。神兽造型奇崛，鬃毛卷曲似浪涛翻涌，双目圆睁却含温驯，与罗汉的静定相映成趣。设色淡雅，墨骨清晰，浅晕的赭石与石青点缀其间，恰如古寺晨钟里的一抹微光。岁月在绢上留下斑驳痕迹，却让这份禅意更显醇厚——动静相生的构图里，是超然物外的平和，亦是传统佛画对心性的温柔观照。",[27,28,29,30,31,32,33,272],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F62bbeb3ee91439ac7a59fb3d67f3c6b0.jpg",[45],{"id":6505,"slug":6506,"title":6507,"dynasty":141,"author":7,"museum":6508,"description":6509,"tags":6510,"thumbUrl":6511,"material":43,"size":6512,"collection":506,"collections":6513,"showCount":6390,"zanCount":49,"manualWeight":49,"mainColor":50},215145,"xi-shan-lou-ge-tu-yi-ming-215145","溪山楼阁图","重庆市博物馆","溪山楼阁图是一幅中国古代山水画，作者佚名，来自元朝（1271-1368年）。这幅画以其精美的画风和丰富的山水景观而闻名，是一件珍贵的艺术瑰宝。\n\n在这幅画中，作者以逼真的笔触和精细的构图技巧，勾勒出了一座位于山谷中的楼阁。楼阁的四周环绕着秀美的山水景观，山峦起伏，溪流潺潺，树木葱茏，给人以清新的视觉享受。\n\n在这幅画中，作者还融入了许多寓意深刻的元素，如山间的松柏、荷花池塘、仙人掌等都被视为吉祥物，象征着幸福、长寿、繁荣等。\n\n总的来说，溪山楼阁图是一幅精美的山水画作品，充分展现了中国古代画家对自然美景的热爱和描绘技巧。",[79,27,32,329,1622,60,129,131,130,162,63,33],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F86fc87bbefb1be97892e5282dfcc31c1.jpg","27.5x26.4cm",[506],{"id":6515,"slug":6516,"title":6517,"dynasty":75,"author":7,"museum":254,"description":6518,"tags":6519,"thumbUrl":6520,"material":43,"size":6521,"collection":506,"collections":6522,"showCount":6390,"zanCount":351,"manualWeight":49,"mainColor":50},214830,"fang-zhong-li-fang-dao-tu-yi-ming-214830","仿钟离访道图","《仿钟离访道图》是一幅中国古代绘画作品，出自宋代佚名画家之手。这幅画以钟离故事为题材，描绘了钟离访道的场景。\n\n钟离故事是中国古代传说中关于钟离与访道的传说。钟离是唐朝时期的一位大臣，他曾游历过中国各地，在旅途中遇到了访道，两人相识并成为了朋友。后来，钟离回到了唐朝的长安城，而访道则留在了西域。\n\n《仿钟离访道图》中，画家用笔墨细腻地描绘了钟离与访道之间的友谊，表现出了两人间的亲密关系。画面中的人物造型生动，情感真挚，是一幅优秀的古代绘画作品。",[26,27,28,29,144,614,60,1142,131,1102,359],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F8a819300efae18f7e468980bfeb46582.jpg","147x74.8",[506],{"id":6524,"slug":6525,"title":6526,"dynasty":141,"author":7,"museum":76,"description":6527,"tags":6528,"thumbUrl":6529,"material":2087,"size":6530,"collection":11,"collections":6531,"showCount":6532,"zanCount":351,"manualWeight":49,"mainColor":50},291029,"hua-hu-zhou-yi-ming-291029","画虎轴","此画通幅描绘如真，渍染极得润厚的韵致。画无名款，旧签定为元人。惟据画风判断，与明代宫廷画风，颇多相近处，是以推断，该幅或出自明代良工之手。松林石涧间，一巨虎黄皮黑纹，毛色鲜丽，体态威武雄壮。虎之双眼，俱以金粉涂饰，并略染汁绿，显得格外神气逼人。其背隆起，宛如张弓欲发，隐然有即将出击之势。虎口微启，低吟而未啸。树梢，二山鹧见状，相与惊跃鸣叫，更为此猛虎出山的场景，平添紧张、不安的气息",[27,28,29,31,32,887,272,163],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F754b14053084a7cd4ca663a634e08e9c.jpg","165.5x45.3公分",[],52,{"id":6534,"slug":6535,"title":21,"dynasty":75,"author":7,"museum":172,"description":6536,"tags":6537,"thumbUrl":6538,"material":296,"size":297,"collection":11,"collections":6539,"showCount":6532,"zanCount":49,"manualWeight":49,"mainColor":50},289879,"shui-yue-guan-yin-tu-yi-ming-289879","水月观音的形象，最早始于中唐时期，据张彦远《历代名画记》 ，为周昉(约730-800)所创，「菩萨端严，妙创水月之体」。周昉所画，「掩障菩萨圆光及竹，并是刘整成色。」后朱景玄《唐朝名画录》及《太平广记》均有类似记载，唯其画无传。现存最早的水月观音画，见于敦煌莫高窟《千手千眼观音菩萨坐像》，水月观音位于该画右下角，绘成于九四三年，现藏法国吉美博物馆。画中观音右手持柳枝，左手托净瓶，坐姿呈半跏思维相；周围泉水萦映，背倚修竹。观音头饰宝冠，身披璎珞，富丽华美，法相庄严。",[26,27,79,29,30,123,144,33,176,38,162,130],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ffad1c02b1758bf9ed874046a042ba650.jpg",[],{"id":6541,"slug":6542,"title":6543,"dynasty":75,"author":7,"museum":172,"description":6544,"tags":6545,"thumbUrl":6548,"material":296,"size":297,"collection":11,"collections":6549,"showCount":6532,"zanCount":49,"manualWeight":49,"mainColor":739},288349,"fang-ma-yuan-dong-tian-lun-dao-tu-yi-ming-288349","仿马远洞天论道图","此作截取山林一角取景，虬松盘桓苍劲，松萝垂拂摇曳，尽显古木苍莽野趣。幽壑洞天深处，二人相对清谈，逸韵飘然恍如世外。右下角山道之上，负杖策蹇的行者缓行而来，似赴雅约，动静之间，让画面生出悠远意趣。\n\n笔墨承袭院体风骨，山石以硬劲水墨皴擦，棱线清刚利落，林木晕染秀润柔和，虚实相映间，铺展出林泉高隐的悠然意境，将文人林下谈玄、寄情丘山的雅逸襟怀尽数铺陈，空灵雅致，尽显宋画小品的隽永韵味。",[219,27,79,144,614,60,6546,162,33,6547,4661],"古松","论道","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F24f673a57d4c4662982d4368a198aef3.jpg",[],{"id":6551,"slug":6552,"title":6553,"dynasty":55,"author":7,"museum":172,"description":6554,"tags":6555,"thumbUrl":6556,"material":296,"size":297,"collection":11,"collections":6557,"showCount":6532,"zanCount":351,"manualWeight":49,"mainColor":50},288235,"fang-chen-rong-qun-long-tu-yi-ming-288235","仿陈容群龙图","水墨晕染出漫天云海，群龙穿梭隐现于烟霭之间。长卷之上，下方惊涛卷浪，上方云气翻涌，龙形或探爪怒目，或摆尾盘空，姿态迥异，威灵毕现。作者以浓淡墨色区分虚实，云气晕染朦胧变幻，龙身勾勒精细，鳞爪筋骨分毫可见，将神龙的谲诡威严与天地交融的磅礴气韵尽数铺展。仿佛能听闻隐隐龙吟，见云浪随龙势翻涌，把神龙隐现于云水间的神秘感完美呈现，尽显画龙技法的高妙，营造出幽玄雄浑的意境，摄人心魄。",[26,27,96,144,59,445,1749,1058,122],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fc9f6fc04f8b5ebd0e26fc878861835af.jpg",[],{"id":6559,"slug":6560,"title":6561,"dynasty":241,"author":7,"museum":172,"description":1167,"tags":6562,"thumbUrl":6563,"material":296,"size":297,"collection":11,"collections":6564,"showCount":6532,"zanCount":49,"manualWeight":49,"mainColor":277},287648,"wen-shu-pu-sa-zuo-xiang-wu-se-cha-ban-yi-ming-287648","文殊菩萨坐像（无色差版）",[27,30,1170,32,31,33,272,1593],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F5d41534d13dcade9bfedf364d5ee228c.jpg",[],{"id":6566,"slug":6567,"title":6568,"dynasty":55,"author":7,"museum":172,"description":1982,"tags":6569,"thumbUrl":6572,"material":296,"size":297,"collection":11,"collections":6573,"showCount":6532,"zanCount":260,"manualWeight":49,"mainColor":50},273097,"ke-si-ling-xian-zhu-shou-ping-hua-gua-ping-yi-ming-273097","缂丝灵仙祝寿瓶花挂屏",[161,1921,32,80,6570,190,145,124,1923,6571],"花瓶","灵仙","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F914dba3a90c62a132e69cfde5c941fc3.jpg",[],{"id":6575,"slug":6576,"title":6577,"dynasty":55,"author":7,"museum":172,"description":6578,"tags":6579,"thumbUrl":6581,"material":11,"size":11,"collection":274,"collections":6582,"showCount":6532,"zanCount":49,"manualWeight":49,"mainColor":277},241716,"hong-bao-shi-fo-shou-yi-ming-241716","红宝石佛手","它凝萃浓艳似血的赤红光华，莹润包浆晕开经年的温润质感。随形雕就的佛手虬曲舒展，指节肌理圆转自然，将鲜活佛手的清润形态定格为永恒。每一处褶皱都打磨得柔滑细腻，光影流转间，宝石的通透感与雕工的朴拙意趣相融，既保留原石天然意态，又借佛手谐音暗藏福寿吉祥的美好祈愿。这份旧时光里的造物，以石为纸、以刀为笔，将文人雅趣与世俗吉庆凝于方寸，静立间便晕开沉静华贵的古韵。",[55,267,268,6580],"佛手","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fbeae828ed9656f67975ac17eb748d973.jpg",[274],{"id":6584,"slug":6585,"title":6586,"dynasty":55,"author":7,"museum":172,"description":6587,"tags":6588,"thumbUrl":6589,"material":11,"size":11,"collection":11,"collections":6590,"showCount":6532,"zanCount":49,"manualWeight":49,"mainColor":70},235346,"li-shan-he-hua-tu-zhou-yi-ming-235346","李鱓荷花图轴","此作用水墨写意绘就荷塘景致，泼墨挥写荷叶，浓淡干湿层次分明，墨色晕染尽显苍润淋漓之态。荷花以淡墨轻勾轮廓，清姿绰约，荷茎劲挺穿插，带着舒展野逸的生机。画面搭配狂放题诗，书画相映成趣，笔墨间带着疏放不羁的意趣，将荷塘清韵与文人风骨相融。以极简水墨笔法写尽荷花出尘之姿，尽显写意花鸟酣畅洒脱的格调，朴拙随性间逸气纵横，将夏日荷塘的悠然意趣藏在笔墨虚实之中，尽显以意驭笔的文人画妙味。",[27,144,147,80,446,316,124,125,82,29],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ffb26610f2567b72eb84b2c567e8c8efe.jpg",[],{"id":6592,"slug":6593,"title":6594,"dynasty":75,"author":7,"museum":172,"description":6595,"tags":6596,"thumbUrl":6599,"material":11,"size":11,"collection":11,"collections":6600,"showCount":6532,"zanCount":49,"manualWeight":49,"mainColor":70},227561,"mo-zhou-fang-gong-ji-diao-qin-tu-quan-juan-yi-ming-227561","摹周昉宫妓调琴图全卷","《调琴啜茗图》，又名《弹琴仕女图》、《宫妓调琴图》，传为周昉所作，并为其仕女画的代表之作。图绘三位坐于庭院的贵妇，在两位侍女的陪伴下，或把弹调音、或托盏品茶，表现出贵族妇女闲散恬静的生活。《调琴啜茗图》现存多幅摹本，如纳尔逊-阿特金斯艺术博物馆收藏的完成于宋代的绢质摹本、弗利尔美术馆收藏的绘制于明代的纸质摹本、京都国立博物馆收藏的带有仇英款的绢质摹本。极为巧合的是辽宁省博物馆收藏有两卷《调琴啜茗图》，一件为清宫旧藏，曾经《石渠宝笈》续编著录，署款“周昉”，实为后人仿本。另一件则为清代扬州画家管希宁所摹。两件与前述作品均作同一主题内容，今展出者为清宫旧藏之本。",[26,27,79,96,122,31,32,33,127,6597,687,6598,146,532,82,41,1251],"宫妓","琴","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F86a8be6ac76555b6613aa727cae2fb3c.jpg",[],{"id":6602,"slug":6603,"title":6604,"dynasty":75,"author":7,"museum":172,"description":6605,"tags":6606,"thumbUrl":6607,"material":296,"size":297,"collection":2200,"collections":6608,"showCount":6532,"zanCount":351,"manualWeight":49,"mainColor":50},223777,"guan-yao-qing-ci-kui-kou-pan-yi-ming-223777","官窑青瓷葵口盘","北宋官窑椭圆洗北宋官窑是宋徽宗政和年间下旨在汝州张公巷建造的官窑，主要烧制青瓷；器物造型往往带有雍容典雅的宫廷风格，釉色以月色，粉青，大绿三种颜色最为流行。官窑胎体天青色釉略带粉红颜色，釉面开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秋山如洗，清风如妆。近处的岩石很像李唐和刘松年的作品，而远处的山峰的笔法和环境则很像惠崇的作品。",[26,27,28,144,32,60,128,130,1768,613,614,1400,1340,2209],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fe3efef7fae05066bc6df419889f6c421.jpg","23.4x23.8",[85,506],{"id":6705,"slug":6706,"title":6707,"dynasty":75,"author":7,"museum":76,"description":6708,"tags":6709,"thumbUrl":6710,"material":43,"size":6711,"collection":506,"collections":6712,"showCount":6532,"zanCount":49,"manualWeight":49,"mainColor":70},218807,"xue-jing-tu-yi-ming-218807","雪景图","这幅画完全以郭熙为原型，是一幅平坦而高大的雪山图。笔法高超，渲染细腻，与唐棣、朱德润不同，与同集的《岷山晴雪》的笔法或晋代的笔法相似。",[26,27,28,60,144,32,614,676,162,952],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F44eed831c8d808e79d6530358092763e.jpg","25.7x26.8",[506],{"id":6714,"slug":6715,"title":6716,"dynasty":75,"author":7,"museum":76,"description":6717,"tags":6718,"thumbUrl":6720,"material":43,"size":6721,"collection":87,"collections":6722,"showCount":6532,"zanCount":153,"manualWeight":49,"mainColor":50},218707,"han-tang-qun-yan-tu-yi-ming-218707","寒塘群雁图","这是一幅描绘池塘一角的画，岸边有枯草和树叶，给人一种寒意。几只大雁聚集在一起，其中一只飞向空中，与伸出头来的那只大雁遥相呼应，形成一个生动的画面。笔触和色彩的灵感来自于崔白。",[26,27,79,28,31,32,661,163,332,532,888,35,6719,191],"岸边","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F71dfdb429461da18280483cbdee873a7.jpg","194.4x109.2",[87],{"id":6724,"slug":6725,"title":6726,"dynasty":55,"author":7,"museum":56,"description":6727,"tags":6728,"thumbUrl":6729,"material":32,"size":11,"collection":45,"collections":6730,"showCount":6532,"zanCount":351,"manualWeight":49,"mainColor":70},217311,"gu-xiu-wu-shi-san-can-tu-ce-yi-ming-217311","顾绣·五十三参图册","绣线流转间，善财童子的虔诚跃然绢上。顾绣以针代笔，将山水的淡远、人物的温煦凝于丝缕：或见童子俯身问法，衣袂飘举间藏着求道的恳切；或观善知识拈花含笑，眉眼舒展处透着慈悲的从容。针脚细密处晕染出虚实层次，丝线的柔光与笔墨的雅致相融，似有禅意悄然流淌。草木的舒展、山石的肌理，皆以灵动针法勾勒——既存画之韵致，更显绣之精工。每一幅皆是一段求道的缩影，绣工于细节处藏巧思，尽显明清绣艺与释教题材结合的雅致深味，让观者在丝缕交织里触碰到那份千年不变的虔诚与静穆。",[1920,1924,31,32,30,33,60,131,162,130,331,34,434,530],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F6ca39984ae1662855dc39ec30e30b1f4.jpg",[45],{"id":6732,"slug":6733,"title":6734,"dynasty":141,"author":7,"museum":172,"description":6735,"tags":6736,"thumbUrl":6737,"material":296,"size":297,"collection":11,"collections":6738,"showCount":6739,"zanCount":49,"manualWeight":49,"mainColor":277},290802,"xiu-xian-chun-si-xi-zhou-yi-ming-290802","绣先春四喜轴","元绣之作传世极少。是幅用线粗松，长针交错平绣，色线变化较少。梅干绣线几乎磨损殆尽，露出绣稿白线，坡陀上小草，绣後以墨笔添画。通幅设色清雅，用针平整，由是幅可略窥元绣品之风格。",[27,29,80,1924,542,2604,163,32,146],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F63757c95091ed188ce37ddb0ad1c1d3d.jpg",[],51,{"id":6741,"slug":6742,"title":6743,"dynasty":55,"author":7,"museum":172,"description":6744,"tags":6745,"thumbUrl":6747,"material":296,"size":297,"collection":11,"collections":6748,"showCount":6739,"zanCount":49,"manualWeight":49,"mainColor":50},289741,"hua-yuan-hua-shi-er-yue-ling-tu-ba-yue-tu-zhou-yi-ming-289741","画院画十二月令图八月图轴","仲秋园池盛景跃然绢上，水岸亭台层叠错落，高阁凌水而建，文人雅士凭栏游赏，或把盏叙谈，或极目远眺，尽得清秋舒展意趣。下方庭院间，棕榈奇石点缀雅致园景，廊下有人对坐弈棋，仆从往来奔走备事，将官宦世家的闲适日常铺陈开来。\n\n水面澹澹漾开，远岸林木疏朗，暮色初升晕染天际，把八月的闲雅氛围揉入边角细节。全作工笔细腻，设色清隽雅致，将仲秋游园的松弛意趣藏在人物情态里，把园林精巧意趣与太平岁月的悠然融于一体，尽显古典雅致的世家闲情。",[27,29,32,31,329,33,129,531,130,131,38,650,162,272,6746],"游乐","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F6bcb28d920a01f8e8712b428cf940c7e.jpg",[],{"id":6750,"slug":6751,"title":6752,"dynasty":55,"author":7,"museum":172,"description":1982,"tags":6753,"thumbUrl":6754,"material":296,"size":297,"collection":11,"collections":6755,"showCount":6739,"zanCount":49,"manualWeight":49,"mainColor":70},270175,"hong-se-ke-si-lan-hua-tu-mian-xiang-ya-diao-ba-xian-tu-bing-tuan-shan-yi-ming-270175","红色缂丝兰花图面象牙雕八仙图柄团扇",[219,161,101,105,3953,268,1922,80],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fd866559dd24addc2f93e3e6b5cee6d92.jpg",[],{"id":6757,"slug":6758,"title":6759,"dynasty":599,"author":7,"museum":172,"description":575,"tags":6760,"thumbUrl":6761,"material":296,"size":297,"collection":11,"collections":6762,"showCount":6739,"zanCount":351,"manualWeight":49,"mainColor":277},252754,"da-yu-long-yi-ming-252754","大玉龙",[599,267,59,268],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F0b715270cdc773aca3d198d0075cdf5d.jpg",[],{"id":6764,"slug":6765,"title":6766,"dynasty":55,"author":7,"museum":172,"description":6767,"tags":6768,"thumbUrl":6771,"material":11,"size":11,"collection":274,"collections":6772,"showCount":6739,"zanCount":49,"manualWeight":49,"mainColor":70},250547,"qian-long-kuan-bi-yu-shuang-er-huo-huan-dai-gai-ping-yi-ming-250547","乾隆款碧玉双耳活环带盖瓶","此器玉色深沉苍润，匀净浓郁，取古铜壶形制。盖顶圆雕双象盘绕，憨态古朴，暗合太平有象的吉意。颈部对称高浮雕兽首衔活环，线条刚劲狞厉，带着青铜礼器的威严厚重。\n\n器身纹饰层次井然，上部以回纹为地，浮雕兽面纹，古雅庄重；腹部卷草夔纹婉转流畅，柔化了古拙气息。腹身阴刻诗文，刀工爽利落拓，为这件古意盎然的重器添了几分文人气韵。整器将青铜古意与玉雕精工完美相融，端庄浑厚，尽显宫廷治玉的雍容大气，是复古尚雅审美下的经典佳构。",[267,268,1622,346,272,4180,6769,6770,160],"活环","带盖","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F33c7b6d76e1f52bad21b6f3c7a630cbe.jpg",[274],{"id":6774,"slug":6775,"title":6776,"dynasty":55,"author":7,"museum":172,"description":6777,"tags":6778,"thumbUrl":6779,"material":11,"size":11,"collection":274,"collections":6780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天蓝葡萄紫海棠式花盆","钧窑，即钧台窑，是在柴窑和鲁山花瓷的风格基础上综合而成的一种独特风格，受道家思想深刻影响，在宋徽宗时期达到高峰，其工艺技术发挥到极致。无论是呈色和各种纹理的表现，做到窑变可控随心所欲的表现技术，无人能仿造。宋代受理学的影响，反应在瓷器上就是规整对称，无论是造型或纹理都遵循这一原则，特别是北宋官造钧瓷，不论文房用具或大型祭器都严格遵守这一原则。规整对称，高雅大气，宫廷气势，一丝不苟。其势沉重古朴，明亮而深沉。建窑，耀州窑，钧窑，作为中国传统瓷文化正宗，历史悠久的风格传承。放大镜观察，蚯蚓走泥纹，用气泡一个个串连一体呈立体的爬行状，青蛙卵纹包裹卵核一摞摞正欲孵化而出。还有牛血纹，血色深红暗沉杀气腾腾，庄重威严等等，难以一一叙述。北宋官窑钧瓷的发色和纹理大小和分布，都难以做到人为控制而恰到好处，是北宋瓷艺的最高工艺水平的体现。这批钧瓷工艺早已失传，而窑址也随冰冻积水而下沉。“纵有家财万贯，不如钧瓷一片”。可见当时钧瓷产生的轰动效应。于是各地群相仿效，窑口林立，但仍然不得要领。今研究文章汗牛充栋，考古窑口不计其数，因都未见过这批北宋官造钧瓷，也只能是管中窥豹了。1955年，禹县（今禹州）陶瓷厂开始研制、探索湮没已久的钧瓷胎釉的基本配方与烧成技术，不仅烧制出玫瑰紫，海棠红、天青、月白等传统色釉，还发展了十多种花釉，并增加了现代日用器皿、艺术陈设瓷等新品种。\n有人认为钧窑的必备特点就是釉面具有“蚯蚓走泥纹”，这不完全正确，只能说是特点之一。很多馆藏钧窑的釉面是不具有走泥纹的。因为在当时的官窑，力求釉色均匀，但由于少数器皿在烧制中的窑温、釉色原料配比、烧制环境等因素的影响造成了釉面在温度中的变化还原不一，才形成了走泥纹。\n北宋钧窑做到窑变可控，蚯蚓走泥纹是其特征之一。用气泡串起一条条呈立体状的蚯蚓奔爬，蛙卵纹，\n鱼卵纹包裹正欲孵化而出的鱼籽，等等。北宋钧瓷最重要的价值就是在于它对釉面随心所欲的表现力。钧，即重量，北宋早期官窑钧瓷分量沉重。中华瓷文化的传统风格就是外表朴实而内秀其中。所谓“华夷光暗滋”的含蓄内敛，道出了宋瓷的本质特点。五代柴窑瓷器发色的鲜美以及色调的神奇变化，是中国瓷艺发展史上的一座里程牌。在柴窑瓷的光辉照耀下，宋，元瓷艺向着风格不同，但技艺精深非凡的道路上发展。掀开了中国瓷艺史上最为辉煌的篇章。原创一直贯穿始终，原创是瓷艺生命的灵魂。一个“隐”一个“显”，道出了几千年中华文化的内在本质。从石器时代东方人便对玉石内蕴的无穷魅力深深吸引，拓展了东方人领悟自然奥秘宽度与厚度。可是直到如今，西方人仍然认为只有闪闪发光的东西才有价值。对自然环境的细微观察，并在瓷器上把它们表现出来，是钧瓷的核心技术所在。这种表现艺术的高度让人惊叹，并一直是贯穿北宋和南宋宫廷制瓷的主流技术。瓷器纹理从北宋的“隐”到南宋的“显”，以至官窑，哥窑纹理的表面形式对元代瓷艺产生了直接影响。\n钧窑瓷器历来被人们称之为“国之瑰宝”，在宋代五大名窑中以“釉具五色，艳丽绝伦”而独树一帜。古人曾用“夕阳紫翠忽成岚”等诗句来形容钧瓷釉色灵活、变化微妙之美。传统钧瓷瑰丽多姿，玫瑰紫、海棠红、茄皮紫、鸡血红、葡萄紫、朱砂红、葱翠青……釉中红里透紫、紫里藏青、青中寓白、白里泛青，可谓纷彩争艳。釉质乳光晶莹，肥厚玉润，类翠似玉赛玛瑙，有巧夺天工之美。\n钧窑烧成温度已经达到1350℃-1380℃之间，延承了传统钧窑胎质细腻，釉色绚丽夺目的特点，又结合了现代审美，器形饱满玲珑。独特研制的玛瑙釉水在烧制后形成更加鲜明的层次感，十多种釉色绚丽多彩，周身还布满珍珠点、兔丝纹、鱼子纹和曲折迂回的蚯蚓走泥纹等生动美妙的流纹给人无限遐想的空间。",[2194,346,7147,7148,7149,7150,7151,7152,7153],"窑变","天蓝釉","葡萄紫釉","海棠式","钧窑风格","宋金时期器物","釉彩交融","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fd404b6fd3462d02d3e07f4bccfc0cdd6.jpg",[2200],{"id":7157,"slug":7158,"title":7159,"dynasty":75,"author":7,"museum":76,"description":7160,"tags":7161,"thumbUrl":7163,"material":109,"size":7164,"collection":11,"collections":7165,"showCount":7081,"zanCount":49,"manualWeight":49,"mainColor":50},223423,"song-ren-ying-xi-tu-zhou-yi-ming-223423","宋人婴戏图轴","以小孩为主要绘画对象，以表现童真为主要目的，所以画面丰富，形态有趣。",[26,27,28,29,31,32,33,2869,4378,131,1093,105,7162,650],"玩具","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fda63fb920aa5b61046227673fe4d57a0.jpg","279x84",[],{"id":7167,"slug":7168,"title":7169,"dynasty":75,"author":7,"museum":465,"description":7170,"tags":7171,"thumbUrl":7172,"material":149,"size":7173,"collection":87,"collections":7174,"showCount":7081,"zanCount":260,"manualWeight":49,"mainColor":50},219000,"tang-su-zhu-que-tu-yi-ming-219000","唐宿竹雀图","竹影扶疏，墨色浓淡间显枝干劲挺，竹叶层叠如翠云轻展，疏密有致藏自然生机。雀儿栖于竹枝，或敛翅假寐，或侧首凝睇，羽纤毫毕现——绒羽若隐若现，翅尖纹理分明，爪尖扣枝的力道隐于柔姿，神态灵动如临其境。石矶卧于竹下，皴法简淡却见朴拙，与竹的清雅相映成趣。整幅画面动静相宜，清雅中含野逸之趣，写实笔触里蕴文人雅致，尽展宋画对自然物态的精妙捕捉与诗意表达。",[26,79,27,28,29,31,144,32,80,145,1431,146],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fa7da3d9921c4342a3173c6bce0281591.jpg","纵159.0横93.4厘米",[87],{"id":7176,"slug":7177,"title":2864,"dynasty":241,"author":7,"museum":499,"description":7178,"tags":7179,"thumbUrl":7181,"material":43,"size":7182,"collection":45,"collections":7183,"showCount":7081,"zanCount":49,"manualWeight":49,"mainColor":50},218372,"ying-xi-tu-yi-ming-218372","画的是一个骑着白色羊毛羊的孩子，戴着羊毛帽，穿着厚厚的长袍，肩上扛着一根细细的梅花杆，在隆冬时节，在一群不同颜色的羊毛中间放着一个鸟笼。",[26,27,32,31,33,2869,3102,3243,532,7180,272],"梅枝","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F86eb0eaf577239595e5412db7830f04d.jpg","65.4x42.54",[45],{"id":7185,"slug":7186,"title":7187,"dynasty":75,"author":7,"museum":172,"description":7188,"tags":7189,"thumbUrl":7192,"material":296,"size":297,"collection":11,"collections":7193,"showCount":7194,"zanCount":49,"manualWeight":49,"mainColor":50},290101,"da-nuo-tu-yi-ming-290101","大傩图","此画面上共画有十二个人。他们都穿着奇异的服装，戴着各式的帽子和插着花枝。帽子的式样毫不重复，除了斗笠、巾和冠之外，有的是戴着粗角的兽头，有的是农家场院器具斗、箩、箕之属。他们的手中或身上携拿着鼓、铃、檀板等乐器，或为扇、篓、帚等用具，或为花枝、瓜之属。所有人的面部都化了妆，可能戴的是假面具。十二个人团团围住，手舞足蹈，充满着欢乐的气氛。旧题《大傩图》。\n描写民间风俗习惯的绘画，宋代特别发展，《大傩图》轴即是一幅风俗画。傩(音挪)，是一种古老的驱除疠疫的民间习俗。《论语》中就有“乡人傩”的记载。《后汉书》记载：“先腊一日，大傩，选中黄门子弟，十岁以上十二岁以下百二十人为侲子。”唐代《乐府杂录》中描写说：“用四方相，戴冠及面具，黄金为四目，衣熊裘，持戈扬盾，口作傩傩之声，似除也。侲子五百，小儿为之，朱褶青襦，戴面具，晦日于紫宸殿前傩，张宫悬乐。”这些描述与画上的情况基本相似。当然到了宋代，傩时的具体情形和细节，又会有许多的发展变化。从画面情形来看，其中增加了许多农具，可见这种古老的习俗，到了宋代除了驱除邪祟之外，还有祈求丰收的意味，同时也是一种民间娱乐活动。所以此幅画，从艺术到内容，都值得珍视。",[26,27,1572,32,31,7190,2947,30,33,687,7191],"傩仪","驱疫","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F0214edf785d84df72358586c5782c05d.jpg",[],48,{"id":7196,"slug":7197,"title":7198,"dynasty":241,"author":7,"museum":172,"description":7199,"tags":7200,"thumbUrl":7202,"material":296,"size":297,"collection":11,"collections":7203,"showCount":7194,"zanCount":49,"manualWeight":49,"mainColor":50},287563,"ming-ren-pin-cha-tu-yi-ming-287563","明人品茶图","苍松虬劲，古藤垂绕，将山林幽寂晕染开来。林下雅士围坐，一人展卷吟哦，一人捧盏凝思，眉宇间尽是松弛自在。旁侧童子煨火煮茶，溪畔稚童俯身汲水，动静相映，把春日雅集的闲逸铺陈开来。\n\n笔墨朴拙古雅，山石皴染厚重，人物意态舒展，将文人寄情林泉、品茶论书的林下之趣勾勒尽致。松涛泉声仿佛随画卷漫出，隔绝喧嚣，只余清茗香气与书卷文思，尽显雅致风流，把静心忘俗的意趣藏在寸寸绢素之中。",[27,29,32,33,331,162,130,7201,735,79,28],"品茶","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fd2f61d450f734bcdaa1462c5372d5cf5.jpg",[],{"id":7205,"slug":7206,"title":72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钟馗像立轴","此作以淡墨勾勒晕染，将钟馗威严肃杀的神态尽皆铺陈。画家以虬髯环眼塑造出钟馗狞厉刚猛的面容，按剑而立的雄硕身姿，满是镇伏邪祟的浩然正气。衣纹兼用铁线、兰叶描，笔力顿挫劲健，随身形走势跌宕起伏，将衣物的厚重质感与钟馗的刚健勇武融为一体。墨色浓淡相宜，须发、冠履层次分明，虽未施重彩，却将钟馗的凛然神采烘托得淋漓尽致，尽显传统人物画“以形写神”的精髓，把这位镇邪判官的威严气魄刻画得入木三分，是极具功力的传神佳作。",[26,27,29,144,123,33,82,7269,30],"粉本","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F70d0c3b8f23c66f9ab7516659a3bef79.jpg",[],{"id":7273,"slug":7274,"title":7275,"dynasty":55,"author":7,"museum":172,"description":7276,"tags":7277,"thumbUrl":7278,"material":11,"size":11,"collection":11,"collections":7279,"showCount":7194,"zanCount":351,"manualWeight":49,"mainColor":50},230300,"wan-guo-lai-chao-tu-yi-ming-230300","万国来朝图","《万国来朝图》是清代宫廷佚名画家创作的绢本设色画，现藏于 。\n《万国来朝图》，将万国来朝使团朝贡的场景绘于画面，场面宏大十分热闹。\n画面显示，每到元旦朝贺庆典，各国度、各民族朝贺宾客穿着艳丽的服装，外貌气质各自不同，带着琳琅满目、五花八门的贡品云集在太和门外，在左右两侧指定区域内人头攒动、等候乾隆皇帝的接见；充分展示出宫廷建筑群的宏伟壮观和天朝大国、万国来朝的盛世气派。\n《万国来朝图》包含了远西诸国（荷兰、英吉利、法兰西）、周边诸国（日本、朝鲜、安南），而荷兰、英吉利、法兰西又都是带口子边的，在贬低他国的同时直接反映了清朝以天朝上国自居的自大心态。\n该画作在大雪银装素裹下更加庄严雄伟；太和殿前皇家侍卫身着华服、排列整齐，文武百官肃立静候待命；乾隆帝安闲地坐在后宫屋檐下靠椅上喝茶休憩，准备前往太和殿接见各国使臣；后宫人物众多，女眷们身着吉服三五成群或闲聊、或看热闹，孩子们兴高采烈的或嬉戏、或放鞭炮，太监宫女们各司其位或忙碌于元旦准备工作、或穿梭于庭院回廊；各国度、各民族朝贺宾客穿着艳丽的服装，外貌气质各自不同，带着琳琅满目、五花八门的贡品云集在太和门外，在左右两侧指定区域内人头攒动、等候乾隆皇帝的接见。\n队伍前面有一只经过精心装扮的高大威猛的大象显得神气十足，大象上坐着一人正与同伴交谈着什么。\n画面将万国来朝的宾客们巧妙地安排在画幅四分之一处的右下角，延展出画外仍有众多宾客，场面宏大十分热闹。\n在我国历史上，历朝历代的元旦同样是宫廷最为重要的节日之一。\n具体到大清王朝紫禁城里的元旦，从本质上讲与民间并无二致，只是多了份典礼式的庄严和肃穆，活动多以规模宏大盛典形式表现。\n收藏的几幅由清代宫廷画家绘制的《万国来朝图》，就是对紫禁城内元旦朝贺活动的形象记录。\n赏析这些画作，可以使我们对当年位居九五之尊的皇帝如何过元旦，获得一些感性认识。\n据专家考证，为了宏扬清朝政府的威德，展现“四夷宾服、万国来朝”的繁荣景象，在乾隆帝授意下，宫廷画家们先后创作了多幅向清国朝贺、歌功颂德的绘画，作品之间只是在细节上略微有所不同。\n从画面中可以看出，元旦朝贺庆典是在紫禁城内举行，作者以鸟瞰的角度全景式构图，运用传统工笔界画的表现技法，大胆地通过对个别宫殿适当挪位、变换角度、压缩，通过宏观和微观将主要建筑和场景尽量容纳其中，展示出宫廷建筑群的宏伟壮观和皇家气派、将不同时间段来朝使团朝贡的场景绘于画面，集中表达兴盛之意。\n纵观整体画面，层次丰富、主次分明，准确传神地将各种元素巧妙地组合，将数以百计的人物安排得恰到好处、刻画得细腻入；整幅画作呈现出祥和的景象，淋漓尽致地营造出乾隆年间紫禁城元旦朝贺庆典的热闹场景，给观者强烈的艺术感染力、留下深刻印象。",[26,27,31,32,329,33,129,3620,650,131,952,2656],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F7aff9949ab70c37e5214da467c0091b5.jpg",[],{"id":7281,"slug":7282,"title":1510,"dynasty":171,"author":7,"museum":292,"description":698,"tags":7283,"thumbUrl":7284,"material":296,"size":297,"collection":11,"collections":7285,"showCount":7194,"zanCount":351,"manualWeight":49,"mainColor":50},226283,"ku-zhu-shi-bei-bi-yi-ming-226283",[27,28,79,175,30,329,32,33,129,60,2656],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fa20a829b1e7a26c782be3b06a09edbd8.jpg",[],{"id":7287,"slug":7288,"title":697,"dynasty":171,"author":7,"museum":292,"description":698,"tags":7289,"thumbUrl":7290,"material":296,"size":297,"collection":11,"collections":7291,"showCount":7194,"zanCount":49,"manualWeight":49,"mainColor":50},226232,"ku-zhu-shi-zao-jing-yi-ming-226232",[175,30,32,31,190,1504],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F735741f7d2cf965ac9bf9aac6041d358.jpg",[],{"id":7293,"slug":7294,"title":6092,"dynasty":171,"author":7,"museum":292,"description":698,"tags":7295,"thumbUrl":7296,"material":296,"size":297,"collection":11,"collections":7297,"showCount":7194,"zanCount":351,"manualWeight":49,"mainColor":50},226186,"ku-zhu-shi-xi-pi-yi-ming-226186",[5689,175,32,30,33,60,129,131,1473],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F5f2cf7e3d349a2d63c2f7b9a261c0abf.jpg",[],{"id":7299,"slug":7300,"title":7301,"dynasty":141,"author":7,"museum":56,"description":7302,"tags":7303,"thumbUrl":7304,"material":43,"size":7305,"collection":45,"collections":7306,"showCount":7194,"zanCount":49,"manualWeight":49,"mainColor":70},219632,"jie-bo-tu-yi-ming-219632","揭钵图","此图系佛教故事画，描绘佛世尊为惩治鬼子母而将其幼子宾伽罗扣于钵下，鬼子母遣众小鬼意欲揭钵救子的情景。图中佛世尊神态安然地趺坐在莲花座上，众天神手执兵器耀武扬威地护其左右，正藐视地静观众小鬼徒劳无功的揭钵场面。小儿于钵中哭叫着张手求救，小鬼们不遗余力地用尽各种方法抢救，鬼子母面带忧色地被众孩儿团团围住，她显然已为解救幼子而心力交瘁。\n作者通过对处于尖锐冲突中的不同人物的性格和感情的个性化描绘准确地表明了他们不同的地位和彼此之间的关系，从而令场面宏大、人物众多的画面具有形散而神不散的内聚力。此图中对小鬼的描绘最为生动。作者以丰富的想象力幽默诙谐地表现了造型夸张变异的小鬼。通过他们绳拉木撬等忙乱的举动赋予画面强烈的动感并烘染出紧张激烈的气氛，从而准确地表达了揭钵的创作主题。图中不同的形象用不同的笔墨线条勾画，武士及小鬼以粗犷的墨线勾描，通过对他们坚实的皮肉筋骨的刻画表现出他们的力量和所具有的勇猛精神。佛世尊及仕女、童子用轻柔的细线勾勒，通过衣料柔软的质感衬托出他们纤秀婉约的姿容。全幅用勾线填彩法，色彩厚重丰富，有早期壁画的风格，给人以活泼明快的视觉感受，令画面显得不过于沉重。",[26,27,28,96,32,31,30,33,2666,1056],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fb7b0415fc6a78a06f7b07e161173c714.jpg","纵31.8厘米，横97.6厘米",[45],{"id":7308,"slug":7309,"title":7310,"dynasty":55,"author":7,"museum":499,"description":7311,"tags":7312,"thumbUrl":7313,"material":43,"size":11,"collection":45,"collections":7314,"showCount":7194,"zanCount":49,"manualWeight":49,"mainColor":50},219557,"yi-ju-tu-yi-ming-219557","移居图","苍松虬劲盘绕，层岩峻壑氤氲古雅幽寂之气，林谷恍若世外桃源。一行人策蹇徐行，骑牛者衣袂舒展，神色悠然，随行众人或持物或顾盼，情态松弛怡然，将举家迁居的奔波，化为踏山寻幽的雅事。\n\n设色古淡沉着，绢面的岁月斑驳，更添沉静古意。山石以粗劲斧劈皴写就，古松笔墨苍劲老辣，人物线条细劲灵动，动静相映间，把隐世迁居的从容散淡尽数铺展，尽显寄情林泉的隐逸意趣，晕开东方古典人文的温雅余韵。",[26,27,28,32,31,614,60,33,2944,131,359,2688],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ff184a8f18e6d13ec3a08cbd9aea9857b.jpg",[45],{"id":7316,"slug":7317,"title":7318,"dynasty":75,"author":7,"museum":76,"description":7319,"tags":7320,"thumbUrl":7321,"material":144,"size":7322,"collection":1116,"collections":7323,"showCount":7194,"zanCount":49,"manualWeight":49,"mainColor":50},219335,"bu-hua-shan-shui-zhou-yi-ming-219335","布画山水轴","层峦叠嶂间烟岚轻笼，山川晕染出深浅有致的层次。屋宇错落隐于林泉，与苍松翠柏相映成趣，溪流蜿蜒穿石而过，似有潺潺水声入耳。笔墨皴擦点染，既勾勒出山石的嶙峋肌理，又晕染出草木的丰茂姿态，线条劲挺中藏柔婉，墨色浓淡间见章法。画面兼具深远与平远之妙，雄浑处显山川气象，清幽处露林泉雅致，尽现宋代山水对自然意趣的深刻捕捉。观者仿佛踏入画中，静谧间感受天地悠然，细节处品味笔墨匠心，沉醉于这融情于景的古典意境里。",[27,1623,130,60,953,35,532,129,144,29,31,348,329,371],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fc3c9b0b1bac61df1c2e78bb1a666c33c.jpg","155x136.2",[1116],{"id":7325,"slug":7326,"title":7327,"dynasty":75,"author":7,"museum":216,"description":7328,"tags":7329,"thumbUrl":7331,"material":43,"size":7332,"collection":506,"collections":7333,"showCount":7194,"zanCount":351,"manualWeight":49,"mainColor":277},219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是屋檐最前端的一片瓦为瓦当，瓦面上带着有花纹垂挂圆型的挡片。\n瓦当的图案设计优美，字体行云流水，极富变化，有云头纹、几何形纹、饕餮纹、文字纹、动物纹等等，为精致的艺术品，属于中国特有的文化艺术遗产。",[3799,2194,7593,7594,7595,268,580],"瓦当","朱雀","模印","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fa247821ce58e73eec9da31fd276727e1.jpg",[],{"id":7599,"slug":7600,"title":7601,"dynasty":171,"author":7,"museum":172,"description":7602,"tags":7603,"thumbUrl":7605,"material":11,"size":11,"collection":436,"collections":7606,"showCount":7564,"zanCount":49,"manualWeight":49,"mainColor":277},253546,"tao-huang-you-nan-li-yong-yi-ming-253546","陶黄釉男立俑","此俑面容噙着浅淡笑意，头戴软巾，身姿挺拔舒展。身着圆领窄袖短袍，束带收束腰身，下配长裤高靴，是典型唐人侍仆装束。左手按腰藏于袖中，右手握拳前抬，似正牵缰待命，恭谨机敏之态跃然而出。\n\n胎表红彩虽已斑驳，仍可窥见当年敷色的考究，朴拙陶土晕染出岁月沉淀的厚重质感。造型比例匀停舒展，神态刻画生动入微，将侍从的恭谨机敏凝练于陶土之中，尽显大唐陶塑写实灵动的匠造水准，是窥见唐代市井风物与审美意趣的鲜活注脚。",[590,7604,5966,268,33,3858],"陶制","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F88f3e7ea7dc6771237722852ad4f658c.jpg",[436],{"id":7608,"slug":7609,"title":7610,"dynasty":241,"author":7,"museum":76,"description":7611,"tags":7612,"thumbUrl":7615,"material":11,"size":11,"collection":45,"collections":7616,"showCount":7564,"zanCount":351,"manualWeight":49,"mainColor":70},239050,"nv-xiang-zhou-yi-ming-239050","女像轴","翟冠垂珠错落，映出妇人端凝仪容，朱红大衫覆身，尽显华贵庄重。胸前补子上云凤翩跹，翎羽纹路纤毫毕现，晕染细腻灵动，衣纹以沉稳墨线勾勒，贴合身形，礼制威严中暗蕴柔婉气度。\n\n此作敷色妍雅沉稳，衣冠配饰皆恪守仪制，以工致笔意捕捉人物神态，将贵族妇人静穆尊贵的气韵凝于绢素，形神兼备，将世家命妇的仪范风骨定格，尽显肖像画写实传神的精妙，让观者窥见旧时望族内眷的端庄风华。",[31,32,29,33,7613,345,64,7614,4821,580],"女像","补子","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fe99e456f4b5e98f3486ae1451cc556ee.jpg",[45],{"id":7618,"slug":7619,"title":7620,"dynasty":55,"author":7,"museum":172,"description":1725,"tags":7621,"thumbUrl":7623,"material":11,"size":11,"collection":11,"collections":7624,"showCount":7564,"zanCount":49,"manualWeight":49,"mainColor":70},234590,"xu-liang-biao-zhong-kui-jia-mei-wan-shan-yi-ming-234590","许良标钟馗嫁妹纨扇",[27,28,219,160,32,31,33,4840,7622,30],"轮车","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F2ec5c85bb02e13742198d4579ee0569f.jpg",[],{"id":7626,"slug":7627,"title":7628,"dynasty":55,"author":7,"museum":172,"description":7629,"tags":7630,"thumbUrl":7631,"material":11,"size":11,"collection":11,"collections":7632,"showCount":7564,"zanCount":351,"manualWeight":49,"mainColor":70},234225,"lan-zhu-juan-yi-ming-234225","兰竹卷","此作用水墨写意挥洒兰竹，尽显草木清魂。中锋走笔写竹干，枯湿浓淡区分老干新篁，笔力沉厚见挺劲；焦墨撇写竹叶，聚散疏密如惊风穿林，欹斜之中自带着清刚傲骨。兰叶以淡墨舒卷，笔致柔婉修长，与劲竹刚柔相映，芝石以破墨晕染，静立草木之侧，更衬幽逸。\n\n长卷铺陈间虚实相生，留白空灵如江上烟岚，兰竹俯仰顾盼，似有风过林动，清韵暗生。笔墨简淡而意态丰盈，将林下幽人的疏旷襟怀藏于毫锋，尽显文人画重韵尚简的雅趣风骨。",[26,27,28,96,144,1665,145,146,82],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ff9161ab891439c39cd6b1c0c97e0f882.jpg",[],{"id":7634,"slug":7635,"title":7636,"dynasty":241,"author":7,"museum":172,"description":7637,"tags":7638,"thumbUrl":7640,"material":348,"size":7641,"collection":11,"collections":7642,"showCount":7564,"zanCount":310,"manualWeight":49,"mainColor":50},232605,"zhu-zhi-tang-lang-tu-ye-yi-ming-232605","竹枝螳螂图页","古人认为，螳螂是饮风食露的草虫，于深秋产卵，在芒种初候阴气产生时破壳生长。",[27,32,31,145,7639,146,82,80,530],"螳螂","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fc943d63001ea01c7ad8a4d2c85125971.jpg","23×239cm",[],{"id":7644,"slug":7645,"title":7646,"dynasty":22,"author":7,"museum":172,"description":7647,"tags":7648,"thumbUrl":7649,"material":296,"size":297,"collection":11,"collections":7650,"showCount":7564,"zanCount":49,"manualWeight":49,"mainColor":50},230546,"shan-shui-ping-feng-yi-ming-230546","山水屏风","泥金为底，石青石绿晕染出层叠丘壑，斑驳残损的绢面晕开岁月晕染的朦胧诗意。画面铺展开合间，远岫浮空，浅渚横陈，近岸疏林错落，将山野清趣与人间烟火揉为一体。\n\n林间隐着村居茅舍，有人正于门前流连；一侧道旁，行旅牵马暂歇，三两山客徐行林麓。没有枯寂的出世幽冷，反将隐逸山居的闲静与俗世行旅的暖意相融，笔致简淡却意韵悠长。古旧的肌理裹着山水古意，让丘壑烟岚与市井日常温柔相逢，漫溢出沉静古朴的雅致意趣。",[26,27,28,32,1622,60,532,33,1006,734,953,35],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fe86e9104c686a6523976541b0b99df0c.jpg",[],{"id":7652,"slug":7653,"title":7654,"dynasty":599,"author":7,"museum":172,"description":575,"tags":7655,"thumbUrl":7658,"material":296,"size":297,"collection":11,"collections":7659,"showCount":7564,"zanCount":351,"manualWeight":49,"mainColor":70},226722,"lou-kong-shen-ling-dong-wu-mian-wen-yu-shi-yi-ming-226722","镂空神灵动物面纹玉饰",[599,267,7656,268,7657],"镂空","神灵动物面纹","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Faca17e9d79c8554ede4029a65d6b7ff5.jpg",[],{"id":7661,"slug":7662,"title":7663,"dynasty":171,"author":7,"museum":292,"description":698,"tags":7664,"thumbUrl":7667,"material":296,"size":297,"collection":11,"collections":7668,"showCount":7564,"zanCount":351,"manualWeight":49,"mainColor":50},226348,"ku-zhu-shi-bei-pi-yi-ming-226348","窟主室北披",[175,30,32,31,590,33,700,1057,163,1056,2656,988,4142,987,7665,7666],"线条细腻","色彩丰富","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F2dee5749a1bb0bce30056a627f7997a2.jpg",[],{"id":7670,"slug":7671,"title":7672,"dynasty":171,"author":7,"museum":292,"description":698,"tags":7673,"thumbUrl":7674,"material":296,"size":297,"collection":11,"collections":7675,"showCount":7564,"zanCount":49,"manualWeight":49,"mainColor":277},226327,"ku-zhu-shi-ren-zi-pi-xi-pi-yi-ming-226327","窟主室人字披西披",[175,32,3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背鳍、腹甲、鳞片、刻画细密，前肢伸张，后肢曲伸，四肢露出三尖爪，身体矫健，神志轩昂。龙身四周环绕如意云头纹，线条飘逸。边缘八瓣内， 有长尾鸟、短尾鸟、 蜂蝶、蜻蜓分别飞向折枝花，花均为两叶两苞，设计精巧细致。",[1461,403,268,59,445],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F4165f6bf70a49531d448e9403c93ce68.jpg",[],{"id":7699,"slug":7700,"title":7701,"dynasty":241,"author":7,"museum":23,"description":7702,"tags":7703,"thumbUrl":7704,"material":1433,"size":7705,"collection":11,"collections":7706,"showCount":7564,"zanCount":49,"manualWeight":49,"mainColor":277},223577,"hou-lu-tu-yi-ming-223577","猴鹿图","画面既有对峙的情绪，又不失诙谐，展示出猕猴调皮的一面。",[26,27,31,32,272,3886,358,532,146],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F3990bd328b807f7169b28a5e1559bb9a.jpg","17.8x22.2",[],{"id":7708,"slug":7709,"title":7710,"dynasty":2305,"author":7,"museum":76,"description":7711,"tags":7712,"thumbUrl":7714,"material":1770,"size":7715,"collection":506,"collections":7716,"showCount":7564,"zanCount":49,"manualWeight":49,"mainColor":50},223343,"wu-dai-ren-qiu-lin-qun-lu-zhou-yi-ming-223343","五代人秋林群鹿轴","在尽情展露盛夏的绿意之后，秋天这个令人舒爽怡然的季节跟著悄然到来，所有的树叶在此时染上了缤纷的色彩，深红、淡橘、浅黄、碧蓝……似乎要赶在严冬来临之前，释放所有的美丽。鹿群抵不住诱人的秋色，踩著轻快脚步进入这片色彩斑斓的秋林，瞧鹿儿所呈现的各种姿态，彷若与眼前丰美的景色唱和起舞。\n《秋林群鹿》主要在描写鹿群于秋林中活动的各式神情，作画的人已经佚失，只知道曾经是属于元代皇帝的收藏。从作品的形式风格而言，充满装饰趣味的空间陈置，以及如此丰富的色彩勾填，都不常见于人们所熟知的中国绘画作品中，有学者推测，这件作品与邻近国家如辽国，甚至更远的中亚之间，存有十分密切的关系",[26,27,29,32,7713,358,532,272],"秋林","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F66f45cd68073dee3a98e941f2ee82b50.jpg","118.4x63.8公分",[506,112],{"id":7718,"slug":7719,"title":7720,"dynasty":75,"author":7,"museum":76,"description":5047,"tags":7721,"thumbUrl":7722,"material":348,"size":5050,"collection":85,"collections":7723,"showCount":7564,"zanCount":49,"manualWeight":49,"mainColor":50},220235,"bian-zhuang-zi-ci-hu-2-yi-ming-220235","卞庄子刺虎2",[79,27,28,31,32,33,887,2944,145],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F0de4be4d0d370b1a0cbb18f0c2f5cb7e.jpg",[85],{"id":7725,"slug":7726,"title":2539,"dynasty":141,"author":7,"museum":76,"description":7727,"tags":7728,"thumbUrl":7729,"material":43,"size":7730,"collection":87,"collections":7731,"showCount":7564,"zanCount":49,"manualWeight":49,"mainColor":50},219239,"hua-hu-tu-yi-ming-219239","松林石涧间,一巨虎黄皮黑纹,毛色鲜丽,体态威武雄壮.虎之双眼,俱以金粉涂饰,并略染汁绿,显得格外神气逼人.其背隆起,宛如张弓欲发,隐然有即将出击之势.虎口微启,低吟而未啸.树梢,二山鹧见状,相与惊跃鸣叫,更为此猛虎出山的场景,平添紧张、不安的气息.通幅描绘如真,渍染极得润厚的韵致.画无名款,旧签定为元人.惟据画风判断,与明代宫廷画风,颇多相近处,是以推断,本幅或出自明代良工之手",[26,27,29,32,887,162,131,888,614],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fb563ac7aba93522a5230f6ac6e3bb83c.jpg","206.5x122cm",[87],{"id":7733,"slug":7734,"title":7735,"dynasty":75,"author":7,"museum":76,"description":7736,"tags":7737,"thumbUrl":7738,"material":43,"size":7739,"collection":85,"collections":7740,"showCount":7564,"zanCount":49,"manualWeight":49,"mainColor":50},218692,"an-he-tu-yi-ming-218692","安和图","在秋天的风景中，草和叶子变黄，野高粱的茎上长满了穗子。在茎叶下，五只鹌鹑在其中休息，而另外四只鸟则在上面栖息，为自己的羽毛做准备或啄食谷物。虽然这幅画没有作者的签名，但构图合理，所有物体都栩栩如生，所以它一定是出自艺术家之手。鹌鹑的造型与北宋崔訢的《七夕鹌鹑图》相似，而高粱则与明代陆机的《草花野禽图》相似，但《草花野禽图》的笔法显然更富变化，而这幅画则具有南宋的流畅细腻风格。它也被称为 安和，因为 鹑 和 安、和 和 和 是同音字，使它成为一部吉祥之作。",[26,27,28,79,31,32,80,662,163],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F8456b5937e15cbbc97e3c44852831d14.jpg","105.4x51.6",[85],{"id":7742,"slug":7743,"title":7744,"dynasty":241,"author":7,"museum":254,"description":7745,"tags":7746,"thumbUrl":7748,"material":43,"size":11,"collection":45,"collections":7749,"showCount":7564,"zanCount":351,"manualWeight":49,"mainColor":50},218357,"duan-ben-cheng-yuan-tu-yi-ming-218357","端本澄源图","卧榻上人影斜倚，指尖轻拈小物，眉目间漫着慵懒与自在。身侧侍女垂立，衣袂微动，似欲以团扇拂去浮尘，静候吩咐。案上瓶炉雅致，蕉叶舒展、竹影婆娑，衬得室内清幽如许。笔墨间藏着文人闲居的逸趣——不刻意张扬，却在器物的精巧、环境的恬淡里，流露出对澄明心境的追寻。每一处线条都似在低语，将日常的悠然与内心的宁静交织，如一杯淡茶，慢慢浸润出岁月的温润与雅致，让人见之便觉心安神宁。",[27,32,31,33,145,7747,346,6658,1529],"芭蕉","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fedbbdbe5eda59a11094ffc7bebbd6578.jpg",[45],{"id":7751,"slug":7752,"title":7753,"dynasty":141,"author":7,"museum":76,"description":7754,"tags":7755,"thumbUrl":7756,"material":43,"size":11,"collection":45,"collections":7757,"showCount":7564,"zanCount":351,"manualWeight":49,"mainColor":50},218189,"ying-zhen-xiang-zhou-yi-ming-218189","应真像轴","应真袒胸倚石而坐，憨态可掬的笑容里满是悠然自在。衣纹以婉转流畅的墨线勾勒，晕染得宜，既显布料垂坠质感，又衬出人物丰腴体态。身旁松石苍劲，松针如簇，笔法细致中见洒脱；石根处几丛细竹点缀，更添清逸之气。整幅作品笔墨刚柔并济，人物神态鲜活，似在静享林间清寂，禅意氤氲其间。观者仿佛能透过古雅的纸本，触摸到那份远离尘嚣的平和安然，尽显宋元禅画的空灵韵味。",[27,28,29,30,33,331,5460,32],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fcbc52266544324141923cba9b32a02b8.jpg",[45],{"id":7759,"slug":7760,"title":7761,"dynasty":241,"author":7,"museum":499,"description":611,"tags":7762,"thumbUrl":7763,"material":616,"size":11,"collection":11,"collections":7764,"showCount":7564,"zanCount":351,"manualWeight":49,"mainColor":70},217953,"ming-ren-shan-shui-hua-ce-er-yi-ming-217953","明人山水画册(二)",[26,27,144,530,122,60,613,676,531,130,1623,162,131,614],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F97a3aa4634d316f237a6ce6618e6632b.jpg",[],{"id":7766,"slug":7767,"title":7768,"dynasty":241,"author":7,"museum":465,"description":7769,"tags":7770,"thumbUrl":7771,"material":43,"size":7772,"collection":506,"collections":7773,"showCount":7564,"zanCount":49,"manualWeight":49,"mainColor":50},217194,"han-shan-tu-yi-ming-217194","寒山图","寒山图是一幅来自明朝的中国山水画，作者不详。这幅画描绘了寒山寺的景象。寒山寺是位于浙江省杭州市的一座古刹，据说是由印度佛教徒达摩在公元7世纪传入中国时建立的。\n\n寒山图呈现了寒山寺庙宇及其周围的山林风光。画中可以看到寺庙的精巧建筑，以及周围的峰峦叠嶂、清澈的溪流和葱郁的树木。寒山图还描绘了几个小人物，可以想象出当时僧人在寺庙里修行的情景。\n\n寒山图的画风典雅，线条流畅，色彩和谐。整幅画充满了宁静、平和的氛围，令人心旷神怡。这幅画反映了明朝时期对佛教文化和自然风光的热爱，是一件具有深刻文化意义的艺术珍品。",[27,28,144,60,614,953,676,129,162],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fb1d10bba28441129d6c7c5a8126dd416.jpg","33.5x23cm",[506],{"id":7775,"slug":7776,"title":7777,"dynasty":55,"author":7,"museum":172,"description":7778,"tags":7779,"thumbUrl":7782,"material":43,"size":11,"collection":11,"collections":7783,"showCount":7564,"zanCount":49,"manualWeight":49,"mainColor":50},216716,"hong-lou-meng-fu-tu-ce-2-yi-ming-216716","红楼梦赋图册-2","亭榭隐于蕉荫间，几缕倩影或凭栏凝思，或低语浅笑。衣袂如流云轻覆青石板，罗裙纹样似浸了江南的柔润。案头器物精巧，窗边陈设雅致，恰是红楼闺阁的寻常光景——无需喧哗，只那眼波流转的默契，便将女子们的温婉灵秀凝在笔墨间。园林清幽裹着人情暖意，软语里的细碎心事，随风散入芭蕉叶隙。笔墨清润，色彩雅致，将书中含蓄韵致化作眼前可触的静谧温柔，仿佛能闻见空气中浮动的淡香，窥见那段红楼旧梦的一角，让观者沉湎于这纸间流转的古典情长。",[26,31,32,530,33,127,531,129,131,650,7780,649,7781],"古装","陈设","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F0a767b05f29544d7c431926bc0754ea6.jpg",[],{"id":7785,"slug":7786,"title":7787,"dynasty":141,"author":7,"museum":76,"description":7788,"tags":7789,"thumbUrl":7790,"material":43,"size":4381,"collection":45,"collections":7791,"showCount":7792,"zanCount":49,"manualWeight":49,"mainColor":50},290786,"chun-jing-huo-lang-tu-zhou-yi-ming-290786","春景货郎图轴","货郎图自宋代以降，常被画家引为表现主题。此幅无名款，画春日郊园中，桃花初绽，新柳泛绿，杂草野卉丛生於小溪石畔。柳荫下停放一货担，架上满置鸟笼，笼中鸟色品种殊异，四周并缀有各式童玩。货郎二人，一人手执鹦鹉兜售，另一妇人携二童立于担前，举手雀跃作欲索取状。人物设色妍雅，神情活泼生动，表现出古代农业社会纯朴闲适的生活情态。",[79,27,29,32,33,31,127,1527,2208,542,3112,1129,346],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fbac3d16ea3f794f22ec38440af84d107.jpg",[45],45,{"id":7794,"slug":7795,"title":7796,"dynasty":141,"author":7,"museum":172,"description":7797,"tags":7798,"thumbUrl":7800,"material":296,"size":297,"collection":11,"collections":7801,"showCount":7792,"zanCount":351,"manualWeight":49,"mainColor":70},290785,"xian-nv-zhou-yi-ming-290785","仙女轴","该幅绘女仙高髻素衣，趺坐蒲团，手拈笔毫，膝前置贝多叶，似欲书经传道。旁有筠篮系锄上，中贮芝草。一狮一虎伏侍在侧，状甚温驯，盖表现女仙道高，足以降服猛兽。",[27,29,33,127,887,272,7799,1058,32,82],"仙女","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fdba9881fccc86160614489a9c319fe7b.jpg",[],{"id":7803,"slug":7804,"title":7805,"dynasty":75,"author":7,"museum":172,"description":7806,"tags":7807,"thumbUrl":7811,"material":296,"size":297,"collection":11,"collections":7812,"showCount":7792,"zanCount":351,"manualWeight":49,"mainColor":50},290684,"ke-si-qing-niu-lao-zi-tu-zhou-yi-ming-290684","缂丝青牛老子图轴","画中人物为老子，姓李名耳，字聃。春秋时楚国人。道教认为老子即是「太上老君」在人间的化身。相传老子经过函谷关时，守山的官吏尹喜似乎感到东边的天空忽然一片紫气。他断定会有圣人将来此地。不久，果然见老子骑青牛从东边扬长而至。尹喜便请求老子著书传世，老子应允，便在函谷关著下五千言《道德经》，写完後便骑牛向西而去，其後即不知所终。",[29,161,27,79,28,33,7808,2944,7809,6212,32,41,1056,7810],"老子","青牛","灵芝","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fa336a1577cdc9d924e9eea1c51b6b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29.5x359公分、隔水一 18公分、隔水二 18.8公分",[],{"id":7874,"slug":7875,"title":7876,"dynasty":75,"author":7,"museum":172,"description":7877,"tags":7878,"thumbUrl":7879,"material":11,"size":11,"collection":11,"collections":7880,"showCount":7792,"zanCount":49,"manualWeight":49,"mainColor":70},227832,"cong-ju-tu-ye-yi-ming-227832","丛菊图页","《丛菊图页》是南宋画家佚名创作的一幅绢本设色画。\n本幅无款。\n鉴藏印钤“□藤仙馆书画”、“云谷”、“□华宝有”，另有一印残。\n图绘秋菊一丛，红白相间，繁枝茂叶，生机勃发，不见肃杀秋意。\n花瓣用中锋细笔勾描，再以朱红或白粉晕染；花蕊用细笔点出；茂密的叶片或用赭石、或略入汁绿、或稍加藤黄染出，以示老嫩不同的色彩。\n花之欲开、盛开、将残，叶之翻卷及明暗向背，刻画得恰到好处。\n画风工致细腻，构图丰满，繁而不乱，密而不窒，设色艳而不俗，为南宋写生画佳作。",[26,79,27,28,530,31,32,80,920,82],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fc5312cc31255d3afb48112f73e8e7a3f.jpg",[],{"id":7882,"slug":7883,"title":7884,"dynasty":22,"author":7,"museum":292,"description":7885,"tags":7886,"thumbUrl":7887,"material":296,"size":297,"collection":11,"collections":7888,"showCount":7792,"zanCount":351,"manualWeight":49,"mainColor":50},226507,"fu-shuo-bo-re-bo-luo-mi-duo-xin-jing-shou-gao-yi-ming-226507","佛说般若波罗蜜多心经手稿","佛说圣佛母般若波罗蜜多心经，如是我闻。一时世尊。在王舍城鹫峰山中。与大苾刍众千二百五十人俱。并诸菩萨摩诃萨众。而共围绕。尔时世尊。即入甚深光明宣说正法三摩地。时观自在菩萨摩诃萨在佛会中。 而此菩萨摩诃萨。已能修行甚深般若波罗蜜多。观自五蕴自性皆空。尔时尊者舍利子。承佛威神。前白观自在菩萨摩诃萨言：若善男子善女人， 于此甚深般若波罗蜜多法门，乐欲修学者，当云何学？",[30,3053,124,3054,33,82,4485,32],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F81e1da114336cb368bee1189390d642d.jpg",[],{"id":7890,"slug":7891,"title":7892,"dynasty":2305,"author":7,"museum":172,"description":7893,"tags":7894,"thumbUrl":7895,"material":11,"size":11,"collection":11,"collections":7896,"showCount":7792,"zanCount":153,"manualWeight":49,"mainColor":50},223600,"shen-jun-tu-juan-yi-ming-223600","神骏图卷","画面分野有致，左侧白马踏波驰行，骑手身姿稳练，骏马昂首翘尾，四蹄舒展，神骏勃发之态毕现。右侧林下石台，红衣士人凭坐回望，僧者坦腹怡然对晤，旁侧仆童持毛刷侍立，情态松弛闲适。\n设色古雅沉稳，青绿晕染坡岸，墨线细劲流畅，将人马灵动与林下幽逸相融，把世外雅集的清旷高逸尽显纸面，残卷仍掩不住精工雅致的风韵，尽显六朝清谈雅集的风流意趣。",[26,27,28,96,32,31,33,1006,532,162,82],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F9d9205dfb3e7d9803703624ce638d146.jpg",[],{"id":7898,"slug":7899,"title":7900,"dynasty":75,"author":7,"museum":56,"description":7901,"tags":7902,"thumbUrl":7904,"material":1433,"size":7905,"collection":11,"collections":7906,"showCount":7792,"zanCount":49,"manualWeight":49,"mainColor":70},223591,"shu-he-sha-niao-tu-ye-yi-ming-223591","疏荷沙鸟图页","图中所绘残败的荷叶表明了时当秋日，荷塘的一角，一枝枯瘦的莲蓬横出画面，鹡鸰栖止于莲梗上，侧首注视着上方的一只小蜂，其凝神专注的神态刻画得惟妙惟肖。莲梗两端的鹡鸰与莲蓬巧妙地平衡了画面，而鹡鸰目向小蜂的视线则带动观者的视线落于画面上方，这种布局使画面显得既稳定又生动。此图格调典雅，用笔精致，画风细腻，荷叶枯黄的斑点和细小的筋脉均描绘得一丝不苟。",[26,79,27,28,530,31,32,125,124,82,446,7903,193,75],"残荷","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fd83a87f455c33296c9ed4d781844a8fe.jpg","纵25厘米，横25．6厘米",[],{"id":7908,"slug":7909,"title":7910,"dynasty":241,"author":7,"museum":56,"description":7911,"tags":7912,"thumbUrl":7913,"material":348,"size":7914,"collection":11,"collections":7915,"showCount":7792,"zanCount":351,"manualWeight":49,"mainColor":50},223384,"shuang-tu-tu-ye-yi-ming-223384","双兔图页","《双兔图页》是明代佚名创作的绢本设色画。",[26,27,28,219,31,32,272,1027,145],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fd702801541ffb43e86522d41bd3b9e52.jpg","纵114.3厘米 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or":50},228408,"di-shi-tian-xi-quan-tu-yi-ming-228408","帝释天西全图",[175,27,30,33,32,31,1056,1574],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F9e1b5fdf64dd23a59341e6cd7f18b634.jpg",[],{"id":8000,"slug":8001,"title":8002,"dynasty":141,"author":7,"museum":172,"description":8003,"tags":8004,"thumbUrl":8005,"material":11,"size":11,"collection":11,"collections":8006,"showCount":7972,"zanCount":49,"manualWeight":49,"mainColor":50},228215,"you-xing-shi-nv-tu-yi-ming-228215","游行仕女图","古绢底色晕染岁月沉浑，雄健湖石倚立，芭蕉阔叶舒展如伞，猩红花穗挺立于叶隙，墨色浓淡晕开草木蓬勃生机。仕女衣袂轻扬雅致，或垂眸敛容，或侧身顾盼，柔缓徐行间尽显端静含蓄的仪态。画作以大石丛蕉衬出仕女窈窕娟秀，上下分景疏密相宜，设色古淡沉静，笔致简净含蓄，藏雅致余韵，将庭院闲游的松弛意趣，融在古朴沉静的画境之内，淡墨轻彩晕开旧时光里的闺中清致。",[26,27,28,29,31,32,33,127,162,7747],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fffb2be621dcd64401a64de5a6e7d8444.jpg",[],{"id":8008,"slug":8009,"title":7125,"dynasty":849,"author":7,"museum":172,"description":8010,"tags":8011,"thumbUrl":8013,"material":296,"size":297,"collection":11,"collections":8014,"showCount":7972,"zanCount":153,"manualWeight":49,"mainColor":50},226911,"bo-shan-lu-yi-ming-226911","汉代青铜器产生于青铜时代的晚期，在我国青铜史上占有特殊的地位，体现出独特的设计思想和特征，具有卓越的科学功能，并对当今设计有很大的启示作用。\n汉代青铜器很多都是素纹，大部分还是铸造的，也有的花纹、铭文是用錾子雕刻的。比如汉代的鎏金杯子、奁、盒、碗等用具上的花纹，多是雕刻的。\n汉代以后至唐代的铜器，铸造的花纹很多，其中有打料的铜、金、银器，并且也有了大、小焊的技术。\n西汉初期（高祖至景帝），此时的青铜器，基本为素面。其鼎主要承自秦式，但一般三足更矮。敦盒形。\n壶有大小二型并存，大型壶腹下部略呈收缩之状，腹比秦壶要鼓；小型壶的腹部较瘦长，经常铸出变形螭纹。钫此时更流行，有的做得很讲究，通腹有镶嵌绿松石的三角云纹。\n鍪和蒜头壶继续流行。日用器皿中，高灯多见，豆式熏炉盛行，带钩显琵琶形、棒形、琴形讲究的多做成鎏金、错金银、镶玉或绿松石。\n西汉中期至东汉早期（西汉武帝至东汉章帝）是西汉青铜器最发达的时期，也是汉代青铜器新风格最终形成的时期。这时期最多见的青铜用器是鼎、壶、钫、尊、熨斗、带钩、铜镜。\n灯：古代照明器具。青铜灯出现于战国时期，而盛行于汉代。最著名的当属长信宫灯了，灯的样子很多，较普通的是有圆盘，盘内有钎，盘下有柱，柱下有圈足；也有盘下作雁足状的，盘用来盛油或插烛。\n另有一种灯自铭为“行灯”，它圆盘边有把，盘下有三短足。青铜灯最富感染力的当属那些铸成人形、禽形、兽形、树形的艺术造型灯。\n博山炉：古代焚香的器具。一般炉体作圆形，用来放香料，体下有高足，有的足还铸成人形或鸟兽形；炉盖均高而尖，雕镂成山峦形上有人物、走兽，象征海上仙山“博山”，故名“博山炉”。盛行于汉代。\n樽：古代盛酒的器皿，器作圆形，直壁，有盖，腹较深，下有三兽足，旁有铺首衔环耳。\n洗：盥洗用器皿。形状象盆，圆形、宽口沿，平或圆底，腹外多有铺首衔环耳，内底常用双鱼作装饰，并多铸吉语。盛行于汉晋。\n耳杯：古代饮酒器。多漆制，称“羽觞”。铜质者，器作椭圆形，腹壁有二环耳。\n熨斗：古式熨烫衣服的工具。形状为圆腹宽口沿，有长柄，盛行于汉魏。\n东汉中晚期（和帝至献帝）青铜器又有了新的变化。此时使用较多的铜器日用品有：钟、扁壶、盆、釜、鐎斗、灯、博山炉、炉、熨斗、尊、耳杯、虎子、车马器、带钩、铜镜、玺印等。\n此时青铜器的特点是比以前轻薄、错金银技术在青铜器装饰中几乎消失，鎏金仍多，鎏金器上出现了细线阴刻云纹。",[852,402,403,268,7656,346,8012],"山形纹饰","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fc09dd3d1f4cd7fd27e6bce37e3282e80.jpg",[],{"id":8016,"slug":8017,"title":8018,"dynasty":55,"author":7,"museum":23,"description":8019,"tags":8020,"thumbUrl":8021,"material":109,"size":8022,"collection":11,"collections":8023,"showCount":7972,"zanCount":49,"manualWeight":49,"mainColor":50},223579,"yu-lan-kong-que-tu-yi-ming-223579","玉兰孔雀图","两只彩绘蓝羽孔雀，其中三只比湖石还多，宽大的尾巴在湖中显得更加美丽动人，有一点点蓝色像宝石一样立在上面，另一只藏在边石里 兰花，只有头； 浅玉晶莹剔透，争奇斗艳。 风格：甲午春日、法式铁桥笔、南苹果神拳。",[26,27,31,32,80,3684,4071,98,36,2784],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fe4e016bbc82fb27fdb86c5d508ffaae3.jpg","34.98X60",[],{"id":8025,"slug":8026,"title":8027,"dynasty":241,"author":7,"museum":23,"description":8028,"tags":8029,"thumbUrl":8030,"material":11,"size":8031,"collection":11,"collections":8032,"showCount":7972,"zanCount":49,"manualWeight":49,"mainColor":50},223531,"mu-zi-lu-tu-yi-ming-223531","母子鹿图","此作设色古雅沉静，笔致工细柔和。坡岸之上，鹿抬首凝神，目光追随着翩跹彩蝶，周身斑点晕染匀净柔和，皮毛质感细腻宛然。苍松虬劲，针丛细密苍润，怪石皴刻朴拙古厚，衬出林间清寂之气。远景淡墨晕染出水泽远山，朦胧空濛将意境拉伸，方寸画幅饱含山野林泉的悠然意趣。兼具院体画的精工，又带着文人水墨的淡远意境，定格幽林闲静一刻，尽显山野生灵与林泉共生的悠然禅意。",[26,27,28,32,31,272,358,145,1525,163],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F1a708feb39d0df19f091d6ff9e9da8cc.jpg","24.1x26",[],{"id":8034,"slug":8035,"title":8036,"dynasty":75,"author":7,"museum":76,"description":8037,"tags":8038,"thumbUrl":8039,"material":2087,"size":8040,"collection":85,"collections":8041,"showCount":7972,"zanCount":49,"manualWeight":49,"mainColor":50},223418,"zi-mu-ji-tu-yi-ming-223418","子母鸡图","此图绘一只母鸡引领着几只孵出不久的小鸡，在地上漫步啄食。母鸡雪白的羽毛蓬松亮丽，目光中充满着慈爱，小鸡则稚嫩怯弱，依偎在母亲的羽翼保护下。母鸡俯身与宝宝们对话，神情爱怜。此画虽无陪衬，却能以情动人。作品在技法处理上，母鸡以勾线、施毛渲染，而小鸡则以施毛勾出轮廓，全以渲染，两者对比，更显小鸡稚嫩，母鸡慈爱。更精妙的是作者在对母鸡眼睛的处理上，把留白的位置留在眼珠的最前面，使其俯身之姿更加强烈",[26,79,27,28,31,32,80,2484,5735,82,124],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F92d3bda73641850315ec173a9cfe7fc6.jpg","纵59.99cm 横32.83cm",[85],{"id":8043,"slug":8044,"title":6108,"dynasty":171,"author":7,"museum":56,"description":6109,"tags":8045,"thumbUrl":8046,"material":1433,"size":8047,"collection":11,"collections":8048,"showCount":7972,"zanCount":351,"manualWeight":49,"mainColor":50},223359,"fu-xi-nv-wa-xiang-ye-yi-ming-223359",[26,27,28,32,33,3897,1058],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fa168eac68a88d33ad6926d355e897252.jpg","纵左222.5cm，右231cm，横上115cm，下94cm",[],{"id":8050,"slug":8051,"title":8052,"dynasty":75,"author":7,"museum":76,"description":8053,"tags":8054,"thumbUrl":8055,"material":43,"size":8056,"collection":85,"collections":8057,"showCount":7972,"zanCount":49,"manualWeight":49,"mainColor":50},219693,"liu-yin-gao-shi-tu-yi-ming-219693","柳荫高士图","这幅画论布局，论笔法、设色，均臻上乘。画中人物之猜测为谁﹖其理由是以前景中的柳树，以应陶渊明是「五柳先生」，再加以头上的巾子足以漉酒，渊明正是好酒之人。本幅从服饰及坐具、酒具，显然是画晋人，而无唐以后风俗。陶渊明出现的形象，基本上是一位「高士」，然而这个高士大致有两种面貌，一种是悠游山林的隐者，一种是醺醺醉矣的酒客。柳阴高士可能是现存画陶渊明醉醺醺的最早一幅画了。画中树下一翁，席以豹皮，前置一手卷、一盏酒，老翁袒胸赤足，头戴葛巾，双目凝神下视，实已醺醺然微醉矣。渊明坐前双脚处，席上置有盛酒之碗，酒盛九分满，沿上犹挂著一把勺子，碗与勺皆是外壁黑，内面朱，且其质薄，看来是漆器一类而非陶器。，从器皿及服饰的发展，画中人物是非唐而为晋。\n柳荫下，一位士人袒胸露背，跣足而坐于豹皮之上，潇洒超脱，充满雅逸逍遥之趣。士人两眼有醺醺然之貌，故幅上乾隆题诗称这位高士不是唐的李白，就是晋的陶潜。由于陶潜曾作＜五柳先生传＞以自况，故而推断此人为陶潜的可能性较高。 本幅人物线条刚劲如铁丝，转折犀利。树干苍老，柳叶繁复，笔力稳健挺拔，多层皴染，使得画面蕴藉厚润。全作绘制精谨，是一幅宋代佳作。",[26,27,28,29,32,31,614,33,1092,613,688,345],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fc8dde6b37837daa0488ca428fd6cae5e.jpg","65.4x40.2cm",[85,45],{"id":8059,"slug":8060,"title":8061,"dynasty":75,"author":7,"museum":76,"description":8062,"tags":8063,"thumbUrl":8065,"material":43,"size":8066,"collection":85,"collections":8067,"showCount":7972,"zanCount":49,"manualWeight":49,"mainColor":70},219233,"qiu-tang-fu-yan-tu-yi-ming-219233","秋塘凫雁图","松枝如墨笔皴染，苍劲枝干斜倚塘边，松针细密如丝，织着秋的清寒。几只凫雁散落在岸石上：有的敛翅蜷身，似枕着午后秋光小憩；有的侧颈理羽，绒羽软意与石面凉硬相映成趣。塘水静如镜，淡褐水面漾着若有若无的烟霭，把远天晕成朦胧色块，连风都放缓了脚步。\n\n笔墨简淡却藏极致细腻：每根松针带秋的劲挺，每片羽翎裹塘边静气，连岸石纹理都浸着湿润凉意。这方圆景里，秋意非萧瑟，而是生灵与自然的温柔相拥——宋人把对天地万物的深情，凝在一笔一划、一禽一木的静谧中，让千年后的我们，仍能触到那份清旷与安然。",[26,79,27,32,31,219,8064,131,332,35,36,1401],"凫雁","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F512ca8a7e13d31ef689e673f06c54768.jpg","24.8x25.2cm",[85,87],{"id":8069,"slug":8070,"title":8071,"dynasty":75,"author":7,"museum":76,"description":8072,"tags":8073,"thumbUrl":8074,"material":43,"size":8075,"collection":85,"collections":8076,"showCount":7972,"zanCount":351,"manualWeight":49,"mainColor":70},218858,"lian-tang-shui-fu-tu-yi-ming-218858","莲塘睡凫图","画家不仅将鸭子讨人喜欢的柔美外表表现得淋漓尽致，还将鸭子的毛绒质感表现得淋漓尽致。",[26,27,79,28,530,80,31,446,2793],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fad944b5f7cf79d9baa44a2f50701f1b1.jpg","21.2x23.4",[85,112],{"id":8078,"slug":8079,"title":8080,"dynasty":75,"author":7,"museum":76,"description":8081,"tags":8082,"thumbUrl":8083,"material":348,"size":11,"collection":3059,"collections":8084,"showCount":7972,"zanCount":351,"manualWeight":49,"mainColor":70},218712,"za-shi-tie-yi-ming-218712","杂诗帖","绢本素笺泛着岁月的暖黄，墨色沉敛如漆，行笔间藏着宋人的疏朗意趣。笔画时而轻若游丝，时而重若坠石，牵丝映带处似有春风拂过纸页，随性却不失章法。诗句里的江山清晖、岁月流转，与笔墨的简淡相映，读来竟觉纸间有清风吹出。朱红钤印如晨星落纸，与沉墨、暖绢相映成趣，更添古雅。这帧手札无刻意雕琢，却在日常书写中流露出宋人审美底色——平淡天真，余味悠长。仿佛执笔人临窗挥毫的呼吸仍在字间，每一笔都是时光痕迹，静静诉说千年前文人情思。",[26,75,125,124,28,530,82],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F01222659e4ef1f33f027553818ee7200.jpg",[3059],{"id":8086,"slug":8087,"title":8088,"dynasty":75,"author":7,"museum":1068,"description":8089,"tags":8090,"thumbUrl":8091,"material":43,"size":8092,"collection":45,"collections":8093,"showCount":7972,"zanCount":153,"manualWeight":49,"mainColor":50},218483,"sui-yang-wu-lao-tu-du-yan-xiang-yi-ming-218483","睢阳五老图 杜衍像","杜衍是继唐朝名臣杜佑之后的北宋名臣，精通诗词和书法。",[26,27,31,32,33,29,345],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fcfc8d554101f924583694f0001ec727a.jpg","40.3x31.4",[45],{"id":8095,"slug":8096,"title":8097,"dynasty":55,"author":7,"museum":172,"description":8098,"tags":8099,"thumbUrl":8100,"material":724,"size":11,"collection":45,"collections":8101,"showCount":7972,"zanCount":351,"manualWeight":49,"mainColor":70},218453,"di-wang-ming-chen-xiang-zhi-wang-xi-zhi-yi-ming-218453","帝王名臣像之王羲之","墨线勾勒的衣袂如行云流转，宽博的袍服衬出人物清雅风骨。长髯垂胸，目光沉静似藏砚池烟霞，巾帽下的面容温润儒雅，尽得书圣旷达之态。左侧题跋笔力苍劲，与肖像相映成趣，文墨间流淌着人物轶事，添了古朴意韵。墨色浓淡相宜，衣纹转折见笔锋，工笔与写意相融，将王羲之的文人灵韵凝于尺幅。整幅画气韵生动，笔墨含情，似能窥见这位书法大家挥毫时的风采，是传统人物肖像中颇具韵味的佳作。",[26,27,28,530,123,144,33],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F0ad2ca69093f4ab3dd5c940ec366ecaa.jpg",[45],{"id":8103,"slug":8104,"title":8105,"dynasty":241,"author":7,"museum":76,"description":8106,"tags":8107,"thumbUrl":8109,"material":43,"size":8110,"collection":45,"collections":8111,"showCount":7972,"zanCount":49,"manualWeight":49,"mainColor":277},218445,"xi-ying-tu-yi-ming-218445","戏婴图","古雅绢色晕染出时光的温润，三个稚童围聚盆边的嬉戏场景，似将千年笑语凝于尺幅。红衣童子侧身托腮，绿衣小儿俯身探向盆中浮舫，灰衣幼童低首凝视，每一处神态皆憨态可掬。虬枝垂落艳红石榴，饱满果实暗蕴多子祈愿；盆沿纹饰斑斓，与稚子衣袂的鲜活色彩相映成趣。线条简练却传神，衣褶的松弛、动作的天真，尽得孩童本真之态。古绢的斑驳未减其韵，反让这份日常嬉戏的温馨更显隽永——无需刻意雕琢，便将纯粹童趣化为穿越时空的感动，引观者驻足，重拾心底那份久违的澄澈快乐。",[27,28,79,29,31,32,1527,650,877,8108,162,190],"石榴树","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ffe4bcc721f7de92c5eb1552f1552e379.jpg","144.2x79",[45],{"id":8113,"slug":8114,"title":8115,"dynasty":241,"author":7,"museum":4955,"description":8116,"tags":8117,"thumbUrl":8118,"material":43,"size":8119,"collection":45,"collections":8120,"showCount":7972,"zanCount":49,"manualWeight":49,"mainColor":50},218282,"yan-wang-tu-yi-ming-218282","阎王图","威严的王者端坐于上，华服加身，面容沉肃，眉宇间透着审判者的凛然正气。身侧侍从恭谨侍立，持物敛神，似在静候指令。下方小鬼动作利落，刑罚场景张力十足，将地狱审判的威慑力渲染得淋漓尽致。古朴设色与流畅线条交织，人物神态各异：王者冠饰的细腻纹理、侍从衣袂的轻柔褶皱、小鬼动态的生动刻画，皆见匠心。整幅画作以极具冲击力的场景传递因果轮回的警示意味，氛围凝重却不失艺术感染力，尽显传统绘画的精妙与深刻内涵。",[27,29,32,31,30,33],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fe37f6540367a42df18b1e3f9bcf1f206.jpg","154.9x58.1",[45],{"id":8122,"slug":8123,"title":8124,"dynasty":241,"author":7,"museum":1068,"description":8125,"tags":8126,"thumbUrl":8127,"material":43,"size":8128,"collection":506,"collections":8129,"showCount":7972,"zanCount":49,"manualWeight":49,"mainColor":70},217883,"fang-li-di-shan-shui-tu-yi-ming-217883","仿李迪山水图","李迪是明朝时期著名的画家，他的作品以精细的写实和优美的构图著称。作者的仿李迪山水图也是以精细的写实和优美的构图为特点，但是与李迪不同的是，作者在作品中运用了更加丰富的色彩，使得作品更加生动。\n\n作者的仿李迪山水图展现了中国传统山水画的高超技巧，他的作品中经常出现山峦、溪流、森林、村庄等元素。他擅长运用描绘山水的技法，使作品看起来栩栩如生。此外，作者还注重作品的构图，他善于运用构图中的线条、弧线、曲线等元素，使作品看起来更加流畅。\n\n如果你是艺术爱好者，不妨去看看佚名的仿李迪山水图，感受一下中国传统山水画的魅力。",[27,28,60,122,614,32,162,131,531,82],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F35d43d203f636dbbfcb84fda42745f1c.jpg","36.8x33cm",[506],{"id":8131,"slug":8132,"title":8133,"dynasty":141,"author":7,"museum":172,"description":8134,"tags":8135,"thumbUrl":8136,"material":296,"size":297,"collection":11,"collections":8137,"showCount":8138,"zanCount":351,"manualWeight":49,"mainColor":50},290068,"pu-dian-hua-niao-tu-yi-ming-290068","铺殿花鸟图","这幅古作以沉郁青绿为底，晕染着岁月晕开的斑驳痕迹。枝桠交错间，春梅与海棠次第盛放，花苞轻缀、繁花舒展，柔媚花色和苍劲老枝相映成趣。\n\n两只禽鸟一仰一俯，顾盼有情，翎毛细处勾勒精工、晕染柔和，将娇憨灵动的神态尽数留住。笔墨带着妍雅古拙的意趣，把春日枝梢间的悠然闲静凝于绢素，纵使历经年岁磨洗，依旧能窥见彼时工致雅致的花鸟遗风，将春日幽隽的生机诗意定格。",[27,79,31,32,80,163,542,1330],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F507416e7a89e7cbd27a1fa5d32854bf7.jpg",[],43,{"id":8140,"slug":8141,"title":8142,"dynasty":22,"author":7,"museum":172,"description":8143,"tags":8144,"thumbUrl":8145,"material":296,"size":297,"collection":11,"collections":8146,"showCount":8138,"zanCount":49,"manualWeight":49,"mainColor":739},288544,"li-fo-xiang-yi-ming-288544","立佛像","以铁线白描勾勒全貌，线条遒劲舒展，将衣袂、璎珞层叠的细节尽数铺陈。青莲斜擎于手，宝冠华饰精巧繁复，仪容温婉慈悲，静穆之中尽显庄严华贵。\n\n笔意简练却形神兼备，寥寥数笔便将沉静悲悯的气韵烘托尽致。纸面历经岁月泛黄残破，更添古拙厚重的沧桑质感，带着质朴古雅的沉静力量。未施丹青，却以素墨勾勒出佛教造像的超然之美，是一件极具意趣的宗教白描稿本。",[27,28,123,30,1170,33,434,232],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F071ea652088e58cec0de64d81f9e68b5.jpg",[],{"id":8148,"slug":8149,"title":8150,"dynasty":55,"author":7,"museum":172,"description":8151,"tags":8152,"thumbUrl":8154,"material":296,"size":297,"collection":11,"collections":8155,"showCount":8138,"zanCount":351,"manualWeight":49,"mainColor":70},267670,"gu-xiu-zhu-lin-qi-xian-tu-zhou-yi-ming-267670","顾绣竹林七贤图轴","此作以绣为笔，铺展林下雅集之景。挺秀修竹间朱栏环绕，二人对坐弈棋，落子沉吟间尽显专注；玲珑湖石之侧，两人展卷清谈，悠然自得。溪谷蜿蜒，板桥横波，岸侧三人徐行，小童捧物紧随，似赴雅会。\n配色明雅柔和，墨色皴染湖石尽显苍润，淡赭晕开溪岸，朱金饰衣纹栏杆。劈丝细匀平齐，针脚藏于晕色之间，将笔墨意趣融于丝缕，把魏晋名士萧散简远的林下风流静静晕开，尽显隐逸雅静的林下意韵。",[27,28,29,32,33,145,1623,130,626,131,124,82,1920,8153,1985],"竹林七贤","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ff4e06312f5b0efe7b0fe23a475e31303.jpg",[],{"id":8157,"slug":8158,"title":8159,"dynasty":241,"author":7,"museum":172,"description":8160,"tags":8161,"thumbUrl":8162,"material":296,"size":297,"collection":2200,"collections":8163,"showCount":8138,"zanCount":351,"manualWeight":49,"mainColor":277},254256,"de-hua-yao-bai-you-guan-yin-pu-sa-zuo-xiang-yi-ming-254256","德化窑白釉观音菩萨坐像","德化窑位于今福建德化，故名。作为著名的瓷窑，是福建沿海地区古外销瓷重要产地之一。发现由宋到清历代窑址达一百八十处，重点发掘了屈斗宫、碗坪仑两处窑址。\n德化瓷器是中华陶瓷烧造中的艺术珍品，始于宋代，明代后得到巨大发展。以白瓷塑佛像闻名。其制作细腻，雕刻精美，造型生动，体现了古代劳动人民的卓越才能和艺术创造力。\n在今福建德化，故名。是福建沿海地区古外销瓷重要产地之一。发现由宋到清历代窑址达一百八十处，重点发掘了屈斗宫、碗坪仑两处窑址。\n碗坪仑烧瓷较屈斗宫古窑址早，烧青白瓷，有的接近白釉，刻花蓖划纹装饰较多，盒子遗留甚丰，盖面所印阳纹装饰达一百余种，题材之丰富在南方地区首屈一指，南宋时有专门制作盒子的作坊，盒盖上阳文印花装饰题材丰富，有动物、花卉等近百种图案。划花间篦划纹亦较多，饰在碗、盘、瓶等器物上。\n屈斗宫元代办烧青白瓷，从南宋至元代。明代盛烧白瓷观音、达摩等塑像，胎釉浑然一体，如同白玉，被赞为"象牙白"、"奶白"或 "天鹅绒白。清代除烧白瓷外，盛烧青花与彩绘瓷器。元代以来，德化窑瓷器输出海外，菲律宾、马来西亚出土有元代德化窑青白瓷，泰国及东非坦桑尼亚等国家也出土有清代德化窑青花瓷器。\n这种瓷器的制作工艺程序如下：他们从地下挖取一种泥土，将它垒成一个大堆，任凭风吹、雨打、日晒，从不翻动，历时三、四十年。泥土经过这种处理，质地变得更加纯化精炼，适合制造上述各种器皿，然后抹上认为颜色合宜的釉，再将瓷器放入窑内或炉里烧制而成。因此，人们挖泥堆土，目的是替自已的儿孙贮备制造瓷器的材料而已，大量的瓷器是在城中出售， 一个威尼斯银币能买到八个瓷杯“。马可波罗的介绍，引起了西方人的强烈兴趣。",[931,2194,30,33,268,3788],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ff312c083ebb290befe0117ffdd19a75c.jpg",[2200],{"id":8165,"slug":8166,"title":8167,"dynasty":1461,"author":7,"museum":172,"description":1167,"tags":8168,"thumbUrl":8169,"material":296,"size":297,"collection":11,"collections":8170,"showCount":8138,"zanCount":49,"manualWeight":49,"mainColor":277},253292,"tong-mi-le-fo-zuo-xiang-yi-ming-253292","铜弥勒佛坐像",[1461,403,402,30,33,268,2240],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F7bbdab89a628ce29e8227f6c5937f7b9.jpg",[],{"id":8172,"slug":8173,"title":8174,"dynasty":75,"author":7,"museum":172,"description":8175,"tags":8176,"thumbUrl":8177,"material":11,"size":11,"collection":11,"collections":8178,"showCount":8138,"zanCount":351,"manualWeight":49,"mainColor":70},239659,"mi-fei-san-zha-juan-yi-ming-239659","米芾三札卷","这卷行书尺牍合集，尽显米氏刷字风神。笔势纵逸跌宕，提按转折间萧散俊朗，点画粗细变幻、字形欹侧相生，带着晋人帖学的流丽韵味。\n\n信札皆是日常絮语，性情全融笔墨之中，或舒展或紧敛，枯湿浓淡相映，章法错落天成，全无匠气排布，尽是随手挥写的真趣。卷内钤印琳琅，与笔墨相映，流转着古雅的收藏脉络，尽显宋代文人信手挥毫的随性雅致，将尺牍书法的抒情性与艺术性融为一体，潇洒笔底尽是一代书家的自在风骨。",[26,28,124,96,125,82],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F0728347595c279efbc3ddf6abec3fa9b.jpg",[],{"id":8180,"slug":8181,"title":986,"dynasty":141,"author":7,"museum":172,"description":8182,"tags":8183,"thumbUrl":8184,"material":296,"size":297,"collection":11,"collections":8185,"showCount":8138,"zanCount":49,"manualWeight":49,"mainColor":50},231848,"fo-xiang-yi-ming-231848","中国蒙古族统治者早在建立元朝之前，便先后仿照汉族建筑样式，营建上都及大都两个都城。两都的各种宫殿坛庙建筑组群都有石雕、木雕和琉璃制品。而分布各地的寺庙塑像、石窟造像等亦展示了元代雕塑艺术的概貌。",[26,27,30,29,31,32,33,1056],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fa625b9eb159088ba4568259afe93d57a.jpg",[],{"id":8187,"slug":8188,"title":8189,"dynasty":141,"author":7,"museum":172,"description":8190,"tags":8191,"thumbUrl":8192,"material":11,"size":11,"collection":11,"collections":8193,"showCount":8138,"zanCount":351,"manualWeight":49,"mainColor":50},228212,"hang-zhou-xi-hu-tu-yi-ming-228212","杭州西湖图","以团扇形制铺陈湖山胜概，石青石绿晕染峰峦，古绢底色沉厚，衬得青绿明妍雅致，勾勒出峭拔崖嶂与层叠林木。亭台楼阁依山面水排布，飞檐斗拱精工细绘，尽显江南苑囿的雅致规整。湖面开阔淡远，长桥卧波隐现其间，远山含黛晕出空濛烟岚。\n\n构图虚实相生，繁复界画楼宇与清旷湖山相映，既见对实景的精细摹写，又以淡墨轻岚烘托出西湖柔婉清远的诗意氛围，带着元代青绿山水的复古意趣，将城湖揽胜的雅致图景凝缩尺幅，尽展江南名湖的从容雅致，藏着古人对湖山胜景的倾心描摹。",[26,27,28,1622,32,60,329,129,1623,130,531],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F1a00903c88ee41eed7d372b81389a0b5.jpg",[],{"id":8195,"slug":8196,"title":8197,"dynasty":75,"author":7,"museum":172,"description":8198,"tags":8199,"thumbUrl":8200,"material":11,"size":11,"collection":11,"collections":8201,"showCount":8138,"zanCount":49,"manualWeight":49,"mainColor":50},227391,"e-mi-tuo-fo-jie-yin-tu-yi-ming-227391","阿弥陀佛接引图","佛教绘画自东汉传入中国，在魏晋南北朝时期与中国传统绘画融合发展，使佛教绘画呈现出中国化的趋势，又在隋唐时期统治者大力发展佛教的文化背景下发展到一个隆盛的顶峰。佛画风格融合了中国本土文化从而使佛教绘画完全融合于中国传统绘画，形成了中国特有的佛画艺术风格，充分体现出佛教绘画在中国各朝代发展的历程，实际上就是佛教艺术中国化的过程。",[26,27,28,29,30,33,31,32],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F9f039a18240b22680ef7ebbc367140ee.jpg",[],{"id":8203,"slug":8204,"title":746,"dynasty":75,"author":7,"museum":172,"description":8205,"tags":8206,"thumbUrl":8207,"material":11,"size":11,"collection":11,"collections":8208,"showCount":8138,"zanCount":153,"manualWeight":49,"mainColor":70},227387,"shu-kui-yi-ming-227387","此画选自《宋人收藏绘本》。 原本应该是一种具有实用功能的扇形面条，但后来以相册的形式转化为草图。 全幅双钩挂满，写有一株蜀葵（古称木槿），花苞无数，第二次绽放，布局和姿态自然生动。 比如花瓣的钩子和叶子的锯齿筋，笔刷都一展身手。 枝条、花萼、叶背也染上了青绿色和多汁的绿色，翻到一旁时，显得十分美丽和真实。 虽非作者印章，但画风具有宋代庭院花画的清秀特点，应该出自南宋画院专家之手。",[26,79,27,28,31,32,80,220,82],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fcb3504db8c782a0bf56ff3d8e7afbe96.jpg",[],{"id":8210,"slug":8211,"title":697,"dynasty":171,"author":7,"museum":292,"description":698,"tags":8212,"thumbUrl":8214,"material":296,"size":297,"collection":11,"collections":8215,"showCount":8138,"zanCount":49,"manualWeight":49,"mainColor":50},226168,"ku-zhu-shi-zao-jing-yi-ming-226168",[175,292,30,272,2560,32,8213],"藻井","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Faf0b86238b96498c6a292cd931c6f8b4.jpg",[],{"id":8217,"slug":8218,"title":8219,"dynasty":849,"author":7,"museum":172,"description":5288,"tags":8220,"thumbUrl":8226,"material":296,"size":297,"collection":11,"collections":8227,"showCount":8138,"zanCount":49,"manualWeight":49,"mainColor":50},223962,"si-ru-si-hui-wen-jing-2-yi-ming-223962","四乳四虺纹镜-2",[402,403,8221,2267,268,8222,8223,1586,8224,8225],"铜镜","四乳纹","四虺纹","虺纹","汉代纹饰","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F0746bf344e11ca28318f5bfa45a0bacf.jpg",[],{"id":8229,"slug":8230,"title":8231,"dynasty":75,"author":7,"museum":76,"description":8232,"tags":8233,"thumbUrl":8234,"material":335,"size":8235,"collection":11,"collections":8236,"showCount":8138,"zanCount":49,"manualWeight":49,"mainColor":50},223586,"hua-qian-shou-qian-yan-guan-shi-yin-pu-sa-yi-ming-223586","画千手千眼观世音菩萨","观世音又称观音，是我们最熟悉的一位佛教人物。这尊观音与常见的一头两手的显教观音像不同，他的头顶共有二十六个菩萨头和一个佛头，有一千只手，每一只手的手掌中间又有一只眼睛，所以称为「千手千眼观世音菩萨」，是密教观音的一个重要典型。\n万顷波涛，四天王背负着一座七宝莲台，千手千眼观世音菩萨十分庄严地站在台上。左右各有两位菩萨随侍，下方的天龙八部双手合什，向观音菩萨示敬。观音菩萨头戴化佛宝冠，绀发垂肩，双唇上下都有胡髭，仍作男相。但五官秀美，已流露出女性化的特质。全图赋色妍丽，璎珞装饰和七宝莲台都描绘得十分仔细。人物衣纹线条柔劲流畅，这些特色都与传至日本的南宋佛画十分类似，是一幅难得的南宋佛教绘画精品。",[26,79,27,28,29,30,1170,31,32,1169,33,434,2571,4339,1056,2572,1377,700],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ffeb00110c2af854cb19eb6e127dce762.jpg","176.8公分横：76.2公分",[],{"id":8238,"slug":8239,"title":8240,"dynasty":241,"author":7,"museum":1068,"description":8241,"tags":8242,"thumbUrl":8243,"material":43,"size":8244,"collection":45,"collections":8245,"showCount":8138,"zanCount":49,"manualWeight":49,"mainColor":50},219620,"ming-ren-lao-zi-chu-guan-tu-yi-ming-219620","明人老子出关图","古松虬劲盘绕城关，苍枝舒展如盖。老子安卧牛车之中，仆从前后相随，道童负囊循山径而来，行旅意态松弛悠然。远景山峦以斧劈皴挥写，雄奇险峻间晕染流岚云雾，晕化开山林的幽深空寂。画作以山水衬行旅，将道家归隐出关的澹然意趣，融于苍阔山景之间，人物刻画细腻生动，山水笔力刚劲爽利，把出世的超脱与山川的雄浑相融，尽显古典山水人物画的雅致意韵，藏着悠远沉静的道家风骨。",[27,28,79,29,32,33,60,129,2688,2944,3663,532,162,614,445],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F8b3b3a50865b6183c2ae52a94aaca214.jpg","纵140.3横67.5厘米",[45],{"id":8247,"slug":8248,"title":1549,"dynasty":141,"author":7,"museum":465,"description":8249,"tags":8250,"thumbUrl":8251,"material":43,"size":8252,"collection":87,"collections":8253,"showCount":8138,"zanCount":49,"manualWeight":49,"mainColor":50},219109,"zhu-que-tu-yi-ming-219109","竹影婆娑间，群雀往来嬉戏，或栖于枝梢梳理羽翎，或振翅穿叶掠过石畔，姿态灵动各有妙趣。古石皴法苍劲，纹理间藏着岁月的厚重，与纤巧的竹枝形成刚柔相济的韵致。几簇素白与艳红的花朵点缀其间，色彩淡雅却鲜活，为画面添了几分春意。\n\n笔墨细腻入微，雀鸟的绒毛、竹叶的脉络皆清晰可见，工致中透着自然野趣。仿佛能听见雀鸣轻响，感受到竹林间的清风。整幅画生机盎然却不失静谧，将寻常小景绘就成耐人寻味的雅韵篇章，尽显元代花鸟写生的精妙功底。",[27,31,32,29,80,145,163,146],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F3fc1936f6baabb0c64993bad0713ded8.jpg","纵116.5横52.5厘米",[87],{"id":8255,"slug":8256,"title":8257,"dynasty":55,"author":7,"museum":465,"description":8258,"tags":8259,"thumbUrl":8261,"material":43,"size":8262,"collection":87,"collections":8263,"showCount":8138,"zanCount":351,"manualWeight":49,"mainColor":50},218954,"shou-dai-jin-ji-tu-yi-ming-218954","绶带锦鸡图","锦鸡立于古桩，羽色斑斓：颈间鳞纹细密如织，朱红尾羽迤逦垂落，身姿卓然带贵气。枝头绶带鸟或栖或嬉，翅羽轻展时神态灵动，似有细语在梅间。寒梅绽雪般素白，竹影疏斜着青绿，与棕褐绢底相映成趣，古雅中藏生机。工笔线条细劲如丝，勾勒禽鸟之态、花木之姿皆栩栩如生；设色温润含蓄，红与白、青与褐的层次里，晕染出清逸韵致。整幅画融富贵吉祥于宁静之境，动静相宜间，尽显传统花鸟的雅致与意趣。",[27,28,31,32,80,4969,8260,193,542,145,190,381],"绶带鸟","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F575939c4968d07c9264ca108a1481a65.jpg","79x36cm",[87],{"id":8265,"slug":8266,"title":8267,"dynasty":75,"author":7,"museum":76,"description":8268,"tags":8269,"thumbUrl":8270,"material":43,"size":8271,"collection":87,"collections":8272,"showCount":8138,"zanCount":351,"manualWeight":49,"mainColor":70},218856,"he-tang-yu-lu-tu-yi-ming-218856","荷塘浴鹭图","这幅画描绘了一个有荷花和摇曳的芦苇的浅水塘，一只白头鹅坐在池塘边梳理羽毛。荷花巨大，白粉涂得很重，掩盖了线条，而芦苇则用墨汁扫过，这与通常的花鸟彩色笔法不同，颇为有趣。这幅画的标题可能不正确，因为大雁被误认为是苍鹭。",[26,27,28,219,31,32,80,232,446,1778,332,35],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F36b40f49eb9d1e1a577ea9c7a0e33576.jpg","20.3x19.9",[87],{"id":8274,"slug":8275,"title":8276,"dynasty":241,"author":7,"museum":499,"description":8277,"tags":8278,"thumbUrl":8279,"material":616,"size":11,"collection":45,"collections":8280,"showCount":8138,"zanCount":351,"manualWeight":49,"mainColor":50},218428,"ming-qing-ren-hua-ce-yi-ming-218428","明清人画册","绢本之上，老者凭牛缓行，须发垂落间尽显悠然。宽袍大袖以淡墨勾勒，线条洗练却藏风骨，衣袂似随清风微动。耕牛姿态稳健，四蹄轻移，犄角弯弯如新月，蹄尖点墨似踏过烟霞深处。画面不着山水，留白成韵，将观者思绪引向云外青山、林间溪涧。笔墨简淡却意趣绵长，老者眉宇间的恬淡与耕牛的从容相映，道尽超脱尘俗的隐逸之思。每一笔都似带着松风竹韵，让这份闲适漫溢开来，仿佛能闻得林间鸟语、草叶清香，令人心向往之。",[27,530,123,32,33,2944],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F5f1d0ad0973bfa1b1b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粤海难忘共品茶。”",[27,32,31,530,33,2208,532,1525,346,7201],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F212e19a5991a4ce291daf341239a17f2.jpg","纵29cm,横29.2cm",[],{"id":8571,"slug":8572,"title":8573,"dynasty":241,"author":7,"museum":172,"description":8574,"tags":8575,"thumbUrl":8577,"material":11,"size":11,"collection":11,"collections":8578,"showCount":8516,"zanCount":351,"manualWeight":49,"mainColor":50},228380,"xian-zong-chun-huang-di-xiao-zhen-chun-huang-hou-yi-ming-228380","宪宗纯皇帝；孝贞纯皇后","此作工笔重彩，尽显宫廷肖像的庄重礼制。帝王丰腴持重，长髯垂胸，朝服团龙织金华美厚重，沉静神态间自显九五威仪。皇后凤冠累丝点翠，珠绕翠围，饰纹龙凤交错、珠玉琳琅，面容温婉端雅，衣间绣纹细密精巧，尽显后妃尊荣。\n\n画面设色沉穆富丽，线条工整精细，既恪守宫廷御容的制式规范，又将帝后仪容神韵写实还原，在礼制框架中尽显大明皇室的华贵肃穆之风。",[27,28,33,2348,31,32,8576,270,64,1378],"宫廷人物","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Faffdd58ba212c252b9f919542f805753.jpg",[],{"id":8580,"slug":8581,"title":8582,"dynasty":22,"author":7,"museum":292,"description":8583,"tags":8584,"thumbUrl":8585,"material":296,"size":297,"collection":11,"collections":8586,"showCount":8516,"zanCount":351,"manualWeight":49,"mainColor":50},226508,"fu-shuo-yan-luo-wang-shou-ji-si-zhong-yu-xiu-sheng-qi-wang-sheng-jing-tu-jing-yi-ming-226508","佛说阎罗王授记四众预修生七往生净土经","简称《佛说十王经》。为卷轴式手抄彩绘卷。本经卷属晚唐五代时期敦煌所绘，画风古朴，十分珍罕。本卷为法国伯希和从敦煌带走藏于法国国图的《阎罗王授记经》三种绘卷之一，",[96,28,27,30,32,33,129,31,3053,59,82,124,345],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F00260a4feaf64cbf8c2e55965c1febc7.jpg",[],{"id":8588,"slug":8589,"title":697,"dynasty":171,"author":7,"museum":292,"description":698,"tags":8590,"thumbUrl":8591,"material":296,"size":297,"collection":11,"collections":8592,"showCount":8516,"zanCount":351,"manualWeight":49,"mainColor":50},226478,"ku-zhu-shi-zao-jing-yi-ming-226478",[590,175,30,32,177,190,701],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fc1580716fa7a42cb960dc7cb187dbd2b.jpg",[],{"id":8594,"slug":8595,"title":6947,"dynasty":171,"author":7,"museum":292,"description":698,"tags":8596,"thumbUrl":8597,"material":296,"size":297,"collection":11,"collections":8598,"showCount":8516,"zanCount":351,"manualWeight":49,"mainColor":50},226311,"ku-yong-dao-nan-bi-yi-ming-226311",[175,32,33,30],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F6f632f08039b44b80679e723e2fb93c1.jpg",[],{"id":8600,"slug":8601,"title":8602,"dynasty":171,"author":7,"museum":292,"description":698,"tags":8603,"thumbUrl":8608,"material":296,"size":297,"collection":11,"collections":8609,"showCount":8516,"zanCount":49,"manualWeight":49,"mainColor":50},226173,"ku-qian-shi-xi-bi-yi-ming-226173","窟前室西壁",[175,590,30,32,33,1473,1378,5689,2449,8604,8605,8606,8607],"人物形象","壁画技法","色彩设色","线描勾勒","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fa85e8b7a9cdaee52ab3bffd6f3d309d6.jpg",[],{"id":8611,"slug":8612,"title":8613,"dynasty":55,"author":7,"museum":172,"description":8614,"tags":8615,"thumbUrl":8616,"material":11,"size":11,"collection":11,"collections":8617,"showCount":8516,"zanCount":49,"manualWeight":49,"mainColor":70},223658,"jin-ping-mei-cha-tu-yi-ming-223658","金瓶梅插图","此作为工笔重彩长卷，以分段式构图铺展桥段，院宅厅堂错落排布，人物疏密有致。匠者细绘雕栏花窗、瓶炉陈设，精准还原世家起居样貌，衣袂纹饰鲜妍工丽，各有章法。画面将宴饮雅聚、弈棋闲叙、私会密谈的不同氛围烘托得当，人物神态灵动鲜活，或揖礼叙话，或缱绻依偎，皆细腻传神。青绿、朱红配色明快雅致，兼具界画的工整写实与人物画的气韵生动，把世情日常与深宅韵致相融，尽显清代工笔世俗画的精湛功力，让文字故事具象为可触摸的古典图景。",[26,27,96,32,31,329,33,129,650,131,446,898,1748,649,648,162,127,877],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F31a55519b64b307f10e86240af72bfc4.jpg",[],{"id":8619,"slug":8620,"title":8621,"dynasty":55,"author":7,"museum":172,"description":8622,"tags":8623,"thumbUrl":8625,"material":335,"size":8626,"collection":11,"collections":8627,"showCount":8516,"zanCount":49,"manualWeight":49,"mainColor":50},223551,"hai-tang-bai-tou-tu-yi-ming-223551","海棠白头图","绘蓝色湖石一块，形状凹凸有致；两枝海棠上下各一枝，枝上花朵或绽放，或含苞待放，红色的花朵鲜艳美丽，枝上两只白头翁相向而望，上面的扭头看着下面的那只，而下面也抬头呼应着上面鸟儿，二只鸟儿相亲相爱，活泼可爱。",[26,27,32,80,8624,348,191,552,146,190,144],"兼工带写","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F86d21e5bf0b445cf9d0b9e44de9e88be.jpg","35.9x50.6cm",[],{"id":8629,"slug":8630,"title":8631,"dynasty":75,"author":7,"museum":56,"description":8632,"tags":8633,"thumbUrl":8634,"material":335,"size":8635,"collection":11,"collections":8636,"showCount":8516,"zanCount":351,"manualWeight":49,"mainColor":50},223499,"za-ju-da-hua-gu-tu-ye-yi-ming-223499","杂剧(打花鼓)图页","图中绘二角色，皆为女子扮演，两人均作打拱状。左方一人头戴诨裹，有斗笠等道具置于地上，似为副净色；右方一人，头戴大红花，身着短对襟，干练精神，背后插一扇，上书末色二字，为副末色角色。此图是为数不多为宣传戏剧类的精品册页。",[26,79,27,28,530,31,32,33,687,345],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F8ef48819eecf68aed6bd33519f2d6318.jpg","23.3x24",[],{"id":8638,"slug":8639,"title":8640,"dynasty":75,"author":7,"museum":76,"description":8641,"tags":8642,"thumbUrl":8643,"material":2087,"size":8644,"collection":11,"collections":8645,"showCount":8516,"zanCount":49,"manualWeight":49,"mainColor":50},223436,"song-shen-zong-hou-zuo-xiang-yi-ming-223436","宋神宗后坐像","本幅原属清宫南薰殿旧藏，画无款印，但画中人物相貌传神，洵非想像之作，而且用笔精准、赋色细腻，具备第一流的水准，应出自当时名家之笔。宋仁宗先后曾立两位皇后，其一为郭皇后，另一为慈圣光献曹皇后。由于郭后被废，故此像应系后者。画像中，非惟曹后身着的袆衣、钗冠华丽无伦，连身侧两名侍女，同样衣饰妍丽，满头簪花，与院藏仅绘皇后独自端坐的图像相比，显得格外高贵而出众。",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「舆驾观汴涨」景德三年（1006）宋真宗亲巡汴河河堤的修整；「太清观书」则是景德四年（1007）真宗召文臣观书于太清楼。",[26,27,28,96,32,31,329,3054,33,129,3620,60,131,650,3622,2770,162,8652,516],"官员","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F886b1b71398ace05b9a53062fdfdb8f3.jpg","39x169.1",[85],{"id":8657,"slug":8658,"title":8659,"dynasty":241,"author":7,"museum":76,"description":8660,"tags":8661,"thumbUrl":8662,"material":348,"size":11,"collection":87,"collections":8663,"showCount":8516,"zanCount":49,"manualWeight":49,"mainColor":277},219978,"shuang-xi-tu-yi-ming-219978","双喜图","古松虬曲苍劲，皴笔勾勒出嶙峋肌理，两只鹊鸟栖于枝桠，一者侧目远眺，一者敛羽静立，灵动生姿暗破幽寂。坡石间野卉柔婉绽放，灵芝丛生，青绿与赭石晕染出幽润山意。工写兼施，勾勒细腻却无板滞之感，沉古设色晕染出静谧雅致的氛围，将山野一隅的清宁生机铺陈开来，藏祥瑞意趣于林泉小景，尽显雅致悠远的林下况味，把幽居山野的恬然意趣凝于笔墨方寸间。",[27,32,31,29,80,163,331,162,190,7810,131,614],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F88f61b9d977cd1947a41502e7a1ac6a3.jpg",[87],{"id":8665,"slug":8666,"title":8667,"dynasty":75,"author":7,"museum":254,"description":8668,"tags":8669,"thumbUrl":8670,"material":43,"size":11,"collection":45,"collections":8671,"showCount":8516,"zanCount":49,"manualWeight":49,"mainColor":50},219561,"lv-chun-yang-tu-yi-ming-219561","吕纯阳图","画师以劲爽写意的铁线描勾勒身形，苍髯垂覆胸腹，青巾束发，赤足卓立。宽袍裹挟清癯身姿，双手交叠腹前，面容沉凝肃穆，尽显出尘孤高的仙家气度。衣纹顿挫老辣，落笔简劲朴拙，以水墨写意的意趣晕染出幽远仙风，简淡笔墨间不见繁饰，却将仙人超然世外的风骨凝练于绢素之上，古雅朴厚，寥寥数笔便让仙道意韵溢满画面，尽显古画写意人物的风神格调。",[26,27,28,29,30,32,33],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F80f58a4357362068c7e3accb1c5f0ea0.jpg",[45],{"id":8673,"slug":8674,"title":8675,"dynasty":141,"author":7,"museum":76,"description":8676,"tags":8677,"thumbUrl":8679,"material":43,"size":8680,"collection":45,"collections":8681,"showCount":8516,"zanCount":49,"manualWeight":49,"mainColor":50},219494,"qiu-jing-xi-ying-zhou-yi-ming-219494","秋景戏婴轴","秋郊明月下，六婴儿穿各色绣花长衫，在大树坡石间嬉戏，或捧花提篮，或抚弄兔儿，或招呼同伴，前有盤，盛秋季应时水果。",[27,29,32,31,33,1527,1401,532,162,190,8678,2869],"水果","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F1427670394fd3c7c1a634e14fcc05070.jpg","127x61公分；全幅 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这幅画主要描写了荒凉的村庄和孤独的农夫生活。表达了农民面对贫穷和困难时的悲惨心情。该画中使用了许多自然形象，如荒芜的田野、萧条的树木、寂寞的河流等，来描绘出农民贫困的生活环境。",[26,27,29,144,32,60,613,145,734,614],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fa2c2315df54f03804acdb72342539551.jpg","94x44.6cm",[506],{"id":8983,"slug":8984,"title":8985,"dynasty":241,"author":7,"museum":499,"description":611,"tags":8986,"thumbUrl":8990,"material":616,"size":11,"collection":11,"collections":8991,"showCount":8788,"zanCount":351,"manualWeight":49,"mainColor":70},217951,"ming-ren-shan-shui-hua-ce-si-yi-ming-217951","明人山水画册(四)",[26,27,144,530,614,60,128,131,8987,1142,531,1281,8988,1524,1343,1402,8989],"山崖","远岫","小筑","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ff65090f9ae3fb49fb75219114df41c63.jpg",[],{"id":8993,"slug":8994,"title":8995,"dynasty":75,"author":7,"museum":216,"description":8996,"tags":8997,"thumbUrl":8998,"material":43,"size":8999,"collection":506,"collections":9000,"showCount":8788,"zanCount":351,"manualWeight":49,"mainColor":277},217068,"xi-qiao-gui-qi-tu-yi-ming-217068","溪桥归骑图","《溪桥归骑图》是一幅综合了山水、人物和动物的图画。画中，山水景色非常美丽，清澈的小溪流过葱郁的山谷，山峰高耸入云，森林茂密，景色宜人。在溪边，一名骑马而归的男子和他的马从远处走来，似乎是从旅行中归来。画中还有许多生动的动物，如嬉戏的鹿、石鸡等。",[27,219,60,1006,33,1623,614,32,79],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fbc46ceb389667c533df831b73b9a5047.jpg","18.3x29cm",[506],{"id":9002,"slug":9003,"title":4638,"dynasty":55,"author":7,"museum":172,"description":9004,"tags":9005,"thumbUrl":9006,"material":43,"size":9007,"collection":45,"collections":9008,"showCount":8788,"zanCount":351,"manualWeight":49,"mainColor":50},217061,"luo-han-tu-yi-ming-217061","罗汉图是清朝时期的一张著名图画。这张图画描绘了一个罗汉，也就是佛教中的一种超凡脱俗的人物。罗汉图通常都会描绘罗汉坐在一个莲花座上，并且脸部表情非常平静。罗汉图被认为是一张具有深刻哲学意义的图画，它可以帮助人们思考人生、审视自己内心世界的问题。",[26,27,32,31,30,33,331,162,190,191,29],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F6f0f92db8d3a95be73cc37fc1f75a538.jpg","63x39",[45],{"id":9010,"slug":9011,"title":9012,"dynasty":55,"author":7,"museum":254,"description":9013,"tags":9014,"thumbUrl":9016,"material":724,"size":9017,"collection":45,"collections":9018,"showCount":8788,"zanCount":351,"manualWeight":49,"mainColor":70},214914,"qian-dai-jun-chen-gu-shi-tu-yi-ming-214914","前代君臣故事图","前代君臣故事图是清朝时期的一幅条幅式绘画，其中描绘了前代君臣的故事。这幅画作品的画家是清朝时期的一位佚名画家。\n\n前代君臣故事图中描绘了许多传说中的君臣人物，如唐朝的李靖、西汉的范蠡、周朝的车骑将军等。这些君臣人物均以其忠心耿耿、才华横溢的形象呈现在画面中，并以细腻精巧的线条勾勒出了他们的肖像。\n\n在前代君臣故事图中，这些君臣人物被描绘成温厚谦逊、不畏权势、敬畏天命的英雄人物。他们不仅身经百战、深谙军事，而且还具有极高的政治才能，深受皇帝信任。\n\n前代君臣故事图是清朝时期一幅非常著名的绘画作品，其中所描绘的君臣人物形象鲜活生动，富有感染力，对后代的绘画艺术具有重要的影响。",[26,27,28,96,123,144,33,1006,82,3054,9015],"历史故事","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F36ae494934b6299c2afccbf637aa0c5c.jpg","24.1x299.4",[45],{"id":9020,"slug":9021,"title":9022,"dynasty":658,"author":7,"museum":172,"description":9023,"tags":9024,"thumbUrl":9026,"material":977,"size":9027,"collection":11,"collections":9028,"showCount":8788,"zanCount":49,"manualWeight":49,"mainColor":50},214311,"deng-zhou-she-li-ta-xia-ming-yi-ming-214311","邓州舍利塔下铭","这座塔铭的形式为圆形柱础，直径80.5厘米，厚13厘米；竖铭由14行组成，共13个字，全铭154个字的楷书，刻在石板中央，排列成方形。该塔铭的书法风格融合了汉代和北魏的风格，楷书精致有力，典雅大方，节奏感强，书法功底深厚。",[26,854,124,3054,30,855,9025],"隋代","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fb75c73203388b50e52164530ccf72203.jpg","80.5x80.5",[],{"id":9030,"slug":9031,"title":9032,"dynasty":22,"author":7,"museum":172,"description":9033,"tags":9034,"thumbUrl":9035,"material":296,"size":297,"collection":11,"collections":9036,"showCount":9037,"zanCount":351,"manualWeight":49,"mainColor":70},289580,"yin-lu-yin-lu-fo-xiang-yi-ming-289580","尹魯引路佛像","此作为镂空雕版佛造像，线条洗练古拙，菩萨身姿端丽舒展。宝冠垂缨，璎珞环身，神情恬和悲悯。天衣飘带如流云舒卷，绕身缠回，将静穆佛身衬出灵动仙气。左手执引幡，右手轻捻莲茎，双足踏莲，背光隐现，莲台素雅净洁。\n\n漏空留白恰似梵境虚渺，粗粝纸色晕开古旧禅意，整体造型庄重不失飘逸，尽显引路菩萨慈悲接引之态，静穆间暗含渡化的温柔力量。",[26,30,1170,434,1572,123,2751,177],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F80aeedc119fca7203c8deff4d8155074.jpg",[],39,{"id":9039,"slug":9040,"title":9041,"dynasty":241,"author":7,"museum":172,"description":9042,"tags":9043,"thumbUrl":9045,"material":296,"size":297,"collection":11,"collections":9046,"showCount":9037,"zanCount":49,"manualWeight":49,"mainColor":50},287607,"shi-ba-xue-shi-tu-zhi-yi-yi-ming-287607","十八学士图之一","松竹掩映的庭院雅集间，文士或展卷品题，或执枝赏鉴，仆从侍立童仆随侍，处处透着悠然雅致。设色调和古沉，衣纹勾勒凝练舒展，将文人的沉静姿容尽数描摹。案头的笔墨清供、架上的博古玩物刻画精工，暗合文人心底的审美意趣，把林下雅集的闲逸氛围铺陈开来，将盛世文人群聚论道的从容风雅，永远定格在绢素之上，尽显传统文会雅集里寄情林泉的隽永意涵。",[27,1572,32,31,1985,650,145,1524,9044,34],"文房用具","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F3cad6f0bdb169a31665da09d9d9e46b4.jpg",[],{"id":9048,"slug":9049,"title":9050,"dynasty":22,"author":7,"museum":172,"description":9051,"tags":9052,"thumbUrl":9053,"material":296,"size":297,"collection":11,"collections":9054,"showCount":9037,"zanCount":49,"manualWeight":49,"mainColor":50},287591,"yi-ying-bei-yi-ming-287591","乙瑛碑","此作波磔舒展灵动，蚕头燕尾尽显汉隶典型意趣，结体方正匀整，端庄秀雅。章法上疏朗开阔，行气整饬肃穆，自带庙堂典重之风。\n\n笔画粗细匀净，提按顿挫暗含节律，起收之间法度谨严，朴厚底色暗藏灵动意态，古拙筋骨裹挟秀逸气韵，尽显汉隶成熟期的中正风骨。笔墨沉凝静穆，将大汉雍容端方的气度融于方寸碑石间，观之如沐两汉典雅厚重的文化古韵。",[853,124,854,1421],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ffd77949e6a6f285b9335d307c9a024bd.jpg",[],{"id":9056,"slug":9057,"title":9058,"dynasty":171,"author":7,"museum":172,"description":9059,"tags":9060,"thumbUrl":9062,"material":11,"size":11,"collection":436,"collections":9063,"showCount":9037,"zanCount":49,"manualWeight":49,"mainColor":50},253547,"tao-hua-cai-nv-li-yong-yi-ming-253547","陶画彩女立俑","发髻高挑弯折如新月，仪容温婉沉静，眉眼虽经岁月晕染仍见柔和神态。身着窄袖长裙，垂坠线条勾勒出丰腴秀雅的体态，将盛唐女子的柔美暗藏其中。双手虚抬似正执物侍立，姿态恭谨端方，仿佛正屏息静立侍奉左右。\n\n表层彩绘虽已斑驳剥落，残存釉色晕染依稀可见当年明丽底色，泥土的朴拙与旧时华彩交织，凝住了盛唐闺阁侍女的日常一瞬。她无言伫立，带着千年前安然内敛的气韵，让观者触摸到写实生动、形神兼备的造物匠心，静静诉说着远去时代的审美意趣。",[9061,3858,33,1169,590],"陶","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F0d4178684daad389b7b29c07914e785a.jpg",[436],{"id":9065,"slug":9066,"title":9067,"dynasty":55,"author":7,"museum":56,"description":9068,"tags":9069,"thumbUrl":9071,"material":335,"size":11,"collection":87,"collections":9072,"showCount":9037,"zanCount":49,"manualWeight":49,"mainColor":50},236178,"hong-li-gu-zhuang-tong-jing-ping-yi-ming-236178","弘历古装通景屏","此作以高远法铺展冬日盛景，层叠群山覆着素雪，枯木寒林错落山间，淡墨晕染留白尽显积雪清寒之气，绘出北地冬日的萧寒辽远。\n\n下方宅邸界画工整流利，屋舍俨然。庭院之内人物往来鲜活灵动，或伫立寒暄，或穿梭备事，衣饰鲜亮，为清冷天地晕开融融暖意。画面以萧寒雪景衬宅邸温煦日常，一动一静相映成趣。笔触兼具北宗山水的苍劲雄浑与院体精工之致，将幽居雅集的闲逸意趣，融在素裹天地之中，清冷意境与人间暖意交织，尽显古典园居的雅致韵味。",[27,28,9070,32,31,329,60,129,33,131,952,650],"屏","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fded276fb2933bdf92b40267c15571dff.jpg",[87,506,45,112],{"id":9074,"slug":9075,"title":9076,"dynasty":75,"author":7,"museum":56,"description":9077,"tags":9078,"thumbUrl":9080,"material":1433,"size":9081,"collection":11,"collections":9082,"showCount":9037,"zanCount":351,"manualWeight":49,"mainColor":50},234076,"he-xie-tu-ye-yi-ming-234076","荷蟹图页","宋代的花鸟画是五代黄筌徐熙两家体制基础上得以发展的。北宋初一百多年，黄家体制便是院体规范。北宋中期崔白、吴元瑜变革院体，表现出吸收徐熙一派画法。宋徽宗对不同画风兼收并蓄，南宋画院亦是如此。所以就总体上而言院体继承了黄徐二家的体制。黄氏体制的画法为用墨勾线定形，或填色或染墨，笔法细劲而有变化，其典型之作为工笔设色一类。再看徐熙画法，徐铉称之为“落墨为格，杂彩副之，迹与色不相隐映”。徐熙则自称“未尝以傅色晕淡为功”。\n《宣和画谱》对徐熙很是推崇，认为当时画花者多以色晕染而成，徐熙独到之处在于落墨，极有骨气风神。将黄徐两家的典型风范相比较，黄家偏重于色彩的晕染，徐熙偏重于墨线造型的笔法表现。这其中涉及重色、重墨、运笔造型之道等问题，绘画之形似正由此而来。宋代院体花鸟画的典型面貌为工笔设色一类，讲求赋色之功、笔法之道、造型之细致。宋代院体花鸟画综合黄徐二家，不过在不同时期、不同画家身上有着各自的特点。\n宋代院体花鸟画之所以能够在传神方面达到很高的境界，在于能够从自然万物中直接取得，生意趣味浓厚是其重要的特征，当时众多的作品具备这样的素质。对物象神态丰富细致的描绘是花鸟画成熟的表现。宋代院体花鸟画在细致写实中有得于此。\n《荷蟹图》可能是荷花螃蟹类题材最早的作品。残败的荷叶枯黄斑驳，半浸于水中，一只团脐雌蟹挥螯伏于叶上。潺潺流水中生长、飘浮着红蓼、蒲草、浮萍、水藻等，其叶片边沿均已泛黄，显示出时已临秋，金秋时节，正是蟹美膏肥之时，荷叶的颓势与雌蟹的鲜活形成强烈的对比。画面刻意求真，荷叶用双钩夹叶法描绘，叶之叶筋、斑纹及莛上的小刺都刻意求工，雌蟹用笔缜密严谨。《荷蟹图》画面意境生动，题材别出新意，为宋人写实画作的典范。荷蟹题材在后来的大写意花鸟画中，被徐渭进一步发扬光大，最著名的就是影响深远的徐渭代表作《黄甲图》。这种影响一直波及到现代大家齐白石。",[27,79,28,530,31,32,80,232,9079,2729],"蟹","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F3e974c0d6c4e3129014ed0ecd3f0dc5f.jpg","28.4x28cm",[],{"id":9084,"slug":9085,"title":9086,"dynasty":141,"author":7,"museum":172,"description":9087,"tags":9088,"thumbUrl":9089,"material":348,"size":9090,"collection":11,"collections":9091,"showCount":9037,"zanCount":49,"manualWeight":49,"mainColor":50},232834,"xiang-long-luo-han-tu-zhou-yi-ming-232834","降龙罗汉图轴","画面以深褐底色晕染出幽寂古雅的氛围，层次错落有致。罗汉虬髯凸目，身披蟒纹僧衣，神态威严沉静，正凝神注视下方寒潭。侍童躬身持器静立，蛟龙潜于潭水之间，身姿灵动矫健，水纹与神将周身的焰光相映，烘托出张力满溢的降伏瞬间。\n线条刚劲凝练，设色沉厚古朴，工笔描摹精细入微，将罗汉的威严、龙神的灵动与护法的雄浑刻画尽致，尽显佛教绘画肃穆庄严的神性，亦饱含古雅厚重的丹青意趣。",[26,27,32,30,33,59,29,31],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fae1a0ed0944d2fd736dbeef598ee2e00.jpg","150X68厘米",[],{"id":9093,"slug":9094,"title":9095,"dynasty":241,"author":7,"museum":172,"description":5177,"tags":9096,"thumbUrl":9098,"material":296,"size":297,"collection":2200,"collections":9099,"showCount":9037,"zanCount":351,"manualWeight":49,"mainColor":70},228532,"guan-yao-qing-hua-si-ji-hua-hui-wan-yi-ming-228532","官窑 青花四季花卉碗",[241,2194,5679,5179,9097,190,346],"四季花卉","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F9752a691d3a1959b24b5e6ec7821168e.jpg",[2200],{"id":9101,"slug":9102,"title":9103,"dynasty":75,"author":7,"museum":172,"description":9104,"tags":9105,"thumbUrl":9106,"material":11,"size":11,"collection":11,"collections":9107,"showCount":9037,"zanCount":49,"manualWeight":49,"mainColor":50},227931,"chang-jiang-wan-li-tu-juan-quan-juan-yi-ming-227931","长江万里图卷全卷","以咫尺长卷铺展万里江山，层叠峰岫或雄峙凌天，或温婉藏于烟岚，虚实相生如淡墨梦境。江波澹澹，与远山交织晕染，将长江的逶迤舒展尽致。墨色浓淡铺就山川悠远层次，留白烘托云水之态，带着沉静雅致的宋画风骨。\n整卷如乘舟浮江，揽尽楚天清旷，将山河雄浑与灵秀揉于一处，藏着描摹天地的匠心，与对山河的眷恋深情，一眼便似随江流转，阅尽千里盛景。",[26,27,28,96,144,60,614,130,128,1142,63],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fb5d3564b5c39c17781a9425ca7fb314e.jpg",[],{"id":9109,"slug":9110,"title":9111,"dynasty":75,"author":7,"museum":76,"description":9112,"tags":9113,"thumbUrl":9114,"material":1770,"size":9115,"collection":11,"collections":9116,"showCount":9037,"zanCount":49,"manualWeight":49,"mainColor":50},227850,"xiao-ting-ying-xi-tu-ye-yi-ming-227850","小庭婴戏图页","《小庭婴戏图》是宋代所画的人物画。作者不详，一说是陈宗训所作。中国台北故宫博物院藏。",[26,27,79,28,530,31,32,33,532,346,2869],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ff1dbcffc9191793f4866baf2ef744a0c.jpg","纵26厘米，横25厘米",[],{"id":9118,"slug":9119,"title":9120,"dynasty":849,"author":7,"museum":172,"description":8010,"tags":9121,"thumbUrl":9122,"material":296,"size":297,"collection":11,"collections":9123,"showCount":9037,"zanCount":153,"manualWeight":49,"mainColor":50},223968,"lian-zhi-deng-yi-ming-223968","连枝镫",[402,403,268,346,272],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F17242abe763bb46c0e19633756e9ddaa.jpg",[],{"id":9125,"slug":9126,"title":9127,"dynasty":55,"author":7,"museum":172,"description":9128,"tags":9129,"thumbUrl":9130,"material":11,"size":11,"collection":11,"collections":9131,"showCount":9037,"zanCount":49,"manualWeight":49,"mainColor":50},223677,"qing-lv-shan-shui-tu-juan-yi-ming-223677","青绿山水图卷","此作以平远之境铺展江南山色，石青石绿晕染山峦，古雅沉静的色调里，丘壑蜿蜒秀润，烟波轻笼远浦。村舍隐于松篁之间，板桥渡头有人彳亍，渔舟泛于云水之侧，处处晕染出山居幽澹的闲趣。\n画间题诗与山水呼应，笔墨丹青相融，将林泉隐逸的高致铺陈开来，既有唐宋青绿的古雅遗韵，又兼具清代文人山水的萧散简淡，观之如踏入世外云乡，坐看云野鹤、碧山清溪，沉浸式体味幽居雅趣。",[26,27,28,96,1622,32,31,60,1142,131,734,1623,130],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F7b03cb7a92eca86e797d00727336bf91.jpg",[],{"id":9133,"slug":9134,"title":9135,"dynasty":55,"author":7,"museum":76,"description":9136,"tags":9137,"thumbUrl":9140,"material":11,"size":11,"collection":45,"collections":9141,"showCount":9037,"zanCount":351,"manualWeight":49,"mainColor":50},223410,"ma-zu-qi-ji-yi-ming-223410","妈祖奇迹","妈祖，以中国东南沿海为中心的海神信仰，又称天妃、天后、天上圣母、娘妈等等，是历、现代船工、海员、旅客、商人和渔民共同信奉的神祗。妈祖，原名林默，宋建隆元年（960年）农历三月二十三日诞生于莆田湄洲岛，因救助海难于宋太宗雍熙四年（987年）九月初九逝世。",[26,27,28,31,32,33,131,162,2656,9138,2770,9139],"路径","船帆","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fb0c2fadc1572fad66eb39c5b51f5f0e9.jpg",[45,112],{"id":9143,"slug":9144,"title":9145,"dynasty":241,"author":7,"museum":56,"description":9146,"tags":9147,"thumbUrl":9152,"material":335,"size":9153,"collection":11,"collections":9154,"showCount":9037,"zanCount":49,"manualWeight":49,"mainColor":50},223335,"si-lu-shan-shui-di-tu-meng-gu-shan-shui-di-tu-ming-nei-fu-hui-yi-ming-223335","丝路山水地图.蒙古山水地图.明内府绘","《丝路山水地图》又名《蒙古山水地图》，全图以大青绿山不绘制，东起嘉峪关西至天方城（今沙特麦加）的辽阔地域范围，共标有211个地理坐标，绘于明朝嘉靖三年至嘉靖十八年，为明朝宫廷的皇家地图。",[26,27,28,96,32,1622,31,60,2688,9148,2657,9149,131,9138,9150,7390,9151],"山脉","城池","聚落","地形","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fbf94e5caa9d9b66111751c89f4029807.jpg","59＊3012cm",[],{"id":9156,"slug":9157,"title":9158,"dynasty":75,"author":7,"museum":76,"description":9159,"tags":9160,"thumbUrl":9161,"material":1433,"size":9162,"collection":85,"collections":9163,"showCount":9037,"zanCount":49,"manualWeight":49,"mainColor":50},221237,"qiu-tang-shuang-yan-zhou-yi-ming-221237","秋塘双雁轴","《宋人画秋塘双雁图》是宋代佚名画家创作的一幅中国花鸟古画。\n【简介】 本幅在构图上，将洲岸、水草、残荷搭配在画幅两侧，约略呈一个圆弧状，而画中主题双鹅，则分置在画幅的左右，为这个约略的圆弧所包围，形成幅面整体圆融的气氛。\n虽然北宋後半期，在崇尚淡雅的文人画风引导下，搭配双鹅的背景，为萧瑟衰败的秋荷，但仍隐喻著萧瑟苦寒中亦不改其情意的祥瑞之意。\n画中羽禽水草皆描画精准，强调画面中央空旷平远的构图意念，皆可将本幅画作定为北宋徽宗朝画院之作。\n通幅画面由两幅绢并接而成，或因分合改装，致使接合处略有损伤。\n与雁同科，古人有时 鹅不分而通称。\n本幅画浅滩洲岸上的双鹅，在微微风意中，一只仰天引颈而望；一只蹲伏在红蓼下理翎。\n与二只或掠空飞过；或伫足莲杆上栖息的翡翠，交相呼应。",[26,27,28,29,80,32,31,661,2729,446,332],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ff9b4ee9203899581a619038111bbb7b8.jpg","170x 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，有关专家认为当是官本杂剧中的《眼药酸》。《武林旧事 卷十》 “官本杂剧段数”中有《眼药酸》剧名。此外，元末明初陶宗 仪《南村辍耕録 卷二十五》“院本名目”条下，于“诸杂大 小院本”名目中，载有十数种“酸”目。杂剧剧名中加“酸” 字多是以仕途无望的落魄文人为嘲弄对象的，《眼药酸》也不 例外。\n图中一人腰插一扇，中间开裂，上书一字似“浑”，可能 是插科打译、故意装傻的意思。此人臂肘间有“点青”，右手 指眼睛，左手握一板。另一人衣冠绘满眼睛图案，一手捏着眼 膏瓶，显然是在推销眼药。画幅右侧有一大鼓，仅见小半。是 图虽然绘制的是戏剧场景，但人物的动作、神态表现得非常到 位，体现了画家对当时市井生活的关注。另外，人物的服饰、 装扮对于研究宋代文化具有一定的参考价值。",[27,28,530,31,32,33,9368,9369,346],"杂剧","道具","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F6b48906229f54e9cee3e09f49adeed54.jpg","高23.8厘米，宽24.5厘米",[],{"id":9374,"slug":9375,"title":9376,"dynasty":55,"author":7,"museum":172,"description":9377,"tags":9378,"thumbUrl":9379,"material":11,"size":11,"collection":87,"collections":9380,"showCount":9261,"zanCount":49,"manualWeight":49,"mainColor":50},228932,"qing-yuan-ben-qin-can-tu-juan-xian-jian-yi-ming-228932","清院本亲蚕图卷 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“主题是艺术家用精湛的手工技艺和浪漫诗意的艺术创作观者，并附上了细致而巧妙的《秋山之旅》。",[26,27,28,144,32,614,60,1142,162,131,676,128,1401,9138],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fc1647631e1d4bc460e54daf2facef359.jpg","161*112厘米",[85,506,1116],{"id":9441,"slug":9442,"title":9443,"dynasty":141,"author":7,"museum":56,"description":9444,"tags":9445,"thumbUrl":9446,"material":109,"size":9447,"collection":11,"collections":9448,"showCount":9261,"zanCount":49,"manualWeight":49,"mainColor":70},223560,"yu-lan-guan-yin-tu-yi-ming-223560","渔篮观音图","鱼篮观音是三十三观音相之一，脚踏鳌背，手提盛鱼的竹篮或手提鱼篮的民间少妇形象，因是马郎之妇，故别名唤作”马郎妇观音“。\n佛教中三十三观音之一。手持鱼篮。明宋濂有《鱼篮观音像赞》：“序按《观音感应传》：唐元和十二年（公元817年），陕右金沙滩上有一美艳女子，絜篮鬻鱼，人竞欲室之。女曰：‘妾能授经，一夕能诵《普门品》者，事焉。’黎明，能者二十。女辞曰：‘一身岂堪配众夫邪！请易《金刚经》，如前期。’能者复居其半。女又辞，请易《法华经》，期以三日。惟马氏子能。女令具礼成婚。入门，女即死，死即糜烂立尽，遽瘗之。他日，有僧同马氏子启藏观之，惟有黄金锁子骨存焉。僧曰：‘此观音示现以化汝耳。’言讫飞空而去。自是陕西多诵经者。“",[26,79,27,28,29,30,33,144,123,124,82,4189],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fbc18d37597ee238c26ceb0b013f0ee58.jpg","82.1x32",[],{"id":9450,"slug":9451,"title":9452,"dynasty":241,"author":7,"museum":720,"description":9453,"tags":9454,"thumbUrl":9455,"material":9456,"size":9457,"collection":11,"collections":9458,"showCount":9261,"zanCount":351,"manualWeight":49,"mainColor":50},223405,"tian-long-ba-bu-luo-cha-nv-zhong-yi-ming-223405","天龙八部罗叉女眾","右上题“天龙八部罗叉女众”，上端题“大明景泰五年八月初三日施”。并钤“广运之宝”印。左下书“御用监太监尚义、王勤等奉命提督监造” ​​​​。 ​​​​此图绘有天龙八部中的四位即：天众、龙众、紧那罗、摩呼罗迦。外另四罗叉（刹）女，分别持有刀、剑、弓等武器。从形制看应该还有对幅来组成“八部“，可能已佚。此图是明景泰年间（1450-1457年）宫廷画师所作，极尽华丽之能事，可与法海寺壁画参看。",[26,27,29,31,32,30,33,1056,1380,1377,64],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F08d662c5db16a58703b6f2c0f10c2843.jpg","绢本·设色","141 x 79.2 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在历代流传下来的“货郎图”图示中，我们便可略窥一二。宋代绘画是写实主义的巅峰，《货郎图》则是这一巅峰上的一片奇岫。南宋吴自牧《梦粱录》中提到，当时杭州的小贩在沿街叫卖时“挑担抬盘架”，“担瑜石钉铰金装架儿”，《清明上河图》中，也有货郎在一根扁担的两头各挑一个货架，说明这种一根扁担挑两个货架的销售形式，在两宋很是普遍。因此，画中这位货郎和他的货担，可谓是对十一至十三世纪的流动小商贩的忠实记录。“货郎图”是宋代较为流行的一种表现当时流动小商品买卖的绘画形式。如今存世较为知名的主要有四幅南宋李嵩的《货郎图》（分别藏于北京故宫博物院、台北故宫博物院、美国大都会博物院、美国克利夫兰美术馆）以及一幅传为北宋苏汉臣所作的《货郎图》。",[27,32,31,29,33,4378,5431,3112,131,649,162,1093,877,1401,64,4379,9646,37],"棚架","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F2b38b5a780482a0e4fa98b8ed68079b5.jpg",[],{"id":9650,"slug":9651,"title":9652,"dynasty":55,"author":7,"museum":172,"description":9653,"tags":9654,"thumbUrl":9655,"material":296,"size":297,"collection":11,"collections":9656,"showCount":9571,"zanCount":49,"manualWeight":49,"mainColor":70},234506,"jin-gua-wu-men-shen-ma-yi-ming-234506","金瓜武门神码","此幅武将门神面如冠玉，三绺长髯飘逸出庄重威严。身着遍饰宝相花纹的黄金锁子甲，朱红衬袍翻卷张扬，宝冠翎羽凌厉飒爽。他一手高擎鎏金瓜锤，一手挽定雕弓，背负劲箭，胯侧黑旗猎猎。\n设色浓丽饱和，朱砂、石青与泥金交相辉映，既有民间年画的明快热烈，又暗含庙堂重彩的规整大气。线条刚柔并济，将武将护宅安邦的凛凛神威凝练于方寸之内，带着质朴醇厚的民间祈福意趣，尽显旧时匠人对阖家平安的真挚祈愿，是民俗美术中极具代表性的工致之作。",[27,28,32,31,2751,33,2405,345,30],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F2aef900541f967bea555c81cfa0a3a1a.jpg",[],{"id":9658,"slug":9659,"title":9660,"dynasty":55,"author":7,"museum":56,"description":9661,"tags":9662,"thumbUrl":9665,"material":109,"size":9666,"collection":506,"collections":9667,"showCount":9571,"zanCount":49,"manualWeight":49,"mainColor":70},233082,"ping-ding-miao-jiang-zhan-tu-ce-yi-ming-233082","平定苗疆战图册","清朝宫廷内绘制的大量画幅，在清王朝覆灭之前，大部分均藏储于宫中及皇家园林行宫内。其中一部分于咸丰十年（1860）和光绪二十六年（1900），英法联军及八国联军侵华时遭到劫掠，或被毁坏，或流失海外，清亡后亦有少量散佚，而主要部分后来都成为在明、清皇宫基础上建立起来的北京故宫博物院的藏品。现在，清代的宫廷绘画，除了少量分藏于境内外其他一些博物馆外，比较集中地收藏于北京故宫博物院和台北故宫博物院。",[27,28,530,32,31,329,33,60,1006,1623,129,162,131,2770,9663,9664,64],"军队","战阵","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fbb44c58ab354d81ed622cd3e2e54cb07.jpg","纵55.4cm，横90.8cm",[506,45,112],{"id":9669,"slug":9670,"title":9671,"dynasty":141,"author":7,"museum":172,"description":9672,"tags":9673,"thumbUrl":9674,"material":11,"size":11,"collection":11,"collections":9675,"showCount":9571,"zanCount":351,"manualWeight":49,"mainColor":739},232889,"yuan-dai-di-hou-xiang-yi-ming-232889","元代帝后像","元世祖后彻伯尔，元史表作昭睿顺圣皇后，名察必。济宁忠武王按陈之女。初为世祖妃，中统二年（1262）被立为皇后。彻伯尔因容貌出众，德才兼备，是众多后妃中最受世祖宠爱的一位。彻伯尔后在生活上自奉俭约，率宫女制作结实美观的服饰、实用地毯，还创制了比甲服饰等，适于骑猎穿着。受到世祖和诸大臣的称赞。至元十八年（1281）得病去世。元成宗即位后，追谥昭睿顺圣皇后。\n元代有一批职业画家服务于宫廷，创作了不少帝后肖像画。台北故宫博物院收藏了一套《元代帝后像册》，帝像8帧：计为太祖成吉思汗、太宗窝阔台、世祖忽必烈、元成宗、元武宗、元仁宗、元文帝、元宁宗；后像15幅：计为元世祖后像一、顺宗后像三、武宗后像三、仁宗后像一、英宗后像二、明宗后像一、宁宗后像一以及后纳罕像一、佚名后像四。",[27,79,31,32,33,345,39],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F4337559b52f41b0ad3cc4b4725a4696c.jpg",[],{"id":9677,"slug":9678,"title":9679,"dynasty":75,"author":7,"museum":172,"description":9680,"tags":9681,"thumbUrl":9682,"material":11,"size":11,"collection":11,"collections":9683,"showCount":9571,"zanCount":153,"manualWeight":49,"mainColor":50},227350,"gong-nv-tu-tuan-shan-yi-ming-227350","宫女图团扇","团扇，又称宫扇、纨扇，是中国汉族传统工艺品及艺术品，是一种圆形有柄的扇子，它代表着团圆友善、吉祥如意 [1] 。团扇起源于中国。扇子最早出现在商代，用五光十色的野鸡毛制成，称之为“障扇”。\n当时，扇子不是用来扇风取凉，而是作为帝王外出巡视时遮阳挡风避沙之用。西汉以后，扇子开始用来取凉。三国时诸葛亮轻摇鹅毛扇，妙计横生，运筹帷幄。羽扇出风缓软，不入腠理。东汉时，大都改羽扇为丝、绢、绫罗之类织品，以便点缀绣画。一轮明月形的扇子称之为“纨扇”或“团扇”，也叫“合欢扇”。当时扇子有长圆、葵花、梅花、六角、匾圆之形；亦有木、竹、骨等材之柄；还有扇坠、流苏、玉器之饰。\n宋以前称扇子，都指团扇。王昌龄《长信愁》诗：“奉帚平明秋殿开，且将团扇共徘徊”。《杖扇新录》载：近世通用素绢，两面绷之，或泥金、瓷青、湖色，有月圆、腰圆、六角诸式，皆倩名人书画，柄用梅烙、湘妃、棕竹，亦有洋漆、象牙之类。名为“团扇”。圆形或近似圆形扇面，扇柄不长。现在的团扇扇柄较长，越来越符合大众审美。",[26,79,27,28,219,32,33,31,127,346,345,39,82],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fd3a0f76cfffbd1d013df65fbdf7e9d6f.jpg",[],{"id":9685,"slug":9686,"title":2998,"dynasty":171,"author":7,"museum":292,"description":698,"tags":9687,"thumbUrl":9688,"material":296,"size":297,"collection":11,"collections":9689,"showCount":9571,"zanCount":49,"manualWeight":49,"mainColor":50},226203,"ku-yong-dao-bei-bi-yi-ming-226203",[175,590,30,33,32],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F46e7236b0a3e1df45295caa078c000c8.jpg",[],{"id":9691,"slug":9692,"title":9693,"dynasty":22,"author":7,"museum":172,"description":9694,"tags":9695,"thumbUrl":9696,"material":11,"size":11,"collection":11,"collections":9697,"showCount":9571,"zanCount":49,"manualWeight":49,"mainColor":50},223615,"di-shi-san-yin-jie-tuo-zun-zhe-tu-yi-ming-223615","第十三因揭陀尊者图","半袒上身的尊者安坐崖间，高眉深目，虬髯微张，神情沉静威严，身后圆光晕染出清净圣格。身旁神兽昂首嘶吼，筋骨劲健灵动，动静之间形成鲜明反差，更衬出尊者静定无波的禅心。\n画作设色调和古雅，衣纹勾勒顿挫苍劲，晕染细致，既将织物厚重质感铺陈开来，又将尊者伟岸身形刻画入微。淡墨晕染山石云气，晕开幽寂清旷的禅意氛围。工写兼备之下，将尊者慈悲威严的气度与神兽悍勇神态尽皆展现，尽显古宗教绘画的肃穆高华与精湛笔力。",[26,27,28,29,30,31,32,33,272],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F3a690d779abe88933909687b4c9e34c7.jpg",[],{"id":9699,"slug":9700,"title":9701,"dynasty":75,"author":7,"museum":56,"description":9702,"tags":9703,"thumbUrl":9704,"material":1433,"size":9705,"collection":85,"collections":9706,"showCount":9571,"zanCount":49,"manualWeight":49,"mainColor":50},223532,"shui-ge-feng-liang-tu-yi-ming-223532","水阁风凉图","绘古木掩映下一茅亭临江而建，远处山色空蒙，中为平川水田。宁外巨石错落，泉水奔流，亭内置一方桌，一折衣长者袖手停立桌前，仆人执扇侍立一侧。",[26,27,28,60,32,614,129,532,162,130],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F37929b949c027168c6a1aef447280eae.jpg","22.5x21.1厘米",[85,506,1116],{"id":9708,"slug":9709,"title":9710,"dynasty":241,"author":7,"museum":1201,"description":9711,"tags":9712,"thumbUrl":9713,"material":43,"size":9714,"collection":87,"collections":9715,"showCount":9571,"zanCount":351,"manualWeight":49,"mainColor":50},219078,"yu-qin-tu-yi-ming-219078","浴禽图","画的是一只站在木盆边上的黑鸟，盆里装了一半的水，鸟的嘴很尖，全身都是黑毛，翅膀中间和尾羽上都有一族白色的羽毛装饰。",[27,79,28,31,32,80,163,346],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F05cb17584d98781bb9ead39718e572d4.jpg","23.5x23.5cm",[87],{"id":9717,"slug":9718,"title":9719,"dynasty":75,"author":7,"museum":76,"description":9720,"tags":9721,"thumbUrl":9722,"material":43,"size":9723,"collection":87,"collections":9724,"showCount":9571,"zanCount":49,"manualWeight":49,"mainColor":70},218731,"cao-chong-gua-shi-tu-yi-ming-218731","草虫瓜实图","瓜果成熟，吸引了蝈蝈（也叫织女），其生产力蓬勃发展；果实肥沃，瓜的叶子和胡须是蔓生植物，可以继续生长，有 希望多子 的美好含义。瓜皮被染成老绿色，瓜棱被填上赭石，裂缝被染成淡淡的石绿色。瓜的叶子的边缘已经枯萎，呈赭黄色。",[26,79,27,28,530,31,32,2494,4132,221],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F577659173433558d7dedcd3a2518e7f0.jpg","23.5x24.8",[87],{"id":9726,"slug":9727,"title":9728,"dynasty":141,"author":7,"museum":1863,"description":9729,"tags":9730,"thumbUrl":9731,"material":616,"size":9732,"collection":45,"collections":9733,"showCount":9571,"zanCount":351,"manualWeight":49,"mainColor":50},218441,"han-shan-shi-de-tu-yi-ming-218441","寒山拾得图","画面分呈两段意趣：左间二人相倚，笑意温软如沐春风，似是知音对语；右处禅者踞岩，虎伴身侧驯若良朋，尽显禅心化境。淡墨晕染烟岚轻笼的山野，线条简括却勾摹出人物神态的鲜活与自然的清旷。草木疏朗，山石朴拙，处处透着元人画中那份超然尘外的禅意与闲逸。素净之笔未施浓彩，却将隐逸的自在与禅理的圆融悄然铺展，观之令人忘俗。",[26,27,144,123,614,33,887,60,131,146,63],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F4f0e535c4564e424c74e7b09730c1015.jpg","56x110.2",[45],{"id":9735,"slug":9736,"title":9737,"dynasty":55,"author":7,"museum":172,"description":9738,"tags":9739,"thumbUrl":9740,"material":43,"size":9741,"collection":45,"collections":9742,"showCount":9571,"zanCount":49,"manualWeight":49,"mainColor":50},218289,"xuan-zong-lin-jing-tu-yi-ming-218289","玄宗临镜图","绢色泛黄如浸旧时光，朱红栏杆圈定宫室一角，竹影斜映窗棂，案上瓶花静立。玄宗红衣临镜，眉宇间似凝沉思，侍从持物侍立，姿态恭谨；侧室仕女闲坐，衣袂轻扬，添几分柔婉。旁题“韩休为相”语，暗牵盛唐典故——玄宗因韩休直言自省，临镜之态恰与纳谏之心呼应。\n\n画作以细腻笔触摹写人物神态，场景疏密得宜，于日常起居间藏史事隐意。既见宫廷生活的雍容，亦含对为政自省的隐括，方寸绢素间，绘就一段被时光凝定的盛唐记忆，笔端流转的不仅是形色，更是史韵与哲思的交融。",[27,28,31,32,329,33,129,2710,345,877],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F70abb2788b3569eccbc73c8780a21f36.jpg","30x31",[45],{"id":9744,"slug":9745,"title":9746,"dynasty":141,"author":7,"museum":368,"description":9747,"tags":9748,"thumbUrl":9750,"material":43,"size":9751,"collection":506,"collections":9752,"showCount":9571,"zanCount":49,"manualWeight":49,"mainColor":50},218209,"song-quan-gao-shi-tu-yi-ming-218209","松泉高士图","图画的背景是一片茂密的森林，松树和松针在风中摇曳。整幅图画给人以庄严肃穆的感觉，表达了对松泉高士伟大品格的敬意。",[27,79,219,32,60,33,1524,9749,130,162,131,614],"泉","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F4041017ea2d172063a033356abfa97ad.jpg","24x27.3cm",[506],{"id":9754,"slug":9755,"title":9756,"dynasty":75,"author":7,"museum":76,"description":9757,"tags":9758,"thumbUrl":9759,"material":43,"size":4824,"collection":45,"collections":9760,"showCount":9571,"zanCount":351,"manualWeight":49,"mainColor":50},216946,"luo-han-zhou-yi-ming-216946","罗汉轴","罗汉轴是一种古代中国的手卷绘画。它们通常以佚名作者为代表，出现在宋朝（960-1279年）时期。罗汉轴的主题通常是佛教经典和寺庙仪式中的罗汉（即被提升到超凡脱俗境界的佛教徒）。这些绘画通常画在绢上，并装在木质卷轴架上。它们是当时中国绘画艺术的重要组成部分，被视为宝贵的艺术品。",[27,28,29,30,31,32,33,532,34,2707],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F802b4b5465a9970a4423478868b05daf.jpg",[45],{"id":9762,"slug":9763,"title":9764,"dynasty":55,"author":7,"museum":172,"description":9765,"tags":9766,"thumbUrl":9767,"material":43,"size":11,"collection":11,"collections":9768,"showCount":9571,"zanCount":49,"manualWeight":49,"mainColor":50},216712,"hong-lou-meng-fu-tu-ce-12-yi-ming-216712","红楼梦赋图册-12","柳丝轻垂如帘，将内外景致温柔分隔。室外女子衣袂轻扬，或低语或凝眸，衣色淡雅如春日烟霞；栏杆旁草色萌新，山石间点缀细花，尽是闺中闲静之态。室内帐幔层叠，朱红与素白交织出朦胧暖意，卧榻人影隐约，似含一缕慵懒或幽思。笔墨细腻处，人物神态温婉流转，陈设精巧如真——案上器物、窗边棂格，皆藏着古典生活的雅致余韵。整幅画晕染着红楼特有的幽微情致，似将一段闺阁闲情定格，让观者窥见旧时光里的细腻光影，心绪也随那轻垂的柳丝，坠入这绢素间的温柔梦境。",[26,27,32,31,530,33,127,2656,131,650,346],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F4c66a7352a3be6cd1b31ff1a6fead007.jpg",[],{"id":9770,"slug":9771,"title":9772,"dynasty":55,"author":7,"museum":172,"description":9773,"tags":9774,"thumbUrl":9775,"material":43,"size":11,"collection":45,"collections":9776,"showCount":9571,"zanCount":49,"manualWeight":49,"mainColor":50},216116,"zhi-gong-tu-ju-fu-cai-hui-ce-ye-di-2-ce-yi-ming-216116","职贡图巨幅彩绘册页第2册","画面绘两位人物，衣饰各具地域风貌。左侧人物着蓝紫条纹长袍，衣襟微敞露橘色内衬，腰间垂黄绒饰带，神态温婉；右侧人物头戴红顶软帽，身披绿纹长褂，内搭红衣，双手拢于袖中，面容憨厚。人物线条流畅细腻，衣料纹理清晰可触，设色古朴雅致，尽显织物质感与人物情态。旁附文字注解，似载族群风俗。整幅作品生动还原清代边疆或外域族群的服饰与神态，既是笔墨精妙的艺术佳作，亦是研究当时民族交流、文化风貌的珍贵图像凭证，尽显职贡图类作品的历史厚重与艺术灵光。",[26,27,28,530,32,31,33,345],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F1896e597091b8c11ab1ab56e5e2dcb9a.jpg",[45],{"id":9778,"slug":9779,"title":9780,"dynasty":55,"author":7,"museum":172,"description":9781,"tags":9782,"thumbUrl":9783,"material":43,"size":9784,"collection":45,"collections":9785,"showCount":9571,"zanCount":49,"manualWeight":49,"mainColor":70},215915,"qing-ren-xiao-xiang-tu-ce-yi-ming-215915","清人肖像图册","绢本泛黄的底色里，端坐的身影裹着靛蓝长袍，红顶小帽衬得面容温润沉静。案几上器物默然伫立，似凝住一室清寂时光。左侧圆窗裁取山石花木之景，墨色浅淡间晕染出中式居停的雅致意趣。衣纹线条简洁却见功底，面部晕染细腻，将人物温婉神态悄然托出。整幅画无繁复铺陈，却以简淡笔触勾勒出清代人家的日常片段——那份浸润在时光里的从容娴静，仿佛能透过画面漫溢开来，引人沉浸于岁月沉淀的悠然。",[27,32,33,31,530,345,346,146,920],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F283674bde9cfd07398bfe9ae23ea3a59.jpg","44x40",[45],{"id":9787,"slug":9788,"title":9789,"dynasty":55,"author":7,"museum":172,"description":9790,"tags":9791,"thumbUrl":9793,"material":616,"size":11,"collection":45,"collections":9794,"showCount":9571,"zanCount":49,"manualWeight":49,"mainColor":70},215884,"qing-dai-xing-fa-ji-lu-tu-ce-1-yi-ming-215884","清代刑罚记录图册-1","画面以写实笔触铺展清代刑罚场景：左侧受刑者跪伏在地，红衣褐裤裹着蜷缩的身躯，面露苦楚尽显卑微；旁立行刑者蓝衣束身，高举刑具的动作凌厉，透着不容置喙的威慑；右侧紫袍者手持纸笔静立，神情肃穆作记录状，旁观姿态更添场景的压抑感。色彩对比鲜明，红褐的沉郁与蓝紫的冷硬交织，勾勒出权力与惩戒的张力。线条简练却精准捕捉神态，受刑者的蜷缩、行刑者的决绝、记录者的冷峻，层层铺陈出司法场景的森严。它以具象视觉语言，将制度威严与个体境遇浓缩于方寸，既是刑罚实况的生动留存，也为窥见清代社会秩序提供了鲜活的图像注脚。",[160,32,33,530,9792],"刑罚","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fd74468a25c6a13c4db2144eeb2f275b5.jpg",[45],{"id":9796,"slug":9797,"title":9798,"dynasty":55,"author":7,"museum":172,"description":9799,"tags":9800,"thumbUrl":9802,"material":616,"size":11,"collection":11,"collections":9803,"showCount":9571,"zanCount":351,"manualWeight":49,"mainColor":70},215868,"qing-dai-gong-ting-ren-wu-hua-ce-1-yi-ming-215868","清代宫廷人物画册-1","端坐的身影裹着一身流光溢彩的华服，蓝紫底色上，龙纹与祥云交织成流动的星河，青绿点缀其间，似将春日生机锁进衣袂。朱红椅幔垂落，衬得人物眉眼沉静，唇边淡笑藏着宫廷深处的威仪与从容。脚踏青绿如苔痕，椅脚线条简洁却不失庄重，每一处纹饰都低语着旧时规矩与精致。泛黄纸页晕开时光痕迹，而画中锦绣、那份气度仍鲜活如昨，仿佛伸手便能触到当年宫廷里的暖光与静穆。这不仅是一幅肖像，更是一段凝固的旧梦，在色彩与线条间，窥见清代宫廷的庄重与华美。",[27,79,160,31,32,33,9801,345],"宫廷","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fa04af866bb80c765e6868aec967aa5a9.jpg",[],{"id":9805,"slug":9806,"title":9807,"dynasty":22,"author":7,"museum":172,"description":9808,"tags":9809,"thumbUrl":9810,"material":296,"size":297,"collection":11,"collections":9811,"showCount":9812,"zanCount":49,"manualWeight":49,"mainColor":739},287924,"zhong-qiu-tie-yi-ming-287924","中秋帖","此作用笔极简，枯瘦梅枝苍劲老辣，寥寥枝桠斜斜舒展，数朵墨梅轻绽枝头，淡墨勾瓣，清灵雅致，尽现寒梅疏淡傲骨之姿。\n\n满幅朱红鉴藏印方圆错落排布，金石质感的厚重朱砂，与清隽墨色相映成趣，将文人画的清冷风骨，与辗转递藏的岁月底蕴相融。朱墨之间，花木的幽远意趣与典藏的风雅厚重交织，淡远高古的悠然意境扑面而来，尽显传统书画藏玩交融的别致韵味。",[27,28,80,542,123,144,82],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F2d82e2f75d477218ca64ea6643900b84.jpg",[],36,{"id":9814,"slug":9815,"title":9816,"dynasty":55,"author":7,"museum":172,"description":3338,"tags":9817,"thumbUrl":9818,"material":296,"size":297,"collection":11,"collections":9819,"showCount":9812,"zanCount":351,"manualWeight":49,"mainColor":50},267608,"cai-se-duan-xiu-he-lu-san-yang-mei-que-wen-ming-xing-pian-jia-yi-ming-267608","彩色缎绣鹤鹿三羊梅雀纹名姓片夹",[1924,41,31,32,404,358,3102,1431,1524,542,80,272,2195,39],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fa2b9155225671ffe2fe720d6ecd8bd8d.jpg",[],{"id":9821,"slug":9822,"title":9823,"dynasty":55,"author":7,"museum":172,"description":9287,"tags":9824,"thumbUrl":9827,"material":296,"size":297,"collection":11,"collections":9828,"showCount":9812,"zanCount":49,"manualWeight":49,"mainColor":5626},264380,"xue-hui-se-chou-xiu-gui-hua-wen-chang-yi-liao-yi-ming-264380","雪灰色绸绣桂花纹氅衣料",[345,41,1924,9825,9826],"桂花纹","氅衣","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F276292c253ec7ea6220c5069fabb2eb3.jpg",[],{"id":9830,"slug":9831,"title":9832,"dynasty":8,"author":7,"museum":172,"description":9833,"tags":9834,"thumbUrl":9836,"material":11,"size":11,"collection":408,"collections":9837,"showCount":9812,"zanCount":49,"manualWeight":49,"mainColor":70},243456,"liu-yin-ji-he-wen-jian-yi-ming-243456","鎏银几何纹剑","狭长剑身缓缓收聚为锐利剑锋，线条洗练利落，素朴器型暗藏冷冽杀伐之气。周身铜绿晕染，是岁月浸蚀出的斑驳印记，将千年前的兵戈倥偬凝于一身。窄短剑格与素面剑柄利落衔接，浑然一体，尽显规整大气，仿佛依旧能映出古战场上的戈矛交错，缄默承载着尚武年代的征伐荣光，静诉逝去的烽火岁月。",[2405,402,9835,8341],"鎏银","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F51f86e5e7d5ed680dc6b57604575ba46.jpg",[408],{"id":9839,"slug":9840,"title":9841,"dynasty":849,"author":7,"museum":172,"description":9842,"tags":9843,"thumbUrl":9846,"material":11,"size":11,"collection":408,"collections":9847,"showCount":9812,"zanCount":49,"manualWeight":49,"mainColor":50},242890,"shou-er-xian-huan-hu-yi-ming-242890","兽耳衔环壶","敞口束颈，鼓腹圈足，整体造型圆润饱满，尽显古拙大气。两侧兽耳衔环，简约刻画便自带威严厚重之感。器身舍去繁复纹饰，仅以数道弦纹点缀，将青铜材质本身的朴拙质感烘托尽致。\n\n经年的铜绿深浅晕染，覆裹周身，沉淀着漫长岁月的痕迹，将汉代崇尚雄浑质朴的造物审美全然展现。静立间带着沉凝的历史张力，把上古器物的肃穆与厚重娓娓道来，是古拙美学的绝佳注脚。",[852,402,403,9844,9845,268,346],"兽耳","衔环","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F1f1ee5276216fb3f569205b5120edf3f.jpg",[408],{"id":9849,"slug":9850,"title":9851,"dynasty":55,"author":7,"museum":172,"description":9852,"tags":9853,"thumbUrl":9854,"material":11,"size":11,"collection":506,"collections":9855,"showCount":9812,"zanCount":49,"manualWeight":49,"mainColor":70},235978,"ban-shan-shan-shui-ren-wu-ce-yi-ming-235978","半山山水人物册","此作为水墨小品，以极简笔墨勾勒出幽寂林泉之境。左侧孤松虬劲老辣，枯笔皴出斑驳躯干，苍叶错落点缀，自带岁月经年的古拙气质。树下幽人趺坐，身形简括传神，行囊置于身侧，似于行路间暂歇，静对青山。\n\n右侧山峦以淡墨晕染，虚实交融，大片留白衬出天地空茫悠远，将山野的清寂空灵尽数铺展。全画以少胜多，枯淡兼济，苍松的劲挺与远山的柔润形成视觉对冲，却和谐融于静穆清和的氛围之中，藏着文人幽栖林泉、寄情山水的恬然心境，淡远悠长，引人沉湎于这份林间独处的闲静禅意。",[27,144,530,60,33,613,146,2209],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F56ec0ac9a60a4aef1b499b224e753c3c.jpg",[506,45,1116],{"id":9857,"slug":9858,"title":9859,"dynasty":141,"author":7,"museum":172,"description":9860,"tags":9861,"thumbUrl":9862,"material":11,"size":11,"collection":11,"collections":9863,"showCount":9812,"zanCount":351,"manualWeight":49,"mainColor":50},232800,"ying-zhen-tu-shi-ba-luo-han-zuo-yi-ming-232800","应真图(十八罗汉 左)","隋唐以来，不少画家画过《罗汉图》，宋代更为盛行。画《罗汉图》不是用以供奉礼拜，而是为了欣赏，是把宗教题材世俗化，可以说，这是中国绘画史上的一大变迁。\n罗汉像多是耳戴金环，丰颐悬额，隆鼻深目，长眉密髯，服装与配饰具有异域色彩。五代之后，中国画家吸取我国传统人物画风格来画罗汉像，使具有宗教色彩的罗汉中国化。唐代禅宗兴起，主张顿悟，见性成佛，认为世间万物本身自有佛性。禅宗认为，自然界的山川河流、草木花鸟、风雨雷电和人世间百般实相都可以参禅，成为顿悟佛性的机缘。",[27,28,29,30,32,31,33,887],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F759fd55d66556766afd7f1236ed8d067.jpg",[],{"id":9865,"slug":9866,"title":9867,"dynasty":55,"author":7,"museum":172,"description":5639,"tags":9868,"thumbUrl":9871,"material":296,"size":297,"collection":11,"collections":9872,"showCount":9812,"zanCount":351,"manualWeight":49,"mainColor":70},229148,"yin-du-jin-qian-zhu-bao-long-xi-zhu-zan-yi-ming-229148","银镀金嵌珠宝龙戏珠簪",[1685,2239,431,2647,9869,39,346,59,9870],"银","戏珠","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fbf30df761f6b9b16be2b9c497f63f4e7.jpg",[],{"id":9874,"slug":9875,"title":9876,"dynasty":241,"author":7,"museum":172,"description":9877,"tags":9878,"thumbUrl":9879,"material":296,"size":297,"collection":11,"collections":9880,"showCount":9812,"zanCount":49,"manualWeight":49,"mainColor":50},228785,"shi-yi-mian-qian-shou-guan-yin-xiang-yi-ming-228785","十一面千手观音像","十一面观音，Ekādaśa mukhānām Avalokiteśvara，六观音之一，主救济阿修罗道，给众生以除病、灭罪、增福之现世利益。总之为除恶导善，引众生入佛道之菩萨。",[26,27,28,30,33,31,32,29],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F6d021d8e9cc61cc2bc69122214eef57e.jpg",[],{"id":9882,"slug":9883,"title":9884,"dynasty":141,"author":7,"museum":172,"description":1441,"tags":9885,"thumbUrl":9886,"material":296,"size":297,"collection":11,"collections":9887,"showCount":9812,"zanCount":351,"manualWeight":49,"mainColor":50},228201,"bi-hua-tu-ye-yi-ming-228201","壁画图页",[26,175,27,28,32,31,33,127,532,60,345],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F7378d93b9a62ea1e98536887833518d0.jpg",[],{"id":9889,"slug":9890,"title":9891,"dynasty":1491,"author":7,"museum":172,"description":6236,"tags":9892,"thumbUrl":9893,"material":296,"size":297,"collection":11,"collections":9894,"showCount":9812,"zanCount":49,"manualWeight":49,"mainColor":277},226731,"ya-xing-wen-fu-yi-ding-yi-ming-226731","亚形文父乙鼎",[2042,402,2267,268,973,580,406,1494],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fbe5e2837847f970d98f78e06452c99c1.jpg",[],{"id":9896,"slug":9897,"title":9898,"dynasty":599,"author":7,"museum":172,"description":9899,"tags":9900,"thumbUrl":9902,"material":296,"size":297,"collection":11,"collections":9903,"showCount":9812,"zanCount":49,"manualWeight":49,"mainColor":277},226719,"su-xi-bi-yi-ming-226719","素系璧","青玉，灰脂色，滿布深淺不一的褐絲紋，半透明。全器為一單面鑽孔所剩下的鑽心所作成，外緣斜壁有多個磨面和磨稜；中孔單面桯鑽，方向與原器之鑽孔方向相反，孔壁亦斜而有旋轉紋，上口大，底口小而留有毛邊。表面光素溫潤。可能係用製作大璧中孔所剩之圓片加工而成。",[267,346,268,9901,599],"素面","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fbff59e66b31215d293507e01c23b9f35.jpg",[],{"id":9905,"slug":9906,"title":5990,"dynasty":171,"author":7,"museum":292,"description":698,"tags":9907,"thumbUrl":9908,"material":296,"size":297,"collection":11,"collections":9909,"showCount":9812,"zanCount":49,"manualWeight":49,"mainColor":50},226428,"ku-zhu-shi-nan-bi-yi-ming-226428",[175,30,32,33,700,131,179],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F08777adc12a281b4f272525453b21ba4.jpg",[],{"id":9911,"slug":9912,"title":2446,"dynasty":171,"author":7,"museum":292,"description":698,"tags":9913,"thumbUrl":9915,"material":296,"size":297,"collection":11,"collections":9916,"showCount":9812,"zanCount":351,"manualWeight":49,"mainColor":277},226208,"ku-zhu-shi-dong-bi-yi-ming-226208",[175,30,32,31,33,129,345,5689,2656,9914,64],"群像","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F1ca7ce3df90bf739387683632798ad93.jpg",[],{"id":9918,"slug":9919,"title":1350,"dynasty":75,"author":7,"museum":56,"description":9920,"tags":9921,"thumbUrl":9922,"material":1433,"size":9923,"collection":11,"collections":9924,"showCount":9812,"zanCount":49,"manualWeight":49,"mainColor":50},223481,"mo-gu-kai-zhi-luo-shen-fu-tu-yi-ming-223481","描绘了作者对洛水之神宓妃的爱慕以及神人殊隔、不能交接的惆怅。作品将不同情节置于同一画卷，洛神和曹植在一个完整的画面的不同场景中反复出现，以山石、林木及河水等背景，将画面分隔成不同情节，使画面既分隔又相联接。图中山石、林木，反映了早期山水画的表现技法和面貌。",[79,27,28,96,122,123,32,31,33,59,60,129,163,1788,3898,1352,131,359,130,82,124],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fba227c4592b380f204fd43c2f9873fd7.jpg","644x26.1厘米",[],{"id":9926,"slug":9927,"title":9928,"dynasty":141,"author":7,"museum":368,"description":9929,"tags":9930,"thumbUrl":9932,"material":9933,"size":9934,"collection":506,"collections":9935,"showCount":9812,"zanCount":49,"manualWeight":49,"mainColor":50},223461,"shan-xi-shui-mo-tu-yi-ming-223461","山溪水磨图","《民物熙乐图轴》又名《山溪水磨图》，描绘了山水、楼阁、盘车，山石画法受北宋风格影响，画法写实，界画整饬，人物生动，富于浓郁的生活气息。画面上无题款及收藏印记，也未见画史著录，有印章数枚，但是模糊难辨，系20世纪50年代初辽宁省博博物馆从民间收购获藏。曾经有人认为是明代作品，从画风看应为元人所作，后来鉴定为元人真迹，是一幅带有界画特点的典型的民间风俗画，可以使我们了解到宋元风俗画、界画的面貌。",[26,27,28,32,60,329,31,129,130,162,131,33,2944,9931],"水磨","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fa3136e54ffa0e16bac85bd2b82cc151b.jpg","绢本淡设色，立轴","纵153.5厘米，横94.3厘米",[506,1116],{"id":9937,"slug":9938,"title":9939,"dynasty":75,"author":7,"museum":76,"description":9940,"tags":9941,"thumbUrl":9942,"material":9943,"size":9944,"collection":11,"collections":9945,"showCount":9812,"zanCount":49,"manualWeight":49,"mainColor":50},223438,"song-ke-si-fo-xiang-zhou-yi-ming-223438","宋缂丝佛像轴","除此之外，又以蕴涵吉祥或神话题材作为祝寿或馈赠的礼品，如〈宋缂丝八仙拱寿〉、〈宋缂丝紫芝仙寿〉等，皆甚受喜爱，数量增多，题材多元丰富。到了南宋时期，佛教、道教宗教题材亦逐渐加入缂丝制作的行列，宋代佛与菩萨造像倾向世俗化，平易近人，塑像既不失庄重，又富人世情感，创造出秀婉典雅的风貌。此幅蓝地设色缂丝佛像即其中精品。圆光中，释迦牟尼佛结跏趺坐在莲花台座上，莲花宝座，共分四层，色泽沉稳。坐佛顶成肉髻相，脸形略圆，五官柔和安祥，神情庄严肃穆。身着袒右肩赭红色袈裟，衣褶流畅，双手仰放于腹前，两拇指的指端相接，称为禅定印，相传释迦牟尼佛在菩提树下，即以此坐式入定悟道。缂丝人物的五官、肌肤最难表现，此件作品粉本精工细致，织工技巧纯熟，如佛像的头部、手、腿，比例写实合宜，线条流畅，纬线之分色细腻自然，散发佛陀庄严神韵，可为宋代缂丝佛像艺术品的代表。",[26,711,161,29,30,33,986,177,32],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F5a725847eb6a484563d19c478324e895.jpg","緙絲","251X78.5",[],{"id":9947,"slug":9948,"title":9949,"dynasty":55,"author":7,"museum":76,"description":9950,"tags":9951,"thumbUrl":9952,"material":43,"size":9953,"collection":45,"collections":9954,"showCount":9812,"zanCount":49,"manualWeight":49,"mainColor":70},219595,"wan-nian-bu-lao-ce-yao-chi-chun-yan-yi-ming-219595","万年不老册-瑶池春宴","此作分上下二幅，上方以墨绿为底，泥金小楷端正隽秀，古雅沉静。下幅工笔设色，绘就瑶池春宴盛景。烟波之上，仙宾乘槎踏浪而来；苍松翠峦间，群仙或围坐清谈，或悠然伫立，麋鹿仙鹤闲游林泉，自在怡然。笔触精细工致，敷色妍丽明净，晕染出山石松涛的温润质感，将神话仙境的缥缈出尘，融于人间雅集的恬和悠然之中，把瑶池宴饮铺作世外清景，尽显工笔仙佛题材的雅致意趣，氤氲着清宁出尘的仙家气韵。",[79,27,28,530,32,31,33,3898,404,358,532,445,162,531,4142,346],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Faba36c2019ede989fac397469dd36396.jpg","39x57.5厘米",[45],{"id":9956,"slug":9957,"title":9958,"dynasty":241,"author":7,"museum":1201,"description":9959,"tags":9960,"thumbUrl":9961,"material":43,"size":11,"collection":45,"collections":9962,"showCount":9812,"zanCount":49,"manualWeight":49,"mainColor":70},219593,"luo-han-guan-yin-tu-yi-ming-219593","罗汉观音图","此作以石窟观音为视觉中心，十六罗汉错落排布于林泉幽境之间。洞窟、危桥、苍松穿插其间，将佛国胜景融于山水丘壑。设色古雅沉润，线条凝练劲挺，衣褶流转自然。\n\n各罗汉神态迥异，或趺坐静思、或临渊观流、或降龙伏怪，形神兼备；观音端踞窟内，仪容肃穆安和。画面将礼佛的庄严禅意，与文人山水的清寂雅致相融，既彰显佛造像的静穆神圣，又暗合山林隐逸的审美意趣，尽显佛画与山水画结合的精妙，把出世禅心揉入林泉幽致之中，尽显明代宗教绘画兼具工致与意韵的独特韵味。",[27,28,32,31,30,33,60,1623,130,59,329,613,129,146],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F69873b96fabaed87f5b148d0a16d77ba.jpg",[45],{"id":9964,"slug":9965,"title":9966,"dynasty":241,"author":7,"museum":499,"description":9967,"tags":9968,"thumbUrl":9969,"material":43,"size":11,"collection":45,"collections":9970,"showCount":9812,"zanCount":351,"manualWeight":49,"mainColor":50},219571,"tang-gao-shi-lu-lu-wang-xiang-yi-ming-219571","唐高士陆鲁望像","长髯垂胸，面容沉静端方，眉眼敛着淡然神色，尽显林下高士的清雅从容。服饰层次分明，苔青色外袍晕染出沉稳古雅的质感，玄色缘边勾勒出规整形制，系带细节写实雅致，衬出人物简淡出尘的气度。\n\n画作设色古厚沉静，绢本底色晕染出岁月沉淀的温润质感，线条凝练含蓄，形神兼备地呈现出人物温雅疏旷的气质，尽显传统肖像画的写实功力，带着古雅端严的审美意趣，将这位高士超然世俗的风骨缓缓铺陈开来。",[26,27,28,33,29,31,32,345,7366],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F558c5168241beb3eccf8710b5db2e2ac.jpg",[45],{"id":9972,"slug":9973,"title":9974,"dynasty":141,"author":7,"museum":56,"description":9975,"tags":9976,"thumbUrl":9978,"material":43,"size":11,"collection":87,"collections":9979,"showCount":9812,"zanCount":49,"manualWeight":49,"mainColor":50},219258,"ying-fu-tu-yi-ming-219258","鹰凫图","画面定格鹰扑击野鸭的瞬间：鹰爪紧扣猎物，翎羽贲张如蓄势之弓，野性力量破纸而出；野鸭双翼垂落却仍微挣，脖颈屈折间藏着不甘，生死博弈的张力在方寸间拉满。背景芦苇疏淡、岩石朴拙，以极简之笔衬出主体冲突，暗合元代对生命张力的隐寓。笔墨细腻处见翎羽纹理纤毫毕现，粗犷处显山石气韵苍劲，动静相生间，将自然法则的残酷与壮美凝于绢素，尽显元代花鸟画写实与写意交融的妙境——于无声处听惊雷，于绢素间观天地。",[27,79,80,31,32,3896,9977,162,6340,163],"凫","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fa0cc36a821ca8467128e4f60dec1bde6.jpg",[87],{"id":9981,"slug":9982,"title":9983,"dynasty":75,"author":7,"museum":76,"description":9984,"tags":9985,"thumbUrl":9986,"material":43,"size":11,"collection":45,"collections":9987,"showCount":9812,"zanCount":351,"manualWeight":49,"mainColor":50},219172,"shan-yang-tu-yi-ming-219172","山羊图","粉面朱唇的稚子端坐羊背，衣袂鲜妍如霞，手中轻挥短鞭。群羊毛色胜雪，犄角宛转似玉，或驰于坡前，或驻于石畔，或低头嗅草，姿态灵动如生。背景松枝虬劲，梅蕊初绽，墨色浓淡间晕染出清寂古意。线条工细若蚕丝，衣纹褶皱、羊身毫毛皆刻画入微；设色沉敛温润，赭石与石青相映，既见宋画的雅致，又藏孩童嬉戏的稚趣。动静相宜间，似能听见羊蹄踏石的轻响，稚子清脆的笑声，将寻常生活的闲情，凝作千年不褪的画卷。",[27,28,79,31,32,3885,33,1524,542,162,1093],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F00d784dda5b0462addae6b69112b558a.jpg",[45],{"id":9989,"slug":9990,"title":9991,"dynasty":241,"author":7,"museum":254,"description":9992,"tags":9993,"thumbUrl":9994,"material":43,"size":9995,"collection":87,"collections":9996,"showCount":9812,"zanCount":49,"manualWeight":49,"mainColor":50},218989,"he-tang-shuang-lu-tu-yi-ming-218989","荷塘双鹭图","深褐底色如浸了岁月的绢帛，将双鹭与青荇轻轻托于画的下半阙。一鹭昂首引颈，尖喙似欲刺破空寂；一鹭敛首依偎，绒羽在淡墨晕染下泛着温润光泽。几丛水草如翠带轻扬，碧色破了沉郁底色，添几分野逸生机。画面上虚下实，留白处似有无尽烟波，静谧中藏着自然的温情。笔墨细腻却不繁缛，鹭鸟的姿态、水草的柔劲，皆透着恬淡的生机，如观一段无人惊扰的水泽时光，清寂又动人。",[27,31,32,80,713,446,662,35],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F25aa8a8cedcc6e9b6cc62630b1cae3dd.jpg","99x43.2cm",[87],{"id":9998,"slug":9999,"title":10000,"dynasty":241,"author":7,"museum":254,"description":10001,"tags":10002,"thumbUrl":10003,"material":43,"size":10004,"collection":87,"collections":10005,"showCount":9812,"zanCount":351,"manualWeight":49,"mainColor":50},218924,"han-he-shuang-ying-tu-yi-ming-218924","寒壑双鹰图","这幅画表现了一棵高高矗立在峡谷之上的枯树，两只老鹰站在树枝上相互对视。老树用粗大的笔触勾勒出来，盘旋而有力，而老鹰则用细小的笔触描摹出来，几乎随时可以移动。在树的下面，峡谷的激流冲刷出层层水浪，波浪滚滚而来。这幅画显示了艺术家对不同题材的驾驭能力，以及他向许多人学习的能力。虽然这幅画以宋代为基础，但明显具有明代大型花鸟画的大气、奔放、夸张的特点，极具感染力。此画原为五代时期南唐画家郭乾祐所作，但因其无年代感，现归于明代画家。",[27,28,144,32,31,614,3896,676,2144,953,359,1102,130,2784,146,191],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F812e742cba18d3fccd2b284248f14dd1.jpg","200.2x156.1cm",[87],{"id":10007,"slug":10008,"title":10009,"dynasty":75,"author":7,"museum":76,"description":10010,"tags":10011,"thumbUrl":10014,"material":43,"size":10015,"collection":85,"collections":10016,"showCount":9812,"zanCount":49,"manualWeight":49,"mainColor":70},218888,"shen-shu-mao-tang-tu-yi-ming-218888","深树茅堂图","浓荫匝地，苍树如幄，茅堂隐于深翠间，似被林岚轻裹。堂内几榻疏朗，有人凭窗闲坐，或观叶动，或听风吟，意态萧然忘尘。笔墨细处见神：树石的皴染层叠生幽，茅舍的勾勒简净含韵，人物姿态虽小却活脱，尽显宋人对闲居之趣的精微捕捉。无艳色张扬，仅以墨色浓淡铺陈山林静谧，每一处线条皆藏着对自然的敬畏与对隐逸的向往，将宋画小品的雅致含蓄，凝作一方可居可游的林下清境，引人静赏其间悠然。",[26,27,219,144,32,60,532,10012,9387,10013,614],"茅堂","深树","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F99bf3482e94900427162b996b767bc75.jpg","24.1x23.5",[85],{"id":10018,"slug":10019,"title":10020,"dynasty":75,"author":7,"museum":76,"description":10021,"tags":10022,"thumbUrl":10024,"material":43,"size":11,"collection":45,"collections":10025,"showCount":9812,"zanCount":351,"manualWeight":49,"mainColor":70},218862,"cai-yao-xian-lv-tu-yi-ming-218862","采药仙侣图","这幅画描绘了一位白袍医生和仙人从医书中挑选药材，而他们身后是隐藏在古松和祥云中的仙山和宫殿。岩山空无一物，背上长满青苔，松树和白鹤都很逼真。",[26,27,28,219,32,31,33,60,37,10023],"采药","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fb92b197d6b8f4dd837b06346da680a16.jpg",[45],{"id":10027,"slug":10028,"title":10029,"dynasty":75,"author":7,"museum":76,"description":10030,"tags":10031,"thumbUrl":10033,"material":43,"size":10034,"collection":85,"collections":10035,"showCount":9812,"zanCount":49,"manualWeight":49,"mainColor":70},218853,"lv-rong-mu-di-tu-yi-ming-218853","绿茸牧羝图","画中有一群肥羊在草地上玩耍，两棵柳树枝叶茂盛，在风中摇曳，一个牧羊少年站在树枝上用赶羊棍逗弄小鸟，让人觉得是一个快乐的年。这幅画画得很密，但羊群太厚了，以至于它们显示变现。",[26,27,32,31,348,3102,1676,532,10032,272],"牧","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F329bebc3a227441ca972027caf511e53.jpg","22.6x23.8",[85,112],{"id":10037,"slug":10038,"title":10039,"dynasty":75,"author":7,"museum":76,"description":10040,"tags":10041,"thumbUrl":10043,"material":43,"size":10044,"collection":85,"collections":10045,"showCount":9812,"zanCount":49,"manualWeight":49,"mainColor":70},218842,"song-yin-fang-dao-tu-yi-ming-218842","松荫访道图","这幅画描绘了一位国王和一位王子向一位僧人请教冥想的情景，并将人物放在一条阴松溪的岸边，溪上有一座石桥，暗示渡口可以到达彼岸。这幅画与刘松年的画派相似，是山水画中人物团扇的典范。",[26,27,32,31,614,5954,1524,33,162,131,10042],"地面","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F94fd283639ef962c56bc157245007996.jpg","22.5x24.8",[85],{"id":10047,"slug":10048,"title":10049,"dynasty":75,"author":7,"museum":172,"description":10050,"tags":10051,"thumbUrl":10052,"material":43,"size":10053,"collection":506,"collections":10054,"showCount":9812,"zanCount":49,"manualWeight":49,"mainColor":50},218650,"qiu-jiang-fan-zhou-tu-yi-ming-218650","秋江泛舟图","绢本纹理间晕开宋时秋意。江畔疏林枯槎，枝干如铁线勾勒萧瑟之态，墨色浓淡藏叶落余韵。江面澄明似镜，一叶扁舟轻泛，舟子隐于烟波，与秋水山色相融。远山层叠，烟霭朦胧，淡墨晕染出悠远天际，将视线引向空濛深处。\n\n整幅画以简洁笔触铺陈清寂秋江，无繁复色彩，却在水墨虚实间传递宋人对自然的敬畏与隐逸情怀。每处留白皆诉时光静美，心境淡然，似能听见江风掠过枯枝的轻响，看见舟楫划过水面的微澜，于无声处藏着宋画独有的淡远与深邃。",[79,27,28,144,614,60,128,676,4208,1340],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F6afe52302eecccd7943c473db2995800.jpg","25.5x25.5",[506],{"id":10056,"slug":10057,"title":10058,"dynasty":141,"author":7,"museum":2739,"description":10059,"tags":10060,"thumbUrl":10061,"material":43,"size":11,"collection":45,"collections":10062,"showCount":9812,"zanCount":49,"manualWeight":49,"mainColor":70},218474,"shi-jia-mo-ni-dan-sheng-tu-yi-ming-218474","释迦摩尼诞生图","云气如缕，托着衣袂翩跹的神众于天际凝眸；地面上，朱廊环伺，侍从衣纹细腻如波，簇拥着殿内新生的静谧。中央光晕轻笼，似能触到佛陀诞生的圣洁——青绿与赭红交织的图景里，古绢斑驳晕染出岁月的虔诚。右侧仪仗缓步，衣饰繁复与左侧侍从清雅相映，皆向那神圣核心汇聚。线条流转间，佛教庄严与世俗鲜活融于一帧，每一笔都似低语着千年信仰的温度，让悠远的故事在古画的肌理中静静流淌。",[27,28,30,31,32,329,33,129,1056,1676,1443],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F761dda8b2dede2e9e29009830b74880b.jpg",[45],{"id":10064,"slug":10065,"title":10066,"dynasty":55,"author":7,"museum":1201,"description":10067,"tags":10068,"thumbUrl":10069,"material":43,"size":10070,"collection":45,"collections":10071,"showCount":9812,"zanCount":49,"manualWeight":49,"mainColor":50},218426,"zhong-kui-tu-yi-ming-218426","钟馗图","苍树虬枝旁，柳丝轻垂如帘，梅蕊点点绽于枝头。宽袍大袖的身影伫立其间，手持梅枝似在凝神细赏。笔墨简练却生动传神，衣纹线条婉转流畅，勾勒出人物雍容气度——昔日驱邪判官，此刻化作赏梅雅士，威严之余添了几分文人闲逸。背景疏草与古木相映，浅褐底色晕染出古朴雅韵，细节处见匠心。作品打破传统钟馗刻板印象，以清雅之境赋予神祇新的情致，于简淡中藏深意，尽显传统绘画的意趣与韵味。",[27,32,31,33,542,1092,163,1093],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F29d9821f588ead48b6f3e9bad8a5520a.jpg","71x30",[45],{"id":10073,"slug":10074,"title":10075,"dynasty":141,"author":7,"museum":172,"description":10076,"tags":10077,"thumbUrl":10078,"material":724,"size":11,"collection":45,"collections":10079,"showCount":9812,"zanCount":49,"manualWeight":49,"mainColor":50},218276,"bu-dai-he-shang-tu-yi-ming-218276","布袋和尚图","这位布袋和尚被画上了宽大的袖子，脸上挂着微笑，地上放着一根锡杖。只用了几笔，这一幕就把一个态度简单而天真的和尚带入了现实。",[27,144,33,30,82,29],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F9be83ceba1bfced12ebb72dc642dd94f.jpg",[45],{"id":10081,"slug":10082,"title":10083,"dynasty":241,"author":7,"museum":1201,"description":10084,"tags":10085,"thumbUrl":10086,"material":43,"size":10087,"collection":506,"collections":10088,"showCount":9812,"zanCount":49,"manualWeight":49,"mainColor":50},217945,"xue-yu-tu-yi-ming-217945","雪渔图","雪渔图是明朝时期的一幅著名图画，作者佚名。这幅图画描绘的是冬天的江南景色，画面中的渔夫正在雪中捕鱼。图中的景色十分冷清，可以感受到寒冬的气息。不过，画中的渔夫似乎并没有被寒冷所影响，他们依然在坚守着自己的岗位，展现出人类顽强的生存欲望。\n\n雪渔图的艺术价值颇高，它描绘的冬季景色给人们带来了视觉冲击，同时，图中的人物形象也非常生动，给人们留下了深刻的印象。此外，雪渔图的画风也非常优秀，采用了许多细腻的线条和柔和的色彩，使得整幅画面显得十分精致。\n\n雪渔图是明朝时期的杰作，它的出现标志着中国画的又一次发展。作为一幅优秀的艺术品，雪渔图不仅为当时的观众带来了视觉享受，同时也为后人留下了宝贵的文化遗产。",[27,2415,29,144,32,614,3733,162,676,128,130,1768],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F8b782eb11fe10146b4d0bac0e946b2f9.jpg","185x73.4cm",[506],{"id":10090,"slug":10091,"title":10092,"dynasty":55,"author":7,"museum":76,"description":10093,"tags":10094,"thumbUrl":10095,"material":616,"size":11,"collection":45,"collections":10096,"showCount":9812,"zanCount":351,"manualWeight":49,"mainColor":70},217029,"li-dai-ming-ren-tu-xiang-ce-yi-ming-217029","历代名人图像册","《历代名人图像册》是清朝时期的一部著名图书。它记录了中国历史上许多著名人物的生平事迹和照片。这本书是由佚名编著的，出版于清朝末年。\n\n《历代名人图像册》共分为五卷，每卷都以一个主题为线索，按时间顺序记录了许多著名人物的生平事迹和照片。其中，第一卷记录了中国古代的著名人物，第二卷记录了中国近代的著名人物，第三卷记录了中国现代的著名人物，第四卷记录了世界各国的著名人物，第五卷记录了清朝时期的著名人物。\n\n《历代名人图像册》是一部非常有价值的参考书，对于了解中国历史和文化有着重要的意义。这本书在当时是非常受欢迎的，并且至今仍被广泛使用。",[27,32,530,33,2209,346,345,82],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F32e42f4a5701f36ca6e9dd38e25d06d7.jpg",[45],{"id":10098,"slug":10099,"title":10100,"dynasty":55,"author":7,"museum":489,"description":10101,"tags":10102,"thumbUrl":10103,"material":109,"size":11,"collection":11,"collections":10104,"showCount":9812,"zanCount":49,"manualWeight":49,"mainColor":277},216877,"xi-xiang-ji-tu-ce-6-yi-ming-216877","西厢记图册-6","庭院深深，草木清嘉。前景双姝衣袂翩然，低语间神态温婉，衣纹细腻如织；背景二人立于阶上，衣袍素雅，与朱红窗棂相映成趣。虬曲的古树枝叶婆娑，绿草点缀阶前，笔墨勾勒间尽显生趣。淡彩晕染出清雅色调，建筑的庄重与人物的灵动交织，空间层次错落有致。画面将古典情境凝于方寸，人物互动自然生动，似能窥见西厢故事中的温婉瞬间，尽显传统绘画的细腻韵味与含蓄意境。",[27,28,530,31,32,33,127,129,532,650,3622],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F09efc3508687631c699e7cb591e4d1b6.jpg",[],{"id":10106,"slug":10107,"title":10108,"dynasty":75,"author":7,"museum":172,"description":1982,"tags":10109,"thumbUrl":10110,"material":296,"size":297,"collection":11,"collections":10111,"showCount":10112,"zanCount":351,"manualWeight":49,"mainColor":50},290365,"song-ke-si-wen-shi-jin-ji-zhou-yi-ming-290365","宋缂丝文石锦鸡轴",[79,27,29,161,80,32,4969,163,190,9269,31],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fa63f751f03600d47ac03835b0dbe4f1f.jpg",[],35,{"id":10114,"slug":10115,"title":10116,"dynasty":75,"author":7,"museum":172,"description":10117,"tags":10118,"thumbUrl":10121,"material":296,"size":297,"collection":11,"collections":10122,"showCount":10112,"zanCount":49,"manualWeight":49,"mainColor":50},289445,"tian-wang-tu-yi-ming-289445","天王图","主尊威峙画面中央，兽面怒目，焰发冲霄，身着严整华丽的扎甲，宝饰垂络，一手托举宝珠，一手按剑踏云而立，气势慑人。环绕的部众形貌各异，或狞恶挥刃，或恭谨侍立，动静相生，烘托出森严仪制。\n\n全作用浓墨重彩晕染，矿物颜料历久沉凝，甲胄的金属质感、须发的焰动感皆刻画入微，将护法神祇的威严狞厉尽数铺展，兼具宗教威仪感与写实功力。古拙雄浑的笔墨间，凝住了厚重的宗教美术气韵，仿佛能让观者窥见诸天护法的凛凛神威。",[27,28,33,32,30,10119,10120,31],"天王","护法神","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fe7d363961a01b0f91a311f87016eda7a.jpg",[],{"id":10124,"slug":10125,"title":10126,"dynasty":55,"author":7,"museum":172,"description":10127,"tags":10128,"thumbUrl":10130,"material":296,"size":297,"collection":11,"collections":10131,"showCount":10112,"zanCount":351,"manualWeight":49,"mainColor":50},273086,"mu-bian-xiu-mei-hua-tu-ping-yi-ming-273086","木边绣梅花图屏","这对挂屏以刺绣摹绘花鸟意趣，左侧虬梅斜出，蓓蕾轻绽，竹影清疏间青鸟振翅穿飞，生机跃然绣面；右侧折枝错落，菊瓣舒展柔婉，幽禽静栖枝头，尽显娴静秋意。\n\n绣线晕染自然细腻，配色清雅柔和，针脚匀净细密，将花木柔态、禽鸟灵动一一摹尽，兼具文人水墨的淡远意趣与闺阁绣艺的精巧工致。红木装框配织锦镶边，古雅沉静，将四时清景凝于尺幅之上，静动相映，尽显雅致韵味，是民间刺绣中的精巧之作。",[1924,10129,1921,80,163,542,145,920,32,41],"绣品","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F8df9601fe3b0934c9c34174ffa6f899a.jpg",[],{"id":10133,"slug":10134,"title":10135,"dynasty":55,"author":7,"museum":172,"description":10136,"tags":10137,"thumbUrl":10139,"material":296,"size":297,"collection":2200,"collections":10140,"showCount":10112,"zanCount":351,"manualWeight":49,"mainColor":50},270515,"yao-bian-you-pen-yu-shi-he-hua-pen-jing-yi-ming-270515","窑变釉盆玉石荷花盆景","烧造瓷器，凡在开窑后发现不是预期的形状或釉色，以至于传世瓷器有时发生特异的情况者，都可说是“窑变”。《稗史汇编》说：“瓷有同是一质，遂成异质，同是一色，遂成异色者，水土所合，非人力之巧所能加，是之谓窑变。”总而言之，窑变大致可分为变形、变色、变质等数种。\n窑变釉，顾名思义，是器物在烧成过程中出现了意想不到的釉色效果。由于窑中含有多种呈色元素，经氧化或还原作用，瓷器在出窑后可能呈现出意外的釉色效果。因由窑变釉出现出于偶然，形态特别，人们又不知其原理，只知于窑内焙烧过程变化而得，故称之为“窑变釉”，俗语有“窑变无双”，就是指窑变釉的变化莫测，独一无二。",[2194,267,268,446,316,10138],"盆景","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fa4309ecdb93eb52d598c88d6247e7df0.jpg",[2200],{"id":10142,"slug":10143,"title":10144,"dynasty":55,"author":7,"museum":172,"description":10145,"tags":10146,"thumbUrl":10147,"material":296,"size":297,"collection":11,"collections":10148,"showCount":10112,"zanCount":49,"manualWeight":49,"mainColor":50},268454,"dian-cui-feng-huang-wen-tou-hua-yi-ming-268454","点翠凤凰纹头花","中国妇女最偏爱的头花当属绒花，尤其是在女儿出嫁时，头上必须戴红色绒花，图火红吉利。在中国妇女中，只要条件允许，不仅婚礼喜庆日时要戴绒花，而且一年四季都愿意头戴绒花，求谐音吉祥。尤其到应时节序戴应季绒花：立春日戴春幡，清明日戴柳枝，端阳日戴艾草，中秋日戴桂花，重阳日戴茱萸，立冬日戴葫芦阳生……。清宫后妃们的头花，还有大批的绒花、绢花、绫花流存于世，这些花色彩协调，晕色层次丰富，堪称“乱真”之花。清代遗留下来的绒、绢、绫、绸等质地的头花有白、粉、桃红三晕色的牡丹花，浅黄、中黄、深黄三色的菊花，白、藕、雪青三色的月季花及粉、白相间的梅花等等，历时百年不久，仍鲜艳悦人。",[39,1158,2840,1688,1154,430,268],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fe37141a4bdae06424b4a93c87aa2b517.jpg",[],{"id":10150,"slug":10151,"title":10152,"dynasty":55,"author":7,"museum":172,"description":10153,"tags":10154,"thumbUrl":10156,"material":296,"size":297,"collection":11,"collections":10157,"showCount":10112,"zanCount":351,"manualWeight":49,"mainColor":5626},267782,"ou-he-se-mei-zhu-hai-tang-wen-er-se-duan-yi-ming-267782","藕荷色梅竹海棠纹二色缎","藕荷底色晕开沉静柔雅，浅调花饰似月色落于其上。梅朵清雅凝绽、修竹疏朗横斜、海棠柔枝缀花，三类花木错落铺陈，将傲岸、清逸与娇柔融于一方织物之上。\n暗纹竖棱隐于缎面，让整体更添肌理层次，二色织绣让花叶明暗柔和过渡，针脚细密不见匠气，将文人钟情的花木意趣藏入经纬之间，把中式含蓄雅致的审美融于日用织锦，尽显旧时织造工艺的细腻工巧。",[41,10155,542,145,552],"缎","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F4cb7f65419f7f557bc78251b15d4df25.jpg",[],{"id":10159,"slug":10160,"title":10161,"dynasty":55,"author":7,"museum":172,"description":1982,"tags":10162,"thumbUrl":10165,"material":296,"size":297,"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。\n图中绘小竹数竿，清翠欲滴，两只山雀栖于枝头，一只低头俯视，一只眺望前方。\n竹用双钩填彩，笔墨缜密严谨，色调沉着。\n山雀用淡彩层层晕染，再以尖毫细笔绘出绒羽，刻画准确，富有质感。\n图绘白头翁鸟两只，栖于丛竹之中。\n图中的丛竹，自竹篁中长出的几枝落叶的老枝，画幅左上方伸展，这就打破了左面景物过于稀疏的格局。\n左侧的老枝，竹叶开始枯黄，在几处竹叶根部略见积雪，分明是初冬时节。\n两只鸟伫立于一根枝权上，上者低头梳理羽毛，长尾下垂；下者凝视前方，姿态逼肖。\n本幅无款。\n钤鉴藏印“佟氏家藏”。\n此图过去一直被认为代表了唐代李思训画派的风格，后经傅熹年考证，认为其时代上限不超越南宋中期，而且很可能出自既不了解唐代宫苑之制、也未亲见宋代宫苑贵邸的临安以外地区的民间画家之手。\n此图画竹先以浓墨细笔勾出枝叶，再以淡色渍染，染色时从尖到根逐渐加深，叶根部留白作雪。\n笔墨严谨，色调沉着。\n设色除了竹叶较重的青绿，其他部分用色都很清淡，做到工而不板，丽而不俗。\n两只白头翁先用笔层层晕染，然后用尖毫细笔画出它们身上的绒羽，这样刻画出丰满可爱的白头翁形象，与竹枝、竹叶的劲利画法不同，而柔软蓬松的翎羽与刚直劲挺的竹枝、竹叶，形成艺术效果的对比。\n足见作者在此图上施以多种手法而得到的艺术效果甚佳。\n这是作者对自然界的花鸟进行认真观察、勇于摸索、不断实践创作的结果。\n画面上，两只白头翁立在竹枝之间．一只平视前方，另一只低着头，用喙梳理羽毛，动作显得十分传神。\n竹子采用双钩填彩画法，尤是竹叶似剑锋不锐利。\n在着布局上，色调构图缜密。\n《白头丛竹图》在用线上，竹的线条勾勒坚挺劲利，用笔顿挫提按有力，叶的勾勒显出飘逸、灵动，枝的用线则稳健，叶与枝在统一中求变化。\n白头翁身上的绒羽则用尖毫细笔勾出，与竹一柔一刚形成强烈的张力，既表明了两者形态、质感上的不同，也强化了内在的冲突：环境严寒、凛冽而白头翁的温柔可爱。\n凌寒不屈的寓意需要相应的笔法和设色与之相称。\n白头翁作为主体以黑、白、灰为主，既朴素大方，又对比强烈地镇住画面。\n在中国传统色彩学中，黑与白是所有色彩中的极色，它们在这幅画中被赋予特殊的关注。\n衬景的竹子先染墨后施色，显出了色调的沉着，竹叶稳沉的绿与古铜色绢底既有反差，又有参差的层次，构成和谐的统一。\n叶尖、叶背以及次要的竹枝淡淡施以摊墨，进一步融合了绢与竹在色彩与空间上的联系。\n通幅调子淡雅、朴素、沉着，既是客观的写照而又融人主观的情趣，体现了工笔花鸟画形式所特有的设色的法度：主辅必明，傅染必渐，洪托必匀，雅俗必分，层层值染，使得墨与色和谐相融。\n这一切不仅增加了色彩的厚度，而且也使画面显得细腻而丰富。\n这种微妙屯自然、柔和的变化及空间控制之精妙，是意笔花鸟画难以企及的。\n在构图上，静态的白头翁栖于主位，理羽的白头翁处于辅位，一静一动主次的安排，既莫定画面“静”的基调又使画面有“动”的生气。\n衬景中最醒目的竹干从画面中下部向左中下方斜长出画外，白头翁站立的竹枝伸向右中上方，与右斜带叶小枝形成右上方与中下部的连势，加之竹叶横生长势，与白头翁站立的竹枝同长于一个竹节点，但长势相反且与止于画面的辅枝一起，形成多层次的、非十字形的交叉，既丰富又统一，与冲出画外的竹干长势一同把人的联想引到画外无限的空间。\n会员李敬仕：画家以不同的手法，表现了不同对象的质感和精神气质，使白头翁与劲利的竹枝、叶片形成刚柔对比的艺术效果。",[26,79,27,28,219,530,31,32,80,145,163,82],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F31eabac537775fc8e4c72a25d5260302.jpg",[87],{"id":10247,"slug":10248,"title":10249,"dynasty":75,"author":7,"museum":172,"description":10250,"tags":10251,"thumbUrl":10252,"material":11,"size":11,"collection":11,"collections":10253,"showCount":10112,"zanCount":49,"manualWeight":49,"mainColor":50},223638,"xiao-yi-zhuan-lan-ting-tu-yi-ming-223638","萧翼赚兰亭图","此作用笔细劲圆韧，设色古雅沉着，将一场机锋暗涌的智斗藏于寻常茶谈之间。画面分两组人物，老僧松弛端坐，意态舒展毫无戒心，对面之人敛神静坐，表面闲散实则暗怀城府。侍童仆从各司其职，衬出主客间暗流涌动的张力。\n器物陈设皆循古制，案几、茶具细节写实，尽显古朴雅致。全画以静写动，将巧取《兰亭》的权谋算计融在淡然晤对中，叙事含蓄却极具戏剧感，摹写精细传神，尽显唐画神韵，累代鉴藏朱印环伺，更添传世厚重底蕴。",[26,27,28,96,31,123,144,32,33,82,124,3017,3018,3019,3020],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fa2e31b4f44578334bb757880c21d79b3.jpg",[],{"id":10255,"slug":10256,"title":10257,"dynasty":75,"author":7,"museum":720,"description":10258,"tags":10259,"thumbUrl":10260,"material":1433,"size":10261,"collection":11,"collections":10262,"showCount":10112,"zanCount":49,"manualWeight":49,"mainColor":70},223435,"song-mo-zhou-wen-ju-gong-zhong-tu-di-yi-duan-yi-ming-223435","宋摹周文矩宫中图（第一段）","此图是描绘宫中妇女生活的长卷，存残卷四段，画八十余人。\n《宫中图》原作已经不存在,目前所见为南宋摹本,共有三段。1947年左右散佚海外,分存在美国三个不同的博物馆。第一段藏美国克里夫兰美术馆,曾名《仕女图》第二段名《宫中图》,藏美国哈佛大学福格博物馆;第三段名《唐宫春晓图》,原为英国私人藏,现入藏美国大都会美术馆。 [1] 《宫中图》，宫女童子多达八十令人，分十余组，人物穿插得体，彼此照庇，统一和谐；除人物面部行极少淡彩外，均用白描，笔法活泼，线条流畅，造型准确生动。 [2]\n此图是描绘宫中妇女生活的长卷，现残存四段，画中宫女童子多达81人，分成十余组。人物的活动有着诸多的场面，有的对镜梳妆，有的在奏乐，有的在无聊闲坐，有的在盥洗，有的在逗着小儿，童子正在逗玩小狗，有的在观鱼等等；画中的人物，除儿童显得天真活泼外，其余人物显得有些懒散、忧郁，尤其是年长者，地位较显者为甚，画中诸多人物的安排和组合，穿插得体，疏密相间，构图富有变化，错落有致。\n画卷附有宋绍兴庚申十年（1140）张激跋文，郁逢庆的（书画题跋记）把这段题跋保存下来，录在下面:\n周文矩“”宫中图”，妇人小儿，其数八十，一男子写神，而装具乐器盆孟扇椅席鷃鹉犬蝶不与。文矩句容人，为江南翰林待诏，作仕女体近周，而加纤丽，尝为后主画“南庄图”，号一时绝笔，他日上之朝廷，诏籍之秘阁。“官中图”云是真迹，藏前太府卿朱载家，或摹以见馈，妇人高自唐以来如此，此卷丰肌长裙，周法也。余在峤南于端溪陈高祖之裔，见其世藏诸帝像，左右官人梳与此略同，而丫乃作两大垂肩项间，虽丑而有真态。李氏自谓南唐故衣冠多用唐制，然风流寔是六朝之余，画家者官辩古今当先问衣冠车服，盖谓此也。绍兴庚申五月乙西岩居士张激题。”\n卷后有岳居土张激绍兴十年（1140）跋：“周文矩宫中图，妇人小儿，其数八十。男子写神。”",[26,79,27,28,96,122,123,33,127,1527,687,64],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F856d5daed2a1792353467f6670b4d6b6.jpg","纵28.3cm，横168.5cm",[],{"id":10264,"slug":10265,"title":8894,"dynasty":75,"author":7,"museum":76,"description":10266,"tags":10267,"thumbUrl":10268,"material":335,"size":10269,"collection":11,"collections":10270,"showCount":10112,"zanCount":49,"manualWeight":49,"mainColor":70},223428,"qian-shou-qian-yan-guan-shi-yin-pu-sa-zhou-yi-ming-223428","观音菩萨头戴化佛宝冠，绀发垂肩，双唇上下都有胡髭，仍作男相，但五官秀美，已流露出女性化的特质。观世音菩萨站于莲花台上，左右各有两位菩萨随侍，下方的天龙八部双手合十，向观音菩萨示敬。",[26,79,27,28,29,30,31,32,33],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fa3609fea6b6aec4f00edc649c4078940.jpg","127x58cm",[],{"id":10272,"slug":10273,"title":10274,"dynasty":75,"author":7,"museum":499,"description":10275,"tags":10276,"thumbUrl":10278,"material":43,"size":10279,"collection":506,"collections":10280,"showCount":10112,"zanCount":49,"manualWeight":49,"mainColor":50},219812,"dong-xue-mu-gui-tu-yi-ming-219812","冬雪牧归图","寒林雪野，天地浸在清寂冷冽之中。枯木槎桠凝着残雪，枝梢瘦硬老辣，将冬日荒寒铺陈开来。淡墨晕染出覆雪平野，留白处尽是冬日的空濛静谧。\n\n骑牛牧童裹衣缓行，牛蹄轻踏积雪，打破了郊野的岑寂。萧寒雪景里，归牧的悠然自成暖意，一动一静间，把山野冬日的孤清和归家的温软相融。笔墨极简却意蕴悠长，以简驭繁，将冬日郊野淡远安闲的诗意尽藏其间，尽显雅致悠远的画中真味。",[26,27,31,32,33,2944,676,2395,10277,614,60],"冬景","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F9497df3615e31c5e6e8137d8b9449725.jpg","纵107.20 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玉石、金属、木头、石头等。印章是中国传统文化的代表之一\n明代（1368～1644年）皇帝、王府之宝用玉箸篆玉印。这种篆书“笔画两头肥瘦均匀，末不出锋”，乃“篆书正宗也”（清?陈沣《摹印述》）。御宝舍两宋九叠文而直溯唐以上之玉箸篆，意味着九叠文禁锢公印的冰山已经松动。\n此外，明代内阁印用玉箸文银印，直钮，方一寸七分，厚六分；将军印用柳叶文，平羌、平蛮、征西、镇朔等将军印用螭鼎文，皆银印虎钮，方三寸三分，厚九分；其余百官印都用九叠文，铜印直钮，这类印比重最大。如故宫博物院藏明洪武二十二年（1389年）造“朵颜卫都指挥使司之印”。\n明代直钮已由两宋长方形板状钮变为上小下大的椭圆柱状，加高到8厘米左右，形成后世俗称的“印把子”。明代官印背款皆凿年款及编号。\n应该指出，两宋之时，九叠文中所谓的“九”是—个概数，极言其多，不一定确有九叠，也可能只有五叠、七叠，叠即一字中横画的层数。但明代九叠文中绝大多数确有九层横画。\n清代百官印等级区分同样十分严格，印章普遍有所增大。其字体有蒙古文楷书、满文、汉篆等。最常见的是汉满文对照同时出现在印面上，这也是清公印的一大特点。其中汉篆中，九叠文不太兴盛，出现了玉箸篆、悬针篆、柳叶篆、芝英篆等等。",[82,9280,126],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fec28587ed6839dd7e64efb0686ed6ae3.jpg",[],{"id":10378,"slug":10379,"title":10380,"dynasty":22,"author":7,"museum":172,"description":10381,"tags":10382,"thumbUrl":10383,"material":296,"size":297,"collection":11,"collections":10384,"showCount":10351,"zanCount":351,"manualWeight":49,"mainColor":50},281572,"juan-ben-cai-hui-fo-xiang-zhou-yi-ming-281572","绢本彩绘佛像轴","这尊造像仪容端丽慈悲，宝冠高束、璎珞垂身，衣袂轻扬自带灵动之气。左手托举青莲，花萼承托嵌含金乌的日轮，尽显殊胜庄严。\n画作以古褐绢本为底，朱砂、石青等矿料敷色历久弥新，头光环饰烈焰纹，衬得造像愈发神圣出尘。线条匀细流转，将衣褶褶皱的层次勾勒分明，既具装饰美感，又精准烘托出菩萨温婉沉静的神态，尽显工笔佛绘的精湛造诣，观之便觉清净祥和的气韵扑面而来。",[27,29,348,32,1169,33,30,986,232,4389,5404],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F37b230227f22d1ba797e565497c9a037.jpg",[],{"id":10386,"slug":10387,"title":10388,"dynasty":75,"author":7,"museum":172,"description":10389,"tags":10390,"thumbUrl":10391,"material":11,"size":11,"collection":45,"collections":10392,"showCount":10351,"zanCount":49,"manualWeight":49,"mainColor":50},238123,"luo-shen-fu-tu-juan-yi-ming-238123","洛神赋图卷","山峦烟波连绵铺陈，林木蓊郁掩映着红彩勾描的殿宇与行游伫立的人物，将缥缈仙乡揉入苍古山水间。笔意朴拙苍润，沉雅的设色在旧绢上晕开朦胧古韵，把人神邂逅的缱绻怅惘融在丘林烟水之中。循着长卷舒展，仿佛能触碰那段仙凡相望的怅惋情缘，古典浪漫的幽柔余韵顺着山峦水波漫溢开来，让悠远诗意随着卷幅缓缓流淌，将文字中的缥缈幻境化为可观可感的具象图景，晕染出绵长的东方浪漫意趣。",[79,27,28,96,31,123,32,33,60,371,129,131,63,59,1006,531,127,122,82,130,146],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F475d23ff1062208a9ad78b661dc95388.jpg",[45],{"id":10394,"slug":10395,"title":10396,"dynasty":55,"author":7,"museum":172,"description":2355,"tags":10397,"thumbUrl":10398,"material":296,"size":297,"collection":11,"collections":10399,"showCount":10351,"zanCount":49,"manualWeight":49,"mainColor":70},234432,"wen-shu-pu-sa-yuan-liu-tang-ka-zhi-yi-yi-ming-234432","文殊菩萨源流唐卡（之一）",[2357,30,8833,32,1572,1514,1593,129,1056],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F65b45f7044590ccff39d70666044e9ab.jpg",[],{"id":10401,"slug":10402,"title":10403,"dynasty":241,"author":7,"museum":23,"description":10404,"tags":10405,"thumbUrl":10406,"material":109,"size":10407,"collection":11,"collections":10408,"showCount":10351,"zanCount":49,"manualWeight":49,"mainColor":50},232913,"huang-he-di-tu-yi-ming-232913","黄河地图","考虑到黄河洪水的持续威胁，对该河流系统的研究和管理是清朝宫廷的首要任务之一。 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全图工笔和写意兼用，墨色清淡洗炼，并充分发挥渲染功能，使湖上晨霭晓雾和旖旎春光跃然纸上。",[26,27,79,96,2415,31,147,144,10415,10416,129,10417,674,10418,10419,10420],"湖水","群山","断桥","晨雾","春光","名胜","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fae990ac4d591dcb0ff85a8eb39d73a88.jpg","32.9x1581.1厘米.",[],{"id":10425,"slug":10426,"title":10427,"dynasty":55,"author":7,"museum":172,"description":10428,"tags":10429,"thumbUrl":10431,"material":296,"size":297,"collection":11,"collections":10432,"showCount":10351,"zanCount":351,"manualWeight":49,"mainColor":50},229566,"shuang-long-yan-yu-mo-yi-ming-229566","双龙砚御墨","墨，中国传统文房用具之一，文房四宝之一，是书写、绘画的黑色颜料，后亦包括朱墨和各种彩色墨。\n墨的主要原料是煤烟、松烟、胶等，是碳元素以非晶质型态的存在。通过砚用水研磨可以产生用于毛笔书写的墨汁，在水中以胶体的溶液存在。古墨主要派别分徽墨、川墨。\n墨的水分及胶的成分不同，会影响到墨的黏度。在不同场合使用的墨，其黏度有所不同。另外，初制成的墨的水分亦较多。另有存放时间较长的墨，其致密度较高，并经过长年累月的干燥，使墨色的立体感更高。这种墨在日本被称为“古墨”。",[160,10430,3020,3018,59,268,2197,2280],"文房","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F23f0ad1a07fc474546c66f85e9186ea6.jpg",[],{"id":10434,"slug":10435,"title":10436,"dynasty":75,"author":7,"museum":172,"description":10437,"tags":10438,"thumbUrl":10439,"material":11,"size":11,"collection":11,"collections":10440,"showCount":10351,"zanCount":49,"manualWeight":49,"mainColor":70},227935,"qing-feng-ju-die-tu-yi-ming-227935","青枫巨蝶图","《青枫巨蝶图》是宋代佚名画家创作的一幅绢本设色画。\n描绘了伸出嫩绿色枫树一株，枝叶婆娑。\n一只赭黄色巨蝶从右上侧凌空飞临，与枫叶构成平衡的对角关系。\n本幅无款。\n鉴藏印钤“大观”葫芦形朱文印以及“石渠宝笈”、“乐 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横64.5厘米",[],{"id":10502,"slug":10503,"title":10504,"dynasty":75,"author":7,"museum":76,"description":10505,"tags":10506,"thumbUrl":10508,"material":1770,"size":10509,"collection":11,"collections":10510,"showCount":10351,"zanCount":49,"manualWeight":49,"mainColor":50},223408,"nv-xiao-jing-tu-juan-yi-ming-223408","女孝经图卷","中国人物画的创作目的之一是强调绘画的政治教化功能。唐代张彦远在《历代名画记》中曾明确指出“画者，成教化，助人伦，穷神变，测幽微，与六籍同功，四时并运者也”。现存最早的以画卷形式宣传女德、女诫教义的作品当属东晋顾恺之（传）创作的《女史箴图》、《列女仁智图》。《女孝经》作为绘画的表现题材，早在五代后蜀后主孟昶执政时期，就被画家石恪精心创作。据宋代内院奉敕编撰的《宣和画谱》记载，当时，石恪依据《女孝经》内容仅绘制了8幅图，可惜其作品未能流存于世。此幅由南宋佚名画家创作的《女孝经图》，便成为目前保存最好、时代最早的反映《女孝经》内容的代表作。\n此图卷以其较高的艺术造诣向世人展示了宋代仕女画成熟的风貌。\n每幅图依据表现内容的不同形成各自独立的画面，同时作者利用人物的造型、服饰及统一的笔墨形式又使各图之间既相对独立又彼此联系呼应，从而达到了形散而神聚的艺术效果。此图卷中重点表现的对象是三五成群的仕女，她们挽高髻，饰簪花，面形长圆而丰满，尚存唐代仕女画的面形特征，但形体上已没有了唐代仕女臃肿艳肥的体态，而显露出向明清仕女画修长秀美体形过渡的趋向。她们身材的曲线美被作者加以充分表现，细腰纤手，婀娜轻盈。人物的神态皆雍容大方，端庄娴静，动作举止亦守规守矩，从而生动地图解了母仪、贤明、仁智等封建妇女必须遵守的言行准则。作者在处理人物与环境的关系上十分成功，穿插于人物中的树木枝繁叶茂，数量虽然不多，但作为人物活动的衬景构筑出了淡泊宁静的自然环境，从而丰富了人物活动的空间，并令用于说教的画面增添了生趣。而具良好德行的贤妇烈女们在树下谈经论道或勤于女红，又为这清幽的境地增添了几分崇高的意趣。",[26,27,96,31,32,123,33,650,131,129,7747,1092,10507,127,146,531,124],"桌椅","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fadd14950ec691dae510436a9d31262f4.jpg","纵43.8厘米，横823.7厘米",[],{"id":10512,"slug":10513,"title":10514,"dynasty":241,"author":7,"museum":172,"description":10515,"tags":10516,"thumbUrl":10519,"material":43,"size":10520,"collection":87,"collections":10521,"showCount":10351,"zanCount":49,"manualWeight":49,"mainColor":50},219906,"xuan-kui-shuang-li-tu-yi-ming-219906","萱葵双鹂图","垂柳叶丝轻曳水畔，两只黄鹂栖停枝梢，翅羽晕染细腻绵密，灵动身姿似正私语嬉游。左侧蜀葵攒簇粉艳花团，浓绿叶片饱满鲜活，下方萱花舒展素白瓣朵，依偎嶙峋湖石而生。\n\n整作设色古雅沉稳，沉褐绢底衬得花叶明丽、禽鸟娇俏。工笔晕染精妙入微，将蜀葵秾艳、萱花清柔，黄鹂的娇憨灵动画韵尽显，留白水岸清寂悠远，把初夏水畔的闲静生机凝于绢上，笔致工秀柔和，揉合雅致野趣，尽显悠然清逸的隐逸意趣。",[26,27,32,31,80,10517,746,1092,162,10518,163,190,37],"萱草","百合花","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F8d1ccf1c70a12fed695098a1073e3dd5.jpg","纵118厘米 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系之一。诞生于今江西省景德镇，故称景德镇窑，实际上由数个窑口组成。\n景德镇有着悠久的制瓷历史，完备的陶瓷产业体系，广泛的国际影响，是一座因瓷而生、因瓷而兴、因瓷而名的城市，也是一座“因开放而生，因开放而兴”的深度开放城市。\n景德镇窑据记载始烧于唐武德(618一626)年间。建国后发现瓷窑遗址多处，以杨梅亭窑、石虎湾窑、黄泥头窑最早，均为五代时期。\n中国传统的陶瓷可分为三大类：龙窑（倾斜式隧道窑）、阶级窑（倾斜式冷底多室窑）以及景德镇窑（平焰窑）。 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一代冠服自有一代之制。清代满族统治者传承中国古代传统文化的精髓，把“衣作绣，锦为缘”、“续衽钩边”和“朝服祭服，襞积（朝袍腰部叠褶处称襞积）无数”这些中国古代服饰的传统形制与带有满民族风格的“披肩领”和“马蹄袖”巧妙地结合起来，不仅彰显了其“马上得天下”的辉煌历史，同时亦注重到实用性，并最终使其制度化，成为中国古代服饰制度改革中的典型范例。\n清代冠服制度规定：朝服分蓝、红、月白、明黄四种颜色，根据不同的礼仪功能和场合穿用不同颜色的朝服。祭天穿蓝色，祭日穿红色，祭月穿月白色，而明黄色朝服一般用于典礼（登基、元旦、万寿、金殿传胪、颁诏受贺等）和祭祀（祭太庙、先农坛、社稷坛、先师孔子、历代帝王等）活动。典礼和祭祀穿着的明黄色朝服又有区别，典礼朝服衣袖为石青色，而祭祀朝服衣袖为明黄色。",[79,27,28,29,32,31,33,418,59,160],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F3f80fdf14cbf8bf55ddfd77ed4a88d8b.jpg","纵277厘米，横143厘米",[45,112],{"id":11316,"slug":11317,"title":7241,"dynasty":55,"author":7,"museum":172,"description":3653,"tags":11318,"thumbUrl":11319,"material":296,"size":297,"collection":11,"collections":11320,"showCount":11201,"zanCount":351,"manualWeight":49,"mainColor":11321},234427,"qing-ren-wen-shu-pu-sa-xiang-zhou-yi-ming-234427",[27,29,28,32,1572,30,1170,1593,2560],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fe8020d1c953ad0b415ed6a68867cc2df.jpg",[],"FDD835",{"id":11323,"slug":11324,"title":11325,"dynasty":141,"author":7,"museum":172,"description":11326,"tags":11327,"thumbUrl":11328,"material":296,"size":297,"collection":11,"collections":11329,"showCount":11201,"zanCount":351,"manualWeight":49,"mainColor":50},232830,"pu-sa-xiang-li-zhou-yi-ming-232830","菩萨像立轴","所谓圆满不是没苦乐,而是苦乐随喜,悲喜随缘。",[26,27,29,30,33,32,31],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fcb5d90da2e2548d70c18c54ec678b7b0.jpg",[],{"id":11331,"slug":11332,"title":11333,"dynasty":75,"author":7,"museum":172,"description":11334,"tags":11335,"thumbUrl":11336,"material":11,"size":11,"collection":11,"collections":11337,"showCount":11201,"zanCount":351,"manualWeight":49,"mainColor":50},227374,"mu-dan-wan-shan-tu-yi-ming-227374","牡丹纨扇图","扇上绣着两株牡丹枝条，绯红花瓣，绿叶，金边，叶脉，处处彰显牡丹的华美！",[27,79,28,219,32,31,80,98,82],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fec1b0957ed3bdec055f08a2afa604184.jpg",[],{"id":11339,"slug":11340,"title":11341,"dynasty":75,"author":7,"museum":172,"description":11342,"tags":11343,"thumbUrl":11345,"material":296,"size":297,"collection":11,"collections":11346,"showCount":11201,"zanCount":351,"manualWeight":49,"mainColor":70},227332,"xi-que-deng-zhi-qi-pan-yi-ming-227332","喜鹊登枝漆盘","用漆涂在各种器物的表面上所制成的日常器具及工艺品、美术品等，一般称为“漆器”。生漆是从漆树割取的天然液汁，主要由漆酚、漆酶、树胶质及水分构成。用它作涂料，有耐潮、耐高温、耐腐蚀等特殊功能，又可以配制出不同色漆，光彩照人。在中国，从新石器时代起就认识了漆的性能并用以制器。历经商周直至明清，中国的漆器工艺不断发展，达到了相当高的水平。中国的炝金、描金等工艺品，对日本等地都有深远影响。漆器是中国古代在化学工艺及工艺美术方面的重要发明。\n中国古代漆器的工艺，早在新石器时代就已经出现，夏代的木胎漆器不仅用于日常生活，也用于祭祀，并常用朱、黑二色来髹涂。殷商时代已有“石器雕琢，觞酌刻镂”的漆艺。1973年河南成蒿成台西村商代遗址中出土的漆器残片，在木胎上雕饰饕餮纹，并涂上朱、黑两色的漆。 [2]\n西晋以后到南北朝，由于佛教的盛行，出现利用夹纻工艺所造的大型佛像，此时的漆工艺被用来为宗教信仰服务，夹纻胎漆器也因而发展。所谓的夹纻是以漆灰和麻布造型作为漆胎，胎骨轻巧而坚牢。\n唐代经济发达文化繁荣，种种因素使工艺美术也随之发达，在艺术、技术以及生产上，皆远超过前期。唐朝漆器大放异彩，呈现出华丽的风格，漆器制作技术也往富丽方向发展，金银平脱、螺钿、雕漆等制作费时、价格昂贵的技法在当时极为盛行。\n宋代漆器的制胎和髹饰技艺已经十分成熟，当时不仅官方设有专门生产机构，民间制作漆器也很普遍。漆器所制作的器皿，样式多且富变化，造型简朴，表现出器物结构比例之美。一般而言，宋代漆器以素色静谧为主。\n明代时期的工艺美术跨入新的阶段，官方设厂专制御用的各种漆器，并由著名的漆艺家管理。除了官设的漆器厂外，民间漆器生产也遍及大江南北。明代江南漆器名家辈出﹐明初有张德刚﹐包亮﹐明代中期有方信川，明末有江千里等，并出现集漆器工艺之大成的著作：黄成著，杨明注《髹饰录》。\n髹饰工艺在这时有很大的革新，结合多种传统技法，两种以上的技法作结合，不同的文饰在不同的素地上更换，开创出千文万华的繁荣局面。\n今日中国大陆和台湾，漆器仍是民间工艺的重要组成部份，著名的漆器工艺，包括福州的脱胎漆器，厦门的髹金漆丝漆器，广东晕金漆器，扬州螺钿漆器，稷山螺钿漆器，山西平遥推光漆器，成都银片罩花漆器，安徽屯溪犀皮漆器，北京剔红漆器，台湾南投县黑髹漆器等。",[3561,11344,80,542,163],"螺钿","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fde6c7932c3eb5eb981b7f6ddef7cb426.jpg",[],{"id":11348,"slug":11349,"title":11350,"dynasty":1491,"author":7,"museum":172,"description":6236,"tags":11351,"thumbUrl":11352,"material":296,"size":297,"collection":11,"collections":11353,"showCount":11201,"zanCount":49,"manualWeight":49,"mainColor":277},226753,"ya-chou-zhu-nv-si-fang-zun-yi-ming-226753","亞醜諸女 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中。\n\n题诗与山水相映，诗画交融，把行客的孤愁寄寓在清寒月色间。以留白营造空茫虚境，淡墨轻皴晕开夜色，寥寥数笔便将羁旅况味铺陈尽致，尽显简淡悠远的写意之妙，把漂泊天涯的乡愁融在萧疏冷寂的水墨意境中，淡远里藏着绵长情致。",[26,27,28,29,144,32,60,33,38,2688,131,614],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fdc25fc9283dc8d52cfec6c9fd342bab4.jpg","36x54.3",[506],{"id":11429,"slug":11430,"title":11431,"dynasty":241,"author":7,"museum":1539,"description":11432,"tags":11433,"thumbUrl":11434,"material":724,"size":11435,"collection":45,"collections":11436,"showCount":11201,"zanCount":49,"manualWeight":49,"mainColor":50},219931,"hu-bian-gao-shi-tu-yi-ming-219931","湖边高士图","此作全景铺陈湖山胜景，巨岩巍峨雄峙，皴笔苍劲凝练，勾勒出山石浑厚嶙峋的质感，高远山势带着沉郁古拙的厚重意韵。近岸古木扶苏，浓荫如盖，林下高士雅聚，或立语或闲坐，意态萧散恬然。\n江畔烟波澹澹，水榭隐于远岸烟树间，晕染出空濛悠远的平远之境。以水墨晕染绢本，古雅色调衬出静穆清和的氛围，将山水之幽与林下雅集的闲逸融为一体，尽显文人寄情林泉、追慕幽隐萧散的林下高致，笔墨苍秀清润，铺展出古代文人心底的理想幽居之境。",[26,27,32,614,29,60,33,131,162,5661],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F6e4840ae03845157842e83799867a3ab.jpg","122x57.6厘米",[45],{"id":11438,"slug":11439,"title":11440,"dynasty":241,"author":7,"museum":76,"description":11441,"tags":11442,"thumbUrl":11443,"material":43,"size":11444,"collection":112,"collections":11445,"showCount":11201,"zanCount":351,"manualWeight":49,"mainColor":50},219350,"wang-hai-lou-tu-zhou-yi-ming-219350","望海楼图轴","画中楼阁矗立于城墙之上，下瞰大江，群客登临宴饮。屋内文人三五成群，有些持卷观赏，有些凭窗眺远。本幅用界工整，青绿设色已略剥落，然屋宇脊顶之蛤白勾勒线条仍鲜明如故，使楼台轮廓分外醒目。此图签题虽定为「望海楼图」，然根据绘画内容看来，整个建筑群组面城临江， 居高临下，江边还有大型的雀舫龙舟，非常接近唐代文人王勃于〈藤王阁序〉中所描写的场景，或可定为藤王阁图。",[27,79,29,329,31,32,129,33,60,1006,1788,131,1340],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fcedfd8e3692883f0a750fcbb48cfd87f.jpg","159.8x93.2",[112],{"id":11447,"slug":11448,"title":2383,"dynasty":241,"author":7,"museum":254,"description":11449,"tags":11450,"thumbUrl":11451,"material":32,"size":11,"collection":45,"collections":11452,"showCount":11201,"zanCount":49,"manualWeight":49,"mainColor":50},219249,"pu-xian-pu-sa-xiang-yi-ming-219249","白象披挂华鞍，纹饰繁复间透着庄严气象。普贤端坐其上，衣袂轻扬，神态沉静超然，似于松云间体悟禅意。旁侧侍从躬身侍立，姿态恭谨，与菩萨的互动自然生动，流露世俗温情。双松虬枝挺拔，松针细密如织，云雾缭绕其间，晕染出缥缈仙境。线条流转如丝，衣纹褶皱毕现，大象肌理细腻，虽经岁月磨洗，仍见笔触精绝。整体画风古雅庄重，宗教肃穆与生活意趣相融，尽显明代佛画之神韵，观之令人心生敬畏与安宁。",[27,28,29,30,32,31,33,2559,131],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F279812a5974c18fd0e53a962647d077c.jpg",[45],{"id":11454,"slug":11455,"title":11456,"dynasty":75,"author":7,"museum":465,"description":11457,"tags":11458,"thumbUrl":11459,"material":149,"size":11,"collection":506,"collections":11460,"showCount":11201,"zanCount":351,"manualWeight":49,"mainColor":50},218601,"qing-hua-tu-yi-ming-218601","清话图","沉墨绘就的林麓间，古树虬枝盘结于岩畔，繁叶如盖，墨色浓淡交织出层次。远处峰峦隐在淡霭里，留白处烟岚轻绕，拓出悠远天地。山石勾勒简练，皴擦见骨，尽显宋画山水的写实韵致。虽无人物，却似有清雅气息漫溢：松风穿叶的簌簌声，石畔流水的泠泠音，隐者清谈的低语仿佛在林间流转。笔墨苍劲中藏细腻，构图疏密得宜，将自然静谧与文人雅趣揉合，尽展宋代山水的空灵意境与人文深味。",[27,2415,144,614,60,131,162,1340],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fe51ba424b20e90531e1d091751b278de.jpg",[506],{"id":11462,"slug":11463,"title":11464,"dynasty":55,"author":7,"museum":254,"description":11465,"tags":11466,"thumbUrl":11467,"material":43,"size":11468,"collection":45,"collections":11469,"showCount":11201,"zanCount":351,"manualWeight":49,"mainColor":50},218303,"jiang-jun-xiang-yi-ming-218303","将军像","端坐中央的将军身披华彩甲胄，金纹与朱红交织，鎏金饰边在浓艳底色上流转光泽，尽显赫赫威仪。腰间素绳轻垂，柔线与硬甲形成刚柔反差，似藏千军万马之势。两侧武士持械而立，盔明甲亮，虽为陪衬却层次分明，更衬出将军核心地位。\n\n笔触细腻入微，衣纹褶皱间见工笔功底，人物神态刻画传神：将军面容丰腴却眼神锐利，既有武将刚毅，亦含从容气度。色彩浓艳沉稳，传统矿物颜料的厚重感赋予画面历史质感，融写实与装饰于一体。整幅作品精准传递清代武将的身份气场，观者仿佛能触到甲胄的冰冷，感受到那份跨越时空的肃穆与威严。",[26,27,28,29,31,32,33,2405,345],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fe0df2c436b06d118039f8c55687f1507.jpg","171.5x127",[45],{"id":11471,"slug":11472,"title":11473,"dynasty":55,"author":7,"museum":254,"description":11474,"tags":11475,"thumbUrl":11479,"material":43,"size":11,"collection":45,"collections":11480,"showCount":11201,"zanCount":351,"manualWeight":49,"mainColor":70},218301,"guan-lao-fu-ren-xiang-yi-ming-218301","关老夫人像","端坐的身影透着沉静雍容，面容温婉却自带庄重气度。华服以蓝为底，金线绣制的祥龙穿梭于云纹与海水之间，龙姿灵动，辅以五彩纹饰，层次叠嶂间尽显华贵威仪。座椅锦纹繁复，脚下地毯图案精巧，几何纹样与吉祥符号交织，每一处细节皆见工艺之精湛。工笔线条细腻流畅，设色典雅厚重，既承清代肖像画写实传统，又以华丽装饰烘托人物尊贵身份，仿佛能透过画面，触摸到那个时代贵族女性的生活风貌与内敛风华。",[26,27,28,29,31,32,33,11476,7780,270,64,2348,1378,59,638,2268,11477,11478],"女性","工笔肖像","服饰纹样","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F59b6480f243d307433c43aef2eaa0f4a.jpg",[45],{"id":11482,"slug":11483,"title":4638,"dynasty":241,"author":7,"museum":254,"description":11484,"tags":11485,"thumbUrl":11486,"material":43,"size":11487,"collection":45,"collections":11488,"showCount":11201,"zanCount":49,"manualWeight":49,"mainColor":50},218295,"luo-han-tu-yi-ming-218295","画面中央，罗汉盘腿而坐，光头映着淡金色光环，袒胸露腹间透着修行的沉静。白蓝相间的衣袂如流云垂落，禅杖斜倚身侧，似镇住周遭尘嚣。身侧小鬼面目狰狞，绿肤獠牙，却躬身侍立，兵刃紧握却敛去戾气，恭谨守护的姿态反衬出罗汉的威严与慈悲。背景深褐如古潭，苍松虬枝探入画面，山石斑驳，更显古朴肃穆。色彩上，素净衣袍与小鬼的青绿、赤红相映，既见宗教题材的庄严，又含民间艺术的鲜活张力。笔墨凝练处见神韵，意境幽远中藏力量，将修行者的超脱与护法的忠诚融于一纸，尽显古画的厚重与灵动。",[27,29,30,32,33,1524],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F755922672eef01f73b1d5686271a523d.jpg","139.9x78.3",[45],{"id":11490,"slug":11491,"title":11492,"dynasty":55,"author":7,"museum":254,"description":11493,"tags":11494,"thumbUrl":11495,"material":43,"size":11496,"collection":45,"collections":11497,"showCount":11201,"zanCount":351,"manualWeight":49,"mainColor":50},218284,"fu-zhang-ji-min-mu-zhao-shi-xiang-yi-ming-218284","父张济民母赵氏像","画面中央并坐的夫妇衣袂端整，神情雍容。男子玄袍宽博，腰束革带，尽显端方沉稳；女子绿衫绣裙，手持纹帕，流露温婉娴静。身后稚童侍侧，或捧物或执卷，灵动姿态更添阖家和睦之韵。背景陈设古雅，案上器物精巧，衬出家庭的殷实与礼仪。画作以写实笔触勾勒容貌，衣纹褶皱细腻入微，色彩沉稳雅致，既彰显人物身份气度，又传递传统家庭的温馨庄重，是兼具写实性与人文温度的肖像佳作。",[26,27,28,29,32,31,33,345,346],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F73e302ee5178b524f0790376f6aac6df.jpg","106.2x142.7",[45],{"id":11499,"slug":11500,"title":11501,"dynasty":55,"author":7,"museum":172,"description":11502,"tags":11503,"thumbUrl":11504,"material":43,"size":11,"collection":11,"collections":11505,"showCount":11201,"zanCount":49,"manualWeight":49,"mainColor":50},216717,"hong-lou-meng-fu-tu-ce-10-yi-ming-216717","红楼梦赋图册-10","庭院深深，雕花窗棂映着回廊青瓦，藤蔓牵衣。近处方巾女子红绫轻扬，裙摆旋作蝶影，似将笑语掷向风里；窗畔二人凭栏，目光如丝，缠在院中嬉戏的身影上。石边草色漫阶，闲鹤驮云而过，池畔红荷倚石，晕开一抹温柔。淡彩晕染出雅致，细笔勾就灵动，将红楼闺阁的闲趣与园林的幽婉揉成画卷。每一处线条藏着旧时光的温婉，每一抹色彩漾着古典的诗意，仿佛能听见画里女子的轻语，漫过岁月的窗棂。",[26,27,32,31,530,33,127,129,163,146,232,37],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F1b613db4e103bdc77c619a70a23f3249.jpg",[],{"id":11507,"slug":11508,"title":11509,"dynasty":75,"author":7,"museum":172,"description":11510,"tags":11511,"thumbUrl":11512,"material":296,"size":297,"collection":11,"collections":11513,"showCount":11514,"zanCount":49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，师承了中国的“春画”，房中术绘画也；二来自文学，浸染了“浮世草子”（草子：小说），西鹤《好色一代女》、《好色一代男》和近松《曾根崎情死》、《情死天网岛》等等，是文学“浮世写”直接彰显，主题和题材无非色情和妓女（当然，文学价值与作品题材并非正比例关系）。\n因此，“浮世绘”是一个绘画艺术的专有名词，有其特定的内涵外延。印象派大师如德加等也受到浮世绘的感染，模仿当时日本的出口商品的包装的风格创作了不少绘画。近现代西方人体绘画艺术借鉴了日本“浮世绘”主题和技法，这是积极的方面，有着艺术审美的价值。\n望文生义的理解“浮世绘”，想当然的以为就是关于尘世风俗的绘画，类似于《清明上河图》那种风俗画。再扩大到文学领域运用这个专有名词，泛化为关于尘世风俗的描写，则偏离约定俗成的语义越来越远，差不多等于是错别字了。搞绘画的人很难接受这样的定义，日本人当诧异一个日本词汇出口到中国以后居然发生了那么大的歧义。",[10461,32,2751,33,127,2405,877,64,11724,131,11725],"建筑局部","夜色","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F9477f0c79b912efa6ccb9ab290224577.jpg",[],{"id":11729,"slug":11730,"title":11731,"dynasty":849,"author":7,"museum":172,"description":5288,"tags":11732,"thumbUrl":11733,"material":296,"size":297,"collection":11,"collections":11734,"showCount":11514,"zanCount":49,"manualWeight":49,"mainColor":70},223969,"gui-ju-shen-ren-wen-jing-zhi-fu-jian-yi-ming-223969","规矩神人纹镜之附件",[2194,32,80,98,346],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F3e9e398772c949204714293ed63f3cd7.jpg",[],{"id":11736,"slug":11737,"title":11738,"dynasty":75,"author":7,"museum":76,"description":11739,"tags":11740,"thumbUrl":11741,"material":43,"size":11742,"collection":11,"collections":11743,"showCount":11514,"zanCount":49,"manualWeight":49,"mainColor":50},223897,"ru-lai-shuo-fa-tu-zhou-yi-ming-223897","如来说法图轴","宋人画如来说法图轴",[27,28,29,30,123,31,32,33,177],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fdcf2466940de375a76b8c17a54ed9f62.jpg","188.1x111.3公分",[],{"id":11745,"slug":11746,"title":11747,"dynasty":75,"author":7,"museum":172,"description":3162,"tags":11748,"thumbUrl":11750,"material":296,"size":297,"collection":2200,"collections":11751,"showCount":11514,"zanCount":49,"manualWeight":49,"mainColor":277},223721,"bei-song-12-shi-ji-zao-qi-ru-yao-qing-ci-pan-yi-ming-223721","北宋-12世纪早期 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-lan-ting-shi-que-bi-juan-yi-ming-239698","于敏中书补戏鸿堂刻柳公权兰亭诗阙笔卷","于敏中擅长书法，尤工楷书和行书，其书法风格乃是透过学习赵孟頫与董其昌而上溯至二王，是几位经常为乾隆皇帝捉刀的大臣之一，曾负责为皇帝拟定诏书。《戏鸿堂法帖》所刻柳公权兰亭诗多有阙笔不全，乾隆四十三年（1778年）命于敏中就刻本漫漶阙划处，因其偏旁补成全字，并仿董其昌临本（兰亭八柱之七）书之，原刻本及董书所无之阙字、阙句，则仍按其旧。目的是既要重新摹刻上石，又要保留原来的书法风貌，“俾还旧观”。本幅正是于敏中奉敕摹补柳公权书兰亭诗阙笔卷。其原诗用较大字书写，遇有某首诗有补阙的字、原刻的别字、错字，诗后则小字注明，如：王彬之四言诗“丹崖竦立，葩藻映林，渌水扬波，载浮载沉”后注：按此诗崖字、扬字原刻有阙笔今补；王羲之五言诗“……大矣造化功，万殊莫不均，……”后注：按此诗“功”字原刻作“切”，今从董临本改。有的地方，董临本没有的或阙损严重的，于敏中就其具体情况，也有补添上的。如:在郗曇、虞悦、孙嗣的三首五言诗后，注：按郗曇、虞悦、孙嗣三诗董临本所无，而原刻有之，今仍为临补；王徽之五言诗“先师有冥藏，安用羁世罗，未若保冲真，齐契箕山河”后注：后阙二句，董临本无，而原刻有之，亦为临补……。由于是皇帝之命，不敢草率行事，书写起来格外仔细认真，结字严整，布白均匀，墨之浓淡恰到好处。但是三十七首诗中，也同样与内府钩填本一样缺少王涣之五言诗最后一句“玄契齐古今”，除此之外，它呈现出的是兰亭诗墨迹的全貌。\n著录于《石渠宝笈续编》。清代刻入“兰亭”八柱，列为第六。",[26,124,125,96,82,12018,144,12019],"补阙","墨迹","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fc2d7970b003c44a350301a35655f7790.jpg","纸本，行书","纵28.7厘米，横688.2厘米",[3059],{"id":12025,"slug":12026,"title":12027,"dynasty":55,"author":7,"museum":172,"description":12028,"tags":12029,"thumbUrl":12030,"material":11,"size":11,"collection":11,"collections":12031,"showCount":11928,"zanCount":49,"manualWeight":49,"mainColor":70},238663,"hong-wu-ning-shou-gong-ming-bing-sui-chao-tu-ce-yi-ming-238663","弘旿宁寿宫铭并岁朝图册","此作绘就岁寒三友，苍松虬枝盘曲，鳞皴老干古意盎然，攒簇松针如青锋聚簇，自带凌霜气度。梅枝柔婉舒展，冰洁花瓣轻绽，嫩蕊含香，暗合报春之意。新竹清劲挺拔，翠叶疏朗错落，清逸雅致。\n整幅设色淡净明润，工写兼具，以浅淡底色托出三友清隽风骨，将文人君子凌寒不屈、清雅自持的襟怀寄寓其间，冷寂冬日里尽显盎然生机，是借物抒怀的雅致佳构。",[27,28,530,32,31,1524,145,542],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fc0fdff51fb680225db2add3680dd568a.jpg",[],{"id":12033,"slug":12034,"title":12035,"dynasty":55,"author":7,"museum":172,"description":2355,"tags":12036,"thumbUrl":12037,"material":296,"size":297,"collection":11,"collections":12038,"showCount":11928,"zanCount":49,"manualWeight":49,"mainColor":50},234413,"zhi-xing-fu-mu-tang-ka-yi-ming-234413","智行佛母唐卡",[30,31,32,1378,29,33,1056,190,1142,131,5404,1388,591,987],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F47919a6f05c0b86e438887ba4126ae79.jpg",[],{"id":12040,"slug":12041,"title":12042,"dynasty":75,"author":7,"museum":56,"description":12043,"tags":12044,"thumbUrl":12045,"material":335,"size":12046,"collection":11,"collections":12047,"showCount":11928,"zanCount":49,"manualWeight":49,"mainColor":70},234013,"xian-nv-cheng-luan-tu-ye-yi-ming-234013","仙女乘鸾图页","图绘一鸾凤于薄云淡雾中振翅飞鸣，其背上一仙女正茫然回首目视身后的一轮圆月。画家将仙女回眸之一刹那所显露出的怅惘之情刻画的生动传神，使本来单调的景物变得极富情趣并给人以想像力。仙女的眼神原无形，然作者却利用它使圆月和鸾凤之间产生一种内在的呼应关系，使画面具有气脉贯通的完整性。画家通过描绘仙女的衣带向后飘举暗示出无形的风力，并以此表明鸾凤疾翔时的速度与强烈的动感，与圆月之间形成动与静的对比。\n在人物形象的塑造上，仙女的造型越出了隋唐时期仕女画丰腴健壮的体态，表现出女性身材比例合理，造型匀称的特点。\n此图旧签题以及对幅耿昭忠的题记均言作者是五代周文矩。周文矩受南唐后主李煜颤笔书法的影响，喜以瘦挺颤掣的笔法入画，线条多转折顿挫，刚中有柔。此图线条工谨精细，如春蚕吐丝，柔中见刚，与周文矩的用笔特点不符，因此，它应是宋代佚名画家所作。",[27,79,28,530,219,31,32,127,10549,38,82],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fae22542a4bef5e8d5926c3d431eae647.jpg","纵25.3厘米，横26.2厘米",[],{"id":12049,"slug":12050,"title":12051,"dynasty":22,"author":7,"museum":172,"description":12052,"tags":12053,"thumbUrl":12055,"material":296,"size":297,"collection":11,"collections":12056,"showCount":11928,"zanCount":351,"manualWeight":49,"mainColor":277},231692,"shi-ting-shi-dai-sui-shi-fo-xiang-yi-ming-231692","室町时代 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青花牡丹萱花长方花盆",[2194,5179,98,12077,12078,5679],"萱花","长方","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F906c9616fc1632de9501de565fdd5cf8.jpg",[2200],{"id":12082,"slug":12083,"title":12084,"dynasty":241,"author":7,"museum":172,"description":12085,"tags":12086,"thumbUrl":12087,"material":11,"size":11,"collection":11,"collections":12088,"showCount":11928,"zanCount":351,"manualWeight":49,"mainColor":50},228811,"li-shu-tu-yi-ming-228811","荔鼠图","此作以工笔出之，褐绢为底，将白鼠偷食荔枝的闲趣小景描摹入微。白鼠通身莹白蓬松，毫发毕现，垂首啮果时神态专注娇憨，灵动鲜活。荔枝丹红饱满，果纹凸起写实如生，浓绿叶片阴阳向背层次分明，虬曲枝桠苍劲舒展，尽显南国佳果鲜活意趣。右上角朱印古雅，为画面晕染出金石气韵。设色明丽和谐，精工中带着松弛生机，既有院体画的细腻写实，又暗合数子多福的世俗吉意，把日常琐细绘得意趣悠长。",[26,79,27,28,31,32,80,272,4131,3537,221,82],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F54d85ef4870573bfff3e3eb899193a5a.jpg",[],{"id":12090,"slug":12091,"title":12092,"dynasty":241,"author":7,"museum":172,"description":12093,"tags":12094,"thumbUrl":12095,"material":11,"size":11,"collection":11,"collections":12096,"showCount":11928,"zanCount":49,"manualWeight":49,"mainColor":50},228377,"ming-shi-zong-zuo-xiang-zhou-yi-ming-228377","明世宗坐像轴","此作工笔重彩，尽展帝王威仪。明黄常服遍饰团龙祥纹，云气缠护其间，章纹排布严合规制，织绣细节分毫毕现，将皇权礼制融于一针一线的描摹中。\n\n帝王面容方正，神色沉敛端凝，不怒自威，肖像写实传神，精准勾勒出帝王的肃穆气场。背景髹金屏风满绘升降云龙，间缀宝相花枝，宝座髹蓝描金，雕饰精巧，处处铺陈出皇家的华贵肃穆。\n\n整体设色富丽匀净，线条精细劲挺，尽显宫廷肖像画的精湛造诣，将九五之尊的威严气场定格绢素，静穆间传递出皇朝礼制的厚重庄严。",[27,79,29,31,32,33,59,345],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F1ec95e7e4f1be01b5a6b4566dce58538.jpg",[],{"id":12098,"slug":12099,"title":12100,"dynasty":141,"author":7,"museum":172,"description":12101,"tags":12102,"thumbUrl":12103,"material":11,"size":11,"collection":11,"collections":12104,"showCount":11928,"zanCount":49,"manualWeight":49,"mainColor":50},228209,"shan-shui-tu-tuan-shan-yi-ming-228209","山水图团扇","此作以远近相生的构图铺陈意境，浮空峰峦如蓬瀛仙山，浓墨点苔晕出山姿苍郁，留白云气晕染成朦胧幻境，割裂又勾连起世外幽境与人间烟火。\n\n山腰间楼阁隐现，似藏寻仙之幽；山脚处板桥行人策杖徐行，村舍林麓、陂塘田亩错落排布，枯木添就萧疏秋意。工写兼济的笔法，勾勒山石硬朗轮廓，皴擦晕染揉出温润质感，设色淡雅古拙。将出世清寂与入世恬美收于尺幅，尽显山水重意趣、尚萧散的特质，意境清和淡远，恍若隔绝尘嚣，只留一片悠然天地。",[26,27,28,219,32,614,144,60,1623,130,531,33,613,162],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F517e2ea2760446e7c47c7392862034d2.jpg",[],{"id":12106,"slug":12107,"title":12108,"dynasty":75,"author":7,"museum":172,"description":12109,"tags":12110,"thumbUrl":12111,"material":11,"size":11,"collection":11,"collections":12112,"showCount":11928,"zanCount":49,"manualWeight":49,"mainColor":70},227917,"qun-yu-xi-zao-tu-yi-ming-227917","群鱼戏藻图","《宋人画群鱼戏藻图》是宋代佚名创作的绢本设色画。\n《庄子·秋水篇》中有“濠梁观鱼”的著名典故，故“ ”成为中国绘画的传统题材。\n“ ”又谐“余”之音，有祝颂丰穰之吉祥寓意。\n本幅无款。\n鉴藏印钤“季彤平生真赏”、“庞莱臣珍藏宋元真迹”。\n裱边钤“虚斋审定名迹”。\n图中绘小鱼5尾，欢快地游戏于荇藻之间。\n鱼身用没骨法墨染而成，其光滑、细腻而富于弹性的质感表现得非常充分，线条圆浑流畅；黑脊与白肚之间过渡自然；口、眼、鳍、尾之刻画逼真而具立体感。\n鱼的游向各异，远近分明，荇藻轻灵而富于动感，构图生动活泼，是宋人画鱼的名作。\n存《名笔集胜》册中。\n《虚斋名画续录》著录。",[26,79,27,28,219,31,144,32,318,2730],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F1a01514fa33b348d72283aebee102b35.jpg",[],{"id":12114,"slug":12115,"title":12116,"dynasty":75,"author":7,"museum":172,"description":12117,"tags":12118,"thumbUrl":12119,"material":11,"size":11,"collection":11,"collections":12120,"showCount":11928,"zanCount":49,"manualWeight":49,"mainColor":50},227854,"shan-shui-tuan-shan-yi-ming-227854","山水团扇","危崖嶙峋踞于近岸，枯木萧疏间细泉漱石，凛凛秋意漫溢而出。视线随水色铺展，远峰晕染在烟岚薄雾里，和空濛秋水融作一片淡墨云烟。滩头扁舟静泊，渔翁偃卧，将山野幽寂与林下闲逸揉作一处。\n\n此作用笔苍润相济，硬皴勾勒崖石肌理，枯笔点染寒木枝桠，淡墨晕开江天烟霭，以边角取景铺展出辽远山水格局，将秋日江野的清寂闲静截取在咫尺扇面，尽显以小见大的山水雅趣，藏着寄情林泉的幽远心境。",[79,27,28,219,32,144,60,676,162,130,128],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F450874808150a62736ffbb1713c6d774.jpg",[],{"id":12122,"slug":12123,"title":12124,"dynasty":75,"author":7,"museum":172,"description":12125,"tags":12126,"thumbUrl":12127,"material":11,"size":11,"collection":11,"collections":12128,"showCount":11928,"zanCount":49,"manualWeight":49,"mainColor":50},227371,"luo-shen-fu-tu-di-yi-juan-yi-ming-227371","洛神赋图第一卷","曹植的作品中，除了“七步诗”，最有名的就是《洛神赋》了，后来，著名的画家顾恺之依据《洛神赋》，画了流传千古的名画《洛神赋图》，其中最感人的一段描绘是曹植与洛神相逢，但是洛神却无奈离去的情景。\n\n全卷分为三个部分，曲折细致而又层次分明地描绘着曹植与洛神真挚纯洁的爱情故事。人物安排疏密得宜，在不同的时空中自然地交替、重叠、交换，而在山川景物描绘上，无不展现一种空间美。\n\n此图卷无论从内容、艺术结构、人物造形、环境描绘和笔墨表现的形式来看，都不愧为中国古典绘画中的瑰宝之一。",[26,27,96,32,31,123,124,82,33,127,3898,371,60,131,130,129],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fda06f1d6798502716c251cdbc934d11d.jpg",[],{"id":12130,"slug":12131,"title":10601,"dynasty":75,"author":7,"museum":76,"description":12132,"tags":12133,"thumbUrl":12134,"material":43,"size":11742,"collection":11,"collections":12135,"showCount":11928,"zanCount":49,"manualWeight":49,"mainColor":277},227347,"ru-lai-shuo-fa-tu-yi-ming-227347","画佛登宝座说法，旁有侍者六人：两天女，两僧，两介士随侍。佛顶圆光，四周飞火焰，画火笔法极生动而传神。全幅以水墨为主调，略施淡彩，其它如手足诸事，无不刻画肌容，揣拟入妙。天女衣褶，如曹衣出水，本为印度作风，北魏时传入中国，北宋以后又复少见。故成画当在北宋时，为故宫院藏佛画中之甚精者",[27,28,79,29,30,33,123,32],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F29b569fbc72e4a17b9c63ddb4bd3a7df.jpg",[],{"id":12137,"slug":12138,"title":1510,"dynasty":171,"author":7,"museum":292,"description":698,"tags":12139,"thumbUrl":12141,"material":296,"size":297,"collection":11,"collections":12142,"showCount":11928,"zanCount":49,"manualWeight":49,"mainColor":50},226255,"ku-zhu-shi-bei-bi-yi-ming-226255",[175,30,329,1622,31,32,129,33,2656,5689,650,12140,1378],"线条细致","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fe1e4df82c3c5730ef11493dbfa891d8e.jpg",[],{"id":12144,"slug":12145,"title":12146,"dynasty":171,"author":7,"museum":292,"description":698,"tags":12147,"thumbUrl":12148,"material":296,"size":297,"collection":11,"collections":12149,"showCount":11928,"zanCount":351,"manualWeight":49,"mainColor":50},226172,"ku-qian-shi-nan-bi-yi-ming-226172","窟前室南壁",[175,30,33,32],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fc5b18973bcc22ad68fce4603e8294255.jpg",[],{"id":12151,"slug":12152,"title":12153,"dynasty":75,"author":7,"museum":172,"description":12154,"tags":12155,"thumbUrl":12156,"material":11,"size":11,"collection":85,"collections":12157,"showCount":11928,"zanCount":49,"manualWeight":49,"mainColor":50},223639,"xiao-yi-zhuan-lan-ting-tu-juan-yi-ming-223639","萧翼赚兰亭图卷","画面以淡彩铺陈会面场景，踞坐交椅的老僧神情淡然沉静，端坐访客敛容凝神，二人对谈间似藏暗涌。两侧侍童垂首恭立，衬出静谧肃穆的氛围。\n\n笔线细劲圆转，妥帖勾勒衣褶起伏，将不同衣物质感细细区分，设色简雅清淡，赭石晕染与墨色勾勒相融，古雅沉静。画家捕捉神态入微，老僧的从容自持、访客的内敛机警皆跃然绢上。连交椅的榫卯结构都精细描摹，尽显写实功底。构图疏密相宜，以人物互动牵起叙事张力，尽显雅致写实的风韵，暗合画面之下暗藏的机锋故事底色。",[26,27,79,96,31,32,33,877],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F5e77b0a5b2d7c045dc29fe2b86e9abbc.jpg",[85],{"id":12159,"slug":12160,"title":12161,"dynasty":55,"author":7,"museum":172,"description":12162,"tags":12163,"thumbUrl":12176,"material":109,"size":12177,"collection":3059,"collections":12178,"showCount":11928,"zanCount":49,"manualWeight":49,"mainColor":70},223385,"gu-dai-shen-xian-shi-ba-dong-yi-ming-223385","古代神仙十八洞","此作为书画合璧手卷，山水以全景铺陈，披麻皴绘峰峦浑厚苍润，茂林修竹遍布丘壑，村居田庐错落溪谷之间，烟波澹澹漾于浅滩，将洞天幽寂出尘的隐逸之境尽皆铺展，尽显林泉高致。\n\n满卷狂草题跋与山水相映，笔势奔放纵逸，枯湿浓淡间墨色富于变化，跌宕的笔意打破山水的静穆，书画相生相融。整体既带着道家洞天的清寂闲雅，又饱含文人以笔遣怀的酣畅意气，把出世雅趣与笔墨风神糅合一处，尽显传统文人的精神意趣。",[26,79,27,28,96,144,60,12164,6350,12165,12166,12167,12168,12169,12170,3330,12171,12172,4661,5527,12173,12174,12175],"披麻皴","茂林","修竹","村居","田庐","溪谷","浅滩","狂草","道家","清寂闲雅","文人意趣","出世雅趣","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fe8597d140b6ab4f6c62fb17633e69fe0.jpg","26x717",[3059],{"id":12180,"slug":12181,"title":12182,"dynasty":141,"author":7,"museum":76,"description":12183,"tags":12184,"thumbUrl":12186,"material":3687,"size":11,"collection":87,"collections":12187,"showCount":11928,"zanCount":351,"manualWeight":49,"mainColor":50},220182,"qiu-hua-ji-ling-tu-yi-ming-220182","秋花鹡鸰图","以淡墨勾勒衬以色晕，绘就秋日荒坡一角。芙蓉瓣瓣舒展，柔枝缀着细碎白花，随风轻曳；苍劲湖石布着点点苔痕，添了古拙意趣。石畔鹡鸰悄然伏于坡上，羽色轻淡，形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有较高的文化修养。清雍正五年（1727年）七月十八日，她被雍正皇帝指婚给17岁的皇四子弘历作嫡福晋。弘历即帝位后，立她为皇后。她克勤克俭，不喜奢华，平时在宫中的服饰用品不是金玉珠翠，而是简简单单的通草绒花。她与乾隆皇帝相敬如宾，感情笃挚，十分恩爱。乾隆十三年（1748年）二月初四，在与乾隆皇帝奉皇太后东巡的旅途中，因劳累和久病体虚，病逝于山东德州。乾隆皇帝甚为悲恸，兼程赶还京师料理后事，并为其服缟素12日；著《述悲赋》与诗，以表对皇后早逝的哀憾与追怀。",[26,160,27,31,32,33,59,345,29],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F62047b26c1af7c503cdc3cf64792af27.jpg","194.8cm，横116.2cm",[],{"id":12401,"slug":12402,"title":12403,"dynasty":141,"author":7,"museum":56,"description":12404,"tags":12405,"thumbUrl":12406,"material":348,"size":12407,"collection":506,"collections":12408,"showCount":114,"zanCount":351,"manualWeight":49,"mainColor":277},223399,"shang-shan-si-hao-tu-zhou-yi-ming-223399","商山四皓图轴","此图画汉初“商山四皓”故事中使臣迎请四皓一节。画面左下角有一队人马，为首者正与童子对话。山间小路崎岖，云雾缭绕，溪水潺潺。画幅偏右画有数人：二老者对弈，一老者拄杖观棋，二童子左右陪侍，上方一老者正拄杖下行，身后一童子捧果盘相随。山势高耸，乔松挺秀，烘托出一派幽静清逸之气，将四皓闲适的生活恰如其分地表现出来。\n本幅无作者名款，画面上方有挖补之痕，其真正的作者已难考究。旧题为南宋刘松年的作品，然其画法风格实近元代盛懋一派。本幅钤有残印一角，印文不辨。",[26,27,28,29,32,1622,31,60,33,331,162,63,614],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F6e3dddb7ee87e220228e39d7b36a9eee.jpg","纵155.3厘米，横77.2厘米",[506,112],{"id":12410,"slug":12411,"title":12412,"dynasty":141,"author":7,"museum":76,"description":12413,"tags":12414,"thumbUrl":12415,"material":724,"size":12416,"collection":506,"collections":12417,"showCount":114,"zanCount":351,"manualWeight":49,"mainColor":70},221700,"bai-yun-shan-fang-tu-zhou-yi-ming-221700","白云山房图轴","此画是陈贞为大空道者写白云山房。画面上远山叠嶂，山头似乎被云雾笼罩，只露出平坦的山顶和山段，再近些一座山峰在充溢着水气的墨色中浅淡生幽。右上侧较为空旷，只有时隐时现的小山头。画中部为崎岖不平的山石、树木和杂草丛生，山坡的左侧几间屋宇、茅亭座落山坡一侧，用简笔描绘出几间房屋楼阁。近景有较为宽阔的河道，河道的右侧为一座小山岗，上面长有几株树木；河道的左侧为山坡湖石，点缀着数株乔木。此幅图中树木堪称一绝，姿态不一，品种各异，有的枝叶稀疏，有的枝叶低垂，有的高大繁茂葱郁，还有的枝干虬然。此图的画法，图中巨冈坡石和主峰，运用凝重柔和的披麻皴层层皴擦，表现出浑厚伟峻的形势。远山和树丛的表现，充分吸收了米氏云山技徠法垍頭，或用條水墨轻染淡抹，或用浓淡墨色纵横点染。此图在水墨皴染的基调上，还巧妙地敷施色彩。如山峦坡陀罩染一层淡淡青绿，山巅向阳面敷薄薄的赭石，树叶点染花青。画家善于把山峦、溪水、草木、烟云有机地组成一体，使画面气脉流通，神彩焕发，塑造出白云山房奇丽意境。款识“至正辛卯秋九月既望。陈贞履元为大空道者写白云山房。",[26,27,28,29,144,614,60,445,532,1525,130,82],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F5d2bce35e6488169e35f98daeffd676d.jpg","103.8x35.4厘米",[506,1116],{"id":12419,"slug":12420,"title":12421,"dynasty":75,"author":7,"museum":12422,"description":12423,"tags":12424,"thumbUrl":12425,"material":43,"size":12426,"collection":506,"collections":12427,"showCount":114,"zanCount":351,"manualWeight":49,"mainColor":50},219867,"song-ren-fang-chang-jiang-ji-xue-tu-yi-ming-219867","宋人仿长江积雪图","火奴鲁鲁艺术博物馆","此作为平远雪景长卷，以淡墨晕染出空濛寒雪，山峦覆雪如凝脂玉砌，留白尽显素净冷寂。江岸枯木虬曲，偶缀浅蓝霜色的苍松，于冰寒中透出些许生机；汀渚错落铺陈，江波敛息如镜，将雪色天光尽数揽入。\n\n用笔清简秀润，以留白代积雪，淡墨轻勾慢皴山体肌理，冷色调晕开冬日萧寒，铺陈开千里江天雪境，将冬日江野的空阔清寒融于尺幅，尽显静穆辽远的荒寒之美，带着雅致空灵的宋韵，把雪锁江山的清冷孤寂与天地一色的澹然意境刻画入微，观之如临朔雪江天。",[26,27,96,32,2415,614,5818,953,35,676,331,163,128,359,734,82],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F41bff8e8782f9331d1bdca574626f790.jpg","纵28.8厘米，横449.3厘米",[506],{"id":12429,"slug":12430,"title":12431,"dynasty":241,"author":7,"museum":254,"description":12432,"tags":12433,"thumbUrl":12434,"material":149,"size":11,"collection":506,"collections":12435,"showCount":114,"zanCount":49,"manualWeight":49,"mainColor":50},219713,"song-yin-guan-quan-tu-yi-ming-219713","松阴观泉图","此作用虚实相生的水墨铺陈幽境，左上危岩虬松如铁，浓墨晕出山石峭拔之势，留白晕开水色山岚，将清远秋意漫开。\n\n崖畔高士凭石凝睇，白衣飘然似与林泉相融，童子垂立水滨，一静一动衬出空山寂廖。笔墨简淡苍劲，寥寥数笔勾出人物悠然神态，淡墨扫就远岫烟波，将文人林下幽居的雅趣藏进山水褶皱里。似可耳闻松涛漱石，静览间涤净尘俗，尽显尚简重意的文人画风骨。",[27,2415,29,144,32,1524,162,9749,130,33,614,953],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F105a2d6cc74d001858f9036141b65313.jpg",[506],{"id":12437,"slug":12438,"title":12439,"dynasty":75,"author":7,"museum":216,"description":12440,"tags":12441,"thumbUrl":12442,"material":724,"size":11,"collection":45,"collections":12443,"showCount":114,"zanCount":49,"manualWeight":49,"mainColor":50},219516,"song-xia-qi-ji-tu-yi-ming-219516","松下憩寂图","淡墨晕染开幽寂林泉，松枝斜斜探入空濛烟霭，似将山岚轻轻挑起。袒腹老僧倚石而卧，袈裟半敞，眉眼松弛自在，将浮生俗虑尽数抛却。\n\n身旁药葫芦悬于松根，石上摊开素纸，案边置着煮茶陶釜，静水流淌在咫尺之外，把山野清旷揉进笔墨里。画面以留白衬出空寂禅意，虚实相生间，将林下幽居的松弛与禅家的静穆融作一处，淡远萧散的笔意，晕开了宋人偏爱的林下雅趣，将喧嚣隔在烟岚之外，只留山风松涛伴幽人一枕清梦。",[27,144,32,33,331,146,60,30,31,63],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F3adcc3f030428c1fdabd00c0eee7d3b7.jpg",[45],{"id":12445,"slug":12446,"title":4638,"dynasty":55,"author":7,"museum":1201,"description":12447,"tags":12448,"thumbUrl":12449,"material":43,"size":12450,"collection":45,"collections":12451,"showCount":114,"zanCount":351,"manualWeight":49,"mainColor":50},218412,"luo-han-tu-yi-ming-218412","绢素上的罗汉，指尖轻托腮帮，眉宇间凝着淡淡的遐思。一侧腕臂微伸，似欲触碰案前盛着鲜果的瓷碗，又若在禅意里悬停片刻。衣袂的褶皱随坐姿舒展，浅褐与灰绿的色调晕染出岁月的温厚，领口的蓝纹如溪流般轻绕。背景沉暗如古木，更衬得罗汉面容的清宁。那些纵横的冰裂纹，是时光在画纸上刻下的诗行，让这份悠然的禅意添了几分沧桑的韵致。他似在回味供果的清甜，又若沉浸于无人惊扰的禅思，将修行者的自在与生活的暖意悄然融合。",[27,32,33,30,31,346],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fa5a3c4972a91f0a0ea7c5b04d37395a2.jpg","24.1x20",[45],{"id":12453,"slug":12454,"title":12455,"dynasty":75,"author":7,"museum":172,"description":12456,"tags":12457,"thumbUrl":12458,"material":43,"size":12459,"collection":45,"collections":12460,"showCount":114,"zanCount":351,"manualWeight":49,"mainColor":277},218321,"luo-han-jiang-jing-tu-yi-ming-218321","罗汉讲经图","古朴绢色晕染着时光的厚重，罗汉群像铺展成一场静谧的法会。或趺坐凝思，衣袍褶皱如涧边流云婉转；或手持经卷，指尖轻触处似有梵音悄然流淌；或侧耳谛听，眉宇间凝着对法理的深湛探究。一旁戴帽者躬身静立，尘世恭谨与禅者淡然在此交融。线条细劲如铁线，转折处藏着温润韵致；设色淡雅却层次分明，青绿衣袂衬赭石底色，古雅中透着沉静。无繁复布景，仅以人物眼神交汇、姿态呼应，便织就禅意满溢的空间，让观者仿佛穿透千年绢层，触到那缕法音缭绕的余温。",[79,27,28,30,33,32,31],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fa66eb9efec33f9ac4f1cb5fe08c1463a.jpg","51x59",[45],{"id":12462,"slug":12463,"title":12464,"dynasty":141,"author":7,"museum":2739,"description":12465,"tags":12466,"thumbUrl":12467,"material":43,"size":11,"collection":506,"collections":12468,"showCount":114,"zanCount":49,"manualWeight":49,"mainColor":277},218194,"shan-shui-tu-dui-zhou-yi-ming-218194","山水图对轴","这幅画作品出现在元朝时期，其作者不详。《山水图》以其精细的绘画技巧和丰富的内容而闻名，是元朝时期山水画艺术的杰出代表作。\n\n这幅画作品中，画家运用了各种不同的技巧，如水墨画技法、点染技法等，使得这幅画作充满了丰富的色彩和变化。",[27,7942,614,29,60,676,1623,130,162,131],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F7bce89525f0d80cab8c2a4f7f1de6153.jpg",[506],{"id":12470,"slug":12471,"title":12472,"dynasty":171,"author":7,"museum":489,"description":12473,"tags":12474,"thumbUrl":12475,"material":493,"size":11,"collection":11,"collections":12476,"showCount":114,"zanCount":49,"manualWeight":49,"mainColor":50},217284,"jiang-mo-bian-dun-huang-tu-juan-5-yi-ming-217284","降魔变·敦煌图卷-5","画面以线性叙事铺展，左段人物衣袂飘举，神情肃穆；中段降魔场景张力十足，鬼怪狰狞却露畏色，光头形象安坐如磐，气场沉稳；右段说法场面庄静，众僧与护法环绕，气韵祥和。线条稚拙却精准，如行云流水般勾勒百态——信徒的虔诚、护法的威严、鬼怪的惶惑皆跃然纸上。古雅设色晕染出敦煌艺术的质朴厚重，民间画工以巧思将佛经故事的庄严与生动融于一卷，每处细节都藏着丝路文化的温度，尽显中古绘画的叙事魅力与精神内核。",[79,27,171,96,32,30,33,292,131,123],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fe4baf45e65e1281c40ef28eb75532409.jpg",[],{"id":12478,"slug":12479,"title":12480,"dynasty":75,"author":7,"museum":76,"description":12481,"tags":12482,"thumbUrl":12483,"material":43,"size":12484,"collection":85,"collections":12485,"showCount":12486,"zanCount":49,"manualWeight":49,"mainColor":50},290759,"tao-zhu-shuang-fu-tu-zhou-yi-ming-290759","桃竹双凫图轴","此作用笔兼具工致与写意之妙，古朴底色晕染出澹然春暮氛围。右侧虬曲桃枝缀满素白花苞，柔梢栖立幽禽，与劲挺青竹交错掩映，花瓣簌簌飘落，铺撒于浅草滩涂，坡石以淡墨晕皴，苍润朴拙。\n\n水面双凫姿态悠然，顾盼相随，羽毛绒羽层次细腻鲜活，粼粼水纹隐现其间。整体画面恬淡安宁，将水岸春景的幽寂野趣尽收卷中，于细微处尽显写生功力，暗合寄情林泉、观物察美的雅致意趣。",[27,80,31,32,1330,145,9977,163,146,3518],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F4ce05a7202359b07a2ba9cecc54873d7.jpg","163.3x103.1",[85],27,{"id":12488,"slug":12489,"title":12490,"dynasty":141,"author":7,"museum":76,"description":12491,"tags":12492,"thumbUrl":12496,"material":43,"size":12497,"collection":11,"collections":12498,"showCount":12486,"zanCount":351,"manualWeight":49,"mainColor":50},290736,"yu-zhuang-qiu-se-zhou-yi-ming-290736","渔庄秋色轴","柳岸秋风，两舟并进。一人垂钓，一人观书，舷边系一鱼簏。观者钓者皆闲适之甚，其意若不在渔。岸上村坊，悬帘卖酒，其后丘陵起伏，烟树迷濛。一山巍然高耸，雄踞上方。全幅用笔细谨，构景时有拙趣。",[27,79,29,60,1622,32,129,131,12493,12494,33,1768,12495],"渔庄","秋色","郊野","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F33544e4f372084092dff89fcc35e11e2.jpg","163.5x88.3",[],{"id":12500,"slug":12501,"title":12502,"dynasty":75,"author":7,"museum":172,"description":12503,"tags":12504,"thumbUrl":12505,"material":296,"size":297,"collection":11,"collections":12506,"showCount":12486,"zanCount":49,"manualWeight":49,"mainColor":70},289937,"hong-liao-shui-qin-tu-yi-ming-289937","红蓼水禽图","此画中国美术史上的花鸟画名作，典型的宋院体画。《红蓼水禽图》构图精巧，有很高的写实水平，为我国古代扇面画的代表作。\n以前人们认为是五代名家徐崇矩所作，其所绘意境正如诗中所咏：“西风红蓼香，水禽破苍茫。小虾清滩里，涟漪泛斜阳。”",[26,27,79,219,28,80,31,32,163,8888,82],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F0378b85a33fe7e6d9ecc8e5d0578c912.jpg",[],{"id":12508,"slug":12509,"title":12510,"dynasty":75,"author":7,"museum":172,"description":12511,"tags":12512,"thumbUrl":12513,"material":296,"size":297,"collection":11,"collections":12514,"showCount":12486,"zanCount":49,"manualWeight":49,"mainColor":50},287920,"bei-song-si-tian-wang-yi-ming-287920","北宋四天王","此作中的天王怒目圆睁，虬髯怒张，尽显金刚怒目的慑人气魄。天王身披繁丽甲胄，朱红主调搭配翠绿绦带，在泥金底色映衬下鲜明夺目，纹饰精巧细致，尽显工艺匠心。他左手按剑，身姿雄健挺拔，足下踏伏小鬼，将护法降魔的威严气魄诠释得淋漓尽致。\n\n画师以遒劲铁线描勾勒衣甲飘带，刚柔并济，既刻画出甲胄的厚重坚硬，又衬出飘带的灵动舒展。设色古雅厚重，晕染细腻，将天王的勇猛神威与工笔重彩的精妙表现力完美融合。",[27,28,29,79,30,1170,32,33,10119,272,2405],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F91ff405f2bbe051e7b4686b616c20b80.jpg",[],{"id":12516,"slug":12517,"title":12518,"dynasty":75,"author":7,"museum":172,"description":1167,"tags":12519,"thumbUrl":12521,"material":296,"size":297,"collection":11,"collections":12522,"showCount":12486,"zanCount":351,"manualWeight":49,"mainColor":50},287589,"song-xuan-zu-hou-zuo-xiang-yi-ming-287589","宋宣祖后坐像",[27,31,32,33,345,12520],"肖像画","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F1493df959c662d33adca06725ac16585.jpg",[],{"id":12524,"slug":12525,"title":12526,"dynasty":241,"author":7,"museum":172,"description":12527,"tags":12528,"thumbUrl":12530,"material":296,"size":297,"collection":11,"collections":12531,"showCount":12486,"zanCount":49,"manualWeight":49,"mainColor":50},267606,"hong-se-chan-zhi-ju-lian-cha-hua-wen-zhuang-hua-duan-yi-ming-267606","红色缠枝菊莲茶花纹妆花缎","赤红地色如熔霞漫铺，缠枝卷叶婉转舒展，将菊、莲、茶花错落排布，织就烂漫花境。妆花晕染出层次柔美的各色花头，粉菊清妍温婉，蓝莲沉静雅致，茶褐与赤黄山茶饱满厚重，翠绿叶脉勾描灵动，让画面疏密相宜不显拥塞。\n\n整体用色鲜亮却协调雅致，提花工艺精巧细腻，将花卉绰约姿态凝于经纬之间，尽显古雅华贵的审美意趣，在锦缎之上留存盛放花景，藏着旧时织绣工艺的细腻匠心。",[41,12529,2893,100,177,81,32,2820],"妆花缎","https: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老树枯干，几只黑乌鸦没能栖息； 野鸭在浅滩上成群结队，踱步，或觅食； 接吻雁扇动着翅膀飞了起来，以“一”字形飞向天涯。 这幅画以水墨构想了一个冰冷、寂静、空旷的场景。",[26,27,29,144,32,676,12771,12170,4001,1281,60,2395,163],"鸿雁","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fb6b41179185b48a7ca59003ff3966b6b.jpg","绢本，水墨","125.9＊92.6cm",[87,1116],{"id":12777,"slug":12778,"title":12779,"dynasty":141,"author":7,"museum":76,"description":12780,"tags":12781,"thumbUrl":12783,"material":1433,"size":11,"collection":45,"collections":12784,"showCount":12486,"zanCount":153,"manualWeight":49,"mainColor":70},221781,"yuan-wu-zong-hou-yuan-wu-zong-hou-yi-ming-221781","元武宗后；元武宗后","此画为元世祖后头戴珍珠饰罟罟冠，身着金锦衣缘朱袍的半身像。人物面容丰满，神态雍容。此肖像画造型准确，脸面丰盈、作者驱笔着墨（色）都注意到准确性和生动性，笔路清劲洒脱，设色艳而不俗。在艺术处理上，作者善于把线条和色彩提炼得十分简洁，风格上显得敦厚古朴，这是此画的用笔特点。\n彻伯尔皇后着红袍，以大袍为礼服，袍式宽大曳地，袖身肥但口部收窄。冠与袍同色，饰以珍宝花饰，面料有织金锦、丝绒等，大多以大红为主，兼有黄、绿、茶、胭脂红、鸡冠紫、泥金等色。顶缀珠花，并插羽为饰。\n元世祖后彻伯尔，元史表作昭睿顺圣皇后，名察必。济宁忠武王按陈之女。初为世祖妃，中统二年（1262）被立为皇后。彻伯尔因容貌出众，德才兼备，是众多后妃中最受世祖宠爱的一位。彻伯尔后在生活上自奉俭约，率宫女制作结实美观的服饰、实用地毯，还创制了比甲服饰等，适于骑猎穿着。受到世祖和诸大臣的称赞。至元十八年（1281）得病去世。元成宗即位后，追谥昭睿顺圣皇后。\n元代有一批职业画家服务于宫廷，创作了不少帝后肖像画。台北故宫博物院收藏了一套《元代帝后像册》，帝像8帧：计为太祖成吉思汗、太宗窝阔台、世祖忽必烈、元成宗、元武宗、元仁宗、元文帝、元宁宗；后像15幅：计为元世祖后像一、顺宗后像三、武宗后像三、仁宗后像一、英宗后像二、明宗后像一、宁宗后像一以及后纳罕像一、佚名后像四。\n元代帝后肖像的显著特点是作胸像，而其他朝代的帝后像都是完整的全身像，这可能是蒙古族和汉族不同的审美好尚所致。画像的脸部烘染细腻，用微妙的色彩擦染塑造立体感。有研究者认为这样细腻的烘染手法可能与西南地区，特别是来白尼泊尔的画师阿尼哥（Anige）有关。据载阿尼哥曾为世祖、世祖皇后画过像，虽然无法确定是否就是此幅，二者风格上的渊源是毋庸置疑的。\n《唻洎頭條元世祖后像》中，皇后彻伯尔的帽子十分引人注目，几乎占了画面的一半空间，这种帽子叫作“罟罟冠”。“罟罟冠”原名叫“古库勒”，其名称的由来少见于记载，元代丘处机认为“罟罟冠”顶有一撮禽类的羽毛故而拟其声，女真人又称野兽为“故勒故”，推测元蒙时代“罟罟冠”的称谓，与其“取禽兽羽毛”的材质和女真人的发音都有一定的关系。至于“罟罟冠”的构造，分为两部分，即上部是一个顶稍宽的长简形，用桦木、柳枝或铁丝盘出形状来，胎骨外阿糊绒锦岁绢等，链顶装饰小珠，锦鸡等玲禽羽毛，顶郭折下部分的前中央，往上嵌有耀眼的太小珠翠，由两条带于把冠同定在头顶，旁边一缀上珠饰；下部是一抹横勒在额上的抹额，抹额在中间的传统可以追溯到北朝，时称“幕罗”，晦则发展为“帷幕”，称为“滟婆勘于”。尚婆勒干和上冠台之，便为所谓的罟罟冠。\n除开画像中对“罟罟冠”的描绘外，皇后的“一字眉”也非常有特色，这种眉形不仅细长而平齐，在元代流行的时间很长是蒙古族女特有的一种妆饰。通常的做法是先将天生的眉毛剃掉，然后画上细长的“一字眉”。\n蒙古女贵族的服装样式，则明显受到汉族女装的影响，宽的袖千绣满镂盒花边的领口，体现入主中原之后的“汉化”进程。《元世祖皇后像》中，皇后的衣服颜色是大红。元代以红为贵，衣服颜色亦象征着不同的社会等级最尊贵阶层穿红色和紫色的表服，中间阶层穿青色和绿色的农服，寻常百姓则只许穿檀褐色等暗色服装。",[26,27,28,31,32,33,11476,345,39,12782,141,2348],"古代","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F444ec05610a71f67070ac1abd81d2630.jpg",[45,112],{"id":12786,"slug":12787,"title":12788,"dynasty":241,"author":7,"museum":254,"description":12789,"tags":12790,"thumbUrl":12791,"material":43,"size":12792,"collection":87,"collections":12793,"showCount":12486,"zanCount":49,"manualWeight":49,"mainColor":50},218984,"ku-zhi-han-que-tu-yi-ming-218984","枯枝寒雀图","这幅画描绘了一只长尾小鸟站在一根枯枝上，羽毛蓬松，脖子略显萎缩，眼神略显呆滞，迎着寒风，周围是光秃秃的树枝和散落的树叶，一副荒凉的场景。",[27,28,80,4002,163,31,32],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fb30e7b258206ffc7c6e1012de8dece2a.jpg","17.8x22.4cm",[87],{"id":12795,"slug":12796,"title":12797,"dynasty":241,"author":7,"museum":254,"description":12798,"tags":12799,"thumbUrl":12800,"material":43,"size":12801,"collection":87,"collections":12802,"showCount":12486,"zanCount":49,"manualWeight":49,"mainColor":50},218983,"shuang-feng-tu-yi-ming-218983","双凤图","双凤立于苍石之上，一昂首扬尾，羽色斑斓；一低首理翎，姿态娴静。笔触细腻处，翎羽纹理毕现，古朴色泽中透着温润；写意间，墨竹疏斜，花草点缀，衬出清幽之境。山石的厚重与凤鸟的灵秀相映，满含祥瑞之气，尽显古典花鸟的雅致韵致与自然生机。笔墨工写相济，将凤鸟的灵动与环境的静谧完美融合，传递出传统艺术中对生命与祥瑞的美好期许。",[26,27,28,31,32,80,564,145,36,1093,163],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F2281d3ed1187e1095135d352c1b21d46.jpg","155.3x103.2cm",[87],{"id":12804,"slug":12805,"title":12806,"dynasty":75,"author":7,"museum":216,"description":12807,"tags":12808,"thumbUrl":12809,"material":43,"size":12810,"collection":87,"collections":12811,"showCount":12486,"zanCount":49,"manualWeight":49,"mainColor":50},218973,"jin-ji-zhu-que-tu-yi-ming-218973","锦鸡竹雀图","画在河岸边倾斜的石头上，翠绿的竹子、荆棘和杂草在石头堆中顽强地生长着，两只野鸭雏鸟蜷缩着脖子在石头上休息，而一对彩色的鸟儿相对站在上面的枯枝上，下面的鸟儿歪着头紧紧地盯着上面的鸟儿，专注而爱怜。",[79,27,28,31,32,80,145,1431,193,146,131,82],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F654c4e85a777c9fd02c4b1bd5b7eed32.jpg","24.3x24.9cm",[87],{"id":12813,"slug":12814,"title":12815,"dynasty":75,"author":7,"museum":76,"description":12816,"tags":12817,"thumbUrl":12818,"material":43,"size":12819,"collection":506,"collections":12820,"showCount":12486,"zanCount":49,"manualWeight":49,"mainColor":70},218815,"liu-an-he-tang-tu-yi-ming-218815","柳岸荷塘图","这幅画描绘了一个芦苇茂盛的荷塘，荷叶田田，五支老箭极为茂盛，说明这里是陶渊明的隐居之地，过了小桥就能看到南山。",[26,79,27,32,60,219,614,2208,232,446,532,953,35,1400],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F15878898e2639dfb24e355516ff4dd5f.jpg","25.4x26.4",[506],{"id":12822,"slug":12823,"title":12824,"dynasty":75,"author":7,"museum":76,"description":8489,"tags":12825,"thumbUrl":8491,"material":43,"size":12826,"collection":87,"collections":12827,"showCount":12486,"zanCount":49,"manualWeight":49,"mainColor":70},218696,"an-chun-tu-yi-ming-218696","鹌鹑图",[26,27,28,31,32,80,4056,82],"35.3x25.8",[87],{"id":12829,"slug":12830,"title":8967,"dynasty":241,"author":7,"museum":499,"description":12831,"tags":12832,"thumbUrl":12833,"material":43,"size":12834,"collection":45,"collections":12835,"showCount":12486,"zanCount":49,"manualWeight":49,"mainColor":50},218522,"xian-ren-tu-yi-ming-218522","这幅画看似是微风中的烈子，衣服用粗笔，脸部用细笔勾勒，来自梁楷的传承，但笔触太直，已经属于明代风格。",[79,27,28,33,30,32],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F4932dfc1a846972a9cc06faf44422573.jpg","23x23",[45],{"id":12837,"slug":12838,"title":12839,"dynasty":141,"author":7,"museum":216,"description":12840,"tags":12841,"thumbUrl":12842,"material":43,"size":12843,"collection":506,"collections":12844,"showCount":12486,"zanCount":49,"manualWeight":49,"mainColor":50},218216,"bi-wu-ting-xie-tu-yi-ming-218216","碧梧亭榭图","这幅画描绘的是一座美丽的亭子和榭廊，位于一片茂密的森林之中。亭子呈方形，由木构建筑搭建而成，四周环绕着一圈小山丘。亭子上方是一座榭廊，榭廊的栏杆由许多小木棍组成，看上去十分精致。\n\n在亭子的中心有一个圆形的池塘，池塘周围种满了许多花草，荷花、菊花、牡丹等各种鲜艳的花朵相互辉映，颜色鲜艳夺目。在池塘中央有一只小鸟儿正在游泳，一群小鸭子在岸边嬉戏。\n\n整幅画非常美丽，构图巧妙，色彩鲜艳，是一幅非常优秀的画作。它所描绘的这座亭子和榭廊，是人们在繁忙的城市生活中的一片净土，是人们放松身心的好去处。它也是一幅富有意境的画作，让人感受到自然的和谐与宁静。",[79,27,329,32,531,129,332,131,82,7367],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F0b4393613c35a03edb85252ef3c1dbd1.jpg","26x22cm",[506],{"id":12846,"slug":12847,"title":12848,"dynasty":241,"author":7,"museum":1068,"description":12849,"tags":12850,"thumbUrl":12851,"material":43,"size":12852,"collection":506,"collections":12853,"showCount":12486,"zanCount":49,"manualWeight":49,"mainColor":50},217918,"liu-an-xue-yu-tu-yi-ming-217918","柳岸雪渔图","柳岸雪渔图是明朝时期的一幅绘画作品，作者不详。这幅画描绘了一个冬天的景象，一位渔夫正在雪地里钓鱼。画面中的柳树上积了厚厚的一层雪，而渔夫则穿着厚厚的衣服，站在寒冷的柳岸边。他手里拿着鱼竿，似乎正在等待鱼儿上钩。\n\n这幅画被认为是明朝时期绘画艺术的代表作之一，因为它体现了当时绘画艺术的特点：细致、精细、写实。画面中的每一个细节都被精心描绘，比如渔夫的衣服、柳树的枝叶、雪地的花纹。\n同时，这幅画还体现了明朝时期艺术家对自然界的热爱。画中的冬天景象并不寒冷而残酷，相反，它给人以温馨、宁静的感觉。渔夫手边的鱼缸里放着一条活鱼，这也许意味着他已经成功地钓到了鱼，并且生活充满希望。\n\n总的来说，柳岸雪渔图是一幅描绘冬天景象的优秀绘画作品，它展现了明朝时期艺术家的精湛画技和对自然界的热爱。",[27,144,32,219,60,1092,1400,3733,1768,2209],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F62f30799baed7df89bbb654c278069a2.jpg","26.5x30.5cm",[506],{"id":12855,"slug":12856,"title":12857,"dynasty":55,"author":7,"museum":465,"description":12858,"tags":12859,"thumbUrl":12860,"material":149,"size":12861,"collection":506,"collections":12862,"showCount":12486,"zanCount":49,"manualWeight":49,"mainColor":50},217868,"wan-ya-gui-chao-tu-yi-ming-217868","万鸦归巢图","万鸦归巢图被认为是一件杰出的艺术品，它的画面表现力极强，能够很好地展现出乌鸦的自然姿态和生动的情感。画中的乌鸦们振翅高飞，翅膀展开，看起来十分活泼，而背景中的巢穴更是精致入微，画家用极为细腻的笔法勾勒出了巢穴的细节，使得画面更加逼真。\n\n此外，画家还运用了鲜艳的颜色，使得整幅画面更加生动。画中的乌鸦们以黑色为主色调，但是画家运用了不同的色彩，让乌鸦看起来更加丰富。而背景中的巢穴则用了深蓝色来表现，与乌鸦的黑色形成鲜明的对比。\n\n总的来说，万鸦归巢图是一幅充满生机和艺术气息的画作，画家通过精湛的绘画技巧和运用色彩的巧妙，将乌鸦的自然姿态和生动的情感展现得淋漓尽致。",[27,32,29,31,163,613,162,130,4002,60,80,144],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fae1b19db856e2814e964798fc097cea7.jpg","156.7x67.3cm",[506],{"id":12864,"slug":12865,"title":12866,"dynasty":75,"author":7,"museum":720,"description":721,"tags":12867,"thumbUrl":12868,"material":724,"size":725,"collection":11,"collections":12869,"showCount":12486,"zanCount":49,"manualWeight":49,"mainColor":70},214976,"dao-zi-mo-bao-ren-wu-bai-miao-hua-12-yi-ming-214976","道子墨宝人物白描画-12",[26,79,27,28,123,33,329],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F3efbc8fb7af76f812ae6723f21ed3a30.jpg",[],{"id":12871,"slug":12872,"title":12873,"dynasty":75,"author":7,"museum":720,"description":721,"tags":12874,"thumbUrl":12875,"material":724,"size":725,"collection":11,"collections":12876,"showCount":12486,"zanCount":49,"manualWeight":49,"mainColor":70},214974,"dao-zi-mo-bao-ren-wu-bai-miao-hua-11-yi-ming-214974","道子墨宝人物白描画-11",[26,79,27,28,123,33,30],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F3f4c79b239cabfe0e03a6fd8dbf4794b.jpg",[],{"id":12878,"slug":12879,"title":12880,"dynasty":75,"author":7,"museum":76,"description":12881,"tags":12882,"thumbUrl":12883,"material":43,"size":12884,"collection":85,"collections":12885,"showCount":12886,"zanCount":49,"manualWeight":49,"mainColor":50},290760,"yu-fu-tu-zhou-yi-ming-290760","渔父图轴","开阔无涯的江面，烟雾弥漫，寒气逼人。芦苇环绕汀渚，野雁几只点缀其间，另则凌空与游于江上者相呼应，为冷寂的江面凭添生意。",[79,27,29,144,32,60,33,163,130,662,1768],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fd98865113a54a85a68a35f61ab7db94e.jpg","105.4x53.5",[85],26,{"id":12888,"slug":12889,"title":12890,"dynasty":141,"author":7,"museum":172,"description":12891,"tags":12892,"thumbUrl":12893,"material":296,"size":297,"collection":11,"collections":12894,"showCount":12886,"zanCount":49,"manualWeight":49,"mainColor":70},290735,"ke-si-cui-bai-xing-lin-chun-yan-zhou-yi-ming-290735","缂丝崔白杏林春燕轴","该缂丝画轴中，两只燕子举翼飞向。其中一只燕子翅、羽齐展，飞向山石、树枝上。另一只燕子正回首顾盼，飞向树梢。树梢，杏花绽放如雪，尽展春日景象。山石后，竹树枝叶繁茂，林地中，草芽吐绿，野花盛开，一派生机勃勃、春意盎然。",[27,28,29,161,80,163,9170,145,146,32,82],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F76d089dd3a0511cb6daf7359868048cc.jpg",[],{"id":12896,"slug":12897,"title":12898,"dynasty":55,"author":7,"museum":172,"description":12899,"tags":12900,"thumbUrl":12903,"material":296,"size":297,"collection":87,"collections":12904,"showCount":12886,"zanCount":49,"manualWeight":49,"mainColor":70},290174,"xuan-tong-yu-lan-hai-guai-tu-ji-yi-ming-290174","宣统御览海怪图记","左幅海兽糅合走兽与游鱼特征，狞厉兽首长有鳍状鬃毛，前爪贲张似正咆哮，下半身舒展鱼尾，怪诞中尽显狞猛威严。右侧海鱼造型诡谲，无眼无颌，躯干鼓胀，晕染柔和的配色反衬出造型的妖异神秘。\n\n整作设色雅致妍丽，晕染细腻写实，将臆想中的深海精怪具象化，既有博物图录的写实笔法，又藏志怪传说的浪漫诡谲，将深海未知的幽幻魅力勾勒尽致，尽显古人对远洋秘境的瑰丽遐想与精妙画工。",[27,530,32,31,12901,318,12902],"海怪","神话生物","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F213f3b83f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llection":436,"collections":12976,"showCount":12886,"zanCount":49,"manualWeight":49,"mainColor":277},253623,"tong-liu-jin-guan-shi-yin-pu-sa-li-xiang-yi-ming-253623","铜鎏金观世音菩萨立像","鎏金虽有斑驳剥蚀，却晕开独属时光的古雅韵味。菩萨宝冠高耸，垂目含睇，面容温婉慈悲，将东方造像的柔美圆融尽致展现。贴体长裙勾勒出秀雅身形，璎珞环身，衣袂轻盈垂落，线条舒展灵动，尽显典雅气韵。右手轻抬施印，左手持握净瓶，身姿挺拔秀逸，立台之上静穆安然。造像铸工凝练考究，细节暗合审美意趣，残金间沉淀岁月厚重，静静彰显着造像艺术的极高水准，清净庄严之态扑面而来。",[171,403,4022,268,30,33,433,1170,5689,7227],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fa8e9cf2391b3c4634148c355065bbbd8.jpg",[436],{"id":12978,"slug":12979,"title":12980,"dynasty":55,"author":7,"museum":172,"description":575,"tags":12981,"thumbUrl":12983,"material":296,"size":297,"collection":11,"collections":12984,"showCount":12886,"zanCount":49,"manualWeight":49,"mainColor":50},251188,"qing-yu-shi-er-chen-she-yi-ming-251188","青玉十二辰-蛇",[160,267,268,272,12982],"生肖","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fe3baad9f9bd7ec4afdd43c1885a3f891.jpg",[],{"id":12986,"slug":12987,"title":12988,"dynasty":55,"author":7,"museum":172,"description":12989,"tags":12990,"thumbUrl":12991,"material":11,"size":11,"collection":408,"collections":12992,"showCount":12886,"zanCount":351,"manualWeight":49,"mainColor":277},243182,"kui-wen-fang-ding-yi-ming-243182","夔纹方鼎","此器取古鼎形制却巧化新意，方腹立耳端庄规整，弯足作卷云蝠形，柔化了礼器的厚重肃穆。器身满布夔纹，回环缠连尽显古雅气韵，错金工艺勾描纹饰轮廓与器身边框，乌色地子衬得金彩明丽亮眼。\n\n刚劲线条复刻商周青铜古韵，又融入清代细作的雅致工巧，将上古礼器的庄重静穆，与当朝的审美意趣相融，仿古却不拘泥，匠心暗藏，尽显静穆华贵的气质，是仿古铜作中的精巧之作。",[402,403,268,406,59,11615,346],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F2717fcf379e088eaf5d80497fafd07b9.jpg",[408],{"id":12994,"slug":12995,"title":12996,"dynasty":55,"author":7,"museum":172,"description":12997,"tags":12998,"thumbUrl":13000,"material":296,"size":297,"collection":11,"collections":13001,"showCount":12886,"zanCount":49,"manualWeight":49,"mainColor":50},241866,"xiang-zhu-bao-shi-qing-rong-feng-guan-yi-ming-241866","镶珠宝石青绒凤冠","以青绒为底，铺陈奢丽华章。累丝为骨层叠打造凤鸟，昂首振翅似欲凌风而上，周身遍嵌东珠，莹润珠光与金属冷辉相映成趣。帽身满缀珠串宝石，橙黄羽丝环绕帽檐，柔暖光泽中和珠宝冷硬质感。垂下的珠穗随步轻摇，流光错落间尽显皇家仪范。\n整体形制精巧繁复，花丝工艺细腻入微，将珠宝华贵与工艺匠心融为一体，尽显旧时首饰工艺巅峰水准，暗合礼制下的极致审美，将尊荣雅致凝于一顶之间，静静诉说着昔日宫廷的华贵雍容。",[160,431,268,39,346,345,41,12999,267,163],"珠","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fbc180b93a1a11787e2e577db429f1995.jpg",[],{"id":13003,"slug":13004,"title":2121,"dynasty":55,"author":7,"museum":172,"description":13005,"tags":13006,"thumbUrl":13007,"material":296,"size":297,"collection":11,"collections":13008,"showCount":12886,"zanCount":351,"manualWeight":49,"mainColor":70},238932,"qing-ren-mu-dan-pu-ce-yi-ming-238932","此作以没骨技法晕染折枝牡丹，粉紫花瓣由尖至根逐层浅淡晕开，仿佛凝着朝露的柔媚花容，鹅黄花蕊簇簇，将盛放时的娇秾尽数铺陈。叶片苍绿间晕开赭色细纹，叶脉隐现，舒展灵动，带着春日枝桠的鲜活生机，嫩芽缀在挺秀枝梢，暗涵萌动春意。\n\n画面构图疏朗留白得当，将牡丹雍容却不俗艳的姿态晕染尽致。外框福寿纹古雅端庄，衬得画间花意更显清雅秀润，笔致温婉柔丽，将花之娇态风骨一并留住，藏着东方美学独有的柔婉诗意，尽显传统花鸟画雅致隽永的意趣。",[27,28,530,32,31,80,98,207],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F360f305a51fa00bf7029662846993577.jpg",[],{"id":13010,"slug":13011,"title":13012,"dynasty":55,"author":7,"museum":172,"description":13013,"tags":13014,"thumbUrl":13015,"material":296,"size":297,"collection":87,"collections":13016,"showCount":12886,"zanCount":49,"manualWeight":49,"mainColor":70},238908,"qing-ren-ju-pu-ce-yi-ming-238908","清人菊谱册","此作以秋菊为绘，主瓣描红如霞，瓣心晕染素白，将盛放的雍容与清柔揉于一处，层次柔和雅致，把秋菊柔中带傲的姿态尽显。淡绿晕染枝叶，细勾叶脉，叶片舒展间带着清隽生机，新苞小花错落排布，疏密得宜，让画面满溢悠然秋意。\n设色清丽秀雅，工细却不失写意舒展，将文人推崇的秋菊风骨与温婉韵致融于笔端，尽显秋日名花的雅致姿态，晕染出淡然出尘的文人意趣。",[27,28,530,32,31,80,920],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F4cee3d06092af8e0fb0a7df961aa8060.jpg",[87,112],{"id":13018,"slug":13019,"title":13020,"dynasty":241,"author":7,"museum":172,"description":13021,"tags":13022,"thumbUrl":13023,"material":296,"size":297,"collection":11,"collections":13024,"showCount":12886,"zanCount":49,"manualWeight":49,"mainColor":70},237419,"lu-zhi-hai-tang-shan-yi-ming-237419","陆治海棠扇","此作用没骨法绘就海棠，粉花轻晕，翠叶柔匀，枝桠清逸舒展，将海棠初绽的娇柔之态尽显。洒金扇底晕染雅致，设色明妍却不浓艳，透着清润娴雅的格调。\n\n左侧题诗与花枝相映，笔墨隽秀，朱红印信错落点缀，融书画印为一体，晕开悠然诗意。整体章法疏朗空灵，将春日海棠的柔媚与文人赏春的雅趣相融，尽显小品画的清丽脱俗，带着江南暮春的缱绻温柔，是雅致动人的花鸟小帧。",[27,219,32,31,80,552,82],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fba8a47bbde996d5459b024765019b247.jpg",[],{"id":13026,"slug":13027,"title":13028,"dynasty":241,"author":7,"museum":216,"description":13029,"tags":13030,"thumbUrl":13031,"material":11,"size":11,"collection":11,"collections":13032,"showCount":12886,"zanCount":49,"manualWeight":49,"mainColor":50},234930,"xie-shi-chen-xia-shan-fei-pu-tu-zhou-yi-ming-234930","谢时臣夏山飞瀑图轴","谢时臣（1487-1567），明代画家。字思忠，号樗仙。吴（今江苏苏州）人。工书法，长于隶书。擅山水，师法吴镇、沈周，稍作变化，作品多构为长卷巨幛，以善画水著称，江河湖海，无不精好。又作山峦重叠，高耸险峻，笔墨或细密苍劲，或劲健沉郁，或纵横纷披，富有变化。有《杜陵诗意图》、《溪山揽胜图》、《策杖寻幽图》、《武当霁雪图》、《谪仙玩月图》等传世。\n谢时臣(公元1488-1567年尚在)，字思忠，号樗仙，吴人，专长画山水，画史称他师法梅道人，学沈石田稍变其意。多作屏障大幅，构图雄伟严密，气势纵横，从作品看，画风近于戴进与吴派的沈周之间。传世作品有《虎阜春晴图》(辽宁省博物馆藏)、《江山胜览图》卷、《夏山飞瀑图》(上海博物馆藏)、《杜陵诗意图册》(现藏故宫博物院)、《武当霁雪图》大轴(现藏山东省博物馆)等。上海博物馆藏有谢氏水墨花卉册，作于嘉靖廿三年(1544)，颇有风致，惟传世不多。",[27,144,614,29,60,1102,162,131,63,33,130],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F5022b1e88d93f3e65c907903f6e5ddfc.jpg",[],{"id":13034,"slug":13035,"title":13036,"dynasty":171,"author":7,"museum":56,"description":13037,"tags":13038,"thumbUrl":13039,"material":335,"size":13040,"collection":11,"collections":13041,"showCount":12886,"zanCount":49,"manualWeight":49,"mainColor":50},233454,"bai-yi-guan-yin-xiang-ye-yi-ming-233454","白衣观音像页","画面左侧为白衣观音，面微向右，屈腿坐于方形束腰台座上。头束高髻，戴化佛冠，顶披白纱，项饰璎珞，内着红色僧祇支，外穿白色田相袈裟。面相丰满，造型已呈女性化。右手执柳枝，左手下垂提净瓶搭于左膝上，跣足踏莲花。观音头上部有伞形华盖，身后有头光、身光。神态自然安详。六方柱形仰莲台上供养盆花牡丹。右侧画一男性供养人，面朝观音，跪于方毯上，头戴幞头，衣淡黄色袍，束玉带，手持鹊尾香炉，清烟缭绕。后立一侍童，梳双髻，右手持扇，左手抱包袱。上方祥云中现仰莲座四股金刚杵，再上现童子飞天，乘祥云作倾盆散花状，有坿叶仙桃散布空际。背景处有朱红色凭栏一排，观音与供养人之间有长方形榜题框一则，内无字。此画内容丰富，结构严谨，相互呼应。线条以铁线描为主，遒劲有力，敷色以青、红、白为主，部分头饰和飘带描金，色调富丽浓艳。\n白衣观音又名白处观音、白住处观音，是观音菩萨呈现的诸多相貌之一。白色喻纯净，象征菩提之心，表示观音胸怀菩提之心。据《观世音现身种种愿除一切陀罗尼》经中说，供养此观音时应用白净的细布画观世音形像——身着白衣，坐莲座上，一手持莲花，一手提净瓶。据说诵念白衣观音经咒后白衣观音即可出现，而且能随供者所欲求愿悉得。因此，白衣观音也是密宗经常供奉的观音菩萨之一。中国古代许多画家都曾画过白衣观音像，元、明以后这个题材较为流行。在敦煌遗画中，白衣观音像并不多见，此画为国内仅见的早期作品。",[27,28,530,590,30,32,31,33,59],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F0d4982691c1fa2d46776ddc4943652c6.jpg","纵52厘米，横55.2厘米",[],{"id":13043,"slug":13044,"title":13045,"dynasty":55,"author":7,"museum":172,"description":13046,"tags":13047,"thumbUrl":13048,"material":296,"size":297,"collection":11,"collections":13049,"showCount":12886,"zanCount":49,"manualWeight":49,"mainColor":50},229263,"hua-fa-lang-sui-chao-tu-ping-yi-ming-229263","画珐瑯岁朝图瓶","珐琅又称“佛郎”、“法蓝”，是由中国隋唐时古西域地名拂菻音译而来。珐琅器是以珐琅为材料装饰而制成的器物，其基本成分为石英、长石、硼砂和氟化物，与陶瓷釉、琉璃、玻璃同属硅酸盐类物质。依据具体加工工艺的不同，又可分为掐丝珐琅器、錾胎珐琅器、画珐琅器和透明珐琅器等几个品种。\n珐琅就是将经过粉碎研磨的珐琅釉料，涂施于经过金属加工工艺制作后的金属制品的表面，经干燥、烧成等制作步骤后，所得到的复合性工艺品。珐琅工艺的制作分类很多，一般根据制作方法和胎地种类将其分类。 [2] 珐琅依据具体加工工艺的不同，又可分为掐丝珐琅器、錾胎珐琅器、画珐琅器和透明珐琅器等几个品种。其中掐丝珐琅器就是俗称的“景泰蓝”，15世纪中期明代景泰年间的制品尤为著称，故有景泰蓝之称。\n清代，西洋珐琅从广州传入中国，广州生产的珐琅俗称“广珐琅”，是朝廷的贡品，其中最著名的是画珐琅 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cm",[506],{"id":13190,"slug":13191,"title":13192,"dynasty":22,"author":7,"museum":76,"description":13193,"tags":13194,"thumbUrl":13195,"material":348,"size":13196,"collection":506,"collections":13197,"showCount":12886,"zanCount":49,"manualWeight":49,"mainColor":50},219368,"wu-kuan-xi-shan-shu-wu-zhou-yi-ming-219368","无款溪山书屋轴","绢色沉古，墨痕淡远。近岸老木扶疏，枝干如铁，叶影婆娑间漏下天光；溪石横卧，水纹隐现，似有泠泠声在耳。中麓书屋半掩，窗内人影悄坐，或展卷，或凝思，与林泉为邻，得山水之趣。远岫层叠，云气轻飘，将天地拉得悠远。笔致工细却含野逸，皴擦点染皆见匠心，无一处不藏着对自然的敬畏与对闲居的向往。置身画前，仿佛能踏过溪石，走近书屋，与画中人共沐山风，静听溪语，忘了尘嚣。",[27,28,79,29,60,144,614,532,162,130,2419,33],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F36f9e3df3cb8b48d6cea0818948aa5a4.jpg","148.6x74.5",[506],{"id":13199,"slug":13200,"title":13201,"dynasty":241,"author":7,"museum":76,"description":13202,"tags":13203,"thumbUrl":13204,"material":43,"size":13205,"collection":45,"collections":13206,"showCount":12886,"zanCount":49,"manualWeight":49,"mainColor":50},219348,"pu-xian-da-shi-xiang-yi-ming-219348","普贤大士像","此幅亦无作者款名。画一僧坐于白象背上，展卷研读。普贤，梵名三曼多跋陀罗，汉译名为普贤，又名遍吉。与文殊同为释迦佛的胁侍，左辅右弼，居菩萨众之上首。又华严经以三者为华严三圣，为一切行德之本体。此图像作世俗僧形，是为便于助佛普化的缘故。与前述之文殊，二画尺寸、笔墨皆近似，原为对幅。",[27,28,79,29,32,31,30,33,272,82],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F743ec6d76d015ff1fc9bac3178455c15.jpg","156.6x94",[45],{"id":13208,"slug":13209,"title":2827,"dynasty":75,"author":7,"museum":3192,"description":13210,"tags":13211,"thumbUrl":13212,"material":43,"size":13213,"collection":506,"collections":13214,"showCount":12886,"zanCount":49,"manualWeight":49,"mainColor":70},219030,"guan-pu-tu-yi-ming-219030","一条瀑布从山涧中流下，远处的山峰在云雾中清晰可见；在岩石高原的左侧，一个有学问的人拿着杖，仰望着眼前的雄伟山峰。他听着瀑布撞击岩石的声音，看到水蔓延上升，后面跟着一个抱着琵琶的孩子。这幅画是马夏的风格，用大斧头砍的石头，笔力强劲，笔触宽阔，盖子坚硬，使石头的质地很牢固。",[27,28,219,144,32,60,614,1102,33,131,162],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fd2c9cc6d2677a6abf31cfae2e0748f4c.jpg","23.2x23.4",[506],{"id":13216,"slug":13217,"title":13218,"dynasty":75,"author":7,"museum":76,"description":13219,"tags":13220,"thumbUrl":13221,"material":43,"size":13222,"collection":506,"collections":13223,"showCount":12886,"zanCount":49,"manualWeight":49,"mainColor":50},218988,"pin-quan-tu-yi-ming-218988","品泉图","这幅画描绘了一个在峡谷中的有学问的人和一个提供茶水的童仆，而他摇着扇子喝茶。这幅画没有标记，以前被认为是宋代的作品，但宋代没有这种画风，动荡的笔法更接近明代的山水画风格。",[26,27,79,32,614,60,131,359,130,33],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F04bddcec30d211866d234b9bd05fadd1.jpg","27.5x57.4",[506],{"id":13225,"slug":13226,"title":13227,"dynasty":75,"author":7,"museum":465,"description":13228,"tags":13229,"thumbUrl":13231,"material":43,"size":13232,"collection":87,"collections":13233,"showCount":12886,"zanCount":49,"manualWeight":49,"mainColor":70},218969,"ying-sun-lie-hu-tu-yi-ming-218969","鹰隼猎狐图","振翅俯冲的猛禽携风而下，惊惶奔窜的狐兽攒足欲逃，劲挺的枯枝斜出岩隙，丛丛劲草在荒坡间摇曳。笔墨于精微处见真章：禽鸟羽翮层次分明，狐兽肌理细腻传神，岩石皴擦苍劲老辣。荒野的萧瑟与捕猎的焦灼交织，一瞬张力被定格成永恒。宋人笔下的野趣，在动静相衔间流淌，于形神兼备中尽显自然生息的生动与凛冽，每一处线条都藏着对生命状态的精准捕捉，每片墨色都晕染出荒野间的原始张力。",[26,79,27,28,219,32,31,272,163,146,13230],"枯草","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F1b3bc526ab9976cefd9af3dab0639ec3.jpg","24x25cm",[87],{"id":13235,"slug":13236,"title":13237,"dynasty":141,"author":7,"museum":76,"description":13238,"tags":13239,"thumbUrl":13241,"material":43,"size":11,"collection":506,"collections":13242,"showCount":12886,"zanCount":49,"manualWeight":49,"mainColor":70},218656,"xi-shan-ji-yu-yi-ming-218656","溪山积玉","雪覆层峦如积玉，淡墨晕染出远山的温软轮廓，却藏着冬日清寂。坡岸老柳垂丝，枝条似淡烟轻笼，笔意疏朗间见自然生趣。林间茅舍隐现，仿佛有暖意暗涌，与天地素净相映成趣。\n\n画面无喧嚣，只余山水静穆与生机暗涌——雪的冷、树的疏、屋的暖，在对比里藏着文人对山水的眷恋、对闲居的向往。笔墨不刻意求工，简淡中见深致，恰是元人山水意韵：以心观物，以笔写情，每一寸雪色都浸着悠然禅意，让观者于静谧中触到自然与人心的共鸣。",[26,27,28,530,144,32,60,532,531,130,614,613,1114,1340,2419,13240],"浅绛","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F7ae9bfc8cfcf642803d8d009b93b445d.jpg",[506],{"id":13244,"slug":13245,"title":13246,"dynasty":241,"author":7,"museum":172,"description":13247,"tags":13248,"thumbUrl":13249,"material":43,"size":13250,"collection":45,"collections":13251,"showCount":12886,"zanCount":49,"manualWeight":49,"mainColor":70},218613,"hua-jiu-tu-yi-ming-218613","话旧图","暖褐底色晕染出时光的沉香，画面中三人围坐对谈，姿态松弛自在。居中者执杯浅笑，两侧人物或捧卷凝听，或倾身应答，眉宇间漫溢着旧友重逢的暖意。案上器物雅致，背景树影婆娑，简淡笔触将闲寂氛围晕开。人物衣袂纹理细腻，神态鲜活如昨，似能听见席间低语。整幅画以古朴色调包裹旧友话旧的温情，在静谧中流淌岁月沉淀的醇厚，尽显中式雅集的闲逸况味。",[26,27,28,32,31,33,10507,877,131,931,530],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F23e668b85e53b7af5f00acbe03fda8b1.jpg","27x31",[45],{"id":13253,"slug":13254,"title":7535,"dynasty":75,"author":7,"museum":216,"description":13255,"tags":13256,"thumbUrl":13258,"material":724,"size":13259,"collection":45,"collections":13260,"showCount":12886,"zanCount":351,"manualWeight":49,"mainColor":50},218597,"lian-she-tu-yi-ming-218597","图绘东晋高僧慧远（334-416）于庐山结社故事，无作者款印，为南宋人据李公麟《莲社图》所作的摹本。画分九段，次序井然：一、乘舆者陶渊明，肩舆者其子、门生，童子一人；二、骑马者谢灵运，随侍两人；三、虎溪三笑，捉手相对者慧远、陆修静，旁立辟蛇行者，童子一人；四、设文殊金像赞颂佛事者三人，昙常、道昺、周续之；五、梵僧两人，旁立一耶舍；六、校经五人，刘程之、张诠、惠叡、惠持、惠永，手捧经笈者一人，童子一人，烹茶三人，汲水一人；七、游山两人，宗炳、昙顺。八、经筵会讲，讲说者道生，听讲者雷次宗、道敬、昙诜等；九、濯足者张野，童子一人。",[26,27,28,96,123,30,33,60,1623,130,131,359,13257],"洞窟","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F227278cacb67723b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bēi）即 汉代碑刻。碑文字体以隶为主，碑额文字多用篆书。汉碑（包括拓本）流传甚多﹐著名的有《张迁碑》﹑《乙瑛碑》《华山庙碑》﹑《礼器碑》﹑《史晨碑》﹑《曹全碑》等。\n与汉碑体制的高度成熟相适应，汉碑碑文也已成为典型化的文体，即诔文。文字多达千字左右。详细记载墓主的姓名、职官、功绩、生卒日期以及立碑人书碑人姓名，并有华丽腴饰的四言韵文的颂词。\n东汉晚期，汉碑构成礼仪文化的中心“语境”，同时，儒学也开始向汉碑全面渗透。一个明显的事实是，汉碑多出在儒学中心的黄河下游的山东地区，尤其是山东省济宁市地区，有“天下汉碑半济宁”之称。这个时期，汉碑在整体上已消蚀掉早期汉隶的博大气象和自然意味，但由于刀与石的营构，进一步夸张修饰了简帛书法的特征，使汉隶在本体语言上趋于全面成熟。\n传世汉碑数量庞大，风格类型多样，被称为“一碑一奇，莫有同者”。由此，从风格类型方面研究汉碑便构成一个专门的课题。\n朱彝尊在《西岳华山庙碑跋》中说：“汉隶凡三种，一题方整，《鸿都石经》、 《尹宙》、《鲁峻》、《武荣》、《郑固》、《衡方》、《刘熊》、《白石神君》诸碑是已。一种流丽，《韩勃》，《曹全》，《史晨》、《乙瑛》《张迁》诸碑是已。一种奇古，《夏承》、《戚伯著》诸碑是已。”王澍在《虚舟题跋》中说：“汉碑分雄古、浑劲、方整三类。”康有为《广艺舟双楫·本汉》则将汉碑分为：“骏爽，疏宕，高深、丰茂、华艳，虚和，凝整、秀额八类。此外，还有学者依据制作目的将汉碑分为五类：歌颂神冥灵验者，有神碑，神庙石阙；记述祖庙祭祀与修造者的庙碑；歌颂个人德行者，有德政碑、墓碑、墓门石阙；纪念土木工程完工者，有竣功纪念碑。其它，有画像题字，墓记，买冢记，石经等。这种分类充分体察到汉碑的文化功用，并将汉碑不同书风的形成与汉碑体制结合起来加以考察。因而这种分类视角较之仅仅从审美形态上划分汉碑风格类型无疑更具有史学认识价值。",[124,853,854,1421],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F0333bf7daac6ef1f785f91b305294f68.jpg",[],{"id":13364,"slug":13365,"title":13366,"dynasty":55,"author":7,"museum":172,"description":13367,"tags":13368,"thumbUrl":13369,"material":296,"size":297,"collection":11,"collections":13370,"showCount":48,"zanCount":49,"manualWeight":49,"mainColor":70},273090,"fen-cai-da-ji-hu-lu-gua-ping-yi-ming-273090","粉彩大吉葫芦挂屏","整屏以木为底，嵌瓷作葫芦宝瓶造型。矾红为地，满饰细密锦纹，托出方正古朴的“大吉”二字，直白传递祥瑞祈愿。瓶身环饰粉彩蝙蝠纹，蓝白晕染柔和灵动，暗合洪福绵延之意。松石绿釉绶带轻垂环绕，柔化器型，为整饰添就雅致灵动。瓶盖描金堆塑，华贵醒目，下半葫芦置仿木座上，虚实相生。\n\n它融木雕与镶瓷工艺为一体，将吉语、瑞纹、祥形巧妙糅合，以工致精巧的工艺承载传统祈福意涵，尽显清代装饰工艺中吉祥雅致的审美意趣。",[1921,5680,2194,8367,7583,4768,1251],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F39658bb74cb328c334956eeb46c30588.jpg",[],{"id":13372,"slug":13373,"title":13374,"dynasty":55,"author":7,"museum":172,"description":13375,"tags":13376,"thumbUrl":13377,"material":296,"size":297,"collection":11,"collections":13378,"showCount":48,"zanCount":351,"manualWeight":49,"mainColor":70},272873,"ci-xiu-yu-zhi-ti-tong-yin-wan-he-tu-gua-ping-yi-ming-272873","刺绣御制题桐荫玩鹤图挂屏","此作将刺绣工艺与文人雅趣相融，松石苍劲雅致，蓝调山石以绣线晕出层叠肌理，晕染出空寂清逸的山居意趣。近景林下两位高士相对而坐，一人拨弦、一人凝神静赏，将林下雅集的悠然氛围尽显。\n\n绣线设色温婉沉静，米底配青蓝绣线，将水墨淡彩的雅致晕染尽致。题诗以针代笔，走线细腻还原笔墨意趣，完美复刻文人题咏的书卷气。整幅以绣为画，得国画留白写意之妙，把文人寄情山水、乐享雅集的审美意趣尽数铺展，是诗、绣、画三者相融的佳品，尽显东方传统雅致美学。",[1924,1921,28,32,60,331,33,124,760],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fca190663de32fd118433b415c91cade2.jpg",[],{"id":13380,"slug":13381,"title":13382,"dynasty":55,"author":7,"museum":172,"description":4368,"tags":13383,"thumbUrl":13384,"material":296,"size":297,"collection":11,"collections":13385,"showCount":48,"zanCount":351,"manualWeight":49,"mainColor":70},270153,"chou-xiu-hua-niao-tu-mian-wu-mu-diao-hua-bing-tuan-shan-yi-ming-270153","绸绣花鸟图面乌木雕花柄团扇",[219,80,105,190,1924,41,1251,2195,31],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fba12426b1b2629e505b68cd8678a10e7.jpg",[],{"id":13387,"slug":13388,"title":13389,"dynasty":55,"author":7,"museum":172,"description":10145,"tags":13390,"thumbUrl":13391,"material":296,"size":297,"collection":11,"collections":13392,"showCount":48,"zanCount":49,"manualWeight":49,"mainColor":277},268564,"dian-cui-xiang-liao-zhu-qi-feng-wen-tou-hua-yi-ming-268564","点翠镶料珠七凤纹头花",[39,1158,8550,431,9297,430,2647],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F14bf8a8262e29e375ab85a3e287adfce.jpg",[],{"id":13394,"slug":13395,"title":13396,"dynasty":55,"author":7,"museum":172,"description":10145,"tags":13397,"thumbUrl":13399,"material":296,"size":297,"collection":11,"collections":13400,"showCount":48,"zanCount":49,"manualWeight":49,"mainColor":277},268524,"dian-cui-hu-lu-wan-dai-wen-tou-hua-yi-ming-268524","点翠葫芦万代纹头花",[39,1158,8367,13398,9297],"吉祥纹饰","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fbc4fa7493c729060057ef325a5851445.jpg",[],{"id":13402,"slug":13403,"title":13404,"dynasty":55,"author":7,"museum":172,"description":10145,"tags":13405,"thumbUrl":13406,"material":296,"size":297,"collection":11,"collections":13407,"showCount":48,"zanCount":351,"manualWeight":49,"mainColor":277},268438,"dian-cui-he-hua-wen-tou-hua-yi-ming-268438","点翠荷花纹头花",[39,1158,446,105,9297],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fc1c640ea4dfc34b00b469aaee08dedbf.jpg",[],{"id":13409,"slug":13410,"title":13411,"dynasty":55,"author":7,"museum":172,"description":2355,"tags":13412,"thumbUrl":13414,"material":296,"size":297,"collection":11,"collections":13415,"showCount":48,"zanCount":49,"manualWeight":49,"mainColor":70},267342,"xiu-xiang-ji-xiang-tian-mu-tang-ka-yi-ming-267342","绣像吉祥天母唐卡",[2357,12537,1573,13413,1006,33,32,1170],"吉祥天母","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F095726b5546ad4195a87cee4d7de1d14.jpg",[],{"id":13417,"slug":13418,"title":13419,"dynasty":55,"author":7,"museum":172,"description":10630,"tags":13420,"thumbUrl":13422,"material":296,"size":297,"collection":11,"collections":13423,"showCount":48,"zanCount":351,"manualWeight":49,"mainColor":70},265608,"xue-hui-se-duan-di-zhi-mei-mu-dan-tao-hua-lan-hua-wen-tao-yi-ming-265608","雪灰色缎地枝梅牡丹桃花兰花纹绦",[41,39,5264,542,1665,98,1330,190,13421],"绦","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F682cb286d2e9772da5b52b0d7e216ce9.jpg",[],{"id":13425,"slug":13426,"title":13427,"dynasty":55,"author":7,"museum":172,"description":10620,"tags":13428,"thumbUrl":13431,"material":296,"size":297,"collection":11,"collections":13432,"showCount":48,"zanCount":351,"manualWeight":49,"mainColor":50},263569,"lan-se-di-fu-shou-san-duo-gui-bei-wen-jin-yi-ming-263569","蓝色地福寿三多龟背纹锦",[2358,41,13429,13430,4142,190,32,990],"龟背纹","福寿三多",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题：“孝诚恭肃正惠安 和淑懿恪敏俪天襄圣仁 皇后，左。” 孝诚仁皇后御容一 轴，朝服冠，恭 悬， 西大柜尊藏。",[27,28,29,31,32,33,59,345,39],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F467367c4c931b73109773bf077cb8a22.jpg","纵256.1厘米， 横116.8厘米",[45,112],{"id":13460,"slug":13461,"title":5152,"dynasty":55,"author":7,"museum":172,"description":13462,"tags":13463,"thumbUrl":13464,"material":11,"size":11,"collection":11,"collections":13465,"showCount":48,"zanCount":49,"manualWeight":49,"mainColor":70},235161,"hong-ren-shan-shui-ce-yi-ming-235161","此作以极简笔墨铺陈清寂意境，枯硬淡墨勾勒石壁，冷峻苍朴，壁上古梅虬枝斜出，寥寥数笔便将孤寒疏朗之态写尽。坡前修竹亭亭玉立，清润秀雅，与古梅萧疏柔刚互衬。\n\n搭配行书题诗，笔意清逸，文心与画意相融。整体空灵冷峭，尽显新安画派简淡孤高的特质，遗世独立的禅意浸透纸面，于尺幅间勾勒出淡远宁静的天地，暗藏孤高沉郁的心境，将文人画清雅出尘的格调诠释尽致。",[27,28,530,144,60,676,2710,162,125,82,124],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F5030c2cb2f07a2905e8001cd39c8c377.jpg",[],{"id":13467,"slug":13468,"title":13469,"dynasty":75,"author":7,"museum":56,"description":13470,"tags":13471,"thumbUrl":13472,"material":348,"size":13473,"collection":11,"collections":13474,"showCount":48,"zanCount":153,"manualWeight":49,"mainColor":50},234072,"mu-dan-tu-ye-yi-ming-234072","牡丹图页","图绘牡丹花后魏紫，花冠硕大，重瓣层叠，娇艳华贵，左右以绿叶相衬。花瓣层次丰富，刻画入微，先用中锋细笔勾花瓣，然后用胭脂红层层渲染，以浅黄色点花蕊，以花青汁绿染花叶。此图页精工富丽，美不胜收，构图丰满，设色艳而不俗。",[27,28,80,31,32,98,530,82],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F023ab8dac012fa5aa7c7c10f840c8889.jpg","纵24.8cm，横22cm",[],{"id":13476,"slug":13477,"title":13478,"dynasty":75,"author":7,"museum":172,"description":13479,"tags":13480,"thumbUrl":13481,"material":11,"size":11,"collection":11,"collections":13482,"showCount":48,"zanCount":49,"manualWeight":49,"mainColor":50},233764,"jiao-shi-ying-xi-tu-ye-yi-ming-233764","蕉石婴戏图页","“婴戏图”是以儿时玩乐情景为题材的中国绘画类型，为一项自宋代开始流行的重要画题。孩童形象早见于秦汉以前的工艺艺术，以绘画呈现的例子也可追溯到六朝，唐代逐渐出现在单一画面中以孩童玩耍情景为主的表现，发展至宋元以后，成果斐然。",[27,79,219,31,32,33,4378,7747,146],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Feecad49be54ef6cb03cec89a8101dd62.jpg",[],{"id":13484,"slug":13485,"title":13486,"dynasty":241,"author":7,"museum":172,"description":13487,"tags":13488,"thumbUrl":13489,"material":11,"size":13490,"collection":11,"collections":13491,"showCount":48,"zanCount":49,"manualWeight":49,"mainColor":50},232908,"fang-hui-zong-cha-hua-ge-niao-tu-yi-ming-232908","仿徽宗茶花鸽鸟图","中国茶花画历千年而不衰，名家辈出，流派风格纷纭，成为中华民族传统艺术瑰宝之一，屹立于世界美术之林。古往今来的画家以茶花为题作画，表现它的千姿百态，笔情墨韵。众多茶花画向我们展示了风云迭起的美的历程，给人以酣畅淋漓的美的享受和奋发向上的民族精神的感召。\n唐代茶花画的形成和发展具有深刻的社会历史背景。\n其一，从茶花栽培史看，三国时代至隋代，茶花已经从野生状态发展到人工栽培，成为观赏花卉；及至唐代，中国主要茶花产区的人工栽培已经普及，并出现了茶花品种的名称和重瓣茶花。这些茶花的物质财富必然要反映到文学艺术中来。\n其二，从社会文化看，唐代是中国长期封建社会的辉煌时代，经济繁荣，物力殷阜，宫苑私园遍于各地。茶花被视作最珍贵的花木，它与牡丹花一样，成为宫廷显贵的荣耀。在寺院里，这种具有深刻宗教色彩的曼陀罗花，受到成千上万信徒的顶礼膜拜。茶花成为盛唐文化的一个亮点。\n其三，从中国花鸟画的生存衍化来看，花鸟画历经南北朝的萌芽状态，到唐代逐渐发展成为一门独立的画科，出现一批专门的花鸟画家，其技艺亦达到精湛的水平。在这三大因素的作用和催化下，茶花题材的绘画作品应运而生。特别值得提出的是唐南诏名画《南诏画传》。在这幅唐光化二年（公元899年）由南诏画师绘就的画卷里，有两株高大的植于南诏奇王庭院圆形花坛中的山茶，画面生动精美，系典型的唐人笔法，为中国古代绘画珍品（该画卷原藏北京故宫，现在日本）。《南诏画传》中这两株高过屋檐开着大朵红色鲜花的古茶花树，是中国绘画中最早出现的山茶形象。\n此外，在唐代的花鸟画家中，晚唐的滕昌是一位具有代表性的画家。滕昌擅作花鸟草虫、蔬果，亦工书法，号称“滕书”。滕昌在居室旁栽植竹石花木，以供写生。《宣和画谱》记有滕昌茶花作品《山茶家鹩图》一幅。可以想见，画家在居室旁栽植的花木中，定然有茶花。《山茶家鹩图》当为写生之作。此传世作品后被宋徽宗藏于宫廷。滕昌的画，“笔迹轻利，傅彩鲜泽，宛有生意”。他的《山茶家鹩图》当为早期花鸟画中的茶花画代表作品。\n五代茶花画在唐人基础上迅速发展并走向成熟，至两宋，茶花画达到了兴盛时期。其主要标志有三：\n一是画院的成立和发展。这是茶花画兴盛的物质基础之一。五代西蜀、南唐正式成立画院，称“翰林图画院”，一时名画家皆归附，绘事盛极一时。至两宋，画院繁荣，尤其是在宋徽宗的倡导下，扩充画院、兴画学，画院及绘画得到空前的发展。\n二是宋代造园植树之风大盛，茶花的引种栽培发展到一个鼎盛时期。其茶花新品种之多，园艺技术水平之高，盆栽与插花艺术拓展之快，都是前所未有的。这是宋代茶花画兴盛的物质条件。\n三是茶花画领域出现以黄筌为代表的在绘画史上具有重要地位和成就的画家。五代和宋前期的花鸟画家，首推黄筌。黄筌（约903～965年）为五代西蜀画家，是五代院体画家主要代表人物。曾入西蜀画院为翰林待诏。黄筌承前启后，创黄筌画派。黄筌的“富丽画风”，适合统治者和宫庭的需要及审美趣味。所谓“黄氏富贵”，即以严谨的用笔，惟妙惟肖的形象刻画，富丽堂皇的色彩为基本特点。黄筌的茶花作品有四幅。《宣和画谱》记有三幅：《山茶鹑雀图》一幅和《山茶雪雀图》二幅，均无画迹可考。只有近代画家于非闇临黄筌《彩鸠山茶图》一幅尚存。摹本上有临宋徽宗题款：“彩鸠山茶，黄筌妙笔。”\n两宋时期的茶花画家，院体画家（即宫廷画家）主要有北宋画家崔悫、吴元瑜，南宋画家林椿、李嵩（1166～1243年）、苏汉臣、董祥（1068～？）等，其身份均为画院待诏。林椿工画花鸟翎，重布局经营，是一位卓有成就的花鸟画家，代表作有《山茶霁雪图》和《茶花鸽子图》。崔悫有《山茶图》。吴元瑜有《山茶鹩子图》。李嵩茶花代表作为《花篮图》（藏台北故宫博物院）。苏汉臣为人物画家，作品《冬日婴戏图》（现藏台北故宫博物院）是一幅以山茶为背景的人物画作。董祥茶花作品有《岁朝图》（现藏台北故宫博物院）。\n院外画家（非宫廷画家）主要有北宋画家赵昌（？～1016年）、易元吉、丘庆余等。赵昌的茶花作品有折枝茶花、二色茶花，其画作“不特取其形似，直与花传神者也”，称“写生赵昌”，名重一时。《宣和画谱》录有其茶花作品《山茶图》、《山茶竹兔图》等十幅之多，另有《四季花卉卷· 山茶》。宋代大文豪苏轼也曾为赵昌山茶图作题跋二首。易元吉的茶花作品，《宣和画谱》录有《山茶孔雀图》、《山茶戏猿图》等八幅。丘庆余的茶花作品也见诸于《宣和画谱》，有《山茶花兔图》、《湖石山茶图》等五幅。\n勾勒填彩的细密画风成为两宋茶花画的主要艺术倾向。两宋的茶花作品以精工的描绘，鲜妍的敷色著称。画家十分注意物象、物理的研究，对物写生成为一时风尚，章法严谨，笔墨精丽，技法成熟，达到炉火纯青的地步，形成这一时期茶花画的主要艺术特色。北宋的茶花画已佚，流传至今的只有南宋画家李嵩的《花篮图》（设色绢本）、宋代佚名的《山茶蝴蝶图》、《白茶花图》，从中足以窥见当时盛行画风的特色。剖析这一时期的绘画作品，可以清晰地看到，以院体画为主的细密画风始终占主导地位。此外，赵昌、易元吉的作品以写生为重。崔悫、吴元瑜的作品在继承黄筌的基础上别创一清淡疏秀之格。林椿虽为宋后期院体画家，却在继承北宋院体画细密的传统中，显示出敷色轻淡，灵活生动的特色。宋无款的《百花图卷· 茶花》画风接近于“文人画”。宋后期的董祥、赵彦敷的茶花作品已具早期文人水墨画的特征。这些作品在主体画风之外各有特色，但是茶花作品的整体艺术倾向始终是鲜明而统一的。\n五代两宋为茶花画数量最多的一个时期。五代两宋时期画茶花的有院体画家、院外画家、士大夫阶层为官者，绘茶花者甚众，呈现欣欣向荣之气势。迄今发现两宋茶花画达41幅，居各个时期茶花作品数量之首。",[26,27,79,28,96,31,32,122,80,81,6193,163,2784,162,1093],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F031db809757be93633780fb6452f3df0.jpg","30.1 x 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宝石红观音尊","景德镇制瓷业，经过明末清初的战乱，虽然受到一定影响，但官窑、民谣两方面还是时断时续地维持着生产，康熙初期可说是官窑生产的复苏期。\n臧窑——清代康熙中期景德镇烧制的官窑瓷器，清代沿明制，在景德镇设御厂，经办官窑器，但实行“官搭民烧 ”制。\n且习惯上以督窑官命官窑名，著名者均在清前期。此时期的御窑瓷釉色品种甚多，可谓诸色俱备，以鲜红（豇豆红）为最著。 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设色画，现藏于 。\n此图画面为长圆扇形，绘豆花上栖息一只黄褐色蜻蜒，枝叶微向下垂。\n整幅作品结构自然，疏密得体，色彩丰富，工写结合。\n其中蜻蜒的描绘神妙入微。\n画家不仅再现了蜻蜒的形态，甚至连透明的翅膀及纹络都表现了出来。\n而豆花则以简笔写出，野趣天然。\n此图旧传为徐熙所作。\n图中画的是田野苗圃间菜豆花与蜻蜓之类昆虫常见的景物。\n画面为长圆扇形，画家以独具的慧眼撷之入画，采取了特写镜头，只取其豆花的枝头，豆茎自左下向右上斜出，枝叶微下垂，枝上有浅紫色的豆花、绿色的豆叶和沉甸甸地挂下来的长长豆荚。\n枝梢上歇息着一只大蜻蜓，正在吮吸豆荚嫩叶的鲜汁。\n蜻蜓呈黄褐色，张开双翼，长长的身子下垂，尾部稍有弯曲。\n图中豆荚一枝，果实乍结。\n一只黄褐色的蜻蜓轻轻停落在枝端，将豆荚压得微微颤动。\n画面构图简洁自然，疏密得体。\n画家用中锋细笔勾勒豆荚枝叶的轮廓，用花青、石绿轻染，以白粉点花瓣，线条沉稳，色彩丰富，形象写实逼真。\n图中尤以蜻蜓描绘得出神入化，其翅膀透明的质感以及清晰的纹络都表现得清清楚楚，活灵活现，反映了宋画在写实方面所达到的高度水平。\n图右下方押“徐熙”二字伪款，不见于著录。\n本幅鉴藏印有：“徐熙”朱文杯形，另一印不辨。\n注：中国古代书画鉴定组定为宋人画。\n旧题为徐熙所作，押‘馀熙”印。\n押印是否可靠，现今难以证实。\n但此图的画法与画史对徐熙画风的记载颇相吻合，可能是北宋时徐熙画派的画家所作。\n整幅作品结构自然，疏密得体，色彩丰富，工写结合。\n其中蜻蜓的描绘神妙入微。\n画家不仅再现了蜻蜓的形态，甚至连透明的翅膀及纹络都表现了出来。\n而豆花则以简笔写出，野趣天然。\n整幅作品结构自然，疏密得体，中锋运笔，线条沉稳，色彩丰富，写实逼真，作者善于刻画和铺排是这幅作品在技巧上的特色。\n菜豆的枝干、花叶、荚部是用粗简的线条勾出，然后略施粉彩，尤其对蜻蜓的描绘神妙人微。\n蜻蜓身子晕染工细，头部网网眼和翅翼细细刻画轻轻染色，十分清晰透剔，甚至连透明的翅膀及纹络状的小组织．都细微地表现了出来。\n蜻蜓身上的色斑与浅紫色的豆花，一深一浅，使主题显明突出，这充分反映了宋画在写实方面所达到的高度水平。\n从绘画题材及笔墨技巧上看，具有徐熙画的特征。\n《圣朝名画评》说，徐熙画花卉“多做园圃以求情状，虽蔬菜茎苗，以人图写。\n”但本图无款识，至少可以这样说，虽非出于徐熙之手笔，但可以代表北宋徐熙一派的画风，亦可以说此幅是徐派留下来的凤毛麟角般的珍品。\n此图右下方押“徐熙”二字伪印。\n此图无款，有“徐熙”朱印。\n旧题为徐熙作。\n徐熙“善画花竹林木、蝉蝶草虫之类，多游园圃以求情状，虽蔬菜茎苗亦人图。\n写意出古人之外，自造于妙。\n尤能设色，绝有生意”。\n从这幅作品亦可领略上述特点，所以虽非出于徐熙之手，也可代表北宋徐熙一派的画风。\n此图写豆茎一枝自右下向左上斜出，而梢头着一大蜻蜓。\n这农家随处可见的景物，画家以独具的慧眼撷之入画，可谓别开生面。\n豆花、豆叶，点缀生动，长豆三两根，垂垂可喜。\n茎、叶、豆荚，均以墨勾，疏疏几笔，中设豆绿色，叶中锈斑、虫蚀均为描出，紫白色的豆花和蜻蜓，以没骨法晕染，蜻蜒尤备极工细，神韵奕奕。\n对花写照的写生功力，令人惊叹。\n色调素雅，变化层次微妙，工写兼施，相映成趣。\n构图善从一角生发，全幅荡漾着空灵的诗意，尤觉流走圆美。\n不是面面俱到，或泛泛大略，而是择取一枝一梢作精心的观赏，一枝一叶总动情，这种审美性格为宋人所独具，风气所开，遥领千古。\n此图笔墨间随处散发着一种田园佳趣，尤为感人至深，而熠耀其中的是诗意的空间。\n宋画一如宋诗，其异于唐人之处：一为田园气息，二为哲理之思(以景喻理)。",[26,79,27,28,219,31,32,80,14639,106,711,319,37],"豆荚","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F48eea5d1a6887f57421ffd7e0488a89c.jpg",[],{"id":14643,"slug":14644,"title":14645,"dynasty":75,"author":7,"museum":172,"description":14646,"tags":14647,"thumbUrl":14648,"material":11,"size":11,"collection":11,"collections":14649,"showCount":14364,"zanCount":49,"manualWeight":49,"mainColor":50},227859,"mo-zhou-fang-xi-ying-quan-juan-yi-ming-227859","摹周昉戏婴全卷","此作画风承续唐人遗韵，绢本设色雅致柔丽。画面之中，闺中仕女温婉安坐，垂眉含笑逗弄稚童，孩童们或蹒跚学步或偎依撒娇，娇憨天真尽显；家犬蹭玩一旁，满卷皆是融融天伦暖意。\n线条细劲柔丽，将仕女纱衣的通透莹润、幼童肌肤的软嫩质感晕染恰到好处，复刻出周昉一派柔婉绮丽的仕女画格调。整卷将深宅里寻常嬉游的日常，绘就为传世温情，尽显雅致世俗意趣，是宋摹唐画里颇具情致的佳作。",[26,27,28,96,122,31,32,33,127,2869,64,82],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fe007d3c6b842efb4988a0404266ac130.jpg",[],{"id":14651,"slug":14652,"title":14653,"dynasty":75,"author":7,"museum":172,"description":14654,"tags":14655,"thumbUrl":14656,"material":11,"size":11,"collection":11,"collections":14657,"showCount":14364,"zanCount":49,"manualWeight":49,"mainColor":50},227833,"lin-liu-fu-qin-tu-yi-ming-227833","临流抚琴图","画面以边角取势，古松虬曲苍劲，垂藤萦绕，将崖岸的荒古野逸晕开。临流石上，隐士安然抚琴，襟怀自适。远处汀渚隐现于烟岚薄雾之间，水色空蒙，淡墨轻皴尽绘江天寥廓。\n笔墨简淡却意韵悠长，以苍劲勾勒写松之老态，晕染铺就江天虚静，将林下幽居、寄情山水的文人意趣藏于尺幅间，尽显尚简求雅的禅寂风骨，静穆之中，似有琴音随波远逝，恍若带人走入物我两忘的幽远之境。",[26,27,144,614,219,60,33,130,131,146,687,82],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F525e8494d45cb369b9a329292fc78b89.jpg",[],{"id":14659,"slug":14660,"title":14661,"dynasty":75,"author":7,"museum":172,"description":14164,"tags":14662,"thumbUrl":14663,"material":11,"size":11,"collection":11,"collections":14664,"showCount":14364,"zanCount":49,"manualWeight":49,"mainColor":50},227370,"yu-lin-ku-003-ku-yong-dao-nan-bi-yi-ming-227370","榆林窟003窟甬道南壁",[26,711,175,32,33,124],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F5a56b9cc35def35720b3e2c4e302ba38.jpg",[],{"id":14666,"slug":14667,"title":14668,"dynasty":75,"author":7,"museum":172,"description":14669,"tags":14670,"thumbUrl":14671,"material":11,"size":11,"collection":11,"collections":14672,"showCount":14364,"zanCount":351,"manualWeight":49,"mainColor":50},227339,"ren-zong-hou-zuo-xiang-yi-ming-227339","仁宗后坐像","宋宋仁宗后坐像 絹本62x59 《宋仁宗后坐像轴》是宋代佚名创作的绢本设色画，现藏于台北故宫博物院。 中 文 名 宋仁宗后坐像轴 幅 式 立轴 画作类型 设色画 规 格 纵172．1厘米，横165．3厘米 现收藏地 台北故宫博物院 创作年代 宋代 画作内容 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〈草堂十志〉 词，与十景相间。所绘皆为自然园林景致，其配置乃注重与周围自然环境相结合，树石造型古拙，用笔方硬，水墨渲染颇工。此作无名款，旧传为卢鸿之作。学界对此幅的断代，虽无定论，然时代应非为唐。虽非唐代画作，然有研究者订为五代十世纪，可能是与唐代卢鸿原本最为接近之摹本，为早期文人隐居山水的重要祖型，对中国历代隐居山水的图像表现，影响深远。",[26,27,28,96,122,144,614,60,532,1102,359,531,130,33,146,1623,676,2688],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F5ea4dd01e44e803413f2814c10d58aa2.jpg","纵25.6cm，横711.6cm",[506,1116],{"id":14763,"slug":14764,"title":14765,"dynasty":75,"author":7,"museum":56,"description":14766,"tags":14767,"thumbUrl":14768,"material":335,"size":14769,"collection":11,"collections":14770,"showCount":14364,"zanCount":351,"manualWeight":49,"mainColor":50},223474,"zhe-zhi-guo-tu-ye-yi-ming-223474","折枝果图页","在技法上，树干用细笔勾勒，充满赭光，厚重古朴； 轮廓用粗细的彩虹勾勒出来，再染上青色和墨绿色，色彩鲜艳。",[26,27,28,530,32,31,5581,1839,207,82],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fb395bb89c0cb2fa1af556b191181cff9.jpg","52.8x46.5cm",[],{"id":14772,"slug":14773,"title":14774,"dynasty":75,"author":7,"museum":56,"description":14775,"tags":14776,"thumbUrl":14777,"material":348,"size":14778,"collection":85,"collections":14779,"showCount":14364,"zanCount":49,"manualWeight":49,"mainColor":50},223470,"zheng-ren-xiao-fa-tu-yi-ming-223470","征人晓发图","此为南宋民间风俗画。 茂密的山林中，树木葱郁，远处的树荫下有三间小屋。 农夫在他身后嬉戏，一头驴子站在角落里，扭头看主人忙碌。 远郊一家三口客栈的生活即将浮出水面，形象刻画。",[26,27,79,31,32,329,33,1006,734,532,162,2688],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fcf409b97531dc0d89d051eddaf8a0f4d.jpg","51x68",[85],{"id":14781,"slug":14782,"title":14783,"dynasty":75,"author":7,"museum":76,"description":14784,"tags":14785,"thumbUrl":14786,"material":1433,"size":14787,"collection":11,"collections":14788,"showCount":14364,"zanCount":49,"manualWeight":49,"mainColor":50},223427,"song-ren-pi-pa-yuan-xi-tu-zhou-yi-ming-223427","宋人枇杷猿戏图轴","从画面上来看，枇杷树的枝干上下各一段，并未相接，观赏时却有著相连的感觉，这种画外之意，正是作者别出心裁的安排。而其沈着的用色、劲健的用笔则将树干的扭曲斑剥、树叶的转折、石头的坚硬和猿身黝黑的绒毛表现得栩栩如生，像可以触摸一般。然只生动地画出物象的形貌仍不够，必须掌握其情态，方算传神，因此画中黑猿，挂在枝干上的一只，手尾紧握，好似在荡秋千一般，另一只则悠闲地坐在树干上，和牠相互凝望，情意相系。\n老树擎空，突出画幅，其枝垂挂，复返画中。画幅中的枝干，笔不连而意连，足见画家布局之匠心。一猿攀枝摇荡，如戏秋千。一猿则踞干悠闲旁观，真能得猿猴动息之情。画技精湛，特善用墨，曲尽黑猿毛色之状，树石描绘精采、用色雅正，尤有过人处，是宋无款作品中之巨幅精品。易元吉的猴猫图突显毫芒毕现的用笔功夫，本画则用墨功夫一流。",[26,79,27,28,29,31,32,272,3886,5621],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F62ef7c2e9e1f091b0edc125c19b59367.jpg","165x107.9厘米",[],{"id":14790,"slug":14791,"title":14792,"dynasty":75,"author":7,"museum":76,"description":14793,"tags":14794,"thumbUrl":14800,"material":149,"size":14801,"collection":11,"collections":14802,"showCount":14364,"zanCount":49,"manualWeight":49,"mainColor":50},223424,"song-ren-ping-chou-hu-du-zhou-yi-ming-223424","宋人平畴呼犊轴","树叶和芦矛经霜成了赭黄色，秋意已深。在平原上游散着一大一小两头牛，小牛被遗落在后，急了便高耸着鼻子呼唤。母牛停下了脚步，回过头来等候着，足见母子情深。画家描绘小牛的鸣叫，张着唇吻，屈着前足，背高高的耸起，尾却朝上轻摇。对牛在鸣叫时骨骼筋络的反应，研究观察得非常精细，使人看了，仿佛也可以听到小牛的呼叫声。诚为一南宋无款佳作",[26,27,28,29,32,31,2944,272,676,6340,673,359,779,14795,14796,14797,381,14798,4311,14799,3244],"田野","水牛","犊牛","土坡","细笔","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Faf1f0accd9c0ce6a2dcc5675ccf7d880.jpg","97x52.4",[],{"id":14804,"slug":14805,"title":14806,"dynasty":75,"author":7,"museum":1361,"description":14807,"tags":14808,"thumbUrl":14809,"material":335,"size":14810,"collection":11,"collections":14811,"showCount":14364,"zanCount":49,"manualWeight":49,"mainColor":70},223377,"bei-qi-xiao-shu-tu-yi-ming-223377","北齐校书图","《北齐校书图》所绘内容为天宝七年（556年）文宣帝高洋命樊逊等人校勘内府所藏图书的事件。旧传此卷为唐阎立本所作，现多将其归于北齐画家杨子华名下。\n图中三组人物。第一段共七人，其中胡服文士持书卷踞胡床（三国时传入中国的坐具，形制近似于今天使用的马扎），为此段中心；第二段共十人，四文士坐于榻上，婢女、小童伺立榻周，文士中二人校勘书卷，另二人似乎正因意见相左而有所争执；第三段为侍从和牵马的奚奴。\n画中的家具器用、人物服饰皆胡汉杂糅，符合北齐的实际情况。人物面庞呈椭圆形是此卷的鲜明特点，联系到近年来的考古发现，似乎与北齐时期的墓室壁画中人物有同样的特征，因此《北齐校书图》也屡屡为学界引用以论证北齐画风。尽管北齐是一个极短命的王朝，但是越来越多的考古发现证明，在这一时期，艺术呈现出极鲜明的面貌，并很可能影响到唐代的审美趣味。",[26,79,27,28,96,31,32,33,1006,345,82,124,346],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fa5da306b34154b0d7c31d14521fdcc73.jpg","27.6*114CM",[],{"id":14813,"slug":14814,"title":14815,"dynasty":75,"author":7,"museum":56,"description":14816,"tags":14817,"thumbUrl":14818,"material":1433,"size":14819,"collection":11,"collections":14820,"showCount":14364,"zanCount":49,"manualWeight":49,"mainColor":50},223332,"san-yang-tu-yi-ming-223332","三羊图","彩绘柳树伞下的气球在坡草间游荡觅食。 蓬松的，富有一定的。 用笔擦干树干，笔变粗。",[26,27,79,28,711,31,32,272,3102,532,1525,888],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F0b7a68d3cb18be30324ec6098db75923.jpg","21.2x20厘米",[],{"id":14822,"slug":14823,"title":14824,"dynasty":75,"author":7,"museum":172,"description":14825,"tags":14826,"thumbUrl":14827,"material":296,"size":297,"collection":11,"collections":14828,"showCount":14364,"zanCount":351,"manualWeight":49,"mainColor":70},221632,"fu-zhuang-gou-kou-yi-ming-221632","服装钩扣","中国宋代是一个手工业和工商业空前发展兴盛的时代，国富民强，文化发达。此时期的玉器正处在一个承前启后的转折阶段。两宋玉器承袭两宋画风，通常画面构图复杂，多层次，形神兼备，有浓厚绘画趣味，完成了由唐玉偏重工艺性、雕塑性向宋玉偏重绘画性、艺术性的转变。此时的皇家用玉品种丰富多样，佩饰类有玉束带、玉佩，用具有玉辂，玉磬，礼器有玉圭、玉册等等。内廷专设有玉作，玉料由西域诸国进贡。民间用玉也较前朝为盛，大量出现各种玉佩饰，玉用器。皇家、官僚及民间均风行收藏古玉，古董行开始出现伪造或仿造古玉之风气。因此，宋玉又被分为古玉、时作玉、伪古玉和仿古玉。 　两宋及其同期或稍后的辽金玉文化去除了隋唐五代繁杂的外来文化因素，又继承和发展了隋唐玉文化的市庶化、艺术化特色，特别是融会了两宋绘画的特点和技巧。宋代肖生玉在崇尚写实主义的院画影响下追求形体及运动的准确表现，以显示其内心世界。花鸟玉佩多做隐起、镂空的对称处理，富有生活气息。双勾的经文诗词等铭刻玉器盛极一时。辽金玉器也是由汉族玉工碾成，但其题材却富有边疆民族特色和游牧生活气息，以契丹、女真两族生活为主题的春水佩和玉秋山为其杰出代表，均有着形神兼备的艺术造诣。宋、辽、金都出现了前所未见的有情节、有背景的景观式构图，以镂空起突等法碾琢的悬塑性或立体的肖生玉器。它是这一时代玉器的新兴形式，有着鲜明的时代特点，还出现了受道教影响的神仙题材和“龟游”一类祥瑞玉器。总之，此时期玉器的特点是：玉如凝脂、构图繁复、情节曲折、砣碾遒劲、空灵剔透、形神兼备，是我国玉文化的第二个高峰期。",[711,267,268,39,3800,32],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F1ef424e721156b83eadca0cb594e360c.jpg",[],{"id":14830,"slug":14831,"title":14832,"dynasty":171,"author":7,"museum":172,"description":14833,"tags":14834,"thumbUrl":14835,"material":11,"size":11,"collection":3059,"collections":14836,"showCount":14364,"zanCount":49,"manualWeight":49,"mainColor":50},221116,"fo-jing-fa-hua-jing-yun-mu-zhi-yi-ming-221116","佛经法华经云母纸","此作为典型唐代经生写经小楷，笔法端秀匀净，结体平正工稳，尽显书写者娴熟扎实的抄经功底。起收提按一丝不苟，点画温润舒展，带着初唐写经特有的内敛安然，字里行间浸透着抄经时肃穆沉静的宗教虔诚。\n云母纸历经岁月仍莹润匀净，墨色沉凝饱满，搭配雅致装裱愈显古雅朴拙。它是唐代民间书法与佛教文化融合的遗存，暗合唐人尚法的书风特质，于朴素平淡间流露冲淡平和的审美意趣，兼具宗教文献与书法艺术双重价值。",[26,124,3053,30,4486,3054,3019],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F461c3a89135a40bb478a52a82317ad2b.jpg",[3059],{"id":14838,"slug":14839,"title":14840,"dynasty":55,"author":7,"museum":254,"description":14841,"tags":14842,"thumbUrl":14844,"material":724,"size":14845,"collection":506,"collections":14846,"showCount":14364,"zanCount":49,"manualWeight":49,"mainColor":70},219980,"luan-shan-za-wu-tu-yi-ming-219980","乱山杂雾图","以水墨晕染层叠峰峦，远山隐在淡墨烟岚间，朦胧空灵似被晨雾轻裹。近崖怪石虬松错落，山坳殿宇半藏，清溪蜿蜒漱石有声，水畔幽人凭石观流。\n\n笔墨干湿互用，勾勒皴擦兼具，写意间不失精微，将朝雾初散的林泉清寂铺陈开来。呼应题画诗意，空山晓境里，仿佛能听见啄木轻响混着梵音溪声，禅意漫溢，尽揽山林静穆之美。",[26,27,144,60,29,614,125,82,6267,63,129,131,359,14843,33,7330],"溪水","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F560f7ee714f936fe6b5bf9c7c3125307.jpg","107.9 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卷末各附楷书图记一篇，无印鉴款识。图卷保存完整，画面洁净，曾作为《万寿图》原本多次展出、出版。",[27,28,96,32,31,329,33,129,1623,130,531,1006,131,3620,4286,1126,6932,60],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F9dc7b4cce21ccd6b81c26de71e2b5f5c.jpg","纵45厘米，横3939 厘米",[],{"id":15768,"slug":15769,"title":15770,"dynasty":55,"author":7,"museum":56,"description":15771,"tags":15772,"thumbUrl":15775,"material":109,"size":9666,"collection":11,"collections":15776,"showCount":198,"zanCount":49,"manualWeight":49,"mainColor":70},233077,"ping-ding-yi-li-hui-bu-zhan-tu-ce-yi-ming-233077","平定伊犁回部战图册","《平定伊犁回部战图册》（平定准噶尔回部得胜图）是乾隆皇帝炫耀武功的作品，其宏大的战争场面，荣耀的献俘场景，皆彰显出清帝国极盛时代的不可一世。乾隆三十年（1765年），“传旨西洋人郎世宁等四人起得胜图稿十六张，着丁观鹏等五人用宣纸依照原稿着色画十六张”。这一批画由西洋传教士起稿，后又送至法国制版印刷成铜版画，是当时受西洋技法影响较深的画作。",[79,27,28,530,32,33,1006,15773,518,82,15774],"战争","西洋技法","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F417686d09d9e621d9bdc8b831384b87f.jpg",[],{"id":15778,"slug":15779,"title":15780,"dynasty":141,"author":7,"museum":172,"description":15781,"tags":15782,"thumbUrl":15783,"material":11,"size":11,"collection":11,"collections":15784,"showCount":198,"zanCount":49,"manualWeight":49,"mainColor":50},232696,"song-yin-lun-dao-tu-zhou-yi-ming-232696","松荫论道图轴","画作以层叠飞瀑串起幽深山峦，古松虬曲苍劲，斜探山坳。松荫下二人对坐，一人垂耳静聆，一人挥袖长谈，雅意暗生。山石以斧劈皴勾勒晕染，尽显雄浑厚朴，山林以浓淡墨色分出虚实层次，铺就空寂清远的山野氛围。\n\n整幅以动衬静，飞瀑流泉的喧腾，更衬出松下晤谈的安谧超脱，将林下隐逸的雅趣融于丘壑间，尽显萧散简远的山水意韵，把出世林下的风流逸致，尽数绘于绢素之上。",[26,27,28,29,144,614,60,33,1524,1102,359,130,6547],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F6a886a55177591ac8990b09ff254c510.jpg",[],{"id":15786,"slug":15787,"title":15788,"dynasty":22,"author":7,"museum":172,"description":15789,"tags":15790,"thumbUrl":15793,"material":296,"size":297,"collection":11,"collections":15794,"showCount":198,"zanCount":49,"manualWeight":49,"mainColor":50},231651,"tao-shan-shi-qi-liu-wang-de-huang-di-ping-feng-yi-ming-231651","桃山时期 流亡的皇帝屏风","金箔为底晕开朦胧暖光，淡墨细绘出浩渺水岸，层层水纹带着澹澹涟漪，铺陈开幽寂江景。左岸孤客彳亍，衣袂似随江风微扬，满溢羁旅怅惘。右畔水榭依水而立，灼灼桃枝缀着浅淡花意，晕开零落暖意，和空阔江天的萧寂形成温柔的对照。\n水墨冷寂被金箔柔光轻轻中和，将沉郁藏在清雅笔意间，留白里晕开澹澹愁思，以侘寂幽玄的笔致，把漂泊况味融在烟暮色中，在极简构图里铺陈出含蓄悠长的诗意。",[26,79,27,28,1748,144,32,15791,614,60,33,2656,131,359,2657,15792],"金碧","开花植物","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F5dcce2a562d3507c088b54444c8a8b0f.jpg",[],{"id":15796,"slug":15797,"title":15798,"dynasty":75,"author":7,"museum":76,"description":15799,"tags":15800,"thumbUrl":15802,"material":348,"size":15803,"collection":11,"collections":15804,"showCount":198,"zanCount":351,"manualWeight":49,"mainColor":50},231343,"shan-shui-tu-shui-cun-shan-si-tu-yi-ming-231343","山水图（水村山寺图）","浅设色画水村山寺。柳岸舟横。无款印。诗塘御制诗楷书",[27,2415,32,614,162,131,2657,128,15801,9387,1340,1341,6932,1281],"山寺","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F9794dcebe0d39fa1476cf1a613caa639.jpg","纵114cm,横57cm",[],{"id":15806,"slug":15807,"title":15808,"dynasty":55,"author":7,"museum":172,"description":13046,"tags":15809,"thumbUrl":15811,"material":296,"size":297,"collection":11,"collections":15812,"showCount":198,"zanCount":49,"manualWeight":49,"mainColor":50},229471,"yong-zheng-fa-lang-cai-shan-cha-mei-hua-wan-yi-ming-229471","雍正 珐瑯彩山茶梅花碗",[55,15810,2194,32,205,206,80,346],"珐琅彩","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fcb78d3073373ecb0e2fccbd6f45bb5b2.jpg",[],{"id":15814,"slug":15815,"title":15816,"dynasty":241,"author":7,"museum":172,"description":15817,"tags":15818,"thumbUrl":15819,"material":11,"size":11,"collection":11,"collections":15820,"showCount":198,"zanCount":49,"manualWeight":49,"mainColor":50},228792,"zao-chun-tu-yi-ming-228792","早春图","此作用青绿晕染层叠翠峰，赭石铺展江天色底，将江南早春的温润灵秀尽纳卷中。苍松虬枝倚着黛色山峦，茂林吐翠，汀洲渔村、朱阁殿宇错落分布，烟波轻笼远山扁舟，晕开和煦澹宕的春日盛景。\n\n全卷兼工带写，界画工致严整，山水皴染细腻，设色妍雅沉静，既承袭宋青绿山水的富丽精工，又带着明文人山水的秀逸意趣。卷尾长题与朱印错落排布，丹青与纸墨交映，让山水清晖与传世文心相融，尽显春日江山的悠悠雅致。",[26,79,27,28,96,32,1622,31,614,82,124,60,129,1623,130,531,131,163],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fb60605b4fe3e20e585065867ec31afa0.jpg",[],{"id":15822,"slug":15823,"title":15824,"dynasty":141,"author":7,"museum":172,"description":15825,"tags":15826,"thumbUrl":15827,"material":11,"size":11,"collection":11,"collections":15828,"showCount":198,"zanCount":49,"manualWeight":49,"mainColor":50},228183,"dan-feng-niao-que-tu-yi-ming-228183","丹枫鸟鹊图","画面截取深秋一角，虬曲苍劲的枫树枝桠间，残红秋叶点缀，晕开萧索清寒的秋意。三只禽鸟错落栖于枝梢，引吭啼鸣的山雀羽翼晕染细腻写实，将灵动生机揉入冷寂秋景，另外两雀或静立或垂悬，动静相映成趣。\n\n设色调和古雅，工写相融，淡墨皴擦尽显枝干枯涩质感，禽鸟刻画精细入微，将秋日郊野的幽寂野趣藏于笔底，简淡笔意间晕开幽远沉静的林下意趣，尽显雅致空灵的秋日审美意韵。",[26,27,28,79,29,31,32,80,163,7259,2308,2309,2784,888],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F54bfefdf57d7bfd435a7b35b437dd982.jpg",[],{"id":15830,"slug":15831,"title":15832,"dynasty":75,"author":7,"museum":172,"description":15833,"tags":15834,"thumbUrl":15835,"material":11,"size":11,"collection":11,"collections":15836,"showCount":198,"zanCount":49,"manualWeight":49,"mainColor":50},227920,"hua-hui-shuang-qin-tu-yi-ming-227920","花卉双禽图","此作工笔设色，柔枝舒展间白茶花轻绽，花瓣晕染出莹润柔光，枝叶俯仰向背尽显草木生姿。两只禽鸟栖于细枝之上，翎毛刻画丝丝入微，胸腹绒羽蓬松柔软，墨色晕染出头部乌亮光泽。一鸟昂首啾鸣，一鸟侧身应和，将枝间互动的鲜活意趣定格。\n\n整幅构图疏密得宜，浅褐绢底衬出雅致色调，笔墨精细却无匠气，尽显院体花鸟的写实功力。画师以细腻笔触捕捉花鸟间的灵动互动，将春日枝桠间的寻常小景，晕染出独有的雅致诗意，藏着对日常生机的温柔捕捉。",[26,79,27,28,31,32,80,190,191,207],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fd599ee4f684f536c226cf5017f764baa.jpg",[],{"id":15838,"slug":15839,"title":15840,"dynasty":75,"author":7,"museum":172,"description":12964,"tags":15841,"thumbUrl":15843,"material":296,"size":297,"collection":11,"collections":15844,"showCount":198,"zanCount":49,"manualWeight":49,"mainColor":70},227916,"lv-you-hua-ping-yi-ming-227916","绿釉花瓶",[2194,15842,268,59,346],"绿釉","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F8b617fc6f8e1b8fb8e4eb7968d3b9fd8.jpg",[],{"id":15846,"slug":15847,"title":15848,"dynasty":75,"author":7,"museum":172,"description":15849,"tags":15850,"thumbUrl":15851,"material":11,"size":11,"collection":11,"collections":15852,"showCount":198,"zanCount":49,"manualWeight":49,"mainColor":70},227891,"shen-tang-qin-qu-tu-yi-ming-227891","深堂琴趣图","《宋扇面画深堂琴趣图》是宋代画家佚名创作的一幅绢本设色画。\n此画现藏于北京故宫博物馆。\n【文物原属】故宫旧藏 【简介】 绢本，设色，纵：2.6cm，横：24.9cm。\n本幅无款印。\n钤收藏印 “仪周珍藏”一方。\n远山一带，巨壑空茫。\n建筑用笔粗浑，轻刻画，重意境，形象概括，细部脱略简化而不失准确真实。\n整幅画面清新明净的情境赋予作为绘画主体的建筑含蓄而富于想象的空间依托，使之具有了诗一般和谐浑融的意境。\n此图画巨石、绿树环抱雅斋，朱梁绿柱的厅堂中，一白衣秀士端坐操琴，童子侍立一旁，平台上双鹤闻乐起舞，山间回荡着袅袅琴声，画面充满了文雅幽清的气息。\n《深堂琴趣图》，仅仅不盈尺幅的小纨扇，却能妙写建筑和琴声，境界布局非凡。\n从画中偏于左半一角的构局，也可体味马远“马一角”构图的情趣。\n从中甚至可以精微体验宋画中的庭院风水之妙。\n宋代人非常善于营造庭院空间，妙解风水构局，将人与绘画、建筑、庭院、山水自然融为一体，臻于华美典雅的艺术境界。\n这在宋诗、宋词和宋画中留有许多经典的范例。\n如从 的《 》中可以领略庭院四季风水之妙，那是山间水涯，芳草长堤边令人流连忘返的时空流转；而《深堂琴趣图》则是从另一个角度，表现庭院建筑与音乐，与山水之间妙契的又一杰作。\n建筑与音乐，在中国诗词中有许多经典迷人的篇章，但在绘画中表现，很不容易。\n音乐，求其意境，要有共鸣、幽远方妙。\n《深堂琴趣图》，以华堂独坐一人弹古琴，琴音发越，与环境融为一体，画出来了。\n深堂内置大屏风，窗牖俱紧关，而正门却大开，琴音反逼更传于堂外。\n门外山石对立，树木高耸掩映，留出大半天空，正好一条石铺甬道小径，接门由直而转折向右，石径上又正好有双鹤，其一白鹤闻琴音而起舞，可感受音乐之魅力。\n庭石上又有青松一株，遥承琴声，而成风如松。\n环境与音乐布局协和生发，绝无滞碍。\n主人弹琴，恰好面东，而门对南，空间方位甚为有序。\n如换其他任一方位，均与环境建筑内部空间不调，从而破坏全幅的空间气势，顿失音乐之美。\n设若弹琴者（主人）的方位是对着门南向坐，则气正好对冲；如背门北向坐，则琴声成死寂，更无悠扬的意味可说；如侧身向西坐，则又太塞太背，与画中大半天空相背，气局又成僵局。\n所以，只有画中所示的侧坐向东最为佳妙，否则都会破坏画中的音乐美，有妨气局琴音的流走。\n这些看似细微之处，正可见宋人对画中空间风水的深刻认知。\n画中的空间，虚实掩映，向背分合，无一闲笔，皆为音乐而生而设，都为气韵琴音所宜。\n可见《深堂琴趣图》虽小幅纨页，位置经营却极为空灵，空间境界妙造天地，琴韵幽深，上遏行云，其中风水之意境，流美千古。\n—— 著《 》",[26,27,28,79,219,32,60,129,131,162,1623,33,614],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fbd1ea677f5f541183dafad361e3563ed.jpg",[],{"id":15854,"slug":15855,"title":15856,"dynasty":75,"author":7,"museum":172,"description":7145,"tags":15857,"thumbUrl":15860,"material":296,"size":297,"collection":2200,"collections":15861,"showCount":198,"zanCount":49,"manualWeight":49,"mainColor":277},227424,"jin-yuan-jun-yao-yue-bai-chu-ji-zun-yi-ming-227424","金-元 钧窑 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图中人物勾写严谨，神情如生。",[26,27,96,31,32,33,1006,2656,60,2770,124,82],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F4b0162d600dbddb17ec2ee4e429f3fbf.jpg",[],{"id":15970,"slug":15971,"title":15972,"dynasty":75,"author":7,"museum":172,"description":15973,"tags":15974,"thumbUrl":15976,"material":11,"size":11,"collection":11,"collections":15977,"showCount":198,"zanCount":49,"manualWeight":49,"mainColor":70},223594,"bai-zi-xi-chun-tu-ye-yi-ming-223594","百子嬉春图页","团扇之上，戏台喧嚷，满卷皆是稚子嬉游的鲜活意趣。画中孩童攒聚戏台周遭，台下人头攒动，有的踮脚引颈叫好，有的相互挤闹，更有孩童攀附围栏、扒着楼栏，翘首往戏台望去。雅座里的小观众们或凭栏专注，或交头接耳。\n衣纹勾勒细腻柔婉，设色古雅沉静，将巷陌春日观戏盛景铺陈开来，把稚子们的灵动与市井烟火的融融暖意凝聚在尺幅之间，仿佛能听见戏台丝竹与孩童嬉闹声交织，尽显古早世俗生活的鲜活温情。",[26,27,28,1222,32,31,33,129,125,82,15975],"百子","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fbbe8cd4ad68a694628c1a2e22f6adec2.jpg",[],{"id":15979,"slug":15980,"title":15981,"dynasty":75,"author":7,"museum":3882,"description":15982,"tags":15983,"thumbUrl":15985,"material":1433,"size":15986,"collection":11,"collections":15987,"showCount":198,"zanCount":49,"manualWeight":49,"mainColor":50},223550,"yu-ying-tu-yi-ming-223550","浴婴图","图绘婴儿洗澡场景。画面共三个妇人，四个小孩，当中摆一长形浴盆。画面设色淡雅明快，气氛温馨和谐，妇人的神情慈祥、婴儿的天真无邪，无不充满了浓郁的人情和现实意义",[26,27,28,711,31,32,33,4399,15984,64,82],"浴盆","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F1adebda59fef40ba30b6d41a58cc6f31.jpg","纵35.8厘米，横35.9厘米",[],{"id":15989,"slug":15990,"title":15991,"dynasty":55,"author":7,"museum":15992,"description":15993,"tags":15994,"thumbUrl":15996,"material":348,"size":15997,"collection":11,"collections":15998,"showCount":198,"zanCount":49,"manualWeight":49,"mainColor":50},223467,"guang-zhou-cheng-zhu-jiang-tan-jing-tu-1-yi-ming-223467","广州城珠江滩景图1","大英图书馆","广州珠江江滩水运及岸边建筑之景",[26,96,32,31,130,6932,2656,2770,15995,1340,33],"码头","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ff3f82929b09229b6b39367371aa46380.jpg","75×800厘米",[],{"id":16000,"slug":16001,"title":16002,"dynasty":75,"author":7,"museum":56,"description":16003,"tags":16004,"thumbUrl":16005,"material":16006,"size":16007,"collection":11,"collections":16008,"showCount":198,"zanCount":49,"manualWeight":49,"mainColor":70},223338,"jiu-ge-tu-juan-yi-ming-223338","九歌图卷","画卷根据屈原《楚辞·九歌》中的神话故事绘制而成。“九歌”原为传说中的一种远古歌曲的名称，《九歌》是屈赋中最精、最美、最富魅力的诗篇，它代表了屈原艺术创作的最高成就。",[26,27,79,96,123,31,33,59,887,272,130,162,131,63,1058],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F07bb572ae953b740fe54293fea95aea1.jpg","纸本，手卷，墨笔","纵37厘米、横845厘米",[],{"id":16010,"slug":16011,"title":16012,"dynasty":141,"author":7,"museum":970,"description":16013,"tags":16014,"thumbUrl":16015,"material":348,"size":16016,"collection":11,"collections":16017,"showCount":198,"zanCount":49,"manualWeight":49,"mainColor":70},221783,"yuan-zhi-shuang-xi-tu-zhou-yi-ming-221783","元织双喜图轴","作品描绘出深秋时节，寒风萧瑟，枯木衰草，落叶调零，呈现出一派秋风肃杀的冷峭凄凉景象。整幅画面当中两只灰喜鹊之间，灰喜鹊与野兔之间，鸟、兽与自然环境之间，刻画的生动自然，情景交融，充分的表现出它们之间相互呼应的关系。 画中各物在作者的笔下蠢蠢欲动，大得自然野趣。",[26,27,28,79,29,31,32,80,542,145,163],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F9cce390d80d63a2be5939789f644197c.jpg","78x40.4",[],{"id":16019,"slug":16020,"title":16021,"dynasty":241,"author":7,"museum":1201,"description":16022,"tags":16023,"thumbUrl":16024,"material":149,"size":11,"collection":506,"collections":16025,"showCount":198,"zanCount":49,"manualWeight":49,"mainColor":50},219897,"jun-ling-tu-yi-ming-219897","峻岭图","危峰拔地直插烟岚，苔痕皴染崖壁，凭添苍古荒寒之意。山巅与幽谷间云气漫漶，虚实相生衬出峰峦巍峨雄浑。下方虬松横斜出枝，蟠曲如游龙，苍劲松针攒簇，尽现山野老松的疏狂之姿。\n\n山麓茅亭敞轩，高士偃卧假寐，篱舍隐于浅渚林泉间，枯木荒坡错落排布，淡墨晕染出空寂萧散的汀岸野趣。全作用笔兼具勾勒皴擦，水墨干湿浓淡层叠铺陈，将山水的宏阔与林下幽居的静穆相融，尽显林泉高致的隐逸意趣，于尺幅间铺展出文人心底旷远高逸的林下襟怀。",[27,28,29,144,60,331,162,131,2656,33,531,614],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fbaeb6304a00605300597860cc5dd69c6.jpg",[506],{"id":16027,"slug":16028,"title":16029,"dynasty":75,"author":7,"museum":76,"description":16030,"tags":16031,"thumbUrl":16032,"material":43,"size":11,"collection":45,"collections":16033,"showCount":198,"zanCount":49,"manualWeight":49,"mainColor":70},219647,"xie-qin-kan-shan-tu-yi-ming-219647","携琴看山图","苍松虬曲斜伸，撑起画面骨架，枝桠间松针层叠如盖，疏梅横斜于松下添了几分清寒意趣，淡墨晕染的远山如黛，漾开空濛暮色。\n士人携琴偕仆驻步松下，二人遥望远山，似正指点烟岚丘壑，僮仆捧炉侍立，将林泉雅意藏进细微情态里。设色沉雅温润，皴染兼具，远景山水虚淡悠远，虚实相生间烘托出江南暮色的清寂，将宋人寄情山水、寻幽访胜的隐逸意趣凝缩在尺幅扇面，尽显林下风流的雅逸格调。",[27,32,614,530,60,33,331,6598],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fb902321b31609328d6c2e1c91ceb4c44.jpg",[45],{"id":16035,"slug":16036,"title":16037,"dynasty":241,"author":7,"museum":56,"description":16038,"tags":16039,"thumbUrl":16041,"material":43,"size":11,"collection":45,"collections":16042,"showCount":198,"zanCount":49,"manualWeight":49,"mainColor":50},219294,"mu-niu-du-shu-tu-yi-ming-219294","牧牛读书图","柳丝如缕，垂落于苍劲的老干间，墨色线条似有若无，牵起几分空濛诗意。牧人身着宽袍，缓步随牛而行，衣袂在微风中轻摆，简淡笔触勾勒出闲适姿态。牛儿低首，肌理以淡墨晕染，温顺得似与主人心意相通。田埂草色稀疏，却衬得天地愈发宁静。画面无喧嚣，只有自然与人物的和谐相融——是牧歌里的悠然，还是文人笔下的田园逸趣？淡墨浅染间，时光仿佛慢了下来，每处线条都藏着对尘世之外的向往，让观者沉下心，品味这片刻清宁。",[26,27,28,29,144,32,33,2944,1092,613,146,1676,16040],"牧牛","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fa6eb5b132178a7cac92aa8154cb10fdd.jpg",[45],{"id":16044,"slug":16045,"title":16046,"dynasty":75,"author":7,"museum":465,"description":16047,"tags":16048,"thumbUrl":16050,"material":43,"size":16051,"collection":87,"collections":16052,"showCount":198,"zanCount":49,"manualWeight":49,"mainColor":70},218991,"han-yan-san-yang-tu-yi-ming-218991","寒岩三羊图","岩岫皴染如铁，苔点零星似星落于褐赭石色的肌理间，透出山野的苍劲冷寂。三羊错落其间：一羊俯首啮草，绒毛晕染得蓬松如团雪；一羊侧耳伫立，黑花斑纹在素白间点染出灵动；还有一羊昂首望岫，姿态憨拙却藏着对山风的敏感。宋人的笔致总在写实里藏着诗意——寒岩的嶙峋与生灵的温煦相映，没有喧嚣，只有草叶被啮动的轻响、山风掠过岩缝的微吟，静静淌出山野间的清寂与安然。笔墨细腻处见真意，连羊蹄踏过石径的细碎感，都似能透过纸背触到，将自然的生机与静谧揉成一幅耐人寻味的画卷。",[26,27,28,79,530,31,32,272,3102,359,16049],"寒景","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F436b6eb6d7d9e88456730a606e3e6f2c.jpg","24.8x21.8cm",[87],{"id":16054,"slug":16055,"title":16056,"dynasty":75,"author":7,"museum":720,"description":16057,"tags":16058,"thumbUrl":16059,"material":43,"size":16060,"collection":87,"collections":16061,"showCount":198,"zanCount":49,"manualWeight":49,"mainColor":50},218881,"liu-yin-bai-quan-tu-yi-ming-218881","柳荫白犬图","柳丝低垂如帘，织就一片清凉荫翳。白犬闲适蜷卧，蓬松毛羽似沾草木清香，或抬首望风，或闭目假寐，神态慵懒却藏灵动。笔墨细腻不刻意，柳枝柔曼、犬身肌理皆以淡墨轻描，线条细劲含韵致。背景疏枝苔点晕染出空寂幽远，将宋代文人闲雅心境藏于日常小景间——喧嚣尘世里，柳荫下的片刻安宁，让时光随犬的呼吸慢下来。此作尽显宋人“以物寄情”的审美哲思，静谧中流淌着含蓄诗意与温柔，于细微处见天地，藏着对闲适生活的无限向往。",[27,219,31,32,2208,7922,272,146,131],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F273bfd0c5ac921b2cd1f5de5ecde964d.jpg","22.6x22.6cm",[87],{"id":16063,"slug":16064,"title":16065,"dynasty":75,"author":7,"museum":76,"description":16066,"tags":16067,"thumbUrl":16069,"material":43,"size":10015,"collection":85,"collections":16070,"showCount":198,"zanCount":49,"manualWeight":49,"mainColor":70},218848,"qiu-shan-gu-du-tu-yi-ming-218848","秋山古渡图","这幅画描绘了一连串的山脉，右边的巨石高耸入云，岩石下隐约可见几间小屋，一只狗跑来迎接它的主人，而隐士一定是从峡谷中搜索回来的。这幅画是郭熙的研究，充满了兴趣。",[26,79,27,28,219,60,614,144,6265,16068,130,128,162,131],"古渡","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fb4b2090c0a9578d59578b77ac40979c0.jpg",[85],{"id":16072,"slug":16073,"title":16074,"dynasty":75,"author":7,"museum":76,"description":16075,"tags":16076,"thumbUrl":16078,"material":43,"size":16079,"collection":506,"collections":16080,"showCount":198,"zanCount":49,"manualWeight":49,"mainColor":70},218705,"xue-xi-gu-si-tu-yi-ming-218705","雪溪古寺图","这幅画描绘了一个山村和一座耸立在深雪中的山谷中的古寺，一个骑驴的和尚与一个拿着雨伞的仆人一起走在雪地里。这幅画的尺寸很小，是郭熙风格的典范，画中的小屋和小刺沏是程式化的，可能是元明时期的作品。",[26,27,28,144,614,60,3733,16077,162,131,1643,2656,952],"古寺","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fb4b70cfa37a2e0c165015de0b7e5d2a2.jpg","24.5x25",[506],{"id":16082,"slug":16083,"title":16084,"dynasty":241,"author":7,"museum":499,"description":611,"tags":16085,"thumbUrl":16086,"material":616,"size":11,"collection":11,"collections":16087,"showCount":198,"zanCount":49,"manualWeight":49,"mainColor":70},217941,"ming-ren-shan-shui-hua-ce-zhi-shi-yi-ming-217941","明人山水画册之(十)",[27,28,530,123,144,60,331,146,162,82],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fe642084064b9a9dd6b354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华贵中带着柔婉娇态。\n\n它将点翠、累丝、镶嵌工艺集于一身，把婚嫁吉意藏进每一处纹路，尽显极致匠心，是旧时新妇雍容仪态的注脚，也是传统首饰工艺的精巧缩影，承载着中式婚嫁独有的浪漫意涵。",[39,9297,1158,16296,8550,16297,1954],"嵌珠石","囍纹","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F0a8da43c3b5f3c49626405e7e8a46c51.jpg",[],{"id":16301,"slug":16302,"title":16303,"dynasty":55,"author":7,"museum":172,"description":1982,"tags":16304,"thumbUrl":16307,"material":296,"size":297,"collection":11,"collections":16308,"showCount":16149,"zanCount":49,"manualWeight":49,"mainColor":70},266524,"cha-se-ke-si-an-ba-xian-wen-yang-pi-pi-pa-jin-kan-jian-yi-ming-266524","茶色缂丝暗八仙纹羊皮琵琶襟坎肩",[345,161,16305,5547,41,14434,16306],"羊皮","宗教纹饰","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fa0d376eb6015f3c3e95042587db08c4b.jpg",[],{"id":16310,"slug":16311,"title":16312,"dynasty":55,"author":7,"museum":172,"description":16313,"tags":16314,"thumbUrl":16316,"material":296,"size":297,"collection":11,"collections":16317,"showCount":16149,"zanCount":49,"manualWeight":49,"mainColor":5626},264097,"yin-hui-se-gui-bei-zhe-zhi-hua-wen-guang-duan-yi-ming-264097","银灰色龟背折枝花纹广缎","柔粉色地如暮春桃云，银线勾勒的龟背纹往复延展，如漾开的水纹划分出匀净布局。折枝小花俏立其中，紫蓝娇花配浅金细叶，在规整骨架里晕开灵动生机，雅致又鲜活。\n\n通经断纬的精妙织法，让纹样饱满莹润，光泽流转间尽显华贵质感。它将闺阁柔婉意趣与严谨工法相融，把江南春日的细碎花影凝缩于尺幅缎面，静静承载着旧时匠人的细腻心思，藏着雅致的织绣工艺底蕴。",[41,16315,13429,5263],"广缎","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F3502e6d5d5c3a62e0797353f2831187e.jpg",[],{"id":16319,"slug":16320,"title":16321,"dynasty":55,"author":7,"museum":172,"description":16322,"tags":16323,"thumbUrl":16324,"material":296,"size":297,"collection":11,"collections":16325,"showCount":16149,"zanCount":351,"manualWeight":49,"mainColor":277},264054,"lan-se-di-jin-yin-long-feng-san-duo-wen-zhi-jin-duan-zhuo-mian-liao-yi-ming-264054","蓝色地金银龙凤三多纹织金缎桌面料","宝蓝底色沉静华贵，金银线穿梭交织，龙凤矫健身姿于缠枝繁花间相映成趣，龙威凛凛，凤仪翩翩。三多纹饰点缀其中，暗喻多福多寿多子的美好祈愿。\n\n整体构图对称规整，四方纹样铺陈开合有度，边角花卉环绕呼应中心主纹，层次分明雅致细腻。织金工艺精妙独到，金属纱线与缎面交织出细腻明暗，光影流转间尽显极致匠心，将鼎盛织绣工艺凝于寸缕，华贵典雅又藏着绵长的美好期许。",[41,59,564,11265,5548],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fb43907ce6d158bef93302af9384449ab.jpg",[],{"id":16327,"slug":16328,"title":16329,"dynasty":55,"author":7,"museum":172,"description":16330,"tags":16331,"thumbUrl":16333,"material":296,"size":297,"collection":11,"collections":16334,"showCount":16149,"zanCount":49,"manualWeight":49,"mainColor":8798},263835,"pin-yue-se-zheng-zhi-mei-hua-wen-jiang-chou-yi-ming-263835","品月色整枝梅花纹江绸","以清冷柔润的品月色为底，整枝梅纹对称铺陈于江绸之上。虬曲枝蔓舒展勾连，繁花轻缀梢头，将寒梅盛放的意态凝于丝缕。提花暗纹工艺细腻入微，枝桠苍劲带着山野清气，团簇花苞与绽梅交错，把冬日元圃的幽然梅景织入柔滑绸面。\n\n对称构图尽显东方雅致韵致，冷色调晕开清寂悠然的氛围感，将文人慕梅的风雅藏进寸寸织物。触手温润的江绸与疏瘦梅影相融，似能于静赏间感知暗香浮动，尽显旧时丝织造物的精巧匠心，把清隽的林下意趣凝固为可赏可触的诗意载体。",[41,542,16332],"织纹","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fb654937c3382baae74d05fa9eb8d254f.jpg",[],{"id":16336,"slug":16337,"title":16338,"dynasty":75,"author":7,"museum":172,"description":16339,"tags":16340,"thumbUrl":16341,"material":296,"size":297,"collection":2200,"collections":16342,"showCount":16149,"zanCount":49,"manualWeight":49,"mainColor":50},256180,"long-quan-yao-qing-you-feng-er-ping-yi-ming-256180","龙泉窑青釉凤耳瓶","龙泉窑是中国历史上的一个名窑，宋代六大窑系。汉族传统制瓷工艺的珍品。因其主要产区在浙江省龙泉市而得名。它开创于三国两晋，结束于清代，生产瓷器的历史长达1600多年，是中国制瓷历史上最长的一个瓷窑系，它的产品畅销于亚洲、非洲、欧洲的许多国家和地区，影响十分深远。龙泉窑以烧制青瓷而闻名，在北宋早期以前的产品风格受越窑、瓯窑、婺州窑的影响，特征与三窑的产品相似。胎质较粗，胎体较厚，釉色淡青，釉层稍簿。\n1998年3月，宋代的龙泉窑青釉莲瓣纹瓶从英国追回。\n龙泉窑因在今浙江龙泉县，故名，属我国南方青瓷系统。创造于北宋早期，南宋中晚期进入鼎盛时期，至明代中叶以后渐趋衰落，传世的龙泉青瓷下限至清康熙年间，烧造历史达七、八百年之久。北宋时期的龙泉青瓷，胎骨较厚，胎土淡灰，底足露胎处见赭褐色窑红，胎微出烧，釉的玻化程度好，釉层透明，釉表光泽很强。装饰花纹较简练，常见纹样有鱼纹、蕉叶、金枝、荷花等。装饰风格趋于奔放。处于南宋鼎盛时期的龙泉青瓷，形成了自已独有的艺术风格，显示了独特的魅力。\n南宋龙泉青瓷的造型亦形成自已的风格，稳重大方，浑厚淳朴而又不失秀媚，器型丰富多样，装饰普遍采用刻花和堆塑法，颇具艺术匠心。\n元代龙泉青瓷烧造量大，风格与南宋迥异：器型高大、胎体厚重；胎色为白中带灰或淡黄；釉色为粉青带黄绿，光泽较强，釉层半透明；装饰手法多种多样，有刻、划、印、贴、塑等，以划花为主，花纹粗略，线条奔放，纹饰以云龙、飞凰、双鱼、八仙、八卦、牡丹、荷叶等为多见。此外，还大量出现汉文和八思巴文字款铭。\n明代龙泉青瓷走向衰弱，器物胎体厚重，制作粗糙，胎色为灰黄，釉层厚，透明度高，釉表光泽强，釉色有青灰、茶叶末、灰黄等几种，装饰以釉下刻花为主，亦有模印人物故事的装饰方法。\n宋代龙泉青瓷是青瓷工艺的历史高峰。其青瓷的釉色与质地之美，亦如巧夺天工的人造美玉，全世人为之倾倒。\n那么，在漫长的历史长河中，龙泉窑又经历了怎样的发展轨迹呢?朱伯谦先生在《龙泉窑青瓷》一书中曾将龙泉窑的发展归纳为开创、发展、鼎盛和衰落四个阶段：魏晋和五代十国是开创时期，瓷窑少，生产时断时续，处于就地销售断断续续的生产阶段；北宋至南宋前期是发展期，瓷窑发展快，逐渐形成一个较大的瓷窑体系；南宋后期至元代是鼎盛期，瓷窑迅速发展，青瓷质量大大提高，产品畅销国内外广大市场；明清是衰落期，尤其是明代中期以后龙泉窑处境艰难，瓷窑不断地倒闭减少，至清代晚期结束。如果说这四个阶段勾勒出了龙泉窑发展历史的整个脉络，那么，龙泉窑发展史上的三次辉煌期则是连贯发展脉络的重点和要点。",[75,2194,12327,2594,564,346],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F714807ee8518db1647bc5f41e3848bca.jpg",[2200],{"id":16344,"slug":16345,"title":8167,"dynasty":55,"author":7,"museum":172,"description":1167,"tags":16346,"thumbUrl":16347,"material":296,"size":297,"collection":11,"collections":16348,"showCount":16149,"zanCount":49,"manualWeight":49,"mainColor":277},254934,"tong-mi-le-fo-zuo-xiang-yi-ming-254934",[160,403,268,1170,30,33,7227],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F8eb00133f49717ff7e742d897795fa5d.jpg",[],{"id":16350,"slug":16351,"title":16352,"dynasty":55,"author":7,"museum":172,"description":12334,"tags":16353,"thumbUrl":16355,"material":296,"size":297,"collection":11,"collections":16356,"showCount":16149,"zanCount":49,"manualWeight":49,"mainColor":8798},249508,"hua-fa-lang-ba-bao-hua-hui-wen-ba-ban-jiu-zi-he-yi-ming-2495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出版。",[27,79,28,29,31,32,16504,662,163,146,711,80],"大雁","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F25e4009402f3bfb576c6fa71004de73d.jpg",[],{"id":16508,"slug":16509,"title":16510,"dynasty":55,"author":7,"museum":172,"description":16511,"tags":16512,"thumbUrl":16513,"material":296,"size":297,"collection":11,"collections":16514,"showCount":16149,"zanCount":49,"manualWeight":49,"mainColor":70},230341,"zi-hang-zhou-xing-gong-you-xi-hu-dao-li-tu-shuo-yi-ming-230341","自杭州行宫游西湖道里图说","以淡赭晕开烟水，用青绿点染丘峦，将舆图的实用意趣融在山水画卷之中。黄线牵起驿路，串起沿线错落的村舍亭台，标注清晰明了，既是游湖道里的详实指引，亦是江南烟景的诗意描摹。\n它跳出枯燥的测绘范式，以文人山水的笔致铺陈湖山乡野，层叠的浅山、漾开的水色晕染出江南灵秀温婉的气韵，让行路的日常图景，化作一卷可赏可游的丹青小品，雅俗共赏，尽显江南风物的清润雅致。",[27,32,31,614,96,60,129,1623,130,2688,531,131,734,3626,13158,55],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fae723b32fd6bb667dfdb29e532f9c00b.jpg",[],{"id":16516,"slug":16517,"title":16518,"dynasty":55,"author":7,"museum":172,"description":575,"tags":16519,"thumbUrl":16524,"material":296,"size":297,"collection":11,"collections":16525,"showCount":16149,"zanCount":49,"manualWeight":49,"mainColor":50},229787,"yu-hai-tang-shi-shui-xian-pen-jing-yi-ming-229787","玉海棠式水仙盆景",[160,267,8331,430,268,2604,16520,106,10138,16521,5088,2631,16522,16523,1954],"海棠形","工艺摆件","玉质","珐琅饰","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F52c932b6a8ad60fdb74d5157e29621b6.jpg",[],{"id":16527,"slug":16528,"title":16529,"dynasty":241,"author":7,"museum":172,"description":16530,"tags":16531,"thumbUrl":16534,"material":296,"size":297,"collection":11,"collections":16535,"showCount":16149,"zanCount":49,"manualWeight":49,"mainColor":50},228525,"qia-si-fa-lang-kui-long-wen-zun-yi-ming-228525","掐丝珐瑯夔龙纹尊","尊，今作樽，是商周时代中国的一种大中型盛酒器。青铜器，尊的形制圈足，圆腹或方腹，长颈，敞口，口径较大。尊盛行于商代至西周时期，春秋后期已经少见。较著名的有四羊方尊。商周至战国时期，还有另外一类形制特殊的盛酒器—彝。彝通常呈鸟兽状，有羊、虎、象、豕、牛、马、鸟、雁、凤等形象。《周礼·春官·司尊彝》：“春祠夏禴，裸用鸡彝鸟彝......追享朝享，裸用虎彝蜼彝。”彝纹饰华丽，在背部或头部有尊盖。",[931,5089,8331,32,16532,59,16533],"夔龙纹","尊","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fa19a7763e880b75ee2f1c4eccfd652ae.jpg",[],{"id":16537,"slug":16538,"title":16539,"dynasty":75,"author":7,"museum":172,"description":16540,"tags":16541,"thumbUrl":16542,"material":11,"size":11,"collection":11,"collections":16543,"showCount":16149,"zanCount":49,"manualWeight":49,"mainColor":50},227879,"liu-yuan-xiao-shu-tu-ye-yi-ming-227879","柳院消暑图页","此作以雅致设色铺就消暑闲景。水岸庭院柳丝垂曳，将溽暑揉作柔婉绿意，半掩着临水楼阁。凭栏高士宽袍松带，懒倚轩窗，似在静听蝉鸣、细观涟漪，将暑热倦怠化为幽居闲情。\n屋下侍童躬身奉物，院角仆从悄然添茶，细碎日常衬出庭院松弛意趣。远景浅黛山峦晕染淡远，水色空濛晕着暑日微光，近院花卉娇柔点染，明暗虚实间，将江南夏日常住的清宁消暑意趣尽数铺展，淡而不寡，雅而不奢，尽显宋人的幽居美学，把溽暑里的闲静安然，尽数藏进这绢素方寸之中。",[26,79,27,28,219,32,31,329,33,129,2208,232,60],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fd078e473f04ccec6ad7f49b6b5cb6b48.jpg",[],{"id":16545,"slug":16546,"title":16547,"dynasty":75,"author":7,"museum":172,"description":16548,"tags":16549,"thumbUrl":16552,"material":11,"size":11,"collection":11,"collections":16553,"showCount":16149,"zanCount":49,"manualWeight":49,"mainColor":70},227549,"fang-guo-zhong-shu-xue-ji-jiang-xing-tu-yi-ming-227549","仿郭忠恕雪霁江行图","长于界画的河南籍画家郭忠恕，以纯以墨线描绘两艘冒雪前行、满载货物的船只。画中不但表现了对船体正确结构的兴趣，也呈现出船夫们多样的活动情态，可藉此图想见五代宋初北方界画达到的艺术水平。",[26,27,28,96,329,31,32,60,129,1788,16550,16551,124,125,82],"江","帆","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fc497068d2ecd6fc3d6b39bdd1d0a3fbf.jpg",[],{"id":16555,"slug":16556,"title":16557,"dynasty":75,"author":7,"museum":172,"description":16558,"tags":16559,"thumbUrl":16560,"material":11,"size":11,"collection":11,"collections":16561,"showCount":16149,"zanCount":49,"manualWeight":49,"mainColor":70},227417,"jiang-shan-xing-lv-tu-juan-yi-ming-227417","江山行旅图卷","金代，太古遗民《江山行旅图》素笺本墨笔，手卷，纵40厘米，横449厘米，现藏美国纳尔逊美术馆。\n\n江山行旅图画艺精湛，保存完好，并且流传有绪，实为金代山水画的珍品。 依据款署“太古遗民”推断，此画作者应为一位北宋遗民画家，他隐姓埋名，深居简出，不忘大宋，不愿屈服而甘当遗民。另根据“东皋”钤印判断，这位画家有可能籍贯为东皋 (今山西河津)，而从画面描绘的北方山川风物景色来看也与此地域相近，也可能借此怀念前朝往事。",[26,27,28,96,144,614,60,33,129,1623,130,128,531,163,2144,613,82,124],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F37b7a6e166095eda52c8ee30b92608df.jpg",[],{"id":16563,"slug":16564,"title":16565,"dynasty":75,"author":7,"museum":172,"description":575,"tags":16566,"thumbUrl":16567,"material":296,"size":297,"collection":11,"collections":16568,"showCount":16149,"zanCount":49,"manualWeight":49,"mainColor":50},227282,"liao-zhi-jin-yu-long-wen-pan-yi-ming-227282","辽至金 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釉色因白润瓷胎的映衬而显出白色，现在习惯上将这种透明釉也称为白釉。\n瓷器釉料中的含铁量降低到0.75%以下，施于洁白的瓷胎上，入窑经高温烧制，就会出现白釉。严格地说，白釉是一种无色透明釉，而不是白色的釉 。白釉是瓷器传统釉色之一,真正的白釉应该是乳白色的乳浊釉,这种釉是近代才发明的。我国古代仅有元代枢府釉是失透的,其他白釉并不是白色的釉,\n白釉烧制工艺比青釉复杂，出现的时间也较青釉晚，一般瓷土和釉料，都或多或少含有一些氧化铁，器物烧出后必然呈现出深浅不同的青色来。如果釉料中的铁元素含量小于0.75%，烧出来的就会是白釉。\n白釉最早出现在汉代，比青釉瓷器晚了400多年，白釉瓷器开始是青白色的，因为瓷器中铁的含量高于1%就是青色的，少于1%就是白瓷了，所以中国白瓷经历青瓷、青白瓷、卵白釉、甜白釉、象牙白、白釉的发展过程。中国历史上白瓷产地有德化白瓷、定窑白瓷以及刑窑白瓷等。",[9025,9061,3788,1169,268,33,3858],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F99c5d57d5e1e43f81c71ecb255a1af3c.jpg",[],{"id":16959,"slug":16960,"title":16961,"dynasty":55,"author":7,"museum":172,"description":8329,"tags":16962,"thumbUrl":16963,"material":296,"size":297,"collection":11,"collections":16964,"showCount":16783,"zanCount":49,"manualWeight":49,"mainColor":277},249958,"qian-long-kuan-qia-si-fa-lang-shuang-feng-wen-jing-yi-ming-249958","乾隆款掐丝珐琅双凤纹镜",[160,5089,8331,403,564,98,82],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F9e432cbef8fc9b55ec1ff54ee6e7aad3.jpg",[],{"id":16966,"slug":16967,"title":16968,"dynasty":55,"author":7,"museum":172,"description":12334,"tags":16969,"thumbUrl":16970,"material":296,"size":297,"collection":11,"collections":16971,"showCount":16783,"zanCount":49,"manualWeight":49,"mainColor":50},248756,"hei-qi-qian-luo-dian-yun-long-wen-chang-fang-cuan-he-yi-ming-248756","黑漆嵌螺钿云龙纹长方攒盒",[3561,8539,8540,59,445,160,12078],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F8f2bc7ffc179cee3cb98288af19f3938.jpg",[],{"id":16973,"slug":16974,"title":16975,"dynasty":55,"author":7,"museum":172,"description":16976,"tags":16977,"thumbUrl":16979,"material":296,"size":297,"collection":11,"collections":16980,"showCount":16783,"zanCount":49,"manualWeight":49,"mainColor":70},248474,"hong-qi-miao-jin-long-zhou-chang-fang-xia-yi-ming-248474","红漆描金龙舟长方匣","以朱红漆为地，描金勾勒纹饰，配色浓艳明快。盖面取龙舟竞渡盛景，粼粼水波里两艘龙舟劈浪争先，舟上人物排布错落，旌旗微漾，远山淡晕作衬，将端午竞渡的喧腾鲜活凝于匣盖之上。\n\n边框饰缠枝花卉与回纹，立面亦以回纹呼应，构图规整雅致，纹饰细密华丽。描金走线匀净细腻，朱金交映间尽显重工髹饰的精巧。将日常收纳之器与传统民俗图景相融，既为实用文房器物，又承载节庆意趣，尽显清代漆作工致秀美的审美追求，雅俗共赏。",[3561,2197,16978,2773,60,346],"红漆","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F00c97bbe7d42e6a84e86ad728e6c9d69.jpg",[],{"id":16982,"slug":16983,"title":16984,"dynasty":55,"author":7,"museum":172,"description":8319,"tags":16985,"thumbUrl":16987,"material":296,"size":297,"collection":11,"collections":16988,"showCount":16783,"zanCount":49,"manualWeight":49,"mainColor":70},246707,"ti-hong-kai-guang-an-ba-xian-wen-dai-zuo-hu-lu-shi-shou-dai-ping-yi-ming-246707","剔红开光暗八仙纹带座葫芦式绶带瓶",[160,3561,13439,268,12957,14495,14496,40,16986],"带座","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fc1d7cc51af71f7e44ee7ec54b4200356.jpg",[],{"id":16990,"slug":16991,"title":16992,"dynasty":55,"author":7,"museum":172,"description":16993,"tags":16994,"thumbUrl":16995,"material":11,"size":11,"collection":2200,"collections":16996,"showCount":16783,"zanCount":49,"manualWeight":49,"mainColor":70},246631,"ti-hong-yun-long-bian-fu-wen-shou-er-bian-yuan-ping-yi-ming-246631","剔红云龙蝙蝠纹兽耳扁圆瓶","扁圆器形饱满敦实，兽耳衔沿添几分雄浑古意。通身剔红满工雕饰，惊涛翻涌铺陈底色，矫龙破浪穿行，龙身遒劲灵动，爪牙张合间带着磅礴气势。蝠纹隐现浪涛之间，暗合福瑞潜祥之意。雕工深峻细腻，髹漆层叠出丰富层次，浪纹肌理分明，龙鳞纤毫毕现，将漆雕的厚重质感与纹饰的威仪灵动相融，尽显华贵大气的匠造水准，把瑞龙镇海、福伴水长的吉庆意象刻画得淋漓尽致。",[3561,13439,268,59,7583,9844,284,346],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F1bdd0d27fb11e4142b433225ff3a7756.jpg",[2200],{"id":16998,"slug":16999,"title":17000,"dynasty":8,"author":7,"museum":172,"description":17001,"tags":17002,"thumbUrl":17004,"material":11,"size":11,"collection":408,"collections":17005,"showCount":16783,"zanCount":49,"manualWeight":49,"mainColor":70},244097,"qian-song-shi-jian-yi-ming-244097","嵌松石剑","剑身狭长厚重，铜绿如苍苔覆于刃脊，勾勒出冷硬棱线，暗蕴上古杀伐之气。剑格饰灵动卷云纹，虽松石已佚，仍能窥见往昔错彩镂金的精工巧思。\n\n剑茎分段凸起，搭配圆盘剑首，握持趁手，尽显实用与美学的相融。它褪去了饮血利器的锋芒，斑驳铜锈凝着先秦尚武魂脉，静静诉说千年前金戈铁马的过往，将时代风骨与工艺匠心熔铸为一体。",[402,2405,17003,6631],"嵌松石","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fcaf5e0a33735c52a3a7ee04d6df49195.jpg",[408],{"id":17007,"slug":17008,"title":17009,"dynasty":849,"author":7,"museum":172,"description":17010,"tags":17011,"thumbUrl":17012,"material":11,"size":11,"collection":408,"collections":17013,"showCount":16783,"zanCount":49,"manualWeight":49,"mainColor":739},243756,"ma-xing-pai-shi-yi-ming-243756","马形牌饰","采用透雕剪影塑就卧马，姿态柔静温顺，前腿交叠、后腿蜷曲，首低垂轻贴前膝，尽展憩息时的安然神态。轮廓凝练洗练，寥寥刻线便勾勒出鬃毛层叠质感，眼部以几何纹样点缀，晕开古朴灵韵。沉郁古铜包浆带着岁月摩挲的温润光泽，将对骏马的熟稔与审美融于方寸间，既是随身佩饰，也藏着对良骥的珍视。简约造型里满溢雄浑朴拙的古雅风神，静穆中晕染出草原生灵的生动意趣，尽显古朴大气的东方审美意涵。",[849,403,268,1006,39],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F333efb0c1a083b1c66fd8d81fb5f610d.jpg",[408],{"id":17015,"slug":17016,"title":17017,"dynasty":75,"author":7,"museum":172,"description":17018,"tags":17019,"thumbUrl":17020,"material":11,"size":11,"collection":408,"collections":17021,"showCount":16783,"zanCount":351,"manualWeight":49,"mainColor":50},243036,"ji-zun-yi-ming-243036","鸡尊","这尊雄鸡挺拔伫立，昂首侧目，筋骨轮廓硬朗古朴，将瑞禽的昂扬神采凝于青铜之中。周身以错金饰出兽面与卷云纹样，古铜的沉郁底色衬着金纹熠熠流光，把礼器的庄重与生灵的灵秀相融。循着复古意趣，复刻上古青铜礼器的威严形制，又赋予雄鸡鲜活生气，静穆之中透着灵动生机，让厚重青铜褪去冷硬，尽显仿古铜作的精妙匠心。",[711,402,403,268,11282,2484,1311,688,580],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ff45b747c1f916d355af773d6f59296f9.jpg",[408],{"id":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题：“孝惠仁宪端懿慈 淑恭安纯德顺天翼圣章 皇后，左。”\n孝惠章皇后御容一 轴，朝服冠，恭 悬， 西大柜尊藏。",[27,28,29,31,32,33,59,345,39,160],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fe6ce46a05b54cf676df042f28ea20ab9.jpg","纵254.7厘米， 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一个花瓶，跟在后面。 老人和两个少年，一副活泼的姿态，热切地相互呼应。 整幅画淡漠，充满野趣。 作者用双勾填彩竹，用白粉点花，用浓墨去山石，用淡墨擦。\n此图描绘的是陶渊明和采菊的故事。",[27,28,79,530,31,32,33,220,532,146,162,779],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Faa3829cc71d2b5bb96c58a1efbea7b43.jpg","绢本 设色","24.1x25.2厘米",[],{"id":17132,"slug":17133,"title":17134,"dynasty":22,"author":7,"museum":172,"description":17135,"tags":17136,"thumbUrl":17137,"material":296,"size":297,"collection":11,"collections":17138,"showCount":16783,"zanCount":49,"manualWeight":49,"mainColor":50},231709,"lian-cang-shi-dai-tian-gou-cao-zhi-hua-juan-dong-si-ti-hu-si-juan-yi-ming-231709","镰仓时代 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年至乾隆16年间。",[26,27,28,144,32,60,614,1222,162,131,2657,1343,734,1142,63,7390,1643,4724,17304,17305],"峰岩","飞瀑","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F21063d6aea51b6cc6ec3c154448b4ff1.jpg",[],{"id":17309,"slug":17310,"title":17311,"dynasty":75,"author":7,"museum":56,"description":17312,"tags":17313,"thumbUrl":17314,"material":335,"size":17315,"collection":11,"collections":17316,"showCount":16783,"zanCount":49,"manualWeight":49,"mainColor":70},223495,"chun-xi-shui-zu-tu-ye-yi-ming-223495","春溪水族图页","此图是现存宋画中游鱼类题材画的一幅佳作。春暖花开，群鱼戏藻。鲢鱼摆尾漫游，鲶鱼回身在后，鳜鱼则迎头向上，隐喻了“连年有贵”的吉祥含义。画家通过鱼儿欢快游动时自由弯转的体态和藻类植物在游鱼冲击下漂浮不定的形状，巧妙地暗示出流水的动势以及春水的清洌透明感。3尾大鱼均施以工笔重彩，用笔沉稳工致，片片鱼鳞描绘得一丝不苟；而衬景的小鱼、小虾和水藻则纯用没骨法渍染，将鱼虾的灵动和水藻的轻盈表现得恰到好处。\n对幅有清乾隆御题七言诗一首：“庄惠曾论知弗知，传为奇语却无奇。试如驳曰我非子，便是答云彼岂斯。春水初生具春意，文鳞群泳爱文漪。漫訾意浅色鲜耳，颇类濠梁博辩时。戊申仲秋御题。”“戊申”为乾隆五十三年（1788年）。钤“古稀天子之宝”、“犹日孜孜”印。",[26,27,79,28,530,31,32,82,318,232,130],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F859ddf48b1c91ddef47588963053a15e.jpg","纵24.3cm，横25.5cm",[],{"id":17318,"slug":17319,"title":17320,"dynasty":75,"author":7,"museum":76,"description":17321,"tags":17322,"thumbUrl":17323,"material":17324,"size":11,"collection":11,"collections":17325,"showCount":16783,"zanCount":49,"manualWeight":49,"mainColor":50},223485,"wu-kuan-he-yan-yi-ming-223485","无款荷雁","深秋，荷塘，枯败的荷叶和芦苇，可能是南飞的大雁，落在荷塘旁休憩，四只雁仰头等待着同伴落下来，六只雁动静结合，形态各异，画面清淡灵动，极具舒适感。",[27,31,32,232,661,163,662,80],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F414dcef4b802a97e23d08ce398337d45.jpg","絹本、設色",[],{"id":17327,"slug":17328,"title":17329,"dynasty":75,"author":7,"museum":1361,"description":17330,"tags":17331,"thumbUrl":17332,"material":109,"size":17333,"collection":11,"collections":17334,"showCount":16783,"zanCount":49,"manualWeight":49,"mainColor":50},223482,"wen-ji-tu-yi-ming-223482","文姬图","蔡文姬，名琰，字文姬（一作明姬，昭姬），东汉陈留国（今河南粑县）人。东汉文学家蔡邕（伯喈）之女。博学而有辩才。熟谙音律。16岁嫁给河东卫仲道，婚后不久，夫亡无子，回娘家居住。 东汉末年，中原战乱，被董卓的部将所虏，在南匈奴居住了12年。在万般无奈的情况下当了匈奴左贤王的妻子，生了2个儿子。曹操与蔡邕友善且情意相投，惜文姬的才华，故造使以金壁赎回，接到中原。 文姬于公元208年4月4日（汉建安十三年三月初一日）重返家园，后再嫁屯田都尉董祀。奉命补蔡邕的散佚典籍，忆写400多篇，文无遗漏。有五言及骚体《悲愤诗》各一首传世，倾吐乱离之苦及归汉时母子别情，哀怨激愤，是东汉末年战乱生活的真实写照。 相传琴曲歌辞《胡茄十八拍》是她的杰作。",[27,32,31,33,1006,345],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F879e28d07b405ac407546f0f98bfe9bb.jpg","26.4X24.2cm",[],{"id":17336,"slug":17337,"title":17338,"dynasty":75,"author":7,"museum":368,"description":17339,"tags":17340,"thumbUrl":17341,"material":1433,"size":17342,"collection":11,"collections":17343,"showCount":16783,"zanCount":49,"manualWeight":49,"mainColor":50},223351,"xian-shan-lou-ge-tu-yi-ming-223351","仙山楼阁图","此图重彩画楼阁、奇峰、云树、仙人跨鹤。清代梁清标题签定为赵伯驹之作,但从画面的画法用笔和构图立意来看,却不似赵氏风格,应是民间画师的作品。图上钤有“黔宁王子王孙孙永宝之印”和梁清标等的收藏印章。《石渠宝芨》著录。",[26,27,32,329,60,129,33],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F9837224f5d06f3d417ca69cec1f10beb.jpg","纵26厘米横27厘米",[],{"id":17345,"slug":17346,"title":17347,"dynasty":75,"author":7,"museum":76,"description":17348,"tags":17349,"thumbUrl":17350,"material":43,"size":11,"collection":45,"collections":17351,"showCount":16783,"zanCount":49,"manualWeight":49,"mainColor":70},219646,"yao-chi-xian-hui-tu-yi-ming-219646","瑶池仙会图","苍松虬枝如盖，撑起画面清逸骨架，瑶池云气漫过山麓，晕开缥缈仙境。仙侣或围坐清谈，或乘舟凌波而来，林泉间人物情态悠然恬和，将仙家雅集的自在意趣铺陈于尺幅团扇之中。淡墨轻色晕染烟岚林樾，笔致温婉秀雅，与左侧题诗呼应成趣，把世外幽居的绝尘之思藏在每一处细节里，以咫尺天地绘就仙家雅集的恬然图景，将宋人的清雅意趣融于笔墨烟波之间。",[27,28,32,31,530,33,331,60,30],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F79b80a61da461404c31e4690c9ef6205.jpg",[45],{"id":17353,"slug":17354,"title":17355,"dynasty":241,"author":7,"museum":1068,"description":17356,"tags":17357,"thumbUrl":17358,"material":43,"size":17359,"collection":45,"collections":17360,"showCount":16783,"zanCount":351,"manualWeight":49,"mainColor":50},219619,"ming-ren-qiu-lin-mu-yang-tu-yi-ming-219619","明人秋林牧羊图","丹红叶色覆满古木虬枝，晕染出深秋萧疏又温煦的氛围。林下坡岸，一人踞坐拨弦，一人垂首静听，意态闲散悠然，尽显林下雅趣。坡麓双羊缓行啮草，野逸闲寂的田园意致油然而生。\n\n画作笔墨简淡秀润，设色清雅沉稳，人物意态生动传神，林木皴染细致写实，将秋日郊野的幽寂清旷与文人士子的山居闲情相融，勾勒出超脱尘俗的林下雅兴图景，尽显写意尚趣的审美意韵。",[27,32,31,33,3102,7713,613,162,1093,131,1401,272],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ffaedaedf3332b4fb0340859744f2680b.jpg","纵100.5横51.5厘米",[45],{"id":17362,"slug":17363,"title":17364,"dynasty":75,"author":7,"museum":76,"description":17365,"tags":17366,"thumbUrl":17367,"material":43,"size":17368,"collection":45,"collections":17369,"showCount":16783,"zanCount":49,"manualWeight":49,"mainColor":50},219602,"liang-wu-di-ban-shen-xiang-yi-ming-219602","梁武帝半身像","此作设色古雅沉厚，绢面的岁月晕染反倒晕开旧朝古意。画师以清劲线条勾勒轮廓，梁武帝阔额朗目，虬髯垂胸，面容既有儒者的温雅沉静，亦不失君主的端凝威严。头戴冕冠，朝服的层叠质感通过简淡晕染尽显礼制气度，细节处见功力。\n\n左手执朝笏，右手虚抬似垂询议事，动态自然生动，将帝王临朝理政的肃穆情态精准定格。画风古朴写实，精准捕捉萧衍兼具文才与君威的独特气质，于尺幅间凝住中古帝王的庄重风范，岁时流转却气韵饱满不减。",[26,27,79,31,32,33,345],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fcb9eca75cbf98ce0a4ad45b6dfe49b14.jpg","76.8x56.4公分",[45],{"id":17371,"slug":17372,"title":17373,"dynasty":75,"author":7,"museum":216,"description":17374,"tags":17375,"thumbUrl":17376,"material":43,"size":11,"collection":87,"collections":17377,"showCount":16783,"zanCount":49,"manualWeight":49,"mainColor":50},219262,"xie-sheng-si-duan-tu-yi-ming-219262","写生四段图","四段景致各蕴生机。首段猫卧石边，茸毛细腻如绒，石肌理古拙苍然，静中藏韵；中段数兽嬉游郊野，或低啮青草，或昂首顾盼，姿态鲜活，野趣盎然；末段枯槎疏竹旁，禽鸟栖止，枝干虬曲见骨，笔墨简淡却传物之神；最末猫踞笼畔，犬趋前欲动，笼栅细劲入微，猫狗情态宛然，尽得生活意趣。全卷以写生之笔摹万物，线条精准，墨色层次有致，于细节处显匠心，足见写实功力之深。",[26,27,79,28,31,32,13692,2944,1006,625,272,146,532,145,2868],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F901bd7646e4d18c3736a30353ef0db54.jpg",[87],{"id":17379,"slug":17380,"title":17381,"dynasty":75,"author":7,"museum":76,"description":17382,"tags":17383,"thumbUrl":17384,"material":149,"size":17385,"collection":506,"collections":17386,"showCount":16783,"zanCount":49,"manualWeight":49,"mainColor":50},218985,"han-lin-dai-du-tu-yi-ming-218985","寒林待渡图","河岸边的岩石上有两棵松树，它们伸出手指和爪子，像虬龙在跳跃，后面是枯枝和其他树木。在空地之间有一个简单的小屋，另一边是停泊在岸边的船，一个人拿着杖，另一个人推着驴子过去。场景中间有一个平坦的斜坡，一直蜿蜒到远方，在一个角落里，有一个带着篱笆的院子的小屋，两个人在一起喝酒。山丘消失在远方，远处山峰的轮廓在烟和雾中飘荡。整幅画，除了前景的松树和石头比较厚重和紧凑外，都是一个闲适而简单的场景，表达了冬天的寒冷和寂静的情绪。",[26,27,144,614,29,60,2144,613,146,130,4001],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F6d10dfa682a87984e0bffc7b101e7596.jpg","136.8x99.7",[506],{"id":17388,"slug":17389,"title":17390,"dynasty":75,"author":7,"museum":76,"description":17391,"tags":17392,"thumbUrl":17393,"material":43,"size":17394,"collection":506,"collections":17395,"showCount":16783,"zanCount":49,"manualWeight":49,"mainColor":70},218817,"feng-xi-gui-zhao-tu-yi-ming-218817","风溪归棹图","树木随着风和天空的音乐起舞。石头下的竹子里藏着一个家，一个船夫正在水流中起航。这幅画中的水墨技法是马远传下来的，树叶都是双钩的，雕工精细，让人仿佛置身于风和浪之中。",[26,27,28,79,530,144,32,60,614,128,130,532,146],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F26509b68407859d99b23ec8fc4e694ad.jpg","23.4x25.9",[506],{"id":17397,"slug":17398,"title":17399,"dynasty":75,"author":7,"museum":76,"description":17400,"tags":17401,"thumbUrl":17402,"material":43,"size":17403,"collection":45,"collections":17404,"showCount":16783,"zanCount":49,"manualWeight":49,"mainColor":70},218738,"xiang-shan-jiu-lao-tu-yi-ming-218738","香山九老图","一棵巨大的松树被画出来，将场景一分为二。面板右侧是两个人在对弈，一个人坐着观看，一个孩子拿着扇子站在他们旁边。画板左边有六个人，一个人拿着花在跳舞，三个人边走边说，还有两个孩子跟着他们。两人站在一个石炉后面，一起拿着卷轴，拿着卷轴的孩子从竹子里走出来。这幅画描绘了多夫特贝格的九个老人的故事。......，以胡高、济民、郑载、刘桢、陆贞、张勋、狄堪木和陆贞为主角，他们都是晚年无为的人，被人们所欣赏，被画成一幅九老图。这幅画没有标记，但其风格与刘松年的画相似。这是《花样年华相册》第十九板块的内容。",[26,27,219,32,31,614,33,532,162],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F775ae482fdba366ef82d43d1b797fa51.jpg","23.8x24.8",[45],{"id":17406,"slug":17407,"title":17408,"dynasty":55,"author":7,"museum":172,"description":17409,"tags":17410,"thumbUrl":17412,"material":43,"size":11,"collection":11,"collections":17413,"showCount":16783,"zanCount":49,"manualWeight":49,"mainColor":50},216703,"hong-lou-meng-fu-tu-ce-24-yi-ming-216703","红楼梦赋图册-24","棕榈亭亭映庭院，假山叠石间草木葱茏。白衣女子凭栏而立，衣袂翩跹若携幽风；红衣少女执物凝睇，裙裾轻飏带几分灵动。远处屋舍隐于绿意，檐角与淡月相映，清辉洒落添了几分幽然。笔墨细腻勾勒人物温婉情态，设色清雅晕染景致雅致氛围，将红楼女儿的柔婉与大观园的诗意融于一纸，似能触碰到那段诗意盎然却暗蕴怅惘的时光，尽显古典画作的娴静之美与含蓄情致。",[26,27,28,530,32,31,33,129,146,17411,190,1676],"棕榈","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Feccf0d59b22fc7b69f069573afdb614b.jpg",[],{"id":17415,"slug":17416,"title":17417,"dynasty":241,"author":7,"museum":172,"description":17418,"tags":17419,"thumbUrl":17425,"material":43,"size":11,"collection":506,"collections":17426,"showCount":16783,"zanCount":49,"manualWeight":49,"mainColor":70},216403,"xuan-da-shan-xi-san-zhen-tu-yi-ming-216403","宣大山西三镇图","此图以图文并茂之态，铺展明代宣大山西三镇的边防图景。右侧青绿山峦层叠起伏，关隘如“雁门关”“千朔州关”以方框醒目标注，蜿蜒道路串联星罗棋布的烽燧营垒，布局清晰直观；左侧蝇头小楷详述地理沿革与军事部署，补地图未尽之细节。设色淡雅古朴，山峦勾勒兼具写意韵致与写实精度，既为研究明代北疆防御体系的珍贵文献，亦显舆图融实用功能与艺术审美于一体的独特风貌，静静承载着彼时戍边将士的烽火记忆与山河守望。",[26,79,27,28,1622,32,82,60,17420,17421,17422,3626,3054,17423,17424],"关隘","烽燧","营垒","军事舆图","边防","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F0cedc7686f0c9ff5207bb36c9a08e865.jpg",[506],{"id":17428,"slug":17429,"title":17430,"dynasty":55,"author":7,"museum":76,"description":13292,"tags":17431,"thumbUrl":17432,"material":43,"size":11,"collection":11,"collections":17433,"showCount":16783,"zanCount":49,"manualWeight":49,"mainColor":70},215199,"sheng-ping-le-shi-tu-ce-6-yi-ming-215199","升平乐事图册-6",[27,32,31,530,33,127,1527,1330,532,531,649],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F22ed03b9eec74522513d72406bad1568.jpg",[],{"id":17435,"slug":17436,"title":17437,"dynasty":75,"author":7,"museum":720,"description":721,"tags":17438,"thumbUrl":17439,"material":724,"size":725,"collection":11,"collections":17440,"showCount":16783,"zanCount":49,"manualWeight":49,"mainColor":70},214975,"dao-zi-mo-bao-ren-wu-bai-miao-hua-7-yi-ming-214975","道子墨宝人物白描画-7",[26,79,27,28,123,33,30],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F301ea66d7c934d8b329d851a207c108e.jpg",[],{"id":17442,"slug":17443,"title":17444,"dynasty":75,"author":7,"museum":720,"description":721,"tags":17445,"thumbUrl":17446,"material":724,"size":725,"collection":11,"collections":17447,"showCount":16783,"zanCount":49,"manualWeight":49,"mainColor":70},214970,"dao-zi-mo-bao-ren-wu-bai-miao-hua-17-yi-ming-214970","道子墨宝人物白描画-17",[26,79,711,27,28,123,33,30],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F440c5e3a3b61540e22789c281fcc5d2c.jpg",[],{"id":17449,"slug":17450,"title":17451,"dynasty":75,"author":7,"museum":720,"description":721,"tags":17452,"thumbUrl":17453,"material":724,"size":725,"collection":11,"collections":17454,"showCount":16783,"zanCount":49,"manualWeight":49,"mainColor":70},214969,"dao-zi-mo-bao-ren-wu-bai-miao-hua-8-yi-ming-214969","道子墨宝人物白描画-8",[26,79,27,28,123,33,30],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fcdc1cd319e35607c88c98433a05b6ee6.jpg",[],{"id":17456,"slug":17457,"title":17458,"dynasty":75,"author":7,"museum":720,"description":721,"tags":17459,"thumbUrl":17460,"material":724,"size":725,"collection":11,"collections":17461,"showCount":16783,"zanCount":49,"manualWeight":49,"mainColor":70},214959,"dao-zi-mo-bao-ren-wu-bai-miao-hua-29-yi-ming-214959","道子墨宝人物白描画-29",[26,27,28,31,123,33],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F597e1b76507b1aedd7bfbf47d387b6e1.jpg",[],{"id":17463,"slug":17464,"title":17465,"dynasty":55,"author":7,"museum":1179,"description":1180,"tags":17466,"thumbUrl":17467,"material":43,"size":1183,"collection":11,"collections":17468,"showCount":16783,"zanCount":49,"manualWeight":49,"mainColor":50},214340,"da-bei-shen-zhou-fo-xiang-5-yi-ming-214340","大悲神咒佛像-5",[26,27,30,33,31,32,177],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ff34739f3b5f79f450094c817bfc80106.jpg",[],{"id":17470,"slug":17471,"title":17472,"dynasty":75,"author":7,"museum":216,"description":17473,"tags":17474,"thumbUrl":17477,"material":11,"size":11,"collection":11,"collections":17478,"showCount":16783,"zanCount":49,"manualWeight":49,"mainColor":17479},202372,"chun-geng-tu-wan-shan-ye-yi-ming-202372","春耕图纨扇页","这幅纨扇页笔墨清雅，远山以淡墨晕染，朦胧间层叠有致；近树枯枝疏朗，悄然透出春的萌动。田埂交错处，耕者与牲畜的身影简淡却鲜活，传递出春耕时节的质朴生机。画面以细腻皴擦表现土地肌理，淡设色温润雅致，将田园静谧与劳作意趣融于方寸之间，尽显宋人对自然与生活的入微体察，意境悠远动人。",[27,219,144,32,614,60,131,17475,17476,2944,26],"田埂","耕者","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ff84e59907211dd5078a76d9f72d459b0.jpg",[],"705540",{"id":17481,"slug":17482,"title":17483,"dynasty":141,"author":7,"museum":76,"description":17484,"tags":17485,"thumbUrl":17487,"material":43,"size":1748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横172cm.",[112],{"id":17895,"slug":17896,"title":17897,"dynasty":241,"author":7,"museum":172,"description":17898,"tags":17899,"thumbUrl":17900,"material":296,"size":297,"collection":11,"collections":17901,"showCount":17490,"zanCount":49,"manualWeight":49,"mainColor":50},238061,"zhang-hong-jiao-yin-wei-cha-shan-yi-ming-238061","张宏蕉荫味茶扇","此作以淡设色铺陈茶事雅集，右侧芭蕉阔叶扶苏，浓荫下摆开茶席，文士围坐清谈品茗，侍童捧器静立，将文人日常闲雅之态铺展眼前。细劲墨线勾勒人物衣纹，神态宛然灵动，芭蕉与坡石晕染秀润柔和，泥金扇底晕开古雅光泽。画面疏密相宜，左侧留白衬出清寂悠远的意境，将文人耽于茶趣、寄兴林泉的雅逸心境尽数藏于尺幅之间，笔墨隽秀平和，尽显小品画里茶事雅集的悠然意趣。",[219,27,28,144,123,32,33,7747,162,131,735],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F9f866725105e3160e49352cadb13d358.jpg",[],{"id":17903,"slug":17904,"title":3144,"dynasty":241,"author":7,"museum":172,"description":17905,"tags":17906,"thumbUrl":17907,"material":348,"size":11,"collection":11,"collections":17908,"showCount":17490,"zanCount":49,"manualWeight":49,"mainColor":50},236286,"wang-zi-yuan-hua-niao-ce-yi-ming-236286","此作以芙蓉栖禽入画，粉紫芙蓉柔瓣舒展，晕染出娇妍层次，枝叶墨色浓淡相衬，鲜活饱满，尽显花绽之姿。石上双禽依偎，翎毛细劲工致，亲昵恬和的神态尽显灵动。周遭浅草疏枝淡笔勾勒，虚实相生，晕开清寂悠然的秋日氛围。\n\n整画工写兼具，设色明雅柔和，将花木柔媚与禽鸟恬然相融，把寻常小景晕染出幽淡隽雅的诗意，尽显雅致温婉的花鸟意趣。",[27,32,80,31,104,193,36,888],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F2e4a342ecf0dff4de7a0f4be078271f0.jpg",[],{"id":17910,"slug":17911,"title":3144,"dynasty":241,"author":7,"museum":172,"description":17912,"tags":17913,"thumbUrl":17914,"material":348,"size":11,"collection":11,"collections":17915,"showCount":17490,"zanCount":49,"manualWeight":49,"mainColor":50},236284,"wang-zi-yuan-hua-niao-ce-yi-ming-236284","此作以没骨法绘就庭隅小景，蓝晕裹边的月季柔婉绽放，青枝错落舒展，嫩叶敷色清润鲜活。一只栖鸟敛羽静立于枝头，侧目垂颈，慵懒温驯的姿态跃然绢上，绒羽质感细腻柔和，生机暗藏。右上角浅绘坡石淡影，留白透气，衬出画面空寂松弛。整体设色雅致清淡，笔触简逸却意韵绵长，将初夏庭院的闲静意趣尽数铺展，观之便觉清宁闲适之感漫溢开来，尽显幽寂淡然的文人雅意。",[27,28,530,32,31,80,193,220,82],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F8e57c2d768af180842ce28fb730de1d0.jpg",[],{"id":17917,"slug":17918,"title":17919,"dynasty":55,"author":7,"museum":56,"description":17920,"tags":17921,"thumbUrl":17922,"material":335,"size":11,"collection":45,"collections":17923,"showCount":17490,"zanCount":49,"manualWeight":49,"mainColor":50},236181,"hui-fei-chang-fu-xiang-zhou-yi-ming-236181","慧妃常服像轴","此作工笔设色，写实传神。画中女子端坐在明黄绣纹宝座，面容温婉娴静，眉目秀雅，神色端庄自持。石青色常服褂平整挺括，金珠纽扣点缀其间，素雅暗含华贵，绛色护指包裹双手，尽显旗人贵妇仪范。\n\n两侧几案陈设法琅供瓶、描金供器，案面缠枝纹样勾绘考究。脚下地毯翎毛瑞兽纹样繁丽饱满，配色浓艳和谐，烘托出庄重规整的宫廷氛围。画作笔法细腻写实，设色沉稳雅致，将女子温婉端凝的气度尽显于绢素之上。",[27,28,29,31,32,33,127,346,64,1504],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F7b5440d55dfc9723052992be1c527c5a.jpg",[45,112],{"id":17925,"slug":17926,"title":17116,"dynasty":55,"author":7,"museum":56,"description":17927,"tags":17928,"thumbUrl":17929,"material":1433,"size":17930,"collection":45,"collections":17931,"showCount":17490,"zanCount":49,"manualWeight":49,"mainColor":70},236175,"hong-li-chao-fu-xiang-zhou-yi-ming-236175","爱新觉罗·弘历（1711年9月25日—1799年2月7日），清朝第六位皇帝，定都北京之后的第四位皇帝。年号“乾隆”，寓意“天道昌隆”。在位六十年，禅位后又继续训政，实际行使最高权力长达六十三年零四个月，是中国历史上实际执掌国家最高权力时间最长的皇帝，也是最长寿的皇帝。\n乾隆帝是中国封建社会一位赫赫有名的皇帝。乾隆帝在位期间清朝达到了康乾盛世以来的最高峰，他在康熙、雍正两朝文治武功的基础上，进一步完成了多民族国家的统一，社会经济文化有了进一步发展。乾隆重视社会的稳定，关心百姓，五次普免天下钱粮，三免八省漕粮，减轻了农民的负担，起到了保护农业生产的作用，使得清朝国库日渐充实。乾隆时期武功繁盛，在平定边疆地区叛乱方面做出了巨大成绩，并且完善了对西藏的统治，再次将新疆纳入中国版图，清朝的版图由此达到最大化，近代中国的版图也由此正式奠定。乾隆帝在位期间，实行“因俗而治”的民族政策。汉学得到了很大的发展，开博学鸿词科，修《四库全书》； [1] 同时民间艺术有很大发展，如京剧就开始形成于乾隆年间。但是后期吏治有所败坏，多地爆发起义。 [2] 严格抵制英国、俄国的侵略性行为，但闭关锁国政策拉大了和西方的差距，中国正处于近代的前夜。\n乾隆六十年（1795年），乾隆帝禅位于第十五子颙琰。嘉庆四年正月初三（1799年2月7日）去世于养心殿，享年89岁。 [3] 庙号高宗，谥号法天隆运至诚先觉体元立极敷文奋武钦明孝慈神圣纯皇帝，葬于清东陵之裕陵。",[27,28,29,32,31,33,59,345,346],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F1d4f2b6e8a832241ce4b40e49f9a5ea3.jpg","257.3×151.0 厘米",[45,112],{"id":17933,"slug":17934,"title":17935,"dynasty":55,"author":7,"museum":172,"description":17936,"tags":17937,"thumbUrl":17938,"material":11,"size":11,"collection":506,"collections":17939,"showCount":17490,"zanCount":49,"manualWeight":49,"mainColor":70},236056,"wang-hui-fang-gu-shan-shui-ce-yi-ming-236056","王翚仿古山水册","此作以水墨晕染铺就冬日丘林雪色，山峦皆素雪覆身，轮廓圆柔温润，尽数褪去嶙峋锐气，好似天地初敛锋芒的清寂时刻。枯木错落挺劲，枝桠疏朗，屋舍山居藏于林麓溪谷间，板桥跨溪，山道盘桓，将幽居烟火融于清寂雪景。\n\n浅皴轻擦勾勒山石肌理，以留白尽显雪意空濛，无繁复设色，只以水墨层次烘托萧寒清旷。冷寂的山野间藏着隐世悠然的栖居意趣，简淡笔墨里晕开悠长的文人山水情致，将冬日山林的幽宁静穆娓娓铺陈。",[27,28,530,32,614,122,60,953,532,1623,130,734,129],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fad0c42948774d9c91db514caf3db0343.jpg",[506],{"id":17941,"slug":17942,"title":4679,"dynasty":241,"author":7,"museum":172,"description":17943,"tags":17944,"thumbUrl":17945,"material":296,"size":297,"collection":11,"collections":17946,"showCount":17490,"zanCount":351,"manualWeight":49,"mainColor":70},235592,"wen-chu-hua-hui-ce-yi-ming-235592","此作以没骨法绘秋枝红叶，取边角式构图，空灵疏朗。洒金笺底自带温润古意，艳红叶片层次细腻，叶缘晕染柔黄，既尽显秋林红叶的明艳鲜活，又克制匀净毫无艳俗之感。枯墨写枝，苍劲简淡，与妍丽叶片相映成趣。大片留白引动遐思，暗合文人画的萧散意趣，两枚朱文小印轻点一隅，为画面添就沉静文气，将秋日清寂的雅致诗意晕染开来。",[27,28,530,32,31,80,207,82],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F847384c69198f0211b769bf5e7288af0.jpg",[],{"id":17948,"slug":17949,"title":17950,"dynasty":241,"author":7,"museum":172,"description":17951,"tags":17952,"thumbUrl":17953,"material":296,"size":297,"collection":11,"collections":17954,"showCount":17490,"zanCount":49,"manualWeight":49,"mainColor":70},234970,"qian-gu-hou-chi-bi-tu-shan-ye-yi-ming-234970","钱穀后赤壁图扇页","此作用泥金扇面为底，左畔危岩崚嶒，以硬朗线条勾勒山石轮廓，淡墨皴擦出嶙峋肌理，枯木虬枝错杂，苍劲尽显萧索秋意。右方留白作平湖，汀渚隐现，淡墨晕染远山，空濛悠远，暗合赤壁夜游的清旷之境。边角小字题款，书画相映，笔墨简澹却意韵悠长，将初冬泛舟的幽寂旷达，凝缩在咫尺扇面间，尽显文人山水的隐逸意趣，古雅沉静，余味悠然。",[219,27,28,144,614,60,676,359,2657,6266,124,125],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fc72bfe96b7ed4a3d63fff780dbb8b03a.jpg",[],{"id":17956,"slug":17957,"title":7241,"dynasty":55,"author":7,"museum":172,"description":3653,"tags":17958,"thumbUrl":17959,"material":296,"size":297,"collection":11,"collections":17960,"showCount":17490,"zanCount":49,"manualWeight":49,"mainColor":50},234423,"qing-ren-wen-shu-pu-sa-xiang-zhou-yi-ming-234423",[27,29,32,33,30,1170,1593],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ffc3471249135cb27ef0a43cfbfd4c73d.jpg",[],{"id":17962,"slug":17963,"title":6108,"dynasty":171,"author":7,"museum":56,"description":17964,"tags":17965,"thumbUrl":17967,"material":335,"size":8047,"collection":11,"collections":17968,"showCount":17490,"zanCount":49,"manualWeight":49,"mainColor":70},234063,"fu-xi-nv-wa-xiang-ye-yi-ming-234063","此图上彩画人首蛇身男女二人，均着窄衫小袖绛红色胡装，二人腰相连，共着一条白裙。男居左，无须，头戴笼冠，张左手执矩，矩上有墨斗（已被腐蚀）。女居在右，束高髻，张右手执规。男女上身相拥，中间两臂相连，下尾盘曲相交四节成螺旋状。两人头上有圆轮，周画圆圈以象征日；尾下有下弯月牙一，周画圆圈以象征月。画面四周面遍布大小相等的圆圈，部分以线相连象征星辰。\n吐鲁番高昌国至唐西州国时期的墓葬出土了许多伏羲、女娲绢画,画面形式大致相似：人首蛇身，交尾相拥，伏羲持矩，女娲持规。绢画上方有日，下方有月，周围布满丝缕相连的星辰。整幅绢画上宽下窄，与棺形相似，常覆盖于棺上，也有盖于尸上或置于尸旁者，还有张挂或用木钉固定于墓顶的情况。\n故宫博物院所藏的伏羲女娲绢画系1963年4月出土于新疆吐鲁番阿斯塔那古墓，1963年12月由新疆博物馆拨交故宫博物院。据阿斯塔那古墓考古报告中所示，同期出土的此类绢画共有数十件。在墓室中一般都是画面朝下，用木钉钉在墓顶上。一般认为伏羲所执矩象征地，女娲所执规象征天，用以配合画面上的日月星辰，为墓室营造一个小宇宙。",[79,27,28,33,3897,32,123,1058,17966],"星象","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fad372045cc9529359b55b04dc763a6c3.jpg",[],{"id":17970,"slug":17971,"title":5489,"dynasty":75,"author":7,"museum":56,"description":17972,"tags":17973,"thumbUrl":17974,"material":348,"size":17975,"collection":11,"collections":17976,"showCount":17490,"zanCount":260,"manualWeight":49,"mainColor":50},233007,"wa-que-qi-zhi-tu-ye-yi-ming-233007","海棠一枝，果实散挂枝头，树叶已染秋霜。海棠枝头栖息着瓦雀，或缩颈养神，或整理羽毛，姿势各异，神态安适，中间一只发现头顶树叶上落有小蜂，昂首注目，张口欲啄，小蜂似发现险情，翘尾开牙，准备应对。此画面静中寓动，张弛有致，深合画理。\n麻雀常宿于檐瓦之间，故一名“瓦雀”。图中从左向右伸出海棠一枝，果实散挂枝头，树叶已染秋霜，间杂红、黄、绿色，斑斓可爱，惜叶、果有些已遭虫蚀。海棠枝头栖息着瓦雀5只，其中4只或缩颈养神，或整理羽毛，姿势各异，神态安适，唯中间一只发现头顶树叶上落有小蜂，故昂首注目，张口欲啄，小蜂似发现险情，翘尾开牙，准备应对。此画面静中寓动，张弛有致，深合画理。\n瓦雀翎毛刻画精细，高度写实。海棠取轻勾淡染之法，以表现秋叶缺乏水分的轻、薄质感。瓦雀和果、叶以枝条贯穿，若网在纲，有条不紊。细观墨笔枝条虽细，然尚以浓淡墨分出阴阳向背，富于立体感，显得刚健有力。\n此图原载《宋人集绘册》。图中画五只瓦雀，栖止于海棠枝上。花枝上果满页疏，五只瓦雀姿态各异，有的俯首下视，有的扭头回观，有的仰首注视着枝页上的小昆虫，形象生动活泼，逗人喜爱。海棠枝从画面左侧横插，参差顾盼，虬曲多姿。鸟的羽毛用细笔一笔一笔勾描，有毛茸茸的质感。此图用笔精工，设色艳丽。无款印，曾经清代收藏家宋荦珍藏，《石渠宝笈三编》著录。",[27,28,79,31,32,530,80,5492,2784,221],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F5b6b6fe31dde1b7c91550646cdde7825.jpg","纵28.厘米，横29.1厘米",[],{"id":17978,"slug":17979,"title":17980,"dynasty":141,"author":7,"museum":23,"description":17981,"tags":17982,"thumbUrl":17983,"material":348,"size":17984,"collection":11,"collections":17985,"showCount":17490,"zanCount":49,"manualWeight":49,"mainColor":70},232803,"xiang-ma-tu-juan-shui-jing-gong-dao-ren-fang-han-gan-yi-ming-232803","相马图卷(水精宫道人仿韩干)","明人王世贞曾说：“文人画起自东坡，至松雪敞开大门。”这句话基本上客观地道出了赵孟頫在中国绘画史上的地位。无论是研究中国绘画史，还是研究中国文人画史，赵孟頫都是一个不可绕开的关键人物。如果说，唐宋绘画的意趣在于以文学化造境，而元以后的绘画意趣更多地体现在书法化的写意上，那么，赵孟頫在其间起到了桥梁作用。如果说，元以前的文人画运动主要表现为舆论上的准备，元以后的文人画运动以其成功的实践逐步取代正规画而演为画坛的主流，那末，引发这种变化的巨擘仍是赵孟頫。",[26,27,28,96,32,122,33,1006,125,82],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F7b1e492db706ac5af78cddf44ad061db.jpg","30.5x102.9厘米",[],{"id":17987,"slug":17988,"title":17989,"dynasty":141,"author":7,"museum":76,"description":17990,"tags":17991,"thumbUrl":17992,"material":17993,"size":17994,"collection":506,"collections":17995,"showCount":17490,"zanCount":49,"manualWeight":49,"mainColor":50},232263,"mu-meng-zhan-feng-tu-yi-ming-232263","牧梦占丰图","日已斜挂，远处重岭，烟岚迷濛，村居隐现。前景岸上有柳石环成一状似舞台之空间。一牧童正为牛系紖牛首偏倚，尾巴轻摆，温驯乖巧。另有三牛卧地休憩。一体大健硕，花白相杂；另二当为母子，双目相对，爱意无限。旁有一牧童以簑代席，枕膝而眠，面容祥悦，彷入好梦。身后却有同伴恶作剧而至。\n柳树干老槎枒，而枝嫩幼叶；远方桃林花开繁茂，点缀地通幅春意盎然。树石绘法与元意趣类明浙派风格，或为其先驱。",[27,28,29,32,614,60,131,2944,33,2144,613],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fe6c1f7ae0a2d7bf6eae0fc73297bbaa5.jpg","绢本浅设色","147.1x98.1厘米",[506],{"id":17997,"slug":17998,"title":17999,"dynasty":22,"author":7,"museum":172,"description":11722,"tags":18000,"thumbUrl":18003,"material":296,"size":297,"collection":11,"collections":18004,"showCount":17490,"zanCount":49,"manualWeight":49,"mainColor":50},231680,"fu-shi-hui-ping-feng-yi-ming-231680","浮世绘屏风",[26,10461,1748,32,31,33,129,2770,60,284,18001,18002,2656,2405],"战场","士兵","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ff9b8fbc85ceb5ed9e8c405e27e3e9b00.jpg",[],{"id":18006,"slug":18007,"title":12051,"dynasty":22,"author":7,"museum":172,"description":18008,"tags":18009,"thumbUrl":18014,"material":296,"size":297,"collection":11,"collections":18015,"showCount":17490,"zanCount":49,"manualWeight":49,"mainColor":277},231658,"shi-ting-shi-dai-sui-shi-fo-xiang-yi-ming-231658","此作以沉凝古雅的色调，绘就护法神祇的威严气魄。黝黑面庞怒目圆睁，宝冠束发更添悍勇，周身火焰背光翻卷烈烈，烘衬出慑人气场。神将身披纹饰繁细的重甲，璎珞革带错落有致，右手长剑拄握，左手结印，甲叶錾刻精巧，衣摆飘带虬曲灵动。\n\n画师以劲挺线条勾勒轮廓，矿物颜料的沉郁色泽带着岁月晕染的斑驳旧痕，将护法狞厉刚猛的威仪尽数铺展，糅合佛画肃穆与武将雄健张力，古拙笔触间尽显东方宗教造像的力量之美。",[26,27,28,29,30,32,33,18010,31,986,18011,5404,18012,638,18013],"室町时代风格","盔甲","宝相装饰","持物","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fe736348acdeaa504546c19869610b3fb.jpg",[],{"id":18017,"slug":18018,"title":18019,"dynasty":75,"author":7,"museum":76,"description":18020,"tags":18021,"thumbUrl":18022,"material":43,"size":11,"collection":11,"collections":18023,"showCount":17490,"zanCount":49,"manualWeight":49,"mainColor":50},231053,"zhe-kan-tu-yi-ming-231053","折槛图","《却坐图》是宋代佚名画家创作的绢本设色画，现藏于 。\n该图描绘西汉文帝妃慎夫人恃宠与帝后平起平坐，日游上林苑，中郎将袁盎向文帝犯颜直谏：“妃子僭坐后位有违纲常。\n”文帝不悦但理在袁盎，只得纳谏，慎夫人也只好悻悻而起。\n该画侧重表现矛盾化解过程中人物微妙的心理变化。\n此幅描绘的是西汉文帝时袁盎谏止宠妃慎夫人与帝、后并坐的故事。\n图中人物处于画面的中心，汉文帝等七人在画面的右侧，金瓜卫十在左侧，袁盎在文帝与金瓜卫士之间，离观者最近。\n在右侧七人中，文帝居中坐在宝座上，表情严肃，右手按膝，左手扶椅，胸前佩方心曲领，着通天冠服，长须垂胸；在皇帝左首圆墩上坐着慎夫人低头沉默，微露不悦，显得很不自在；四位宫女立于文帝身后，一位矮小的侍女，靠近慎夫人，她们都静立聆听，目睹现场；皇宫卫士，满腮长须，横眉怒目，两脚分叉，手执金瓜兵器，威风显赫，等待下旨，执行公务，袁盎弓背弯腰，两手举笏，作面奏君王状，神情坚定执着，但面向外，躬身上奏，坚毅庄重，神色坦然，看来已陈述完毕，任凭皇上处置。\n此事发生在上林苑中，院墙高筑，墙外茫茫一片田野和水面，院墙内一株大树靠右边拔地挺直而上，和中间的两棵参天大树，枝叶互相穿插，叶茂枝繁，形成了天然凉棚。\n太阳隔着云层雾气光线忽明忽暗，树叶在雾色中时隐时现、人群背后一排直立的假山石、棕榈树、仙鹤点缀着，画面的右下角还有丛竹、野草及深色太湖石。\n《却坐图》是历史故事画。\n说的是汉文帝时慎夫人僭坐故事：宠妃慎夫人坐在皇帝身边。\n她的举动违反了封建社会的礼仪，坐到了应属皇后的位置上。\n袁盎站出来当面进谏，谓帝既有后，不当容许其妃僭坐后位。\n文帝和慎夫人对他的直言进谏当时颇为恼怒，但还是接受了，并且给了袁盎一些赏赐以鼓励忠直。\n选择该故事作为题材，用意在于宣传封建纲常，赞扬敢于直言上谏、冒死维护君王统治利益的忠臣义士，是典型的院画题材。\n图中文帝坐于有奇花茂树、秀石珍禽的皇家苑囿中，袁盎上前俯身面谏，神情坚毅，文帝微露愠色，皇后坐于其侧低头不语，慎夫人站起身来面带不悦，一武士持的威严，同时也衬托出袁盎置生死于不顾，犯颜直谏的忠臣形象。\n从图中可以看到作者对现场中各类人物的外形，表情，到内心世界的刻画是非常成功的，而且对主要人物文帝、袁盎、金瓜卫士的内在联系及相互呼应交代得很清楚，如文帝的宽容大度，卫土的暴戾心理和袁盎忠直不惧的义胆，其以卫士的凶猛形貌象征皇帝手中的至高权力，相比之下，虽然袁盎处于软弱无力的地位，却显示了在这种特定场合中最有力量，而且作者将盎放在显要的位置，对他的形象刻画更富魅力，对袁盎敢于冒犯“圣上”的勇气极尽赞喻，图中要遣责的对象是慎夫人，安排在很不重要的位置上，侧面描绘成敢怒而不敢言的愧羞样子，连同她的诗人也是比其他宫女要矮小。\n该图不仅在人物位置经营上成功，而且布景也有其用意，文帝身后有高树一排，自立的假山石，仙鹤等景，而袁盎身旁的是就地长出的丛竹、小草与深色玲珑的太湖石等等。\n表示了作者章法布局有韵致，遵循院画的审美标准，而造诣颇高。\n中国美术研究院研究员王鲁豫：《却坐图》整个画风都接近于《 》，表现了南宋院体人物故事画的高度水平。\n218年1月4日，“国宝再现—书画菁华特展”在台北故宫博物院北部院区第一展览区21室开幕，《却坐图》在其中展出。",[26,79,27,28,29,31,32,329,33,129,331,162],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fc4b0cdfb2193e1f81f95c31e32cf2c7d.jpg",[],{"id":18025,"slug":18026,"title":18027,"dynasty":55,"author":7,"museum":172,"description":18028,"tags":18029,"thumbUrl":18030,"material":296,"size":297,"collection":11,"collections":18031,"showCount":17490,"zanCount":49,"manualWeight":49,"mainColor":50},230345,"xi-xiang-ji-yi-ming-230345","西厢记","画中截取缱绻一幕，青衣公子悠然倚坐，左侧仕女亲手递食，二人目光相接，暗传情愫。右侧侍女斜立，以袖掩唇，偷觑间流露少女的羞怯与好奇。\n\n室内陈设雅致考究，格架罗列清供雅玩，案头瓶花素静、茶点精致，将深闺私密的暧昧氛围晕染尽致。衣纹勾勒细腻妥帖，人物神态拿捏入微，把儿女间的缱绻情态描摹得鲜活动人，尽显传统工笔人物画的雅致意趣。",[26,27,28,32,31,33,127,346,345],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fa9f6011a05083633edfbf7e4b35f5a88.jpg",[],{"id":18033,"slug":18034,"title":18035,"dynasty":55,"author":7,"museum":172,"description":5639,"tags":18036,"thumbUrl":18040,"material":296,"size":297,"collection":11,"collections":18041,"showCount":17490,"zanCount":351,"manualWeight":49,"mainColor":70},229920,"dao-guang-tong-du-jin-lei-si-qian-zhen-zhu-ru-yi-zan-yi-ming-229920","道光 铜镀金累丝嵌珍珠如意簪",[160,18037,18038,5086,39,14135,18039],"累丝","嵌珍珠","如意","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F578620095150ec8dc496335a9a63902b.jpg",[],{"id":18043,"slug":18044,"title":18045,"dynasty":55,"author":7,"museum":172,"description":18046,"tags":18047,"thumbUrl":18050,"material":296,"size":297,"collection":11,"collections":18051,"showCount":17490,"zanCount":351,"manualWeight":49,"mainColor":50},229144,"jin-xiang-dong-zhu-mao-jing-shi-pin-fei-chao-guan-ding-yi-ming-229144","金镶东珠猫睛石嫔妃朝冠顶","以累花丝为骨，镂刻出双凤穿花的灵动模样，金凤羽翼舒展纤毫毕现，仿佛振翅欲飞。顶巅猫睛石凝着柔光，自带幽邃华贵的质感。颗颗东珠错落点缀在凤身枝桠之间，莹润珠光与赤金流光相互辉映。底座錾刻缠枝细纹，将宫廷精工雅致藏于方寸。三种材质相得益彰，尽显清代花丝细作的极致精妙，把皇室配饰的庄重贵气与匠心巧思融于这一方冠顶之上。",[160,430,431,432,18048,39,2647,2631,18049,268],"猫睛石","冠饰","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fa45c91c40b055e5bc31c3d6b1712e354.jpg",[],{"id":18053,"slug":18054,"title":13867,"dynasty":241,"author":7,"museum":172,"description":18055,"tags":18056,"thumbUrl":18057,"material":11,"size":11,"collection":11,"collections":18058,"showCount":17490,"zanCount":49,"manualWeight":49,"mainColor":50},228812,"he-tang-shuang-e-tu-yi-ming-228812","此作以淡墨轻色绘秋水一隅，枯荷欹斜舒展，芦叶随风摇曳，将深秋荷塘的清寂晕染开来。两只雏鹅姿态生动，一只引颈抬首似在窥望残荷，绒毛蓬松的质感以细笔丝出，朴拙灵动。水岸以浅赭晕染，衬出水天朦胧的空寂氛围。\n\n整体设色淡雅柔和，工写兼具，既以精微笔触刻画禽鸟花叶的形神，又以简淡晕染烘托萧疏冷隽的秋日意趣，将秋日荷塘的幽寂与生机相融，淡而有味，韵致悠长。",[26,27,219,32,31,80,232,2474,662,332],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fb949ddd4193d20cfb32610246faade24.jpg",[],{"id":18060,"slug":18061,"title":18062,"dynasty":241,"author":7,"museum":172,"description":17734,"tags":18063,"thumbUrl":18070,"material":296,"size":297,"collection":2200,"collections":18071,"showCount":17490,"zanCount":49,"manualWeight":49,"mainColor":50},228667,"fang-ge-yao-hui-qing-ge-shi-lu-zhi-fu-jian-yi-ming-228667","仿哥窑 灰青鬲式炉之附件",[931,18064,18065,269,11966,4179,18066,18067,18068,18069],"仿哥窑风格","玉石雕刻","陶瓷附件","鹿纹","仿古工艺","明代工艺","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F380bfd14228e4dbbb7a90be52dd9e33f.jpg",[2200],{"id":18073,"slug":18074,"title":18075,"dynasty":241,"author":7,"museum":172,"description":11342,"tags":18076,"thumbUrl":18078,"material":296,"size":297,"collection":11,"collections":18079,"showCount":17490,"zanCount":49,"manualWeight":49,"mainColor":50},228522,"wan-li-qia-si-fa-lang-shuang-long-pan-yi-ming-228522","万历 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佚名画家创作的一幅淡设色画。\n此图原名《瘤女图》，后更名为《农村嫁女图》。\n全卷绘大小人物7人，分布疏密得当，自然形成四个段落，各段又有相对突出的重点人物的描写。\n首段以一骑牛披纱妇人为中心，众人目光多集于其身；次段是来宾与迎候者相见的场面，相对施礼的两位妇女为该段的中心；第三段表现两位身份较高的男性奉酒的场面；末段绘鼓乐、歌舞表演及围观者。\n各段虽有各自的主要人物，但次要人物的朝向、动作又使各段落间相互联系，构成一幅完整的画面。\n从画面表现的内容看，画的是否农村嫁女场面还有待商榷，图中吃奶的婴儿和扛于肩上的小童似与婚嫁主题不太相符，且骑牛女子似亦非新娘形象。\n笔者推测此图所表现的可能是一民女回乡省亲的场面，具体内容尚有待进一步考察。\n图中人物略施淡赭色，余则全以水墨为之。\n人物全用颤笔描加以表现，面部刻画也较为粗简，人物造型与南宋马远《踏歌图》有些相近之处。\n绘画艺术水平一般，但却生动地记录了宋元时期的现实生活场景。\n本幅无作者款印。\n钤有清“卢崇兴印”及清内府鉴藏印 5方。\n清初康熙时此卷为卢崇兴所有，乾隆时入内府，清末宣统年间佚出宫外，后为故宫博物院购藏。\n著录于《石渠宝笈·初编》卷三十五。",[26,27,79,96,123,32,33,1006,131],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ff2a4c8a922243dc7230811a7a4b5333e.jpg",[],{"id":18103,"slug":18104,"title":4081,"dynasty":141,"author":7,"museum":172,"description":8319,"tags":18105,"thumbUrl":18106,"material":296,"size":297,"collection":11,"collections":18107,"showCount":17490,"zanCount":49,"manualWeight":49,"mainColor":1162},228012,"guan-yin-pu-sa-yi-ming-228012",[30,33,1251,268,177,32,1443],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F4a0fb7934113c6a56f896d65a6799844.jpg",[],{"id":18109,"slug":18110,"title":18111,"dynasty":75,"author":7,"museum":172,"description":18112,"tags":18113,"thumbUrl":18114,"material":11,"size":11,"collection":11,"collections":18115,"showCount":17490,"zanCount":49,"manualWeight":49,"mainColor":50},227924,"jiao-shi-ying-xi-tu-yi-ming-227924","蕉石婴戏图","这幅小品以庭院一隅铺展童趣，玲珑湖石矗立，芭蕉舒展浓荫，晕染出夏日庭院的清幽意韵。十余稚童散落各处，或两两私语、或结伴嬉闹，有的摹仿大人行礼作态，有的蹲坐把玩小物，一举一动皆憨态可掬，将孩童日常嬉游的模样鲜活呈现。设色淡雅柔和，衣纹线条细劲流畅，画师以精妙笔力将幼童的天真烂漫刻画得淋漓尽致，藏着平淡日常里的融融稚趣，尽显工致雅致的宋画意韵，把烟火日常里的童真定格成隽永的画面。",[26,79,27,28,219,32,31,33,7747,146,1623,2869],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F880c152bb4ecce6798ef847bc94f14c1.jpg",[],{"id":18117,"slug":18118,"title":18119,"dynasty":75,"author":7,"museum":172,"description":18120,"tags":18121,"thumbUrl":18123,"material":11,"size":11,"collection":11,"collections":18124,"showCount":17490,"zanCount":49,"manualWeight":49,"mainColor":50},227893,"yu-le-tu-ye-yi-ming-227893","渔乐图页","这幅小品以虚实相生铺展江渚闲情。右侧江岸苍松虬曲，墨色皴擦间晕染出枝叶蓊郁的清寂意韵，留白处烟霭漫过江天，晕开空濛淡远的朦胧诗意。\n\n水面扁舟轻漾，渔人围坐舟中，姿态松弛悠然，帐幔酒旗随江风微动，将寻常渔居琐事晕染出世外之味。简淡笔墨勾勒人物情态，寥寥数笔便写尽江湖渔隐的闲散日常，将俗世烟火揉入水墨淡彩间。\n\n整体雅致静穆，把宋人寄情林泉的隐逸襟怀藏进烟波里，尽显宋代小品画的诗意意境，将渔家寻常的片刻欢愉，铺陈为悠远淡和的江居雅卷。",[26,27,219,144,32,60,128,8946,33,1768,4661,614,82,18122],"烟波","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F943293d6916514a78dbafe73eefd7416.jpg",[],{"id":18126,"slug":18127,"title":18128,"dynasty":75,"author":7,"museum":172,"description":18129,"tags":18130,"thumbUrl":18131,"material":11,"size":11,"collection":11,"collections":18132,"showCount":17490,"zanCount":49,"manualWeight":49,"mainColor":70},227876,"liu-xi-chun-se-tu-yi-ming-227876","柳溪春色图","画面取景清隽雅致，以一角之景铺展春日闲情。苍松虬曲斜伸，松石旁廊下侍者俯身煎茶，对岸柳色氤氲，春水漾漾，远山含翠晕染如黛。衣袂轻扬的文人静坐在松下，凭览溪山春色，将幽居赏景的澹然意趣融于尺幅间。\n\n设色清润雅致，勾勒皴染细腻温婉，山水林人相映成趣，把林下雅兴、寄情林泉的幽怀铺陈开来，虽咫尺小帧，却晕染出舒展悠远的春日静境，尽显含蓄诗意与雅致情致。",[26,219,27,28,32,614,60,33,1092,130,146,131,1676],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F8afb44f2205239bed4a2bbdc94d9cd7c.jpg",[],{"id":18134,"slug":18135,"title":18136,"dynasty":75,"author":7,"museum":172,"description":18137,"tags":18138,"thumbUrl":18142,"material":11,"size":11,"collection":11,"collections":18143,"showCount":17490,"zanCount":49,"manualWeight":49,"mainColor":50},227858,"dai-du-tu-yi-ming-227858","待渡图","这幅小品以淡墨晕染远山，将烟岚与水色晕成一片朦胧，远山如卧，隐在暮色薄雾之间，铺展出空濛悠远的天地格局。\n\n水岸柳丝垂柔，依依拂过浅滩，石畔扁舟系泊，艄公立于船头静立等候。右侧山居檐角轻挑，轩下有人凭栏眺望，有人缓步阶前，皆引颈望向江面，将待渡的期盼藏在松弛的神态里。\n\n整幅设色清润淡雅，以虚衬实，将江南暮色里的闲寂悠然揉进烟水间。咫尺圆帧之中，把等候的怅惘与静谧尽数铺陈，留白处尽是诗意余韵，尽显山水小品的雅致意境。",[26,79,27,3906,219,32,144,60,33,129,130,128,1092,1340,18139,15255,146,18140,3276,627,18141],"烟岚","闲寂悠然","江南暮色","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F15adff5cce028e04ac85a7f12eb420ea.jpg",[],{"id":18145,"slug":18146,"title":18147,"dynasty":1461,"author":7,"museum":172,"description":18148,"tags":18149,"thumbUrl":18150,"material":11,"size":11,"collection":11,"collections":18151,"showCount":17490,"zanCount":49,"manualWeight":49,"mainColor":70},227065,"bei-wei-yuan-zhen-mu-zhi-ming-yi-ming-227065","北魏元桢墓志铭","《元桢墓志》是元魏宗子志石时间最古的。刻于魏孝文帝太和二十年（公元496年）,是属于北魏中期的典型碑刻。17行，行18字，共306字。志高71厘米，宽71厘米。1926年夏出土于洛阳城北高沟村东南，后经于右任先生收藏并移存西安碑林至今。其笔画茂实刚劲，结体紧峻，意态恣肆，气势雄奇。",[124,854,3054,1421],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fb2ea4fc117f539264f63d3add8d31042.jpg",[],{"id":18153,"slug":18154,"title":18155,"dynasty":849,"author":7,"museum":172,"description":16586,"tags":18156,"thumbUrl":18157,"material":296,"size":297,"collection":11,"collections":18158,"showCount":17490,"zanCount":153,"manualWeight":49,"mainColor":50},226919,"bai-yu-niao-wen-pei-yi-ming-226919","白玉鸟纹珮",[852,603,268,16588,4410,39,580,578],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fcee07fc822eb66a27a497b247877d127.jpg",[],{"id":18160,"slug":18161,"title":18162,"dynasty":8,"author":7,"museum":172,"description":575,"tags":18163,"thumbUrl":18164,"material":296,"size":297,"collection":11,"collections":18165,"showCount":17490,"zanCount":49,"manualWeight":49,"mainColor":50},226853,"jiu-yu-long-wen-huan-yi-ming-226853","旧玉龙纹环",[603,267,39,270,268],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F75295bec61c422f190fef178f0cec944.jpg",[],{"id":18167,"slug":18168,"title":7466,"dynasty":171,"author":7,"museum":292,"description":698,"tags":18169,"thumbUrl":18172,"material":296,"size":297,"collection":11,"collections":18173,"showCount":17490,"zanCount":49,"manualWeight":49,"mainColor":50},226500,"ku-yong-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此画绘北方清旷萧森之景，这种寒林平野的主题是由北宋李成所创，但图中坡石皴染和树木枝桠的布置已有郭熙的影响，人物画法精练传神，是北宋风格。因此此图就算不出于郭熙，也是时代相去不远之作。右侧飞雁一行，笔调单薄，与全图气韵不合，可能是后人所补。",[26,27,28,29,144,614,60,613,2144,146],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F29861984f9f280d64ed489a7687eeb8e.jpg","该幅42.2x49.2公分全幅66.5公分",[],{"id":18325,"slug":18326,"title":18327,"dynasty":141,"author":7,"museum":3882,"description":18328,"tags":18329,"thumbUrl":18330,"material":335,"size":11,"collection":11,"collections":18331,"showCount":17490,"zanCount":49,"manualWeight":49,"mainColor":50},223393,"cheng-ma-tu-yi-ming-223393","呈马图","绘八人三马，马匹壮硕矫健，二黑一白，脖上系红缨长坠，马鬃及马尾毛发浓密，马背上皆搭具有民族特图案色的垫毯，马头打扮亦精致。八人身着民族特色衣饰，面部或粗旷，或白净，表情各异。",[26,27,79,96,32,31,33,1006,82,124,126],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F9237c5a6f17766247b13fda0fad8a1b1.jpg",[],{"id":18333,"slug":18334,"title":18335,"dynasty":141,"author":7,"museum":172,"description":18336,"tags":18337,"thumbUrl":18338,"material":3509,"size":18339,"collection":11,"collections":18340,"showCount":17490,"zanCount":351,"manualWeight":49,"mainColor":50},223355,"fang-ju-ran-shan-shui-tu-yi-ming-223355","仿巨然山水图","是图以高远法出之,山峦清旷,落英缤纷。近景陂陀杂树,渔舟归樵;中景夹谷深壑,流水湍湍,桥舍掩映;远景山峰耸峻,苍翠欲滴,烟岚奕奕。正是暮霞景明、秋意正浓之时,令人有如入武陵桃源忘返向路之感。在画法上,是图以长披麻皴为主,笔致清晰中见浑融,用笔枯而不涩,意境蓊秀萧疏。点苔疏密有致,很好地表现了草木华滋的气象。设色借鉴了黄公望浅绛法,明洁滋润,妍而不甜。此种画风,明显受到了其挚友王鉴的影响。然而,在萧疏简远的气息追求上,比之王鉴是有过之而无不及的。",[26,27,2415,32,614,162,131,1623,130,531,9138,734],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F6bbd8eba0f37ff5d86d70dba3540da1a.jpg","170x85.26cm",[],{"id":18342,"slug":18343,"title":18344,"dynasty":241,"author":7,"museum":242,"description":1796,"tags":18345,"thumbUrl":18346,"material":175,"size":11,"collection":11,"collections":18347,"showCount":17490,"zanCount":351,"manualWeight":49,"mainColor":50},222150,"fu-hui-dong-yi-ming-222150","赴会东",[26,27,175,30,32,31,33,445,220,60,131,2657,359],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ffedf582a554b3556230ac7d6e2ef4fa2.jpg",[],{"id":18349,"slug":18350,"title":18351,"dynasty":75,"author":7,"museum":76,"description":18352,"tags":18353,"thumbUrl":18360,"material":43,"size":18361,"collection":506,"collections":18362,"showCount":17490,"zanCount":49,"manualWeight":49,"mainColor":70},219616,"hu-xi-san-xiao-tu-yi-ming-219616","虎溪三笑图","此图为横幅，绢本设色。构图饱满，刻画细腻，粗笔阔墨的坡石与细笔双勾的枝叶彼此映照。古拙的青石板桥下的溪流并无涓涓之态，而是浩荡冲决，远逝于云天相接处，似衬托“虎威”。老干如虬，红叶弥漫，一派肃穆高秋景致。画中央正是身着袈裟的慧远、儒服的陶渊明和道装的陆修静，三人举头朗笑，衣袂飘扬，情态鲜活，两侧三小童站立，画中人物风格似宋人笔意。这幅作品恰将儒、释、道合流的深邃神旨以“三笑”镜头的绘制形象地传达出来，爽朗、悠远的笑声仿佛与虎溪激越的水声、老枫呼啸的风声猝然交响，也穿越了千年的风烟，飘逸于画卷之外，令观画者心府泠然、似有所闻。细读这幅作品会发觉，在图像生成上，画家几乎绘制出了“虎溪三笑”这一故事的全部文献元素，包括人物、情节、环境等，可视为这一画题的最典型作品。",[26,27,79,348,32,18354,1572,2415,30,18355,18356,2709,2309,1643,34,18357,18358,31,18359,14799],"横幅","儒释道","虎溪三笑","高秋","朗笑","粗笔","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F86e773211cdf84d6f21581f9695a2a5b.jpg","26.4x47.6厘米",[506],{"id":18364,"slug":18365,"title":18366,"dynasty":241,"author":7,"museum":254,"description":18367,"tags":18368,"thumbUrl":18369,"material":43,"size":11,"collection":45,"collections":18370,"showCount":17490,"zanCount":49,"manualWeight":49,"mainColor":277},219493,"li-tie-ba-xiang-yi-ming-219493","李铁捌像","以重墨晕染出苍松掩映的幽寂山林，昏沉底色晕开古朴玄异的仙道氛围。画中虬面深目，髭髯卷曲张扬，布箍束发，兽毛镶边的袍服褶皱古拙刚劲，粗粝笔触尽显山野散仙的豪迈不羁。\n\n他斜身倚拐踞坐，岩畔点缀的白花破开暗沉色调，晕开一缕清灵生气。衣纹勾勒顿挫有力，浓淡墨色晕染出衣物厚重质感，将这位带着烟火野趣的仙人刻画得形神兼备，粗粝间见精妙，沉郁中藏仙气，尽显道释人物画的精湛笔力与传神意趣。",[27,32,33,29,31,1524,1291,36],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F0152fee3a6734433435a0a438af7de1c.jpg",[45],{"id":18372,"slug":18373,"title":18374,"dynasty":141,"author":7,"museum":23,"description":18375,"tags":18376,"thumbUrl":18377,"material":43,"size":11,"collection":87,"collections":18378,"showCount":17490,"zanCount":49,"manualWeight":49,"mainColor":50},219299,"yan-shang-ji-ling-tu-yi-ming-219299","岩上鹡鸰图","疏枝如篆，瘦劲墨痕牵起清寂。岩块朴拙，淡墨晕染承着岁月沉影。鹡鸰栖石，羽翅敛微光，尾羽轻垂，神态悠然，似在静听风过枝桠的细响。右上角题字错落，笔墨与画境相融，文气暗生。画面简而不空，淡而有味，将元代文人画的空灵意趣凝于绢素——枯枝的疏朗、石的厚重、鸟的灵动，交织成一曲静谧的笔墨清歌，于简约中见生机，于静谧中藏深致。每一处线条皆含书法意韵，每片墨色都透着凉润，似能触到古人观物时的那份悠然心境。",[27,28,29,144,32,31,146,163,676,80],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F538cf45217440ab8e483e722eede9383.jpg",[87],{"id":18380,"slug":18381,"title":18382,"dynasty":75,"author":7,"museum":499,"description":18383,"tags":18384,"thumbUrl":18385,"material":348,"size":11,"collection":45,"collections":18386,"showCount":17490,"zanCount":49,"manualWeight":49,"mainColor":50},219056,"mu-tong-tu-yi-ming-219056","牧童图","苍润绢本晕开宋时的清寂。老松如盖，虬枝盘结，墨色沉郁间藏着笔底苍劲；坡地之上，牧童斜倚牛背，似梦似醒，牛儿低首啃青，憨态可掬。寥寥数笔，便将乡野的自在勾勒得淋漓尽致。远处云气轻笼，山峦隐现，留白处尽是悠远意韵。没有繁复铺陈，极简构图里，田园的静谧与生命的松弛揉进每寸笔墨。风过松梢的轻响，牧童鼻息的绵长，仿佛都藏在这墨色深浅间——宋画的烟火与诗意，原是这般不着痕迹，却动人心弦。",[26,27,79,219,144,60,33,2944,613,614],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fe4b347b3f67fc81eebd171ee0cbca07b.jpg",[45],{"id":18388,"slug":18389,"title":18390,"dynasty":75,"author":7,"museum":76,"description":18391,"tags":18392,"thumbUrl":18393,"material":43,"size":18394,"collection":506,"collections":18395,"showCount":17490,"zanCount":49,"manualWeight":49,"mainColor":70},218976,"xue-tang-chui-diao-tu-yi-ming-218976","雪塘垂钓图","这是一幅柳宗元诗歌《江雪》的画作，画中的渔夫带着嘀嗒声在江雪的天空中独自捕鱼。心情是空虚和冷漠的，笔触是清晰和减少的。虽然不一定是宋代，但可以追溯到元代。",[26,27,28,530,144,32,31,614,3733,60,676,128,2209,33,1281,953,146],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fea60d2b0f61e8804c3f763b7d1d90dc6.jpg","23.8x25.5",[506],{"id":18397,"slug":18398,"title":18399,"dynasty":75,"author":7,"museum":76,"description":18400,"tags":18401,"thumbUrl":18404,"material":43,"size":18405,"collection":87,"collections":18406,"showCount":17490,"zanCount":49,"manualWeight":49,"mainColor":70},218730,"yun-long-shan-que-tu-yi-ming-218730","筠笼山雀图","这幅画描绘了两只小鸟在笼子里和笼子外玩耍的情景，笔触沉重，笼子的结构处理得很差，钱的形式是艺术家的印章 顺口溜。这幅画和这枚印章都是不真实的，应该被视为普通的复制品。",[26,27,28,79,31,32,80,18402,18403,125,530],"山雀","竹笼","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F6fc639dbae1130bcbdab21b8cb2ceef9.jpg","26.9x25.9",[87],{"id":18408,"slug":18409,"title":5917,"dynasty":75,"author":7,"museum":76,"description":18410,"tags":18411,"thumbUrl":18412,"material":43,"size":11,"collection":506,"collections":18413,"showCount":17490,"zanCount":49,"manualWeight":49,"mainColor":70},218694,"shan-shui-tu-yi-ming-218694","纨扇小景纳海天气象于尺幅间。浪涛奔涌，层层叠叠如堆雪翻银，墨线勾斫见波涛之势；右侧松枝如铁，虬曲横斜，松针密匝似攒云，树下亭榭隐现，似有幽人凭栏观海。动静相济里，壮阔与清寂交织——浪的奔腾衬松的苍劲，亭的静立藏观海者的悠然。墨色浓淡相宜，有限空间展无限遐思，尽得宋画小景中天地情怀与文人意趣，于细微处见苍茫，于静谧中藏生机。",[26,27,28,144,32,614,530,60,1749,131,531],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F15a47d5422bb0d9703f21a3cb78e8308.jpg",[506],{"id":18415,"slug":18416,"title":5917,"dynasty":75,"author":7,"museum":76,"description":18417,"tags":18418,"thumbUrl":18419,"material":43,"size":11,"collection":506,"collections":18420,"showCount":17490,"zanCount":351,"manualWeight":49,"mainColor":70},218693,"shan-shui-tu-yi-ming-218693","烟波浩渺间，一叶扁舟轻泛，舟中人影依稀，似与水色相融。右侧松枝虬曲，墨色浓淡交错，松针如丝倚石而立；山石皴法简练，与浅草相映，添了几分野趣。远山如黛，晕染在淡雾里，似天地间的留白，引视野向无尽悠远。\n\n整幅画以淡墨铺陈，虚实相生：静穆中藏灵动——水面微澜、松枝轻颤，皆在笔墨间流转。不刻意渲染，却于简约中见深远，静谧中显生机。仿佛能听见风声掠松梢，见水波拍舟舷，沉湎于自然与心灵的契合，尽得宋人山水中的诗意栖居之趣。",[26,27,79,144,32,60,614,128,2209,613,1340,1281,530],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fd413e20f9a81db648f7fa8472822843b.jpg",[506],{"id":18422,"slug":18423,"title":18424,"dynasty":75,"author":7,"museum":1068,"description":18425,"tags":18426,"thumbUrl":18427,"material":43,"size":18428,"collection":45,"collections":18429,"showCount":17490,"zanCount":351,"manualWeight":49,"mainColor":50},218484,"sui-yang-wu-lao-tu-zhu-guan-xiang-yi-ming-218484","睢阳五老图-朱贯像","这五位老人都是宋朝的重臣，辞官后住在南京的睢阳，他们经常聚在一起写诗。时称“睢阳五老会”。",[26,27,79,28,29,31,32,33,345],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F50de006a9494fa16a40c48bf42f3ba28.jpg","40.3x32.2",[45],{"id":18431,"slug":18432,"title":18433,"dynasty":55,"author":7,"museum":172,"description":18434,"tags":18435,"thumbUrl":18437,"material":43,"size":11,"collection":45,"collections":18438,"showCount":17490,"zanCount":49,"manualWeight":49,"mainColor":70},216077,"zhi-gong-tu-ju-fu-cai-hui-ce-ye-di-3-ce-yi-ming-216077","职贡图巨幅彩绘册页第3册","画面分绘两人，左者为女子，彩条纹长裙摇曳生姿，青蓝披肩轻覆肩头，步履间尽显温婉神态；右者乃男子，蓝布长褂配浅色内裳，腰间束带勾勒质朴身形，神情从容自然。画作以工笔彩绘而成，线条细腻流畅，色彩搭配和谐雅致，人物神情生动传神，精准呈现出不同族群的服饰风貌与生活气息。作为职贡图的一部分，它不仅是技法精湛的艺术佳作，更承载着记录清代边疆族群文化、反映民族交流融合的历史价值，为后人窥探当时的社会风貌提供了珍贵的视觉窗口。",[26,79,27,1222,31,32,33,127,18436],"少数民族服饰","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F1ca5d1171391264734f402225c7c7f29.jpg",[45],{"id":18440,"slug":18441,"title":18442,"dynasty":55,"author":7,"museum":76,"description":13292,"tags":18443,"thumbUrl":18444,"material":43,"size":11,"collection":11,"collections":18445,"showCount":17490,"zanCount":49,"manualWeight":49,"mainColor":70},215202,"sheng-ping-le-shi-tu-ce-5-yi-ming-215202","升平乐事图册-5",[27,28,530,32,31,33,531,532,146],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F80b66be545962c4fc4be968a79c1d91b.jpg",[],{"id":18447,"slug":18448,"title":18449,"dynasty":55,"author":7,"museum":76,"description":13292,"tags":18450,"thumbUrl":18451,"material":43,"size":11,"collection":11,"collections":18452,"showCount":17490,"zanCount":49,"manualWeight":49,"mainColor":70},215195,"sheng-ping-le-shi-tu-ce-12-yi-ming-215195","升平乐事图册-12",[27,28,530,32,31,33,129,131,3623,1527,649],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F3b1edb7d2f34ec33c6d52b393b3d95d6.jpg",[],{"id":18454,"slug":18455,"title":5917,"dynasty":55,"author":7,"museum":254,"description":18456,"tags":18457,"thumbUrl":18458,"material":43,"size":18459,"collection":506,"collections":18460,"showCount":17490,"zanCount":49,"manualWeight":49,"mainColor":50},215146,"shan-shui-tu-yi-ming-215146","佚名是一个指代不确定的人的称呼，所以无法提供具体的信息。但是，清朝时期的山水图是一种流行的艺术形式，在当时是非常受欢迎的。山水图通常是一种静态的描绘自然景观的图画，其中包含了山峰、河流、树木、云彩和其他自然元素。山水图通常以水墨画的形式呈现，但也有其他艺术形式，如铜版画、绢本画和纸本画。山水图的主要目的是表现自然的美丽，并通过艺术的手段来传达观赏者的情感和思想。",[27,28,60,144,32,128,613,1142,614],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fdef1bfc3588e96cd75bb8ec8dc977fe8.jpg","21.6x22.3cm",[506],{"id":18462,"slug":18463,"title":18464,"dynasty":75,"author":7,"museum":720,"description":721,"tags":18465,"thumbUrl":18466,"material":724,"size":725,"collection":11,"collections":18467,"showCount":17490,"zanCount":49,"manualWeight":49,"mainColor":70},214971,"dao-zi-mo-bao-ren-wu-bai-miao-hua-13-yi-ming-214971","道子墨宝人物白描画-13",[26,79,27,28,530,123,33,30],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F34805397adabd18d0909f763cdaa6725.jpg",[],{"id":18469,"slug":18470,"title":18471,"dynasty":75,"author":7,"museum":720,"description":721,"tags":18472,"thumbUrl":18473,"material":724,"size":725,"collection":11,"collections":18474,"showCount":17490,"zanCount":49,"manualWeight":49,"mainColor":70},214964,"dao-zi-mo-bao-ren-wu-bai-miao-hua-24-yi-ming-214964","道子墨宝人物白描画-24",[26,27,28,123,33,30,329],"https:\u002F\u00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孔子像立轴","画面以沉古绢底铺陈，主尊安坐榻上，垂髯宽袍，神态温蔼端方，尽显儒者雍容亲和的气度。两侧弟子恭侍身侧，或持卷凝思，或侧耳聆教，定格孔门问道的静谧瞬间。\n\n线条朴拙凝练，衣褶晕染自然，无繁复修饰，以简淡笔墨勾勒出千年前师授道传的肃穆学风。残旧题字晕开岁月痕迹，晕染出古雅沉穆的氛围，将圣人的温润风骨与孔门治学的笃厚气象融于笔底，尽显东方人文的厚重意韵。",[26,27,28,29,33,32],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fec32456e70e2976707c878a961b9b2c7.jpg",[],{"id":19082,"slug":19083,"title":19084,"dynasty":141,"author":7,"museum":172,"description":19085,"tags":19086,"thumbUrl":19087,"material":11,"size":11,"collection":11,"collections":19088,"showCount":18506,"zanCount":351,"manualWeight":49,"mainColor":70},231480,"shu-cai-tu-yi-ming-231480","蔬菜图","蔬菜瓜果是人民生活的必需品。画家们从很早以前就把蔬果选作画材，历代画家以蔬菜瓜果为内容组成美丽的画面，留下许多不同风趣的佳作。\n蔬果从来都属于花鸟画科，花鸟画家应该在表现花鸟题材的同时，认真对蔬果进行观察研究，掌握其表现方法，推陈出新地去创作新的表现技法。\n宋《宣和画谱》中“蔬果叙论”里说：“然蔬果于写生最为难工，论者以为郊外之蔬而易工于水滨之蔬，而水滨之蔬又易工于园畦之蔬也。盖坠地之果而易工于折枝之果，而折枝之果又易工于林间之果也。”",[27,29,144,31,18947,82],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F8a8f4262b168a0dc28995878832b968d.jpg",[],{"id":19090,"slug":19091,"title":19092,"dynasty":75,"author":7,"museum":76,"description":19093,"tags":19094,"thumbUrl":19095,"material":109,"size":19096,"collection":11,"collections":19097,"showCount":18506,"zanCount":49,"manualWeight":49,"mainColor":70},231400,"jiang-fan-shan-shi-tu-yi-ming-231400","江帆山市图","宋人《江帆山市图》画两峰回抱，山寺、野店隐现其间，山坳间有一座庙宇，依山建筑，山谷间则有云雾袅绕，飞鸟阵阵，一派黄昏景象。全幅在画船、人物、建筑、树木、水纹或其它景物的用笔都非常细腻精致，线条细挺，如对于船只结构及船上设备的描绘都非常精细确实，山寺、野店之建筑，比例正确，形式精美，人物虽小，却将人物的神态和形貌画得栩栩如生。用色简澹清雅，画幅虽小，却将山城点染得极为活泼而有生意。\n此幅无名款，从画风及造型来看，是北宋范宽（十世纪）、燕文贵（活动于十世纪末）一系风格。画两峰回抱。也以近似雨点的皴法，层层描写山石的质感与量感，笔法细密，运笔着墨皆具清劲苍秀之感。在构景方面，景物集中于右半边，笔墨虽简，但严谨写实，从画风看来，是一幅接近燕文贵时代的作品。",[27,144,614,96,60,2418,129,734,162,131,2657,1340,63,6932],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fdf127e4d55b0438efbe3fb66c7bb2a33.jpg","28.6x44.1公分",[],{"id":19099,"slug":19100,"title":2345,"dynasty":241,"author":7,"museum":172,"description":19101,"tags":19102,"thumbUrl":19103,"material":11,"size":11,"collection":11,"collections":19104,"showCount":18506,"zanCount":49,"manualWeight":49,"mainColor":50},231355,"ming-dai-di-hou-ban-shen-xiang-yi-ming-231355","明宣宗朱瞻基（1399年3月16日－1435年1月31日），或称宣宗章皇帝，明仁宗嫡长子，永乐九年（1411年）立为皇太孙；永乐二十二年（1424年）十月立为皇太子。洪熙元年（1425年）即位，次年改元宣德，明朝第5位皇帝，在位十年，享年35岁。宣德元年（1426年）平定高煦之乱，和其父仁宗一样，比较能倾听臣下的意见，听从二朝元老兼阁臣杨士奇、杨荣、杨溥等建议，停止对交阯用兵，与明仁宗并称“仁宣之治”，宣宗时君臣关系融洽，经济也稳步发展。不过，他也开启此后宦官干政的局面。",[26,27,31,32,33,2348,931,345,1378],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ff976655db328fbf0430dd7f89d4a9c84.jpg",[],{"id":19106,"slug":19107,"title":19108,"dynasty":55,"author":7,"museum":172,"description":5639,"tags":19109,"thumbUrl":19110,"material":296,"size":297,"collection":11,"collections":19111,"showCount":18506,"zanCount":351,"manualWeight":49,"mainColor":70},229968,"yin-du-jin-dian-cui-qian-zhu-bao-ju-hua-zan-yi-ming-229968","银镀金点翠嵌珠宝菊花簪",[160,5641,1158,2644,100,14135,39],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F1f4624ca1239dab580f0f29571264f02.jpg",[],{"id":19113,"slug":19114,"title":19115,"dynasty":55,"author":7,"museum":172,"description":8436,"tags":19116,"thumbUrl":19118,"material":296,"size":297,"collection":2200,"collections":19119,"showCount":18506,"zanCount":49,"manualWeight":49,"mainColor":50},229501,"yong-zheng-yao-tian-qing-shou-er-zun-yi-ming-229501","雍正窑 天青兽耳尊",[2194,160,19117,9844,6616,2198,346],"天青釉","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fb71a85289d2102e0c73b277c93ea1dd7.jpg",[2200],{"id":19121,"slug":19122,"title":19123,"dynasty":55,"author":7,"museum":172,"description":12693,"tags":19124,"thumbUrl":19125,"material":296,"size":297,"collection":2200,"collections":19126,"showCount":18506,"zanCount":49,"manualWeight":49,"mainColor":50},229214,"qian-long-yao-fa-lang-cai-kai-guang-san-yang-tu-chang-fang-he-yi-ming-229214","乾隆窑 珐瑯彩开光三羊图长方盒",[15810,12695,32,2194,8331,346,3102,33,131,734],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F98f7699f66d78bdff9e1da6c0f32f0db.jpg",[2200],{"id":19128,"slug":19129,"title":19130,"dynasty":241,"author":7,"museum":172,"description":19131,"tags":19132,"thumbUrl":19133,"material":11,"size":11,"collection":11,"collections":19134,"showCount":18506,"zanCount":49,"manualWeight":49,"mainColor":50},228823,"ying-tu-yi-ming-228823","鹰图","这幅工笔设色花鸟，以双鹰为画面核心。两只猛禽或侧目远眺，或昂首凝望，身姿苍劲傲然。翎毛发丝尽染，笔触细腻入微，将猛禽的威严沉凝尽显无遗。\n\n古梅虬曲遒劲，寒花点点缀于枝桠，清寂雅致；嶙峋怪石边，艳红山茶绽于丛间，柔红破寒，晕开一抹生机。右下角飞泉直下，水流宛转灵动，打破画面沉静，动静相融自成韵律。\n\n棕褐底色晕染出幽谧山林氛围，工写结合间，既刻画出猛禽的雄健肃穆，又以花木泉石勾勒出清冷高古的意境，将山林幽寂与猛禽孤傲融为一体，尽显精妙写实功力，内敛悠长的意趣藏于笔墨之间。",[26,27,31,32,80,3896,542,162,1102,131,29],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F6425a6d54ecf9644f158bf0096b6915d.jpg",[],{"id":19136,"slug":19137,"title":19138,"dynasty":241,"author":7,"museum":172,"description":19139,"tags":19140,"thumbUrl":19141,"material":11,"size":11,"collection":11,"collections":19142,"showCount":18506,"zanCount":49,"manualWeight":49,"mainColor":50},228779,"fang-li-tang-hao-pu-tu-juan-yi-ming-228779","仿李唐濠濮图卷","此作用斧劈皴写山石，棱角方硬苍劲，两岸危崖叠峙、古木盘根虬曲，浓墨点染的林木蓊郁深秀，暗带秋意。溪谷水面留白晕出浅波，汀渚碎石错落，衬出涧谷幽寂空远。右侧平石之上，雅士简笔勾勒，凭坐观流，恬淡静穆，尽显林泉遁世的悠然意趣。画作兼取北派山水的雄劲与文人画的萧散，将山水之胜与林下雅兴相融，把秋日溪畔的幽寂雅情绘得淋漓尽致，尽显古意山水里的文人心境。",[26,27,96,122,614,32,60,532,359,130,33],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F8fcd1d7c4fadcfa69c00bdc8807b573b.jpg",[],{"id":19144,"slug":19145,"title":19146,"dynasty":241,"author":7,"museum":172,"description":19147,"tags":19148,"thumbUrl":19150,"material":296,"size":297,"collection":11,"collections":19151,"showCount":18506,"zanCount":49,"manualWeight":49,"mainColor":277},228378,"zhun-ti-pu-sa-zhou-yi-ming-228378","准提菩萨轴","准提佛母，Cundi系梵语，汉译有“准胝”、“尊提”，准提佛母又称“准胝观音”、“准提佛母”和“七俱胝佛母”等名。藏音“Bskul－bye－ma”。其以“准提咒”见称，曾为显密佛教徒所知的大菩萨。在禅宗，则称之为‘天人丈夫观音’，以准提为观音部之一尊，深尊崇之，日本东密以准提为六观音之一、摄于莲华部（千手观音、圣观音、马头观音、十一面观音、准提观音、如意轮观音）中。独台密以七俱胝佛母准提经之经名，准提入于佛母中以为佛部之尊。“准提”是清净的意思，表示此菩萨心胜清净，皎洁。",[27,29,30,33,31,123,1170,19149,176],"准提佛母","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fa4cf016eee0ae158fe832bbd6e8d8053.jpg",[],{"id":19153,"slug":19154,"title":2663,"dynasty":141,"author":7,"museum":172,"description":6827,"tags":19155,"thumbUrl":19156,"material":296,"size":297,"collection":11,"collections":19157,"showCount":18506,"zanCount":49,"manualWeight":49,"mainColor":277},228234,"shi-jia-mu-ni-fu-yi-ming-228234",[26,27,28,29,30,32,33],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F7165e041acdac0f305da7edefa17ee14.jpg",[],{"id":19159,"slug":19160,"title":19161,"dynasty":141,"author":7,"museum":172,"description":19162,"tags":19163,"thumbUrl":19164,"material":11,"size":11,"collection":11,"collections":19165,"showCount":18506,"zanCount":49,"manualWeight":49,"mainColor":50},228195,"shi-liu-shen-jun-tu-yi-ming-228195","十六神骏图","画面群骏错落排布，姿态鲜活灵动，或引颈伫立、或俯首啜饮、或扬蹄疾行，亦有两马偎依嬉闹。骏马毛色各异，斑纹勾勒细腻写实，筋骨晕染柔和自然，将神骏膘肥体健的身姿刻画入微。\n\n红衣骑者神情悠然，控马徐行，与群马相映成趣。浅淡墨色晕染沙岸浅滩，古雅底色衬出悠长留白意境，尽显画工精妙，将良骏灵动神采尽数铺展，尽显古朴雅致的画中逸趣。",[26,79,27,28,96,32,31,33,1006,272],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fbd6cb686b05759e704136a50854c09ba.jpg",[],{"id":19167,"slug":19168,"title":19169,"dynasty":141,"author":7,"museum":172,"description":19170,"tags":19171,"thumbUrl":19173,"material":11,"size":11,"collection":11,"collections":19174,"showCount":18506,"zanCount":49,"manualWeight":49,"mainColor":50},228190,"jin-bi-shan-shui-ye-yi-ming-228190","金碧山水页","此作以青绿晕染崖壁，石面肌理苍然古朴，崖巅古木虬曲横斜，丹红叶色点破秋日山岑的清寂。左侧林木扶苏，深浅墨色糅合淡青，尽显层叠苍润之意。\n\n溪山之间，策蹇行者徐行山道，林畔立者似在问询，山野幽居的闲适意趣随画面铺展。构图疏密有致，空阔留白予人遐想余地，设色古雅沉静，将秋日山林的萧散淡远晕染尽致，以小景见丘壑深致，尽显寄情林泉的元人山水意韵。",[27,28,530,32,1622,60,131,1006,33,359,19172],"山路","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F48cb32e3f645aa67e7806a281a54bc9d.jpg",[],{"id":19176,"slug":19177,"title":19178,"dynasty":75,"author":7,"museum":172,"description":19179,"tags":19180,"thumbUrl":19182,"material":11,"size":11,"collection":11,"collections":19183,"showCount":18506,"zanCount":49,"manualWeight":49,"mainColor":50},227930,"zhang-qiao-wo-bo-tu-yi-ming-227930","长桥卧波图","《宋扇面画长桥卧波图》是宋代佚名画家创作的一幅设色扇面画。\n此图原载《纨扇画册》。\n绘朱红长桥一座，横卧江面，两岸房舍成群，古塔高耸，树影婆娑。\n河面水波涟漪，舟船点点，以破长桥的呆板形体。\n远方云雾中露出银装素裹的山峰，分外妖娆。\n全图用笔精工，设色艳美，构图空阔浩渺，意境深远，是南宋早期画院高说所作。\n画中钤有「仪周珍藏」印一方，说明此图曾为清人 收藏，见《石渠宝笈三编》著录。\n本幅无款印。\n钤收藏印“仪周珍藏”一方。\n图中高架平湖的木桥刻画精微，与波澜不兴的水纹相映成趣。\n画面大片的空白使得作品兼具坚实与空灵之美，虚实相生的艺术效果给观者以“无画处皆成妙境”的想象空间。",[26,27,28,60,329,32,31,19181,1281,6932,1340,129,13682,531,131],"长桥","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F6193c1927a01527760b310dc59e09697.jpg",[],{"id":19185,"slug":19186,"title":19187,"dynasty":75,"author":7,"museum":172,"description":19188,"tags":19189,"thumbUrl":19192,"material":11,"size":11,"collection":11,"collections":19193,"showCount":18506,"zanCount":49,"manualWeight":49,"mainColor":70},227925,"jiao-yin-ji-qiu-tu-ye-yi-ming-227925","蕉荫击球图页","《蕉阴击球图》是宋代佚名画家创作的一幅绢本设色画，现藏于 。\n无作者款印。\n对幅清高宗弘历御题诗一首。\n本幅、对幅及裱边钤高宗弘历“古稀天子”、“八徵耄念之宝”、“ ”等鉴藏印，共6方。\n此外，湖石拉开了前景人物与背景芭蕉间的距离，增强了画面的纵向层次感。\n在笔法上，作者注重物象间的对比互衬关系。\n人物与芭蕉为中锋运笔，线条工整细匀，如行云流水；着色渲染浓淡相宜，清新明洁的色调有助于表达轻松活泼的主题。\n湖石则以粗笔重墨表现，线条劲练，转折顿挫中见洒脱。\n湖石所呈现出的坚硬质地成功地衬托出人物纤秀婉约的形象及芭蕉飘逸润泽的自然美。\n在宋代类似于《蕉阴击球图》的作品很多。\n以写实的笔法描绘民间生活、反映“市井细民”的审美趣味是宋代绘画的一大特色。\n当时涌现出众多绘风俗画的著名画家，如王居正、张择端、李嵩、苏汉臣等人，他们的作品以富有浓郁的生活气息而在中国绘画史上占有重要的地位。\n原题签作者为苏汉臣。\n此幅虽在题材、笔法上与苏汉臣的画风较为接近，但在艺术表现的造诣上却远不及苏汉臣，因此，此图当是与苏汉臣同时代的佚名画家之作。\n此图原载《宋人名流集藻册》。\n图绘一仕女童于桌旁观看一老一小两人作击球行了游戏。\n庭院中绿草如茵，湖石矗立，芭蕉成荫。\n仕女认真观球的神态和儿童击球的细小动作刻画得自然生动。\n全图用工笔重彩法，衣纹勾线简练细劲，设色艳而不火，工而不板，为南宋小幅人物画精作。\n此图蕉题签为苏汉臣作，但究其画风，与苏汉臣有别。\n在古代，见婴戏必题 作，见牛必题戴嵩，见马即题韩干之类，实属偏见，故今改为无名氏作。\n画中钤有「东莱」印一方，经《 》著录。",[26,27,28,1222,31,32,33,1527,19190,125,82,19191],"蕉树","击球","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F9ea29c347ebabee65faf94a2305bd7ce.jpg",[],{"id":19195,"slug":19196,"title":19197,"dynasty":75,"author":7,"museum":172,"description":19198,"tags":19199,"thumbUrl":19200,"material":11,"size":11,"collection":11,"collections":19201,"showCount":18506,"zanCount":49,"manualWeight":49,"mainColor":50},227864,"chun-shan-yu-ting-ye-yi-ming-227864","春山渔艇页","这幅团扇以平远之法铺陈春景，淡晕的山峦柔缓舒展，烟霭轻笼水岸，晕开朦胧的春日清氛。陂陀石岸旁，林木枯荣交错，带着早春初醒的疏懒意态，青绿与赭石轻扫山石水岸，晕染出江南春山的温润水汽。\n\n一叶渔艇静浮水面，独钓的渔翁将幽寂闲散的隐逸意趣揉入空阔水色中。整作无繁复刻画，以简淡笔触晕开春日水滨的清寂淡然，将宋人娴静雅致的山水心境藏在尺幅之间，淡而弥远，静中生境，把江南早春的疏朗与幽隐心绪融成一缕绵长余韵。",[26,27,28,219,32,60,128,613,130,1768,614,146],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fcce57e3ac98b56a84f84c690afbf0f9b.jpg",[],{"id":19203,"slug":19204,"title":19205,"dynasty":75,"author":7,"museum":172,"description":19206,"tags":19207,"thumbUrl":19210,"material":11,"size":11,"collection":11,"collections":19211,"showCount":18506,"zanCount":49,"manualWeight":49,"mainColor":70},227838,"xian-nv-cheng-luan-tu-yi-ming-227838","仙女乘鸾图","《五代周文矩仙女乘鸾图》是五代南唐画家 所创作的一幅 。\n此图原载《历代名笔集胜册》第一册。\n此图线条工谨精细，如春蚕吐丝，柔中见刚。\n《五代周文矩仙女乘鸾图》，图画明月一轮，一仙女乘鸾飞翔。\n笔墨精妙飞动，设色艳丽，构图简洁，为宋画中精品。\n无款，旧题周文矩作。\n画中钤有「黔宁王子子孙孙永保之」、「都尉耿信公书画之章」、「信公珍赏」、「珍秘」、「会侯珍藏」、「明安国玩」、「宜尔子孙」等印多方。\n对幅有耿昭忠题，经《虚斋名画录》著录。\n耿昭忠题云：“风格高妙，飘飘然有凌霞绝尘之姿，是盖周文矩胸中迥出天机，故落笔超乎物表。\n张、吴、顾、陆、何难继踵。\n”襄平耿昭忠题。\n”本幅及裱边、对幅钤耿昭忠“真赏”、“黔宁王子孙永保之”、“丹诚”、“都尉耿信公书画之章”、“信公珍藏”、“珍秘”、“宜尔子孙”、“公”等鉴藏印，共17方。\n《圣朝名画评》云：“周文矩，建康句容人。\n美风度，学丹青，颇有精思。\n仕李煜，为待诏，能画冕服车器人物仕女。\n”又云：“周文矩用意深远，于繁富则尤工。\n”按此图虽无款，而作风飞动精丽，允为北宋早期的作品。\n旧题 作，今从之。\n《五代周文矩仙女乘鸾图》图绘一鸾凤于薄云淡雾中振翅飞鸣，其背上一仙女正茫然回首目视身后的一轮圆月。\n画家将仙女回眸之一刹那所显露出的怅惘之情刻画的生动传神，使本来单调的景物变得极富情趣并给人以想像力。\n仙女的眼神原无形，然作者却利用它使圆月和鸾凤之间产生一种内在的呼应关系，使画面具有气脉贯通的完整性。\n画家通过描绘仙女的衣带向后飘举暗示出无形的风力，并以此表明鸾凤疾翔时的速度与强烈的动感，与圆月之间形成动与静的对比。\n在人物形象的塑造上，仙女的造型越出了隋唐时期仕女画丰腴健壮的体态，表现出女性身材比例合理，造型匀称的特点。\n此图旧签题以及对幅耿昭忠的题记均言作者是五代周文矩。\n周文矩受南唐后主李煜颤笔书法的影响，喜以瘦挺颤掣的笔法入画，线条多转折顿挫，刚中有柔。\n与周文矩的用笔特点不符，因此，它应是宋代佚名画家所作。\n周文矩，生卒年代不详，句容（今属江苏）人，曾在南唐后主李煜时任画院翰林待诏。\n工画佛道、人物、车马、屋木、山水，尤精于仕女，多以宫廷或文人生活为题,以“用意深远”著称。\n其仕女画师从周昉，作风更加纤丽繁复，用笔多以“战笔”为特点。\n现藏故官博物院的《重解会棋图》是他的传世作品之一。\n传世作品有《重屏会棋图》、《 》等。",[26,27,219,31,32,33,127,19208,163,19209,63,82],"神鸟","月亮","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fecd1fa7526358a03d725c63f905f8a92.jpg",[],{"id":19213,"slug":19214,"title":19215,"dynasty":75,"author":7,"museum":172,"description":19216,"tags":19217,"thumbUrl":19218,"material":11,"size":11,"collection":11,"collections":19219,"showCount":18506,"zanCount":49,"manualWeight":49,"mainColor":70},227565,"chun-hua-ge-tie-1-10-juan-yi-ming-227565","淳化阁帖1－10卷","《淳化阁帖》，又名《淳化秘阁法帖》，简称《阁帖》，共10卷。是中国最早的一部汇集各家书法墨迹的法帖。",[711,854,124,1421,125,3330,3054],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F9acf07071fde65eb01773944a9e7bb62.jpg",[],{"id":19221,"slug":19222,"title":19223,"dynasty":75,"author":7,"museum":172,"description":14164,"tags":19224,"thumbUrl":19225,"material":11,"size":11,"collection":11,"collections":19226,"showCount":18506,"zanCount":49,"manualWeight":49,"mainColor":739},227369,"yu-lin-ku-003-ku-yong-dao-bei-bi-yi-ming-227369","榆林窟003窟甬道北壁",[26,175,75,33,32,30,292,124],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F51da7113ec81f9462529514cfda561f0.jpg",[],{"id":19228,"slug":19229,"title":19230,"dynasty":1491,"author":7,"museum":172,"description":6236,"tags":19231,"thumbUrl":19232,"material":296,"size":297,"collection":11,"collections":19233,"showCount":18506,"zanCount":49,"manualWeight":49,"mainColor":70},226747,"tu-yuan-bi-yi-ming-226747","凸缘璧",[267,268,406,346,2042],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fa1fe4d3bb05fa28d676c57ecd8e6b231.jpg",[],{"id":19235,"slug":19236,"title":19237,"dynasty":599,"author":7,"museum":172,"description":19238,"tags":19239,"thumbUrl":19240,"material":296,"size":297,"collection":11,"collections":19241,"showCount":18506,"zanCount":49,"manualWeight":49,"mainColor":70},226726,"yue-guan-shi-yi-ming-226726","钺冠饰","玉造形颇相似于半个倒梯形器。外缘上方作阶梯状，再以内凹的弧形收折至一定的宽度。底线平直，并于底面挖入长椭形的凹槽，以利套嵌。 灰黄不透明玉。灰黄不透明玉。造形颇相似于半个倒梯形器。外缘上方作阶梯状，再以内凹的弧形收折至一定的宽度。底线平直，并于底面挖 入长椭形的凹槽，以利套嵌",[599,346,268,267,39],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F9b24295b037b6ae108144409ffd0681c.jpg",[],{"id":19243,"slug":19244,"title":697,"dynasty":171,"author":7,"museum":292,"description":698,"tags":19245,"thumbUrl":19246,"material":296,"size":297,"collection":11,"collections":19247,"showCount":18506,"zanCount":49,"manualWeight":49,"mainColor":50},226496,"ku-zhu-shi-zao-jing-yi-ming-226496",[292,175,8213,1170,272,12368],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F03b0f4a0f5e4b87ae81202f2d3c8a6c3.jpg",[],{"id":19249,"slug":19250,"title":2446,"dynasty":171,"author":7,"museum":292,"description":698,"tags":19251,"thumbUrl":19252,"material":296,"size":297,"collection":11,"collections":19253,"showCount":18506,"zanCount":49,"manualWeight":49,"mainColor":50},226424,"ku-zhu-shi-dong-bi-yi-ming-226424",[175,292,1170,2361,32],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Faffa667d699ae385b48b7655b858dd63.jpg",[],{"id":19255,"slug":19256,"title":5990,"dynasty":171,"author":7,"museum":292,"description":698,"tags":19257,"thumbUrl":19258,"material":296,"size":297,"collection":11,"collections":19259,"showCount":18506,"zanCount":49,"manualWeight":49,"mainColor":50},226362,"ku-zhu-shi-nan-bi-yi-ming-226362",[175,30,32,33,123],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fecfebe700aeb24c3afccab84817dec54.jpg",[],{"id":19261,"slug":19262,"title":4100,"dynasty":171,"author":7,"museum":292,"description":698,"tags":19263,"thumbUrl":19264,"material":296,"size":297,"collection":11,"collections":19265,"showCount":18506,"zanCount":49,"manualWeight":49,"mainColor":50},226357,"ku-yong-dao-ding-bu-yi-ming-226357",[175,30,32,33],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F28dd75959bb76b4357ad480a85dbfd65.jpg",[],{"id":19267,"slug":19268,"title":1510,"dynasty":171,"author":7,"museum":292,"description":698,"tags":19269,"thumbUrl":19270,"material":296,"size":297,"collection":11,"collections":19271,"showCount":18506,"zanCount":49,"manualWeight":49,"mainColor":50},226340,"ku-zhu-shi-bei-bi-yi-ming-226340",[175,292,30,1170,986,11038],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fea2fb5509e240cb5fbcbb127fac7a36f.jpg",[],{"id":19273,"slug":19274,"title":19275,"dynasty":22,"author":7,"museum":172,"description":19276,"tags":19277,"thumbUrl":19278,"material":11,"size":11,"collection":11,"collections":19279,"showCount":18506,"zanCount":49,"manualWeight":49,"mainColor":70},225310,"fu-shi-hui-42-yi-ming-225310","浮世绘42","澄澈圆月悬于墨蓝天幕，清辉遍洒高台式木质廊榭。三位仕女身着纹彩妍丽的和服，姿态悠然舒展：一人抬指望月似在私语，一人缓步凭栏神情温婉，最后一位持物随行，将夜游闲雅缓缓晕开。暖调提灯晕着柔光，与冷色月色交织相融，明丽暖黄的木构廊台衬着幽深夜色，冷暖碰撞间把静谧柔美的夜宴氛围烘托恰到好处，将和风市井里温婉雅致的夜游意韵，永远定格在画面中。",[10461,2751,32,33,127,129,38,3623],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fddb76223ea6f0d154274980f6a36c302.jpg",[],{"id":19281,"slug":19282,"title":19283,"dynasty":22,"author":7,"museum":172,"description":19284,"tags":19285,"thumbUrl":19287,"material":11,"size":11,"collection":11,"collections":19288,"showCount":18506,"zanCount":49,"manualWeight":49,"mainColor":70},225305,"fu-shi-hui-32-yi-ming-225305","浮世绘32","这幅山水绘以平远视角铺展幽寂景致，澄澈湖水切割出错落洲渚，岩崖间白练飞瀑垂落，晕开一汪幽潭清涟。苍劲虬曲的古松或孤植洲头，或茂生崖畔，隐在云霭间的山居添了悠然野趣。\n\n远景淡青山峦托着朱色浅丘，与靛蓝湖水相映，留白如轻烟岚雾层层推开空间，糅合装饰性与写意感。明快柔和的石青、草绿晕染出温润生机，凝练利落的线条勾勒林泉肌理，将幽寂禅意融于湖光山色，尽显日式山水绘的空灵悠远，复刻出侘寂闲静的自然之趣。",[10461,2751,32,60,130,331,1102,63,734,13158,359,19286],"山丘","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F77cc601009e26987e67a465c679f8627.jpg",[],{"id":19290,"slug":19291,"title":19292,"dynasty":8,"author":7,"museum":172,"description":6236,"tags":19293,"thumbUrl":19296,"material":296,"size":297,"collection":11,"collections":19297,"showCount":18506,"zanCount":49,"manualWeight":49,"mainColor":50},223912,"zhan-guo-shou-shou-yi-yi-ming-223912","战国 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泠泠意趣。远景以淡墨晕作空蒙烟霭，将山林深幽肆意延展。\n\n全作用水墨写意而出，以干湿浓淡的墨色铺陈空间层次，淡墨轻皴山石，晕染云烟。简淡笔触写尽林泉高致，将山野林下的静穆生机缓缓铺陈，仿佛能闻声泉响，轻嗅竹间清润，尽显萧散淡远的文人意趣，把幽居林泉的闲雅意境融于尺幅之间。",[27,28,530,144,60,145,1525,19924,614],"流泉","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F7146d77b47a30d94781b03f80b751327.jpg",[],{"id":19928,"slug":19929,"title":19930,"dynasty":55,"author":7,"museum":172,"description":19931,"tags":19932,"thumbUrl":19933,"material":5663,"size":10680,"collection":45,"collections":19934,"showCount":19498,"zanCount":49,"manualWeight":49,"mainColor":70},238023,"di-wang-ming-chen-xiang-ce-zhi-wang-xi-zhi-yi-ming-238023","帝王名臣像册之王羲之","此作以淡墨白描写就书圣风神，宽冠博袍尽显晋人仪度，长髯垂胸衬出沉静儒雅的气质，眉眼舒展自带林下散淡之风，将王羲之脱略世俗的名士神韵精妙勾勒而出。左侧题识小字工稳端秀，详述其生平轶闻，图文相辅，既是人物写照，亦是书史掌故的载体。整作笔墨洗练清雅，无多余藻饰，却将人物风骨与文史意趣融于一纸，尽显写意传神的画中妙味，静静诉说着这位书法宗师的生平与风度。",[27,28,530,123,33,82],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fcbe9df240437289ba3efcb72c4247c47.jpg",[45],{"id":19936,"slug":19937,"title":19938,"dynasty":241,"author":7,"museum":172,"description":19939,"tags":19940,"thumbUrl":19943,"material":11,"size":11,"collection":87,"collections":19944,"showCount":19498,"zanCount":49,"manualWeight":49,"mainColor":70},237123,"li-chen-xue-jing-hua-niao-zhou-yi-ming-237123","李辰雪景花鸟轴","落尽琼花天不惜，封他梅蕊玉无香。",[27,79,28,29,144,32,952,80,193,19941,19942,82,31],"枯柳","梅花枝","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F1d91d86fc3db71687041c45119956c42.jpg",[87],{"id":19946,"slug":19947,"title":19948,"dynasty":241,"author":7,"museum":172,"description":19949,"tags":19950,"thumbUrl":19952,"material":296,"size":297,"collection":11,"collections":19953,"showCount":19498,"zanCount":49,"manualWeight":49,"mainColor":70},236476,"wang-zi-yuan-pu-tao-song-shu-shan-yi-ming-236476","王子元葡萄松鼠扇","虬曲葡萄老枝顺着扇面弧度舒展，翠叶错落缀于藤蔓之间，紫葡垂坠，色晕柔润鲜活，尽显果蔬饱满娇态。\n\n画面中央的松鼠蜷身枝桠，茸毛纤毫毕现，圆目灵动专注，憨态尽显，似正觊觎垂挂的葡萄，将林间小兽的机敏活泼勾勒传神，野趣横生。\n\n此作用水墨淡彩晕染于笺上，古雅温润，笔墨兼具工致与写意。枝叶藤蔓写意洒脱，松鼠则描摹入微，二者相融成趣，将林泉幽趣凝于盈尺扇面，静中生韵，尽显小品画的灵动雅致。",[27,28,219,80,32,31,10768,19951,1737,1738,272],"松鼠","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F1f4f53a381313d2cdd585b1132221923.jpg",[],{"id":19955,"slug":19956,"title":3144,"dynasty":241,"author":7,"museum":172,"description":19957,"tags":19958,"thumbUrl":19959,"material":348,"size":11,"collection":11,"collections":19960,"showCount":19498,"zanCount":49,"manualWeight":49,"mainColor":50},236289,"wang-zi-yuan-hua-niao-ce-yi-ming-236289","寒梅虬枝斜出，苍劲古雅，淡墨轻晕的花瓣清润莹洁，将冬花的幽清淡雅尽显笔端。两只小雀依偎而立，翎羽细笔勾描，墨色晕染层次分明，软萌亲昵的神态宛然如生，把冬日禽鸟相依的温软意态描摹尽致。下方新篁清健斜出，与老梅相映，晕开几分冬末春萌的清隽生机。\n画面题字与绘景相融，整体设色淡雅清和，笔触兼具写生的细腻与文人写意的雅致，寥寥方寸间藏着精妙笔墨意趣，尽显传统花鸟写生的动人韵致。",[27,28,530,32,80,542,145,163],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ffc05f85f3c7964c81c27e058605e6144.jpg",[],{"id":19962,"slug":19963,"title":19964,"dynasty":55,"author":7,"museum":172,"description":19965,"tags":19966,"thumbUrl":19968,"material":11,"size":11,"collection":11,"collections":19969,"showCount":19498,"zanCount":49,"manualWeight":49,"mainColor":70},235914,"yang-jin-qiu-shan-lou-ge-ye-yi-ming-235914","杨晋秋山楼阁页","此作以秋郊水乡为境，左侧危崖陡立，层叠山寺凌踞山巅，古木虬枝掩映山道，商旅车马缓行其间，野趣揉着人间烟火暖意。右侧平湖横陈，渔舟轻泛波心，远岸汀渚朦胧如烟，水榭村居错落相依。\n\n笔墨兼用工写，浅淡设色晕开清秋疏朗之气，咫尺画幅铺展出千里悠远，将山野清寂与水乡恬柔相融，既绘出秋山空濛的淡远意境，又捕捉了俗世闲居的鲜活日常，是兼具写景意趣与抒情韵致的小品佳构。",[27,28,530,32,60,129,19967],"秋","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F5b3c1e551391334dadbbd7069f546dc0.jpg",[],{"id":19971,"slug":19972,"title":19973,"dynasty":241,"author":7,"museum":172,"description":15253,"tags":19974,"thumbUrl":19975,"material":11,"size":11,"collection":11,"collections":19976,"showCount":19498,"zanCount":49,"manualWeight":49,"mainColor":50},234691,"ming-ren-xue-jing-shan-shui-ce-ye-yi-ming-234691","明人雪景山水册页",[27,32,60,952,128,676,162,82,530],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ff0c5051c35d93cc31f1ab80646be71c8.jpg",[],{"id":19978,"slug":19979,"title":19980,"dynasty":55,"author":7,"museum":172,"description":19981,"tags":19982,"thumbUrl":19983,"material":11,"size":11,"collection":506,"collections":19984,"showCount":19498,"zanCount":49,"manualWeight":49,"mainColor":70},234551,"yu-mu-shang-xin-ce-jiang-zhu-shan-shui-ce-ye-yi-ming-234551","娱目赏心册-江注山水册页","《娱目赏心册》收集了十三幅绘画作品，分别出自于十二位画家之手，尽管是不同画家的手笔，但整个册页非常统一，弥漫的是一股浓浓的文人气息",[27,28,530,144,125,82,7747],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fd63b49a98dfed4752166cc9dfed195c5.jpg",[506,87],{"id":19986,"slug":19987,"title":19988,"dynasty":171,"author":7,"museum":56,"description":17964,"tags":19989,"thumbUrl":19990,"material":335,"size":8047,"collection":11,"collections":19991,"showCount":19498,"zanCount":49,"manualWeight":49,"mainColor":70},234062,"tang-ren-fu-xi-nv-wa-xiang-dan-ye-yi-ming-234062","唐人伏羲女娲像单页",[27,28,1222,32,123,33,3897,38,1058],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F926562084f175f7bc144648f04df841e.jpg",[],{"id":19993,"slug":19994,"title":19995,"dynasty":75,"author":7,"museum":56,"description":19996,"tags":19997,"thumbUrl":20000,"material":335,"size":20001,"collection":11,"collections":20002,"showCount":19498,"zanCount":49,"manualWeight":49,"mainColor":70},234018,"huai-yin-xiao-xia-tu-ye-yi-ming-234018","槐荫消夏图页","图绘炎炎夏日里，一处槐荫下，一高士平卧榻上，上衣半解，袒胸露乳，闭目酣睡；榻边一条案上摆着香炉、蜡台、书卷等物品，可能高士睡醒后在此读书赏画。本幅无款，标签题王齐翰作，原载《历代名笔集胜册》第一册。\n此图人物、床榻、条案、文房清玩刻画人微，极富艺术表现力。在笔墨上，行笔飘逸柔美、气韵清新优雅，人物和背景勾勒细致，烘染细腻，体现了画家细致的观察力和深厚的绘画功底。",[27,32,31,530,124,82,33,19998,10777,10778,877,19999],"槐树","树荫","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F0b6d4e735e515eae8c0b9f36217672fe.jpg","25×28.4cm",[],{"id":20004,"slug":20005,"title":20006,"dynasty":75,"author":7,"museum":56,"description":20007,"tags":20008,"thumbUrl":20009,"material":348,"size":20010,"collection":11,"collections":20011,"showCount":19498,"zanCount":49,"manualWeight":49,"mainColor":70},234003,"feng-yu-gui-zhou-ye-yi-ming-234003","风雨归舟页","此图描绘风雨中江边的景象。 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全天的浓烈和浓重都恰到好处，水墨是典型的南宋风格。",[27,28,530,144,32,614,60,128,131,162,130,2209],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F090650b9f7490bc6479d959f1e649073.jpg","25.6×25.3cm",[],{"id":20013,"slug":20014,"title":20015,"dynasty":75,"author":7,"museum":56,"description":20016,"tags":20017,"thumbUrl":20019,"material":566,"size":20020,"collection":11,"collections":20021,"showCount":19498,"zanCount":49,"manualWeight":49,"mainColor":50},233207,"liu-xi-chun-se-tu-ye-yi-ming-233207","柳溪春色图页","此画又名《柳溪春色图》，无名款，从其风格判断应属南宋时期作品。图绘一处屋宇依山傍水，四周柳树环绕，此时正值春天，微风吹拂柳叶飞动，整幅画面洋溢着春日气息。庭院中一群仕女似乎在排演着歌舞，屋前有一大片空地可能类似如今的广场。此画构图十分特别，不似传统「三远法」中任何一种，画面的组织皆围绕着建筑展开平铺直叙。其画法属工细一路，用笔精致，设色淡雅。画中前景用斧劈皴画一巨石，茂林密柳以「胡椒点」为之，有别于常见的人、个、介字的排列画法；屋宇平直处用界画成，曲折处稍用笔有放逸；远山勾画简略，几乎是平涂而成，意在衬托出前面繁密的景物。作者在马夏风格一统画坛的南宋时期，仍可另辟蹊径创出一种新面貌，故此画当属难得的宋人佳作。",[27,219,1222,31,32,144,614,60,2208,3734,445,532,130,20018],"春色","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F2fa316a638cfd655a3d2997055ce7f48.jpg","纵23.4厘米，横24厘米",[],{"id":20023,"slug":20024,"title":20025,"dynasty":141,"author":7,"museum":172,"description":20026,"tags":20027,"thumbUrl":20028,"material":11,"size":11,"collection":11,"collections":20029,"showCount":19498,"zanCount":49,"manualWeight":49,"mainColor":50},233028,"ren-zong-huang-di-hou-xiang-yi-ming-233028","仁宗皇帝后像","全册七开，设色画后妃、太子头像共十三人，每开有题签记名。",[27,28,1443,31,32,33,345,39],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F4fb391e6701e427c9be24a3b640f5e07.jpg",[],{"id":20031,"slug":20032,"title":20033,"dynasty":75,"author":7,"museum":56,"description":20034,"tags":20035,"thumbUrl":20037,"material":348,"size":20038,"collection":11,"collections":20039,"showCount":19498,"zanCount":49,"manualWeight":49,"mainColor":70},233012,"qing-feng-ju-die-tu-ye-yi-ming-233012","青枫巨蝶图页","描绘了伸出嫩绿色枫树一株，枝叶婆娑。一只赭黄色巨蝶从右上侧凌空飞临，与枫叶构成平衡的对角关系。\n图左下方更有鲜红色瓢虫伏于枫叶之上，十分俏皮。\n画风高度写实，细致入微。\n画法的特点一是细线勾勒，笔若游丝，使蝶与枝、叶的形态皆极为轻倩灵秀；二是设色淡雅明快，红、绿、黄对比鲜明，给人以清新出尘之感，不落浓艳俗套。",[79,27,32,31,80,20036,105,82,1222,348],"枫叶","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F4422c7a10a05c4dac53bafdc3ea79086.jpg","23cm 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青花瓷阿拉伯文七孔花插",[931,2194,5179,15949,20138,346],"阿拉伯文","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F7c6694985f8e227cab8fce5c1a188b06.jpg",[],{"id":20142,"slug":20143,"title":20144,"dynasty":141,"author":7,"museum":172,"description":20145,"tags":20146,"thumbUrl":20147,"material":11,"size":11,"collection":11,"collections":20148,"showCount":19498,"zanCount":49,"manualWeight":49,"mainColor":50},228227,"xu-kong-zang-pu-sa-xiang-li-zhou-yi-ming-228227","虚空蔵菩萨像立轴","此作所绘菩萨面容慈悲恬和，端坐莲云宝台之上，周身璎珞环佩错落华贵，衣纹卷草繁复精美。身后圆光放射清辉，将法相衬得愈发澄澈庄严。设色沉雅古艳，晕染柔和细腻，带着浑穆静雅的气质。下方青绿山水澹然悠远，将神圣法界与俗世林泉相融，传递出安宁清寂的禅意。笔致工谨入微，既恪守宗教造像的肃穆仪轨，又暗合传统绘事的雅致意韵，尽显神性之美与笔墨意趣，是兼备信仰内涵与艺术价值的上乘之作。",[26,27,28,1443,29,30,33,31,32,177,60,1388],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fd4519e845bfd0c73213cf3ff0697c5d5.jpg",[],{"id":20150,"slug":20151,"title":20152,"dynasty":141,"author":7,"museum":172,"description":20153,"tags":20154,"thumbUrl":20155,"material":296,"size":297,"collection":11,"collections":20156,"showCount":19498,"zanCount":49,"manualWeight":49,"mainColor":50},228194,"liu-hai-xi-chan-tu-yi-ming-228194","刘海戏蟾图","这幅作品构图饱满，除人物外，海涛几乎充满了整个画面。画风工谨，设色淡雅；衣纹用笔，线条劲练，下笔稍粗重，但刚柔相济，恰到好处；海涛以颤笔勾描，精细异常，具有很强的装饰性。",[26,27,28,79,29,123,33,4110,532,1525],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fa23f8645a988834ef3eb6503b9fb393d.jpg",[],{"id":20158,"slug":20159,"title":20160,"dynasty":75,"author":7,"museum":172,"description":20161,"tags":20162,"thumbUrl":20163,"material":11,"size":11,"collection":11,"collections":20164,"showCount":19498,"zanCount":49,"manualWeight":49,"mainColor":70},227926,"xi-hu-chun-xiao-tu-ye-yi-ming-227926","西湖春晓图页","这幅小品以淡墨晕染出江南春晓的空濛诗意。柳丝垂岸，水乡村居错落掩映在烟树之间，黛瓦茅舍伴着新绿，尽是闲雅野逸的栖居意趣。湖面波色澹澹，渔翁摇橹泛于水上，寥寥数笔便将春日清晨的慵懒闲淡勾勒尽致。远景山峦隐在薄雾轻岚之中，佛塔尖顶刺破烟霭，晕染出悠远空寂的氛围感。整幅画作以简淡笔墨铺陈开西湖春晓的湿润清宁，不见繁复着色，全凭水墨层次晕开江南烟雨的朦胧诗意，将春日湖山的幽微之美藏于尺幅之间，尽显雅致禅意。",[26,27,28,1222,144,32,60,128,131,2656,130,1340,2209,531],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F9efff2dd90e43563a3a2ba33dc58941d.jpg",[],{"id":20166,"slug":20167,"title":20168,"dynasty":75,"author":7,"museum":172,"description":20169,"tags":20170,"thumbUrl":20171,"material":11,"size":11,"collection":11,"collections":20172,"showCount":19498,"zanCount":351,"manualWeight":49,"mainColor":50},227918,"geng-huo-tu-ye-yi-ming-227918","耕获图页","它将江南农耕的收种全序铺展在团扇尺幅间，陂塘田垄错落交织，揉成鲜活的郊野劳作长卷。水畔有人俯身插秧，田埂上乡人肩挑饱满稻穗，场院间众人打谷堆粮，连跨水板桥、茅舍林木都晕染出江南乡野的温润烟火。\n\n构图疏密相宜，把忙而不紊的农忙日常拆解入微，小人物身形虽小却鲜活灵动，或挥汗劳作，或歇憩闲谈，尽显田家夏耘秋收的质朴暖意。以淡墨轻晕远山近树，褪去繁复设色，将纪实的乡居劳作绘成充满生机的风物小诗，藏着对烟火日常的细致体察，把辛劳又鲜活的田家日常定格为隽永的乡野图景。",[26,27,28,219,31,32,33,2944,7549,1623,130,131,60,734],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F8f946904c60ad2b0f73b01e183f9e3ae.jpg",[],{"id":20174,"slug":20175,"title":20176,"dynasty":75,"author":7,"museum":172,"description":20177,"tags":20178,"thumbUrl":20179,"material":11,"size":11,"collection":11,"collections":20180,"showCount":19498,"zanCount":49,"manualWeight":49,"mainColor":50},227906,"qiu-shu-qu-yu-tu-yi-ming-227906","秋树鸜鹆图","此作以团扇形制铺陈秋意，浓墨绘就禽鸟，羽翼晕染层次分明，玄色翎毛光泽宛然，顶间细羽轻耸，目光锐而不厉，爪紧扣枯枝，静立间暗含灵动生机。旁侧秋树枯淡萧疏，枝叶以浅赭晕染，枯涩苍劲的枝干与浓黑禽鸟形成鲜明的色形对比。\n\n整幅笔意工细写实，将秋日林间的清寂氛围烘托尽致，于尺幅之间藏着雅致悠远的意境，尽显对自然生趣的细致体察，把禽鸟的慵懒幽闲与秋意的萧索柔和相融，是小品中的精妙之制。",[26,27,28,219,32,31,80,613,163,82],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F34fcea6e0955e2524931f7f5c1713d17.jpg",[],{"id":20182,"slug":20183,"title":20184,"dynasty":75,"author":7,"museum":172,"description":20185,"tags":20186,"thumbUrl":20187,"material":11,"size":11,"collection":11,"collections":20188,"showCount":19498,"zanCount":49,"manualWeight":49,"mainColor":70},227905,"qiu-ting-ying-xi-tu-ye-yi-ming-227905","秋庭婴戏图页","《秋庭婴戏》是24年7月1日 出版的图书 出版社: 上海书画出版社; 第1版 (24年7月1日) 丛书名: 国宝在线 平装: 4页 开本: 8开 ISBN: 78672664 条形码: 978786726648 尺寸: 29.8 22.4 .6 cm 重量: 281 g 这套丛书按绘画题材、风格技法等要素重新进行分类，将中国画史上的国宝级名作聚于一堂，放大至原寸，为学画者提供了下真迹一等的范本。\n本书对书中收入的每一幅名画进行了详尽的介绍与分析，部分局部放大，叙述这些流传千年的国宝背后的故事，并插入与之相关的其他名画的照片与材料，为广大喜爱中国艺术的读者提供了丰富的欣赏素材和参考资料。\n欣赏和学习中国画，离不开对画史上经典名作的了解。\n中国画的历史源远流长，由于种种原因，古代流传至今的绘画名作非但数量十分稀少，而且散佚于世界各地。\n缘于此，我们编辑了这套《国宝在线》丛书，按绘画题材、风格技法等要素重新进行分类，将中国画史上的国宝级名作聚于一堂，精心印制，并尽量放大至原寸，为学画者提供了下真迹一等的范本。\n此外，我们还对书中收入的每一幅名画进行了详尽的介绍与分析，叙述这些流传千年的国宝背后的故事，并插入与之相关的其他名画的照片与材料，为广大喜爱中国艺术的读者提供了丰富的欣赏素材和参考资料。\n书评 婴戏题材在唐代便已出现，时间当与仕女画相差无几，但数量不多，技法也远未发展成熟。\n据《宣和画谱》记载，唐代著名人物画家张萱善旦画人物……又能写婴儿，此尤为难。\n盖婴儿形貌、态度自是一家，要于大小岁数间，定其面目髫稚。\n世之画者，不失之于身小而貌壮，则失之于似妇人。\n又贵贱气调与骨法，尤须各别。\n事实上，婴孩的画法脱胎于成人，因此，早期一些不成功的婴戏画中往往会具有一小大人的特征，铅华未洗，尚不能表现出儿童稚气天真的特质。\n正如唐代人物画的兴盛与其成教化，助人伦的辅政功能不可分割一样，宋代婴戏题材画之所以流行也同样有其社会背景。\n宋代重文治，虽然对外一直积弱不振，但内部局势却相对较为稳定。\n农业生产不断增长，城市经济日渐繁荣，工商业发达，人口集中。\n市民阶层迅速壮大并逐渐形成一支可以影响画坛趣味的力量。\n绘画从主要服务于宗教及贵族阶层的利益，转而开始考虑普通群众的需求。\n人物画的题材中，道释及帝王肖像一统天下的局面被打破，表现市井平民生活的风俗画开始兴盛，这其中便包括以孩童嬉戏为主要表现内容的婴戏题材画。\n当时的观念认为，儿童可以消灾解难，会带来吉祥幸福。\n例如，北宋熙宁年间京师久旱，皇帝便让京师的儿童祈雨；南宋时期，除夕时在皇宫里，呈王女童驱傩，装六丁、六甲、六神之类一等等。\n因此，宋代社会对儿童事业颇为重视，当时的京城中设有官办的慈心幼局类似于今天的幼儿园或孤儿院，还出现了私人的儿科大夫和儿童药房等。\n显然，这种社会时尚在当时的文艺创作中不能不有所反映，就绘画而言，可以说婴戏画正是在这样的背景下发展起来的。\n著名的瓷器孩儿枕也出现于这一时期。\n一 在宋代，擅作婴戏题材的画家已有相当的人数，如勾龙爽、刘宗道、杜孩儿、苏汉臣、徐世荣等。\n其中以苏汉臣最为著名，流传下来的作品也最多，以 收藏的《秋庭婴戏图》最引人观注。\n他的成就，从后世作婴戏图者多托名于之便可见一斑。\n杜孩儿，顾名思义，因擅画婴儿而得名，《画继》说他在政和间，其笔盛行，而不遭遇，流落辇下。\n画院众工，必转求之，以应宫禁之须。\n《画继》还记载：刘宗道，京师人。\n作《照盆孩儿》，以水指影，影亦相指，形影自分。\n每作一扇，必画数百本，然后出货，即日流布，实恐他人传模之先也。\n由此可见婴戏画在当时流行风靡的程度。\n又据《图绘宝鉴》所云：勾龙爽，蜀人。\n好丹青，喜为古衣冠，多作质野不媚之状。\n尤善婴孩，得其态度。\n国初为翰林待诏。\n徐世荣，画界画，兼工婴儿。\n然而，遗憾的是这些画家的作品均已失传，我们只能通过前人的寥寥数语来想像他们的风貌了。\n宋代的画坛还有一些精通人物、山水、花鸟的全能画家，如李嵩、刘松年等，他们也画过一些婴戏题材作品，而且都极为精妙。\n我们知道，宋人作画重视写生，宋代画家在再现客观世界的能力方面较之前代画家取得了长足的进步。\n因此，尽管总体而言人物画的地位远逊于晋唐，但画家的技能不仅不逊于前辈，通常还有过之而无不及。\n婴戏画便是很能说明问题的例子。\n宋代画家很好地解决了前代在画孩童时常出现的问题，他们已能够驾轻就熟地表现儿童那种特有的体貌和神态了。\n这种技术上的进步与宋代婴戏题材的流行可以说是一种互为因果的关系。\n婴戏题材除了在两宋较为兴盛外，明、清以及民国时期也十分常见，这也和其时代的经济、文化繁荣息息相关。\n然而，像宋代那样有大批一流画家参与婴戏题材创作的情况却不复再现，作品也殊难和宋画相媲美。\n纵观历朝历代的人物画，婴戏题材并不占有十分重要的地位，但却不可或缺。\n由于婴戏画反映的是生活中美好、祥和的一面，为广大群众所喜闻乐见，因此常成为表现节日里吉庆欢愉的吉祥画，而在近代，这一题材则逐渐转化成祈求安康、丰乐的年画而进入寻常百姓家了。\n宋 苏汉臣 秋庭婴戏图 轴 绢本 宋 苏汉臣 秋庭婴戏图 轴 局部 宋 苏汉臣 秋庭婴戏图 轴 局部 宋 苏汉臣 秋庭婴戏图 轴 局部 宋 苏汉臣 秋庭婴戏图 轴 局部 宋 苏汉臣 秋庭婴戏图 轴 局部 宋 苏汉臣 婴戏图 页 绢本 宋 苏汉臣 婴戏图 页 绢本 宋 佚名 冬日婴戏图 轴 绢本 宋 佚名 冬日婴戏图 轴 局部 宋 佚名 冬日婴戏图 轴 局部 宋 李嵩 货郎 图 卷 绢本 宋 李嵩 货郎图 卷 局部 宋 李嵩 货郎图 卷 局部 宋 李嵩 市担婴戏图 宋 李嵩 骷髅幻戏图 页 绢本 宋 李嵩 骷髅幻戏图 页 局部 宋 佚名 狸奴婴戏图 页 绢本 宋 佚名 荷亭婴戏图 页 绢本 宋 佚名 荷亭婴戏图 页 局部 宋 佚名 秋庭婴戏图 页 绢本 宋 佚名 秋庭婴戏图 页 绢本 宋 佚名 秋庭婴戏图 页 局部 宋 佚名 蕉阴击球图 页 绢本 宋 佚名 蕉阴击球图 页 局部 宋 佚名 百子嬉春图 页 绢本 宋 佚名 端阳婴戏图 页 绢本 元 佚名 杂技戏孩图 元 佚名 货郎图 轴 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26.3×29.4公分",[45],{"id":20451,"slug":20452,"title":20453,"dynasty":141,"author":7,"museum":20454,"description":20455,"tags":20456,"thumbUrl":20457,"material":43,"size":20458,"collection":87,"collections":20459,"showCount":19498,"zanCount":49,"manualWeight":49,"mainColor":50},219256,"si-ma-tu-yi-ming-219256","饲马图","中国美术馆","古绢底色晕染着时光的温厚，苍树虬枝如墨笔泼洒，浓淡间藏着元人笔意的疏朗。几匹骏马或低头啃青，或侧首相顾，肌理晕染细腻得似能触到鬃毛软韧。红衣饲马人持杖而立，身影在淡赭天地间格外鲜明，却无喧嚣，只与马群、古木共守一份悠然。画面无繁复布景，以极简构图勾勒牧歌式静谧，笔墨留白与写实相映，仿佛听见风过叶响、马鼻喷息，将寻常饲马时光，定格成跨越千年的悠然图景。",[27,28,32,31,33,1006,131],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ff95530499ef881114a1a98211c129db5.jpg","纵158横109.8厘米",[87],{"id":20461,"slug":20462,"title":20463,"dynasty":75,"author":7,"museum":76,"description":20464,"tags":20465,"thumbUrl":20467,"material":43,"size":20468,"collection":506,"collections":20469,"showCount":19498,"zanCount":49,"manualWeight":49,"mainColor":70},218890,"shu-lin-ye-zhang-tu-yi-ming-218890","疏林曳杖图","这是对郭熙山水的模仿，只是笔法略显草率，可能是元代的作品。",[26,27,28,79,144,32,60,614,20466,162,33,1340,6671,131],"疏林","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F0484004fdf547cfb6952e361a78c340d.jpg","24.7x23.5",[506],{"id":20471,"slug":20472,"title":20473,"dynasty":75,"author":7,"museum":76,"description":20474,"tags":20475,"thumbUrl":20477,"material":43,"size":20478,"collection":506,"collections":20479,"showCount":19498,"zanCount":49,"manualWeight":49,"mainColor":70},218816,"xi-qiao-gu-si-tu-yi-ming-218816","溪桥古寺图","这幅画描绘了一座隐藏在深山中的古寺，有一座连接山涧的危桥。原作没有标记，但仔细看画风就会发现它属于李唐和萧照的画派。",[26,27,28,219,32,60,614,16077,20476,162,131,1340,130],"溪桥","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F9365706aca0f6b75e3edd136c54eef45.jpg","24.6x24.3",[506],{"id":20481,"slug":20482,"title":20483,"dynasty":75,"author":7,"museum":76,"description":20484,"tags":20485,"thumbUrl":20487,"material":43,"size":20488,"collection":45,"collections":20489,"showCount":19498,"zanCount":49,"manualWeight":49,"mainColor":70},218803,"li-tie-guai-mo-jian-tu-yi-ming-218803","李铁拐磨剑图","画中的人物头发凌乱，满脸胡须，衣服破烂，赤脚，肌肉发达，在海滩上的一块凸起的石头上磨剑。滚动的海浪，加上松树和滚动的云朵，是画面的焦点。这幅画的原题是 周帝打醮，但从人物旁边的手杖来看，这幅画描绘的是道教传说中的八仙之一的李铁拐。传说他是一个魁梧的人，在成为不朽的人之后，被赋予了一个饥饿的人的身体，因此他的外表很丑陋。明朝的一位宫廷画师也制作了类似的图像，用来驱除邪灵。",[26,79,27,28,530,31,123,32,33,331,162,62,20486],"剑","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F6e1584d50aced77bd7bb3f19029177fc.jpg","23.9x21",[45],{"id":20491,"slug":20492,"title":20493,"dynasty":75,"author":7,"museum":76,"description":20494,"tags":20495,"thumbUrl":20497,"material":43,"size":20498,"collection":506,"collections":20499,"showCount":19498,"zanCount":351,"manualWeight":49,"mainColor":70},218704,"he-ting-shui-ge-tu-yi-ming-218704","荷汀水阁图","一个有学问的人在水榭里看荷花，一个渔夫在沙滩上扭动渔网。远处的山和湖各占一半，使画面平静而清晰。笔法是夏圭的遗产，所以这可能是一位大师的作品。",[26,27,79,28,530,144,614,60,129,6330,446,35,131,1340,6036,20496],"浅设色","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fa60861a88d925828376c2dde8d09dbee.jpg","22.9x23.6",[506],{"id":20501,"slug":20502,"title":20503,"dynasty":55,"author":7,"museum":172,"description":20504,"tags":20505,"thumbUrl":20506,"material":616,"size":11,"collection":11,"collections":20507,"showCount":19498,"zanCount":351,"manualWeight":49,"mainColor":70},215865,"qing-dai-gong-ting-ren-wu-hua-ce-4-yi-ming-215865","清代宫廷人物画册-4","鬓边珠翠攒成彩冠，青丝挽作典雅髻鬟。锦袍绣凤衔云，蓝绿绒线交织出羽翼的灵动，朱红点缀翎尾，祥云纹样环绕周身。裙摆层叠，紫缎镶边衬着花卉绣饰，足履精巧。人物神态温婉娴静，眉眼间流露宫廷女子的端庄气质。画作线条细腻，色彩浓艳却不失和谐，衣料的质感与纹样的繁复尽显清代宫廷服饰的华贵，每一处针脚仿佛都藏着旧时宫闱的精致与雍容。",[160,31,32,33,8576,345,39,530],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fa56835eb1f94ec1c7d6a220d5b7d2840.jpg",[],{"id":20509,"slug":20510,"title":20511,"dynasty":55,"author":7,"museum":172,"description":20512,"tags":20513,"thumbUrl":20514,"material":616,"size":11,"collection":11,"collections":20515,"showCount":19498,"zanCount":351,"manualWeight":49,"mainColor":70},215863,"qing-dai-gong-ting-ren-wu-hua-ce-7-yi-ming-215863","清代宫廷人物画册-7","冠上羽翎轻缀，饰件精巧别致。深蓝袍服挺括有型，胸前补子绣瑞禽，羽翼舒展如生；袖口与下摆以彩线织就缠枝花卉，粉紫花瓣衬青绿叶片，雅致灵动。人物面容沉稳，眉眼间透着端庄气度，须髯修整得体，尽显清代宫廷人物的威仪与从容。画面纸色泛黄，带着时光沉淀的斑驳痕迹，线条细腻流畅，设色浓郁却不失雅致，将人物身份地位与服饰华美细节刻画得淋漓尽致，尽显清代宫廷绘画的严谨格调与精致韵味。",[27,28,530,32,31,33,345,98,193],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F013c48dd1d28c4ff283b04ce074e3e68.jpg",[],{"id":20517,"slug":20518,"title":20519,"dynasty":55,"author":7,"museum":76,"description":13292,"tags":20520,"thumbUrl":20521,"material":43,"size":11,"collection":11,"collections":20522,"showCount":19498,"zanCount":49,"manualWeight":49,"mainColor":70},215197,"sheng-ping-le-shi-tu-ce-8-yi-ming-215197","升平乐事图册-8",[27,32,31,33,163,542,131,1676,1527,127],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Febc9282a4057d1e6a797c906811623e0.jpg",[],{"id":20524,"slug":20525,"title":20526,"dynasty":55,"author":7,"museum":1179,"description":1180,"tags":20527,"thumbUrl":20529,"material":43,"size":1183,"collection":11,"collections":20530,"showCount":19498,"zanCount":49,"manualWeight":49,"mainColor":50},214335,"da-bei-shen-zhou-fo-xiang-3-yi-ming-214335","大悲神咒佛像-3",[26,27,28,32,31,30,33,530,986,20528,64,637,177],"神咒","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F675029d17e74ae020b3464aadad3b83c.jpg",[],{"id":20532,"slug":20533,"title":20534,"dynasty":75,"author":7,"museum":172,"description":1167,"tags":20535,"thumbUrl":20536,"material":296,"size":297,"collection":11,"collections":20537,"showCount":89,"zanCount":49,"manualWeight":49,"mainColor":50},291014,"song-ning-zong-hou-zuo-xiang-yi-ming-291014","宋宁宗后坐像",[26,27,28,32,31,33,127,345],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F1d5189158f56e7ee9e701cb4149d92ff.jpg",[],{"id":20539,"slug":20540,"title":20541,"dynasty":75,"author":7,"museum":76,"description":20542,"tags":20543,"thumbUrl":20545,"material":149,"size":20546,"collection":85,"collections":20547,"showCount":89,"zanCount":49,"manualWeight":49,"mainColor":50},290986,"xue-zhan-niu-che-tu-yi-ming-290986","雪栈牛车图","寒天积雪，林木萧索，远方丘陵起伏，牛车行旅络绎不绝，往返於雪径上；庄院内牛骡或卧或息，檐前二人握手倾谈旅况。画家以叙述性的手法，详实地掌握了严冬季节，郊野行旅的活动景况。 幅中坡石皆用斧劈法侧斜横皴，用笔凝重，墨色浓郁，画法齐整严谨。以笔墨论，或是出於南宋后期受李唐风格影响者所作。",[27,2415,144,952,20544,2944,2688,1142,676,734,5420,162],"牛车","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fca962091e2a05f32ff6737bcf33face7.jpg","164.2x104.1",[85],{"id":20549,"slug":20550,"title":20551,"dynasty":75,"author":7,"museum":172,"description":20552,"tags":20553,"thumbUrl":20554,"material":296,"size":297,"collection":11,"collections":20555,"showCount":89,"zanCount":49,"manualWeight":49,"mainColor":70},290777,"huai-shu-wo-lu-yi-ming-290777","槐树卧鹿","此作以绣线为笔，晕染出盛夏池畔清趣。青蟹踞于波心，甲胄纹路丝丝毕现，螯足张合间野趣盎然。菡萏或绽或含，柔瓣舒展如凝露，水草与红蓼随波轻曳，将幽潭一隅的生机缓缓铺陈。\n\n绣法灵动多变，以针代墨追摹物象肌理，蟹甲的糙粝、莲瓣的润柔被细细勾勒，设色古雅清淡，带着宋人独有的沉静雅致，将自然小景的鲜活诗意定格于丝帛之上，尽显宋代丝绣工艺的绝妙造诣，藏着旧时匠人对天地生机的细腻体察。",[530,80,232,9079,31,41],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F706c70e022114843efaebc16fa835b55.jpg",[],{"id":20557,"slug":20558,"title":20559,"dynasty":75,"author":7,"museum":172,"description":20560,"tags":20561,"thumbUrl":20562,"material":296,"size":297,"collection":11,"collections":20563,"showCount":89,"zanCount":351,"manualWeight":49,"mainColor":50},290716,"shan-hua-mo-tu-zhou-yi-ming-290716","山花墨兔轴","本幅绘野菊粟穗，一只墨兔伸著脖子，昂首嗅探，仿佛可以感觉到鼻息微动，栩栩如生。墨兔以墨色染成，并以浓淡不同的墨笔在深浅处丝出葺葺细毛，形态极为生动。 本幅无作者款印，旧签称其出自宋人之手，然野菊、粟竿的用笔均与宋人不类，当为晚期画家根据宋代画稿所绘之作。",[27,28,29,31,272,1027,920,80],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F043da57a89f7fedb4b409cb584404fa2.jpg",[],{"id":20565,"slug":20566,"title":20567,"dynasty":75,"author":7,"museum":172,"description":20568,"tags":20569,"thumbUrl":20571,"material":296,"size":297,"collection":11,"collections":20572,"showCount":89,"zanCount":49,"manualWeight":49,"mainColor":50},290508,"fang-zhou-fang-yan-le-tu-yi-ming-290508","仿周昉演乐图","松荫庭院间，雅集宴饮正酣。宾主围桌对坐，乐师拨弦和鸣，仕女环侍左右，有人奉茶添香，有人侍立听乐。\n\n此作用色古雅沉郁，线条温婉柔丽，承唐风仕女的丰腴秀致，又蕴宋人的娴静雅致。苍松古拙虬劲，衬出庭院的悠然静谧，案上陈设、发间花钿等细节处处见巧思，将文人宴饮听乐的闲逸雅致，融在晕染的古绢底色里，尽显升平雅致的宴乐图景，含蓄传递出中古雅集的从容意韵。",[27,79,28,29,32,31,33,1605,1528,687,20570,331,650,122],"演乐","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fd6e12c04897d94532b31ecc2db6af350.jpg",[],{"id":20574,"slug":20575,"title":20576,"dynasty":75,"author":7,"museum":172,"description":20577,"tags":20578,"thumbUrl":20579,"material":296,"size":297,"collection":11,"collections":20580,"showCount":89,"zanCount":49,"manualWeight":49,"mainColor":50},289878,"wei-mo-yan-jiao-tu-yi-ming-289878","维摩演教图","此画在技法上明显逊色,笔墨简洁含蓄不足,当是师承李公麟的白描人物画",[79,27,30,1170,32,31,33,1605],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F67680d9cba7bc808ec7d530b6cf68bbb.jpg",[],{"id":20582,"slug":20583,"title":4926,"dynasty":75,"author":7,"museum":172,"description":20584,"tags":20585,"thumbUrl":20586,"material":296,"size":297,"collection":11,"collections":20587,"showCount":89,"zanCount":49,"manualWeight":49,"mainColor":70},289116,"tao-zhi-qi-que-tu-ye-yi-ming-289116","此作为宋画小品中的清丽佳构，以疏简折枝托举幽淡春景。蜿蜒桃枝错落舒展，留白铺就空灵韵致，尽显宋人的雅致意趣。桃花以淡墨勾边，轻敷白粉晕染，瓣尖微透莹润质感，如凝着晨露的初绽花苞，柔婉素雅。枝上栖雀造型写实入微，羽色晕染层次分明，暖棕腹羽与苍灰背羽相映，侧目凝神间姿态悠然，似静聆春风拂花轻响，于静谧中暗蕴鲜活生机。整体笔致秀润精细，设色温婉柔和，将格物观照的审美追求藏于尺幅，定格下春日枝间闲逸恬然的诗意瞬间。",[27,28,80,31,32,1330,163,1222,82],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F0865527a000659e4a83fb3a70a7fc7b5.jpg",[],{"id":20589,"slug":20590,"title":19315,"dynasty":75,"author":7,"museum":172,"description":20591,"tags":20592,"thumbUrl":20595,"material":296,"size":297,"collection":11,"collections":20596,"showCount":89,"zanCount":49,"manualWeight":49,"mainColor":50},288364,"jin-ming-chi-zheng-biao-tu-yi-ming-288364","《金明池争标图》绘金明池及岸边的景物和人物。由画面下部“池门”入园，以界画手法分别细致描绘了“临水殿”、“宝津楼”、“棂星门”、“仙桥”、“五殿”、“奥屋”等主要建筑物。画面中各龙舟左突右进的空间安排，营造出争标的激烈、刺激与紧张气氛。“仙桥”右下方的“水傀儡”、“水秋千”、“乐船”的描绘则将宋代的水上百戏表演呈现在观者面前。\n《金明池争标图》上众多人物汇聚图上，虽微小如蚁，但仔细观察，人物比例恰当，姿态各异，神情生动，颇具艺术魅力。\n《金明池争标图》中描绘的景物、活动与宋孟元老所撰《东京梦华录》等史料中相关的记载吻合，因此又具有较高的历史文献价值。",[79,27,329,31,32,129,1623,130,371,20593,503,1092,20594],"池苑","龙舟争标","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F599da7a1c7e07ac0c449915bde4d91c3.jpg",[],{"id":20598,"slug":20599,"title":20600,"dynasty":241,"author":7,"museum":172,"description":20601,"tags":20602,"thumbUrl":20603,"material":296,"size":297,"collection":11,"collections":20604,"showCount":89,"zanCount":49,"manualWeight":49,"mainColor":50},288157,"fang-song-ren-xue-shan-xing-lv-tu-li-zhou-yi-ming-288157","仿宋人雪山行旅图立轴","此作用笔苍劲老辣，以层层积墨晕染出冰封雪裹的寒山，嶙峋怪石棱角分明，积雪似凝脂覆于崖巅，留白与墨色相生，晕出山坳间的濛濛寒雾。古松虬曲苍劲，枝干擎着薄雪，于冷寂中透出倔强生机。\n\n山径间踽踽独行的旅人，为这片阒寂雪境添上一缕烟火气，反衬出天地空阔荒寒。整幅画将冬山的凛冽清旷铺陈开来，静穆中藏着深幽的山水意趣，尽显萧寒孤远的冬日山野之美。",[26,27,79,29,60,122,144,952,331,162,2688,1143,33,614],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F2231d82e879c9de295b72e33f2816647.jpg",[],{"id":20606,"slug":20607,"title":19138,"dynasty":241,"author":7,"museum":172,"description":20608,"tags":20609,"thumbUrl":20610,"material":296,"size":297,"collection":11,"collections":20611,"showCount":89,"zanCount":49,"manualWeight":49,"mainColor":50},287952,"fang-li-tang-hao-pu-tu-juan-yi-ming-287952","此作用笔追摹北宗风骨，取景溪山幽隅。左岸危岩崚嶒，古木盘根错结于石罅，虬曲苍劲，枝叶攒簇如盖；右岸林樾荫蔽，二雅士临流趺坐，静听溪声、观览山光。\n山石以斧劈皴挥写，方硬利落，尽显岩壑沉厚质感；水纹细劲萦回，状摹出溪涧清浅潺湲之态。整幅以古雅底色衬出林泉幽寂，将文人寄情山水的闲淡襟怀，融于雄健笔墨之中，萧散出尘，兼具雄浑骨力与幽远意境。",[26,27,96,2415,32,614,162,1643,2709,1528,627],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F8f11da397377cad1cc1e22134625497e.jpg",[],{"id":20613,"slug":20614,"title":20615,"dynasty":241,"author":7,"museum":172,"description":20616,"tags":20617,"thumbUrl":20621,"material":296,"size":297,"collection":11,"collections":20622,"showCount":89,"zanCount":49,"manualWeight":49,"mainColor":50},287862,"zui-ba-xian-tu-juan-yi-ming-287862","醉八仙图卷","此作以群仙醉态为骨，将八仙酣饮忘形之姿铺陈于卷：有人挥袖踉跄、醉舞不休，有人凭石颓坐、醺然欲眠，亦有二人相顾喟叹，将酒中疏狂放达描摹得淋漓尽致。衣纹线条圆劲流转，古雅沉厚设色带着唐风余韵，把仙人纵酒忘情、脱略形骸的逍遥意态尽数铺展。后拖题跋墨色苍润，诗画相映，衬出长卷林下高致，将酒中仙人们沉醉忘机、寄兴林泉的风流雅趣刻画得入木三分，是兼具笔墨意趣与传神功力的精妙之作。",[26,79,27,96,32,1572,20618,20619,1706,124,20620,162,3909],"醉八仙","醉酒","酣醉","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fba07776ca72d646182cec9a7a2c09a7e.jpg",[],{"id":20624,"slug":20625,"title":20626,"dynasty":171,"author":7,"museum":172,"description":20627,"tags":20628,"thumbUrl":20629,"material":296,"size":297,"collection":11,"collections":20630,"showCount":89,"zanCount":49,"manualWeight":49,"mainColor":50},287730,"tang-tai-zong-ban-shen-xiang-yi-ming-287730","唐太宗半身像","此作以工笔细绘帝王仪容，乌纱幞头束发，尽显初唐冠制风貌。画师精准捕捉帝王雄毅沉稳的气度，眉峰斜挑，目光沉凝锐利，络腮长须垂落的线条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Count":49,"manualWeight":49,"mainColor":50},235670,"yuan-yao-shan-shui-ping-chun-tai-ming-yue-yi-ming-235670","袁耀山水屏-春台明月","此画以淡晕烟霭织就春夜底色，圆月悬于浅青长空，将清辉温柔泼洒在湖山间。重檐朱阁倚山而建，飞檐翘角揽着月色，檐下窗棂隐约透出暖意，与周遭盛放的花树、垂岸的柔柳相映，将人工雅意揉入湖山清景。\n\n水面扁舟轻泛，渔人慢摇船桨漾开细微波光，和静雅的楼台形成动静对照。整幅设色柔润秀雅，以淡墨晕染烟岚，把春夜湖山的空濛温婉尽数铺展。无需浓墨重彩，便将春台望月的清和诗意藏在每处细节里，观之如临其境，似能嗅到春夜湿润花香，耳闻水波轻拍船舷的浅响，尽显东方山水悠然禅意。",[27,32,329,31,60,38,129,131,1343,1281,20996],"台","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fe874e6605c1df06f174e906972637056.jpg",[],{"id":21000,"slug":21001,"title":4679,"dynasty":241,"author":7,"museum":172,"description":21002,"tags":21003,"thumbUrl":21005,"material":296,"size":297,"collection":11,"collections":21006,"showCount":89,"zanCount":351,"manualWeight":49,"mainColor":70},235591,"wen-chu-hua-hui-ce-yi-ming-235591","此作用没骨技法绘萱草一花半叶，橙黄赭红晕染花瓣，轻描出舒展柔婉的花形，细笔点出纤长花蕊，将萱花盛放时的娇妍之态尽显。浅绿晕染叶片，笔致清隽含蓄，与柔花相映成趣。洒金素笺为底，柔雅的设色在细闪的底色间愈显清丽脱俗。全画构图疏简空灵，无多余赘饰，只撷取一隅小景，便将初夏萱草的绰约风姿定格，尽显娴静雅致的闺阁意趣，淡而不薄，秀润雅致，藏着含蓄温婉的中式诗意。",[27,79,28,530,31,32,80,190,21004,221,82],"花苞","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F01c33e0d6ab38e75010a93bb7f5e9b64.jpg",[],{"id":21008,"slug":21009,"title":21010,"dynasty":241,"author":7,"museum":172,"description":21011,"tags":21012,"thumbUrl":21013,"material":11,"size":11,"collection":11,"collections":21014,"showCount":89,"zanCount":49,"manualWeight":49,"mainColor":50},235054,"shen-shi-lan-ting-xiu-xie-tu-juan-yi-ming-235054","沈时兰亭修褉图卷","此作用青绿设色铺陈林泉雅集，苍松茂柳环合掩映，青绿山石古雅沉静，将林下幽境晕染得清旷悠然。左侧文士或围坐清谈，或凭石闲憩，神态萧散清和，衣袂舒展自带林下风流，暗合流觞曲水之雅意。林间隐着简雅亭台，衬出集会的雅致氛围。右侧水扁舟轻泛，对岸轩阁凭栏，将林泉之景延展得悠远空灵。\n\n画作工写兼具，古旧绢色晕染出温润古意，将文会吟咏唱和的悠然光景复刻于卷上，漫溢出文人集会的从容风雅，尽显林泉雅集的清逸意趣。",[27,28,96,32,31,33,531,130,128,532,162,163],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F455cd376df096daa4f2307bb08f68e66.jpg",[],{"id":21016,"slug":21017,"title":4092,"dynasty":241,"author":7,"museum":172,"description":21018,"tags":21019,"thumbUrl":21020,"material":296,"size":297,"collection":11,"collections":21021,"showCount":89,"zanCount":49,"manualWeight":49,"mainColor":70},234925,"dong-qi-chang-shan-shui-ce-yi-ming-234925","此作用干笔淡墨铺陈丘壑，以极简皴擦绘出山峦层叠错落之态，苍润相生间尽显松秀空灵。萧疏林木散缀崖畔溪旁，不作繁饰，寥寥笔致便将山中秋寂清寒晕染开来。画面留白通透清灵，虚实相生间铺展出静穆澹远的林下幽境，笔墨间浸透着幽寂出尘的雅韵，观之如卧游林泉，俗尘尽涤。",[27,144,530,614,60,146,532,82],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F6cce78038cdde42a8656f3ea715d8201.jpg",[],{"id":21023,"slug":21024,"title":21025,"dynasty":55,"author":7,"museum":172,"description":2355,"tags":21026,"thumbUrl":21027,"material":296,"size":297,"collection":11,"collections":21028,"showCount":89,"zanCount":49,"manualWeight":49,"mainColor":50},234420,"shi-bi-ji-guang-fu-mu-tang-ka-yi-ming-234420","十臂积光佛母唐卡",[30,32,31,33,190,41,1056,5107],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fa3de4ca66fef49a47ba1806828f0c024.jpg",[],{"id":21030,"slug":21031,"title":21032,"dynasty":55,"author":7,"museum":172,"description":21033,"tags":21034,"thumbUrl":21035,"material":11,"size":11,"collection":11,"collections":21036,"showCount":89,"zanCount":49,"manualWeight":49,"mainColor":70},234402,"xiao-shen-cheng-huang-hou-bian-fu-guan-zhu-xiang-zhou-yi-ming-234402","孝慎成皇后便服观竹像轴","她身着宝蓝团花常服，鬓边红白簪花点缀，安坐湖石之上，抬眼望向身旁青竹。笔底工细写实，衣袍纹样纤毫毕现，将皇后端凝温婉的仪态尽数铺陈。\n\n布景清雅悠然，青竹劲拔婆娑，水畔蔷薇烂漫，奇石与卉草错落点缀，晕染出皇家苑囿的闲静诗意。整作兼具工笔的精致与写意的清逸，将深宫中观竹的片刻悠然藏于柔润设色中，尽显中式庭院雅致意境与清宫女性的温婉风华。",[27,29,32,31,33,127,145,190,649,60,146,64,160],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F06d30ee953a67fd3d64733afe86aaadb.jpg",[],{"id":21038,"slug":21039,"title":21040,"dynasty":55,"author":7,"museum":172,"description":21041,"tags":21042,"thumbUrl":21046,"material":11,"size":11,"collection":11,"collections":21047,"showCount":89,"zanCount":49,"manualWeight":49,"mainColor":70},234390,"hong-li-shi-yi-shi-er-tu-zhou-yi-ming-234390","弘历是一是二图轴","工笔淡彩晕染出雅致书斋，主人凭榻安坐，仆从侍侧奉茶。博古架上瓷瓶书卷错落，案头盆景清供雅致静立，将文人闲居意趣铺陈开来。\n线条秀逸细腻，设色柔和平静，画面写实入微，又暗藏是一是二的禅意哲思。主人凝睇画像，物我交融的意境悄然流露，将古时文人士大夫观照自我的精神世界定格绢素，让人身临其境触摸旧日清贵的闲雅日常。",[27,32,31,33,60,21043,898,877,1529,9192,10138,331,7180,1607,3017,3018,3019,3020,21044,21045,648,1748],"文房四宝","香炉","几案","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fa5a85e7afac4f195c0df770e25d47790.jpg",[],{"id":21049,"slug":21050,"title":21051,"dynasty":75,"author":7,"museum":56,"description":21052,"tags":21053,"thumbUrl":21054,"material":1433,"size":21055,"collection":11,"collections":21056,"showCount":89,"zanCount":49,"manualWeight":49,"mainColor":50},234006,"shui-xian-tu-ye-yi-ming-234006","水仙图页","水仙（Narcissus tazettaL. var. chinensis Roem. ）又名中国水仙，是多花水仙的一个变种。是石蒜科多年生草本植物。水仙的叶由鳞茎顶端绿白色筒状鞘中抽出花茎（俗称箭）再由叶片中抽出。一般每个鳞茎可抽花茎1-2枝，多者可达8-11枝，伞状花序。花瓣多为6片，花瓣末处呈鹅黄色。花蕊外面有一个如碗一般的保护罩。鳞茎卵状至广卵状球形，外被棕褐色皮膜。叶狭长带状，蒴果室背开裂。水仙性喜温暖、湿润，花期在春季。\n作为中国传统观赏花卉的水仙，原种为唐代从意大利引进，是法国多花水仙的变种，在中国已有一千多年栽培历史，经上千年的选育而成为世界水仙花中独树一帜的佳品，为中国十大传统名花之一。因为鳞茎生得颇象洋葱、大蒜、故六朝时称“雅蒜”、宋代称“天葱”。之后，人们还给她取了不少巧妙、美丽的名字，如金盏、银台、俪兰、雅客、女星等等。水仙花早在宋代就已受人注意和喜爱。\n南宋佚名《水仙图》只画了一株水仙，一花五叶。画面的中心水仙花盛开，清新可人，叶片四展而不零乱，飘逸潇洒，并将画面分割成五部分，花蕊正好位于最能够吸引目光的黄金分割位置，凸显全画的核心。花瓣以尖细之笔勾勒轮廓，再染白粉，花蕊以橘黄点染，设色淡雅清逸。《水仙图》可谓是着笔简洁而韵味无穷，是南宋院体花鸟画的精品。\n南宋佚名《水仙图》无款印。裱边旧题签：“赵子固写生水仙”。赵子固即赵孟坚，中国南宋画家。生于庆元五年（1199），卒于景定五年（1264），一说卒于咸淳三年（1267）。字子固，号彝斋；宋宗室，为宋太祖十一世孙，汉族，海盐广陈（今嘉兴平湖广陈）人。曾任湖州掾、转运司幕、诸暨知县、提辖左帑。工诗善文，家富收藏，擅梅、兰、竹、石，尤精白描水仙；其画多用水墨，用笔劲利流畅，淡墨微染，风格秀雅，深得文人推崇。有书法墨迹《自书诗卷》，绘画《墨兰图》、《墨水仙图》、《岁寒三友图》等传世，著《彝斋文编》4卷。",[27,79,28,80,31,32,2604],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fba119f21392b89dbae54545959e6887a.jpg","24.6x26cm",[],{"id":21058,"slug":21059,"title":12768,"dynasty":75,"author":7,"museum":56,"description":21060,"tags":21061,"thumbUrl":21063,"material":10966,"size":12774,"collection":11,"collections":21064,"showCount":89,"zanCount":351,"manualWeight":49,"mainColor":50},233811,"han-ting-luo-yan-tu-zhou-yi-ming-233811","此图画古木栖鸦，寒汀落雁。树下芦早疏疏，十数大雁、野鸭分两组栖于岸边，其态悠闲。",[27,79,28,29,144,32,60,676,661,21062,163,614],"水边","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F59211b1b7d5c6f3104b8131f33873b5f.jpg",[],{"id":21066,"slug":21067,"title":21068,"dynasty":75,"author":7,"museum":76,"description":13670,"tags":21069,"thumbUrl":21070,"material":2087,"size":21071,"collection":11,"collections":21072,"showCount":89,"zanCount":49,"manualWeight":49,"mainColor":50},231378,"song-yan-xian-guan-tu-yi-ming-231378","松岩仙馆图",[79,27,2415,129,33,331,31,614,144,122],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F24f657fecd8b6c42929cbcb3ea659e46.jpg","171x115.7",[],{"id":21074,"slug":21075,"title":21076,"dynasty":241,"author":7,"museum":56,"description":21077,"tags":21078,"thumbUrl":21079,"material":335,"size":21080,"collection":11,"collections":21081,"showCount":89,"zanCount":351,"manualWeight":49,"mainColor":50},231357,"xuan-de-xing-le-tu-yi-ming-231357","宣德行乐图","明代宫廷绘画中有一类表现帝王生活和重大历史事件的作品。此幅描绘明宣宗朱瞻基便服檐帽在御园观赏各种体育竞技表演的场面。画面上从右至左依次为射箭、蹴踘、马球、捶丸、投壶，场面宏大繁复而又具体入微，生动地表现出当时宫中的文体娱乐活动。由于要反映特定的地点和环境，所以描绘了大量的建筑。此卷以工整细腻的写实手法按照历史原貌对明代皇宫的楼台殿阁作了荚绘实又概括的描绘，是研究明代宫廷历史以及皇家建筑的重要资料。",[27,79,32,31,33,1006,163,4311,131,60,345],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F7fd15889dcb5d2ea930aa35fbfdc5d7e.jpg","纵36.7cm，横690cm",[],{"id":21083,"slug":21084,"title":21085,"dynasty":171,"author":7,"museum":172,"description":21086,"tags":21087,"thumbUrl":21088,"material":296,"size":297,"collection":11,"collections":21089,"showCount":89,"zanCount":351,"manualWeight":49,"mainColor":50},230934,"si-fu-ju-hui-tu-yi-ming-230934","四佛聚会图","画面饱满庄严，四方诸佛环坐为主体，朱红佛衣衬得宝相慈悲端凝，圆光覆顶，结印安坐，自带静穆神圣之感。诸天、护法层层簇拥排布，云气晕染铺陈出缥缈佛国意境。\n\n设色沉敛古雅，朱砂石色经岁月浸润依旧鲜亮厚重，细密劲挺的铁线描，勾勒出衣袂褶皱的飘逸流畅，亦将宝冠璎珞的精致细节尽显无遗。对称构图烘托出佛会的肃穆安然，诸佛神态平和悠远，护法身形雄健威仪，动静间尽显极乐盛会的恢宏庄重，尽显唐代宗教绘画的典型特质，将佛国世界的神圣静穆具象展现，古韵佛风厚重绵长。",[27,28,30,31,32,33,1378],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F971efa0fae36413b85480bdac863dadc.jpg",[],{"id":21091,"slug":21092,"title":21093,"dynasty":141,"author":7,"museum":172,"description":21094,"tags":21095,"thumbUrl":21097,"material":11,"size":11,"collection":11,"collections":21098,"showCount":89,"zanCount":49,"manualWeight":49,"mainColor":50},230922,"jiang-cheng-ye-po-tu-yi-ming-230922","江城夜泊图","此作用淡墨晕染出夜色江天，远山隐在朦胧烟霭之中，虚渺苍茫，将夜的空寂晕染开来。江面舟船错落排布，屋舍、桅杆细节宛然，朴拙写实又不失写意松弛。淡墨轻扫江面，微波暗藏，静中藏动。\n\n没有星月铺陈，却处处浸着夜的宁谧，泊舟暂歇的安然藏在错落舟楫之间，带着元画特有的简淡萧散气质。寥寥笔墨便将羁旅的淡寂揉入江南夜色，仿佛能听见细浪拍舷，触到晚风裹着的水汽凉意，以简驭繁，把江城夜色的柔静与行旅安闲融成清寂悠远的诗画意境。",[27,219,144,614,60,6932,21096,2656,4208],"桅杆","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F79119bd59edd2dd5c8ff285ff75b5330.jpg",[],{"id":21100,"slug":21101,"title":21102,"dynasty":22,"author":7,"museum":172,"description":21103,"tags":21104,"thumbUrl":21105,"material":296,"size":297,"collection":11,"collections":21106,"showCount":89,"zanCount":49,"manualWeight":49,"mainColor":70},230530,"gu-hua-mo-ben-xia-gui-deng-tu-juan-yi-ming-230530","古画模本（夏圭等图卷）","此卷分两处景致，左端冷月悬于寒空，孤梅瘦枝横斜水岸，江石清寂，恍见幽人凭立，萧寒淡远，尽得隐逸清疏之致。右端以没骨法绘白花柔枝，晕染轻透，花瓣莹润如凝霜雪，浅蓝枝叶衬出雅致隽秀。旁题行书小诗，诗画相融，笔意简淡却藏雅人幽情，将爱花赏梅的闲逸心境织入笔墨，清寂空濛与柔婉清雅相映，尽显古典雅致的文人情致。",[26,27,28,96,32,31,80,60,33,532,82],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F1ea6b17bd705e743fcc1bac8c1e8fa4d.jpg",[],{"id":21108,"slug":21109,"title":21110,"dynasty":22,"author":7,"museum":172,"description":21111,"tags":21112,"thumbUrl":21113,"material":11,"size":11,"collection":11,"collections":21114,"showCount":89,"zanCount":49,"manualWeight":49,"mainColor":70},230522,"fang-gu-shan-shui-dong-wu-fen-ben-shou-ye-jia-tu-juan-yi-ming-230522","仿古山水动物粉本(狩野家图卷)","此作以工写相融之笔绘就水畔闲景，一对鸳鸯依偎石间，雄鸟羽色妍秀，翎毛晕染精微，绒绒肌理宛然可见，雌鸟素朴温婉，二者亲昵缱绻，尽显静好之态。旁侧芍药轻绽，粉花柔叶勾勒秀雅，设色清润柔和。坡石以淡墨晕染虚化，留白衬出水泽空濛，将院体花鸟的精工细腻，与文人写意的淡逸糅合一处，把缱绻温情藏在幽寂小景里，静雅恬然，晕染出东方花鸟独有的诗意韵致。",[26,27,32,31,2904,98,162,80,37,663],"https:\u002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符文，暗合端午驱祟纳吉的古俗。下方案头清供雅致动人，素银宝瓶插满蜀葵、石榴与兰草，花瓣晕染秾丽鲜活，枝叶舒展自然生动。瓷盘盛着角黍鲜果，艾草菖蒲铺陈案边，处处呼应节令意涵。\n\n此作工致细腻，设色沉厚古雅，承袭宋院体花鸟的精工遗韵，又带着元代世俗赏玩的审美意趣，将岁时清赏与祈福心愿融于一室，把端午禳灾纳福的吉庆氛围，晕染在这方静谧典雅的案头小景之中。",[27,29,32,31,80,33,1154,104,10907,21618,21619,346,124,126],"菖蒲","端午","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ff78aff34a8a838b30125b3886ed6af42.jpg","99.9x63.5公分",[],14,{"id":21625,"slug":21626,"title":21627,"dynasty":241,"author":7,"museum":172,"description":21628,"tags":21629,"thumbUrl":21631,"material":296,"size":297,"collection":11,"collections":21632,"showCount":21623,"zanCount":49,"manualWeight":49,"mainColor":70},290980,"ming-ren-liu-an-cun-she-yi-ming-290980","明人柳岸村舍","薄雾轻笼远山，黛色融在烟岚里，晕作朦胧柔色。近岸柳丝垂曳，枯荣相杂的林木环着村舍，黛瓦矮墙隐在深浅绿意中，藏起乡野人家的日常。\n\n柔波漾着春水，三两渔人泛扁舟，持篙摇橹，把清寂春晨揉出淡淡烟火气。\n\n整幅以青绿设色，绢本底色晕开雅致石青石绿，色调柔和恬淡，无浓烈铺陈，只以浅淡晕染写尽江南水村的春日清宁。笔触秀雅细腻，绘林木错落随性，勾水波轻细灵动，将乡野安然藏在尺幅间，带着温婉闲逸的意趣，把江南水乡的慵懒春日定格于绢素之上，尽显平和悠远的林下清思。",[27,60,530,1622,32,21630,1092,130,128,131,1768,63],"村舍","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F17be9d15578f72df9e8a41dddd847a5c.jpg",[],{"id":21634,"slug":21635,"title":21636,"dynasty":141,"author":7,"museum":172,"description":21637,"tags":21638,"thumbUrl":21639,"material":296,"size":297,"collection":11,"collections":21640,"showCount":21623,"zanCount":49,"manualWeight":49,"mainColor":50},290899,"hu-zhou-yi-ming-290899","虎轴","此画通幅描绘如真，渍染极得润厚的韵致。画无名款，旧签定为元人。惟据画风判断，与明代宫廷画风，颇多相近处，是以推断，该幅或出自明代良工之手。松林石涧间，一巨虎黄皮黑纹，毛色鲜丽，体态威武雄壮。虎之双眼，俱以金粉涂饰，并略染汁绿，显得格外神气逼人。其背隆起，宛如张弓欲发，隐然有即将出击之势。虎口微启，低吟而未啸。树梢，二山鹧见状，相与惊跃鸣叫，更为此猛虎出山的场景，平添紧张、不安的气息。",[27,28,29,144,32,887,272,60,162,779,79],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fdcfa32d80abd84bff6536c89b106cb3b.jpg",[],{"id":21642,"slug":21643,"title":21644,"dynasty":141,"author":7,"museum":172,"description":21645,"tags":21646,"thumbUrl":21648,"material":296,"size":297,"collection":11,"collections":21649,"showCount":21623,"zanCount":49,"manualWeight":49,"mainColor":50},290895,"ming-fei-chu-sai-tu-zhou-yi-ming-290895","明妃出塞图轴","《汉书》记公元前三三年，匈奴呼韩邪单于臣服汉威并愿为汉婿，于是元帝将後宫王嫱（字昭君）赐单于。这段史实得到後世的关注同情，故事亦陆续增添情节及意象。如“马上琵琶”原指昭君出塞途中，马上乐师鼓奏琵琶以慰藉；然唐诗描写昭君出塞，已加入昭君马上弹抱琵琶倾诉哀怨的形象。",[27,29,32,33,127,1006,60,131,518,21647],"明妃出塞","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F8f3b054994f0a1d28ee1d07f7d7248c8.jpg",[],{"id":21651,"slug":21652,"title":21653,"dynasty":141,"author":7,"museum":76,"description":21654,"tags":21655,"thumbUrl":21658,"material":616,"size":21659,"collection":87,"collections":21660,"showCount":21623,"zanCount":351,"manualWeight":49,"mainColor":50},290741,"jiu-que-xian-chun-tu-zhou-yi-ming-290741","鸠雀先春图轴","水傍石上，水鸟两只，一微露背，一见全体，足趾间有蹼相系，当系野鸭之属。其上重叠作茶花、竹、石、梅、雀、花卉俱用双钩，虽粗细不同，而笔力一皆挺秀，用色傅粉，亦极沉着。",[79,27,28,29,31,32,80,542,205,145,9269,163,21656,1431,21657],"鸠","春意","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ffbea2b2e763b0ca5b7e1db8a44f60e5d.jpg","150.9x31.3",[87],{"id":21662,"slug":21663,"title":21664,"dynasty":75,"author":7,"museum":172,"description":21665,"tags":21666,"thumbUrl":21667,"material":296,"size":297,"collection":11,"collections":21668,"showCount":21623,"zanCount":49,"manualWeight":49,"mainColor":50},290685,"ke-si-chen-ju-zhong-tian-xian-gong-shou-tu-zhou-yi-ming-290685","缂丝陈居中天仙拱寿图轴","将南天竹果和水仙、蜡梅花共衬,配一对绶带鸟,隐含吉祥寿瑞之意",[79,27,28,29,80,32,161,542,2604,163,82,1923],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F0d66807053d65d71c73e71a6d2fb4d15.jpg",[],{"id":21670,"slug":21671,"title":20068,"dynasty":22,"author":7,"museum":172,"description":21672,"tags":21673,"thumbUrl":21674,"material":296,"size":297,"collection":11,"collections":21675,"showCount":21623,"zanCount":49,"manualWeight":49,"mainColor":50},290625,"fu-shuo-di-shi-bo-re-bo-luo-mi-duo-xin-jing-shou-gao-yi-ming-290625","此件写经以匀净小楷书就，笔致恭谨端严，排布齐整匀停，墨色沉凝安稳，字里行间漫溢着肃穆沉静的宗教虔诚。\n中段帝释造像线条凝练圆融，法相慈悲庄严，衣袂舒展合度，宝相具足，将神性的悲悯沉静尽显无遗。泛黄古纸晕染着岁月痕迹，墨色与纸色交织出旧卷独有的沧桑厚重感，是写经与佛教造像相融的雅致遗存，尽显写经艺术里的虔敬本心与审美意趣。",[124,3053,3054,30,1170,33,4485,28],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F83768207011a0c9a47cb4064775c132f.jpg",[],{"id":21677,"slug":21678,"title":21679,"dynasty":75,"author":7,"museum":76,"description":21680,"tags":21681,"thumbUrl":21682,"material":296,"size":16235,"collection":11,"collections":21683,"showCount":21623,"zanCount":49,"manualWeight":49,"mainColor":50},290622,"gong-zhao-na-liang-tu-zhou-yi-ming-290622","宫沼纳凉图轴","南宋时期《宫沼纳凉图》描绘了南宋宫掖妃子在池边纳凉赏花的场景，画面正中妃子闲坐于榻上，面容圆润，神情闲适，双手盘于膝上。其身后有一名官宦及一名侍女，官宦执白色蒲扇，扇面之上绘有凤纹，喻示后妃身份。侍女立于桌前，手中所捧之物似为香料。三人身后绘有莲花池，占据了整幅画卷的上半部分。时值盛夏之日，池中群花盛开，岸边垂柳成荫，主仆三人纳凉于池塘边，惬意从容。\u2028 画面最左边一名侍女，身穿交领窄袖上襦，领襟及袖端处缘边。下身着黄褐色长裙。上襦之外为白色披帛，内着白色中单。侍女腰间佩戴组绶。古人佩玉，组绶是用以系玉的丝带，穿衣时通常系在衣服的最外面，由彩色的丝线编织而成。《礼记·玉藻》记载：“天子佩白玉而玄组绶，公侯佩山玄玉而朱组绶，大夫佩水苍玉而纯组绶，世子佩瑜玉而綦组绶，士佩瓀玟而緼组绶。” 该侍女发式为双平髻，髻上插梳。双平髻是双挂式的一种，起源于秦朝。其特点是将发顶平分两大股，梳结成对称的环，相对垂挂于两侧。这种发式多用于宫廷。",[27,29,32,33,31,127,446,809,16233],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F9bedfc707d44a7540422c8ce063b6905.jpg",[],{"id":21685,"slug":21686,"title":21687,"dynasty":75,"author":7,"museum":172,"description":21688,"tags":21689,"thumbUrl":21690,"material":296,"size":297,"collection":11,"collections":21691,"showCount":21623,"zanCount":49,"manualWeight":49,"mainColor":70},290510,"han-gong-chun-xiao-tu-yi-ming-290510","汉宫春晓图","此作以圆扇为幅，绘就苑囿春晓盛景。层叠宫宇隐于烟岚佳木之间，朱阶玉栏之上宫人簇立，或整肃侍立，或执礼待驾，细节暗藏宫廷朝会的端严秩序。界画工细，将殿宇飞檐勾勒得精巧古雅，设色调和沉静，晕染出未央清晨的暖煦韶光。画作与题诗呼应，把宫娥盛饰争妍、御苑春和景明的皇家气派尽数收揽于尺幅之内，尽显宋代院画写实精妙的特质，铺展出汉宫春日早朝的雍容雅致。",[27,28,31,32,329,33,127,129,3620,124,3054,82],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fe23e3eb117990c39592b138524fed620.jpg",[],{"id":21693,"slug":21694,"title":21695,"dynasty":141,"author":7,"museum":172,"description":5944,"tags":21696,"thumbUrl":21697,"material":296,"size":297,"collection":11,"collections":21698,"showCount":21623,"zanCount":49,"manualWeight":49,"mainColor":50},290402,"qiong-lou-xian-ju-tu-yi-ming-290402","琼楼仙居图",[27,79,28,329,1622,32,60,129,1623,33,14032],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ffc36addf53ace8021929aefb755ec324.jpg",[],{"id":21700,"slug":21701,"title":21702,"dynasty":75,"author":7,"museum":172,"description":1982,"tags":21703,"thumbUrl":21704,"material":296,"size":297,"collection":11,"collections":21705,"showCount":21623,"zanCount":49,"manualWeight":49,"mainColor":50},290367,"song-ke-si-xi-bao-sheng-sun-tu-zhou-yi-ming-290367","宋缂丝喜报生孙图轴",[29,27,79,161,80,31,32,5385,206,100,162,190,11541],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ff3eda24435f146fcd1bfd0b4f74356aa.jpg",[],{"id":21707,"slug":21708,"title":21709,"dynasty":55,"author":7,"museum":172,"description":21710,"tags":21711,"thumbUrl":21713,"material":296,"size":297,"collection":11,"collections":21714,"showCount":21623,"zanCount":49,"manualWeight":49,"mainColor":277},290191,"men-shen-ren-wu-da-guan-gui-ren-tu-ce-yi-ming-290191","门神人物达官贵人图册","此册封面以旧织锦装裱，四方连续的菱形宝相花纹样铺满主体。棕褐底色晕开岁月旧痕，钴蓝团花错落其间，回纹勾连起规整骨架，暗合富贵延绵的吉意。朱红绫纸为边，暗沉包浆晕染出时光质感，侧边残存的绒穗系带，仍可见昔时装帧的考究用心。\n\n织纹虽经磨洗晕褪，古雅气韵却丝毫不减，沉穆配色尽显内敛雅致，将传统织绣工艺的审美意趣融于装帧细节之间，旧物温润质感扑面而来。",[27,530,32,33,14060,21712,41],"达官贵人","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F9b2d58384bbf0b5b8db5e7f3a6cae630.jpg",[],{"id":21716,"slug":21717,"title":21718,"dynasty":55,"author":7,"museum":172,"description":21719,"tags":21720,"thumbUrl":21722,"material":296,"size":297,"collection":11,"collections":21723,"showCount":21623,"zanCount":49,"manualWeight":49,"mainColor":70},290178,"shao-shu-min-zu-sheng-huo-xi-su-hua-ce-2-yi-ming-290178","少数民族生活习俗画册-2","画面分作山居、水乡两幕，淡设色晕染出清润灵秀的边地烟岚。左岸负薪男子与盛装女子作别，苗家女子的衣纹银饰纤毫尽显，憨朴情态跃然纸上。右岸垂柳依依，撑舟艄公引着持伞客人，岸边二人持伞候渡，悠然漾开乡野烟火气。\n整幅工写兼具，笔致温婉恬淡，留白处题字衬出人文意韵。并未将边地风物猎奇化，只是平实地描摹族群日常晨昏，将送别候渡的细碎日常晕染成诗意乡景，把边地质朴鲜活的生活情态凝于纸间，藏着独有的纪实温情。",[26,27,530,32,31,33,60,128,1092,331,14998,21721,124],"少数民族生活","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fe02d2aeec83aabc24d35a664957e9bdd.jpg",[],{"id":21725,"slug":21726,"title":21727,"dynasty":141,"author":7,"museum":76,"description":5944,"tags":21728,"thumbUrl":21729,"material":43,"size":297,"collection":11,"collections":21730,"showCount":21623,"zanCount":49,"manualWeight":49,"mainColor":50},290137,"lu-yan-tu-yi-ming-290137","芦雁图",[79,27,80,31,32,163,661,104,662],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F2e1ac17d1694dd9db326460d303213a3.jpg",[],{"id":21732,"slug":21733,"title":21734,"dynasty":75,"author":7,"museum":172,"description":21735,"tags":21736,"thumbUrl":21737,"material":296,"size":297,"collection":11,"collections":21738,"showCount":21623,"zanCount":49,"manualWeight":49,"mainColor":50},289010,"jiang-shan-ji-xue-tu-yi-ming-289010","江山霁雪图","此作用高远与平远构图铺展景致，左侧巨峰积雪覆顶，青绿晕染山峦，温润雅致又不失厚重苍劲。淡墨晕开江面空蒙，留白衬出江天萧寒澄澈。\n\n山脚村居隐于枯木疏枝之下，对岸汀渚间寺宇错落，烟波浩渺间尽显冬霁清旷。山石皴擦带着北派山水的雄浑质感，设色古雅沉静，将雪初晴后江山的冷寂辽远，与乡居的静谧安然相融，尽抒寄情林泉的幽远意趣。",[79,27,2415,1622,32,952,60,129,734,676,5661,614],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fccb70e65ad9c770a86cf194c313fb816.jpg",[],{"id":21740,"slug":21741,"title":21742,"dynasty":75,"author":7,"museum":172,"description":21743,"tags":21744,"thumbUrl":21746,"material":296,"size":297,"collection":11,"collections":21747,"showCount":21623,"zanCount":49,"manualWeight":49,"mainColor":50},288971,"zhu-shu-xun-que-tu-yi-ming-288971","竹树驯雀图","此作以圆面取景，枯枝新竹错落交织，晕开清寂冬意。三只麻雀是画面灵动的核心，竹梢亲鸟噙虫悬停，目光柔落向下。枯枝上两只幼雏，一只昂首啾啾索食，喙角轻张满是稚态，一只振翅翘首，雀跃不已。\n\n画师用笔精微，禽鸟羽色以细墨线勾出轮廓，淡墨晕染铺就绒羽蓬松质感，羽翼层叠鲜活逼真。竹枝劲挺舒展，竹叶带着迎风轻颤之姿，枯枝皴擦简练，衬出疏淡萧索又藏着暖意的氛围。\n尺幅之间将亲鸟育雏的脉脉温情，融于冬日小景，以小见大，把自然里的细碎温情凝在绢素之上，雅致动人。",[219,27,79,31,32,80,145,163,21745],"温情","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F5be9369472d793fb1dc270c4bcff83d7.jpg",[],{"id":21749,"slug":21750,"title":21751,"dynasty":55,"author":7,"museum":172,"description":21752,"tags":21753,"thumbUrl":21754,"material":296,"size":297,"collection":11,"collections":21755,"showCount":21623,"zanCount":49,"manualWeight":49,"mainColor":70},288433,"li-dai-di-wang-gui-fei-da-chen-chao-fu-xiang-yi-qin-wang-yin-xiang-yi-ming-288433","历代帝王贵妃大臣朝服像(怡亲王胤祥)","爱新觉罗·胤祥（1686年11月16日-1730年6月18日），清圣祖康熙帝第十三子，生母敬敏皇贵妃章佳氏。\n康熙六十一年（1722年），皇四子胤禛继位，胤祥被封为和硕怡亲王，又出任议政大臣，处理重要政务。雍正元年（1723年），命总理户部。自此即全力辅佐胤禛治理国家，胤禛亦对其十分信任。雍正三年（1725年），总理京畿水利营田事务。雍正七年（1729年）因准噶尔部窜扰边陲，命其办理西北两路军机，叙协赞功待诏增仪仗一倍。\n因胤祥对雍正朝的治绩助力甚大，遂得世袭罔替的许可，为铁帽子王。清朝有史以来第九位铁帽子王。雍正八年（1730年）五月初四日（阳历6月18日）去世，时年44岁，配享太庙，上谥号为“贤”，另赐有匾额“忠敬诚直勤慎廉明”冠于谥前。将其名“允祥”的“允”字改回“胤”字，这成为有清一代臣子中不避皇帝讳的唯一事例。",[26,27,28,31,32,33,418,29,2348],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F53005ace73bb6d46275c0ae556ddd7df.jpg",[],{"id":21757,"slug":21758,"title":21759,"dynasty":241,"author":7,"museum":172,"description":12253,"tags":21760,"thumbUrl":21762,"material":296,"size":297,"collection":11,"collections":21763,"showCount":21623,"zanCount":49,"manualWeight":49,"mainColor":50},288387,"shi-ba-xue-shi-tu-qi-er-yi-ming-288387","十八学士图其二",[27,32,31,1572,1985,650,626,131,1748,21761,1759],"日用器物","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fd430bd05b05166447418dfe2e63640ca.jpg",[],{"id":21765,"slug":21766,"title":21767,"dynasty":241,"author":7,"museum":172,"description":12253,"tags":21768,"thumbUrl":21769,"material":296,"size":297,"collection":11,"collections":21770,"showCount":21623,"zanCount":49,"manualWeight":49,"mainColor":50},288386,"shi-ba-xue-shi-tu-qi-si-yi-ming-288386","十八学士图其四",[27,79,32,31,33,761,331,1748,129,9044],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F6a3fb499b91dbbd654afea29fc3f4b2a.jpg",[],{"id":21772,"slug":21773,"title":21774,"dynasty":75,"author":7,"museum":172,"description":21775,"tags":21776,"thumbUrl":21778,"material":296,"size":297,"collection":11,"collections":21779,"showCount":21623,"zanCount":49,"manualWeight":49,"mainColor":50},288344,"feng-yu-la-qian-tu-yi-ming-288344","风雨拉纤图","淡墨晕染出烟雨空蒙的江天，水汽裹挟湿意漫过江岸。虬曲老树扎根滩涂，枝叶在风雨里飘摇，墨色浓淡晕开雨雾的朦胧质感。\n\n滩头纤夫躬身曳绳，身影隐在烟霭之间，江岸的冷寂荒寒里晕开细碎的人间烟火。虚虚实实的笔触，将江天浩渺的淡远与生计的艰辛相融，以方寸尺幅铺展出萧索又沉郁的意境，藏着细腻的世情体察，尽显小品画以小见大的雅致笔意，把冷寂江景与人间苦辛织进朦胧烟岚之中。",[27,219,144,613,128,60,6046,82,21777],"拉纤","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fba2a3127e4d5c46eb9926b82d5d449dd.jpg",[],{"id":21781,"slug":21782,"title":21783,"dynasty":75,"author":7,"museum":172,"description":21784,"tags":21785,"thumbUrl":21786,"material":296,"size":297,"collection":11,"collections":21787,"showCount":21623,"zanCount":351,"manualWeight":49,"mainColor":50},288343,"qi-lv-tu-yi-ming-288343","骑驴图","枯淡水墨写意勾勒，老者宽袍长髯，策驴徐行。笔意苍劲空灵，寥寥数笔便绘出驴儿缓步憨态，人物佝偻身形自带萧散古意，仿佛正穿行在暮色烟岚之中。\n\n题画诗与笔墨相映，将山野幽居的闲适隐逸尽数铺陈，无繁复皴染，却将世外之人的澹泊襟怀藏在简笔留白里，隐着山间晚岚的清寂。简而不空、淡而有味，把隐者归山的萧散淡远烘托得恰到好处，尽显宋韵水墨的空灵禅意。",[27,79,144,33,4840,29],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F2ca135ce1b833562bfb9c28b36a77cd7.jpg",[],{"id":21789,"slug":21790,"title":21791,"dynasty":55,"author":7,"museum":172,"description":21792,"tags":21793,"thumbUrl":21795,"material":296,"size":297,"collection":11,"collections":21796,"showCount":21623,"zanCount":49,"manualWeight":49,"mainColor":277},288295,"shi-ba-luo-han-tu-juan-shou-juan-yi-ming-288295","十八罗汉图卷手卷","此作用黑底泥金勾勒，墨色沉敛如夜，金彩熠熠若星。十八尊罗汉各呈异态：或持锡杖昂然卓立，或托灵珠笑态可掬，或踞坐冥思禅定，或驭瑞兽凝神远眺。线条细劲圆转，衣褶勾勒得虚实灵动，将罗汉们清癯肃穆或是憨态朴拙的神情风骨尽数铺展。朱红闲章错落点缀，为沉郁底色晕开古雅意趣，整体静穆庄严，兼具佛造像的神性威仪与人物画的鲜活意韵，尽显线描佛绘的精妙笔力。",[26,27,28,96,21794,30,33,2197,123,4820,887],"手卷","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fc70c4ea2d3e99a4f0d4b242be88b27f0.jpg",[],{"id":21798,"slug":21799,"title":21800,"dynasty":241,"author":7,"museum":172,"description":21801,"tags":21802,"thumbUrl":21804,"material":296,"size":297,"collection":11,"collections":21805,"showCount":21623,"zanCount":49,"manualWeight":49,"mainColor":50},288161,"hu-bao-huan-le-tu-yi-ming-288161","虎豹欢乐图","这幅作品以视觉错构的巧思见长，将古松山石的轮廓与虎豹身形虚实相融。水墨晕染下，苍劲松枝与嶙峋岩峦，恰好勾勒出憨态可掬的虎豹形象，打破了走兽画的写实桎梏。\n\n画家以兼工带写的笔法，把兽类的灵动憨稚藏于山林肌理间，不见森然凶戾，反显天真谐趣。留白铺就林涧幽寂底色，苍润墨色晕出山野苍莽质感，观者需在虚实掩映间辨形寻味，让山林野趣与巧思创意浑然一体，尽显小品画作的别致意趣。",[26,27,144,887,778,331,272,21803,28],"欢乐","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F753705f41366ef970406282d0414ec02.jpg",[],{"id":21807,"slug":21808,"title":21809,"dynasty":241,"author":7,"museum":172,"description":21810,"tags":21811,"thumbUrl":21812,"material":296,"size":297,"collection":11,"collections":21813,"showCount":21623,"zanCount":49,"manualWeight":49,"mainColor":70},288057,"zhu-zhi-tu-tuan-shan-yi-ming-288057","竹枝图团扇","此作以团扇圆境框取景致，疏密排布极具巧思。淡赭写竹竿，清绿点染竹叶，笔致秀挺灵动，叶片错落偃仰，似有疏风拂过，摇曳生姿。\n当中湖石以枯墨皴擦晕染，苍涩古拙，和秀逸青竹形成刚柔相映的意趣。整幅设色清雅素净，无冗余修饰，以极简笔墨托出竹的清介高洁，暗藏文人爱竹慕贤的风骨。寥寥数笔间，便将林下淡然雅致的文人情韵铺陈开来，意境悠长隽永。",[26,27,28,219,32,145,146],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F07cbe8b1c7be47dc1008f4dae359086f.jpg",[],{"id":21815,"slug":21816,"title":21817,"dynasty":75,"author":7,"museum":172,"description":21818,"tags":21819,"thumbUrl":21820,"material":296,"size":297,"collection":11,"collections":21821,"showCount":21623,"zanCount":49,"manualWeight":49,"mainColor":50},287555,"hua-shou-xing-yi-ming-287555","画寿星","苍松虬曲、老梅凝芳，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官窑 青瓷渣斗式尊",[2194,2593,5679,2594,346],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F5498f27d115956573c4683df3344f68f.jpg",[2200],{"id":22446,"slug":22447,"title":22448,"dynasty":75,"author":7,"museum":172,"description":22449,"tags":22450,"thumbUrl":22451,"material":296,"size":297,"collection":11,"collections":22452,"showCount":21623,"zanCount":49,"manualWeight":49,"mainColor":70},227426,"xi-shan-wu-jin-tu-quan-juan-yi-ming-227426","溪山无尽图全卷","以水墨浅绛写江南四季景色，布局多取近景，突出崖岸，山石作大斧劈皴，方硬有棱角。山峰林立，峭壁悬崖间有流泉飞瀑，松柏蓊郁、云雾弥漫、长桥石栏、渔舟帆客、楼观村庄，清幽秀俊的江南景色成为一个整体，有着诗意般的意境。此卷画风当属南宋马远。构图布景与《溪山秋爽图》有异曲同工之妙。此卷绘于宋笺纸上，山石为马远典型的斧劈皴，乔松远树，皆用拖枝法，柳林含风，千笔万笔，笔笔不乱。画幅中间，数株红树，点缀溪山丛莽间，有画龙点睛之妙。而纸寿千年，其完好程度与绢本不可同日而语。此卷创作年代当稍晚于绢本，水法两卷亦有不同，此卷水的画法更接近马远《水图》。",[26,79,27,28,96,144,32,60,162,131,1623,130,614,124,82],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fa2183e53c5ef5d0f52c06cae5adadc2d.jpg",[],{"id":22454,"slug":22455,"title":22456,"dynasty":75,"author":7,"museum":172,"description":22457,"tags":22458,"thumbUrl":22462,"material":296,"size":297,"collection":2200,"collections":22463,"showCount":21623,"zanCount":49,"manualWeight":49,"mainColor":50},227419,"jin-shi-er-shi-san-shi-ji-ding-yao-yin-hua-fen-ge-si-ji-hua-hui-wan-yi-ming-227419","金 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为题材的绘画不多见。\n此图绘溪边春色，以近远景搭配，表现出自然界的勃勃生机。\n正中一树梅花盛开，两侧辅以山茶、古柏、翠竹、迎春。\n孔雀一对，雄者栖于树干，回首梳翎；雌者倘佯岸边，低头觅食。\n其毛羽斑斓，与花树汇成一片绚烂春光。\n此图难能之处在于布局繁密但杂而不乱；设色富丽但艳而不俗。\n梅、柏枝干用焦墨勾皴，苍劲古朴，与周围花卉禽鸟的纤细娇美恰成互补。\n作者当是擅长状写升平景象的画院高手。\n本幅无款识。\n钤鉴藏印“真赏”、“都尉耿信公书画之章”、“公”、“信公珍赏”、“丹诚”、“宜尔子孙”、“珍秘”、“会侯珍藏”、“庞莱臣珍藏宋元真迹”。\n裱边钤鉴藏印“信公监定珍藏”。\n本幅右侧题“ 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细审人物之开脸，及庭石之苔点画法，颇近于明代中期之后的风格。台北故宫博物院藏另有《元人秋景戏婴》、《元人画冬景戏婴图》二轴，尺寸、画法与此作相似，或许当初系属同一组“春夏秋冬“之四季挂屏，惜今《春景戏婴图》已佚，故难以复原全豹矣。",[27,29,32,33,31,2869,1527,650,626,649,1092,648,1623],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F77a1f2e121a757abedcbc787b6b66408.jpg",[],{"id":22818,"slug":22819,"title":22820,"dynasty":141,"author":7,"museum":172,"description":5944,"tags":22821,"thumbUrl":22823,"material":296,"size":297,"collection":11,"collections":22824,"showCount":22781,"zanCount":351,"manualWeight":49,"mainColor":50},290340,"tai-ping-you-xiang-tu-zhou-yi-ming-290340","太平有象图轴",[27,29,32,33,129,1623,531,331,162,2559,1527,22822],"太平祥和","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fed03f728f1082d05d5e3c961e092042e.jpg",[],{"id":22826,"slug":22827,"title":22828,"dynasty":141,"author":7,"museum":172,"description":14956,"tags":22829,"thumbUrl":22830,"material":296,"size":297,"collection":11,"collections":22831,"showCount":22781,"zanCount":49,"manualWeight":49,"mainColor":50},290320,"sui-chao-tu-zhou-yi-ming-290320","岁朝图轴",[79,27,29,32,31,33,129,60,613,163,1129,7426],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F576a2e63e63124f7c0eced854dfc1b0c.jpg",[],{"id":22833,"slug":22834,"title":21727,"dynasty":141,"author":7,"museum":76,"description":5944,"tags":22835,"thumbUrl":22836,"material":43,"size":297,"collection":11,"collections":22837,"showCount":22781,"zanCount":49,"manualWeight":49,"mainColor":50},290133,"lu-yan-tu-yi-ming-290133",[27,80,31,32,163,661,4119,104,5936],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ff4cdf5d6601db8fff05edc3219b94003.jpg",[],{"id":22839,"slug":22840,"title":22841,"dynasty":75,"author":7,"museum":172,"description":22842,"tags":22843,"thumbUrl":22845,"material":296,"size":297,"collection":11,"collections":22846,"showCount":22781,"zanCount":49,"manualWeight":49,"mainColor":50},289961,"xue-shan-xing-lv-tu-yi-ming-289961","雪山行旅图","此作用高远之法铺展冬日丘壑，主峰雄峙苍莽，积雪覆裹山峦，淡墨晕染出萧寒空濛的雪意。山石勾勒皴擦兼具骨力与浑润，枯木虬枝劲挺，尽显冬山荒寒之态。河谷间板桥茅舍错落，行旅驮队徐行于冰岸，为寂廖雪景晕开一缕人间烟火气。以水墨铺陈，借留白晕染烘托雪后山川的清寂辽远，将北国冬山的沉雄冷寂，与行旅浮生的意趣相融，于绢素间铺展出冬日山水的苍莽生机，尽显山水笔墨的意韵与造境匠心。",[26,27,79,2415,144,29,614,6000,952,1143,162,676,1623,129,2688,22844],"人马","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F007534380f02353665a1374e0d8404f1.jpg",[],{"id":22848,"slug":22849,"title":22850,"dynasty":22,"author":7,"museum":172,"description":1167,"tags":22851,"thumbUrl":22852,"material":296,"size":297,"collection":11,"collections":22853,"showCount":22781,"zanCount":49,"manualWeight":49,"mainColor":70},289586,"guan-shi-yin-pu-sa-zuo-xiang-shou-gao-yi-ming-289586","觀世音菩薩坐像手稿",[26,27,32,33,30,6053,177,292,175],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F59ffc18303f76af85f1db8efd606182d.jpg",[],{"id":22855,"slug":22856,"title":22857,"dynasty":241,"author":7,"museum":172,"description":22858,"tags":22859,"thumbUrl":22860,"material":296,"size":297,"collection":11,"collections":22861,"showCount":22781,"zanCount":49,"manualWeight":49,"mainColor":50},289364,"gong-yuan-ying-xi-tu-yi-ming-289364","宫苑婴戏图","此画以宫苑为舞台，将稚子烂漫悉数铺展。画面上下两处各成童趣天地：上层孩童攀爬上拆解的屋架，蹦跳嬉闹，尽显跳脱顽态。一旁亭榭里安坐的长者静看稚童，动静相映，将深苑的闲逸与童真相融。\n\n下层孩童围逗雏鸡，两两结伴蹲坐嬉玩，憨稚之态呼之欲出。亭台盆栽勾勒出宫苑雅致底色，古绢晕染带着岁月沉韵，工细线条将孩童的娇憨灵动、园囿的静雅规制妥帖绘就，消解了宫苑的刻板肃穆，只余下稚子嬉闹的鲜活日常，把无忧无虑的童年意趣定格在古雅色泽中。",[27,79,29,32,33,329,809,2869,1527,129,650],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F3f339529b27e046af7897ba156a02ed6.jpg",[],{"id":22863,"slug":22864,"title":22865,"dynasty":22,"author":7,"museum":172,"description":22866,"tags":22867,"thumbUrl":22869,"material":296,"size":297,"collection":11,"collections":22870,"showCount":22781,"zanCount":49,"manualWeight":49,"mainColor":50},289233,"kong-zi-xiang-yi-ming-289233","孔子像","此作古雅沉厚，旧绢底色晕开悠悠岁月的沉静气韵。居中宗师端坐榻上，面容温蔼方正，长髯垂胸，宽袍广袖线条朴拙凝练，静穆间带着亲和，尽显儒者温润端方的气度。两侧弟子神态恭谨，或持卷聆教，或垂首凝神，暗合杏坛论道的静谧氛围。\n\n顶部题字斑驳苍古，与泛黄底色相融，晕开时光沉淀的厚重质感。画面构图主次分明，用笔简括洗练，未作过多精雕细琢，却以拙朴笔意传递出儒家礼乐的庄重内核，将千年前师徒论学的温煦场景，凝于绢上。",[26,27,28,29,32,33,22868,9271],"孔子","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F90c4fc76af3f72e5c959dbe83dfc77a0.jpg",[],{"id":22872,"slug":22873,"title":22874,"dynasty":75,"author":7,"museum":172,"description":22875,"tags":22876,"thumbUrl":22877,"material":296,"size":297,"collection":11,"collections":22878,"showCount":22781,"zanCount":49,"manualWeight":49,"mainColor":70},288959,"mo-wang-qi-han-huai-yin-xiao-xia-tu-yi-ming-288959","摹王齐翰槐荫消夏图","此作图绘槐荫下消夏闲景，高士袒胸斜卧榻上，双目轻阖，将溽暑中松弛酣然的情态刻画入微。榻边小案陈置香炉书卷，衬出主人林下雅致，槐荫如盖，清荫笼住一方清凉，隔绝夏意燥热。\n笔线秀润细劲，设色浅淡明净，衣纹柔婉流转，与家具方硬挺括形成鲜明对照，晕染细腻，将肌肤肌理与织物薄软质感尽皆铺陈。画面清寂悠然，把宋人尚雅的闲居意趣融于尺幅，尽显幽居纳凉的松弛雅韵，藏着旧时文人最熨帖的夏日闲情。",[26,79,27,28,530,32,33,31,122,19998,759,4219,82,124,877],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ff7001083d3da7618380d5002c193cc8c.jpg",[],{"id":22880,"slug":22881,"title":21742,"dynasty":75,"author":7,"museum":172,"description":22882,"tags":22883,"thumbUrl":22884,"material":296,"size":297,"collection":11,"collections":22885,"showCount":22781,"zanCount":49,"manualWeight":49,"mainColor":70},288955,"zhu-shu-xun-que-tu-yi-ming-2889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边敞轩水榭，绿柳掩映，塘中莲花片片，碧水微波。\n水榭中二高士对坐 ，全神贯注，另有一人侧卧床榻，一手支颐，不知是弈后的疲惫小憩还是战前的养精蓄神；又有三 ，一执扇，一伏案，一取水，整幅意境悠闲雅淡 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绿图已枯，枫红团，山脚下长长的行人匆匆而过； 飞瀑流泻而下，水底已雾蒙蒙； 几间房屋隐藏在山谷中，或者寺庙是高大的殿堂，它们是住宅。 依山傍水，是一处修身养性的美丽之地； 山峰可能隐高，峰顶怪异，山脊稳定。",[26,27,79,29,32,614,60,953,3733,1102,131,1623,130,129,33,1006,359],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ffcce883a4d1591955ca3a0ac56dd2079.jpg","130x37",[],{"id":23757,"slug":23758,"title":7939,"dynasty":141,"author":7,"museum":76,"description":23759,"tags":23760,"thumbUrl":23761,"material":17993,"size":23762,"collection":11,"collections":23763,"showCount":22781,"zanCount":351,"manualWeight":49,"mainColor":50},223508,"lin-ting-qiu-se-tu-yi-ming-223508","沿江冈陵起伏，霜气已深，岁将暮矣。满山寒林卓立，寒松翠柏而外，偶有红叶点缀。山道中，行人负戴，河岸上，旅人步骑趱行。远方水上，渔艇鼓枻收网，朝起江村，各有所事。\n本幅树木造形，干细长，分枝如蟹爪，为典型元朝承续宋代李成、郭熙一派寒林画法。画上烟水空阔，气象萧疏，使人凛然而有寒意。无款印。",[26,27,79,28,144,614,60,531,2144,613,128],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F5e60592ae246de35dc4631b352b3bbc3.jpg","27.5x50.7厘米",[],{"id":23765,"slug":23766,"title":23767,"dynasty":75,"author":7,"museum":56,"description":23768,"tags":23769,"thumbUrl":23770,"material":335,"size":23771,"collection":11,"collections":23772,"showCount":22781,"zanCount":49,"manualWeight":49,"mainColor":50},223506,"song-yin-tan-dao-tu-ye-yi-ming-223506","松荫谈道图页","此图亦作《三教论道图》，图绘远处山峰连绵，近处一棵高大松树松杆遒劲，绿荫如盖；松荫下儒、释、道三位教徒或着长袍，或着叶装，端坐于松根、石块上谈经论道。此处环境清幽，阴凉静雅，似世外桃园般安逸。",[26,27,79,28,219,31,32,33,331,162],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F833d44227db51604372db96ab56fde5d.jpg","25.3＊25.6cm",[],{"id":23774,"slug":23775,"title":23776,"dynasty":75,"author":7,"museum":76,"description":23777,"tags":23778,"thumbUrl":23783,"material":1433,"size":23784,"collection":11,"collections":23785,"showCount":22781,"zanCount":49,"manualWeight":49,"mainColor":50},223476,"zhe-kan-tu-ju-bu-yi-ming-223476","折槛图（局部）","此图用形象生动的笔触，描忠臣犯颜直谏，图绘了朱云在皇帝、公卿大臣面前犯颜直谏的景象。御林军正在拖朱云，朱死抱住栏槛不放，还在强辩。成帝侧身坐龙椅上，长须飘洒，满面怒容，目光杀气腾腾，与朱云针锋相对。奸相张禹则手捧笏板得意地站在成帝身边，满脸奸笑。辛庆忌正躬身为朱云求情。画面情节紧张而热烈，人物神情刻画细腻生动，富有鲜明的个性。线条遒劲有力，色彩鲜明强烈，确是一幅人物画的精品之作。",[26,79,27,31,32,33,518,1524,145,649,23779,23780,23781,23782],"龙椅","笏板","犯颜直谏","求情","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F326c2ce3f908eadcc8834818e4eed64e.jpg","纵173.9公分，横101.8公分",[],{"id":23787,"slug":23788,"title":23789,"dynasty":141,"author":7,"museum":2131,"description":23790,"tags":23791,"thumbUrl":23793,"material":21518,"size":23794,"collection":11,"collections":23795,"showCount":22781,"zanCount":49,"manualWeight":49,"mainColor":50},223445,"han-lin-gui-qiao-tu-zhou-yi-ming-223445","寒林归樵图轴","远处孤山耸立，近处寒林对峙，画面空旷深远，尽显寒意料峭。图画上端有刘长卿所作诗《寻盛禅师兰若》，净慈寺平山处林禅师所书诗：“秋草黄花覆古阡，隔林何处起人烟，山僧独在山中老，唯有寒松见少年”",[26,27,144,29,60,4001,676,162,614,23792],"樵夫","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F2ab559074d70afec98a2c35cecf05614.jpg","92.6＊48.9cm",[],{"id":23797,"slug":23798,"title":23799,"dynasty":75,"author":7,"museum":216,"description":23800,"tags":23801,"thumbUrl":23802,"material":348,"size":23803,"collection":11,"collections":23804,"showCount":22781,"zanCount":49,"manualWeight":49,"mainColor":50},223378,"shi-liu-ying-zhen-du-hai-tu-juan-yi-ming-223378","十六应真渡海图卷","文中斯别开生面。形状奇怪夙所称，耳熟闻之目新见。苍鳞若龙若非龙，擎爪来闻法以现。第一。据树坐椸钵多罗，鸦鹊来餐香积饭。第二。飘然白鹤驾以降，屈眴七条披已惯。第三。数珠在手。第四。把明珠。第五。自摇箑其貌颟顸。第六。端立左铃而右杵。第七。扶童者迵顾彼崖。第八。是皆渡海履水物。水物狰狞名不辨。拍持具叶。第九。促舍汉。第十。白泽曳轮坐以晏。别有袖手乘骞槎。第十一。相参法喜作佳伴。据石入定若无人。第十二。牛哀跪伏如猫豢，傍见共谘二大士，其一默坐。第十三。一持扇。第十四。似步而迥更迥，第十五。臃肿披缁目光炫。第十六。跏趺相对谈二禅。云空。第十七。云色。第十八。色空幻，是为不二法之宗。绣居士说法编，向曾韵统考同文。位号次第订梵汉。莆田愚者不羁士。传神何碍后前舛。长歌笑我尚拘墟。山阴讶似镜中按。乾隆乙巳（1785）仲秋，御题。",[26,27,79,96,123,144,30,33,887,272,162,131,445],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F3fbfb5332900a9dfc823e81b021913cf.jpg","29X322",[],{"id":23806,"slug":23807,"title":18344,"dynasty":241,"author":7,"museum":242,"description":1796,"tags":23808,"thumbUrl":23809,"material":175,"size":11,"collection":11,"collections":23810,"showCount":22781,"zanCount":49,"manualWeight":49,"mainColor":50},222149,"fu-hui-dong-yi-ming-222149",[26,175,32,31,33,1056,60,446,59,131,2657,190,503],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F969e04e58a9a76dbc8e73e19f7ef5a5b.jpg",[],{"id":23812,"slug":23813,"title":23814,"dynasty":141,"author":7,"museum":172,"description":23815,"tags":23816,"thumbUrl":23817,"material":11,"size":11,"collection":45,"collections":23818,"showCount":22781,"zanCount":351,"manualWeight":49,"mainColor":70},221782,"yuan-tai-zong-yi-ming-221782","元太宗","此作以写实笔触勾勒帝王形貌，头戴镶纹暖帽，眉骨棱起，眼神沉凝锐利，虬髯劲挺，窄袖褐袍简约厚重，将草原君主的雄武气场尽显无遗。左侧题字笔致端整，与画像相映成趣。\n\n整幅画像朴拙凝练，无繁丽装饰，以精准的线条捕捉人物威严肃穆的神态，将马背帝王的沉雄威仪定格于绢素之上，既保留了纪实特质，又以传神刻画让观者窥见一代君主的杀伐气度，兼具史证价值与审美价值。",[26,27,28,32,33,31],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F791ac7688f23b9fdd6a35891aae37f30.jpg",[45,112],{"id":23820,"slug":23821,"title":23822,"dynasty":141,"author":7,"museum":56,"description":23823,"tags":23824,"thumbUrl":23826,"material":109,"size":23827,"collection":506,"collections":23828,"showCount":22781,"zanCount":49,"manualWeight":49,"mainColor":70},221778,"di-ba-ga-na-ga-ba-ha-la-zhui-za-zun-zhe-zhou-yi-ming-221778","第八嘎纳嘎拔哈剌錣杂尊者轴","《元人画第八嘎纳嘎拔哈剌錣杂尊者轴》是创作于元代的一幅画。",[26,27,1573,29,144,31,123,33,60,1102,4820,2240,2668,23825,359,130,82],"光晕","https:\u002F\u002Foss.chuangqi.store\u002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的宋代士大夫们，对于「故乡」最美好的记忆。当他们告老还乡时，最大的心愿之一，莫过于徜佯在这片青草地上，伴随着自在悠闲的牛儿，作一名安闲平凡的牧人。正如一位北宋诗人所说的：「人生愿望无数，能达成的又有多少呢？我想，若能拥有百亩良田以及一只牛的陪伴，也就心满意足了吧！」",[26,27,79,28,530,32,31,2208,2944,33,532,11786,35,1676],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F0f94cf9b5d56f49c5f99cdb42a8ad360.jpg","纵24.9厘米 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含情。",[27,28,530,32,144,31,146,190,888,82],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F647cd67c4f69c7e2309690c50aabea39.jpg",[],{"id":24630,"slug":24631,"title":4092,"dynasty":241,"author":7,"museum":172,"description":24632,"tags":24633,"thumbUrl":24634,"material":296,"size":297,"collection":11,"collections":24635,"showCount":23945,"zanCount":49,"manualWeight":49,"mainColor":70},234928,"dong-qi-chang-shan-shui-ce-yi-ming-234928","此作用淡墨晕染铺就烟岚空濛之境，主峰以浓墨积染，浑朴厚重，与周遭浅墨晕开的云气虚实相映。近中景林木以焦墨点簇，错落苍润，坡岸留白代水，尽显江南山水氤氲迷离之态。\n\n题字与印章错落排布，书画印相映成趣，笔墨简淡却意韵悠长。以极简的水墨层次，勾勒出山川幽寂淡远之致，尽显文人画尚意重韵的特质，将山水的空灵沉静融于尺幅之间，观之如身临烟林丘壑，静享林泉雅趣。",[27,28,530,144,60,953,532,82],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F1c8b1ebdfd39c580d7febf30a48d510a.jpg",[],{"id":24637,"slug":24638,"title":24639,"dynasty":55,"author":7,"museum":172,"description":24640,"tags":24641,"thumbUrl":24642,"material":296,"size":297,"collection":11,"collections":24643,"showCount":23945,"zanCount":351,"manualWeight":49,"mainColor":70},234854,"he-su-fu-ren-ying-xiang-zhou-yi-ming-234854","和素夫人影像轴","此作工笔精绝，将诰命夫人的雍容气度尽付笔端。画师于面容描摹细致入微，眉眼含静，神态端方沉稳，尽显世家尊眷的矜贵仪态。宝蓝吉服华美绝伦，金龙辗转腾挪于袍身，祥云、江崖海水次第铺陈，笔墨还原出针绣肌理的精妙，纹样层次分明，将森严的品级礼制融于雅致工巧之中。画面留白简约，边角题跋衬映，文气与画意相融。整作形神兼备，写实功力深厚，将官眷威仪与富贵风华定格于绢素之上，尽显清代肖像画精细传神的创作特色。",[27,28,29,31,32,33,59,4821,14069,64],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F50d2a120e8a09f29ad429c901df1d611.jpg",[],{"id":24645,"slug":24646,"title":24647,"dynasty":55,"author":7,"museum":172,"description":24648,"tags":24649,"thumbUrl":24650,"material":11,"size":11,"collection":11,"collections":24651,"showCount":23945,"zanCount":49,"manualWeight":49,"mainColor":70},234484,"jin-ling-ming-bi-ji-sheng-hu-zao-hua-cao-chong-ce-ye-yi-ming-234484","金陵名笔集胜-胡慥画草虫册页","明末清初，金陵特殊的政治、经济、文化地位，使其集聚了一大批画家，用龚贤的话来说：“今日画家以江南最盛，江南十郡以首郡为盛，郡中著名者且数十辈，但能吮笔者岂止千人？”① 江南的首郡就是金陵。在这些画家中，却单单有八位画家因一个概念而被画史铭记，这就是“金陵八家”。但是，关于“金陵八家”的构成一直为画史争论不休。先后出现了多个版本，这些不同的“金陵八家”组合其实可以分为三类：①为张庚《国朝画征录》中提出的以龚贤为首的“金陵八家”。②为标明是周亮工品题的不包括龚贤，并以陈卓领衔的“金陵八家”，《上元县志》、《新修江宁府志》、《上江两县志》和《金陵通传》这4部南京地方志采用该说。前三书完全相同，而《金陵通传》略有不同，将武丹换成了武弁（很可能是传抄的错误）。《眼福编》的组合虽与张庚之说相似，但将龚贤换成了邹喆的父亲邹典，故将之归到这一类。③为《昆山景物志》，此说也以龚贤为首，大概因为龚贤是昆山人。新入3人：施霖、盛丹、王概。这三类“金陵八家”构成以第一种受到的附合最多。为什么会出现如此多的“金陵八家”说不同版本，“金陵八家”最初由谁品题，为什么会发生变化，其动因又是什么呢？",[27,28,530,32,31,80,920,2494],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fd69d52209f5bf66a1de1c23e1b5d4804.jpg",[],{"id":24653,"slug":24654,"title":24655,"dynasty":55,"author":7,"museum":172,"description":24656,"tags":24657,"thumbUrl":24658,"material":296,"size":297,"collection":11,"collections":24659,"showCount":23945,"zanCount":49,"manualWeight":49,"mainColor":70},234385,"xiao-sheng-xian-huang-hou-chao-fu-xiang-zhou-yi-ming-234385","孝圣宪皇后朝服像轴","此作写实精微，将女主人慈和端凝的神态刻画入微，鬓发丝缕、面部肌理皆细腻逼真，尽显沉静雍容的气度。\n朝服纹饰严整考究，盘龙绣纹张弛有度，缂丝刺绣的华美感跃然绢上，朝珠串珠层次分明，宝石的温润光泽与华贵质感尽显无遗。髹金雕龙座椅繁复富丽，地毯纹样规整华美，衬出皇家仪范的肃穆厚重。\n整体设色明丽沉稳，兼顾纪实性与艺术性，将帝后威仪与端庄气度相融，是清代宫廷肖像画的上乘之作。",[27,28,29,32,31,33,418,270,178,14069,2268],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fa222c1e4c1c25705b7fed860532e5504.jpg",[],{"id":24661,"slug":24662,"title":24663,"dynasty":55,"author":7,"museum":172,"description":24664,"tags":24665,"thumbUrl":24666,"material":296,"size":297,"collection":11,"collections":24667,"showCount":23945,"zanCount":49,"manualWeight":49,"mainColor":70},234380,"xuan-ye-chao-fu-xiang-zhou-yi-ming-234380","玄烨朝服像轴","这是工笔重彩帝王肖像，画中帝王面容沉稳威严，沟壑纹路镌刻着半生理政的厚重阅历，神色持重内敛，尽显久居九五的肃穆气度。\n明黄朝服尽显至尊礼制，龙纹腾跃于衣身，辅以祥云、江崖海水，纹饰勾染精细妍丽，石青、朱红点缀其间，撞色沉稳华贵，织绣细节纤毫毕现，将清代冠服的森严等级尽数铺陈。髹金浮雕龙座与纹样规整的铺地织锦层层烘托，写实笔触精准恪守宫廷肖像的制式法度，定格下盛世帝王的仪范风骨，是清代肖像画工致典雅的典范。",[27,28,29,32,33,59,345,31,55],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F1d104575a2e03427d0d767f27dedb9b7.jpg",[],{"id":24669,"slug":24670,"title":24671,"dynasty":171,"author":7,"museum":56,"description":24672,"tags":24673,"thumbUrl":24674,"material":109,"size":24675,"collection":11,"collections":24676,"showCount":23945,"zanCount":49,"manualWeight":49,"mainColor":50},233783,"yao-shi-ru-lai-xiang-ye-yi-ming-233783","药师如来像页","本幅所绘为药师佛，结跏趺坐于莲花宝座上，内着绿地红色团花僧祇支，外披红色田相袈裟。左手持药钵，右手执两股六环杖头锡杖。背后有身光、头光。背景图案中的团花用淡红、紫红、黑色、绿色等色彩层层晕染勾勒。",[27,28,530,32,123,30,33,177,590],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F9d769ae7b7b551c0025fdbbf404fa68d.jpg","34×30cm",[],{"id":24678,"slug":24679,"title":18119,"dynasty":75,"author":7,"museum":172,"description":24680,"tags":24681,"thumbUrl":24682,"material":11,"size":11,"collection":11,"collections":24683,"showCount":23945,"zanCount":49,"manualWeight":49,"mainColor":50},233699,"yu-le-tu-ye-yi-ming-233699","绘三只渔船捕鱼归来,泊于古松幽篁掩映下的岸边.舟上人物或正在用餐,或忙于其他事情,充满生活的气息",[27,79,28,219,32,144,614,60,33,128,131,130,1768,82],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F389669d69d09b3873a5a16e2df01015f.jpg",[],{"id":24685,"slug":24686,"title":24687,"dynasty":55,"author":7,"museum":56,"description":24688,"tags":24689,"thumbUrl":24690,"material":17891,"size":24691,"collection":11,"collections":24692,"showCount":23945,"zanCount":49,"manualWeight":49,"mainColor":70},233043,"ping-ding-tai-wan-zhan-tu-ce-yi-ming-233043","平定台湾战图册","乾隆五十一年（1786），台湾天地会北路首领林爽文起事，并得到南路首领庄大田的响应，旋即占领全岛，林爽文自称盟主大元帅，建元顺天；庄大田自称洪号，辅国大元帅。《战图》所绘即清大学士福康安和侍卫大臣海兰等于乾隆五十三年率军剿灭林爽文起事的战况。图十二幅，图目为：福康安奏报诸罗解围图、福康安奏报攻克斗六门图、福康安奏报攻克大里杙图、福康安奏报进攻小半天图、集集埔之战图、大埔林之战、大武垄之战图、枋寮之战图、生擒林爽文图、生擒庄大田图、福康安奏报抵厦门图、赐宴凯旋诸将图。\n据清内务府造办处乾隆五十三年档案记载：先是福康安进呈《台湾战图》御览，乾隆帝看过后并不满意，下旨：“图内人物绘画尚未合式，将原图十六幅寄京交如意馆，着伊兰泰将从前画过战图尺寸查清再画一份。五十三年九月二十日：姚文瀚将起得渡海凯旋图稿呈览，奉旨准画，着杨大章、贾全、谢遂、庄豫德、黎明分画。”十月初五太监鄂勒里传旨：“姚文瀚等现画台湾战图着以册十二幅，如画得一两幅，陆续交如意馆照西域战图画法一样画十二幅，俟画得时交造办处刻铜板。”[《活计档》。第3554册，中国第一历史档案馆藏。]即这是第一部完全由中国人绘稿和雕刻铜版的《战图》。但这套战图刻印完成后，也许乾隆帝并不十分满意，或者是对《平定准部回部战图》的西洋画法更感兴趣，又于乾隆五十四八月十七太监鄂鲁里传旨：“台湾战图册页画稿俟刻铜板完成时，将原稿掣回，着西洋人贺清泰、潘廷璋照铜板画法一样成画一份。”据《清内府造办处舆房目录》记载：《平定台湾战图》六份，其中绘本一份，内有原签注：“贾全起稿，黎明画稿”等字样。据故宫博物院藏清宫档案记载：“台湾战图铜板一份计十二块，压过二百份，各处陈设一百十九份，赏用八十一份。”",[79,27,28,530,32,31,33,60,10980,2770,2405,2656,131,359,6128,9663,18001],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fc0be05ec6ab04eff3cb82e85ab4fc6c0.jpg","长55.6厘米，宽91.1厘米",[],{"id":24694,"slug":24695,"title":15407,"dynasty":75,"author":7,"museum":56,"description":7188,"tags":24696,"thumbUrl":24697,"material":335,"size":24698,"collection":11,"collections":24699,"showCount":23945,"zanCount":49,"manualWeight":49,"mainColor":50},233022,"da-nuo-tu-zhou-yi-ming-233022",[27,28,29,32,31,33,687,345,3625],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F811f5eb801a8357cdf3c7a7af199fa5a.jpg","纵67.4厘米，横59.2厘米",[],{"id":24701,"slug":24702,"title":24703,"dynasty":75,"author":7,"museum":172,"description":24704,"tags":24705,"thumbUrl":24706,"material":1433,"size":24707,"collection":11,"collections":24708,"showCount":23945,"zanCount":49,"manualWeight":49,"mainColor":50},232614,"guang-ming-si-tu-zhou-yi-ming-232614","光明寺图轴","此作用工细界笔勾勒层叠殿宇，朱红立柱搭配青灰飞檐，古雅色调晕染出绢本的岁月质感。楼阁随势错落排布，飞檐舒展翘拔，回廊辗转勾连，砖石地砖的格纹工整清晰，凭栏处点缀微小像影，衬以淡描林木，兼具古建考据价值与清雅画意。\n\n画师以界尺精准摹写斗拱榫卯的精妙结构，细致还原寺院庄严宏阔的形制，将中古佛寺的恢宏气度凝于绢素，带着严谨考据与雅致笔意，静静诉说着古寺往昔的肃穆风华，是古建界画中的难得佳作。",[26,27,79,29,329,32,129],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fe066fd770eac49d2b7d51ac8e2a4f9ca.jpg","156.5×65.3厘米",[],{"id":24710,"slug":24711,"title":24712,"dynasty":75,"author":7,"museum":465,"description":24713,"tags":24714,"thumbUrl":24715,"material":348,"size":24716,"collection":11,"collections":24717,"showCount":23945,"zanCount":49,"manualWeight":49,"mainColor":50},232601,"shi-jia-san-zun-xiang-li-zhou-yi-ming-232601","释迦三尊像立轴","画面中心释迦牟尼佛跏趺端坐于仰覆莲座上，头饰螺发，身着袈裟和僧裙，神态庄严慈祥；右手于胸前结说法印，左手结禅定印，为芸芸众生开示宇宙人生的真谛。身后有头光、身光，寓示佛陀智慧无边、法力无边。佛陀上方有两菩萨，下方有两罗汉，从其身色和肩帜来看，上方为普贤和文殊，下方为阿难和迦叶。释迦牟尼的莲座下承高大华美的金刚座。束腰处绘双子戏球，前方有诸珍宝供养，背景顶上饰宝伞华盖，空中飘浮五彩祥云。画面构图精当，布局传统，疏密有度，人物和景物勾勒精细，线条洗练简洁，造型质朴生动，设色古朴，和谐雅致，以暖色调为主，将画面烘托的圣洁与庄重，表现了极高的绘画水平。难能可贵的是品相完好，原装原裱，为不可多得的收藏与供奉佳品。",[26,27,28,711,29,30,31,32,33,177,1056],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F663a9a713f6fc8d5fa5c6021a681e6d3.jpg","198×111.5cm",[],{"id":24719,"slug":24720,"title":24721,"dynasty":141,"author":7,"museum":76,"description":24722,"tags":24723,"thumbUrl":24724,"material":43,"size":24725,"collection":87,"collections":24726,"showCount":23945,"zanCount":49,"manualWeight":49,"mainColor":50},232262,"xing-e-tu-yi-ming-232262","杏鹅图","描绘水滨双鹅，旁有两棵柳、杏，飞燕穿梭柳叶之间，柳阴下斜出几枝杏花。从绘画内容及布局看来，它像是明院体大幅花鸟画的构图，画柳干之皴纹，有仿吕纪之笔意，画鹅则似林良写禽之趣，应是结合林良、吕纪影响之作。",[27,28,79,29,32,144,31,614,2474,9170,131,36,6340],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F55c57300cc263debb9b3f1259bef7939.jpg","142.8x81.4厘米",[87],{"id":24728,"slug":24729,"title":24730,"dynasty":141,"author":7,"museum":172,"description":24731,"tags":24732,"thumbUrl":24733,"material":11,"size":11,"collection":11,"collections":24734,"showCount":23945,"zanCount":49,"manualWeight":49,"mainColor":50},231911,"luo-han-tu-di-shi-zun-zhe-ming-ban-tuo-jia-yi-ming-231911","罗汉图（第十尊者名半托迦）","注荼半托迦尊者者生性愚钝，常因背不下经而遭嘲笑， 但他却坚定不移地修持佛法，终成阿罗汉果。释迦牟尼将他说成是改变他人观念的比丘中最杰出的一位。注荼半托迦尊者双手作禅定印，结跏趺坐于山石卜，神情专注。座前是怀抱小狮戏耍雄狮的侍者。树间化现金刚手菩萨和阿底峡大师。",[27,28,29,30,32,33,445,31],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F2d69a3c64c7094b1bbe1a0ccbe1a8826.jpg",[],{"id":24736,"slug":24737,"title":24738,"dynasty":22,"author":7,"museum":172,"description":24739,"tags":24740,"thumbUrl":24745,"material":11,"size":11,"collection":11,"collections":24746,"showCount":23945,"zanCount":49,"manualWeight":49,"mainColor":50},231695,"jiang-hu-shi-qi-di-shi-wu-luo-han-tu-li-zhou-yi-ming-231695","江户时期 第十五罗汉图立轴","褐肤罗汉宝光护体，踞坐松石之下，虬髯深目自带威严沉静之气，团龙织金僧衣华贵雅致，手托丹丸，尽显尊者超凡气度。身前侍者躬身颔首，神态恭谨至极，主仆情态形成鲜明反差，生动勾勒禅门仪轨。\n\n背景古松盘虬苍劲，悬垂鎏金佛灯晕染出清幽肃穆的禅意氛围。整作线条顿挫凝练，设色雅致沉稳，衣纹晕染层次丰厚，将人物的神性与俗世情态刻画入微，尽显佛画写实功力，禅林静谧之韵扑面而来。",[26,29,27,30,32,33,31,131,4820,24741,24742,2572,2668,162,4198,24743,1386,24744,877],"小僧","光头","服饰图案","跪姿","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fcc639c5a1ca97303fcca2c116d190498.jpg",[],{"id":24748,"slug":24749,"title":24750,"dynasty":22,"author":7,"museum":172,"description":24751,"tags":24752,"thumbUrl":24753,"material":296,"size":297,"collection":11,"collections":24754,"showCount":23945,"zanCount":49,"manualWeight":49,"mainColor":70},231688,"ping-an-shi-dai-di-yu-cao-zhi-yi-ming-231688","平安时代 地狱草纸","绘卷以图文交错铺陈，将地狱酷刑具象铺展。赤裸罪人身受火雨灼烧、沸血沉溺之苦，肢体扭曲仓皇，粗粝线条勾勒出受罚者的惊惧绝望。浓烈朱红晕染的火焰与枯旧纸色撞色对冲，将炼狱的灼热暴戾铺散开来，古朴稚拙的笔触裹带着厚重威慑力。一旁的墨书与画作彼此呼应，将罪与罚的因果悄然诉尽，带着中古时代的肃穆警示，把幽冥苦楚直抵观者眼前，让这份对业报的刻画沉郁又撼人。",[26,30,96,32,144,33,5107,28,123],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F774e7a20f89a325f446a0e9a13a010a7.jpg",[],{"id":24756,"slug":24757,"title":24758,"dynasty":22,"author":7,"museum":172,"description":24759,"tags":24760,"thumbUrl":24763,"material":296,"size":297,"collection":11,"collections":24764,"showCount":23945,"zanCount":49,"manualWeight":49,"mainColor":70},231677,"qing-feng-pu-bu-tu-yi-ming-231677","青楓瀑布図","整幅作品以飞瀑为骨，素白留白晕出水幕如银河垂落，撞向滩间黑石，激出层叠浪涛，笔绘水纹精细入微，将奔涌之势跃然纸上。\n\n斜出的青枫缀着翠色，柔化了瀑流的雄劲深峻，暗墨晕染的山壁衬得银练似的水瀑愈发通透。刚柔相衬间，将幽林飞泉的清寂禅意铺展开来，题字落款清雅融于画面，把山野间奔雷般的水势与枝桠垂立的安然相融，尽显东方山水写意的灵韵，藏着对山野幽居之趣的描摹。",[26,27,144,32,29,60,1102,24761,24762,146],"青枫","水流","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fd353240fc86d9ff3f2e1d951b0fe099c.jpg",[],{"id":24766,"slug":24767,"title":24768,"dynasty":22,"author":7,"museum":2131,"description":24769,"tags":24770,"thumbUrl":24771,"material":109,"size":24772,"collection":11,"collections":24773,"showCount":23945,"zanCount":49,"manualWeight":49,"mainColor":70},231579,"hua-yan-wu-shi-wu-suo-hua-juan-yi-ming-231579","华严五十五所画卷","此作描述了《华严经》中记录的善财童子遍参善知识的经历。故事讲述的是善财童子心地纯洁，如天空般明净，听从文殊菩萨的规劝，遍参了55位善知识（才德兼备而能指引他人的高人），终于修成正果的美丽故事。这个表现主题在大陆（即中国）、日本自古就被造型化，此绘卷继承日本的传统，于镰仓时代中期临摹了制作于平安时代至镰仓时代初期的东大寺本（分藏于东大寺及他处。东大寺所藏为国宝，其他处所藏为重要文物）中的5段。原本凭借其柔和流畅的线条及宁静的色彩，展现了极高的思想性，本临摹本虽无法媲美原本，但也可以说具有原本的余韵。各段上书有的文字，为各位善知识的位阶及姓名，以及以各段内容为主题的诗文画赞。画赞采用的是与北宋时期著名文人苏东坡等相交甚密的杨杰的作品。",[26,27,96,32,31,33,131,60,130,129,1623,162,1093,1605,3363,2240,163],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fbca48a1d5a23cbaab71ad1178b785161.jpg","31.7×196.6cm",[],{"id":24775,"slug":24776,"title":24777,"dynasty":141,"author":7,"museum":172,"description":24778,"tags":24779,"thumbUrl":24780,"material":11,"size":11,"collection":11,"collections":24781,"showCount":23945,"zanCount":49,"manualWeight":49,"mainColor":277},231497,"han-gao-zu-liu-bang-yi-ming-231497","汉高祖刘邦","汉高祖刘邦，字季，号沛公，谥号高皇帝，庙号高祖。沛郡丰邑中阳里（现属江苏省徐州市丰县）人氏，妣吕雉。邦公国号西汉高祖，生于周赧王五十九年即公元前二五六年二月初八日。他在兄弟四人中排行第三。性情豁达大度，知人善任。公元前二一六年，时年三十一岁，为泗水亭长。公元前209年壬辰岁九月，参加由陈胜，吴广带领的起义，后加入楚国的阵营，趁另一位将军项羽，和秦的大军打拉锯战，没有秦国主力和他的军队对阵之余，第一个攻进秦国的首都咸阳，灭了秦朝，被楚霸王项羽封为汉王。并以蜀地为基地，和项羽展开了长达四年的楚汉之争。刘邦在文有张良，武有韩信，后方有萧何的辅助下，终于把项羽的军队包围在垓下设下十面埋伏，项羽突围不果，自杀于乌江边。刘邦消灭了项羽后，统一了中国。公元前206年乙未岁称帝于洛阳，建立汉王朝，自此中华帝国在地理上再次统一，为以后的强大建立了基础.后迁都于长安（今西安市）在位十二年，卒于公元前一九五年丙午岁四月二十五日（甲辰日）。享年六十一岁，葬于葬于陕西省西安咸阳县东，称长陵。妣吕雉，卒于公元前一七九年壬戌岁，葬于长安咸阳县东陵。生八子：长庶齐悼惠王肥，曹氏生。次子恵帝盈，吕雉生。三子和意，戚后生，封赵王，后被吕雉所杀。四子恢，梁王，后自杀。五子文帝恒，先封代王，后为文帝，薄姬生，薄姬卒于公元前一五五年丙戌岁，葬于霸陵。六子友，先为淮阳王，后为赵幽王，后自杀，生二子：遂（赵王）、卬（胶西王）。七子建，燕王，后被吕雉所杀。八子长，淮南王，后被文帝废王。为了和后来刘秀建都洛阳的“汉”区别，历史上称为“西汉”",[27,28,79,1443,29,33,32,31],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F1f26eab8a5aa6207dddae9b2d01cb95c.jpg",[],{"id":24783,"slug":24784,"title":24785,"dynasty":75,"author":7,"museum":76,"description":24786,"tags":24787,"thumbUrl":24788,"material":109,"size":24789,"collection":11,"collections":24790,"showCount":23945,"zanCount":49,"manualWeight":49,"mainColor":70},231342,"qian-shou-qian-yan-guan-shi-wu-pu-sa-yi-ming-231342","千手千眼观世吾菩萨","千手千眼观世音菩萨，又称千手观音，汉传佛教中常被供奉的观世音菩萨之一，是观世音菩萨的其中一个化现。为六观音之一，六观音即：慈航观音（救拔饿鬼道）、千手观音（救拔地狱道）、马头观音（救拔畜生道）、十一面观音（救拔修罗道）、准提观音（救拔人道）、如意轮观音（救拔天道）。有一千只手，每手心上各有一眼，故称。一般塑像或者绘画上，大都以四十手、三十六手、二十四手、十八手为代表。\n有说法称千手观音与青颈观音、不空羂索观音、消众毒观音等观音化身，同为正观音一时化现，有极密切的关系，相当于同体异名\n菩萨千手千眼形象之来源，于《大悲心陀罗尼经》中记载：“世尊！我念过去无量亿劫，有佛出世，名曰‘千光王静住如来’。彼佛世尊怜念我故，及为一切诸众生故，说此‘广大圆满无碍大悲心陀罗尼’。以金色手摩我顶上作如是言：‘善男子！汝当持此心咒，普为未来恶世一切众生，作大利乐。’我于是时，始住初地，一闻此咒故，超第八地。我时心欢喜故，即发誓言：‘若我当来，堪能利益、安乐一切众生者，令我即时，身生千手、千眼具足。’发是愿已，应时身上，千手千眼，悉皆具足。”[1]此经文可知，菩萨千手千眼之形象，系因菩萨发愿利乐有情之后而具足千手千眼。\n千手千眼观世音菩萨头上有二十八法相，代表二十八天护法，流通于禅宗与净土宗。\n除了《大悲心陀罗尼经》以外，亦有《千手千眼观世音菩萨姥陀罗尼身经》有千手千眼观世音菩萨的记载。",[27,28,29,30,31,32,33],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F9a3ef79ac213a6d1e3fd09057b0064f2.jpg","302x103.6",[],{"id":24792,"slug":24793,"title":24794,"dynasty":22,"author":7,"museum":172,"description":24795,"tags":24796,"thumbUrl":24797,"material":296,"size":297,"collection":11,"collections":24798,"showCount":23945,"zanCount":351,"manualWeight":49,"mainColor":70},230525,"fu-hua-zhen-yan-tu-xiang-man-tu-luo-juan-quan-tu-yi-ming-230525","佛画真言图像曼荼罗卷全图","此卷以素绢为地，朱红、石青、泥金敷色，满铺神佛诸天、护法印相与卷草云纹，经文题识错落点缀其间。构图绵密却秩序分明，将密宗曼荼罗的严整仪轨，融入唐绘绮丽笔致之中。神佛形象饱满灵动，衣袂线条柔婉劲细，设色调和古雅，神圣的宗教氛围与装饰美感相融。繁复造像排布不显拥塞，云气纹串联画面，既有密教仪轨的庄严规整，又不失中古绘画的秀逸古雅，尽显宗教绘画的精致法度与肃穆气韵。",[26,96,30,32,31,33,14166,1385,123],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F3d244be1b25048fd6371229130cb0f5b.jpg",[],{"id":24800,"slug":24801,"title":24802,"dynasty":22,"author":7,"museum":172,"description":24803,"tags":24804,"thumbUrl":24805,"material":296,"size":297,"collection":11,"collections":24806,"showCount":23945,"zanCount":351,"manualWeight":49,"mainColor":70},230521,"fang-gu-shan-shui-ren-wu-fen-ben-shou-ye-jia-cang-tu-juan-yi-ming-230521","仿古山水人物粉本(狩野家藏图卷)","此作用笔清灵秀润，远景山峦以淡墨晕染烟岚，虚实相映，漾着空濛出尘的诗意。近岸急流翻涌，山石皴擦朴拙苍劲，野舟闲泊浅滩，衬出林野的幽寂清旷。\n\n崖畔山居窗内，二人对坐晤谈，为清冷山水晕开一抹人间暖意。作者以淡彩轻点秋树，将隐逸栖居的雅趣融于尺幅间。整卷动静相生，水墨为骨，淡彩辅之，把文人寄情林泉的理想缓缓铺展，笔简意长，尽显萧疏淡远的古典山水意韵。",[26,27,28,96,32,15420,82,60,33,130,131,63,162,531,1102],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F3a7a50f0e0e083ec39fc14796d667cb7.jpg",[],{"id":24808,"slug":24809,"title":24810,"dynasty":55,"author":7,"museum":172,"description":24811,"tags":24812,"thumbUrl":24813,"material":296,"size":297,"collection":11,"collections":24814,"showCount":23945,"zanCount":351,"manualWeight":49,"mainColor":70},229964,"yin-du-jin-qian-zhu-hua-die-er-wa-chai-yi-ming-229964","银镀金嵌珠花蝶耳挖钗","此钗取花蝶为韵，粉碧玺花瓣柔婉层叠，主珠莹润似晨露，碎珠如星子错落点缀。点翠鲜绿叶片舒展，衬得花团愈发生机灵动。银镀金底托将珠石托举，清透宝玉与鎏金光泽相映，华贵又不失清雅。\n\n它将装饰与实用相融，钗身兼具耳挖之用，是闺阁妆饰里藏着的巧思。整体清丽柔婉，尽显细作首饰的精巧工致，把闺中女子的雅致意趣凝于方寸之间，藏着旧时妆匣里的温柔心事。",[160,5641,1155,220,1157,39,346,32],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F0f692ed659154c939cd4f4c89764e314.jpg",[],{"id":24816,"slug":24817,"title":24818,"dynasty":55,"author":7,"museum":172,"description":24819,"tags":24820,"thumbUrl":24821,"material":296,"size":297,"collection":11,"collections":24822,"showCount":23945,"zanCount":49,"manualWeight":49,"mainColor":70},229932,"jin-xiang-dong-zhu-huang-di-ji-fu-guan-ding-yi-ming-229932","金镶东珠皇帝吉服冠顶","此冠顶以东珠为主体，珠体饱满莹润，珠光内敛晕华，尽显天成贵气。底托以累丝金工打造，卷草缠枝纹路细密灵动，尽显花丝工艺的精妙绝伦。座身镶嵌绿松石，碧色澄澈与赤金相衬，冷暖色调交融，更衬东珠素洁雅致。整体规制严谨华贵，将天材与匠心完美结合，尽显帝王仪仗的庄重威仪，是清代宫廷细作工艺的典范之作，凝萃着彼时顶尖的手工造诣，处处彰显着皇家独有的尊崇气度。",[160,430,39,345,346,431,267,2957],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F24c077716c13cdb672de1588bae0842c.jpg",[],{"id":24824,"slug":24825,"title":24826,"dynasty":55,"author":7,"museum":172,"description":5639,"tags":24827,"thumbUrl":24828,"material":296,"size":297,"collection":11,"collections":24829,"showCount":23945,"zanCount":49,"manualWeight":49,"mainColor":50},229671,"qian-long-jin-lei-si-dian-cui-qian-zhu-bao-shuang-long-xi-zhu-zan-yi-ming-229671","乾隆 金累丝点翠嵌珠宝双龙戏珠簪",[13557,1158,2644,59,12999,39,430,2282],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fddaaf4b0f352bdcc7ac5a4fb6b01c198.jpg",[],{"id":24831,"slug":24832,"title":24833,"dynasty":55,"author":7,"museum":172,"description":24834,"tags":24835,"thumbUrl":24837,"material":296,"size":297,"collection":11,"collections":24838,"showCount":23945,"zanCount":351,"manualWeight":49,"mainColor":70},229252,"yin-du-jin-dian-cui-qian-zhu-bao-he-ye-er-zhui-yi-ming-229252","银镀金点翠嵌珠宝荷叶耳坠","耳坠指耳饰的一种，指带有下垂饰物的耳饰（耳环）。有时耳坠等同于耳环，又称耳坠子，是耳朵饰品的代称。耳坠又指耳垂，是属于耳朵结构的一部分，位于耳朵的下半部，比较肥厚的那部分。在最传统的命理学说法中，耳坠的厚与薄代表一个人的命运。\n古时候，人们讲究“耳大如轮，眼大有神”，注重以貌取人，认为耳垂小了是没有福气的象征。但是人一出世，天生的小耳垂，又有啥办法弥补呢？传说，只有戴上耳坠。才能把耳轮拉长。因此，妇女都喜欢戴一副耳坠。 问起这一风俗的来历，传说，还是三国时期貂蝉传下来的呢。 貂蝉原是东汉末汉献帝时司徒王允的一名歌伎，她长得相貌出众、能歌善舞，色伎俱佳，很受王允的宠爱，以亲女看待。当时，董卓专权，挟天子以令诸侯，大臣们对他恨之入骨，但是敢怒而不敢言。王允为此事也闷闷不乐，终日不思茶饭。 貂蝉虽是女流，可王允的心事，她却宗宗看在眼里，件件记在心中。她很会察言观色，为主人分忧解愁。在一个月光皎洁的夜晚，貂蝉在花园里设下香案，为主人祝祷。她虔诚地燃起三柱香火，仰天一拜说道：“明月呀明月，你虽昭昭洁白如洗，可知我家老爷心中烦恼？苍天呀苍天！我貂蝉虽乃女流之辈，老爷婢女，若能为老爷分担忧愁，我愿万死不辞。”恰在此时，王允因忧国心烦，夜不能寐，来到后花园赏月散心。他听见有人祝祷，连忙躲在一座假山后面，静听起来。他听完貂婶的祝愿，心情无比激动和感激，忙上前来，搀扶起这一歌女。 王允问貂婢：“你向苍天明月祈告，为我分忧解愁，可知我忧在何处？愁为何事呀！” 貂蝉说：“当然知道。” 王允又问：“既然知道，又有什么妙法替我杀了董卓？” 貂婢说：“只要老爷相信得过我，奴婢愿效犬马之劳，即使赴汤蹈火，也心甘情愿。” 王允听了，顿时为这女子的仗义和气魄所感动，当即认貂蝉为女儿。后来王允与貂蝉合议：先将貂蝉献于董卓，后再暗许吕布，以离间两人之交，让这董吕两人勾心斗角，互相杀害。 貂蝉耳垂小，怕自己美中不足，使董、吕二人看不上，使密谋落空。她想办法弥补，想了很久，终于想出了良法，就在家中拿了些碎银子，叫银匠给自己作了一对银耳坠，挂在耳垂上。这样过了不久，耳垂果然变大了，为她的美容又增添了不少姿色。 董卓一见貂蝉大喜！吕布一见貂蝉着迷，使董卓和吕布因争夺这一美女而激烈相斗。又因吕布貂蝉私通，恐事发觉，心神不安。王允设计使吕布为内应，结果董卓被杀了。 从此，戴耳坠也就传到了民间。",[160,1158,2644,5641,316,2647,24836,1154,430,39,877],"耳坠","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F06ea37094d4d049e7f0b7f15a142378f.jpg",[],{"id":24840,"slug":24841,"title":24842,"dynasty":55,"author":7,"museum":172,"description":8319,"tags":24843,"thumbUrl":24844,"material":296,"size":297,"collection":11,"collections":24845,"showCount":23945,"zanCount":49,"manualWeight":49,"mainColor":277},229140,"fen-cai-ying-xi-tu-ping-yi-ming-229140","粉彩婴戏图瓶",[160,2194,5680,32,33,2869,346],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F35d1e15ff308541aee0294a62974c696.jpg",[],{"id":24847,"slug":24848,"title":512,"dynasty":241,"author":7,"museum":172,"description":24849,"tags":24850,"thumbUrl":24851,"material":11,"size":11,"collection":11,"collections":24852,"showCount":23945,"zanCount":351,"manualWeight":49,"mainColor":50},228783,"ru-bi-tu-yi-ming-228783","这卷长卷铺陈开帝王出巡的浩大阵仗，从郊野山林延伸至朱宫红墙。仪仗扈从前呼后拥、严整有序，各色人等衣冠鲜明、各司其职，禁军甲胄明辉，百官朝服鲜妍，沿途乡野屋舍皴染细致入微。\n\n画面叙事连贯，将宏大行进场面拆解为无数鲜活细节，疏密有致地铺展于绢本之上，尽显皇家仪典的肃穆庄重。工致细腻的笔力，精准拿捏了皇家銮驾的威仪气度，将皇权巡行的恢宏气象定格于绢素间，是描摹古代皇家礼制的经典之作。",[26,27,28,79,96,31,32,33,129,1623,130,531,1006,60,131,162,1788,2770],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fec87f2e8b6cac5ea3f2c8d328bc10eda.jpg",[],{"id":24854,"slug":24855,"title":24856,"dynasty":241,"author":7,"museum":172,"description":5618,"tags":24857,"thumbUrl":24860,"material":296,"size":297,"collection":11,"collections":24861,"showCount":23945,"zanCount":49,"manualWeight":49,"mainColor":50},228542,"qing-hua-tu-an-hua-wen-hu-lu-xing-shou-dai-er-bian-hu-yi-ming-228542","青花图案花纹葫芦形绶带耳扁壶",[931,2194,5179,11956,24858,20129,346,24859],"绶带耳","图案花纹","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F1b4e3edb26d1004b2e0d8201227ee711.jpg",[],{"id":24863,"slug":24864,"title":24865,"dynasty":241,"author":7,"museum":172,"description":24866,"tags":24867,"thumbUrl":24868,"material":11,"size":11,"collection":11,"collections":24869,"showCount":23945,"zanCount":49,"manualWeight":49,"mainColor":70},228350,"chun-jiang-xing-zhou-tu-ye-yi-ming-228350","春江行舟图页","近景峭峰被苍林簇拥，山石皴染细腻，草木氤氲温润生机。江面烟波澹澹，远岸晕作朦胧黛色，留白晕出濛濛水汽，晕染出暮春江天的辽远空寂。几叶扁舟缓行江上，帆影悠悠，将水居行旅的松弛闲散揉入开阔江境。\n\n此作用色雅致淡逸，以小青绿晕染山峦，无浓艳堆砌，尽显清隽澹泊。尺幅之间藏千里之势，静山与动舟相映，把春江暮景的悠然意境铺展尽致，揽入江南水天的温柔清寂，观之如沐江上春风，得小品山水的澹远意趣。",[26,27,28,5954,32,60,24025,131,1142,4208,614],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F40ea2a72ac10508a352aa6f165a194fc.jpg",[],{"id":24871,"slug":24872,"title":24873,"dynasty":141,"author":7,"museum":172,"description":24874,"tags":24875,"thumbUrl":24876,"material":11,"size":11,"collection":11,"collections":24877,"showCount":23945,"zanCount":351,"manualWeight":49,"mainColor":277},228207,"han-lin-mu-yang-tu-yi-ming-228207","寒林牧羊图","此作用枯淡笔墨铺就冬日荒林野趣，老木虬枝盘曲苍劲，枯槎交错伸展，枝桠间漫着清寂萧寒之气。寒林以浓淡墨色层叠排布，晕染出悠远静谧的林野纵深，将冬日郊野的空旷萧索尽数铺开。下方缓坡错落起伏，羊群或垂首啮草，或缓步闲游，为冷寂林野晕开细碎生机。整体笔墨简劲苍润，以留白衬出郊野清阔空寂的氛围，于萧寒之中暗蕴悠然意趣，尽显简远萧散的林下幽情。",[27,60,144,614,29,676,3102,162,6287,131,272],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ffef393f39116b943b3c6158679749db8.jpg",[],{"id":24879,"slug":24880,"title":24881,"dynasty":141,"author":7,"museum":172,"description":24882,"tags":24883,"thumbUrl":24884,"material":296,"size":297,"collection":11,"collections":24885,"showCount":23945,"zanCount":351,"manualWeight":49,"mainColor":50},228196,"lu-mei-niang-xiang-yi-ming-228196","卢媚娘像","无情似有情，却话又无声。漫拟桃花面，悠然何处行。卢媚娘是唐永贞年间的一位奇女子，先是以绣工被顺宗“谓之神姑”，而后“度为道士，放归南海”，神迁后“后人见往往乘紫云游于海上”。",[26,27,31,123,33,345],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F0ccf28dfa8f0d75e3455b23645c3794b.jpg",[],{"id":24887,"slug":24888,"title":24889,"dynasty":75,"author":7,"museum":172,"description":24890,"tags":24891,"thumbUrl":24892,"material":11,"size":11,"collection":11,"collections":24893,"showCount":23945,"zanCount":49,"manualWeight":49,"mainColor":50},227911,"zhu-jian-yuan-yang-tu-yi-ming-227911","竹涧鸳鸯图","这幅小品以边角取景，将幽寂山涧铺陈于尺幅之间。右侧崖壁古木斜出，新篁附石抽梢，苔痕历历；崖下茅舍半隐，野径蜿蜒，慢慢没入淡远平芜。\n\n画面左侧清空之上，禽鸟振翅穿空，将山涧的静气轻轻划破。淡墨晕染烟岚，远景虚渺朦胧，近景的竹、木、石以细劲勾勒间施皴擦，质感宛然。全作以简驭繁，不着浓艳，仅以水墨层次区分远近虚实，把江南山隅无人惊扰的闲逸尽数凝住，似可听闻涧水轻响、林风穿叶，将宋人寄情林泉的幽淡襟怀融在尺幅之中，余韵悠悠。",[26,27,219,31,32,60,145,130,2904,80,163,146],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fc68574cd4486c08d626211cf6dab797a.jpg",[],{"id":24895,"slug":24896,"title":3191,"dynasty":141,"author":7,"museum":172,"description":24897,"tags":24898,"thumbUrl":24899,"material":11,"size":11,"collection":11,"collections":24900,"showCount":23945,"zanCount":49,"manualWeight":49,"mainColor":50},227897,"mu-niu-tu-yi-ming-227897","此作用色古雅沉静，青绿晕染山峦坡岸，暖黄绢底晕开春日郊野的温润柔意。垂柳为画面主角，柔婉笔意写出枝条，柳丝如烟似雾，随风轻曳，将江南春野的柔媚尽数晕开。\n坡岸浅滩间，牛群闲散啃食，寥寥数笔便勾勒出憨态，野趣横生。整体简淡疏朗，无繁复皴染，以写意笔调铺展田园意韵，将郊原恬适安宁的春日氛围缓缓晕开，带着萧散淡远的悠然意趣，观之如临春日郊野，身心皆浸在松弛静谧之中。",[26,27,32,60,33,2944,1092,1142,613,1676,31],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F9473190e7c32d42ef3f7cf7f0e2429ac.jpg",[],{"id":24902,"slug":24903,"title":24904,"dynasty":75,"author":7,"museum":172,"description":24905,"tags":24906,"thumbUrl":24908,"material":11,"size":11,"collection":11,"co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此图绘第一宾度罗跋啰堕闍尊者，是十六罗汉中的第一位，,与自眷属一千阿罗汉多分住在西瞿陀尼洲。左侧题名还可看清：第一宾度罗跋啰堕闍尊，右侧常住寺名已漫漶不清，只留“...东山三...寺常住“几字，当是在中国的宋代时就已流传至日本。此图用笔尤是宋人法度，设色高妙而极其虔诚，一丝不苟。眼作碧色，很是少见。允为传世宋人罗汉精品，惜宋画全集未录。",[26,27,28,32,31,30,33,29],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F6d8cb9355b5d38e4adf614ee79fabc37.jpg",[],{"id":24958,"slug":24959,"title":175,"dynasty":2305,"author":7,"museum":172,"description":1441,"tags":24960,"thumbUrl":24961,"material":296,"size":297,"collection":11,"collections":24962,"showCount":23945,"zanCount":49,"manualWeight":49,"mainColor":50},227273,"bi-hua-yi-ming-227273",[2305,175,32,33],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F0c133070882d63bf1431ca90c73c89dc.jpg",[],{"id":24964,"slug":24965,"title":24966,"dynasty":171,"author":7,"museum":172,"description":24967,"tags":24968,"thumbUrl":24969,"material":11,"size":11,"collection":11,"collections":24970,"showCount":23945,"zanCount":49,"manualWeight":49,"mainColor":50},227226,"jiang-mo-bian-yi-ming-227226","降魔变","【 唐 佚名 《降魔变文》 】卷，纸本设色，27.5×571.5cm，法国国家图书馆藏。此卷敦煌遗物在1908年被法国的希伯和所盗取。画面从笔墨和造型上看应当是真正的唐代人物宗教故事画，虽非名手所作，但也是珍贵的文物，为研究唐代人文宗教历史提供了第一手材料。\n画卷中的国王、外道和佛弟子的形象特征鲜明。描绘了外道如何向国王口出狂言，扬言自己本领高强，要取代佛弟子的地位。他们制造显现出离奇的景象、恐怖的物事、吓人的声音、惊惧的场面，企图威慑佛弟子；佛弟子则神态平静，在淡然默语之中，展现神通，一一予以粉碎、消除、化解、冲刷得干干净净。国王看到这一切，当然心悦诚服，欣喜异常。外道则黔驴技穷，一筹莫展，最终不得不遵从国王的旨意，归顺了佛弟子。",[26,27,28,96,30,32,31,123,33,272,59,163,131,162,3362,2656],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F23dd62430861a3914d1d4d7d6ab142ba.jpg",[],{"id":24972,"slug":24973,"title":24974,"dynasty":1461,"author":7,"museum":172,"description":24975,"tags":24976,"thumbUrl":24977,"material":11,"size":11,"collection":11,"collections":24978,"showCount":23945,"zanCount":49,"manualWeight":49,"mainColor":50},227068,"bei-wei-si-ma-xian-zi-mu-zhi-ming-yi-ming-227068","北魏司马显姿墓志铭","全称《魏故世宗宣武皇帝第一贵嫔夫人司马氏墓志铭》。高67.1厘米，宽67.3厘米，1927年在洛阳城北安驾沟西南出土，曾经于右任先生收藏。此志书刻皆精，为其时墓志铭中的上品，梁启超评为“于俊拔之中，别饶韶秀”，是初学楷书的佳品。\n\n此志的保存状态非常良好。具有张力感的字体，给人以清晰的印象，可谓充分表现出北魏的书风，颇具厚重风格的作品。字形向左倾斜为其特征。笔划较少的文字写得偏小，与笔划较多的文字保持一种协调均衡，使整体具有一种统一感。撇划很有特点，在文字中最为犀利，成为字体的核心笔划。因此，字体左侧形成的紧凑空间，其行气与字距相互呼应，构成了巧妙的配合。将同一时代的《张猛龙碑》与此志相比较来鉴赏，可资理解这一时代的书法风格。",[854,3054,124,855,21265],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F255c6e2f5cca1fcb347131d1ee77f7d3.jpg",[],{"id":24980,"slug":24981,"title":24982,"dynasty":849,"author":7,"museum":172,"description":8010,"tags":24983,"thumbUrl":24984,"material":296,"size":297,"collection":11,"collections":24985,"showCount":23945,"zanCount":49,"manualWeight":49,"mainColor":277},227010,"cuo-jin-yun-wen-zun-yi-ming-227010","错金云纹樽",[852,402,20888,284,346,688],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F8328a6e57dd0e9d40c45e9f8d1497f0c.jpg",[],{"id":24987,"slug":24988,"title":24989,"dynasty":8,"author":7,"museum":172,"description":6236,"tags":24990,"thumbUrl":24991,"material":296,"size":297,"collection":11,"collections":24992,"showCount":23945,"zanCount":49,"manualWeight":49,"mainColor":277},226873,"long-xing-pei-yi-ming-226873","龙形佩",[8,267,268,59,346,580],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F23fc50f6538664013baac70b11a5f7e8.jpg",[],{"id":24994,"slug":24995,"title":24996,"dynasty":1491,"author":7,"museum":172,"description":6236,"tags":24997,"thumbUrl":24999,"material":296,"size":297,"collection":11,"collections":25000,"showCount":23945,"zanCount":49,"manualWeight":49,"mainColor":277},226758,"ya-chou-fang-gu-yi-ming-226758","亚丑方觚",[402,406,403,268,688,24998],"商代纹饰","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fe1ff8cf523e3689a948f4b2aa515810f.jpg",[],{"id":25002,"slug":25003,"title":25004,"dynasty":599,"author":7,"museum":172,"description":575,"tags":25005,"thumbUrl":25006,"material":296,"size":297,"collection":11,"collections":25007,"showCount":23945,"zanCount":49,"manualWeight":49,"mainColor":50},226727,"long-shan-qi-jia-xi-xin-shi-qi-shi-dai-wan-qi-yue-ju-jin-4600-3600-nian-yu-dao-yi-ming-226727","龙山—齐家系 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嵌红铜鸟纹扁壶",[402,19294,25108,4410,403,268,346],"嵌红铜","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F1dc83cc9cb159d0d6bc27e45865037ea.jpg",[],{"id":25112,"slug":25113,"title":25114,"dynasty":75,"author":7,"museum":172,"description":25115,"tags":25116,"thumbUrl":25117,"material":296,"size":297,"collection":11,"collections":25118,"showCount":23945,"zanCount":49,"manualWeight":49,"mainColor":50},223865,"tong-gu-ding-shuang-long-wen-jing-yi-ming-223865","铜古鼎双龙纹镜","龙纹镜类：可分双龙镜和单龙镜。从目前所见资料单龙镜极少。双龙镜，有八菱形、六菱形、葵花形、炉形、带柄菱花形等形式。双龙分别在钮两侧，身躯盘曲于头的上方，一后肢于尾交缠，形成一环形。二龙对看圆钮，以钮为宝珠，作戏珠状。一龙张嘴一龙闭嘴，钮下方有一三足香炉置于岸边，岸下海浪翻腾。此型龙纹镜不管镜形如何，但龙的纹饰及布局都基本一样，特征十分明显。江西高安南宋理宗宝祐三年１２５５年　墓出土一面。另一面铜镜上铸出“嘉熙戊戌吴氏淑静”铭文，“嘉熙戊戌”即南宋理宗嘉熙二年１２３８年，可知这种镜子流行与南宋较晚的时期。从目前能知道的资料看，此型镜子传世和出土较多，是宋代最为流行的镜类之一。",[75,402,403,268,270],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ffd9b53fdaa23ec316c9c558eeb5aadf3.jpg",[],{"id":25120,"slug":25121,"title":25122,"dynasty":171,"author":7,"museum":172,"description":17278,"tags":25123,"thumbUrl":25124,"material":296,"size":297,"collection":11,"collections":25125,"showCount":23945,"zanCount":49,"manualWeight":49,"mainColor":70},223857,"long-wen-jing-yi-ming-223857","龙纹镜",[171,403,268,59,346,18258],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F5d4c545377d33012af8d1b75372a27a8.jpg",[],{"id":25127,"slug":25128,"title":25129,"dynasty":171,"author":7,"museum":172,"description":17278,"tags":25130,"thumbUrl":25131,"material":296,"size":297,"collection":11,"collections":25132,"showCount":23945,"zanCount":49,"manualWeight":49,"mainColor":50},223839,"yue-po-jing-yi-ming-223839","月魄镜",[5689,403,268,580,346,33,131,663,19635],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F4dd9c514701acd0ac1aea7ecd529b03c.jpg",[],{"id":25134,"slug":25135,"title":25136,"dynasty":75,"author":7,"museum":172,"description":25137,"tags":25138,"thumbUrl":25140,"material":11,"size":11,"collection":11,"collections":25141,"showCount":23945,"zanCount":49,"manualWeight":49,"mainColor":50},223670,"xue-yu-tu-juan-yi-ming-223670","雪渔图卷","《历代名家绘画:雪渔图》由中国五代中国画作品集。\n由曹彦伟编著。\n中国画是精神绘画，外师造化，中得心源是最高境界。\n一笔一墨，一点构思，都会反映出画者的学问和修养，因此提高画家自身的素质和文化修养便是第一位的事情。\n此外，作品质量的高下，还在于它所承载的文化内涵，这其中就包括了历尽千年传承至今的传统笔墨技巧。\n现今，笔墨早已成为中国画艺术的文化符号。\n有人想舍弃它，另起炉灶，显然是不智的。\n因此，要不断学习、不断锤炼自已的基本功，包括造型、构图、构思，甚至营造中国式的意境也是可以反复练习的。\n《历代名家绘画:雪渔图》由 出版。\n作者:(宋)佚名 编者:曹彦伟",[26,27,28,96,79,32,31,614,3733,1768,60,128,2209,1623,130,613,33,163,146,23695,25139],"渔船","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fe774b2042f18b3d6124d857164b9550b.jpg",[],{"id":25143,"slug":25144,"title":15252,"dynasty":241,"author":7,"museum":172,"description":25145,"tags":25146,"thumbUrl":25147,"material":11,"size":11,"collection":11,"collections":25148,"showCount":23945,"zanCount":49,"manualWeight":49,"mainColor":50},223669,"xue-jing-shan-shui-tu-ye-yi-ming-223669","此作铺展寒山素裹之境，层峦覆雪，山石棱线硬朗留白缀霜，似凝住凛冬清寒。虬曲枯木错落林间，枝桠积雪斑驳，萧疏间尽显苍劲古拙。山坳里山居隐现，木构廊轩错落排布，窗畔似含淡淡暖意，于冰寒天地晕开一隅烟火温情，静穆底色里暗蕴生机。\n\n画师以干笔皴擦勾勒山石肌理，淡墨晕染铺就雪地留白，虚实相生间尽显冬山空蒙清寂。将荒寒丘壑与幽居雅趣相融，绘就冬日山居的静惬之美，仿若可踏雪穿林，坐看林峦雪色，于冷寂山景中体味悠然避世的澹泊意韵。",[26,27,28,219,144,32,614,60,952,129,676,162,1102,5818],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fed0d320b8b831560b39f3f2cf7b4c401.jpg",[],{"id":25150,"slug":25151,"title":25152,"dynasty":75,"author":7,"museum":172,"description":25153,"tags":25154,"thumbUrl":25155,"material":11,"size":11,"collection":11,"collections":25156,"showCount":23945,"zanCount":49,"manualWeight":49,"mainColor":70},223642,"peng-ying-xian-guan-tu-yi-ming-223642","蓬瀛仙馆图","此作以界画笔法层叠绘出仙山楼阁，殿宇廊庑排布严整精巧，错落掩映于深林茂树之间，汀岸临水铺展，烟波轻笼，晕染出缥缈出尘的世外氛围。\n\n整幅设色古雅沉静，线条工致秀挺，将想象中的仙乡胜境具象呈现，带着宋画特有的含蓄清远。搭配题诗呼应画境，把环山临水的清隽意趣与可望不可即的幽邃雅致相融，观之恍若踏入蓬阆，暂别俗世喧嚣，神游这片清幽仙境。",[26,27,28,219,329,32,129,531,60,125,82],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ffc9ee517b14027e7e9f1d81a16ef3f7f.jpg",[],{"id":25158,"slug":25159,"title":25160,"dynasty":75,"author":7,"museum":172,"description":25161,"tags":25162,"thumbUrl":25163,"material":11,"size":11,"collection":11,"collections":25164,"showCount":23945,"zanCount":49,"manualWeight":49,"mainColor":50},223597,"sui-yang-wu-lao-tu-feng-ping-xiang-yi-ming-223597","睢阳五老图 冯平像","此作以赭色绢本为底，以克制笔墨绘就老者立像。劲细墨线勾勒玄色宽袍轮廓，衣纹简练沉稳，衬出冯平身形端方持重。他头戴高顶乌帽，面容清癯，银须垂胸，双手敛于袖中垂在身前，眉目低垂间自带致仕归乡后的沉静雍容。\n右上角瘦硬题字与画面清雅格调相融，既补全人物背景，又平衡构图。画家以形写神，舍去繁缛修饰，将宋人士大夫简淡含蓄的风骨凝于笔底，在素净方寸间晕开平和古雅的旧朝意韵，尽显宋代肖像画写实传神的精妙。",[26,79,27,28,29,31,32,33,345,124],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F83312a144a70eebd7be88c64eb651b02.jpg",[],{"id":25166,"slug":25167,"title":25168,"dynasty":141,"author":7,"museum":76,"description":25169,"tags":25170,"thumbUrl":25171,"material":11,"size":25172,"collection":11,"collections":25173,"showCount":23945,"zanCount":49,"manualWeight":49,"mainColor":50},223587,"hua-si-xiao-tu-juan-yi-ming-223587","画四孝图卷","「四孝图」描绘故事四则，以图文相间的方式表达。第一则述王武子之妻割股作羹汤，治癒婆母寒疾；第二则述三国陆绩因其母好食橘，乃於进謁袁术席间，怀橘以奉母；第三则述晋王祥為母病中思食鲤鱼於冬月，而至江上卧冰求鲤；第四则述后汉曹娥之父溺毙江中不得尸灵，至娥投江，三日后方抱父尸出。是皆孝心感人之事蹟，卷末并附李居敬四孝图序，论孝之精义。通幅人物，以匀称之线条為主，细挺而有力。",[26,27,28,96,32,31,33,650,131,2710,877,1748,1527,23423,64,648],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F49ea7682e123d88c66ded0f834267302.jpg","38.9x502.7",[],{"id":25175,"slug":25176,"title":25177,"dynasty":55,"author":7,"museum":172,"description":17302,"tags":25178,"thumbUrl":25179,"material":11,"size":11,"collection":11,"collections":25180,"showCount":23945,"zanCount":49,"manualWeight":49,"mainColor":70},223530,"wu-yi-shan-shi-ba-jing-tu-5-yi-ming-223530","武夷山十八景图5",[26,27,28,144,32,60,128,130,162,131,531,1768,530],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fff1c84bfbc9bf9a7a54e09f8f17c57e1.jpg",[],{"id":25182,"slug":25183,"title":219,"dynasty":55,"author":7,"museum":172,"description":25184,"tags":25185,"thumbUrl":25186,"material":25187,"size":25188,"collection":11,"collections":25189,"showCount":23945,"zanCount":49,"manualWeight":49,"mainColor":70},223472,"shan-mian-yi-ming-223472","图绘一女子与郊外采茶",[26,27,28,219,32,31,123,33,127,346,1093,162,1737,4131],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F155243ffb1d2bc268317032cb916a089.jpg","絹本设色","纵24.2 厘米横25.3 厘米",[],{"id":25191,"slug":25192,"title":25193,"dynasty":75,"author":7,"museum":56,"description":25194,"tags":25195,"thumbUrl":25196,"material":335,"size":25197,"collection":85,"collections":25198,"showCount":23945,"zanCount":49,"manualWeight":49,"mainColor":70},223453,"ceng-lou-chun-tiao-tu-ye-yi-ming-223453","层楼春眺图页","此图崇楼纯以细笔勾勒，玲珑空透，远山春意烂漫，却在明丽中带有淡淡的清寂。层楼上一妇人携侍女凭栏远眺碧波中的归帆，虽然描绘的主体是没有生命的建筑物，但整幅画面却分明透露出一丝“春怨”的气息，表现出南宋楼阁画家在借物言情方面的高超技艺。",[26,27,28,219,329,32,60,129,131,2656,125,82],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fbf1d7841e69e6edab7521ad57407fbd3.jpg","纵23.7cm，横26.4",[85],{"id":25200,"slug":25201,"title":25202,"dynasty":75,"author":7,"museum":76,"description":25203,"tags":25204,"thumbUrl":25205,"material":17128,"size":25206,"collection":11,"collections":25207,"showCount":23945,"zanCount":49,"manualWeight":49,"mainColor":70},223432,"song-gao-zong-yi-ming-223432","宋高宗","宋高宗赵构（1107年6月12日－1187年11月9日），字德基，东京汴梁（今河南省开封市）人。宋朝第十位皇帝（1127年6月12日-1162年7月24日在位），南宋开国皇帝，宋徽宗赵佶第九子、宋钦宗赵桓之弟。\n大观元年五月（1107年6月），生于宫中，天性聪明，博闻强记，拜检校太尉、定武军节度使。靖康之变后，金兵俘虏其父宋徽宗和其兄宋钦宗，灭亡北宋。康王赵构即位于南京应天府（今河南省商丘市），建立南宋。在位期间，迫于形势民心，任用岳飞、韩世忠等主战派将领抗击金军，重用主和派的黄潜善、汪伯彦、王伦、秦桧等人，一味求和，处死岳飞，罢免李纲、张浚、韩世忠等主战派大臣。 [1] 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，此樽仿汉代铜樽造型，器形规整，仿古逼真，釉色莹润光洁，浓淡对比自然。\n瓷樽始于宋，汝窑、定窑、龙泉窑均有烧造，是陈设用品。所见传世宋代汝窑天青釉弦纹樽只有两件，除故宫博物院收藏的这件以外，英国伦敦大维德基金会亦收藏一件。\n汝窑烧制的汝瓷因为其绝妙的色泽、独特艺术价值，深得帝王欢心，有“宋瓷之冠”的美誉。汝窑又与同期官窑（河南开封）、哥窑（浙江龙泉）、钧窑（河南禹县）、定窑（河北曲阳）合称“宋代五大名窑”，位居五大名窑之首。\n汝窑以传承艺术为己任，采用传统手工制作陶瓷方法，制作一个陶瓷的工序高达十三道，包括淘泥、摞泥、拉坯、印坯、修坯、捺水、画坯、上釉、烧窑、成瓷、成瓷缺陷的修补，做工精细，设计唯美、承艺汝瓷以“釉色层”领先，器型古朴典雅得当，光润有度，由于汝瓷釉层厚，常有开片如鱼鳞、蝉翼状，久用之后茶色会着附于裂纹处，形成不规则的变换交错的花纹，故而手感润滑如脂，似玉非玉之美。\n宋人欧阳修在《归田集》中对汝窑的论述：汝窑瓷真正最美的就是釉，不是天青色，而是粉翠，也就是今所说的翠青色。而汝瓷真正的瓷色是半瓷化作的，玻化不明显，器身不透光亮，因此不排除后人把珍品当作“陶”而丢弃，故存世甚稀。而《清波杂志》里宋人周辉对汝窑的精述，汝瓷以釉取胜，当代青瓷不能同比，真品釉色青中泛滥、纯净、温润，釉面隐现出一种柔和含蓄的光泽，它既不同钧瓷的乳光，也不同哥窑的脂光，而是一种类似古玉般内蕴的光泽。当时汝瓷是唯供御拣退方许出卖，近尤难得。现从文献可知，汝瓷也可民用，绝非“严禁民用”之说。对自藏汝窑瓷及由此对整个汝窑作较全面简述的则是明代学者高濂的《燕闲清赏笺》中提及，“汝窑，余尝见之，实为玛瑙末入釉，汁水莹厚如堆脂，然汁中棕眼隐若蟹爪，其釉色有天青、粉青，还有葱绿和天蓝等。粉青为上，天蓝弥足珍贵。有"雨过天晴云破处"之称誉，釉面可视碧玉，也不为过。所有历代青瓷应以汝窑为冠。”",[711,2194,25991,19117,25992,2594,15281],"汝窑","弦纹","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F5aab0d54fb62564712701ea71c71f128.jpg",[2200],{"id":25996,"slug":25997,"title":25998,"dynasty":75,"author":7,"museum":172,"description":17734,"tags":25999,"thumbUrl":26000,"material":296,"size":297,"collection":2200,"collections":26001,"showCount":183,"zanCount":351,"manualWeight":49,"mainColor":50},256252,"ge-yao-qing-you-shuang-yu-er-lu-yi-ming-256252","哥窑青釉双鱼耳炉",[75,2194,2594,12327,318,346,25975],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F146b51165f7b4984f1913eedef69c939.jpg",[2200],{"id":26003,"slug":26004,"title":26005,"dynasty":55,"author":7,"museum":172,"description":14468,"tags":26006,"thumbUrl":26007,"material":296,"size":297,"collection":11,"collections":26008,"showCount":183,"zanCount":351,"manualWeight":49,"mainColor":50},256172,"huang-di-fa-lang-cai-mei-hua-wen-wan-yi-ming-256172","黄地珐琅彩梅花纹碗",[160,15810,2194,32,542,346],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F597be9e7a311dbef6266feb7000f1e3f.jpg",[],{"id":26010,"slug":26011,"title":26012,"dynasty":55,"author":7,"museum":172,"description":8160,"tags":26013,"thumbUrl":26014,"material":296,"size":297,"collection":2200,"collections":26015,"showCount":183,"zanCount":49,"manualWeight":49,"mainColor":277},255579,"de-hua-yao-guan-yin-pu-sa-zuo-xiang-yi-ming-255579","德化窑观音菩萨坐像",[160,2194,18831,30,33,268],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F3567936fcd96861f08669c782ea09aa6.jpg",[2200],{"id":26017,"slug":26018,"title":26019,"dynasty":241,"author":7,"museum":172,"description":26020,"tags":26021,"thumbUrl":26022,"material":296,"size":297,"collection":11,"collections":26023,"showCount":183,"zanCount":49,"manualWeight":49,"mainColor":277},254864,"tong-tian-wang-li-xiang-yi-ming-254864","铜天王立像","此像怒目圆睁，面容刚猛威严，将护法天王的神武气魄尽数展露。铠甲层叠精美，兽首肩吞纹理细腻，鳞甲覆身错落有致，每一处细节都尽显匠人高超工艺。\n\n身姿挺拔遒劲，抬手垂足间带着凛然气势，周身飘带翻卷灵动，刚硬的甲胄与柔婉的绦带相映，刚柔并济，让造像脱离呆板。青铜锈迹覆身，晕开时光沉淀的厚重质感，整体线条张弛有度，把天王的凛凛雄风诠释得淋漓尽致，凝铸着古人对护法神将的精神想象，静静诉说着旧时光里的信仰温度。",[402,403,268,30,33,10119,433],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F2bbdb918dd01daf93ecbad644d623766.jpg",[],{"id":26025,"slug":26026,"title":26027,"dynasty":1461,"author":7,"museum":172,"description":26028,"tags":26029,"thumbUrl":26030,"material":296,"size":297,"collection":11,"collections":26031,"showCount":183,"zanCount":49,"manualWeight":49,"mainColor":50},254785,"shi-tou-diao-fei-tian-bei-guang-yi-ming-254785","石透雕飞天背光","这件白石透雕，飞天横身遨游于流云间，身姿舒展曼妙。镂空技法凿出层叠云气，通透灵动间让飞天仿若凌虚御风。衣袂线条婉转贴合身形，勾勒出柔美的韵律起伏，细节处的纹饰精巧细腻，隐约可见肌肤的温润质感。\n\n虽已残损，却依旧能窥见秀雅飘逸的审美意趣，古拙又灵动的雕刻手法，将飞天自在曼妙的神性之美凝固于石上。带着岁月浸洗后的沉静质感，尽显六朝宗教艺术里浪漫飞扬的神采，把飞天御风的空灵意境永远定格在了顽石之中。",[1461,1525,269,700,30,33,268],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fbc3ae8594f80be31b068e0b3e5e9f1d0.jpg",[],{"id":26033,"slug":26034,"title":26035,"dynasty":241,"author":7,"museum":172,"description":1167,"tags":26036,"thumbUrl":26038,"material":296,"size":297,"collection":11,"collections":26039,"showCount":183,"zanCount":49,"manualWeight":49,"mainColor":277},253942,"tong-liu-jin-wen-shu-pu-sa-zuo-xiang-yi-ming-253942","铜鎏金文殊菩萨坐像",[931,403,4022,268,30,33,2240,26037,1376,7227],"宝冠","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F6edfeb0ed876852ecb3f7b3609198026.jpg",[],{"id":26041,"slug":26042,"title":26043,"dynasty":1461,"author":7,"museum":172,"description":3856,"tags":26044,"thumbUrl":26045,"material":296,"size":297,"collection":11,"collections":26046,"showCount":183,"zanCount":49,"manualWeight":49,"mainColor":277},252865,"tao-hua-cai-nan-li-yong-yi-ming-252865","陶画彩男立俑",[2194,32,33,3858,268],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fd6f48ddaf15949a260f0d82008390786.jpg",[],{"id":26048,"slug":26049,"title":26050,"dynasty":55,"author":7,"museum":172,"description":26051,"tags":26052,"thumbUrl":26053,"material":296,"size":297,"collection":11,"collections":26054,"showCount":183,"zanCount":49,"manualWeight":49,"mainColor":50},252824,"cai-su-xi-chun-zuo-hua-xiang-yi-ming-252824","彩塑惜春作画像","三女围桌，尽显闺中艺文雅趣。居中者敛眉凝思，指尖将落未落，素纸铺陈、笔砚列置，将挥毫瞬间的沉静定格。左侧侍女执扇侍立，探手微侧，鲜活灵动带着侍奉的温婉妥帖，右侧仕女安坐凝睇，眉目娴静温婉。\n\n彩塑敷色调和清润，衣褶纹理写实自然，人物神态各有韵致，以朴拙生动的造像手法，定格深闺雅集的悠然瞬间，细腻还原旧时闺中研墨挥毫的雅致场景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6400,"tags":26401,"thumbUrl":26402,"material":11,"size":11,"collection":11,"collections":26403,"showCount":183,"zanCount":49,"manualWeight":49,"mainColor":70},235621,"zhu-zhan-ji-wu-hou-gao-wo-tu-juan-yi-ming-235621","朱瞻基武侯高卧图卷","此卷以淡墨写幽篁林泉，武侯侧身卧于林间，竹枝苍秀清润，笔墨简逸秀雅，将林下幽寂旷远的意韵尽数铺展，寥寥几笔便勾勒出武侯高蹈淡泊的襟怀。\n\n后拖尾题跋连绵，合体篆书点缀其间，将跨越千古的君臣知遇之意娓娓道来，字里行间皆是对武侯鞠躬尽瘁的追慕，亦暗含对识贤明君的叹赏。书画合璧，淡墨绘尽贤相风骨，长题书就千古知己佳话，整卷清雅沉静，将武侯隐逸风姿与君臣相得的美谈融于一处，是书画共情的绝佳典范。",[26,27,28,96,144,125,82,145,33],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F674be4be137862148724ce7ef701a8a9.jpg",[],{"id":26405,"slug":26406,"title":26407,"dynasty":241,"author":7,"museum":172,"description":26408,"tags":26409,"thumbUrl":26410,"material":11,"size":11,"collection":11,"collections":26411,"showCount":183,"zanCount":49,"manualWeight":49,"mainColor":70},235321,"shen-shi-chong-han-tang-yu-ting-tu-zhou-yi-ming-235321","沈士充寒塘渔艇图轴","此作用笔清隽雅致，以干湿互济的笔墨勾勒冬江寒林之景。危崖层叠，以短皴复点苔墨，晕出山石厚重肌理，淡墨烘染出空蒙山雾，将远山隐于烟霭之中，平添幽寂荒寒之意。近岸枯木虬曲，木叶尽脱，枝桠苍劲舒展，与滩头乱石相映，尽展冬日元气萧索之态。\n\n溪间扁舟静泊，渔翁拥衣独坐舱头，孤舟暖篷与周遭清寒形成温冷对照，把渔人江渚独守的安闲隐逸，融在冬日水滨的淡远清旷之中，以景寄情，将幽逸况味刻画尽致。",[27,28,29,144,60,128,676,1768,146,130,614],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F891e488a81d900cd51693f501d860966.jpg",[],{"id":26413,"slug":26414,"title":26415,"dynasty":241,"author":7,"museum":172,"description":26416,"tags":26417,"thumbUrl":26418,"material":296,"size":297,"collection":11,"collections":26419,"showCount":183,"zanCount":49,"manualWeight":49,"mainColor":11321},234935,"zhao-shu-ban-shen-xiang-zhou-yi-ming-234935","赵曙半身像轴","此作以工整写实的笔触描摹帝王容仪，展脚幞头挺括规整，朱红朝服沉穆厚重，尽显九五之尊的威仪。画师精细晕染面部肌理，方正眉眼自带端凝神色，须髯丝丝分明，将帝王内敛持重的气度刻画入微。设色调和古雅，素净背景更衬出人物主体，笔笔恪守院体肖像的严谨法度，于细微处见功底，把帝王肃穆沉静的神态铺陈绢上，是古代帝王肖像中兼具写实性与传神度的工整佳构。",[79,27,28,29,32,33,31,931,345,82],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ff1b5e2459d74a974d5c7ae7b0dfee9a4.jpg",[],{"id":26421,"slug":26422,"title":26423,"dynasty":241,"author":7,"museum":172,"description":26424,"tags":26425,"thumbUrl":26426,"material":296,"size":297,"collection":11,"collections":26427,"showCount":183,"zanCount":351,"manualWeight":49,"mainColor":50},234933,"yao-guang-xiao-xiang-zhou-yi-ming-234933","姚广孝像轴","此作写实工致，将人物沉静肃穆的高僧气度尽显无遗。画中之人面相圆和，神态内敛淡然，端坐于雕花宝座之上，手持拂尘，仪容端方。衣色以沉稳朱褐搭配雅致石青，衣身织锦纹样精细繁复，暗衬出尊崇身份。画师笔下细节入微，宝座纹饰、足下登履皆描摹细致，既恪守肖像画纪实本真，又以精谨笔触烘托出人物不凡的气场，尽显明代肖像画写实传神的精妙功底。",[27,29,33,30,32,31,345,82],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fa1b2d3e458a455e6a62e34502ba1510c.jpg",[],{"id":26429,"slug":26430,"title":26431,"dynasty":55,"author":7,"museum":172,"description":2355,"tags":26432,"thumbUrl":26433,"material":296,"size":297,"collection":11,"collections":26434,"showCount":183,"zanCount":49,"manualWeight":49,"mainColor":50},234461,"ha-li-ha-li-luo-shi-zi-zai-guan-shi-yin-pu-sa-tang-ka-yi-ming-234461","哈里哈里罗世自在观世音菩萨唐卡",[2357,30,1170,8833,6053,1514,32,1169,3008,1057,1056,60],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fd214886f4dd3333450cfb9c3af23c559.jpg",[],{"id":26436,"slug":26437,"title":26438,"dynasty":55,"author":7,"museum":172,"description":2355,"tags":26439,"thumbUrl":26440,"material":296,"size":297,"collection":11,"collections":26441,"showCount":183,"zanCount":49,"manualWeight":49,"mainColor":50},234455,"hei-se-guan-shi-yin-pu-sa-tang-ka-yi-ming-234455","黑色观世音菩萨唐卡",[2357,8833,6053,30,32,33,190,4142,5107,1056],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F56b1b3895d45de8b0afcda9a9591acda.jpg",[],{"id":26443,"slug":26444,"title":7241,"dynasty":55,"author":7,"museum":172,"description":3653,"tags":26445,"thumbUrl":26446,"material":296,"size":297,"collection":11,"collections":26447,"showCount":183,"zanCount":49,"manualWeight":49,"mainColor":70},234430,"qing-ren-wen-shu-pu-sa-xiang-zhou-yi-ming-234430",[27,28,29,30,31,32,33,272,129,60,1056,190,131],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F34e4a966fa146ebf05ff32cf4051f1de.jpg",[],{"id":26449,"slug":26450,"title":26451,"dynasty":55,"author":7,"museum":172,"description":26452,"tags":26453,"thumbUrl":26454,"material":296,"size":297,"collection":11,"collections":26455,"showCount":183,"zanCount":49,"manualWeight":49,"mainColor":70},234419,"xiao-zhen-xian-huang-hou-xiang-zhou-yi-ming-234419","孝贞显皇后像轴","此作工笔细腻雅致，设色明丽沉静。画面题字呼应氛围，女主端坐于玲珑湖石之上，宝蓝色旗装织就规整团花，镶边纹饰精巧细致，尽显华贵体面，头饰簪花清雅温婉，将端庄柔静的仪态尽显无遗。衬景青竹挺秀清逸，暗喻品性高洁，牡丹姹紫嫣红烘托出雍容气度，朱栏细草点缀出雅致庭院氛围。整作将写实肖像与雅致园景相融，既如实还原宫廷贵妇人的容仪风貌，又借景传情，尽显清代宫廷工笔肖像画的精妙气韵。",[27,32,31,29,33,145,98,36,190,649,64],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fc231832387681e17f5dec348824df6bf.jpg",[],{"id":26457,"slug":26458,"title":26459,"dynasty":55,"author":7,"museum":172,"description":26460,"tags":26461,"thumbUrl":26463,"material":296,"size":297,"collection":11,"collections":26464,"showCount":183,"zanCount":49,"manualWeight":49,"mainColor":70},234389,"hong-li-kui-jia-cheng-ma-tu-zhou-yi-ming-234389","弘历盔甲乘马图轴","此作为绢本设色鞍马肖像画，帝王身披宝相花缠纹鎏金札甲，甲叶錾刻细密精巧，华贵威仪扑面而来。胯下白马神骏挺拔，朱缨辔饰醒目亮眼，尽显不凡气度。帝王按缰徐行，面容沉稳坚毅，背负箭囊劲矢，将其兼具文治武功的气魄尽显无遗。\n画作融合中西技法，以西洋写实精准勾勒出人物面容肌理与甲胄金属质感，又以传统工笔晕染烘托氛围，赭色绢底衬得主体愈发鲜明肃穆，将帝王出猎时的雍容气场渲染得淋漓尽致，是清代鞍马肖像画中的精品。",[160,29,31,32,33,1006,18011,26462,2405,7780],"弓箭","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fe93dfce54e5a3e66ca723e48efc818ce.jpg",[],{"id":26466,"slug":26467,"title":11396,"dynasty":75,"author":7,"museum":76,"description":26468,"tags":26469,"thumbUrl":26470,"material":10966,"size":26471,"collection":11,"collections":26472,"showCount":183,"zanCount":49,"manualWeight":49,"mainColor":50},234065,"xue-shan-xing-lv-tu-zhou-yi-ming-234065","寒山雪积，村肆沿溪而设，长桥跨岸，旅人、牛、马络绎於途，木筏顺流结集，一派赶集景致。远景幽壑，楼台掩映，寒鸦成阵，匝绕盤旋，通幅於热闹中不失雪天阴寒之气息。屋宇、舟车、拱桥，俱以界笔出之，线条略呈钉头鼠尾，有别於传统界画。近景人物，五官、表情历历可辨，愈远则愈简，屋宇、林木亦然，深合近大远小之理。",[27,2415,29,144,614,6000,1143,359,676,9138,130,33,19172,131,1142,1643],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fd6d1451346fc5558d13e36afaebb3e3b.jpg","纵106厘米，横51.5厘米",[],{"id":26474,"slug":26475,"title":19332,"dynasty":75,"author":7,"museum":56,"description":26476,"tags":26477,"thumbUrl":26478,"material":1433,"size":26479,"collection":11,"collections":26480,"showCount":183,"zanCount":49,"manualWeight":49,"mainColor":50},234000,"shan-po-lun-dao-tu-ye-yi-ming-234000","这幅画描绘了山中一块平坦的地方，有几根竹枝。 左侧形似桃花，隐隐现出屋脊； 一个僧人和一个人坐在石头上，坐着说话，画的右边，一个男孩站着，拿着棍子听着，身后岩石上的树枝细细弯曲。 这幅画的风格与夏圭相似。",[27,28,530,144,32,33,60,145,613,82,614,6547],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F0f4197b57f0834d525f742c53aa0b38e.jpg","20X20cm",[],{"id":26482,"slug":26483,"title":9660,"dynasty":55,"author":7,"museum":56,"description":26484,"tags":26485,"thumbUrl":26486,"material":109,"size":9666,"collection":11,"collections":26487,"showCount":183,"zanCount":49,"manualWeight":49,"mainColor":70},233096,"ping-ding-miao-jiang-zhan-tu-ce-yi-ming-233096","《平定苗疆得胜图》亦称《湖南战役图》，十六幅图依次为：兴师图、剿捕秀山苗匪、攻克木山、攻解松桃之围、大剿土空寨苗匪解永绥城围、攻克兰草坪滚牛坡、攻克黄瓜寨剿贼、攻克苏麻寨、攻得茶它柳夯等处贼巢、攻克高多寨生擒逆首吴半生、攻克廖家冲生擒首逆石三保、收复乾州、攻克强虎哨、攻克平陇贼巢、捷来图、攻克石隆苗寨。\n清乾隆五十九年（1794年），湖南、贵州的苗民在石三堡、石柳邓、吴半生等人的率领下起义。清政府先后派云贵总督福康安、四川总督和琳等出兵镇压。《平定苗疆得胜图》是以这一历史事件中的几次重大战役为题材创作而成。\n作者采用了中国传统绘画中的皴法刻画山石麻皮状的纹理和峭立的山势，并以细腻的刻画手法及娴熟的线条运用较好地勾勒出物象的质感。战争场面气势恢宏，人物造型受中国传统木版画的影响，呈头大身小的特点，古朴稚拙。",[79,27,28,530,32,31,614,33,1006,60,129,131,2770,2405,162,63],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fb1b021a92da1c0a0009270e048b28a75.jpg",[],{"id":26489,"slug":26490,"title":26491,"dynasty":75,"author":7,"museum":56,"description":26492,"tags":26493,"thumbUrl":26495,"material":26496,"size":26497,"collection":11,"collections":26498,"showCount":183,"zanCount":49,"manualWeight":49,"mainColor":70},233014,"shen-tang-qin-qu-tu-ye-yi-ming-233014","深堂琴趣图页","远山一带，巨壑空茫。建筑用笔粗浑，轻刻画，重意境，形象概括，细部脱略简化而不失准确真实。整幅画面清新明净的情境赋予作为绘画主体的建筑含蓄而富于想象的空间依托，使之具有了诗一般和谐浑融的意境。\n此图画巨石、绿树环抱雅斋，朱梁绿柱的厅堂中，一白衣秀士端坐操琴，童子侍立一旁，平台上双鹤闻乐起舞，山间回荡着袅袅琴声，画面充满了文雅幽清的气息。\n《深堂琴趣图》，仅仅不盈尺幅的小纨扇，却能妙写建筑和琴声，境界布局非凡。从画中偏于左半一角的构局，也可体味马远“马一角”构图的情趣。从中甚至可以精微体验宋画中的庭院风水之妙。\n宋代人非常善于营造庭院空间，妙解风水构局，将人与绘画、建筑、庭院、山水自然融为一体，臻于华美典雅的艺术境界。这在宋诗、宋词和宋画中留有许多经典的范例。如从刘松年的《四景山水图》中可以领略庭院四季风水之妙，那是山间水涯，芳草长堤边令人流连忘返的时空流转；而《深堂琴趣图》则是从另一个角度，表现庭院建筑与音乐，与山水之间妙契的又一杰作。\n建筑与音乐，在中国诗词中有许多经典迷人的篇章，但在绘画中表现，很不容易。音乐，求其意境，要有共鸣、幽远方妙。《深堂琴趣图》，以华堂独坐一人弹古琴，琴音发越，与环境融为一体，画出来了。深堂内置大屏风，窗牖俱紧关，而正门却大开，琴音反逼更传于堂外。门外山石对立，树木高耸掩映，留出大半天空，正好一条石铺甬道小径，接门由直而转折向右，石径上又正好有双鹤，其一白鹤闻琴音而起舞，可感受音乐之魅力。庭石上又有青松一株，遥承琴声，而成风如松。环境与音乐布局协和生发，绝无滞碍。主人弹琴，恰好面东，而门对南，空间方位甚为有序。如换其他任一方位，均与环境建筑内部空间不调，从而破坏全幅的空间气势，顿失音乐之美。设若弹琴者（主人）的方位是对着门南向坐，则气正好对冲；如背门北向坐，则琴声成死寂，更无悠扬的意味可说；如侧身向西坐，则又太塞太背，与画中大半天空相背，气局又成僵局。所以，只有画中所示的侧坐向东最为佳妙，否则都会破坏画中的音乐美，有妨气局琴音的流走。这些看似细微之处，正可见宋人对画中空间风水的深刻认知。画中的空间，虚实掩映，向背分合，无一闲笔，皆为音乐而生而设，都为气韵琴音所宜。可见《深堂琴趣图》虽小幅纨页，位置经营却极为空灵，空间境界妙造天地，琴韵幽深，上遏行云，其中风水之意境，流美千古。",[799,27,530,32,329,31,60,129,131,650,26494,649,146,82],"石径","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F7be54f010dc1e0bed94db829cee44280.jpg","绢本、设色","纵23.6厘米，横24.9厘米",[],{"id":26500,"slug":26501,"title":26502,"dynasty":75,"author":7,"museum":56,"description":26503,"tags":26504,"thumbUrl":26505,"material":335,"size":26506,"collection":11,"collections":26507,"showCount":183,"zanCount":49,"manualWeight":49,"mainColor":739},233010,"qiu-shu-qu-yu-tu-ye-yi-ming-233010","秋树鸜鹆图页","图绘秋日里一只鸜鹆栖于桐树之上，利爪紧握枝干，扭颈侧目似在谛听。鸜鹆目光锐利，体态丰满，尾翼整洁，羽毛黑亮，而树叶则满布虫蚀，拘挛蜷曲，颜色枯黄。构图奇崛突兀，迥异常品。鸟为纯黑一色，故全身皆用墨染，然不同部位之毛羽的质感、层次均表现无遗，何止“墨分五色”而已！古人墨法之妙于此见之。蚀朽的树叶在画家高超的技法下“化腐朽为神奇”，勾描晕染，层次丰富。中国工笔画常写病叶，原因在此。而此图之叶堪称极致。",[27,79,28,31,32,80,613,193,82],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ffe7bbc63767c997697bb2b3ecdf5479d.jpg","纵25厘米，横26.5厘米",[],{"id":26509,"slug":26510,"title":26511,"dynasty":75,"author":7,"museum":56,"description":26512,"tags":26513,"thumbUrl":26514,"material":335,"size":22307,"collection":11,"collections":26515,"showCount":183,"zanCount":49,"manualWeight":49,"mainColor":50},233009,"xun-qin-fu-zhuo-tu-ye-yi-ming-233009","驯禽俯啄图页","图中一只麻雀立于浅蓝色敞口瓷罐上，低头欲啄罐沿。麻雀身系红绳，绳端拴一圆环，表示已被擒获豢养。麻雀属难以驯化之鸟，画面中的瓷罐内虽有白米，雀却不食，表达了向往自由生活的心愿。画家先以尖细之笔绘出麻雀的轮廓、羽绒，再用浓墨、淡赭点画出翅膀、尾羽和眼目。",[79,27,28,1222,31,32,80,193,346],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F3a9c3ad61b7c9c60c59b90519bbbb167.jpg",[],{"id":26517,"slug":26518,"title":26519,"dynasty":141,"author":7,"museum":23,"description":26520,"tags":26521,"thumbUrl":26522,"material":3509,"size":26523,"collection":11,"collections":26524,"showCount":183,"zanCount":49,"manualWeight":49,"mainColor":50},232802,"liu-jun-tu-juan-yi-ming-232802","六骏图卷","《六马图卷》旧传出自赵伯驹之手，卷分两段，非出一手，后段末缘下有伪款“千里”及伪印“赵伯驹氏”，清高宗弘历在后半上两题，一为七言古风，一为识语，知款印俱伪，书于同日。此卷曾入张大千手并加跋语四行。\n乾隆皇帝题识：平川苜蓿丰且滋。清泉映带沙冈披。戎人习马知马性。此处调马实所宜。牵者樴者二皆駵，白驹黑鬛绁柳枝，昻蔵翘足骊其色，一戎跨背鞍不施，紫骝回首嘶厥匹，有駓龁草意自怡，骥不称力称其德，况复一一皆英奇，作者寓意应有在，夏官遗法谁深知，即今大宛致汗血，骨格皆合图中姿，亦不渥洼诩作瑞，亦不交河资兴师，迥立阊阖詄荡荡，欲起王孙走笔为。",[26,27,96,32,31,82,124,33,1006,532],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F51563118f42df0d8b09f57e6f52a9b14.jpg","纵46.2厘米，横168.3厘米",[],{"id":26526,"slug":26527,"title":26528,"dynasty":171,"author":7,"museum":172,"description":26529,"tags":26530,"thumbUrl":26531,"material":348,"size":26532,"collection":11,"collections":26533,"showCount":183,"zanCount":49,"manualWeight":49,"mainColor":50},232271,"nie-pan-tu-yi-ming-232271","涅磐图","涅槃（巴利语：निब्बान Nibbāna；梵语：निर्वाण Nirvāṇa），佛教术语，合文作𢌽，又译为泥洹、涅槃那、涅盘那、泥盘那、昵缚男，意译为熄灭、灭、灭度、寂灭、无为、解脱、自在、安乐、不生不灭等，新译作般涅槃（巴利语：pari-nibbāna，梵语：pari-nirvāṇa），又译为般泥洹、波利昵缚男、入灭、入灭度、圆寂。佛教教义认为涅槃是将世间所有一切法的自体性都灭尽的状态，所以涅槃中永远没有生命中的种种烦恼、痛苦，上座部佛教的见解是从此不再受后有，也就是不再有下一世的六道轮回。这个术语最早源自于古印度婆罗门教，当时众说纷纭。佛教认为外道无法实证何谓涅槃，在无佛教的时代只有佛和辟支佛可以亲证涅槃。释迦牟尼菩萨降生后，出家成佛转法轮，教导弟子佛法，才开始有声闻圣弟子四果阿罗汉实证涅槃。佛陀和阿罗汉舍寿后，会取证无余涅槃界，进入不生不灭状态，也称为涅槃，一般更常用般涅槃（意思是“进入涅槃灭度”，即“入灭”）表达，意思是肉身死亡后，进入不生不灭的涅槃状态。时至今日，当有佛教上师、沙门、比丘、比丘尼等修行者过世时，许多人会尊称他们涅槃了。大乘见地是佛菩萨能在涅槃中同时度众生，佛菩萨的涅槃叫“无住涅槃”",[26,27,79,30,32,31,33,272],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F36001c315841694e4c562c3be81f2ce2.jpg","216x179.4厘米",[],{"id":26535,"slug":26536,"title":26537,"dynasty":22,"author":7,"museum":172,"description":26538,"tags":26539,"thumbUrl":26540,"material":296,"size":297,"collection":11,"collections":26541,"showCount":183,"zanCount":49,"manualWeight":49,"mainColor":70},231791,"ming-qing-ri-ben-gu-hua-hua-niao-shan-shui-ren-wu-fen-ben-ren-wu-juan-yi-ming-231791","明清日本古画花鸟山水人物粉本-人物卷","此卷以白描淡彩铺陈，笔致简逸稚拙。起首持杖人物寥寥数笔便形神尽显，随后跃马挽弓的武士气宇轩昂，线条勾勒出战马奔腾的飒爽气势，将武人豪烈之风晕染纸面。继而转绘惊马失控的骑者，笔意诙谐生动，添入俗世趣意。垂首疾行的仕人姿态恭谨，自带沉静闲雅之感。终了圆光中丰润女像，设色柔淡，神情恬和静穆。整卷将武人豪壮与世俗闲趣并置，古雅张力与谐趣意韵相融，朴拙天真间尽显别致意趣。",[26,96,123,32,33,1006,5967,127,1528,124,82,345,31],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ff33e0f2c578b5c3f6b12100a60dfe51d.jpg",[],{"id":26543,"slug":26544,"title":26545,"dynasty":22,"author":7,"museum":172,"description":26546,"tags":26547,"thumbUrl":26548,"material":296,"size":297,"collection":11,"collections":26549,"showCount":183,"zanCount":49,"manualWeight":49,"mainColor":50},231655,"shi-ting-shi-qi-ren-wu-tu-zhou-yi-ming-231655","室町时期 人物图轴","此作笔下仕女娇憨温婉，发髻挽起垂发贴颊，柔韵尽显。朱红外袍暗纹隐现，墨绿下裳饰回旋几何纹样，素白裙脚衬出雅致格调，配色沉雅和谐。她持绘花团扇，垂目凝视扇面，身姿微倾，将娴静内敛的神态描摹入微，东方闺秀的柔婉气质呼之欲出。\n泥金底色带着岁月晕染的斑驳苍润，与人物的明丽设色相映，古雅沉静。线条匀净流畅，造型写实传神，揉合和风与唐韵的审美意趣，尽显古典雅致的东方气韵。",[26,27,28,29,32,31,33,127,64,190],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F650f5f86df882ec6d6e4afe228442ca1.jpg",[],{"id":26551,"slug":26552,"title":26553,"dynasty":141,"author":7,"museum":3882,"description":26554,"tags":26555,"thumbUrl":26556,"material":109,"size":11,"collection":11,"collections":26557,"showCount":183,"zanCount":49,"manualWeight":49,"mainColor":50},231495,"bai-miao-luo-han-tu-yi-ming-231495","白描罗汉图","此作用淡墨白描写就，古松虬曲苍劲，松针层叠如盖，晕染出幽寂出尘的林下禅境。右侧长眉罗汉安坐松下，神态恬然沉静，身旁侍者恭谨侍立，持器静候。左侧匍匐之人姿态虔诚，似在礼敬罗汉，案上供花素雅清冷，烘托出庄严平和的禅意氛围。\n\n线条清劲凝练，流转婉转，既勾勒出松皮斑驳褶皱、衣袂翩然动感，又细腻刻画出人物神情气度，将禅门安然清寂的意趣尽显。笔墨简淡却意蕴悠长，以素色绘出深邃禅林雅韵，尽显雅致清和的元人白描格调。",[27,28,30,123,144,33,613,82],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ff5b9e528a641cef044779c88475e161b.jpg",[],{"id":26559,"slug":26560,"title":26561,"dynasty":22,"author":7,"museum":172,"description":5618,"tags":26562,"thumbUrl":26563,"material":296,"size":297,"collection":11,"collections":26564,"showCount":183,"zanCount":49,"manualWeight":49,"mainColor":739},230745,"bai-di-qing-hua-si-hai-lai-chao-ping-yi-ming-230745","白地青花四海来朝瓶",[2194,5179,15949,31,1749,318,7583,346],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fa9510df29f69bc9ab5327f313f6c2ffa.jpg",[],{"id":26566,"slug":26567,"title":26568,"dynasty":22,"author":7,"museum":172,"description":26569,"tags":26570,"thumbUrl":26572,"material":296,"size":297,"collection":11,"collections":26573,"showCount":183,"zanCount":49,"manualWeight":49,"mainColor":70},230528,"gu-chao-can-juan-bai-shi-wen-ji-di-san-juan-yi-ming-230528","古抄残卷《白氏文集》第三巻","此卷小楷端秀匀整，笔势圆融温润，暗合唐人写经笔法遗韵。行字排布疏朗舒和，墨色经岁晕染斑驳，更添沉厚古意。抄录诗文笔致恭谨，字句间可窥昔人传抄时的用心。泛黄纸页上的水渍晕痕，如时光烙下的印鉴，晕开旧时光晕，将千载前的文思与笔墨温度一并留存。落笔藏锋敛锷，筋骨暗藏，既有法度又不失灵动，尽显雅致风骨，静静诉说着典籍流转的悠悠岁月。",[124,3054,26571,4486,11798,109],"手抄","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ff60ce269c7c8751a2d646ce35d8405e6.jpg",[],{"id":26575,"slug":26576,"title":26577,"dynasty":22,"author":7,"museum":172,"description":11722,"tags":26578,"thumbUrl":26584,"material":296,"size":297,"collection":11,"collections":26585,"showCount":183,"zanCount":49,"manualWeight":49,"mainColor":70},230488,"fu-shi-hui-125-yi-ming-230488","浮世绘125",[10461,2751,32,1102,131,162,130,33,2656,5571,5661,26579,37,26580,5421,26581,9467,26582,2450,26583],"浴场场景","山石景观","传统建筑","彩色版画","色彩渲染","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fadb8451450e532362118b932c616a263.jpg",[],{"id":26587,"slug":26588,"title":26589,"dynasty":55,"author":7,"museum":172,"description":26590,"tags":26591,"thumbUrl":26592,"material":296,"size":297,"collection":11,"collections":26593,"showCount":183,"zanCount":49,"manualWeight":49,"mainColor":50},229933,"jin-xiang-dong-zhu-huang-di-chao-guan-ding-yi-ming-229933","金镶东珠皇帝朝冠顶","此冠顶以累花丝金为骨，层层托举东珠，自基座向上次第排布，珠粒愈发凝练收束，至顶尖以一枚硕大东珠收梢，节奏张弛有度。东珠凝润如月华，澄澈莹白，与赤金暖光交融互映。金座缠枝累丝纹饰细密繁复，錾刻精巧入微，将皇家礼制的庄重贵气与匠心工艺融为一体，静穆间尽显皇权专属的威仪华贵，是清代珠宝金工巅峰之作。",[160,430,39,431,419,2280],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fa25c77269a96df66e38baccf0f1c5659.jpg",[],{"id":26595,"slug":26596,"title":26597,"dynasty":55,"author":7,"museum":172,"description":8436,"tags":26598,"thumbUrl":26600,"material":296,"size":297,"collection":2200,"collections":26601,"showCount":183,"zanCount":49,"manualWeight":49,"mainColor":50},229498,"yong-zheng-yao-fang-ru-you-shi-liu-zun-yi-ming-229498","雍正窑 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【作者】佚名 盘车图—— 轴，绢本设色，纵19厘米，横49.5厘米",[26,79,27,28,29,31,614,144,32,60,129,162,131,33,16430,2688,82],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fd204e4e2690ab8ea1c2e1bad1290acde.jpg",[],{"id":27048,"slug":27049,"title":27050,"dynasty":75,"author":7,"museum":56,"description":27051,"tags":27052,"thumbUrl":27053,"material":1770,"size":27054,"collection":11,"collections":27055,"showCount":183,"zanCount":49,"manualWeight":49,"mainColor":50},223590,"fan-qi-tu-yi-ming-223590","番骑图","作品绘边塞人马、骆驼行进行列，人物披裘戴高帽，以袖掩面，马匹步履蹒跚，展现出沙漠荒原风急天寒的气候环境。作品线条细劲流畅，具很高的艺术水平。明代都穆见其《番骑图》，赞日：“黄沙野蒿，鞭马疾驰，非余之目击，则也莫能知其妙也。”",[26,79,27,28,96,31,32,33,1006,8481],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F792f8737e0cca0585a895623b1b869be.jpg","27.4x127",[],{"id":27057,"slug":27058,"title":27059,"dynasty":141,"author":7,"museum":172,"description":27060,"tags":27061,"thumbUrl":27062,"material":296,"size":297,"collection":11,"collections":27063,"showCount":183,"zanCount":49,"manualWeight":49,"mainColor":50},223554,"shen-shan-ta-yuan-tu-ye-yi-ming-223554","深山塔院图页","原为团扇,试变其章法,略师其笔意。未知能得董巨幽淡天真之境否。",[26,27,79,28,530,32,614,60,129,13682,532],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F89109ce6e6723a87ee1887eb4a597da7.jpg",[],{"id":27065,"slug":27066,"title":27067,"dynasty":75,"author":7,"museum":23,"description":27068,"tags":27069,"thumbUrl":27070,"material":1433,"size":27071,"collection":11,"collections":27072,"showCount":183,"zanCount":49,"manualWeight":49,"mainColor":50},223535,"jiang-cun-tu-yi-ming-223535","江村图","图绘江水平缓，江上一叶扁舟，舟子撑杆而行。两岸绿树成林，屋舍隐隐。",[26,79,27,28,60,32,614,130,128,613,1768],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F6fb83e60ab9c09c2a0483f69fb55353f.jpg","24.1x25.4",[],{"id":27074,"slug":27075,"title":27076,"dynasty":75,"author":7,"museum":56,"description":27077,"tags":27078,"thumbUrl":27079,"material":1433,"size":27080,"collection":11,"collections":27081,"showCount":183,"zanCount":49,"manualWeight":49,"mainColor":50},223518,"mei-xi-fang-ting-tu-yi-ming-223518","梅溪放艇图","绘一雅士放艇溪中，回首遥视远方，渔夫于 船尾曲身奋力划桨。两株老梅斜出溪岸，虬曲多姿。山间云雾 缭绕，天水一色。大山巍然横卧，小峰如刀削斧劈，笔立其 侧。作者所绘老梅虬曲多姿，以白粉点梅花，用细笔描水草和 波浪，人物衣纹简劲，工写结合。全图用笔工细劲挺，构图生 动简洁，设色淡雅清丽",[26,27,219,144,32,60,31,128,676,146,1768],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F727d30aba9a4f0befd1f131f9c55d89f.jpg","纵24.4厘米横24.7厘米",[],{"id":27083,"slug":27084,"title":27085,"dynasty":75,"author":7,"museum":1361,"description":27086,"tags":27087,"thumbUrl":27088,"material":335,"size":27089,"collection":11,"collections":27090,"showCount":183,"zanCount":49,"manualWeight":49,"mainColor":50},223469,"gui-qu-lai-ci-shu-hua-juan-yi-ming-223469","归去来辞书画卷","此图出自东晋末陶渊明不愿为五斗米折腰，离开宦场而作的抒情小赋《归去来兮辞》。卷首是陶渊明像，后一图一文依次描绘了他辞官后，其归隐的生活情趣和内心轻松愉悦的感受。",[26,27,28,96,32,31,60,33,129,1623,130,128,131,531,125,124],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F9d4c6140c5f57b11d67f190f51d137d6.jpg","30x438.6cm",[],{"id":27092,"slug":27093,"title":5917,"dynasty":55,"author":7,"museum":76,"description":27094,"tags":27095,"thumbUrl":27096,"material":32,"size":27097,"collection":506,"collections":27098,"showCount":183,"zanCount":49,"manualWeight":49,"mainColor":70},223456,"shan-shui-tu-yi-ming-223456","此作用笔秀逸简淡，远近层次疏朗分明。近岸枯木虬枝错落，皴石朴拙苍劲，涧水隐于石间，暗写潺湲之态。中景扁舟一叶，幽人披氅凭舷，随波独往，水色以留白晕出烟霭空濛之境，将冬末春初的清寂弥散纸面。远景山峦轻勾淡染，与空茫水面相融，愈发衬出天地辽远。题诗与画意呼应，诗画相生，把文人寄迹林泉、避世悠游的隐逸襟怀铺陈尽致，整体气韵清冷淡远，尽显幽隽的古典山水文人意趣。",[26,27,144,614,32,124,82,60,128,33,2144,613,162,130],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fe496c200c21a39d397d49e0d8fbb32c1.jpg","纵23厘米 横24.8厘米",[506],{"id":27100,"slug":27101,"title":27102,"dynasty":75,"author":7,"museum":56,"description":27103,"tags":27104,"thumbUrl":27105,"material":17128,"size":27106,"collection":11,"collections":27107,"showCount":183,"zanCount":49,"manualWeight":49,"mainColor":50},223455,"shan-ju-shuo-ting-tu-ye-yi-ming-223455","山居说听图页","亭前溪流湍急，屋内繁茂。 枕上云雾缭绕，山峰若隐若现，附近巨石被茅草覆盖。 颜色素雅朴素，寓意淡雅淡泊。 此页为南宋绘画风格。 山石为“铁包”，周围的李塘被刮削，丛生枝叶坚硬坚硬，与唐帝传世作品无异。",[26,27,28,530,32,60,131,734,162,614],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F9d5997a3e43645f9898edc9443b41145.jpg","纵25cm; 横25.4cm.",[],{"id":27109,"slug":27110,"title":27111,"dynasty":141,"author":7,"museum":5589,"description":27112,"tags":27113,"thumbUrl":27116,"material":109,"size":27117,"collection":11,"collections":27118,"showCount":183,"zanCount":49,"manualWeight":49,"mainColor":50},223448,"han-jiang-dai-du-tu-yi-ming-223448","寒江待渡图","这是一幅典型的、表达入仕愿望的待渡图，幅中烟岚中的台阁象征仕途，待渡人仿佛严阵以待般静立江岸，等待一只前来接引的小舟。另一种说法是：山中俨然而立的是寺观，待渡者相反是要表达出世的愿望。结合它所创作的元代，两种解释似乎都能成立。",[26,27,144,614,32,60,128,130,676,4841,27114,131,1340,63,13662,27115],"渡头","石矶","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F8e77f66f7f33d72e246016b5833f6c12.jpg","30x32厘米",[],{"id":27120,"slug":27121,"title":27122,"dynasty":141,"author":7,"museum":76,"description":18521,"tags":27123,"thumbUrl":27124,"material":149,"size":18524,"collection":11,"collections":27125,"showCount":183,"zanCount":49,"manualWeight":49,"mainColor":50},223407,"tai-xing-xue-ji-tu-zhou-yi-ming-223407","太行雪霁图轴",[26,27,29,32,614,60,952,162,676,1102,33,4001,130,359,9148],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fe095a1bc944a9d299c160ca73f1ffd9a.jpg",[],{"id":27127,"slug":27128,"title":27129,"dynasty":75,"author":7,"museum":720,"description":27130,"tags":27131,"thumbUrl":27133,"material":27134,"size":27135,"collection":11,"collections":27136,"showCount":183,"zanCount":49,"manualWeight":49,"mainColor":50},223390,"gu-bai-gui-qin-tu-yi-ming-223390","古柏归禽图","该图左侧塘岸土坡，白梅一枝斜出，枝上梅花怒放，枝下茶花、水仙盛开。两只野鸭嬉戏于水中，顾盼生姿，逗人喜爱。对岸土坡败苇稀疏，两只蓝色的小鸟前后相随飞向远方，从而把观赏者的视线引向画外，达到画有尽而意无穷的艺术效果。",[26,27,28,219,80,31,32,27132,163,82],"古柏","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F41fd9a9d79ded1b45f0708614eb8c2a9.jpg","绢本水墨","23.5X24.7cm",[],{"id":27138,"slug":27139,"title":27140,"dynasty":141,"author":7,"museum":76,"description":27141,"tags":27142,"thumbUrl":27144,"material":616,"size":27145,"collection":11,"collections":27146,"showCount":183,"zanCount":49,"manualWeight":49,"mainColor":70},223363,"jia-he-tu-zhou-yi-ming-223363","嘉禾图轴","古时以农业为主，稻生双穗，或稻产丰收，是一种祥瑞，也称之为嘉禾。 画中这一丛稻长得比一般的稻子高大，茎叶茂盛，稻穗饱满沉重，显现出丰收的预兆。在用笔上，除稻穗外，都用花青和赭石以没骨法染画而成。嘉禾顶立在画幅中央，构图非常单纯，主题强烈，有著简朴而新顷之感。",[27,28,79,1443,29,32,31,27143,12212],"禾苗","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F1d87598008164e5b421594bb0b941400.jpg","190.2x67.9公分",[],{"id":27148,"slug":27149,"title":27150,"dynasty":75,"author":7,"museum":56,"description":27151,"tags":27152,"thumbUrl":27153,"material":1433,"size":27154,"collection":11,"collections":27155,"showCount":183,"zanCount":49,"manualWeight":49,"mainColor":50},223337,"wu-jiu-wen-qin-tu-yi-ming-223337","乌桕文禽图","图为雪侯河所写，天色阴沉，老梅初出。 树栖带状鸟有明亮而腐烂的羽毛。 自制的图画和家禽文字，大多是在明媚的春光下。 这独特的画面与冬天的杀戮场景形成了鲜明的对比，极为巧妙。 树下溪流湍急，水花四溅，岸边的岩石上都被雪覆盖着。 画家以水墨染天空，以白粉表现雪，以白力描绘流水，气势磅礴。 河岸的独特表现是强大的。 岩石和水的侵蚀形成的蜂窝形状是另一种前所未有的创新方法。",[26,79,27,28,80,31,32,676,191,130,162],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fdd2250b3999f22bfd04a74cdeb074f66.jpg","27.5x26.9厘米",[],{"id":27157,"slug":27158,"title":5917,"dynasty":75,"author":7,"museum":76,"description":27159,"tags":27160,"thumbUrl":27161,"material":43,"size":11,"collection":506,"collections":27162,"showCount":183,"zanCount":49,"manualWeight":49,"mainColor":70},218709,"shan-shui-tu-yi-ming-218709","淡墨晕染层叠山峦，近石以简练皴法勾勒，肌理隐现；远山沉于氤氲雾霭，虚实间藏尽江湖意趣。沉郁的色调里，每一笔都浸着时光的温厚——不炫技，却以意境叩心。留白处如有无声的风掠过水面，引人遥想烟水林泉的静谧。宋人山水的含蓄之美在此尽显：将天地的雄浑与雅致凝于方寸，让观者于朦胧间触到千年山水的魂魄，仿佛听见松风过涧，看见云气漫过山腰，沉浸在那份独属于宋的沉静悠远里。",[26,79,27,28,530,614,144,60],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F3bbd68312d6f2328e471d775b686cb60.jpg",[506],{"id":27164,"slug":27165,"title":27166,"dynasty":171,"author":7,"museum":489,"description":27167,"tags":27168,"thumbUrl":27169,"material":493,"size":11,"collection":11,"collections":27170,"showCount":183,"zanCount":49,"manualWeight":49,"mainColor":50},217279,"jiang-mo-bian-dun-huang-tu-juan-9-yi-ming-217279","降魔变·敦煌图卷-9","泛黄的纸本晕染着时光的痕迹，墨迹古朴如唐风吹过。这里是降魔变的叙事现场：文字与线条交织，将舍利弗与六师斗法的紧张瞬间凝于卷上。质朴的笔触勾勒出鲜活神态——舍利弗沉静智慧，六师诡谲张扬，仿佛能听见当年变文讲唱的喧腾声息。\n\n作为敦煌变相图的缩影，它既是宗教故事的生动载体，也藏着唐代民间艺术的鲜活密码：世俗审美与宗教信仰在此交融，纸页间流淌着古人对善恶对决的朴素认知，更见证着敦煌艺术超越石窟的广阔表达。岁月沉淀下的不仅是墨迹，更是一段鲜活的文化记忆。",[79,27,28,96,30,123,32,33,292],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F2b3cebf0ddb56113254c3a2e7b517cfc.jpg",[],{"id":27172,"slug":27173,"title":27174,"dynasty":55,"author":7,"museum":489,"description":27175,"tags":27176,"thumbUrl":27177,"material":109,"size":11,"collection":11,"collections":27178,"showCount":183,"zanCount":49,"manualWeight":49,"mainColor":277},216857,"xi-xiang-ji-tu-ce-22-yi-ming-216857","西厢记图册-22","墨色晕染的亭榭倚着清波，树影婆娑间，衣袂轻扬的女子立于廊桥，眉目温婉似含轻愁；亭中执扇的男子凝眸相望，衣袍素雅间藏着几分专注。花枝轻垂如低语，石畔苔痕似藏着时光的温柔，水面潋滟映着亭台的檐角，将古典的婉约静静铺展。\n\n画面以清雅设色晕开园林的静谧，格子窗棂漏出细碎光影，草木的淡彩与水墨的浓淡交织，似把西厢记里含蓄的情愫揉进了景物里。人物的姿态流转着脉脉情思，没有直白的诉说，却让园林的每一处角落都浸着古典爱情的温婉与朦胧。整幅画如一首浅吟的诗，将中式园林的雅致与人物的细腻心绪融于笔端，在恬淡的笔墨间，晕开一段千古流传的温柔片段。",[27,32,31,530,531,1623,130,33,127,532,1093,162],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F4bd8dabc6fad39c7b5cffd01ab2b6583.jpg",[],{"id":27180,"slug":27181,"title":27182,"dynasty":55,"author":7,"museum":172,"description":27183,"tags":27184,"thumbUrl":27185,"material":616,"size":11,"collection":11,"collections":27186,"showCount":183,"zanCount":49,"manualWeight":49,"mainColor":70},215870,"qing-dai-gong-ting-ren-wu-hua-ce-6-yi-ming-215870","清代宫廷人物画册-6","纸页泛黄如陈年素笺，时光的斑驳吻痕里，立着一位清代宫廷女子。紫袍暗纹流转，似把流云织进衣袂；袖口素白轻垂，衬得身姿端雅。鬓边翠饰与珠花相映，眉目间凝着娴静温婉。手中朱红器物若携墨香，或为书卷，或为折扇，添了几分文雅。裙裾绣纹繁复，蓝紫繁花与绛红条纹交织，如将满园春色裁作裙摆。笔触细腻处，衣料的柔滑、发饰的精巧皆藏于旧色中，仿佛能窥见当年宫苑里，她轻移莲步时的温婉模样，岁月虽老，那份古典雅致仍在纸间流转。",[160,27,28,31,32,33,127,345,41],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F891d10f2462e76ec572060c4f94d1747.jpg",[],{"id":27188,"slug":27189,"title":27190,"dynasty":55,"author":7,"museum":172,"description":27191,"tags":27192,"thumbUrl":27193,"material":109,"size":11,"collection":11,"collections":27194,"showCount":183,"zanCount":49,"manualWeight":49,"mainColor":70},215555,"bai-miao-jie-tou-mai-mai-hua-ce-6-yi-ming-215555","白描街头买卖画册-6","线条简练却力道藏于笔端，勾勒出市井一隅的鲜活瞬间。站者持烟袋，烟丝轻腾的细雾似牵起与围坐三人的互动——桌前几人或俯身打量器物、或抬首应答，衣褶的垂坠弧度与桌上物件的轮廓，皆以淡墨晕染出质感，不着浓彩却见生活真味。白描之妙正在于此：无华彩堆砌，仅以疏密有致的线条，便将街头买卖的烟火气、人与人的鲜活对话凝于纸上。每一笔都藏着对日常细碎的温柔观察，让百年前的市井场景仿佛冲破纸面，触手可及。",[26,27,28,530,123,33,2195],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F51b614f0b6cb9612a16dfa788ead3a2d.jpg",[],{"id":27196,"slug":27197,"title":27198,"dynasty":75,"author":7,"museum":720,"description":721,"tags":27199,"thumbUrl":27200,"material":724,"size":725,"collection":11,"collections":27201,"showCount":183,"zanCount":49,"manualWeight":49,"mainColor":70},214953,"dao-zi-mo-bao-ren-wu-bai-miao-hua-32-yi-ming-214953","道子墨宝人物白描画-32",[26,79,27,28,123,33,129,329,30],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F2ef56699fa0eff838bed304cd82b05ae.jpg",[],{"id":27203,"slug":27204,"title":27205,"dynasty":75,"author":7,"museum":720,"description":721,"tags":27206,"thumbUrl":27207,"material":724,"size":725,"collection":11,"collections":27208,"showCount":183,"zanCount":49,"manualWeight":49,"mainColor":70},214946,"dao-zi-mo-bao-ren-wu-bai-miao-hua-40-yi-ming-214946","道子墨宝人物白描画-40",[26,79,27,28,123,33],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F37a08d221843c98ad648c60fa5e73db4.jpg",[],{"id":27210,"slug":27211,"title":27212,"dynasty":75,"author":7,"museum":720,"description":721,"tags":27213,"thumbUrl":27214,"material":724,"size":725,"collection":11,"collections":27215,"showCount":183,"zanCount":49,"manualWeight":49,"mainColor":70},214944,"dao-zi-mo-bao-ren-wu-bai-miao-hua-39-yi-ming-214944","道子墨宝人物白描画-39",[26,27,28,123,33,887,272],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fb2d5ae645959807508e754bb14ce1522.jpg",[],{"id":27217,"slug":27218,"title":27219,"dynasty":241,"author":7,"museum":216,"description":27220,"tags":27221,"thumbUrl":27222,"material":11,"size":11,"collectio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水边一枝红蓼，小花盛开。水鸟发现波中青虾，悄然飞落红蓼枝头，引喙而啄。红蓼被水鸟的体重与蹬力压弯，梢头、叶尖浸入水中。而青虾在水中灵活地悠游，对面临的危险浑然不觉。自然界中这惊险的一霎被巧妙地摄入绢素，极为生动传神。水禽和红蓼设色鲜丽，工笔细写。小鸟纤细的毛羽清晰可数，连蓼花粟米大的花冠也用紫红、粉白晕染得一丝不苟，层次分明。而水中的青虾和荇藻则采用模糊的手法表现，唯以淡墨绿一色染成，类似写意画法。因而虽不画水，却水旱两界分明。",[79,27,28,530,31,32,80,193,8888,82],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F7bd0e66811feaeb67ea3c69d5e352504.jpg","25.2x26.8cm",[],{"id":28390,"slug":28391,"title":28392,"dynasty":141,"author":7,"museum":172,"description":28393,"tags":28394,"thumbUrl":28395,"material":348,"size":28396,"collection":11,"collections":28397,"showCount":136,"zanCount":49,"manualWeight":49,"mainColor":50},233953,"xi-shan-ting-xie-tu-ye-yi-ming-233953","溪山亭榭图页","本幅园形设色画，无款印，有收藏印二方不辩。",[27,28,219,60,32,614,82,531,131,162,1643],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F572cdae27ebe7b757d316c7e73b40b0e.jpg","纵27.5cm横26.2cm",[],{"id":28399,"slug":28400,"title":28401,"dynasty":55,"author":7,"museum":172,"description":28402,"tags":28403,"thumbUrl":28404,"material":11,"size":28405,"collection":506,"collections":28406,"showCount":136,"zanCount":49,"manualWeight":49,"mainColor":70},233098,"ping-ding-xi-yu-zhan-tu-ye-yi-ming-233098","平定西域战图页","《平定西域战图》又称《平定准噶尔回部得胜图》、《平定伊犁回部战图》等。册页装，一函。图版十六幅，法国铜板制印，图版下署画家、刻工姓名。本馆藏有两部，一部首为乾隆御制序，乾隆诗文墨题画上，末有大学士傅恒、尚书舒赫德、于敏中等跋；另一部前为御制序，每图后附御题诗文，后为傅恒等跋，清内府造办处木版刷印。\n清廷在入主中原后，康、雍、乾三朝屡屡用兵西北，以肃清厄鲁特蒙古噶尔部割据势力。乾隆二十年至二十六年间（公元1755-1761年），两次平定准噶尔部叛乱的战役，对于维护国家稳定起到重要作用。 为了纪念平叛的胜利，乾隆让宫廷中的西洋画家郎世宁创作了大型历史纪实组画《平定西域战图册》。并决定将它送往欧洲制作成铜版画。",[60,33,1006,2405,2751,31,614,613,146],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fcbade98b43e515adc2f6308244833407.jpg","87.3×50cm",[506,1116],{"id":28408,"slug":28409,"title":28410,"dynasty":141,"author":7,"museum":172,"description":20026,"tags":28411,"thumbUrl":28412,"material":11,"size":11,"collection":11,"collections":28413,"showCount":136,"zanCount":49,"manualWeight":49,"mainColor":739},233031,"wu-zong-huang-di-hou-xiang-yi-ming-233031","武宗皇帝后像",[27,28,31,32,33,39],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fb3877d0590e706000546909cc3af31fd.jpg",[],{"id":28415,"slug":28416,"title":28417,"dynasty":75,"author":7,"museum":56,"description":28418,"tags":28419,"thumbUrl":28421,"material":17128,"size":28422,"collection":11,"collections":28423,"showCount":136,"zanCount":49,"manualWeight":49,"mainColor":50},233019,"song-yin-ce-zhang-tu-ye-yi-ming-233019","松阴策杖图页","艺术史学家高居翰(James Cahill)在《图说中国绘画史》一书中赞叹宋画之美：“在他们的作品中，自然与艺术取得了完美的平衡。他们使用奇异的技巧，以达到恰当的绘画效果，但 是他们从不纯以奇技感人；一种古典的自制力掌握了整个表现，不容流于滥情。艺术家好像生平第一次接触到了自然，以惊叹而敬畏的心情来回应自然。他们视界之 清新，了解之深厚，是后世无可比拟的。”",[27,79,32,31,60,33,1524,532,34,1340,1676,28420],"策杖","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fb5575f00a384fb24df04d011160151d6.jpg","28x28.6厘米",[],{"id":28425,"slug":28426,"title":15972,"dynasty":75,"author":7,"museum":56,"description":28427,"tags":28428,"thumbUrl":28429,"material":1433,"size":28430,"collection":11,"collections":28431,"showCount":136,"zanCount":49,"manualWeight":49,"mainColor":70},232995,"bai-zi-xi-chun-tu-ye-yi-ming-232995","此图以极细腻的笔法刻画百子嬉戏游乐的场面。亭台之下的儿童动态十足，他们或舞狮追逐，或斗草争鞠，或玩木偶，或上树，或泛舟；而亭台之上的儿童则较收敛成熟，或品评诗画，或对弈下棋，或抚弄琴弦，或围坐议享，画面人物杂而不乱，繁而不冗。设色和谐明丽。“狮子舞”是人们熟识喜爱的传统民间舞蹈，有关狮子舞的最早记载见于三国魏人孟康的《汉书·礼乐志》注，注中有“象人，若今戏鱼虾狮子者也”。迄今所见最早的狮子舞形象是新疆吐鲁番阿斯塔那墓出土的两人扮成的狮子。此图原载《四朝选藻册》（见《石渠宝笈续编》）。签题苏汉臣作。按《图绘宝鉴》：“苏汉臣，开封人。宣和画院待诏。师刘宗古，工画道释，人物臻妙，尤善婴儿。绍兴间（1131-1162）复官。孝宗隆兴初（1163），画佛像称旨，补承信郎。”世人凡见婴戏图，便题苏汉臣作。此图亦题汉臣作，不知何据。是陈宗训以来的作风，有动作而无表情。名手之笔，不当如是。故改题无名氏作。",[27,31,32,530,33,129,650,1527,6887],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F7127b27e089c572a605b01e9b762712a.jpg","纵26.6cm，横27.7cm",[],{"id":28433,"slug":28434,"title":28435,"dynasty":2305,"author":7,"museum":172,"description":28436,"tags":28437,"thumbUrl":28438,"material":11,"size":11,"collection":11,"collections":28439,"showCount":136,"zanCount":49,"manualWeight":49,"mainColor":50},232794,"long-men-er-shi-pin-yi-ming-232794","龍門二十品","从河南洛阳南行十三公里左右，就到了著名的“四大佛窟”之一的龙门石窟。这里两山夹峙，有如门阙，伊水长流，一边，是唐代大诗人白居易长眠的香山；一边，是龙门山。在龙门山上，有自北魏至北宋开凿的大大小小的佛窟，至今尚存的就有一千三百五十二个，有佛龛二千三百四十五个，造像多至十万余尊，是中国雕塑艺术的宝库。\u2028 这些造像，大多都有题记。人们在龙门造佛像，有的是为君，有的是为友，有的是为亡妻，有的是为夭女。造好像后，有的人就要刻石记载这一件事，这就是龙门造像题记的来历。许多题记书法都十分精美，尤其是北魏造像题记，是魏碑书法的代表作品，被康有为称为“雄峻伟茂，极意发宕，方笔之极轨也”（《广艺舟双楫·余论》）。\u2028 清代碑学大兴以后，龙门石窟造像题记引起了人们的注意，开始搜求椎拓。开始仅由黄易拓《始平公造像记》一品，后来增至《四品》《十品》《二十品》《五百品》乃至《龙门全山》。其中，以《龙门二十品》最为实用，影响也最大。\u2028 《龙门二十品》是经过许多书家选择的，很具有代表性，所选题记，都是北魏书法中的精品。这二十品是：\u2028\u2028　　《始平公造像记》\u2028\u2028　　《孙秋生造像记》\u2028\u2028　　《尉迟造像记》\u2028\u2028　　《解伯达造像记》\u2028\u2028　　《一弗氏造像记》\u2028\u2028　　《比丘惠感造像记》\u2028\u2028　　《元详造像记》\u2028\u2028　　《魏灵藏造像记》\u2028\u2028　　《杨大眼造像记》\u2028\u2028　　《比丘道匠造像记》\u2028\u2028　　《孙保造像记》\u2028\u2028　　《高树造像记》\u2028\u2028　　《郑长遒造像记》\u2028\u2028　　《贺兰汗造像记》\u2028\u2028　　《马振拜造像记》\u2028\u2028　　《太妃侯为幼孙造像记》\u2028\u2028　　《慈香造像记》\u2028\u2028　　《比丘法生造像记》\u2028\u2028　　《元燮造像记》\u2028\u2028　　《元佑造像记》\n《龙门二十品》，有十九品在古阳洞，仅有一品在老龙洞外慈香窟。从《二十品》中，已经可以大致窥见龙门书风。所书大致出于民间书手，一派天真，有人称之为粗头乱服，天真烂漫，但奇趣天成。康有为在《广艺舟双楫·十六宗》中说：“魏碑无不佳者，虽穷乡儿女造像，而骨血峻宕，拙厚中皆有异态，构字亦紧密非常，岂与晋世皆当书之会耶？何其工也。譬江、汉游女之风诗，汉、魏儿童之谣谚，自能蕴蓄古雅，有后世学士所不能为者，故能择魏世‘造像记’学之，已自能书矣。”\u2028　　龙门造像题记书法对后世的影响非常大，康有为甚至认为有了魏碑，南碑（指南方之碑，如《爨宝子》《爨龙颜》）、齐碑、周碑、隋碑都可以不要了，因为它们所有的风格在魏碑中就已经有了。在这里，我们可以寻到后代许多著名书法家的源头，如赵孟頫、邓石如、赵之谦等。近现代书家，也都把龙门造像题记作为自己学习的极则。",[854,124,3054,5022,855,30],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fba5877464a7433cc0eb7c0c93312c26a.jpg",[],{"id":28441,"slug":28442,"title":28443,"dynasty":22,"author":7,"museum":172,"description":28444,"tags":28445,"thumbUrl":28454,"material":296,"size":297,"collection":11,"collections":28455,"showCount":136,"zanCount":49,"manualWeight":49,"mainColor":50},231830,"nan-bei-chao-sheng-man-shi-zi-hou-yi-cheng-da-fang-bian-fang-guang-jing-sheng-man-jing-yi-ming-231830","南北朝 胜鬘师子吼一乘大方便方广经 胜鬘经","这卷写经以泛黄古纸为底，手绘花叶作界格点缀，古雅静谧扑面而来。其书为规整写经楷书，结体匀停端庄，笔画舒展秀润，笔力内敛沉实。通篇排布齐整，气息平和肃穆，尽显写经时的虔敬心力，毫无板滞匠气，在法度谨严中带着灵动雅致。笔墨晕染着六朝写经特有的沉静韵味，既体现写经书法的庄严工整，又暗藏书写者静定的笔底风神，是兼具宗教人文意蕴与书法审美价值的珍本。",[124,3053,11798,3054,109,96,3801,28446,28447,28448,28449,28450,28451,28452,28453],"工整","严谨","纵向排列","文字密集","边缘饰彩色叶状图案","墨色浓黑","字迹清晰","传统书法风格","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F996fe4a7b73f7273519276850c949b94.jpg",[],{"id":28457,"slug":28458,"title":28459,"dynasty":22,"author":7,"museum":172,"description":28460,"tags":28461,"thumbUrl":28462,"material":11,"size":11,"collection":11,"collections":28463,"showCount":136,"zanCount":49,"manualWeight":49,"mainColor":70},231823,"ming-qing-ri-ben-gu-hua-fen-ben-ren-wu-li-zhou-wo-lu-zang-yi-ming-231823","明清日本古画粉本人物立轴 蜗卢蔵","此作以淡墨晕染水月观音，观音安坐岩巅，衣袂舒展空灵，面容娴静慈悲，璎珞细节柔和细腻，尽显神性清寂温婉。下方云水翻涌，神龙隐现于烟波之间，墨色层次丰富，将水之灵动与云之空濛相融，烘托出幽渺出尘的禅境。\n左上题字清雅隽秀，与画面禅意呼应，笔墨简淡却神采具足，尽显汲取汉地佛画养分后的独特意趣，以极简笔触勾勒出观音的沉静与海天的悠远，将禅家空寂之味蕴藏在淡墨清晕之中，是佛画与文人意趣相融的雅致佳作。",[26,2573,27,28,29,7269,144,32,33,30,162,63,130],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fc09fe3fc01c2b8210207ee58fd3db282.jpg",[],{"id":28465,"slug":28466,"title":28467,"dynasty":22,"author":7,"museum":172,"description":28468,"tags":28469,"thumbUrl":28471,"material":296,"size":297,"collection":11,"collections":28472,"showCount":136,"zanCount":49,"manualWeight":49,"mainColor":70},231792,"ming-qing-ri-ben-gu-hua-hua-niao-shan-shui-ren-wu-fen-ben-hua-hui-juan-yi-ming-231792","明清日本古画花鸟山水人物粉本-花卉卷","此卷以三段铺展草木清趣：左幅淡墨晕染勾勒，花卉枝叶似笼轻烟，朦胧雅致，尽显晕染之妙；中段设色清妍，蓝花团簇搭配朱红穗草，墨色深浅铺陈绿叶，鲜活自然，将杂卉相生的野趣娓娓道来；右枝蓝花挺秀舒展，线条隽秀利落，把花枝舒展的姿态勾勒尽致。\n\n整体气息静谧清和，笔致简淡却饱含生机，画师以细腻体察捕捉花木的雅致姿态，将写生意趣融于其中，古雅温婉，尽显东方草木美学的隽永意境。",[26,2573,27,28,96,32,123,190,37,888,28470,1738,82],"蓝色小花","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F556544f3ce8c1f43d39f21b466f94812.jpg",[],{"id":28474,"slug":28475,"title":28476,"dynasty":22,"author":7,"museum":172,"description":28477,"tags":28478,"thumbUrl":28483,"material":11,"size":11,"collection":11,"collections":28484,"showCount":136,"zanCount":49,"manualWeight":49,"mainColor":70},231694,"jiang-hu-shi-qi-ying-yi-die-shi-er-yue-tu-juan-yi-ming-231694","江户时期 英一蝶十二月图卷","这幅长卷铺陈出鲜活的市井浮生，水岸舟楫往来摇荡，市肆街巷串联起岁时日常。茶寮酒幌招展，宾客围坐言笑晏晏；贩夫走卒穿行长街，挑担叫卖的身影生动鲜活。亭台掩映在松柳浓荫，屋舍错落间见邻里闲话的松弛意趣。\n\n淡墨轻敷晕染出水色天光，线条细腻灵动勾勒众生百态，将岁时里的烟火温热与雅致闲情尽数揉入长卷，把日常俗事绘成温柔的时代剪影，让百年前的俗世风物宛在眼前。",[26,27,96,32,144,33,2772,2774,28479,28480,28481,2419,503,131,22907,13567,28482],"市肆","街巷","茶寮","闲情雅致","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F169b830ee82cd17c77c2038154101eb1.jpg",[],{"id":28486,"slug":28487,"title":28488,"dynasty":241,"author":7,"museum":76,"description":28489,"tags":28490,"thumbUrl":28491,"material":17128,"size":28492,"collection":11,"collections":28493,"showCount":136,"zanCount":49,"manualWeight":49,"mainColor":50},231534,"gong-xiang-tu-yi-ming-231534","贡象图","据媒体报道，6月2日21时55分，来自西双版纳的野象群继续向北迁移，已进入昆明市晋宁区。大象要是进入城市怎么办？这成为一个让人无比担心的问题。毕竟历史上，曾发生过大象进城的事。\n南朝梁天监六年（507年）三月，有3头大象进入了建邺（今南京）。当时，梁朝与北魏之间正在钟离（今安徽凤阳）这个地方厮杀得热闹。当此紧要关头，为何会有大象入城？这3头大象又是从何而来？\n南北朝时期，那时的气候比现在还要温暖，加之长江下游地区江河湖泊较多，水草肥美，江南之地非常适合野象的栖息。进城的野象，自然是来自于城池和聚落之外，广袤的原野。\n而再往前数300年，江南还发生过一件被写入史书并流传至今的故事：202年左右，官渡之战刚刚发生不久，曹操打败了人生大敌袁绍，曹操的儿子曹冲方五六岁，这时，孙权向曹操赠送了一头巨象。\n孙权是在211年建石头城的，而202年左右，他已接替孙策的位置，此时正驻守吴郡。赠送曹操大象，恰是就地取材之举，这则历史记录也说明位于江南的太湖流域是野象栖息之地。\n而至于曹操，当时应在许都。东汉建安元年（公元196年），曹操挟天子以令诸侯，以“洛阳残破”为由迁都于许昌（位于河南省中部），即称许都。曹操得到孙权赠送的大象后，兴致高昂，“欲知其斤重”，还要称大象的重量。于是就有了曹冲称象的故事。\n学者们从这件事推断，此时河南已很少甚至没有大象了。要知道，在更古早的时候，这里曾是野象的聚集地。甚至河南的简称“豫”这个字中便保留了大象的踪迹。河南自古为“豫州”，古文字学家徐中舒认为，“豫”，为“象邑”二字的合文，“豫当时以产象得名，与秦时之象郡以产象得名者相同”。\n而在上世纪30年代，河南安阳殷墟，曾发现大象遗骨。当时学者都认为那是从东南亚输入进来的，但随着更多文献资料和考古遗址的发掘，中原有野象的论调成为主流。在商代，有“商人服象，为虐于东夷”的记载；周武王灭商，入主中原后，“驱虎豹犀象而远之”。这也说明当时的中原之地，是不缺乏大象的。\n而据历史地理学家考证，在远古时代，大象的活动范围甚至到达北京附近。只是后来随着人类活动的频繁，以及气候的变化，畏寒的大象活动边界逐渐从北向南退却，到了晋代，在长江下游地区，野象的主要栖息地最北已退至江淮流域了。南朝梁承圣元年（552年），也就是侯景之乱结束的这一年，有数百野象流窜于淮南之地，规模巨大。在这一时期，南京城有野象进入，也就不奇怪了。除了507年3头大象进入南京城之外，在稍早的492年、493年，还有“象至广陵”的记载。广陵，即现在的扬州。学者们认为，这都说明当时野象数量较多。\n但是，长江下游毕竟是一个以平原为主的地区，北面与黄淮平原相连，没有大山阻挡北来的寒流，加之由于长江下游开发较早，人类活动较多，大概从17世纪30年代起，长江下游地区便没有野象的踪迹了，野象所达到的最北之地，已退到了浙江钱塘江以南。\n在长江下游之外，因为地形或人口稀少等原因，野象的退却要稍慢一些。四川盆地更为特殊，它在群山环绕之中，气候温暖，河流丰沛，历史上那里的野象就非常之多。位于成都东北广汉市的三星堆遗址，每一次发掘都能发现大量象牙，即为明证。\n1986年，三星堆两大祭祀器物坑相继出土。其中，一号祭祀坑出土了13件象牙，二号祭祀坑出土了67件象牙。随着发掘工作的继续，在其他坑陆续也有象牙出土。2021年3月，三号祭祀坑又出土了127件象牙，在四号祭祀坑也发现了疑似被烧过、呈现出炭灰色的象牙。加之5月28日出土的10件象牙，三星堆共出土了200余件象牙。\n2001年的春天，在与三星堆文化一脉相承的金沙遗址中，考古人员发现了数量惊人的象牙。它们朝向一个方向，层层叠叠累在一起，沉默无声地震惊了世界。从断面可以看到，这些堆积的象牙多达8层。经过估计，其重量可达两三吨。保存完好、数量如此众多的象牙有规律地堆积，这不仅在中国，在世界上也是首次。\n按照我们今天的认知，亚洲象生活在热带地区，常见于南亚和东南亚。而在我国，亚洲象仅分布于云南省南部。但古籍上的记载却与我们现在的认知不同。\n《山海经·海内南经》中有“巴蛇食象”一说，文字记载：“巴蛇食象，三岁而出其骨，君子服之，无心腹之疾。”此处的“巴蛇”就是指《山海经·海内经》中“西南巴国之蛇”。《山海经·海内经》中记载：“西南有巴国，又有朱卷之国，有黑蛇，青首，食象。”郭璞在此注：“即巴蛇也。”\n由此可见，巴蛇即是生活在西南的青首黑身的蛇。传说巴蛇能够吞食大象，三年才吐出大象的骨头来。而人服食了巴蛇的肉，能够治疗心腹部的疾病。按照《山海经》的记载，古蜀不仅有巨蛇，还有大象。\n若说《山海经》带有神话传说的色彩，不那么让人信服，那么在《国语·楚语》中也有大象相关的记载：“巴浦之犀、牦、兕、象，其可尽乎。”可见在当时，古蜀地区不仅有大量的象，还有犀牛、牦牛、兕（形状似水牛，通身青黑色，长着一只角的动物）。",[27,31,32,29,33,272,877],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F95a8bfad94371db1175d4efedbedba86.jpg","123x51厘米",[],{"id":28495,"slug":28496,"title":28497,"dynasty":141,"author":7,"museum":172,"description":28498,"tags":28499,"thumbUrl":28500,"material":11,"size":11,"collection":11,"collections":28501,"showCount":136,"zanCount":49,"manualWeight":49,"mainColor":50},231494,"you-xing-shi-nv-tu-you-ti-ba-yi-ming-231494","游行仕女图（有题跋）","笔致苍朴古雅，行书线条凝练舒展，藏锋裹毫间带着元人尚意的闲散意趣。题文追慕唐人仕女风神，暗合画中仕女迤逦游行之态：佳丽施徐缓步，罗衣轻扬，鬓畔簪花掩映姣容，团扇半遮更添幽婉。\n\n题跋与画作相映成趣，旧绢泛黄晕开浅淡包浆，朱印斑驳带着岁月摩挲的质感，字里行间铺展出闺阁柔婉情致，糅合元人审美意趣，静静诉说古画藏住的缱绻旧事。",[26,27,28,33,127,31,32,124],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fede83ee94cce6d1a2e984a3f42c8bc6b.jpg",[],{"id":28503,"slug":28504,"title":28505,"dynasty":75,"author":7,"museum":76,"description":18319,"tags":28506,"thumbUrl":28507,"material":22334,"size":28508,"collection":11,"collections":28509,"showCount":136,"zanCount":49,"manualWeight":49,"mainColor":50},231345,"xiao-han-lin-tu-yi-ming-231345","小寒林图",[27,28,144,614,60,2144,613,146,4002],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fe50b96fc4e45788828c7ba9d17162640.jpg","该幅42.2x49.2公分；全幅66.5公分",[],{"id":28511,"slug":28512,"title":28513,"dynasty":55,"author":7,"museum":172,"description":28514,"tags":28515,"thumbUrl":28516,"material":296,"size":297,"collection":11,"collections":28517,"showCount":136,"zanCount":49,"manualWeight":49,"mainColor":50},231076,"kong-zi-ji-qi-di-zi-shen-wei-xiang-yi-ming-231076","孔子及其弟子神位像","这幅木刻版画构图严整对称，上方匾额点明主题，两侧楹联烘托出尊崇之意。画面以孔子为中心，众弟子依次拱卫排布，层次分明秩序井然。刻线刚劲细腻，衣褶纹路、冠冕纹饰皆刻画一丝不苟，供桌礼器细节毕现，尽显肃穆的祭祀礼制氛围。整体以黑底衬出线条，古朴厚重的视觉效果尽显庙堂庄重感，具象呈现了尊孔崇儒的文化风貌，承载着传统儒学的精神内核，是民俗与礼教艺术结合的典型之作。",[160,2751,854,29,30,33,406],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fcc86bd56a650ae3bc22c656b2538cd08.jpg",[],{"id":28519,"slug":28520,"title":28521,"dynasty":75,"author":7,"museum":172,"description":12964,"tags":28522,"thumbUrl":28523,"material":296,"size":297,"collection":11,"collections":28524,"showCount":136,"zanCount":49,"manualWeight":49,"mainColor":70},231066,"lv-you-gao-jing-hua-ping-yi-ming-231066","绿釉高颈花瓶",[75,2194,15842,268,98,346],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F3b72343968e4e4189be1fb293469b088.jpg",[],{"id":28526,"sl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经》教义的专著。\n唐人写经多为楷书，草书者极为罕见。此卷行气均匀，风格典雅，字形虽小，但使转精妙，法度俨然，今草之中略带章草韵味，可与隋人《出师颂》及孙过庭《书谱》互参，应为初唐高手所写。\n鉴藏印有“罗振玉印”、“康生看过”等。",[26,124,3053,3054,96,30,144,82],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F7734eecceae894ca27d2b35a2f04cb94.jpg","纸本，草书","纵28.4厘米，横373.2厘米",[3059],{"id":30382,"slug":30383,"title":30384,"dynasty":241,"author":7,"museum":172,"description":30385,"tags":30386,"thumbUrl":30387,"material":296,"size":297,"collection":11,"collections":30388,"showCount":523,"zanCount":49,"manualWeight":49,"mainColor":70},239357,"ming-ren-fang-huang-gong-wang-jiu-feng-xue-ji-tu-juan-yi-ming-239357","明人仿黄公望九峰雪霁图卷","此作以水墨晕开雪后丘壑，留白铺陈皑皑雪意，山峦素裹、枯木错落，村居隐于岩畔，萧寒清寂尽现冬日山林的荒寒淡远。长卷书画合璧，题跋行笔苍劲雅致，文辞与山水意趣相融，托寄文人静穆观照的审美本心。\n\n仿作追摹原作的极简萧寒，以淡墨晕染山石肌理，以空为雪，尽显元人山水萧散简远之致，借古抒怀，以笔墨写胸中丘壑，将群峰雪后岑寂空灵的意境复刻淋漓，尽显文人山水的雅逸风神，是一件颇具意韵的仿古佳制。",[26,27,28,96,144,614,122,124,125,82,60,6267,3733,131,359,531],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F2d1ba8894fb65bed006c1b198de90cf2.jpg",[],{"id":30390,"slug":30391,"title":24944,"dynasty":241,"author":7,"museum":172,"description":30392,"tags":30393,"thumbUrl":30394,"material":296,"size":297,"collection":11,"collections":30395,"showCount":523,"zanCount":49,"manualWeight":49,"mainColor":50},238960,"qun-yan-tu-ye-yi-ming-238960","此作用笔工细写实，取景郊野坡岸，杂卉幽枝交错排布，虚实相映，将秋日荒陂的清寂氛围感拉满。两只禽鸟情态各异，一鸟栖于细枝侧目远眺，姿态警觉灵动；一鸟垂首理羽，翎毛晕染细腻蓬松，质感逼真鲜活。设色调和古雅，以花青、赭石晕染草木枯荣，衬以古绢沉郁底色，更添沉静古韵。承继院体花鸟写生精髓，写实精妙又不失野逸之趣，将郊野一隅的幽微生机定格笔端，尽显传统花鸟的雅致意趣。",[27,28,219,32,31,80,163,37],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fe2afa8fcfeb8b687184de858a46c6275.jpg",[],{"id":30397,"slug":30398,"title":2121,"dynasty":55,"author":7,"museum":172,"description":30399,"tags":30400,"thumbUrl":30401,"material":296,"size":297,"collection":11,"collections":30402,"showCount":523,"zanCount":49,"manualWeight":49,"mainColor":70},238927,"qing-ren-mu-dan-pu-ce-yi-ming-238927","此作以没骨法写牡丹，粉瓣由外向内逐层晕染，边缘柔粉渐过渡至花心莹白，鹅黄细点花蕊，将盛放的娇态勾勒得鲜活灵动。叶片以青绿分染，浓淡晕开阴阳向背，枯墨细勾叶脉，苍润兼具，衬得牡丹柔而不弱。\n\n画面取折枝一角疏落构图，大片留白尽显中式留白的雅致意趣，将牡丹华贵却清丽的姿态烘托尽致。设色明柔清润，笔致秀婉，带着清隽的小品意趣，褪去牡丹惯常的浓艳厚重，将春深花盛的柔谧诗意藏于尺幅之中。",[27,28,530,32,31,80,98],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ff0ccf2519df2a09473a1a69f3347ceac.jpg",[],{"id":30404,"slug":30405,"title":2121,"dynasty":55,"author":7,"museum":172,"description":30406,"tags":30407,"thumbUrl":30408,"material":296,"size":297,"collection":11,"collections":30409,"showCount":523,"zanCount":49,"manualWeight":49,"mainColor":70},238922,"qing-ren-mu-dan-pu-ce-yi-ming-238922","此作撷取牡丹一隅，设色清妍雅致。朱红牡丹含苞待放，饱满凝实，明黄牡丹肆意舒展，柔瓣层叠，金蕊灼灼。叶片晕染得宜，深浅绿意晕开自然生机，枝桠苍劲带着拙朴意趣。画面留白疏朗，将牡丹的雍容与清雅融于一处，笔底带着悠然古韵，以细腻笔触勾勒花姿叶态，尽显牡丹的华贵风骨，又不失娴静雅致的意趣。",[27,28,530,32,31,80,98],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Feb56faa496d124e2d01443d8fd569be2.jpg",[],{"id":30411,"slug":30412,"title":10972,"dynasty":55,"author":7,"museum":172,"description":30413,"tags":30414,"thumbUrl":30415,"material":11,"size":11,"collection":45,"collections":30416,"showCount":523,"zanCount":49,"manualWeight":49,"mainColor":70},238632,"ping-ding-an-nan-zhan-tu-ce-yi-ming-238632","以铜版刀笔摹绘战地山川，全景铺陈层峦叠嶂，以传统山水皴法刻绘山石肌理，又融西洋写实技法还原行军实景。山林之间兵卒穿行、营寨错落掩映，将平叛征程的肃杀，糅合进山野苍莽的意境中。\n画面上方题诗点明平叛功绩，刀痕细腻克制，既如实记录战地风貌，又以沉凝的笔调烘托出征伐的沉雄庄重，在纪实叙事与山水意境间寻得平衡，让战事纪实兼具了艺术感染力。",[27,28,530,123,31,60,33,1006,162,131,614],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fb79733f10eaf95e6af1a930687ca0f7c.jpg",[45],{"id":30418,"slug":30419,"title":30420,"dynasty":55,"author":7,"museum":172,"description":30421,"tags":30422,"thumbUrl":30427,"material":296,"size":297,"collection":11,"collections":30428,"showCount":523,"zanCount":49,"manualWeight":49,"mainColor":70},238621,"ping-ding-liang-jin-chuan-de-sheng-tu-ce-yi-ming-238621","平定两金川得胜图册","这幅全景式战地版画以劲挺线条铺陈开平叛战事全貌，远景层叠山峦晕开肃杀氛围，山环水绕间营垒错落，驻军阵列严整。\n\n近前烈焰舔舐寨墙，人马攒动间兵卒往复冲杀、奔逃、鏖战，短兵相接的残酷壮烈跃然纸上。构图疏密有致，既还原战地宏阔格局，又捕捉到厮杀奔逃的细碎细节，以冷峻纪实的笔触，将硝烟弥漫的征伐实景定格，复刻出这段铁血征伐的往昔图景。",[2750,518,15773,60,33,1006,17422,30423,30424,30425,30426],"烈焰","纪实","全景式","肃杀氛围","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fcc73a56d9e70e3fc5f7e3370aa28ac34.jpg",[],{"id":30430,"slug":30431,"title":30432,"dynasty":55,"author":7,"museum":172,"description":30433,"tags":30434,"thumbUrl":30435,"material":11,"size":11,"collection":11,"collections":30436,"showCount":523,"zanCount":49,"manualWeight":49,"mainColor":70},236706,"huang-ge-song-shi-shan-yi-ming-236706","黄阁松石扇","此作用淡墨挥写松石，古松主干虬曲扭转，疤结嶙峋尽显风霜姿态，松针攒簇如聚，笔力苍劲老辣，将古松傲骨全然彰显。淡墨晕染山石，与苍松相映，留白恰到好处，空灵悠远。\n\n左侧题诗以书入画，笔墨与诗文相融，尽显文人雅致。整幅扇面以极简水墨托物言志，借苍松石畔的清寂之景，寄寓了文人隐逸高旷的襟怀，古意盎然，寥寥数笔便将松柏坚韧超拔的品格勾勒尽致，意境清寂高古。",[27,28,219,144,125,82,146,331],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F6ebeebb9f699c9ab69fa016e3fe22e00.jpg",[],{"id":30438,"slug":30439,"title":30440,"dynasty":55,"author":7,"museum":172,"description":30441,"tags":30442,"thumbUrl":30443,"material":11,"size":11,"collection":506,"collections":30444,"showCount":523,"zanCount":49,"manualWeight":49,"mainColor":50},236553,"fu-rang-shan-shui-tu-shan-yi-ming-236553","傅让山水图扇","此作用笔简淡萧疏，近景寒林枯槎错落，枝桠虬曲苍劲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。\n本幅无款。\n鉴藏印钤“交翠轩印”、“神品”、“子京父印”、“项元汴印”、“项墨林鉴赏章”、“张则之”6方。\n画页左侧题诗：“秋风融日满东篱，万叠轻红簇翠枝。\n若使芳姿同众色，无人知是小春时。\n”此为即景诗，描写瓶中之花轻红淡雅，叠簇于翠枝。\n对幅有清乾隆御题诗一首：“花似菊而红，叶则迥然异。\n自题属冬篱，殊难解用意。\n徒以设色工，选藻许其厕。\n辛亥清和御题。\n”钤 “ ”、“自强不息”、“ ”。\n图中瓶架上置一蓝釉长颈瓶，内插 。\n花朵施以勾勒填色法，花叶用没骨法出之，刻画自然细腻，渲染柔和润泽。\n秋菊艳丽而不失于秀雅，此图为南宋写生画中的优秀作品。",[26,79,27,28,530,31,32,80,920,346,124,125,82],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F2e46b6b7ac1daeee9117bf4d5b176246.jpg",[],{"id":30769,"slug":30770,"title":30771,"dynasty":75,"author":7,"museum":76,"description":30772,"tags":30773,"thumbUrl":30774,"material":2087,"size":11,"collection":11,"collections":30775,"showCount":523,"zanCount":49,"manualWeight":49,"mainColor":50},227915,"jing-bian-tu-yi-ming-227915","经变图","经变画是用画像来解释某部佛经的思想内容。经变画，即经变，亦称变或变相，佛画种类之一，广言之，凡依据佛经绘制之画，皆可称为“变”。敦煌经变画则通常指将某一部甚至某几部有关佛经之主要内容组织成首尾完整、主次分明的大画。敦煌经变内容丰富，形式多样，除了佛经内容外，大量的社会生活内容在经变画中得到生动的体现。许多经变画技巧高超，堪称艺术珍品。\n经变在南朝时即已出现，据唐张彦远《历代名画记》，南朝宋袁倩画有“维摩诘变”，梁时儒童画有“宝积经变”。莫高窟有经变三十三种，持续时间长的有西方净土变、东方药师变、弥勒经变、法华经变、维摩诘经变，数量最多的是东方药师变",[26,27,28,96,30,329,32,33,129,1623,163,59,31],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F7eabb8213f047d2339b24ab44d915d50.jpg",[],{"id":30777,"slug":30778,"title":30779,"dynasty":75,"author":7,"museum":172,"description":30780,"tags":30781,"thumbUrl":30782,"material":11,"size":11,"collection":11,"collections":30783,"showCount":523,"zanCount":49,"manualWeight":49,"mainColor":70},227914,"na-liang-guan-pu-tu-yi-ming-227914","纳凉观瀑图","《宋扇面画纳凉观瀑图》是宋代佚名画家创作的扇面画。\n作品描绘的是清溪一湾，水阁内一人身着白衣袒胸斜坐，乘凉观瀑的场景。\n《宋扇面画纳凉观瀑图》的画面无款印，对幅清朝乾隆皇帝题 一首。\n钤乾隆内府诸收藏印。\n画面钤有石渠宝笈、宝笈重编等印四方，对开钤有 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王涣像","老者头戴乌纱，一袭宽袖深青素袍以朱红束腰提点，色调清雅克制。他双手敛于袖中，身形微佝，面上沟壑纵横，尽显九十高龄的苍迈迟暮。\n此作线条凝练精准，淡墨晕染出松弛的皮肤纹理，写实勾勒出耄耋老人的神态气韵，将致仕老臣内敛端肃的沉静气度尽显无遗。古旧绢底衬出肖像的静穆质感，带着宋画特有的平和雅致，以极简笔墨写尽老者为官半生后的安然沉稳，尽显宋代肖像画的写实功力。",[26,79,27,28,29,32,31,33,345],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fcb2a20c3a9cd593416177c1bd5c5372b.jpg",[],{"id":31124,"slug":31125,"title":31126,"dynasty":75,"author":7,"museum":56,"description":31127,"tags":31128,"thumbUrl":31130,"material":335,"size":31131,"collection":11,"collections":31132,"showCount":523,"zanCount":49,"manualWeight":49,"mainColor":70},223487,"wu-hua-guo-tu-yi-ming-223487","无花果图","图中无花果已然成熟，撑开绿萼露出了果实。此图以中锋行笔，淡墨勾勒，线条细劲流畅，显现出画家以线塑形的娴熟功底。叶片色彩的渲染则是先在叶尾部着以墨绿，再用清水将绿色向叶尖晕开，不仅呈现出浓淡有致的色泽变化，且枝叶的鲜活姿态也得以表现。含苞者敷以石绿色，绽开者用白粉染出，清浅的绿色构成画面的主调，体现出宋人花鸟画淡雅清逸的美学品格。\n对幅有清乾隆皇帝御题五言诗一首：“果结必资花，却有无花者。别名木馒头，或因形弗雅。缀子于叶间，累累复若若。七利名徒传，几团见实寡。钱塘特写斯，应寓别意也。庶子与家丞，个中两弗假。”钤印“用笔在心”。",[26,79,27,28,219,31,32,124,82,31129,207],"无花果","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fcecf14fa0588646d6b234f3cb52b18fc.jpg","纵24.8厘米，横25.3厘米",[],{"id":31134,"slug":31135,"title":31136,"dynasty":55,"author":7,"museum":76,"description":31137,"tags":31138,"thumbUrl":31139,"material":17891,"size":31140,"collection":11,"collections":31141,"showCount":523,"zanCount":351,"manualWeight":49,"mainColor":50},223450,"shou-yan-tu-ping-12-yi-ming-223450","寿宴图屏12","太监们都身着官帽，衣冠楚楚。 所以，英皇是寿宴。 官在12屏，候车总人数，百亭，小亭，流水，台桥。 画面上特画松鹤鹤，寓意松鹤延年。",[26,31,32,329,33,129,531,1623,130,162,131,1006,345,650],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fbef188fc0c7bc94e225ee1b53cbedfdc.jpg","42x108厘米",[],{"id":31143,"slug":31144,"title":31145,"dynasty":141,"author":7,"museum":76,"description":31146,"tags":31147,"thumbUrl":31148,"material":43,"size":31149,"collection":45,"collections":31150,"showCount":523,"zanCount":49,"manualWeight":49,"mainColor":50},223440,"xuan-fan-yu-hua-tu-zhou-yi-ming-223440","宣梵雨花图轴","此幅画一位蓄须僧人端坐在石上，正在诵读梵文经卷。他的皮肤黝黑，高鼻深目，耳有穿环，从轮廓特征看来应该不是汉人。佛教本是由外地传入的宗教，传世因而也有诸多近于中亚人种造型的胡僧形象，他所阅读的也正是未经中文化的梵文。\n僧人的衣饰精致华美，但表情却虔敬素穆。看他专注的眼神与微张的双唇，似乎对经义心领神会，已有所悟。这时天空中飘下满天花雨，陪侍的白猴也忍不住伸手接取。这样的神迹配合僧人头后的圆光，使得画中更添神异的色彩。\n画中并无绘者的题款。画家描绘人物衣纹的线条圆转，但劲健有力，对僧服上的装饰、飘扬的花朵、以及白猴身上的密毛，不同质感的刻划却十分细腻。山水烟云的背景纯以水墨画成，和衣饰与花雨的鲜艳色彩形成对比。线条粗细兼具、配色明暗协调，在画家的妙笔下，呈现出端凝又神秘的宗教气氛。",[26,27,28,29,30,32,31,33,220,4486,146],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fcd0f95eadeb3e05a9a8b4a1c9c7942a8.jpg","该幅 175.3x98.2公分；全幅 100.4公分",[45],{"id":31152,"slug":31153,"title":31154,"dynasty":75,"author":7,"museum":172,"description":31155,"tags":31156,"thumbUrl":31157,"material":109,"size":11,"collection":3059,"collections":31158,"showCount":523,"zanCount":49,"manualWeight":49,"mainColor":70},223371,"lan-ting-ba-zhu-di-er-mi-ti-shi-ben-yi-ming-223371","兰亭八柱第二米题诗本","《米芾诗题本》旧传为唐代褚遂良所摹，因卷前项元汴标题“褚摹王羲之兰亭帖”而被简称为“褚摹兰亭”，但这种说法未必正确。有人认为该卷是北宋摹本。清代卞永誉在题跋中肯定此卷是临本而非摹本，但仍认为出自褚遂良手笔。",[26,28,96,125,82,124,122],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F8fd40294b9307954a81a1c3c7c6091cf.jpg",[3059],{"id":31160,"slug":31161,"title":31162,"dynasty":141,"author":7,"museum":76,"description":31163,"tags":31164,"thumbUrl":31165,"material":149,"size":31166,"collection":11,"collections":31167,"showCount":523,"zanCount":49,"manualWeight":49,"mainColor":50},223364,"han-lin-tu-zhou-yi-ming-223364","寒林图轴","在郊野，有几株老树疏落地依傍水泽而生。树叶已全凋零落尽，露出了枯乾的枝枒，有老藤缠绕垂挂著。树木坡土都以墨色渲染，更觉得阴冷萧瑟。阵阵寒风吹皱了水面，波纹似长披麻交织如鳞状，一层一层地叠列，渐淡渐远空阔无边。",[79,27,28,29,144,123,614,2144,613,4001,60,146,14798,1643],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ff5ca2ef5a32f1edf374364dcd8a9dd9a.jpg","162.4x102.3",[],{"id":31169,"slug":31170,"title":31171,"dynasty":141,"author":7,"museum":76,"description":31172,"tags":31173,"thumbUrl":31174,"material":3509,"size":31175,"collection":11,"collections":31176,"showCount":523,"zanCount":351,"manualWeight":49,"mainColor":50},221776,"han-shan-shi-de-xiang-zhou-yi-ming-221776","寒山拾得像轴","这帧古画以淡墨粗笔勾勒出寒山与拾得的野逸风神。二人相携而立，眉眼弯弯堆着憨态笑意，亲昵无间，将禅门隐者的乐天自在尽数铺陈。\n\n右侧仙人捻着素白佛珠，衣袍褶皱朴拙自然，暗合禅意的沉静；左侧仙人执帚斜倚，蓬松卷发带着山野疏狂之气。整作设色暗沉古雅，晕着岁月浸漫的旧意，线条不求工细却形神兼备，把两位高士随性放旷的林下之姿描摹入微。无繁复布景，仅以人物本身传递禅宗“无拘无碍”的真趣，笔底藏着冲淡平和的禅味，见之便觉尘心渐息。",[26,27,28,29,32,33,123,30,39,345,10868],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F08381b149091acc74af3823f6b027058.jpg","104.6x54.1",[],{"id":31178,"slug":31179,"title":31180,"dynasty":75,"author":7,"museum":172,"description":31181,"tags":31182,"thumbUrl":31183,"material":296,"size":297,"collection":11,"collections":31184,"showCount":523,"zanCount":49,"manualWeight":49,"mainColor":50},221630,"diao-zhui-lao-shu-yi-ming-221630","吊坠（老鼠）","尚玉之风，千古一同，南宋时亦然，对玉器的尊崇更在金器之上。追求时尚、讲究品位的社会风尚，使得玉器成为帝王将相、士夫富贾的珍爱之物。\n历经数千年的发展，南宋的玉器走向世俗化。南宋经济发展，城市繁荣，商业贸易发达，手工业兴盛。新兴市民阶层的消费需求不断提高，民间碾玉作坊和买卖玉器的店铺林立。《西湖老人繁胜录》记载，临安有一家“七宝社”，经营玉带、玉碗、玉花瓶、玉束带、玉劝盘、玉轸芝、玉绦环等玉器，多是人们日常生活中使用的衣饰、酒具、花器等实用器。\n南宋玉器一方面是以仿生器、花鸟纹为主的自然写实风格，惟妙惟肖，浪漫天真，布局设计亦受宋代花鸟画的影响；但另一方面，在恢复礼乐制度的影响下，受士大夫金石学的学术旨趣导向，玉作呈现出复古的特征，多有玉卣、玉璧、玉带钩等仿古器形，纹饰则流行螭虎纹、云纹、谷纹等。其中，璧环类玉器原为礼器，然而南宋时或多成为寄托复古情怀之物，一些小型器也或为佩饰。",[75,267,268,4131,272,39],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F975b271e62d460846aa7a18335bc5645.jpg",[],{"id":31186,"slug":31187,"title":31188,"dynasty":75,"author":7,"museum":76,"description":31189,"tags":31190,"thumbUrl":31191,"material":43,"size":11,"collection":45,"collections":31192,"showCount":523,"zanCount":49,"manualWeight":49,"mainColor":70},219612,"fei-xiong-ye-meng-tu-yi-ming-219612","非熊叶梦图","边角取景，苍松虬枝斜探水岸，远山晕作淡墨烟岚，铺就清幽古雅的林下氛围。画中士人神态恭谨，二人对谈间尽显庄重，旁侧侍仆从立，将贤遇的典故缓缓铺陈。\n\n细劲凝练的线条勾勒出衣褶流畅的层次，淡墨轻敷，设色古拙雅致，兼具写实意趣与宋画特有的雅致格调。咫尺小幅里藏着隐逸寻贤的古典意境，以小见大，尽显院体小品的精妙功力，把传说中的相逢际遇，晕染成淡远悠长的林下雅境。",[26,27,32,31,530,33,60,331,162,13782],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F4e7c484d1a83f0c810ce83211ed80d30.jpg",[45],{"id":31194,"slug":31195,"title":5499,"dynasty":75,"author":7,"museum":76,"description":31196,"tags":31197,"thumbUrl":31198,"material":144,"size":11,"collection":506,"collections":31199,"showCount":523,"zanCount":49,"manualWeight":49,"mainColor":70},219029,"song-feng-lou-guan-tu-yi-ming-219029","苍松盘崖而立，虬枝如铁，松针层叠间似有山风穿林，涛声隐隐。山麓楼阁隐于青霭，飞檐轻挑云影，凭栏处烟水横陈，远山如黛，天地间尽是清旷之息。题跋笔墨苍劲，与画面的松风意境相融，仿佛引观者步入林泉深处：听松涛漱石，看云气萦楼，暂别尘事烦扰。构图疏密得宜，近景松石沉厚与远景烟波淡远形成虚实相生，墨色层次细腻，尽显山水楼阁的雅致幽远，让人于尺幅间领略自然与人文交织的静谧之美。",[26,27,28,530,32,329,60,331,129,531,131,1340],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F2e60bfe4a7cf9653d7fcbd81b140377d.jpg",[506],{"id":31201,"slug":31202,"title":31203,"dynasty":75,"author":7,"museum":76,"description":31204,"tags":31205,"thumbUrl":31206,"material":43,"size":11,"collection":506,"collections":31207,"showCount":523,"zanCount":49,"manualWeight":49,"mainColor":70},218691,"da-jiang-gu-yu-tu-yi-ming-218691","大江孤屿图","圆形取景框中，大江烟波浩渺，云气轻笼水天，界限渐次模糊。江心孤屿如遗珠静卧，峰峦以淡墨晕染，隐现间透着清寂；几株苍树点缀岩畔，疏朗有致。左侧墨笔题跋流转，字迹与山水气韵相融，似在低诉江天的悠悠意绪。画作用笔简远，墨色层次淡宕，将宋人的简雅风骨凝于方寸之间。天地的辽阔与孤屿的幽独相映，江风的轻响仿佛穿纸而来，让观者如立江畔，心生旷远沉静，沉醉于这份跨越千年的淡远意境里。",[26,27,530,32,60,614,2417,146,130],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F24065cccd3796ea3a69972381698f8ad.jpg",[506],{"id":31209,"slug":31210,"title":31211,"dynasty":171,"author":7,"museum":489,"description":31212,"tags":31213,"thumbUrl":31214,"material":32,"size":11,"collection":11,"collections":31215,"showCount":523,"zanCount":49,"manualWeight":49,"mainColor":50},217902,"guan-yin-jing-bian-tu-juan-5-yi-ming-217902","观音经变图卷-5","画面以分栏形式铺展观音应化场景，莲台承托的法相姿态各异，或持物说法，或垂目含慈，旁侧侍者躬身侍立，神情恭谨。线条勾勒细腻灵动，衣纹流转如行云，既显衣物厚重质感，又藏盛唐绘画的飘逸气韵。矿物颜料晕染的色彩虽经岁月沉淀，朱红热烈与石绿沉静仍交织出庄严氛围。每幅小图皆为经义的视觉转译，将观音闻声救苦的慈悲精神凝于笔端，既承载宗教信仰的虔诚，也展现唐代艺术对神佛形象的精妙塑造，是信仰与美学交融的生动遗存。",[27,28,96,32,31,123,30,33,292],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F332be14cde60f3f6fc5a2d24b60246e6.jpg",[],{"id":31217,"slug":31218,"title":31219,"dynasty":171,"author":7,"museum":489,"description":31220,"tags":31221,"thumbUrl":31222,"material":32,"size":11,"collection":11,"collections":31223,"showCount":523,"zanCount":49,"manualWeight":49,"mainColor":50},217894,"guan-yin-jing-bian-tu-juan-12-yi-ming-217894","观音经变图卷-12","画面以观音法相为中心铺展，环伺的人物或躬身祈愿，或凝神静听，将经文里的救度场景娓娓道来。色彩虽经岁月沉淀，仍可见浓淡晕染的层次，衣袂线条婉转如流云，勾勒出盛唐的雍容气韵。右侧的亭台小筑与左侧的世俗身影相映，仿佛架起神圣与凡俗的桥梁。图文交织处，每一笔都凝注着对慈悲的诠释，每一处细节都藏着时代的匠心——既保留了宗教艺术的庄严，又融入了生活的温度，恰似一卷盛唐宗教情感与艺术审美交融的鲜活切片，让千年前的慈悲意涵在绢素上依旧流转生辉。",[27,28,96,30,32,329,33,129,700],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F128ee9a63697e5ab0fb2cfb5cf640fde.jpg",[],{"id":31225,"slug":31226,"title":31227,"dynasty":171,"author":7,"museum":489,"description":31228,"tags":31229,"thumbUrl":31230,"material":32,"size":11,"collection":11,"collections":31231,"showCount":523,"zanCount":49,"manualWeight":49,"mainColor":50},217889,"guan-yin-jing-bian-tu-juan-16-yi-ming-217889","观音经变图卷-16","墨线勾勒的轮廓里藏着盛唐的鲜活气息：莲座旁菩萨衣纹流转如流云，武士铠甲凝着冷硬的光，凡间人物动态生动如昨。从庄严法相到烟火百态，画面以自然过渡串联经义与生活，残褪的色彩仍窥见当年浓艳。线条刚柔相济，既守宗教肃穆，又赋人物鲜活神情，将佛经救度场景化为可视图景。每一处细节都在诉说经变画的叙事张力，融神圣与人间烟火于一体，尽显唐代艺术的雄浑与灵动韵味。",[27,28,96,30,32,31,33,1006,3053,123],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F6cedfd4683dc2f1a959174ec81db40cc.jpg",[],{"id":31233,"slug":31234,"title":31235,"dynasty":55,"author":7,"museum":56,"description":31236,"tags":31237,"thumbUrl":31239,"material":32,"size":11,"collection":11,"collections":31240,"showCount":523,"zanCount":49,"manualWeight":49,"mainColor":70},217313,"gu-xiu-wu-shi-san-can-tu-ce-4-yi-ming-217313","顾绣·五十三参图册-4","这幅顾绣作品以针代笔，将修行场景凝于丝缕间。一侧鹿踏祥云，老者衣袂翩跹，童子紧随；另一侧行者戴笠持杖，缓步郊野，童子仰头望之，神态毕肖。绣线劈丝如发，设色雅致温润，人物动态鲜活，场景清幽自然。画面分帧却气韵连贯，传递出善财童子参访善知识的虔诚，与寻访途中的悠然意趣。顾绣特有的细腻针法，让衣纹的褶皱、鹿的肌理、郊野的草木皆显生动，于方寸间藏修行之境，见工艺之精，尽显“以线代墨”的独特艺术魅力。",[1920,1924,32,31,530,33,358,445,532,35,2209,19070,1291,31238,37,82],"山坡","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fa7b1b24bd78f5120284a3a2e41180a97.jpg",[],{"id":31242,"slug":31243,"title":31244,"dynasty":171,"author":7,"museum":489,"description":31245,"tags":31246,"thumbUrl":31247,"material":493,"size":11,"collection":11,"collections":31248,"showCount":523,"zanCount":49,"manualWeight":49,"mainColor":50},217265,"jiang-mo-bian-dun-huang-tu-juan-21-yi-ming-217265","降魔变·敦煌图卷-21","绢素斑驳间，神魔对决的张力扑面而来。魔众的狂躁与佛陀的澄静形成强烈对照，线条如流云舒卷，勾勒出人物鲜活神态——魔兵狰狞、魔女妖冶，皆在佛陀慈悲目光下敛去锋芒。残存色彩虽淡却不减华韵，敷色层次隐现唐代壁画的绚丽底色。构图疏密有致，叙事性与艺术性交融，每一笔都承载降魔故事的庄严神圣。画面凝萃敦煌艺术的灵动意趣与唐代绘画的雄浑风骨，将宗教哲思化为可视盛宴，尽显中古艺术的精湛造诣与精神深度，是敦煌遗珍中一抹璀璨亮色。",[27,28,96,292,30,32,33],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F26496f80a3f4432fc100bf1fac24fe5c.jpg",[],{"id":31250,"slug":31251,"title":31252,"dynasty":55,"author":7,"museum":172,"description":31253,"tags":31254,"thumbUrl":31257,"material":43,"size":11,"collection":11,"collections":31258,"showCount":523,"zanCount":49,"manualWeight":49,"mainColor":50},216690,"hong-lou-meng-fu-tu-ce-34-yi-ming-216690","红楼梦赋图册-34","亭榭临阶，绿阴覆檐。亭内女眷凭栏凝睇，或执扇低语，鬓边钗环衬着素色衫裙；庭中三姝款步，一伞轻撑，衣袂沾着淡粉的花影。院角石案上盆花静静吐蕊，围墙漏窗映出远处苔痕。笔墨细腻如丝，设色清雅温润，将红楼闺阁的温婉与庭院幽致融于一纸。人物眉眼间藏着细碎情致，亭内与庭外的呼应似有未言故事，风过枝桠的轻响仿佛在画中流转，尽显清代仕女画的雅致与红楼场景的细腻动人。",[26,27,32,31,530,329,33,129,131,649,6837,127,650,2708,31255,14416,15755,2656,37,31256,638,21593,3622,1996,1532],"围墙","庭院景观","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F69ff7f875c5cffd7c564ec18ca19e6ea.jpg",[],{"id":31260,"slug":31261,"title":31262,"dynasty":55,"author":7,"museum":172,"description":31263,"tags":31264,"thumbUrl":31265,"material":616,"size":11,"collection":11,"collections":31266,"showCount":523,"zanCount":351,"manualWeight":49,"mainColor":70},215864,"qing-dai-gong-ting-ren-wu-hua-ce-8-yi-ming-215864","清代宫廷人物画册-8","画面中女子侧身缓步，身姿纤柔似携风。深蓝长袍裹身，袖口白边如流云轻曳；腰间红裙缀繁复蓝纹，裙摆扫过处余温隐隐。鬓发高挽，翠羽与彩饰点缀其间，眉目温婉唇角微扬，怀中锦盒绘着精巧纹样，似藏着未语心事。画作经岁月浸染，斑驳底色如时光笺纸，色彩却依旧鲜活，每一笔都晕染着旧朝精致与温柔，将宫廷女子的娴雅灵动定格成永恒，衣袂间藏着旧时光的细腻，鬓边翠羽轻颤着宫廷余韵。",[160,31,32,33,127,345],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ffa04ccb57e093a972e677049678f7d82.jpg",[],{"id":31268,"slug":31269,"title":31270,"dynasty":55,"author":7,"museum":1179,"description":1180,"tags":31271,"thumbUrl":31272,"material":43,"size":1183,"collection":11,"collections":31273,"showCount":523,"zanCount":49,"manualWeight":49,"mainColor":50},214327,"da-bei-shen-zhou-fo-xiang-13-yi-ming-214327","大悲神咒佛像-13",[26,27,28,530,31,32,30,33,177],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F8f415b5cf11a83a2aeb8dd2a8ca47b4d.jpg",[],{"id":31275,"slug":31276,"title":31277,"dynasty":55,"author":7,"museum":1179,"description":1180,"tags":31278,"thumbUrl":31279,"material":43,"size":1183,"collection":11,"collections":31280,"showCount":523,"zanCount":49,"manualWeight":49,"mainColor":50},214320,"da-bei-shen-zhou-fo-xiang-20-yi-ming-214320","大悲神咒佛像-20",[26,27,28,32,31,30,33,446,1222],"https:\u002F\u002Foss.chuangqi.store\u002F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道的雅致襟怀藏于尺幅间，简淡笔墨里尽是悠远林下之思。",[26,27,29,2415,144,614,129,331,162,130,33,2688,531,63,82,627],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ffc0dd14d32bd01d376f036a7af62e871.jpg",[],{"id":31633,"slug":31634,"title":31635,"dynasty":241,"author":7,"museum":172,"description":31636,"tags":31637,"thumbUrl":31639,"material":296,"size":297,"collection":11,"collections":31640,"showCount":69,"zanCount":49,"manualWeight":49,"mainColor":50},288101,"song-lin-yuan-si-tu-zhou-yi-ming-288101","松林远寺图轴","此作用水墨铺陈丘壑，峰岩奇崛险峻，层叠山巅以留白晕出烟岚，虚实相生间，将幽深山景晕染得空濛辽远。山腰石径蜿蜒穿梭苍松古木之间，古寺隐于林峦，禅意与山野逸趣相融无间。下方溪泉萦回，汀渚错落，将雄奇山势与柔婉水色揉合成一派静穆林泉之景。\n\n笔力苍劲老辣，皴法朴拙凝练，以高远、深远之法铺展构图，让观者目光自山麓拾级而上，直入云中山巅。整幅画清雅静穆，似能听见松涛裹着山寺梵音，将人引入烟岚弥漫的出世之境，尽显山水写意中蕴含的悠然禅意。",[26,27,79,29,144,60,31638,16077,162,130,19172,614,1142],"松林","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ff042854f6ba15b6ca840e3301944ddd2.jpg",[],{"id":31642,"slug":31643,"title":31644,"dynasty":241,"author":7,"museum":172,"description":31645,"tags":31646,"thumbUrl":31647,"material":296,"size":297,"collection":11,"collections":31648,"showCount":69,"zanCount":49,"manualWeight":49,"mainColor":50},288089,"song-yin-xing-lv-tu-ye-yi-ming-288089","松荫行旅图页","层叠山峦错落排布，右侧主峰以青绿轻晕，勾勒皴擦间尽显山石苍劲肌理。山麓松荫蓊郁，半掩山居屋舍，晕染出幽寂出尘的林下意趣。林径间旅人徐行，寥寥数笔便将行路悠然的野趣点透，隐逸山居与行旅闲情相融无间。整体色调沉朴古雅，绢面浸透着岁月晕染的旧意，更添朴拙沉静之感。笔墨简淡却意境清远，以小幅团扇框住山野幽居的静谧闲适，尽显山水小景以简驭繁、借景抒情的雅致格调。",[26,27,79,2415,32,1142,129,6546,1143,19172],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F109038930ceb357d6152a9052ad54556.jpg",[],{"id":31650,"slug":31651,"title":31652,"dynasty":241,"author":7,"museum":172,"description":31653,"tags":31654,"thumbUrl":31656,"material":296,"size":297,"collection":11,"collections":31657,"showCount":69,"zanCount":49,"manualWeight":49,"mainColor":70},288075,"qun-e-gui-tang-tu-zhou-yi-ming-288075","群鹅归塘图轴","此作用淡墨写就野塘归雁之景，自上而下疏密渐次铺陈。起处群雁排空而来，寥寥数笔勾勒振翅之姿，墨色轻染翎羽，灵动尽显。中段苇草丛中群雁聚散相依，或引颈梳羽、或顾盼嬉戏，兼工带写绘出荒芦萧瑟，将禽鸟恬然之态与郊野秋意相融。末了浅墨晕出水塘，群雁凫水破波，墨色干湿浓淡层次分明，水纹雁影相映成趣。全画以留白衬出天际空阔，无重彩晕染，却将秋塘幽寂灵逸的意境烘托尽致，尽显水墨花鸟以简驭繁之妙。",[26,27,29,79,144,31655,163,332,662,191,80],"群鹅","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fda13422a1bd4a030b7a290f3c6404add.jpg",[],{"id":31659,"slug":31660,"title":31661,"dynasty":241,"author":7,"museum":172,"description":31662,"tags":31663,"thumbUrl":31665,"material":296,"size":297,"collection":11,"collections":31666,"showCount":69,"zanCount":49,"manualWeight":49,"mainColor":50},287956,"mo-yan-wen-gui-dong-xue-shan-shui-tu-juan-yi-ming-287956","摹燕文贵冬雪山水图卷","此作以全景铺展冬雪山河，层叠山峦以枯淡皴笔勾勒，如银妆玉琢般尽显冬日萧寒。江天寥廓浩渺，渔汀村舍散缀水畔，于清寂冷冽中暗萦烟火暖意。\n笔墨追摹燕家景致，将冬雪裹山的苍茫气魄铺陈开来，峰峦层叠间尽显全景山水的雄浑格局，素褐底色晕染出雪色凝寒、江雾笼山的空濛意境。题诗与山水呼应，把客居江左的冬日幽怀融于尺幅，复刻山水精妙，尽显摹古之作的沉静雅致，将冬日江雪的清旷冷寂全然铺展在卷中。",[26,79,27,96,2415,122,952,1142,2417,614,32,31664],"冬日","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F6408c306571f84dbaba80d085ffeb37d.jpg",[],{"id":31668,"slug":31669,"title":31670,"dynasty":22,"author":7,"museum":172,"description":31671,"tags":31672,"thumbUrl":31674,"material":296,"size":297,"collection":11,"collections":31675,"showCount":69,"zanCount":351,"manualWeight":49,"mainColor":50},287897,"yue-zi-lu-yi-juan-qian-zi-wen-kai-shu-yi-ming-287897","閱紫錄儀卷千字文楷書","此卷小楷通篇气脉贯通，字字端雅匀整，笔力沉劲内敛。起收顿挫皆具法度，点画精致秀润，结体方中融圆，兼得魏晋小楷的空灵秀逸与唐人写经的端严工稳。\n\n作为道教仪轨写本，行款排布齐整肃穆，墨色乌亮莹润，虽长篇累牍却无懈怠之态，尽显书写时的恭谨之心。卷尾古印与题跋更添古雅厚重，是兼具宗教文献价值与书法审美价值的写本佳作，尽显传统小楷的静穆雅致之美。",[26,124,3054,96,3053,31673,6212,82],"道经","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F801d4de5327cc98fece48fb26ca7d6aa.jpg",[],{"id":31677,"slug":31678,"title":31679,"dynasty":241,"author":7,"museum":172,"description":1167,"tags":31680,"thumbUrl":31682,"material":296,"size":297,"collection":11,"collections":31683,"showCount":69,"zanCount":49,"manualWeight":49,"mainColor":50},287793,"fo-zu-zuo-xiang-yi-ming-287793","佛祖坐像",[26,79,27,28,30,32,33,31681,434,4820],"佛祖","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F2745dfde8da022c5388603d2e1f4287c.jpg",[],{"id":31685,"slug":31686,"title":31687,"dynasty":241,"author":7,"museum":172,"description":31688,"tags":31689,"thumbUrl":31691,"material":296,"size":297,"collection":11,"collections":31692,"showCount":69,"zanCount":49,"manualWeight":49,"mainColor":70},283634,"yu-yu-yu-qing-tu-yi-ming-283634","欲雨欲晴图","此作用米家山水的晕染之法，绘就江南烟霭迷离之景。远景山峦隐没在翻涌云岚间，墨色轻淡柔和，虚实掩映间衬出山光断处的幽远意境。近景汀洲水岸边，村居错落隐在葱郁林木中，板桥连通两岸，扁舟系在浅滩，漾出水乡安闲静穆的日常意趣。\n\n画面以水墨晕染尽显欲雨将晴的湿润空蒙，水汽漫过江渚，笼住层林远山，将江南湿润清宁的氛围感拉满。留白与墨色相融相生，把天地间的朦胧柔婉尽数铺展，带着文人画独有的雅致诗意，观之如亲赴烟雨中的江南水乡，静赏闲淡日常，尽显山水画平淡天真的隽永意趣。",[26,27,79,2415,144,32,1623,130,128,734,1142,63,131,124,82,31690,4219],"欲雨欲晴","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F97a0a5ee8f2e9049eb7b495a8bba539d.jpg",[],{"id":31694,"slug":31695,"title":31696,"dynasty":55,"author":7,"museum":172,"description":21865,"tags":31697,"thumbUrl":31698,"material":296,"size":297,"collection":11,"collections":31699,"showCount":69,"zanCount":49,"manualWeight":49,"mainColor":70},281556,"yang-ci-hong-di-mei-hua-wen-nai-bei-yi-ming-281556","洋瓷红地梅花纹奶杯",[2194,5146,206,2195,32,80,346],"https:\u002F\u002Fos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造之功尽显。整作以朝仪为轴，静穆的使节仪仗与灵动的林野异兽形成强烈张力，将威服四夷的升平气象融于尺幅之间，藏着彼时华夷秩序的鲜活想象。",[27,32,31,530,33,60,887,59,272],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fc38da54dd37147457c27cad44b5d43e2.jpg",[],{"id":32996,"slug":32997,"title":4581,"dynasty":241,"author":7,"museum":172,"description":32998,"tags":32999,"thumbUrl":33000,"material":296,"size":297,"collection":11,"collections":33001,"showCount":69,"zanCount":49,"manualWeight":49,"mainColor":70},238573,"ming-ren-sheng-ping-yi-zan-tu-bing-shu-zan-ce-yi-ming-238573","画面左右泾渭分明，左侧仙官仪仗整肃，祥云缭绕间，仪卫甲胄鲜明、执仗拱卫，一派天界雍容端严之态；右侧山坳幽僻处，炮烙、水溺诸般酷刑森然罗列，受刑者形色凄楚哀苦，阴惨之气扑面而来。\n\n设色古雅妍丽，线条纤细遒劲，工笔描摹入微。以强烈视觉对比，将善恶果报的劝世意涵铺展于纸面，绘尽神佛威仪与地狱怖色，把传统因果教化具象成鲜活可观的图景，尽显精工质感，藏着醒世警俗的深沉内核。",[27,32,31,530,33,532,130,1623,162,1056,346],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fb808f81ce39ea40ac92eccb169d40ce2.jpg",[],{"id":33003,"slug":33004,"title":4581,"dynasty":241,"author":7,"museum":172,"description":33005,"tags":33006,"thumbUrl":33007,"material":296,"size":297,"collection":11,"collections":33008,"showCount":69,"zanCount":49,"manualWeight":49,"mainColor":70},238567,"ming-ren-sheng-ping-yi-zan-tu-bing-shu-zan-ce-yi-ming-238567","此画以静动两极铺陈画面意蕴，右侧高台之上，高士对坐论事，侍从垂手恭立，氛围安娴端凝；左侧仙官神将乘骑穿破云霭，直趋下方官署，旌旗翻卷、甲胄耀目，满是迅疾昂扬之势。\n\n画作以绢本设色晕染，山峦淡墨轻勾，留白铺就云雾烘托仙缈意境，界画严整工细，屋舍楼阁规制清晰考究。线条遒劲明快，设色古雅沉静，将神异仙凡之景与朝堂共济的题旨相融，兼具宗教奇幻色彩与叙事工笔的雅致意趣。",[27,28,530,32,31,329,33,129,60,59],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F74237559afeb2767b1ffd27802a9e321.jpg",[],{"id":33010,"slug":33011,"title":4581,"dynasty":241,"author":7,"museum":172,"description":33012,"tags":33013,"thumbUrl":33014,"material":296,"size":297,"collection":11,"collections":33015,"showCount":69,"zanCount":49,"manualWeight":49,"mainColor":70},238564,"ming-ren-sheng-ping-yi-zan-tu-bing-shu-zan-ce-yi-ming-238564","这幅工笔道释画以浓云划分天地，上方诸天护法与邪魔鏖战，仙神宝相端严、衣袂明丽，邪祟狞恶怪异，焰光翻卷，将斗法的炽烈烘托得淋漓尽致。下方城池烟气弥漫，水波之畔圣者垂怜施救，官民虔诚瞻拜，一侧将士挥旗整阵，尽显惶惶灾厄与护持之态。\n全作设色浓妍古雅，线条精细劲挺，以云气与焰光强化画面张力，将神幻战阵与人间世相并置，把护佑升平的祈愿寄于鲜活绘卷，叙事性与装饰性兼具，尽显传统道释工笔的精妙意趣。",[27,28,530,32,31,33,59,1006,445,129,2770,30,60,5107,2656,1056],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F68b38055df6753500fb166a111542903.jpg",[],{"id":33017,"slug":33018,"title":33019,"dynasty":75,"author":7,"museum":172,"description":33020,"tags":33021,"thumbUrl":33022,"material":296,"size":297,"collection":11,"collections":33023,"showCount":69,"zanCount":351,"manualWeight":49,"mainColor":50},238122,"hua-hui-si-duan-tu-juan-yi-ming-238122","花卉四段图卷","四段花木各显风姿：首段梅枝老干虬曲，冷白小花疏落绽于枝梢，清寒疏朗，尽现孤洁傲骨。芙蓉一段柔枝舒展，粉艳花团轻缀其间，碧叶晕染出鲜活肌理，秾丽又带着温柔生机。素花柔枝一则，莹白花朵配温润绿叶，明媚恬淡如春日浅光。末段小花攒聚枝上，粉瓣娇俏灵动，带着融融春意。\n\n全卷以没骨法绘就，纯以色泽晕染成型，清隽柔和的色彩间，将四时花木的各自风骨与舒展柔婉尽数绘出，藏着雅致审美，淡色轻晕里晕开静谧生趣。",[26,79,27,28,96,31,32,80,542,104,552,1330,381,221,82],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F0728e825826d5c3185aac75a84ab3440.jpg",[],{"id":33025,"slug":33026,"title":33027,"dynasty":241,"author":7,"museum":172,"description":33028,"tags":33029,"thumbUrl":33030,"material":296,"size":297,"collection":11,"collections":33031,"showCount":69,"zanCount":49,"manualWeight":49,"mainColor":50},237810,"gao-yang-hua-hui-zhu-shi-shan-ye-yi-ming-237810","高阳花卉竹石扇页","金笺之上，水墨设色铺就幽然小景。顽石错落，勾勒简劲苍厚，皴擦间尽显嶙峋古拙。修竹劲挺清逸，枝叶舒展灵动，墨色浓淡层叠，区分阴阳向背，尽显君子之姿。柔蔓花枝穿插掩映，淡晕粉白点染花萼，轻敷浅绿晕染叶片，和挺竹顽石刚柔相济。\n\n落款题字笔意潇洒写意，与绘事相映成趣。整幅疏密有致、虚实相生，将林下幽趣收揽在尺幅扇面之间，笔底带着悠然闲适的雅致意趣，尽显传统小品画的隽秀生机。",[219,32,144,145,1525,190,931,147,80],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F7c3b6ea6dacc07c9cd180087a3d2e780.jpg",[],{"id":33033,"slug":33034,"title":33035,"dynasty":241,"author":7,"museum":172,"description":33036,"tags":33037,"thumbUrl":33038,"material":296,"size":297,"collection":11,"collections":33039,"showCount":69,"zanCount":49,"manualWeight":49,"mainColor":70},237805,"shao-mi-chun-xi-fang-zhao-shan-yi-ming-237805","邵弥春溪放棹扇","此作用笔简淡清逸，以淡墨晕染出春日水畔之景。柔柳垂枝披拂水岸，笔墨松灵，尽现柳条依依之态。水面留白成境，扁舟一人悠然放棹，静中生趣。远山以浅淡写意勾勒，朦胧澹远，似含烟霭。\n全幅以简驭繁，虚实相生，将江南春溪的清寂闲趣收拢于尺幅之内，晕染出幽澹空濛的诗意，尽显文人寄情林泉的隐逸意趣，寥寥数笔便烘托出恬和悠远的意境，余韵悠长。",[931,219,27,144,123,1092,1643,128,60,3839],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F493b9f515347f5763e0dd5d831dc606c.jpg",[],{"id":33041,"slug":33042,"title":33043,"dynasty":55,"author":7,"museum":172,"description":33044,"tags":33045,"thumbUrl":33047,"material":296,"size":297,"collection":11,"collections":33048,"showCount":69,"zanCount":49,"manualWeight":49,"mainColor":50},237498,"qing-ren-xi-ju-ren-wu-cheng-shan-yi-ming-237498","清人戏剧人物成扇","工笔重彩铺就戏曲朝会盛景，祥云萦回烘托出庄严肃穆的朝堂氛围。銮驾之上帝王威仪俨然，阶下文臣武将依序排布，旌旗列立、甲胄鲜明，朝服纹饰精工细绘，衣纹线条挺括流畅，敷色浓妍沉稳，层次分明。\n\n人物脸谱勾勒精妙，忠奸情态呼之欲出，武将的悍勇、文臣的端方各有风神，将传统戏曲的程式化仪制凝于盈尺扇面。衬景山水简淡雅致，虚实相映间让画面疏密得当，把戏曲写意之美与工笔写实技法相融，尽显民间画工的娴熟造诣，是戏曲题材成扇的上乘之作。",[55,219,32,31,33,60,33046],"戏剧人物","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F4c38faa717daae8e5a2bacb560f1f51d.jpg",[],{"id":33050,"slug":33051,"title":33052,"dynasty":241,"author":7,"museum":172,"description":33053,"tags":33054,"thumbUrl":33055,"material":11,"size":11,"collection":11,"collections":33056,"showCount":69,"zanCount":49,"manualWeigh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笔墨柔滑，轮廓细腻，色彩淡雅，但柳枝荷叶的分布缺乏密度变化，不尽如人意。",[27,219,32,31,33,127,1092,11840,38,502,35],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F5cecd49483a77fc4fd6f91a0589d93a3.jpg","23.2x25cm",[],{"id":33169,"slug":33170,"title":19197,"dynasty":75,"author":7,"museum":56,"description":33171,"tags":33172,"thumbUrl":33173,"material":1433,"size":33174,"collection":11,"collections":33175,"showCount":69,"zanCount":49,"manualWeight":49,"mainColor":50},234005,"chun-shan-yu-ting-ye-yi-ming-234005","旧题张训礼《春山渔艇图》，著色青绿山水，洋溢着春天江山的迷人景色。小中见大，咫尺千里。",[27,79,28,530,32,614,60,128,1768,613,130,162,1623],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F58925613d9d45dd69436ad5f30d253bc.jpg","纵29厘米横29.8厘米",[],{"id":33177,"slug":33178,"title":33179,"dynasty":75,"author":7,"museum":56,"description":33180,"tags":33181,"thumbUrl":33183,"material":109,"size":33184,"collection":11,"collections":33185,"showCount":69,"zanCount":49,"manualWeight":49,"mainColor":50},233210,"song-jian-shan-qin-tu-ye-yi-ming-233210","松涧山禽图页","此图绘参天的古松下，山溪蜿蜒奔流，水花飞溅，四对山鹊姿态各异，或飞呜，或回旋，或啄食与山涧和树石之上，形象生动。图中用浓墨画松斡和松鳞，松针用墨线勾描后用石青渲染。竹叶用严谨的双钩填色法。山石则用墨线勾勒轮廓，进而用淡青色破染，使画面富有立体感。此图用笔苍劲，静中有劲，为南宋小幅花乌画中精秀之作。这幅作品曾经明黔宁王沐琳和项元汴收藏。",[27,79,28,530,31,32,80,60,331,130,163,33182,146,82],"山禽","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ff97df25750b2d414d498c6d636769ceb.jpg","25.3*25.3厘米",[],{"id":33187,"slug":33188,"title":24913,"dynasty":75,"author":7,"museum":56,"description":17199,"tags":33189,"thumbUrl":33190,"material":348,"size":33191,"collection":11,"collections":33192,"showCount":69,"zanCount":49,"manualWeight":49,"mainColor":50},233209,"shui-cun-lou-ge-tu-ye-yi-ming-233209",[27,32,60,329,530,129,131,130,21630,1623],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F43a3f3afa6be7d60a148037319b48597.jpg","纵23.5cm，横23.5cm",[],{"id":33194,"slug":33195,"title":10972,"dynasty":55,"author":7,"museum":56,"description":10973,"tags":33196,"thumbUrl":33197,"material":109,"size":8853,"collection":11,"collections":33198,"showCount":69,"zanCount":49,"manualWeight":49,"mainColor":70},233052,"ping-ding-an-nan-zhan-tu-ce-yi-ming-233052",[27,32,31,82,33,1006,60,131,530],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F88f845f667357bdd6d9b44d6a636fb72.jpg",[],{"id":33200,"slug":33201,"title":24687,"dynasty":55,"author":7,"museum":56,"description":24688,"tags":33202,"thumbUrl":33203,"material":17891,"size":24691,"collection":11,"collections":33204,"showCount":69,"zanCount":49,"manualWeight":49,"mainColor":70},233046,"ping-ding-tai-wan-zhan-tu-ce-yi-ming-233046",[27,28,530,32,31,60,33,614,6991],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F32ce673029ffda53c9fc143cf47071a6.jpg",[],{"id":33206,"slug":33207,"title":33208,"dynasty":75,"author":7,"museum":56,"description":33209,"tags":33210,"thumbUrl":33211,"material":1433,"size":33212,"collection":11,"collections":33213,"showCount":69,"zanCount":49,"manualWeight":49,"mainColor":50},233016,"liu-ge-feng-fan-tu-ye-yi-ming-233016","柳阁风帆图页","此图原载《纨扇画册》。图绘万柳丛中楼阁一栋，数人依楼远眺。林中小径连桥，树人信步其中。画中湖光天色，浩渺无尽，两船扬帆而行。远空大雁成行，结队而飞。全图笔法工细，设色清丽，构图大疏大密、虚实相生。",[27,32,31,329,60,1092,129,1623,130,26727,6932,33,131],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fc2eefe3a4fbd316b228360acb3c2932e.jpg","纵25.2、横26.7厘米",[],{"id":33215,"slug":33216,"title":33217,"dynasty":75,"author":7,"museum":56,"description":33218,"tags":33219,"thumbUrl":33220,"material":335,"size":33221,"collection":11,"collections":33222,"showCount":69,"zanCount":49,"manualWeight":49,"mainColor":50},233011,"zhang-qiao-wo-bo-tu-ye-yi-ming-233011","长桥卧波图页","图中高架平湖的木桥刻画精微，与波澜不兴的水纹相映成趣。画面大片的空白使得作品兼具坚实与空灵之美，虚实相生的艺术效果给观者以“无画处皆成妙境”的想象空间。",[27,32,329,1222,60,19181,129,502,131,734,1340,1281],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ff190bf4877f961e8ce23154aa6cf5beb.jpg","纵23.9厘米，横26.3厘米",[],{"id":33224,"slug":33225,"title":19362,"dynasty":141,"author":7,"museum":56,"description":1716,"tags":33226,"thumbUrl":33227,"material":335,"size":1719,"collection":11,"collections":33228,"showCount":69,"zanCount":49,"manualWeight":49,"mainColor":50},232978,"dong-shan-si-zhu-tu-zhou-yi-ming-232978",[27,79,28,29,32,614,60,33,129,131,130,1006,687,531],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F98e152ed9ac1c0e02b156c7be7bf14ca.jpg",[],{"id":33230,"slug":33231,"title":33232,"dynasty":141,"author":7,"museum":76,"description":33233,"tags":33234,"thumbUrl":33235,"material":109,"size":11,"collection":11,"collections":33236,"showCount":69,"zanCount":49,"manualWeight":49,"mainColor":70},232264,"ni-zan-xiang-hua-xin-yi-ming-232264","倪瓒像画芯","关于倪瓒出身富贵之家的记载很多，此不赘述。\n如此富家子弟，并没有过着纨绔的生活。倪瓒博闻好古，虽然不事产业，但也并非离经叛道之人，行走于上流知识圈子中。\n正是因此，倪瓒在太湖边为自己修建了一处规模宏伟的庄园“清閟阁”，此外，倪瓒名下还有云林堂、逍闲仙亭、朱阳宾馆、雪鹤洞和海岳翁书画轩等园林庄园。\n何良俊在《四友斋丛说》中继续说，“家饶于财，所居有清閟阁，备潇洒幽深之致，惟不喜见俗人，遇便舍去，盖去尘离垢之士也。”\n如今，“中国台北故宫博物院”藏有一幅元末佚名画家所作《张雨题倪瓒像》，大抵上可以看成描绘倪瓒生活于清閟阁时期的画像。",[27,28,31,32,33,60,1748,898,877,82],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fd179c2e3db6a4c926d417d4833f205ae.jpg",[],{"id":33238,"slug":33239,"titl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马医草纸画卷","此绘卷图文共生，一半是工笔晕染的本草写生，叶脉舒展、敷色清润，将药草形貌细腻还原；另一半以古雅铁线描勾勒和风古俗场景，人物衣袂翩跹，殿宇车马拙朴雅致，尽得古意。\n\n题跋与绘境交织，将本草物语与民俗轶事相融，既有博物图鉴的写实谨严，又带着古绘卷独有的雅致松弛。泛黄纸页晕开岁月的温度，清雅朴拙之间，尽显东洋中古绘卷的悠然意韵。",[28,96,32,33,1006,37,2656,124,31],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F682563a8668f46d15365053274079789.jpg",[],{"id":33246,"slug":33247,"title":33248,"dynasty":75,"author":7,"museum":172,"description":33249,"tags":33250,"thumbUrl":33251,"material":296,"size":297,"collection":11,"collections":33252,"showCount":69,"zanCount":49,"manualWeight":49,"mainColor":70},231535,"ren-ou-diao-su-yi-ming-231535","人偶雕塑","莹白釉面晕开深浅不一的岁月斑驳，残损的躯体并未折损其沉静气韵。匠者以洗练的手法刻划衣褶，线条顺着体态自然起伏垂落，寥寥起伏便将织物的柔润质感与人物安然的姿态勾勒入微，尽显造型把控的深厚功力。\n\n虽缺失头部与细节，却凭留白般的残缺生出侘寂之美，暗合内敛雅致的审美意趣。静穆的气质历经千年沉淀愈发厚重，带着古旧的温润质感，静静诉说着往昔的工艺匠心，将往昔造物中克制的雅致尽数藏于残躯之中。",[75,2194,29964,3858,33,268],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F90671d18a584e3cc92f2ab4e209fb6ca.jpg",[],{"id":33254,"slug":33255,"title":33256,"dynasty":141,"author":7,"museum":172,"description":8182,"tags":33257,"thumbUrl":33259,"material":296,"size":297,"collection":11,"collections":33260,"showCount":69,"zanCount":49,"manualWeight":49,"mainColor":70},231506,"ni-po-er-pu-sa-yi-ming-231506","尼泊尔菩萨",[30,1170,33,434,403,268,1443,2241,33258],"装饰性","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fbfd36af4034e47aec7adfa435181c4c6.jpg",[],{"id":33262,"slug":33263,"title":33264,"dynasty":141,"author":7,"museum":172,"description":33265,"tags":33266,"thumbUrl":33267,"material":11,"size":11,"collection":11,"collections":33268,"showCount":69,"zanCount":49,"manualWeight":49,"mainColor":50},231498,"fang-yan-ci-ping-qiu-shan-yan-ai-tu-yi-ming-231498","仿阎次平秋山烟霭图","作品采用水墨绘淡墨远山，烟霭朦朦，若隐若现。下部作山坡秋树，山坡处用笔勾出染色，画树枝用劲硬笔法，但整幅画面以水墨渲染为主，以墨色的浓淡分出层次，有“岚顶柔和”的风格，近乎秀润清真。",[27,144,60,122,614,331,953,13756,734,1401,131],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Feb15a715752a8a2d45a46006977cceaf.jpg",[],{"id":33270,"slug":33271,"title":33272,"dynasty":241,"author":7,"museum":172,"description":33273,"tags":33274,"thumbUrl":33275,"material":11,"size":11,"collection":11,"collections":33276,"showCount":69,"zanCount":49,"manualWeight":49,"mainColor":70},231360,"hu-die-cao-chong-tu-yi-ming-231360","蝴蝶草虫图","蝴蝶是一种漂亮的小动物，它千姿百态，绚丽缤纷，穿梭于繁花丛中，常被人赋予“虫国佳丽”、“会飞的花朵”、“百花仙子”等美名，更引得历代不少文人墨客为之咏怀。长期以来，历代画家更是把蝴蝶作为重要的创作题材之一，点景于花鸟画中。",[26,27,28,219,31,32,80,105,2494,37,82],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F1cb044f767b5955063e9771401885f8b.jpg",[],{"id":33278,"slug":33279,"title":33280,"dynasty":75,"author":7,"museum":172,"description":33281,"tags":33282,"thumbUrl":33283,"material":296,"size":297,"collection":11,"collections":33284,"showCount":69,"zanCount":49,"manualWeight":49,"mainColor":50},231075,"cai-hua-tu-yi-ming-231075","采花图","此作以小品形制绘就郊野雅游之景。水岸坡坨间，老柳垂荫，清润草木错落点缀，留白写尽浩渺水色，晕染出空寂淡远的氛围感。画面中，士人策杖徐行，小童执花引路，侧旁仆役正攀枝采撷，将文人日常游赏的闲逸雅趣藏于细节里。笔墨简淡秀雅，皴擦轻简便勾勒出坡岸肌理，设色古雅柔和，尽显平和天真的审美意趣，咫尺之间将林下悠游的松弛意韵铺陈开来，淡而有味，余韵悠长。",[711,27,219,32,31,33,131,162,1093],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F7a447cd5bf553072e7e792dafc9ceb20.jpg",[],{"id":33286,"slug":33287,"title":33288,"dynasty":75,"author":7,"museum":76,"description":33289,"tags":33290,"thumbUrl":33291,"material":149,"size":14801,"collection":11,"collections":33292,"showCount":69,"zanCount":49,"manualWeight":49,"mainColor":50},231043,"ping-chou-hu-du-tu-yi-ming-231043","平畴呼犊图","《四季牧放》是24年上海书画出版社出版的图书。\n属于《国宝在线》的一册，是中国画中有关四季放牧图的。\n出版社: 上海书画出版社; 第1版 (24年5月1日) 丛书名: 国宝在线 平装: 44页 开本: 8开 ISBN: 7867285 条形码: 97878672855 尺寸: 29.6 22.4 .6 cm 重量: 299 g 欣赏和学习中国画，离不开对画史上经典名作的了解。\n中国画的历史源远流长，由于种种原因，古代流传至今的绘画名作非但数量十分稀少，而且散佚于世界各地。\n缘于此，上海书画出版社编辑了这套《国宝在线》丛书，按绘画题材、风格技法等要素重新进行分类，将中国画史上的国宝级名作聚于一堂，精心印制，并尽量放大至原寸，为学画者提供了下真迹一等的范本。\n此外，我们还对书中收入的每一幅名画进行了详尽的介绍与分析，叙述这些流传千年的国宝背后的故事，并插入与之相关的其他名画的照片与材料，为广大喜爱中国艺术的读者提供了丰富的欣赏素材和参考资料。\n书评 大慨因传说中佛祖和比丘僧为恶牛说法，使之死后转世到仞利天宫，得须陀还果，从此牛以其温厚忠良的形象出现在人们面前。\n除了任劳任怨、辛勤耕作之外，牛似乎还具有着一种人格的隐喻和象征。\n连圣人之师老子也选择骑青牛西去函谷关，在关内太初宫留下了五千言的《道德经》；南朝陶弘景也曾以画牛自喻婉拒梁武帝诏其出山，留下了『山中宰相』的美名。\n古往今来，牛的形象被喜爱它的人们再三图绘表现，不论是嘉峪关的砖画还是敦煌壁画，我们都可以看到许多无名氏的画牛作品。\n即以大家比较熟悉的卷轴画来说，至迟在晚唐五代时期，画家就对这个题材投入了相当的热情和精力，唐代的名家如韩湿和戴嵩，都擅长画牛。\n这些作品，既体现了唐人的努力生产，也反映出唐代那种以现实题材入画的风尚和社会生活的情调。\n当时戴嵩画水牛尤为著名，《唐朝名画录》谓其得『野性筋骨之妙』。\n不过，起初戴嵩画牛还闹过笑话。\n据说，他有次画了一幅斗牛图，观者大加称赞，可是偏偏有位牧童看了之后却拊掌大笑。\n戴嵩觉得奇怪，问其原因。\n牧童解释说：两牛角斗时，尾巴是夹在两股之间的，你怎么把它画成摇着尾巴呢?牧童的善意批评，对戴嵩启发很大，自那以后，他就深入乡间，与牧童交友，以造化为师，画艺自然精进不已，由此可见唐人作画对写生的重视。\n而韩混的《五牛图》，除了准确自然地表现了牛的生活形态外，更是充满了人格化的魅力，甚至可以从中看出每头牛的个性与年龄来，难怪有些研究者认为其中可能含有某种寓意。\n到了北宋，以描绘畜兽包括牛为内容的绘画被归于特殊的门类，如郭若虚撰写《图画见闻志》，就把畜兽、鱼龙、屋木等题材的作品皆归为『杂画』，与山水、人物、花鸟并列，在一定程度上反映了画牛队伍的逐渐壮大。\n从目前存世的作品看，宋代是牧放题材创作的鼎盛时期。\n不论是作品数量还是艺术水准，都是其他时代准以比似的。\n之昕以如此，笔者以为有几方面原因。\n首先，宋代皇家画院在招贤选才方面，可谓后世之楷模。\n由于采取考试制度，使得一大批有才华的民间画家得以进入社会上层，从而有机会更好地施展他们的艺术特长。\n这些原本长期生活在民间的画家把他们熟悉的富于乡土气息的绘画题材带入禁中，以身边熟悉的人和物为描绘对象，表现其自然朴素的情趣。\n因此，在两宋时期，画院里出现不少牧放题材的作品，直观地反映了宋代的农村生活。\n其次，宋代城市工商业的繁荣乃是以农村经济为基础的，画院画家通过描绘农村劳动生活的甘苦，来贯彻统治者劝喻农桑的意图。\n同时，城市工商经济的繁荣又反过来带动了农村经济的发展，从而使得丰年乐业的广大农民，对于自己的生活取得了新的认识，提出了新的要求。\n作为这种新认识、新要求的形象描绘，牧放题材与其说是农村田园生活的真实再现，毋宁说是对通过劳动生活而使人与自然达到本真契合的淳朴情性进行歌颂，与此同时，这其中又在很大程度上掺入了文人士大夫返璞归真的理想，从而使作品获得了更深刻的寓意。\n从画家个体来说，之所以创作出这么多高水准的艺术作品还在于他们能够正确处理观察生活和运用艺术表现语言之间的关系。\n在对生活的体验和观察方面，后世极少有像宋代画家那样精谨细致、具体人微的。\n所以，这类作品不管是高轴长卷，还是案头小品，它们所具有的生活情趣，无论是丰富性还是真实性，都令后人殊难超越。\n从宋人的画牛作品看，画家的用笔，是从对象出发，以对象的形态为旨归，将朴素的情感蕴藏在精妙的笔法中，这与后来文人画家所追求的『单纯化』表现，所谓『逸笔草草，不求形似』相比照，其问的差异是不喻自明的。\n中国传统绘画讲究诗情画意，这些牧题材的作品同样有着诗意盎然、妙趣横生的意境，这是此一题材自身所具有的魅力。\n在喧嚣的尘世中，面对这些笔佳墨妙的作品，想见烟云清雨，牛羊在野，湖岸风来，轻裾致爽，应该也算偷得浮生半日闲了吧。\n唐韩滉五牛图 唐韩滉五牛图之一 唐韩滉五牛图之二 唐韩滉五牛图之三 唐韩滉五牛图（局部） 唐韩滉五牛图（局部） 宋李唐乳牛图 宋李唐彩薇图 宋阎次平四季牧牛图 宋阎次平四季牧牛图之一 宋阎次平四季牧牛图之二 宋阎次平四季牧牛图之三 宋阎次平四季牧牛图之四 宋阎次平四季牧牛图之四（局部） 宋李迪风雨归物图 宋李迪风雨归物图（局部） 宋李迪风雨归物图（局部） 宋佚名平畴呼犊图 宋佚名平畴呼犊图（局部） 宋佚名牧牛图 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春庭行乐图 眼药酸图 人物故事图 寒林策蹇图 竹林拨阮图 蚕织图 蚕织图 蚕织图 蚕织图 女孝经图 女孝经图 女孝经图 女孝经图 千秋绝艳图 千秋绝艳图 牧马图 望贤迎驾图 蕉石戏婴图 蕉荫击球图 槐荫击球图 杂剧图 雍正妃行乐图之二 雍正妃行乐图之六 溪堂客话图",[26,79,27,28,219,31,32,33,16823,687,131,271,23516,5421,22767,33490],"古典技法","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fc0c0aeb9c6b9df7aa3c1f6768dc7d653.jpg",[],{"id":33494,"slug":33495,"title":33496,"dynasty":75,"author":7,"museum":172,"description":33497,"tags":33498,"thumbUrl":33499,"material":11,"size":11,"collection":11,"collections":33500,"showCount":69,"zanCount":49,"manualWeight":49,"mainColor":70},227890,"fan-zhou-liu-tang-tu-yi-ming-227890","泛舟柳塘图","此作用淡墨轻岚织就江南暮色小景，边角取景尽显留白意趣。右下角垂柳清润柔婉，枝叶婆娑，将视线牵向烟水间。汀洲水藻以细笔轻点数染，鲜活铺展出泽国清寂。扁舟横波，舟中二人情态悠然，寥寥数笔便勾勒出萧散野趣，似将水乡闲逸尽数揉入清波。\n全画色调苍雅古淡，借绢底晕染出薄暮烟霭，远山仅以一抹淡墨虚绘天际，不着笔皴，晕开江天寥廓的空茫意境。全作以简驭繁，无过多刻画，将江南日暮的静谧安闲，与文人幽隐林下之思相融，尽显宋人坐赏泉壑的清雅意趣。",[79,27,28,219,32,31,2208,502,1281,131,60,128,33],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Faa7e5d872f2a4b41216ba1cf8d91129f.jpg",[],{"id":33502,"slug":33503,"title":33504,"dynasty":75,"author":7,"museum":172,"description":33505,"tags":33506,"thumbUrl":33512,"material":11,"size":11,"collection":11,"collections":33513,"showCount":69,"zanCount":49,"manualWeight":49,"mainColor":70},227886,"shui-cun-yan-ai-tu-yi-ming-227886","水村烟霭图","这幅小品以淡墨晕染出烟霭笼罩的水村晨色，浅赭铺陈的远山隐在氤氲雾气里，和浩渺水面晕融成一片空濛。近岸松林错落，茅舍悄然栖于林下，仿佛还浸在拂晓的湿意中。\n\n画家以极简的笔触轻皴淡染，留白处皆是流动的水雾，将江南水乡的清寂温柔晕开。没有繁复勾勒，只借墨色浓淡铺就幽远意境，似将水村清晨的恬然凝在绢素之上，仿佛能闻见湿润的水汽，静听水波轻漾，尽显山水简淡清远的意趣，将人拉入这安谧空阔的悠然之中。",[26,79,27,219,144,32,60,31638,10528,33507,33508,33509,33510,33511,614],"水乡","水雾","清寂","安谧","清远","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F73b44eb01cfd8f0d4d2d18c15bf08eed.jpg",[],{"id":33515,"slug":33516,"title":31408,"dynasty":75,"author":7,"museum":172,"description":33517,"tags":33518,"thumbUrl":33519,"material":11,"size":11,"collection":11,"collections":33520,"showCount":69,"zanCount":49,"manualWeight":49,"mainColor":50},227853,"shan-shui-ren-wu-tu-yi-ming-227853","此作为典型的宋人山水小品，以圆框取景，将江南烟岚山居收于尺幅间。远景山峦以淡墨轻晕，隐没在濛濛雾气之中，虚实相生间晕染出空濛悠远的暮色秋意。近景林木苍郁，墨色干湿互用，枝叶攒簇尽显山野生机，几椽村舍错落藏于树荫之下，石阶板桥隐约勾连，似有山民往来其中，暗合着幽居林泉的隐逸意趣。\n\n整幅画作以简淡笔墨写尽江南乡野的静谧闲雅，无繁复刻画，却将烟雨空蒙的氛围感烘托至极，带着宋画独有的平淡天真，引人踏入这方避世山乡，静享林泉间松弛的意韵。",[26,27,28,219,32,60,33,131,1142],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fc05371d2fa860c6b3af216ce13990958.jpg",[],{"id":33522,"slug":33523,"title":33524,"dynasty":75,"author":7,"museum":172,"description":1441,"tags":33525,"thumbUrl":33527,"material":296,"size":297,"collection":11,"collections":33528,"showCount":69,"zanCount":49,"manualWeight":49,"mainColor":70},227653,"xing-shen-tu-bi-hua-yi-ming-227653","星神图－壁画",[75,175,32,33,33526,30],"星神","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ff3d8f84486af30b98697fc75d688722b.jpg",[],{"id":33530,"slug":33531,"title":33532,"dynasty":75,"author":7,"museum":172,"description":33533,"tags":33534,"thumbUrl":33535,"material":11,"size":11,"collection":85,"collections":33536,"showCount":69,"zanCount":49,"manualWeight":49,"mainColor":70},227570,"yu-lou-chun-si-tu-yi-ming-227570","玉楼春思图","此图画水殿楼阁、渔舟、古松和江亭，本幅无名款，清代梁清标题签为王诜之作，然而将此作与王氏传世作品对照，并无多少相同之处。\n\n惟据图上小楷书“鱼游春水”一阕，词意与画意吻合，从书法风格考察，可能为宋高宗赵构以后宫廷常见的书体，故推测此画系同时代所绘，是宋代画院的佳作。画上钤有“宣统御览之宝”等收藏印章。\n\n是图为团扇，构图为左右相对形式。中为辽阔的江面，左部近景作水殿楼阁回廊萦绕，堤上柳荫浓郁，一仕女面江扶栏遐思。隔江云山起伏，意境深远。\n画上题《鱼游春水》词，词意与画意相吻合。\n\n此作曾为清初梁清标收入《唐宋元集绘册》中，梁氏鉴定为王诜作品。就画作的构图与画法来看与王氏画风是有距离的，南宋风格明显。\n\n另外《鱼游春水》一词原是刻于绍兴古碑碑阴之上的佚名词作，北宋政和时为宫人抄入宫中填曲传唱，政和中期以后才流入到民间。死于元祐四年（公元1089年）的王诜不可能以此题作画。故而梁清标的鉴定有误，书与画应属南宋画院的书画佳作。清《石渠宝笈重编》著录。",[26,79,27,28,124,125,82],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fa9dcbc748bfb2945570382841dfc1ac9.jpg",[85],{"id":33538,"slug":33539,"title":33540,"dynasty":75,"author":7,"museum":172,"description":33541,"tags":33542,"thumbUrl":33543,"material":11,"size":11,"collection":11,"collections":33544,"showCount":69,"zanCount":49,"manualWeight":49,"mainColor":70},227538,"wu-gong-ma-tu-juan-yi-ming-227538","五贡马图卷","北宋，佚名（李公麟款)。画内为宋元佑初年天驷监中的五匹西域名马，五匹名马依次为“风头骢”、“锦膊骢”、“好头赤”、“照夜白”、“满川花”。",[26,79,27,28,96,123,32,1006,33,82,124],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F0da9fadedef4d3ff60e1157eaee1c333.jpg",[],{"id":33546,"slug":33547,"title":33548,"dynasty":75,"author":7,"museum":172,"description":20242,"tags":33549,"thumbUrl":33550,"material":11,"size":11,"collection":11,"collections":33551,"showCount":69,"zanCount":49,"manualWeight":49,"mainColor":50},227389,"fang-you-tu-yi-ming-227389","访友图",[26,79,27,32,31,33],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F1c5460182c56e0ad4a53915b2fa7a0b7.jpg",[],{"id":33553,"slug":33554,"title":4009,"dynasty":75,"author":7,"museum":172,"description":33555,"tags":33556,"thumbUrl":33557,"material":11,"size":11,"collection":11,"collections":33558,"showCount":69,"zanCount":49,"manualWeight":49,"mainColor":70},227376,"yuan-hou-zhai-guo-tu-yi-ming-227376","《宋人画猿猴摘果图》是宋代佚名创作的一幅扇面画。\n此图绘深山野林中，三只 攀援栖止于树枝上。\n其中两猿正品果嬉戏，另一猿右臂抓树，左臂摘取红果，形象生动可爱。\n作者运用极为工细的笔法，描绘猿猴茸茸的细毛、灵巧的动态以及老树的虬枝和枯叶，显示出深厚功力。\n图中坡石用小斧劈皴，枝叶用双钩填色，笔法精工巧丽。\n深秋季节只猿猴攀援于树枝上嬉戏摘果的情景。\n猿猴和景物都集中在画的右半边，为典型的南宋画构图方式。\n猿猴神情毕肖，尤其是茸毛的绘制极为细致严谨。\n树叶用勾勒填色法，色彩并未完全填满，显得自然随意。\n黑白色对比使画面更具动感，红色的小果实在整幅画面中十分醒目。\n深山野林中，黑白二色的三只猿猴攀援栖止于树枝上。\n其中两猿相互逗趣，另一猿右臂抓着树枝，左臂摘取红果，其贪婪、欣喜之态刻画得形神兼僃。\n点景中枯黄的树页、红色的果实，以及丛生的小草和细竹，不仅打破了山石的呆板，而且渲染了秋天萧瑟的气氛，从而增添画面的自然之趣。\n画面钤有「黔宁王子子孙孙永保之」、「都尉耿信公书画之章」、「信公珍藏」、「安国珍玩」等印多方。\n对幅有清代著名收藏家耿昭忠题记，此图曾经沐璘、耿昭忠、安岐收藏。\n《石渠宝笈》著录。",[79,27,28,219,32,272,4012,532,207,1839,82],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F0a544e331d094ac541c1cff0a7db7c25.jpg",[],{"id":33560,"slug":33561,"title":33562,"dynasty":75,"author":7,"museum":172,"description":33563,"tags":33564,"thumbUrl":33565,"material":11,"size":11,"collection":11,"collections":33566,"showCount":69,"zanCount":49,"manualWeight":49,"mainColor":739},227375,"mu-dan-hua-ke-si-gua-tan-yi-ming-227375","牡丹花-缂丝挂毯","“缂”之由来\n\n缂丝在宋代被称为“刻丝”“剋丝”“克丝”，明代仍延用“克丝”，而现在的“缂丝”之名是因为清代汪汲在《事务原会》中对“缂”进行的考证。他根据南朝梁顾野王的《玉篇》中“缂”的名词解释：“缂，紩也”，及后面的补文“织纬也”，理解“缂”是局部织纬的一种织造工艺。汪汲认为清代最符合织纬而成的一种特定织物就是缂丝，因为缂丝是以小梭织纬，织成之后不露经线的一种丝织品。由此汪汲用“缂丝”来补正“刻丝”“剋丝”“克丝”，并认为“缂”更恰当。",[75,161,80,98,32],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fb2024851cc6dae53bb8fcb93e00dd82b.jpg",[],{"id":33568,"slug":33569,"title":33570,"dynasty":75,"author":7,"museum":172,"description":33571,"tags":33572,"thumbUrl":33573,"material":11,"size":11,"collection":11,"collections":33574,"showCount":69,"zanCount":49,"manualWeight":49,"mainColor":50},227357,"chun-guang-xian-dao-tu-yi-ming-227357","春光先到图","中国种植水仙始于唐末五代，\n\n《北户录》中记有花间派词人孙光宪\n\n寄居江陵（湖北荆州）期间，\n\n曾有波斯人送他数本水仙。\n\n孙光宪大概就是中国种植水仙第一人。\n\n此后，\n\n江南一带广泛种植，文人骚客甚爱之。",[79,27,28,219,31,32,80,2604],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F9c0a447bc7811861b5899d7267215dd3.jpg",[],{"id":33576,"slug":33577,"title":33578,"dynasty":75,"author":7,"museum":172,"description":33579,"tags":33580,"thumbUrl":33581,"material":296,"size":297,"collection":11,"collections":33582,"showCount":69,"zanCount":49,"manualWeight":49,"mainColor":50},227304,"long-tou-pai-bian-yi-ming-227304","龙头牌匾","牌匾的形制为横长方形,是明清时期的主流,一直延续至民国早期,也是用途最广、存世最多的制式",[75,267,268,59,346],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F4513d69cfb6b01653c28b60167de8665.jpg",[],{"id":33584,"slug":33585,"title":33586,"dynasty":171,"author":7,"museum":172,"description":33587,"tags":33588,"thumbUrl":33590,"material":296,"size":297,"collection":11,"collections":33591,"showCount":69,"zanCount":351,"manualWeight":49,"mainColor":277},227239,"miao-fa-lian-jing-juan-quan-juan-di-san-bai-yi-shi-liu-shou-juan-yi-ming-227239","妙法莲经卷全卷第三百一十六手卷","唐代楷书经书",[26,124,3053,96,30,3054,33589,4486],"金书","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ffbad7ef69e6c135a2ac158ffd3c53c1d.jpg",[],{"id":33593,"slug":33594,"title":33595,"dynasty":171,"author":7,"museum":172,"description":33596,"tags":33597,"thumbUrl":33598,"material":296,"size":297,"collection":11,"collections":33599,"showCount":69,"zanCount":49,"manualWeight":49,"mainColor":70},227230,"tang-xuan-zang-a-pi-da-mo-ju-she-lun-juan-er-shi-di-wu-zhi-er-yi-ming-227230","唐玄奘 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此画山石似卷轴，画似鹿角、蟹爪，李成郭熙宗法。",[26,27,144,614,29,60,952,1102,503,131,162,130,33,1643,4001],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F009fe5fe9cca646998616ea81e1f75c7.jpg","97.4x41.2厘米",[],{"id":33952,"slug":33953,"title":33954,"dynasty":75,"author":7,"museum":56,"description":33955,"tags":33956,"thumbUrl":33958,"material":348,"size":33959,"collection":11,"collections":33960,"showCount":69,"zanCount":49,"manualWeight":49,"mainColor":50},223512,"liu-yin-qun-mang-tu-yi-ming-223512","柳荫群盲图","此幅为年俗画，描绘盲人打架的场面。画中柳树下，三三两两的盲人抓在一起，抱团打架，抓衣服不放的，抱胳膊死拽的，揪着耳朵拼命的，打架招势表现的淋漓尽致；人物面部扭曲变形，姿势夸张，展示出打架过程中拼命的样子。",[26,27,32,31,799,33,2208,4706,33957],"椅子","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fed64abbdddd46112eb2761d5b97d634f.jpg","78.5×82cm",[],{"id":33962,"slug":33963,"title":33964,"dynasty":55,"author":7,"museum":172,"description":33965,"tags":33966,"thumbUrl":33979,"material":11,"size":11,"collection":11,"collections":33980,"showCount":69,"zanCount":49,"manualWeight":49,"mainColor":70},223489,"ming-shi-san-ling-tu-yi-ming-223489","明十三陵图","《明十三陵手绘图(珍藏版)》中的明十三陵位于北京市昌平区，是明朝13位皇帝的陵墓群，并葬有23个皇后和1个贵妃。它是中国现存规模最大、帝后陵寝最多的皇陵建筑群。明十三陵于永乐七年（1409年）开始营建，至崇祯十七年（1644年）明朝灭亡建成。陵区三面环山，中间是盆地，南接北京平原，入口左右有两座山——龙山和卧虎山。十三座陵墓分布在东、北、西三面，各以一座山峰为背景，规模大小不一，形制却基本相同，主要建筑依次为陵门、棱恩门、裬恩殿、棂星门、石五供、明楼和宝城。宝城下面为地下宫殿。2003年，联合国教科文组织世界遗产委员会将明十三陵和南京明孝陵列入《世界遗产名录》，作为“明、清皇家陵寝”的附属项目。",[26,27,96,31,32,329,60,129,33967,131,33968,33969,33970,162,3626,33971,33972,503,33973,33974,33975,1142,7390,33976,33977,2298,33978],"陵墓","石碑","牌坊","宫殿建筑","拱桥","松柏","神道","石象生","门楼","古建筑群","石牌坊","碑亭","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F123aa13e4f3c2f815d482dd3e89104ba.jpg",[],{"id":33982,"slug":33983,"title":33984,"dynasty":75,"author":7,"museum":56,"description":33985,"tags":33986,"thumbUrl":33987,"material":335,"size":33988,"collection":11,"collections":33989,"showCount":69,"zanCount":49,"manualWeight":49,"mainColor":50},223419,"kong-men-di-zi-xiang-juan-yi-ming-223419","孔门弟子像卷","此画是唐代杰出画家阎立本最大最长最佳的一幅巨作，是画家传世的六件作品之一，后在近代被日本军火商买走，并被列为国宝。最后在中贸圣佳拍卖公司购得，迎回国内，曾经引起过轰动。此画最终被首都博物馆以超低价提前收购。\n《孔子弟子像》全图采取平列式构图，无背景，绘孔子弟子立像五十九人，无名款。墨笔勾勒，着色，人物形象各异，须眉生动。\n包首题签“阎立本画孔子弟子像”，引首乾隆御题“杏坛遗范”，卷上有“顺治三年(1646)七月初二钦赐大学士臣宋权恭记”长方印、清宫收藏鉴赏印玺和清高宗弘历御笔题字。后幅有乾隆二十二年(1757年)户部尚书蒋溥题跋、乾隆丁未(1787年)大臣王杰、曹文埴、彭元瑞、董诰共同审定，董诰书写的题跋。鉴藏宝玺有乾隆八玺等，收藏印有“顺治三年七月初二日钦赐大学士臣宋权恭记”、“商丘金石书画印”、“宋权私印”、“经公”等。卷后拖尾有蒋溥题跋、董诰书写的其与王杰、曹文埴、彭元瑞的合跋，文字内容、钤盖印章与《石渠宝笈续编》著录文字完全相同。\n考证画后跋语，可以大致勾勒出《孔子弟子像》在清代的流传过程。清初顺治皇帝将此件画作钦赐给大学士宋权，一百余年后乾隆时期，宋氏后人将此作转鬻他所，蒋溥购得后，将其进献给了乾隆皇帝，复归内府收藏，并于《石渠宝笈续编》中加以著录。 至于这件作品是如何从清内府流传出去，溥仪在《我的前半生》中回忆，宣统八年十一月十四日，将名为《阎立本画孔子弟子像一卷》赏给了自己的师傅梁鼎芬。",[26,79,27,28,96,32,31,33,345,124,125],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fa34aaeae7bdfbdd0d6197e46cf919b0e.jpg","纵32.3厘米，横870厘米",[],{"id":33991,"slug":33992,"title":2864,"dynasty":55,"author":7,"museum":172,"description":33993,"tags":33994,"thumbUrl":33995,"material":144,"size":33996,"collection":11,"collections":33997,"showCount":69,"zanCount":49,"manualWeight":49,"mainColor":70},223417,"ying-xi-tu-yi-ming-223417","婴戏图即描绘儿童游戏时的画作，又称“戏婴图”，是中国人物画的一种。因为以小孩为主要绘画对象，以表现童真为主要目的，所以画面丰富，形态有趣。",[26,27,28,144,33,2869,147],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fe3a1bf3e927f98f47d7ccc65ef6a0cb2.jpg","11×21cm",[],{"id":33999,"slug":34000,"title":34001,"dynasty":55,"author":7,"museum":76,"description":9136,"tags":34002,"thumbUrl":34005,"material":11,"size":11,"collection":11,"collections":34006,"showCount":69,"zanCount":49,"manualWeight":49,"mainColor":50},223411,"ma-zu-qi-ji-b-yi-ming-223411","妈祖奇迹B",[26,79,27,32,33,129,30,34003,34004,329],"妈祖","救难","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F5df40c01e106f6e5b85e46f2f301cd13.jpg",[],{"id":34008,"slug":34009,"title":34010,"dynasty":241,"author":7,"museum":172,"description":34011,"tags":34012,"thumbUrl":34013,"material":109,"size":34014,"collection":11,"collections":34015,"showCount":69,"zanCount":49,"manualWeight":49,"mainColor":70},223403,"chui-hong-qiu-se-tu-yi-ming-223403","垂虹秋色图","此作用淡墨晕染出浩渺平湖，轻舟逐波缓行，汀渚之上嘉木葱茏，板桥村舍隐于烟树间，远山如黛逶迤连绵，将江南清秋的萧疏淡远尽数铺展，笔墨清润秀雅，尽显平淡天真的文人山水意趣。\n卷中题笔相生，擘窠大字雄劲苍古，行楷题跋秀逸雅致，将垂虹秋景的诗意与文人赏景的雅怀相融，实景山水与题咏情思交织，把江天寥廓的清秋意韵凝于尺幅，尽显书画合璧的文人雅韵。",[26,27,28,96,144,125,60,1623,130,128,531,131,8988,1400,82,614],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fa448dc5f9cb1836eab9d07f9b11fabf7.jpg","24.4x122.6",[],{"id":34017,"slug":34018,"title":34019,"dynasty":75,"author":7,"museum":56,"description":34020,"tags":34021,"thumbUrl":34022,"material":1433,"size":34023,"collection":11,"collections":34024,"showCount":69,"zanCount":49,"manualWeight":49,"mainColor":50},223370,"ba-xiang-tu-yi-ming-223370","八相图","这幅《八相图》并未出现于古代书画文献著录中，在其他文集中也不曾记载。民国时期故宫博物院珂罗版《故宫书画集》中亦无收录。二十世纪六十年代，文化部文物局成立中国古代书画鉴定组对全国各大博物馆藏画进行鉴定、编录，其成果《中国古代书画图目》中影印了此幅《八相图》，并在卷末附有基本信息。二十一世纪初编纂的《故宫博物院藏文物珍品大系》中有余辉主编的《晋唐两宋绘画·人物风俗》，其中再次收录了此卷，并附有相关介绍信息，释读出题跋，在此基础上辨别出八位名相，并对画作的特点作了简单概括。近年浙江大学、浙江文物局承担编纂的《宋画全集》再次收录了该幅作品的高清图版，并附有图版说明，但基本为《晋唐两宋绘画·人物风俗》中的内容。\n该幅作品所描绘的“八相”，《晋唐两宋绘画·人物风俗》中识读为周公旦、张良、魏徵、狄仁杰、郭子仪、韩琦、司马光和周必大。学界对此并未提出疑义，笔者先前也基本认定该作所画为此八相。许浩然《一幅南宋绍兴年间的秦桧画像—故宫博物院藏〈八相图卷〉考辨》一文，首次提出了第八位名相为秦桧的观点，并作了相关考辨。\n对这样一幅名款残损、图章全无、又乏古代文献著录的作品，目前仅有基本识读和一篇研究性论文。而该作还有许多疑问尚未解决，如画作名称、画作的作者、创作年代等。本文不揣冒昧，对这几个问题以初步考证。\n虽然《晋唐两宋绘画·人物风俗》已经有对画作题跋的释读，但个别识读有错误，对八相的识别也并未给以推导过程。故本文重新抄录，加以句读，再作分析。现将画作中文字内容从右至左分为十个部分，依次标注为一至十。\n第一部分文字不可辨识。画作自右向左打开，画心部分起首四字由上而下书写。前两字残损超过三分之二，后两字虽存右半部分，但与左边之间有重新装补的痕迹，虽然裂痕形状勉强和左边吻合，但不可辨识，汉字中并无此二字。与周边对照，右半部分绢片明显为他处所有。推测或是画商牟利，将他处残片置于此处;亦或为当时重新装裱的失误。\n第二部分文字内容为：“文王之子，武王之弟;下视成王，叔父之贵;师表万民，吐握待士;思兼三王，经制毕备;群叔汹汹，流言纷至;天威彰显，闻望无愧;盛德元勋，下蟠上际;式图丹青，昭□(示?)□(后)□(世);若揭日月，诏彼稚昧。”\n文字描述的主人公是 “文王之子、武王之弟、成王之叔”，为西周时期的周公旦，记录他握发吐哺求贤若渴、创立典章制度、摄政并平定叛乱、威德远布四方人的事迹。绘此画作的目的是向四方昭示他的德行并起到示范作用。该部分内容第四行的最后三字处有残缺。经查找，其残损部分仍保留在画作上，只是被错误地装补到了第一部分文字处。\n第三部分文字内容为：“巨飚扇海洪波翻，指鹿为马无腆颜;泗上亭长起应天，子房杖策来自韩;圯上老人书一编，佐汉兴王无后艰;客有为□(我)□(橈)楚权，请借前箸输忠谈;南宫偶语事寝阑，即日劝驾西都关;羽翼已成储嗣安，愿与赤松求神仙;高名万世长铿鍧，再拜清风何所言;望之俨然即之温，奇伟魁梧焉足论。”\n根据史书记载，可知本部分文字描述称赞的主人公是汉留候张良。写秦朝末年张良来自韩国，借助圯上老人黄石公所赠《太公兵法》，辅佐刘邦起事。这里选取了他的几个事迹：反驳郦食其的策略、建议奖赏有功之臣、劝服刘邦移驾长安、帮助吕后和太子孝惠巩固地位、功成名就后隐退等。赞扬他的万世高名，虽为妇人之貌，却远胜奇伟魁梧的大丈夫。本部分文字第三行倒数二、三字有残损，但是根据史书记载可补足，模糊二字分别是“我”“橈(桡)”。\n第四部分文字内容为：“自期稷卨，致君尧舜;愿为良臣，展尽底蕴;正观之治，几于成康;外户不闭，行不赍粮;想其堂堂鹗立，犯颜进谏;虽逢帝怒，神色不变;信乎百世之下，论世尚友;雄姿凛凛，传于不朽。”\n这部分文字称颂的是贞观时期的名臣魏徵。谈及魏徵如稷卨这样的名臣，“贞观之治”堪比“成康之治”，记录在魏徵治理之下有夜不闭户而远行时又不必携带粮食的淳朴世风，以及他堂堂正正犯颜进谏的诤臣风范，这些皆传于不朽。\n第五部分文字内容为：“宇宙雰雺兮孰与清，日月薄蚀兮孰与明，清而明之兮，命世之英;大厦将欹兮，其谁支;神器将坠兮，又谁举之;支而举之兮，命世之奇英;与奇兮惟梁公，为子孝兮为臣忠;北斗以南兮，人谁与同;取日虞渊兮，洗光咸池;授五龙兮，夹以飞蒙;耻济谋兮，功盖一时;貌图丹绘兮，如玉如金;风度温然兮，贻后人;十袭之藏兮，爰丕显于斯辰。”\n翻检史书，我们会发现这里面描述的国之栋梁、忠臣孝子、忍辱负重规劝武则天将庐陵王李显立为太子使政权又回到唐代宗室手中的一代英豪是“梁公”狄仁杰，描绘梁国公之画像，目的是将他的风采传递后人，这样的图载值得珍藏。\n第六部分文字内容为：“唐德中否，群兇肆起;尚父鹰扬，于彼朔方;克复两京，三河肃清;整我六师，大振威灵;单骑见虏，压以至诚;忠贯日月，德通神明;二十四考，中书政成;式图貌像，仰止仪形;英姿粹蕴，凛凛如冰;维昔方虎，中兴周室;诗人歌之，二雅纪德;再造唐祚，汾阳允武;用垂颂声，以绍厥绪。”\n被封为朔方节度使收复长安、洛阳两京，平定河东、河西、河南叛军，单骑免胄见回纥，为中书令期间主持官吏的考绩二十四次而被尊为“尚父”的是唐朝的郭子仪。绘画者希望能够像当年纪念中兴周朝的方叔、召虎一样，给郭子仪“式图貌相”，让后人赞颂他，并完成他未竟的事业。\n这一部分的文字残缺甚多，根据内容判断所描绘的主人公颇有难度。而判断这段文字所描述的主人公，主要是依照第十部分的文字内容。通过排除法，可得知这段文字所颂赞的是韩琦。史书记载，韩琦任官期间敢于诤言谠议;严肃的外貌却给人温和的感觉，如玉如水;家中藏书颇丰，所写文章品格不凡。\n第八部分文字内容为：“于皇上帝，降祚炎宋;爰锡真儒，郁为时楝;真儒伊河，时维司马;如柱如石，克建大厦;退居西洛，十有五年;著书立言，成名自天;既相君实，欢声洋溢;农安于田，妇安于室;复我良法，式循祖宗;进良退奸，坐致融融;四方仰止，图像克肖;饮食必祝，家至户到;食采温国，著名凌烟;元勋巨德，英图莫传。”\n这一赞文描述的是北宋司马光。北宋时期的良才为伊河之地的司马光，进为栋梁之才，退则著书立说，再次拜相时又一次辅佐君王造就了繁荣安定的景象。因此，理应为司马光传图写照，受到后人尊重。\n第九部分文字内容为：“太师公相画像赞。天之苍苍，其命灼然;将兴太平，必生真贤。堂堂益公，起江之东;受天间气，出建大功;节义凛然，归秉国均;建万世策，交欢宝邻;长乐正位，清朝偃共;四时协和，万邦咸宁;道大不器，德全难名;高勋巍巍，日月并明;皇帝神圣，师臣赞襄;多历年所，相得益章;图形凌烟，褒赞有光;其永相予，雍容庙堂;风采德威，外传四方;真汉相矣，岂惟王啇;南山之高，岩岩其石;民怀姬公，师保之德;千载具瞻，与山无极。”\n根据文字内容，这描述的是太师公相画像，他被封为益国公，其功勋可比日月，且与皇帝交往融洽，品德风采足可与山川一样长久影响后人。先前识读者根据文字内容的第一行“太师公相画像赞”及第三行“堂堂益公”确定此主人公是同为益国公、太师的周必大。在许浩然的文章中，他提出此主人公是秦桧而非周必大的四点理由：第一，“起江之东”与周必大原出河南郑州管城的籍贯不符;第二，周必大卒后赠太师，而非“太师公相”;第三，在宋代身任宰相、官太师、封益国公，同时又为江东之人者仅有秦桧;第四，“节义凛然，归秉国均;建万世策，交欢宝邻”是言其被俘金国，后回南宋担任宰相并主张议和等经历。\n基本来说，许浩然之文考辨的是有道理的，只是第一点中提到的“起江之东”，也与周必大有关系，周必大出生于江东长洲(今苏州)。学者们之所以会混淆周必大与秦桧，是因二者信息比较接近，在相貌上又无确切描绘。故宫博物院南熏殿旧藏周必大像与该画作中的秦桧像或可作一对比，周必大面相仁厚，秦桧似显城府。",[26,79,27,28,96,123,33],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fae42577c6a1c131396fab8d2cb999a6c.jpg","纵36.5厘米，横246.2厘米",[],{"id":34026,"slug":34027,"title":7753,"dynasty":141,"author":7,"museum":76,"description":34028,"tags":34029,"thumbUrl":34030,"material":1770,"size":34031,"collection":11,"collections":34032,"showCount":69,"zanCount":49,"manualWeight":49,"mainColor":50},221775,"ying-zhen-xiang-zhou-yi-ming-221775","画中的十八尊罗汉手中分持经卷、麈扇、念珠、莲花、香炉等，形貌各异，或老或少；又或作天竺罗汉，深目大鼻，肤色深褐，或为汉族比丘，修眉细目，肤色白皙。除此之外，画家更传神地描写了这些人物的精神状态，例如，右幅上方的降龙罗汉，抬头蹙眉，瞪望空中的腾龙，眼露凶忿。左幅下方手持贝叶经的罗汉，眉开眼笑，满脸欢愉。全作的衣纹线条以凝炼的中锋完成，时而均匀萦回，流利畅达；又时而顿挫转折，挺劲有力，不但变化多端，而且准确地掌握人物衣下的身躯结构。人物的五官和髭须都以细笔钩画，而衣上的图案也描绘得一丝不苟。全作绘制精谨，设色妍丽而不明艳，清雅出尘，诚为元代（1279－1368）宗教画的代表作。",[26,27,28,29,30,32,31,33],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F6dd6fed6d728c57d9af83dbbbc69ff72.jpg","全幅82.1公分",[],{"id":34034,"slug":34035,"title":34036,"dynasty":75,"author":7,"museum":172,"description":12964,"tags":34037,"thumbUrl":34041,"material":296,"size":297,"collection":11,"collections":34042,"showCount":69,"zanCount":49,"manualWeight":49,"mainColor":1162},221506,"sang-zang-guan-yi-ming-221506","丧葬罐",[711,2194,34038,20846,12326,34039,34040],"堆塑","动物造型","丧葬器物","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fdf5966a0e0da0ad8700518cf2b5a5e1c.jpg",[],{"id":34044,"slug":34045,"title":34046,"dynasty":241,"author":7,"museum":1201,"description":34047,"tags":34048,"thumbUrl":34050,"material":43,"size":34051,"collection":87,"collections":34052,"showCount":69,"zanCount":49,"manualWeight":49,"mainColor":70},219103,"lu-cong-gui-qin-tu-yi-ming-219103","芦丛归禽图","疏芦斜曳，翎羽翩然。归禽或栖于汀石，或振翅掠空，笔墨简淡却意态鲜活。淡远的背景晕染出雨后空濛，恰与题跋中“宿雨涨”的诗意相契。诗画交融间，文人寄情林泉的雅趣悄然流露——无需浓妆艳抹，仅以清雅之韵勾勒自然闲静，仿佛芦叶簌簌声里，禽鸟轻啼，引观者心随归禽，一同栖入这方悠然天地。",[26,27,28,144,32,31,125,34049,163,38,146,191,4311],"芦丛","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F87fb7b2785dc6077427ac6d731e773b1.jpg","纵22横17厘米",[87],{"id":34054,"slug":34055,"title":34056,"dynasty":171,"author":7,"museum":489,"description":34057,"tags":34058,"thumbUrl":34059,"material":32,"size":11,"collection":11,"collections":34060,"showCount":69,"zanCount":49,"manualWeight":49,"mainColor":50},217900,"guan-yin-jing-bian-tu-juan-6-yi-ming-217900","观音经变图卷-6","画面铺陈观音经变场景，人物排布错落有致。文官宽袍博带，神态雍容；武将甲胄鲜明，身姿凛凛；侍从恭谨侍侧，眉眼灵动。线条勾勒简练传神，衣纹流转间尽显唐代绘画的舒展气度。设色古朴雅致，朱红与墨黑交织，既衬出宗教场景的庄严肃穆，又融人间百态的鲜活意趣。旁附墨书经文，笔意古拙，图文相契，将经文意涵化入视觉叙事。整幅作品以细腻笔触织就信仰与生活的交融，尽显唐代经变画的艺术神韵与人文温度，是宗教艺术与世俗审美相济的典范。",[27,28,96,30,32,33,31],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F6ccd76432e5f22f1e6e6931429ae355b.jpg",[],{"id":34062,"slug":34063,"title":34064,"dynasty":171,"author":7,"museum":489,"description":34065,"tags":34066,"thumbUrl":34067,"material":32,"size":11,"collecti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的四川省境内，以青釉、青釉褐斑、青釉褐绿斑和彩绘瓷为主，始烧于南北朝衰于宋朝，时间踌度约800年的中国古代陶瓷名窑。邛窑是我国著名民间瓷窑之一。器物有各种盘、碗、罐等日用器皿，其中以丰富的小瓷俑最为生动形象，以创造了陶瓷省油灯而闻名全国。\n善于将雕塑艺术的手法运用到瓷器的造型上。纵观邛窑瓷器，雕塑艺术品特别多，例如各类大小动物，胡商俑、武士俑、劳作俑、侍女俑、役仆俑等形象都用雕塑手法作出，就是一些实用生活用具、文房用具、储盛用具等雕塑艺术的作法也处处可见。另一个巨型三彩釉陶砚台，塑成一个伸颈昂首，瞪眼张嘴的大龟，四腿塑成兽蹄形，盖用雕塑手法塑成隆起的龟背，再刻划出背纹和裙边，既实用又具有很高的艺术性。有的执壶，口部以上塑一鼻孔上翻，鼓目张嘴的人头，整齐的牙齿外露，似乎正在歌唱。有的器盖塑成一个天真的儿童，光头，昂首，两眼上视，双臂伸开，两退上翻，脚交织在一起，天真活泼，很像现在的杂技表演。瓷枕也塑造成虎形，下为一个椭圆形底板，上塑的虎，咧嘴露齿，翻鼻鼓睛；作伏卧状，背上的枕面四角圆润，前部较小，后面较大，中间略微低下，虎的前额、眉眼、皮毛和枕面以褐绿彩点画成彩斑装饰。第二，彩绘装饰十分普遍，邛窑陶瓷有单色釉、如青釉、棕黄色釉、褐黑色釉，灰白色釉。由于泥料较粗，普遍含有细沙粒，胎面普遍施化妆土，用当地原料配出浅黄、深黄、棕黄、老绿、翠绿、孔雀蓝、藏蓝、紫黄、黑色等彩在瓷器上作画，大多数是釉下彩。由于邛窑瓷器釉层稀薄，釉下彩或釉上彩不易分辨，但大多数是釉下彩。以大片圆形彩斑、联珠、多层菱形、圆圈构成的图案，有些和刻花、划花、粘贴、捏塑、模印等共同组成装饰面。最突出的是彩画。这些釉下彩绘，由于工匠有深厚的文化根底和书画艺术的功力，以没骨画的技法，率然落笔，粗悍展开，画出的花纹潇洒豪放，韵味无穷。 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画中无款印，清耿昭忠题为陈居中作，实误。曾经耿昭忠、庞莱臣等收藏。 经启功、徐邦达、刘九庵等鉴定，为南宋绘画精品。",[27,28,219,31,144,15399,1092,332,1006,33,60,131,1676,1643,6666,614],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F889481f88712cc838b8760e3fbc15223.jpg","23.5×25.6cm",[],{"id":36550,"slug":36551,"title":36552,"dynasty":75,"author":7,"museum":56,"description":36553,"tags":36554,"thumbUrl":36555,"material":1433,"size":36556,"collection":11,"collections":36557,"showCount":411,"zanCount":49,"manualWeight":49,"mainColor":50},233999,"shan-ju-dui-yi-tu-ye-yi-ming-233999","山居对奕图页","此图写二士人于草屋对弈，屋外树木横生，远处山峦隐约，一派世外桃园之景。作者描绘树枝用方折笔写枝干伸展之势，远山淡墨轻描，景观处理浓淡适宜，表现出作者心境之素雅。",[27,28,219,32,614,60,33,532,162,1142,2419,18556,82],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F96e8bb8ea37344ac15c722d5c33af964.jpg","24x24.8厘米",[],{"id":36559,"slug":36560,"title":36561,"dynasty":75,"author":7,"museum":172,"description":36562,"tags":36563,"thumbUrl":36564,"material":11,"size":11,"collection":11,"collections":36565,"showCount":411,"zanCount":49,"manualWeight":49,"mainColor":50},233765,"shan-shui-tu-ye-yi-ming-233765","山水图页","本幅墨笔画荔枝，柿子树二枝，上方自题“庚子元旦即兴”诗一首，款“右进作一首侑以荔柿图，奉吾宿田老兄新春一笑，周再拜”钤“启南”朱方印一。右下方收藏印“绍庭审定”等二方。\n沈周（1427—1509年），字启南，号石田，晚号白石翁，长洲（今江苏苏州）人。世代隐居吴门，父亲恒古、伯父贞吉均善画。他早年承受家学，兼师杜琼，后博学宋元诸家，自成一格。一生布衣，优游林下，为人敦厚，笃于友谊，性情随和，胸襟磊落，是吴中众望所归的贤达长者。 绘画上擅长山水、花鸟，尤以山水著称，有粗、细两种面貌。早年主宗王蒙，上追董、巨，以细笔为主；40岁以后博取诸家，着意于黄公望，风格逐渐变粗，形成粗笔风貌；60岁后汲取吴镇画法，笔墨疏简苍劲，格调雄健宏阔。其成熟时期的山水，笔墨上既吸收了宋院体和明浙派的硬度和力感，又保留了元人的含蓄笔致，于苍中带秀，刚中见柔。构图造境方面，无论繁复或简略，都强调山川宏阔之“势”，一改元人空寂之境，又着意于朴实的“质”，于拙中藏巧。他开创了“吴派”画风，与文徵明、唐寅、仇英并称“吴门四家”。",[27,219,32,614,60,532,2656,162,1340],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F2a7cd2f464622e9175f7f283010efb0f.jpg",[],{"id":36567,"slug":36568,"title":36569,"dynasty":55,"author":7,"museum":56,"description":36570,"tags":36571,"thumbUrl":36572,"material":11,"size":11,"collection":11,"collections":36573,"showCount":411,"zanCount":49,"manualWeight":49,"mainColor":70},233227,"jin-ling-zhu-jia-shan-shui-hua-hui-ce-gao-yu-shan-shui-ye-yi-ming-233227","金陵诸家山水花卉册-高遇山水页","自17世纪初到18世纪上半叶，以南京为中心的江南地区，产生了比历史上任何时代和地区都要多的画派和画家。《明画录》记载的画家有800多人，其中江苏约有370人，浙江占了200多人，两地画家占总数的75%。尤其是执书画坛牛耳者几乎均为江南人。特别是在明清之际，画坛显得异常活跃，在提倡师古的正统派和注重文学意味的文人画这两种绘画思想影响下，文人画家一方面追求自己的个性，同时，师承相同、风格相近者也在各地活动，或聚合一处，倡导变革风气，形成了许多画派，如以松江人董其昌为首的“松江派”，以常熟画家王石谷为代表的“虞山派”，以明末画坛泰斗王时敏之孙王原祁为首的“娄东派”，以梅清为首的“黄山派”等。南京作为江南首府，明代南都的风姿、历史的悠久、山川的秀丽，赢得了诗人画家不绝的歌咏描绘。其文化的昌盛，经济的繁荣，生活时尚的风流，与书画有关的各行业的便利，皇亲国戚、富商大贾和书画收藏家的存在，使其具有磁铁般的大都会的吸引力，孕育出一批本地画家，也将来自四面八方的艺术家凝聚一起，各派画家聚合会晤，或过往相从，使南京自然成了这种时代潮流的汇合处，产生了为史所称的以“金陵八家”为首的一批画家，以其令人瞩目的创作纵横画坛一个世纪之久。\n\n一、金陵艺术家和金陵八家\n金陵的画坛，自14世纪明初建都至16世纪中期，在明代皇室的偏爱下，先由浙派画家领风气之先，承继北宋以来范宽式的布置茂密、山势伟岸巨嶂山水的整体构图，运用大斧劈皴和墨汁淋漓、快速运笔而形成强劲粗放笔墨效果的所谓浙派绘画，得到明皇室贵族的青睐。自永乐初浙派第一代实力人物戴进到达南京，随后有第二代浙派画家吴伟于1475年挟画技到南京，17岁的小伙子很快便以其笔墨酣畅、雄气横发、纵笔挥洒的绘画风格，受到了金陵贵族的喜爱。吴伟曾与诸王孙交游甚欢，年年踏春杏花村，而吴伟所喜爱的狂欢剧饮、挟妓喧闹以刺激绘画创作的方式，也在著名的秦淮河上得到了实现。继吴伟之后，第三代的浙派画家活跃于金陵的有蒋嵩、张路、汪肇等。\n自16世纪始，由于南京文化界中文人士大夫升为主流，其品味的改变，逐渐导致对绘画品味的改变，意趣深秀、若有所寄的以沈周和文徵明为首的吴派文人山水画影响渐大。随着金陵当地文人的兴起，至嘉靖中期，开始了“金陵初盛之时”，许多来自苏州、华亭的文人和因宫廷政治斗争中被贬谪的保守派成员离开北京至南京，形成一些凝聚力极强的文士集团，互相唱和。这批自居清流的士大夫对艺术的见解，也因政治、历史的原因，而产生一种不愿妥协现实，而以私人化“遣兴”于书画的形式作为一种对自尊的维护和对现实的抗议，故以吴派为代表的文人山水画得以兴盛，而浙派在其大本营的金陵，终因文人文化势力的高涨，而终于完全失去了势力，由此开始了中国文人画的高峰。\n16世纪，南京云集了本地和来自各地的画家，1669年，龚贤曾在周亮工所集《名人画册》上题曰：“今日画家以江南为盛，江南十四郡以首郡（南京）为盛，郡中著名者且数十辈，但能吮毫者奚啻千人”，享有画名的许多画家如文徵明、徐渭、董其昌、石谿、石涛、程正揆等，或造访、或游历、或寓居，都与南京有关。史称的金陵八家，亦有大半为外地来南京寓居者，因此使画家们相互间的学习、切磋和激励也有了许多机会。例如，龚贤自少年时便师董其昌，与石谿、石涛和程正揆等画家都有交往，也与金陵画家共同作画。据记载，1679年，龚贤便与邹喆、吴宏、樊圻、高岑、高遇、王概、柳堉、谢荪一起为伴翁作《山水花卉册》（故宫博物院藏）。画家程邃也在一个手卷的题跋中记述其与吴宏、戴本孝、龚贤、柳堉等常常饮酒论画的友情。\n南京得以凝聚画家的原因，首先与南京作为东南大都会所具有的吸引力和悠久的文化传统有关，并且在明亡后，南京又作为明代故都和故国之象征，从心理上和精神上凝聚了一代遗民艺术家；其次，从艺术的发展来看，因其为大都会，得以广纳百川、融会诸家，较少门户之见，虽然也许不易产生如小城镇所易形成的因血缘和师徒关系为主的派别，但却利于艺术家自由追求和发展其个性和风格；此外，南京为贵戚、富商、高官汇聚之地，有相当的收藏书画的潜力，例如当时著名的官僚、文人和收藏家周亮工，身为朝廷命官，但心喜书画，他不遗余力地收藏品评作品，奖掖提拔画家，也像一块重要的磁铁，将画家们纷纷吸引前来。龚贤在1669年为周亮工题其所集《名人画册》中曾有记述：“诗人周栎园先生有画癖，来官兹土（指南京）结读画楼。楼头万轴千箱，集古勿论，凡寓内以画鸣者，闻先生之风，星流电激，唯恐后至。而况先生以书召，以币迎乎？”周与许多书画家来往密切，他在南京秦淮河畔的居处便成为众好友的活动中心。为史所称的“金陵八家”都与周亮工有密切的联系，龚贤便为其府上的常客，周氏汗牛充栋的藏书藏画使他大饱眼福。龚贤与周亮工有将近20年的友谊，诗画唱酬，造访论道，不绝于时。1672年，周亮工卒，龚贤悲痛地作有《哭栎下先生》七律四首，有句云“哭公独我头全白，在世人谁眼更青”。其他如樊圻在丁酉年（1657）为周亮工而作《江浦风帆图卷》（辽宁省博物馆藏），叶欣在丁亥年（1647）为周亮工而作《山水册》（故宫博物院藏），高岑作《金陵四十景图》，由周亮工题跋，邹喆亦与周亮工诗画 往来。\n凭着对南京画家的了解，周亮工对南京画风的演变和发展曾提出一些观点：“秣陵画，先知惟魏考叔兄弟，翰之出，而秣陵之画一变，士夫衲子无不宗之。”继被视为金陵画派先驱人物的魏之璜（字考叔）、魏之克兄弟和朱翰之后，又由周亮工率先提出“金陵八家”一说，他所列名的八位画家为：陈卓、吴宏、樊圻、邹喆、高岑、武丹、蔡泽、李又李。然而认同者仅有乾隆年间成书的《上元县志》，稍后活动于雍乾时期的张庚，在《国朝画徵录》中合称龚贤、樊圻、高岑、邹喆、吴宏、叶欣、胡慥、谢荪为“金陵八家”，得到较多人的认可。清末秦祖永的《桐荫论画》、李浚之的《清画家诗史》等均主其说，虽然这八家并不一定代表当时知名度最高的画家，且因其师承不同，风格迥异，也难以简单地以“画派”一词来归纳，但这一个松散的画家群体，都有着相近的生活经历和思想感情，在动荡的明清之际，有亡国之痛，有忠君之义，不事新朝，遁迹山林，以诗画寄兴，虽然个性各异，但都安贫乐道，洁身自好，在当地享有“高士”之名，彼此间亦有诗文书画往来，并有共同的朋友圈子相交往。他们之间也有较多共同的创作思想，如借绘画抒写真情，不拘于派系之争，不论浙派吴派，善法必学，故能自辟蹊径，标树己风。在笔墨技法上也有相似之处，如常用硬直之笔，作整饬的线条，画面结构清晰，注重笔墨的整体感，讲究墨色的对比和映衬等，在作画题材上多以南京近郊山水为粉本，均表现出一种简朴平实的绘画风格，由此形成17世纪金陵山水画的独特 面貌。\n\n二、17世纪金陵山水画的文化特征\n金陵画家所创的山水画，具有比较鲜明的地方特色。首先是表现了南京及附近的山水特点。南京虽然为青山环绕，但基本上是以小山头为主的丘陵地带，钟山最高峰也不过海拔442米，然而山色秀美苍润。时人顾起元曾赞叹道：“金陵之山，形家言为南龙尽处，精华之气发露无馀，故其山多妍媚，而郁纡烟容岚气，遝翠霏青，望之如古佛顶上之螺，美人眉间之黛，而特未有奇峰削壁拔地刺天，如瑶篸玉剑突起于云霄之上者。江水一泻千里，沙腾浪涌，天日为昏，最为怪伟。至静夜无风，江声隐起，余尝夜卧洪济燕矶听之，汹汹如欲崩四壁也。后湖泓渟坦沲，堤杨洲菼，绰约媚人，山色四围，如靓妆窥镜。湖山之美，何减虎林。所少者独瀑布与寒泉耳。”金陵画家创作的山水便多以此山景水色为蓝本，起伏的丘陵，苍秀的林木，而北方的那种雄浑伟岸的大山大势则比较少见。第二是南京连接江南水乡，河湖港汊较多，行船泊舟，最是司空见惯，故画家笔下江汀舟楫之景多见，岸矶草亭也成了常见的景色。第三，江南的空气湿润，云雾时起于山林，烟霭常生于河湖，尤其南京冬天昼夜温差有异，水面易生烟气，夏天炎热闷湿，暑气常多漫漫，又似薄雾轻烟，与天相接。在诗人画家的笔下，这氤氲的云烟是别饶情趣的。唐代诗人杜牧在《夜泊秦淮》中歌咏道“烟笼寒水月笼沙”，罗隐在《金陵夜泊》中歌咏“冷烟轻淡傍衰丛”，明代诗人顾梦游则有诗句道“落日淡生烟”，龚贤有诗道“老柳迷夕阳，烟波涨南浦”。画家笔下的金陵山水因此亦多云烟缭绕之状，几乎每个画家都有描绘，其表现或柔和或飘逸或湿润或轻扬，因景因情，因画家的感受不同而富于变化。第四，金陵山水中表现当地特色的景物较多见，例如：钟山的松树。据记载，钟山自东晋时便人工植松，宋代也曾种植，明代在钟山建造明代开国皇帝太祖朱元璋的孝陵，更是植松十万株。钟山青松便成为此一时期常见的山水画题材。第五，金陵山水画中有许多表现了当时文人生活时尚和爱好的内容，如山居、书屋、旅行、品茗、赏妓等，因南京为一著名的山林城市，这些反映时尚的画面也大多安置在秀丽的自然景观中。\n金陵山水画中也映现出浓重的怀旧情结。南京以名胜古迹、文化遗风和风流时尚著称，其处处可成为触景生情的诗、落笔成文的画。在诗人墨客的笔下，金陵怀古是一个永恒的题材，尤其是六朝的名胜典故，更是一个千古难解的情结，令一代又一代的文人陶醉。自唐代以来，诗人李白、杜甫、李商隐、刘禹锡都有著名的诗句传世，此后历代的诗人都不乏佳句。明末清初的文人诗作中或金陵山水画中若题有诗歌的，常常都会流露出这种对以往历史的追怀，六朝的名胜典故总像幽灵一样地在文人的诗画中徘徊。龚贤曾作《金陵怀古》二诗道：“短笛唤愁生，江船夜复清。月明争战地，潮打受降城。残柳欲无影，哀鸿只一声。石矶飞不去，凄绝古今情。”以西晋克吴、孙皓受降的六朝典故，抒发自己亡国的哀痛情怀。又有诗道：“江南六代风流地，白下多年翰墨场。古物已无王逸少，名人独剩顾长康。量宽嗜酒难逢醉，才大论诗莫禁枉。急办青钱买山隐，坐听深树候莺簧。”诗中综述六朝的文化和影响，表现出对王羲之、顾恺之等名人和六朝饮酒论诗等风流时尚的倾慕追往。\n即使那些暂居或游访过南京的画家，对南京也是难以忘怀。17世纪的著名画家石涛曾有册页名《秦淮忆旧》，为应友人之邀而作，回忆昔日与友人同在南京秦淮赏梅聚会的往事，亦引用六朝典故，其中一幅题画诗道：“沿溪四十九回折，搜尽秦淮六代奇。雪霁东山谁著屐，风高西壑自成诗。应怜孤瑟长年伴，具剩槎矛只几枝。满地落花春未了，酸心如豆耐人思。”六朝的文化，就像是一种范式，在明末清初的文人心中反复地出现和被吟咏，足见这种历史怀旧情结的坚韧。\n其三，金陵山水画反映出强烈的热爱故乡的情怀。17世纪，以地方景色为题的山水画比较流行，例如南京博物院收藏有明代宋懋晋的《江南十八景图册》、吴县一带的画家以虎丘山为题的绘画等，是文人画走向社会的表现，也是市民文化发达的结果，而以金陵风景名胜为题的山水画尤其突出。南京人爱恋故乡的强烈和真挚的程度是其他古都历史上所少见的。早在六朝之初的孙吴时期（甘露元年，265年），当吴末帝孙皓由建邺（今南京）迁都湖北武昌，百姓便有童谣道：“宁饮建邺水，不食武昌鱼。宁还建邺死，不止武昌居。”这种不计生死的眷恋，只得让吴帝于次年还都建邺，这在中国历史上恐怕也是绝无仅有的。另一个著名的例子是南唐后主李煜在被宋人俘获北上后，所作诗词中透露对故国山河的深深怀念，令人愁绝痛绝，“恰似一江春水向东流”，是超越时空界限的永远的伤怀。明清之际，金陵八家中，除樊圻和胡慥为本地人外，其余都为外地或郊县寓居南京的画家，但都表现出对南京的情有独钟，书画署名喜用“石城”“金陵”等南京的古称，将自己称作南京人。金陵八家之首的龚贤虽然自昆山移居南京，但对南京的感情很深，视南京为家，在外的奔波使他愁苦伤怀，“身老愁为客，迢迢返旧京”，亟盼着早些回到南京，并把南京选作自己最终的生活地点。明亡后，当他与友人费密同游金陵胜景，登上石头城，遥望长江，触景生情，激起了满腔难平的民族意识，遂发出“橐驼尔何物，驱入汉家营”的悲愤呼号。这种热爱故乡，热爱南京的情感，在艺术家们的笔下便诞生了金陵山水的另一种表现形式—“金陵四十八景”，将金陵的历史典故，风景名胜以山水画的形式和诗歌的吟诵来表现，并借着雕版印刷的简便，而得到雅俗的共赏。\n《金陵四十八景》的形成约在清代初年，其他则先后有零星的以金陵景色为题的书画，较为人知者如《金陵八景》《金陵十景》《金陵十八景》《金陵二十四景》《金陵四十景》等。《金陵八景》据画末题跋可知，作于万历庚子年（1600）春月，为江宁人郭存仁所绘，“八景”为“钟阜祥云、石城瑞雪、凤台秋月、龙江夜雨、白鹭晴波、乌衣晚照、秦淮渔唱、天印樵歌”，一图一咏，多基于六朝以来的历史典故和著名诗作。《金陵十景》，据《石渠宝笈续编》记载，是吴派画家之首的文徵明，在游览了金陵山水名胜后所作。《金陵十八景》为文徵明的侄子文伯仁（1502-1575）所绘，他号称摄山老农（摄山即今栖霞山），曾居住在南京，为金陵美丽的风光所感动而绘此图册。《金陵二十四景》，据1956年在湖南省长沙市发现的文物，是由文学家吴敬梓（1701-1754）所写《金陵景物图咏》，每篇诗末都注明所仿的碑帖，诗句工整，对南京的历史了如指掌。《金陵四十景》为太史朱之蕃所作。朱之蕃，江宁人，字元竹，号兰嵎，万历二十三年（1595）进士第一，工山水画，注意收集家乡江宁的山水名胜资料，“共得四十景，属陆生寿柏策蹇浮舫，躬历其境，图写逼真，撮举其概，各为小引，系以俚句”。图咏成后，朱之蕃命名为《金陵四十景图考诗咏》，并与当时的另一位太史杜士全常在金陵雅游，相互凭图咏唱。清初，金陵八家之一的高岑，字蔚生，虽老家在杭州，客居南京，但也倾心相爱这个城市，常署名“石城高岑”，平时也注意收集南京的历史资料，遍游南京的风景名胜，并在前人研究金陵胜景的基础上，精心绘制了《金陵四十景图》。清户部右侍郎、著名文人周亮工（1612-1672）为该图册写了题跋，这些图以后被刊入康熙年间的《江宁府志》。清代初年，又发展成为“金陵四十八景”。\n金陵画家包括八家的山水画中，亦有许多以金陵胜景为题的作品，甚至几代画家都钟情于此，父子者如邹典、邹喆，便都介入这一题材的创作。美国学者高居翰的景元斋收藏的《晚明人山水册》，共有10页，为不同的画家所绘，但都以南京的景色为题，如魏节“燕子矶”、黄益“献花岩”、龚达“龙江关”、谢成“幕府台”、龚贤“清凉台”、黄益“鸡笼山”、盛于斯“天阙山”、陆瑞征“玄武湖”、邹典“灵谷”、张翀“报恩塔”。又如，龚贤有《摄山栖霞图》《清凉环翠图》（故宫博物院藏），其他的金陵画家：樊圻有《江浦风帆图》、高岑有《天印樵歌图》（天津艺术博物馆藏），描绘南京附近天印山的景观，邹喆有《石城霁雪图》（上海博物馆藏），描绘南京的雪景，叶欣作《锺山图》（故宫博物院藏），描绘南京这一名山的景色。樊圻的《金陵寻胜图》，按照画后的题跋来看，应当还有吴宏的“燕矶”“莫愁”，龚贤的“清凉”“摄山”，陈卓的“天坛”“冶城”，柳堉的“天印”等画，皆是依金陵名胜的各景点而作的命题画。\n更难能可贵的是，柳堉在樊圻所绘的《金陵寻胜图卷》的题跋中还记载了当时南京人收藏金陵山水画，并以邀得名家作此命题画为荣的风尚，被视为金陵胜事，并引用一句“唯有家山不厌看”的古诗来解释这种特殊的现象。虽然这些地方山水画的繁荣或许与商业有一定的关系，但这种来自社会的热情要求和支持，足见南京人对自己故乡的热爱，这确实也是促使17世纪金陵山水画发达的原因之一。\n总之，以金陵八家为首的金陵画家，虽然各有师承，面目不一，但都能深入生活，以金陵近郊的山山水水为其粉本，融六法之精髓，入天然之丘壑，将热爱故国故乡的一腔真情和满腹怀恋都倾注于山岚变幻、草木蔚然的山水画中，故使金陵山水画独树一帜，在17世纪的画史上留下了辉煌的一页。古人道：诗为心声，画为心印，书为心画。明末清初的17世纪，金陵画家们所具有的独特艺术面貌，正是由特定的历史文化环境所造成的，从画家们无限的伤心和满怀勃郁的精神气质升华而来。那种强烈的民族意识和爱国情结，正是金陵画派山水作品内涵的共鸣、精神的统一和灵魂的所在。一位西方学者曾指出，南京是中国古都中最引人注目的城市，因为她曾经是并将永远是中国最令人怀旧和动情的城市。确实，那千古的金陵历史，千古的诗泉画源，千古的文人之魂，正是17世纪南京文化艺术繁荣的历史基因，也正是她的永恒魅力所在。",[27,28,530,144,614,60,162,131,1102,130,734,6671,676],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fb18007eb39db55e0516ed75e2fdad6c5.jpg",[],{"id":36575,"slug":36576,"title":11396,"dynasty":141,"author":7,"museum":76,"description":26468,"tags":36577,"thumbUrl":36578,"material":10966,"size":26471,"collection":11,"collections":36579,"showCount":411,"zanCount":49,"manualWeight":49,"mainColor":50},233131,"xue-shan-xing-lv-tu-zhou-yi-ming-233131",[27,28,29,144,614,60,6000,676,531,130,1143,952,1102,4001,162],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fec435ee8ae34d835aa5872355d8cde09.jpg",[],{"id":36581,"slug":36582,"title":15770,"dynasty":55,"author":7,"museum":56,"description":15771,"tags":36583,"thumbUrl":36589,"material":109,"size":9666,"collection":11,"collections":36590,"showCount":411,"zanCount":49,"manualWeight":49,"mainColor":70},233065,"ping-ding-yi-li-hui-bu-zhan-tu-ce-yi-ming-233065",[27,32,31,530,33,60,10980,9637,131,2657,9663,2405,18001,9148,3362,7390,36584,1340,4803,18002,36585,36586,36587,162,779,3244,36588],"战斗场景","将领","驮兽","营帐","精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:49,"mainColor":50},228187,"ren-ma-tu-zhuang-biao-hou-yi-ming-228187","人马图（装裱后）","此作以简练笔墨铺陈胡人马饲意态，虬髯奚官身披宽袍，神色沉静内敛，尽显异域牧者的沉凝气质。画面主体白马筋骨丰腴矫健，抬首长嘶，鬃尾勾勒细致，将良驹桀骜灵动之态尽显。\n淡墨晕染的朦胧背景将视觉全然聚焦于人马之上，设色清雅柔和，白棕对比鲜明，既承袭唐宋鞍马画写实精微的余韵，又带有元画简淡空灵的审美意趣。画师以精湛写生功底，将人驯于马、马依于人的悠然情态娓娓道来，尽显游牧文化与中原笔墨融合的独特意韵。",[27,28,29,32,31,33,1006],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F8c34399071ce5db339513f8461cfbbf7.jpg",[],{"id":36949,"slug":36950,"title":36951,"dynasty":141,"author":7,"museum":172,"description":575,"tags":36952,"thumbUrl":36954,"material":296,"size":297,"collection":11,"collections":36955,"showCount":411,"zanCount":49,"manualWeight":49,"mainColor":70},228092,"yu-da-yan-dai-shi-yi-ming-228092","玉大雁带饰",[267,268,7656,16504,446,36953,36461],"元代风格","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F211b640cd0ba8a50e4c981a8c4f0b20b.jpg",[],{"id":36957,"slug":36958,"title":36959,"dynasty":141,"author":7,"museum":172,"description":36960,"tags":36961,"thumbUrl":36962,"material":296,"size":297,"collection":11,"collections":36963,"showCount":411,"zanCount":49,"manualWeight":49,"mainColor":50},228009,"ren-wu-tu-ye-yi-ming-228009","人物图页","画面古绢虽蒙尘斑驳，却难掩笔墨意韵。简劲线条勾勒出二人情态：立者头戴展脚幞头，宽袍博带，身姿端凝肃穆，俨然朝堂士人；跪者低眉躬身，奉盘以侍，神态恭谨入微，礼制尊卑尽显无疑。\n\n设色清淡古雅，构图疏朗留白，以简驭繁，不带过多雕琢，尽显写意风神，将古时朝谒的肃穆氛围悄然烘托。旁侧题字更添文气，残旧肌理晕染出古拙沉静的岁月质感，让观者恍然窥见往昔礼制中的肃穆片刻。",[26,27,28,530,32,123,33,82],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F3786f1cd663d8679a41d7c12d326c928.jpg",[],{"id":36965,"slug":36966,"title":36967,"dynasty":75,"author":7,"museum":172,"description":36968,"tags":36969,"thumbUrl":36970,"material":11,"size":11,"collection":11,"collections":36971,"showCount":411,"zanCount":49,"manualWeight":49,"mainColor":50},227929,"shi-jia-chu-shan-tu-yi-ming-227929","释迦出山图","此作用淡墨枯笔写就，人物清癯削瘦，眉宇沉静淡然，带着苦修出山后的疏朗出尘气质。衣纹以淡墨晕染结合简括线条，轻写布料垂坠质感，不着浓艳，尽得简淡高古之趣。\n画面搭配题诗，将雪山苦修的清寒禅味融于笔墨间，笔意萧散简远，以极简笔墨勾勒出超脱物外的禅宗意境，淡墨氤氲里禅意流淌，尽显空灵静谧的出世之美。",[26,27,28,29,30,123,33,41],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F6a6b6f10f22e8ca496408d6bf4bff597.jpg",[],{"id":36973,"slug":36974,"title":31532,"dynasty":75,"author":7,"museum":172,"description":36975,"tags":36976,"thumbUrl":36977,"material":11,"size":11,"collection":11,"collections":36978,"showCount":411,"zanCount":49,"manualWeight":49,"mainColor":50},227900,"tian-long-mu-niu-tu-yi-ming-227900","这幅小品以俯瞰视角铺展江南野趣，淡赭晕染出水天底色，澄澈河道切分绿野，田埂如柔织的细带，圈出片片新嫩秧田。右岸垂柳荫浓，水墨晕染出翠条拂水的柔态，树底茅舍隐现，晕淡朦胧，藏起村居日常的烟火气。田埂之上，牧者徐行，牛犊垂首啮草，意态安闲。\n\n全画笔致秀润清和，无繁缛刻画，只以极简构图晕染出初夏江南的恬谧，将耕牧闲散的乡居意趣藏于尺幅之间，把宋人浸在日常里的诗意悉数铺展，淡而有味，尽显小品画的雅致隽永。",[79,27,28,219,32,614,60,31535,2944,131],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F0e51707131104a62630a3a9f39e1b758.jpg",[],{"id":36980,"slug":36981,"title":36982,"dynasty":75,"author":7,"museum":172,"description":36983,"tags":36984,"thumbUrl":36985,"material":11,"size":11,"collection":11,"collections":36986,"showCount":411,"zanCount":49,"manualWeight":49,"mainColor":50},227874,"liu-tang-xun-ju-tu-yi-ming-227874","柳塘寻句图","画面以淡墨晕开江南水滨的烟霭，近处柳林浓荫偃伏，柔条垂覆浅汀，水面浮着点点菱荇，漾着清寂的闲意。远山以轻毫扫出轮廓，融在空蒙水雾之中，恍若化入淡远烟岚。汀渚一隅隐着渔舟，似有幽人独伫，将寻句的幽谧心境沉在湖光柳色里。\n\n全幅以留白造境，笔墨简淡却意蕴悠长，将林泉雅意收在尺幅之间，尽显小品以小见大的雅致，把文人耽于山水、寄情烟霞的襟怀藏在水墨晕染中，淡而愈真，简而弥远。",[26,27,28,79,32,144,31,60,1092,332,232,1340],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F744cd083c4a70642706010bdf7ba17b3.jpg",[],{"id":36988,"slug":36989,"title":36990,"dynasty":75,"author":7,"museum":172,"description":36991,"tags":36992,"thumbUrl":36993,"material":11,"size":11,"collection":11,"collections":36994,"showCount":411,"zanCount":49,"manualWeight":49,"mainColor":70},227866,"wan-he-guo-suo-tu-yi-ming-227866","晚荷郭索图","《宋扇面画晚荷郭索图》是宋代画家佚名创作一幅绢本设色画。\n此画现藏于北京 。\n此图原载《烟云集绘册》（《石渠宝笈续编》著录）。\n无款，签题黄居寀作。\n居寀为筌子。\n《圣朝名画评》云：黄居寀亦善画花竹毛羽，多与筌共为之，其气骨意思，深有父风。\n孟昶时，画四时花雀图数本，当世称绝。\n评曰：居寀之画鹤，多得筌骨。\n其有佳处，亦不能决其高下。\n至于花竹禽雀，皆不失筌法。\n对开有清乾隆皇帝御题诗一首：“从来螯蛫善横行，稻熟秋风意气生。\n甲介向称无所畏，如何每入膳人烹。\n”钤“古稀天子”、“八徵耄念之宝”、“ ”等玺印多方。\n本幅无款。\n钤鉴藏印“金陵□□□□”。\n曾经清内府收藏，《石渠宝笈续编》著录。\n图中一只硕大的 张牙舞爪踞于残荷之上，肥重的身躯竟将荷梗压断。\n衬以苍老的莲蓬、枯黄的 、稀疏的 ，更增添了萧瑟冷寂的气氛。\n荷叶和莲蓬用粗笔勾描，蟹用细笔写之，笔法粗犷写实，设色鲜艳浓重。\n无名氏。\n旧签题 “黄居寀”作，究其画风，与 相距甚远，故改为无名氏画。",[26,27,28,711,530,219,144,32,446,316,317,5483,125,82],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fba4b3faac025682ff468de9c8c866068.jpg",[],{"id":36996,"slug":36997,"title":36998,"dynasty":75,"author":7,"museum":172,"description":36999,"tags":37000,"thumbUrl":37001,"material":11,"size":11,"collection":11,"collections":37002,"showCount":411,"zanCount":49,"manualWeight":49,"mainColor":739},227855,"shan-yao-lou-guan-tu-ye-yi-ming-227855","山腰楼观图页","此作以水墨绘危峰陡立，云雾如纱空蒙，将山体半隐，仅留山腰楼宇静踞林麓。以斧劈皴利落勾勒山石筋骨，墨色由浓转淡晕染烟岚，虚实相生衬出幽谷空寂幽深。\n\n咫尺扇面以少胜多，尽显简淡空灵意趣，将林泉高致藏在淡墨轻岚间。题诗与画境呼应，把寻仙慕隐的出世之思融于山水，淡远清逸，观之如临其境，似可凭栏观山、静听穿林风声，幽远超脱的山居雅境跃然绢上。",[26,27,28,219,60,129,162,131,329,614,32,124],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F274facbfdb6c3c7e5bdce52d2bca3976.jpg",[],{"id":37004,"slug":37005,"title":37006,"dynasty":75,"author":7,"museum":172,"description":37007,"tags":37008,"thumbUrl":37009,"material":11,"size":11,"collection":11,"collections":37010,"showCount":411,"zanCount":49,"manualWeight":49,"mainColor":50},227836,"wu-yun-lou-ge-tu-ye-yi-ming-227836","五云楼阁图页","此作以淡墨晕染铺就空濛底色，危峰如削，拔地耸峙，尽显山石嶙峋硬朗。山脚苍松错落，林麓间野路蜿蜒隐现，以边角取景营造出幽远无际的山野氛围，水墨皴擦勾勒出峭拔山势，将烟霞缥缈的世外秘境晕染得清冷出尘。\n对页题诗与画境相融，笔墨间浸透文人幽居林泉的雅趣，简淡构图里藏着辽远的天地气象，尽显宋人对山水意境的极致追寻，静穆间带着出世的空灵韵味。",[26,79,27,28,1222,219,32,125,614,329,60,129,6267,131,63,82],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F6ea704ebcc05fe27f9924065ef24fb0e.jpg",[],{"id":37012,"slug":37013,"title":37014,"dynasty":75,"author":7,"museum":172,"description":11342,"tags":37015,"thumbUrl":37016,"material":296,"size":297,"collection":11,"collections":37017,"showCount":411,"zanCount":49,"manualWeight":49,"mainColor":739},227719,"diao-ke-qi-pan-yi-ming-227719","雕刻漆盘",[711,3561,268,2280],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F52e2d3ed75525d3538518a6476e4a468.jpg",[],{"id":37019,"slug":37020,"title":37021,"dynasty":75,"author":7,"museum":172,"description":37022,"tags":37023,"thumbUrl":37024,"material":11,"size":11,"collection":11,"collections":37025,"showCount":411,"zanCount":49,"manualWeight":49,"mainColor":739},227573,"zhuan-shu-mu-lu-shi-ke-yi-ming-227573","篆书目录石刻","篆书，又称篆文、篆体，是古老的汉字书体，篆书指隶书以前的书体，又指大篆和小篆。",[126,854,124,1421],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F014c3d09b1b37f6d865473693011a73d.jpg",[],{"id":37027,"slug":37028,"title":37029,"dynasty":75,"author":7,"museum":172,"description":21865,"tags":37030,"thumbUrl":37032,"material":296,"size":297,"collection":11,"collections":37033,"showCount":411,"zanCount":49,"manualWeight":49,"mainColor":277},227458,"ci-hua-ping-yi-ming-227458","瓷花瓶",[2194,37031,446,316,346],"白釉黑彩","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F7a4e3be71fd180895f40299b7a6e7811.jpg",[],{"id":37035,"slug":37036,"title":37037,"dynasty":75,"author":7,"museum":172,"description":23590,"tags":37038,"thumbUrl":37039,"material":11,"size":11,"collection":11,"collections":37040,"showCount":411,"zanCount":49,"manualWeight":49,"mainColor":50},227360,"zhan-dao-heng-lv-tu-ye-yi-ming-227360","栈道行旅图页",[26,27,79,28,1222,32,60,2688,33,1006,676,162,1143],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F75b65495671b6e37fe5a1bbe7ea1b7d6.jpg",[],{"id":37042,"slug":37043,"title":37044,"dynasty":75,"author":7,"museum":172,"description":37045,"tags":37046,"thumbUrl":37047,"material":11,"size":11,"collection":11,"collections":37048,"showCount":411,"zanCount":49,"manualWeight":49,"mainColor":277},227349,"xuan-he-dian-shuang-an-tu-yi-ming-227349","宣和殿双安图","北宋皇宫建筑之一，前后经历始建重建，后称保和殿，用以藏书藏画，北宋皇室三大藏书处所之一。著名的《宣和书谱》、《宣和画谱》都与此殿关系密切。",[26,79,27,28,32,31,80,4056,100,2710,711],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F0812227ecaac5bde35609c91e6acc901.jpg",[],{"id":37050,"slug":37051,"title":37052,"dynasty":75,"author":7,"museum":172,"description":37053,"tags":37054,"thumbUrl":37055,"material":11,"size":11,"collection":11,"collections":37056,"showCount":411,"zanCount":49,"manualWeight":49,"mainColor":70},227346,"ming-liu-ji-zao-ce-shi-er-zhen-yi-ming-227346","名流集藻册十二帧","此《宋名流集藻册》为“蝴蝶装”形制，共十二帧。每帧有清乾隆皇帝的御笔题诗，与画意相对应，抒其感悟和评论，画页裱边的上端附有题签。依照《石渠宝笈续编》著录的顺序是，一开“燕文贵，纳凉观瀑”；二开“赵伯骕，碧山绀宇”；三开“萧照，丹林诗思”；四开“李迪，鸡雏待饲”；五开“苏汉臣，蕉阴击球”；六开“李迪，无花果图”；七开“刘松年，山馆读书”；八开“梁楷，三高游赏”；九开“梁楷，秋柳双鸦”，十开“陈宗训，秋庭戏婴”；十一开“鲁宗贵，玲峰鹁鸽”；十二开“陈可久，春溪水族”。\n\n“蝴蝶装”书籍装帧形式之一。始于唐末,盛行于北宋。其装订方法是将每页从中缝把有文字的两个半页对折,背面空白处在外,然后把这样对折的一叠散页用一张纸从前包到后面,并将各页折口处牢牢地粘连在这张纸上,以免脱落,这样就形成了蝴蝶装的书。其所以得名,是因为书册打开后左右对称,犹如蝴蝶展开双翅,因而称为“蝴蝶装”,或“蝶装”。",[26,27,28,530,219,144,32,31,60,531,36,131,33,124,82],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F3ca49fdb98c3f08c2121cc90ba0a38f2.jpg",[],{"id":37058,"slug":37059,"title":37060,"dynasty":75,"author":7,"museum":172,"description":12964,"tags":37061,"thumbUrl":37065,"material":296,"size":297,"collection":11,"collections":37066,"showCount":411,"zanCount":49,"manualWeight":49,"mainColor":70},227321,"you-mian-cha-wan-yi-ming-227321","釉面茶碗",[711,2194,37062,13548,29993,37063,37064],"茶碗","茶器","釉面","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fbbb83562f22be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集于枯棘上，姿势各异，神态如生。\n枯棘下的竹枝色黄叶疏，点明了瑟瑟秋意。\n画家将聚集4只文鸟的重心着落于画面中心偏左的位置，而将另一文鸟绘于右侧高处的棘枝上以分散重心，但它回眸向下的眼神与另外4只相呼应，如此布局使画面既错落有致而重心突出。\n文鸟的描绘先勾出轮廓，再用细劲的笔锋绘出羽毛，并施以淡墨、赭石等色，渲染出毛绒的质感；竹叶使用双钩笔法，然后渲染；竹竿采用白描法；荆棘则一笔画出，显得苍劲老到。\n此图原载《宋人集绘册》。\n图绘家雀五只栖止于枯棘上，右下侧衬以双钩翠竹。\n五只 的神态，刻画极为精工。\n麻雀窃窃私语的神情，欲飞未飞的动态，以及它们茸茸的羽毛，圆而有神的眼睛，描绘得栩栩如生，使人感到如闻其声，如入其境。\n图中竹页用双钩，然后用花青、汁绿渲染，竹竿用白描，荆棘以一笔出之。\n小鸟勾出轮廓后用细笔丝出羽毛，具有毛茸茸的质感。\n此图无作者宽印，钤「宋荦审定」一印。\n本幅无款。\n鉴藏印钤“宋荦审定”。\n裱边题签：“宋人画霜篠寒雏”。\n经清代收藏家宋荦鉴藏，见《石渠宝笈三编》著录。",[26,79,27,31,32,80,193,145,4002],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fa796d5d8ac8e342dc30faa9a1bfe80fb.jpg",[],{"id":37659,"slug":37660,"title":37661,"dynasty":75,"author":7,"museum":172,"description":37662,"tags":37663,"thumbUrl":37664,"material":11,"size":11,"collection":11,"collections":37665,"showCount":411,"zanCount":49,"manualWeight":49,"mainColor":50},223659,"wen-chuan-tu-juan-yi-ming-223659","问喘图卷","此作用淡墨白描写就，右侧古木虬劲苍郁，浓墨点簇枝叶，衬出林间幽寂。画面左侧水畔空濛悠远，平沙浅滩愈发衬出乡野静穆。\n\n画中士人抬手问询，田夫敛袖作揖应答，神态恳切自然，身后侍童恭立持扇，氛围悠然庄重。耕牛垂首缓行，身姿朴拙生动，将典故融于乡野实景。\n\n构图疏密相宜，淡墨晕染水色空濛，简练线条精准勾勒人物神情与物态，设色简淡素雅，尽显清雅意趣，暗含体恤民生的古韵深意，平淡画面间尽显含蓄悠远的古典风雅。",[26,27,96,123,32,82,33,2944,532,60],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F9ae80987d2d826d7b80a5a3b01b261be.jpg",[],{"id":37667,"slug":37668,"title":3931,"dynasty":75,"author":7,"museum":172,"description":37669,"tags":37670,"thumbUrl":37672,"material":11,"size":11,"collection":11,"collections":37673,"showCount":411,"zanCount":49,"manualWeight":49,"mainColor":50},223654,"yuan-shui-yang-fan-tu-yi-ming-223654","《宋人画远水扬帆》是南宋佚名画家创作的一幅表现江南水乡之美的中国古画。\n青山数抹，远浮天际。\n烟波浩渺的江面上，一阵劲风，将江边突岩上树叶茂密的大树吹弯了身子，也将江上三艘客船直往江心推去。\n江畔一位白衣隐士，带着琴童，正打算漫步到岩边林荫下的茅亭里。\n明朗的景境，流露着几分闲适、畅快的朝气。\n南宋偏安江南，江南水乡的杏花春雨，便逐渐取代华北的千岩万壑，成为画家描绘的主要对象。\n反映在作品里，除了云烟弥漫外，最大的特色，便是「水」的增加。\n在这幅「远水扬帆」里，我们可以看出吸引隐士策杖前来的，除了远山帆影外，也正是这一片映照山、天之影的江水。\n「远水扬帆」图上没留下名款，画中紧密的画叶画水的方法，和画石头的小斧劈皴法，都与南北宋之交 的名作「江山小景」相似。\n而左实右虚的半边构图，也是南宋常见的布局方式。\n隐士主仆俩身上寥寥廓廓的几根线条，也属南宋点景人物惯见的作风。\n这幅作品是一幅南宋表现江南水乡之美的典型佳作。",[26,79,27,28,2415,348,32,8624,614,131,1092,9387,162,1281,2418,33,1340,662,2417,2772,37671,779],"岸坡","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F72cbaf521890fbde5497afffb62995ae.jpg",[],{"id":37675,"slug":37676,"title":37677,"dynasty":241,"author":7,"museum":23,"description":37678,"tags":37679,"thumbUrl":37680,"material":1433,"size":37681,"collection":11,"collections":37682,"showCount":411,"zanCount":49,"manualWeight":49,"mainColor":50},223574,"mu-yang-tu-yi-ming-223574","牧羊图","绘春郊野外，羊群于坡岸吃草放牧的情景，羊群刻画生动，奔走俯首等姿态栩栩如生，有母子舔犊情深、有结伴奔跑嬉戏、有独自悠闲觅食。荒草并不丰茂，但却充满生机，平稳均衡的画面布局又隐藏着山坡横向的动感和柳树上扬下垂的起伏变化，而正在攀爬柳树的牧童，更是给看似安静的画面增添了活眼。",[26,27,219,32,33,3102,532,31238,82],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F2d76828bbf7925e25c75ff00155b1967.jpg","24.1×24.8cm",[],{"id":37684,"slug":37685,"title":37686,"dynasty":75,"author":7,"museum":56,"description":37687,"tags":37688,"thumbUrl":37690,"material":348,"size":37691,"collection":11,"collections":37692,"showCount":411,"zanCount":49,"manualWeight":49,"mainColor":70},223507,"song-yin-xian-qi-tu-yi-ming-223507","松荫闲憩图","绘一老者倾躺在斜坡上小憩，高戴高帽，满脸皱纹，长须及胸，右臂枕于头下，双腿蜷缩，安详的享受自然之景；四周杂草蓬勃生长，上方松木遮阳，松针细长繁多，藤条自松枝上垂下。",[26,27,28,2573,711,144,32,31,33,1524,37689],"闲憩","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fd5060744d24e47c5354270e434f38253.jpg","22x54",[],{"id":37694,"slug":37695,"title":37696,"dynasty":55,"author":7,"museum":23,"description":37697,"tags":37698,"thumbUrl":37699,"material":17324,"size":37700,"collection":11,"collections":37701,"showCount":411,"zanCount":49,"manualWeight":49,"mainColor":50},223486,"wu-kuan-lian-she-yi-ming-223486","无款莲社","画白莲群聚的白莲，白莲群庐山俗地净莲，是佛教末年山东林寺僧人慧远修士所建。 以慧远为首的“十八圣”，有两个界面，专职人员，有同伙，学佛修行。",[27,28,96,123,30,33,60,1623,130,131,162,531],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fcdbbe4bdab61cf202a84f218f71d1300.jpg","35x849cm",[],{"id":37703,"slug":37704,"title":37705,"dynasty":75,"author":7,"museum":76,"description":37706,"tags":37707,"thumbUrl":37708,"material":1433,"size":37709,"collection":11,"collections":37710,"showCount":411,"zanCount":49,"manualWeight":49,"mainColor":70},223429,"wu-kuan-xi-pang-xian-hua-yi-ming-223429","无款溪旁闲话","前景岩石矗立于溪旁，岩壁松树垂下，间杂着红叶、绿萝。岸上士人，拱手与渔夫问答。渔父持竿压着膝盖，稳坐船头倾听。渔父将脚深入水中，与「沧浪之水浊兮，可以濯吾足」文字叙述吻合，所画或是《楚辞》〈渔父〉。此画小斧劈皴刚劲犀利，传达出山石的坚硬嶙峋，不失为十三世纪佳作。本幅选自《宋人集绘册》第五开。",[26,27,32,31,530,33,130,128,613],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F4dc5abf621abb036630676a076c87c6e.jpg","25.7x23.6厘米",[],{"id":37712,"slug":37713,"title":37714,"dynasty":55,"author":7,"museum":76,"description":9136,"tags":37715,"thumbUrl":37716,"material":11,"size":11,"collection":11,"collections":37717,"showCount":411,"zanCount":49,"manualWeight":49,"mainColor":50},223412,"ma-zu-qi-ji-c-yi-ming-223412","妈祖奇迹C",[26,27,32,31,329,30,33,1788,1749,63,2418],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fd1bdb2f2246419402205f91e670b372b.jpg",[],{"id":37719,"slug":37720,"title":37721,"dynasty":241,"author":7,"museum":76,"description":37722,"tags":37723,"thumbUrl":37725,"material":1433,"size":37726,"collection":11,"collections":37727,"showCount":411,"zanCount":49,"manualWeight":49,"mainColor":70},223392,"ping-hu-xue-ji-yi-ming-223392","平湖雪霁","此水墨小品以暗绢托出雪意清寒。近岸枯木寒枝错落斜欹，茅舍隐于林渚间，三两渔舟泊在冰封浅滩，天地间凝着凛凛寒意。远景以淡墨轻晕远峦寒雾，留白作漫天寒雪，虚实相生间晕开空濛冷寂。\n\n未用浓墨重彩，仅以极简笔墨铺陈湖山冬日疏旷萧寒。霜风仿佛正掠过镜面平湖，冷意顺着绢面漫开，将江天雪后的岑寂澹远藏进方寸画幅，把追慕幽寂山水的雅趣融在素淡墨色里，叫人坠入这万籁俱静的清寒意境中。",[27,219,144,60,952,37724,532,1400,28,82],"湖","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F35e5b81a7081e638b4129936f8fc4768.jpg","38.9x81",[],{"id":37729,"slug":37730,"title":37731,"dynasty":75,"author":7,"museum":56,"description":37732,"tags":37733,"thumbUrl":37734,"material":1433,"size":37735,"collection":11,"collections":37736,"showCount":411,"zanCount":49,"manualWeight":49,"mainColor":50},223334,"si-lun-tu-yi-ming-223334","丝纶图","此图描绘了在苍苍茫茫的山林中,几位女子正在纶丝,两个天真的幼童则在嬉戏游玩,生活气息十分浓厚。掩映在山林中的茅屋围以栅栏,近处的山石陡峭高耸,附岩壁而长的苍松枝干虬劲蟠曲,显示了劲松雄强的本色。画上有一首题诗: “素丝头绪长,羡居好安排。青鞋不动尘,缓步交去来。脉脉意欲乱,春春首重回。王言正如丝,只付经纶才。”对此画的画意作了很好的诠释。",[26,27,28,29,144,32,614,60,613,5571,33,131,6671],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F8b414ad5d3ac5d537b5cf0676affa9d4.jpg","纵83.2厘米横37.5厘米",[],{"id":37738,"slug":37739,"title":37740,"dynasty":141,"author":7,"museum":76,"description":37741,"tags":37742,"thumbUrl":37743,"material":1433,"size":37744,"collection":11,"collections":37745,"showCount":411,"zanCount":49,"manualWeight":49,"mainColor":50},221780,"shuo-jing-tu-zhou-yi-ming-221780","说经图轴","元人少做道释画，但这幅“说经图”却画得十分精彩。此图共有三个部分，左右两幅各画四尊菩萨立像，中央一幅画佛祖释迦牟尼跌坐莲台，罗汉侍立左右。本幅是右边的一幅，构图位置与左边的一幅完全对称。菩萨衣饰华贵，容貌祥和，足下各踏莲花，凌空而立。其姿态各自不同，眼神都注视左前方，像是用心聆听佛法。画中用笔圆劲流畅，设色富丽古艳，颇有上追六朝人笔法之意。\n菩萨顶上放射光芒成一圆轮状，称之为“圆光”。颈上挂着的成串珠玉装饰，称之为“璎珞”。佩戴“璎珞”本是印度贵族男女，皆缀珠玉以为颈饰，梵文称为“枳由罗”，传到中国后则译为“璎珞”。看这四尊菩萨的面貌已经变为中土人士的容貌，而非胡貌梵像，便知这幅是宋以后的作品。",[26,79,27,28,29,30,33,32,31],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fd6b0f34610241466257060249ffc3d82.jpg","95.4×52.9cm",[],{"id":37747,"slug":37748,"title":37749,"dynasty":75,"author":7,"museum":172,"description":14825,"tags":37750,"thumbUrl":37751,"material":296,"size":297,"collection":11,"collections":37752,"showCount":411,"zanCount":49,"manualWeight":49,"mainColor":70},221650,"yu-ge-zi-yi-ming-221650","玉鸽子",[267,268,163],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F34869a3a108da214e217ce7375be3a9b.jpg",[],{"id":37754,"slug":37755,"title":37756,"dynasty":171,"author":7,"museum":172,"description":37757,"tags":37758,"thumbUrl":37759,"material":11,"size":11,"collection":11,"collections":37760,"showCount":411,"zanCount":49,"manualWeight":49,"mainColor":277},221131,"fa-hua-jing-huang-jin-zhuang-shi-ge-xian-yi-ming-221131","法华经黄金装饰格线","幽蓝绀纸作底，沉穆如古潭秋水。泥金勾绘的格线齐整如阡陌，将卷面裁作匀净方寸，泥金佛偈排布其中，笔意端雅秀润。\n\n金彩虽经年月晕染暗哑，却依旧在幽深色底上泛着柔和光晕，把宗教的虔敬凝入每一处细致填金里。庄严华贵间带着独有的端雅气韵，将信仰与匠心揉合在规整卷面中，尽显工艺的极致考究，是禅意与工巧相融的传世佳品。",[3053,124,3054,329,30,4486,430],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F824fee8a13025ad588bbada8b0a22826.jpg",[],{"id":37762,"slug":37763,"title":37764,"dynasty":141,"author":7,"museum":76,"description":37765,"tags":37766,"thumbUrl":37767,"material":43,"size":11,"collection":11,"collections":37768,"showCount":411,"zanCount":49,"manualWeight":49,"mainColor":50},218187,"ying-zhen-xiang-zhou-3-yi-ming-218187","应真像轴-3","画面中罗汉趺坐于石上，身着条纹袈裟，衣袂线条流转自然，质感厚重却不失灵动。他手持香炉，指尖轻拈香具，青烟袅袅而上，眉眼间透着静定安然，似在体味香韵中的禅意。上方棕榈叶舒展，墨色深浅交错，与背景淡远的山水相映，更显清幽静谧。整幅画作笔墨雅致，人物神态生动，将罗汉的超然心境与周遭空灵意境融为一体，尽显古朴禅韵。",[27,32,31,30,33,346,82,145],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ff6af86e547907bd3c422896b4422b28f.jpg",[],{"id":37770,"slug":37771,"title":37772,"dynasty":171,"author":7,"museum":489,"description":37773,"tags":37774,"thumbUrl":37775,"material":32,"size":11,"collection":11,"collections":37776,"showCount":411,"zanCount":49,"manualWeight":49,"mainColor":50},217891,"guan-yin-jing-bian-tu-juan-15-yi-ming-217891","观音经变图卷-15","图文交织的画卷里，鲜活场景跃然纸上。人物动态各异，或持物施法，或互动应答，神兽相伴左右，虎啸龙吟般的张力藏于古朴笔触间。线条婉转勾勒衣袂流转，设色虽经岁月却仍见鲜明，红袍绿衫与兽纹斑斓交织，将经文中的救度故事化为可触的温度。每一处细节都诉说着慈悲救苦的主题，把抽象教义揉进具象画面，让观者在视觉冲击中读懂经文深意。这般文字转视觉叙事的巧思，既显绘画者匠心，也藏宗教传播智慧，笔墨间留存跨越时空的艺术与信仰共鸣。",[590,27,28,96,32,31,30,33,887,59,272,3053,3054],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F028f5b9a3d5c0f1e71b6c054b65bf7f3.jpg",[],{"id":37778,"slug":37779,"title":37780,"dynasty":55,"author":7,"museum":56,"description":37781,"tags":37782,"thumbUrl":37783,"material":32,"size":11,"collection":11,"collections":37784,"showCount":411,"zanCount":49,"manualWeight":49,"mainColor":70},217312,"gu-xiu-wu-shi-san-can-tu-ce-5-yi-ming-217312","顾绣·五十三参图册-5","画面分左右两帧，左帧神将着青绿袍服，踏异兽指物而言，童子拱手躬身，神态恭谨；右帧仕女坐蒲团于松下，衣袂素雅，小兽携彩绦趋前，似有呈献。松枝苍劲，红日悬天，山石点缀其间，笔墨细腻，设色古雅，尽显传统绣画的温婉与叙事张力。每一帧皆藏生动情节，恬淡间传递悠远故事感，仿佛时光在此慢淌，观者可沉浸于古典情境的静谧意趣里，感受那份穿越岁月的雅致与灵动。",[530,32,31,1924,41,33,3886,272,331,7829,162,346,345],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F25c56f762b542aea923a64eff9e0a383.jpg",[],{"id":37786,"slug":37787,"title":37788,"dynasty":55,"author":7,"museum":172,"description":37789,"tags":37790,"thumbUrl":37791,"material":43,"size":11,"collection":11,"collections":37792,"showCount":411,"zanCount":49,"manualWeight":49,"mainColor":50},216702,"hong-lou-meng-fu-tu-ce-22-yi-ming-216702","红楼梦赋图册-22","墨痕流转间，工整楷字铺陈着红楼雅韵，每一笔都藏着对书中世界的细腻描摹。四周花叶藤蔓如诗行旁的絮语，红绿相映，藤蔓蜿蜒缠绕，花瓣舒展灵动，似将大观园的草木清香凝于纸上。文字与装饰浑然一体，笔墨的沉稳与花叶的鲜活交织，既承载文学厚重，又晕染艺术灵秀。细密枝蔓、娇嫩花簇，仿佛轻声诉说红楼悲欢，让观者于笔墨间触碰到古典雅致与深情，尽显传统书画结合的独特韵味。",[26,27,28,530,32,31,124,3054,190,1737],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ffc83e049cacd20ca4742397e32a9bf87.jpg",[],{"id":37794,"slug":37795,"title":37796,"dynasty":55,"author":7,"museum":172,"description":37797,"tags":37798,"thumbUrl":37799,"material":43,"size":11,"collection":11,"collections":37800,"showCount":411,"zanCount":49,"manualWeight":49,"mainColor":50},216689,"hong-lou-meng-fu-tu-ce-31-yi-ming-216689","红楼梦赋图册-31","墨字如珠缀满素笺，缠枝花卉以柔蔓织就清雅边框。藤蔓婉转攀援，花叶鲜活灵动，与古朴墨韵相映成趣。笺上文字漫溢金陵旧事的幽微余韵，似将书中诗意抽丝剥茧，化作画间缠绕的柔枝。清雅笔触里藏着淡淡的怅惘，仿佛能触到红楼女儿的颦笑与叹息。图文交织处，笔墨的沉静与花叶的生机交融，让观者于方寸间重遇红楼的温柔与哀愁，沉浸在古典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Schedoni--The Last Supper","这幅作品跳脱了传统构图的肃穆对称，以躁动群像打破定式。强烈明暗对比下，天光收束于画面中心，衬出耶稣的沉静悲悯，与门徒们哗然躁动的神态形成极致反差。有人愤然质询，有人颓然失神，有人私语猜忌，将那一瞬间的惊愕纠葛尽数铺展。盘中粗粝写实的烤禽晕开俗世烟火，更反衬出信仰裂隙下的拉扯张力。狂放率性的笔触，让衣袍褶皱化作厚重肌理，将情绪具象化，把经典宗教场景从神性叙事拉回满是人性纠葛的戏剧现场，让背叛的错愕与信仰的震荡跃然画面。",[38039,30,2453,38040,38041,3244],"油画","最后的晚餐","聚餐","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fd30bac3133ccdbe918c896e1bbc42162.jpg",[],{"id":38045,"slug":38046,"title":38047,"dynasty":22,"author":7,"museum":172,"description":38048,"tags":38049,"thumbUrl":38051,"material":296,"size":297,"collection":11,"collections":38052,"showCount":693,"zanCount":49,"manualWeight":49,"mainColor":50},289124,"zhou-mao-shu-ai-lian-tu-yi-ming-289124","周茂叔爱莲图","此作用淡墨晕开烟霭，晕染出空濛柔婉的水泽春暮之境。右下老柳虬曲苍劲，翠条垂拂水面，满塘莲叶错落铺陈，随波轻漾。扁舟缓行于莲间，舟上雅士凭坐，悠然观莲，身侧童子侍立，氛围恬和淡远。\n\n画面以留白衬出烟水浩渺，远近层次晕染自然，近景实写柳与莲，远景以轻墨点染林峦，融于烟岚间，尽显空灵雅致。画风清润秀逸，以简淡之笔寄爱莲之意，将观莲人慕莲高洁的心境，融于江南水色的幽淡诗意中，禅雅相融，尽显文人画寄情于景的悠然意趣。",[26,27,29,32,33,60,128,446,30541,130,38050,4219],"爱莲","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F4b3393db452c6589c2785955f5071f0a.jpg",[],{"id":38054,"slug":38055,"title":38056,"dynasty":22,"author":7,"museum":172,"description":38057,"tags":38058,"thumbUrl":38063,"material":296,"size":297,"collection":11,"collections":38064,"showCount":693,"zanCount":49,"manualWeight":49,"mainColor":70},288804,"peter-paul-rubens-the-garden-of-love-left-portion-yi-ming-288804","Peter Paul Rubens--The Garden of Love (left portion)","彼得·保罗·鲁本斯（Peter Paul Rubens）（1577年6月28日—1640年5月30日），教名伯多禄·保禄·鲁宾斯，17世纪佛兰德斯画家，西班牙哈布斯堡王朝外交使节。鲁本斯是佛兰德斯画家，是巴洛克画派早期的代表人物。\n鲁本斯出生于德国锡根，在他的父亲去世后，12岁的鲁本斯跟随母亲回到了西班牙统治下的家乡安特卫普，并在那里接受了天主教洗礼。而宗教也成为鲁本斯画家生涯中十分重要的一个主题。",[38059,38060,32,33,127,38061,650,3277,38062],"西洋画","素描","天使","贵族","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F74cfc76c2d7c35b8632244807430e244.jpg",[],{"id":38066,"slug":38067,"title":38068,"dynasty":22,"author":7,"museum":172,"description":38069,"tags":38070,"thumbUrl":38073,"material":296,"size":297,"collection":11,"collections":38074,"showCount":693,"zanCount":49,"manualWeight":49,"mainColor":70},288800,"peter-van-lint-flemish-venus-de-medici-view-from-the-front-yi-ming-288800","Peter van Lint, Flemish--Venus de' Medici; view from the front","铅色笔触轻落在灰蓝纸面上，将雕像的优雅凝于画中。细腻线条顺着躯体起伏铺展，柔化了大理石的冷硬，把女性躯体的圆润肌理勾勒得舒展自然，静穆的古典神性藏在每一处柔和的转折里。\n\n左下角的骷髅添上了别样意趣，古典人体的永恒之美，对照着凡俗生命的虚幻无常，生出淡淡的怅惘隐喻。右下角的手写题注，为这幅严谨的写生晕开一丝松弛的纪实温度，让静态的复刻多了写生时的鲜活临场感。整体笔触克制又精准，兼顾雕塑的庄重与纸面写生的柔和层次，将古典人体的沉静美感融在朴素的素描细节中。",[38060,1572,4851,38071,38072,127,25604],"维纳斯","裸体人物","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fe4e20c4bb1454843c81c9d0b4729b4d7.jpg",[],{"id":38076,"slug":38077,"title":38078,"dynasty":55,"author":7,"museum":172,"description":38079,"tags":38080,"thumbUrl":38082,"material":296,"size":297,"collection":11,"collections":38083,"showCount":693,"zanCount":49,"manualWeight":49,"mainColor":70},288438,"li-dai-di-wang-gui-fei-da-chen-chao-fu-xiang-kang-xi-shi-si-zi-yin-ti-yi-ming-288438","历代帝王贵妃大臣朝服像(康熙十四子胤禵)","此作为写实工笔肖像，用笔精细入微。画师以淡墨晕染面部，将人物皮肤的松弛褶皱与霜色须发刻画得丝丝分明，沉稳威严的神态呼之欲出，尽显中年男子的沉凝气度。石青色常服线条劲挺，晕染出织物的厚重质感，暖绒官帽点缀出端庄仪范。蓝底红云坐褥设色浓艳华贵，与素净背景形成冷暖对比，衬得人物沉静内敛。上方题诗与画像呼应，暗合人物端方仁厚的风骨。整作形神兼备，既有宫廷肖像画的严谨工整，又将人物气度与仪容完美融合，是清代肖像画的上乘之作。",[26,27,32,33,31,29,12520,418,124,38081],"男性肖像","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F6a502daf27004585523e0ca50abe0f5c.jpg",[],{"id":38085,"slug":38086,"title":38087,"dynasty":55,"author":7,"museum":172,"description":38088,"tags":38089,"thumbUrl":38090,"material":296,"size":297,"collection":11,"collections":38091,"showCount":693,"zanCount":49,"manualWeight":49,"mainColor":50},288436,"li-dai-di-wang-gui-fei-da-chen-chao-fu-xiang-jian-wei-rui-feng-yi-ming-288436","历代帝王贵妃大臣朝服像(建威锐锋)","此作工笔精细写实，将老者威仪内敛的气度尽数铺展。画师落笔入微，老者苍劲的面容带着世家尊者的沉稳肃穆，褶皱细腻的朝袍晕染厚重华贵，补子纹饰与江崖海水层次分明，朝珠串饰色泽温润写实，细节处处彰显礼制规格。整体构图中正端方，素净背景衬得人物愈发庄重，脚下繁复华丽的地毯纹样，烘托出肃穆的宗族祭祀氛围。画作以形写神，色彩沉厚朴雅，将旧世家的宗法礼制风貌尽显笔底，兼具写实功力与礼制意蕴。",[26,27,29,32,31,33,8652,418,31565,12520],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F2c62be9cfeca4ec02b63c653d141fe86.jpg",[],{"id":38093,"slug":38094,"title":38095,"dynasty":55,"author":7,"museum":172,"description":38096,"tags":38097,"thumbUrl":38099,"material":296,"size":297,"collection":11,"collections":38100,"showCount":693,"zanCount":49,"manualWeight":49,"mainColor":70},288318,"li-dai-di-wang-gui-fei-da-chen-chao-fu-xiang-xiao-sheng-xian-huang-hou-yi-ming-288318","历代帝王贵妃大臣朝服像(孝圣宪皇后)","此作工笔细腻写实，将主人端庄沉静的仪态尽显无余。画师以精妙笔触晕染面容，神态慈和威严，还原出人物的尊贵气度。朝服纹样繁复华丽，蓝底衬以金线龙纹，腾云驾雾栩栩如生，江崖海水纹饰工整细致，绣法精妙绝伦，尽显皇家服饰的华贵规制。头顶朝冠、项下朝珠搭配严整，珠玉色泽莹润分明，层次饱满丰富。整体设色富丽雅致，构图端方稳重，既恪守宫廷肖像画的严谨范式，又将人物身份尊崇之感烘托到极致，是清代肖像画中兼具纪实性与艺术性的上乘之作。",[26,27,28,29,32,31,33,13318,418,59,38098],"宫廷肖像","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Faea8bfdb472ffe17c73c385092280157.jpg",[],{"id":38102,"slug":38103,"title":38104,"dynasty":55,"author":7,"museum":172,"description":38105,"tags":38106,"thumbUrl":38107,"material":296,"size":297,"collection":11,"collections":38108,"showCount":693,"zanCount":49,"manualWeight":49,"mainColor":50},288316,"li-dai-di-wang-gui-fei-da-chen-chao-fu-xiang-xiao-gong-ren-huang-hou-yi-ming-288316","历代帝王贵妃大臣朝服像(孝恭仁皇后)","此作工笔精谨，将皇后仪范尽致描摹。主尊神态端静温婉，面庞刻画细致入微，妆容典正合于宫规。石青朝服团龙暗纹隐现，肩缘行龙鲜活灵动，织绣技法精妙，配色沉穆华贵，礼制细节分毫毕现。身下坐毯云龙缠枝，纹样繁密富丽，衬出皇家尊崇地位。整幅恪守宫廷肖像范式，以细腻笔触还原帝后仪容气度，将清代服饰礼制与工笔肖像的精湛工艺相融，尽显雍容肃穆的皇家威仪，处处彰显出宫廷绘画的严谨匠心。",[26,27,28,32,31,33,59,345,418,8576],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fa2dbe0fb00235521de8b6884ca04506e.jpg",[],{"id":38110,"slug":38111,"title":38112,"dynasty":55,"author":7,"museum":172,"description":38113,"tags":38114,"thumbUrl":38115,"material":296,"size":297,"collection":11,"collections":38116,"showCount":693,"zanCount":49,"manualWeight":49,"mainColor":70},288311,"li-dai-di-wang-gui-fei-da-chen-chao-fu-xiang-kang-xi-fei-pin-wu-ya-shi-yi-ming-288311","历代帝王贵妃大臣朝服像(康熙妃嫔乌雅氏)","整幅画像工致写实，主人公端然正坐，神色温婉肃穆，尽显后宫妃嫔的端庄气度。石青色朝服上团龙纹盘绕，绣工细密平整，金线隐于织纹间流露华贵底色，护甲与长挑垂落，衬出身份尊荣。\n\n座椅披覆瑞兽纹锦缎，威严灵动的纹饰呼应主人地位，身下地毯缠枝花卉间游龙蜿蜒，繁复纹饰层次分明，晕染考究。画作设色沉稳雅致，恪守宫廷肖像画仪制规范，写实还原仪容之余，以精细织绣细节烘托出雍容端方的宫廷气韵，将礼制要求与肖像美感融为一体。",[26,27,31,32,33,127,59,345,12520],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fdbc7acf96a92961cf7f3af40e2233fa2.jpg",[],{"id":38118,"slug":38119,"title":38120,"dynasty":849,"author":7,"museum":172,"description":7560,"tags":38121,"thumbUrl":38122,"material":296,"size":297,"collection":11,"collections":38123,"showCount":693,"zanCount":49,"manualWeight":49,"mainColor":50},288152,"bei-wei-luo-zhou-ci-shi-diao-hui-gong-mu-zhi-ming-yi-ming-288152","北魏 雒州刺史刁惠公墓志铭",[854,124,3054,22525,6433],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fafc80eb0016c981c0e25ca67aecd2c15.jpg",[],{"id":38125,"slug":38126,"title":38127,"dynasty":55,"author":7,"museum":172,"description":38128,"tags":38129,"thumbUrl":38131,"material":296,"size":297,"collection":11,"collections":38132,"showCount":693,"zanCount":49,"manualWeight":49,"mainColor":50},288136,"ming-huang-xun-chu-tu-juan-yi-ming-288136","明皇训储图卷","此作用笔清劲工巧，设色古雅沉静。画面中帝王斜踞长榻，神色端凝威严；侍臣或肃立恭谨，或展卷奏事；按剑武士悍勇沉稳，人物情态各得其神。器物细节刻画精细，长榻旗幡皆合古制，尽显宫廷礼制的肃穆秩序。\n整体气韵醇厚静穆，暗合唐宋人物画遗风，将深宫训诲的庄重场景定格，形神兼备间，把君臣尊卑的威仪尽显笔底，是兼具纪实性与艺术性的人物画佳作。",[26,27,96,79,32,31,33,518,124,38130],"宫廷场景","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F582047270a75e47dbac46b28a266b5a5.jpg",[],{"id":38134,"slug":38135,"title":38136,"dynasty":55,"author":7,"museum":172,"description":38137,"tags":38138,"thumbUrl":38140,"material":296,"size":297,"collection":11,"collections":38141,"showCount":693,"zanCount":351,"manualWeight":49,"mainColor":70},288036,"qing-dai-xing-fa-ji-lu-tu-ce-yi-yi-ming-288036","清代刑罚记录图册（一）","这是清代外销通草水彩，以对称构图铺陈羁押人犯的场景。左右两组差役各自锁拿囚犯，差役持链拽引神态冷峻干练，两名垂头瑟缩的囚犯手足局促，满是惶然不安。居中官员负手而立，神态倨傲淡然，漠然审视眼前情景。\n\n画作以鲜明服饰区分身份层级，明黄官服彰显官员体面，差役制式衣帽规整肃杀，囚犯短打粗衣尽显落魄，色彩柔和却对比强烈。笔触细腻写实，精准描摹人物神态情态，既以纪实性还原清代司法羁押的日常场景，又以民俗绘画视角留存晚清司法样貌的鲜活切片，兼具独特史料价值与民俗艺术审美价值。",[32,31,33,9792,38139,530],"铁链","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F0fbd87589e801640c983f513a825a3e5.jpg",[],{"id":38143,"slug":38144,"title":38145,"dynasty":55,"author":7,"museum":172,"description":38146,"tags":38147,"thumbUrl":38149,"material":296,"size":297,"collection":11,"collections":38150,"showCount":693,"zanCount":49,"manualWeight":49,"mainColor":50},288001,"xi-yang-lou-tou-shi-tu-tong-ban-hua-yi-ming-288001","西洋楼透视图铜版画","这帧装帧以满幅连续纹样铺陈，深褐底色衬出暗绿缠枝造型，将洛可可的柔婉卷草与中式吉祥纹案相融，排布规整却不失灵动韵律。细密刻纹尽显铜版工艺的精湛，暗哑色调晕开旧时光的厚重质感，在方寸之间织就复古华丽的视觉层次，静述着东西美学碰撞下的独特雅致，让装帧也成为一件兼具装饰性与工艺价值的精巧造物。",[38148,2750,129,329,15901],"铜版画","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F318b289314360ab07e1313b5aa6903d1.jpg",[],{"id":38152,"slug":38153,"title":18288,"dynasty":55,"author":7,"museum":172,"description":38154,"tags":38155,"thumbUrl":38157,"material":296,"size":297,"collection":11,"collections":38158,"showCount":693,"zanCount":49,"manualWeight":49,"mainColor":70},287998,"hang-cheng-xi-hu-jiang-gan-hu-shu-tu-yi-ming-287998","此作是全景式古舆图，兼融纪实功用与文人笔意。\n上方绘就湖山胜景：层峦叠翠间林木蓊郁，烟水萦回处亭榭错落，将湖光山色的灵秀雅致晕染开来；下方铺陈城郭全貌：街巷里坊鳞次栉比，水陆驿道经纬交织，把市井烟火的繁阜日常细致铺展。\n它以山水画的写意笔法绘就地理格局，没有冰冷的测绘标尺，却以疏密线条与晕染皴擦，精准还原湖城相依的地缘肌理，既可考稽往昔城坊风貌，亦带着江南水墨的温婉意趣，是实用与审美合二为一的佳作。",[26,27,28,79,32,60,329,9149,129,131,13158,2657,38156],"城市风貌","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F4f1510598a460c8c71b4f8489d21fef0.jpg",[],{"id":38160,"slug":38161,"title":38162,"dynasty":22,"author":7,"museum":172,"description":38163,"tags":38164,"thumbUrl":38165,"material":296,"size":297,"collection":11,"collections":38166,"showCount":693,"zanCount":49,"manualWeight":49,"mainColor":70},287984,"fa-cang-quan-jing-p2252-cha-tu-ban-fu-shuo-fu-ming-jing-juan-di-shi-san-shou-gao-xia-bu-zhi-bei-shou-gao-xia-bu-yi-ming-287984","法藏全景 P2252插圖版 佛說佛名經卷第十三 手稿 下部 纸背手稿 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著色人物)","本幅画士人坐于榻上，驻目凝思，执笔似欲书写。身旁陈设琴、棋、书、画四事，以及饮食之物，童子在旁斟酒。榻后有座屏风，其上悬挂着士人之写真画轴。画中主人公集文人之雅玩趣事于身边，表现出闲适雅逸之生活。关于画中之人物，可能是追想王羲之，事实上是反映宋文人的生活。南宋流行之“烧香、点茶、褂画、插花”等情趣，在北宋末已酝酿发展中，本幅可见其端倪。一般「画中画」的屏风，多填饰以山水，本幅则以花鸟为饰，相当难得。不但反映出北宋末汀渚水鸟的风格，也反映出徽宗朝花鸟画特别兴盛的时代性。\n本幅画曾经宋徽宗、高宗、清高宗等帝王收藏。清高宗对画中人物甚感兴趣，曾命姚文瀚也画张相似构图之作，画中人物则代之以穿着士服的乾隆皇帝，流露出皇帝也向往雅逸文人生活的心意。",[27,32,31,33,346,345,145],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fcd592d8dc8ca0cfee648f3aaedf109b3.jpg","29x27.8厘米",[],{"id":40644,"slug":40645,"title":40646,"dynasty":141,"author":7,"museum":720,"description":40647,"tags":40648,"thumbUrl":40649,"material":109,"size":40650,"collection":11,"collections":40651,"showCount":693,"zanCount":49,"manualWeight":49,"mainColor":70},231888,"lu-ye-da-mo-tu-yi-ming-231888","芦叶达摩图","亲近佛道的人，除了兴趣，往往都有自救的动机和解脱的渴望——他们对心中迷乱挣扎有着更真切的体会和更迫切的出离愿望。但常听人问起如何才能心不乱、到底应该如何去修等问题，先圣经典对此讲说甚多而明明白白，为什么还有这么普遍的困惑呢？除了法门太多而无从抉择的原因，更多的恐怕还是很多法门都太高妙，自己找不到实在的下手处。\n法门的选择上，先圣早已明言：“佛说一切法，为治一切心；若无一切心，何须一切法”、“一门深入，即可成就”。一切法门都是为适应众生不同根机的方便，实相和本源皆在言外法下，纠结于名相或盯在高低优劣，都是不解乃至大违圣意。正确的路子，是依自己适合的而抉择，然后笃定地做下去便是。\n无从下手则是实实在在的难处，强求不了。到底有没有既深契高妙又可真正下手的法门？我能想到的最好的答案是菩提达摩的32字心法，记载于《景德传灯录》中。\n达摩是禅宗西天第二十八祖，东土初祖。他的名号在中国可谓无人不知无人不晓，他的教法了解的却恐怕不多。禅宗的发展是向着越来越玄妙、越来越难以把握去的，因为祖师们觉得一切把握都等同于妄，非得透一切名相而直契本源不可，只是其中超妙非利根而不得入。禅宗是否一向如此呢？不是的，至少不完全是——在达摩祖师的时代，教法上不仅有着禅宗一贯的宗旨，下手上也是朴实直接的。这点其实一直到六祖慧能也还保留着，我们看《坛经》中的接引，也都是实实在在的。\n32字心法的内容是：“外息诸缘，内心无喘。心如墙壁，可以入道。明佛心宗，等无差误。行解相应，名之曰祖。”它有两个重大处，一是不是孤立提出，而是在达摩祖师总结的入道二门——理入和行入的基础上提出来的。行入又包括四行，是入道的四个可以真正下手处，称之为“四行观”，“其余诸行，悉入此中”。二是理入与行入之间，还暗含一大玄机，乃一切法门的总纲所在，可称根本心法，却少为人注意。\n只是这理入的玄机，非详知四行而不得解。所以达摩虽将理入安立在行入之前，并大有如此安排的深意，却需要先从四个可以真正下手处说起。",[26,27,29,30,33,123,144,125,82],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F4aa936cbcd0ef7ed62fe770ec635c672.jpg","175×38.5厘米",[],{"id":40653,"slug":40654,"title":40655,"dynasty":22,"author":7,"museum":172,"description":40656,"tags":40657,"thumbUrl":40658,"material":296,"size":297,"collection":11,"collections":40659,"showCount":693,"zanCount":49,"manualWeight":49,"mainColor":50},231711,"lian-cang-shi-dai-tian-gou-cao-zhi-hua-juan-yan-li-si-juan-yi-ming-231711","镰仓时代 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珐瑯彩瓷黄地梅竹先春盘",[15810,2194,32,542,145,346,80],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F51d8839d4a748d4e3a1f7b8a0ea9e8e4.jpg",[],{"id":40803,"slug":40804,"title":40805,"dynasty":55,"author":7,"museum":172,"description":13046,"tags":40806,"thumbUrl":40808,"material":296,"size":297,"collection":11,"collections":40809,"showCount":693,"zanCount":49,"manualWeight":49,"mainColor":50},229264,"hua-fa-lang-mei-hua-shui-sheng-yi-ming-229264","画珐瑯梅花水盛",[160,21399,40807,32,542],"画珐瑯","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F9fb706515dffee9b02e89881daae177a.jpg",[],{"id":40811,"slug":40812,"title":40813,"dynasty":55,"author":7,"museum":172,"description":40814,"tags":40815,"thumbUrl":40816,"material":296,"size":297,"collection":11,"collections":40817,"showCount":693,"zanCount":351,"manualWeight":49,"mainColor":70},229256,"ka-zhang-ga-tian-zhang-yi-ming-229256","喀章嘎(天杖)","通体鎏金熠熠生辉，顶部层叠怒面明王，宝相威严慑人，松石与珊瑚错落嵌饰，古艳夺目。十字金刚杵承接修长杖身，锋刃棱线凌厉规整，刚劲挺拔。它以冷峻金铁承载密法降魔之威，又以柔润珠玉晕开雪域审美之华，金工卓绝，将忿怒尊的威慑与珠宝的华美相融，冷金暖石相映成趣，是灵韵与工技合一的精妙法器，尽显藏地造艺的匠心巧思。",[160,30,430,268,406,431],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F6da9985c55cc6c58ca5ca39588adbfba.jpg",[],{"id":40819,"slug":40820,"title":40821,"dynasty":241,"author":7,"museum":172,"description":40822,"tags":40823,"thumbUrl":40824,"material":296,"size":297,"collection":11,"collections":40825,"showCount":693,"zanCount":49,"manualWeight":49,"mainColor":70},228821,"gu-xiu-shi-liu-ying-zhen-tu-yi-ming-228821","顾绣十六应真图","明嘉靖年间,露香园主顾名世之妾缪氏擅绣人物、佛像,又有顾媳韩氏仿宋元画入绣。因绣品气韵生动,于是名噪一时。",[26,1924,123,32,30,33,532,162,163,82],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ffd2601ee105f36fa640e1cc4bf14f7dc.jpg",[],{"id":40827,"slug":40828,"title":40829,"dynasty":241,"author":7,"museum":172,"description":40830,"tags":40831,"thumbUrl":40832,"material":11,"size":11,"collection":11,"collections":40833,"showCount":693,"zanCount":49,"manualWeight":49,"mainColor":50},228814,"xing-lv-tu-yi-ming-228814","行旅图","此作以淡墨晕染出江南暮野水畔之景。柔柳垂丝错落于画面边角，晕开朦胧氤氲的暮色氛围。郊野水泽间，行骑缓行，驮队紧随，简笔勾勒的旅人神态松弛，带着日暮赶路的闲淡倦意。远景中山丘村舍隐于墨色晕染间，虚实相生，将乡野暮色的清寂淡远尽数铺陈。整作笔墨简淡苍润，以简驭繁，留白处尽显空濛诗意，把羁旅暮归的悠然况味融于水乡烟霭之中，尽显小品山水的雅致意趣，于古旧绢色间晕开静谧悠远的古典意境。",[27,219,144,32,33,1006,532,60,2688],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F21df2211d26e0597c4692d204c60fc5e.jpg",[],{"id":40835,"slug":40836,"title":40837,"dynasty":241,"author":7,"museum":172,"description":40838,"tags":40839,"thumbUrl":40841,"material":296,"size":297,"collection":11,"collections":40842,"showCount":693,"zanCount":49,"manualWeight":49,"mainColor":50},228787,"tian-long-ba-bu-luo-cha-nv-zhong-yi-ming-228787","天龙八部罗叉女众","这幅画本是明代宫廷佛像画作，工笔重彩，人物造型精准，表情生动，堪称明代佛画中的顶级作品。从其左下方“御用监太监尚义王勤等奉命提督监造”的字样可知。尚王二人，皆为负责宫廷佛事的御用监太监，其地位甚至要高于同时期的郑和。",[26,27,28,931,30,31,32,33,1056,40840,638],"护法形象","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F07bbf54a59c4eb18498e924da22790e0.jpg",[],{"id":40844,"slug":40845,"title":40846,"dynasty":241,"author":7,"museum":172,"description":40847,"tags":40848,"thumbUrl":40849,"material":11,"size":11,"collection":11,"collections":40850,"showCount":693,"zanCount":49,"manualWeight":49,"mainColor":50},228376,"ren-wu-gu-shi-ye-yi-ming-228376","人物故事页","此作用笔挺劲，以铁线描勾勒形象，线条简练流畅，将人物衣褶的起伏褶皱精准铺展，生动带出二人一马二牛的动态。骑者神色安然，坐姿舒展，仆从赤足束发，扬杆驱策双牛，朴拙情态呼之欲出。\n\n设色简淡清雅，以赭石、石绿晕染衣饰层次，古旧绢面晕开沉厚古韵。画面捕捉羁旅行役的日常一瞬，以小见大，无繁复铺陈却将赶路的平实氛围烘托尽致。留白与古印相映，暗合古韵悠长的雅致意趣，尽显写实中暗藏写意情致的风貌，浅淡间定格行旅的烟火日常。",[26,27,32,33,2944,1006,82],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F35b314c39166e2c1ee3b7573373fd05b.jpg",[],{"id":40852,"slug":40853,"title":13183,"dynasty":141,"author":7,"museum":172,"description":40854,"tags":40855,"thumbUrl":40859,"material":11,"size":11,"collection":11,"collections":40860,"showCount":693,"zanCount":351,"manualWeight":49,"mainColor":50},228236,"xue-shan-yun-lv-tu-yi-ming-228236","整幅画作以萧寒冬日为底色，虬劲枯木扎根嶙峋坡石，枝干尽脱，带着凌冽的荒寒之气。淡墨晕染出山峦积雪，将冬日山野的厚重冷寂铺展开来，边角山石奇崛错落，勾勒出空阔辽远的天地。\n\n中景处的运驴队伍缓步而行，为清寂的雪野晕开一丝烟火暖意，动静相映，让冷肃山水多了几分行路意趣。笔墨苍简老辣，干笔勾勒山石肌理，淡墨铺陈积雪留白的空灵，将苍逸简淡的意趣融于其中，把冬日山野的空寂萧寒与行路的市井意趣相融，清冷中带着鲜活生气，尽显小品山水的精妙意韵，将冬日荒岭的清寒意境烘托得淋漓尽致。",[26,27,2415,40856,144,6000,1114,17887,4840,31664,40857,33509,40858,6667],"小品画","荒寒","干笔","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F114c3794a49fbc91897e8c3e82f12c09.jpg",[],{"id":40862,"slug":40863,"title":40864,"dynasty":141,"author":7,"museum":172,"description":40865,"tags":40866,"thumbUrl":40867,"material":296,"size":297,"collection":11,"collections":40868,"showCount":693,"zanCount":49,"manualWeight":49,"mainColor":50},228233,"da-mo-xiang-yi-ming-228233","达摩像","达摩，是中国禅宗的初祖。他生于南印度，婆罗门族，出家后倾心大乘佛法。梁·普通年中（520～526，一说南朝宋末），他自印度航海来到广州，从这里北行至魏，到处以禅法教人。据说他在洛阳看见永宁寺宝塔建筑的精美，自言年已一五0岁，历游各国都不曾见过，于是‘口唱南无，合掌连日’（《洛阳伽蓝记》卷一）。",[26,79,27,28,29,30,123,144,33],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F896744299faea52caf62dceaf7edaa23.jpg",[],{"id":40870,"slug":40871,"title":40872,"dynasty":141,"author":7,"museum":172,"description":40873,"tags":40874,"thumbUrl":40875,"material":11,"size":11,"collection":11,"collections":40876,"showCount":693,"zanCount":49,"manualWeight":49,"mainColor":50},228232,"xin-pi-yin-ju-tu-yi-ming-228232","辛毗引裾图","苍松虬曲、茂叶层叠，将深庭掩映出私密肃穆的议事氛围。画面人物排布错落有致，主宾对坐之间，扯衣强谏的身姿凛然生动，把忠直不屈的诤臣情态凝于笔端。侍从仕女垂立恭谨，更衬出君臣对谈的张力。\n\n设色沉厚朴拙，线条凝练劲挺，以淡赭墨晕染衣褶神情，将汉末朝堂犯颜直谏的场景复刻于绢素之上，定格古人犯言敢谏的风骨，兼具叙事性与感染力，尽显古雅厚重的历史画意趣，让千年前的忠直诤言仿佛仍回荡在庭间。",[26,27,28,29,32,31,33,131,650,64,877],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F5a4418be9d801ecd024106fbbe1a8721.jpg",[],{"id":40878,"slug":40879,"title":4820,"dynasty":141,"author":7,"museum":172,"description":40880,"tags":40881,"thumbUrl":40882,"material":11,"size":11,"collection":11,"collections":40883,"showCount":693,"zanCount":49,"manualWeight":49,"mainColor":50},228224,"luo-han-yi-ming-228224","此作绘禅林尊者，蹙眉沉凝，神色威严沉静，似正于枯岩禅椅间论禅说法。衣纹以铁线描勾勒，转折刚劲爽利，敷色苍古沉稳，石色晕染出衣袍厚重质感，暗纹隐现愈显庄重。靴履绒毛、衣缘纹饰刻画入微，细节见功底。淡墨晕染的枯木怪石烘托出幽寂禅意，整幅画作承袭唐宋造像法度，兼具元代洗练气质，将高僧超尘出世的沉静风骨尽显无遗，古韵悠悠，尽显宗教人物画的肃穆雅致。",[27,28,29,30,32,33,31],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ff22c2af75802b1709a4750a9ddb96e95.jpg",[],{"id":40885,"slug":40886,"title":40887,"dynasty":141,"author":7,"museum":172,"description":40888,"tags":40889,"thumbUrl":40890,"material":11,"size":11,"collection":11,"collections":40891,"showCount":693,"zanCount":49,"manualWeight":49,"mainColor":50},228221,"qiu-lin-shan-zhuang-tu-ye-yi-ming-228221","秋林山庄图页","此作用笔简淡松秀，以干笔皴擦辅以淡墨晕染，绘就秋日山林逸致。远山空灵虚蒙，主峰浑厚苍劲，带着沉静古拙之气。近岸林木错落，墨色浓淡相宜，枯荣交织间晕开清寂秋意。山居隐于林麓深处，石阶蜿蜒探入其间，藏着避世闲雅的意趣。浅滩碎石错落，缓流无声，野趣横生。\n\n整幅画以萧散之韵勾勒山水，摒弃繁饰，将秋日山野的幽寂与山居恬逸融为一体，尽显文人画尚意境、重简淡的风骨，观之便如踏入清秋林泉，山风裹木叶轻响漫过周身，浸满心间出世的安宁。",[26,27,144,32,614,530,60,613,162,129,7713],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F0d509898140a5a6b0d07109bfe329e7f.jpg",[],{"id":40893,"slug":40894,"title":19041,"dynasty":75,"author":7,"museum":172,"description":40895,"tags":40896,"thumbUrl":40897,"material":11,"size":11,"collection":11,"collections":40898,"showCount":693,"zanCount":351,"manualWeight":49,"mainColor":50},227933,"shuang-xiao-han-chu-tu-ye-yi-ming-227933","疏棘轻篠间，五只稚雀错落栖止。或垂首理羽，或探喙啄枝，或敛翅俯瞰，姿态灵动娇憨，尽显幼雀软萌天真。\n画师笔墨细腻入微，禽鸟绒毛以淡墨轻晕，层层敷色将绒羽蓬松柔润的质感晕染尽致，荆棘枯涩遒劲的枝桠与竹篠清润秀挺的叶片形成鲜明质感对比，烘托出深冬清萧寒寂的氛围。\n画面构图疏密相宜，淡古的绢底色调晕开沉静雅致的氛围感，于尺幅小景间铺展出冬日荒寒里的鲜活生机，尽显以小见大、于细微处撷取意趣的审美情致，淡韵悠长，耐人寻味。",[26,27,79,28,530,31,32,80,145,193],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fd11bccfa0733fb47e60f50906728a46b.jpg",[],{"id":40900,"slug":40901,"title":40902,"dynasty":75,"author":7,"museum":172,"description":40903,"tags":40904,"thumbUrl":40905,"material":11,"size":11,"collection":11,"collections":40906,"showCount":693,"zanCount":49,"manualWeight":49,"mainColor":50},227923,"lian-tang-fan-ting-tu-yi-ming-227923","莲塘泛艇图","此作用水墨晕染铺就塘间幽趣，古木虬曲苍劲，浓墨点叶半掩水榭，凭栏二人对坐低语，檐下暗影浮动浸着凉意。扁舟缓行于烟水间，舱中三人敛衣静坐，淡墨晕开的烟霭晕化虚实界限，树影与水色融作一片朦胧，将暑夜荷塘的清宁雅致尽数铺展。\n\n全画以墨色浓淡区分层次，于尺幅团扇间营造出悠远空阔的幽居之境，尽显闲逸雅致的林下风流，寥寥笔墨便勾勒出淡远空灵的氛围感，将幽寂闲趣藏进晕染的烟水间，诗意漫溢其间。",[26,799,79,27,28,219,32,31,60,33,128,232,446,531,131,130],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F3772f4c64aa6c5f5f71e8800df047da4.jpg",[],{"id":40908,"slug":40909,"title":140,"dynasty":75,"author":7,"museum":172,"description":40910,"tags":40911,"thumbUrl":40914,"material":11,"size":11,"collection":11,"collections":40915,"showCount":693,"zanCount":49,"manualWeight":49,"mainColor":277},227912,"zhu-shi-tu-yi-ming-227912","以淡墨晕染出空茫幽寂的天地，将幽竹顽石隐于画幅下半隅，尽显萧散简远的林下意趣。\n浓墨挥写竹竿，劲挺有节，竹叶以介、个笔法点染，错落交叠，似带山中风声，既有婆娑摇曳之姿，又暗合君子坚韧不折的品格。怪石以枯淡墨笔勾勒皴擦，苍朴古拙，与修竹相映，衬出山野荒寒的幽僻之境。\n整幅画面留白通透，以极简笔墨营造出空寂禅意，把文人寄情林泉的澹泊襟怀，融于水墨虚实之间，尽显含蓄雅致的写意风神。",[26,27,28,79,711,29,144,145,1525,163,40912,614,40913],"墨竹","竹石","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fa4a6beb5f7a689648a17c4240b5acc88.jpg",[],{"id":40917,"slug":40918,"title":40919,"dynasty":75,"author":7,"museum":172,"description":40920,"tags":40921,"thumbUrl":40922,"material":11,"size":11,"collection":11,"collections":40923,"showCount":693,"zanCount":49,"manualWeight":49,"mainColor":50},227860,"dou-niu-tu-yi-ming-227860","斗牛图","枯木斜欱，淡墨晕出朦胧坡岸，寥寥数笔便铺就荒寂郊野底色。两头犍牛犄角相抵，四蹄攒动拧转，躯体的肌肉轮廓以浓墨晕染，将角力间迸发的蛮力与野性尽数展露。\n\n全作笔致简淡却精准传神，舍去多余修饰，独取斗牛最酣烈的一瞬定格。以写意笔墨捕捉牲畜好斗的天生野性，乡野间蓬勃朴拙的生趣跃然绢素，于疏淡之中蕴藏着饱满蓬勃的生命力，尽显以简驭繁的写意妙趣。",[26,27,79,28,29,32,31,2944,146,532,144],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fd528a92ff060f51045a85b2c95ebad86.jpg",[],{"id":40925,"slug":40926,"title":40927,"dynasty":75,"author":7,"museum":172,"description":40928,"tags":40929,"thumbUrl":40930,"material":11,"size":11,"collection":11,"collections":40931,"showCount":693,"zanCount":49,"manualWeight":49,"mainColor":50},227857,"gui-mu-tu-yi-ming-227857","归牧图","柔柳垂丝轻拂溪岸，将暮春的慵懒揉入淡墨晕染的郊野暮色里。右侧石畔春树缀着初绽的碎花，清润雅致。\n\n溪间小径上，牧童斜卧牛背，抬手逗弄枝梢，自在憨顽的神态跃然绢上。水牛缓步徐行，憨态温驯，带着收工后的松弛安然。\n\n整幅笔墨简括灵动，留白悠远清寂，将日暮归牧的闲散诗意铺陈开来。寥寥数笔便定格乡野间悠然自适的日常，把田园隐逸的恬淡安闲揉进空濛画境里，尽显小品画的隽永意趣。",[79,27,28,31,32,60,33,2944,2208,162,1623],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ffa148c2528ceed5d7922fc200a9a4438.jpg",[],{"id":40933,"slug":40934,"title":31400,"dynasty":75,"author":7,"museum":172,"description":40935,"tags":40936,"thumbUrl":40938,"material":11,"siz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山石古树的写意，笔法是郭熙的，但郭繁星的笔法是郭繁星的一点点，被认为是南锡熙画派的作品。",[26,27,28,144,32,60,146,613,125,124,614],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fc3f1cb467eb71decc35abd1492185aa5.jpg","50.5×39.2厘米",[],{"id":41600,"slug":41601,"title":36561,"dynasty":75,"author":7,"museum":3073,"description":41602,"tags":41603,"thumbUrl":41604,"material":1433,"size":27097,"collection":11,"collections":41605,"showCount":693,"zanCount":49,"manualWeight":49,"mainColor":50},223458,"shan-shui-tu-ye-yi-ming-223458","伴随着王朝更迭，赵宋南渡，山水画的风格面貌也发生了非常大的转变，其最为显著的特征就是南宋一改北宋山水画全景式的宏大构图，代之以空灵雅致的边角式构图。这是南北山河地貌的差异造成的：描绘的对象发生了改变，画家们的画法自然也会随之改变。这种画风上的变革却常常被后世附会为画家们用画作中的“残山剩水”寄托对故土的哀思，更以此去劝诫君王莫要偏安一隅。然而，正是南宋时期对山水画独特的审美追求造就了山水小品画空前繁荣，现存的宋代山水小品画也大多创作于这一时期。",[26,27,28,530,32,31,614,60,613,129,162],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Faaaf7d12794a522b894f58b7f4ce2bcb.jpg",[],{"id":41607,"slug":41608,"title":41609,"dynasty":75,"author":7,"museum":56,"description":41610,"tags":41611,"thumbUrl":41612,"material":335,"size":41613,"collection":11,"collections":41614,"showCount":693,"zanCount":49,"manualWeight":49,"mainColor":70},223444,"han-tang-fu-lv-tu-ye-yi-ming-223444","寒塘凫侣图页","此图无款，旧签题为“赵昌寒凫侣”，但究其画，近似马远画法，带有南宋画风的痕迹，与北宋赵昌无涉，故改为佚名之作。\n图左侧塘岸土坡，白梅一枝斜出，枝上梅花怒放，枝下茶花、水仙盛开。一对野鸭嬉戏于水中，顾盼生姿，逗人喜爱。对岸土坡败苇稀疏，两只蓝色的小鸟前后相随飞向远方，随之视去画有尽而意无穷。\n对开有清乾隆皇帝御题诗一首：“平湖已动鲤鱼风，湖岸秋花色尚红。波上双凫多乐意，依稀识者有吴融。”\n清《石渠宝笈续编》著录。",[26,27,31,32,530,542,9977,35,8888,146],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F92b016892178b99231b9f07507027218.jpg","纵16.6厘米，横20.8厘米",[],{"id":41616,"slug":41617,"title":41618,"dynasty":55,"author":7,"museum":76,"description":9136,"tags":41619,"thumbUrl":41621,"material":11,"size":11,"collection":11,"collections":41622,"showCount":693,"zanCount":49,"manualWeight":49,"mainColor":50},223414,"ma-zu-qi-ji-e-yi-ming-223414","妈祖奇迹E",[26,27,32,31,30,33,129,41620,131,2770,1281,329],"船舶","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fa9f1096e57f0a741f1d7f0fdf0c487ec.jpg",[],{"id":41624,"slug":41625,"title":41626,"dynasty":55,"author":7,"museum":76,"description":9136,"tags":41627,"thumbUrl":41630,"material":11,"size":11,"collection":11,"collections":41631,"showCount":693,"zanCount":49,"manualWeight":49,"mainColor":50},223413,"ma-zu-qi-ji-d-yi-ming-223413","妈祖奇迹D",[26,27,32,33,10979,41628,30,34003,41629],"海战","海神","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F852cb7b4033c4b43bfc969ca1ad2a4f9.jpg",[],{"id":41633,"slug":41634,"title":41635,"dynasty":141,"author":7,"museum":76,"description":41636,"tags":41637,"thumbUrl":41638,"material":22,"size":41639,"collection":11,"collections":41640,"showCount":693,"zanCount":49,"manualWeight":49,"mainColor":70},221784,"yuan-ke-si-ji-xiang-xi-jin-gang-zhou-yi-ming-221784","元缂丝吉祥喜金刚轴","吉祥喜金刚是密教五大金刚之一，守护修密行者的本尊，肤色深蓝，裸上身，腰系虎皮裙，手执金刚长杖，配戴降魔人头璎珞，八面十六臂四足，以展左立的姿态，踏住四魔波旬，立在莲华座上。\n十六臂表十六空，手中持有十六嘎布拉（头盖骨）做的钵，分别盛著象、鹿、驴、牛、驼、人、狮、猫等「八物」（右手）及天地、水、火、风、日、月、阎魔及财神等「八天」（左手），波旬诱人趋恶远善，不得正觉，故足踏波旬即表喜金刚能调伏欲望，除贪、嗔、痴毒。\n本幅所织应为吉祥喜金刚，原题误为嘛噶喇佛。\n是幅画面很小，织工极精密。\n少见之元缂丝佛像精品。",[161,30,29,272],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fd46dbf42e275ca9b091c2b7930cdf71c.jpg","86.3x63.4",[],{"id":41642,"slug":41643,"title":41644,"dynasty":171,"author":7,"museum":172,"description":41645,"tags":41646,"thumbUrl":41649,"material":11,"size":11,"collection":11,"collections":41650,"showCount":693,"zanCount":49,"manualWeight":49,"mainColor":277},221130,"fa-hua-jing-huang-jin-zhi-ge-xian-yi-ming-221130","法华经黄金纸格线","以绀色为底，泥金小楷恭谨抄录经文，点画匀整秀雅，笔势圆融舒展，尽显端严法度。字里行间静穆平和，将书写者的虔敬之心融于每一处提按转折，自带澄净安宁的气息。\n\n四周以缠枝瑞草织锦为饰，宝叶柔蔓层层铺展，金蓝配色华贵雍容，与经文的静雅相得益彰，将宗教的庄严感与工艺美学相融。\n\n整体形制典雅规整，书法与织绣工艺合为一体，既是信仰的载体，亦是盛世审美意趣的缩影，尽显匠心与虔诚交织的极致风华。",[28,124,3053,30,3054,32,41647,41648,3056,1504],"黄金纸","格线","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fd6f3ac82854e87de7a5adb5de3966c29.jpg",[],{"id":41652,"slug":41653,"title":41654,"dynasty":171,"author":7,"museum":172,"description":41655,"tags":41656,"thumbUrl":41657,"material":11,"size":11,"collection":11,"collections":41658,"showCount":693,"zanCount":49,"manualWeight":49,"mainColor":50},221129,"fa-hua-jing-jin-ye-zi-ge-xian-yi-ming-221129","法华经金叶子格线","此作以织锦镶边，装裱古雅沉静。墨书楷体排布严整，结体匀秀端凝，笔力温润内敛，尽显写经之人的恭谨肃穆。纸面金箔残损斑驳，恰似岁月镌刻下的痕迹，为这件写本晕开沧桑质感。规整格线框定经文，笔墨间既有宗教仪轨的庄严，又饱含唐人书法的雍容法度，字里行间藏着虔诚的信仰底色，残损金箔让时光厚重与经文神圣交融，勾勒出古写经独有的沉静美感，将大唐写经的雅致法度与岁月沉淀的古朴意蕴融为一体。",[26,30,3053,124,3054,430,32,4486,28,1421],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F1f4da6fe4a3e84d9a3a388205ef3b2f2.jpg",[],{"id":41660,"slug":41661,"title":41662,"dynasty":75,"author":7,"museum":1201,"description":41663,"tags":41664,"thumbUrl":41665,"material":43,"size":41666,"collection":11,"collections":41667,"showCount":693,"zanCount":49,"manualWeight":49,"mainColor":50},218632,"di-jiu-luo-han-tu-yi-ming-218632","第九罗汉图","端坐如磐的罗汉，眉眼间凝着静定的光。青蓝与米白的袍服层叠流转，绿裳轻垂于膝，足履素净。左侧侍者躬身捧物，恭谨中透着鲜活气；右侧小人持杖而立，稚拙动作藏着几分顽皮。下方池面残荷点缀，粉白莲瓣散落，似有暗香随波漫溢。线条婉转如流泉，勾勒出肌理的细腻与衣纹的柔软；设色古朴却灵动，将罗汉的超脱与周遭烟火气融于绢上。斑驳绢色里，藏着宋代人物画的写实妙趣，每一处细节都似低语，诉说禅意与生活交织的旧时光。",[27,30,32,31,33,232,346],"https:\u00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Paul Rubens--Bust of Pseudo-Seneca",[38060,12520,33,42056,37814,3244],"老年男性","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F1b340c00fc7f0fdbef552843d670cf37.jpg",[],{"id":42060,"slug":42061,"title":42062,"dynasty":22,"author":7,"museum":172,"description":42063,"tags":42064,"thumbUrl":42066,"material":296,"size":297,"collection":11,"collections":42067,"showCount":249,"zanCount":49,"manualWeight":49,"mainColor":70},288798,"philippe-de-champaigne-portrait-of-charlotte-duchesne-yi-ming-288798","Philippe de Champaigne--Portrait of Charlotte Duchesne","这幅肖像以简练精准的炭笔笔触，晕染出少女沉静温婉的气质。画师着重雕琢眉眼，柔缓排线晕开眼窝阴影，将人物澄澈内敛的眸光定格，微扬的唇角噙着浅淡笑意，平和舒展。发丝以虚实结合的笔触铺陈，蓬松卷曲的发缕带着呼吸感，与面部细腻晕染呼应，衬得人物愈发柔润鲜活。画面仅以极简线条勾勒衣领，将视觉重心全然交付于面庞，把少女恬和的神态刻画得淋漓尽致。右上角题字添了复古质感，留白尽显古典素描克制传神的魅力，寥寥数笔，便让人物鲜活气韵跃然纸上。",[38060,12520,1572,3244,42065],"女性肖像","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F9ca24cc4748abb4301e980c96821fef5.jpg",[],{"id":42069,"slug":42070,"title":42071,"dynasty":22,"author":7,"museum":172,"description":42072,"tags":42073,"thumbUrl":42075,"material":296,"size":297,"collection":11,"collections":42076,"showCount":249,"zanCount":49,"manualWeight":49,"mainColor":70},288725,"utagawa-kunisada-drawing-intended-as-design-for-an-actor-print-yi-ming-288725","Utagawa Kunisada--Drawing Intended as Design for an Actor Print","这是一幅精巧的役者绘，借戏中戏的构思定格舞台妙趣。画中伶人怀拥道具，手中折扇铺展出另一角的俊朗扮相，以扇面构建出虚实相映的别致巧思。简练淡柔的墨线勾勒和服层叠褶皱，素雅留白衬出人物舒展仪态，题字暗藏剧目角色细节，将江户歌舞伎的市井意趣藏于方寸。浅淡色调克制雅致，凝住舞台上诙谐灵动的瞬间，尽显浮世绘独有的町人审美，带着江户演剧鲜活的烟火气，让观者轻触旧时剧场的鲜活声色。",[10461,1572,123,18679,15937,42074],"男性人物","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F65903f95691411f77b4d1b5230c0dba4.jpg",[],{"id":42078,"slug":42079,"title":42080,"dynasty":2305,"author":7,"museum":172,"description":42081,"tags":42082,"thumbUrl":42083,"material":296,"size":297,"collection":11,"collections":42084,"showCount":249,"zanCount":49,"manualWeight":49,"mainColor":50},288516,"xing-hu-tu-yi-ming-288516","醒虎图","以水墨写尽虎之慵懒醒态，淡墨晕染间铺陈皮毛蓬松质感，兼以细劲墨线勾勒斑纹，虚实相生间将百兽之王初醒时的松弛写意而出。半睁的睡眼含着未散的惺忪，却暗沉着山林霸主的隐然威严。\n背景只以寥寥枯木荒草点染，愈发衬出野岭荒寒的寂廖意境，舍去繁缛布景，将视线全然凝于虎身。笔意简练却形神兼备，尽显野逸格调，于简淡笔墨中藏着沉浑生气，把山林猛兽松弛瞬间刻画入微。",[26,79,27,144,29,887,272],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F93c484e8ef12c6a89cbca1816eedbde6.jpg",[],{"id":42086,"slug":42087,"title":42088,"dynasty":22,"author":7,"museum":172,"description":42089,"tags":42090,"thumbUrl":42091,"material":296,"size":297,"collection":11,"collections":42092,"showCount":249,"zanCount":49,"manualWeight":49,"mainColor":70},288480,"ping-zhi-wu-yu-tu-juan-yi-ming-288480","平治物语图卷","画面以图文并置，左侧题跋笔意苍古，右侧出行场景鲜活传神。黑漆牛车饰金菊纹样，雅致端方，牛与挽马同驾，控车仆役俯身稳驾，白衣公卿疾步趋赶，一动一静，相映成趣。线条清劲舒展，设色淡雅古拙，将旧贵族出行的仪制风貌定格于绢素之上，以叙事绘卷的特有形式，让泛黄古纸晕开旧日剪影，把行旅匆匆与和风风雅揉合一处，尽显古典绘卷的沉静意韵。",[26,79,27,96,32,33,2944,20544,124,518],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fcd699f79dfc0de7412a5d48ff81ed1b2.jpg",[],{"id":42094,"slug":42095,"title":42096,"dynasty":55,"author":7,"museum":172,"description":42097,"tags":42098,"thumbUrl":42100,"material":296,"size":297,"collection":11,"collections":42101,"showCount":249,"zanCount":49,"manualWeight":49,"mainColor":50},288432,"li-dai-di-wang-gui-fei-da-chen-chao-fu-xiang-zha-la-feng-a-yi-ming-288432","历代帝王贵妃大臣朝服像(扎拉丰阿)","扎拉丰阿（生年不明——1898年），萨克达氏，初名瑞林（瑞麟），指婚后赐改今名，字鹤汀，满洲镶蓝旗人，世居吉林。",[26,27,28,29,32,31,33,25502,418,42099,419],"官帽","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F47be15ddf7358cc9d3ef1cbd671ca23b.jpg",[],{"id":42103,"slug":42104,"title":42105,"dynasty":75,"author":7,"museum":172,"description":42106,"tags":42107,"thumbUrl":42108,"material":296,"size":297,"collection":11,"collections":42109,"showCount":249,"zanCount":49,"manualWeight":49,"mainColor":50},288359,"shui-niu-tu-yi-ming-288359","水牛图","此作用淡墨勾勒晕染水牛情态，缓坡之上的水牛回首低顾，坡下母水牛带着幼犊抬首呼应，彼此温情脉脉，将山野间的日常意趣悄然铺展。简淡的笔触精准捕捉水牛憨敦肌理，犄角与皮毛的晕染朴拙生动，不着浓艳色彩，依托古雅底色尽显沉静质感。\n\n画面留白开阔，仅以淡笔扫出坡岸轮廓，衬出山野荒疏之境，以极简布景承载悠然生机。画作以小见大，将乡野间的脉脉温情融在浅墨淡染之间，静而不寂，淡而有味，尽显小品雅致意韵，把寻常乡野日常的自在温情，藏在淡墨浅描的闲淡景致中。",[27,144,2944,272,6287],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F083ba34f3c39e90c774873925b3837f1.jpg",[],{"id":42111,"slug":42112,"title":42113,"dynasty":55,"author":7,"museum":172,"description":42114,"tags":42115,"thumbUrl":42116,"material":296,"size":297,"collection":11,"collections":42117,"showCount":249,"zanCount":49,"manualWeight":49,"mainColor":70},288315,"li-dai-di-wang-gui-fei-da-chen-chao-fu-xiang-xiao-shu-rui-huang-hou-yi-ming-288315","历代帝王贵妃大臣朝服像(孝淑睿皇后)","此作工笔设色精工细致，皇后仪容温婉端凝，眉目舒展平和，尽显中宫静穆端庄的气度。\n朝服纹样繁缛考究，明黄底上遍饰矫健金龙，云纹、江崖海水环衬四周，礼制章纹清晰规整，晕染细腻匀净。朱红朝珠垂坠胸前，与服色相映生辉，兽皮衬肩更添威仪。身下坐毯缠枝花卉配祥龙纹样，设色富丽沉稳，既恪守帝后服饰的森严典制，又将女性柔静气度融于皇家仪范，是清代肖像画写实传神又兼具礼制内涵的佳作。",[26,27,29,31,32,33,59,345,36602],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fd5195c1742d674d24c1a63a264d76194.jpg",[],{"id":42119,"slug":42120,"title":42121,"dynasty":55,"author":7,"museum":172,"description":42122,"tags":42123,"thumbUrl":42124,"material":296,"size":297,"collection":11,"collections":42125,"showCount":249,"zanCount":49,"manualWeight":49,"mainColor":50},288308,"li-dai-di-wang-gui-fei-da-chen-chao-fu-xiang-li-rong-bao-xiang-yi-ming-288308","历代帝王贵妃大臣朝服像(李荣保像)","此作工笔写实，将世家勋臣的威仪尽显无余。画中人物面庞方正，神色端凝持重，沉静间自有重臣的肃穆气场。\n\n朝服绘制极尽精工，石青底色沉稳大气，正龙团纹以平金织绣晕染，金线劲挺、华彩熠熠，补子、披领与马蹄袖的纹样层次分明，辑珠朝珠垂坠合度，顶戴花翎规整庄重，处处恪守清代服饰礼制，尽显工艺匠心。\n\n豹纹坐毡搭配回纹缠枝地衬，繁丽纹饰衬出人物尊崇身份，整体设色调和雅致，以细腻笔触将写实状物与人物气度相合，是清代肖像画里兼具礼制考究与审美价值的精工佳构。",[26,27,28,29,32,31,33,5432,25502,418,270,31565],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F95998097cc029a821834c036d4d21461.jpg",[],{"id":42127,"slug":42128,"title":42129,"dynasty":55,"author":7,"museum":172,"description":42130,"tags":42131,"thumbUrl":42132,"material":296,"size":297,"collection":11,"collections":42133,"showCount":249,"zanCount":49,"manualWeight":49,"mainColor":50},288307,"li-dai-di-wang-gui-fei-da-chen-chao-fu-xiang-yu-fei-yi-ming-288307","历代帝王贵妃大臣朝服像(煜妃)","此作设色沉穆庄重，石青朝服上的妆花龙纹以赤金、明黄晕染勾勒，层次分明，尽显华贵尊崇。妃嫔仪态端方沉静，眉眼温婉舒展，头饰规整大气，耳饰垂坠雅致，端坐于纹饰繁丽的衬椅之上，静穆端庄尽显后宫仪范。地毯织纹写实细腻，一笔一画尽显工笔肖像的严谨考究，以工稳笔触还原清代后宫风貌，将人物气度与服饰华美金融于一体，是兼具纪实性与装饰性的肖像佳作。",[26,27,28,29,32,31,33,127,59,345],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fed7f14de38d08a358f400b64c74e84b7.jpg",[],{"id":42135,"slug":42136,"title":42137,"dynasty":55,"author":7,"museum":172,"description":42138,"tags":42139,"thumbUrl":42140,"material":296,"size":297,"collection":11,"collections":42141,"sh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有的雅致静穆。观者仿若踏雪临江，看江天雪意萧索，望外寒沙半落潮，在这份冷逸幽澹的意境里，沉醉于冬日江渚的荒寂之美。",[79,27,28,96,31,144,32,60,662,6330,3733,128,163,82,124,125],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F016ed5eb355835f8e2c13be7da3c1a67.jpg",[],{"id":45947,"slug":45948,"title":45949,"dynasty":55,"author":7,"museum":172,"description":45950,"tags":45951,"thumbUrl":45952,"material":296,"size":297,"collection":11,"collections":45953,"showCount":249,"zanCount":49,"manualWeight":49,"mainColor":70},237080,"qin-shi-dong-ting-qiu-yue-shan-ye-yi-ming-237080","钦式洞庭秋月扇页","这幅扇面以淡墨晕染铺就水天色，左侧江岸立起层叠楼阁，港湾内舟楫系泊，近岸草木萧疏晕染出秋意。湖面开阔空寂，远帆缓行于烟波之间，将秋水辽远铺陈开来。\n\n工细勾勒的楼阁与淡扫晕染的水天相映，虚实相生间晕化出洞庭秋月的清寂空灵。笔墨古朴淡雅，以简淡的皴染写江岸坡石，点染间尽显秋夜的静谧悠远，将洞庭月夜的清旷诗意融于咫尺扇面之中，暗含文人寄情烟水的幽远意趣，尽显传统山水小品的雅致韵致。",[27,219,144,32,60,129,1623,130,128,38,131,614],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F66d1b36e7c1be3d1165aa0f167217805.jpg",[],{"id":45955,"slug":45956,"title":45957,"dynasty":241,"author":7,"museum":172,"description":45958,"tags":45959,"thumbUrl":45960,"material":296,"size":297,"collection":11,"collections":45961,"showCount":249,"zanCount":49,"manualWeight":49,"mainColor":50},236767,"zhou-ji-jie-shan-shui-shan-yi-ming-236767","周季节山水扇","此扇面以浅绛写就山居行旅之景，构图虚实相生。右侧层岩叠翠，古松虬枝横斜、针叶蓊郁，山坳茅舍隐现，晕染出林泉幽寂之态。左侧留白铺陈烟水，旅人策蹇徐行，暗合行旅闲情。\n\n笔墨秀逸雅致，山石以短披麻皴写质感，苔点疏落醒透，松针描摹工致细腻。敷色浅淡柔和，淡赭晕染山石，墨色分出林木浓淡层次，古意悠然。咫尺扇面间，将林泉高致与羁旅闲情相融，尽显文人山水的简淡天真，似可揽松间清风，体味幽居与行旅交融的悠远诗意。",[219,27,28,60,32,614,162,131,82],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F17ec50db96a0ae63befecd0ab062ca98.jpg",[],{"id":45963,"slug":45964,"title":28275,"dynasty":241,"author":7,"museum":172,"description":28276,"tags":45965,"thumbUrl":45966,"material":11,"size":11,"collection":11,"collections":45967,"showCount":249,"zanCount":49,"manualWeight":49,"mainColor":70},236761,"zhou-tian-qiu-mo-lan-tu-ce-yi-ming-236761",[27,28,79,530,144,1665,146,82],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fafc22e612bdf61e8f2ec1babad66c571.jpg",[],{"id":45969,"slug":45970,"title":45971,"dynasty":241,"author":7,"museum":172,"description":45972,"tags":45973,"thumbUrl":45975,"material":296,"size":297,"collection":11,"collections":45976,"showCount":249,"zanCount":49,"manualWeight":49,"mainColor":50},236691,"lu-zhi-yun-yan-qiu-ji-tu-shan-ye-yi-ming-236691","陆治云岩秋霁图扇页","此作用泥金扇面承载笔墨，布景疏密有致，以高远之法绘右侧巉岩叠嶂，山居隐现于林泉之间，左侧则以平远之景铺陈浅汀疏木，淡墨晕染远山，留白托出秋空寥廓清旷。\n笔致简劲老辣，勾勒皴擦写尽山石嶙峋质感，点染林木萧疏之态，兼融元人笔墨简淡与明人小品雅趣，题字古拙朴雅，与画面浑然相融，将秋霁初晴后山居的空明净爽尽数铺展，满溢着文人寄情林泉的澹寂意韵。",[219,144,32,614,60,359,131,63,1401,1142,45974,779],"晴霁","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F8cffe56cf80379259cdf36c612de53c5.jpg",[],{"id":45978,"slug":45979,"title":45980,"dynasty":241,"author":7,"museum":172,"description":45981,"tags":45982,"thumbUrl":45983,"material":296,"size":297,"collection":11,"collections":45984,"showCount":249,"zanCount":49,"manualWeight":49,"mainColor":70},236366,"guang-luo-die-die-jia-feng-tu-shan-yi-ming-236366","光洛叠叠加封图扇","此设色扇面以折枝红梅衬群蝶蹁跹。没骨晕染红梅，胭粉柔润鲜亮，墨枝苍劲古拙，寥寥数笔便将早春梅梢清艳尽显。蛱蝶各具姿态，或振翅停驻花上，或穿掠枝桠，工细勾勒蝶翼纹理，晕染出通透斑斓的翅色，将蝶翼轻薄灵动之态描摹入微。\n\n整幅构图疏密相宜，繁花与彩蝶相映成趣，工笔之细腻妍丽与写意之简淡疏朗相融，把春日生机与闲逸雅趣凝于尺幅之间，韵致悠然鲜活。",[219,27,32,31,80,105,542],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F765bc47c26d7a2121a44ec2e529985d6.jpg",[],{"id":45986,"slug":45987,"title":17935,"dynasty":55,"author":7,"museum":172,"description":45988,"tags":45989,"thumbUrl":45990,"material":11,"size":11,"collection":11,"collections":45991,"showCount":249,"zanCount":49,"manualWeight":49,"mainColor":70},236066,"wang-hui-fang-gu-shan-shui-ce-yi-ming-236066","此作用笔简淡松秀，绘就冬日郊野之景。枯木寒林错落苍劲，虬枝瘦干尽显古拙姿态，留白晕染出空濛清寂的萧疏寒意。近景板桥之上行人徐行，林麓间茅舍错落，漾出幽闲野趣。整体意境淡远萧疏，以简驭繁将郊林冬日的静谧铺陈开来，右上角题字添缀文人气韵，暗合文人寄情林泉的幽怀，尽显仿古山水的雅逸意趣，将冬日林野的清寂闲雅藏于笔墨之间。",[27,28,530,144,122,614,60,2144,613,1623,130,531,162],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F78a464c894302ac9e286789abd11005a.jpg",[],{"id":45993,"slug":45994,"title":17935,"dynasty":55,"author":7,"museum":172,"description":45995,"tags":45996,"thumbUrl":45997,"material":11,"size":11,"collection":11,"collections":45998,"showCount":249,"zanCount":351,"manualWeight":49,"mainColor":70},236064,"wang-hui-fang-gu-shan-shui-ce-yi-ming-236064","此作用水墨晕染江南春山朝暮之景，云雾如缕，在层叠峰峦与林麓间漫溢缠绕，将青山晕染得虚实相生，似含温润水汽。近岸苍木蓊郁，山坞中隐见村居屋舍，下方溪河蜿蜒舒展，三两扁舟轻泛烟波，野趣悠然。\n\n笔法松秀温雅，以淡墨反复皴擦晕染，不见刻露之笔，处处透着静穆淡远的意境，将江南山水的柔婉清幽与文人向往的林泉雅趣融为一体，观之如身临幽寂山野，足以涤荡尘心。",[27,28,530,144,122,614,60,1102,131,2657,63,162,1623,531,128,82],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F8ae085406406d31950536f0b8ca2ee6f.jpg",[],{"id":46000,"slug":46001,"title":17935,"dynasty":55,"author":7,"museum":172,"description":46002,"tags":46003,"thumbUrl":46004,"material":11,"size":11,"collection":11,"collections":46005,"showCount":249,"zanCount":49,"manualWeight":49,"mainColor":70},236063,"wang-hui-fang-gu-shan-shui-ce-yi-ming-236063","此作用笔苍劲老辣，以细密干笔勾勒山峦，披麻皴皴擦山石肌理，层叠岩峦兼具高远、深远之致，硬朗质感尽显。谷中溪流蜿蜒回转，为沉静山景添灵动生机。林木排布疏密得宜，虬松横斜、茂林簇拥，错落之间晕染出山野幽寂意趣。\n\n全幅以焦墨写就，气息苍浑古雅，追摹宋元山水意韵，仿古却不泥古，将林下隐逸之境铺陈开来。静穆丘壑藏着秀逸情致，尺幅之中笔墨简澹却意韵悠长，尽显沉稳醇厚的仿古笔墨功力，观之便如踏入幽寂山居，揽获林泉雅趣。",[27,28,530,144,614,122,82,60,162,131,130,531],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fca9300aae1fac661607e253e9eeea9c6.jpg",[],{"id":46007,"slug":46008,"title":17935,"dynasty":55,"author":7,"museum":172,"description":46009,"tags":46010,"thumbUrl":46011,"material":11,"size":11,"collection":11,"collections":46012,"showCount":249,"zanCount":49,"manualWeight":49,"mainColor":70},236057,"wang-hui-fang-gu-shan-shui-ce-yi-ming-236057","这幅小品以云气为脉络铺陈春山景致，虚实相生，意境空濛。前景苍松虬曲盘桓，老干苍劲带着古拙意趣，与右侧烟霭里的粉艳桃枝相映，刚柔相济。青绿敷色清润雅致，山石晕染柔和无浓艳浮躁之感，浅淡石色晕开山峦肌理，衬得云海愈发舒卷通透。远山隐没在留白云涛之中，尽显天地的空阔幽谧。整作追摹古贤山水的雅逸格调，将春山温润秀灵与云烟清寂融于一处，仿若可踏入烟峦春晓，静赏林泉雅致，尽显传统山水空灵悠远的隽永美感。",[27,28,530,32,60,953,445,532,359,122],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fbd09ae05db7b0ad208deb7681ba373b2.jpg",[],{"id":46014,"slug":46015,"title":9851,"dynasty":55,"author":7,"museum":172,"description":46016,"tags":46017,"thumbUrl":46018,"material":11,"size":11,"collection":11,"collections":46019,"showCount":249,"zanCount":49,"manualWeight":49,"mainColor":70},235989,"ban-shan-shan-shui-ren-wu-ce-yi-ming-235989","这幅淡墨山水以留白造境，尽显简澹空灵。坡岸以干笔淡墨皴擦，苍润相生，带着松弛的山野意趣。崖边杂木疏朗错落，枝桠轻逸，晕染出清寂秋意。近岸奇石嶙峋，极简勾勒衬出水畔生趣。水榭静立岸侧，柴扉半掩，似藏幽人闲居的意趣。\n\n整幅画舍去繁丽设色，以水墨浓淡晕染悠远空寂的山水氛围，将文人寄情林泉的雅逸心境藏在留白与淡墨之间，笔致简净萧散，淡而有味，尽显幽寂淡远的林下之风。",[27,28,530,144,614,60,162,131,531],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F8833b6b46e79827720239e467fd7d0d0.jpg",[],{"id":46021,"slug":46022,"title":9851,"dynasty":55,"author":7,"museum":172,"description":46023,"tags":46024,"thumbUrl":46025,"material":11,"size":11,"collection":11,"collections":46026,"showCount":249,"zanCount":49,"manualWeight":49,"mainColor":70},235987,"ban-shan-shan-shui-ren-wu-ce-yi-ming-235987","此作用大片留白铺陈烟波浩渺的水色，以极简笔墨勾勒两岸景致。左岸苍松枯木错落排布，清劲笔线写尽枯木疏朗萧散之态，苍松墨色沉郁朴拙，干湿浓淡相映成趣。右岸淡墨晕染坡岸，林麓间隐现屋舍，渔舟独系石畔，野逸悠然。\n\n全幅以水墨写意而成，删繁就简、以少胜多，不着一笔而尽得水意空濛，尽显空灵淡远的文人意趣，将江南水滨的清寂之景融于尺幅间，笔致简净松秀，墨韵温润清雅，暗含静穆淡远的禅意，写尽林泉幽居之致。",[27,28,530,144,60,613,162,129],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F1a3eec8b4c8a4dea519b70e55b5d133d.jpg",[],{"id":46028,"slug":46029,"title":9851,"dynasty":55,"author":7,"museum":172,"description":46030,"tags":46031,"thumbUrl":46032,"material":11,"size":11,"collection":11,"collections":46033,"showCount":249,"zanCount":49,"manualWeight":49,"mainColor":70},235984,"ban-shan-shan-shui-ren-wu-ce-yi-ming-235984","此作用笔松灵简淡，以枯笔勾皴石骨，淡墨晕染山石苍润质感。主峰奇崛高拔，岩间苔木轻缀，暗藏山野生机。左侧流泉沿石涧蜿蜒而下，似有声韵潺潺而出。右侧山麓茅舍掩映，素朴圆窗透着幽居闲意，远景疏木淡描、板桥横陈，留白铺就空寂开阔的意境。整幅以少胜多，萧疏清寂，将林泉隐逸的意趣融于尺幅间，尽显文人山水静穆淡远的旨趣，笔底尽是幽居林泉的恬然逸致。",[27,28,530,144,614,60,146,613,130,531],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F6af1ecce7d9c3d96decf8ee1b9840d56.jpg",[],{"id":46035,"slug":46036,"title":9851,"dynasty":55,"author":7,"museum":172,"description":46037,"tags":46038,"thumbUrl":46039,"material":11,"size":11,"collection":11,"collections":46040,"showCount":249,"zanCount":49,"manualWeight":49,"mainColor":70},235979,"ban-shan-shan-shui-ren-wu-ce-yi-ming-235979","此作为水墨写意小品，以极简笔墨晕染出江南水乡的空濛意趣。苍劲老干以浓墨枯笔写出，苔点醒出古拙生气；留白作烟波水面，寥寥数笔勾勒出扁舟渔父，隐于舟中，淡写村居篱落与苇草，似有微风穿拂摇曳。\n\n画面干湿浓淡对比鲜明，大片留白撑起幽清远阔的意境，萧散简淡间，晕染出水乡日常的恬寂闲静。不见繁复刻画，却将渔隐的悠然、水乡的清和融入方寸之间，笔简意足，尽显文人写意画的疏淡禅意，仿佛可闻水波轻响，静享一隅江村的安闲况味。",[27,28,530,144,60,33,1623,130,128,162,131],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fd2c7d6ad1d31bd0925cff24cdb4ca87a.jpg",[],{"id":46042,"slug":46043,"title":46044,"dynasty":241,"author":7,"museum":172,"description":46045,"tags":46046,"thumbUrl":46047,"material":296,"size":297,"collection":11,"collections":46048,"showCount":249,"zanCount":49,"manualWeight":49,"mainColor":70},235835,"jiang-song-shan-shui-zhou-yi-ming-235835","蒋嵩山水轴","此作用留白铺就江天悠远意境，近岸枯木斜出，疏枝缀萼，垂条摇曳含着晚来秋意，坡岸蒹葭苍苍，野趣横生。中景扁舟一叶，渔翁俯身整理渔具，身形简括却神态安然，渔网静卧船头，漾出江上生计的闲散况味。远景汀洲以淡墨晕染，烟水空濛，将江天辽阔藏在留白之中。全作以水墨浓淡分出层次，笔意纵逸简淡，未作繁复皴染，寥寥笔墨写尽江乡清寂诗意，将江湖渔隐的安闲雅致融在烟水之间，观之如临清秋江渚，幽淡闲远的意境扑面而来。",[27,28,79,29,144,60,128,2209,1092,2657,1400,1768],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F75688a21c81c1a5d4b199bb00f6a0ed2.jpg",[],{"id":46050,"slug":46051,"title":4679,"dynasty":241,"author":7,"museum":172,"description":46052,"tags":46053,"thumbUrl":46054,"material":296,"size":297,"collection":11,"collections":46055,"showCount":249,"zanCount":49,"manualWeight":49,"mainColor":70},235587,"wen-chu-hua-hui-ce-yi-ming-235587","此作以洒金绢为底，构图疏朗留白。水墨写意湖石，枯笔皴擦点苔，嶙峋苍古自带沉凝朴拙的金石气。旁侧数茎幽花挺秀，粉紫花瓣晕染柔润，青嫩细茎摇曳生姿，娇柔清雅的花与苍拙硬朗的石刚柔对照，相映成趣。\n\n左下角题识钤印，添就文人情韵，整体笔致秀逸，设色清和，将秋庭幽寂小景铺陈开来，冷隽静穆里暗淌生机，尽显小品画的雅致意趣，把文人画疏淡幽远的审美意趣藏入尺幅之间。",[27,79,530,32,144,614,146,190],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F72e0e0251e8fe8ee5f8bf2a3993c547a.jpg",[],{"id":46057,"slug":46058,"title":46059,"dynasty":241,"author":7,"museum":172,"description":46060,"tags":46061,"thumbUrl":46062,"material":11,"size":11,"collection":11,"collections":46063,"showCount":249,"zanCount":49,"manualWeight":49,"mainColor":50},235313,"ju-jie-shan-shui-zhou-yi-ming-235313","居节山水轴","此作用狭长立轴铺展秋山幽居，层峦次第延展，林麓间错落山居茅舍，飞泉隐于岩岫，溪谷萦回。以干笔淡墨皴写山峦，披麻皴晕出山岩苍润肌理，林木虬劲舒展，点叶苍秀，遍染萧寂秋意。\n\n板桥之上二雅士凭栏低语，衬出林泉高致，笔墨间带着吴门画派的隐逸意趣，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ᠬᠠᠭᠠᠨ；拉丁蒙古文：Činggis Qaγan；西里尔蒙古文：Чингис Хаан；英语：Genghis Khan），蒙古族乞颜部人，生于漠北斡难河（今鄂嫩河）上游地区（今蒙古国肯特省）。大蒙古国可汗（1206年—1227年8月25日在位），世界史上杰出的军事家、政治家。\n铁木真早年丧父，投奔克烈部首领脱里，积蓄实力，于1189年被推举为蒙古乞颜部可汗，随后经过一系列战争，统一蒙古高原诸部。1206年在斡难河源即皇帝位，建立大蒙古国。建国后，实行千户制，建立护卫军，颁布《大扎撒》。此后经过多次的对外战争，占领东亚地区金朝的大片领土，并灭亡西夏、西辽及中亚的花剌子模，其征服足迹远抵东欧的黑海海滨。1227年，铁木真在西夏投降前夕病逝，终年六十六岁。临终前定下“联宋灭金”的战略，死后被秘密安葬于起辇谷。元朝建立后，累赠谥号为法天启运圣武皇帝，庙号太祖。\n铁木真是一位极具争议性的人物。自其崛起以来，便被视为野蛮残忍的侵略者 。到近代以后，也有许多学者认为铁木真及其继承人领导下的蒙古帝国发动的对外征服战争，促进了欧亚大陆间的相互影响，对之后的世界历史进程产生了深远的影响 。此外，他对蒙古诸部的统一战争，对蒙古民族共同体的形成起到了重要的作用",[27,28,79,31,32,33,345],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F567e01e0e72d4cc7969b8e3d33f0fa5f.jpg",[],{"id":46164,"slug":46165,"title":46166,"dynasty":22,"author":7,"museum":172,"description":46167,"tags":46168,"thumbUrl":46169,"material":296,"size":297,"collection":11,"collections":46170,"showCount":249,"zanCount":49,"manualWeight":49,"mainColor":70},231810,"kuang-seng-cao-zhi-tu-juan-yi-ming-231810","狂僧草纸图卷","以纯臻白描铺展长卷，铁线爽利洗练，不着一色却尽揽烟火躁动。从巷陌行伍到廊舍嬉闹，再转至烈焰惊惶，全景式铺陈出喧嚷乱象。屋宇架构以界画工整流利排布，衬出人物跳脱狂放。\n\n画中人物形神各异，或桀骜持械、恣肆狷狂，或仓惶奔逃、面露惊惶，将凡俗众生的情态一一铺陈。整卷叙事流畅自然，呼喝、惊呼仿佛随线条涌出，以极简笔墨勾勒出饱满鲜活的群像张力，尽显白描线条的叙事表现力与传神功力。",[26,27,28,96,123,329,33,129,272],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F1e92a599632024e0b5216cd04eb2ced3.jpg",[],{"id":46172,"slug":46173,"title":46174,"dynasty":22,"author":7,"museum":172,"description":46175,"tags":46176,"thumbUrl":46177,"material":296,"size":297,"collection":11,"collections":46178,"showCount":249,"zanCount":49,"manualWeight":49,"mainColor":70},231776,"liu-qiu-feng-su-tu-juan-er-yi-ming-231776","琉球風俗图卷二","此作以工笔设色写实地铺展祭祀仪典。左侧俯瞰石砌祠宇墓垣，石纹朴拙厚重，匠人负具驻足，衬出场地的肃穆沉静。右侧仪仗队列绵长严整，旗幡舒卷，僧俗诸人衣冠有别，执事者持礼器、掌仪卫，依序徐行，将丧葬祭祀的仪轨细腻铺陈。\n\n设色淡雅克制，青、朱、褐诸色点缀素底，晕染出典仪的庄重氛围，笔致写实入微，将旧时琉球的民俗风貌凝于卷上，让湮没的礼制场景鲜活重现，是具象生动的民俗纪实佳作。",[26,27,28,96,31,32,33,2656,2770,15938,131,162],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F8fe2fd02bb4d8ab679342e0a3bbe2b7c.jpg",[],{"id":46180,"slug":46181,"title":46182,"dynasty":22,"author":7,"museum":172,"description":46183,"tags":46184,"thumbUrl":46185,"material":11,"size":11,"collection":11,"collections":46186,"showCount":249,"zanCount":351,"manualWeight":49,"mainColor":70},231769,"xi-yang-jian-wen-tu-hui-2-shan-shui-xiang-gang-juan-yi-ming-231769","西洋见闻图绘-2-山水香港卷","此作为工写兼施的通景长卷，以淡赭花青晕染层叠峰峦，勾勒出山海相依的清润意境。画面右侧洋商埠地烟火稠密，公署高悬洋旗，尽显开埠后的异域风貌；海面之上中式艚船与西式夹板商船错落停泊，帆樯林立。\n\n整作将传统山水画的雅致笔墨，用于纪实描摹近代港埠盛景，既保留了传统山水的空蒙气韵，又细致还原了中西交汇的滨海日常，兼具审美价值与纪实史料意义，静然铺展出近代中外通商的鲜活图景。",[26,27,96,32,60,6932,2656,7385,7389,2770],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fbb12ba86048fff4f09195dafa84d05d1.jpg",[],{"id":46188,"slug":46189,"title":46190,"dynasty":22,"author":7,"museum":172,"description":46191,"tags":46192,"thumbUrl":46194,"material":296,"size":297,"collection":11,"collections":46195,"showCount":249,"zanCount":49,"manualWeight":49,"mainColor":50},231734,"jiang-hu-shi-dai-luo-zhong-luo-wai-tu-ping-feng-er-ping-yi-ming-231734","江户时代 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溥儒题签：宋人五猱图，心畬题。\n印文：心畬（白文） 溥儒题：五猱图绢本，松石皆古秀，五猱亦宋人笔墨，盖宋人所作。\n右方半印或有款识，已经裁翦。\n画境略似李迪。\n宋时画院多能画猿猱，往往不题名。\n此当时习尚如是。\n故赏宋画曾不以无款而轻之也。\n上耑有鲁府图书印，明时晋府鲁府肃府所藏多真。\n其下左方则有钤山堂印，知曾入分宜严氏家者，其可重当何如耶。\n壬寅十二月溥儒题。\n印文：心畬（朱文） 藏印：鲁府图书（上中）、钤山堂书画印（左下）、严嵩藏章、嘉谟（右下），另一印模糊不可辨识",[27,28,219,144,32,3886,272,146],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F129fc44a8e7e51d24a0064077af65def.jpg",[],{"id":46636,"slug":46637,"title":46638,"dynasty":141,"author":7,"museum":172,"description":46639,"tags":46640,"thumbUrl":46641,"material":296,"size":297,"collection":11,"collections":46642,"showCount":249,"zanCount":49,"manualWeight":49,"mainColor":277},228193,"zhun-zhi-guan-yin-xiang-ping-an-shi-dai-yi-ming-228193","准胝观音像平安时代","本作品的准胝观音身体涂白，以朱线勾勒轮廓。宝冠上贴有金箔，墨线勾勒，头发涂略带灰色的淡绿色。衣裙及莲华宝座为略显灰色的白色及淡褐色、淡青、淡绿等，多用混有白色颜料的中间色。轮廓线也用墨线勾勒，装饰台座的花瓣类的轮廓为白色线。而且衣裙上用纤细的细金箔表现出各种的图案，腿腹的膨胀部分等采用白色表现出照晕（佛画的一种表现手法，采用明暗体现出立体感），衣服的褶皱也施有与底色同系统稍浓的色彩制出段晕（绘画表现手法），画像整体呈现院政时期佛画所特有的柔和优美的感觉。另一方面，虽然现在作品已经泛黑，但是头光、背光的一部分在强调交织的细金箔图案的同时，却以银截金、截箔构成的图案为主，从天盖垂下的璎珞也采用细银箔表现出稳重的光辉。而其周围的四天王上的金属构件类都施有里箔（日本绘画技法，从绢底里侧贴上金银箔），整体的色彩稍暗，以墨线的轮廓线条为主，对足边岩石台座的描绘，以及对天衣、冠缯的动态描写等，都可见镰仓时代的主流表现要素。此作品巧妙的改变表现手法以凸显主题的主次关系，从而形成了考究画面，令人感觉到自平安时代至镰仓时代的时代变迁。",[26,27,28,29,30,32,31,33],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fe5e188f072a473e4c2abfdabc9e629cf.jpg",[],{"id":46644,"slug":46645,"title":46646,"dynasty":141,"author":7,"museum":172,"description":46647,"tags":46648,"thumbUrl":46649,"material":296,"size":297,"collection":11,"collections":46650,"showCount":249,"zanCount":49,"manualWeight":49,"mainColor":50},228189,"xiu-xing-zhong-de-luo-han-yi-ming-228189","修行中的罗汉","罗汉，是阿罗汉的简称，梵音译(Arhat)。含有杀贼、无生、应供等义。杀贼是杀尽烦恼之贼，无生是解脱生死不受后有，应供是应受天上人间的供养。在小乘佛教中，是伟大的佛陀得法弟子修证最高的果位。\n罗汉者皆身心六根清净，无明烦恼已断（杀贼）。已了脱生死，证入涅槃（无生）。堪受诸人天尊敬供养（应供）。于寿命未尽前，仍住世间梵行少欲，戒德清净，随缘教化度众。",[27,28,29,30,33,32,31,345,146,877],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fd95137bbda0087e21b255de14140e188.jpg",[],{"id":46652,"slug":46653,"title":46654,"dynasty":141,"author":7,"museum":172,"description":575,"tags":46655,"thumbUrl":46656,"material":296,"size":297,"collection":11,"collections":46657,"showCount":249,"zanCount":351,"manualWeight":49,"mainColor":70},228158,"long-tou-yu-shi-yi-ming-228158","龙头玉饰",[1443,267,59,268,346,39],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F48336b7054c5a8da01e9d4c45f383aa6.jpg",[],{"id":46659,"slug":46660,"title":46661,"dynasty":141,"author":7,"museum":172,"description":575,"tags":46662,"thumbUrl":46663,"material":296,"size":297,"collection":11,"collections":46664,"showCount":249,"zanCount":49,"manualWeight":49,"mainColor":277},228146,"bi-yu-xiang-lu-gui-yi-ming-228146","碧玉香炉（簋）",[141,267,268,406,346,7656],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F6d823c6918d72764e886a258b7a26b1b.jpg",[],{"id":46666,"slug":46667,"title":29230,"dynasty":75,"author":7,"museum":172,"description":46668,"tags":46669,"thumbUrl":46670,"material":11,"size":11,"collection":11,"collections":46671,"showCount":249,"zanCount":49,"manualWeight":49,"mainColor":70},227895,"cheng-jiang-bi-xiu-tu-yi-ming-227895","此作为宋代青绿山水小品，取半边构图，左畔山石以石青石绿晕染，苍润古雅，坡岸松荫蔚然，隐见茅舍山居，野意悠然。右侧铺陈空阔澄江，几叶扁舟随波缓行，远山以淡墨轻扫晕染，在赭色绢底烘托下，将尺幅小景延展为辽远空濛的水天之境。\n\n全画色调沉静古拙，雅致内敛，把江南平远山水的清寂空阔，与山居的安闲悠然相融。咫尺尺幅间尽显宋人观照山水的澹泊意趣，见微知著，藏着江南烟水的沉静诗意，尽显院体小品的清丽雅致。",[26,79,27,28,219,32,60,128,532,1525,614],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Faebd0603c9adc30af9685e06d3a0274a.jpg",[],{"id":46673,"slug":46674,"title":46675,"dynasty":75,"author":7,"museum":172,"description":46676,"tags":46677,"thumbUrl":46678,"material":11,"size":11,"collection":11,"collections":46679,"showCount":249,"zanCount":49,"manualWeight":49,"mainColor":50},227875,"liu-tang-qiu-cao-tu-yi-ming-227875","柳塘秋草图","此作以淡墨晕染水天，将清秋的空濛萧索揉在氤氲水汽中。左侧岸渚垂柳成林，枝叶以细笔点染如烟似雾，把秋的清柔藏在垂绦之间。水面留白处点缀浅渚芦草，笔墨简淡却野意自生，细描的水纹漾开闲静涟漪，晕开塘岸幽寂。\n\n以尺幅小景框住秋郊疏朗之美，摒弃繁复皴法，凭水墨浓淡铺陈远近层次，将深秋的沉静淡愁融在画面里，如同一曲低缓清寂的秋歌，淡而余味悠长，尽显宋画独有的含蓄雅致，藏着文人偏爱的冷澹幽隽意境。",[26,79,27,28,219,31,144,32,614,60,2208,888,332,131,5661],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F9ce6b7f466f533a40e0830c8a2449467.jpg",[],{"id":46681,"slug":46682,"title":46683,"dynasty":75,"author":7,"museum":172,"description":46684,"tags":46685,"thumbUrl":46686,"material":11,"size":11,"collection":11,"collections":46687,"showCount":249,"zanCount":49,"manualWeight":49,"mainColor":70},227873,"liu-tang-du-shu-tu-yi-ming-227873","柳堂读书图","苍松虬劲盘绕，柔柳垂拂溪岸，茅庐静踞山隅，堂内人影潜于书卷之间。溪石隐现于浅濑，清泠水意漫溢出纸面，远景平波澹澹，林峦在烟霭中晕化成淡墨剪影，将尘嚣完全隔绝在外。\n笔墨苍莽淋漓，皴擦间带着山野朴拙之气，将林泉高致的隐逸意趣藏在细节里，观之如身临幽寂山隅，窥见古人寄心林泉、沉潜书卷的雅静襟怀，仿佛能听见松涛卷着书香漫过水湄。",[26,79,27,28,219,31,32,60,131,734,82,614],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F2bd30268d4053639501778e8219f9b2a.jpg",[],{"id":46689,"slug":46690,"title":46691,"dynasty":75,"author":7,"museum":172,"description":46692,"tags":46693,"thumbUrl":46697,"material":11,"size":11,"collection":11,"collections":46698,"showCount":249,"zanCount":49,"manualWeight":49,"mainColor":70},227762,"qiu-jiang-ming-po-tu-yi-ming-227762","秋江瞑泊图","宋 佚名 秋江暝泊图 纨扇 绢本设色 23.7×24.3cm 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玉”之称，产于新疆和田。\n此白玉大象，造型象征太平盛世，有“太平有象”、“万象更新”、“吉祥平安”的吉祥寓意，为人们所喜爱。",[75,267,268,272],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fab2b94b876463bb3b92dd576837d5166.jpg",[],{"id":47340,"slug":47341,"title":47342,"dynasty":75,"author":7,"museum":172,"description":12964,"tags":47343,"thumbUrl":47345,"material":296,"size":297,"collection":11,"collections":47346,"showCount":249,"zanCount":49,"manualWeight":49,"mainColor":50},223748,"qing-ci-cong-shi-ping-yi-ming-223748","青瓷琮式瓶",[2194,2593,711,12327,28888,45465,2594,406,47344,39378,346],"器形规整","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F4051ba6207c4f1aa92a23bb707e9bd59.jpg",[],{"id":47348,"slug":47349,"title":47350,"dynasty":22,"author":7,"museum":172,"description":22940,"tags":47351,"thumbUrl":47352,"material":296,"size":297,"collection":11,"collections":47353,"showCount":249,"zanCount":49,"manualWeight":49,"mainColor":50},223733,"que-long-shi-zhong-yi-ming-223733","雀笼式钟",[403,268,193,1431,346,15590],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fd9ed01a325d8fd7bcf5b28275750d83b.jpg",[],{"id":47355,"slug":47356,"title":47357,"dynasty":75,"author":7,"museum":172,"description":12964,"tags":47358,"thumbUrl":47360,"material":296,"size":297,"collection":11,"collections":47361,"showCount":249,"zanCount":49,"manualWeight":49,"mainColor":50},223713,"bai-ci-pu-shou-long-er-fang-hu-yi-ming-223713","白瓷铺首龙耳方壶",[2194,18831,271,47359,34038,59,272,346],"刻划纹饰","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F6235cf7e82585daca57140d9e65dc296.jpg",[],{"id":47363,"slug":47364,"title":47365,"dynasty":75,"author":7,"museum":172,"description":47366,"tags":47367,"thumbUrl":47368,"material":11,"size":11,"collection":11,"collections":47369,"showCount":249,"zanCount":49,"manualWeight":49,"mainColor":70},223685,"qi-shi-lie-gui-tu-ye-yi-ming-223685","骑士猎归图页","胡风漫卷下猎罢而归，骑士毡帽胡服，神态悠然松弛，似正回味猎时快意。身旁骏马垂首缓息，鞍鞯纹饰细密华美，犹带着出猎时的矜贵气度，暗衬主人不凡。\n整幅设色调和淡雅，笔致凝练写实，将北地游侠猎归后的闲散意韵尽显。诗画合璧，题诗呼应着射猎的飒爽过往，把塞上猎游的疏野风情融于尺幅之间，寥寥数笔便将游侠卸甲稍歇的松弛情态勾勒传神，尽显古朴生动的写实格调。",[26,79,27,28,530,31,32,33,1006,124,82],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F67c29f5851237d0ecd81db53402b7efe.jpg",[],{"id":47371,"slug":47372,"title":47373,"dynasty":241,"author":7,"museum":172,"description":47374,"tags":47375,"thumbUrl":47376,"material":11,"size":11,"collection":11,"collections":47377,"showCount":249,"zanCount":49,"manualWeight":49,"mainColor":70},223679,"gu-xiu-shi-liu-ying-zhen-ce-12-yi-ming-223679","顾绣十六应真册12","林间崖畔，罗汉安坐于兽纹华座，神态安然静定，座前猛虎俯首顺服，尽敛凶煞之态。两侧侍者躬身侍立，一人持器，一人奉供，神态恭谨肃穆。\n\n画面以铁线白描为骨，劲挺流畅的线条勾勒出人物衣褶的繁复层次，将织物柔润华美尽显无遗，树石轮廓苍劲简练，衬出林间幽寂禅意。猛虎斑纹晕染细腻，毛发质感逼真生动。整幅画作清逸古雅，暗藏罗汉威德镇服猛兽的禅理，尽显精湛工力，意境幽远沉静。",[26,27,28,530,123,30,33,887,532,146],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F41420e3d7b2b1cd03e2f46ae6145720b.jpg",[],{"id":47379,"slug":47380,"title":47381,"dynasty":2305,"author":7,"museum":172,"description":47382,"tags":47383,"thumbUrl":47384,"material":296,"size":297,"collection":11,"collections":47385,"showCount":249,"zanCount":49,"manualWeight":49,"mainColor":70},223662,"yan-luo-wang-shou-ji-jing-tu-quan-juan-yi-ming-223662","阎罗王授记经图全卷","简称《佛说十王经》。为卷轴式手抄彩绘卷。本经卷属晚唐五代时期敦煌所绘，画风古朴，十分珍罕。本卷为法国伯希和从敦煌带走藏于法国国图的《阎罗王授记经》三种绘卷之一。\n十王信仰的形成主要缘于佛教地狱思想、因果报应思想、三世轮回思想与中国传统的鬼神魂魄思想之结合。",[26,27,79,96,28,30,33,32,3053,82],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F2bc185f928e71d9e31bb56d282798760.jpg",[],{"id":47387,"slug":47388,"title":47389,"dynasty":141,"author":7,"museum":172,"description":47390,"tags":47391,"thumbUrl":47392,"material":11,"size":11,"collection":11,"collections":47393,"showCount":249,"zanCount":49,"manualWeight":49,"mainColor":50},223649,"shuo-jing-tu-yi-ming-223649","说经图","四身圣像伫立于云海之间，头覆圆光，宝冠嵌饰华彩璎珞，衣敷石绿、朱红等厚重古雅之色，撞色鲜明却协调柔和，带着元代佛画特有的朴拙厚重。\n\n左上圣像垂目含慈，右手轻抬似将启妙谛；右上尊者微颔，手势开示法义。下方二圣或合掌恭聆，或垂眸静思，眉目温婉沉静，将聆法的肃穆虔敬藏于神态之中。\n\n线条遒劲凝练，衣褶流转自带灵动韵律，绢面虽因年深岁久略显斑驳，却更添古拙沉静的宗教氛围感，将说法聆经的静谧庄严，永远定格于这尺幅绢素之上。",[26,27,28,30,33,31,32,177,445,345],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F7a3abe60a0d10554eac0632494ab0303.jpg",[],{"id":47395,"slug":47396,"title":47397,"dynasty":75,"author":7,"museum":172,"description":47398,"tags":47399,"thumbUrl":47400,"material":11,"size":11,"collection":11,"collections":47401,"showCount":249,"zanCount":49,"manualWeight":49,"mainColor":50},223646,"xi-yan-mu-se-tu-ye-yi-ming-223646","西岩暮色图页","此作用墨沉润苍郁，以边角取景铺展暮色空山。近岸孤舟横斜，系着晚归的余绪，坡岸林木蓊翳，松枝偃仰间带着黄昏倦意。崖壁山石以硬朗皴法写就，隐没在渐深的暮色烟霭中，虚实相生间将山野黄昏的幽寂缓缓铺陈。\n\n墨色随着暮色层次晕染，浓淡过渡里晕化出薄暮氤氲的朦胧，不见白日明丽，只留萧疏静谧的山野况味，将暮色西岩时分天地归于岑寂的氛围感藏在水墨晕染间，观之如身临空山向晚，揽尽黄昏里山野沉静的余韵。",[26,79,27,28,530,144,614,60,532,359,128,1103],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F3c5bd45ee326f56e10fc3030c6df6c33.jpg",[],{"id":47403,"slug":47404,"title":47405,"dynasty":75,"author":7,"museum":172,"description":47406,"tags":47407,"thumbUrl":47410,"material":11,"size":11,"collection":11,"collections":47411,"showCount":249,"zanCount":49,"manualWeight":49,"mainColor":70},223645,"zhu-wang-jue-yuan-tu-ye-yi-ming-223645","蛛网攫猿图页","此作用笔精细入微，猿猴攀附松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地，举头缈缈似瑶宫。”",[26,27,79,28,29,144,60,614,129,1623,130,128,531,162,331,47944,15255],"晴岚","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fce127fb8d35aa9d318a679e90e4b8366.jpg",[],{"id":47948,"slug":47949,"title":47950,"dynasty":75,"author":7,"museum":172,"description":47951,"tags":47952,"thumbUrl":47954,"material":296,"size":297,"collection":11,"collections":47955,"showCount":310,"zanCount":49,"manualWeight":49,"mainColor":50},289786,"song-yan-xian-guan-tu-yi-ming-289786","松严仙馆图","采用全景式山水章法，将高远、平远景致相融。危崖之巅，楼阁隐于青松翠岫间，尽显出尘高逸。水畔台榭依崖而建，烟波浩渺间远山如黛，留白处晕染出空濛悠远的诗意。前景古木虬曲苍劲，坡岸山石皴擦细腻苍润，笔致严谨雅致，绢本晕染的古雅色调沉静悠然。\n整幅画铺展出林泉幽居之景，将仙馆清寂融于烟岚山水之中，尽显可观可游可居的山水意趣，暗合林泉高致的风雅，氤氲出静谧悠远的隐逸之美。",[26,27,60,329,32,614,129,331,162,130,1340,128,47953],"亭馆","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fc9c8cfd725c56d9836e02506697d5c1d.jpg",[],{"id":47957,"slug":47958,"title":986,"dynasty":22,"author":7,"museum":172,"description":47959,"tags":47960,"thumbUrl":47961,"material":296,"size":297,"collection":11,"collections":47962,"showCount":310,"zanCount":49,"manualWeight":49,"mainColor":50},289571,"fo-xiang-yi-ming-289571","此作为白描残卷，以凝练劲挺的墨线勾勒法相，衣袂褶皱婉转舒展，将诸佛结跏趺坐的端严姿态铺陈纸上。造像面含悲悯圆融之态，浅描头光晕染出神圣静穆的氛围。朱红古印虽已残损，却为残页晕开厚重古意。残破的纸页裹挟着岁月剥蚀的痕迹，断简残章间，依旧藏着虔诚质朴的写绘底色，静静诉说着悠远的梵禅意韵。",[26,123,986,30,33,82,292,28],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F4a2a04685c3e3d5bed2411aa4b33ba9c.jpg",[],{"id":47964,"slug":47965,"title":47966,"dynasty":22,"author":7,"museum":172,"description":47967,"tags":47968,"thumbUrl":47973,"material":296,"size":297,"collection":11,"collections":47974,"showCount":310,"zanCount":49,"manualWeight":49,"mainColor":70},289203,"goya-a-man-interfering-in-a-street-fight-from-images-of-spain-album-yi-ming-289203","Goya--A Man Interfering in a Street Fight, from Images of Spain Album","粗粝的墨色肆意铺陈，精准定格下街头乱斗的瞬间。持刀者高举佩剑，浓墨晕开的衣袍裹挟着悍戾气势，紧绷的肢体满是发难的凌厉压迫。扭打在地的二人肢体纠缠，淡墨勾勒的肌肉线条绷紧，将斗殴的混乱焦灼尽数显露。俯身阻拦者探身拉扯，动作急切又带着笨拙的惶然。\n\n画家以寥寥几笔捕捉住冲突的汹涌张力，没有繁复修饰，用浓淡明暗区分人物层次，速写的随性笔触反而放大了市井械斗的粗野原始，仿佛能听见嘶吼混着佩剑破空的锐响，将街头冲突里的暴戾与惶急凝于纸面，把转瞬即逝的戏剧感牢牢钉在画面之上。",[33,47969,47970,47971,2405,38059,47972],"打斗","街头","速写","冲突","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F32bf67bd3d5fabb7ed9691db5592c444.jpg",[],{"id":47976,"slug":47977,"title":47978,"dynasty":22,"author":7,"museum":172,"description":47979,"tags":47980,"thumbUrl":47981,"material":296,"size":297,"collection":11,"collections":47982,"showCount":310,"zanCount":49,"manualWeight":49,"mainColor":70},289189,"goya-bird-hunters-with-a-decoy-from-images-yi-ming-289189","Goya--Bird Hunters with a Decoy, from Images","枯淡晕墨晕开郊野底色，两名猎手弓身伏在矮墙之后。一人持枪稳稳对准木杆上的诱饵禽，脖颈紧绷、目光凝注，指尖扣住枪身，将蓄势待发的紧绷感藏在松弛的衣褶笔触里。同伴佝偻着身子攥紧绳索，肌肉的紧绷顺着衣料褶皱悄然流露。远景以几星墨点轻描飞鸟群，大片留白衬出旷野萧寂空茫。\n未用浓艳色彩，仅以明暗浓淡铺写狩猎瞬间的静与动，将猎手的专注、旷野的清寂，定格在这一瞬的屏息之间，粗率写意的笔触下，藏着最真实的野外狩猎的紧绷氛围。",[33,163,1464,47971,11256,38059],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F76ef092693194328056b0c0b8c272631.jpg",[],{"id":47984,"slug":47985,"title":47986,"dynasty":22,"author":7,"museum":172,"description":47987,"tags":47988,"thumbUrl":47990,"material":296,"size":297,"collection":11,"collections":47991,"showCount":310,"zanCount":49,"manualWeight":49,"mainColor":70},289113,"na-liang-tu-ping-feng-yi-ming-289113","纳凉图屏风","以淡墨写意勾勒茅舍藤架，阔叶藤蔓缠绕垂覆，浓淡墨色晕染出叶片错落的阴阳生姿，自带溽夏清润凉意。画面留白疏阔，空濛底色晕开幽寂乡居意趣，半掩的柴门、朴拙木柱不见冗余修饰，隐约露出行将消夏的竹席一角，不见纳凉人却处处漫着偷闲松弛的慵懒况味。笔致萧疏散淡，舍去繁复皴染，寥寥数笔便将炎夏里乡居的清宁淡远铺陈开来，把暑热间的安闲散逸藏在淡墨疏影之中，尽显水墨留白造境的悠远禅意。",[26,27,28,144,33,16233,10528,1737,47989],"消暑","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F19555733da3bcd59130100a11039297b.jpg",[],{"id":47993,"slug":47994,"title":47995,"dynasty":22,"author":7,"museum":172,"description":47996,"tags":47997,"thumbUrl":47999,"material":296,"size":297,"collection":11,"collections":48000,"showCount":310,"zanCount":49,"manualWeight":49,"mainColor":739},289112,"nan-qin-san-lang-hua-juan-yi-ming-289112","男衾三郎画卷","整卷图文共生，左侧古题咏铺陈叙事，右幅拆分多段场景。深宅庭院里，仕女文士凭廊观游、私语晤面，木构屋宇细节雅致，淡彩晕染庭中花木，尽显贵族闲雅日常；郊野之上武士控马弯弓，身姿矫捷，动静相映。素纸因年岁晕染泛黄，浅淡青绿、朱红点缀其间古意盎然，将物语轶事缓缓铺展，融闲情英气于长卷，尽显中古绘卷特有的叙事审美意趣。",[26,79,96,32,33,129,1006,124,5967,650,47998],"故事画","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F342fda8928667199bec2164d428214aa.jpg",[],{"id":48002,"slug":48003,"title":48004,"dynasty":22,"author":7,"museum":172,"description":48005,"tags":48006,"thumbUrl":48014,"material":296,"size":297,"collection":11,"collections":48015,"showCount":310,"zanCount":49,"manualWeight":49,"mainColor":70},289091,"jean-jacques-lequeu-longitudinal-and-cross-sections-of-the-salons-yi-ming-289091","Jean Jacques Lequeu--Longitudinal and Cross Sections of the Salons","整体采用对称工整的构图，尽显新古典主义室内设计的庄重典雅。左上与右上立面以釉蓝为底，搭配鎏金古典浮雕与垂坠帷幔，柔化立面棱角，将神性装饰融入宅邸细节，营造出静谧华贵的会客氛围。\n左下与右下立面转而以浅棕木色打底，鎏金雕花勾勒框架，壁龛中的人形雕塑复刻古典祭祀仪制，增添空间仪式感。\n四款立面分别呈现沙龙的前后纵横切面，精准拿捏洛可可的柔媚与新古典的克制，将贵族宅邸的精致奢华藏进每一处雕饰细节之中，是古典室内装饰的精巧范本。",[329,32,48007,48008,25374,48009,48010,48011,48012,48013],"建筑画","室内装饰","门窗","壁炉","窗帘","欧式建筑","古典风格","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fccd688864a1fa5578a4d7efdf0bec250.jpg",[],{"id":48017,"slug":48018,"title":48019,"dynasty":22,"author":7,"museum":172,"description":48020,"tags":48021,"thumbUrl":48025,"material":296,"size":297,"collection":11,"collections":48026,"showCount":310,"zanCount":49,"manualWeight":49,"mainColor":70},289053,"lenox-incorporated-design-drawing-of-flower-buds-and-seedpods-yi-ming-289053","Lenox, Incorporated--Design drawing of flower buds and seedpods","这组水彩手稿以米黄底色衬底，将莲与罂粟的花苞、莲蓬与种荚错落排布。笔触清透柔和，晕染出花苞粉绿渐变的鲜活质感，莲蓬凹陷的莲房、种荚层叠的瓣状轮廓都被精细捕捉，带着博物手绘的严谨温柔。作者以细腻色彩过渡还原植物舒展柔和的生长肌理，旁侧的细小标注带着复古手绘的沉静温度，将植物萌发的蓬勃与盛放后的枯寂余韵定格。既有科学绘图的写实克制，又带着水彩晕染的诗意温柔，让植物的生机与余味共存，满溢着自然手绘独有的松弛雅致。",[32,48022,190,21004,317,446,48023,48024],"手绘","植物写生","设计图","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ffe1749bbace7de59007bb5ca39df60ce.jpg",[],{"id":48028,"slug":48029,"title":48030,"dynasty":22,"author":7,"museum":172,"description":48031,"tags":48032,"thumbUrl":48035,"material":296,"size":297,"collection":11,"collections":48036,"showCount":310,"zanCount":49,"manualWeight":49,"mainColor":1162},289051,"lenox-incorporated-design-drawing-of-of-lotus-blossom-yi-ming-289051","Lenox, Incorporated--Design drawing of of lotus blossom","这帧花卉写生带着松弛随性的创作质感，以柔缓水色晕染花苞初绽的娇态。瓣尖晕开柔粉，向着乳白自然过渡，把莲瓣的通透柔嫩藏在淡彩层次中。明黄的花蕊点亮画面中心，鲜活生机呼之欲出。\n\n右侧留有未完成的线条稿，带着灵感迸发时的仓促随性，似是创作者将初见莲花的刹那心动随手定格。泛黄纸面晕开时光的温度，落款轻落角落，没有过度雕琢的匠气，将即兴描摹的温柔藏在水色交融间，留住了独属于这朵莲的鲜活瞬间，让这份未完成的写生，成为带着松弛诗意的赏花记忆。",[446,32,48033,48022,48034],"花卉画","设计稿","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F103bdd189e8d4111e9367a01e71076f4.jpg",[],{"id":48038,"slug":48039,"title":27150,"dynasty":75,"author":7,"museum":172,"description":48040,"tags":48041,"thumbUrl":48042,"material":296,"size":297,"collection":11,"collections":48043,"showCount":310,"zanCount":49,"manualWeight":49,"mainColor":50},288948,"wu-jiu-wen-qin-tu-yi-ming-288948","残雪覆着虬曲皴裂的老枝，瘦骨嶙峋的老树峙于寒溪之畔，将冬日荒寒铺陈开来。两只文禽相偎枝桠，翎毛晕染细腻柔和，软绒暖意破开周遭清寂。\n\n溪水流过覆雪矶石，浅淡墨色勾出缓缓波纹，带着清泠水汽漫开。远山以淡墨晕染留白，如笼烟霭，把辽远空濛揉进冷灰底色里。\n\n整作工写相融，禽鸟描摹写实生动，山水却写意空灵，萧寒中暗蕴脉脉温情，将冬日荒林里的幽淡诗意静静晕开，冷而不寂，静中生趣。",[26,27,31,80,163,676,130,162,952,27428,82],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fac8f467f9e57ea917f133b2b77c5e356.jpg",[],{"id":48045,"slug":48046,"title":48047,"dynasty":22,"author":7,"museum":172,"description":48048,"tags":48049,"thumbUrl":48052,"material":296,"size":297,"collection":11,"collections":48053,"showCount":310,"zanCount":49,"manualWeight":49,"mainColor":70},288801,"peter-van-lint-flemish-venus-de-medici-view-from-the-back-yi-ming-288801","Peter van Lint, Flemish--Venus de' Medici; view from the back","炭笔循着灰蓝纸底晕染明暗，将维纳斯的背面形神复刻于纸面。细腻笔触顺着肌肉走势铺陈，腰臀的柔润弧线、腿部紧绷的张力被精准捕捉，完美诠释了古典人体的优雅韵律。\n左下角的骷髅与鲜活的肉身形成强烈对冲，一边是肉体的柔美鲜活，一边是死亡的冷峻肃穆，暗喻着肉身的转瞬即逝。创作者以精微的明暗过渡，将大理石雕塑的温润质感化为纸面层次，在忠实还原原作静穆气质的同时，让手绘笔触赋予雕像新的鲜活温度，静立间尽显古典人体的永恒美感。",[38060,122,33,48050,4851,25604,3244,48051],"裸女","单色","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ff1176d6d8cb29d3a838f3bdd3e9d2683.jpg",[],{"id":48055,"slug":48056,"title":48057,"dynasty":22,"author":7,"museum":172,"description":48058,"tags":48059,"thumbUrl":48064,"material":296,"size":297,"collection":11,"collections":48065,"showCount":310,"zanCount":49,"manualWeight":49,"mainColor":277},288770,"ron-arad-drawing-for-big-easy-volume-2-yi-ming-288770","Ron Arad--DRAWING FOR BIG EASY VOLUME 2","以炭笔铺陈明暗底色，晕染的棕色调柔化了冷硬笔触，主体造型如凝固的温热流体，兼具骨骼的力量感与织物的柔润张力。角落潦草勾勒的场景碎片，将这件家具从单纯造型抽离，置入朦胧的日常氛围。手写标注带着即兴创作的松弛感，整体模糊了工业设计与架上绘画的边界，将功能性器物推演成充满野性生命力的抽象形体，以粗粝又浪漫的即兴质感，完整留存下创意迸发的鲜活瞬间。",[38060,48060,48022,48061,48062,48063],"抽象风格","炭画","家具元素","抽象造型","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fcbd755a85edcd6c0f2435ba96648a40f.jpg",[],{"id":48067,"slug":48068,"title":48069,"dynasty":22,"author":7,"museum":172,"description":48070,"tags":48071,"thumbUrl":48075,"material":296,"size":297,"collection":11,"collections":48076,"showCount":310,"zanCount":49,"manualWeight":49,"mainColor":70},288754,"samuel-wale-drawing-for-a-book-illustration-yi-ming-288754","Samuel Wale--Drawing for a book illustration","这幅素描淡彩以松弛的构图铺陈郊野邂逅的日常场景，右侧苍劲大树框定画面空间，远景农舍木栅栏晕开恬淡乡野氛围。作者以细腻柔婉的线条勾勒人物情态：长裙淑女与教士执手晤谈，侍女垂首侍立身侧，两名男子旁观静候，持杖路人侧目回望，将十八世纪乡郊的社交场景鲜活呈现。淡墨晕染出柔和光影，衣褶纹路、人物神态皆被细致铺陈，带着古典插画特有的叙事感，在平实的郊野日常里，流露出旧时代世俗社交的闲适风貌，笔触雅致温婉，将旧时光的乡野闲情定格在纸面之上。",[38060,48072,1572,48073,48074,131,1125,9466],"书籍插画","户外场景","古典服饰","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F44de290cd1531c449ac96a7fe21d0e1c.jpg",[],{"id":48078,"slug":48079,"title":48080,"dynasty":22,"author":7,"museum":172,"description":48081,"tags":48082,"thumbUrl":48086,"material":296,"size":297,"collection":11,"collections":48087,"showCount":310,"zanCount":49,"manualWeight":49,"mainColor":70},288722,"vicente-carducho-the-kingdom-of-aragon-yi-ming-288722","Vicente Carducho--The Kingdom of Aragon","这幅素描以沉稳棕调铺陈，勾勒出戴冠执杖的君主半身形象，褶皱排线凝练厚重，晕染出织物的垂坠质感，将帝王肃穆威严的气度尽显。老者面容沟壑深邃，张口似在宣谕，神情庄重而有张力。下方附带手书纹章表格，潦草字迹暗藏创作思路，留存着底稿独有的即兴鲜活。\n\n线条兼具力量感与松弛感，将仪式感与原始构思痕迹融为一体，在未完成的随性中，藏着创作者落笔时的构思轨迹，让这件稿本既有肖像的威仪风骨，又带着手稿独有的生动温度。",[38060,33,30,48083,5432,48084,48085,48022],"纹章","王冠","权杖","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fb62c02f3dcfe6bd662eac57bd2328ac0.jpg",[],{"id":48089,"slug":48090,"title":48091,"dynasty":22,"author":7,"museum":172,"description":48092,"tags":48093,"thumbUrl":48096,"material":296,"size":297,"collection":11,"collections":48097,"showCount":310,"zanCount":49,"manualWeight":49,"mainColor":70},288690,"attributed-to-andre-s-de-melgar-five-birds-two-snails-and-a-cartouche-with-masks-yi-ming-288690","attributed to Andrés de Melgar--Five Birds, Two Snails and a Cartouche with masks","这页速写满溢奇诡浪漫的狂想，创作者将禽鸟、螺贝与假面饰框揉为一体，以灵动排线勾勒出妖异的幻想生灵。尖喙弯扭如缠结藤蔓，躯体盘绕巴洛克式涡卷纹，羽毛纹路随曲面舒展，兼具生物肌理与装饰曲线的柔媚。\n\n上方饰框以假面与云气托举神祇形象，怪诞中带着古典装饰的庄重感。草稿带着即兴创作的松弛随性，线条虚实交织，潦草却精准捕捉形态张力，将自然生灵的野性与古典装饰的华丽诡谲相融，仿佛脑海中古灵精怪的幻思挣脱纸笔，跃然纸上，留存着原始创作的鲜活张力。",[123,4390,27036,42263,33,48094,1504,48095],"奇幻生物","线稿","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F3847de44914c39170a8f857a0f7ace2a.jpg",[],{"id":48099,"slug":48100,"title":48101,"dynasty":22,"author":7,"museum":172,"description":48102,"tags":48103,"thumbUrl":48105,"material":296,"size":297,"collection":11,"collections":48106,"showCount":310,"zanCount":49,"manualWeight":49,"mainColor":70},288679,"attributed-to-andre-s-de-melgar-term-holding-turtle-over-dragon-yi-ming-288679","attributed to Andrés de Melgar--Term Holding Turtle over Dragon","这幅钢笔速写是充满奇思的装饰草稿，棕褐线条灵动松快，将怪诞奇想与古典装饰语汇揉为一体。画面里妖异的拟人怪胎、虬曲龙形异兽与卷草饰纹缠绕共生。左侧小恶魔身姿轻捷，仿佛正驭着涡旋纹样向前腾跃，右侧狞面怪胎持杆托举海螺饰件，威严又带着邪异趣味。虬曲龙身舒展成卷涡，与缠枝纹样无缝相融，即兴勾勒的排线与流畅轮廓交织，把妖异张力和柔婉装饰感精妙平衡，潦草笔触带着创作时的鲜活即兴感，让这些幻想造物仿佛拥有了跃动的生命力。",[38060,4485,1058,59,1080,272,33,48094,1504,48104],"怪诞形象","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fcca45cf38668013a5c2ee203e41aaa09.jpg",[],{"id":48108,"slug":48109,"title":48110,"dynasty":22,"author":7,"museum":172,"description":48111,"tags":48112,"thumbUrl":48116,"material":296,"size":297,"collection":11,"collections":48117,"showCount":310,"zanCount":49,"manualWeight":49,"mainColor":70},288674,"attributed-to-domenico-veneziano-standing-youth-leaning-on-a-long-staff-yi-ming-288674","attributed to Domenico Veneziano--Standing Youth Leaning on a Long Staff","这是一幅充满古典张力的人体素描，清癯健硕的青年倚杖静立，筋骨与肌肉的起伏被明暗排线精准晕染，在灰调纸面上生出柔和的体积感。他双手交握长杖，头颅微昂，似在凝神远眺，沉郁的神态藏于利落的轮廓中，静立姿态里裹挟着内敛的力量。画作兼具速写的松弛生动与古典写实的严谨克制，每一处线条都贴合着人体肌理，将躯体的蓬勃生气与沉静的氛围感相融，让静止的形象拥有了呼吸般的鲜活质感。",[38060,33,5432,48113,48114,48115],"拄杖","人体","站立","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fbe3ebad86293d53b989d95837a249309.jpg",[],{"id":48119,"slug":48120,"title":48121,"dynasty":22,"author":7,"museum":172,"description":48122,"tags":48123,"thumbUrl":48129,"material":296,"size":297,"collection":11,"collections":48130,"showCount":310,"zanCount":49,"manualWeight":49,"mainColor":50},288634,"jean-baptiste-deshays-shepherds-dreaming-of-the-flight-into-egypt-yi-ming-288634","Jean-Baptiste Deshays--Shepherds Dreaming of the Flight into Egypt","前景里牧羊人正沉酣入梦，姿态松弛倦怠，羊群依偎身侧，晕开乡野深夜的宁和慵懒。岩洞深处，圣母子与约瑟暂作休憩，圣母垂首凝望着怀中圣婴，神色温柔缱绻。云霭之上天使悄然浮现，柔光漫过岩壁，将神性的静谧揉进山野的粗粝肌理里。\n\n画作笔触奔放写意，暖棕底色晕开沉沉暮色，明暗对比朦胧柔和，将凡间日常的松弛安然与神迹的圣洁温柔相融，让逃亡的奔波在此刻暂缓，梦境与神性交织晕染，为这段旅途晕开一抹治愈的乡野暖意。",[38039,1573,27489,48124,38061,48125,48126,41721,48127,48128],"圣婴","牧羊人","羊群","梦境","休憩","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Faf7c5bcb3d4bf9ae830f17a4759e34f8.jpg",[],{"id":48132,"slug":48133,"title":48134,"dynasty":22,"author":7,"museum":172,"description":48135,"tags":48136,"thumbUrl":48142,"material":296,"size":297,"collection":11,"collections":48143,"showCount":310,"zanCount":49,"manualWeight":49,"mainColor":70},288612,"john-gregory-crace-design-for-the-decoration-of-the-drawing-room-yi-ming-288612","John Gregory Crace--Design for the Decoration of the Drawing Room","这是一幅哥特复兴风格的会客厅设计稿，蓝底描金的肋拱穹顶缀满纹章浮雕，修长花饰沿拱券垂落，将中世纪宗教建筑的雅致庄重移入私邸。墙面铺陈古典叙事壁画，壁炉侧的猩红长椅柔化了建筑线条的冷硬，同色系帐幔与地毯首尾呼应，晕开温暖柔和的空间底色。\n\n中央雕花台座配古典画作，与两侧壁龛形成对称韵律，阳光穿透高窗在彩绘织物间晕开朦胧层次。设计师将中世纪装饰语言转化为宅邸厅堂的华贵私享氛围，纹饰暗含古典美学秩序感，平衡复古形制与起居暖意，尽显浪漫规整的复古室内美学精髓。",[48137,48138,1607,48139,48140,48010,21361,14069,48013,32,175,48141],"水彩画","装饰设计","客厅","彩绘天花板","古典家具","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F8d7a55d043f4e803338390b664ca6de8.jpg",[],{"id":48145,"slug":48146,"title":48147,"dynasty":22,"author":7,"museum":172,"description":48148,"tags":48149,"thumbUrl":48152,"material":296,"size":297,"collection":11,"collections":48153,"showCount":310,"zanCount":49,"manualWeight":49,"mainColor":70},288576,"attributed-to-francesco-allegrini-two-monastic-figures-standing-before-a-church-yi-ming-288576","attributed to Francesco Allegrini--Two Monastic Figures Standing before a Church","###不对，不能加###。重新组织：\n顿挫简约的墨线，将修道院一隅凝于纸面。松弛却精准的笔触勾勒出修士的沉静身姿，衣褶舒展厚重，把出家人的自持庄重娓娓道来。墙垣的皴擦带着粗糙斑驳的质感，如同将经年的静谧一同刻进画中。三人排布带着微妙叙事感，似正驻足低语静候礼拜，将日常修行的平和氛围铺陈开来。\n\n没有繁复修饰，寥寥线条便精准捕捉住宗教场景的沉静张力，把古典宗教场景的素朴肃穆藏进每一道笔触里，随性又克制地定格了修士日常的片刻安闲。",[123,1572,30,48150,48151,47971],"修士","教堂","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fc63650e2f4ede67a65c527d988ee9438.jpg",[],{"id":48155,"slug":48156,"title":48157,"dynasty":22,"author":7,"museum":172,"description":48158,"tags":48159,"thumbUrl":48161,"material":296,"size":297,"collection":11,"collections":48162,"showCount":310,"zanCount":49,"manualWeight":49,"mainColor":50},288486,"wu-dai-juan-hua-gong-yang-tu-yi-ming-288486","五代绢画供养图","画面上下分野，铺陈出梵天净土与俗世虔敬。上段佛陀安坐莲台，神情端严，抬手施印，衣纹舒卷沉稳，两侧胁侍合掌伫立，宝冠璎珞俱全，设色沉厚晕染柔和，尽显超然平和的禅意氛围。\n下方供养人身着宽袍乌纱，手持熏炉躬身礼拜，眉眼间满是恭谨至诚，服饰细节勾勒写实，尽显信者风貌。绢面历经岁月泛黄斑驳，反倒赋予画作古拙厚重的质感。笔意质朴凝练，将宗教的庄严神性与世俗的恳切祈愿相融，静静诉说着旧时的信仰图景与审美意趣。",[26,27,28,29,48160,32,33,30,1170,2451,434,13729],"绢画","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ff9e29cdd5428c9d910aa9a3eca382d50.jpg",[],{"id":48164,"slug":48165,"title":48166,"dynasty":75,"author":7,"museum":172,"description":48167,"tags":48168,"thumbUrl":48169,"material":296,"size":297,"collection":11,"collections":48170,"showCount":310,"zanCount":49,"manualWeight":49,"mainColor":70},288363,"lu-lu-tu-yi-ming-288363","芦鹭图","这幅小景截取江泽一角，芦枝苍劲舒展，以浓淡墨色勾勒苇叶，条理清劲又带着随风摇曳的野趣。四只水鸟振翅掠过空濛暮色，姿态灵动写意，打破了水天的岑寂，又衬得周遭愈发安闲悠远。整体色调沉郁古雅，大片留白晕染出水天一色的秋日薄暮，将江汀秋意的萧疏清寂尽数铺展。以小见大，把郊野水泽的闲淡野趣凝于尺幅之间，笔墨简淡却意境悠长，带着雅致意趣，将秋日江渚的静谧诗意定格，尽显小品画以少胜多、余韵无穷的独特魅力。",[27,219,80,662,163,31,32],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F3ea76c81a2a162ceac132de825adbf41.jpg",[],{"id":48172,"slug":48173,"title":48174,"dynasty":55,"author":7,"museum":172,"description":48175,"tags":48176,"thumbUrl":48177,"material":296,"size":297,"collection":11,"collections":48178,"showCount":310,"zanCount":49,"manualWeight":49,"mainColor":50},288317,"li-dai-di-wang-gui-fei-da-chen-chao-fu-xiang-xiao-zhuang-wen-huang-hou-yi-ming-288317","历代帝王贵妃大臣朝服像(孝庄文皇后)","此作为工笔肖像，笔致凝练精细。画中人物端然正坐，宝蓝色朝服沉稳华贵，衣纹勾勒匀整流畅，边缘镶边更添庄重。红顶暖帽规制严整，衬出人物沉静端雅的气度。手中哈达轻柔垂落，暗合其出身的草原印记。坐具织锦纹样繁丽精巧，配色浓丽古雅，晕染细腻写实，层层烘托出人物尊崇的身份地位。整体画面气韵沉静肃穆，尽显清代宫廷肖像画的工整写实风格，精准定格了人物威仪温婉兼具的独特气质。",[26,27,31,32,33,12520,418,345],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fc5ba2ccd4e010ce5cf0f4f413a4dab7f.jpg",[],{"id":48180,"slug":48181,"title":48182,"dynasty":55,"author":7,"museum":172,"description":48183,"tags":48184,"thumbUrl":48185,"material":296,"size":297,"collection":11,"collections":48186,"showCount":310,"zanCount":49,"manualWeight":49,"mainColor":50},288309,"li-dai-di-wang-gui-fei-da-chen-chao-fu-xiang-cheng-ze-qin-wang-shuo-sai-yi-ming-288309","历代帝王贵妃大臣朝服像(承泽亲王硕塞)","此作为工笔肖像上乘之作，画中老者面容清癯，神态沉凝威严，自带宗室亲贵的从容威仪。画师以精细笔触描摹朝服，正龙纹鳞爪分明、气势雄健，海水江崖层次细腻，石青、明黄、朱红诸色交叠，富丽庄重又不失章法，精准贴合宗室品级仪制。\n\n领口貂裘、腰间饰件与项下朝珠皆写实入微，毛发丝缕毕现，珠串光泽莹润，将服饰材质肌理尽数展现。整作沉稳端凝，既恪守宫廷肖像的规制法度，又生动刻画出老者的耆年风骨，兼具纪实价值与艺术审美价值。",[26,27,31,32,11098,59,345,418,12520],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F39be9a97f2fd5ca86c4d0f2b70f38163.jpg",[],{"id":48188,"slug":48189,"title":48190,"dynasty":55,"author":7,"museum":172,"description":48191,"tags":48192,"thumbUrl":48193,"material":296,"size":297,"collection":11,"collections":48194,"showCount":310,"zanCount":49,"manualWeight":49,"mainColor":70},288257,"li-dai-di-wang-gui-fei-da-chen-chao-fu-xiang-ai-xin-jue-luo-xuan-ye-yi-ming-288257","历代帝王贵妃大臣朝服像(爱新觉罗 玄烨)","此作工笔写实，笔触精细入微。画中人物身着华贵朝服，宝蓝底衬明黄龙纹，绣工繁复精密，纹样威严庄重，朝珠、顶戴细节分毫毕现，尽显至尊威仪，人物神态沉稳肃穆，眉眼间自有君王持重气场。\n\n周遭陈设亦处处考究，文房器具规整雅致，孔雀翎摆件彰显礼制规格，桌椅与地毯纹饰华美庄重，细节间烘托出宫廷礼制的森严华贵。整幅设色厚重鲜明，将纪实性与艺术性相融，精准诠释清代宫廷肖像画的典型风貌，把帝王气度与宫廷规制氛围完美融合，是清代肖像画中的上乘之作。",[26,27,32,31,33,14407,59,887,345,9044,2348],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F72337d4f0c0e300e38800a8591c5baa1.jpg",[],{"id":48196,"slug":48197,"title":48198,"dynasty":55,"author":7,"museum":172,"description":48199,"tags":48200,"thumbUrl":48201,"material":296,"size":297,"collection":11,"collections":48202,"showCount":310,"zanCount":49,"manualWeight":49,"mainColor":50},288256,"li-dai-di-wang-gui-fei-da-chen-chao-fu-xiang-yi-ming-288256","历代帝王贵妃大臣朝服像","此作糅合中西技法，工致细腻。帝王端严安坐，神色沉静内敛，朝服规制森严，朝珠垂坠尽显礼制威仪。宝座融欧式雕花与中式构件，蓝金配色华贵雅致，衬出主人尊崇地位。画师恪守御容画庄重范式，又以西洋光影晕染出面部立体感，皮肉纹理与衣褶层次刻画入微，既得传统写真传神要义，又暗含西风东渐的艺术新风，将帝王威仪与写实水准相融无间，是清代跨文化肖像画的精妙之作。",[26,27,32,31,33,14407,418,29,12520],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F939e8b101086ba5245e3ee83bbc40fc1.jpg",[],{"id":48204,"slug":48205,"title":48206,"dynasty":55,"author":7,"museum":172,"description":48207,"tags":48208,"thumbUrl":48210,"material":296,"size":297,"collection":11,"collections":48211,"showCount":310,"zanCount":49,"manualWeight":49,"mainColor":70},288247,"li-dai-di-wang-gui-fei-da-chen-chao-fu-xiang-su-ma-la-gu-chao-fu-yi-ming-288247","历代帝王贵妃大臣朝服像(苏麻喇姑)朝服","此作以工笔写实，刻画出女主人端雅沉静的气度。冠帽朱红顶戴规整持重，吉服袍以石青为地，满绣五彩升龙，间缀宝相缠枝、江崖海水，绣纹细密饱满，设色浓丽沉稳，晕染匀称自然，分毫毕现清代宫廷冠服礼制的华美繁复。\n\n画师捕捉人物眉眼舒展平和的神态，褪去宫廷仪轨的疏离感，尽显其历经三朝的温润从容。项间朝珠层叠错落，更衬身份尊崇。整幅构图中正端严，融纪实性与审美性为一体，既恪守宫廷肖像的礼制要求，又生动传递出人物沉静温婉的独特风骨。",[26,27,32,33,31,29,345,59,48209,29273],"苏麻喇姑","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F771cdd4aa3a4879bb58e24b518f6fb0e.jpg",[],{"id":48213,"slug":48214,"title":48215,"dynasty":55,"author":7,"museum":172,"description":48216,"tags":48217,"thumbUrl":48219,"material":296,"size":297,"collection":11,"collections":48220,"showCount":310,"zanCount":49,"manualWeight":49,"mainColor":50},288246,"li-dai-di-wang-gui-fei-da-chen-chao-fu-xiang-fan-wen-cheng-yi-ming-288246","历代帝王贵妃大臣朝服像(范文程)","此作工笔精细，将这位勋贵重臣的威严沉凝尽显无遗。画师落笔细致入微，人物面容苍劲有神，沉稳内敛的气度呼之欲出。朝服上的金线龙纹盘绕腾挪，绣工精巧华贵，宝蓝底色衬出明黄龙纹，配色端庄肃穆。朝珠制式严谨，串饰排布规整，与服饰相得益彰，精准还原清代重臣的朝仪规制。整体画面静穆庄重，遵循清代肖像画的写实传统，既细致还原服饰器用的典制细节，又生动刻画出人物历经世事的老成持重，尽显庙堂重臣的威仪风范。",[26,27,29,32,31,33,59,345,48218],"大臣肖像","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F88251542c3490542685b4a7b66856d36.jpg",[],{"id":48222,"slug":48223,"title":48224,"dynasty":55,"author":7,"museum":172,"description":48225,"tags":48226,"thumbUrl":48227,"material":296,"size":297,"collection":11,"collections":48228,"showCount":310,"zanCount":49,"manualWeight":49,"mainColor":70},288208,"li-dai-di-wang-gui-fei-da-chen-chao-fu-xiang-huang-tai-ji-bian-fu-xiang-yi-ming-288208","历代帝王贵妃大臣朝服像(皇太极便服像)","此作工笔精谨，设色调和沉静。画中主人面膛方正饱满，虬须苍劲，神色威穆内敛，自带九五之尊的沉凝气度。石青便服挺括厚重，明色冠帽点缀其间，双手握朝珠静置于膝头，端坐在髹木嵌理石宝座之上。座椅蓝地缠枝围屏纹样舒展富丽，座垫织锦华而不艳，衬出主人的尊崇地位。画师写实功力深厚，衣纹晕染还原了面料的垂坠质感，面部晕染贴合骨相，将这位帝王的雄毅沉稳刻画入微，是清代肖像画里兼具纪实性与审美价值的精品。",[26,27,29,32,33,31,14407,345],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fe7412ef2ccdb72b371ecbeef1997f5eb.jpg",[],{"id":48230,"slug":48231,"title":48232,"dynasty":55,"author":7,"museum":172,"description":48233,"tags":48234,"thumbUrl":48235,"material":296,"size":297,"collection":11,"collections":48236,"showCount":310,"zanCount":49,"manualWeight":49,"mainColor":50},288207,"li-dai-di-wang-gui-fei-da-chen-chao-fu-xiang-yin-ti-fu-fu-yi-ming-288207","历代帝王贵妃大臣朝服像(胤禵夫妇)","此作为工笔重彩肖像，构图规整肃穆，二人正襟端坐，尽显世家眷侣的端方气度。画师以精细笔触还原服饰细节：藏青素缎朝服之上，补子、云肩、江崖海水纹饰华美繁复，金彩勾边搭配朱红、宝绿晕染，将清代宗室服饰的华贵礼制铺陈尽致，朝珠垂挂错落合仪，细节处处恪守典制。\n\n人物刻画写实传神，老者苍髯垂胸，神色平和自带威仪，女子妆容秀雅温婉，旗装头面一丝不苟，精准还原清代宗室贵眷的容仪风貌。整作配色沉稳雍容，以写实技法记录清代贵族日常仪范，兼具纪实价值与工笔美学质感。",[26,27,28,31,32,33,12520,345,418],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F7fb05210a13c131ae3272ef2b02e1b87.jpg",[],{"id":48238,"slug":48239,"title":48240,"dynasty":55,"author":7,"museum":172,"description":48241,"tags":48242,"thumbUrl":48244,"material":296,"size":297,"collection":11,"collections":48245,"showCount":310,"zanCount":49,"manualWeight":49,"mainColor":50},288206,"li-dai-di-wang-gui-fei-da-chen-chao-fu-xiang-su-ma-la-gu-yi-ming-288206","历代帝王贵妃大臣朝服像(苏麻喇姑)","此帧工笔肖像以浅褐素底衬映，将人物端凝气度铺陈开来。主人物安坐于织锦软垫宝座，神情温和沉静，眉目间带着阅尽世事的从容。石青朝服庄重沉穆，补子纹样精巧华美，朱白相间的朝珠垂坠胸前，领口袖口镶边绣纹细密繁复，尽显礼制规格。画师笔触细腻入微，发丝根根分明，衣料褶皱晕染自然写实，精准呈现服饰肌理质感，将人物温婉肃穆的神态刻画淋漓尽致，恪守清代肖像画纪实法度的同时，于细节中烘托出人物独特气质，尽显宫廷肖像工整雅致之韵。",[26,27,28,31,32,1572,12520,48243,418],"女性人物","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F87184e9eb8431295e72f6700686b2ee4.jpg",[],{"id":48247,"slug":48248,"title":48249,"dynasty":55,"author":7,"museum":172,"description":48250,"tags":48251,"thumbUrl":48252,"material":296,"size":297,"collection":11,"collections":48253,"showCount":310,"zanCount":49,"manualWeight":49,"mainColor":70},288196,"mi-you-ren-kuan-chu-shan-qiu-ji-yi-ming-288196","米友仁款楚山秋霁","此作追摹米家云山之法，以淡墨层层晕染山峦林麓，间以浓墨错落点苔，不着意勾勒山石轮廓，纯以水墨干湿浓淡的层次变化，晕染出楚山秋霁后烟岚浮动、空濛湿润的清灵景致，萧散简远，尽显文人山水的淡逸禅意。\n整卷拖尾题跋琳琅，钤印错落，层层递加的鉴藏印记晕开厚重的流传脉络，精准还原了米家山水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X ”一行。卷末沟刻高宗行书题跋一段。各卷尾题:“乾隆三十四年岁在乙丑春二月奉敕校正宋淳化阁帖初拓摹勒上石”篆书四行。此帖考订详僖，校对精审，对原帖编次上的错误逐一厘订后，重新改编次第按时代先后为序。对草书不识之字。博参诸家释文依字旁列注，对其中互异之字附记考证于卷后。\n此帖由御书处刻工佳手钩刻摹刊至精。就其规模和质量来说均在明代诸家刻本之上。\n乾隆三十七年（1772年）帖石镌成后高宗皇帝犹恐失散即将毕士安赐本（淳化阁帖》与重刻原石一起贮于圆明园淳化轩内，至今二者都无下落、可能毁于1860年英法联军侵占北京圆明园之际，实为千古憾事。幸故宫藏有该帖拓本才得以观其原貌。此拓本为淸刻初拓，京折装，计十册，每册纵30.6厘米横35厘米，每册铃：“乾隆御览之宝”朱文椭圆印、”避暑山庄”朱文方印，装潢颇为考究，且拓工精良。虽已保存二百余年但字口锋神俱在，纸墨宛如新拓，堪称珍品。\n乾隆《钦定重刻淳化阁帖》石版，原贮于长春园淳化轩。英法联军火烧圆明园后,该摹帖版已湮没百余年。所幸的是,1993年夏季，圆明园管理处在清挖长春园水系时，从该遗址西侧河道掘得摹帖版7页（4整3残），今均陈列于园史展览馆。\n淳化法帖，原是北宋淳化三年（992年），奉宋太宗赵光义旨意，摹刻于秘阁之中的丛帖，世称《淳化阁帖》。它是我国历史上的第一部大型丛帖，被誉为诸帖之祖。《阁帖》共摹刻唐代以前99人书法名迹，包括夏禹、孔子、晋武帝、唐太宗、虞世南、 欧阳询、褚遂良、柳公权等，尤以王義之、王献之量迹最丰，独占全帖10册之半。\n清代乾隆帝弘历喜好书法，曾先后命在北海阅古楼和万寿山星妙轩，分别摹刻《三希堂法帖》及其续帖。但因二帖仅收魏晋以来墨迹，弘历颇嫌不足。后喜得《淳化阁帖》之“初拓赐本”，弘历如获至宝。命内廷翰林精审更定，选工钩摹上石，并在长春园含经堂之后新建两层轩阁，以帖名之曰“淳化轩”。帖版是在故宫懋勤殿直庐镌刻的,历时三年零两个月，至乾隆三十七年（1772年）四月，共摹竣144页贴版，遂镶嵌于堂后轩前之24间回廊壁间。原《阁帖》北宋初拓本，收藏于淳化轩内，I860年（咸丰十年）同毁于英法联军劫火。\n今出土的摹帖版,面幅为90厘米*33厘米，石厚11厘米。7页帖版的序号是三册一号、六号、 七号（残），四册八号（残），五册一号、十四号和九册三号（残）。其中除五册十四号为“释文订异”，九册三号为隋释智果书“王右军”帖、“蔡邕”帖之外， 余均为王義之墨迹，包括其“适得”、“比奉”、“七儿”、“省足”、“云谯”、“知足”、“期已”、“信云”、“不审”、“伏想”等近20幅名帖。出土帖版中，有2页残版的字迹略有侵蚀，余尚清晰。\n乾隆三十四年的《钦定重刻淳化阁帖》是一部很重要的本子,其所据的底本为明末清初孙承泽原藏的所谓毕士安本。以乾隆刻本和司空公本的第四、七、八卷相校,其底本肯定不是初拓本，因此，所谓毕士安本是不可能的。但这个底本应该是一个北宋拓本，和司空公本的年份相似，然而它是十卷本。问题是这个祖本已经消失，然而它在当时确实存在过，过去有的学者认为这个底本是虚构的，不存在的。可能是由于它不可能是所谓淳化四年的毕士安赐本的关系。\n这个所谓的毕士安赐本，在康熙时已入内府，康熙曾亲跋此本: “……此本乃赐翰林学士毕士安者……汉晋以来，翰墨风规，宛然犹在者，尚赖此帖之存也，朕幾政余闲，启帙披卷,如晤往昔，心意融洽,洵可宝而藏之也。\n到了乾隆三十四年，以此本作为底本重刻的《淳化阁帖》，乾隆在卷首题词中说:“内府旧藏淳化阁帖极多,而此毕士安所得赐本，拓最精好, 爰特敕选工钩摹上石，冀复旧观。\n这个本子到了嘉庆年间,成亲王永瑆题在现藏美国弗利尔美术馆的绍兴国子监本第十册末有:“余昔在上书房得见内府所藏宋太宗赐毕士安本, 此本楮墨正与相似，嘉庆庚午四月七日商丘陈伯恭先生携此本与贾似道重摹初拓本相见……”这说明，这个乾隆刻本的底本在1810年前不久仍然存在,其消失的原因很简单,乾隆在其重刻本的第十卷末有:“重摹淳化阁帖成,因并弃毕士安原本于淳化轩。这就是说，这个底本和重刻帖石一并存放在圆明园的淳化轩。I860年英法联军焚毁圆明园，所谓毕士安底本也必遭毁灭。\n乾隆重刻本，除了改变原刻整体程序外，也有对个别字体修正原刻的失误，如第八卷《此郡帖》的“非常”之“非”字,原刻失刻一笔，乾隆重摹即据《大观帖》补刻完整。此外，有的字体也有摹失,但其不可忽视之处在于它是从整套北宋拓本翻刻，在我们对比各《阁帖》本时有着比较重要的参考价值。\n弘历继位九年（1744 ）命臣将内府所藏书画著录《石渠宝笈》。乾隆十五年（1750）又敕命编刻《三希堂石渠宝笈法帖》三十二卷。谕曰：\n书为游艺之一，前代名迹流传，令人兴怀珍慕。是以好古者恒钩撫镌刻.以垂诸奕祀。宋《淳化阁帖》，其最著矣。厥后《大观》《淳熙》皆有续刻。其他名家摹本，至不可数。我朝秘府，初不以广购博收为尚，而法书真迹，积久颇富。朕曾命儒臣详慎审定，编为《石渠宝笈》一书。因思文人学士得佳迹数种，即钩摹入石，矜为珍玩。今取群玉之秘，寿之贞琨。足为墨宝大观，以公天下。\n《三希堂法帖》刻后十九年即乾隆三十四年（1769）,弘历又重新刻了一部《淳化阁帖》。这部帖是据赐毕士安本墓刻的，故书家与书帖和《阁帖》相同。然而不同的是：（一）除帝王帖置首卷外，其他帖完全按时代先后排列：第一，历代帝王；第二，上古至晋人；第三，第四、第五，晋王羲之；第六，晋人及王献之；第七，晋王献之；第八，晋至梁人；第九，陈至唐人；第十，唐及无名氏。（二）随文添刻楷书釋文。（三）卷末附释文考异和御制题跋。\n当时为什么要这样做呢？弘历在帖首自有说法：\n朕几余不自暇逸，典学之优，时及临池。曩曾辑内府所藏前人墨迹，刻为《三希堂》《墨妙轩》二帖，广示艺林。复念古帖流传可补墨迹所未备者，惟宋《淳化阁帖》，镌集尤为美富，远出《大观》《太清楼》诸本之上。但惜初拓与赐者绝勘，或云版寻残损，当时已为难得。后来翻刻愈繁，真意寝失。有志追摹者，末由津逮。内府旧藏《淳化阁帖》极多，而此毕士安所得赐本拓最精好。爰特敕选工钩摹上石，冀复旧观。\n第王著昧于辨别，其所排类标题，舛陋滋甚，不当听其沿讹，以误后学。因命于敏中等详加考正，以次呈阅，候朕参定，分识各卷。并命搜采诸家释文，依字旁注。其互异者折衷附记于后，以资省览。是于考文稽古之中，兼寓举坠订讹之益，用嘉惠海内操觎之士焉。\n特谕。\n乾隆三十四年（1769）二月六日，御笔。",[124,854,1421,125,3330,82],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F7de95ff75c6e202033ddf149ce134b61.jpg",[],{"id":53712,"slug":53713,"title":53714,"dynasty":241,"author":7,"museum":172,"description":53715,"tags":53716,"thumbUrl":53717,"material":11,"size":11,"collection":1423,"collections":53718,"showCount":310,"zanCount":49,"manualWeight":49,"mainColor":277},242224,"yan-lu-gong-zheng-zuo-wei-gao-yi-ming-242224","颜鲁公争座位稿","笔力雄肆苍劲，线条粗细欹正跌宕，枯润交替间尽显朴拙厚重。行笔纵逸开张，如长枪大戟破风，将愤懑刚直的胸臆倾泻毫端。\n\n章法错落天成，字势大小随心排布，牵丝映带裹挟情绪流动，毫无雕琢之感，尽显率意抒怀的自然之态。它跳脱规整法度的桎梏，以极具抒情性的笔墨语言，将朝堂上的刚正风骨展露无遗，是人格与笔墨的完美融合，尽显雄浑磅礴的盛唐书法气度与文人硬骨。",[124,125,854,1421],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fa8d01db196b79c19b353504fb7c1f9d4.jpg",[1423],{"id":53720,"slug":53721,"title":53722,"dynasty":22,"author":7,"museum":172,"description":53723,"tags":53724,"thumbUrl":53725,"material":11,"size":11,"collection":1423,"collections":53726,"showCount":310,"zanCount":49,"manualWeight":49,"mainColor":50},242204,"shou-chan-biao-bei-yi-ming-242204","受禅表碑","此作隶法端严沉雄，笔画厚重遒劲，波磔舒展挺括，结体方正匀稳，褪去汉隶古拙恣肆的野趣，尽显庙堂肃穆气象。字间排布匀净停匀，起收笔法度谨严，蚕头燕尾的典型隶意尚存，却已隐隐显露刚劲方正的楷化端倪，是汉魏书体嬗变的鲜活见证。碑面斑驳泐损，是岁月浸淫的痕迹，为这方石刻晕开沧桑厚重的质感，将往昔郑重的仪轨凝刻于石质肌理之中，既是精工谨严的书刻范本，亦是裹挟着历史余温的金石遗存。",[854,124,853,6433],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fe6c9b977d8ce69500df35b024889e33e.jpg",[1423],{"id":53728,"slug":53729,"title":53730,"dynasty":22,"author":7,"museum":172,"description":53731,"tags":53732,"thumbUrl":53733,"material":11,"size":11,"collection":1423,"collections":53734,"showCount":310,"zanCount":49,"manualWeight":49,"mainColor":50},242187,"fang-xuan-ling-bei-yi-ming-242187","房玄龄碑","此碑拓笔力劲挺秀雅，兼具初唐庙堂楷书的端整气象，结体沉稳舒展，点画间顿挫明晰，尽显肃穆庄重的庙堂风骨。\n\n碑面虽有泐损斑驳，残痕如时光烙下的印鉴，却未掩书法本真神采，反而晕开古朴苍凉的质感。金石的厚重与笔墨的隽秀交融一处，即便字口漫漶，依旧能窥见刻工与书者的精湛功力，残损的纹路里藏着岁月流转的痕迹，让这份拓本既有书法的法度之美，更带着历史沉淀下的醇厚韵味。",[854,124,3054],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F64af3caaa4cacb8789d872f511430bb0.jpg",[1423],{"id":53736,"slug":53737,"title":53738,"dynasty":55,"author":7,"museum":172,"description":53739,"tags":53740,"thumbUrl":53741,"material":296,"size":297,"collection":11,"collections":53742,"showCount":310,"zanCount":49,"manualWeight":49,"mainColor":70},242165,"liu-yong-shu-nan-shu-fang-mu-bian-yi-ming-242165","刘墉书＂南书房＂木匾","木质肌理晕染着旧漆沉褐的色泽，岁月摩挲下的包浆凝着时光温度。其书笔力沉浑雍容，点画圆劲内敛，平正端稳里暗含舒展灵动，将庙堂持重与文人风雅相融。糙砺木面的细碎划痕，皆是光阴镌刻的注脚，静静承载着殿阁之内的翰墨余韵，尽显旧朝文气沉凝的端方风骨。",[160,1251,124,3054,125,2751],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F49327fa7908094e7a58c8009a24b0952.jpg",[],{"id":53744,"slug":53745,"title":53746,"dynasty":55,"author":7,"museum":172,"description":5639,"tags":53747,"thumbUrl":53748,"material":296,"size":297,"collection":11,"collections":53749,"showCount":310,"zanCount":351,"manualWeight":49,"mainColor":50},242123,"yin-du-jin-fu-shou-wen-zan-yi-ming-242123","银镀金福寿纹簪",[160,2239,8331,39,12948,24497,5087,1154,430,16385,1688],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fe3e62aa9bb62d60817a12b22b3c85831.jpg",[],{"id":53751,"slug":53752,"title":53753,"dynasty":55,"author":7,"museum":172,"description":45684,"tags":53754,"thumbUrl":53756,"material":296,"size":297,"collection":11,"collections":53757,"showCount":310,"zanCount":351,"manualWeight":49,"mainColor":277},242118,"yin-du-jin-ji-qing-wen-liu-su-yi-ming-242118","银镀金吉庆纹流苏",[160,5641,431,53755,19635,39,1693,1563],"吉庆纹","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F4c28715f1de8cb2e25dbdf1e753282d6.jpg",[],{"id":53759,"slug":53760,"title":40150,"dynasty":55,"author":7,"museum":172,"description":5639,"tags":53761,"thumbUrl":53762,"material":296,"size":297,"collection":11,"collections":53763,"showCount":310,"zanCount":49,"manualWeight":49,"mainColor":277},242107,"yin-du-jin-dong-sheng-wen-zan-yi-ming-242107",[160,39,1154,430,5146,2631,431,268,80,1839,580],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F0ee20773365869b04f87def02c20334f.jpg",[],{"id":53765,"slug":53766,"title":53767,"dynasty":55,"author":7,"museum":172,"description":5639,"tags":53768,"thumbUrl":53769,"material":296,"size":297,"collection":11,"collections":53770,"showCount":310,"zanCount":49,"manualWeight":49,"mainColor":277},242086,"yin-du-jin-hua-lan-xing-zan-yi-ming-2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短皴点苔，勾勒出坚硬质感，晕染柔和自然。设色简淡明净，以水墨晕出水色天光的空濛，将深秋萧疏之气揉进山水静穆之中，幽寂淡远的林下意境油然而生，尽显仿古山水的雅致意趣。",[27,28,530,32,614,122,60,146,331,131,1340,5661],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F5f40330fbbba36daca0dd28b9a2a4247.jpg",[],{"id":54204,"slug":54205,"title":17935,"dynasty":55,"author":7,"museum":172,"description":54206,"tags":54207,"thumbUrl":54208,"material":11,"size":11,"collection":11,"collections":54209,"showCount":310,"zanCount":49,"manualWeight":49,"mainColor":70},236059,"wang-hui-fang-gu-shan-shui-ce-yi-ming-236059","此作用笔苍秀兼具，绢本设色清润温雅。近景怒涛翻涌，浪纹层层晕染尽显江海雄浑之势，岩崖之上虬松盘错，松荫掩映幽潭水榭，藏起山居清趣。远景山峦覆着浅青烟岚，山坳屋舍隐于林麓间，晕染出淡远空濛的氛围感。\n整画揉合宋院体的精工水法与元人山水的萧散意趣，咫尺尺幅铺展千里山水格局，将惊涛奔涌的动势与林居幽隐的静气相融，于古雅的仿古意韵里，尽显传统山水含蓄隽永的意境。",[27,28,530,32,60,614,15420,1340,162,532,531,130],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F8351548791361bd014cfdddc96f5a74d.jpg",[],{"id":54211,"slug":54212,"title":9851,"dynasty":55,"author":7,"museum":172,"description":54213,"tags":54214,"thumbUrl":54215,"material":11,"size":11,"collection":11,"collections":54216,"showCount":310,"zanCount":49,"manualWeight":49,"mainColor":70},235985,"ban-shan-shan-shui-ren-wu-ce-yi-ming-235985","此作用淡墨铺就空寂底色，虬曲古木悬垂萝蔓，浓墨点苔衬出苍古奇崛。坡岸杂树以淡晕简笔写出，右侧扁舟静泊水畔，隐见渔翁独对江天。天际归雁掠过长空，寥寥数笔便牵出荒寒秋意。\n\n画面计白当黑，虚实相生，以极简的写意笔墨，将江畔山野幽寂之趣收于尺幅。笔简而意远，淡墨留白间晕开悠悠禅意，尽显文人画超然出尘的隐逸情怀，简淡中见雅致萧疏，余韵悠长。",[27,28,530,144,60,163,128,532,162],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F34dd8f6901f7b9b9b8431c34cd435ec3.jpg",[],{"id":54218,"slug":54219,"title":9851,"dynasty":55,"author":7,"museum":172,"description":54220,"tags":54221,"thumbUrl":54222,"material":11,"size":11,"collection":11,"collections":54223,"showCount":310,"zanCount":49,"manualWeight":49,"mainColor":70},235980,"ban-shan-shan-shui-ren-wu-ce-yi-ming-235980","此作以虚实相生的笔墨绘就山林幽境，主峰以枯涩浓墨勾皴，写尽崖石嶙峋苍劲的质感。数道飞瀑借留白衬出灵动，掩映崖间为冷寂山景添了鲜活生机。\n下方以浓墨点染苍松，错落茅舍隐于林木间，寥寥数笔便勾勒出幽居野逸之趣。淡墨晕染出空濛山岚，将山野清寂冷逸尽数铺陈。整体简淡疏朗，以留白营造出悠远禅意，尽显文人山水小品的雅逸之致，藏着寄情林泉的幽居意趣。",[27,144,614,60,162,1102,131,734,530],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F4a4d76ab334058b03a3d817ec7b2b7ae.jpg",[],{"id":54225,"slug":54226,"title":54227,"dynasty":55,"author":7,"museum":172,"description":54228,"tags":54229,"thumbUrl":54230,"material":11,"size":11,"collection":11,"collections":54231,"showCount":310,"zanCount":49,"manualWeight":49,"mainColor":70},235956,"cai-jia-hua-hui-tu-ce-yi-ming-235956","蔡嘉花卉图册","这幅画以湖石为骨，皴染间尽显嶙峋苍润，将顽石的朴拙厚重晕染得淋漓尽致。石畔水仙挺秀舒展，花瓣莹润留白，嫩黄的花蕊点出清雅生机，修长叶片劲挺带露，与湖石刚柔相济，旁侧细竹疏淡点缀，添几分清逸灵秀。\n\n笔墨兼工带写，设色明净素雅，勾勒晕染间将水仙的清隽姿态刻画入微。右侧题诗与画面呼应，诗画相融，悠悠文人意趣随花木舒展弥漫开来，整体意境娴静清雅，尽揽花木隽秀风骨，暗藏文士观物寄情的闲淡心境。",[27,28,530,32,144,80,2604,145,146,82],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F7a2329e768406daed9e7f203e5808d8c.jpg",[],{"id":54233,"slug":54234,"title":30455,"dynasty":55,"author":7,"museum":172,"description":54235,"tags":54236,"thumbUrl":54237,"material":11,"size":11,"collection":11,"collections":54238,"showCount":310,"zanCount":49,"manualWeight":49,"mainColor":70},235888,"yuan-ji-hua-hui-tu-ce-yi-ming-235888","此作用水墨写秋菊，以浓淡变化铺陈花瓣，焦墨点醒花心，将丝缕繁复的花形表现得层次分明、舒展苍劲。叶片以大写意泼墨写出，浓淡干湿间尽显秋韵萧疏，寥寥数笔便勾勒出菊叶的清挺之态，尽显秋菊凌霜傲骨。\n\n左侧题字笔意纵逸，与画作笔势相融，诗画相映，借秋菊寄寓林下幽怀，文人意趣盎然。整幅简淡空灵，以少胜多，以水墨的纯粹晕染出清冷疏朗的意境，把传统花鸟画借物抒怀的意趣尽显无余，尽显中式写意美学的隽永之味。",[79,27,28,530,144,80,147,82,100,190],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F5a5025a954b3f6444b00e7c381e68af1.jpg",[],{"id":54240,"slug":54241,"title":30455,"dynasty":55,"author":7,"museum":172,"description":54242,"tags":54243,"thumbUrl":54244,"material":11,"size":11,"collection":11,"collections":54245,"showCount":310,"zanCount":49,"manualWeight":49,"mainColor":70},235887,"yuan-ji-hua-hui-tu-ce-yi-ming-235887","淡墨轻勾水纹，寥寥数笔便漾起柔缓波光，浓墨点染的汀草苍劲朴拙，与晕染浅淡的游鱼形成鲜明虚实对照。游鱼造型简括灵动，穿荇摇曳间，将水泽生机藏于简淡笔墨里。\n\n题书笔意纵逸浑朴，与画面融为一体，尽显水墨写意的随性野趣。以极简之形托出幽澹江湖之境，将水泽闲雅逸趣凝于尺幅间，淡而不寡，朴中藏灵，以意驭笔、以简胜繁，把清寂又生动的水畔一隅定格，让观者悄然窥见悠游自在的江渚意趣。",[27,28,530,144,147,125,82,232,446,190,2729],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ffa0089515d0ede2814e1df1bde4747fb.jpg",[],{"id":54247,"slug":54248,"title":30455,"dynasty":55,"author":7,"museum":172,"description":54249,"tags":54250,"thumbUrl":54251,"material":11,"size":11,"collection":11,"collections":54252,"showCount":310,"zanCount":49,"manualWeight":49,"mainColor":70},235886,"yuan-ji-hua-hui-tu-ce-yi-ming-235886","此作用笔极简却意趣悠长，以淡墨挥写兰叶，线条劲挺舒展如迎风摇曳，带着清刚之姿，淡墨点染花蕊，寥寥数笔便将幽兰娇俏灵动之态勾勒尽致。顽石以阔笔泼墨皴擦，墨色干湿浓淡层叠交错，枯涩笔触晕染出嶙峋肌理，朴拙厚重间尽显沉静气度。画面留白疏密相宜，虚实相生，以少胜多烘托出幽寂空灵的意境，借兰石寄寓品格，将幽兰孤高清逸的气韵与山石沉稳朴拙的质感相融，尽显文人画的雅逸风骨，藏着画者超尘绝俗的精神追求。",[27,28,79,530,144,147,1665,1525],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F65062d2cd885f02a1cf82b4677985c92.jpg",[],{"id":54254,"slug":54255,"title":54256,"dynasty":241,"author":7,"museum":172,"description":54257,"tags":54258,"thumbUrl":54259,"material":296,"size":297,"collection":11,"collections":54260,"showCount":310,"zanCount":49,"manualWeight":49,"mainColor":70},235768,"wu-men-zhu-jia-shou-yuan-fang-zhai-san-jue-ce-chen-chun-bai-hua-zhou-tu-ye-yi-ming-235768","吴门诸家寿袁方斋三绝册-陈淳百花洲图页","此作以淡彩晕染江南沙洲春景，溪岸蜿蜒舒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人物图轴","秋夜江天，月色衔着薄云晕开清光，归雁列队划破岑寂。茅舍檐下苇席铺陈，振袖女子以袖掩面，柔婉身形似含幽绪，席上男子持扇凝睇，案间布帛轻置，日常缱绻里漫着淡淡别意。丹枫斜枝缀着艳色，衬着茅檐朴拙，水畔木架与幽草晕开野趣。笔触清隽雅致，设色柔润古雅，将市井儿女的悱恻心事融在江秋夜色里，把幽微情愫藏在景致与情态之间，淡远缱绻，尽显和风古典的温婉余韵。",[26,27,28,29,32,33,163,38,7550,1330,532,145],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F5dbb2250af231ae36a00e00ab660d322.jpg",[],{"id":54583,"slug":54584,"title":54585,"dynasty":22,"author":7,"museum":172,"description":54586,"tags":54587,"thumbUrl":54590,"material":11,"size":11,"collection":11,"collections":54591,"showCount":310,"zanCount":49,"manualWeight":49,"mainColor":70},231653,"xi-ma-tu-juan-yi-ming-231653","戏马图卷","此卷以淡彩施绘，笔墨清简秀逸。右端平远郊野间，群马散游浅草坡地，或垂首啮草，或信步徐行，村舍隐于林麓，漾着乡野闲静意趣。随卷左移，画面渐次鲜活：仆役控缰牵马，骑手们或策马奔腾，或俯身控御烈马，更有健儿挥弄长械戏马，烈马扬鬃奋蹄，人马的灵动神态被简练线条勾勒尽致。浅青、淡赭的淡设色调雅致柔和，将牧养日常与游嬉之趣相融，把民间驯马戏马的鲜活图景缓缓铺展，尽显世俗生活的生动意韵。",[26,27,28,96,32,31,33,1006,60,14795,1142,54588,54589],"群马","动态场景","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F4e8fcb02ee6658a46924bfa4d3b69f70.jpg",[],{"id":54593,"slug":54594,"title":54595,"dynasty":22,"author":7,"museum":172,"description":54596,"tags":54597,"thumbUrl":54599,"material":296,"size":297,"collection":11,"collections":54600,"showCount":310,"zanCount":49,"manualWeight":49,"mainColor":50},231641,"shi-ting-shi-dai-shang-shan-cai-zhi-tu-zhou-yi-ming-231641","室町时代 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砚必宋唐。”唐代政治、经济、文化高度发达，国力强盛，物质雄厚，书法绘画艺术成就巨大，促进了文房用具的发展。特别是隋唐科举制度的推行，使天下学子可以通过文章考试进入社会上层阶级，极大促进了制砚业的发展。\n唐砚承继了魏晋南北朝砚台的制式与材质，还发展各种优质砚材，宋砚基本是唐砚的延续。唐代最具代表性的砚形是辟雍式和箕形式。\n宋代著作《文学四谱》中提到魏晋学者繁钦在《砚赞》中云：“圆如盘而中隆起，水环之者，谓之辟雍砚。”魏晋时期多流行三足或四足的青瓷圆砚，南北朝变化为五足到十足不等的多足砚、辟雍砚，到了隋唐时期，发展出了圆形多足的辟雍砚。",[590,2194,3020,5966,268,346],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F0ac07e2b4c9553c4c6d934e317943632.jpg",[],{"id":55882,"slug":55883,"title":55884,"dynasty":171,"author":7,"museum":172,"description":55877,"tags":55885,"thumbUrl":55886,"material":296,"size":297,"collection":11,"collections":55887,"showCount":310,"zanCount":351,"manualWeight":49,"mainColor":70},223822,"guan-xiang-yan-yi-ming-223822","观象砚",[171,3020,268,1251,346],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fbca7189df664cd4a691520885600bb8a.jpg",[],{"id":55889,"slug":55890,"title":55891,"dynasty":171,"author":7,"museum":172,"description":31052,"tags":55892,"thumbUrl":55893,"material":296,"size":297,"collection":11,"collections":55894,"showCount":310,"zanCount":49,"manualWeight":49,"mainColor":50},223821,"ying-bai-chuan-dai-hu-yi-ming-223821","莹白穿带壶",[590,2194,3788,346],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F3c5e93fef1ef84e3e0f7801686789e3c.jpg",[],{"id":55896,"slug":55897,"title":55898,"dynasty":75,"author":7,"museum":172,"description":55899,"tags":55900,"thumbUrl":55902,"material":296,"size":297,"collection":11,"collections":55903,"showCount":310,"zanCount":49,"manualWeight":49,"mainColor":50},223799,"mi-se-qing-ci-tuo-yuan-yan-yuan-wei-qi-zuo-hou-gai-zhi-cheng-yan-tai-yi-ming-223799","米色青瓷椭圆砚（原为器座，后改制成砚台）","唐人造的箕形，看它下摆的两条边线，略微的向外那么一延展，尝觉得，颇似一站立的人，张开手臂向外。而以宋人的抄手砚看，人觉得仍是站着，可是双臂拢起了。\n宋人不再如唐砚那般，郁结于一砚的厚薄高低，它们越过一方砚的三足，五足亦或多足，制砚上不再欲行又止犹犹豫豫摸着石头过河。宋代，砚有了方正式，椭圆样。这样的长，宽，厚度，式样，不再是忽有忽无，时隐时现，而是有了规范态势。宋代，砚的池、堂、边，不再浑如唐箕的说不清道不明，它们有了明确界定，开始各司其职。通俗地说，宋代，砚有了属于砚的相貌，有了自己特有的区别于它物的形态，样式。\n宋砚的天下，是石质砚的天下。尽管石质入砚，以石为砚，汉砚甚至更为古老的石器时代，古人便有过琢磨，涉及。尽管，聪明的古人不仅以石入砚，先民还用铜质，铁质，陶泥，瓷质，玉质等等尝试过制砚。也尽管，开启石质制砚时代大门的是唐人。",[75,2593,55901,2594,3020,2194,346],"米色","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F6f690ca54ee56423c0fc5ded261101e0.jpg",[],{"id":55905,"slug":55906,"title":55907,"dynasty":75,"author":7,"museum":172,"description":12964,"tags":55908,"thumbUrl":55909,"material":296,"size":297,"collection":11,"collections":55910,"showCount":310,"zanCount":351,"manualWeight":49,"mainColor":50},223787,"qing-bai-ci-yin-hua-shuang-feng-wen-wan-yi-ming-223787","青白瓷印花双凤纹碗",[75,2194,22459,8550,346],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ffb405065b922e8809ff360fe921e6254.jpg",[],{"id":55912,"slug":55913,"title":55914,"dynasty":75,"author":7,"museum":172,"description":33910,"tags":55915,"thumbUrl":55916,"material":296,"size":297,"collection":11,"collections":55917,"showCount":310,"zanCount":49,"manualWeight":49,"mainColor":70},223782,"nan-lu-niu-yu-yin-yi-ming-223782","南鹿纽玉印",[267,82,268,358,272,271],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F17071b7167408e7ef9fbfa3aa3971b48.jpg",[],{"id":55919,"slug":55920,"title":55921,"dynasty":75,"author":7,"museum":172,"description":12964,"tags":55922,"thumbUrl":55923,"material":296,"size":297,"collection":11,"collections":55924,"showCount":310,"zanCount":49,"manualWeight":49,"mainColor":50},223743,"qing-ci-hua-hua-pan-chi-pan-yi-ming-223743","青瓷划花蟠螭盘",[75,2194,2593,19818,42670,346],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fc58bd97d0d5eea3a73c956495f050970.jpg",[],{"id":55926,"slug":55927,"title":55928,"dynasty":75,"author":7,"museum":172,"description":12964,"tags":55929,"thumbUrl":55930,"material":296,"size":297,"collection":11,"collections":55931,"showCount":310,"zanCount":49,"manualWeight":49,"mainColor":70},223741,"qing-ci-kui-hua-shi-wan-yi-ming-223741","青瓷葵花式碗",[75,2194,2593,17700,38964],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F80e9d51b4154c82374d19dcc6264120e.jpg",[],{"id":55933,"slug":55934,"title":26511,"dynasty":75,"author":7,"museum":172,"description":55935,"tags":55936,"thumbUrl":55937,"material":11,"size":11,"collection":11,"collections":55938,"showCount":310,"zanCount":49,"manualWeight":49,"mainColor":50},223684,"xun-qin-fu-zhuo-tu-ye-yi-ming-223684","《宋人画驯禽俯啄图》是宋代佚名创作的绢本设色画。\n此图原载《宋元集绘册》。\n图绘一件浅蓝色瓷罐置于画面正中，一只小麻雀于罐沿上低头觅食。\n雀身系一赤色小绳，绳端拴一圆圈，以点出「驯禽」之意。\n作者先用细笔勾出鸟的轮廓，然后用细笔丝出羽绒，再用浓墨点出翅膀、鸟尾和眼珠，使小鸟的形象生动逼真，具有较强的质感。\n全图笔法工细，构图简洁，设色柔和自然。\n此图无款，旧题签为「驯禽俯啄」，现沿用此名。\n画面左下角钤「宋荦审定」一印。\n曾经清人宋荦收藏，《石渠宝笈三编》著录。\n本幅无款。\n钤鉴藏印“宋荦审定”。\n裱边题签：“宋人驯禽俯啄”。\n图中一只 立于浅蓝色敞口瓷罐上，低头欲啄罐沿。\n麻雀身系红绳，绳端拴一圆环，表示已被擒获豢养。\n麻雀属难以驯化之鸟，画面中的瓷罐内虽有白米，雀却不食，表达了向往自由生活的心愿。\n画家先以尖细之笔绘出麻雀的轮廓、羽绒，再用浓墨、淡赭点画出翅膀、尾羽和眼目。",[26,79,27,28,530,32,31,80,193,346],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F5063ca27005a536981c4ba62953d8db8.jpg",[],{"id":55940,"slug":55941,"title":42002,"dynasty":75,"author":7,"museum":172,"description":55942,"tags":55943,"thumbUrl":55944,"material":11,"size":11,"collection":11,"collections":55945,"showCount":310,"zanCount":49,"manualWeight":49,"mainColor":70},223628,"he-tang-xi-lai-tu-yi-ming-223628","《宋人画荷塘鸂鵣图》是宋代佚名创作的绢本设色画。\n烟雾迷蒙，一曲清溪，两岸夹植杨柳，间以红花。\n溪中莲叶点点，鸂鵣戏水，其乐融融。\n一行白鹭破空飞向远方，将观赏者的视线引向画外；蜿蜒的清溪，则将视线推向了画景深处。\n柳叶用攒笔点画，树干用双钩法绘出，鸂鵣以工笔刻画。\n设色柔和淡雅。\n小小的册页画中略用了深远与高远的画法，就使画面意境达到了深远的效果。\n对幅有清乾隆皇帝御题诗一首:“花鸟从来属剑南，水禽夏卉照晴潭。\n鸳鸯无碍称其紫，弟子有时胜彼蓝。\n水宿相呼如觧勅，沙群式度自能谙。\n涨滩落鸟寻常事，何涉西台纪怪谈。\n” 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明。这帧残卷如千年低语，在绢丝纹理中传递超越时空的坚定力量，触碰到那份穿透虚妄的清明与执着。",[27,28,96,292,30,32,33,175],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F7d9d80738712c85703ad31f27fd24f54.jpg",[],{"id":56220,"slug":56221,"title":56222,"dynasty":55,"author":7,"museum":76,"description":10093,"tags":56223,"thumbUrl":56224,"material":616,"size":11,"collection":11,"collections":56225,"showCount":310,"zanCount":49,"manualWeight":49,"mainColor":70},217030,"li-dai-ming-ren-tu-xiang-ce-4-yi-ming-217030","历代名人图像册-4",[27,32,33,542,530,28,11102,190],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fc2b14adac75a4e5c228f053c59b42e23.jpg",[],{"id":56227,"slug":56228,"title":56229,"dynasty":241,"author":7,"museum":499,"description":56230,"tags":56231,"thumbUrl":56232,"material":724,"size":11,"collection":11,"collections":56233,"showCount":310,"zanCount":49,"manualWeight":49,"mainColor":70},216747,"ming-qing-ren-hua-ce-1-yi-ming-216747","明清人画册-1","墨羽栖枝，浓淡泼洒间尽现翎毛丰致。枯枝以焦墨劲扫，苍劲如铁骨，旁逸藤蔓轻缠，添几分野趣。鸟之态敛翅沉思，眸中似含幽意，与空疏背景相映，愈显清寂孤高。\n\n笔墨兼融豪放与精微：泼墨处淋漓畅快，如疾风掠羽；细勾处精准传神，似银针点睛。题款朱印错落排布，与画面浑然一体，文气暗生。留白处意蕴悠长，不著一字而尽得风流，恰是文人画“以少胜多”之妙。\n\n观此帧如临秋林一隅，听寒枝微动，感水墨间流淌的淡泊孤怀。寥寥数笔，将天地清寂与文人幽思凝于尺幅，令人心折。",[27,28,530,144,80,163,613,82],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F025742b8e3b1da956414bd6a706739fa.jpg",[],{"id":56235,"slug":56236,"title":56237,"dynasty":55,"author":7,"museum":172,"description":56238,"tags":56239,"thumbUrl":56240,"material":43,"size":11,"collection":11,"collections":56241,"showCount":310,"zanCount":49,"manualWeight":49,"mainColor":50},216698,"hong-lou-meng-fu-tu-ce-29-yi-ming-216698","红楼梦赋图册-29","画面以竖排赋文为骨，花叶藤蔓为韵，织就一卷红楼幽梦。墨色匀净的文字间，粉紫花朵点缀翠枝，藤蔓蜿蜒如诉，将文辞的缱绻与草木的柔媚相融。线条细腻温婉，设色清雅恬淡，似将红楼女儿的娇弱与命运的幽微藏于花叶深处。每一笔勾勒都带着古典的雅致，每一处晕染都晕开旧梦的怅惘。文与画交织，诗与景共生，仿佛能透过纸页触到红楼往事里的温柔与叹息，尽显传统艺术的含蓄之美。",[26,27,28,530,32,190,124,125],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F70e5a290fba81a0f48ddd76c9eabdfc4.jpg",[],{"id":56243,"slug":56244,"title":56245,"dynasty":55,"author":7,"museum":172,"description":56246,"tags":56247,"thumbUrl":56248,"material":43,"size":11,"collection":11,"collections":56249,"showCount":310,"zanCount":49,"manualWeight":49,"mainColor":50},216697,"hong-lou-meng-fu-tu-ce-27-yi-ming-216697","红楼梦赋图册-27","墨笔赋文如织，密密匝匝铺陈画面中央，似将红楼旧梦的缱绻与唏嘘，凝进每一处笔画里。左侧红蔓垂垂，缀着点点朱实，如泣血的相思缠绕；右侧绿柯横斜，衬着殷红小果，若含露的情丝牵萦。顶部青芦舒展，间杂绯色花穗，风致嫣然，恰与文中婉转韵致相映。图文相契，笔墨间既有闺阁清雅，又藏繁华落尽的怅惘，仿佛金陵十二钗的影影绰绰，正于纸页间流转不灭余韵。",[26,27,28,530,32,31,124,125,37,1737,2291,29462],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F6eaccf15f20d6155b4e6ec6303ef06ff.jpg",[],{"id":56251,"slug":56252,"title":56253,"dynasty":55,"author":7,"museum":172,"description":56254,"tags":56255,"thumbUrl":56256,"material":43,"size":11,"collection":11,"collections":56257,"showCount":310,"zanCount":49,"manualWeight":49,"mainColor":50},216684,"hong-lou-meng-fu-tu-ce-41-yi-ming-216684","红楼梦赋图册-41","暖黄绢面之上，暗纹婉转如诉。缠枝花卉与祥云纹样交织错落，似将红楼深处的雅致与怅惘织入肌理。每一道纹路皆细腻入微，或舒展如潇湘馆的竹影，或卷曲似蘅芜苑的香草，于静谧中藏着时光的痕迹。没有张扬的色彩，却以素净之姿勾勒出书中的诗意氛围，仿佛百年前的风月情浓，都凝在这方寸之间的纹理里，静静诉说着红楼旧梦的温柔与沧桑。那些隐现的图案，像极了书中未说尽的心事，在绢纸间悄悄流转，让观者于无声处，触摸到《红楼梦》里那份独有的雅致与怅然。",[26,27,28,530,32,4198,41],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Faefdce542c0b9a38b0d52e0593c6b968.jpg",[],{"id":56259,"slug":56260,"title":56261,"dynasty":55,"author":7,"museum":172,"description":56262,"tags":56263,"thumbUrl":56264,"material":43,"size":11,"collection":11,"collections":56265,"showCount":310,"zanCount":49,"manualWeight":49,"mainColor":50},216683,"hong-lou-meng-fu-tu-ce-39-yi-ming-216683","红楼梦赋图册-39","绢素之上，笔墨如诉。线条纤细却含筋骨，勾画出红楼儿女的衣袂翩跹与眉眼间的幽微心事；设色淡雅如春日烟霞，晕染出庭院深深的静谧与花事阑珊的怅惘。帧帧图绘与赋文相映，将书中的绮梦与苍凉凝作可视的诗意。纸页泛着时光的暖黄，似是岁月为这份古典情韵覆上的薄纱，每一道纹理都藏着红楼的旧影。笔墨流转间，古典的温柔与深沉悄然铺展，让观者在光影交错里，触摸那份跨越时空的绮丽与怅惘，坠入那片静谧而悠远的红楼之境。",[26,530,31,32,33,127,1605,48074,9465,1383,2268],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fb8e3adb63f9b2992df421d6f81b848ad.jpg",[],{"id":56267,"slug":56268,"title":56269,"dynasty":55,"author":7,"museum":172,"description":56270,"tags":56271,"thumbUrl":56272,"material":43,"size":11,"collection":11,"collections":56273,"showCount":310,"zanCount":49,"manualWeight":49,"mainColor":70},216188,"zhi-gong-tu-ju-fu-cai-hui-ce-ye-di-1-ce-17-yi-ming-216188","职贡图巨幅彩绘册页第1册-17","画面分左右二帧，左帧女子粉衫绿裙，轻纱覆髻，手持素色织物，身姿温婉；右帧男子蓝袍衬红衣，皮靴束带，腰佩弯刀，神情刚毅。两侧墨笔题跋字迹工整，与人物形象相映成趣。画作色彩明丽，线条流畅，人物造型生动，既展现不同族群服饰特色，又暗含清代多民族交往图景，笔墨间细致描摹异域风情，是职贡题材中兼具艺术价值与历史意涵的佳作。",[26,55,1222,31,32,33,345,2405,124],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ffd84d868cefaaeece6eddae52cd2802d.jpg",[],{"id":56275,"slug":56276,"title":56277,"dynasty":55,"author":7,"museum":172,"description":56278,"tags":56279,"thumbUrl":56280,"material":43,"size":11,"collection":11,"collections":56281,"showCount":310,"zanCount":49,"manualWeight":49,"mainColor":50},216148,"zhi-gong-tu-ju-fu-cai-hui-ce-ye-di-2-ce-12-yi-ming-216148","职贡图巨幅彩绘册页第2册-12","画面分左右绘两人，左者女子蓝发垂肩，粉裙衬绿腰，手捧白碗，身姿温婉；右者男子冠如尖棘，条纹长袍曳地，持蓝色器物，神态端肃。衣饰纹样细腻，色彩明丽却不失雅致，线条勾勒精准流畅。旁附墨书题跋，当是载其族属风俗。画作以写实笔触捕捉人物特征，兼具装饰美感，既为清代职贡纪实之证，亦藏多元文化交融之韵，于方寸间见时代风貌与艺术匠心。",[26,27,28,530,31,32,33,345,346],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Renoir--Studies of Landscape, Trees, and Exotic Fruit","这组写生小稿松弛随性，水色晕染带着鲜活松弛的意趣。暖橙糅着明黄铺就郊野天光，灰调晕开柔化了光影边界，蓝绿冷色晕簇出植被与异果，寥寥淡线轻勾轮廓。\n\n创作者以即兴笔触捕捉自然瞬息，没有规整构图，零散色块与晕染间草木、云色舒展自在，将郊野一隅的光影风物定格在即兴涂抹里。水色交融间生机漫溢，细碎色块拼凑郊野朦胧氛围，藏满对自然的敏锐感知。",[48137,47971,56594,131,37,1839,56595],"风景","写生稿","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F76f80d7196dea4e1da3f9993ef01fd92.jpg",[],{"id":56599,"slug":56600,"title":56601,"dynasty":22,"author":7,"museum":172,"description":56602,"tags":56603,"thumbUrl":56605,"material":296,"size":297,"collection":11,"collections":56606,"showCount":260,"zanCount":49,"manualWeight":49,"mainColor":70},289532,"auguste-renoir-young-woman-with-a-muff-yi-ming-289532","Auguste Renoir--Young Woman with a Muff","女子眉眼轻阖，拢住暖手筒将寒意隔绝在外，周身漫开松弛慵懒的柔意。深褐色高领上衣沉稳柔和，衬得她神态愈发娴静。画家以粉彩晕染长裙，暖橘与米白交织出蓬松褶皱，将女装的温婉雅致娓娓道来。朦胧的浅棕背景做了晕化开的留白，将视线牢牢锁在女子身上，仿佛能触到暖筒的温度，捕捉到冬日街头这片刻沉静温柔的日常。轻盈笔触把庸常日常晕染出诗意暖意，细腻勾勒出女性柔美的神态气韵，将松弛安然的瞬间永远定格。",[38039,33,127,32,345,56604],"暖手筒","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fb45a5fec742d5a722b866a7fc8928325.jpg",[],{"id":56608,"slug":56609,"title":56610,"dynasty":22,"author":7,"museum":172,"description":56611,"tags":56612,"thumbUrl":56617,"material":296,"size":297,"collection":11,"collections":56618,"showCount":260,"zanCount":49,"manualWeight":49,"mainColor":70},289478,"canaletto-capriccio-with-a-roman-triumphal-arch-yi-ming-289478","Canaletto--Capriccio with a Roman Triumphal Arch","淡彩勾勒辅以精细素描，铺陈出古罗马凯旋拱门与周遭残墟。拱门雕饰虽蒙尘斑驳，仍可窥见昔日帝国的精工华彩。断柱颓墙之间，匠人持具劳作，行人驻足停留，日常烟火揉碎在古旧废墟的沧桑之中，远景尖塔刺破灰蒙穹苍，为荒芜底色添了一丝冷峻生机。\n\n柔和克制的色调里，细腻线条铺陈岁月侵蚀的痕迹，将怀古幽思融于市井日常。虚构的古典残墟中，逝去文明的厚重追念与俗世温情交织碰撞，仿若一场跨越时空的凝视，引观者踏入沉睡着往昔辉煌的旧梦。",[38059,56613,56614,56615,33,11256,38060,56616,48012],"风景画","凯旋门","古建筑废墟","残垣断壁","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ffa3cf5ea7d085f7a4f7fbd0454d20199.jpg",[],{"id":56620,"slug":56621,"title":56622,"dynasty":22,"author":7,"museum":172,"description":56623,"tags":56624,"thumbUrl":56625,"material":296,"size":297,"collection":11,"collections":56626,"showCount":260,"zanCount":49,"manualWeight":49,"mainColor":70},289461,"rembrandt-the-last-supper-after-leonardo-da-vinci-yi-ming-289461","Rembrandt--The Last Supper, after Leonardo da Vinci","以红粉笔随性勾勒，线条松弛灵动，全无雕琢拘谨之感。画面中心人物沉静端然，围坐的门徒们姿态各异，或侧耳低语，或倾身探看，将刹那间的情绪张力悉数铺展。背景排线率性疏朗，不着意刻画繁复装饰，让视觉焦点全然落于席间的人物互动之上。\n\n带着临摹后的即兴演绎，以速写式的捕捉还原经典场景的戏剧性，让肃穆的宗教题材褪去厚重庄严，多了几分俗世聚餐般的鲜活温度。粗粝红痕间藏着精准的情绪拿捏，将这个经典场景里的动荡与沉静，都浓缩在这方随性的画幅中。",[38060,2449,1572,122,38040,47655],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F0afc656c35c1484b8a8f02fc03df6e15.jpg",[],{"id":56628,"slug":56629,"title":56630,"dynasty":22,"author":7,"museum":172,"description":56631,"tags":56632,"thumbUrl":56633,"material":296,"size":297,"collection":11,"collections":56634,"showCount":260,"zanCount":49,"manualWeight":49,"mainColor":50},289449,"chuan-ming-he-chang-nian-xiang-yi-ming-289449","传名和长年像","画面主体端坐的武者面容沉毅，墨绿宽袍衬出煊赫气度，腰间横刀、手持短笏，暗显武家身份。身侧侍童持长弓垂首静立，满是恭谨肃穆。下方驯马场景鲜活灵动，仆役倾力安抚躁动骏马，动静对比鲜明。\n\n整体用色古雅凝练，线条拙朴写实，既铺陈上位者的威严气场，又以驯马的日常细节烘托世家氛围，将武家风骨与俗世烟火巧妙融合。古旧绢面晕开的色泽里，藏着对武人日常的细腻刻画，尽显东洋古绘的沉静意趣。",[26,27,28,29,32,33,1006,2405,12520],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fbcaa13f081eb32b788595ce4e8562653.jpg",[],{"id":56636,"slug":56637,"title":56638,"dynasty":22,"author":7,"museum":172,"description":56639,"tags":56640,"thumbUrl":56641,"material":296,"size":297,"collection":11,"collections":56642,"showCount":260,"zanCount":49,"manualWeight":49,"mainColor":70},289448,"shan-zhong-jie-lu-tu-yi-ming-289448","山中结庐图","近景苍木扶苏，几间茅庐错落溪畔，朱红板桥卧于浅流之上，策杖行人徐行其间，野趣悠然。中景山腰朱栏回廊隐于烟岚翠色中，林木疏密得宜，灵动皴笔晕染出山石温润质感，墨色浓淡变化间尽显层次。远景山峦以淡墨轻笼，云气氤氲，晕染出空濛清远的山林意境。\n\n全作用笔松秀简逸，浅设色与水墨相融相生，以留白衬出林泉静气，将幽居山野的隐逸意趣藏于尺幅间，尽显文人山水萧散淡远之美，观之如身临静雅林泉，俗念尽消。",[26,27,28,29,32,60,15255,129,1623,130,162,613,124,82,614],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fc461cd64fa822aa61f431e016d2109c3.jpg",[],{"id":56644,"slug":56645,"title":56646,"dynasty":22,"author":7,"museum":172,"description":56647,"tags":56648,"thumbUrl":56652,"material":296,"size":297,"collection":11,"collections":56653,"showCount":260,"zanCount":49,"manualWeight":49,"mainColor":70},289101,"jean-franc-ois-janinet-drawing-for-a-plate-from-gravures-historiques-yi-ming-289101","Jean François Janinet--Drawing for a Plate From Gravures historiques","这幅速写以利落的排线铺陈明暗，带着蚀刻版画独有的粗粝质感。前景的兵卒们簇拥喧闹，神态松弛亢奋，似是行军途中偷得片刻闲暇。身侧满载干草的大车敦实伫立，车轮与草堆的线条粗犷朴拙，尽显乡野行路的颠簸厚重。\n\n阴云翻卷的天空晕开朦胧的光线，远景里模糊的行军队列隐在雾气间，将荒寂的行旅氛围感拉满。作品鲜活定格了戎马行路的片刻剪影，既有纪实的生动细节，又借朦胧远景烘托出旅途漫漶的苍茫寂寥，让行伍间的粗粝鲜活跃然纸面。",[38060,518,2453,56649,40572,56650,56651],"干草马车","荒野","阴天","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F37a4806adb70c8ad926a5775c44eba99.jpg",[],{"id":56655,"slug":56656,"title":56657,"dynasty":22,"author":7,"museum":172,"description":56658,"tags":56659,"thumbUrl":56661,"material":296,"size":297,"collection":11,"collections":56662,"showCount":260,"zanCount":49,"manualWeight":49,"mainColor":70},289035,"louis-comfort-tiffany-drawing-of-a-figure-of-christ-yi-ming-289035","Louis Comfort Tiffany--Drawing of a figure of Christ","画面以柔润晕染的粉紫暖白铺就云海与圣光，边界朦胧交融，将整个空间浸在神性柔光之中。基督垂眸静立，舒展双臂，姿态悲悯又沉静，仿佛正以怀抱接纳世人。衣袍晕开柔粉肌理，随光晕自然流淌，消解了厚重感，与云雾融为一体。缥缈云霭托举着身形，将神性的庄严揉进温柔色调里，无凌厉线条，全靠色彩晕染烘托出宁静圣洁的氛围，让观者沉浸于这份平和的神性感召中，感知安抚与救赎的力量。",[30,56660,33,32,38039,63,54337],"基督","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F62639734dd832a2bbfaa6b7082b0a9a2.jpg",[],{"id":56664,"slug":56665,"title":56666,"dynasty":22,"author":7,"museum":172,"description":56667,"tags":56668,"thumbUrl":56671,"material":296,"size":297,"collection":11,"collections":56672,"showCount":260,"zanCount":49,"manualWeight":49,"mainColor":70},289034,"louis-gabriel-moreau-view-of-a-park-yi-ming-289034","Louis Gabriel Moreau--View of a Park","轻烟薄雾晕开晨色，高耸白杨树刺破柔淡的天光，与右侧舒展的乔木错落成趣。前景小径上行人信步缓行，坡地散落着施工旧料，带着未经修饰的烟火气，将郊野荒坡的松弛与背景露台雕栏、石质纪念物的规整典雅自然衔接。水彩柔润的笔触将林霭天色晕染交融，朦胧绿意漫过远近层次，把人工造景的精致与乡野生机揉为一体。仿佛能嗅见林间湿润草木气息，漫步游园的闲情逸致藏在明暗交织的笔触里，写实中漫着浪漫松弛的游园意趣。",[56613,56669,1993,131,14798,33,56670,649,15399],"水彩","石建筑","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fabd834a4f043b6618494074a564f5306.jpg",[],{"id":56674,"slug":56675,"title":41593,"dynasty":75,"author":7,"museum":172,"description":56676,"tags":56677,"thumbUrl":56678,"material":296,"size":297,"collection":11,"collections":56679,"showCount":260,"zanCount":49,"manualWeight":49,"mainColor":50},289006,"yan-gui-tu-yi-ming-289006","此作以淡墨晕染衬出嶙峋怪石，皴笔老辣苍劲，尽显崖石的奇崛荒寒。枯桧虬枝盘曲如铁，瘦硬的枝干挣脱顽石束缚，寥寥数笔便写尽古桧扎根绝境、兀立风霜的傲骨。\n\n左侧题诗与画作相映成趣，诗画交融，晕开萧寒清寂的林下氛围。整幅不作繁复晕染，以极简水墨勾勒形神，将宋人的尚简重意藏于毫端，以岩桧自况，尽显沉浑刚劲的生命张力，是借物言志的水墨小品佳作。",[27,79,28,144,124,125,146,676,614],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ffd743fcacac99515bed7070972b6a5f0.jpg",[],{"id":56681,"slug":56682,"title":56683,"dynasty":141,"author":7,"museum":172,"description":5944,"tags":56684,"thumbUrl":56685,"material":296,"size":297,"collection":11,"collections":56686,"showCount":260,"zanCount":49,"manualWeight":49,"mainColor":50},288973,"tie-guai-li-tu-yi-ming-288973","铁拐李图",[27,144,1572,6212,4851,29,162,131],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ff1bebebc2371a4a83a509e5f542b0f84.jpg",[],{"id":56688,"slug":56689,"title":56690,"dynasty":22,"author":7,"museum":172,"description":56691,"tags":56692,"thumbUrl":56694,"material":296,"size":297,"collection":11,"collections":56695,"showCount":260,"zanCount":49,"manualWeight":49,"mainColor":70},288876,"giovanni-battista-tiepolo-illustration-for-a-book-troops-advancing-toward-a-city-gate-yi-ming-288876","Giovanni Battista Tiepolo--Illustration for a Book Troops Advancing toward a City Gate","乔凡尼·巴蒂斯塔·提埃坡罗，常被称为詹巴蒂斯塔（Giambattista），巴洛克及洛可可时期意大利著名画家，威尼斯画派最后的代表人物。\n提埃坡罗是著名的壁画家，属于早期的洛可可风格，他继承了巴洛克艺术的传统，开创了天顶画的开阔视野，他的天顶画透明，和边框有机的结合在一起，产生了水彩画的效果，他也是威尼斯共和国最后一位希腊神话画家。\n他的两个儿子继承他的风格，但没有他那么优秀和有创造性。",[38060,15773,33,1006,56693,2405,2770,18001,10978],"城门","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fd0d2f3249028dd3b23a953fc1360f30b.jpg",[],{"id":56697,"slug":56698,"title":56699,"dynasty":22,"author":7,"museum":172,"description":56691,"tags":56700,"thumbUrl":56703,"material":296,"size":297,"collection":11,"collections":56704,"showCount":260,"zanCount":49,"manualWeight":49,"mainColor":70},288867,"giovanni-battista-tiepolo-seated-river-god-nymph-yi-ming-288867","Giovanni Battista Tiepolo--Seated River God, Nymph",[33,38060,4851,56701,7799,687,11256,56702],"河神","亲密氛围","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F986e7ac4b1c69be457e3c027ba3eab6d.jpg",[],{"id":56706,"slug":56707,"title":56708,"dynasty":22,"author":7,"museum":172,"description":56691,"tags":56709,"thumbUrl":56711,"material":296,"size":297,"collection":11,"collections":56712,"showCount":260,"zanCount":49,"manualWeight":49,"mainColor":70},288852,"giovanni-battista-tiepolo-time-and-truth-yi-ming-288852","Giovanni Battista Tiepolo--Time and Truth",[38060,1572,1058,48050,7044,7829,13585,56710],"翅膀","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F5ba57e9a64c5e352cb08df87bfd62186.jpg",[],{"id":56714,"slug":56715,"title":56716,"dynasty":22,"author":7,"museum":172,"description":56717,"tags":56718,"thumbUrl":56722,"material":296,"size":297,"collection":11,"collections":56723,"showCount":260,"zanCount":49,"manualWeight":49,"mainColor":50},288817,"perino-del-vaga-saints-peter-and-john-healing-a-cripple-at-the-gate-yi-ming-288817","Perino del Vaga--Saints Peter and John Healing a Cripple at the Gate","这幅作品以明暗烘托出神圣肃穆的氛围，画家以娴熟的素描技巧定格神迹发生的瞬间。中心使徒衣褶厚重舒展，抬手间带着神性力量，垂首望向阶前瘫坐的残者。后者枯槁的面容满是恳切与敬畏，前伸的手带着对治愈的渴盼，身侧斜倚的长杖衬出他的孱弱无助。\n\n背景古典建筑精简勾勒，牢牢将视觉焦点锁定在二人身上。棕褐晕染出岁月质感，排线与擦笔的层次让衣物质感与光影层次分明，将神迹的庄重与凡人的祈愿揉合在方寸之间，带着沉静的感染力。",[30,1572,38060,56719,56720,56721],"古典建筑","神迹","西洋绘画","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F71908ffe3c1ef8cf2aede006c20494ed.jpg",[],{"id":56725,"slug":56726,"title":56727,"dynasty":22,"author":7,"museum":172,"description":56728,"tags":56729,"thumbUrl":56732,"material":296,"size":297,"collection":11,"collections":56733,"showCount":260,"zanCount":49,"manualWeight":49,"mainColor":70},288816,"perino-del-vaga-study-for-allegorical-figure-of-prudence-yi-ming-288816","Perino del Vaga--Study for Allegorical Figure of Prudence","这幅素描以利落精准的钢笔线条铺陈，衣褶排线疏密错落，将织物厚重垂坠的质感尽数烘托，勾勒出人物挺拔舒展的体态。人物托举灵蛇、握持长杆，神态肃穆沉静，把抽象的审慎寓意凝练成具象的女性形象。背景拱形壁龛弱化细节，将视觉焦点全然汇聚于人物身上。作品兼具草稿的灵动松弛与创作的严谨克制，寥寥笔触便尽显古典庄重的气质，将古典人文精神暗藏于线条之中，把抽象美德化为沉静威严的身姿，笔触间皆是对古典美学的精妙诠释。",[38060,1572,56730,11476,3897,56731],"寓言人物","持杖","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fb33d0de35472e35c10907089b5d006e7.jpg",[],{"id":56735,"slug":56736,"title":56737,"dynasty":22,"author":7,"museum":172,"description":56738,"tags":56739,"thumbUrl":56744,"material":296,"size":297,"collection":11,"collections":56745,"showCount":260,"zanCount":49,"manualWeight":49,"mainColor":70},288787,"pierre-peyron-despair-of-hecuba-yi-ming-288787","Pierre Peyron--Despair of Hecuba","画面以明暗铺陈悲剧底色，左侧女子漠然汲水，角落人群隔窗窥望，漠然与窥探的冷感，反衬中心的撕心裂肺。赫卡柏陷在绝望之中，亲友围拢恸哭，有人瘫坐在地，有人垂首饮泣，搀扶的手臂绷着极致的哀恸，瘫倒的身影泄尽王室覆灭后的崩溃。冷硬的石质楼宇衬得这场悲悼愈发凄怆，线条把苦难之下各异的情绪张力具象化，将灭国后王族的破碎绝境淋漓展现，沉郁的古典悲剧质感漫溢纸面，把大悲之下的麻木与恸哭对照得刺目惊心。",[38060,11256,38059,1572,2453,1607,56740,56741,56742,56743],"哀伤","绝望","希腊神话","悲剧场景","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F9efea2d592b59c1609cdbc4d87c819dc.jpg",[],{"id":56747,"slug":56748,"title":56749,"dynasty":22,"author":7,"museum":172,"description":56750,"tags":56751,"thumbUrl":56757,"material":296,"size":297,"collection":11,"collections":56758,"showCount":260,"zanCount":49,"manualWeight":49,"mainColor":50},288756,"salvator-rosa-witches-sabbath-recto-figures-gathered-around-a-tree-yi-ming-288756","Salvator Rosa--Witches' Sabbath (recto); Figures Gathered around a tree","奔放潦草的速写线条，将女巫集会的癫狂跃然纸上。左侧裸身巫者高举手臂肆意狂舞，右侧围绕骸骨神坛的身影躬身躁动，献祭的狂热顺着笔触肆意蔓延。焦墨晕开朦胧夜色，林间暗影翻涌，神坛上的骸骨透着刺骨阴冷，将邪祟诡谲的仪式氛围拉满。粗粝的笔触揉合蛮荒与疯狂，把失控的原始张力藏在飞扬的线条里，怪诞惊惧顺着晕染的墨色扑面而来，将观者拽入这场渎神的暗夜狂欢，让阴冷狂乱的暗黑氛围浸透纸面。",[38060,33,56752,56753,25604,56754,56755,56756],"巫术","诡异","裸体","集会","祭坛","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F76e24efaab6a738ce331a5f91e3fea9d.jpg",[],{"id":56760,"slug":56761,"title":56762,"dynasty":22,"author":7,"museum":172,"description":56763,"tags":56764,"thumbUrl":56766,"material":296,"size":297,"collection":11,"collections":56767,"showCount":260,"zanCount":49,"manualWeight":49,"mainColor":50},288750,"school-of-michelangelo-buonarroti-the-last-judgment-yi-ming-288750","School of Michelangelo Buonarroti--The Last Judgment","振臂矗立的裸躯是裁决的锚点，振起的手势劈开混沌。周遭群像如惊涛攒动扭结，有人在明暗褶皱里惊惧回望，有人挣扎着沉浮于幽晦之间。炭笔粗粝的线条带着沉郁力量，晕染出炼狱般的压抑氛围，将灵魂终末时分的惶惑、救赎与沉沦揉进纸面。每一道皴擦都拉扯着末世的张力，仿佛能听见灵魂的呼号在纸间震荡。虽为素描稿，却把终审判罚的磅礴戏剧感凝缩于此，雄浑的力道晕开人文锋芒，让神性威严与凡俗焦灼在方寸间碰撞激荡。",[30,33,38060,123,56765],"审判场景","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F46dec5acad506df162387ee30aae3cf0.jpg",[],{"id":56769,"slug":56770,"title":56771,"dynasty":22,"author":7,"museum":172,"description":56772,"tags":56773,"thumbUrl":56778,"material":296,"size":297,"collection":11,"collections":56779,"showCount":260,"zanCount":49,"manualWeight":49,"mainColor":70},288711,"william-blake-angel-of-the-divine-presence-bringing-eve-to-adam-yi-ming-288711","William Blake--Angel of the Divine Presence Bringing Eve to Adam","朦胧水彩晕开神性氤氲的光晕，中央长须圣者牵起亚当与夏娃的手，定格下创世初遇的瞬间。\n\n左侧亚当自地面仰起，蓝发覆顶，赤裸躯体带着苏醒的懵懂，攀住圣者的手满是渴求联结的悸动。右侧夏娃立在云间，肌体柔美舒展，带着怯生生的好奇望向亚当。背景葡萄藤垂挂着饱满果簇，灵禽停驻枝桠，晕开的灰调丘峦水岸衬得三人愈发圣洁空灵。\n\n暖调肌肤与冷调衣袍交织，刻画出人类原初的肉身温度，亦烘托出创世的神性悲悯，将圣经故事里的震颤与温柔，揉进朦胧柔美的笔触之中。",[30,1058,56774,56775,38061,1572,32,38072,56776,163,56777],"亚当","夏娃","葡萄树","创世场景","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fd032fc5aefb70a09c7c829f3d525f855.jpg",[],{"id":56781,"slug":56782,"title":56783,"dynasty":22,"author":7,"museum":172,"description":56784,"tags":56785,"thumbUrl":56790,"material":296,"size":297,"collection":11,"collections":56791,"showCount":260,"zanCount":49,"manualWeight":49,"mainColor":70},288708,"william-blake-the-rest-on-the-flight-into-egypt-yi-ming-288708","William Blake--The Rest on the Flight into Egypt","柔和水彩晕开晨昏朦胧暖意，逃亡的圣家依偎椰影暂作休憩。伫立的父亲垂首祈祷，虔诚轮廓在浅衣下静静舒展，坐石的母亲怀拥圣婴，眉目舒展卸下奔波惶然。一旁的驴垂首饮着清浅河水，衬得此刻宁和愈发温柔。\n\n远景红日沉在墨色丘峦旁，粼粼水光晕开暖调余晖，椰叶轻曳，石边小花悄然绽露生机。画作以淡彩铺就松弛柔缓的氛围，将逃亡中的片刻安宁揉进细腻笔触，把宗教题材的肃穆，晕染为带着烟火暖意的浮生一隅，让神性叙事藏在俗世的温柔日常之中。",[1573,48137,1572,56786,56787,56788,48128,1103,2657,4707,4840,2867,7367,56789],"基督教题材","圣家族","逃亡埃及","野外","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F952001a5d0ed0838f5446435396f139c.jpg",[],{"id":56793,"slug":56794,"title":56795,"dynasty":22,"author":7,"museum":172,"description":56796,"tags":56797,"thumbUrl":56802,"material":296,"size":297,"collection":11,"collections":56803,"showCount":260,"zanCount":49,"manualWeight":49,"mainColor":50},288629,"jean-baptiste-greuze-the-angry-wife-yi-ming-288629","Jean-Baptiste Greuze--The Angry Wife","翻涌的浓烟打破室内宁静，一场家庭闹剧骤然爆发。左侧男女仓皇躲闪，少女依偎男伴面露惊惶，男子眉头紧蹙难掩慌乱，身旁女子伸手拉扯，满是焦灼惶急。右侧主妇攥紧双手，怒色满面厉声质问，老者高举手臂厉声怒斥，脚下家犬狂吠不止，门后孩童探头窥望，将混乱氛围推至顶峰。\n\n作者以精细的笔触勾勒出每个角色的神态动作，将失控的争吵与仓皇的情绪铺陈开来，把日常家庭龃龉鲜活定格，让观者仿若能听见满室喧闹争执，共情这场突如其来的慌乱冲突。",[38059,1572,4672,56798,1607,56799,3243,56800,56801],"黑白素描","餐桌","愤怒","慌乱","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F2c0decee440d1f17868f3135d475e19b.jpg",[],{"id":56805,"slug":56806,"title":56807,"dynasty":22,"author":7,"museum":172,"description":56808,"tags":56809,"thumbUrl":56813,"material":296,"size":297,"collection":11,"collections":56814,"showCount":260,"zanCount":49,"manualWeight":49,"mainColor":50},288628,"jean-baptiste-marie-pierre-cybele-prevents-turnus-from-setting-fire-yi-ming-288628","Jean-Baptiste Marie Pierre--Cybele Prevents Turnus from Setting Fire","这幅棕褐色调的素描以遒劲灵动的笔触，定格下充满张力的神话冲突瞬间。\n\n左侧持炬的战士裹挟汹汹战意，欲纵火破坏，动作暴烈张扬。云间端坐的女神厉声伸臂喝止，翻卷衣袂将神性威严拉至顶点，她驾乘的狮车冲破云层，圣兽鬃毛倒竖，低吼着拱卫主人。下方裸身灵体惊惶躲闪，更衬出场面紧绷的戏剧感。\n\n画师以明暗晕染勾勒立体感，将神祇的凛然、战士的悍勇与旁观者的惊惧刻画入微，单色笔触间，尽显古典叙事的浪漫气魄。",[38059,38060,11256,1058,33,48050,2560,2584,56810,56811,56812],"火炬","冲突场景","神话故事","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fa8082bf6e0f7737b12c5ab693f788825.jpg",[],{"id":56816,"slug":56817,"title":56818,"dynasty":22,"author":7,"museum":172,"description":56819,"tags":56820,"thumbUrl":56822,"material":296,"size":297,"collection":11,"collections":56823,"showCount":260,"zanCount":49,"manualWeight":49,"mainColor":70},288596,"attributed-to-francesco-allegrini-lot-and-his-daughters-yi-ming-288596","attributed to Francesco Allegrini--Lot and His Daughters","以棕调水墨晕染铺陈，朦胧晕开的明暗拉出洞窟内外的纵深空间。洞窟里的人物姿态沉郁松弛，男子抬手望向洞外，神色裹挟劫后余生的茫然怅惘，身侧女儿们依偎静立，氛围隐秘凝滞。远景城邦淡笔轻描，模糊残破的轮廓暗喻覆灭过往，独行身影更添萧索孤寂。\n\n笔触写意随性，不着精细勾勒，却以墨色浓淡串联私密角落与苍凉外景，将故事的复杂心绪藏在朦胧光影间。克制笔触下满是厚重叙事感，让观者在松弛晕染里，读懂残存的惊惧与茫然。",[56821,33,11256,38060,41721,33346],"宗教故事","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F55873f2d9de52fee574fef8ff7fa4493.jpg",[],{"id":56825,"slug":56826,"title":48157,"dynasty":22,"author":7,"museum":172,"description":56827,"tags":56828,"thumbUrl":56829,"material":296,"size":297,"collection":11,"collections":56830,"showCount":260,"zanCount":49,"manualWeight":49,"mainColor":50},288487,"wu-dai-juan-hua-gong-yang-tu-yi-ming-288487","画面虽有残损，却难掩古雅意蕴。上部诸佛端然安坐云莲之间，衣纹舒展流畅，设色依旧浓烈鲜亮，仪轨严整，尽显清净庄严的梵界气象。下方供养人身着时服，展脚幞头配乌色圆领官袍，腰束玉带，跪伏于织锦方毯之上，双手奉持供器，面容恭谨肃穆，将俗世信众的诚敬之心刻画得细腻传神。整作线条凝练沉稳，设色厚重古拙，兼具宗教造像的庄严感与世俗肖像的写实性，暗合彼时佛教供养的风尚意趣。",[26,27,28,33,30,32,41,1170],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fcd6736d6479d3c138cf50133680889a5.jpg",[],{"id":56832,"slug":56833,"title":56834,"dynasty":22,"author":7,"museum":172,"description":56835,"tags":56836,"thumbUrl":56837,"material":296,"size":297,"collection":11,"collections":56838,"showCount":260,"zanCount":49,"manualWeight":49,"mainColor":50},288484,"ren-wu-shou-gao-yi-ming-288484","人物手稿","此作为白描佛画稿，五尊圣像对称排布，主尊居中，胁侍分置两侧，章法匀整肃穆。画师以铁线描勾勒，线条遒劲流畅，衣袂褶皱流转自然，将织物柔滑垂坠的质感尽显无遗。\n\n诸圣顶覆圆光，安坐莲台，神情庄静悲悯，形神兼具。上方宝幔垂络，纹饰精巧，烘托出佛国清净庄严的氛围。虽无设色，仅以素线造型，却将佛、弟子与菩萨的仪轨气度刻画入微，简淡线条中具足沉静慈悲的宗教感染力，尽显传统宗教绘画精湛的线描功力。",[26,27,28,123,30,1170,33,434,4820,177,292,4485],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F8a39df624f079c69ad50f39c2145e060.jpg",[],{"id":56840,"slug":56841,"title":56842,"dynasty":55,"author":7,"museum":172,"description":56843,"tags":56844,"thumbUrl":56845,"material":296,"size":297,"collection":11,"collections":56846,"showCount":260,"zanCount":49,"manualWeight":49,"mainColor":50},288254,"li-dai-di-wang-gui-fei-da-chen-chao-fu-xiang-huang-er-shi-yi-zi-yun-xi-yi-ming-288254","历代帝王贵妃大臣朝服像(皇二十一子允禧)","苍松偃盖，流泉漱石，山居雅境晕开松弛日常。主人身着石青常服安坐岩上，面容清癯淡然，尽显林下散逸之姿，将天潢贵胄的隐逸心绪藏于眉眼。侍从躬身持盏，恭谨内敛，与主人的悠然闲适形成细腻呼应。\n\n上方题诗笔致清雅，将寄情林泉、不耽尘俗的志趣和盘托出，诗画相映成趣。整作设色调和柔润，衣纹排布写实工整，人物刻画形神兼备，以纪实写真功底糅合山水意境，将清代贵胄的私享闲雅定格绢素，藏着盛世里的一抹林泉意趣。",[26,27,29,31,32,33,331,130,162,345,124,82],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F6fb3bf79396a7da4b0bee9968b7f9e6b.jpg",[],{"id":56848,"slug":56849,"title":56850,"dynasty":55,"author":7,"museum":172,"description":56851,"tags":56852,"thumbUrl":56853,"material":296,"size":297,"collection":11,"collections":56854,"showCount":260,"zanCount":49,"manualWeight":49,"mainColor":70},288205,"li-dai-di-wang-gui-fei-da-chen-chao-fu-xiang-yu-qin-wang-duo-duo-yi-ming-288205","历代帝王贵妃大臣朝服像(豫亲王多铎)","这幅肖像画写实传神，将主人公的威仪刻画入微。面容方正硬朗，虬髯紧抿，眼神沉凝锐利，自带开国宗王的雄武气场，不怒自威。\n\n朝服细节分毫毕现，石青地遍饰平金绣就的金龙祥云，龙身姿爪劲健灵动，辅以江崖海水与缠枝宝相花，既彰显亲王的无上尊荣，也严守清代宗室仪制的森严法度。朱红髹金宝座满雕瑞兽，与朝服华贵呼应。\n\n整体设色浓妍沉稳，构图规整肃穆，精准定格下铁帽子王的煊赫身份，是清代肖像画中纪实性与艺术性相融的典型佳构。",[26,27,32,31,33,59,345,29273,9271],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ff826f404654aaa9ed76933a4a330fe2d.jpg",[],{"id":56856,"slug":56857,"title":56858,"dynasty":55,"author":7,"museum":172,"description":56859,"tags":56860,"thumbUrl":56861,"material":296,"size":297,"collection":11,"collections":56862,"showCount":260,"zanCount":49,"manualWeight":49,"mainColor":70},288202,"li-dai-di-wang-gui-fei-da-chen-chao-fu-xiang-shun-cheng-jun-wang-lei-ke-de-hun-yi-ming-288202","历代帝王贵妃大臣朝服像(顺承郡王勒克德浑)","此作为工笔设色坐像，人物神态端凝持重，尽显宗室王侯威严仪态。石青团龙吉服袍庄重华贵，团龙纹以明黄敷色，辅以繁复描金彰显皇家规制，衣缘镶饰白貂出锋，细节考究华贵。胸前东珠朝珠串制规整，点明尊崇身份，乌纱红绒顶帽契合清代亲王朝冠礼制。\n\n画师写实技法精湛，面部勾勒入微，须发、纹路刻画细腻生动，精准还原郡王沉稳气度。整体设色沉厚典雅，服饰晕染层次饱满，恪守清代宫廷肖像画的严谨工整流派，以精准细节烘托出人物的身份威仪，是清代宗室肖像画中的上乘之作。",[26,27,28,31,32,33,2348,345,59],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F8aa90f79cd6eb74b90e1d18381146d2f.jpg",[],{"id":56864,"slug":56865,"title":56866,"dynasty":55,"author":7,"museum":172,"description":56867,"tags":56868,"thumbUrl":56869,"material":296,"size":297,"collection":11,"collections":56870,"showCount":260,"zanCount":49,"manualWeight":49,"mainColor":50},288184,"shu-zhi-xiao-niao-tu-ye-yi-ming-288184","树枝小鸟图页","褐赭绢底晕开古雅底色，墨色八哥栖身虬枝，玄羽乌润似凝墨脂，顶冠轻耸自带娇态，黄喙朗翘，朱瞳流盼，劲爪紧扣枯槎，尾羽鳞纹分明如琢玉。旁侧霜叶晕染橙红暖调，从梢尖到叶缘层次渐变，枯涩枝桠与柔丽秋叶相映成趣。\n\n整作工细设色雅致内敛，禽鸟毫羽毕现，叶脉勾勒精细入微，以淡赭晕开叶色深浅，枯枝皴擦古拙苍劲，暗合清秋幽寂意韵。留白疏朗开阔，将幽禽顾盼的灵动与秋枝的沉穆相融，妍丽工致间暗蕴闲淡野趣，尺幅之间写尽深秋一角的幽寂生机。",[26,27,28,80,31,32,468,2784,28034,82],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fd3bcbfa72e172e3d385b0679e8c3399f.jpg",[],{"id":56872,"slug":56873,"title":56874,"dynasty":849,"author":7,"museum":172,"description":7560,"tags":56875,"thumbUrl":56876,"material":296,"size":297,"collection":11,"collections":56877,"showCount":260,"zanCount":49,"manualWeight":49,"mainColor":50},288153,"bei-wei-gao-dao-yue-mu-zhi-yi-ming-288153","北魏 高道悦墓志",[854,124,3054,1421,82],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fb991ddc8491518e83e85b9d54d1c195d.jpg",[],{"id":56879,"slug":56880,"title":56881,"dynasty":171,"author":7,"museum":172,"description":56882,"tags":56883,"thumbUrl":56884,"material":296,"size":297,"collection":11,"collections":56885,"showCount":260,"zanCount":49,"manualWeight":49,"mainColor":50},288131,"da-bo-re-bo-luo-mi-duo-jing-juan-di-wu-bai-shi-si-yi-ming-288131","大般若波罗蜜多经卷第五百十四","此卷小楷结体匀整端秀，字形欹侧内敛，笔画凝练舒展，起收暗含隶意，捺脚微微出锋，尽显唐人写经典型法度。全篇字距行距排布齐整，墨色匀净沉厚。虽为长篇经文抄录，却字字安稳平和，无一笔懈怠。笔墨间恪守经生体的严谨规整，亦藏书写者静定虔敬的心绪，将佛典的庄严肃穆融于笔锋起落之间，尽显唐代写经书法的端雅风神，亦承载着彼时佛教文化传抄的质朴肃穆风貌。",[124,3053,3054,96,30,1170,4486],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fc97c1b91c4c2d7aba0e0098901ff75ab.jpg",[],{"id":56887,"slug":56888,"title":56889,"dynasty":171,"author":7,"museum":172,"description":56890,"tags":56891,"thumbUrl":56892,"material":296,"size":297,"collection":11,"collections":56893,"showCount":260,"zanCount":49,"manualWeight":49,"mainColor":50},288125,"shi-xuan-zang-yi-fen-bie-yuan-qi-chu-sheng-fa-men-jing-juan-shang-yi-ming-288125","釋玄奘譯 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Tri-Color Glazed Ceramics ），中国古代陶瓷烧制工艺的珍品，全名唐代三彩釉陶器，是盛行于唐代的一种低温釉陶器，釉彩有黄、绿、白、褐、蓝、黑等色彩，而以黄、绿、白三色为主，所以人们习惯称之为“唐三彩”。因唐三彩最早、最多出土于洛阳，亦有“洛阳唐三彩”之称 。\n唐三彩在唐代的兴起有它的历史原因。首先陶瓷业的飞速发展，以及雕塑、建筑艺术水平的不断提高，促使它们之间不断结合、不断发展，因此从人物到动物以及生活用具都能在唐三彩的器物上表现出来。\n唐代贞观之治以后，国力强盛、百业俱兴，同时也导致了一些高官生活的腐化，于是厚葬之风日盛。唐三彩当时也是作为一种冥器，曾经被列入官府的明文规定，一品、二品、三品、四品，就是说可以允许他随葬多少件，但是实际上作为这些达官显贵们，并不满足于明文的规定，反而他们往往比官府规定要增加很多的倍数，去做这种厚葬。官风如此，民风当然也如此，于是从上到下就形成了这么一种厚葬之风，这也就是唐三彩当时能够迅速在中原地区发展和兴起的一个主要原因之一。\n唐代是我国封建社会的鼎盛时期，所以说唐三彩从另外一个侧面也反映了这种唐王朝的政治、文化、生活，它跟唐代诗歌、绘画、建筑其他文化一样，共同形成了唐王朝文化的旋律，但是它又不同于其他的文化艺术，从现代的陶瓷史上认为，唐三彩在唐代陶瓷史上是一个划时代的里程碑，因为在唐以前，只有单色釉，最多就是两色釉的并用，在我国的汉代，已经有了两色，即黄色和绿色两种釉彩在同一器物上的使用。到了唐代以后，这种多彩的釉色在陶瓷器物上同时得到了运用。从陶瓷史上有人考证，这和唐代当时的审美观点起了很大的变化有关。在唐以前人们崇尚的是素色主义，到唐代以后，它包容了各种文化，包括许多外来文化，这个时候从绘画、陶瓷、金银器的制作，形成了一个灿烂文化的特点。\n唐三彩的生产已有1300多年的历史。它吸取了中国国画、雕塑等工艺美术的特点。唐三彩制作工艺复杂，以经过精细加工的高岭土作为坯体，用含铜、铁、钴、锰、金等矿物作为釉料的着色剂，并在釉中加入适量的炼铅熔渣和铅灰作为助剂。先将素坯入窑焙烧，陶坯烧成后，再上釉彩，再次入窑烧至800℃左右而成。由于铅釉的流动性强，在烧制的过程中釉面向四周扩散流淌，各色釉互相浸润交融，形成自然而又斑驳绚丽的色彩，是一种具有中国独特风格的传统工艺品。\n唐三彩不仅贵在釉色浓艳瑰丽，而且骆驼、马和人物等的造型生动传神，富有生活气息，当时的国际场上，唐三彩就已负有盛名，成为中外经济文化交流的重要物品之一。1928年，陇海铁路修筑到洛阳邙山时，出土了大量唐三彩，古董商们将其运至北京，受到了国内外古器物研究者的重视和古玩商竞相收藏。之后，洛阳地区不断有唐三彩出土，数量之多、质量之美，令人惊叹。",[171,2194,268,272,3858],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fc287a2086bfa3bd1d8ae1a4bffec1bc5.jpg",[],{"id":61730,"slug":61731,"title":7590,"dynasty":849,"author":7,"museum":172,"description":7591,"tags":61732,"thumbUrl":61734,"material":296,"size":297,"collection":11,"collections":61735,"showCount":260,"zanCount":49,"manualWeight":49,"mainColor":50},255848,"zhu-que-wen-wa-dang-yi-ming-255848",[849,16924,7595,268,1057,7594,61733],"瓦当纹饰","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F6682cf989f0bb82100736430eaa99bf2.jpg",[],{"id":61737,"slug":61738,"title":61739,"dynasty":75,"author":7,"museum":172,"description":16954,"tags":61740,"thumbUrl":61742,"material":296,"size":297,"collection":11,"collections":61743,"showCount":260,"zanCount":49,"manualWeight":49,"mainColor":50},255789,"bai-you-ci-hei-zhe-cai-zhen-wu-di-zuo-xiang-yi-ming-255789","白釉瓷黑赭彩真武帝坐像",[75,2194,3788,61741,30,33,887,272],"黑赭彩","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F390b2e9a89fefda2dd5a6c50cd5bce0b.jpg",[],{"id":61745,"slug":61746,"title":61747,"dynasty":75,"author":7,"museum":172,"description":29977,"tags":61748,"thumbUrl":61749,"material":296,"size":297,"collection":2200,"collections":61750,"showCount":260,"zanCount":49,"manualWeight":49,"mainColor":50},255622,"shi-wan-yao-bai-you-gui-yi-ming-255622","石湾窑白釉龟",[2194,35525,3788,272],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fab2900ac99d6fd47969961cfa6c7ff69.jpg",[2200],{"id":61752,"slug":61753,"title":61754,"dynasty":75,"author":7,"museum":172,"description":4368,"tags":61755,"thumbUrl":61756,"material":296,"size":297,"collection":11,"collections":61757,"showCount":260,"zanCount":49,"manualWeight":49,"mainColor":277},255614,"mu-diao-cai-hui-pu-sa-li-xiang-yi-ming-255614","木雕彩绘菩萨立像",[711,1251,268,1169,32,30,33,446],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Faadf8fab955abd08a1b6a292c9ee81bf.jpg",[],{"id":61759,"slug":61760,"title":61754,"dynasty":75,"author":7,"museum":172,"description":4368,"tags":61761,"thumbUrl":61762,"material":296,"size":297,"collection":11,"collections":61763,"showCount":260,"zanCount":49,"manualWeight":49,"mainColor":277},255612,"mu-diao-cai-hui-pu-sa-li-xiang-yi-ming-255612",[711,1251,268,1169,30,33],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F27f19d37fd140b8feea1aa2596143c82.jpg",[],{"id":61765,"slug":61766,"title":61767,"dynasty":849,"author":7,"museum":172,"description":44380,"tags":61768,"thumbUrl":61769,"material":296,"size":297,"collection":11,"collections":61770,"showCount":260,"zanCount":49,"manualWeight":49,"mainColor":277},255290,"tao-shou-mian-wen-dou-gai-yi-ming-255290","陶兽面纹豆盖",[849,2194,579,268,346],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F916e704e7b8b81d1ab05609acc9b7e20.jpg",[],{"id":61772,"slug":61773,"title":61774,"dynasty":849,"author":7,"museum":172,"description":44380,"tags":61775,"thumbUrl":61776,"material":296,"size":297,"collection":11,"collections":61777,"showCount":260,"zanCount":49,"manualWeight":49,"mainColor":50},255233,"tao-long-hu-wen-jing-lan-yi-ming-255233","陶龙虎纹井栏",[852,2194,268,59,887,272,346],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F038e870decb8f9337e85a25821e57112.jpg",[],{"id":61779,"slug":61780,"title":61781,"dynasty":171,"author":7,"museum":172,"description":22087,"tags":61782,"thumbUrl":61783,"material":296,"size":297,"collection":11,"collections":61784,"showCount":260,"zanCount":49,"manualWeight":49,"mainColor":277},255183,"tao-huang-you-la-ma-yong-yi-ming-255183","陶黄釉拉马俑",[2194,5966,3858,33,268],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F1b3aa9d3068493adb9496b7cb296d0ca.jpg",[],{"id":61786,"slug":61787,"title":61788,"dynasty":1451,"author":7,"museum":172,"description":29977,"tags":61789,"thumbUrl":61790,"material":296,"size":297,"collection":2200,"collections":61791,"showCount":260,"zanCount":49,"manualWeight":49,"mainColor":277},255115,"shi-wan-yao-hong-you-chi-xie-luo-han-li-xiang-yi-ming-255115","石湾窑红釉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尽显精巧雅致的审美意趣。",[55,1686,419,1692,1691,39,267,5558],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F5696bc70f9b171430fdf67d18b616246.jpg",[],{"id":66356,"slug":66357,"title":66358,"dynasty":55,"author":7,"museum":172,"description":66359,"tags":66360,"thumbUrl":66362,"material":296,"size":297,"collection":11,"collections":66363,"showCount":260,"zanCount":351,"manualWeight":49,"mainColor":70},241767,"ga-nan-xiang-dai-zhu-bao-xi-zi-wen-shi-ba-zi-shou-chuan-yi-ming-241767","伽南香带珠宝喜字纹十八子手串","每颗伽南香珠皆精刻喜字，棕褐木质自带沉静古雅的质感。珊瑚配珠与佛头浮雕团寿，朱红暖调点亮腕间，将喜庆华贵融于肌理。\n坠饰错落排布，碧玺雕就的小鱼莹润粉嫩，似在水波中游曳，鲜活灵动。翡翠凝碧、珍珠莹白、青金石幽邃，珠玉交叠晕开层次。整串手串将材质之美与吉祥意趣相融，藏着旧时细腻雅致的审美意韵，诉说着喜乐圆满的美好祈愿。",[39,1691,66361,2338,1686,1689,1688,43103,268,23148,3342,318,32913],"伽南香","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F382d08d03b2eeb27138d8a3783b48576.jpg",[],{"id":66365,"slug":66366,"title":1682,"dynasty":55,"author":7,"museum":172,"description":66367,"tags":66368,"thumbUrl":66370,"material":296,"size":297,"collection":11,"collections":66371,"showCount":260,"zanCount":351,"manualWeight":49,"mainColor":70},241762,"bi-xi-dai-zhu-cui-shi-shi-ba-zi-shou-chuan-yi-ming-241762","这串手串以桃红碧玺为主珠，冰透莹润的珠体晕染着柔粉霞光，好似将春日桃花凝于其中。浓绿翡翠作隔珠、佛头与佛塔，鲜妍撞色间相映成趣，将娇柔与明翠调和得恰到好处。\n\n配珠点缀圆润珍珠，添了几分清润柔光。背云以珊瑚盘绕成吉祥结，坠脚攒起小巧碧玺饰件，细节处尽显精巧匠心。\n\n珠体饱满匀净，腕间垂坠时灵动雅致，是旧时闺阁女子的雅致清玩，将宝石天然的明艳质地，与传统细作工艺的温婉意趣相融，尽显精致华贵的审美意韵。",[160,39,1686,1687,66369,268,267],"十八子手串","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F247d2e8ea5ab364292ba0f172e392355.jpg",[],{"id":66373,"slug":66374,"title":66375,"dynasty":55,"author":7,"museum":172,"description":66376,"tags":66377,"thumbUrl":66378,"material":296,"size":297,"collection":11,"collections":66379,"showCount":260,"zanCount":49,"manualWeight":49,"mainColor":277},241705,"cui-chi-wen-long-shou-dai-gou-yi-ming-241705","翠螭纹龙首带钩","甄选正阳绿翡翠精心琢磨，莹润水头衬得翠色鲜亮匀净。钩首龙目圆睁，吻部前探，鬃丝翻卷灵动，威严中不失精巧。钩身透雕螭龙，身姿蜿蜒盘绕，爪牙细节饱满鲜活，将螭龙嬉游之态刻画得淋漓尽致。\n\n整体线条利落婉转，造型端庄古雅，将玉雕工艺与天然翠玉的温润质感相融，既有华贵大气的视觉张力，又暗藏精湛的工艺水准，是材美工巧的典范之作。",[267,268,11295,59,39],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F431aa4b79c27d1d4743e57de0410b4b2.jpg",[],{"id":66381,"slug":66382,"title":66383,"dynasty":241,"author":7,"museum":172,"description":66384,"tags":66385,"thumbUrl":66386,"material":109,"size":11,"collection":3059,"collections":66387,"showCount":260,"zanCount":49,"manualWeight":49,"mainColor":70},241529,"yi-an-qi-lv-shi-bing-xu-ye-yi-ming-241529","逸庵七律诗并序页","这件行书小品笔意连贯疏朗，墨色浓淡自然晕化，字势欹侧相生。牵丝映带的笔画里藏着随性洒脱的笔情，行距错落却章法自洽，尽显明代文人的林下之风。\n\n枯墨处筋骨暗藏，润墨时腴润舒展，藏露兼济间既有帖学法度，又不失写意之趣。笔墨随着诗意流转，将诗书合一的雅致尽数展露，随性书写里带着松弛安然的文人意绪，尽显旧时光里清雅的文人心境。",[79,27,28,124,125,530],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F1bc4a9170cc24554e3f00fdb26c6a263.jpg",[3059],{"id":66389,"slug":66390,"title":66391,"dynasty":2305,"author":7,"museum":172,"description":66392,"tags":66393,"thumbUrl":66394,"material":296,"size":297,"collection":11,"collections":66395,"showCount":260,"zanCount":49,"manualWeight":49,"mainColor":50},241070,"jing-guang-xie-da-cheng-dao-yu-jing-juan-yi-ming-241070","浄光写大乘稻芋经卷","此卷写经以小字行书抄录，笔意简率灵动，全无刻板写经的拘谨沉滞。起收锋利落洒脱，点画间顾盼呼应，带着随性自如的文人笔致。\n\n通篇排布茂密却不失舒朗，墨色有自然的浓淡枯润变化，将抄经的虔诚融于笔墨线条之中，既有宗教写本的肃穆沉静，又带着五代民间书写的率意朴拙，在日复一日的笔耕里，尽显朴素古雅的书卷气质，是兼具书法审美与宗教文化意涵的佳制。",[28,96,30,3053,124,3054,82],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F51b2983f4ec22a1290c542e6aedc7cf4.jpg",[],{"id":66397,"slug":66398,"title":66399,"dynasty":241,"author":7,"museum":172,"description":66400,"tags":66401,"thumbUrl":66402,"material":109,"size":11,"collection":3059,"collections":66403,"showCount":260,"zanCount":49,"manualWeight":49,"mainColor":70},240995,"jin-sheng-zha-juan-yi-ming-240995","金声札卷","此札行书隽秀清逸，笔墨简淡萧散，章法疏朗从容。行笔牵丝映带轻盈婉转，笔画粗细合宜，尽显文人书写的随性雅致，不见雕琢之态。\n\n信中叙旧访游，寄寓知己阔别惦念，日常琐语化为纸上温情，裹挟着晚明文人的林下风流。左侧题跋与手札呼应，双璧相映，兼具文献与书法双重价值，尺牍之间藏着晚明交游的文人情愫，尽显一代士人的心迹风神。",[26,931,124,96,125,82,28],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F9da70fc7fb515fa67593fee5648a64c9.jpg",[3059],{"id":66405,"slug":66406,"title":66407,"dynasty":171,"author":7,"museum":172,"description":66408,"tags":66409,"thumbUrl":66410,"material":296,"size":297,"collection":11,"collections":66411,"showCount":260,"zanCount":49,"manualWeight":49,"mainColor":70},240801,"wu-kuan-xie-da-ban-nie-pan-juan-shi-yi-jing-juan-yi-ming-240801","无款写大般涅槃卷十一经卷","此作尽显唐代写经书法的典型气韵，以小楷誊录，通篇排布匀停规整，笔墨沉凝温润。书写中暗随行气融入行书笔意，让规整的经生书摆脱刻板，带着灵动松弛的意趣。纸色古雅泛黄，墨色历久弥醇，字里行间既有写经之时的虔敬端严，又流露唐人书法的秀润风神，是民间写经的上乘佳构，尽显中古佛教传扬背景下，经生书法的成熟造诣，朴静典雅，沉静动人。",[26,590,124,3053,3054,96,30],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F74fb8ef41f3300788638af9712671672.jpg",[],{"id":66413,"slug":66414,"title":66415,"dynasty":241,"author":7,"museum":172,"description":66416,"tags":66417,"thumbUrl":66423,"material":109,"size":11,"collection":3059,"collections":66424,"showCount":260,"zanCount":49,"manualWeight":49,"mainColor":70},240117,"ying-rui-shi-ye-yi-ming-240117","应瑞诗页","此作为草书诗页，笔墨跌宕随性，字势欹正相生。行笔间牵丝映带自然流畅，字形大小错落排布，章法疏密相宜，尽显萧散疏朗的文人意趣。\n枯润笔墨交织相生，粗笔沉实厚重，细锋灵动飘逸，将诗句中羁旅江湖的落寞愁思，寄寓在率意挥洒的点画之中，暗合晚明书风旷达疏放的特质，把文人士子的林下风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手稿","素纸铺陈，黑笔小楷瘦劲紧凑，字字排布密而不乱，通篇朱笔圈点勾注，红痕如星子落墨海，明暗相映层次斐然。\n\n这是沉潜佛典的心血注本，笔底藏着往复推演的思辨脉络，朱痕标记着义理津要，是研读时灵光乍现的留存。密密麻麻的字迹里，藏着古人逐字叩问经义的执着，红黑交织间，复刻了千年前灯下探幽的治学图景，让纸面成为盛放思想的容器，鲜活承载着彼时对唯识义理的沉潜求索。",[96,124,3053,56958,4485,3054,41897,30],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fb18efd207034aff98c1e585f766deac2.jpg",[],{"id":69886,"slug":69887,"title":69888,"dynasty":22,"author":7,"museum":172,"description":69889,"tags":69890,"thumbUrl":69891,"material":296,"size":297,"collection":11,"collections":69892,"showCount":153,"zanCount":49,"manualWeight":49,"mainColor":50},290680,"wei-mo-ji-jing-juan-shang-shou-gao-yi-ming-290680","维摩诘经卷上手稿","此卷小楷通篇匀净秀雅，点画精劲内敛，起收转合皆循写经典型法度。字字排布齐整如列松，却无板滞之弊，行间气脉贯通，带着沉静肃穆的禅意。墨色醇和古雅，泛黄纸页晕染着岁月痕迹，经文排布疏朗停匀，藏着写经人落笔时的静定之心。笔墨间克制端严，将佛法的空寂圆融融于毫端，是书法形制与经文禅思的绝妙契合，尽显古代写经人特有的虔敬工稳，藏着朴素静雅的东方笔墨禅味。",[96,124,3053,3054,4485,1170,48323,46710],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fe29af51d82350dac21418c5fcf44af83.jpg",[],{"id":69894,"slug":69895,"title":69896,"dynasty":22,"author":7,"museum":172,"description":69897,"tags":69898,"thumbUrl":69899,"material":296,"size":297,"collection":11,"collections":69900,"showCount":153,"zanCount":49,"manualWeight":49,"mainColor":50},290676,"da-fang-guang-fu-hua-yan-jing-juan-di-si-shi-jiu-shou-gao-yi-ming-290676","大方广佛华严经卷第四十九手稿","卷面古旧泛黄，岁月晕染的褐渍斑驳铺陈，边角朱印依稀留存。通篇以工整小楷抄就，排布匀净舒朗，笔锋内敛沉实，起收皆合法度，点画清劲凝练，筋骨内含，虽历经漫长年月，圆融工稳的笔势依旧清晰可辨。\n\n整卷一气呵成，墨色苍润沉静，藏着抄经人书写时的极致恭谨，将禅意澄寂融于毫端，质朴虔诚的气息漫溢纸面，既是极具古韵的书法佳构，亦是饱含宗教温度的传世珍本。",[3053,124,3054,96,4486,1170,30,11798,11797],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fb121d7c8cefbddd945be6e45e4670db5.jpg",[],{"id":69902,"slug":69903,"title":69904,"dynasty":22,"author":7,"museum":172,"description":69905,"tags":69906,"thumbUrl":69907,"material":296,"size":297,"collection":11,"collections":69908,"showCount":153,"zanCount":49,"manualWeight":49,"mainColor":50},290674,"da-fang-guang-fu-hua-yan-jing-juan-di-liu-shi-liu-shou-gao-yi-ming-290674","大方广佛华严经卷第六十六手稿","这卷写经小楷通篇匀整端秀，笔力凝稳沉实，起收皆具法度。点画排布紧凑舒展得宜，字字如列队之士，齐整却不失灵动。古纸泛黄晕开淡墨，衬得笔墨愈发清隽雅致。\n\n整卷一气呵成，数百字排布森然有序，尽显书写者恭谨心境，兼具唐写经的端严工稳与沉静内敛的禅意，将典籍庄严感融于笔墨之间，每一处顿挫转折皆见虔诚与娴熟功底，尽显传统写经书法的肃穆美感与沉静气韵。",[124,3053,3054,96,30,1170,4486],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F358ff285af0d8270749f5a07c72f4a79.jpg",[],{"id":69910,"slug":69911,"title":69912,"dynasty":22,"author":7,"museum":172,"description":69913,"tags":69914,"thumbUrl":69915,"material":296,"size":297,"collection":11,"collections":69916,"showCount":153,"zanCount":49,"manualWeight":49,"mainColor":70},290664,"miao-fa-lian-hua-jing-di-er-shou-gao-yi-ming-290664","妙法莲华经第二手稿","此卷小楷写经，笔致匀净秀雅，通篇气息平和内敛。墨色莹润乌亮，行气舒展贯通，虽为长篇抄经却字字端稳工谨，法度隐于笔墨之间。点画精到细腻，起收转合皆见用心，在规整肃穆之中暗含灵动意趣，尽显写经人抄录时的恭谨持敬之心。整卷笔墨与经文禅意相融，静静承载着书写者的虔诚，将宗教的沉静内化于笔墨章法之中，是写经书法中颇具韵味的佳构。",[96,124,3054,3053,1170,30,4486],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F1f7aec475123b17cab27265526beb5a6.jpg",[],{"id":69918,"slug":69919,"title":69920,"dynasty":22,"author":7,"museum":172,"description":69921,"tags":69922,"thumbUrl":69923,"material":296,"size":297,"collection":11,"collections":69924,"showCount":153,"zanCount":49,"manualWeight":49,"mainColor":50},290663,"miao-fa-lian-hua-jing-di-yi-shou-gao-yi-ming-290663","妙法莲华经第一手稿","通篇小楷点画精劲凝练，结体端雅宽和，是典型的写经体风貌。抄经者以恭谨肃穆的笔态书写，行次匀整、气息悠长，既有唐楷的森严法度，又兼具写经特有的朴拙温润。\n\n墨色沉凝苍古，纸面因岁月经年泛黄斑驳，缺损处如时光凿痕，更添古厚意蕴。字里行间浸透着书写者的虔诚心境，将宗教的沉静内敛融于笔墨之中，这份写本既是珍贵的佛教文献，亦是极具审美价值的书法遗存，尽显中古写本的隽永质感，静静诉说着跨越千百年的笔墨与信仰的交融。",[96,124,3053,4485,1170,30,4486,3054],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fb4d5c575509ced83272168336fb99794.jpg",[],{"id":69926,"slug":69927,"title":69928,"dynasty":22,"author":7,"museum":172,"description":69929,"tags":69930,"thumbUrl":69931,"material":296,"size":297,"collection":11,"collections":69932,"showCount":153,"zanCount":49,"manualWeight":49,"mainColor":50},290660,"da-bo-re-bo-luo-mi-jing-shou-gao-yi-ming-290660","大般若波罗蜜经手稿","此卷写经以小楷书就，笔墨恭谨端雅，字字排布匀整舒逸。笔画起收利落，筋骨内含，兼具书写法度与静穆禅意，将经文的肃穆融于笔端。\n\n纸面因岁月经年泛黄晕染，却更添沉静古旧质感，边角朱印留存，为素朴墨色晕开一抹亮色。通篇气息浑融统一，书写者以虔诚落墨，每一字都饱含静定气韵，尽显写经书法的庄严端方，带着悠悠古韵，静静诉说着过往的信仰与笔墨修行。",[124,3053,30,1170,4486,3054,4485],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F0e206229fcccfa5e56f51c46f788717e.jpg",[],{"id":69934,"slug":69935,"title":69936,"dynasty":22,"author":7,"museum":172,"description":69937,"tags":69938,"thumbUrl":69939,"material":296,"size":297,"collection":11,"collections":69940,"showCount":153,"zanCount":49,"manualWeight":49,"mainColor":50},290655,"miao-fa-lian-hua-jing-fa-shi-pin-di-shi-shou-gao-yi-ming-290655","妙法莲华经法师品第十手稿","此卷小楷笔致端雅秀润，结体匀整舒展，通篇排布森然有序，尽显写经体的庄重法度。书写者以恭谨之心落墨，点画之间兼具规整性与灵动意趣，既有经生书法的典型风貌，又暗含细腻的笔锋流转，将抄经时的沉敛肃穆融于笔墨之中。\n字里行间浸透着虔诚的信仰气息，清和静谧的韵致扑面而来，让观览者得以窥见书写时的肃穆心境，书法审美价值与宗教文化意蕴相融，是一件沉静雅致的写经遗存。",[28,124,3053,3054,96,30,4486],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fc0cecb2dee95954c87864a0cdc62f937.jpg",[],{"id":69942,"slug":69943,"title":69944,"dynasty":22,"author":7,"museum":172,"description":69945,"tags":69946,"thumbUrl":69947,"material":296,"size":297,"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入法界品之十六","此卷写经书法为典型写经体风貌，笔法清劲舒展，结体匀整端秀，起收暗含法度，通篇排布疏密合宜，墨色沉凝古雅。岁月侵蚀留下的缺损虫蛀，晕开了沧桑古韵。抄写者以虔诚心境落墨，将宗教的庄严融于笔墨之间，既恪守写经的工整肃穆，又在笔锋流转里流露温润意趣，是佛教写本与书法艺术相融的典范，静静诉说着昔日抄经的郑重与信仰的温度。",[96,124,3054,3053,1170,3056,4486,70022,70023,30],"大藏经","华严经","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F803bbe975bf88ddb6dc305daf1b8ef0f.jpg",[],{"id":70027,"slug":70028,"title":70029,"dynasty":22,"author":7,"museum":172,"description":70030,"tags":70031,"thumbUrl":70033,"material":296,"size":297,"collection":11,"collections":70034,"showCount":153,"zanCount":49,"manualWeight":49,"mainColor":50},290032,"xiong-ye-gong-man-tuo-luo-tu-yi-ming-290032","熊野宫曼陀罗图","采用层叠式全景构图，以青绿晕染出山岳水泽的幽谧底色，铺陈开神域胜景。朱红屋瓦配深褐廊墙，几处院落规整排布，尽显神社建筑的庄重雅致。画面点缀的圣像宝珠暗合宗教属性，细碎的人物身影穿梭其间，为静穆的景致添上鲜活意趣。作品兼具纪实性与神圣感，将山林神域的清寂庄严和烟火日常融于一体，晕开平和悠远的古雅氛围，尽显日式宗教绘卷特有的沉静禅意。",[26,27,28,29,30,329,32,129,60,70032,1707,2657],"庙宇","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F0a0a09d043adff6c9eb4dd0330739463.jpg",[],{"id":70036,"slug":70037,"title":70038,"dynasty":22,"author":7,"museum":172,"description":70039,"tags":70040,"thumbUrl":70041,"material":296,"size":297,"collection":11,"collections":70042,"showCount":153,"zanCount":49,"manualWeight":49,"mainColor":70},290028,"jun-niu-tu-duan-jian-yi-ming-290028","骏牛图断简","本图描绘的是牛犊，体态稍显华丽，转头后顾的姿势也颇惹人爱。采用细腻的笔锋细致的描绘了从头部至尾部的所有细节，对具有稳定感形象的把握能力也很出色",[26,27,28,79,29,144,2944,272],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F99e79e86a202e0e5a31998fc85c5530b.jpg",[],{"id":70044,"slug":70045,"title":41565,"dynasty":75,"author":7,"museum":172,"description":70046,"tags":70047,"thumbUrl":70049,"material":296,"size":297,"collection":11,"collections":70050,"showCount":153,"zanCount":49,"manualWeight":49,"mainColor":70},289956,"liu-yin-yun-dui-tu-yi-ming-289956","此作用笔简淡秀雅，浓墨点簇垂柳，柔枝拂过浅漾陂塘，岸石错落间藏着水碓农居。水墨晕染出江南乡野的湿润空濛，没有繁复皴擦，却将柳荫下的静穆乡居铺陈眼前。\n\n细碎水纹里暗合农作运转的烟火气，搭配题诗托出田家苦中作乐的意趣，诗画相映，将日常桑麻揉入淡远山水，尽显小品以小见大的雅致，把村居闲逸的幽然意境藏进尺幅之间。",[26,79,27,28,530,32,60,6668,7548,1092,130,70048,2944,125,124,82],"茅棚","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ffcd190388052b2dae9dee58b86ef655d.jpg",[],{"id":70052,"slug":70053,"title":70054,"dynasty":22,"author":7,"museum":172,"description":698,"tags":70055,"thumbUrl":70056,"material":296,"size":297,"collection":11,"collections":70057,"showCount":153,"zanCount":49,"manualWeight":49,"mainColor":50},289719,"dun-huang-yi-shu-355-yi-ming-289719","敦煌遗书355",[292,96,124,3053,3054,30,4486,28],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F6ee06a00c2f1bb095966570801fe4080.jpg",[],{"id":70059,"slug":70060,"title":70061,"dynasty":22,"author":7,"museum":172,"description":698,"tags":70062,"thumbUrl":70063,"material":296,"size":297,"collection":11,"collections":70064,"showCount":153,"zanCount":49,"manualWeight":49,"mainColor":50},289718,"dun-huang-yi-shu-354-yi-ming-289718","敦煌遗书354",[292,3053,124,96,3330,4486],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F69619830575b29121e396b61073b3ffb.jpg",[],{"id":70066,"slug":70067,"title":70068,"dynasty":22,"author":7,"museum":172,"description":698,"tags":70069,"thumbUrl":70070,"material":296,"size":297,"collection":11,"collections":70071,"showCount":153,"zanCount":49,"manualWeight":49,"mainColor":70},289687,"dun-huang-yi-shu-323-yi-ming-289687","敦煌遗书323",[292,96,124,3053,3054,1170,4486],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F64176a15d83df953e270482dd2c9336e.jpg",[],{"id":70073,"slug":70074,"title":6517,"dynasty":75,"author":7,"museum":172,"description":70075,"tags":70076,"thumbUrl":70077,"material":296,"size":297,"collection":11,"collections":70078,"showCount":153,"zanCount":49,"manualWeight":49,"mainColor":50},289565,"fang-zhong-li-fang-dao-tu-yi-ming-289565","画面以寻仙问道为引，人物情态描摹入微，访道者萧散出尘，隐于幽寂林泉间，清冷出世的意境扑面而来。搭配数段题跋，笔墨清隽雅致，与画作意趣相融，古雅装裱晕开岁月沉淀的厚重质感，将隐逸之思藏于尺幅间。尽显清雅的审美意趣，牵引观者踏入幽远寻仙之境，静赏古人寄情林泉、追寻大道的精神世界，水墨与心绪交织，晕染出跨越时空的出世清逸。",[26,27,33,30,122,124,82,125],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F71412551d5e995fc9721557d81b1d420.jpg",[],{"id":70080,"slug":70081,"title":70082,"dynasty":22,"author":7,"museum":172,"description":70083,"tags":70084,"thumbUrl":70086,"material":296,"size":297,"collection":11,"collections":70087,"showCount":153,"zanCount":49,"manualWeight":49,"mainColor":70},289540,"attributed-to-sahib-ram-head-of-krishna-cartoon-for-a-mural-of-the-raslila-yi-ming-289540","Attributed to Sahib Ram--Head of Krishna cartoon for a mural of the Raslila","###（不对，不能用###）重新写：\n这幅肖像以细腻笔触铺陈神性柔美，浅淡底色之上，暖金色的头饰层叠繁复，珠翠宝石用晕染与勾线区分色泽，流光婉转间尽显华贵庄重。\n\n侧脸轮廓柔和舒展，墨色长发卷曲垂落，鼻饰、耳间花形镶钻饰物精巧点缀，将神祇俊朗温润的气质晕染开来。未完成的底稿线条隐约可见，仿佛留存着创作时的构思轨迹，让静美的肖像多了几分灵动的创作温度，细密画的精致质感糅合宗教肖像的肃穆，将神祇的温柔神性娓娓道来。",[30,33,32,175,4851,70085,31],"奎师那","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F24fb54a3856cf5e873c0734145d2cc8d.jpg",[],{"id":70089,"slug":70090,"title":70091,"dynasty":22,"author":7,"museum":172,"description":70092,"tags":70093,"thumbUrl":70096,"material":296,"size":297,"collection":11,"collections":70097,"showCount":153,"zanCount":49,"manualWeight":49,"mainColor":70},289535,"aubert-henri-joseph-parent-wine-cooler-or-vase-on-a-classical-pedestal-yi-ming-289535","Aubert Henri Joseph Parent--Wine Cooler or Vase on a Classical Pedestal","整体以红褐晕染，古典装饰意韵浓厚。敞口尊以翼身女像为主体，胴身为器腹，舒展羽翼延展为器沿，缠枝葡萄攀附周身，暗合酒器的用途，将神性柔美融于器物形制。\n下方饰板里，萨梯与孩童共持花束，憨态尽显，带着古朴谐趣。禽鸟停驻花枝，蔷薇盛放攀绕画面，自然意趣与古典神话交织。细腻线条还原雕刻肌理，复古色调晕开沉静典雅的氛围，将古典器物的庄重与自然生机揉合为一，兼具柔美雅致与古典浮雕的厚重质感，把神话与俗世的宴饮诗意凝于纸面。",[688,346,33,163,190,1058,70094,268,38060,70095],"铜刻","古典","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F497f702d4a5d37cbd1e7d8306bfb5e7d.jpg",[],{"id":70099,"slug":70100,"title":70101,"dynasty":22,"author":7,"museum":172,"description":70102,"tags":70103,"thumbUrl":70105,"material":296,"size":297,"collection":11,"collections":70106,"showCount":153,"zanCount":49,"manualWeight":49,"mainColor":70},289531,"auguste-rodin-nero-yi-ming-289531","Auguste Rodin--Nero","这幅水彩以通透的暖棕水色晕染躯体，轮廓柔化在朦胧水汽中，仿佛女性肉身正从薄雾里缓缓浮现。右侧的深灰色块劈开画面，冷硬色调与暖柔肤色形成强烈反差，恰好烘托出主体柔和的氛围感。\n\n作者摒弃写实的锋利线条，用松弛的水色晕染弱化肌肉棱角，将古典人体的庄重感揉成暧昧朦胧的诗意。虚化的轮廓与留白让躯体带着呼吸感，仿佛随时会消融在浅淡底色中，把肉身的张力藏在温柔晕染里，让这场凝视化作一场私密朦胧的邂逅，勾勒出静穆又柔美的女性躯体之美。",[48137,1572,70104,48050,11256],"女性人体","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fd5cd005370cf5fe718a8375aaa61574f.jpg",[],{"id":70108,"slug":70109,"title":70110,"dynasty":22,"author":7,"museum":172,"description":70111,"tags":70112,"thumbUrl":70116,"material":296,"size":297,"collection":11,"collections":70117,"showCount":153,"zanCount":49,"manualWeight":49,"mainColor":70},289497,"bernard-van-orley-otto-count-of-nassau-and-his-wife-adelheid-van-vianen-yi-ming-289497","Bernard van Orley--Otto, Count of Nassau and his Wife Adelheid van Vianen","这幅作品以柔润水彩结合精细素描，定格了贵族夫妇隔场相望的瞬间。左侧骑士甲胄锃亮，披风猎猎垂落，胯下骏马昂首抬蹄，尽显勇武飒爽；右侧夫人衣袂舒展华贵，骑姿端庄温婉，与丈夫遥遥对视间流淌着克制的柔情。\n\n画面两侧的家族纹章晕染出典雅的贵族氛围感，远景朦胧的乡野村落铺陈出静谧底色，将贵族风雅与世俗温情相融，细腻笔触复刻出文艺复兴时期尼德兰上层社会的婚恋意趣与体面风骨。",[33,1006,70113,70114,70115,11256,1473,38059,48074,48073],"贵族夫妇","田园风景","城堡","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fc87079ba57f02bf200522a8c9739a374.jpg",[],{"id":70119,"slug":70120,"title":70121,"dynasty":22,"author":7,"museum":172,"description":70122,"tags":70123,"thumbUrl":70125,"material":296,"size":297,"collection":11,"collections":70126,"showCount":153,"zanCount":49,"manualWeight":49,"mainColor":70},289495,"bernardino-india-design-for-a-wall-decoration-over-an-arched-doorway-yi-ming-289495","Bernardino India--Design for a Wall Decoration over an Arched Doorway","整体采用对称构图，以中央纹章锚定视觉重心，涡卷茛苕纹与兽面雕饰缠绕勾勒框架，华丽繁复尽显巴洛克装饰意趣。左右画框内的女性喻像一威一静，左者持杖端坐气场威仪，右者倚柱安坐气质柔静，中央立像英挺矫健，借古典人形体颂权力与德行。\n画师以利落明暗晕染铺陈体积感，刚柔并济的线条刻画出拟石的厚重肌理，将古典人文的典雅与巴洛克的华丽动感相融，适配拱门上楣的装饰形制，让庄重气场与灵动韵律共生，尽显古典装饰设计的精妙巧思。",[38060,12368,175,33,2560,70124,30,48013,15901,48083,48034],"拱门","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F1448e1fb7daa0c7d469160298c7b0794.jpg",[],{"id":70128,"slug":70129,"title":70130,"dynasty":22,"author":7,"museum":172,"description":70131,"tags":70132,"thumbUrl":70134,"material":296,"size":297,"collection":11,"collections":70135,"showCount":153,"zanCount":49,"manualWeight":49,"mainColor":70},289492,"bernardino-poccetti-the-death-of-saint-alexis-falconieri-at-monte-senario-yi-ming-289492","Bernardino Poccetti--The death of Saint Alexis Falconieri at Monte Senario","这帧红棕素描以半圆构图铺展肃穆场景。濒死的圣徒静卧左侧，周遭修士神情各呈悲戚与虔敬：有人垂首祈祷，有人抬手吟念祷词，有人难掩哀恸垂身低眉。\n线条随性却极具张力，以排线晕染明暗，勾勒出修道院昏暗沉郁的室内空间，精准烘托出临终时刻的神圣悲怆。群像神态动作刻画入微，将信仰裹挟下的哀伤与肃穆交织尽显，虽为草稿，却将这场神圣告别中的细腻情绪全然铺陈开来。",[30,33,38060,1473,70133],"临终场景","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F7b8d2b10ce6513ad37ea0d73cb3856f0.jpg",[],{"id":70137,"slug":70138,"title":70139,"dynasty":22,"author":7,"museum":172,"description":70140,"tags":70141,"thumbUrl":70144,"material":296,"size":297,"collection":11,"collections":70145,"showCount":153,"zanCount":49,"manualWeight":49,"mainColor":70},289489,"bernardo-castello-modello-for-ceiling-fresco-with-papal-coat-of-arms-yi-ming-289489","Bernardo Castello--Modello for Ceiling Fresco with Papal Coat of Arms","浅棕调素描晕染出巴洛克式华丽构图，盾形纹章为视觉核心，涡卷雕花勾勒柔美元边框。上方丘比特簇拥十字宝球与三重冠，灵动小天使环绕绶带，托举细节。两侧拟人女神烘托威仪，下方勇武军士承托整体，层级分明。细腻排线区分明暗，将宗教纹样的庄肃，揉入古典装饰的柔美灵动，尽显文艺复兴晚期宫廷宗教装饰的典雅仪式感，兼具布局巧思与美学张力。",[30,38060,70142,38059,70143,38061,22324,1473,12368],"湿壁画稿","教皇纹章","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fc3494a24301bd7f770085b63e81f4d3f.jpg",[],{"id":70147,"slug":70148,"title":70149,"dynasty":22,"author":7,"museum":172,"description":70150,"tags":70151,"thumbUrl":70155,"material":296,"size":297,"collection":11,"collections":70156,"showCount":153,"zanCount":49,"manualWeight":49,"mainColor":50},289472,"carlo-alberto-baratta-study-for-the-decoration-of-a-vault-yi-ming-289472","Carlo Alberto Baratta--Study for the Decoration of a Vault","这幅天顶装饰手稿以透视营造出穹顶纵深感，中心云雾翻涌，天使们舒展羽翼簇拥圣像，携着天国的灵动感破壁而出，将神圣升腾的瞬间定格。左右三角饰板里的小爱神姿态俏皮柔媚，与边角沉肃端坐的圣贤形成动静对冲，平衡了画面节奏。\n\n以灰调铺就底色，明暗晕染柔和通透，将布面化作穹顶壁面，人物如同浮雕般浮现，完美复刻巴洛克宗教装饰的华丽张力，让天国的恢宏与灵动跃然纸上，兼具宗教的庄严与艺术的浪漫表现力。",[30,38061,70152,70153,70154,1572,42846],"穹顶装饰","素描稿","壁画稿","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F52ac0fb073e4848e63bfc7ab32418098.jpg",[],{"id":70158,"slug":70159,"title":70160,"dynasty":22,"author":7,"museum":172,"description":70161,"tags":70162,"thumbUrl":70163,"material":296,"size":297,"collection":11,"collections":70164,"showCount":153,"zanCount":49,"manualWeight":49,"mainColor":70},289471,"carlo-cignani-head-of-a-young-woman-in-three-quarter-view-facing-left-yi-ming-289471","Carlo Cignani--Head of a Young Woman in Three-Quarter View Facing Left","棕色调晕染铺陈，虚实之间将少女温婉神韵尽数勾勒。头巾褶皱以松弛又精准的线条排布，阴影顺着织物垂坠走向晕开，把布料柔软质感悄然托显。少女垂眸颔首，睫间阴影轻覆眼下肌肤，鼻唇弧线柔和舒展，噙着近乎虔诚的恬然笑意。\n\n明暗过渡细腻自然，脸颊柔光与发丝、头巾的沉色织就温柔层次，将少女凝神静思的瞬间凝定。笔触精简却极具表现力，把人物柔美的气质与沉静的内蕴刻画得动人心扉，古典雅致的静谧氛围感扑面而来。",[38060,1572,127,12520,3244],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F8ed9b3c13400f2c624086ccfb6efdcb7.jpg",[],{"id":70166,"slug":70167,"title":70168,"dynasty":22,"author":7,"museum":172,"description":70169,"tags":70170,"thumbUrl":70172,"material":296,"size":297,"collection":11,"collections":70173,"showCount":153,"zanCount":49,"manualWeight":49,"mainColor":70},289306,"michel-corneille-the-younger-copies-after-raphael-yi-ming-289306","Michel Corneille the Younger--Copies after Raphael","这幅红粉笔素描以柔润细腻的笔触，将少女们的温婉韵致尽显纸面。排线疏密错落，既勾勒出蓬松卷曲的发丝层次，也晕染出肌肤的莹润柔和。画面中的少女们神态各有微妙不同，或垂眸敛目带着静穆虔诚，或侧首凝神暗含柔婉悲悯，复刻着古典柔美气质。整体构图紧凑却不显拥塞，人物间气息相融，带着古典主义独有的静谧优雅。作者精准捕捉到原作的神韵，将古典女性的圣洁温婉定格于纸面，凭借素描语言的细腻表现力，让复古沉静的氛围漫溢开来，尽显古典肖像独有的优雅质感。",[38060,1572,122,11476,1527,70171],"古典肖像","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F5db5f587adb01ab643c46bffbd8e3680.jpg",[],{"id":70175,"slug":70176,"title":70177,"dynasty":22,"author":7,"museum":172,"description":70178,"tags":70179,"thumbUrl":70184,"material":296,"size":297,"collection":11,"collections":70185,"showCount":153,"zanCount":49,"manualWeight":49,"mainColor":50},289300,"odilon-redon-armor-yi-ming-289300","Odilon Redon--Armor","这幅肖像带着阴郁又诡谲的诗意。仅露出的左眼藏着幽微情绪，像寒夜里未熄的残火，疏离又带着沉默的张力。蒙面的织物消弭了表情，将情绪全数收敛，只余下冷硬锐利的侧影。\n\n头部炸开的尖刺似披覆的暗甲，又像是挣脱躯壳的精神荆棘，柔美的面部线条与尖锐的黑色毛刺形成强烈对冲，将隐秘的躁动藏在暗沉色调里。昏黄底调晕开朦胧的侘寂感，潦草排线堆叠出厚重压抑感，让这幅描摹脱离写实，更像一场关于自我禁锢与精神锋芒的默剧。",[38060,1572,70180,70181,70182,70183],"蒙面人像","盔甲元素","暗黑风格","神秘氛围","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F564d52239923c370fc01a680d49937fb.jpg",[],{"id":70187,"slug":70188,"title":70189,"dynasty":22,"author":7,"museum":172,"description":70190,"tags":70191,"thumbUrl":70194,"material":296,"size":297,"collection":11,"collections":70195,"showCount":153,"zanCount":49,"manualWeight":49,"mainColor":70},289264,"pietro-testa-allegory-of-penance-and-death-yi-ming-289264","Pietro Testa--Allegory of Penance and Death","画面以强烈左右分野铺陈情绪，左侧枯骨狞恶裹挟奔逃的亡魂，扭曲躯体满是濒死惊惧，死神持械驱赶，将死亡的肃杀倾泻而出。右侧烛影昏沉，信徒垂首跪拜，佝偻身形满是忏悔的沉郁，在祭坛前躬身叩求救赎。利落苍劲的排线勾勒明暗层次，以极简素描笔触拉扯出死亡威压与忏悔虔诚的剧烈张力，将末日惶然与苦修赎罪的沉重尽数渲染，道尽人类在死亡阴影前对救赎的本能求索。",[38060,1473,33,2449,70192,25604,70193],"死亡","忏悔","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F7debd953ab4fbcf722f8c8d4f9528a50.jpg",[],{"id":70197,"slug":70198,"title":70199,"dynasty":22,"author":7,"museum":172,"description":70200,"tags":70201,"thumbUrl":70206,"material":296,"size":297,"collection":11,"collections":70207,"showCount":153,"zanCount":49,"manualWeight":49,"mainColor":70},289207,"gountei-sadahide-foreigners-in-the-drawing-room-yi-ming-289207","Gountei Sadahide--Foreigners in the Drawing Room","这幅三联绘定格了开埠之初的交融日常，欧陆客厅里，外客围坐举杯谈笑，舷窗外远洋航船隐约可见，西洋吊灯晕开精致暖意。和服侍女款步奉茶，洋装女眷或持烟闲憩、或拨弄弦乐，东瀛华服与西洋裙装错落交织，将东西日常美学揉于一室。画面铺陈出新旧碰撞的鲜活切片，异质文化在方寸画纸间安然共处，藏着那个特殊年代里开放又微妙的风土，温柔定格下文明相遇时的鲜活瞬间。",[10461,32,1572,70202,1998,1706,70203,15937,70204,22926,70205,56516,41620,2453],"会客厅","乐器演奏","西洋服饰","吊灯","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F7e0d5a1875c992991b9f1f6fd7ef862f.jpg",[],{"id":70209,"slug":70210,"title":70211,"dynasty":22,"author":7,"museum":172,"description":70212,"tags":70213,"thumbUrl":70215,"material":296,"size":297,"collection":11,"collections":70216,"showCount":153,"zanCount":49,"manualWeight":49,"mainColor":70},289206,"goya-a-disheveled-woman-with-a-group-yi-ming-289206","Goya--A Disheveled Woman with a Group","以棕褐墨色即兴铺陈，松弛粗粝的线条晕染出惶然乱世。右侧女子披发散乱，双手攥着发丝，眉眼间浸满失神的惶惑，衣衫半敞赤脚踉跄，似在惊惧溃逃。旁侧人群蜷缩低伏，神色晦暗麻木，被恐惧攥住了心神。远景淡描朦胧穹顶矮塔，空茫留白漫溢出不安情绪。\n\n未作精雕细琢，却将灾厄之下的绝望揉进墨迹，仓皇的众生相直白叩问着苦难，把乱世里的惊惧仓皇永远定格在了纸面之上。",[1572,38060,48243,47655,47971,70214],"单色素绘","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F73ef21e612bf1c0d57fb0a45000db968.jpg",[],{"id":70218,"slug":70219,"title":70220,"dynasty":22,"author":7,"museum":172,"description":70221,"tags":70222,"thumbUrl":70223,"material":296,"size":297,"collection":11,"collections":70224,"showCount":153,"zanCount":49,"manualWeight":49,"mainColor":70},289204,"goya-a-man-drinking-from-a-wine-skin-images-of-spain-album-yi-ming-289204","Goya--A Man Drinking from a Wine Skin; Images of Spain Album","利落的棕褐笔墨随性铺陈，将醉汉痛饮的瞬间定格。松弛又精准的线条勾勒出仰头灌酒的粗野姿态，衣褶与酒囊的块面明暗，晕开潦倒又酣畅的氛围。没有精细描摹，却把市井酒徒放纵的快意抓得入骨，仿佛能听见喉间吞咽的浊响，触摸到酒后的昏沉暖意。潦草笔触带着即兴速写的鲜活灵气，粗粝的质感尽显世俗百态的真实底色，将底层人短暂逃离窘迫的酣醉模样，传神刻在纸面之上。",[38060,33,1706,28116,14610],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F4c33c2eb3e97f02cd9bb96a2c2080a9d.jpg",[],{"id":70226,"slug":70227,"title":70228,"dynasty":22,"author":7,"museum":172,"description":70229,"tags":70230,"thumbUrl":70232,"material":296,"size":297,"collection":11,"collections":70233,"showCount":153,"zanCount":49,"manualWeight":49,"mainColor":50},289201,"goya-a-nude-woman-seated-beside-a-brook-yi-ming-289201","Goya--A Nude Woman Seated Beside a Brook","这幅水墨速写以浓淡晕染织就幽密林野，溪畔裸女支颐静憩，似沉眠又若凝思。暗沉树丛揉碎天光，将郊野晕成朦胧暗影，唯有少女柔润躯体破开深郁，成为画面鲜活的锚点。\n\n画家以写意铺陈林野苍茫，又以细腻线条勾勒肩颈起伏与松弛肢体，明暗对照里晕开慵懒寂寥的氛围。干湿变化的墨色晕出郊野湿润清寂，隔绝白日喧扰，只剩独属少女的松弛片刻。私密又温柔的静穆里，漫溢出怅然诗意，层次丰盈的笔墨让幽谧氛围浸透纸面。",[38060,144,1572,127,130,131,70231],"沉思","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F7626de93bd8a8e0a2f080f529a4ddabd.jpg",[],{"id":70235,"slug":70236,"title":70237,"dynasty":22,"author":7,"museum":172,"description":70238,"tags":70239,"thumbUrl":70244,"material":296,"size":297,"collection":11,"collections":70245,"showCount":153,"zanCount":49,"manualWeight":49,"mainColor":70},289183,"goya-god-save-us-from-such-a-bitter-fate-yi-ming-289183","Goya--God Save Us from Such a Bitter Fate","浓云如翻涌的墨色沉沉压下，将窒息的绝望铺满画幅。前景的一家三口困在这窒息氛围里，孩童埋身恸哭，母亲佝偻着将孩子死死护在怀中，悲戚浸透了紧绷的脊背。身旁男子攥紧手中器物，粗粝面容写满愤懑与无助，如同困在厄运里徒劳挣扎的困兽。\n\n晕染的水墨拉扯明暗层次，没有刻意的呐喊控诉，只用凝滞的光影与紧绷的肢体，将乱世平民的悲苦钉刻纸面，每一处笔触都浸满对底层苦难的共情，道尽命运的凉薄残酷。",[2750,144,33,70240,70241,70242,70243,48720],"悲情","苦难","压抑","暗黑","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fcdc822edd206522e501ee8ef55d5a0d5.jpg",[],{"id":70247,"slug":70248,"title":70249,"dynasty":22,"author":7,"museum":172,"description":70250,"tags":70251,"thumbUrl":70253,"material":296,"size":297,"collection":11,"collections":70254,"showCount":153,"zanCount":49,"manualWeight":49,"mainColor":1162},289181,"goya-he-wakes-up-kicking-yi-ming-289181","Goya--He Wakes Up Kicking","粗犷利落的速写笔触，将睡梦惊起的瞬间牢牢定格。男子骤然惊醒，抬腿蹬踹，肢体绷紧满是张力，面部神情惊惶错愕，将本能的慌乱展露无遗。\n\n浓墨晕染衣物暗部，淡笔轻勾皮肉光影，明暗对比强烈，让画面充满粗粝的临场感。潦草的手写题注添了几分随性速写质感，没有精雕细琢的修饰，却把人从酣眠中陡然挣脱的惊悸刻画得入木三分，将日常里猝然的情绪迸发，提炼成极具戏剧张力的鲜活切片，粗朴笔触让这份临场惶惑更具冲击力。",[33,38060,47971,5432,6673,144,70252],"黑白","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F620bedfc9395ffc9e54f1c590f7dd888.jpg",[],{"id":70256,"slug":70257,"title":70258,"dynasty":22,"author":7,"museum":172,"description":70259,"tags":70260,"thumbUrl":70261,"material":296,"size":297,"collection":11,"collections":70262,"showCount":153,"zanCount":49,"manualWeight":49,"mainColor":70},289170,"goya-provincial-dance-from-images-yi-ming-289170","Goya--Provincial Dance, from Images","奔放的明暗墨色勾勒出乡野舞蹈的鲜活瞬间，男女舞者沉醉在节拍之中，男子高举饰旗，舞步昂扬，女子身姿舒展，眉目低垂间满是松弛沉醉。背景乐手以淡墨晕染虚化，朦胧烘托出热闹氛围。\n粗率随性的笔触褪去雕琢痕迹，浓淡层次将人物身形利落区分，把民间庆典里的酣畅烟火气凝于纸面，仿佛能听见弦乐轻响与踏地节拍，蓬勃质朴的生命力随着笔墨流淌，将乡野欢聚的松弛热烈永远定格。",[33,16470,38039,11256,687,4672,21803],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F599401432c400763de4bbf52cd76bee2.jpg",[],{"id":70264,"slug":70265,"title":70266,"dynasty":22,"author":7,"museum":172,"description":70267,"tags":70268,"thumbUrl":70271,"material":296,"size":297,"collection":11,"collections":70272,"showCount":153,"zanCount":49,"manualWeight":49,"mainColor":70},289147,"guercino-fireworks-in-a-piazza-yi-ming-289147","Guercino--Fireworks in a Piazza","这幅淡墨速写以洗练笔触铺陈出松弛的市井氛围，虚实相生的线条晕开广场开阔尺度。远景建筑轮廓笔意轻淡，将砖石楼宇的厚重融在柔化的笔韵中，晕染出朦胧天色。\n\n广场上的人群错落排布，寥寥数笔便勾勒出鲜活情态，驻足眺望与三两闲谈的身影带着随性松弛，把日常烟火揉进清冷笔调。留白与淡墨晕染呼应，无浓烈色彩却托举起松弛生动的市井氛围，将某个转瞬即逝的黄昏广场时刻，定格在即兴捕捉的鲜活笔触中。",[38060,47971,6667,70269,48012,2453,70270,26864],"广场","烟花","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F0f650f5ee5687f1faf6cd2817a1fa0c7.jpg",[],{"id":70274,"slug":70275,"title":70276,"dynasty":22,"author":7,"museum":172,"description":70277,"tags":70278,"thumbUrl":70281,"material":296,"size":297,"collection":11,"collections":70282,"showCount":153,"zanCount":49,"manualWeight":49,"mainColor":50},289139,"marco-ricci-capriccio-with-roman-ruins-yi-ming-289139","Marco Ricci--Capriccio with Roman Ruins","这幅画以残垣织就怀古梦境，将罗马废墟揉入抒情景致。斑驳拱券残存铭文，诉说岁月侵蚀的沉疴，虬曲斜枝携霜红枝叶晕开萧瑟秋意。石狮子盘踞高座，鬃毛的粗粝纹理凝固旧日威严，下方匠人在残石间忙碌，为荒颓废墟暗涌进鲜活生机。远景城郭轻笼烟霭，另一处颓败殿宇隐在林梢，暖调柔光漫过断壁，将怀古怅惘晕成温柔底色。画作以细腻笔触平衡沧桑与鲜活，把虚构的残景绘成带着呼吸的诗意挽歌，引观者沉陷古典余韵的温柔怅惘之中。",[38039,32,70279,70124,70280,2560,33,56616,131,56594,10218],"古罗马遗迹","石柱","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F76d8e2b9a0bf24480d362f20cc1de8e4.jpg",[],{"id":70284,"slug":70285,"title":70286,"dynasty":22,"author":7,"museum":172,"description":70287,"tags":70288,"thumbUrl":70291,"material":296,"size":297,"collection":11,"collections":70292,"showCount":153,"zanCount":49,"manualWeight":49,"mainColor":70},289092,"jean-jacques-lagrene-e-still-life-vases-a-cassolette-on-a-pedestal-yi-ming-289092","Jean Jacques Lagrenée--Still Life Vases, a Cassolette on a Pedestal","帷幔轻展，铺陈出一方古典雅致的陈列空间。利落的线条勾勒出洛可可式柔婉的器物轮廓，台座上的香炉浮雕精巧，两侧银壶缠枝纹饰华贵细腻。左侧藤篮倾溢出饱满鲜果与葡萄，搭配角落贝壳，将人工造物的精致与自然野趣柔和相融。淡灰水色晕染出明暗层次，烘托出静谧庄重的氛围，让华丽的陈设褪去张扬，尽显复古沉静的美学张力，将巴洛克式的装饰感与松弛的写生意趣平衡恰好，勾勒出古典静物独有的典雅质感。",[70289,38060,32,1154,17738,70290,21361],"静物","果物","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ff044dca9bd7f90a110e95738f9a4fe4e.jpg",[],{"id":70294,"slug":70295,"title":70296,"dynasty":22,"author":7,"museum":172,"description":70297,"tags":70298,"thumbUrl":70303,"material":296,"size":297,"collection":11,"collections":70304,"showCount":153,"zanCount":49,"manualWeight":49,"mainColor":70},289070,"jules-bastien-lepage-the-little-communicant-yi-ming-289070","Jules Bastien-Lepage--The Little 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drawing","这幅素描以圆形构图定格亲昵瞬间，女神与小爱神相互依偎，小爱神环住女神肩头，亲昵姿态晕开缱绻温情。创作者以细腻柔和的线条勾勒出人体舒展的柔美曲线，用极简排线轻绘明暗起伏，精准描摹出肌肤温润质感与衣料垂坠褶皱的韵律。\n\n淡笔铺绘的翻卷浪涛托举起二人，暗合爱神从海水中诞生的古典意象。没有繁复修饰，却将神性揉进松弛互动里，草稿独有的灵动随性让神祇褪却距离感，满溢温柔的古典浪漫，将脉脉爱意藏在克制笔触之间。",[38060,123,1572,4851,48050,38061,1749,1222],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ff1b8b346dd9196382930938f7b49986a.jpg",[],{"id":70314,"slug":70315,"title":70316,"dynasty":22,"author":7,"museum":172,"description":70317,"tags":70318,"thumbUrl":70325,"material":296,"size":297,"collection":11,"collections":70326,"showCount":153,"zanCount":49,"manualWeight":49,"mainColor":70},289067,"julien-mue-re-drawing-room-of-the-plas-spa-yi-ming-289067","Julien Muère--Drawing Room of the Plas. Spa","这幅水彩画晕开柔雅色调，将午后的松弛闲逸定格成永恒。暖阳穿窗而入，给暖棕木纹镀上薄金，携着窗外山岚绿意漫进房间。\n\n身着曳地白纱的女子斜倚竖琴旁，似刚停驻拨弦，侧脸笼在纱帘漏下的光影里，漫着倦怠温柔。房间陈设处处流露旧调雅致：壁炉台的铜饰雕塑凝着复古意趣，墙沿挂画晕着岁月质感，丝绒窗帘垂着柔滑褶皱，雕花座椅绣着釉蓝纹样，每一处细节都铺陈出旧日贵族的精致日常。\n\n室外山岚与室内静谧温柔衔接，让这方小天地既有烟火暖意，又带着清隽诗意，把慵懒松弛的午后氛围描摹得淋漓尽致。",[48137,38059,1607,70319,70320,70321,70322,70323,627,4533,70324],"起居室","女子","竖琴","西洋家具","窗景","挂画","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fea84235e6f60b98d8ac29929493de518.jpg",[],{"id":70328,"slug":70329,"title":70330,"dynasty":22,"author":7,"museum":172,"description":70331,"tags":70332,"thumbUrl":70334,"material":296,"size":297,"collection":11,"collections":70335,"showCount":153,"zanCount":49,"manualWeight":49,"mainColor":70},289058,"lambert-doomer-view-of-nantes-yi-ming-289058","Lambert Doomer--View of 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blossom","这幅水彩写生以两朵木兰构景，一放一敛，晕开柔雅生机。\n上方盛放的花株，柔粉轻点瓣边，米黄晕满花心，色彩过渡清透自然，将舒展烂漫的花姿描摹得鲜活灵动，仿佛能窥见春日暖阳下花瓣轻颤的模样。下方半绽花苞以深玫红铺陈瓣底，凝住初绽的含蓄张力，与上方盛放的明媚形成温柔呼应。\n创作者以晕染笔触替代繁复线条，细腻晕开花瓣的柔润肌理，留白松弛舒适，将木兰盛放的明媚与初绽的沉静并置，于清淡雅致的色彩层次间，定格住花木最动人的诗意瞬间。",[32,80,103,48033,48022,48024],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fb22cd96761e82c837b02cc3c55cca292.jpg",[],{"id":70345,"slug":70346,"title":70347,"dynasty":22,"author":7,"museum":172,"description":70348,"tags":70349,"thumbUrl":70350,"material":296,"size":297,"collection":11,"collections":70351,"showCount":153,"zanCount":49,"manualWeight":49,"mainColor":739},289050,"lenox-incorporated-design-drawing-of-of-poppy-blossom-yi-ming-289050","Lenox, Incorporated--Design drawing of of poppy blossom","这幅水彩习作以罂粟花为主题，拆解呈现花的不同视角。上方俯视视角将花型铺陈舒展，绯红色晕染的花瓣水润通透，由边缘向内侧渐次加深，晕开自然的肌理层次。深色花盘围拢嫩黄蕊心，色彩对比醒目，精准还原罂粟花热烈饱满的特质。下方截取花筒侧面，简化多余细节，用利落的色块表现花瓣挺括的形态，留白衬出暖色花瓣的温柔张力。整体笔触松弛克制，无繁复修饰，以极简的水彩晕染捕捉花朵鲜活的生机，带着沉静的手绘温度，将花卉的柔美与蓬勃定格于纸面。",[5734,32,15928,190,37,48022],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F27cdaa1bc77429b6be037caaae715814.jpg",[],{"id":70353,"slug":70354,"title":70355,"dynasty":22,"author":7,"museum":172,"description":70356,"tags":70357,"thumbUrl":70358,"material":296,"size":297,"collection":11,"collections":70359,"showCount":153,"zanCount":49,"manualWeight":49,"mainColor":277},289049,"lenox-incorporated-design-drawing-of-peony-blossom-yi-ming-289049","Lenox, Incorporated--Design drawing of peony blossom","这幅作品以巧思重构芍药，将花头与花萼拆分为上下两部分。上部花头舒展柔润的玫红色花瓣，晕染出自然的明暗层次，还原花瓣绒绒的肌理质感，明黄花芯饱满鲜活，盛放着蓬勃生机。下方花萼被幻化为容器模样，似将这朵芍药温柔承托，带着超现实的俏皮浪漫。整体笔触细腻柔和，复古旧纸底晕开暖调氛围，极简构图将花卉柔美与奇想结合，静谧中透着灵动巧思，勾勒出温柔浪漫的独特观感。",[32,98,48033,48024],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F6163a13906b44a246f1ca29d9a5e5487.jpg",[],{"id":70361,"slug":70362,"title":70363,"dynasty":22,"author":7,"museum":172,"description":70364,"tags":70365,"thumbUrl":70369,"material":296,"size":297,"collection":11,"collections":70370,"showCount":153,"zanCount":49,"manualWeight":49,"mainColor":70},289031,"louis-jean-desprez-view-of-the-portal-and-principal-entrance-yi-ming-289031","Louis Jean Desprez--View of the Portal and Principal 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amours","帷幔低垂晕开慵懒缱绻的闺中氛围，三位裸女舒展的体态柔润饱满，带着古典理想美人的松弛圣洁。\n\n小爱神们或是拽动衣袂，或是环身嬉戏，将静谧闺房揉进跳脱稚趣。细腻排线糅合柔和晕染，将肌肤的莹润起伏、织物的垂坠褶皱描摹得真实动人，光影在人体与纱幔间流淌，勾勒出柔美的明暗层次。神性的端庄与孩童的天真交织碰撞，让私密场景兼具优雅诗意与缱绻浪漫，将古典情爱主题诠释得温柔又富有生机。",[38060,70377,127,70378,48050,70379,19463,42846,6887],"西方绘画","小爱神","床帏","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fe473784c4321d86fdf9b63a995870aad.jpg",[],{"id":70383,"slug":70384,"title":70385,"dynasty":22,"author":7,"museum":172,"description":70386,"tags":70387,"thumbUrl":70388,"material":296,"size":297,"collection":11,"collections":70389,"showCount":153,"zanCount":49,"manualWeight":49,"mainColor":50},289019,"lucas-van-uden-wooded-landscape-with-a-house-by-a-river-yi-ming-289019","Lucas van Uden--Wooded Landscape with a House by a River","前景古木虬曲苍劲，枝桠肆意舒展，细密排线勾勒出斑驳树皮与蓬松叶簇，尽显岁月镌刻的厚重质感。缓坡顺着笔触延绵铺展，错落林木向着远景渐次淡去，朦胧间晕开郊野村落的浅淡轮廓。\n\n蓝底衬出素描线条的柔和层次，明暗交织晕染出清寂的郊野晨氛。留白与疏密笔触交织，铺就出悠远的空气感，仿佛能触到林间湿润的晚风，听见枝桠轻晃的细碎声响。笔触克制却藏着对乡野的细腻体察，将郊野的松弛生机揉入画面，静望便坠入松弛安闲的乡野意趣之中。",[38060,56613,2709,12495,1707,5571],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Faf07d38cfad3ea9f4f00675d497fc595.jpg",[],{"id":70391,"slug":70392,"title":70393,"dynasty":22,"author":7,"museum":172,"description":56691,"tags":70394,"thumbUrl":70395,"material":296,"size":297,"collection":11,"collections":70396,"showCount":153,"zanCount":49,"manualWeight":49,"mainColor":70},288915,"giovanni-battista-tiepolo-two-seated-women-and-a-boy-on-clouds-yi-ming-288915","Giovanni Battista Tiepolo--Two Seated Women and a Boy on Clouds",[38059,1572,11256,38060,11476,1527,13585,42846],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fb147d9340b8bb9f938edebe10011efa2.jpg",[],{"id":70398,"slug":70399,"title":70400,"dynasty":22,"author":7,"museum":172,"description":70401,"tags":70402,"thumbUrl":70404,"material":296,"size":297,"collection":11,"collections":70405,"showCount":153,"zanCount":49,"manualWeight":49,"mainColor":50},288909,"giovanni-battista-piazzetta-feeding-the-dog-yi-ming-288909","Giovanni Battista Piazzetta--Feeding the 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Kneeling",[30,33,38060,3363,70418,70377,2298],"跪拜","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fd71c43e3964a7a0c1b80ce0af740a879.jpg",[],{"id":70422,"slug":70423,"title":70424,"dynasty":22,"author":7,"museum":172,"description":56691,"tags":70425,"thumbUrl":70427,"material":296,"size":297,"collection":11,"collections":70428,"showCount":153,"zanCount":49,"manualWeight":49,"mainColor":70},288859,"giovanni-battista-tiepolo-study-for-an-inkstand-yi-ming-288859","Giovanni Battista Tiepolo--Study for an Inkstand",[144,33,346,4851,38060,9044,70426],"草图","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fc40a86a375c5398258001c54e7753cdd.jpg",[],{"id":70430,"slug":70431,"title":70432,"dynasty":22,"author":7,"museum":172,"description":70433,"tags":70434,"thumbUrl":70438,"material":296,"size":297,"collection":11,"collections":70439,"showCount":153,"zanCount":49,"manualWeight":49,"mainColor":50},288821,"perino-del-vaga-alexander-cutting-the-gordian-knot-study-for-a-fresco-yi-ming-288821","Perino del Vaga--Alexander Cutting the Gordian Knot, Study for a Fresco","这幅草稿以灵动精准的线条铺陈群像，粗细变化的炭笔线条勾勒出铠甲的冷硬肌理与肌肉的张力。右侧主将俯身执剑，发力的手臂肌肉块面硬朗利落，与左侧将士的凝神注视形成呼应。\n\n淡墨晕染出暗沉厚重的光影，烘托出古战场时刻的肃穆沉凝，围绕的士卒神态各异，或是屏息凝视，或是交头低语，将事件的戏剧性悄然拉满。作为湿壁画稿，寥寥几笔就把史诗时刻的张力凝聚在纸面，虽未施粉黛，却以极简的明暗层次，让古典英雄的果敢气概跃然纸上，尽显速写稿捕捉瞬间力量的独特魅力。",[38060,1572,518,123,5967,18011,2405,70435,70436,70437],"戈耳狄俄斯之结","神话事件","壁画草图","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F5e4a067baa29ceb32d5d7ad17ddffd36.jpg",[],{"id":70441,"slug":70442,"title":70443,"dynasty":22,"author":7,"museum":172,"description":70444,"tags":70445,"thumbUrl":70449,"material":296,"size":297,"collection":11,"collections":70450,"showCount":153,"zanCount":49,"manualWeight":49,"mainColor":70},288812,"peter-oliver-the-family-of-cain-yi-ming-288812","Peter Oliver--The Family of Cain","这幅单色淡彩画作，以细腻排线晕染出洞窟前的图景。端坐的女子怀拥婴儿，垂睫敛目，衣褶层叠舒展，柔化了岩壁的粗粝，将母性的温婉尽数铺陈。身旁的壮年男子肌肉线条虬结，拄杖俯身望向妻儿，沉郁的神态里晕开缱绻的依恋，粗朴的兽皮装束尽显原始粗粝的质感。远景郊野晕染朦胧，荒寂中晕着静谧暖意。明暗将人物与山石自然区隔，克制的色调里，把这个家庭暗藏的深沉羁绊，揉进温柔又厚重的氛围之中。",[2449,4851,70446,33,38060,32,14612,70447,70448],"该隐家族","岩洞","家庭场景","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fa009313dc3ec8fb9112bf18647c1da37.jpg",[],{"id":70452,"slug":70453,"title":70454,"dynasty":22,"author":7,"museum":172,"description":38057,"tags":70455,"thumbUrl":70457,"material":296,"size":297,"collection":11,"collections":70458,"showCount":153,"zanCount":49,"manualWeight":49,"mainColor":70},288807,"peter-paul-rubens-carolus-duke-of-lower-lorraine-and-gerberga-yi-ming-288807","Peter Paul Rubens--Carolus, Duke of Lower Lorraine and Gerberga",[123,1473,1572,12520,70456],"贵族人物","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F08bef9c2a8dea173a9ae037e907f1c1d.jpg",[],{"id":70460,"slug":70461,"title":70462,"dynasty":22,"author":7,"museum":172,"description":70463,"tags":70464,"thumbUrl":70469,"material":296,"size":297,"collection":11,"collections":70470,"showCount":153,"zanCount":49,"manualWeight":49,"mainColor":50},288794,"pierre-antoine-baudouin-la-nuit-night-yi-ming-288794","Pierre Antoine Baudouin--La Nuit (Night)","暮色如纱笼罩幽林，小爱神雕像静立一旁，似是这场爱恋的沉默见证者。鎏金华服与柔粉长裙缱绻相拥，树影在衣料褶皱间晕开暧昧朦胧的光晕。\n\n林间水雾裹挟草木甜香漫溢，远处瀑布碎光揉进夜色晕染出湿润浪漫，明暗晕染勾勒出私密缱绻的相拥时刻，将洛可可式的柔美揉进晚风里，让耳鬓厮磨的心动，化作一帧温柔又私密的午夜恋歌，把偷来的片刻温情，凝固为永恒的温柔剪影。",[38039,33,70465,70378,70466,70467,1102,190,70468,48013],"情侣","月夜","树林","浪漫","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fd555ecb86c926cbd489ce2e5a49986d8.jpg",[],{"id":70472,"slug":70473,"title":70474,"dynasty":22,"author":7,"museum":172,"description":70475,"tags":70476,"thumbUrl":70477,"material":296,"size":297,"collection":11,"collections":70478,"showCount":153,"zanCount":49,"manualWeight":49,"mainColor":70},288791,"pierre-jean-david-d-angers-general-bonchamp-shown-yi-ming-288791","Pierre Jean David d'Angers--General Bonchamp Shown","这页速写是松弛随性的灵感碎片，将写实观察与荒诞奇想揉为一体。左上男子肖像以利落排线勾勒出沉凝肃穆的神态，旁侧网格切割的头像，则是对头部结构的拆解研习。右侧伏卧的雄狮鬃毛苍劲虬结，利爪按地紧盯身前小兽，静中暗藏一触即发的张力。\n\n最跳脱的是下方的怪诞形象，长喙骷髅架着纤细小人，带着即兴戏谑的荒诞感。潦草线条间藏着精准的形体把控，私密随性的页面，既是日常观察的速记，也是脑洞迸发的自留地，粗粝鲜活，尽显创作过程中松弛又敏锐的灵光。",[38060,47971,33,26617,4131,272,1473,48022,48104],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fc2881762b621cf54bc4281f2508fcfbb.jpg",[],{"id":70480,"slug":70481,"title":70482,"dynasty":22,"author":7,"museum":172,"description":70483,"tags":70484,"thumbUrl":70489,"material":296,"size":297,"collection":11,"collections":70490,"showCount":153,"zanCount":49,"manualWeight":49,"mainColor":70},288778,"rembrandt-woman-reading-yi-ming-288778","Rembrandt--Woman Reading","这幅速写以松弛却精准的笔触，定格了女子凝神阅读的瞬间。单色晕染铺陈出柔和光影，头巾厚重的褶皱衬出面部低垂的专注轮廓，指节轻按书页，仿佛能感知指尖贴合纸面的力道，伏案的姿态松弛沉静。\n\n笔墨虚实拿捏精妙，虚化的背景将视线牢牢锚定在女子与书页之上，留白与晕染交织，将沉浸于文字的静谧氛围缓缓晕开。没有繁复修饰，却将阅读时的安宁心绪传递得淋漓尽致，粗粝的笔触感带着即兴的鲜活，把日常一隅的松弛瞬间永久留存，尽显速写捕捉气韵的动人魅力。",[47971,33,70320,70485,70486,627,70487,70488],"阅读","单色晕染","松弛","日常场景","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F5e9b1531bda3d651d458255e8e31a763.jpg",[],{"id":70492,"slug":70493,"title":70494,"dynasty":22,"author":7,"museum":172,"description":70495,"tags":70496,"thumbUrl":70498,"material":296,"size":297,"collection":11,"collections":70499,"showCount":153,"zanCount":49,"manualWeight":49,"mainColor":70},288776,"richard-earlom-leaf-from-aedes-walpolianae-mounted-yi-ming-288776","Richard Earlom--Leaf from Aedes Walpolianae mounted","上部蚀刻画以细腻线条塑出长发男子侧颜，昂起的下颌与望向上方的眼眸，漫溢出怅惘又带着期许的神色，发丝层叠分明，光影刻画出面部起伏肌理，将浪子的漂泊愁绪揉进细节里。\n\n下方水彩速写晕染出朦胧乡野，林木错落间浅描出三两乡人与屋舍，松弛的笔触晕开山野意趣，铺就出安宁的归处图景。\n\n两种质感的创作并置，蚀刻的锐利紧致与水彩的柔润松弛形成反差，暗合着出走与归乡的情绪拉扯，让人像的孤绝和乡野的温软形成细腻的叙事张力。",[2750,38060,1572,56613,70497,131,12495],"长发男子","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fa42847261258c7f57e1f978959f16215.jpg",[],{"id":70501,"slug":70502,"title":70503,"dynasty":22,"author":7,"museum":172,"description":70504,"tags":70505,"thumbUrl":70507,"material":296,"size":297,"collection":11,"collections":70508,"showCount":153,"zanCount":49,"manualWeight":49,"mainColor":70},288773,"rodolphe-bresdin-group-of-figures-yi-ming-288773","Rodolphe Bresdin--Group of Figures","这幅蚀刻版画以虚实交织的叙事铺陈画面，下半隅是两位长裙仕女牵犬漫游郊野，衣褶柔婉舒展，漫溢着闲游行止松弛惬意的氛围感。而上半段岩穴与灌丛间，古典衣装的人物群像悄然浮现，如同郊野林间沉眠的旧影幽灵。\n作者以疏密错落的线条区分山石、植被与衣袂肌理，将日常闲步的松弛和超现实的幽诡交融，让郊野漫游化作一场朦胧幻梦，漫步的轻愉里裹挟着挥之不去的神秘恍惚，恍若踏入现世与异界交界的朦胧狭间。",[33,127,1527,70506,41721,779,1473,70252,48720],"小狗","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fc858b739ff401c3d9a184b49cf9f6a12.jpg",[],{"id":70510,"slug":70511,"title":70512,"dynasty":22,"author":7,"museum":172,"description":70513,"tags":70514,"thumbUrl":70516,"material":296,"size":297,"collection":11,"collections":70517,"showCount":153,"zanCount":49,"manualWeight":49,"mainColor":70},288768,"rutilio-manetti-studies-for-a-rest-on-the-flight-into-egypt-yi-ming-288768","Rutilio Manetti--Studies for a Rest on the Flight into Egypt","棕褐底色晕开温柔氛围，虚实笔触定格了相拥休憩的母子，衣褶晕染厚重松弛，将长路奔波的疲惫揉进依偎的暖意里。明暗铺陈带着随性的呼吸感，暗部烘托出亲昵的温度，浅淡留白又保留着速写的灵动松弛。\n\n右上角的小天使以轻逸线条勾就，与下方沉缓的图景形成奇妙反差，潦草却精准的轮廓，像是创作者捕捉到的刹那灵光，将肃穆主题拆解为日常化的脉脉温情，把偶然迸发的创作思绪凝在纸面。",[2449,38060,47971,1572,27489,48124,38061,70515],"休憩场景","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F105d64b30127ba220a57311b0a2b0447.jpg",[],{"id":70519,"slug":70520,"title":70521,"dynasty":22,"author":7,"museum":172,"description":70522,"tags":70523,"thumbUrl":70525,"material":296,"size":297,"collection":11,"collections":70526,"showCount":153,"zanCount":49,"manualWeight":49,"mainColor":50},288752,"sassoferrato-the-holy-family-with-the-infant-saint-john-the-baptist-yi-ming-288752","Sassoferrato--The Holy Family with the Infant Saint John the Baptist","浅灰纸面上的打格痕迹，藏着对比例的精准考量。画师以细腻排线晕开衣袂褶皱，柔化了宗教题材的肃穆感。圣母垂眸牵住施洗约翰的手，目光里满是温柔缱绻；圣约瑟侧身凝注圣婴，褶皱的衣袍衬出他沉静的慈爱。幼年金发的施洗约翰合十仰望，将虔敬揉进林间的宁谧淡影里。\n整幅稿作褪去繁复着色，用干净利落的线条勾勒神性与俗世温情的共鸣，让神圣叙事晕开脉脉暖意，尽显沉静雅致的格调。",[1573,38060,1572,56787,70524,1527,48720],"圣约翰","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F3e74d9062ef3e62e7a9603b7fe30a713.jpg",[],{"id":70528,"slug":70529,"title":70530,"dynasty":22,"author":7,"museum":172,"description":70531,"tags":70532,"thumbUrl":70534,"material":296,"size":297,"collection":11,"collections":70535,"showCount":153,"zanCount":49,"manualWeight":49,"mainColor":70},288751,"school-of-correggio-standing-nude-child-surrounded-yi-ming-288751","School of Correggio--Standing Nude Child Surrounded","以红粉笔铺就的即兴速写，线条松弛却精准牵起人物动态。中心裸童舒展肢体，带着孩童特有的娇憨灵动，周遭人物错落围合，亲昵的氛围漫溢纸面。\n\n淡晕的红调朦胧柔和，恰如将亲昵日常揉入朦胧雾气，随性的笔痕未作过多修饰，却将松弛生动的情态尽数定格。承袭柔婉抒情的创作气质，薄透笔痕在纸面呼吸，把松弛亲昵的瞬间定格，带着草稿独有的鲜活即兴，尽显古典素描的诗意质感，让未完成的随性中漫溢出温柔的氛围感。",[38060,1572,70533,38059],"裸童","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fb2282364498150d78d7154cd68b6da1b.jpg",[],{"id":70537,"slug":70538,"title":70539,"dynasty":22,"author":7,"museum":172,"description":70540,"tags":70541,"thumbUrl":70544,"material":296,"size":297,"collection":11,"collections":70545,"showCount":153,"zanCount":49,"manualWeight":49,"mainColor":50},288746,"school-of-raphael-head-of-an-apostle-surrounded-by-a-tongue-yi-ming-288746","School of Raphael--Head of an Apostle Surrounded by a Tongue","柔缓卷曲的发丝如流水般铺展，带着沉静的圣洁感，与环绕的放射状火舌形成强烈的视觉对冲。火舌笔触锐利紧绷，如同迸发的天启神光，将灼热的张力裹挟其中，深色背景衬得画面更显肃穆厚重。\n\n岁月蚀刻下的斑驳痕迹晕染在颜料之上，为圣灵降临的朦胧异象更添古朴厚重的质感。发丝的柔与火舌的刚交织相融，将信徒的虔敬神魂与神圣感召具象化，带着沉静又撼人的宗教叙事张力，残损的肌理也让这份神性的庄严更添时光沉淀后的厚重氛围。",[38039,1573,1572,70542,70543,32,5107],"使徒","基督教","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F89a686fca4054b4487c3507db4f51894.jpg",[],{"id":70547,"slug":70548,"title":70549,"dynasty":22,"author":7,"museum":172,"description":70550,"tags":70551,"thumbUrl":70553,"material":296,"size":297,"collection":11,"collections":70554,"showCount":153,"zanCount":49,"manualWeight":49,"mainColor":50},288745,"school-of-raphael-tapestry-cartoon-fragment-yi-ming-288745","School of Raphael--Tapestry Cartoon Fragment","残损的涂层之下，浓密虬结的鬃毛带着厚重油彩的肌理温度，暖棕与亮橙撞出炽热张力，左侧的白纹涡旋如盘绕灵蛇，和充满力量感的兽形轮廓形成柔刚对冲。\n\n斑驳掉漆的痕迹是时光盖下的印鉴，将原作的恢弘构思封存在断章之中，粗粝质感依旧能窥见磅礴气韵，把神话生灵的野性力量凝固在此间，即便只剩残片，也依旧留存着撼人的视觉冲击力。",[175,1058,32,33,272,70552],"残片","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fa15f4a4d47a1fdc918d98022ea22a25f.jpg",[],{"id":70556,"slug":70557,"title":70558,"dynasty":22,"author":7,"museum":172,"description":70559,"tags":70560,"thumbUrl":70563,"material":296,"size":297,"collection":11,"collections":70564,"showCount":153,"zanCount":49,"manualWeight":49,"mainColor":70},288741,"sebald-beham-the-circumcision-of-christ-yi-ming-288741","Sebald Beham--The Circumcision of Christ","这幅素描以圆形构图框定这场神圣时刻，细密排线与淡墨晕染交织铺陈氛围。手托圣婴的老者面容悲悯，缓缓铺开仪式的庄重感。围绕的众人神态各异，或垂眸致意，或低语慨叹，右侧侍从静立旁观，沉静的姿态平衡了画面重心。\n劲挺利落的衣褶线条勾勒出人物身份差异，浅淡明暗衬出逼仄小屋的空间纵深感。整作以克制写实的笔调，将这场圣典仪式的肃穆与温情定格，带着早期素描质朴的表现力，让宗教叙事的神圣感顺着笔尖漫溢开来，尽显内敛沉静的古典宗教绘画面貌。",[30,1572,123,70561,70562,5432,1527,1607],"基督受割礼","宗教仪式","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fb55bd63aba6418745280fe5b65b91168.jpg",[],{"id":70566,"slug":70567,"title":70568,"dynasty":22,"author":7,"museum":172,"description":70569,"tags":70570,"thumbUrl":70572,"material":296,"size":297,"collection":11,"collections":70573,"showCount":153,"zanCount":49,"manualWeight":49,"mainColor":70},288723,"valerio-castello-judith-decapitating-holofernes-yi-ming-288723","Valerio Castello--Judith Decapitating Holofernes","这幅速写以奔放不羁的线条铺陈开这场充满张力的杀戮瞬间。粗粝炭笔线条裹挟淡墨晕染的暗部，将慌乱厮缠的肢体与震颤的情绪揉为一体。\n\n纠缠的人体未做分毫精细描摹，却凭借顿挫线条精准传递出肌肉紧绷的力道，利刃落下的刹那仿佛冲破纸面。晕开的浓墨化作混沌暗影，将视线牢牢锁在这场血腥缠斗里，烘托出窒息般的肃杀之气。\n\n创作者舍弃细节执念，以写意笔触抓取最具冲击力的动态，将决绝、惊惧与蛮力浓缩在方寸画纸，让观者透过潦草却极具表现力的笔痕，共情这场传说里的复仇瞬间。",[38060,1573,1572,11256,70571],"犹滴斩杀荷罗孚尼","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F141ccc086aeaecd10f793a545eece6ca.jpg",[],{"id":70575,"slug":70576,"title":70577,"dynasty":22,"author":7,"museum":172,"description":70578,"tags":70579,"thumbUrl":70581,"material":296,"size":297,"collection":11,"collections":70582,"showCount":153,"zanCount":49,"manualWeight":49,"mainColor":70},288721,"victor-franc-ois-eloi-biennourry-standing-soldier-study-for-the-chapel-yi-ming-288721","Victor-François-Eloi Biennourry--Standing Soldier Study for the chapel","这是一幅极具法度的习作，以炭笔在灰调纸面上铺陈。创作者借助网格辅助起型，锚定造型比例，将刻画重心置于上身的罩袍褶皱之上。排线顺着衣料垂坠走向铺排，暗部笔触厚重紧实，亮处依托纸面底色留白，精准烘托出织物的垂坠重量与柔软质感，藏在衣料下的躯体轮廓若隐若现，让布料贴合身形的张力呼之欲出。整体带着创作草稿的松弛朴拙，虽未完成却尽得写实精髓，将衣物质感与人体结构精妙融合，留存下创作过程里的推敲痕迹，朴素间满溢沉静的绘画生命力。",[38060,38059,1572,18002,48115,2668,70580],"习作","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fed4244fdcc431877723fa10a608018b1.jpg",[],{"id":70584,"slug":70585,"title":70586,"dynasty":22,"author":7,"museum":172,"description":70587,"tags":70588,"thumbUrl":70592,"material":296,"size":297,"collection":11,"collections":70593,"showCount":153,"zanCount":49,"manualWeight":49,"mainColor":50},288720,"vincent-van-gogh-corridor-in-the-asylum-yi-ming-288720","Vincent van Gogh--Corridor in the Asylum","明黄拱顶顺着透视铺展，带着焦灼的暖意，裹挟幽闭压抑感漫开。粗粝震颤的笔触勾勒拱券弧度，将紧绷情绪凝在颜料中，沿回廊纵向拉扯出逼仄的纵深感。\n\n暖黄墙面与冷灰立柱撞色，衬得红砖地面色块割裂又眩晕。回廊深处孤影茕茕孑立，空荡长廊漫开死寂疏离。规整构图之下藏着翻涌的精神暗流，将疗养院囚笼里的惶惑与对微光的眷恋揉进画面，把幽居的孤独具象成可触摸的视觉张力，每一道线条都在诉说封闭空间里的情绪风暴。",[38039,70589,70590,33,1607,70591],"走廊","拱廊","暖色调","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F76f0e7b4ed14ff6ce34b20646c85f898.jpg",[],{"id":70595,"slug":70596,"title":70597,"dynasty":22,"author":7,"museum":172,"description":70598,"tags":70599,"thumbUrl":70602,"material":296,"size":297,"collection":11,"collections":70603,"showCount":153,"zanCount":49,"manualWeight":49,"mainColor":70},288710,"william-blake-angel-of-the-revelation-yi-ming-288710","William Blake--Angel of the Revelation","挺拔的天使周身漫溢暖金神光，抬手昭告天启降临，另一手紧攥载满圣谕的经卷。他赤足立于惊涛之上的岩礁，熔火光焰缠绕踝间，躯体的线条凝练而充满力量感，将神性威严与精神伟力具象化。\n\n云霭间簇拥的众灵神态各异，或敬畏凝视，或惶惑低语，以凡俗的渺小反衬出天使的崇高孤绝。淡彩晕染出朦胧又磅礴的神光明暗，柔和笔触勾勒的神圣辉光，将天启时刻的庄严肃穆铺展开来，让观者仿若亲历神谕降下的瞬间，灵魂随这束神光震颤，沉浸在神圣降临的震撼之中。",[30,1572,32,38061,54337,70600,63,1749,70601],"光芒","圣经题材","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F2042e8386e1bfa58d6347b9ebb4fb5c1.jpg",[],{"id":70605,"slug":70606,"title":70607,"dynasty":22,"author":7,"museum":172,"description":70608,"tags":70609,"thumbUrl":70611,"material":296,"size":297,"collection":11,"collections":70612,"showCount":153,"zanCount":49,"manualWeight":49,"mainColor":70},288705,"william-trost-richards-sketchbook-of-new-england-yi-ming-288705","William Trost Richards--Sketchbook of New England","这幅素描以松灵的排线铺陈水岸暮色，近景虬曲矮枝错落排布，笔调随性晕染出郊野草木的生趣。水岸林木疏密有致，以层层短线勾勒出叶片蓬松质感，树影在镜面般的水面晕开，模糊实景与虚像的边界，揉碎了柔和天光。\n\n远景村镇融在朦胧雾气之中，尖顶塔楼成为视觉锚点，将视线引向悠远灰调天际。画作以细腻明暗过渡拉开空间层次，带着松弛的临场写生感，将日暮河畔的湿润水汽与慵懒晚风揉进铅色里，定格乡野河畔的恬然静谧，尽显自然乡野的温柔诗意。",[38060,56594,131,13158,70610,4724,163,3244],"倒影","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F121ba0c17ed7683a29196f0154266e1c.jpg",[],{"id":70614,"slug":70615,"title":70616,"dynasty":22,"author":7,"museum":172,"description":70617,"tags":70618,"thumbUrl":70620,"material":296,"size":297,"collection":11,"collections":70621,"showCount":153,"zanCount":49,"manualWeight":49,"mainColor":70},288701,"workshop-of-gilles-marie-oppenord-study-for-a-garden-capriccio-yi-ming-288701","Workshop of Gilles-Marie Oppenord--Study for a Garden Capriccio","这幅蚀刻版画以半边立面铺展园林奇想，细密排线勾勒巴洛克式的华丽张力。右侧河神化身水景雕塑，水流自身侧奔涌而下，肌肉线条遒劲苍劲，尽显雄浑生机；左侧山林宁芙攀附壁面，藤蔓荒草缠绕周身，漫溢出野逸的古典浪漫。涡卷雕饰衔接立面层次，繁复细节雕琢出复古雅致的装饰感，将神话造像融于园林设计中，让实用的装饰稿兼具艺术幻想性，把雕塑意趣与造景构思精妙糅合，尽显古典装饰美学的雍容格调。",[2750,123,4851,70619,70252,1572,48138],"园林题材","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fe91d35e67bbe5f63a7f771b44b1a6e8f.jpg",[],{"id":70623,"slug":70624,"title":70625,"dynasty":22,"author":7,"museum":172,"description":70626,"tags":70627,"thumbUrl":70629,"material":296,"size":297,"collection":11,"collections":70630,"showCount":153,"zanCount":49,"manualWeight":49,"mainColor":70},288699,"workshop-of-jacques-charles-franc-ois-marie-froment-meurice-drawing-yi-ming-288699","Workshop of Jacques-Charles-François-Marie Froment-Meurice--Drawing","以孔雀翎羽为灵感，将宝石匠心融于羽饰之中。弧面蓝宝石作为眼芯，凝敛幽邃光泽，周遭细钻簇拥如碎星落雪，外层珐琅晕开苍翠绿泽，柔化金属线条的冷硬。淡彩晕绘出蓬松羽丝，纤毫间晕开朦胧肌理，将珠宝华贵感与翎羽的轻盈灵动相融。暖调底色晕开复古柔韵，构图雅致克制，将精巧藏于细节笔触，尽显复古珠宝设计的浪漫绮思与匠心意趣。",[48022,32,70628,39,1688,48138],"孔雀羽毛","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fb336e610010051bceceb929ae411a798.jpg",[],{"id":70632,"slug":70633,"title":70634,"dynasty":22,"author":7,"museum":172,"description":70635,"tags":70636,"thumbUrl":70639,"material":296,"size":297,"collection":11,"collections":70640,"showCount":153,"zanCount":49,"manualWeight":49,"mainColor":70},288698,"workshop-of-jacques-charles-franc-ois-marie-froment-meurice-yi-ming-288698","Workshop of Jacques-Charles-François-Marie Froment-Meurice","这是一幅细腻的珠宝手绘稿，整体构思浪漫柔婉。顶部以花萼花苞为挂扣，柔蔓碎花蜿蜒垂下，托住圆形主牌。圆框内酣眠的小爱神舒展身形，周遭点缀细碎花钿，双月牙环抱住圆牌，柔化了硬朗的轮廓。下方星链垂坠，尾端俏皮的小天使托着花饰，与主牌的爱神主题巧妙呼应。\n铅笔线条细腻柔和，泛黄底色晕出复古质感，将星月、爱神、繁花这些经典浪漫意象揉为一体，尽显法式古典珠宝独有的缱绻诗意，完整呈现出一件温柔雅致的珠宝构想。",[123,39,70637,19209,25100,190,70638,987],"小天使","手绘稿","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F167db17f7659ab826818f0a12b51bfbd.jpg",[],{"id":70642,"slug":70643,"title":70644,"dynasty":22,"author":7,"museum":172,"description":70645,"tags":70646,"thumbUrl":70647,"material":296,"size":297,"collection":11,"collections":70648,"showCount":153,"zanCount":49,"manualWeight":49,"mainColor":739},288697,"workshop-of-taddeo-zuccaro-the-sea-battle-in-the-gulf-of-morbihan-yi-ming-288697","Workshop of Taddeo Zuccaro--The Sea Battle in the Gulf of Morbihan","画面以紧凑构图铺展海战群像，粗粝的棕调线条带着雄浑张力，将古战场的热血厮杀尽数铺陈。雕花繁复的古典战船彼此冲撞，士兵们奋力挥械嘶吼，绳索、飘扬的战旗与狰狞的船首纹被精细勾勒，每一处细节都浸透着搏杀的野性力量。明暗晕染拉开战船的空间层次，让混乱的缠斗富有纵深，仿佛能听见浪涛轰鸣与金戈交击之声，野蛮壮烈的海战氛围扑面而来，尽显手绘草稿粗粝又磅礴的独特气势。",[38060,41628,2418,18002,36584,518,1572],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fc4a55e997f84c86748d06a0d8937daac.jpg",[],{"id":70650,"slug":70651,"title":70652,"dynasty":22,"author":7,"museum":172,"description":70653,"tags":70654,"thumbUrl":70657,"material":296,"size":297,"collection":11,"collections":70658,"showCount":153,"zanCount":49,"manualWeight":49,"mainColor":70},288692,"attributed-to-andre-s-de-melgar-column-of-grotesques-with-dragons-and-kneeling-yi-ming-288692","attributed to Andrés de Melgar--Column of Grotesques with Dragons and Kneeling","整体以怪诞柱式为核心，拟人女像承托茛苕缠枝纹样，衔接徽章、垂幔，将古典装饰语汇揉入奇幻构思。左侧的翼人跪姿与翼龙草稿搭配潦草标注，是灵感迸发时的速记痕迹。\n\n线条兼具蚀刻般的严谨排线与草稿特有的松弛即兴感，既带着文艺复兴装饰艺术的规整韵律，又满溢天马行空的实验趣味，清晰展现出从脑海奇想到设计底稿的构思脉络，是古典装饰美学与怪诞奇想交融的珍贵创作遗存。",[123,38060,4485,59,33,70655,70656,12368],"装饰柱","奇幻形象","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fa8ed1c9c0f5ce3965180847325f11730.jpg",[],{"id":70660,"slug":70661,"title":70662,"dynasty":22,"author":7,"museum":172,"description":70663,"tags":70664,"thumbUrl":70666,"material":296,"size":297,"collection":11,"collections":70667,"showCount":153,"zanCount":49,"manualWeight":49,"mainColor":70},288689,"attributed-to-andre-s-de-melgar-grotesque-masks-and-birds-recto-vertical-grotesques-yi-ming-288689","attributed to Andrés de Melgar--Grotesque Masks and Birds (recto); Vertical Grotesques","这张素描以即兴的线条织就诡谲奇想。画面中央的人面禽鸟，将狞恶的人形五官与禽鸟躯体糅合，细腻排线晕出蓬松羽色，衬出面容上骇人的戏谑笑意，怪诞又充满张力。\n\n四周散落的异相面具，或是须发如卷草般涡旋舒展，或是扭曲出乖张神情，把中古怪诞装饰的暗黑趣味尽数铺陈。利落的草稿线条松弛又精准，寥寥数笔便锚定每一张异相的邪魅神情，空白纸面里漫溢出妖异浪漫，将臆想中的异界生灵凝于方寸，牵引观者坠入一场诡谲幻梦。",[123,38060,4485,48104,163,1353,42263,70665],"奇幻","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F4624e16c998605eba036a58dfd6e2202.jpg",[],{"id":70669,"slug":70670,"title":70671,"dynasty":22,"author":7,"museum":172,"description":70672,"tags":70673,"thumbUrl":70677,"material":296,"size":297,"collection":11,"collections":70678,"showCount":153,"zanCount":49,"manualWeight":49,"mainColor":70},288687,"attributed-to-andre-s-de-melgar-grotesque-of-winged-female-term-and-bird-creature-yi-ming-288687","attributed to Andrés de Melgar--Grotesque of Winged Female Term [] and Bird - Creature","这幅蚀刻素描以怪诞装饰风格铺陈，左侧翼状女像丰腴柔美，舒展羽翼与右侧禽首异兽遥相呼应，二者以悬饰牵系，暗生巧趣。茛苕卷草蜿蜒盘绕，人面涡纹与花苞点缀其间，将人形、异兽与古典茛苕纹样拆解重组。\n\n线条刚柔并济，既勾勒出女像的柔润肌理，又刻画出异兽的诡谲张力，涡旋律动的构图让画面满溢华丽怪诞的浪漫气息，将古典幻想的绮丽因子融于方寸之间，织就出一场幻梦般的古典奇景。",[123,1473,38060,70674,12902,70675,70676,1504],"怪诞风格","带翼女性","鸟形异兽","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F0205a9a1b0aab0de189dc2831cf3e149.jpg",[],{"id":70680,"slug":70681,"title":70682,"dynasty":22,"author":7,"museum":172,"description":70683,"tags":70684,"thumbUrl":70687,"material":296,"size":297,"collection":11,"collections":70688,"showCount":153,"zanCount":49,"manualWeight":49,"mainColor":70},288685,"attributed-to-andre-s-de-melgar-grotesque-with-a-cat-yi-ming-288685","attributed to Andrés de Melgar--Grotesque with a Cat","这幅装饰手稿以端坐的猫咪作为视觉锚点，跳脱常规怪诞纹样的神性表达，糅入软萌生机。对称排布的禽鸟牵起垂坠布幔，为画面铺陈出仪式感。\n\n层叠舒展的茛苕涡旋、拟人化面具顺着纵向延展，灵动小兽攀附卷草藤蔓，底部葡萄纹样晕开自然野趣。速写式的线条松弛随性，将严谨的对称构图揉化出鲜活温度，肃穆的古典装饰语言与稚拙的即兴笔触感奇妙碰撞，把庄重怪诞风格晕染出俏皮意趣。",[625,163,272,123,38060,70685,70686,4485,12368,28],"怪诞纹样","古典装饰","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F4312bcad97a45aa578fc907226a457f6.jpg",[],{"id":70690,"slug":70691,"title":70692,"dynasty":22,"author":7,"museum":172,"description":70693,"tags":70694,"thumbUrl":70697,"material":296,"size":297,"collection":11,"collections":70698,"showCount":153,"zanCount":49,"manualWeight":49,"mainColor":70},288684,"attributed-to-andre-s-de-melgar-grotesques-with-q-r-in-cartouche-at-left-s-p-q-r-at-right-yi-ming-288684","attributed to Andrés de Melgar--Grotesques, with Q.R. in Cartouche at Left, S.P.Q.R. at Right","整幅以银笔铺就，是充满即兴张力的装饰草图。左侧茛苕涡卷垂落花饰与帷幔，托举纹章框，带着古典形制的规整肃穆；右侧则游走奇幻怪诞形象：羽身萨堤尔踞坐拨弄里拉琴，人面融于缠枝茛苕，古典标识隐现其间，潦草手注留存构思的鲜活痕迹。\n\n线条松弛灵动，揉合文艺复兴晚期怪诞装饰风格，将古典神话形象与程式化卷草交织，未完成的笔痕间，兼具古典符号的庄重感与奇幻形象的戏谑生机，复刻出装饰设计初始构思的蓬勃生命力。",[123,12368,70685,33,70695,701,580,687,70696],"翼兽","古典纹样","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fee151b05fb0259bae6305ed42907ff43.jpg",[],{"id":70700,"slug":70701,"title":70702,"dynasty":22,"author":7,"museum":172,"description":70703,"tags":70704,"thumbUrl":70705,"material":296,"size":297,"collection":11,"collections":70706,"showCount":153,"zanCount":49,"manualWeight":49,"mainColor":70},288681,"attributed-to-andre-s-de-melgar-seated-satyr-holding-a-shell-dragon-horizontal-yi-ming-288681","attributed to Andrés de Melgar--Seated Satyr Holding a Shell - Dragon [horizontal]","这张手稿以灵动线条勾勒出怪诞绮丽的奇想世界。半人半兽的形象虬须怒张，神态沉郁威严，健硕躯体带着蛮荒野性，臂间环缠的龙形异兽尖牙利爪，身姿蜿蜒张扬，与古典涡旋饰纹缠绕交织，将神异怪趣与建筑装饰性融为一体。\n\n排线明暗精准晕出肌肉张力与构件体积，硬朗的建筑结构和柔媚飘带、虬曲异兽形成刚柔对冲，在静态纸面下仿佛涌动着诡谲生机，把奇诡幻想与装饰工艺的精致韵律揉合为一，尽显奇想与工巧的绝妙平衡。",[123,4851,59,272,33,38060,12368],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F7c79ef2c258f158f524238dbd49b668b.jpg",[],{"id":70708,"slug":70709,"title":70710,"dynasty":22,"author":7,"museum":172,"description":70711,"tags":70712,"thumbUrl":70714,"material":296,"size":297,"collection":11,"collections":70715,"showCount":153,"zanCount":49,"manualWeight":49,"mainColor":70},288678,"attributed-to-andre-s-de-melgar-term-and-seated-satyr-grotesque-holding-shell-yi-ming-288678","attributed to Andrés de Melgar--Term and Seated Satyr - Grotesque Holding Shell","这幅素描以矫饰怪诞的幻想图景铺陈叙事，半人半兽的萨堤尔、龙形异兽与茛苕涡卷纹缠绕共生，将古典神话母题拆解重组。流畅的墨线勾画出蓬松肌理与灵动曲线，细腻排线晕出毛发褶皱的真实质感，回旋往复的线条牵拉着视觉游走，让妖异动感溢满纸面。庄严的古典形象被消解为绮丽戏谑的装饰元素，众神异兽仿佛沉溺在一场隐秘的异世界狂欢里，把装饰性与幻想精妙揉合，尽显对古典美学的破格重构。",[123,1058,33,272,59,12368,48095,70713],"贝壳","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F772afc931b1b140dd6bdca87ec570029.jpg",[],{"id":70717,"slug":70718,"title":70719,"dynasty":22,"author":7,"museum":172,"description":70720,"tags":70721,"thumbUrl":70723,"material":296,"size":297,"collection":11,"collections":70724,"showCount":153,"zanCount":49,"manualWeight":49,"mainColor":70},288670,"attributed-to-francesco-allegrini-battle-of-the-titans-yi-ming-288670","attributed to Francesco Allegrini--Battle of the Titans","以奔放粗犷的棕褐笔墨铺陈开这场史诗对决。下方泰坦们肌肉贲张，肢体紧绷如满弓，裹挟着原始蛮力奋力角力，粗粝线条刻画出困兽般的不甘挣扎。上层神祇凌空激战，衣袂裹挟着凌厉劲风翻飞，勾勒出神性锋芒的压迫感。\n\n明暗晕染模糊了清晰轮廓，用潦草却精准的笔触捕捉缠斗里的狂乱震颤，将对冲的对抗张力拉到极致。不必细琢形貌，便让这场混沌厮杀的灼热氛围扑面而来，把蛮力与神性的碰撞定格在充满动感的纸面之上，每一道线条都浸着厮杀的震颤气息。",[38060,33,1058,36584,70722],"泰坦之战","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F93bc7ad14458dcb3d3db88fd0035ddbc.jpg",[],{"id":70726,"slug":70727,"title":70728,"dynasty":22,"author":7,"museum":172,"description":70729,"tags":70730,"thumbUrl":70731,"material":296,"size":297,"collection":11,"collections":70732,"showCount":153,"zanCount":49,"manualWeight":49,"mainColor":70},288668,"attributed-to-francesco-allegrini-cavalry-charge-yi-ming-288668","attributed to Francesco Allegrini--Cavalry Charge","这帧速写以近乎狂放的线条，定格骑兵对冲的炽热瞬间。迅疾的笔触勾勒出奔马昂扬的轮廓，肌肉的紧绷感顺着笔锋流淌。骑手们姿态各异，或挥械猛进，或俯身控马，战马扬蹄嘶鸣的悍野冲破纸面。\n\n没有繁复的铺陈，飞白与线条的留白将战场的喧嚣藏于笔意之间，潦草却精准的落点锚定住混战里的张力，把对冲间的混乱与悍勇尽数定格，每一道线条都裹挟着奔涌的战意，将即兴捕捉到的战场野性留存，让观者仿佛能听见马蹄震地的轰鸣。",[38060,47971,123,33,10980,54418,15773,66853],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F1b52196d2b169235bb49f998dec2b346.jpg",[],{"id":70734,"slug":70735,"title":70736,"dynasty":22,"author":7,"museum":172,"description":70737,"tags":70738,"thumbUrl":70739,"material":296,"size":297,"collection":11,"collections":70740,"showCount":153,"zanCount":49,"manualWeight":49,"mainColor":70},288667,"attributed-to-francesco-allegrini-cavalry-charge2-yi-ming-288667","attributed to Francesco Allegrini--Cavalry Charge2","这幅速写以极具张力的线条，将骑兵冲锋的瞬间定格。奔放潦草的笔触勾勒出骑手挥臂挺矛、战马昂首腾跃的姿态，粗粝却精准地抓住了厮杀前紧绷的动感，晕开的线条揉碎边界，渲染出战场的混乱与野性。仿佛能听见马蹄轰鸣、兵刃相击的呼号，笔触带着临场的仓促与热烈，将古战场的热血喷张尽数凝固于纸面，不加修饰的原始生命力扑面而来，寥寥数笔就让观者沉浸式触碰冲锋时刻的磅礴气势，把那份悍勇粗犷的战地氛围永远封存在方寸纸间。",[123,38060,33,10980,54418,66853],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F4efd981ec4d289584e301f1404879fea.jpg",[],{"id":70742,"slug":70743,"title":70744,"dynasty":22,"author":7,"museum":172,"description":70745,"tags":70746,"thumbUrl":70747,"material":296,"size":297,"collection":11,"collections":70748,"showCount":153,"zanCount":49,"manualWeight":49,"mainColor":70},288655,"attributed-to-francesco-allegrini-group-of-figures-copied-from-michelangelo-yi-ming-288655","attributed to Francesco Allegrini--Group of Figures Copied from Michelangelo","这组人体速写以棕褐色线条铺陈，精准捕捉男性躯体的肌肉张力，复刻出文艺复兴盛期的雄浑质感。或沉思蜷曲、或舒展探身、或休憩依偎，每一尊躯体都带着饱满的力量韵律，利落排线勾勒出肩胛、胸腹肌肉的起伏层次，将人体动态的舒展与紧绷感细腻呈现。\n\n画面带着临摹研习的扎实质感，将古典人体美学的庄重与生命力凝于笔端，每一处姿态都流露着对人体结构的深刻理解，尽显古典人体艺术的磅礴美感。",[38060,33,48114,122,47971,56721],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F4266addb155f5e970123f8191b944519.jpg",[],{"id":70750,"slug":70751,"title":70752,"dynasty":22,"author":7,"museum":172,"description":70753,"tags":70754,"thumbUrl":70755,"material":296,"size":297,"collection":11,"collections":70756,"showCount":153,"zanCount":49,"manualWeight":49,"mainColor":70},288650,"attributed-to-francesco-allegrini-horse5-yi-ming-288650","attributed to Francesco Allegrini--Horse5","这匹骏马扬蹄回身，鬃尾肆意翻飞，将野性张力凝于纸面。利落洗练的排线铺陈出肌肉轮廓，肩胛、后胯的块面起伏遒劲饱满，精准勾勒出骏马蓄力迸发的体态。淡墨晕染模糊了背景地面，让视线全然聚焦于奔马雄健身姿之上。粗粝线条带着未经雕琢的生猛意气，将骏马挣脱束缚的桀骜野性尽数释放，寥寥几笔就定格下生灵蓬勃的生命力，带着速写独有的即兴鲜活质感，粗朴间满是震撼人心的力量美感。",[1006,272,38060,123],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ff24c98bf4ebafb805a21c4207110035d.jpg",[],{"id":70758,"slug":70759,"title":70760,"dynasty":22,"author":7,"museum":172,"description":70761,"tags":70762,"thumbUrl":70764,"material":296,"size":297,"collection":11,"collections":70765,"showCount":153,"zanCount":49,"manualWeight":49,"mainColor":70},288649,"attributed-to-francesco-allegrini-horse6-yi-ming-288649","attributed to Francesco Allegrini--Horse6","这幅作品以蚀刻排线铺陈马匹肌理，前蹄凌空、后腿蹬地，骏马奔跃的动态被精准定格。鬃尾肆意张扬，将奔跃时的疾风与悍勇尽数展现。线条随肌肉起伏疏密有致，把骏马贲张的力量感勾勒得淋漓尽致，仿佛能听见马蹄踏地的震颤。背景仅以浅淡线条勾勒地面，舍弃繁复布景，将视线全然引向奔马本身，粗粝的纸面晕开复古质感，让这份蓬勃的野性生命力更显拙朴厚重，将骏马桀骜灵动的英姿凝于方寸纸面之中。",[1006,272,1473,70763,38060],"动物画","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F79fbaaf32d484b98fa1401e206438439.jpg",[],{"id":70767,"slug":70768,"title":70769,"dynasty":22,"author":7,"museum":172,"description":70770,"tags":70771,"thumbUrl":70772,"material":296,"size":297,"collection":11,"collections":70773,"showCount":153,"zanCount":49,"manualWeight":49,"mainColor":70},288647,"attributed-to-francesco-allegrini-horsemen-and-three-foot-soldiers-in-battle-yi-ming-288647","attributed to Francesco Allegrini--Horsemen and Three Foot Soldiers in Battle","这幅战地速写以棕褐墨水铺陈厮杀瞬间，骑手高举长剑俯身向前，战马昂首扬蹄，肌肉轮廓在晕染墨色中喷张着野性力量。地面三名步兵缠斗一处，挥剑者姿态狠厉，倒地者竭力挣扎，肢体扭结间满是紧绷的张力。\n\n作者以粗放随性的笔触省去细节雕琢，借浓淡不一的墨色区分光影层次，大片留白让画面更具呼吸感，将短兵相接的混乱与悍勇凝练定格。原始粗粝的线条仿佛裹挟着战场嘶吼与兵刃交击锐响，把搏斗最具冲击力的瞬间牢牢抓在纸面，带着即兴速写独有的鲜活动感，将冷兵器交锋的残酷与力量之美倾泻而出。",[33,1006,15773,144,66853,18002],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F43a7a514ad6bfd6f34a878142a422a1e.jpg",[],{"id":70775,"slug":70776,"title":70777,"dynasty":22,"author":7,"museum":172,"description":70778,"tags":70779,"thumbUrl":70780,"material":296,"size":297,"collection":11,"collections":70781,"showCount":153,"zanCount":49,"manualWeight":49,"mainColor":50},288624,"jean-baptiste-oudry-angry-swan-yi-ming-288624","Jean-Baptiste Oudry--Angry Swan","这支素描将禽鸟盛怒的瞬间定格，笔锋精准利落，尽显野性张力。\n\n被惊扰的天鹅脖颈绷紧弯折，利喙大张，尖厉的怒意呼之欲出。双翼完全铺展，细密排线顺着翎毛走势铺陈，根根纤毫清晰分明，将贲张蓬松的体态勾勒得极具层次。明暗晕染下，躯体肌肉的起伏跃然纸面，爪尖紧扣地面，将誓死威慑的姿态刻画得淋漓尽致。\n\n画家依托底色衬出亮部，以浓淡错落的笔触塑造体积感，没有冗余修饰，仅凭扎实的写实功底，将水鸟凶悍蓬勃的野性尽数展现，静滞纸面仿佛随时会被振翅疾风冲破，满溢原始的生命爆发力。",[38060,70763,6978,56800,33337],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F51307be9f6072f01e49885613f1f3853.jpg",[],{"id":70783,"slug":70784,"title":70785,"dynasty":22,"author":7,"museum":172,"description":70786,"tags":70787,"thumbUrl":70791,"material":296,"size":297,"collection":11,"collections":70792,"showCount":153,"zanCount":49,"manualWeight":49,"mainColor":50},288622,"jean-franc-ois-millet-sheepshearing-beneath-a-tree-yi-ming-288622","Jean-François Millet--Sheepshearing Beneath a Tree","这幅素描以沉实细腻的排线，铺陈出乡野午后的劳作日常。佝偻着腰的农妇专注持剪，与戴帽农父合力固定住温顺的羊只，羊只探出头颅，蓬松皮毛与人物粗粝衣褶形成柔硬反差。角落中另一位农人俯身忙碌，背景木栅栏与浓荫层叠交错，晕开慵懒光影，将劳作疲惫揉进乡野静谧里。\n\n笔触质朴无饰，未作刻意修饰，把平凡田间劳作刻画出沉静诗意，将乡人的日常定格为带着烟火气的永恒瞬间，尽显写实风格的温柔力量，让观者触摸到乡野生活的温热肌理。",[38060,4672,70788,48720,131,20324,3102,70789,70790,3244],"乡村","劳动者","剪羊毛","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F37606fe14ec06192c05be74bd7084db8.jpg",[],{"id":70794,"slug":70795,"title":70796,"dynasty":22,"author":7,"museum":172,"description":70797,"tags":70798,"thumbUrl":70799,"material":296,"size":297,"collection":11,"collections":70800,"showCount":153,"zanCount":49,"manualWeight":49,"mainColor":70},288621,"jean-jacques-franc-ois-le-barbier-design-for-a-torche-re-yi-ming-288621","Jean-Jacques-François Le Barbier--Design for a Torchère","这幅棕调素描设计稿，将雕塑与烛台融于一体。少女身姿窈窕舒展，衣褶线条垂坠自然，带着柔婉的古典韵律。她仰面抬臂，将丰饶角托举过顶，虔诚肃穆的神态，让神话意象与实用装饰在此相融。底座雕花精致工整，古典纹样衬得少女身形柔美又带着沉静力量，整体构图修长挺拔，自带新古典主义的庄重优雅，将雕塑美学与器物功能完美结合，尽显静谧柔美的古典诗意。",[38060,123,33,11476,29964,877,48034,48013],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fd2028deef06b8ba777e3266759a8f665.jpg",[],{"id":70802,"slug":70803,"title":70804,"dynasty":22,"author":7,"museum":172,"description":70805,"tags":70806,"thumbUrl":70808,"material":296,"size":297,"collection":11,"collections":70809,"showCount":153,"zanCount":49,"manualWeight":49,"mainColor":70},288601,"attributed-to-francesco-allegrini-job-and-his-comforters-yi-ming-288601","attributed to Francesco Allegrini--Job and His Comforters","这幅蚀刻速写以奔放粗犷的笔触铺陈画面，交叉排线勾勒出墙面粗糙的肌理，烘托出逼仄压抑的空间氛围。人群攒动，肢体姿态夸张且充满张力，有人抬手激辩，有人垂头颓丧，将情绪的拉扯刻画得淋漓尽致。明暗全凭线条疏密区分，没有细腻晕染，却让每一处身姿都裹挟着戏剧张力，仿佛能听见场间的争执与嗟叹。画作以极具表现力的速写语言定格这场情绪碰撞的会面，粗粝之中带着直击人心的叙事感，尽显素描语言朴素却震撼的力量。",[30,33,1473,2750,70807],"圣经故事","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F70ef1d9706ea7ae7d8765f686563b797.jpg",[],{"id":70811,"slug":70812,"title":70813,"dynasty":22,"author":7,"museum":172,"description":70814,"tags":70815,"thumbUrl":70817,"material":296,"size":297,"collection":11,"collections":70818,"showCount":153,"zanCount":49,"manualWeight":49,"mainColor":1162},288579,"attributed-to-francesco-allegrini-the-rape-of-europa-yi-ming-288579","attributed to Francesco Allegrini--The Rape of Europa","这幅速写以奔放灵动的棕褐线条，定格下劫掠的瞬间。前景里少女衣袍褶皱带着疾飞的张力，随奔牛一同向前掠动，她的姿态裹挟着惊惶，被奔行的节奏牢牢牵动。远景牧人抬手惊呼，坡上的牛羊却兀自安闲，动静对冲放大了场景的戏剧感。寥寥线条便精准抓住神话的核心张力，潦草的笔触带着蓬勃的生命力，将奔放的韵律藏于笔锋，把追逐奔逃的刹那凝在纸面，让这个经典场景拥有了鲜活的临场悸动。",[38060,123,33,2944,3277,56594,54589,70816],"紧张氛围","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F233db348fdc663dbff5ec6c360b68905.jpg",[],{"id":70820,"slug":70821,"title":70822,"dynasty":22,"author":7,"museum":172,"description":70823,"tags":70824,"thumbUrl":70827,"material":296,"size":297,"collection":11,"collections":70828,"showCount":153,"zanCount":49,"manualWeight":49,"mainColor":70},288570,"attributed-to-geronimo-cenatiempo-the-virgin-and-child-intervening-for-victims-yi-ming-288570","attributed to Geronimo Cenatiempo--The Virgin and Child Intervening for Victims","画面以强烈的意象冲突叩击心神：左侧嶙峋狰狞的死神挥镰狂舞，肆意收割生命，地面横陈的受害者将灾厄的肃杀绝望拉满。右上角光晕晕染开朦胧神性，圣母子垂怜俯瞰，向苦难伸出护佑之手。下方幸存者伸臂仰望，将绝境中的祈盼尽数倾注。\n\n淡墨晕开神性柔光，枯笔勾勒死神的冷硬凌厉，灵动笔触间承载着沉重的宿命感，将死亡恐惧与信仰救赎的张力铺陈纸面，把灾厄前的精神依托刻画得极具感染力。",[1573,38060,1572,27489,48124,70825,70826],"死神","亡灵","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F83a37ac57e81fe5a19f874792149b784.jpg",[],{"id":70830,"slug":70831,"title":70832,"dynasty":22,"author":7,"museum":172,"description":70833,"tags":70834,"thumbUrl":70836,"material":296,"size":297,"collection":11,"collections":70837,"showCount":153,"zanCount":49,"manualWeight":49,"mainColor":739},288567,"attributed-to-giuseppe-cades-design-for-a-frieze-with-two-women-flanking-an-urn-yi-ming-288567","attributed to Giuseppe Cades--Design for a Frieze with Two Women Flanking an Urn","这幅古典壁饰稿本，以棕调晕染铺陈复古质感。左侧翼女踏金球静立，神情肃穆矜贵。中央两位仕女身姿柔婉慵懒，一人支颐回望，一人背手垂首，环绕雕花古瓮，蛇形饰件盘绕瓮沿，明暗线条勾勒出衣褶垂坠的韵律，复刻出古罗马湿壁画的典雅意趣。右侧菱形饰板内，托举的女神与卷草浮雕呼应整体氛围，构图对称均衡，将神话意象与装饰美学相融，细腻笔触尽显人体柔美与装饰纹样的精巧，静穆中流淌着文艺复兴复古风格的诗意庄重。",[38060,123,12368,33,127,38061,70835,48013],"瓮","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F8425550542be6db46f14990aec77825f.jpg",[],{"id":70839,"slug":70840,"title":70841,"dynasty":22,"author":7,"museum":172,"description":70842,"tags":70843,"thumbUrl":70845,"material":296,"size":297,"collection":11,"collections":70846,"showCount":153,"zanCount":49,"manualWeight":49,"mainColor":70},288556,"after-wenceslaus-hollar-four-heads-yi-ming-288556","After Wenceslaus Hollar--Four Heads","四幅肖像各成一帧，利落的钢刻线条精准勾勒出四位老者的迥异神采。\n左上老者头巾缠头，皱纹如刀凿刻就，眉眼垂落，沉郁神色藏着饱经世事的缄默。右上男子束巾覆额，下颌紧绷，目光锐利带着审视的锋芒。左下老者肩颈袒露，眉眼扬起，似正高声言说，神态鲜活外放。右下角侧颜线条硬朗冷冽，眉骨凸起，神色疏离又带着沉凝。\n\n全作以排线铺陈明暗，无多余笔墨，粗粝刻痕带着质朴的力量感，寥寥数笔便将每个形象的性格全然定格，粗朴生动间尽显肖像刻画的独到功力，将市井老者的鲜活情态凝于纸面，让人仿佛能窥见每张面孔背后的人生片段。",[1572,12520,123,42074,38060,3244,70844],"人物头像","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F57603755ff0311f455f9412200a2888e.jpg",[],{"id":70848,"slug":70849,"title":70850,"dynasty":22,"author":7,"museum":172,"description":70851,"tags":70852,"thumbUrl":70853,"material":296,"size":297,"collection":11,"collections":70854,"showCount":153,"zanCount":49,"manualWeight":49,"mainColor":70},288543,"da-bei-xin-jie-hu-shen-yin-zhou-ce-shou-gao-yi-ming-288543","大悲心結護身印呪冊手稿","纸色昏黄晕染岁月旧痕，通篇小楷取法唐人写经意趣，结体端秀匀停，笔致温润舒展，无剑拔弩张的锋芒，尽是平和冲淡的禅意。字间排布齐整，行气贯通如一，笔墨朴拙自然，带着抄录经文时的专注沉静。落笔皆是虔敬之心，将经文的肃穆融于笔锋起落，尽显传统写经书法的内敛雅致，悠悠古韵漫溢纸面，静静传递出抄录时的清宁心境。",[124,3054,3053,530,30,1170,4486],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F66fd0f37f3c1746334693c09d4d6751f.jpg",[],{"id":70856,"slug":70857,"title":70858,"dynasty":55,"author":7,"museum":172,"description":70859,"tags":70860,"thumbUrl":70861,"material":296,"size":297,"collection":11,"collections":70862,"showCount":153,"zanCount":49,"manualWeight":49,"mainColor":70},288396,"die-tu-yi-ming-288396","蝶图","此作留白疏朗，意韵清寂淡远。以淡墨晕染湖石，枯涩笔法尽显山石朴拙苍古之态。幽兰叶条舒展柔婉，嫩黄花苞隐于叶间，暗吐幽芳。右下角褐彩藤壶附石而生，肌理斑驳，与湖石形成明暗层次。两只粉蝶翩跹于空，破了画面的岑寂，添几分灵动生趣。\n\n笔墨松秀简淡，以小景写清秋闲趣，将文人心底的幽怀寄寓草木虫蝶之间，尽显传统花鸟画以物抒情的清雅韵致。",[26,27,32,29,80,1665,105,146],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fd3366338c1f1d0a7398f4b77fbcc5197.jpg",[],{"id":70864,"slug":70865,"title":70866,"dynasty":55,"author":7,"museum":172,"description":70867,"tags":70868,"thumbUrl":70869,"material":296,"size":297,"collection":11,"collections":70870,"showCount":153,"zanCount":49,"manualWeight":49,"mainColor":70},288255,"li-dai-di-wang-gui-fei-da-chen-chao-fu-xiang-ai-xin-jue-luo-duo-duo-yi-ming-288255","历代帝王贵妃大臣朝服像(爱新觉罗·多铎)","此作尽显开国宗王威仪，人物面容方正虬髯微张，神色沉稳威严，自带杀伐勋贵的沉凝气度。\n朝服刻画极尽工细，胸背正龙狞厉雄健，袍身行龙蜿蜒灵动，海水江崖纹样层叠晕染，金线绣纹在宝蓝底色上华光熠熠，朝珠垂佩规整肃穆，恪守清代宗室朝服礼制。\n画师以精湛工笔设色，写实还原形貌与服饰规制，色彩厚重端雅，细节毫厘毕现，将人物身份尊崇与宫廷仪范庄严融于画面，是清代纪实肖像画的上乘之作。",[26,27,28,29,31,32,33,25502,418,270],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F4cc364d97a0d7bb4952c519da23ef3f5.jpg",[],{"id":70872,"slug":70873,"title":70874,"dynasty":55,"author":7,"museum":172,"description":70875,"tags":70876,"thumbUrl":70877,"material":296,"size":297,"collection":11,"collections":70878,"showCount":153,"zanCount":49,"manualWeight":49,"mainColor":50},288252,"li-dai-di-wang-gui-fei-da-chen-chao-fu-xiang-huang-shi-zi-yun-e-yi-ming-288252","历代帝王贵妃大臣朝服像(皇十子允䄉)","此作工笔精妙，如实还原了冬日着装的宗室仪范。石青常服褂镶饰白绫出锋，紫貂领厚重温润，暖红冬帽周正端方。画师细致勾勒出人物清癯肃穆的面容，沉静内敛的神态间，尽显贵胄矜重威仪。\n\n坐椅织锦繁丽精巧，宝相团纹缠萦卷草回纹，鲜亮配色与暗沉衣装形成柔化对比，衬出人物沉静气场。整卷设色醇厚雅致，线条匀净流畅，既恪守肖像写实法度，又暗藏宫廷肖像的审美意趣，将宗室气度永远定格于绢素之上。",[26,27,33,32,31,345,2348],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F9f9508c8852a7a7e8ffce14566149565.jpg",[],{"id":70880,"slug":70881,"title":70882,"dynasty":55,"author":7,"museum":172,"description":70883,"tags":70884,"thumbUrl":70886,"material":296,"size":297,"collection":11,"collections":70887,"showCount":153,"zanCount":49,"manualWeight":49,"mainColor":70},288251,"li-dai-di-wang-gui-fei-da-chen-chao-fu-xiang-rui-gong-qin-wang-ai-xin-jue-luo-chun-ying-yi-ming-288251","历代帝王贵妃大臣朝服像(睿恭亲王爱新觉罗.淳颖)","此作工笔写形，细致入微。画中亲贵面容清俊，神态端严沉稳，眉眼间自显世家威仪。明黄常服配石青马蹄袖，顶戴花翎细节分毫毕现，手中朝珠垂坠合度。衣褶线条挺括匀净，设色雅致写实，将清代宗室的着装仪范与雍容气度精准呈现。\n\n画面留白疏朗，题字题跋错落排布，笔致秀雅规整，既彰表主人公功绩德操，又为画作添上文气，让写实肖像兼具文人意趣。整幅形神兼备，是清代肖像画中兼具礼制纪实性与审美价值的上乘之作。",[26,27,28,29,31,32,33,13352,31565,124,82,70885,29273],"亲王像","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F3497a80c72d66d55867e029292422ed3.jpg",[],{"id":70889,"slug":70890,"title":70891,"dynasty":55,"author":7,"museum":172,"description":70892,"tags":70893,"thumbUrl":70894,"material":296,"size":297,"collection":11,"collections":70895,"showCount":153,"zanCount":49,"manualWeight":49,"mainColor":50},288250,"li-dai-di-wang-gui-fei-da-chen-chao-fu-xiang-shi-wen-ying-yi-ming-288250","历代帝王贵妃大臣朝服像(石文英)","整幅肖像庄重沉凝，官员端坐神态威严厚重，不怒自威。画师以细腻工笔描摹服饰细节，宝蓝朝服之上，彩绣团龙张颌奋爪，云纹缭绕周身，下幅江崖海水纹样精细规整，将吉庆寓意融于经纬之间。明黄朝珠垂坠胸前，与衣色互为映衬，顶戴花翎更显身份尊崇。\n\n画师晕染入微，衣料的挺括质感、豹纹坐垫的绒毛层次都被精准还原。整体设色沉稳雅致，构图规整均衡，尽显清代纪实肖像画的法度与考究，将武官大员的轩昂器宇定格于绢素，纪实性与审美意趣兼备。",[26,27,32,31,33,12520,25502,418,270,31565,29],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F0e4544906138f06859c8bc51b19e015e.jpg",[],{"id":70897,"slug":70898,"title":70899,"dynasty":55,"author":7,"museum":172,"description":70900,"tags":70901,"thumbUrl":70902,"material":296,"size":297,"collection":11,"collections":70903,"showCount":153,"zanCount":49,"manualWeight":49,"mainColor":50},288249,"li-dai-di-wang-gui-fei-da-chen-chao-fu-xiang-li-qin-wang-dai-shan-yi-ming-288249","历代帝王贵妃大臣朝服像(礼亲王代善)","整幅画像庄重肃穆，代善端坐于座，面容沉稳威严，神态凝练内敛，尽显清初宗室亲王的尊贵气度。\n\n朝服绘制精工极致，石青色底料衬以金彩团龙纹样，盘绕交错间尽显华贵礼制，衣袂处彩绣晕染细腻，纹饰层次分明，将清代宗室朝服的规制细节复刻入微。画面构图规整，设色沉厚雅致，以细腻笔触捕捉人物威严风骨，将这位铁帽子王的赫赫威仪凝于绢素，是清代宗室肖像画中极具代表性的写实佳作。",[26,27,29,32,31,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显小品叙事画的精巧意韵。",[27,28,530,32,33,125,82,3663],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fc4d6fe86cf97d28ebf11581db50b751e.jpg",[],{"id":87438,"slug":87439,"title":23319,"dynasty":55,"author":7,"museum":172,"description":87440,"tags":87441,"thumbUrl":87442,"material":296,"size":297,"collection":11,"collections":87443,"showCount":153,"zanCount":49,"manualWeight":49,"mainColor":70},237257,"ming-chen-gu-shi-deng-xu-ti-song-ce-yi-ming-237257","右侧设色人物清雅凝练，主人公持笏卓立，诸人垂首躬身，神态满含敬慕，衣纹简练舒展、设色调和雅致，将朝堂之上的肃穆恭敬尽显，暗合主人公端方持重的名臣气度。\n左侧行书题颂笔意隽秀舒展，诗文赞其温良恭谨、治民宽和，节操如秋水凝霜，为官不矜骄。\n诗画相辅，以图具象名臣德行，以文铺陈贤名高节，工写相宜，借诗画传递出传统士大夫的理想人格韵味，尽显小品佳作的文气与纪实意趣。",[160,27,28,530,32,33,125,124,31,82],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fac5964e0b39584045a35732c057b6d43.jpg",[],{"id":87445,"slug":87446,"title":23319,"dynasty":55,"author":7,"museum":172,"description":87447,"tags":87448,"thumbUrl":87450,"material":296,"size":297,"collection":11,"collections":87451,"showCount":153,"zanCount":49,"manualWeight":49,"mainColor":50},237256,"ming-chen-gu-shi-deng-xu-ti-song-ce-yi-ming-237256","此作为图文合璧的册页小品。右侧设色人物场景写实清雅，渡口驿门前，蓝袍官员停驻拜谒，门内长者拱手答礼，从者牵马静立旁侧，浅滩林石隐现，衬出古朴雅致的晤面氛围，衣纹舒展灵动，树石晕染清润，尽显细腻的笔致意趣。\n左侧行书题颂笔力苍劲舒展，墨色匀净，文辞与图景呼应唱和，颂赞名臣风节。书画相映，将仕者敬贤之态融于幽寂林下，暗合贤德吏治的主题，尽显传统纪实题材的温婉意韵，以笔墨留存了对名臣贤行的追慕。",[27,32,31,125,124,530,33,1006,532,162,6671,87449,36,9138,21454],"木门","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fae7f46be44914fb3124a68b6b65751d7.jpg",[],{"id":87453,"slug":87454,"title":23319,"dynasty":55,"author":7,"museum":172,"description":87455,"tags":87456,"thumbUrl":87457,"material":296,"size":297,"collection":11,"collections":87458,"showCount":153,"zanCount":49,"manualWeight":49,"mainColor":50},237254,"ming-chen-gu-shi-deng-xu-ti-song-ce-yi-ming-237254","界画精工秀雅，青绿层楼浮空而起，檐角翘立如振翅飞鸟，朱漆廊柱衬着碧色重檐，在缱绻云海间宛若阆苑仙宫，晕染柔润的流云轻拥楼宇，将缥缈仙气晕满画面。\n\n左侧题笔清劲隽秀，墨色沉凝匀净，笔势流转顾盼有情，诗画合璧，文辞咏叹先贤风骨，字画相映，既见界画的严整工致，又融文人雅致意趣，静赏间仿若追随着流云遥想先贤襟怀，古韵悠然萦怀。",[27,28,530,32,329,125,82,31,129,445],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F66ebc0132611dd647edc7b2b01f1a77b.jpg",[],{"id":87460,"slug":87461,"title":87462,"dynasty":241,"author":7,"museum":172,"description":87463,"tags":87464,"thumbUrl":87465,"material":296,"size":297,"collection":11,"collections":87466,"showCount":153,"zanCount":49,"manualWeight":49,"mainColor":50},236766,"mo-ya-shan-shui-ren-wu-shan-yi-ming-236766","墨崖山水人物扇","此作用泥金扇面为底，以古虬松开篇，苍枝蟠曲、松针攒簇，撑起画面苍劲骨架，山崖褶皱间皴擦细腻，尽显岩壑肌理。下方流泉蜿蜒穿谷，茅庐隐于林麓，策杖雅士与随行童子缓步山径，似在寻幽揽胜。\n\n笔墨简淡清和，设色浅雅，与泥金底色相融，晕染出幽寂淡远的山居雅意，将文人林泉高致的隐逸之思，藏于这尺幅扇面之中，简而意足，淡而弥厚，尽显小品山水的隽永韵味。",[27,219,144,60,33,614,613,162],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Faed48021fb27c22276460fff1bae62d9.jpg",[],{"id":87468,"slug":87469,"title":24592,"dynasty":241,"author":7,"museum":172,"description":87470,"tags":87471,"thumbUrl":87472,"material":11,"size":11,"collection":11,"collections":87473,"showCount":153,"zanCount":49,"manualWeight":49,"mainColor":70},236435,"shu-zhi-shan-shui-ce-yi-ming-236435","此作以清隽之笔绘就江干林麓之景。坡岸之上，数株青松错落成林，松针细劲匀整，枝干虬曲苍秀，尽显古木清挺之姿。浅滩矶石错落横陈，点染着幽蓝小花与青碧芳草，水畔留白以虚代实，晕出空濛江色。\n\n设色浅淡明净，赭石晕染坡岸、花青点苔敷色，笔墨秀雅温润。全画虚实相生，以简淡笔致铺陈出萧散清寂的林下氛围，将文人幽居林泉的闲远意趣藏于淡冶景致中，尽显沉静空悠的山水雅韵，尽显文人画寄情丘壑的典型意趣。",[27,28,530,32,60,613,130,146],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Feaace795f58d2da17bebed8d7d6881cb.jpg",[],{"id":87475,"slug":87476,"title":24592,"dynasty":241,"author":7,"museum":172,"description":87477,"tags":87478,"thumbUrl":87479,"material":11,"size":11,"collection":11,"collections":87480,"showCount":153,"zanCount":49,"manualWeight":49,"mainColor":70},236433,"shu-zhi-shan-shui-ce-yi-ming-236433","此作以淡墨晕染出空濛月夜山境，云雾留白铺陈，将山林古刹托于烟霭之中。明月悬于浅灰天际，古松虬枝、佛塔禅院隐现云间，似远还近。枯淡线条勾勒松木枝桠，蓬松云气以水墨晕染而成，淡赭轻点秋叶，清冷又带着几缕暖色生机。\n整幅画作将秋夜幽寂写得如诗似幻，清寂空灵间满是禅意，把寄情林泉、寻味尘外的意趣藏于尺幅之间，寥寥笔墨便勾勒出超脱尘俗的山水禅境，尽显小品山水的雅致意韵。",[27,28,530,144,32,60,329,129,163,38,162,131,63,146,613],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F6fc5f70ff9752b852ec1d91690ace04e.jpg",[],{"id":87482,"slug":87483,"title":24592,"dynasty":241,"author":7,"museum":172,"description":87484,"tags":87485,"thumbUrl":87486,"material":11,"size":11,"collection":11,"collections":87487,"showCount":153,"zanCount":49,"manualWeight":49,"mainColor":70},236432,"shu-zhi-shan-shui-ce-yi-ming-236432","近岸怪石错落，带花疏枝斜探寒波，右侧古松虬曲掩着茅亭，亭内案几静静陈设，似待幽人凭栏闲望。浩渺江天里，远山隐在烟霭中，水色与空蒙天色相融，几只飞鸟掠过长空。整幅笔墨秀逸简淡，以浅淡水墨晕染出秋江暮色的空寂萧疏，取景极简却意境悠长，将文人寄情林泉的幽怀藏于尺幅间，淡远空灵尽显写意山水之美，携观者步入清冷安谧的江渚闲居，窥见古人林下忘机的清雅襟怀。",[27,28,530,32,60,614,531,1524,542,162,1340],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F4a0ee2f8d4e0cf6d3082959d7d860406.jpg",[],{"id":87489,"slug":87490,"title":24592,"dynasty":241,"author":7,"museum":172,"description":87491,"tags":87492,"thumbUrl":87493,"material":11,"size":11,"collection":11,"collections":87494,"showCount":153,"zanCount":49,"manualWeight":49,"mainColor":70},236431,"shu-zhi-shan-shui-ce-yi-ming-236431","此作用浅设色绘平远林泉之景，晨雾轻漫山隅，淡墨晕染出空濛霭气，远近林木渐次隐现，晕染出朦胧幽谧的春日山境。近景坡陀错落，杂木华滋丰茂，笔法秀雅细腻，枝干俯仰有姿，叶簇点染灵动鲜活。林下二人策杖徐行，衣袂轻扬，于林泉间悠然游赏，衬出山林清寂安闲。\n\n全作设色淡雅柔和，以水墨打底略施淡赭、花青，温润明净，笔墨简淡却意趣悠长，尽显萧散简远的文人意致，将林下雅游的幽逸之趣融于尺幅间，观之如临静穆林泉，涤荡俗尘。",[27,28,530,32,60,131,162,130,6671,33],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F4deb5167aff7948698416ff62d920393.jpg",[],{"id":87496,"slug":87497,"title":24592,"dynasty":241,"author":7,"museum":172,"description":87498,"tags":87499,"thumbUrl":87500,"material":11,"size":11,"collection":11,"collections":87501,"showCount":153,"zanCount":49,"manualWeight":49,"mainColor":70},236430,"shu-zhi-shan-shui-ce-yi-ming-236430","这幅山水小品以淡墨晕染出烟霭山城，虚实相生间尽显空寂萧疏之美。城垣逶迤盘桓山巅，楼阁隐现薄雾之中，恍若仙山琼宇藏于烟岚。林麓之下，旅人策蹇徐行，溪畔茅舍临流静立，远处佛塔淡影浮沉在朦胧烟霭中，将山野清寂与浅淡烟火意趣相融。\n\n笔墨简淡清润，以淡墨皴擦点染弱化山石棱角，留白与晕染交织出空濛诗意，将郊野山城的清旷雅致勾勒尽致，尽显简淡幽远的文人意趣，引人沉醉在这烟水山岚的悠然意境里。",[27,28,530,144,32,60,129,531,532,1006,1623,2688,162,11256,147],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F7f87642505a7b80225be89ce4786ca89.jpg",[],{"id":87503,"slug":87504,"title":24592,"dynasty":241,"author":7,"museum":172,"description":87505,"tags":87506,"thumbUrl":87507,"material":11,"size":11,"collection":11,"collections":87508,"showCount":153,"zanCount":49,"manualWeight":49,"mainColor":70},236427,"shu-zhi-shan-shui-ce-yi-ming-236427","此作以淡墨晕染层叠山峦，山岚轻笼，峰峦勾勒简雅清疏，空蒙清远间尽显文人写意逸趣。近景林木错落舒展，枝叶点染古拙随性，苍润墨色晕开郊野山林的静谧幽寂。\n\n左侧题诗以清雅行书呼应画意，书画合璧。整体笔致萧散淡远，以简淡之笔铺陈丘壑灵秀，将文人寄情林泉的雅趣融于尺幅之间，悠悠林下之风漫溢纸面，尽显对林泉高致的悠悠向往。",[27,144,530,60,953,532,1525,614,124],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ff6c55687eb324fbfc1e3b00c4dcee996.jpg",[],{"id":87510,"slug":87511,"title":87512,"dynasty":241,"author":7,"museum":172,"description":87513,"tags":87514,"thumbUrl":87515,"material":296,"size":297,"collection":11,"collections":87516,"showCount":153,"zanCount":49,"manualWeight":49,"mainColor":50},236397,"ling-bi-zheng-hua-shi-shuang-die-tu-shan-yi-ming-236397","凌必正花石双蝶图扇","此作为泥金扇面，以古梅奇石配粉蝶入画。奇石以淡墨勾皴，造型玲珑剔透，古梅虬曲苍劲，枝梢缀满柔花，冷艳雅致。两只粉蝶翩跹于花枝间，打破了画面的沉静，添上灵动生趣。\n笔墨工写相济，设色清妍秀润，将写生的鲜活与文人意趣相融，把春日庭院的恬然雅致晕染纸面，尽显小品画的清雅格调，兼得观赏性与文人情致。",[931,27,28,219,32,31,220,1525,1157],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F71ed2ae4fbec2a5b5dfeaf21f370937b.jpg",[],{"id":87518,"slug":87519,"title":54227,"dynasty":55,"author":7,"museum":172,"description":87520,"tags":87521,"thumbUrl":87522,"material":11,"size":11,"collection":11,"collections":87523,"showCount":153,"zanCount":49,"manualWeight":49,"mainColor":70},235959,"cai-jia-hua-hui-tu-ce-yi-ming-235959","此作以枯墨写出梅枝，笔力苍劲老辣，顿挫间尽显虬曲古拙之态，枝桠错落舒展，留白恰到好处，铺展出清寂疏朗的意境。白梅以淡墨点染花苞，轻敷淡色晕染花瓣，清雅脱俗，将寒梅的清癯风骨尽显。\n搭配题诗映托，诗画合璧，把明月映窗疑是梅影、清风携暗香入室的幽微意趣烘托到极致，寥寥数笔便将寒梅孤高清淡的品性勾勒尽致，以简淡笔墨抒写出文人寄情于梅的雅致襟怀，静谧空疏之间，尽显文人画以意驭笔的悠远余韵。",[27,28,530,144,32,80,542,82],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fd3ba9966dca9aa885545b34ce90adf50.jpg",[],{"id":87525,"slug":87526,"title":54227,"dynasty":55,"author":7,"museum":172,"description":87527,"tags":87528,"thumbUrl":87529,"material":11,"size":11,"collection":11,"collections":87530,"showCount":153,"zanCount":49,"manualWeight":49,"mainColor":70},235957,"cai-jia-hua-hui-tu-ce-yi-ming-235957","此作以淡赭晕染菊瓣，丝缕细致灵动，将秋菊蓬松柔润的盛放之态描摹入微。墨叶以浓淡区分阴阳向背，勾勒的筋脉挺劲舒展，花枝错落，盛放的花头与含苞的蓓蕾相互映衬，层次丰盈，尽得秋菊清疏生机。\n\n题诗与画境相映，暗合文人爱菊以寄隐逸闲情的传统。整幅设色清雅恬和，无浓艳堆砌，笔墨秀逸简淡，写实中带着空灵意趣，把秋菊清傲出尘的姿态，和以菊遣怀的文人情思融于尺幅间，尽显小品画的雅致闲淡。",[27,28,79,530,32,80,920,82],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F5559da6695e9fcae4a722fefeea9bb17.jpg",[],{"id":87532,"slug":87533,"title":87534,"dynasty":55,"author":7,"museum":172,"description":87535,"tags":87536,"thumbUrl":87538,"material":11,"size":11,"collection":11,"collections":87539,"showCount":153,"zanCount":49,"manualWeight":49,"mainColor":70},235909,"yuan-ji-shan-shui-tu-ye-yi-ming-235909","原济山水图页","这幅小品以淡墨轻勾慢染，铺就江乡闲趣。近岸枯草疏疏，点出暮秋清寂。江面上两艘帆船借风徐行，船仓、帆柱细节分明，暗衬出行舟的悠然意态。\n\n右侧丹赭山崖以泼墨晕染间杂短线皴擦，苍劲朴拙，和清浅柔缓的江水形成刚柔对照。远岸村居错落，黛瓦白墙隐在墨色山峦之下，和烟霭相融，悄然晕开幽远宁静。\n\n整体设色淡雅清和，水墨与浅赭相互映衬，笔致简括写意，淡墨晕开江面漾漾水色，寥寥数笔便将江上行旅的闲淡、江村栖居的安然揉在尺幅间，晕染出江南水乡独有的温润悠然。",[27,144,32,530,60,1343,130,87537,4724],"岸草","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fc7f3d2ffbd8d5bfd732d4718e79ab924.jpg",[],{"id":87541,"slug":87542,"title":87543,"dynasty":241,"author":7,"museum":172,"description":87544,"tags":87545,"thumbUrl":87546,"material":11,"size":11,"collection":11,"collections":87547,"showCount":153,"zanCount":49,"manualWeight":49,"mainColor":70},235848,"qian-gu-yang-shan-tu-ye-yi-ming-235848","钱榖阳山图页","此作为诗画合璧的小品，远山以淡墨轻皴，苍润雄浑，峰峦间古松错落，寺观隐现林麓，晕染出幽寂高旷的山林意趣。近岸村居疏朗，林木扶疏，一人策杖徐行，野逸闲静之态宛然眼前。\n\n行书题跋笔致清隽，叙写阳山旧典，书画相映成趣，尽显吴门文人淡泊萧散的审美意韵。淡设色晕染柔和雅致，将江南丘壑的灵秀静美与人文底蕴相融，尺幅之间藏尽吴中林泉的悠悠古韵。",[27,28,60,144,32,614,530,953,532,531,734],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fd5be3d191d554ecb479bc65a7e556f3a.jpg",[],{"id":87549,"slug":87550,"title":87551,"dynasty":241,"author":7,"museum":172,"description":87552,"tags":87553,"thumbUrl":87556,"material":11,"size":11,"collection":11,"collections":87557,"showCount":153,"zanCount":49,"manualWeight":49,"mainColor":70},235845,"qian-gu-shi-hu-tu-ye-yi-ming-235845","钱榖石湖图页","此作用色淡雅清和，取景疏密得宜。右侧绘就浩渺湖面，渔舟轻泛波心，峰峦叠翠间山寺雄踞山巅，洲渚林木葱郁，田舍错落排布，将江南水乡的清旷温婉尽数铺展。左侧行书题跋笔意疏朗俊逸，书画合璧，将石湖形胜与人文意蕴相融。整体笔触细腻雅致，既写实还原吴中水乡的灵秀风貌，又饱含文人的清雅意趣，晕染出江南山水的温婉诗意，尽得湖山雅韵。",[27,79,28,32,125,60,9181,28540,6350,15801,1707,87554,33507,1768,87555],"田舍","清雅","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F3de8a2d3af78c9212a3751b69ad8b3b0.jpg",[],{"id":87559,"slug":87560,"title":87561,"dynasty":55,"author":7,"museum":172,"description":87562,"tags":87563,"thumbUrl":87564,"material":296,"size":297,"collection":11,"collections":87565,"showCount":153,"zanCount":49,"manualWeight":49,"mainColor":70},235317,"ba-jia-shan-shui-ce-quan-xiu-zi-zhan-xiao-xiang-ce-ye-yi-ming-235317","八家山水册-诠修子瞻小像册页","此作对开以书画合璧呈现，右侧淡墨绘古松盘虬，枝干皴写苍劲，松针攒簇见郁茂生机。林下高士策杖缓行，童子随侍身侧，石边陈置茶器，野逸清寂，尽展林泉幽居的雅趣。\n\n左侧行书笔致萧散灵动，墨色浓淡错落，诗书相映，文气沛然。全作用笔洗练简淡，以少胜多，将文人寄情山水、耽于丘壑的幽怀融于尺幅，于简远疏淡间氤氲出悠长意境，尽显传统文人画的雅致韵致。",[27,28,530,32,33,131,146,124,125,82],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F058ec6626100f74ea43503c833ef5901.jpg",[],{"id":87567,"slug":87568,"title":33082,"dynasty":241,"author":7,"museum":172,"description":87569,"tags":87570,"thumbUrl":87571,"material":296,"size":297,"collection":11,"collections":87572,"showCount":153,"zanCount":49,"manualWeight":49,"mainColor":70},235146,"chen-dan-zhong-shan-shui-ce-yi-ming-235146","此作以淡墨绘晚秋寒林，枯木虬枝间杂苍苔矮卉，萧疏冷寂。坡岸处一人孑立，遥看雁阵掠过长空，荒寒清远之境油然而生。笔墨简淡秀雅，以留白铺就空阔天地，将羁旅怅惘寄于冷澹秋光之中。左侧题诗与画境相映成趣，诗画合璧，把深秋独行的寂寥缓缓铺陈，尽显文人画以景抒情的雅致意趣，淡远清逸间余韵悠长，将疏淡简远的审美意趣尽藏其中。",[27,28,530,32,614,60,613,163,124,82],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fa2cac435eac5ad85d765a996fd38af69.jpg",[],{"id":87574,"slug":87575,"title":33082,"dynasty":241,"author":7,"museum":172,"description":87576,"tags":87577,"thumbUrl":87578,"material":296,"size":297,"collection":11,"collections":87579,"showCount":153,"zanCount":49,"manualWeight":49,"mainColor":70},235145,"chen-dan-zhong-shan-shui-ce-yi-ming-235145","近岸怪石层叠错落，古松斜生遒劲清奇，寥寥松针点染出苍古生机。远江帆影孤悬，江波澹澹以留白代水韵，晕染出空濛烟波。\n\n笔墨苍秀淡雅，山石皴法朴拙简淡，淡墨晕开水汽空濛，将文人的林下闲逸藏于尺幅。诗画相映，以极简景致勾勒幽人寄情林泉、放怀天地的意趣，静中藏动，淡里含韵，尽显小品山水的悠远襟怀。",[27,28,530,144,60,128,162,131],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F716d262a2c892cfde8cc3892627fb064.jpg",[],{"id":87581,"slug":87582,"title":33082,"dynasty":241,"author":7,"museum":172,"description":87583,"tags":87584,"thumbUrl":87585,"material":296,"size":297,"collection":11,"collections":87586,"showCount":153,"zanCount":49,"manualWeight":49,"mainColor":70},235144,"chen-dan-zhong-shan-shui-ce-yi-ming-235144","此作用淡墨写意绘就山林村居之景，古木虬枝苍郁繁茂，以浓墨点染苔痕木叶，蓊蓊郁郁间，林麓茅庐隐现，留白作水，清寂空远，尽显幽居野逸之趣。\n\n左侧行书题诗笔墨清隽，与画作意境相融，诗画合璧，勾勒出避世耽书、自适林下的襟怀。简淡萧疏的笔致里，浸透了文人追慕林泉高致的隐逸意趣，虽笔调简率，却以少胜多，将山野幽居的恬然之境晕染尽致，尽显静绝尘嚣的林下雅意。",[27,28,530,144,60,131,162,531,125,82],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F73387a0f3dfe3745d52e9198594c3015.jpg",[],{"id":87588,"slug":87589,"title":33082,"dynasty":241,"author":7,"museum":172,"description":87590,"tags":87591,"thumbUrl":87592,"material":296,"size":297,"collection":11,"collections":87593,"showCount":153,"zanCount":49,"manualWeight":49,"mainColor":70},235142,"chen-dan-zhong-shan-shui-ce-yi-ming-235142","此帧以淡墨轻色绘就秋江暮色，近岸丹林疏朗，村居隐于林下，丘峦平缓迤逦，渐次融入空蒙江面。水天尽处归雁点点，漾开清寂辽远之意。笔墨秀润淡雅，设色轻净明净，晕染出萧散清和的秋日氛围。左侧题诗与山水相映成趣，书画合璧，尽显文人寄情林泉的雅逸襟怀，将秋江空寥与山居悠然相融，藏着归林向野的隐逸意趣。",[27,28,530,144,32,60,131,162,614,130],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F4e80d2d004d069b09a793ae5ff91384b.jpg",[],{"id":87595,"slug":87596,"title":33082,"dynasty":241,"author":7,"museum":172,"description":87597,"tags":87598,"thumbUrl":87599,"material":296,"size":297,"collection":11,"collections":87600,"showCount":153,"zanCount":49,"manualWeight":49,"mainColor":70},235141,"chen-dan-zhong-shan-shui-ce-yi-ming-235141","这幅册页以淡墨绘就山居清景，古木虬枝苍郁交错，掩映林间茅庐，崖壁飞泉垂落，静中藏动。远景以淡墨晕开汀渚烟波，留白空灵悠远。\n\n用笔清隽细劲，皴擦简淡却见山石肌理，线条勾勒出林木姿态，墨色晕染营造出空濛氛围。搭配题诗，诗画相映，将夜半鹤唳、高卧梦醒的幽居意趣尽显无遗，萧散淡远间，尽显文人寄情林泉的隐逸襟怀，笔简意足，氤氲出清寂出尘的林下雅韵。",[27,28,530,144,60,532,162,125,82,614],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F4d90f5d0e5e43f7ef7e0d55c9f747e78.jpg",[],{"id":87602,"slug":87603,"title":33082,"dynasty":241,"author":7,"museum":172,"description":87604,"tags":87605,"thumbUrl":87606,"material":296,"size":297,"collection":11,"collections":87607,"showCount":153,"zanCount":49,"manualWeight":49,"mainColor":70},235140,"chen-dan-zhong-shan-shui-ce-yi-ming-235140","此作以没骨间杂浅绛晕染山峦，峰尖如黛，云雾在林麓间缓缓氤氲，将青碧山石与丹红霜叶晕融成朦胧空濛的秋山图景。山径蜿蜒隐没于茂草霜林间，萧索秋意裹着幽寂禅意漫开。\n\n笔意秀雅温润，以水色糅合墨韵消解了线条的凌厉，明丽设色又带着沉静质感，将晚秋山野的清旷萧寒含蓄铺展。左侧题诗与画境呼应，诗画合璧，点破万籁俱寂的深秋天光，尽显晚明山水崇尚的淡远萧疏之美，是文人寄情丘壑，以景抒怀的典型佳构。",[27,28,530,32,60,1623,130,131,63],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F232dcaea0c8b8b7c0d9fdd2d9376772e.jpg",[],{"id":87609,"slug":87610,"title":33082,"dynasty":241,"author":7,"museum":172,"description":87611,"tags":87612,"thumbUrl":87613,"material":296,"size":297,"collection":11,"collections":87614,"showCount":153,"zanCount":49,"manualWeight":49,"mainColor":70},235139,"chen-dan-zhong-shan-shui-ce-yi-ming-235139","此作以淡笔绘就江南烟景，近岸苍松虬劲蓊翠，浅滩烟波氤氲，一叶扁舟悠然浮于水面，漾出闲淡野趣。中渚林木葱郁，远山层叠晕染，以留白衬出水雾空濛，村舍隐现山麓间，尽显幽寂清旷之致。\n诗画合璧，将倦客归思寄于山水林泉。浅绛设色清润柔和，笔墨松秀简淡，不事雕琢，以简驭繁，将江南水乡温润诗意与萧散林下之风相融，淡远意境暗合文人幽居林泉、寄情江湖的隐逸意趣，尽显雅致清远的文人山水意韵。",[79,27,28,530,32,60,1340,4803,1281,128],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ffb02be495cd4d500c2fac8adda0e5905.jpg",[],{"id":87616,"slug":87617,"title":7610,"dynasty":241,"author":7,"museum":172,"description":87618,"tags":87619,"thumbUrl":87621,"material":296,"size":297,"collection":11,"collections":87622,"showCount":153,"zanCount":49,"manualWeight":49,"mainColor":50},234572,"nv-xiang-zhou-yi-ming-234572","此作为工笔肖像，设色沉雅明净。女主身着朱红翟纹朝服，霞帔织就彩卉瑞纹，龙凤冠点翠缀珠，华贵雍容。画师笔致精细写实，衣冠服制严谨贴合典制，面容晕染柔和温婉，神态端静从容。\n\n红袍的庄重肃穆与饰纹的柔丽华美相映，既凸显出身尊荣，又传递出闺中贵妇沉静娴雅的气度，将晚明仕女端方秀雅的风华凝于绢上，是写实肖像与典制服饰完美融合的精品。",[27,28,29,31,32,33,931,64,18049,4821,638,87620,11101,11102],"古装人物","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fb683a9ed9d7c3311fbea3a2cb0a6eff0.jpg",[],{"id":87624,"slug":87625,"title":87626,"dynasty":241,"author":7,"museum":172,"description":87627,"tags":87628,"thumbUrl":87629,"material":296,"size":297,"collection":11,"collections":87630,"showCount":153,"zanCount":49,"manualWeight":49,"mainColor":50},234571,"nan-nv-tu-xiang-zhou-yi-ming-234571","男女图像轴","此作工笔设色写实传神，尽显晚明肖像画的端雅范式。男子青袍乌纱，面容方正朗肃，身姿端凝沉稳，将士大夫的持重内敛晕染于绢素之上。女子身着朱红命服，珠翠凤冠衬得仪态温婉端淑，胸前补子白鹇纤毫毕现，翎羽纹路细腻灵动，浓丽配色尽显命妇的端庄华贵。\n\n上方题赞笔意秀雅，既补述人物德操生平，也与画像相映成趣，为画面添就文雅意韵，将官宦夫妇的世家气度定格，静诉着旧时门第的端方风华。",[27,28,29,31,32,33,5432,11476,2240,345,580,16495,638,11101,47188,15034],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ff53aa0cd0fcba590e85abd809bce0622.jpg",[],{"id":87632,"slug":87633,"title":87634,"dynasty":55,"author":7,"museum":172,"description":19981,"tags":87635,"thumbUrl":87636,"material":11,"size":11,"collection":11,"collections":87637,"showCount":153,"zanCount":49,"manualWeight":49,"mainColor":70},234557,"yu-mu-shang-xin-ce-jiang-zhu-huang-hai-dan-tai-tu-ce-ye-yi-ming-234557","娱目赏心册-江注黄海丹台图册页",[27,28,530,144,125,82,124,60,1623,130,613,531,2656],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fe24883cf2c9df50c59031297861df435.jpg",[],{"id":87639,"slug":87640,"title":54334,"dynasty":55,"author":7,"museum":172,"description":87641,"tags":87642,"thumbUrl":87643,"material":296,"size":297,"collection":11,"collections":87644,"showCount":153,"zanCount":49,"manualWeight":49,"mainColor":50},234450,"qing-ren-tan-cheng-tu-zhou-yi-ming-234450","以严整对称的坛城为核心，将密教宇宙观具象呈现。内圈本尊宫殿层叠排布，线条精细勾勒出楼阁法器，朱红、石青与石绿交织碰撞，色彩浓烈却和谐规整，细节繁复却秩序井然，尽显工笔的极致细腻。\n\n四方莲台与云端错落排布护法尊神，青绿山水铺展为背景，流云环绕晕染出空灵意境，虚实间尽显静穆庄严。整幅作品将抽象教义化为可视的华丽图景，每一处纹饰都承载密宗仪轨的厚重内涵，信仰的神圣感融于绚丽的工致笔触之中，静立间仿佛能窥见密宗世界的肃穆力量。",[27,29,30,14171,329,31,32,1622,33,129,60,36831,48562],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F4d6848ece2e91bf26696f66916c091ae.jpg",[],{"id":87646,"slug":87647,"title":87648,"dynasty":55,"author":7,"museum":172,"description":87649,"tags":87650,"thumbUrl":87651,"material":296,"size":297,"collection":11,"collections":87652,"showCount":153,"zanCount":49,"manualWeight":49,"mainColor":70},234444,"qing-ren-yang-ti-yu-di-zhu-xiang-zhou-yi-ming-234444","清人阳体狱帝主像轴","主尊靛蓝身色，忿怒相凛凛生威，跨乘青牛傲立于炽烈火云之中，烈焰背光将骇人气场烘托到极致。周身眷众错落排布，护法悍勇、神佛凌空，层次分明的构图铺展出密宗护法体系的森严威仪。\n设色浓丽饱满，朱砂、石青、石黄撞色鲜明却和谐雅致，衣饰纹路勾勒细腻繁复，尽显精湛绘工。整幅作品以火云为底渲染出狱帝主的慑人氛围，将藏密忿怒本尊的狞厉与庄严完美融合，兼具宗教神性与审美价值，是极具代表性的藏传佛教绘画精品。",[27,29,30,32,31,33,272,5107],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ff81e9131dba6a43d8f9b66ad7db97c56.jpg",[],{"id":87654,"slug":87655,"title":87656,"dynasty":55,"author":7,"museum":172,"description":87657,"tags":87658,"thumbUrl":87661,"material":296,"size":297,"collection":11,"collections":87662,"showCount":153,"zanCount":49,"manualWeight":49,"mainColor":50},234442,"qing-ren-huang-wei-luo-wa-jin-gang-xiang-zhou-yi-ming-234442","清人黄威罗瓦金刚像轴","狮面忿怒相的主尊周身烈焰蒸腾，金甲宝饰遍身，雄踞莲台之上，威棱毕现，尽显护法降魔的慑人气魄。整体构图饱满匀整，诸佛胁侍错落排布，或忿怒或慈悲，与主尊呼应成趣。\n\n设色浓丽厚重，石青铺就云天底色，朱砂晕染烈烈火焰，青绿晕染山川林麓，冷暖交织层次分明。线条勾勒精细流畅，衣袂宝饰的细节分毫毕现，既恪守藏传佛教造像的仪轨法度，又以工笔重彩烘托出神圣庄严的宗教氛围，将护法金刚的狞厉威严与唐卡装饰美学完美融合，尽显精湛的绘画造诣。",[27,29,1573,3722,32,1572,5404,1376,1056,87659,20130,160,87660],"山水景物","传统书画","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fb20ea8c656828582ec4d871f00ab1c60.jpg",[],{"id":87664,"slug":87665,"title":87666,"dynasty":55,"author":7,"museum":172,"description":87667,"tags":87668,"thumbUrl":87672,"material":296,"size":297,"collection":11,"collections":87673,"showCount":153,"zanCount":49,"manualWeight":49,"mainColor":70},234441,"qing-ren-fa-an-luo-fu-duo-zun-zhe-xiang-zhou-yi-ming-234441","清人伐闇罗佛多尊者像轴","主尊安坐青峦，法相沉静肃穆，袈裟织纹繁丽华贵，织锦质感描摹精妙入微。他手持禅杖，杖首宝络垂悬，身侧祥烟萦纡悠然。下方天人躬身奉托供盘，璎珞宝饰周身，尽显虔敬礼佛之心，周遭奇花异宝罗列，晕染出殊胜清净的道场氛围。\n上方虚空两尊佛陀分峙，一坐云轮、一栖莲台，霞气相随烘托梵天胜境。画作设色明丽厚重，矿物颜料晕染出沉稳雅致的质感，线条精细流畅，融藏地唐卡的庄严神性与汉地工笔的细腻柔美于一体，将佛门清寂庄严的灵韵尽数铺展，尽显宗教绘画独特的美学意涵。",[27,29,30,31,32,33,4820,13729,87669,87670,54616,87671,22686,33509],"天人","禅杖","道场","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F81ca61273d636c5acd168d087f3b7e7a.jpg",[],{"id":87675,"slug":87676,"title":87677,"dynasty":55,"author":7,"museum":172,"description":87678,"tags":87679,"thumbUrl":87680,"material":296,"size":297,"collection":11,"collections":87681,"showCount":153,"zanCount":49,"manualWeight":49,"mainColor":70},234415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此图是王翚晚年仿宋巨然《烟浮远岫图》的代表作之一。据王翚仿巨然的同名画扇（现藏北京故宫博物院）款题而知，王翚首次见到巨然的《烟浮远岫图》是在“毗陵庄太史家”，当时他42岁（癸丑，1673年），款题：“巨然《烟浮远岫图》今在毗陵庄太史家，真海内第一墨宝。余尝借观，背临大概。寄呈闻川尊先生。”又题长句，落款“癸丑上巳日，石谷重识。”王翚自此不断地仿巨然《烟浮远岫图》，或自娱，或送友人留念。他送笪重光的仿品目前藏于美国普林斯敦大学美术馆。根据图上所钤“王藻儒考藏图书”印可知本幅是他送友人王藻儒之作。",[27,28,29,144,614,60,31638,1340,531,162,131,1676],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F5e1dfb8496f1998e09f08da9e48675e6.jpg","纸本 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桥","此画以淡墨轻赭铺就秋山暮色，近坡古木虬曲，疏枝朗叶尽染萧索秋意，板桥跨溪连接山居野径，山坳间隐见村舍，暗藏烟火余温。远景奇峰崷崪，以简劲皴笔写山石棱线，晕染出空濛山岚，天际群雁齐飞，汀洲渔舟点点。\n\n画面虚实相生，将幽寂山野与隐逸闲趣相融，淡墨里漾着清远禅意，静中含动，把秋日林泉的疏旷淡远娓娓铺陈，藏着寄迹林泉的悠然意绪。",[26,27,144,2415,614,1623,613,163,162,130,1340,5661],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ff6cacd3845460cff03a842a59e29690a.jpg",[],{"id":87938,"slug":87939,"title":87940,"dynasty":22,"author":7,"museum":172,"description":87941,"tags":87942,"thumbUrl":87943,"material":296,"size":297,"collection":11,"collections":87944,"showCount":153,"zanCount":49,"manualWeight":49,"mainColor":70},231690,"shan-shui-tu-juan-yi-ming-231690","山水图卷","此卷以平远之境铺陈，江水宛转串联淡墨晕染的浅丘远山，晕开江乡空濛的烟岚之气。江岸虬松卓立、茅舍错落，江心归帆缓行，将江南野渡日常的清寂萧散尽数铺展。\n笔墨简逸苍润，淡墨皴擦勾勒出柔缓的山峦肌理，枯笔写就的松枝苍劲老辣，留白衬出悠远余韵。左侧题跋与画面相映成趣，诗画合璧，尽显文人画简淡天真的林下之风，把江天无尽的闲淡诗意融于长卷之中。",[26,27,28,96,144,60,128,131,1340,63,531,614,82,124],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fadf68c467bc6fdbbd23d17dbddac51dc.jpg",[],{"id":87946,"slug":87947,"title":87948,"dynasty":22,"author":7,"museum":172,"description":87949,"tags":87950,"thumbUrl":87951,"material":11,"size":11,"collection":11,"collections":87952,"showCount":153,"zanCount":49,"manualWeight":49,"mainColor":50},231676,"jun-niu-tu-juan-duan-jian-yi-ming-231676","骏牛图卷断简","此作笔墨凝练老辣，以浓墨晕染牛身，将黑牛油润厚重的皮毛质感尽显，墨色晕渍自然，兼具体量感与蓬松绒感。画师精准捕捉牛缓步行进的姿态，肩胛、腰腿的肌肉轮廓暗含张力，双目圆睁有神，系着缰绳却不见局促，反倒带着温驯又沉稳的山野意趣。\n\n泛黄绢本遍布细碎裂纹，带着岁月沉淀的斑驳质感，更衬得墨色愈发沉郁古雅。整幅画面无多余衬景，全然聚焦于牛之形神，笔简意足，尽显畜兽画的写实功力与空灵意韵。",[26,27,144,272,2944],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fb8caa0f5870c4f2752ffffbbec472df6.jpg",[],{"id":87954,"slug":87955,"title":87956,"dynasty":22,"author":7,"museum":172,"description":87957,"tags":87958,"thumbUrl":87959,"material":11,"size":11,"collection":11,"collections":87960,"showCount":153,"zanCount":49,"manualWeight":49,"mainColor":50},231656,"yun-juan-tu-juan-yi-ming-231656","云卷图卷","此作以全景长卷铺展世间烟火，疏密有致的构图将郊野与町肆串联。画面里市集人流攒动，官绅出行的仪仗、贩夫走卒的行迹、乘马驱车的行人错落交织，朱红牌坊临水而立，乡野村居错落铺陈。\n工细的线条勾勒出各色人物的情态衣袂，古雅的设色晕染出郊野的温润底色，将市井喧嚷、仕宦排场与田舍闲趣融为一体。细节里藏着往昔日常的鲜活风貌，把旧岁世相凝于绢素之间，尽显写实叙事的古雅意趣。",[26,27,96,32,31,33,1006,1623,734,14795,16430,131,163,2944,3626,4286,2656],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F23a5c9e889cce3d7668f0cb97b6412eb.jpg",[],{"id":87962,"slug":87963,"title":87964,"dynasty":22,"author":7,"museum":172,"description":87965,"tags":87966,"thumbUrl":87967,"material":296,"size":297,"collection":11,"collections":87968,"showCount":153,"zanCount":49,"manualWeight":49,"mainColor":50},231642,"shi-ting-shi-dai-jiu-tu-ping-feng-di-2-ping-yi-ming-231642","室町时代 厩图屏风第2屏","画面分野有致，左畔厩房静立，三匹良骏或垂首小憩或昂首敛息，系马木构细节妥帖，尽现驯牧日常。廊台之上，衣冠雅致的男女或闲坐低语，或垂首休憩，伴以嬉游的小犬，松弛的闲淡氛围漫开。\n\n右侧苍松虬劲盘绕，山池蜿蜒，白羽天鹅悠然浮于水面，幽谧野趣扑面而来。整作以柔缓的矿物淡彩晕染，线条朴拙细腻，将私邸日常闲情与郊野清趣相融，褪去刻意的华贵铺陈，只留平和温润的生活质感，尽显世俗雅致的日常况味。",[32,31,1748,1006,33,331,2474,7922,2656,35],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F013ccec7581d9a234ccb97692f6269b1.jpg",[],{"id":87970,"slug":87971,"title":87972,"dynasty":22,"author":7,"museum":172,"description":87973,"tags":87974,"thumbUrl":87975,"material":296,"size":297,"collection":11,"collections":87976,"showCount":153,"zanCount":49,"manualWeight":49,"mainColor":70},231636,"lian-cang-shi-dai-dong-bei-yuan-ge-ren-ge-he-hua-juan-yi-ming-231636","镰仓时代 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鸟兽人物卷","此作以界画工笔绘就亭台，朱蓝重彩晕染楼阁斗拱梁枋，形制精巧严整，尽显营造规制之美，旁侧苍松盘虬，古意横生。右侧淡墨晕开山水，浅描峰峦林径，虚淡空远，将院囿雅致与林泉野趣相融。楼阁间隐见人物，为整卷添上灵动生气。\n作为粉本样稿，线条挺括精准，设色古拙沉静，界画的工整严谨和山水的写意空寂相映成趣，尽显传统绘者不俗功底，古雅内敛的意蕴扑面而来。",[26,2573,27,28,96,329,32,33,129,60,82],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fc7b7669fb37c3871e03a76c06b08fc32.jpg",[],{"id":88224,"slug":88225,"title":88226,"dynasty":22,"author":7,"museum":172,"description":88227,"tags":88228,"thumbUrl":88229,"material":296,"size":297,"collection":11,"collections":88230,"showCount":153,"zanCount":49,"manualWeight":49,"mainColor":50},230527,"shi-er-tian-xiang-yi-ming-230527","十二天像","此作为密教护法尊像，身色玄黑，威仪沉凝。左手托举法器，右手执锡杖，红绦系缚更添醒目。衣纹用金线勾勒，流转舒展，宝饰晕染细致，虽经岁月磨蚀，绢面斑驳，却更衬出古拙厚重的质感。头顶水纹法印呼应司职，整体设色调和沉郁，将护法神祇的肃穆威严尽数铺展，静立间自有震慑心神的力量，尽显古佛造像画的仪轨法度与沉静美感。",[26,27,28,29,30,31,32,33,15791,348,1473],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F49ff37cc300d24a8898f850aac90c61d.jpg",[],{"id":88232,"slug":88233,"title":88234,"dynasty":22,"author":7,"museum":172,"description":88235,"tags":88236,"thumbUrl":88237,"material":11,"size":11,"collection":11,"collections":88238,"showCount":153,"zanCount":49,"manualWeight":49,"mainColor":70},230523,"fang-gu-shan-shui-fen-ben-shou-ye-jia-tu-juan-5-yi-ming-230523","仿古山水粉本（狩野家图卷）-5","此作为水墨雪景山水，以冷月开篇，清辉穿透薄云，遍洒素裹峰峦。左畔寒林雪瀑垂落，银枝静立幽壑，将冬日萧寒藏于丘壑间。湖面如镜，渔舟三两泛波，棹影微动揉碎月影，漾开一湖清寂。\n\n远景层峦隐于烟霭，虚实相生铺展天地辽远。右侧危崖高耸，古松覆雪挺拔苍劲，崖畔山居藏于林岫，寥寥数笔勾勒出清旷山居意趣。全作用墨虚实相宜，淡墨晕染烟岚，浓墨塑山石肌理，以留白造幽远之境，将冬夜湖山的空寂淡远尽数铺展，尽显古雅萧疏的文人山水意韵。",[26,27,28,96,144,15420,614,60,128,1102,331,6000,38,63,162,130,25139],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F811b3cf455dffaa8550b3d1fe7817da3.jpg",[],{"id":88240,"slug":88241,"title":88242,"dynasty":22,"author":7,"museum":172,"description":88243,"tags":88244,"thumbUrl":88245,"material":296,"size":297,"collection":11,"collections":88246,"showCount":153,"zanCount":49,"manualWeight":49,"mainColor":70},230520,"fang-gu-ren-wu-hua-hui-fen-ben-shou-ye-jia-cang-tu-juan-yi-ming-230520","仿古人物花卉粉本(狩野家藏图卷)","此作雅致清逸，兼具禅意与生机。绘双竿翠竹挺立于月夜水畔，水墨晕染出朦胧月影，竹影垂落水面，虚实相映。竹叶以浓淡墨色写出，虚实相生，笔致简练却尽显竹之清劲洒脱，将幽寂夜色烘托得静谧空濛。\n\n画面下部设色牡丹，花头娇妍秾丽，朱砂点染花心，淡粉铺陈瓣边，配墨色苍劲的阔叶，与上部清寂的竹月形成浓淡、动静的强烈对照，雅俗共生。\n\n整体笔意兼具写生之真与写意之妙，墨色干湿浓淡层次丰富，简约构图里寄寓悠远情思，将花木物性与禅意诗意相融，勾勒出空寂又鲜活的雅致意境，尽显东方古典审美意趣。",[26,27,144,32,145,98,38,82],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F66e7a2cf112b9951850a0452129f4224.jpg",[],{"id":88248,"slug":88249,"title":88250,"dynasty":22,"author":7,"museum":172,"description":88251,"tags":88252,"thumbUrl":88253,"material":296,"size":297,"collection":11,"collections":88254,"showCount":153,"zanCount":49,"manualWeight":49,"mainColor":70},230519,"fang-gu-ren-wu-fen-ben-shou-ye-jia-tu-juan-yi-ming-230519","仿古人物粉本(狩野家图卷)","此卷以淡墨晕染铺陈意境，分段构绘诸般景致。仙翁伴瑞鹿白羊，执杖徐行，古意悠然；枯木红枫间隐士独坐，萧散出尘。江渚行旅衬以空濛山水，意境清旷；怒浪之中神游渡海，奇诡奇幻。末段稚童嬉闹鲜活灵动，尽显世俗意趣。\n\n笔墨写意简劲，设色淡雅清隽，将仙逸、幽隐、百态日常融于一卷。笔致松脱随性，留白营造出悠远空寂的东方意境，兼具文人画的萧散情致与叙事意趣，是笔墨与意韵俱佳的佳构。",[26,27,28,96,123,144,32,122,33,358,542,532,445,21360,82,60],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F155773197d4e4fc6f85f53673b323d53.jpg",[],{"id":88256,"slug":88257,"title":88258,"dynasty":22,"author":7,"museum":172,"description":88259,"tags":88260,"thumbUrl":88261,"material":296,"size":297,"collection":11,"collections":88262,"showCount":153,"zanCount":49,"manualWeight":49,"mainColor":70},230518,"fang-gu-ren-wu-shan-shui-fen-ben-shou-ye-jia-tu-juan-2-yi-ming-230518","仿古人物山水粉本（狩野家图卷）-2","此作以淡彩白描写就，上方二力士嬉闹互动，铁线勾勒出虬结筋肉，将壮汉憨顽神态刻画入微，把蛮勇与谐趣融为一体。下方松岩笔致清简古淡，与人物形成动静对照，雅野相映。作为粉本随性率真，既有东国传统人物画的朴拙意韵，又暗合中式底稿的传神简练，市井意趣跃然纸面，让旧稿鲜活起来，满是松弛诙谐的烟火质感。",[26,27,28,29,123,144,32,33,331,162,15420,122],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F506734a1b3d9a11ee714d65cdf836743.jpg",[],{"id":88264,"slug":88265,"title":88266,"dynasty":55,"author":7,"museum":172,"description":88267,"tags":88268,"thumbUrl":88270,"material":296,"size":297,"collection":11,"collections":88271,"showCount":153,"zanCount":49,"manualWeight":49,"mainColor":50},230337,"bai-miao-tu-miao-man-tu-shuo-yi-yi-ming-230337","百苗图苗蛮图说（一)","这帧旧册封面，深褐底色带着经年摩挲的磨痕肌理，左侧朱红竖条漆色皴裂剥落，残损间凝着旧时光的温度。右下角浅绿圆标添了一丝跳脱的生机，中和了沉郁的古旧氛围。整体朴拙沉静，带着被岁月晕染的侘寂质感，静静承载着过往的图文旧事，每一处边角磨损、漆色褪落，都是它辗转流传的印记，藏着被时光沉淀下来的人文余韵，拙朴间尽是岁月浸洇的厚重。",[27,28,32,31,33,530,36651,88269],"民族","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F861852ea9773cdb7735723893defaece.jpg",[],{"id":88273,"slug":88274,"title":88275,"dynasty":55,"author":7,"museum":172,"description":88276,"tags":88277,"thumbUrl":88279,"material":296,"size":297,"collection":11,"collections":88280,"showCount":153,"zanCount":49,"manualWeight":49,"mainColor":277},230323,"da-tang-xi-yu-ji-12-juan-tang-xuan-zang-zhu-di-yi-juan-yi-ming-230323","大唐西域记.12卷.唐.玄奘著（第一卷）","磁青为底，泥金饰形书文。右侧诸佛环坐莲台，线条圆融凝练，祥云托衬，宝相沉静端严，尽显西方净土的肃穆祥和。左侧经文笔锋挺秀匀净，金彩在靛蓝底色间熠熠生辉，点画法度谨严，规整雅致。二者相合，将宗教的庄严感与书画的审美意趣相融，古韵悠然，尽显写经造像的典雅华贵，是宗教艺术与传统工艺结合的精妙之作。",[30,33,31,32,88278,124,3053,4486,986,434],"金粉","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fb03f9d3edf1905eae370c6360f1bcd5f.jpg",[],{"id":88282,"slug":88283,"title":88284,"dynasty":5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一页。",[26,160,124,3054,530,82,9247],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fbc57c67c5b3a68b3c205f7f8906319ce.jpg",[],{"id":90725,"slug":90726,"title":90727,"dynasty":55,"author":7,"museum":172,"description":90728,"tags":90729,"thumbUrl":90730,"material":43,"size":11,"collection":11,"collections":90731,"showCount":153,"zanCount":49,"manualWeight":49,"mainColor":50},216143,"zhi-gong-tu-ju-fu-cai-hui-ce-ye-di-2-ce-13-yi-ming-216143","职贡图巨幅彩绘册页第2册-13","画面分两帧，各绘人物一躯。左者红笠覆首，翠衣朱裙，手持物什，姿态恭谨；右者蓝袍团花，红带束腰，持器杖而立，神情肃然。设色明丽饱满，衣纹线条精细流畅，人物容貌、服饰细节刻画入微，尽显清代工笔写实之妙。图中人物装束独特，或为边疆部族或域外使节，承载着彼时民族交往与文化交流的鲜活印记，是研究清代社会风貌与中外关系的珍贵视觉文献。",[26,27,28,530,32,33,345,31],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fbb4bf5ca7bdae5704d8005a7c7608760.jpg",[],{"id":90733,"slug":90734,"title":90735,"dynasty":55,"author":7,"museum":172,"description":90736,"tags":90737,"thumbUrl":90738,"material":43,"size":11,"collection":11,"collections":90739,"showCount":153,"zanCount":49,"manualWeight":49,"mainColor":50},216140,"zhi-gong-tu-ju-fu-cai-hui-ce-ye-di-2-ce-20-yi-ming-216140","职贡图巨幅彩绘册页第2册-20","两帧对开的彩绘页上，人物形象鲜明生动。左侧人物身着蓝地彩绣长袍，衣袂翩跹间纹饰繁复，手持长物姿态从容；右侧人物则以朱红长袍加身，袍上暗纹细腻，腰间佩饰流苏摇曳，红靴踏地更显沉稳。人物皆头戴红顶黄边帽，细节处尽显族群特色。旁侧题字注解，似在诉说其身份与风俗。画作设色妍丽，线条工细流畅，人物神情刻画入微，既具写实之真，又含装饰之美。它不仅记录了边疆族群的风貌，更折射出清代对多元文化的关注与呈现，是兼具艺术价值与历史意义的视觉文献。",[26,160,530,32,31,33,345],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ff0eb8cd26a49748793bc811e8671d2b8.jpg",[],{"id":90741,"slug":90742,"title":90743,"dynasty":55,"author":7,"museum":172,"description":90744,"tags":90745,"thumbUrl":90746,"material":43,"size":11,"collection":11,"collections":90747,"showCount":153,"zanCount":49,"manualWeight":49,"mainColor":70},216076,"zhi-gong-tu-ju-fu-cai-hui-ce-ye-di-3-ce-3-yi-ming-216076","职贡图巨幅彩绘册页第3册-3","画面左右并置两位人物，笔墨间晕染着边疆族群的鲜活气息。左侧女子身着蓝灰交叠衣装，百褶裙摆垂落，绑腿裹足，发间簪饰清雅，怀中捧持簇簇花枝，神态温婉如春风拂过。右侧男子衣袍简练，灰裤配绑腿，赤足踏地，手中红囊鼓胀似盛当地物产，面容质朴尽显生活本真。\n\n线条细腻勾勒衣物褶皱与绑带纹理，色彩淡雅却层次分明，人物姿态自然鲜活，如将异域风情凝于绢素之上。整幅画作以写实笔触记录族群风貌，藏着清代多民族交流的生动切片，每处细节都诉说着远方的风土与故事，让久远的生活图景在眼前徐徐展开。",[26,27,28,530,32,31,33,345,346,160],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fa2330cadfd708350e65bc77e11733de5.jpg",[],{"id":90749,"slug":90750,"title":90751,"dynasty":55,"author":7,"museum":172,"description":90752,"tags":90753,"thumbUrl":90754,"material":43,"size":11,"collection":11,"collections":90755,"showCount":153,"zanCount":49,"manualWeight":49,"mainColor":70},216075,"zhi-gong-tu-ju-fu-cai-hui-ce-ye-di-3-ce-6-yi-ming-216075","职贡图巨幅彩绘册页第3册-6","册页展卷，两位人物鲜活如生。左者束发赤足，青布短褐系蓝绦，手中织物纹样细密，似携地方物产而来；右者挑担缓行，担头葫芦圆润、竹篮盈实，红穗摇曳添几分烟火气。线条工细流畅，衣纹褶皱尽显棉质松软；设色淡雅古朴，人物神态自然传神——或凝眸持物，或侧首前行，皆透着日常劳作的从容。画面于细微处见真章：脚踝绑带的纹理、织物的图案、担中器物的质感，无不被细致勾勒。它不仅是对彼时人物风貌的生动记录，更以笔墨沉淀着四方风物的鲜活气息，让远去的日常在纸页间重焕温度。",[26,27,32,31,530,33,345,346,160],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fd6e6f9a0ca36eb28bef82969af3d838b.jpg",[],{"id":90757,"slug":90758,"title":90759,"dynasty":55,"author":7,"museum":172,"description":90760,"tags":90761,"thumbUrl":90762,"material":43,"size":11,"collection":11,"collections":90763,"showCount":153,"zanCount":49,"manualWeight":49,"mainColor":70},216074,"zhi-gong-tu-ju-fu-cai-hui-ce-ye-di-3-ce-11-yi-ming-216074","职贡图巨幅彩绘册页第3册-11","素绢之上，两抹身影跃然：一者衣袂带红，毛绒覆肩，蓝白裙裾曳地，赤足踏处似有余温；一者羽饰簪头，箭囊负背，长杖在手，裙间纹饰如流水般铺展。笔触轻描，衣料的纹理、毛发的软柔便呼之欲出；神态淡写，平和与刚健的气质便悄然流露。旁侧题字如缕，与人物形象交织，将彼时的民族风貌凝于尺幅之间。整幅画作以写实之笔绘生动之态，于细微处藏历史之重，衣袂间流转着多民族交往的温度，是清代民族文化交融图景中一抹鲜活的印记。",[26,27,28,530,32,31,33,345,2405,41],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F16ec94222db3fbb3666a4e5afabaec06.jpg",[],{"id":90765,"slug":90766,"title":90767,"dynasty":55,"author":7,"museum":172,"description":90768,"tags":90769,"thumbUrl":90770,"material":43,"size":11,"collection":11,"collections":90771,"showCount":153,"zanCount":49,"manualWeight":49,"mainColor":70},216070,"zhi-gong-tu-ju-fu-cai-hui-ce-ye-di-3-ce-12-yi-ming-216070","职贡图巨幅彩绘册页第3册-12","画面分左右二帧，各绘一人。左帧女子束发裹巾，身披黑氅，内着蓝绿交领衣，下着带纹长裙，赤足而立，姿态娴静温婉；右帧男子散发覆额，肩披毛皮，内着蓝衣，下系条纹裙，赤足，手持长矛与蛇形器物，神情悍勇质朴。画作以细腻笔触勾勒人物形貌，服饰细节丰富鲜活，色彩古朴雅致，线条流畅传神。作为职贡图的一页，它生动记录了特定族群的衣着与风貌，既具艺术审美价值，亦为研究清代边疆族群文化提供了直观的图像参考，尽显古人对异域方邦观察描摹之精。",[26,27,28,530,31,32,33,345,2405],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F2a444ead43bf6529ce7611f2be358164.jpg",[],{"id":90773,"slug":90774,"title":90775,"dynasty":55,"author":7,"museum":172,"description":90776,"tags":90777,"thumbUrl":90778,"material":43,"size":11,"collection":11,"collections":90779,"showCount":153,"zanCount":49,"manualWeight":49,"mainColor":70},216059,"zhi-gong-tu-ju-fu-cai-hui-ce-ye-di-3-ce-19-yi-ming-216059","职贡图巨幅彩绘册页第3册-19","两位人物立于素净背景前，衣袂间藏着族群的独特印记：左侧红蓝相衬，披肩如流霞轻覆；右侧紫褐披肩裹身，下裳纹饰暗涌，赤脚踏地的模样透着质朴。工笔勾勒的褶皱与织物肌理，将服饰的质感娓娓道来。神态安然的模样，似在诉说日常的恬淡。\n\n这页画作以细腻笔触定格清代边疆族群风貌，既是艺术的写实呈现，也为后世留存了多元文化交融的鲜活注脚。笔墨间流转着历史温度，让观者窥见彼时族群共处的生动图景，于无声处承载着记录文化交流的厚重意义。",[26,55,530,32,31,33,345],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fef06444d86dbf634a4916527b99f4ea4.jpg",[],{"id":90781,"slug":90782,"title":90783,"dynasty":55,"author":7,"museum":172,"description":90784,"tags":90785,"thumbUrl":90787,"material":43,"siz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铺展生活本真。无浓墨重彩渲染，淡墨浅痕里是对市井烟火的细腻体察，每根线条都诉着寻常日子里的温柔从容，于简素中见生动，于平淡里藏深情。",[26,123,530,33,2195,346],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F06a56788cdca9bcf9852724128170750.jpg",[],{"id":91856,"slug":91857,"title":91858,"dynasty":55,"author":7,"museum":172,"description":91859,"tags":91860,"thumbUrl":91861,"material":109,"size":11,"collection":11,"collections":91862,"showCount":153,"zanCount":49,"manualWeight":49,"mainColor":70},215353,"bai-miao-jie-tou-mai-mai-hua-ce-204-yi-ming-215353","白描街头买卖画册-204","素纸铺展，墨线似细柳扶风般勾勒出街头货郎的身影。他肩挑扁担，两端垂挂着竹篮与圆状器物，手中蒲扇轻摇，仿佛能嗅到巷陌间的烟火气。白描的妙处正在于删繁就简，衣袂的褶皱随步履轻摆，器物的轮廓清晰可辨，每一笔都精准传神。无需浓墨重彩，货郎的从容姿态与市井的鲜活气息便跃然纸上。这帧小画，以极简笔墨捕捉旧时光里的平凡瞬间，将寻常买卖的日常凝成带着温度的岁月剪影，引人回味那些藏在素净线条里的烟火与生机。",[26,123,33,530,346],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fdb5fc61e30dced41f5d6426d8be55b30.jpg",[],{"id":91864,"slug":91865,"title":91866,"dynasty":55,"author":7,"museum":172,"description":91867,"tags":91868,"thumbUrl":91869,"material":109,"size":11,"collection":11,"collections":91870,"showCount":153,"zanCount":49,"manualWeight":49,"mainColor":70},215344,"bai-miao-jie-tou-mai-mai-hua-ce-213-yi-ming-215344","白描街头买卖画册-213","细劲的白描线条似含温软的呼吸，勾勒出女子端坐劳作的模样。发髻簪花轻颤，衣纹如细浪叠起，她指尖拈线的姿态，将专注凝在纸上。竹椅的疏朗纹理、纺架的简洁构架，皆以素笔晕染出清润质感。无艳丽设色，却让市井寻常一刻漫出暖香——仿佛能触到线丝的柔，听见纺车的轻转。旧时光里的勤劳与恬淡，在简素画面中静静流淌，勾连观者心底对烟火生活的温柔想象，将劳作的日常，定格成淡而绵长的诗。",[26,79,27,28,530,123,33,345,346],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F7205278762b7d1b0164eebbd4ab97d0a.jpg",[],{"id":91872,"slug":91873,"title":91874,"dynasty":55,"author":7,"museum":172,"description":91875,"tags":91876,"thumbUrl":91877,"material":109,"size":11,"collection":11,"collections":91878,"showCount":153,"zanCount":49,"manualWeight":49,"mainColor":70},215343,"bai-miao-jie-tou-mai-mai-hua-ce-214-yi-ming-215343","白描街头买卖画册-214","画面以清劲白描勾勒市井一角，挑担小贩身姿鲜活：肩头扁担微弯，一手扶担稳重心，一手引绳调货平衡，脚下布鞋沾尘似带街面烟火气。扁担一头悬成串货物，另一头坠小铃般物件；旁侧双筐堆圆实好物，招牌字迹古朴，似能听见悠远叫卖。线条简练却藏细节：衣袂褶皱随动作舒展，货物形态憨实可触，筐沿纹理清晰可见。素纸无华，却将街头贩夫日常凝作生动切片，每一笔浸着人间温煦，让百年后目光仍能触到那份鲜活的俗世暖意。",[26,123,530,33,41782,25297,33347],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F4556ae771a8bbe0eec4bbb190eb17dab.jpg",[],{"id":91880,"slug":91881,"title":91882,"dynasty":55,"author":7,"museum":172,"description":91883,"tags":91884,"thumbUrl":91885,"material":109,"size":11,"collection":11,"collections":91886,"showCount":153,"zanCount":49,"manualWeight":49,"mainColor":70},215331,"bai-miao-jie-tou-mai-mai-hua-ce-224-yi-ming-215331","白描街头买卖画册-224","墨线轻转，勾勒出市井里的寻常一刻。人物俯身凳上，指尖动作专注，篮中物什依稀可见。竹篮的篾纹细密，半掀的盖子悬着，似留着刚开合的余韵。衣衫褶皱随体态舒展，赤脚沾地的细节，晕开生活的质朴。白描的素净中，藏着最生动的烟火气——没有浓墨重彩，却用每一笔精准的线条，把街头买卖的细碎日常，酿成了能触到温度的旧时光剪影。画面虽简，却将人物的专注神情、器物的纹理质感，乃至空气里的市井气息，都凝在流畅的线条里，让寻常瞬间有了隽永的味道。",[26,123,33,2195,530],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F55881361586dfefcf60aecb86dce690e.jpg",[],{"id":91888,"slug":91889,"title":91890,"dynasty":55,"author":7,"museum":172,"description":91891,"tags":91892,"thumbUrl":91893,"material":109,"size":11,"collection":11,"collections":91894,"showCount":153,"zanCount":49,"manualWeight":49,"mainColor":70},215326,"bai-miao-jie-tou-mai-mai-hua-ce-230-yi-ming-215326","白描街头买卖画册-230","白描线条简练传神，勾勒出市井买卖的鲜活切片。人物席地而坐，身前桶器半敞，手中动作专注，周遭矮凳、陶罐等物件，皆以利落笔触显生活实感。无浓墨渲染，仅靠线条轻重转折，便铺展出人物凝神之态与市井烟火气。素净笔墨中藏着鲜活日常，似能窥见街头细碎声响与质朴脉搏，白描的含蓄与生动交织，让平凡场景成为定格时光的温情剪影，于简练中见深意，于素净里蕴烟火。",[26,28,530,123,33,2195],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fe3d4ff298d3e0e503819967086bcf71e.jpg",[],{"id":91896,"slug":91897,"title":91898,"dynasty":55,"author":7,"museum":172,"description":91899,"tags":91900,"thumbUrl":91901,"material":109,"size":11,"collection":11,"collections":91902,"showCount":153,"zanCount":49,"manualWeight":49,"mainColor":70},215310,"bai-miao-jie-tou-mai-mai-hua-ce-247-yi-ming-215310","白描街头买卖画册-247","素纸之上，白描线条如笔底生风。戴斗笠的身影嵌在横竖交错的架杆间，俯身的姿态带着劳作的专注。衣纹随动作流转，或轻或重，勾勒出布料的质感与身体的张力；架杆以直线利落铺陈，刚硬中见结构之稳。无华彩渲染，却以极简笔触捕捉到市井生活的鲜活：那紧扣架杆的指尖，那微倾的肩头，皆在素净里藏着烟火气。这一角日常，似能让观者听见风过架杆的轻响，触到劳作时的温度，平淡却深含对市井众生的温柔注视。",[26,27,28,530,123,33,345],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F0f243cb53a99d48d7fa6315fb1682ce6.jpg",[],{"id":91904,"slug":91905,"title":91906,"dynasty":55,"author":7,"museum":172,"description":91907,"tags":91908,"thumbUrl":91909,"material":109,"size":11,"collection":11,"collections":91910,"showCount":153,"zanCount":49,"manualWeight":49,"mainColor":70},215303,"bai-miao-jie-tou-mai-mai-hua-ce-254-yi-ming-215303","白描街头买卖画册-254","简练白描勾勒市井一隅的鲜活。人物端坐小凳旁，俯身持具专注于身前容器，似正悉心料理买卖之物。身旁大桶与陈设，还原街头营生的日常场景。线条流畅精准，衣纹褶皱随肢体动作自然舒展，器物轮廓与细节（如木桶箍痕）皆以墨线清晰呈现，无冗余渲染却尽显质感。素净笔触捕捉小贩劳作的专注神态，平凡场景里藏着烟火气。虽无色彩铺陈，却以极简之笔勾勒清代街头民生的生动瞬间，于简约中见生活真淳，于细微处留市井温情，是对当时世俗百态的鲜活记录，亦显白描技法表现市井题材的独特魅力。",[26,123,530,33,2195],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F012fd30eab6d8b8e722055a6b240f8a5.jpg",[],{"id":91912,"slug":91913,"title":91914,"dynasty":55,"author":7,"museum":172,"description":91915,"tags":91916,"thumbUrl":91917,"material":109,"size":11,"collection":11,"collections":91918,"showCount":153,"zanCount":49,"manualWeight":49,"mainColor":70},215300,"bai-miao-jie-to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手稿","此卷朱笔书于泛黄素纸，朱痕交织成细密思辨经纬。行笔朴拙灵动，是典型写经风貌，字字带着虔谨力道。卷中正文与批注层叠排布，密而不乱，可见抄录者沉潜探研佛理时反复诠解、往复修正的心力。笔锋起落间，既有写经特有的端稳肃穆，又不失随性舒展的意趣。一纸旧卷载着千年佛学思辨脉络，朴素卷面藏着古人穷研经论的专注，是信仰与笔墨相融的珍贵遗存。",[96,124,3053,1170,4485,4486,92248],"朱笔","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F9936d45ad1e56527e93ce2bb094b4bcc.jpg",[],{"id":92252,"slug":92253,"title":92254,"dynasty":22,"author":7,"museum":172,"description":92255,"tags":92256,"thumbUrl":92258,"material":2087,"size":297,"collection":11,"collections":92259,"showCount":351,"zanCount":49,"manualWeight":49,"mainColor":50},290690,"jin-gang-bo-re-bo-mi-jing-can-juan-shou-gao-hei-se-zhi-yi-ming-290690","金刚般若波蜜经残卷手稿黑色纸","墨笔小字题于乌色纸本，纸面皲裂残损，墨迹晕染斑驳，却仍可见笔意清隽端雅，排布匀整内敛，带着写经手卷特有的沉静肃穆。历经漫长岁月磨洗，纸面破损晕开了字间边界，为这份遗存晕开独属古卷的厚重沧桑，将经文的禅意与时光的沉郁交织一处，静默诉说着被尘封的过往，残损之中愈发彰显出古物独有的沉静力量，让观者于字里行间触摸岁月余温。",[3053,124,3054,30,1170,4486,53991,92257],"黑纸","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F621cdaca1d63042597129a22c33ac52b.jpg",[],{"id":92261,"slug":92262,"title":92263,"dynasty":22,"author":7,"museum":172,"description":92264,"tags":92265,"thumbUrl":92266,"material":296,"size":297,"collection":11,"collections":92267,"showCount":351,"zanCount":49,"manualWeight":49,"mainColor":70},290681,"da-cheng-mi-yan-jing-juan-xia-shou-gao-yi-ming-290681","大乘密严经卷下手稿","此卷小楷点画精雅工稳，提按间法度自现，笔势圆融隽秀，尽显写经体的端丽气质。通篇排布匀整舒朗，字距行气齐整贯通，墨色匀净古淡，与泛黄纸面相映，晕染出沉穆静雅的氛围。书写者将静定心神凝注笔端，把信仰的虔诚融于每一处牵丝撇捺，既有写经书法的工整流丽，又暗含质朴自然的意趣，于规整中藏着灵动，笔墨间漫溢着悠远肃穆的禅韵，尽显兼具的宗教价值与审美意趣。",[124,3053,96,3054,30,1170,4486],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F2ba9a3eccf831e771985f01a58ce7d41.jpg",[],{"id":92269,"slug":92270,"title":92271,"dynasty":22,"author":7,"museum":172,"description":92272,"tags":92273,"thumbUrl":92274,"material":296,"size":297,"collection":11,"collections":92275,"showCount":351,"zanCount":49,"manualWeight":49,"mainColor":50},290678,"da-ban-nie-pan-jing-juan-di-ba-shou-gao-yi-ming-290678","大般涅槃经卷第八手稿","此卷写经笔墨匀净秀雅，是典型的写经小楷。点画圆融饱满，起收内敛温润，字字排布齐整却不失灵动，行气舒朗贯通，笔势带着沉静的书写韵律，尽显抄录时的恭谨持重。\n\n泛黄古旧的纸面上墨色沉凝厚重，经文连绵铺展，将宗教文本的肃穆庄重与古典书法的清雅意蕴融为一体。岁月浸润的质感裹挟着沉静的信仰之力，尽显中古写本特有的质朴静穆之美，虔诚之心融于笔锋流转之间。",[96,124,3054,3053,1170,30,4486,3056],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F8c14087f9dc8fd93e5b100c5bb38d31f.jpg",[],{"id":92277,"slug":92278,"title":92279,"dynasty":22,"author":7,"museum":172,"description":92280,"tags":92281,"thumbUrl":92282,"material":296,"size":297,"collection":11,"collections":92283,"showCount":351,"zanCount":49,"manualWeight":49,"mainColor":50},290677,"da-bo-re-bo-luo-mi-duo-jing-juan-di-san-shi-san-shou-gao-yi-ming-290677","大般若波罗蜜多经卷第三十三手稿","此卷写经小楷精整秀雅，起收笔皆循法度，字形端稳排布齐整，通篇气息沉静肃穆。墨色苍润古雅，泛黄纸卷晕染着岁月痕迹，字里行间浸透千余年禅意。抄写疏密合宜，笔势圆融内敛，不见跳脱锋芒，将书写者的恭谨虔诚融于每一处笔墨细节，贴合释典抄写的庄严气韵，尽显古代抄经书法的典型风貌，带着独有的厚重历史质感，静静诉说着信仰与笔墨相融的旧日时光。",[3053,3054,124,96,4486,1170,292,4485,82],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F81e07ae720a143ff180a419f3cbcf295.jpg",[],{"id":92285,"slug":92286,"title":92287,"dynasty":22,"author":7,"museum":172,"description":92288,"tags":92289,"thumbUrl":92290,"material":296,"size":297,"collection":11,"collections":92291,"showCount":351,"zanCount":49,"manualWeight":49,"mainColor":50},290673,"da-cheng-mi-yan-jing-juan-shang-shou-gao-yi-ming-290673","大乘密严经卷上手稿","泛黄素纸被时光晕浸出深浅不一的水痕，似烟霭流转的淡墨云山，又如旧年案头遗落的茶渍。褪去了经文笔墨，只余下岁月镌刻的肌理，每一处晕染都是时光私藏的印记。错落的渍痕顺着纸纹漫开，将被搁置的旧时光凝在纸页间，带着被光阴摩挲后的温润古意，静静诉说着被风尘浸洇的过往，把漫长岁月里的沉静与斑驳，都封存在这一纸旧物之中。",[96,30,3053,124,4485,26764,109],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F641d0ec7a3fba60d5c179ccd30c2642a.jpg",[],{"id":92293,"slug":92294,"title":92295,"dynasty":22,"author":7,"museum":172,"description":92296,"tags":92297,"thumbUrl":92298,"material":296,"size":297,"collection":11,"collections":92299,"showCount":351,"zanCount":49,"manualWeight":49,"mainColor":70},290672,"jin-guang-ming-zui-sheng-wang-jing-shou-gao-yi-ming-290672","金光明最胜王经手稿","素纸泛黄晕染着岁月痕迹，小楷字迹清隽端凝，笔力匀净秀雅，舒朗排布的经文，墨色虽有淡褪却依旧沉稳温润。修补的纸痕是时光镌刻的印记，诉说着辗转流传的过往。\n\n通篇笔墨带着写经特有的肃穆平和，不见尘俗烟火气，将虔诚信仰融于笔底。起收转合之间，藏着抄经人静定的心力，在素朴纸页晕开禅意静穆的气场，仿佛能窥见古卷在灯下被缓缓誊写的静定时刻，让观览者沉下心来，触摸跨越时光的沉静与虔诚。",[96,124,3053,1170,3054,82,30,4486],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F0a96ebaa973283b76fe9661dc29778e1.jpg",[],{"id":92301,"slug":92302,"title":92303,"dynasty":22,"author":7,"museum":172,"description":92304,"tags":92305,"thumbUrl":92306,"material":296,"size":297,"collection":11,"collections":92307,"showCount":351,"zanCount":49,"manualWeight":49,"mainColor":70},290671,"da-bo-re-bo-luo-mi-jing-juan-di-wu-bai-er-shi-liu-shou-gao-yi-ming-290671","大般若波罗蜜经卷第五百二十六手稿","此卷小楷清隽端雅，笔致匀净秀润，结体方正平和，通篇排布齐整，行气贯通悠长。书写者以静定之心落墨，经文浩繁却字字安稳无怠，兼具经生书法的严谨法度，又隐有灵动的笔墨意趣。\n\n笔墨间晕染着虔敬肃穆的气韵，点画精劲内敛，起转收合皆循章法，将信仰融于毫端，在规整之中见细腻情致，尽显写经书法的清雅风骨，是兼具宗教意蕴与书法审美价值的佳作。",[96,124,3054,3053,1170,30,4486,3056],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fd7740a9c7b6090477de558a8fd2278d0.jpg",[],{"id":92309,"slug":92310,"title":92311,"dynasty":22,"author":7,"museum":172,"description":92312,"tags":92313,"thumbUrl":92315,"material":296,"size":297,"collection":11,"collectio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于卷上，在漫漶纸页间留存下古朴清净的书卷气韵。",[96,124,3053,1170,30,3056,3054],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F35b031114fddeb597d7735430985936d.jpg",[],{"id":92439,"slug":92440,"title":92441,"dynasty":22,"author":7,"museum":172,"description":92442,"tags":92443,"thumbUrl":92444,"material":296,"size":297,"collection":11,"collections":92445,"showCount":351,"zanCount":49,"manualWeight":49,"mainColor":70},290639,"da-bo-re-jing-juan-di-er-shi-san-yi-ming-290639","大般若经卷第二十三","纸面晕染着蜜色包浆，错落水渍如无心晕开的淡墨山水。似烟霭里的汀洲远树，又像云影下的寒山黛色，没有刻意经营的笔触，全是时光悄然摩挲的痕迹。\n\n素净纸页间，水痕层层叠叠，带着旧年潮气浸润的温柔弧度，将悠长岁月晕融其中。每一处深浅不一的印迹，都是时光写给纸页的信笺，藏着过往晨昏里的烟火余温，自带沉静古雅的禅意，于留白之间见天地悠悠，尽显无心而成的雅致意趣。",[3053,96,30,124,4486],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fbdacc2f8b374a810c6f7d94df67d3e57.jpg",[],{"id":92447,"slug":92448,"title":92449,"dynasty":22,"author":7,"museum":172,"description":92450,"tags":92451,"thumbUrl":92452,"material":296,"size":297,"collection":11,"collections":92453,"showCount":351,"zanCount":49,"manualWeight":49,"mainColor":70},290638,"jin-guang-ming-jing-juan-di-si-shou-gao-yi-ming-290638","金光明经卷第四手稿","这卷写经以小楷书就，结体匀整端稳，笔致清隽秀雅。通篇千字排布森然不紊，墨色沉凝内敛，历经岁月经纸色泛黄，虫蛀斑驳的痕迹让其更添古雅厚重的沧桑质感。\n\n抄经人笔笔恪守法度，字里行间可见静定心境，既有佛家写经特有的肃穆气韵，又兼具文人小楷的雅致意趣，将虔诚之心融于笔锋起落之间，静静诉说着笔墨传承的悠长温度，是写经书法中颇具韵味的佳品。",[28,124,3053,96,3054,30,4486],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fb9bb7c204f064d4853fc8cb397a2063c.jpg",[],{"id":92455,"slug":92456,"title":92457,"dynasty":22,"author":7,"museum":172,"description":92458,"tags":92459,"thumbUrl":92460,"material":296,"size":297,"collection":11,"collections":92461,"showCount":351,"zanCount":49,"manualWeight":49,"mainColor":50},290637,"fu-shuo-zhi-hui-hai-cang-jing-juan-xia-shou-gao-yi-ming-290637","佛说智慧海藏经卷下手稿","此卷以小楷抄录经文，笔致温润秀雅，排布齐整匀净。点画凝练舒展，字字恪守法度却不失灵动，带着写经特有的恭谨气韵。古旧泛黄的纸页晕着沉净墨色，字里行间漫溢着肃穆禅意，书写者的虔诚藏在每一笔起落之中。整体气息平和庄重，尽显写经书法的沉静质感，仿佛将往昔的清净禅心凝于卷上，带着旧时光特有的厚重静谧，观之便觉心神安定。",[96,124,3053,1170,30,3054,4486,4485],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F59f4ba215e4c3ce86f26a9ab281a61ec.jpg",[],{"id":92463,"slug":92464,"title":92465,"dynasty":22,"author":7,"museum":172,"description":92466,"tags":92467,"thumbUrl":92468,"material":296,"size":297,"collection":11,"collections":92469,"showCount":351,"zanCount":49,"manualWeight":49,"mainColor":70},290636,"si-fen-jie-shu-juan-di-er-shou-gao-yi-ming-290636","四分戒疏卷第二手稿","此卷以小楷抄就，通篇字行排布匀整森密却不显拥迫，笔致秀雅端稳，墨色匀净沉凝。朱笔批注错落点缀于行间，与墨色相映成趣。书写者下笔收放合度，字字恪守法度，尽显誊抄的虔敬姿态，藏着沉静内敛的书写心力。卷中笔墨带着古朴雅致的书卷气，不见浮躁之态，完整留存了旧时誊写校阅的细节，舒展间尽显中古写本独有的质朴文心，将抄写经典时的肃穆与专注凝于毫端，朴素却动人心神。",[96,124,3053,3054,30,1170,4486,4485],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F95943061712ca034f03590423c4e51c1.jpg",[],{"id":92471,"slug":92472,"title":92473,"dynasty":22,"author":7,"museum":172,"description":92474,"tags":92475,"thumbUrl":92477,"material":296,"size":297,"collection":11,"collections":92478,"showCount":351,"zanCount":49,"manualWeight":49,"mainColor":70},290635,"zeng-yi-a-han-jing-shou-gao-yi-ming-290635","增一阿含经手稿","此卷以小楷抄录经文，通卷排布齐整茂密，字距行距匀停舒朗，墨色清润凝练，尽显端雅静穆的书卷气韵。点画精谨细致，起收提捺皆见法度，笔力内敛沉厚，筋骨暗藏，虽字字独立却气脉贯通如一，将写经人的恭谨静定融入笔墨之间。\n\n全篇无一字苟且，一笔一划皆饱含敬奉之心，既有古雅简澹的意趣，又具端稳工致的姿态，在工整之中暗含灵动意趣，尽显书写者深厚的笔墨功底与虔诚的写经心境，是兼具宗教价值与书法美学价值的写本佳作。",[96,124,3054,3053,1170,30,4486,92476],"佛经手稿","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fda98fc6e244fd1da064cf061385ac1d5.jpg",[],{"id":92480,"slug":92481,"title":92482,"dynasty":22,"author":7,"museum":172,"description":92483,"tags":92484,"thumbUrl":92485,"material":296,"size":297,"collection":11,"collections":92486,"showCount":351,"zanCount":49,"manualWeight":49,"mainColor":70},290634,"si-fen-lv-cang-juan-er-shi-ba-shou-gao-yi-ming-290634","四分律藏卷二十八手稿","通篇以小楷抄就，字距行距如棋盘般排布严整，笔墨温润秀雅。起收笔一丝不苟，笔画圆融内敛，字字端稳沉静，不见丝毫浮躁懈怠，尽显抄经时的恭敬虔诚。\n\n整卷气息平和冲淡，将经文的庄严肃穆以笔墨具象晕染开来，无张扬笔锋，只在匀净字迹中蕴藏静定绵长的力量，带着手写经卷特有的质朴静雅与肃穆禅意，静静诉说着抄录时的专注与沉静。",[96,124,3054,3053,30,4486],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F652caaa7ee44ea3a335f4a204389601a.jpg",[],{"id":92488,"slug":92489,"title":92490,"dynasty":22,"author":7,"museum":172,"description":92491,"tags":92492,"thumbUrl":92493,"material":296,"size":297,"collection":11,"collections":92494,"showCount":351,"zanCount":49,"manualWeight":49,"mainColor":70},290633,"wei-mo-jing-di-zi-pin-yi-ming-290633","维摩经弟子品","此卷淡墨书于泛黄古纸之上，笔触圆融朴拙，行笔舒展从容，字间排布匀净舒朗。纸面带着岁月浸蚀留下的残损痕迹，晕开厚重古雅的沧桑氛围感。\n\n通篇笔墨无刻意妍美雕琢，纯然是抄录经文时的静定流露，将虔诚的信仰融于笔端，字字晕染着沉静内敛的禅意，尽显书写时肃穆宁和的心境，兼具书法审美价值与厚重的人文宗教底蕴。",[124,28,96,3053,30,1170,3054,4486,11798],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F14a047a1d7159d1c88c69a2edd6b062d.jpg",[],{"id":92496,"slug":92497,"title":92498,"dynasty":22,"author":7,"museum":172,"description":92499,"tags":92500,"thumbUrl":92501,"material":296,"size":297,"collection":11,"collections":92502,"showCount":351,"zanCount":49,"manualWeight":49,"mainColor":277},290631,"you-po-sai-jie-jing-juan-di-er-shou-gao-yi-ming-290631","优婆塞戒经卷第二手稿","此卷以黄麻纸为底，乌丝界格规整排布，小字楷书写就。笔致精劲稳帖，点画朴拙凝练，字字匀停舒展，通篇气脉连贯沉静，带着抄经时的虔敬肃穆。纸页虽有残损虫蛀，却晕染出时光浸淫的厚重质感，更衬笔墨的温润古雅。无刻意妍美雕琢，却在平实书写里展露精湛功底，将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Tommaso Peruzzi--Crouching Figure of Atlas","屈膝蹲伏的泰坦全身肌肉紧绷虬结，每一道肌理都因背负天穹满是隐忍的张力。作者以苍劲简练的笔线塑造躯体体积，明暗块面精准刻画出肩背、腰腿的负重褶皱，卷发下的侧颜凝满苦难的坚毅。\n\n留白的圆形恰似虚空天穹，将千钧重压具象化，让观者仿佛能共情这份扛举天地的神性痛楚。粗犷又精准的笔触，把泰坦背负宿命的悲壮揉入每一道肌肉沟壑，寥寥数笔就将神话史诗的厚重感倾泻而出，尽显古典人体素描对力量与悲剧性的精妙诠释。",[38060,1572,4851,92572,92573,92574,92575],"男性人体","力量感","擎天神","蹲伏","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F8aa5f942ef3ee1cfc4a9638e9cd6f771.jpg",[],{"id":92579,"slug":92580,"title":92581,"dynasty":22,"author":7,"museum":172,"description":92582,"tags":92583,"thumbUrl":92584,"material":296,"size":297,"collection":11,"collections":92585,"showCount":351,"zanCount":49,"manualWeight":49,"mainColor":70},289549,"attributed-to-john-carter-drawing-room-of-lea-castle-looking-west-yi-ming-289549","Attributed to John Carter--Drawing Room of Lea Castle, Looking West","整体是哥特复兴风格的雅致厅堂，层次错落的雕花藻井以青绿描金点缀，晕开复古华贵的底色。墙面拱壁龛柱搭配浮雕人像，庄重典雅之余带着复古仪式感。壁炉居于视觉中心，上方古典画作与对称排布的软包座椅相互呼应，边桌鎏金摆件柔和了建筑的冷硬肌理，铺陈出旧日宅邸的闲适氛围。\n水彩晕染柔和细腻，精准勾勒每一处雕花肌理，将中世纪复古形制与室内陈设的柔美融合，仿若将鎏金岁月凝于纸面，尽显古典宅邸的精致雍容，让人好似窥见旧日厅堂里衣香鬓影的松弛光景。",[48137,329,32,25374,1607,56719,48010,4821,70324],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fbdffd9fcd1e4b98c5eb7752208451339.jpg",[],{"id":92587,"slug":92588,"title":92589,"dynasty":22,"author":7,"museum":172,"description":92590,"tags":92591,"thumbUrl":92594,"material":296,"size":297,"collection":11,"collections":92595,"showCount":351,"zanCount":49,"manualWeight":49,"mainColor":70},289548,"attributed-to-louis-binet-costume-drawing-lady-and-gentleman-dancing-yi-ming-289548","Attributed to Louis Binet--Costume Drawing Lady and Gentleman Dancing","这幅素描以细腻明暗笔触，定格下旧日舞池的浪漫瞬间。女郎曳地裙摆随舞步漾开柔美的褶皱，高耸饰缎礼帽衬得身姿窈窕，侧脸噙着笑意，全然沉醉在舞步之中。身旁绅士微微俯身，目光凝在女伴身上，姿态亲昵温柔。\n\n角落观舞老者悠然倚坐，为画面添上松弛余韵。画家用精准线条勾勒华服层次，淡墨晕染出光影虚实，将洛可可时代贵族社交的慵懒雅致尽数铺展，仿佛能听见舞池弦乐轻响，把十八世纪上流社会的缱绻情调，永远封存在纸面之上。",[33,16470,38060,38059,1607,92592,92593],"贵族服饰","社交","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ffed8279660b3f64f90c97c3a6a5c6391.jpg",[],{"id":92597,"slug":92598,"title":92599,"dynasty":22,"author":7,"museum":172,"description":92600,"tags":92601,"thumbUrl":92602,"material":296,"size":297,"collection":11,"collections":92603,"showCount":351,"zanCount":49,"manualWeight":49,"mainColor":70},289547,"attributed-to-matthijs-cock-landscape-with-a-town-by-the-seashore-yi-ming-289547","Attributed to Matthijs Cock--Landscape with a Town by the Seashore","以棕褐线条晕开山海乡居图景，近坡荒草萋萋，几株古木虬曲苍劲，疏朗枝桠晕染山野意趣。坡下石桥横跨浅溪，矮屋簇拥钟楼漫出烟火暖意。\n视线铺展至中远景，滨海屋舍错落着融入山岚，海面扁舟轻泊，朦胧远山柔化了天地边界。笔触克制细腻，以极简线条铺陈层次，不着浓丽色彩，却将郊野渔村的松弛日常揉进阔远天地间，藏着古朴写实的质感，把山海乡野的静穆悠远晕在纸面，尽显古典风景绘作里含蓄温柔的自然意趣。",[56613,38060,60,7388,47864,131,1623,1125,162],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fadbf5e3a353af94ff6a0b1e0715beafd.jpg",[],{"id":92605,"slug":92606,"title":92607,"dynasty":22,"author":7,"museum":172,"description":92608,"tags":92609,"thumbUrl":92611,"material":296,"size":297,"collection":11,"collections":92612,"showCount":351,"zanCount":49,"manualWeight":49,"mainColor":50},289546,"attributed-to-peter-de-wint-landscape-with-a-rock-wall-yi-ming-289546","Attributed to Peter De Wint--Landscape with a Rock Wall","这幅风景速写以灰调铺就沉静底色，用水色晕染揉合出林间岩壁的幽寂氛围。深色块晕染出上方林莽的阴翳朦胧，留白与淡墨勾画出岩壁层叠的断面，棱角被水汽柔化，却依旧带着山石的厚重质感。\n\n前景滩涂以枯笔扫过，浅淡的水痕漫出湿润的松弛感，和岩壁的硬朗形成微妙反差。画师以极简的明暗层次，铺陈开山野间潮湿静谧的氛围，没有刻意雕琢的细节，用虚实相生的笔触，让岩壁与林莽融在氤氲水汽里，仿佛能嗅到林间潮润的草木气息，将郊野一隅的松弛安然定格下来。",[48137,56613,19003,131,6287,92610],"淡彩晕染","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F621e3c385337cbe5a0b42a14488b04b8.jpg",[],{"id":92614,"slug":92615,"title":92616,"dynasty":22,"author":7,"museum":172,"description":38057,"tags":92617,"thumbUrl":92621,"material":296,"size":297,"collection":11,"collections":92622,"showCount":351,"zanCount":49,"manualWeight":49,"mainColor":70},289545,"attributed-to-peter-paul-rubens-hermaphrodite-yi-ming-289545","Attributed to Peter Paul Rubens--Hermaphrodite",[38059,38060,92618,1572,92619,4851,92620],"红铅画","裸体人像","雌雄同体","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F0884fa07b86012019a54f6a245c27901.jpg",[],{"id":92624,"slug":92625,"title":92626,"dynasty":22,"author":7,"museum":172,"description":92627,"tags":92628,"thumbUrl":92629,"material":296,"size":297,"collection":11,"collections":92630,"showCount":351,"zanCount":49,"manualWeight":49,"mainColor":70},289544,"attributed-to-piero-di-cosimo-bust-of-a-young-woman-yi-ming-289544","Attributed to Piero di Cosimo--Bust of a Young Woman","这帧素描以银笔轻绘于灰底之上，笔触柔婉细腻，顺着少女的轮廓缓缓铺陈。垂首敛目的姿态晕开静谧安然的氛围，低垂的眉眼间藏着似有若无的沉思，神情温婉柔和。\n\n头巾与发丝的线条流畅舒展，轻软地勾勒出柔和体积感，淡晕的笔触柔化了轮廓边界，让光影顺着衣料与肌肤自然过渡。没有繁复修饰，仅以简约的素描语言，便将少女沉静柔美的气质尽数晕染开来，将一瞬的温柔凝于纸面，满是含蓄悠长的古典诗意。",[38060,1572,127,37814,48361],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F486afa75d4debb590f1f9f4f00c7d81a.jpg",[],{"id":92632,"slug":92633,"title":92634,"dynasty":22,"author":7,"museum":172,"description":92635,"tags":92636,"thumbUrl":92639,"material":296,"size":297,"collection":11,"collections":92640,"showCount":351,"zanCount":49,"manualWeight":49,"mainColor":70},289543,"attributed-to-pieter-de-jode-i-neptune-in-his-chariot-yi-ming-289543","Attributed to Pieter de Jode I--Neptune in his Chariot","健硕的海神高举三叉戟，须发贲张，虬结的肌肉迸发出撼人的力量，将神祇的暴怒威严展现得淋漓尽致。四匹昂首嘶吼的海马蹄踏浪涛，劲健的躯体带着战车在狂澜中破浪前行，海床裂隙的嶙峋岩壁为画面衬出蛮荒底色。\n画家以细腻排线晕染明暗，勾勒出肌肉的块面张力与海浪的翻涌动感，圆形构图将奔涌的磅礴气势凝于尺幅之间，恣肆笔触揉合野性与威仪，把上古海神驭浪出征的狂暴神话瞬间永远定格。",[92637,4851,41629,77089,92638,38060,1572,42846],"圆形构图","战车","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fd08a33942c836040534f71ee80f3d114.jpg",[],{"id":92642,"slug":92643,"title":92644,"dynasty":22,"author":7,"museum":172,"description":92645,"tags":92646,"thumbUrl":92650,"material":296,"size":297,"collection":11,"collections":92651,"showCount":351,"zanCount":49,"manualWeight":49,"mainColor":50},289542,"attributed-to-pomponio-amalteo-susannah-and-the-elders-before-daniel-yi-ming-289542","Attributed to Pomponio Amalteo--Susannah and the Elders before Daniel","炭笔排线勾拉出满庭紧绷的对峙，左侧女子被亲友簇拥，垂眉攥手，隐忍姿态里裹着不肯屈从的倔强。台阶上控诉者群情嚣躁，有人伸手指斥，有人交头鼓噪，端坐的审判者垂身静听，持械武士的冷硬轮廓将庭院框作困囿人心的罗网。\n粗粝的明暗起伏晕开压抑氛围，线条顺着情绪走向铺展，把构陷的卑劣、受辱者的清凛清晰剖白，将这场礼教枷锁下的诘难定格，让观者窥见暗处的恶意与清白者的不屈。",[38060,1573,1572,47655,92647,70807,92648,92649],"建筑场景","苏珊娜与长老","但以理","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F710230986a13289ae322a48186a9d909.jpg",[],{"id":92653,"slug":92654,"title":92655,"dynasty":22,"author":7,"museum":172,"description":92656,"tags":92657,"thumbUrl":92659,"material":296,"size":297,"collection":11,"collections":92660,"showCount":351,"zanCount":49,"manualWeight":49,"mainColor":70},289541,"attributed-to-richard-parkes-bonington-the-proposal-recto-unfinished-drawing-yi-ming-289541","Attributed to Richard Parkes Bonington--The Proposal (recto); Unfinished drawing","水彩晕染铺就朦胧室内，跪地的华服男子姿态热切，指尖轻触女子裙摆，将爱慕与忐忑揉进动作中。白衣女子背身僵直，侧脸带着疏离的犹豫，华贵裙装的褶皱在水色晕染下柔润舒展，将她的迟疑具象为凝滞的身形。\n\n镜中窥伺的侍女藏起好奇，壁龛肖像沉在暖棕色调里，衬得这场私密求婚暧昧又紧绷。松弛的笔触晕开柔化色块，把心动与迟疑拉扯的情绪藏进朦胧画面，如同古典戏剧里按下暂停的一幕，将未尽的话语与涌动心绪定格在这方寸之间。",[33,32,38059,56669,19463,92658,127,38062],"求婚","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F12d0fddc1aa0b6b6676202dd8b89e051.jpg",[],{"id":92662,"slug":92663,"title":92664,"dynasty":22,"author":7,"museum":172,"description":92665,"tags":92666,"thumbUrl":92667,"material":296,"size":297,"collection":11,"collections":92668,"showCount":351,"zanCount":49,"manualWeight":49,"mainColor":70},289539,"attributed-to-sahib-ram-singer-and-sarangi-player-yi-ming-289539","Attributed to Sahib Ram--Singer and Sarangi Player","此作为白描稿本，纤细匀净的铁线游丝，将两位盛装乐女的形神尽皆勾勒。前者持萨朗吉琴，指节轻扣弦柄，姿态娴静舒展；后者垂纱覆首，眉眼柔婉低垂，静立身侧。\n\n繁复的花钿头饰、层叠的璎珞项饰，均以流畅线条细致铺陈，将异域宫廷女子的华贵装束描摹入微，不见一处冗余笔意。素纸留白消解了色彩的喧扰，只余线条交织出的温柔韵律，静静晕开古早宫廷乐舞场合里那份松弛雅致的氛围感。",[123,33,127,687,28],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F6084e98732465572e3cce0a6a437f04f.jpg",[],{"id":92670,"slug":92671,"title":92672,"dynasty":22,"author":7,"museum":172,"description":92673,"tags":92674,"thumbUrl":92675,"material":296,"size":297,"collection":11,"collections":92676,"showCount":351,"zanCount":49,"manualWeight":49,"mainColor":70},289538,"attributed-to-sempronio-subissati-portrait-of-francesco-albani-yi-ming-289538","Attributed to Sempronio Subissati--Portrait of Francesco Albani","淡红粉笔晕染开柔和暖意，细腻笔触精准勾勒出画中人沉稳儒雅的神态，鬓侧的耳钉又添了几分不羁雅致。层叠褶皱的衣领衣袍细节写实，还原巴洛克早期的着装风尚。椭圆形画框以缠枝花环围合，底部绶带题字烘托出纪念性氛围。画作以明暗过渡柔化面部轮廓，用舒缓线条晕染毛发衣物质感，将写实性与装饰性融为一体，既精准还原出画中人的沉静气质，也尽显17世纪欧洲肖像创作的古典审美意趣，庄重雅致又不失生动鲜活。",[12520,1572,38060,38059,42074,70171],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F5d5b892ba86fecae4d4b64b552635bec.jpg",[],{"id":92678,"slug":92679,"title":92680,"dynasty":22,"author":7,"museum":172,"description":92681,"tags":92682,"thumbUrl":92684,"material":296,"size":297,"collection":11,"collections":92685,"showCount":351,"zanCount":49,"manualWeight":49,"mainColor":70},289537,"attributed-to-ubaldo-gandolfi-christ-in-glory-with-saint-lawrence-saint-anthony-of-padua-yi-ming-289537","Attributed to Ubaldo Gandolfi--Christ in Glory with Saint Lawrence, Saint Anthony of Padua","棕褐笔调晕开神性回响，奔放线条铺陈出画面张力。上方穹顶中，簇拥的灵影裹挟翻飞衣袂，如卷涌云浪托举神圣光晕，笔意恣肆酣畅，将天国的宏阔氛围感凝于笔端。\n\n地面上的信徒或躬身仰望，或伸手祈颂，衣褶的明暗晕染精准勾勒出肃穆虔敬的神态，把凡世对神性的仰望与渴慕静静铺展。潦草却极具感染力的笔触，让神圣感召力跃然纸面，将信仰的热忱定格在这方寸画幅之中。",[30,33,38060,56721,56660,92683],"圣徒","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ff329e4189996d94ea9021a4ebeb12f55.jpg",[],{"id":92687,"slug":92688,"title":92689,"dynasty":22,"author":7,"museum":172,"description":92690,"tags":92691,"thumbUrl":92693,"material":296,"size":297,"collection":11,"collections":92694,"showCount":351,"zanCount":49,"manualWeight":49,"mainColor":70},289536,"attributed-to-ubaldo-gandolfi-decapitation-of-saint-james-the-greater-yi-ming-289536","Attributed to Ubaldo Gandolfi--Decapitation of Saint James the Greater","棕墨晕染的纸面之上，殉道时刻的庄严被定格。前景里圣徒舒展臂膀，在天使的环绕之中，从容直面死亡，肌肉贲张的侩子手正举刀落向他的颈项，侧旁的士兵漠然旁观。\n\n上方云气翻涌盘旋，簇拥着天使们自天国降临，急切前来接引殉道者的灵魂。利落遒劲的线条勾勒出衣袍褶皱，带着极强的动感张力，明暗晕染铺陈开凡世与天国的层次对比，将殉难的悲壮与神性升遐的神圣感相融，笔触里浸着浓郁的戏剧感染力，把信仰的坚毅传递得淋漓尽致。",[30,33,38061,2656,123,38060,70807,92692],"圣雅各斩首","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F6a47acf5439866b3ad92ab9d052042ba.jpg",[],{"id":92696,"slug":92697,"title":92698,"dynasty":22,"author":7,"museum":172,"description":92699,"tags":92700,"thumbUrl":92702,"material":296,"size":297,"collection":11,"collections":92703,"showCount":351,"zanCount":49,"manualWeight":49,"mainColor":70},289534,"auguste-raffet-uniforms-of-the-civil-guard-in-courtray-belgium-yi-ming-289534","Auguste Raffet--Uniforms of the civil guard in Courtray, Belgium","这是一幅兼具记录性与艺术性的军旅制服速写。画面以四个士兵形象为主体，正反视角互补，清晰呈现两套制服全貌。利落精准的铅笔线条勾勒出士兵挺拔干练的身姿，淡彩晕染区分出素白与墨绿两款制服色调，对比鲜明又各见神采。\n\n边角处配有军帽、火枪、护具的特写稿，详尽标注制服细节，足见创作者对形制的细致考究。整体画面松弛生动，既有速写的随性鲜活，又精准还原出欧陆军旅制服的硬朗质感，将实用性的服饰测绘与写生的艺术表现力融为一体。",[1572,48137,38060,89924,2405,92701,36595,47971],"制服","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fd79c2e751cdec747685c5bdda511a0c8.jpg",[],{"id":92705,"slug":92706,"title":92707,"dynasty":22,"author":7,"museum":172,"description":92708,"tags":92709,"thumbUrl":92710,"material":296,"size":297,"collection":11,"collections":92711,"showCount":351,"zanCount":49,"manualWeight":49,"mainColor":50},289530,"auguste-rodin-origin-of-the-greek-vase-yi-ming-289530","Auguste Rodin--Origin of the Greek Vase","粗犷松弛的线条铺陈出沉郁肃穆的教堂空间，明暗晕染晕开砖石墙面的斑驳肌理，烘托出古旧穹顶的厚重质感。祭典队伍簇拥着华盖圣物缓缓行进，人物错落的动态带着庄重韵律，左侧执杖侍者躬身低首，尽显仪式的虔诚。\n\n潦草却精准的线条勾勒出袍服褶皱，带着速写的随性写意，却将祭典的庄严肃穆凝于纸面，仿佛能听见穹顶之下回旋的祷声，把宗教仪式的沉静厚重，定格在这朦胧又真切的瞬间之中。",[30,1572,38060,70252,70562,48151],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F42be792ee8ff3b5d27b970d3f3982760.jpg",[],{"id":92713,"slug":92714,"title":92715,"dynasty":22,"author":7,"museum":172,"description":92716,"tags":92717,"thumbUrl":92719,"material":296,"size":297,"collection":11,"collections":92720,"showCount":351,"zanCount":49,"manualWeight":49,"mainColor":70},289529,"auguste-rodin-study-of-a-nude-female-figure-satyress-yi-ming-289529","Auguste Rodin--Study of a nude female figure (Satyress)","这幅速写以奔放随性的炭笔线条，捕捉女性胴体的柔润起伏，未刻意雕琢细节，依靠虚实明暗晕染塑造体积。慵懒舒展的躯体带着野性柔媚，寥寥排线便交代出光影裹挟下的肌肉曲线，背景与形体的边界模糊相融，将松弛慵懒的氛围拉满。\n\n潦草却精准的线条带着创作时的即兴酣畅，把女性躯体的柔腴力量藏在松弛笔触之中，落笔毫无拘谨，却精准抓住了人体动态的神韵，仿佛下一秒躯体就会随着呼吸轻颤，将转瞬即逝的柔美定格在纸面。",[38060,47971,48050,1572,92718,4851],"人体素描","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F9d789f99a5931ed8d5934de25291d13c.jpg",[],{"id":92722,"slug":92723,"title":92724,"dynasty":22,"author":7,"museum":172,"description":92725,"tags":92726,"thumbUrl":92728,"material":296,"size":297,"collection":11,"collections":92729,"showCount":351,"zanCount":49,"manualWeight":49,"mainColor":70},289528,"auguste-rodin-the-golden-age-yi-ming-289528","Auguste Rodin--The Golden Age","炭笔勾勒的线条松弛舒展，带着流动的韵律感。男女躯体凝练扎实，兼具古典雕塑的厚重张力，衣袂与头纱的曲线则轻柔如烟，裹着枝叶随步伐漾开。恋人怀抱着稚子，亲昵依偎间漫开暖意生机。下方的小爱童仰身探手，将画面的温情联结成完整的诗行。朦胧晕染的明暗柔化了硬朗轮廓，把神圣情爱与新生的喜悦揉进朦胧氛围里，既有速写的鲜活气韵，又藏着古典神话的祥和美满，将温柔静美定格于纸面。",[38060,1572,38059,42846,92727,1527,3244],"裸人体","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F2c2f2bc7743d2ab6898f6b77bf93cb72.jpg",[],{"id":92731,"slug":92732,"title":92733,"dynasty":22,"author":7,"museum":172,"description":92734,"tags":92735,"thumbUrl":92738,"material":296,"size":297,"collection":11,"collections":92739,"showCount":351,"zanCount":49,"manualWeight":49,"mainColor":70},289527,"aureliano-milani-an-old-man-on-his-deathbed-tempted-by-demons-yi-ming-289527","Aureliano Milani--An Old Man on His Deathbed Tempted by Demons","画面以逼仄卧房承载了临终前的精神炼狱。狞恶恶灵将濒死老人团团围住，有的俯身拉扯老人躯体，有的挥鞭恫吓，角落小魔怪煽风造势，床侧邪祟探爪攫取，连天花板都隐现魅影。\n作者以利落排线铺陈明暗，粗粝线条刻画出恶魔扭曲形貌，阴影将空间揉成压抑囚笼，把信徒临终前的精神拉扯具象到极致，让观者直面邪祟与神性的激烈对峙，将濒死之际的恐惧、挣扎全盘铺展，沉郁诡谲的氛围浸透纸面，直白诉说着灵肉博弈的终极试炼。",[38060,123,1572,30,92736,3899,92737,19463],"恶魔","病床","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F36337968697098e1e262b560cbab1941.jpg",[],{"id":92741,"slug":92742,"title":92743,"dynasty":22,"author":7,"museum":172,"description":92744,"tags":92745,"thumbUrl":92750,"material":296,"size":297,"collection":11,"collections":92751,"showCount":351,"zanCount":49,"manualWeight":49,"mainColor":70},289526,"aureliano-milani-christ-healing-a-possessed-man-yi-ming-289526","Aureliano Milani--Christ Healing a Possessed Man","画面左右形成强烈的动静对冲，左侧附魔者癫狂挣扎，周遭民众合力束缚，肢体扭曲紧绷，残损楼宇更烘托出失控的混沌。右侧基督抬手静定，神态悲悯沉静，门徒垂立肃穆，规整的古典楼宇托举起神性的秩序感。\n\n画师以线条勾勒情绪起伏，淡色晕染区分明暗层次，将信仰平复狂乱的内核藏在视觉对抗之中。市井的粗粝烟火气，糅合神迹的庄严肃穆，让救赎的主题在鲜活的世俗场景里缓缓铺陈，张力十足。",[1573,1572,38060,11256,92746,92747,92748,3243,92749],"耶稣","驱魔","古建筑","民众","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Faa8fb47a3cbd15123d4806fcab17f7da.jpg",[],{"id":92753,"slug":92754,"title":92755,"dynasty":22,"author":7,"museum":172,"description":92756,"tags":92757,"thumbUrl":92758,"material":296,"size":297,"collection":11,"collections":92759,"showCount":351,"zanCount":49,"manualWeight":49,"mainColor":70},289525,"aureliano-milani-hilly-landscape-with-three-figures-yi-ming-289525","Aureliano Milani--Hilly Landscape with Three Figures","以红粉笔晕开乡野意趣，前景虬曲古木占据左侧画面，苍劲枝干肆意舒展，叶片晕染出蓬松生机，深褐阴影稳稳锚定视觉重心。右侧坡地三两旅人暂作休憩，姿态松弛自然，为静谧山野晕开一抹烟火暖意。\n\n丘陵层叠向着远方漫延，错落村舍依山势铺陈，石砌屋宇与尖顶隐现于林木之间，光影顺着起伏山势缓缓铺展，将郊野的安闲松弛娓娓晕开。朴拙随性的笔触感揉合着山野的鲜活与悠然，把丘林乡野的松弛意态铺陈纸面，藏着独属于郊野的温柔闲静。",[38060,60,33,131,4724,6128,32],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ffbac8ac1049ce7cae64849dc0cc2e580.jpg",[],{"id":92761,"slug":92762,"title":92763,"dynasty":22,"author":7,"museum":172,"description":92764,"tags":92765,"thumbUrl":92767,"material":296,"size":297,"collection":11,"collections":92768,"showCount":351,"zanCount":49,"manualWeight":49,"mainColor":70},289524,"aurelio-lomi-saint-hyacinth-receiving-the-dominican-habit-yi-ming-289524","Aurelio Lomi--Saint Hyacinth Receiving the Dominican Habit","这幅素描以棕褐笔线铺陈，打稿网格可见创作时的严谨构思。画面下方是仪式核心，主教抬手肃穆授衣，圣徒躬身垂首，虔敬神态顺着沉坠的衣褶漫溢而出，围观者或凝神瞩目、或私语侧望，神态各有章法。\n云端的天使环伺环绕，灵动舒展的身姿与下方的庄重氛围形成柔刚对冲，角落嬉闹的小天使，为这场神圣晕染出鲜活暖意。\n线条兼具力量感与柔润度，精准勾勒出人物的体态情绪，将宗教仪式的庄严肃穆，与天国的轻盈灵动自然糅合，在素朴的稿纸上晕开虔诚又不失温度的氛围感。",[30,33,123,38060,70562,38061,92766,2361,2453],"神职人员","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F1cf256756d9c52e15306495e73c6da00.jpg",[],{"id":92770,"slug":92771,"title":92772,"dynasty":22,"author":7,"museum":172,"description":92773,"tags":92774,"thumbUrl":92777,"material":296,"size":297,"collection":11,"collections":92778,"showCount":351,"zanCount":49,"manualWeight":49,"mainColor":70},289523,"aurelio-luini-the-martyrdom-of-saint-lawrence-yi-ming-289523","Aurelio Luini--The Martyrdom of Saint Lawrence","这幅素描淡彩稿构图铺陈饱满，以明暗层次区分画面场域。左侧平民或信众哀恸惶恐，有人蜷缩在地，有人伸手呼号，将殉难的悲戚尽数流露。画面中央，身着朱红法衣的教会显贵神情肃穆，抬手的动作仿佛在传递最后的祷念，旁侧素色修士垂首静立，满含悲悯。右侧士兵倨傲冷漠，倚坐打量着这场悲剧，神色毫无波澜。\n\n淡彩晕开衣袍褶皱，线条既勾勒出人物的肌理情态，也将城邦街景晕染得极具氛围感。细腻笔触刻画出不同阶层的神态反差，把殉道时刻的神圣与悲怆定格，叙事张力十足，虽为稿本却情绪饱满厚重。",[30,1572,32,38060,2361,92775,92776,92766],"殉道场景","城市建筑","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fbbc826af976cb0d4799d99672a9a66cb.jpg",[],{"id":92780,"slug":92781,"title":92782,"dynasty":22,"author":7,"museum":172,"description":92783,"tags":92784,"thumbUrl":92786,"material":296,"size":297,"collection":11,"collections":92787,"showCount":351,"zanCount":49,"manualWeight":49,"mainColor":50},289522,"avanzino-nucci-the-mystic-marriage-of-saint-catherine-of-alexandria-yi-ming-289522","Avanzino Nucci--The Mystic Marriage of Saint Catherine of Alexandria","柔和棕调晕开圣洁静谧的氛围，松弛又精准的线条勾勒出人物温婉神态。圣母垂首托举圣子，圣凯瑟琳虔诚牵起孩童的手，将宗教盟约的庄重，融在温柔的互动里。背景小天使与乐师隐在朦胧晕染中，为仪式添上轻灵暖意。\n\n笔调明暗过渡自然柔和，衣褶褶皱带着流动质感，用单色层次铺陈出饱满叙事感，把古典宗教题材的神圣，揉进细腻笔触里，晕开旧时代独有的人文温情，让这场神秘婚礼的虔诚与温柔，跃然纸面。",[1573,1572,38060,11256,38061,2361,687,92785],"神秘婚姻","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ff6215e5df914ca5c4407b82a581c9273.jpg",[],{"id":92789,"slug":92790,"title":92791,"dynasty":22,"author":7,"museum":172,"description":92792,"tags":92793,"thumbUrl":92795,"material":296,"size":297,"collection":11,"collections":92796,"showCount":351,"zanCount":49,"manualWeight":49,"mainColor":70},289521,"baccio-bandinelli-three-male-heads-yi-ming-289521","Baccio Bandinelli--Three Male Heads","棕褐笔锋游走，以美髯长者为画面核心，卷发如翻涌浪涛，深刻的纹路皴刻下岁月的沉厚沧桑。左侧青年面庞清隽柔和，利落排线晕出饱满颅相与温润下颌，明暗交错间漾着少年的清朗意气。右侧老者侧颜冷硬锋利，挺括轮廓藏着沉郁肃穆的气度。\n线条张弛自如，粗粝排线堆叠出立体体积，留白巧衬肌肤肌理与衣料垂坠感。三副面孔并置，仿佛凝住三代光阴，将不同年岁的气质神韵尽数铺展，古典人文的沉静张力在笔端缓缓流淌，尽显写实素描的精湛功力。",[38060,1572,92794,1473,11098],"男性头像","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F13d3a18ea953221a5f4af95cbe1f3047.jpg",[],{"id":92798,"slug":92799,"title":92800,"dynasty":22,"author":7,"museum":172,"description":92801,"tags":92802,"thumbUrl":92804,"material":296,"size":297,"collection":11,"collections":92805,"showCount":351,"zanCount":49,"manualWeight":49,"mainColor":70},289520,"baldassare-tommaso-peruzzi-design-for-the-right-hand-section-yi-ming-289520","Baldassare Tommaso Peruzzi--Design for the Right-hand Section","这幅速写以劲挺的钢笔线条铺陈，精准勾勒出街角古典建筑的恢弘形制。层叠拱券的门廊、雕饰繁复的柱式与立面雕塑，在疏密有致的排线中铺陈明暗层次，尽显建筑的华丽肌理与庄重韵律。台阶上疾行的路人，为静止的砖石楼宇注入鲜活生气，让原本严谨的设计稿跳脱出图纸的冰冷，融工程精度与松弛的艺术氛围感为一体，每一笔都藏着创作者对空间尺度的精妙把控，将古典建筑的肃穆美感定格于纸面之上。",[38060,47971,48095,92803,129,3622,33,38059],"建筑设计","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F2a6ee836f81f52f208e9d8d1082323b4.jpg",[],{"id":92807,"slug":92808,"title":92809,"dynasty":22,"author":7,"museum":172,"description":92810,"tags":92811,"thumbUrl":92815,"material":296,"size":297,"collection":11,"collections":92816,"showCount":351,"zanCount":49,"manualWeight":49,"mainColor":70},289519,"baldassarre-franceschini-allegorical-figure-of-purity-with-a-unicorn-and-putto-yi-ming-289519","Baldassarre Franceschini--Allegorical Figure of Purity with a Unicorn and Putto","这帧红粉笔素描以柔和晕调铺展古典诗意，端坐的少女神态沉静端庄，衣褶线条舒展流动，衬出温婉气质。身侧的独角兽亲昵依偎，柔化了圣兽的疏离感晕开圣洁氛围。一旁的小天使姿态灵动鲜活，前倾的动作打破画面沉静，和少女的静谧形成巧妙的动静呼应。\n\n随性松弛的线条精准勾勒出肌肉起伏与织物褶皱，未加繁复修饰却让形象鲜活饱满，草稿般的随性笔触留住了创作时的灵动瞬间，将圣洁与活泼揉为一体，传递出古典寓言独有的纯净雅致氛围。",[38060,33,92812,70637,92813,92814],"独角兽","寓言画","神话动物","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fe4514c0f6f7dc3c14bb6f99bca5c1bfb.jpg",[],{"id":92818,"slug":92819,"title":92820,"dynasty":22,"author":7,"museum":172,"description":92821,"tags":92822,"thumbUrl":92825,"material":296,"size":297,"collection":11,"collections":92826,"showCount":351,"zanCount":49,"manualWeight":49,"mainColor":70},289518,"baldassarre-franceschini-allegorical-figure-of-purity-with-a-unicorn-and-two-putti-yi-ming-289518","Baldassarre Franceschini--Allegorical Figure of Purity with a Unicorn and Two Putti","红粉笔晕开柔暖的色调，贞洁化身的女子静坐在拱顶之下，桂冠衬出沉静圣洁的气质。她身侧的独角兽依偎在旁，作为贞洁的象征，为画面锚定庄重的主题，两个灵动小天使环绕左右，一个牵住独角兽，一个探身轻触，为肃穆添了几分活泼温情。\n\n线条松快灵动，顺着衣料起伏铺展出垂坠的褶皱，明暗晕染自然过渡，勾勒出柔婉却坚定的体态。弧形拱顶收拢构图，将视线引向中心，神性的庄重与古典的柔美相融，草稿独有的鲜活感跃然纸上，将抽象的美德具象为温柔却带着力量的鲜活形象。",[38060,1572,92812,70637,92823,1058,92824,48013],"寓言题材","纯洁主题","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F8e35cf703ab7ff9ab42093809d7bca05.jpg",[],{"id":92828,"slug":92829,"title":92830,"dynasty":22,"author":7,"museum":172,"description":92831,"tags":92832,"thumbUrl":92834,"material":296,"size":297,"collection":11,"collections":92835,"showCount":351,"zanCount":49,"manualWeight":49,"mainColor":70},289517,"baldassarre-franceschini-allegorical-figure-of-purity-with-a-unicorn-yi-ming-289517","Baldassarre Franceschini--Allegorical Figure of Purity with a Unicorn","红粉笔晕染间，少女眉目舒展柔婉，沉静垂坐间自带圣洁气息。独角兽依偎身侧，蓬松鬃毛以细碎排线轻扫而出，柔化了神兽自带的山野气息，恰如其分呼应主题内核。创作者以灵动线条勾勒衣褶垂坠感，顿挫间刻画出面料厚重肌理，与少女细腻柔美的面庞形成质感反差。光影虚实铺陈自然，画面层次分明，将神性的澄澈与人体的柔美相融，寥寥数笔便让形象兼具空灵意蕴与厚重质感，静静定格住纯粹与虔敬相融的瞬间，传递出古典优雅的静谧氛围。",[38060,92833,33,92812,92813,38059],"色粉画","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F65a3e2025895d862ed3ff454fda52b09.jpg",[],{"id":92837,"slug":92838,"title":92839,"dynasty":22,"author":7,"museum":172,"description":92840,"tags":92841,"thumbUrl":92844,"material":296,"size":297,"collection":11,"collections":92845,"showCount":351,"zanCount":49,"manualWeight":49,"mainColor":70},289516,"baldassarre-franceschini-design-for-a-catafalque-recto-female-saint-kneeling-yi-ming-289516","Baldassarre Franceschini--Design for a Catafalque (recto); Female Saint Kneeling","这幅红粉笔素描以松弛却精准的线条，勾勒出巴洛克风格灵柩台的构思全貌。对称架构铺陈庄重仪式感，顶部涡卷缠枝纹饰精巧繁复，立面层叠的雕花与垂幔细节，将悼唁的肃穆融于华丽装饰性之中。\n\n随性排线带着即兴构思的鲜活，潦草笔触留存下推敲过程的灵动，边角小稿也流露设计时的斟酌细节。未完成的手绘质感，平衡了纪念性构筑物的庄严与浪漫手绘温度，将葬礼性建筑的沉重仪式感，藏进柔润粉笔晕染的轻盈里，尽显构思时的灵感张力。",[38060,1473,92803,2449,92842,92843],"灵柩台","手绘草稿","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fbd6446237643287003d830a6aaaca70d.jpg",[],{"id":92847,"slug":92848,"title":92849,"dynasty":22,"author":7,"museum":172,"description":92850,"tags":92851,"thumbUrl":92853,"material":296,"size":297,"collection":11,"collections":92854,"showCount":351,"zanCount":49,"manualWeight":49,"mainColor":70},289515,"bartholomeus-breenbergh-colosseum-yi-ming-289515","Bartholomeus Breenbergh--Colosseum","这幅残迹速写以晕染的墨色铺陈沧桑质感。断壁拱廊间爬满荒草藤蔓，风蚀雨侵的石面沟壑纵横，将岁月的剥蚀感尽数凝于纸面。画师以精妙光影勾勒层次，光线穿透空荡拱洞在残垣上投下错落阴影，让颓败废墟生出明暗韵律，晕染出沉静肃穆的怀古氛围。\n\n渺小的行人点缀在遗迹间，衬出古建筑曾经的磅礴宏伟，又为荒芜遗迹添上一丝鲜活人气。右下角坡地压低视域，将目光尽数引向残损拱券，把时光镌刻下的斑驳痕迹定格在画纸之上，把对往日荣光的追思藏在晕开的墨色中。",[38060,38059,56615,70124,56616,33,92852],"历史遗迹","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fde5052a852004c6fb4d054e39ffd15ea.jpg",[],{"id":92856,"slug":92857,"title":92858,"dynasty":22,"author":7,"museum":172,"description":92859,"tags":92860,"thumbUrl":92862,"material":296,"size":297,"collection":11,"collections":92863,"showCount":351,"zanCount":49,"manualWeight":49,"mainColor":70},289514,"bartholomeus-breenbergh-view-of-an-italian-town-yi-ming-289514","Bartholomeus Breenbergh--View of an Italian Town","这幅画以棕褐墨色晕染出明暗层次，暖光铺洒在崖壁与石屋之上，将粗糙的岩石肌理与砖石棱角晕出柔和暖意，背光的峡谷与林木沉在浓郁的棕调阴影里，明暗拉扯出深邃纵深感。\n\n依山错落的屋舍顺着崖坡排布，峡谷间隐现细瀑流泉，野树虬曲扎根岩壁，荒蛮野趣与烟火聚落融为一体。随性的笔触精准抓住南欧山城的慵懒质感，仿佛能听见山风裹着溪水声漫过石墙，将松弛沉静的乡野氛围娓娓道来，藏着旧时光里山城独有的安然意韵。",[56613,38060,92861,17582,1125,131,1102,3244],"山城","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ffe3a2ef1108fe29ec6bd2a85a4334ea1.jpg",[],{"id":92865,"slug":92866,"title":92867,"dynasty":22,"author":7,"museum":172,"description":92868,"tags":92869,"thumbUrl":92870,"material":296,"size":297,"collection":11,"collections":92871,"showCount":351,"zanCount":49,"manualWeight":49,"mainColor":70},289513,"bartholomeus-spranger-diana-and-actaeon-yi-ming-289513","Bartholomeus Spranger--Diana and Actaeon","以淡褐与浓墨线条铺陈画面，虚实错落。嶙峋崖壁将场景分层，仙灵与狩猎者错杂其间，众神舒展肢体，或腾跃空中，或纵情歌舞，野性欢愉冲破纸面。\n\n线条狂放又精准，寥寥几笔便勾勒出肌肉张力与衣袂飘动感，未作过多修饰，却将林间狂欢的迷乱氛围尽致挥洒。浅晕色调晕染出朦胧山野底色，让众神的肆意灵动愈发鲜活，潦草笔触里留存即兴创作的鲜活张力，将这场神话邂逅的迷狂瞬间永远定格。",[38060,123,1572,3277,48050,8830,38061,359,9914],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F04060903bc6d4b37ff57482a46d02328.jpg",[],{"id":92873,"slug":92874,"title":92875,"dynasty":22,"author":7,"museum":172,"description":92876,"tags":92877,"thumbUrl":92880,"material":296,"size":297,"collection":11,"collections":92881,"showCount":351,"zanCount":49,"manualWeight":49,"mainColor":70},289512,"bartolomeo-biscaino-saint-michael-the-archangel-and-another-figure-recommending-yi-ming-289512","Bartolomeo Biscaino--Saint Michael the Archangel and Another Figure Recommending","这幅红棕素描以虚实交织的构图铺展救赎的图景。右上方的神域里，圣母子依偎安坐，光晕隐在柔化的云气中，静谧而圣洁，四周圣徒身影朦胧浮现。下方大天使身姿挺拔，引着懵懂的灵魂朝向天国祈愿，小天使穿梭云海，牵起凡世祷告与神域的联结。\n\n灵动的排线晕染明暗，松弛的线条留存着创作的即兴张力，云霭柔化了天地的界限，将悲悯与救赎融在朦胧氛围里。笔锋起落间，凡俗祈望与天国慈悲交汇，让神圣叙事藏在虚实留白之中，轻盈笔触托举着厚重的精神内核，肃穆与温柔漫溢纸面。",[1573,38060,1572,38061,92878,92879,1527,2361],"圣米迦勒","圣母子","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ff6ffca1c921a4ca38d24769fe20069ae.jpg",[],{"id":92883,"slug":92884,"title":92885,"dynasty":22,"author":7,"museum":172,"description":92886,"tags":92887,"thumbUrl":92888,"material":296,"size":297,"collection":11,"collections":92889,"showCount":351,"zanCount":49,"manualWeight":49,"mainColor":70},289510,"bartolome-carducho-st-jerome-penitent-recto-accounts-verso-yi-ming-289510","Bartolomé Carducho--St. Jerome Penitent (recto); Accounts (verso)","枯瘦的苦修者垂立林下，骨节毕现的躯体浸满忏悔的沉郁，左手托住骷髅，右手垂落器物，隐在浓墨晕开的树荫里。远景牧群淡如烟痕，右侧的小人仓皇趋走，淡墨晕染的林野朦胧漫漶。\n\n钢笔淡墨的笔触粗粝松弛，枯笔勾画出苦修者的清癯虔诚，明暗晕染带着即兴的张力。潦草却精准的笔意，将苦修的孤寂揉入荒疏野境，未完成的随性笔触里藏着克制的悲悯，把虔敬的忏悔和荒野的沉寂融为一体，肃穆的苦修氛围跃然纸上。",[1573,33,123,38060,70193,56650,48126,2361],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fc1d7177b1bcf49deb825f274f463dba4.jpg",[],{"id":92891,"slug":92892,"title":92893,"dynasty":22,"author":7,"museum":172,"description":92894,"tags":92895,"thumbUrl":92897,"material":296,"size":297,"collection":11,"collections":92898,"showCount":351,"zanCount":49,"manualWeight":49,"mainColor":70},289509,"bartolome-carducho-the-cornation-of-esther-by-ahasuerus-yi-ming-289509","Bartolomé Carducho--The Cornation of Esther by Ahasuerus","这幅素描以网格起稿，精准锚定群像布局。左侧男子背身静立，将视线引向画面中心的加冕仪式：施冕者俯身垂首，动作庄重克制，跪坐的受冕者恭顺低垂头颅，虔诚毕现。右侧观礼人群神态各殊，或凝神注目仪式全程，或交握双手流露敬畏。细密排线勾勒衣物褶皱，利落线条衬出织物厚重质感，明暗晕染让群像层次分明。作为稿本，未加过多修饰却精准捕捉典仪的肃穆神性，潦草却鲜活的笔触，将这场仪式的庄严氛围尽数铺展，让观者仿佛亲临庄重时刻。",[38060,123,1572,1573,92896,70807,2453,48095],"加冕仪式","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fad8cac3cb958fcc52a1a40beb71377d7.jpg",[],{"id":92900,"slug":92901,"title":92902,"dynasty":22,"author":7,"museum":172,"description":92903,"tags":92904,"thumbUrl":92905,"material":296,"size":297,"collection":11,"collections":92906,"showCount":351,"zanCount":49,"manualWeight":49,"mainColor":70},289508,"bartolome-esteba-n-murillo-standing-male-figure-study-for-a-portrait-yi-ming-289508","Bartolomé Estebán Murillo--Standing Male Figure Study for a Portrait","这幅速写以奔放随性的线条，精准捕捉了男子的松弛站姿。寥寥数笔便交代出衣物褶皱的虚实变化，挺括与垂坠感暗藏其间，暗合人物沉静松弛的绅士气度。\n\n人物重心偏倚，一手搭在身侧台架，眉眼凝练传神，无需繁复细节，便将对象的沉稳气韵牢牢定格。纸面带着岁月留下的斑驳墨点与折痕，晕开旧时光的质感，即兴创作的鲜活感扑面而来。\n\n画师以极简的线条语言直追神韵，舍弃精细描摹，用粗粝却灵动的笔触记录下转瞬即逝的人物状态，质朴间满是表现力，让人仿佛能窥见那个被匆忙定格的沉静瞬间。",[38060,47971,1572,42074,1473,1607],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fccb729c45cf161d15812d44e935d452c.jpg",[],{"id":92908,"slug":92909,"title":92910,"dynasty":22,"author":7,"museum":172,"description":92911,"tags":92912,"thumbUrl":92913,"material":296,"size":297,"collection":11,"collections":92914,"showCount":351,"zanCount":49,"manualWeight":49,"mainColor":70},289507,"bartolome-esteba-n-murillo-the-infant-st-john-the-baptist-yi-ming-289507","Bartolomé Estebán Murillo--The Infant St. John the Baptist","这幅素描以松弛灵动的排线晕染铺陈明暗，柔化的笔触将孩童的稚态勾勒得鲜活动人。圣婴依偎着羔羊，懵懂澄澈的神情带着柔和暖意，抬手的姿态亲昵自然，与身旁温驯的生灵晕出缱绻的亲昵氛围。\n\n朦胧虚化的山野背景刻意隐去细节，烘托出静谧柔和的田园气息，让焦点全然落在这对相伴的身影之上。随性自如的线条兼具速写的生动松弛与古典宗教画的沉静诗意，以极简的明暗塑造出柔和体积感，将神性融于天真日常之中，尽显素描抒情的表现力，仿若将片刻温柔定格在纸面之上。",[30,33,1527,3102,38060,38059,14612],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fa4a5d5f298eb81c35b25711d60eef686.jpg",[],{"id":92916,"slug":92917,"title":92918,"dynasty":22,"author":7,"museum":172,"description":92919,"tags":92920,"thumbUrl":92921,"material":296,"size":297,"collection":11,"collections":92922,"showCount":351,"zanCount":49,"manualWeight":49,"mainColor":70},289506,"battista-franco-drawing-of-cartouche-with-bearded-man-left-young-man-crowned-yi-ming-289506","Battista Franco--Drawing of Cartouche with Bearded Man Left, Young man crowned","这幅素描是兼具装饰性与人文意趣的饰框设计稿，利落精准的排线勾勒出饱满生动的形象。左侧虬髯壮汉身形孔武，带着古朴的劳作粗粝质感，右侧束发戎装青年英挺威严，带着古典武士的冷峻气场。\n\n上方涡卷萦绕的留白饰框，由灵动的小天使簇拥环绕，卷草纹章与孩童俏皮的姿态相映成趣。明暗笔触细腻交代出肌肉张力与织物褶皱，在庄重的古典人文底色中，糅合出矫饰主义的华丽动感，留白区域预留出填充纹章铭文的空间，手稿随性的线条里藏着精巧的构图巧思，将神话意趣与装饰美学相融，尽显复古雅致的设计匠心。",[123,1473,1572,70686,48083,70637,5967,7044],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F4bb4ab7e311e860ff297a0b583f2b4f1.jpg",[],{"id":92924,"slug":92925,"title":92926,"dynasty":22,"author":7,"museum":172,"description":92927,"tags":92928,"thumbUrl":92930,"material":296,"size":297,"collection":11,"collections":92931,"showCount":351,"zanCount":49,"manualWeight":49,"mainColor":70},289505,"battista-franco-moses-drawing-water-from-the-rock-yi-ming-289505","Battista Franco--Moses Drawing Water from the Rock","蚀刻粗粝的线条铺展开旷野神迹：左侧摩西抬手叩击岩壁，清泉蜿蜒破石而出。右侧流民们一扫跋涉的疲惫，或俯身掬水畅饮，或振臂欢呼，驮负行囊的牲畜混迹人群之间，将逃荒旅途的困顿与获水的狂喜交织一处。\n\n远景山林以疏密排线晕染层次，嶙峋山石与苍郁林木勾勒出荒野的苍凉壮阔，明暗对比烘托出神迹的庄严厚重。作品将宗教叙事的神圣感揉进世俗生活的烟火气里，以充满力量感的线条尽显叙事版画的张力，把绝境逢生的震撼演绎得淋漓尽致。",[1573,2750,33,2944,162,131,70807,92929],"摩西取水","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F71aaad8663614aea666fa366fae94ee3.jpg",[],{"id":92933,"slug":92934,"title":92935,"dynasty":22,"author":7,"museum":172,"description":92936,"tags":92937,"thumbUrl":92939,"material":296,"size":297,"collection":11,"collections":92940,"showCount":351,"zanCount":49,"manualWeight":49,"mainColor":70},289504,"battista-franco-the-penitent-thief-on-the-cross-yi-ming-289504","Battista Franco--The Penitent Thief on the Cross","这幅素描以精准的明暗排线，将受刑者躯体的张力尽数铺展。卷曲的发丝下，绷紧的肩胛与虬结的肌肉顺着躯干扭转走势交错，每一道线条都追随着皮肉的起伏，将受刑的痛苦与残存的不屈刻画得入木三分。\n\n绳索勒入腕部的凹陷、脚趾抠紧木梁的细节，放大了肉体受折磨的真实质感。侧转的面庞带着不甘的恸色，让苦难不再只是冰冷的视觉符号。作者以纯粹的素描语言，让明暗成为情绪的注脚，粗粝线条如受刑者压抑的喘息，将忏悔的沉郁与肉体的煎熬揉为一体，在素朴纸面之上，定格下悲剧性的生命张力。",[1573,1572,42074,92938,70193,38060],"十字架","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F3b869f4df661f56cbb5377b766edf4e6.jpg",[],{"id":92942,"slug":92943,"title":92944,"dynasty":22,"author":7,"museum":172,"description":92945,"tags":92946,"thumbUrl":92948,"material":296,"size":297,"collection":11,"collections":92949,"showCount":351,"zanCount":49,"manualWeight":49,"mainColor":70},289503,"battista-franco-the-unrepentant-thief-on-the-cross-study-of-a-child-s-head-yi-ming-289503","Battista Franco--The Unrepentant Thief on the Cross, Study of a Child's Head","炭笔排线精准利落，顺着肌肉走势勾勒出盗贼紧绷的躯体，被缚手臂拉伸的线条带着濒死仍未磨灭的桀骜，每一寸起伏的肌理都涌动着不甘挣扎的气力。粗粝随性的衣袍褶皱，与光洁紧实的躯干形成冷暖对照，烘托出粗莽的原始生命力。\n\n左下角孩童头像草稿寥寥数笔却鲜活灵动，稚拙神态和主形象的悍劲形成奇妙对冲，让画面多了一丝松弛的余韵。明暗排布精准撑起人体体积，潦草笔触藏着极强的造型控制力，将未悔改盗贼的倔强与野性封存在泛黄纸面中，尽显古典人体写生的写实造诣。",[38060,1572,2449,70543,92938,92572,92947,123],"孩童头像","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fb5b446a4de65c4c72540ef094452d0b3.jpg",[],{"id":92951,"slug":92952,"title":92953,"dynasty":22,"author":7,"museum":172,"description":92954,"tags":92955,"thumbUrl":92957,"material":296,"size":297,"collection":11,"collections":92958,"showCount":351,"zanCount":49,"manualWeight":49,"mainColor":70},289502,"benedetto-luti-pius-v-and-the-ambassador-of-the-king-of-poland-yi-ming-289502","Benedetto Luti--Pius V and the Ambassador of the King of Poland","这幅素描以明暗铺陈戏剧张力，高台之上的掌权者踞坐睥睨，躬身的使者正上前呈递，尊卑反差立现。旁侧侍从神色各别，或垂首肃穆，或私语窥察，暗涌着朝堂里的微妙心绪。前景横陈阶前的濒死躯体，将权谋交锋下的残酷直白铺展。\n\n淡墨晕染帷幔虚化背景，把焦点收拢在人物群像的情绪拉扯间，粗粝又精准的线条，勾勒出每个角色的神态动态，带着速写独有的鲜活质感，将这场朝堂会面的冷峻悲情揉入笔触，让权力博弈下的众生相跃然纸面，尽显古典叙事里的沉郁张力。",[38060,1572,2449,518,47655,48013,92956],"叙事场景","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F7017dbdd894684d36b92db28b0f55266.jpg",[],{"id":92960,"slug":92961,"title":92962,"dynasty":22,"author":7,"museum":172,"description":92963,"tags":92964,"thumbUrl":92966,"material":296,"size":297,"collection":11,"collections":92967,"showCount":351,"zanCount":49,"manualWeight":49,"mainColor":70},289501,"benedetto-luti-portrait-of-a-man-yi-ming-289501","Benedetto Luti--Portrait of a Man","以红粉笔铺陈晕染，蓬松卷曲的假发通过虚实错落的排线，层层铺展出柔软蓬松的体积感，发丝起伏舒展，还原出华丽复古的巴洛克发式细节。\n画家将重心落于人物神态塑造，沉稳的眼窝衬出锐利沉静的目光，抿起的唇角带着冷峻自持的气场，面部光影柔和平滑，精准刻画出骨骼起伏与细腻的皮肤肌理。松弛敞开的衣领线条简练自然，暗合人物松弛却不失庄重的绅士气韵。整体笔触松弛克制，在写实精准间晕开古典肖像的雅致氛围感，将人物的内敛风骨凝于笔端。",[38060,12520,42074,92965,3244],"卷发","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F6d2006c8458a11a01e6ce0788a905524.jpg",[],{"id":92969,"slug":92970,"title":92971,"dynasty":22,"author":7,"museum":172,"description":92972,"tags":92973,"thumbUrl":92975,"material":296,"size":297,"collection":11,"collections":92976,"showCount":351,"zanCount":49,"manualWeight":49,"mainColor":70},289500,"benedetto-luti-saint-benedict-on-a-bed-of-thorns-yi-ming-289500","Benedetto Luti--Saint Benedict on a Bed of Thorns","画面以单色淡晕铺就朦胧沉郁的氛围，苦修的圣徒半卧荆棘床榻之上，饱绽的肌肉线条带着隐忍的张力。他发丝凌乱，仰头抬手，神情糅合着痛苦与虔诚，似在向苍天上达心声。\n\n上方云雾里探出的三只小天使垂目注视着圣徒，柔婉神态中和了悲苦底色。虚实交织的笔触晕开天界与人间的边界，荆棘缠枝的细节刻画，衬出圣徒苦修的坚毅。明暗错落间，神性的悲悯与凡躯的虔诚相融，将信仰的力量藏在线条光影中，静穆之中带着直击人心的信仰重量。",[2449,1572,38060,38061,92683,92974,70377],"荆棘","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F254dfd179818eb0957bc589179fd3d0b.jpg",[],{"id":92978,"slug":92979,"title":92980,"dynasty":22,"author":7,"museum":172,"description":92981,"tags":92982,"thumbUrl":92984,"material":296,"size":297,"collection":11,"collections":92985,"showCount":351,"zanCount":49,"manualWeight":49,"mainColor":739},289499,"benedetto-luti-seated-nude-male-figure-recto-seated-figure-verso-yi-ming-289499","Benedetto Luti--Seated Nude Male Figure (recto); Seated Figure (verso)","暖调红粉笔晕开柔和底色，排线顺着肌肉的起伏走势铺陈，精准刻画出青年躯体的张力。肩背块面棱角分明，腰腿线条流畅舒展，力量感与松弛感融于一身。他右臂绷紧拽住织物，静态坐姿里生出拉扯的动态感，衬布褶皱虚实交错，更衬出人体的饱满体积。\n\n微抬的下颌，望向斜上方的眼神带着一缕怅惘，让冰冷的习作拥有了鲜活情绪。没有冗余笔触，以极简的素描语言将古典写实的人体美学诠释得淋漓尽致，细腻捕捉了肉体的生命力，让这尊裸像兼具雕塑般的质感与灵动的魂魄。",[38060,1572,92983,1386,3244,48051],"裸体男性","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F59d8fc11ef0ae811af54df0ba24f9ad7.jpg",[],{"id":92987,"slug":92988,"title":92989,"dynasty":22,"author":7,"museum":172,"description":92990,"tags":92991,"thumbUrl":92994,"material":296,"size":297,"collection":11,"collections":92995,"showCount":351,"zanCount":49,"manualWeight":49,"mainColor":70},289498,"benjamin-west-maternity-yi-ming-289498","Benjamin West--Maternity","以红粉笔晕出柔暖朦胧的底色，将缱绻温情揉进每一笔线条之中。垂首的女子眉目柔婉，松垂的衣褶似流云舒展，晕开松弛静谧的氛围。膝头的孩童们或亲昵依偎在身侧，或探着小身子索求目光，蓬松的发丝、软润的肌肤皆被细腻笔触晕染得鲜活动人。没有锐利生硬的轮廓，唯有暖调排线缓缓铺陈天伦亲昵，把亲子间无需言说的羁绊，定格在朦胧柔美的光影之中，将沉静悠长的温柔氛围拉到极致。",[38060,1572,38059,92992,92993,1527,11476,3244],"母爱","温馨","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fb1a442ca035d8714b76645a9e70c9fab.jpg",[],{"id":92997,"slug":92998,"title":92999,"dynasty":22,"author":7,"museum":172,"description":93000,"tags":93001,"thumbUrl":93003,"material":296,"size":297,"collection":11,"collections":93004,"showCount":351,"zanCount":49,"manualWeight":49,"mainColor":70},289496,"bernard-van-orley-the-resurrection-yi-ming-289496","Bernard van Orley--The Resurrection","画面以细密的蚀刻线条铺陈神迹，复活的基督周身圣光迸发，右手高举昭示新生，左手紧握十字宝杖踏于石间。下方守卫的士兵们惊骇溃散，狼狈的姿态与基督的沉静庄严形成强烈反差，肌肉的虬结线条、衣袍褶皱的凌厉刻画，尽显躯体张力与慌乱情绪。\n左侧小景补绘守墓士兵目击亡灵显现的片段，补全复活叙事的侧面视角。整幅作品以冷峻写实的笔法，借明暗层次烘托出超自然的神圣氛围，将宗教神迹的威严与凡人面对神性时的惶惑，细腻铺陈在刀笔线条之间，尽显宗教版画的叙事张力与人文写实质感。",[1573,2750,123,93002,2361,18002,162,2656],"耶稣复活","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ff20b438980189013fb7e376ba2eff79c.jpg",[],{"id":93006,"slug":93007,"title":93008,"dynasty":22,"author":7,"museum":172,"description":93009,"tags":93010,"thumbUrl":93011,"material":296,"size":297,"collection":11,"collections":93012,"showCount":351,"zanCount":49,"manualWeight":49,"mainColor":70},289494,"bernardino-poccetti-saint-antoninus-kneeling-before-the-crucifix-yi-ming-289494","Bernardino Poccetti--Saint Antoninus Kneeling before the Crucifix","这幅素描以克制却灵动的线条铺陈教堂内的虔敬图景。穹顶之下的礼拜堂中，左侧信众列队垂首静立，姿态沉凝庄重，中央跪伏的身影向着祭台苦像全心祷祝，简练笔触将敬慕与赤诚传递尽致。右侧妇孺依偎观望，柔缓的线条晕开寻常信众的平和安然。作品以疏密有致的排线交代空间纵深，利落轮廓清晰区分群像与祭台陈设，未以繁复敷色修饰，仅凭借明暗层次，便烘托出圣堂静谧庄严的氛围，将宗教场域的肃穆虔敬藏于每一处线条起落，尽显素描语言叙事传情的力量。",[30,123,38060,1572,92938,70418,48151,1607,2361],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F34839885bd23d52532b53256e5a94bf9.jpg",[],{"id":93014,"slug":93015,"title":93016,"dynasty":22,"author":7,"museum":172,"description":93017,"tags":93018,"thumbUrl":93019,"material":296,"size":297,"collection":11,"collections":93020,"showCount":351,"zanCount":49,"manualWeight":49,"mainColor":70},289493,"bernardino-poccetti-saint-philip-benizzi-converting-two-wicked-women-at-todi-yi-ming-289493","Bernardino Poccetti--Saint Philip Benizzi Converting Two Wicked Women at Todi","这幅手绘以素描淡晕铺陈画面，中心场景聚焦信仰的感召时刻。圣徒身姿庄重，正引着两名女子褪去顽劣，跪地信众俯首显露出全然的虔诚，右侧女子由最初的疏离渐渐生出动容。背景崖间的围观人群、错落建筑，将这场布道延展为众人瞩目的公共事件。\n排线与晕染兼具体积塑造与氛围烘托，明暗层次将视线牢牢锚定在救赎场景之上，松弛笔触精准传递出肃穆温柔的信仰张力，让古典宗教叙事的感染力在简约手绘中尽显无余。",[1573,33,38060,2361,56821],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F779056d92c3c7a3ea9bff275fb8835d2.jpg",[],{"id":93022,"slug":93023,"title":93024,"dynasty":22,"author":7,"museum":172,"description":93025,"tags":93026,"thumbUrl":93029,"material":296,"size":297,"collection":11,"collections":93030,"showCount":351,"zanCount":49,"manualWeight":49,"mainColor":70},289491,"bernardo-bellotto-padua-from-the-east-with-san-francesco-and-the-salone-yi-ming-289491","Bernardo Bellotto--Padua from the East, with San Francesco and the Salone","以松弛简练的钢笔线条铺展城郊全景，近坡的小人物与野趣植被开篇，晕开日常烟火气。错落的屋舍顺着地势铺陈，教堂尖顶利落刺破天际，撑起画面骨架。空阔的天际间，云絮以疏淡线条漫卷，留白处烘托出老城舒展松弛的氛围。\n\n没有繁复晕染，仅以线条疏密区分建筑体量与草木层次，将漫步途中偶遇的片刻风景随性定格，质朴留存下老城平缓慵懒的日常质感，带着随手速写的鲜活意趣，把宁静松弛的老城烟火藏进每一笔线条中。",[123,38060,93027,70366,1125,10462,13585,33,93028],"城镇风景","郊外","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fca9dd0608b18d1940cced02dd4d44b00.jpg",[],{"id":93032,"slug":93033,"title":93034,"dynasty":22,"author":7,"museum":172,"description":93035,"tags":93036,"thumbUrl":93040,"material":296,"size":297,"collection":11,"collections":93041,"showCount":351,"zanCount":49,"manualWeight":49,"mainColor":70},289490,"bernardo-bellotto-san-simeone-piccolo-venice-seen-from-the-grand-canal-yi-ming-289490","Bernardo Bellotto--San Simeone Piccolo, Venice, Seen from the Grand Canal","以柔波运河铺展前景，细密线条勾勒出水纹漾动的质感，贡多拉穿梭其上，船夫与临河人物的动态鲜活细腻，晕开威尼斯日常松弛的烟火气。穹顶主建筑占据画面核心，古典柱廊与三角楣庄重规整，排线交织出石材的厚重肌理。两侧民居层叠错落，窗牖墙面的细节被细致捕捉，线条疏密张弛间，自然区分出光影层次。\n\n暖棕底色带着岁月沉淀的痕迹，将建筑的肃穆与水城的柔婉相融，以写实笔触定格下运河边的午后瞬间，既留存下城市场景的真实样貌，又带着手绘的灵动温度，尽显旧时光里水城独有的雅致与鲜活。",[38060,1473,38059,93037,93038,93039,48151,1125,6932,33,70366],"城市风景","水城","运河","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F796c5611ffc14bf309c30eab25950a80.jpg",[],{"id":93043,"slug":93044,"title":93045,"dynasty":22,"author":7,"museum":172,"description":93046,"tags":93047,"thumbUrl":93050,"material":296,"size":297,"collection":11,"collections":93051,"showCount":351,"zanCount":49,"manualWeight":49,"mainColor":50},289488,"bernardo-strozzi-study-for-st-francis-of-assisi-adoring-the-cross-yi-ming-289488","Bernardo Strozzi (–)-Study for St Francis of Assisi adoring the cross","粗粝的排线扫过蓬乱须发，顺着眉骨、颧肌的起伏揉擦出明暗层次，将脖颈拉伸的紧绷感全然铺展。人物目光竭力向上扬起，眉峰攒起的褶皱牵动着眼角纹路，微张的嘴唇仿佛正吐露出无声的祷念。\n\n厚重的炭色揉出须发的蓬松粗野，却用细腻晕染柔化了面部肌肉的震颤，把仰望时的悲戚与崇敬一并刻入纸面。光影顺着鼻梁与下颌线流淌，精准勾勒出仰颈时肌肉的拉扯感，将那份近乎屏息的虔诚，凝练成静态却极具张力的动容瞬间。",[38060,11098,30,2361,93048,3244,93049,5432],"圣方济各","虔诚","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ff8021cc0f17c639cd3d9a95526c0079b.jpg",[],{"id":93053,"slug":93054,"title":93055,"dynasty":22,"author":7,"museum":172,"description":93056,"tags":93057,"thumbUrl":93059,"material":296,"size":297,"collection":11,"collections":93060,"showCount":351,"zanCount":49,"manualWeight":49,"mainColor":70},289487,"bernardo-strozzi-saint-peter-yi-ming-289487","Bernardo Strozzi--Saint Peter","这幅素描以精准的笔触刻画出老者沉郁思索的模样，指节抵着颞侧，眉峰紧蹙，眼窝的阴影晕出焦灼又深邃的神思，仿佛正于内心叩问终极的信仰。蓬松卷曲的须发与沟壑纵横的肌肤形成强烈反差，排线疏密铺陈出细腻的光影层次，将皮肤松弛的垂坠感、血管虬结的手部肌理描摹得栩栩如生。\n\n满纸线条藏着饱满情绪，把老者饱经世事的沧桑与矢志不渝的坚定融为一体，让静态肖像拥有了鲜活的灵魂，仿佛下一刻便会开口，诉说沉淀在岁月里的沉重心事。",[30,93058,38060,1572,7044,70231],"圣彼得","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F24b16ca2af542756bd489afd60ed08d8.jpg",[],{"id":93062,"slug":93063,"title":93064,"dynasty":22,"author":7,"museum":172,"description":93065,"tags":93066,"thumbUrl":93072,"material":296,"size":297,"collection":11,"collections":93073,"showCount":351,"zanCount":49,"manualWeight":49,"mainColor":70},289486,"berthe-morisot-a-woman-seated-at-a-bench-on-the-avenue-du-bois-yi-ming-289486","Berthe Morisot--A Woman Seated at a Bench on the Avenue du Bois","以轻盈通透的水彩晕染，定格了松弛慵懒的午后闲憩瞬间。娴静端坐的女子头戴浅黄礼帽，温婉神态暗藏于简练的色块勾勒间，深色外套的利落笔触，和朦胧柔化的背景形成精妙反差。蓝白格纹雨伞成为视觉重心，水色交融晕开柔润光泽，随性灵动的笔触赋予其通透鲜活的质感。\n\n背景的林荫车马被淡彩虚化，暖褐与苍绿朦胧交织，将街头漫不经心的松弛氛围拉满。未做繁复描摹，仅以灵动写意的笔触捕捉日常瞬间的诗意内核，让闲适中的雅致情调在晕染的水色间缓缓流淌，将转瞬即逝的温柔日常定格为永恒的视觉诗行。",[48137,93067,48243,93068,93069,93070,48720,1676,131,32,1572,93071],"印象派","长椅","雨伞","公园","休闲","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fb558786407a4cffb7732631587b822a1.jpg",[],{"id":93075,"slug":93076,"title":93077,"dynasty":22,"author":7,"museum":172,"description":93078,"tags":93079,"thumbUrl":93081,"material":296,"size":297,"collection":11,"collections":93082,"showCount":351,"zanCount":49,"manualWeight":49,"mainColor":70},289485,"bertoia-god-the-father-with-four-angels-yi-ming-289485","Bertoia--God the Father with Four Angels","这幅素描以穹顶构图铺陈天界图景，棕褐笔调晕染出朦胧神性。天父居于画面中心，苍劲排线刻画出衣褶的厚重垂坠感，蓬松卷曲的须发烘托出威仪庄重的神性气场。环绕的天使姿态各异，灵动细线勾勒出孩童躯体的软嫩轻盈，与天父的沉郁厚重形成鲜明反差，或虔诚静立、或携持圣物穿梭云间。朦胧晕染的云雾将众神托举，模糊了天界边界，晕出缥缈圣洁的氛围感。画面以线造型，虚实共生，粗粝排线与细腻勾勒并存，既保留宗教题材的肃穆感，又借灵动笔意揉入浪漫柔美，神性与天真融为一体，尽显古典宗教创作的张力与氛围感。",[1573,1572,123,38060,93080,38061,445,42846],"圣父","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F001467e632a483037b47413c94eb5504.jpg",[],{"id":93084,"slug":93085,"title":93086,"dynasty":22,"author":7,"museum":172,"description":93087,"tags":93088,"thumbUrl":93090,"material":296,"size":297,"collection":11,"collections":93091,"showCount":351,"zanCount":49,"manualWeight":49,"mainColor":70},289484,"biagio-pupini-penitent-woman-anointing-the-feet-of-christ-at-the-table-yi-ming-289484","Biagio Pupini--Penitent Woman Anointing the Feet of Christ at the Table","淡褐晕染铺就肃穆沉静的室内底色，透视线条清晰锚定出空间层次。\n\n画面里站立二人姿态恭谨，长桌旁一众观者神态沉凝，或侧目注视中央场景，或垂首敛神静思，右下角跪坐的女子动作虔诚柔缓，将整个场面的庄重感悄然拉满。\n\n这是带着草稿质感的速写，以简练利落的线条勾勒出人物身形轮廓，明暗晕染淡淡区分出衣物质感与光影层次。未加修饰的拙朴笔触，却精准将场景的神圣静谧定格，仿佛能让旁观者浸身于这份沉凝的氛围里，触摸到这个瞬间的虔诚与肃穆。",[1573,1572,38060,11256,47655,1607,70543,92746,93089],"忏悔主题","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F2bec7e2d3d6aa89f6571c793b65299cb.jpg",[],{"id":93093,"slug":93094,"title":93095,"dynasty":22,"author":7,"museum":172,"description":93096,"tags":93097,"thumbUrl":93099,"material":296,"size":297,"collection":11,"collections":93100,"showCount":351,"zanCount":49,"manualWeight":49,"mainColor":70},289483,"biagio-pupini-the-transfiguration-after-raphael-yi-ming-289483","Biagio Pupini--The Transfiguration, after Raphael","画面以上下分层铺陈神迹时刻，上方圣人身姿舒展，衣褶线条沉厚肃穆，神性的威严感呼之欲出。下方凡人信众动态各异，或跪拜惶惑，或交头接耳，满是直面神迹的震撼无措。\n\n创作者以细腻排线晕染明暗，勾勒出凡俗与神圣的鲜明界限，把显圣瞬间的张力藏在笔锋之中，复刻出原作的庄严悲悯。明暗对比拉扯出超脱的氛围感，将信仰降临的悸动定格，让观者仿佛能窥见那一刻的敬畏与震颤。",[1573,1572,38060,123,122,2361,93098],"基督变容","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F2cb5715511ef148606aa826d25de2732.jpg",[],{"id":93102,"slug":93103,"title":93104,"dynasty":22,"author":7,"museum":172,"description":93105,"tags":93106,"thumbUrl":93109,"material":296,"size":297,"collection":11,"collections":93110,"showCount":351,"zanCount":49,"manualWeight":49,"mainColor":50},289482,"bon-boullogne-the-triumph-of-a-sea-goddess-yi-ming-289482","Bon Boullogne--The Triumph of a Sea Goddess","以白垩在蓝纸晕染勾勒，朦胧柔婉的线条带着洛可可式的绮丽风情。海神与众水泽神女、小爱神簇拥于浪涛之上，衣袂绸带随海波舒展缠绕，柔媚舒展的身姿亲昵互动，漫开欢愉热烈的盛典氛围。朦胧排线晕开虚实层次，将神话遐想融在氤氲水雾里，虽未着浓彩，却以虚实相映的笔触，将庆功的盛大绮丽揉进幽蓝底色，让这场海中凯旋盛典裹着梦幻诗意，尽显古典神话题材的柔美浪漫。",[38060,1058,1572,48050,38061,93107,93108],"海洋","凯旋","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F099d93566c3e3854aeb247d158196d15.jpg",[],{"id":93112,"slug":93113,"title":93114,"dynasty":22,"author":7,"museum":172,"description":93115,"tags":93116,"thumbUrl":93119,"material":296,"size":297,"collection":11,"collections":93120,"showCount":351,"zanCount":49,"manualWeight":49,"mainColor":70},289481,"bronzino-seated-male-nude-study-for-the-martyrdom-of-st-lawrence-yi-ming-289481","Bronzino--Seated Male Nude (Study for the Martyrdom of St. Lawrence)","这幅素描以近乎苛刻的精准度，刻画出男性躯体的磅礴张力。右臂抬过头顶，肩胛与背阔肌的起伏如被风雕塑的岩层，每一寸线条都追随着肌肉抻拉的弧度，将发力的紧绷感跃然纸面。\n\n身体拧转的坐姿打破对称，左腿舒展右腿蜷曲，失衡中带着休憩的沉稳。左手撑住球体，为紧绷的躯干锚定支点，让松弛与张力形成绝妙拉扯。\n\n笔触细腻又果断，明暗顺着肌理铺陈，将背部肌肉的层次一一铺开，把雄浑的肉体生命力凝锁在铅灰线条中，既是对人体结构的极致钻研，更是将力与美揉合的古典人体美学缩影。",[38060,1572,92572,2449,1386,93117,93118],"人体写生","肌肉刻画","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Faf4c119bca2f65cee7bc1582f3dd1a7c.jpg",[],{"id":93122,"slug":93123,"title":93124,"dynasty":22,"author":7,"museum":172,"description":93125,"tags":93126,"thumbUrl":93128,"material":296,"size":297,"collection":11,"collections":93129,"showCount":351,"zanCount":49,"manualWeight":49,"mainColor":50},289480,"camillo-procaccini-martyrdom-of-a-female-saint-yi-ming-289480","Camillo Procaccini--Martyrdom of a Female Saint","以棕调素描铺陈叙事，明暗拉扯出极强戏剧张力。前景铠甲武士的冷硬线条，与中心人物的柔和虔诚形成强烈对冲，拥挤的人群烘托出殉道时刻的肃穆沉凝。\n上方垂落的光束锚定神性降临的瞬间，围观者神情各异，或垂首悲戚或漠然旁观，层次错落间铺展众生百态。衣褶排线流畅厚重，衬出人物饱满体积感，带着巴洛克式的动感韵律，将死亡将至的紧绷与神圣感召的庄严揉合一处，让静态纸面涌动着直击人心的叙事冲击力，把殉道的悲情与神性辉光定格在方寸之间。",[1573,1572,38060,93127,2361,3243,34108],"女圣徒殉道","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fb5ea4f4fb5f2182a34f0029bec179b00.jpg",[],{"id":93131,"slug":93132,"title":93133,"dynasty":22,"author":7,"museum":172,"description":93134,"tags":93135,"thumbUrl":93138,"material":296,"size":297,"collection":11,"collections":93139,"showCount":351,"zanCount":49,"manualWeight":49,"mainColor":70},289479,"camillo-procaccini-saint-francis-of-assisi-resuscitating-a-dead-youth-yi-ming-289479","Camillo Procaccini--Saint Francis of Assisi Resuscitating a Dead Youth","这幅红粉笔素描以沉郁红褐调铺陈救赎场景，圣徒攥住死者手腕，神色悲悯庄重，将神性的温度凝于相触的指尖。瘫倒的青年躯体松弛却暗含张力，濒死的颓态反衬出神迹的力量。\n\n围观修士神态各异，或惊愕或敬畏，错落身影烘托出肃穆庄重的氛围。苍劲线条勾勒厚重衣褶，衬出圣徒的沉稳坚毅，明暗层次揉合粗粝与细腻，让信仰的救赎感在呼吸间流淌，将宗教神迹的沉静张力尽数藏在纸笔之中。",[38060,1573,1572,93048,93136,92766,1607,13786,93137],"亡者复苏","单色绘画","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F35a459928aa47afab605b77bf30c92ba.jpg",[],{"id":93141,"slug":93142,"title":93143,"dynasty":22,"author":7,"museum":172,"description":93144,"tags":93145,"thumbUrl":93147,"material":296,"size":297,"collection":11,"collections":93148,"showCount":351,"zanCount":49,"manualWeight":49,"mainColor":70},289477,"canaletto-lagoon-capriccio-recto-architectural-scene-yi-ming-289477","Canaletto--Lagoon Capriccio (recto); Architectural Scene","这幅水彩以淡彩晕染铺就水泽氛围，右侧临水旧居爬满苍藤，斑驳钟楼孑然矗立，断壁残垣刻着岁月剥蚀的痕迹。左侧石桥横跨水面，坍塌古堡静立河畔，水面停泊木舟，船工、纤夫的身影点缀其间，将烟火气揉入荒颓景致。\n画家以精细线条勾勒建筑筋骨，淡墨晕开厚重云层，干湿水彩交织出水汽氤氲的朦胧质感。虚构的水泽秘境糅合水乡风貌，鲜活的日常剪影相伴废墟萧索，将逝去年华的寂寥藏进波光与残墙之间，在写实与幻梦里，铺陈开带着怅惘诗意的废墟美学。",[56613,11256,1473,5420,68708,93146,2774,371,1125,33,56651],"残垣","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F73caa945399a303dbb04349290a8b6f4.jpg",[],{"id":93150,"slug":93151,"title":93152,"dynasty":22,"author":7,"museum":172,"description":93153,"tags":93154,"thumbUrl":93156,"material":296,"size":297,"collection":11,"collections":93157,"showCount":351,"zanCount":49,"manualWeight":49,"mainColor":70},289476,"canaletto-man-smoking-a-pipe-recto-standing-man-and-two-studies-yi-ming-289476","Canaletto--Man Smoking a Pipe (recto); Standing Man and Two Studies","利落的棕褐线条精准捕捉住抽烟男子的松弛神态，简练笔意勾勒出敦实憨厚的体态。画家以随性朴拙的笔法铺陈服饰细节，领口袖口的排扣、腰间垂饰都带着市井日常的鲜活质感，男子垂手叼烟的姿态闲适自然，仿佛正沉浸在片刻休憩之中。寥寥数笔便将人物形神尽数拿捏，带着写生速写独有的灵动意趣，以极简的笔触定格下平凡日常的鲜活氛围，质朴却满溢着烟火生活的生动温度，尽显速写作画捕捉瞬间情态的独特魅力。",[33,123,38060,93155,14610,345,38059],"烟斗","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F08d4e8018650a43fa9094dbcd14e3a9b.jpg",[],{"id":93159,"slug":93160,"title":93161,"dynasty":22,"author":7,"museum":172,"description":93162,"tags":93163,"thumbUrl":93165,"material":296,"size":297,"collection":11,"collections":93166,"showCount":351,"zanCount":49,"manualWeight":49,"mainColor":50},289475,"carle-charles-andre-vanloo-bust-of-a-young-girl-profile-to-left-yi-ming-289475","Carle (Charles André) Vanloo--Bust of a Young Girl, Profile to Left","炭笔晕开朦胧背景，将视线全然引向少女侧颜。她轮廓柔润舒展，鼻尖小巧挺翘，唇角噙着淡若轻烟的笑意，沉静里揉着少女独有的娇憨。发丝刻画尤为精妙，鬓边卷发蓬松柔软，束起的长发带着自然卷曲垂落，发丝的蓬松与发网的紧致形成细腻反差。画师以深浅笔触，晕出皮肤莹润质感，又用排线烘托衣物蕾丝的柔婉层次，将少女的温婉气质描摹得淋漓尽致，凭细腻笔触抓住少女鲜活情态，静穆雅致间藏着灵动生机，尽显古典肖像素描的动人魅力。",[38060,11098,127,37814,93164],"侧面像","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F5267fd12a73ad97450d61d1a78472205.jpg",[],{"id":93168,"slug":93169,"title":93170,"dynasty":22,"author":7,"museum":172,"description":93171,"tags":93172,"thumbUrl":93175,"material":296,"size":297,"collection":11,"collections":93176,"showCount":351,"zanCount":49,"manualWeight":49,"mainColor":70},289474,"carle-charles-andre-vanloo-la-conversation-espagnole-yi-ming-289474","Carle (Charles André) Vanloo--La Conversation espagnole","灵动的钢笔线条铺陈出拱券厅堂，廊柱勾勒出庄重又松弛的空间氛围。站立绅士侧身搭话，端坐淑女抬眼回应，旁侧眷侣或私语或垂首观书，将这场闲谈的松弛慵懒晕开。\n\n细碎笔触刻画出衣袍褶皱的柔润起伏，角落细犬添了鲜活意趣，远景街景虚化处理，让画面层次分明。潦草又精准的速写笔触，将贵族沙龙的脉脉温情定格，带着鲜活的临场质感，把日常社交的优雅瞬间尽数留存，尽显古典社交场景的闲雅意韵。",[38060,1572,1607,93173,93174,38059,7922,48074],"贵族社交","交谈","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ff9157aec215e63a74de0bb3eca78b4b2.jpg",[],{"id":93178,"slug":93179,"title":93180,"dynasty":22,"author":7,"museum":172,"description":93181,"tags":93182,"thumbUrl":93185,"material":296,"size":297,"collection":11,"collections":93186,"showCount":351,"zanCount":49,"manualWeight":49,"mainColor":70},289473,"carletto-caliari-bust-of-a-bearded-old-man-profile-to-right-yi-ming-289473","Carletto Caliari--Bust of a Bearded Old Man, Profile to Right","这帧肖像以松弛灵动的笔触，将老者的神态凝于纸面。细腻排线晕染出秃顶鬓角的毛发层次，柔和光影顺着额头铺陈至颧骨，将松弛下垂的面部肌理悄然带出。\n\n蓬松长须的线条虚实相生，既勾勒出毛发蓬松的体积感，又衬出老者平和松弛的神态，仿佛正低声絮语。浅淡底色晕染的衣袍隐去细节，将视觉全然聚焦于人物面容，不加修饰却精准抓住老年男性历经岁月的沧桑质感，整体沉静柔和，以极简写实笔触藏住脉脉人情味，将老者鲜活的瞬间定格下来。",[1572,12520,7044,93183,93184,38060],"长胡须","侧脸","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F5e9c1661076a54f246cbb36720863c44.jpg",[],{"id":93188,"slug":93189,"title":93190,"dynasty":22,"author":7,"museum":172,"description":93191,"tags":93192,"thumbUrl":93194,"material":296,"size":297,"collection":11,"collections":93195,"showCount":351,"zanCount":49,"manualWeight":49,"mainColor":70},289470,"carlo-galli-bibiena-foreshortening-of-a-library-yi-ming-289470","Carlo Galli Bibiena--Foreshortening of a Library","这幅透视图以精妙的短缩技法，将古典建筑与藏书空间融为一体，涡卷柱头的柱式与层叠拱顶，同排排书脊错落交织，模糊了建筑构件与书架的边界，打造出宛如迷宫的书之圣殿。\n\n利落精细的线条勾勒出穹顶弧度与空间纵深，明暗晕染区分出结构层次，让光影顺着拱券流淌，赋予这方空间肃穆又华丽的巴洛克气质，仿佛踏入其中便会被无垠书海裹挟，尽显复古奇幻的藏书秘境氛围。",[329,123,1473,93193,56719,129,38060],"图书馆","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fe909e0862682b80e6958f5fefc5e2731.jpg",[],{"id":93197,"slug":93198,"title":93199,"dynasty":22,"author":7,"museum":172,"description":93200,"tags":93201,"thumbUrl":93204,"material":296,"size":297,"collection":11,"collections":93205,"showCount":351,"zanCount":49,"manualWeight":49,"mainColor":70},289469,"carlo-innocenzo-carloni-saint-lucy-in-glory-yi-ming-289469","Carlo Innocenzo Carloni--Saint Lucy in Glory","以红粉笔晕开暖调层次，将天国盛景凝于圆形画幅间。圣露西被众天使簇拥着升腾云海，衣袂翻卷如流云振涌，羽翼裹挟着天风振翅而来。垂落的圣光漫过画面，将神圣狂喜晕染开来。\n\n群像错落交织，带着巴洛克特有的戏剧张力，托举、奏乐的天使错落排布，拉扯出向上涌动的磅礴动势。粉笔浓淡铺陈明暗，柔化轮廓却未减分毫力量感，灵动笔意将天国的欢愉与庄严揉为一体，让虔敬颂歌凝于纸面，神性辉光与鲜活生气相融，把圣徒荣归的极致圣境娓娓铺展。",[1573,1572,38060,38061,93202,54337,93203],"圣露西","圆形画幅","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F579f0dd83364a4b5042e25975efcd1de.jpg",[],{"id":93207,"slug":93208,"title":93209,"dynasty":22,"author":7,"museum":172,"description":93210,"tags":93211,"thumbUrl":93214,"material":296,"size":297,"collection":11,"collections":93215,"showCount":351,"zanCount":49,"manualWeight":49,"mainColor":70},289468,"carlo-maratti-allegorical-figure-of-peace-yi-ming-289468","Carlo Maratti--Allegorical Figure of Peace","红棕笔线松动灵动，淡墨晕染铺陈明暗层次，勾勒出拱顶之内的神圣群像。下方健硕的孩童半蹲托举，肌肉线条带着蓬勃张力，将上方的神女稳稳承托。神女身姿舒展沉静，手持丰饶枝，眉目间带着安泰祥和。左上角羽翼蓬松的天使展露出纹章，灵动笔触晕开朦胧的羽翼轮廓。\n\n带着即兴张力的装饰草稿里，未加修饰的线条藏着构思的流淌，古典神圣感与草稿松弛感相融，神性柔美与肉体力量彼此支撑，把安宁与丰饶的祈愿藏在奔放笔触间，鲜活生气呼之欲出。",[38060,1572,93212,47971,93213,38061,4851,11256],"寓意画","和平主题","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fd1ef63ef32b74a051c680b39eabdcf22.jpg",[],{"id":93217,"slug":93218,"title":93219,"dynasty":22,"author":7,"museum":172,"description":93220,"tags":93221,"thumbUrl":93222,"material":296,"size":297,"collection":11,"collections":93223,"showCount":351,"zanCount":49,"manualWeight":49,"mainColor":70},289467,"rembrandt-nathan-admonishing-david-yi-ming-289467","Rembrandt--Nathan Admonishing David","这幅速写以粗粝不羁的炭笔线条铺陈画面，左侧长者垂眼沉声，语重心长的恳切藏在紧绷的肩线之中；右侧男子以手撑脸，垂首默听，愧色暗涌在潦草勾勒的轮廓里。\n\n急促交错的排线晕出昏暗的背景，挤出束束微光落在二人身上，把训诫的沉郁氛围揉进笔痕之中。作者并未雕琢细节，衣物褶皱以随性笔触带过，却精准抓住了对话的情绪张力，潦草却鲜活的笔调定格下这肃穆的瞬间，让观者能即刻沉入这场带着沉重情绪的对话，寥寥数笔就将叙事感拉满，粗朴的画迹间藏着饱满的戏剧张力。",[38060,47971,1572,1573,42074,56821,1607],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F5c57cdbf14f507f44d9abbf1c302370d.jpg",[],{"id":93225,"slug":93226,"title":93227,"dynasty":22,"author":7,"museum":172,"description":93228,"tags":93229,"thumbUrl":93231,"material":296,"size":297,"collection":11,"collections":93232,"showCount":351,"zanCount":49,"manualWeight":49,"mainColor":70},289466,"rembrandt-potiphar-s-wife-accusing-joseph-before-her-husband-yi-ming-289466","Rembrandt--Potiphar's Wife Accusing Joseph Before her Husband","这幅速写以极简棕调线条铺陈叙事，寥寥数笔便将室内戏剧张力拉至顶点。卧床的丈夫神色沉郁瘫软，似刚听完偏颇控诉；右侧的约瑟夫垂手伫立，头巾长袍勾勒出隐忍自持的姿态。左侧的波提乏之妻身姿紧绷前倾，满是指控的怒意呼之欲出。\n画面摒弃精雕细琢，以灵动粗粝的笔触捕捉情绪流转，逼仄空间的压抑氛围扑面而来，留白更衬出这场构陷闹剧的窒息感。潦草却精准的动态勾勒，让每个角色都鲜活饱满，将这场经典伦理冲突凝于方寸纸面，尽显速写直击内核的叙事力量。",[38060,1572,47971,2449,1607,93230,70807],"叙事画","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F2a02ec67a2e6db8aa0c3e2c256ab9104.jpg",[],{"id":93234,"slug":93235,"title":93236,"dynasty":22,"author":7,"museum":172,"description":93237,"tags":93238,"thumbUrl":93241,"material":296,"size":297,"collection":11,"collections":93242,"showCount":351,"zanCount":49,"manualWeight":49,"mainColor":70},289465,"rembrandt-satire-on-art-criticism-yi-ming-289465","Rembrandt--Satire on Art Criticism","奔放粗粝的钢笔线条，铺陈出一场辛辣闹剧。左侧卖艺人拨着手风琴，神态轻佻戏谑，右侧簇拥的一众看客故作高深，或捻须颔首、或交头接耳，对着画框装模作样品鉴，浮夸姿态跃然纸面。\n枯涩的墨线带着随性的动感，寥寥数笔便将附庸风雅的虚伪戳破。地面弃置的画稿更是点睛之笔，衬出这群人对艺术的傲慢轻慢。画面带着荒诞的喜剧感，以潦草却精准的笔锋解构艺术批评的装腔作势，粗粝笔触藏着尖锐嘲弄，爽利直白如市井笑谈，让观者哑然失笑间，窥见浮华假面下的虚荣底色。",[38060,47971,1473,2453,1572,38059,93239,93240],"讽刺主题","艺术品鉴场景","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fcd8c7ff3f4fe0479e82484a1b8e3d70e.jpg",[],{"id":93244,"slug":93245,"title":93246,"dynasty":22,"author":7,"museum":172,"description":93247,"tags":93248,"thumbUrl":93251,"material":296,"size":297,"collection":11,"collections":93252,"showCount":351,"zanCount":49,"manualWeight":49,"mainColor":70},289464,"rembrandt-seated-man-wearing-a-flat-cap-yi-ming-289464","Rembrandt--Seated Man Wearing a Flat Cap","粗率灵动的笔触勾勒出叉坐的男子，墨色浓淡铺陈出明暗层次，暗部晕染烘托出墙角的幽沉氛围，亮纸留白衬出粗布衣衫的质朴质感。人物叉手落胯，神态松弛倦怠，带着市井小民的随性粗粝，寥寥几笔便将闲散慵懒的日常情态定格。背景花枝草草带过，将视线牢牢锚定在主体之上，以简驭繁尽显速写的鲜活灵动，把庸常小憩的瞬间赋予了质朴厚重的生命力，尽显素描捕捉刹那神态的动人魅力。",[38060,47971,1572,14610,93249,1386,93250,37,6667,4219],"扁帽","门廊","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F1bde5745aca3afa33c2a170d7539cd62.jpg",[],{"id":93254,"slug":93255,"title":93256,"dynasty":22,"author":7,"museum":172,"description":93257,"tags":93258,"thumbUrl":93260,"material":296,"size":297,"collection":11,"collections":93261,"showCount":351,"zanCount":49,"manualWeight":49,"mainColor":50},289463,"rembrandt-self-portrait-drawing-at-a-window-yi-ming-289463","Rembrandt--Self-Portrait Drawing at a Window","这幅蚀刻版画以标志性的明暗反差，将窗边瞬间凝为永恒。沉郁的暗调铺满室内，唯有窗棂漏进的光，温柔抚过伏案的面庞与纸笔。软帽下的眉眼微蹙，视线似越过画纸投向观者，带着创作时的沉专注索。\n\n作者以疏密错落的排线铺陈层次，粗粝线条晕开暗部厚重质感，纤细笔痕勾勒出窗外柔缓的乡野景致，一动一静间让画面呼吸感尽显。笔触精准捕捉了眼角纹路、面部肌理，将独处描摹时的松弛与敏锐悉数定格，让这方寸小画兼具烟火气与沉静力量，尽显蚀刻版画独特的肌理魅力，把创作者鲜活的神态与心绪永远封存在纸面之上。",[2750,70252,33,5432,93259,2348,48571],"窗边","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F5fbab3be12e21f8b4b9a3e915891e4c9.jpg",[],{"id":93263,"slug":93264,"title":93265,"dynasty":22,"author":7,"museum":172,"description":93266,"tags":93267,"thumbUrl":93269,"material":296,"size":297,"collection":11,"collections":93270,"showCount":351,"zanCount":49,"manualWeight":49,"mainColor":70},289462,"rembrandt-st-peter-and-st-john-healing-the-paralytic-yi-ming-289462","Rembrandt--St. Peter and St John Healing the Paralytic","这幅速写以洗练线条铺陈神迹场景，瘫坐的乞者伸臂渴求，满含恳切张力。几位老者神色沉凝，圣徒的悲悯庄重呼之欲出。砖石拱门以粗粁笔痕晕开市井烟火气，寥寥数笔便勾勒出人物姿态与情绪流动，光影隐在线条疏密之间，将叙事感拉至顶点。作者以极简笔墨定格互动瞬间，无繁复修饰，却让虔诚、悲悯与希冀的氛围扑面而来。每一道线条都承载情节重量，将宗教故事的神圣质感融入街角日常，质朴却极具感染力，尽显素描语言的动人表现力。",[38060,33,30,70807,93268,41240],"医治瘫子","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F40d0b52abf290f86d23bad297e3eff26.jpg",[],{"id":93272,"slug":93273,"title":93274,"dynasty":22,"author":7,"museum":172,"description":93275,"tags":93276,"thumbUrl":93279,"material":296,"size":297,"collection":11,"collections":93280,"showCount":351,"zanCount":49,"manualWeight":49,"mainColor":70},289460,"rembrandt-the-wedding-night-of-tobias-and-sarah-yi-ming-289460","Rembrandt--The Wedding Night of Tobias and Sarah","这幅速写以松弛灵动的线条，定格下私密的室内时刻。跪地的二人垂首祈祷，柔和的轮廓勾勒出庄重虔诚的神态，将新婚夜的郑重誓言藏在沉静姿态中。\n\n左侧起伏的线条晕开帷幔柔垂的褶皱，朦胧划分出私密空间，右侧侍立的女仆低首静立，更衬出场景静谧平和的氛围。没有繁复雕琢，仅以寥寥即兴的笔触，便将新婚的神圣暖意与日常的温柔相融，带着临场捕捉的鲜活质感，让观者仿佛能触碰画面里流动的松弛与虔诚。",[30,33,38060,19463,93277,93278],"祈祷","新婚","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fd9f0ae428a5f2cd33afa19a9902c3642.jpg",[],{"id":93282,"slug":93283,"title":93284,"dynasty":22,"author":7,"museum":172,"description":93285,"tags":93286,"thumbUrl":93287,"material":296,"size":297,"collection":11,"collections":93288,"showCount":351,"zanCount":49,"manualWeight":49,"mainColor":70},289459,"rembrandt-two-studies-of-a-woman-reading-yi-ming-289459","Rembrandt--Two Studies of a Woman Reading","炭笔线条粗粝又灵动，寥寥数笔就勾勒出沉浸阅读的女性身影。上方人物低垂着头，手肘轻搭，指尖抚着读物，全然沉在字句里，衣物褶皱的排线带着松弛的呼吸感，把专注的神态藏在简练的块面中。下方的人物姿态更显蜷缩，仿佛被书页勾住了心神。\n\n没有精细描摹，全凭即兴的笔触捕捉动态，虚实错落的线条烘托出静谧松弛的氛围，将日常里无人留意的温柔瞬间定格，粗朴笔意藏着鲜活的体察，让静态速写拥有了流动的生命力。",[47971,38060,1572,11476,70485],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F58b306646e335edc24399737d57cbfbf.jpg",[],{"id":93290,"slug":93291,"title":93292,"dynasty":22,"author":7,"museum":172,"description":698,"tags":93293,"thumbUrl":93294,"material":296,"size":297,"collection":11,"collections":93295,"showCount":351,"zanCount":49,"manualWeight":49,"mainColor":70},289412,"dun-huang-yi-shu-223-yi-ming-289412","敦煌遗书223",[292,3053,124,96,1170,48323,3054],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fc1ba16ef693c8bbb1c86e2b5866b1a5f.jpg",[],{"id":93297,"slug":93298,"title":93299,"dynasty":22,"author":7,"museum":172,"description":93300,"tags":93301,"thumbUrl":93303,"material":296,"size":297,"collection":11,"collections":93304,"showCount":351,"zanCount":49,"manualWeight":49,"mainColor":70},289324,"fra-bartolomeo-the-adoration-of-the-magi-yi-ming-289324","Fra Bartolomeo--The Adoration of the Magi","以灵动排线勾勒场景，将朝圣的庄重藏在疏密错落的笔痕中。中心的圣母子与贤者自成视觉锚点，被攒动的人群温柔环绕，衣褶线条随人物姿态舒展，老者垂落的眉眼带着沉静的虔诚。左侧远景骑手与人群遥遥呼应，让画面从内向外漫溢出朝拜的温热氛围。没有浓墨重彩，仅靠明暗深浅烘托层次，将围观众人的动容与圣典的肃穆融于一体，仿佛能听见人群的低语，触摸到这场会面的柔和温度，以极简线条诉说古典宗教叙事的克制深情。",[1573,38060,2453,93302,2449],"三王来朝","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F272cbe29f67ecb2932929669803869b2.jpg",[],{"id":93306,"slug":93307,"title":93308,"dynasty":22,"author":7,"museum":172,"description":93309,"tags":93310,"thumbUrl":93312,"material":296,"size":297,"collection":11,"collections":93313,"showCount":351,"zanCount":49,"manualWeight":49,"mainColor":70},289323,"fra-bartolomeo-the-annunciation-recto-faint-view-of-buildings-yi-ming-289323","Fra Bartolomeo--The Annunciation (recto); Faint View of Buildings","这幅素描以灵动松弛的笔调铺陈，左侧跪立的天使身形舒展，衣褶线条疏密交错，精准勾勒出布料的垂坠与张力，将虔诚恭谨的神态藏在简练的轮廓里。右侧仅以浅淡虚浮的线条勾勒出模糊的身影，带着创作构思时的未定质感。大面积留白让画面呼吸感十足，虚实之间晕开静谧神圣的氛围。潦草却精准的笔痕，留存下创作构思的鲜活瞬间，未完成的松弛感与宗教题材的肃穆感相融，用朴素的素描语言，传递出动人的神性温度，将灵感乍现的刹那永久定格。",[30,33,123,38060,93311],"天使报喜","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fa6791104af8e7a0b9840936f364c73a8.jpg",[],{"id":93315,"slug":93316,"title":93317,"dynasty":22,"author":7,"museum":172,"description":93318,"tags":93319,"thumbUrl":93320,"material":296,"size":297,"collection":11,"collections":93321,"showCount":351,"zanCount":49,"manualWeight":49,"mainColor":70},289322,"fra-bartolomeo-wooded-approach-to-a-town-yi-ming-289322","Fra Bartolomeo--Wooded Approach to a Town","这帧速写以松弛随性的棕调线条，定格郊野往市镇的沿路景致。苍劲林木错落排布，疏密交织出层次，高挑的针叶林与低矮杂木掩映着屋舍，细碎的线条刻画出枝干的苍劲质感。河畔与小径上的渺小人物，为静谧郊野晕开烟火暖意。\n\n大片留白的郊野路面以浅淡走线引导视线向深景漫溯，没有厚重明暗铺陈，仅以简练线条就铺展出郊野的开阔松弛。带着鲜活的写生临场感，将趋近市镇时悠然松弛的乡野日常，用朴素笔调细腻定格，尽显速写捕捉瞬间氛围的动人魅力。",[38060,56613,131,7388,93028,3626,33],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F7771ebc772f07343051e6678ac839053.jpg",[],{"id":93323,"slug":93324,"title":93325,"dynasty":22,"author":7,"museum":172,"description":93326,"tags":93327,"thumbUrl":93331,"material":296,"size":297,"collection":11,"collections":93332,"showCount":351,"zanCount":49,"manualWeight":49,"mainColor":70},289321,"francesco-albani-diana-bathing-yi-ming-289321","Francesco Albani--Diana Bathing","狩猎女神戴安娜沐浴方罢，侍从垂首为她打理足履，神态恭谨柔婉。灵动松弛的线条勾勒出女神柔美的躯体，淡墨晕染氤氲出朦胧林野，光影在肌肤与林间缓缓流淌，将神话场景揉进静谧郊野。\n\n背景里休憩的人马与蜷卧猎犬，晕开狩猎归来的余韵。随性却精准的笔触，将神祇的优雅闲适定格在暮色之中，古典柔美与自然意趣相融，寥寥几笔便晕生出悠然的神话诗意，把松弛静谧的郊野神性氛围铺陈开来。",[38060,1572,3277,93328,48050,1006,93329,131,93330],"林间","沐浴","狩猎女神","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F969f13539b2635d22f5d39901b030bd1.jpg",[],{"id":93334,"slug":93335,"title":93336,"dynasty":22,"author":7,"museum":172,"description":93337,"tags":93338,"thumbUrl":93342,"material":296,"size":297,"collection":11,"collections":93343,"showCount":351,"zanCount":49,"manualWeight":49,"mainColor":70},289320,"francesco-allegrini-battle-scene-yi-ming-289320","Francesco Allegrini--Battle Scene","以红棕色调铺陈古战场，将短兵相接的狂乱与张力凝于纸面。中心武将挥戈振臂，座下战马扬鬃嘶吼，带着破阵锐势翻卷而来，雄健姿态尽显武将悍勇。前景里，落马士兵与倾覆战马狼狈纠缠，肌肉紧绷的躯体与濒死的颓败形成强烈反差，右侧奔逃的身影更衬出厮杀的惨烈。\n\n粗粝却精准的线条，以明暗块面堆叠出躯体的力量感与兵刃的冷硬，不加多余修饰，便将金铁交鸣与震天呼号藏入纸面，将古典战争的雄浑悲壮定格，让观者仿佛能亲临这热血贲张的厮杀瞬间。",[38060,93339,10980,18002,18001,93340,33,12054,2405,93341],"战争画","激战","红棕色调","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fd8f465679ac5623deba931c3b6e50b01.jpg",[],{"id":93345,"slug":93346,"title":93347,"dynasty":22,"author":7,"museum":172,"description":93348,"tags":93349,"thumbUrl":93350,"material":296,"size":297,"collection":11,"collections":93351,"showCount":351,"zanCount":49,"manualWeight":49,"mainColor":70},289319,"francesco-allegrini-seated-female-nude-and-dancing-female-figure-yi-ming-289319","Francesco Allegrini--Seated Female Nude and Dancing Female Figure","这幅速写以灵动奔放的线条捕捉两个女性的迥异姿态，左侧裸女沉静舒展，肌肉的起伏轮廓在虚实交错的线条中自然晕开，带着松弛柔和的沉静气质。右侧舞者则热烈外放，飞扬的衣褶以顿挫的排线勾勒，肢体扭转腾跃的动感呼之欲出。\n\n创作者以高度凝练的笔触精准拿捏人体动态张力，寥寥数笔便将两个女性的神韵全然托出，随性的草稿痕迹带着即兴创作的鲜活质感，粗粝纸面与随性笔触碰撞出质朴的生命力，把转瞬即逝的姿态定格为永恒的视觉悸动。",[1572,123,38060,11476,48050,16470],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F60183fe2d9899b674a6f0749f9152d36.jpg",[],{"id":93353,"slug":93354,"title":93355,"dynasty":22,"author":7,"museum":172,"description":93356,"tags":93357,"thumbUrl":93359,"material":296,"size":297,"collection":11,"collections":93360,"showCount":351,"zanCount":49,"manualWeight":49,"mainColor":70},289318,"francesco-allegrini-the-departure-of-aeneas-announced-to-dido-yi-ming-289318","Francesco Allegrini--The Departure of Aeneas Announced to Dido","这幅速写以棕褐笔墨铺陈情绪，明暗排线利落切割出柱廊围合的空间。俯身攥住石沿的身影满是焦灼惶然，抬手掩面的身影浸着难掩悲戚，静立持物的侍者衬出凝滞的肃穆，右侧探身振臂的身影将急切情绪推向顶峰。\n\n没有精谨勾勒，粗犷的线条却精准抓住每个身姿的情绪内核，光影顺着衣褶流淌，把离别的错愕、不舍揉进纸面。仿佛能听见场中低哑的争执与压抑的叹息，鲜活地定格下这场情绪翻涌的瞬间，把别离前震颤的氛围永远封存在笔墨之间。",[1572,38060,56812,93358,2453,1607,93137],"离别场景","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F4acbda414b86f1852ec47b09260fc0db.jpg",[],{"id":93362,"slug":93363,"title":93364,"dynasty":22,"author":7,"museum":172,"description":93365,"tags":93366,"thumbUrl":93367,"material":296,"size":297,"collection":11,"collections":93368,"showCount":351,"zanCount":49,"manualWeight":49,"mainColor":70},289317,"francesco-allegrini-unidentified-scene-figures-in-a-landscape-yi-ming-289317","Francesco Allegrini--Unidentified Scene Figures in a Landscape","以淡褐晕染铺就朦胧底色，狂放写意的线条将郊野乱斗的张力拉扯到极致。前景人物肢体夸张扭曲，或俯身蓄势，或振臂嘶吼，粗粝的笔触裹挟着原始野性与躁动，精准捕捉动作里迸发的情绪。远景人群与林木晕染成模糊块面，虚化的背景将视线牢牢锁在前景冲突之上，留白烘托出紧绷的临场感。没有精雕细琢的刻画，潦草的线条却让郊野争执充满真实的戏剧张力，仿佛能听见呼喝与缠斗的声响，将混乱瞬间定格为永恒的动态诗篇，尽显速写独有的随性表现力。",[1572,47971,56594,9914,6667,16474,48073],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F27f2f4e098796cb5ff563644e68829a9.jpg",[],{"id":93370,"slug":93371,"title":93372,"dynasty":22,"author":7,"museum":172,"description":93373,"tags":93374,"thumbUrl":93376,"material":296,"size":297,"collection":11,"collections":93377,"showCount":351,"zanCount":49,"manualWeight":49,"mainColor":50},289316,"francesco-casanova-cavalry-skirmish-with-a-fallen-drummer-at-left-yi-ming-289316","Francesco Casanova--Cavalry Skirmish with a Fallen Drummer at Left","这幅画以粗粝奔放的笔触，将骑兵短兵相接的厮杀瞬间定格。明暗对比强烈的色调，裹挟着战场的混沌烟尘，让肃杀之气扑面而来。\n\n中心两名骑手缠斗扭打，挥剑的手臂张扬着原始的血性，战马肌肉紧绷、昂首腾挪，将近身搏杀的张力拉到极致。左侧倒地的鼓手僵卧在地，冷寂的姿态反衬出战斗的惨烈，散落的兵器与倒伏的士卒铺满前景，具象化出战争的残酷底色。\n\n粗野的力量感浸透纸面，仿佛能听见兵刃交击、战马悲鸣，将战场的嘶吼与混乱凝为永恒的视觉冲击。",[38039,10978,54418,10980,18002,93375,2405,66853,40573,1572],"鼓手","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F7d11adff3fedb8302fdbb483a218e70d.jpg",[],{"id":93379,"slug":93380,"title":93381,"dynasty":22,"author":7,"museum":172,"description":93382,"tags":93383,"thumbUrl":93385,"material":296,"size":297,"collection":11,"collections":93386,"showCount":351,"zanCount":49,"manualWeight":49,"mainColor":50},289315,"francesco-casanova-cavalry-skirmish-with-a-fallen-soldier-at-right-yi-ming-289315","Francesco Casanova--Cavalry Skirmish with a Fallen Soldier at Right","以明暗铺陈满幅战场张力，前冲的骏马肌肉线条在晕染间尽显爆发力，将领挥指厉声呼喝，身旁号手高举长号，火星似从号口迸裂而出，点燃暗沉天际。\n\n前景倒地的士兵与奔涌骑兵形成强烈反差，冷灰阴影将败者的颓丧烘托尽致，远处厮杀的人马隐没在朦胧烟霭中，让战场残酷悄然蔓延至画外。\n\n创作者以单色薄涂与擦笔技巧，将光影揉作弥漫硝烟，把冲锋一瞬定格为带着嘶吼的凝固史诗。粗放笔触精准戳中战斗的野性与悲怆，仿佛能听见马蹄踏过尸身的闷响，号角穿透云层的震颤，将短兵相接的肃杀氛围牢牢攥住。",[38039,33,10980,18001,54418,66853,40573,93384],"倒地士兵","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F2ae5f496a638b08aab9da53822aa6f99.jpg",[],{"id":93388,"slug":93389,"title":93390,"dynasty":22,"author":7,"museum":172,"description":93391,"tags":93392,"thumbUrl":93393,"material":296,"size":297,"collection":11,"collections":93394,"showCount":351,"zanCount":49,"manualWeight":49,"mainColor":70},289314,"francesco-fontebasso-two-standing-male-figures-and-seated-woman-with-a-child-yi-ming-289314","Francesco Fontebasso--Two Standing Male Figures and Seated Woman with a Child","淡墨晕染勾勒明暗层次，画面动静交织富有张力。左侧老者宽袍垂坠，褶皱凝练利落，捻须垂眸，肃穆持重的气度藏在沉稳姿态里。身侧武士挺拔英武，手按腰侧远眺侦伺，锐利目光暗含警觉。下方母子柔化了刚硬氛围，母亲仰头舒展神态松弛，孩童依偎身侧亲昵和暖，与上方两人的紧绷感形成鲜明对冲。\n画师以极简笔触捕捉人物性情，淡墨晕染区分衣物质感，老者裘绒的厚重与武士劲装的利落形成反差，明暗铺陈间将不同身份的人物神韵尽数勾勒。虽为速写却形神兼备，寥寥数笔定格充满叙事感的瞬间，尽显扎实的写实功底与精妙的神态把控力。",[38060,1572,14610,14611,1527],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F511e8691b59d6dbfd98aee08fe6cdd17.jpg",[],{"id":93396,"slug":93397,"title":93398,"dynasty":22,"author":7,"museum":172,"description":93399,"tags":93400,"thumbUrl":93405,"material":296,"size":297,"collection":11,"collections":93406,"showCount":351,"zanCount":49,"manualWeight":49,"mainColor":70},289313,"master-of-the-months-of-lucas-the-month-of-june-shearing-sheep-yi-ming-289313","Master of the Months of Lucas--The Month of June, Shearing Sheep","这幅素描以全景铺陈开仲夏乡野日常，朴拙灵动的线条勾勒出鲜活的剪羊毛图景。前景里，妇人闲坐看顾嬉闹的孩童，提刃女子正预备为羊只剪毛，身旁牧人稳稳按住躁动的羊。右侧男女携着蔬果缓步而来，将市井烟火气揉进农忙图景中。\n\n远处村舍错落，更多农人或俯身劳作，或围坐闲话，把六月乡村松弛又忙碌的氛围尽数铺展。没有繁复晕染，仅以简练排线定格人物情态与乡野细节，将乡野仲夏的蓬勃生机与质朴温情妥帖留存，让人仿佛置身蝉鸣阵阵的夏日乡村，触摸汗水裹挟笑语的鲜活日常。",[123,38060,70788,12246,93401,93402,1527,93403,70790,7553,93404,1473],"绵羊","农妇","农夫","田园生活","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fe380129b795024e222589a25e68fde16.jpg",[],{"id":93408,"slug":93409,"title":93410,"dynasty":22,"author":7,"museum":172,"description":93411,"tags":93412,"thumbUrl":93414,"material":296,"size":297,"collection":11,"collections":93415,"showCount":351,"zanCount":49,"manualWeight":49,"mainColor":70},289312,"mattia-preti-a-group-of-saints-and-angels-recto-studies-yi-ming-289312","Mattia Preti--A Group of Saints and Angels (recto); Studies","以红赭粉笔铺陈于纸本之上，笔触松弛却精准收拢住人物神态。前排圣徒敛眉垂目，沉凝裹挟着悲悯的神性质感，仰首的天使满溢着纯粹虔敬，后排群像朦胧层叠，烘托出拥挤又肃穆的神圣集会氛围。\n\n衣褶线条顺着躯体起伏延展，光影随粉笔晕染自然晕开，将个体情绪揉入整体氛围感中，仿佛祷告的余韵正萦绕在这群像之间，带着速写独有的灵动鲜活，又不失宗教题材自带的厚重庄严，寥寥数笔便将神性的张力诉诸纸面。",[30,2453,38060,92683,38061,93413],"单色画","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fcc0d394d9a54673407fa6dba039bfa4e.jpg",[],{"id":93417,"slug":93418,"title":93419,"dynasty":22,"author":7,"museum":172,"description":93420,"tags":93421,"thumbUrl":93423,"material":296,"size":297,"collection":11,"collections":93424,"showCount":351,"zanCount":49,"manualWeight":49,"mainColor":70},289311,"mattia-preti-seated-bishop-with-arms-extended-and-three-attendant-figures-yi-ming-289311","Mattia Preti--Seated Bishop with Arms Extended and Three Attendant Figures","以红粉笔铺陈画面，粗粝松弛的笔触勾勒出主教的厚重身形，衣褶排线顺着布料垂坠转折，将织物的厚重质感尽显无疑。主教沉凝肃穆，舒展的手臂带着沉静威仪，与身后侍从们仰头呼喊的激昂形成强烈张力，短促线条精准勾勒出侍从们迸发的情绪。\n\n左侧淡描的模糊人影拉开画面层次，让场景更具纵深感，暖调红粉笔晕染出庄重的宗教氛围，潦草却精准的线条抓住人物神态与动势，将仪式里的肃穆与热忱交融，尽显素描语言的表现力。",[30,1572,38060,93422,1759],"主教","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F67b6b4df4b86dffa6045536f374a0cfe.jpg",[],{"id":93426,"slug":93427,"title":93428,"dynasty":22,"author":7,"museum":172,"description":93429,"tags":93430,"thumbUrl":93432,"material":296,"size":297,"collection":11,"collections":93433,"showCount":351,"zanCount":49,"manualWeight":49,"mainColor":70},289310,"mauro-soderini-drawing-for-a-frontispiece-yi-ming-289310","Mauro Soderini--Drawing for a Frontispiece","利落排线交织淡墨晕染，揉合建筑的冷硬与云雾的柔润。天界众神乘云踏光而来，衣袂舒展尽显威严神性；人间乐者偕同孩童们奏响礼乐，灵动身姿呼应天际盛景。明暗铺陈出纵深空间，笔意奔放洒脱，寥寥数笔便赋予人物鲜活神态，将盛典的庄严与欢悦揉为一体，神圣庆典的氛围感跃然纸面。",[38060,38059,93431,1058,30,33,38061,687,2656],"插画","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F7620784b4ec5af35b8439f5db95896e3.jpg",[],{"id":93435,"slug":93436,"title":93437,"dynasty":22,"author":7,"museum":172,"description":93438,"tags":93439,"thumbUrl":93441,"material":296,"size":297,"collection":11,"collections":93442,"showCount":351,"zanCount":49,"manualWeight":49,"mainColor":277},289309,"max-weber-the-drawing-class-yi-ming-289309","Max Weber--The Drawing Class","画面以站立裸模为核心，用凝练扎实的排线刻画出肌肉起伏与骨骼棱角，将清瘦躯体的张力藏于松弛站姿之中。背景朦胧晕开，伏案的画者、堆叠的画框化作虚化色块，既交代了课堂场景，又反衬出模特身形的硬朗清晰。\n\n明暗过渡柔和自然，线条疏密区分出皮肤的温润与画室木质结构的粗糙，写实笔触晕染出沉静肃穆的氛围，将写生课堂里专注凝滞的瞬间定格于纸面，让观者仿佛踏入这间安静的画室，真切感受现场流淌的专注氛围，尽显古典人体素描的扎实功底，把写生现场的真实质感细腻铺陈开来。",[38060,1572,92572,93440,3244,93117],"画室","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fe0d71582fdd3c4fb0cbdebeb0e71e27f.jpg",[],{"id":93444,"slug":93445,"title":93446,"dynasty":22,"author":7,"museum":172,"description":93447,"tags":93448,"thumbUrl":93449,"material":296,"size":297,"collection":11,"collections":93450,"showCount":351,"zanCount":49,"manualWeight":49,"mainColor":70},289308,"melchior-lorck-a-woman-from-altmark-yi-ming-289308","Melchior Lorck--A Woman from Altmark","以纯澈的线条描摹女子背影，挺括的头巾带着北方民俗的拘谨规整，勾勒出旧时代女性的典型妆束。细密排线顺着长裙垂坠起伏，精准铺陈衣物质感，将布料褶皱的松弛与服帖尽数展现。\n她身侧悬垂的串钥，暗合着主妇持家的身份意涵，沉静背影里藏着内敛克制的市井日常情态。笔触洗练克制，全无冗余修饰，以写实视角记录下平凡女性的端庄剪影，带着版画特有的朴素纪实美感，将时代烟火气凝刻在纸面之上。",[33,11476,345,123,2750],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fadcdb45f5975e1f5fef86b1b226083ab.jpg",[],{"id":93452,"slug":93453,"title":93454,"dynasty":22,"author":7,"museum":172,"description":93455,"tags":93456,"thumbUrl":93458,"material":296,"size":297,"collection":11,"collections":93459,"showCount":351,"zanCount":49,"manualWeight":49,"mainColor":50},289307,"melchior-steidl-feast-in-the-house-of-simon-yi-ming-289307","Melchior Steidl--Feast in the House of Simon","椭圆形构图收拢画面张力，宴饮众人姿态鲜活各异，卧躺的宾客慵懒松弛，侍立女眷沉静端庄，动静相映。以明暗浓淡的炭笔笔触铺陈氛围，帷幔褶皱厚重苍劲，器物细节写实精巧。画面留存转印网格，带着创作底本的严谨质感，在简约素描层次里藏住宴饮喧嚣叙事，明暗晕染烘托出古典场景的庄重氛围感，将宗教宴饮的鲜活场面凝于笔端，尽显古典叙事画的沉稳张力。",[30,2453,1998,38060,70377,1607,70601,93457],"稿本","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F2de53b456f02f9d26f9b4c24226c1a05.jpg",[],{"id":93461,"slug":93462,"title":93463,"dynasty":22,"author":7,"museum":172,"description":93464,"tags":93465,"thumbUrl":93468,"material":296,"size":297,"collection":11,"collections":93469,"showCount":351,"zanCount":49,"manualWeight":49,"mainColor":70},289305,"michel-corneille-the-younger-figure-studies-yi-ming-289305","Michel Corneille the Younger--Figure Studies","这幅群像速写以奔放灵动的线条铺陈，将众多人物的情态定格于纸面。创作者以极具松弛感的笔触，捕捉下不同形象的动态张力：上层人物带着古典装束的庄严静穆，抬手、伫立间流露仪式感；下方形象则更具动感，舒展的肢体传递出鲜活的情绪起伏。\n\n顿挫有致的线条利落勾勒衣褶起伏，无需繁复修饰就精准交代了人体的姿态节奏，足见对形体极强的把控力。整幅作品带着草稿的随性鲜活，将戏剧化的群像瞬间凝于纸面，潦草却精准的笔触，留存下捕捉灵感时刻的敏锐，让观者能触摸到这些形象背后的鲜活气场。",[123,1572,2453,47971,93466,93467],"人物习作","舞蹈场景","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F82d08330a9e5cf600de6556d1c5267cc.jpg",[],{"id":93471,"slug":93472,"title":93473,"dynasty":22,"author":7,"museum":172,"description":93474,"tags":93475,"thumbUrl":93476,"material":296,"size":297,"collection":11,"collections":93477,"showCount":351,"zanCount":49,"manualWeight":49,"mainColor":70},289304,"michel-dorigny-study-for-the-muse-urania-yi-ming-289304","Michel Dorigny--Study for the Muse Urania","画面由两处习作组成，左方女性头像仰首凝神，柔和排线晕出面部光影，将仰望时的虔诚灵动定格。右侧躯干习作则聚焦衣袍与姿态，错落的排线勾勒出厚重织物垂坠褶皱，持杖抚鼓的沉静姿态尽显古典肃穆。创作者以精准笔触拿捏动态张力，明暗交叠间铺陈出静穆典雅的神性氛围。作为创作草稿，带着松弛又严谨的鲜活质感，简练笔触藏着对人体动态与布料质感的精妙把控，将古典诗意融于方寸之间，尽显古典人物创作的细腻构思。",[38060,1572,38059,11476,4851,70580],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F4400f3593c7b9f97c9d2fe9bd54df3f9.jpg",[],{"id":93479,"slug":93480,"title":93481,"dynasty":22,"author":7,"museum":172,"description":93482,"tags":93483,"thumbUrl":93487,"material":296,"size":297,"collection":11,"collections":93488,"showCount":351,"zanCount":49,"manualWeight":49,"mainColor":50},289303,"michelangelo-anselmi-the-young-david-playing-the-harp-yi-ming-289303","Michelangelo Anselmi--The Young David Playing the Harp","以银笔绘于灰蓝纸本之上，淡墨排线晕染明暗，勾勒出半裸少年的悠然坐姿。柔润侧颜带着沉静神采，蓬松卷发如沐微风，躯体肌肉线条舒展写实，明暗铺陈精准塑造出肌肤温润的体积感。他怀拥竖琴，指尖似正轻拨弦丝，仿佛清越乐声正随呼吸漫溢。画面网格是古典创作的转印标线，藏着匠人的严谨巧思，将浪漫诗意与写实功底相融。静穆优雅的氛围里，少年的神性与青涩柔美交织，将沉醉于乐声的温柔瞬间定格，尽显古典人体素描的静谧张力。",[30,33,38060,38059,70321,93484,93485,93486],"大卫","半裸人体","椭圆构图","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F783ba5d61503b14d8c7ca52710b5f184.jpg",[],{"id":93490,"slug":93491,"title":93492,"dynasty":22,"author":7,"museum":172,"description":93493,"tags":93494,"thumbUrl":93495,"material":296,"size":297,"collection":11,"collections":93496,"showCount":351,"zanCount":49,"manualWeight":49,"mainColor":70},289302,"michelangelo-buonarroti-design-for-the-tomb-of-pope-julius-yi-ming-289302","Michelangelo Buonarroti--Design for the Tomb of Pope Julius","整体严整对称，线条利落凝练，勾勒出庄重静穆的纪念性空间。顶部穹顶光晕裹挟圣母子，晕染出神圣氛围感，两侧立像身姿典雅，稳稳承托上层神域氛围。中层以陵墓瓮棺为核心，环绕的天使烘托出追思的哀荣感，角落拟人坐像沉敛肃穆，铺陈出厚重的纪念氛围。下层壁龛与浮雕细节繁丽却不失克制，将人文意趣与神性纪念精妙糅合，用精准笔触平衡建筑秩序感与雕塑张力，尽显肃穆典雅的古典美学底蕴。",[123,30,33,2656,33967,268,48034],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fe69c3d86d775b12d16e8a2d02ce04fd7.jpg",[],{"id":93498,"slug":93499,"title":93500,"dynasty":22,"author":7,"museum":172,"description":93501,"tags":93502,"thumbUrl":93505,"material":296,"size":297,"collection":11,"collections":93506,"showCount":351,"zanCount":49,"manualWeight":49,"mainColor":70},289301,"michelangelo-buonarroti-studies-for-the-libyan-sibyl-yi-ming-289301","Michelangelo Buonarroti--Studies for the Libyan 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Vault","以十字架构承载装饰构想，灰纸之上棕色调笔晕开柔和明暗，勾勒出浮雕般的立体层次。左侧沉思的半裸男子肌肉起伏自然，衣褶垂坠写实；右侧执笔文士姿态舒展，似在镌刻人文哲思。顶部卧兽配搭涡卷雕饰，柱头人面浮雕与下方顽童相互呼应，尽显古典装饰的华丽张力。草稿自带松弛随性的质感，却精准把控了穹顶装饰的庄重平衡，将人文主题与装饰意趣完美糅合，尽显古典装饰艺术的典雅格调。",[38060,93513,2449,33,2584,48013,15901,123],"装饰画稿","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F210592111cb3b464d5fa5aa155f34378.jpg",[],{"id":93517,"slug":93518,"title":93519,"dynasty":22,"author":7,"museum":172,"description":93520,"tags":93521,"thumbUrl":93524,"material":296,"size":297,"collection":11,"collections":93525,"showCount":351,"zanCount":49,"manualWeight":49,"mainColor":70},289298,"ottaviano-dandini-scene-of-abduction-recto-allegorical-figure-yi-ming-289298","Ottaviano Dandini--Scene of Abduction (recto); Allegorical Figure","红棕线条肆意游走，将劫掠瞬间的张力拉扯到极致。左侧被掳女子躯体后仰，肌肉线条顺着挣扎的姿态舒展，飞扬的衣褶翻涌着慌乱与抗拒。右上方剽悍的劫掠者挥臂向前，衣袂猎猎如裹挟着呼啸劲风，蛮横的气焰跃然纸面。\n\n作者以即兴随性的笔触捕捉动态，未作精细描摹，却让满纸流动着戏剧张力。仓促却精准的走线，将冲突里的慌乱与暴戾鲜活定格，潦草之下藏着直击人心的表现力，把古典叙事场景的戏剧感淋漓挥洒。",[38060,47971,1572,93522,93523,16474],"线条技法","绑架场景","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fd35025670247456adfabeadd6b39b214.jpg",[],{"id":93527,"slug":93528,"title":93529,"dynasty":22,"author":7,"museum":172,"description":93530,"tags":93531,"thumbUrl":93535,"material":296,"size":297,"collection":11,"collections":93536,"showCount":351,"zanCount":49,"manualWeight":49,"mainColor":70},289297,"palma-il-giovane-figure-studies-seated-female-holding-a-book-yi-ming-289297","Palma Il Giovane--Figure Studies Seated Female Holding a Book,","这幅速写以棕褐线条铺陈，主次有致。上方的核心女性身形舒展，衣褶线条奔放写意，抬臂仰望的姿态带着升腾的灵动感，仿佛正遨游于幻境之中。下方的多个人体小稿捕捉了各异的动态瞬间，或是虬劲沉凝，或是轻盈灵动。\n作者以松弛又肯定的笔触，寥寥数笔便勾勒出人体的力量感与飘逸感，淡墨晕染的朦胧底色烘托出缥缈的氛围，将灵动韵律藏在即兴的落笔里，留存下捕捉灵感的鲜活质感，尽显对形体动态的精妙理解。",[38060,47971,1572,1473,33,93532,93533,93534],"女性形象","持书","画稿","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F48093094f9ce279261bb8c8e778f2d90.jpg",[],{"id":93538,"slug":93539,"title":93540,"dynasty":22,"author":7,"museum":172,"description":93541,"tags":93542,"thumbUrl":93543,"material":296,"size":297,"collection":11,"collections":93544,"showCount":351,"zanCount":49,"manualWeight":49,"mainColor":70},289296,"palma-il-giovane-penitent-woman-anointing-the-feet-of-christ-yi-ming-289296","Palma Il Giovane--Penitent Woman Anointing the Feet of Christ","奔放随性的线条捕捉着场景的戏剧张力，端坐的基督周身晕着轻浅圣光，神色沉静安然。对面的众人姿态紧绷躁动，或是厉声诘问，或是愤然争执，将质疑的情绪拉满。左侧俯伏的女信徒低垂身形，将全然的虔敬凝于动作之中，与场域里的喧哗形成强烈对照。\n\n简练立柱划分出开放式空间，背景错落的人物剪影烘托出拥挤的临场氛围。没有精雕细琢的细节，潦草却精准的笔触将叙事的情绪全然释放，带着速写独有的鲜活生动，将虔敬与质疑的拉扯冲突定格在刹那之间，让这桩圣典的情绪张力跃然纸面。",[1573,1572,123,38060,47971,70543,1607,2453,70193],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F7b52b53aad928ed4144de6da115321eb.jpg",[],{"id":93546,"slug":93547,"title":93548,"dynasty":22,"author":7,"museum":172,"description":93549,"tags":93550,"thumbUrl":93552,"material":296,"size":297,"collection":11,"collections":93553,"showCount":351,"zanCount":49,"manualWeight":49,"mainColor":70},289295,"paolo-farinati-project-for-the-decoration-of-a-spandrel-winged-female-yi-ming-289295","Paolo Farinati--Project for the Decoration of a Spandrel Winged Female","身姿扭转的带翼女子舒展灵动，手臂扶着拱券结构，羽翼贴合躯干将力量与柔美相融。画家以棕色调素描结合水彩晕染在灰纸基底之上，借底色衬托亮部，深色线条利落勾勒肌肉与衣褶起伏。厚重衣袍褶皱流畅垂坠，精准表现出布料的重量感，人物神情专注肃穆，带着古典静穆之美。\n\n左下角的手写字迹带着草稿随性，留存下创作构思的鲜活痕迹，整幅画既有扎实的造型功底，线条虚实间尽显动态张力，又不失速写的松弛气韵，将装饰画稿的灵动雏形尽数呈现。",[38060,11256,1572,93551,4851,12368,48022],"有翼女性","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F615fd3044bb71b8a31cb9763308bfc33.jpg",[],{"id":93555,"slug":93556,"title":93557,"dynasty":22,"author":7,"museum":172,"description":93558,"tags":93559,"thumbUrl":93560,"material":296,"size":297,"collection":11,"collections":93561,"showCount":351,"zanCount":49,"manualWeight":49,"mainColor":70},289294,"paolo-gerolamo-piola-christ-in-the-house-of-martha-and-mary-yi-ming-289294","Paolo Gerolamo Piola--Christ in the House of Martha and Mary","画面以对称拱厅铺展故事，左右两厢冷暖对照。左间烟火蒸腾，仆役们穿梭备宴，满是劳碌的市井温热；右厢静穆虔敬，马利亚跪伏迎候，基督垂目颔首满是悲悯柔和，门徒们肃立随侍。弧顶的小天使舒展羽翼，为庄严肃穆的空间揉入轻盈灵动。\n\n手绘排线勾勒衣褶起伏，淡彩晕染铺陈光影层次，让织物的厚重、石墙的冷硬呼之欲出。画师用细腻笔触刻绘神态，将侍奉的匆忙与敬拜的沉静并置，在古典建筑的框定下，把宗教叙事的神圣性揉进日常图景里，让信仰的温度顺着笔锋漫溢开来。",[38059,30,1572,38060,56660,38061,1607,3243,70807],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F8f8e2f3da11049f2f67762368bf36188.jpg",[],{"id":93563,"slug":93564,"title":93565,"dynasty":22,"author":7,"museum":172,"description":93566,"tags":93567,"thumbUrl":93569,"material":296,"size":297,"collection":11,"collections":93570,"showCount":351,"zanCount":49,"manualWeight":49,"mainColor":70},289293,"paolo-gerolamo-piola-standing-figure-of-apollo-with-a-lyre-yi-ming-289293","Paolo Gerolamo Piola--Standing Figure of Apollo with a Lyre","以淡蓝灰铺就底色，用白垩与深色线条塑就阿波罗身姿。裸身的太阳神肌肉线条柔而有张力，卷发垂肩，神态沉静高贵。他一手持里拉琴，仿佛余音仍在指尖流转，另一手握着神谕小瓶，松垮衣袍搭在臂间，垂坠褶皱舒展自然，衬出躯体挺拔舒展。\n\n作者以明暗晕染烘托形体，淡色底衬让白色躯体更显圣洁温润，寥寥几笔便勾勒出古典神祇的庄严俊美，将阿波罗的音乐天赋与神格威仪相融，带着古典主义的静穆优雅，每一处线条都诉说着希腊神祇的不朽魅力，简约精准地定格了太阳神的神性光辉。",[38059,1572,4851,93568,687,38060,32],"阿波罗","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F982f8a619e2e6e01d07afe9eb7a224a6.jpg",[],{"id":93572,"slug":93573,"title":93574,"dynasty":22,"author":7,"museum":172,"description":93575,"tags":93576,"thumbUrl":93577,"material":296,"size":297,"collection":11,"collections":93578,"showCount":351,"zanCount":49,"manualWeight":49,"mainColor":70},289292,"paolo-pagani-the-discovery-of-romulus-and-remus-yi-ming-289292","Paolo Pagani--The Discovery of Romulus and Remus","以奔放的明暗排线与块面晕染，刻画出人物剧烈的肢体拉扯与情绪张力。男子扬臂瞠目，满是惊愕震颤，女子探身前倾，焦灼呼之欲出，一旁低伏的母狼探首相向，将传说的野性与神性融为一体。\n\n没有精细勾勒，凭借松弛且充满力量感的笔触，将发现婴孩刹那的悸动定格。粗粝的笔痕自带原始的史诗质感，让神话场景褪去肃穆端庄，只剩本能的情绪迸发，仿佛能听见山间的惊呼与狼的鼻息，把远古传说的厚重，藏在每一道随性的线条里。",[38060,33,23210,56812],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fa6498a505c555a9cfe653bad8928ff54.jpg",[],{"id":93580,"slug":93581,"title":93582,"dynasty":22,"author":7,"museum":172,"description":93583,"tags":93584,"thumbUrl":93587,"material":296,"size":297,"collection":11,"collections":93588,"showCount":351,"zanCount":49,"manualWeight":49,"mainColor":70},289291,"paolo-pagani-three-men-fighting-study-of-a-nude-figure-supported-by-another-yi-ming-289291","Paolo Pagani--Three Men Fighting; Study of a Nude Figure Supported by Another","此作以圣体为视觉核心，放射状圣光撕裂垂落帷幔，将神性的张力推至顶峰。两侧天使承托柔垂布幔，涡旋雕饰与层叠立柱相互缠绕，将建筑结构揉入戏剧化的宗教氛围之中。淡晕的明暗铺陈出近似大理石的温润质感，每一处雕花细节都在描摹神圣威仪，将信仰的庄严，融于这浮夸绮丽的视觉盛宴。整体设计打破静态建筑的束缚，让祭坛仿若正在涌动的神迹，将巴洛克风格的动态奢华与宗教肃穆完美糅合，勾勒出一场触手可及的神圣幻梦。",[30,56756,11256,38060,38061,93585,93586,92803],"圣体龛","装饰艺术","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F74eff67081d8cea211133c42a5cec681.jpg",[],{"id":93590,"slug":93591,"title":93592,"dynasty":22,"author":7,"museum":172,"description":93593,"tags":93594,"thumbUrl":93598,"material":296,"size":297,"collection":11,"collections":93599,"showCount":351,"zanCount":49,"manualWeight":49,"mainColor":50},289290,"paolo-veronese-allegory-of-the-redemption-of-the-world-yi-ming-289290","Paolo Veronese--Allegory of the Redemption of the World","画面以上下分界铺展叙事，上层云海翻涌，诸圣或垂眸肃穆，或交耳低语，明暗晕染揉开天界的朦胧宏阔，流云裹挟着神性的辉光，将救赎的庄严氛围悄然铺陈。下层荒寂墓茔之前，长袍垂坠的人物凝然伫立，粗粝的衣褶笔触，刻摹出凡世叩问神性时，沉郁的怅惘与震颤的虔诚。\n整作以单色铺陈，凭光影塑造体积，将救赎的神圣叙事藏进虚实朦胧之间，让观者仿若能听见天界低语，触碰那跨越灵俗的救赎震颤，把神性的慈悲与人性的祈愿凝在方寸画卷中。",[1573,1572,38060,93595,93596,93597,9914],"救赎主题","云端人物","坟墓","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F42fcbf124633208e3b76695789d17b69.jpg",[],{"id":93601,"slug":93602,"title":93603,"dynasty":22,"author":7,"museum":172,"description":93604,"tags":93605,"thumbUrl":93606,"material":296,"size":297,"collection":11,"collections":93607,"showCount":351,"zanCount":49,"manualWeight":49,"mainColor":70},289289,"paolo-veronese-studies-for-the-allegories-of-love-yi-ming-289289","Paolo Veronese--Studies for The Allegories of Love","这页速写以奔放淋漓的水墨线条为骨，将各式人物情态尽数定格。轻重错落的笔触勾勒出躯体的扭转、肌肉的张弛，无论是凌空腾跃的灵动身形，还是伫立交谈的世俗人物，都被精准捕捉下动态韵律。\n\n画面排布看似随性散落，实则暗含疏密节奏，带着即兴创作的鲜活生气。没有繁复修饰，每一道线条都承载着创作者的瞬时灵感，将天马行空的构思凝固在纸面，尽显草稿独有的松弛与蓬勃的创作张力，让观者得以窥见创作之初的灵动构思。",[38060,47971,1572,70426,16474,92823],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fb5e2ff14cc0fd4ae49c0d09277516a7c.jpg",[],{"id":93609,"slug":93610,"title":93611,"dynasty":22,"author":7,"museum":172,"description":93612,"tags":93613,"thumbUrl":93615,"material":296,"size":297,"collection":11,"collections":93616,"showCount":351,"zanCount":49,"manualWeight":49,"mainColor":70},289288,"parmigianino-design-for-a-sepulchral-monument-of-a-youth-yi-ming-289288","Parmigianino--Design for a Sepulchral Monument of a Youth","这幅设计稿以素描淡彩铺就，线条柔婉灵动，带着松弛的韵律感。休憩的少年居于画面核心，上方圣母子安坐花环拱门下，环绕的小爱神或持杖守护、或依偎侍奉，将神圣与悼亡的氛围相融。柔美的花环拱门消解了死亡的肃穆，下方碑铭两侧，顽童托举的细节为哀戚晕开一丝天真鲜活。整体构图层次分明，虚实相生，把对逝者的追思包裹在古典诗意的宗教意象中，笔触浸满温柔悲悯，让丧葬设计褪去冰冷底色，晕开脉脉温情，尽显古典美学里的悼怀诗意。",[38060,123,33,1527,30,93614,38059],"墓葬纪念碑设计","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fee18966e7f8f3f13bba9f68505af3684.jpg",[],{"id":93618,"slug":93619,"title":93620,"dynasty":22,"author":7,"museum":172,"description":93621,"tags":93622,"thumbUrl":93623,"material":296,"size":297,"collection":11,"collections":93624,"showCount":351,"zanCount":49,"manualWeight":49,"mainColor":70},289287,"parmigianino-nine-studies-of-the-moses-in-the-steccata-yi-ming-289287","Parmigianino--Nine Studies of the Moses in the Steccata","这九幅稿本以饱满张力刻画摩西形象，每一尊都姿态各异，或扛举碑刻、拧身振臂，贲张的肌肉在棕褐墨色中跃动，揉合神性威严与凡人力感。\n作者以晕染层次区分光影，潦草却精准的排线顺着躯干走势铺陈，勾勒衣褶褶皱起伏，将肢体昂扬的瞬间张力定格。作为大型宗教创作的推敲草图，每一幅都反复打磨神性形象的精神气场，让律法的庄严顺着昂扬的肢体传递，将高踞神坛的宗教人物化为鲜活有力的具象。带着未完成的粗粝质感，却藏着最蓬勃的创作灵光，把宗教叙事的肃穆揉入充满力量感的动态中。",[30,1572,38060,123,70580,2361],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F7e1892f329a5c0c881aa84e0f5b177f4.jpg",[],{"id":93626,"slug":93627,"title":93628,"dynasty":22,"author":7,"museum":172,"description":93629,"tags":93630,"thumbUrl":93633,"material":296,"size":297,"collection":11,"collections":93634,"showCount":351,"zanCount":49,"manualWeight":49,"mainColor":70},289286,"parrasio-micheli-an-allegory-of-learning-yi-ming-289286","Parrasio Micheli--An Allegory of Learning","拱形画幅分割出上下两段叙事，借粗粝灵动的棕褐墨线铺陈学习的完整脉络。上层古典残柱旁，人群或跋涉或协作，动态舒展而充满力量，仿佛在演绎知识萌芽前的开拓与传承的漫漫长路。\n\n下层围坐的众人之间，有人展卷宣讲，侧耳聆听的身影神态各异，将求知的肃穆热忱晕染开来。没有繁复修饰，奔放的线条精准捕捉人物的神态动势，即兴的笔触带着蓬勃的古典人文生机，将从开荒奠基到传习授学的求索之旅，藏在每一道酣畅的勾勒中，尽显求知的庄重与热忱。",[38060,123,33,9914,93631,93632,92748],"寓言","讲学","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fb180c9f739b092444c736d25f46134d1.jpg",[],{"id":93636,"slug":93637,"title":93638,"dynasty":22,"author":7,"museum":172,"description":93639,"tags":93640,"thumbUrl":93643,"material":296,"size":297,"collection":11,"collections":93644,"showCount":351,"zanCount":49,"manualWeight":49,"mainColor":70},289285,"paul-ce-zanne-bathers-by-a-bridge-recto-study-after-houdon-s-ecorche-yi-ming-289285","Paul Cézanne--Bathers by a Bridge (recto); Study after Houdon's Ecorché","这幅速写以灵动的炭笔线条随性勾勒出浴者松弛舒展的姿态，寥寥几笔就抓住躯体的柔润张力，淡彩晕染出朦胧的水光与苍翠树色。桥拱作为视觉中心，框住嬉水的人群，虚实之间将郊野清润的自然气息和沐浴的闲适融为一体。\n\n带着未完成的松弛质感，没有精修的匠气，潦草却精准的线条留存下画家捕捉瞬间时的鲜活悸动，水色与树影的淡彩铺陈晕开清润夏日氛围，将郊野沐浴的松弛日常揉合在随性的笔触里，让观者触摸到创作时的热忱与松弛呼吸感。",[47971,93641,38059,33,1623,70467,36536,93642],"淡彩画","浴者","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F648c3523fe37be2b7e00b91b82d1f740.jpg",[],{"id":93646,"slug":93647,"title":93648,"dynasty":22,"author":7,"museum":172,"description":93649,"tags":93650,"thumbUrl":93651,"material":296,"size":297,"collection":11,"collections":93652,"showCount":351,"zanCount":49,"manualWeight":49,"mainColor":50},289284,"perugino-landscape-recto-landscape-verso-yi-ming-289284","Perugino--Landscape (recto); Landscape (verso)","以灰调铺底，借白色提亮晕染出河谷晨景。前景水面凝敛，几处碎白点染粼粼波光，将郊野的湿润静谧晕开。坡地密林随山势铺展，白色扫过树冠，晕出枝叶蓬松柔润的质感，蜿蜒亮带如溪涧穿林而过，隐入深黛坡峦。\n整体笔触松弛朦胧，以极简明暗勾勒层次，将山野的幽寂闲和尽数藏进朦胧雾色中，仿佛能嗅见林间湿润的草木气息，静穆里带着自然鲜活的呼吸感，把郊野清晨的恬淡诗意揉进了温柔的灰调里。",[56594,8830,131,31238,6671,11256,38060],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ffda9e54c1922edf852e0b4b2535ccea9.jpg",[],{"id":93654,"slug":93655,"title":93656,"dynasty":22,"author":7,"museum":172,"description":93657,"tags":93658,"thumbUrl":93661,"material":296,"size":297,"collection":11,"collections":93662,"showCount":351,"zanCount":49,"manualWeight":49,"mainColor":70},289283,"peter-flotner-perspectival-drawing-of-a-cradle-yi-ming-289283","Peter Flotner--Perspectival Drawing of a Cradle","这是一幅浸着文艺复兴雅致意趣的设计手稿，利落工整的线条精准勾勒出摇篮的立体透视结构。涡卷造型的底座柔婉舒展，中和了木质构件的硬朗，立柱与围栏上点缀的雕花饰件，带着庄重又精巧的古典气质，侧面的纪年铭文又添上复古厚重感。淡彩晕染浅施其上，让木料的层次与明暗自然浮现，将育婴的实用器物赋予了宫廷化的美学格调，把工艺设计与古典审美巧妙融合，尽显当时家具设计的考究意趣。",[346,2195,93659,123,32,93660,898],"摇篮","透视画","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fdd243fe72616d7b217f57a99aa18223a.jpg",[],{"id":93664,"slug":93665,"title":93666,"dynasty":22,"author":7,"museum":172,"description":93667,"tags":93668,"thumbUrl":93670,"material":296,"size":297,"collection":11,"collections":93671,"showCount":351,"zanCount":49,"manualWeight":49,"mainColor":70},289282,"peter-flptner-perspectival-drawing-with-three-cubes-yi-ming-289282","Peter Flptner--Perspectival Drawing with Three Cubes","这幅铜版画以精妙透视打破规整秩序，三个方体错位咬合、倾斜介入，糅合几何理性与荒诞观感。构件顶部的1528年标注暗藏时间印记，细密直线排线铺陈块面明暗，精准区分形体边界，兼具透视实验的科学性与超现实的戏谑感。下方浅淡水波纹与稚拙水草柔化冷硬几何体，理性秩序与自然意趣奇妙对冲，让肃穆的透视习作生出荒诞诗意，仿佛方体正从水中浮现，模糊图纸与幻境的边界，是文艺复兴透视探索里极具先锋性的趣味尝试，将制图的严谨与天马行空的遐想融为一体。",[93660,93669,1473,36536,9079,38060,70289],"几何形体","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ff169c5a1c9c2a273c8789412a96f43b6.jpg",[],{"id":93673,"slug":93674,"title":93675,"dynasty":22,"author":7,"museum":172,"description":93676,"tags":93677,"thumbUrl":93678,"material":296,"size":297,"collection":11,"collections":93679,"showCount":351,"zanCount":49,"manualWeight":49,"mainColor":70},289281,"philip-van-den-bossche-rugged-wooded-river-landscape-yi-ming-289281","Philip van den Bossche--Rugged Wooded River Landscape","近景苍劲古木虬曲扎根崖石，三位行人衣袂飘然，驻足低语间衬出林野幽寂。画师以疏密错落的排线铺陈光影，复刻出林木的婆娑层次与山石的粗糙肌理。\n\n中景崖岸蜿蜒衔接着河谷村落，屋舍隐桥错落嵌入氤氲山霭，将深林的荒疏与村居的烟火柔和衔接。淡笔留白晕染出空濛的郊野雾气，让山野层次愈发悠远。\n\n笔致简淡却层次丰盈，将北方乡野的清旷朴拙尽数藏于线条褶皱里，仿佛能让人踏入这幅画，静享漫游林麓的悠然隐逸之趣。",[38060,123,60,8830,2709,359,33,2657,4724,56594],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ff910edd277d9b45df0dad6f89d46302f.jpg",[],{"id":93681,"slug":93682,"title":93683,"dynasty":22,"author":7,"museum":172,"description":93684,"tags":93685,"thumbUrl":93686,"material":296,"size":297,"collection":11,"collections":93687,"showCount":351,"zanCount":49,"manualWeight":49,"mainColor":70},289280,"philips-koninck-river-landscape-with-a-man-standing-yi-ming-289280","Philips Koninck--River Landscape with a Man Standing","这幅风景画作以松弛晕染的笔触，铺陈出河畔乡野的日常图景。前景里临水搭建的糙顶棚屋静立浅岸，渔人垂身站在泊船边，身影凝定，将河畔的闲散氛围晕开。棕褐的泥岸蔓延向远方，水面映着天色漾开灰柔波纹，朦胧的林木错落分布，远处的村舍隐在轻雾般的色调里，消融在淡灰的天际下。\n\n整体色调沉柔质朴，泥土的暖棕与水色的冷灰相映，带着湿润的乡野气息，把郊野清晨或薄暮的慵懒静谧尽数封存，将平淡日常晕染出悠远的诗意，仿佛能听见河畔的风掠过林梢，漫着松弛治愈的乡野烟火气。",[38039,56594,2657,1343,1125,131,33,70788,56651],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fa6c42e73892391f4d69050503328aa94.jpg",[],{"id":93689,"slug":93690,"title":93691,"dynasty":22,"author":7,"museum":172,"description":93692,"tags":93693,"thumbUrl":93695,"material":296,"size":297,"collection":11,"collections":93696,"showCount":351,"zanCount":49,"manualWeight":49,"mainColor":50},289279,"piat-joseph-sauvage-venus-and-cupid-yi-ming-289279","Piat Joseph Sauvage--Venus and Cupid","这幅作品以素描复刻浅浮雕质感，将温柔缱绻揉进笔锋里。裸身的女神拥住懵懂的小爱神，亲昵依偎间，神性褪却，只剩软和温情。细腻排线晕开肌肤的柔润光泽，毛发、织物的层次铺陈恰到好处，洛可可式的甜雅藏在每一处明暗过渡中。朦胧林野帷幔虚化了背景边界，将所有目光锁在二人亲昵互动里，把神话里的爱之日常，描摹得浪漫又动人。",[1058,1572,127,1527,38071,93694,38060],"丘比特","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fda4adc26d0300e2335e20183e85d03d1.jpg",[],{"id":93698,"slug":93699,"title":93700,"dynasty":22,"author":7,"museum":172,"description":93701,"tags":93702,"thumbUrl":93704,"material":296,"size":297,"collection":11,"collections":93705,"showCount":351,"zanCount":49,"manualWeight":49,"mainColor":70},289278,"pier-francesco-mola-artists-drawing-and-painting-in-a-studio-yi-ming-289278","Pier Francesco Mola--Artists Drawing and Painting in a Studio","这幅速写以灵动松弛的线条铺陈开画室日常。左侧画师们或立或坐，有人架着画板俯身勾勒，有人席地执笔对照描摹，人人都沉浸在创作的沉静热忱之中。右侧画师们围在雕塑与模特身侧，从不同角度捕捉形体美感。\n\n墨色浓淡区分出空间层次，寥寥数笔便将人物的姿态神情勾勒传神，褪去了繁复修饰，以最质朴的笔触定格了艺术创作现场的真实氛围，将古典画室里匠人沉浸投入的创作日常生动还原，带着朴素而动人心的写实温度。",[33,38060,47971,93440,13692,123,93703],"绘画场景","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F3472bd4de998d73183f031352adf6c72.jpg",[],{"id":93707,"slug":93708,"title":93709,"dynasty":22,"author":7,"museum":172,"description":93710,"tags":93711,"thumbUrl":93714,"material":296,"size":297,"collection":11,"collections":93715,"showCount":351,"zanCount":49,"manualWeight":49,"mainColor":70},289277,"pier-francesco-mola-conversion-of-saint-paul-yi-ming-289277","Pier Francesco Mola--Conversion of Saint Paul","这幅速写以强烈明暗对比锚定视觉重心，左侧跌下马的主角肌肉轮廓用浓墨晕染，瘫软躯体带着濒然失神的恍惚感，将瞬间冲击与顿悟揉合在顿挫线条中。\n\n右侧人群以潦草却极具张力的线条勾勒，高举的手臂、奔走姿态将骚乱氛围拉至顶点，远景淡墨轻扫虚化荒漠背景，把所有注意力集中在这一神圣时刻。\n\n画家舍弃精细刻画，以奔放写意的速写笔触，将宗教皈依的神圣感混在临场混乱情绪中，粗粝墨色裹挟着饱满情绪，让宗教场景褪去肃穆外衣，拥有直击人心的原始戏剧力量。",[1573,2449,38060,33,1006,93712,93713,38059],"荒漠","圣保罗皈依","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F78f9270b9a672b84f2c17a0780d20e9e.jpg",[],{"id":93717,"slug":93718,"title":93719,"dynasty":22,"author":7,"museum":172,"description":93720,"tags":93721,"thumbUrl":93726,"material":296,"size":297,"collection":11,"collections":93727,"showCount":351,"zanCount":49,"manualWeight":49,"mainColor":70},289276,"pierre-antoine-demachy-demolition-of-the-old-vestibule-yi-ming-289276","Pierre Antoine Demachy--Demolition of the Old Vestibule","柔和天光漫过残破壁垣，古典楼宇的雕花廊架半掩在砖石瓦砾间，旧日精致与眼前破败交织晕开厚重的时光痕迹。匠人们穿梭在废墟之上，或拖拽梁柱，或清理碎石，驮运马车静候一旁，鲜活的劳作日常冲淡了拆毁的萧索。\n\n画家以细腻笔触，捕捉云层舒展的形态、石材质地的粗粝光影，将新旧交替的时代切面凝于画中。没有刻意煽情，只以冷静描摹定格城市变迁里的片刻烟火，让消逝的旧影在清新雅致的色调里留存温度，尽显纪实质朴与古典雅致交融的独特质感。",[38039,92748,93722,6949,5002,93723,93724,11104,93725],"废墟","劳作人物","晴空","拆建场景","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F1b45014f5d756cfad052a99502871f59.jpg",[],{"id":93729,"slug":93730,"title":93731,"dynasty":22,"author":7,"museum":172,"description":93732,"tags":93733,"thumbUrl":93735,"material":296,"size":297,"collection":11,"collections":93736,"showCount":351,"zanCount":49,"manualWeight":49,"mainColor":50},289275,"pierre-charles-tre-molie-res-the-ascension-of-christ-recto-head-yi-ming-289275","Pierre Charles Trémolières--The Ascension of Christ (recto); Head","画面上下虚实相映，上方基督舒展躯体腾跃云间，衣袂裹挟天风肆意翻卷，神性的飘逸随云气漫溢四周，天使振翼随行，将天国的空灵晕染尽致。\n\n下方使徒神态各异，或昂首凝望满含惊叹，或垂首敛容浸于动容，厚重堆叠的衣褶衬出凡人躯体的沉实，与天国的缥缈形成强烈对照，将瞻仰神迹时的震撼与虔诚刻画入微。\n\n单色笔触以明暗铺陈层次，柔劲兼具的线条，将神性的庄严与人性的动容交织，让信仰的肃穆与升华的神圣感扑面而来，在灰调晕染里铺展出凡神之间的精神共鸣。",[38060,1573,1572,30,93734,92746,38061,70542],"基督升天","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F8dc2ade95c6e2b33cc00628d5fceab1d.jpg",[],{"id":93738,"slug":93739,"title":93740,"dynasty":22,"author":7,"museum":172,"description":93741,"tags":93742,"thumbUrl":93744,"material":296,"size":297,"collection":11,"collections":93745,"showCount":351,"zanCount":49,"manualWeight":49,"mainColor":70},289274,"pierre-le-lu-corner-of-the-ambassador-s-staircase-at-versailles-yi-ming-289274","Pierre Lélu--Corner of the Ambassador's Staircase at Versailles","这幅棕色调装饰画稿以仰视视角铺展磅礴叙事，上方带翼女神持纹章权杖，威严伫立云海，尽显荣典之姿。下方健硕裸身灵怪与海神形象托举礼器，舰船构件、旌旗簇拥环伺，将军功王权揉入神话图景。明暗晕染层次分明，线条兼具张力与细腻感，巴洛克的华丽动感与古典叙事的庄严肃穆交融无间，仿佛鼓角铮鸣就在耳畔，将皇家庆典般的恢宏威仪凝于纸面。",[38059,38060,4851,38061,41629,9801,33,11256,15901,93743],"裸像","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fb65d031895244ce47cc11ac75abdb8e1.jpg",[],{"id":93747,"slug":93748,"title":93749,"dynasty":22,"author":7,"museum":172,"description":93750,"tags":93751,"thumbUrl":93752,"material":296,"size":297,"collection":11,"collections":93753,"showCount":351,"zanCount":49,"manualWeight":49,"mainColor":70},289273,"pierre-le-lu-the-church-of-sao-martinho-in-sintra-portugal-yi-ming-289273","Pierre Lélu--The Church of Sao Martinho in Sintra, Portugal","淡墨晕染出氤氲的乡野潮气，近景乡间小径上，农妇携幼缓步而行，将烟火气揉进山风里。中景植被错落交织，枝桠舒展的意趣被细腻线条一一铺陈，朦胧灰度晕开山野的鲜活生机。\n\n山坡高处的教堂静立林间，硬朗的建筑线条被柔化在繁茂绿意中，庄重古朴的形制与周遭的松弛生机相融。松弛的笔触定格下山城的悠然日常，将古寺肃穆与乡野温情温柔缝合，仿佛能听见山风掠过树梢的轻响，把这方天地的宁静恬淡封存在纸面之上。",[38060,11256,56594,70366,48151,131,33,6671,93028,7922],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F782ec6ad079224300215ea2d66f2fe4e.jpg",[],{"id":93755,"slug":93756,"title":93757,"dynasty":22,"author":7,"museum":172,"description":93758,"tags":93759,"thumbUrl":93761,"material":296,"size":297,"collection":11,"collections":93762,"showCount":351,"zanCount":49,"manualWeight":49,"mainColor":70},289272,"pierre-luc-charles-ciceri-drawing-for-wagner-s-le-vaisseau-fantome-yi-ming-289272","Pierre Luc Charles Ciceri--Drawing for Wagner's Le Vaisseau Fantome","淡墨晕开氤氲水汽，将巨帆古船幽困在逼仄砖石港巷之间。船体仿佛刚从浓雾深处撞入现世，砖石建筑的冷硬线条框住了这团游荡的魅影，更衬出帆船的虚幻漂浮感。\n\n细腻排线勾勒帆布褶皱，写实笔触却烘托出诡谲氛围，水面倒影虚淡朦胧，彻底消弭现实边界，仿佛这艘幽灵船下一秒便会遁入雾气。浪漫主义的怪诞诗意揉进古典写实技法，把航海传说里漂泊百年的孤寂与惊悚具象于画纸，阴郁又带着旧时代传说的独特美感，将舞台的戏剧张力凝在这方寸稿纸之上。",[38060,11256,38059,2418,93760,2656,70665],"幽灵船","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Feaeae5a3b1ccdf44f1aa24a97bc40ac1.jpg",[],{"id":93764,"slug":93765,"title":93766,"dynasty":22,"author":7,"museum":172,"description":93767,"tags":93768,"thumbUrl":93771,"material":296,"size":297,"collection":11,"collections":93772,"showCount":351,"zanCount":49,"manualWeight":49,"mainColor":70},289271,"pieter-stevens-huntsmen-and-company-observing-dogs-retrieving-ducks-yi-ming-289271","Pieter Stevens--Huntsmen and Company Observing Dogs Retrieving Ducks","虬曲古槐横亘画面，垂枝掩映出郊野猎归的松弛午后。猎手们斜靠木桥栏，目光追着水面叼回水禽的猎犬。石墙旁有人调笑着打理猎具，白犬亲昵蹭着主人裤腿。水面上群犬划破涟漪，扎入水中争抢猎物，对岸堤岸挤满围观村人，远处河湖交错，坡间小镇在淡彩晕染里朦胧柔和。\n\n细密素描勾出鲜活细节，淡彩晕开水汽与树荫的暖调，将郊野狩猎后的闲散日常揉进暮色里，不见猎杀的紧绷，只剩同侪打趣的松弛、乡邻围观的热闹，把质朴鲜活的乡野烟火气凝于纸面。",[38059,38060,32,33,55769,613,130,12352,28938,93769,93770],"河畔","狩猎场景","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F127f9839eb0b47413a4107bfda047cd6.jpg",[],{"id":93774,"slug":93775,"title":93776,"dynasty":22,"author":7,"museum":172,"description":93777,"tags":93778,"thumbUrl":93780,"material":296,"size":297,"collection":11,"collections":93781,"showCount":351,"zanCount":49,"manualWeight":49,"mainColor":70},289270,"pietro-jacopo-palmieri-trompe-l-oeil-exercise-prints-on-a-table-top-yi-ming-289270","Pietro Jacopo Palmieri--Trompe-l'Oeil Exercise Prints on a Table Top","这是一幅巧思盎然的错视佳作，将凌乱堆叠的速写稿铺陈于桌面之上，虚实交融模糊了画内画外的边界。\n小幅速写各有乾坤：戴羽饰的异域男子神情桀骜，鞍马奔踏带着旷野的风，旅人彳亍、水乡小镇晕开静谧烟火，每一页都封存着鲜活的采风日常。\n画稿看似随意摊放，带着刚被翻阅搁置的松弛感，仿佛能窥见画师方才辍笔的模样，将零散的灵感碎片定格成充满生活温度的创作一隅，尽显古典手绘的精妙意趣。",[38060,47971,93779,33,1006,2656,109,3244,56594,26864],"错视画","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ffcb75bb43ce9bc25a1738131ad9e5540.jpg",[],{"id":93783,"slug":93784,"title":93785,"dynasty":22,"author":7,"museum":172,"description":93786,"tags":93787,"thumbUrl":93788,"material":296,"size":297,"collection":11,"collections":93789,"showCount":351,"zanCount":49,"manualWeight":49,"mainColor":70},289269,"pietro-jacopo-palmieri-trompe-l-oeil-exercise-prints-yi-ming-289269","Pietro Jacopo Palmieri--Trompe-l'Oeil Exercise Prints","这是一幅精妙的错视佳作，以层层叠叠的画稿构造出逼真的桌面一隅。泛黄纸张带着自然褶皱错落摊开，将动态速写、人物肖像、装饰小稿与印着乐符的散页杂糅一处。骑手策马的画面张力十足，异邦人物肖像刻画传神，圆构图里的人物与猎犬细腻生动，每一帧小稿都带着古典写生的雅致质感。\n\n作者以细腻笔触还原纸张肌理，光影在层叠纸面间自然晕开，彻底模糊二维平面与现实桌面的边界，让观者如同凑近创作者的工作台，仿佛伸手便可触碰到这堆叠的习作，在这场视觉骗局里尽显写实功底的精妙，将日常创作的琐碎化为充满趣味的视觉盛宴。",[38060,93779,33,1006,7922,48022,93534,38059,70488],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F15882f7c5db5f92e4efa24027d3b1034.jpg",[],{"id":93791,"slug":93792,"title":93793,"dynasty":22,"author":7,"museum":172,"description":93794,"tags":93795,"thumbUrl":93796,"material":296,"size":297,"collection":11,"collections":93797,"showCount":351,"zanCount":49,"manualWeight":49,"mainColor":70},289268,"pietro-longhi-study-of-a-seated-woman-yi-ming-289268","Pietro Longhi--Study of a Seated Woman","这帧速写以灵动虚实的线条，勾勒出女子柔婉的身姿。头纱垂落的褶皱随笔触轻重铺展，将织物的垂坠质感细腻晕开。女子颔首敛目，沉静温婉的神情藏在薄纱之后，手臂轻叠的姿态松弛又带着娴静安然。排线疏密有致，寥寥数笔便将衣袍的体积层次铺陈分明，厚重的布料与轻软的头纱被笔触精准区分。留白恰到好处，给画面留足呼吸空间，随性却精准的笔触将女子娴静温柔的神态定格，仿佛下一秒她便会抬眼微动，鲜活的生命力跃然纸面，尽显捕捉瞬间情态的精妙功力。",[38060,1572,11476,64],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ff13c8d895873970b03f00c601f5f43bd.jpg",[],{"id":93799,"slug":93800,"title":93801,"dynasty":22,"author":7,"museum":172,"description":93802,"tags":93803,"thumbUrl":93804,"material":296,"size":297,"collection":11,"collections":93805,"showCount":351,"zanCount":49,"manualWeight":49,"mainColor":50},289267,"pietro-malombra-the-emperor-frederick-barbarossa-submitting-yi-ming-289267","Pietro Malombra--The Emperor Frederick Barbarossa Submitting","以红黑粉笔铺陈画面，炭笔排线皴出衣褶的沉郁阴影，红粉笔晕开衣袍的暖调光泽。焦点落于中心的臣服仪式，跪拜者身形低伏将皇权的俯首具象化，旁侧人物垂眼敛容，带着审视的沉静肃穆。\n\n右侧侍从以松散线条虚化错落，弱化个体来烘托群像的庄重氛围。整幅画未作精描细摹，却用松弛又精准的笔触，借明暗对比收拢视线，将这场权力交叠时刻的沉凝威仪尽数铺展，让纸面流转出厚重的历史张力，静述着皇权俯首的肃穆瞬间。",[33,38060,32,518,2361,14407,70418,2453],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fe2520b588b7d8b54eca3968de716198a.jpg",[],{"id":93807,"slug":93808,"title":93809,"dynasty":22,"author":7,"museum":172,"description":93810,"tags":93811,"thumbUrl":93812,"material":296,"size":297,"collection":11,"collections":93813,"showCount":351,"zanCount":49,"manualWeight":49,"mainColor":70},289266,"pietro-roselli-the-apotheosis-of-saint-mark-yi-ming-289266","Pietro Roselli--The Apotheosis of Saint Mark","奔放淋漓的墨线即兴勾勒，短促排线晕染明暗层次，潦草却精准地锚定了升腾的动感。云端之上仙众环拥，圣徒在光雾中徐徐升举，下方小天使与灵怪接引呼应，整幅画面浸在狂喜飞升的韵律之中。\n\n未加修饰的速写笔触，将巴洛克式戏剧张力揉入宗教主题，随性的线条间满是奔涌的创作灵感，以未完成的松弛感，完整传递出超凡升遐的神圣震撼，仿佛将那瞬的神性狂喜定格在纸面。",[30,33,123,38061,2449,3277],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F07b11a65430b92cf025fd5629f7b22ea.jpg",[],{"id":93815,"slug":93816,"title":93817,"dynasty":22,"author":7,"museum":172,"description":93818,"tags":93819,"thumbUrl":93821,"material":296,"size":297,"collection":11,"collections":93822,"showCount":351,"zanCount":49,"manualWeight":49,"mainColor":50},289265,"pietro-testa-a-seated-female-figure-surrounded-by-nude-infants-yi-ming-289265","Pietro Testa--A Seated Female Figure Surrounded by Nude Infants","郊野林间暖意融融，坐卧的女子怀抱着幼婴，周遭裸身孩童或围拢依偎，伸手探向怀中同伴，或肆意嬉闹张望。灵动松弛的线条勾勒出孩童娇憨天真的神态，粗朴笔触晕染出郊野的慵懒氛围，远景林木草草铺陈，将视线牢牢锚定在这场温柔相聚里。稚拙笔意揉合着母性柔软与童年烂漫，仿佛将无忧午后永久定格，朴素画面里满溢着田园牧歌般的治愈诗意，把孩童嬉闹的鲜活与亲子依偎的温情娓娓道来。",[38060,1572,11476,93820,70467,48720,1473,47971],"裸婴","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F11705b1beb2d4b2ce621422d7ebfda6c.jpg",[],{"id":93824,"slug":93825,"title":93826,"dynasty":22,"author":7,"museum":172,"description":93827,"tags":93828,"thumbUrl":93830,"material":296,"size":297,"collection":11,"collections":93831,"showCount":351,"zanCount":49,"manualWeight":49,"mainColor":70},289263,"pietro-testa-nude-youth-running-recto-standing-draped-yi-ming-289263","Pietro Testa--Nude Youth Running (recto); Standing Draped","以极简的炭笔线条，精准定格下裸奔青年的迸发瞬间。前倾的躯干、蹬伸的后腿与前摆的手臂，凝练出充满张力的奔跑韵律，寥寥数笔便勾勒出肌肉的起伏轮廓，将躯体的重量感与冲刺的动感融为一体。没有繁复的修饰，凭借敏锐的观察力捕捉刹那的灵动，潦草却极具生命力的笔触，让整幅速写拥有了鲜活的呼吸感，将人体运动的蓬勃张力尽数展现，尽显速写即兴捕捉的独特魅力，让转瞬即逝的动态成为永恒的视觉印记。",[38060,1572,38072,93829],"奔跑姿态","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fdc5a119f029b0ea4ed989f9c2cb3145b.jpg",[],{"id":93833,"slug":93834,"title":93835,"dynasty":22,"author":7,"museum":172,"description":93836,"tags":93837,"thumbUrl":93839,"material":296,"size":297,"collection":11,"collections":93840,"showCount":351,"zanCount":49,"manualWeight":49,"mainColor":70},289262,"pietro-testa-the-presentation-of-the-virgin-in-the-temple-yi-ming-289262","Pietro Testa--The Presentation of the Virgin in the Temple","棕褐素描晕开神圣氛围，云端小天使振翅穿梭，灵动轻盈，与下方祭典形成鲜明动静反差。圣殿台阶之上，主教祭司肃穆而立，衣褶线条苍劲厚重，勾勒出典礼的庄重威仪。跪拜信众姿态虔诚，线条兼具松弛与力量，明暗晕染拉开空间层次，既塑造出人物群像的体积质感，也烘托出宗教仪式的肃穆庄重，让灵动神性与人间礼敬交织相融。",[30,38060,1572,38061,92766,93838,2944,9914],"圣殿","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F6af9e21211fc7e3370f9776536072b41.jpg",[],{"id":93842,"slug":93843,"title":93844,"dynasty":22,"author":7,"museum":172,"description":93845,"tags":93846,"thumbUrl":93848,"material":296,"size":297,"collection":11,"collections":93849,"showCount":351,"zanCount":49,"manualWeight":49,"mainColor":70},289261,"pietro-da-cortona-a-wind-god-yi-ming-289261","Pietro da Cortona--A Wind God","这幅人体素描以松弛却精准的笔触，定格了充满神性张力的瞬间。健硕躯体的肌肉起伏自然流畅，肩胛、胸肌与手臂的块面经由明暗晕染，让力量感呼之欲出。硬朗的侧脸轮廓配合仰头姿态，将舒展不羁的神性尽显。\n\n飞扬的衣纹以奔放的速写线条带出风的动感，与紧实刻画的人体形成刚柔反差。淡色纸面上的炭笔痕迹虚实相生，恰到好处的留白将风神凌虚御空的飘逸与体魄的雄浑融为一体，仿佛能感受到气流在躯体周遭翻涌涌动，尽显古典神话题材里力量与浪漫交织的美学意趣。",[38060,1572,4851,93847,92572],"风神","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F8190fa2c9e93b1ad1144667171e571ea.jpg",[],{"id":93851,"slug":93852,"title":93853,"dynasty":22,"author":7,"museum":172,"description":93854,"tags":93855,"thumbUrl":93857,"material":296,"size":297,"collection":11,"collections":93858,"showCount":351,"zanCount":49,"manualWeight":49,"mainColor":50},289260,"pietro-da-cortona-allegory-in-honor-of-cardinal-antonio-yi-ming-289260","Pietro da Cortona--Allegory in Honor of Cardinal Antonio","这幅棕色调的古典装饰草图，以巴洛克的恢弘叙事铺陈画面。左侧柱廊间，河神斜卧静诉川泽脉络，高台上坐像威然拱卫着天使托举的肖像，古典雕像阵列沿柱廊次第铺展。右侧拟人化群像动静交织，托举天球的女性化身庄重端凝，其余形象或躬身或仰望，满溢肃穆的颂赞氛围。\n\n画师以排线晕染铺陈光影，让拱廊纵伸拓开深邃空间，将纪念性寓意融于戏剧化的古典场景中，动感张力与典雅庄重交融，尽显这类装饰创作的磅礴气度。",[38060,1573,92813,1572,56719,38061,93856,2453,38059],"雕像","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F006202b9f0da6decb335aa770dc028f7.jpg",[],{"id":93860,"slug":93861,"title":93862,"dynasty":22,"author":7,"museum":172,"description":93863,"tags":93864,"thumbUrl":93866,"material":296,"size":297,"collection":11,"collections":93867,"showCount":351,"zanCount":49,"manualWeight":49,"mainColor":70},289259,"pietro-da-cortona-god-the-father-with-angels-holding-symbols-yi-ming-289259","Pietro da Cortona--God the Father with Angels Holding Symbols","这幅草稿以奔放的排线铺陈出神性与灵动的交响。画面左侧的天父以沉稳利落的块面线条塑就威严身形，挥臂的姿态带着统御寰宇的力量感，衣褶的明暗晕染衬出厚重体量感。\n\n环绕的天使们线条舒展飞扬，羽翼与衣袂的笔触带着强烈的动势，或托举象征符号、或簇拥环伺，虚实错落间让画面疏密有致，虚空里仿佛涌动着天国的辉光。\n\n整体笔触松弛却充满张力，潦草却精准地抓住了人物的动态神采，带着未完成的即兴感，却完整传递出天国仪仗庄严与灵动交融的恢弘氛围，将神圣叙事化作流动的视觉韵律。",[38060,2449,1572,38061,93865,47971],"上帝","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F3592abadfdc33347a0ce7c0582dd164f.jpg",[],{"id":93869,"slug":93870,"title":93871,"dynasty":22,"author":7,"museum":172,"description":93872,"tags":93873,"thumbUrl":93875,"material":296,"size":297,"collection":11,"collections":93876,"showCount":351,"zanCount":49,"manualWeight":49,"mainColor":70},289258,"pietro-da-cortona-half-figure-of-a-bacchante-with-outstretched-yi-ming-289258","Pietro da Cortona--Half-Figure of a Bacchante with Outstretched","这幅红粉笔速写以松弛又精准的笔触，定格下舒展的瞬间。作者精准拿捏了人体动态，前伸的手臂肌肉线条饱满紧绷，张力十足，将女性躯体的力量感与柔美融于一体。蓬松的衣褶随性铺陈，发丝勾勒灵动飘逸，仿佛能看见她肆意舒展的模样。淡晕开的烟雾状线条虚化背景，烘托出迷醉松弛的氛围。没有繁琐的细节堆砌，仅用虚实交织的红调笔触，就将人物外放舒展的情绪传递得淋漓尽致，尽显巴洛克风格的动感生命力，扎实的造型功底让速写稿也拥有完整的情绪表达。",[38060,33,4851,93874,37814],"酒神女祭司","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F06d3b2832afe5fdd8e486188ba843d05.jpg",[],{"id":93878,"slug":93879,"title":93880,"dynasty":22,"author":7,"museum":172,"description":93881,"tags":93882,"thumbUrl":93883,"material":296,"size":297,"collection":11,"collections":93884,"showCount":351,"zanCount":49,"manualWeight":49,"mainColor":70},289257,"pietro-da-cortona-study-for-the-age-of-bronze-yi-ming-289257","Pietro da Cortona--Study for the Age of Bronze","这幅速写以奔放苍劲的棕褐线条，定格下涌动的群像张力。高台之上的宣讲者振臂挥洒，情绪喷薄而出，仿佛将宏声倾泻向下方人群。\n\n下方众人姿态各异，或交耳私语、或挺身凝望、或俯身沉思，每一笔都追随着人物动势肆意游走，省去繁复修饰，却将群体的躁动与专注相融无间。作者凭借线条的疏密轻重区分空间层次，高台与人群的错落关系跃然纸面。未经打磨的草稿质感，反而让现场喧嚣仿佛穿透纸面，将一瞬鲜活凝固为永恒习作。原始的创作温度裹挟着即兴生命力，把古典题材的磅礴氛围感，藏在简率粗粝的笔触之中。",[38060,47971,1572,2453,1473,70562],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fcb077c21b02ebeadb4361a2a9d43b921.jpg",[],{"id":93886,"slug":93887,"title":93888,"dynasty":22,"author":7,"museum":172,"description":93889,"tags":93890,"thumbUrl":93891,"material":296,"size":297,"collection":11,"collections":93892,"showCount":351,"zanCount":49,"manualWeight":49,"mainColor":50},289256,"pietro-da-cortona-study-for-the-age-of-bronze2-yi-ming-289256","Pietro da Cortona--Study for the Age of Bronze2","这幅习作以奔放洒脱的素描线条，铺陈出充满张力的古典史诗场景。高台之上的王者伸臂宣谕，威严毕现，阶前将士躬身领命，紧绷的肌肉与利落的甲胄线条尽显勇武。周遭攒动的人群与散落的残躯兵器，晕染出肃杀厚重的氛围。\n\n创作者以建筑分割画面空间，将视线牢牢锚定在君臣对答的中心场景，潦草却精准的排线，勾勒出衣料褶皱的垂坠感与躯体的力量感，每一笔都饱含情绪，将权力交锋的磅礴气势凝于纸面，尽显古典叙事的雄浑气魄。",[38060,1572,518,123,1473,38130,4286,38062,5967,56719,3622],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ff74e52c08d4912ab9508b95890d5579a.jpg",[],{"id":93894,"slug":93895,"title":93896,"dynasty":22,"author":7,"museum":172,"description":93897,"tags":93898,"thumbUrl":93899,"material":296,"size":297,"collection":11,"collections":93900,"showCount":351,"zanCount":49,"manualWeight":49,"mainColor":70},289255,"pietro-da-cortona-study-of-two-figures-for-the-age-of-gold-yi-ming-289255","Pietro da Cortona--Study of Two Figures for the Age of Gold","这幅速写以灵动松弛的排线，定格下两位女性亲昵相拥的瞬间。左侧半裸躯体饱满柔和，右侧女子回身揽住同伴，肢体交错缠绕，将缱绻暧昧的张力藏于线条间。衣纹跟随躯体的起伏铺陈，虚实相宜的笔触精准勾勒出肌肉的柔润轮廓与织物的垂坠褶皱，寥寥几笔便把动态的韵律感淋漓尽致展现出来。左下角淡描的小人物作为点缀，让构图层次更显丰盈。整幅作品没有繁复刻画，却凭着简练随性的笔意，将古典躯体的柔媚质感与亲昵氛围尽数传递，尽显人体速写的写意功底。",[38060,33,11476,48114,1058,47971,38059],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F5cfd0a9ed28b1ced7947650092c1a5a0.jpg",[],{"id":93902,"slug":93903,"title":93904,"dynasty":22,"author":7,"museum":172,"description":93905,"tags":93906,"thumbUrl":93908,"material":296,"size":297,"collection":11,"collections":93909,"showCount":351,"zanCount":49,"manualWeight":49,"mainColor":70},289254,"pietro-da-cortona-study-of-a-seated-youth-for-the-age-of-gold-yi-ming-289254","Pietro da Cortona--Study of a Seated Youth for the Age of Gold","这幅素描以松弛却精准的线条，定格了半裸少年休憩的瞬间。蓬松卷发仅以简练轮廓交代，便传递出鲜活神态。画家以细腻排线铺陈肌肉明暗，肩胛、胸腹与腿部的块面转折柔和自然，将躯体的张力与松弛感平衡恰到好处。左手撑地的姿态让肩背肌肉微微隆起，暗部晕染弱化生硬边界，尽显人体柔和肌理。寥寥数笔便勾勒出少年的慵懒舒展，带着古典人体写生的静谧质感，将动态体感与写实精妙融合，尽显素描的纯粹魅力。",[38060,1572,93907,93117,1386],"青年男性","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fe1f43866d5612f3c616f8fa3aeaa1eff.jpg",[],{"id":93911,"slug":93912,"title":93913,"dynasty":22,"author":7,"museum":172,"description":93914,"tags":93915,"thumbUrl":93917,"material":296,"size":297,"collection":11,"collections":93918,"showCount":351,"zanCount":49,"manualWeight":49,"mainColor":70},289253,"pietro-da-cortona-the-triumph-of-nature-over-art-yi-ming-289253","Pietro da Cortona--The Triumph of Nature Over Art","古典庭院为幕，古树枝叶扶苏，雕花廊柱晕开巴洛克的华丽底色。中心女子仪态端然，静候着环绕而来的花环，自然的生机压过人工匠气。林神率孩童踏歌趋近，将枝蔓与花冠奉至她身侧，旁侧女子或仰首惊叹，或屈膝依偎，鲜活铺展出自然得胜的图景。\n\n棕褐走线松弛精准，明暗层次晕染灵动，光影游走于衣褶、廊柱之间，将巴洛克的动感揉入古典叙事。借群像互动，把自然凌驾匠艺的隐喻藏入线条肌理，让蓬勃生机与造物肃穆相映，将这场浪漫主题悄然叙说。",[38060,38059,1572,4851,2453,56719,131,3277,93916],"凯旋主题","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F7b82868fab1a86bfe4d90c5679c29369.jpg",[],{"id":93920,"slug":93921,"title":93922,"dynasty":22,"author":7,"museum":172,"description":93923,"tags":93924,"thumbUrl":93926,"material":296,"size":297,"collection":11,"collections":93927,"showCount":351,"zanCount":49,"manualWeight":49,"mainColor":70},289252,"pirro-ligorio-seated-sibyl-and-attendant-genius-yi-ming-289252","Pirro Ligorio--Seated Sibyl and Attendant Genius","这是一幅红粉笔素描，以舒缓松弛的视角铺陈画面。创作者以灵动利落的线条勾勒出坐姿舒展的女子，背部肌肉起伏隐匿在衣褶之下，垂坠厚重的织物褶皱层次分明，顺着体态自然铺展，精准传递出布料的柔软与重量感。\n女子持卷阅读，身侧侍从探身凑近，二人之间的呼应让画面浸着静谧专注的氛围。笔触虚实相宜，弱化侍从的面部细节来突出主体，却也让互动自然和谐，将沉浸于阅读的沉静氛围感烘托得恰到好处，尽显雅致沉静的古典人文气息。",[38060,1572,35171,93925,1759,70485],"女先知","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F05ec5a8d01ca02f66547609531447c27.jpg",[],{"id":93929,"slug":93930,"title":93931,"dynasty":22,"author":7,"museum":172,"description":93932,"tags":93933,"thumbUrl":93936,"material":296,"size":297,"collection":11,"collections":93937,"showCount":351,"zanCount":49,"manualWeight":49,"mainColor":70},289251,"pirro-ligorio-two-princes-of-the-house-of-este-yi-ming-289251","Pirro Ligorio--Two Princes of the House of Este","以赭褐色墨水晕染结合淡彩铺陈，线条劲挺扎实，勾勒出两位贵族挺拔庄重的身姿。繁丽的雕花胸甲、垂坠的饰链与层叠衣褶，将华贵身份尽数彰显。\n\n二人神态沉凝肃穆，交叠的手臂暗含家族血脉联结的厚重羁绊，背景立柱极简留白，更衬出肖像仪式感。画家精准晕染肌肉轮廓，写实还原人体肌理，衣褶褶皱流畅利落，兼具严谨的造型功力与松弛的笔触感。既留存了贵族肖像的端庄纪实性，又摆脱刻板描摹，让人物兼具威仪温度，将文艺复兴肖像的写实精髓诠释尽致，尽显古典肖像的典雅厚重。",[11098,38060,11256,93934,93935,1059],"男性贵族","佩剑","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Feaac30fe95f70947464de64a85fde3c1.jpg",[],{"id":93939,"slug":93940,"title":93941,"dynasty":22,"author":7,"museum":172,"description":93942,"tags":93943,"thumbUrl":93946,"material":296,"size":297,"collection":11,"collections":93947,"showCount":351,"zanCount":49,"manualWeight":49,"mainColor":70},289250,"placido-costanzi-unidentified-subject-yi-ming-289250","Placido Costanzi--Unidentified Subject","这幅八角形构图的素描以浅淡排线在灰晕基底上铺陈，用克制的明暗勾勒出充满叙事感的古典群像。左侧二人侧身低语，神态暗藏机锋，右侧高台之上的互动带着庄重肃穆的仪式感，人物动态错落有致。纤细走线精准捕捉人物神态与肢体张力，虚实留白巧妙拓展空间层次，整体氛围沉郁内敛，将故事性藏在细腻线条节奏中，以极简笔触铺陈出饱满戏剧张力，尽显古典创作特有的庄重含蓄。",[38060,1572,123,2453,1607,93944,56721,93945],"八角构图","古典题材","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F13557aa7dcba0f32940e4d514bf1062b.jpg",[],{"id":93949,"slug":93950,"title":93951,"dynasty":22,"author":7,"museum":172,"description":93952,"tags":93953,"thumbUrl":93956,"material":296,"size":297,"collection":11,"collections":93957,"showCount":351,"zanCount":49,"manualWeight":49,"mainColor":70},289249,"placido-costanzi-young-cleric-in-a-cope-holding-a-book-yi-ming-289249","Placido Costanzi--Young Cleric in a Cope Holding a Book","这幅素描以灵动的炭笔线条定格住了信仰的炽热瞬间，苦修修士仰头祈望，眉骨微蹙、下颌扬起，将虔诚到近乎痴狂的动容尽数写在面庞之上。\n\n衣褶的处理极具表现力，粗粝排线追随着织物垂坠走势，堆叠出厚重体积感，软薄袍服的褶皱与人物紧绷的瘦削身形形成强烈对比，将苦修的肃穆感悄然烘托。虚实变化的线条勾勒出扶台手臂绷紧的力道，赤足踏地更添沉静的苦修氛围。淡描的明暗层次晕染出沉静饱满的情绪张力，将神思遨游的信徒形象刻画得入木三分。",[38060,1572,2449,92766,123,93954,93955,93049],"祭袍","仰视","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fe808ce647db220359d76d8e7652b4ca9.jpg",[],{"id":93959,"slug":93960,"title":93961,"dynasty":22,"author":7,"museum":172,"description":93962,"tags":93963,"thumbUrl":93964,"material":296,"size":297,"collection":11,"collections":93965,"showCount":351,"zanCount":49,"manualWeight":49,"mainColor":70},289248,"polidoro-da-caravaggio-the-holy-family-yi-ming-289248","Polidoro da Caravaggio--The Holy Family","这幅郊野休憩的场景以棕褐素描铺陈，线条松弛却精准勾勒轮廓。圣母拥着圣婴，姿态柔婉亲昵，身旁老妇温情注视，右侧老者垂首休憩，持果孩童依偎身侧，林间浅淡晕染的光影落在起伏衣褶上，将神圣叙事揉进烟火日常里。\n\n远景村落晕染朦胧，苍劲树影衬出郊野丘壑的空寂，让私密天伦融于天地间，褪去宗教肃穆，只剩寻常家眷的松弛安恬。明暗晕染柔和过渡，衣料褶皱的厚重质感，神态的细腻描摹，将静谧温情藏进每一笔排线，把圣家族拉下神坛，定格成治愈的午后片刻。",[38060,30,1572,56787,1527,131,12495,627],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fcee60ebb836c6d4a0bb7a6f8ad74280e.jpg",[],{"id":93967,"slug":93968,"title":93969,"dynasty":22,"author":7,"museum":172,"description":93970,"tags":93971,"thumbUrl":93972,"material":296,"size":297,"collection":11,"collections":93973,"showCount":351,"zanCount":49,"manualWeight":49,"mainColor":70},289247,"pomarancio-male-figure-standing-on-a-demon-yi-ming-289247","Pomarancio--Male figure standing on a demon","这帧红粉笔素描以松弛又精准的排线，勾勒出健硕男性的饱满肌肉，肩背与腿部的张力顺着笔触倾泻而出，抬手托举的姿态带着昂扬威仪。下方蜷伏的精怪身形瑟缩，恰好反衬出人体的舒展伟岸。\n\n浅淡的打稿网格还留存着创作余温，垂落的衣袂柔化了躯体硬朗棱角，让神圣身姿与狞恶精怪形成强烈对冲，铺展出古典神话的叙事张力。潦草却生动的笔触间，凌驾与臣服的戏剧感静静弥散，粗粝纸面承载着灵动的创作思绪，尽显古典人体习作的质朴魅力。",[38060,38059,33,92572,3899,1058],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fb8f99473e384bd820a8296c61320789f.jpg",[],{"id":93975,"slug":93976,"title":93977,"dynasty":22,"author":7,"museum":172,"description":93978,"tags":93979,"thumbUrl":93982,"material":296,"size":297,"collection":11,"collections":93983,"showCount":351,"zanCount":49,"manualWeight":49,"mainColor":70},289246,"pomarancio-the-holy-family-with-angels-yi-ming-289246","Pomarancio--The Holy Family with Angels","炭笔线条灵动舒展，勾勒出衣褶柔劲飘逸的韵律，淡色晕染铺陈明暗层次，烘托出亲昵自然的温情互动。男子俯身托举孩童，指尖藏着呵护的温柔，坐姿女子眉眼温婉，目光落向稚童，孩童舒展的姿态打破沉静，让画面跳出肃穆，漫出脉脉天伦暖意。\n\n背景天使朦胧虚化，轻盈的轮廓将神性氛围轻轻晕开，整幅作品不见过度雕琢的匠气，笔触感带着即兴创作的生动，将宗教主题柔化为充满温度的日常瞬间，让神圣温情融在每一笔的明暗流转之间。",[1573,38060,1572,38061,56787,48124,27489,93980,93981],"圣约瑟","平和","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F1335b789a0dc51ce069bb8c6a5d04ac4.jpg",[],{"id":93985,"slug":93986,"title":93987,"dynasty":22,"author":7,"museum":172,"description":93988,"tags":93989,"thumbUrl":93990,"material":296,"size":297,"collection":11,"collections":93991,"showCount":351,"zanCount":49,"manualWeight":49,"mainColor":70},289245,"pompeo-batoni-allegory-in-honor-of-pope-benedict-xiv-yi-ming-289245","Pompeo Batoni--Allegory in Honor of Pope Benedict XIV","这幅素描以红棕色调铺陈出天界凡境的交融图景。上层云雾间，天使垂眸携礼，小天使托举纹章，圣光似随云絮漫溢而下。下方地母般的女性凭倚地球仪，与身旁人物一同仰望向穹顶，神态满含虔诚敬慕，远景的城邦隐在朦胧雾气里，柔化了圣俗的边界。\n\n线条松弛灵动，晕染出朦胧柔润的空气感，带着雅致柔婉的格调。虚实相生间，将神启的荣耀与世俗基业的信仰牵绊娓娓道来，庄重又不失诗意，静穆氛围里满溢着信仰与荣光交织的叙事感。",[38060,30,1572,93212,38061,22324,11256,92776],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F5f5dfcf9c6a2aa3c0edf5e0d870d6940.jpg",[],{"id":93993,"slug":93994,"title":93995,"dynasty":22,"author":7,"museum":172,"description":93996,"tags":93997,"thumbUrl":94000,"material":296,"size":297,"collection":11,"collections":94001,"showCount":351,"zanCount":49,"manualWeight":49,"mainColor":70},289244,"prince-and-dervish-yi-ming-289244","Prince and Dervish","画面里两人相对席地而坐，氛围恬然松弛。年轻人俯身托举酒盏，神态恭谦温顺；长髯老者捻须垂眸，沉静淡然，似在静悟交谈。背景花树悬坠鲜果，晕染出幽然世外的闲趣。\n\n整幅画作线条柔婉流畅，衣褶晕染细腻柔和，人物神情刻画入微，边框缠枝纹样繁复秀雅，烘托出古典静谧的氛围感，将贤者对坐的悠然禅意缓缓铺陈，传递出超脱世俗的闲适意境，尽显东方古典美学的沉静雅致。",[1572,93998,32,2361,38062,131,93999,1706],"细密画","对坐","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F326697e5c29aa04550a1bebf97a2ca02.jpg",[],{"id":94003,"slug":94004,"title":94005,"dynasty":22,"author":7,"museum":172,"description":94006,"tags":94007,"thumbUrl":94008,"material":296,"size":297,"collection":11,"collections":94009,"showCount":351,"zanCount":49,"manualWeight":49,"mainColor":70},289243,"raffaellino-del-garbo-a-seraph-yi-ming-289243","Raffaellino del Garbo--A Seraph","暖棕调的水色晕开柔润复古的质感，六翼炽天使孩童般的面庞恬静柔和，舒展的羽翼将稚态与神性庄严缠绕交融。轻缓晕染的线条松弛随性，精准勾勒出天使沉静悲悯的神态，仿佛将天国柔光凝缩在菱形画框之中。作为一幅手稿，它带着松弛随性的创作温度，晕染的朦胧质感柔化了宗教形象的肃穆，却又妥帖保留了神性的圣洁气韵。手写落款增添了私密的创作痕迹，整体小巧却意蕴沉静，将古典宗教绘画的沉静氛围凝于方寸之间，仿佛能窥见创作者捕捉神性灵光的瞬间。",[3417,1572,38061,11256,38060,48022],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fe5dc8829ac62b5383c6627a69de9087c.jpg",[],{"id":94011,"slug":94012,"title":94013,"dynasty":22,"author":7,"museum":172,"description":94014,"tags":94015,"thumbUrl":94016,"material":296,"size":297,"collection":11,"collections":94017,"showCount":351,"zanCount":49,"manualWeight":49,"mainColor":70},289242,"raffaellino-del-garbo-the-angel-of-the-annunciation-yi-ming-289242","Raffaellino del Garbo--The Angel of the Annunciation","圆形画框将古典静谧的氛围凝于方寸之间。细腻灵动的线条勾勒出天使柔缓的发卷、舒展的羽翼与层叠垂坠的衣褶，疏密张弛间，织物的柔软质感与天使优雅的体态尽显。\n\n天使侧身持花，侧脸恬淡温柔，仿佛正携着讯息缓步而来，神态澄澈圣洁。浅淡晕染铺陈出明暗层次，柔和的光影过渡，将对古典人体美感的追崇融于笔端。整幅手绘带着复古雅致的质感，简约却传神，静静晕开天使温婉沉静的气质，将这庄重柔静的瞬间定格下来。",[30,38061,33,190,1473,38059,93311],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F8c569c611495912272ed0c8d3b9265d6.jpg",[],{"id":94019,"slug":94020,"title":94021,"dynasty":22,"author":7,"museum":172,"description":94022,"tags":94023,"thumbUrl":94026,"material":296,"size":297,"collection":11,"collections":94027,"showCount":351,"zanCount":49,"manualWeight":49,"mainColor":50},289241,"raffaello-motta-the-adoration-of-the-magi-yi-ming-289241","Raffaello Motta--The Adoration of the Magi","奔放粗犷的线条铺陈出满盈的叙事张力，明暗晕染将朝拜的庄重与人群的喧闹揉合一处。前景的裸身男子如视觉锚点，将目光引向中心的参拜场景：贤者躬身献礼，圣容安和静穆。\n\n错落排布的人群挤叠出鲜活的世俗烟火，潦草却精准的笔触勾勒出各异的神态动势，粗粝的棕调底色晕开朦胧氛围感，让神圣的宗教场面褪去疏离感，多了几分鲜活的人间温度。草稿般的松弛质感里藏着饱满的戏剧氛围，仿佛能听见场间的低语与惊叹，将一瞬的朝拜定格成极具生命力的永恒画面。",[1573,1572,38060,94024,94025,7922,19463],"三王来拜","裸男","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F40fb28821e151e0c573b6a290feec477.jpg",[],{"id":94029,"slug":94030,"title":94031,"dynasty":22,"author":7,"museum":172,"description":94032,"tags":94033,"thumbUrl":94034,"material":296,"size":297,"collection":11,"collections":94035,"showCount":351,"zanCount":49,"manualWeight":49,"mainColor":70},289240,"raphael-lucretia-yi-ming-289240","Raphael--Lucretia","以红棕粉笔落笔，线条循着躯体的柔缓起伏游走，精准勾勒出女性柔和又充满力量感的体态。袒露的肩颈与半掩的胸腹，带着古典理想主义的克制优雅。人物双臂舒展，头微侧仰，神情沉静凛然，身姿挺拔舒展，带着庄重肃穆的气韵。\n\n层叠衣褶疏密有致，粉笔线条利落刻画出织物垂坠的重量感，同时烘托出舒展的动势。整幅作品以纯粹的素描语言，将古典静穆气质与鲜活的形体韵律相融，尽显古典审美的典雅张力。",[38060,1572,123,127,48074],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fa55d862dbe1a2cae14ca2d3d7a095f9b.jpg",[],{"id":94037,"slug":94038,"title":94039,"dynasty":22,"author":7,"museum":172,"description":94040,"tags":94041,"thumbUrl":94043,"material":296,"size":297,"collection":11,"collections":94044,"showCount":351,"zanCount":49,"manualWeight":49,"mainColor":70},289239,"raphael-madonna-and-child-with-the-infant-saint-john-the-baptist-yi-ming-289239","Raphael--Madonna and Child with the Infant Saint John the Baptist","红粉笔晕开暖柔底色，松弛却精准的线条勾勒出画面温情轮廓。垂首的母亲沉静温婉，目光落向膝间嬉闹的幼童，指尖仿佛轻触孩童肩头，静穆里藏着亲昵暖意。两名幼童动作天真亲昵，鲜活稚气跃然纸上。创作者以细腻排线铺陈光影，寥寥数笔便赋予人物饱满体积感，虚实之间晕开呼吸感，将古典柔美与日常温情相融，把瞬逝的亲昵定格成永恒的静美，尽显速写捕捉鲜活氛围的动人魅力。",[30,33,38060,94042,27489,48124],"红描","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F4102d49212bf5a315283841c55451b80.jpg",[],{"id":94046,"slug":94047,"title":94048,"dynasty":22,"author":7,"museum":172,"description":94049,"tags":94050,"thumbUrl":94052,"material":296,"size":297,"collection":11,"collections":94053,"showCount":351,"zanCount":49,"manualWeight":49,"mainColor":70},289238,"rembrandt-cottage-among-trees-yi-ming-289238","Rembrandt--Cottage among Trees","灵动松弛的线条铺陈出悠然乡野意趣，高大林木环拥着茅草小屋。苍劲枝干与蓬松叶丛形成疏密对比，线条浓淡晕染出林木的深浅层次，将郊野植被的蓬勃生机藏在笔锋起落间。蜿蜒土路漫向屋前，木栅栏随性散落，带着未经修饰的朴拙质感。\n\n全画未施繁复色彩，仅以利落速写笔触勾勒光影氛围，留白处任由乡野的静谧漫溢，将郊野日常的慵懒松弛定格在纸面。随性自然的笔触带着鲜活张力，把平凡乡居的清宁诗意娓娓道来，尽显速写捕捉刹那氛围感的动人魅力。",[38060,56594,70788,5571,131,20324,94051,6668],"土路","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F1674e477343fb08cadf003de8f85ddaf.jpg",[],{"id":94055,"slug":94056,"title":94057,"dynasty":22,"author":7,"museum":172,"description":94058,"tags":94059,"thumbUrl":94061,"material":296,"size":297,"collection":11,"collections":94062,"showCount":351,"zanCount":49,"manualWeight":49,"mainColor":739},289237,"rembrandt-cottage-near-the-entrance-to-a-wood-yi-ming-289237","Rembrandt--Cottage near the Entrance to a Wood","这幅速写以棕褐底色晕开郊野意趣，短促线条勾画出农舍的质朴轮廓，茅草屋顶的蓬松肌理、木构门庭的烟火细节，都带着随性的鲜活感。侧旁林木以晕染铺就朦胧暗影，和清晰的农舍形成虚实对照，让画面有了呼吸感。\n\n干湿浓淡的墨色区分光影层次，松弛的笔法如同郊野漫步时的随手记录，将乡野日常的闲散安宁凝于纸面，粗粝笔触里藏着郊野乡居的静谧诗意，仿佛能听见风掠过茅草的轻响，窥见乡居角落的松弛日常。",[47971,38060,11256,38059,94060,12246,93328,5571],"乡村风景","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fba7f1930c7c5ca15172aba193737313e.jpg",[],{"id":94064,"slug":94065,"title":94066,"dynasty":22,"author":7,"museum":172,"description":94067,"tags":94068,"thumbUrl":94071,"material":296,"size":297,"collection":11,"collections":94072,"showCount":351,"zanCount":49,"manualWeight":49,"mainColor":70},289236,"rembrandt-elsje-christiaens-hanging-on-a-gibbet-yi-ming-289236","Rembrandt--Elsje Christiaens Hanging on a Gibbet","这幅速写以克制却极具穿透力的笔墨，定格了濒死时刻的沉郁瞬间。松弛耷拉的肢体瘫靠在绞架上，微垂的眉眼泄尽了最后一丝气力，将麻木与绝望揉进每一处线条里。粗犷却精准的笔触勾勒出衣物褶皱的潦草真实，枷锁的冷硬线条和瘫软躯体形成强烈反差。浅淡的明暗晕染顺着纸色蔓延，晕开了压抑到窒闷的氛围，没有刻意渲染血腥，却把生命流逝的沉重感尽数传递，让观者能触摸到这份濒死的悲凉，于极简的笔墨中攫住了最撼动人心的悲剧张力。",[38060,123,33,94069,94070,3244],"绞刑场景","悲怆","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fd518f01f9b93b7c960dda86e2b9609d4.jpg",[],{"id":94074,"slug":94075,"title":94076,"dynasty":22,"author":7,"museum":172,"description":94077,"tags":94078,"thumbUrl":94079,"material":296,"size":297,"collection":11,"collections":94080,"showCount":351,"zanCount":49,"manualWeight":49,"mainColor":70},289235,"rembrandt-group-of-farm-buildings-yi-ming-289235","Rembrandt--Group of Farm Buildings","这幅速写以朴拙笔墨铺陈乡野意趣，连片茅草农舍占据视觉中心，粗粝排线勾勒出蓬松厚实的草顶，笔意苍劲又带着随性松弛，将乡野建筑的粗粝质感尽数呈现。前景浅滩泽地，寥寥数笔勾出水畔荒草、零散木架，留白晕染出湿润空蒙的郊野氛围，淡墨点染的树丛错落点缀，柔化了建筑的硬朗轮廓。\n\n整幅画没有繁复雕琢，松弛的笔触间流淌着慵懒的乡野日常感，将郊农舍的静谧烟火气凝于纸面，仿佛能嗅见田埂间湿润的泥土气息，尽显质朴又鲜活的乡野意韵。",[47971,144,56613,70788,12246,7550,14795,131],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fbe63df3f0a05014e8c9932c09c5f5e8f.jpg",[],{"id":94082,"slug":94083,"title":94084,"dynasty":22,"author":7,"museum":172,"description":94085,"tags":94086,"thumbUrl":94087,"material":296,"size":297,"collection":11,"collections":94088,"showCount":351,"zanCount":49,"manualWeight":49,"mainColor":70},289234,"rembrandt-houses-by-the-water-yi-ming-289234","Rembrandt--Houses by the Water","这幅速写以松弛灵动的线条，晕染出临水村居的日常。没有繁复修饰，仅用简练顿挫的排线，勾勒出木屋的坡面肌理与错落轮廓，粗粝笔触暗合乡野建筑的质朴质感。水面只用寥寥线条轻扫倒影，与岸上屋舍形成虚实呼应。两个矮小结实的行人，为静谧画面添上烟火暖意，仿佛能听见水畔的闲谈与水波轻响。\n\n画作以最克制的笔触，将乡野水畔的松弛安宁定格，带着速写独有的鲜活随性，把水乡日常的恬淡氛围悄然留存，粗朴间藏着对平凡景致的细腻捕捉。",[38060,47971,56613,1125,2657,1343,33],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F5d22f8908c9f19014f1cf5f08e84a5db.jpg",[],{"id":94090,"slug":94091,"title":94092,"dynasty":22,"author":7,"museum":172,"description":94093,"tags":94094,"thumbUrl":94095,"material":296,"size":297,"collection":11,"collections":94096,"showCount":351,"zanCount":49,"manualWeight":49,"mainColor":70},289224,"giulio-romano-apparition-of-saint-andrew-in-glory-yi-ming-289224","Giulio Romano--Apparition of Saint Andrew in Glory","以棕调线条在灰底上晕染铺陈，圣安德鲁跪坐云间，肩扛十字苦像，沉穆的神情间带着悲悯，探手向下，似将救赎的温柔播撒向凡世。两侧天使灵动呼应，左侧天使高举信物，神态激昂虔诚，右侧天使俯身凝望，满是崇敬。\n画师以疏密线条勾勒衣褶的厚重肌理，明暗晕染揉出云层的蓬松柔润，借单色层次铺陈出天国的缥缈与神性的庄严，在沉静的色调里烘托出静谧神圣的氛围，将宗教题材特有的肃穆救赎之力融于笔端，尽显古典宗教创作的典雅质感。",[1573,1572,38060,38061,92938,2361,1056],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fa759fe377562c02ddf237858e3a0862c.jpg",[],{"id":94098,"slug":94099,"title":94100,"dynasty":22,"author":7,"museum":172,"description":94101,"tags":94102,"thumbUrl":94104,"material":296,"size":297,"collection":11,"collections":94105,"showCount":351,"zanCount":49,"manualWeight":49,"mainColor":70},289223,"giuseppe-bernardino-bison-drawing-devided-in-six-squares-including-yi-ming-289223","Giuseppe Bernardino Bison--Drawing Devided in Six Squares Including","这六格装饰线稿满溢古典巧思，上方三幅是变体柱头，巴洛克涡纹与卷草缠绕柱身，线条疏密张弛有序，虚实晕染衬出浮雕般的立体感，在古典形制里揉入华丽的动感张力。\n\n下方兽首獠牙贲张，卷叶纹饰顺着轮廓延展，将野性威仪藏进柔美的曲线里。花环圆盘纹章以缠枝纹环绕中心团花，雅致精巧。末格矮柱头延续复古装饰逻辑，纹样繁而不乱。\n\n利落的钢笔线条搭配淡墨晕染，明暗层次清晰，将装饰艺术的庄重华丽尽数铺展，是兼具设计实用性与审美性的复古装饰手稿。",[38060,123,48095,1504,15901,94103,70696,17231,48671],"雕刻设计","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fbf1e3adaf3a0b142aabf592c361d9d56.jpg",[],{"id":94107,"slug":94108,"title":94109,"dynasty":22,"author":7,"museum":172,"description":94110,"tags":94111,"thumbUrl":94113,"material":296,"size":297,"collection":11,"collections":94114,"showCount":351,"zanCount":49,"manualWeight":49,"mainColor":70},289222,"giuseppe-bernardino-bison-drawing-divided-in-six-squares-yi-ming-289222","Giuseppe Bernardino Bison--Drawing Divided in Six Squares","这六幅装饰草图以淡墨勾勒晕染，随性又不失章法。左上与中下方格以茛苕涡卷为饰，托举层叠的壁台式置物架，柔卷线条带着洛可可式的柔媚韵律。上方圆框内的立像庄重沉静，带着古典雕塑的肃穆质感，缠绕的卷草中和了厚重感。左下角的花叶圆盘舒展雅致，如盛放的茛苕花团，对称规整。右侧上下二幅，或是垂饰点缀的华丽泉台，或是侍女拱卫的壁间水景，将古典人像与装饰性构件巧妙融合。整体笔触松弛灵动，草稿的随性间尽显复古雅致的美学氛围，处处流露着对古典装饰语言的精妙探索。",[38060,48022,1504,33,2584,15901,94112],"设计草图","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F750a0983da30180be0539fae56e91c8c.jpg",[],{"id":94116,"slug":94117,"title":94118,"dynasty":22,"author":7,"museum":172,"description":94119,"tags":94120,"thumbUrl":94123,"material":296,"size":297,"collection":11,"collections":94124,"showCount":351,"zanCount":49,"manualWeight":49,"mainColor":70},289221,"giuseppe-bernardino-bison-drawing-of-a-bracket-with-two-telamones-chained-up-yi-ming-289221","Giuseppe Bernardino Bison--Drawing of a Bracket with Two Telamones Chained up","这幅素描以明暗晕染构筑磅礴张力，两名特拉蒙巨像被锁链缚身，腰背弓曲，肌肉虬结紧绷，将千钧承重的压迫感具象化。粗粝须发与鼓胀筋肉迸发狂野力量，锁链缠缚更添悲怆宿命感，仿佛能听见他们隐忍的低吼。\n\n下方带翼神兽低垂颅首，与巨像沉郁姿态呼应，让画面构图浑然一体。淡墨铺陈出厚重体积，排线勾勒衣褶褶皱，明暗过渡柔和自然，寥寥数笔便将石雕的冰冷质感，与人物悲愤神态融为一体，让装饰托架挣脱匠气，成为凝固的苦难与力量的颂歌。",[38060,1572,42846,94121,91081,55602,62138,94122],"壮汉","明暗画法","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fa59354f92924f9f33696be3eafd2f26d.jpg",[],{"id":94126,"slug":94127,"title":94128,"dynasty":22,"author":7,"museum":172,"description":94129,"tags":94130,"thumbUrl":94131,"material":296,"size":297,"collection":11,"collections":94132,"showCount":351,"zanCount":49,"manualWeight":49,"mainColor":70},289220,"giuseppe-bernardino-bison-scene-of-antique-sacrifice-yi-ming-289220","Giuseppe Bernardino Bison--Scene of Antique Sacrifice","以暖棕淡彩勾勒铺陈，线条松弛却精准利落。画面排布紧凑肃穆，左侧的石雕沉默冷寂，猎犬垂首静立，衬得右侧祭司身姿格外生动舒展，垂坠的衣褶将仪式的庄重揉进笔触里。礼器错落摆放，祭司与待献祭的牲牛次第排开，画师以虚实交织的笔触，寥寥数笔便捕捉住人物神态与器物细节，将古典献祭的神圣氛围烘托得恰到好处。虽为速写稿，却以粗粝古朴的笔触感，还原出远古祭祀的庄重瞬间，带着未经修饰的古典韵味，让观者仿佛能窥见那场献祭的肃穆与虔诚。",[38059,38060,33,3243,2944,3621],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F806284070436c6c00af5a1f7d7ba4003.jpg",[],{"id":94134,"slug":94135,"title":94136,"dynasty":22,"author":7,"museum":172,"description":94137,"tags":94138,"thumbUrl":94139,"material":296,"size":297,"collection":11,"collections":94140,"showCount":351,"zanCount":49,"manualWeight":49,"mainColor":70},289219,"giuseppe-bernardino-bison-the-rest-on-the-flight-into-egypt-yi-ming-289219","Giuseppe Bernardino Bison--The Rest on the Flight into Egypt","迅疾随性的炭笔线条晕开淡墨，寥寥数笔便定格下休憩的瞬间。老约瑟夫佝偻的神态被简练笔触精准捕捉，垂首的圣母沉静温柔，眉眼间满是松弛的安然，孩童与小天使的互动鲜活灵动，勾勒出亲昵的暖意。\n\n淡墨铺陈出明暗层次，模糊的背景潦草写意，将视觉焦点牢牢锁在人物身上。即兴挥洒的笔意未有精细刻画，却凭借灵动的笔触传递出静谧温暖的氛围，随性线条间藏着细腻情绪，让这片刻休憩满是柔和安宁的气息，带着速写独有的鲜活张力。",[1573,47971,38060,144,33,38061,56788,48128],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F54ee9c632b0f3294e00f9a0a0cfb7118.jpg",[],{"id":94142,"slug":94143,"title":94144,"dynasty":22,"author":7,"museum":172,"description":94145,"tags":94146,"thumbUrl":94147,"material":296,"size":297,"collection":11,"collections":94148,"showCount":351,"zanCount":49,"manualWeight":49,"mainColor":70},289218,"giuseppe-bottani-the-departure-of-saint-paula-and-saint-eustochium-yi-ming-289218","Giuseppe Bottani--The Departure of Saint Paula and Saint Eustochium","这是一幅带有转印网格的红粉笔素描，上半拱顶的天界形象朦胧悠远，衬得下半部分的尘世场景愈见肃穆。中心人物沉静悲悯，衣褶在红调笔触下带着柔和韵律，将端庄气质娓娓道来。环绕的信众神态各异，或躬身垂首流露不舍，或注目仰望满含敬慕，情绪真挚动人。\n松弛却精准的线条勾勒出人物体积，明暗晕染烘托出沉静的宗教氛围，底稿网格藏着创作的严谨，让画面比例妥帖和谐。宗教题材的庄严感，被细腻笔触揉进了真挚的人文温度，是兼具创作实用性与艺术感染力的古典素描佳作。",[1573,1572,38060,1473,2453,2361],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F98ec0bca94d9336061a28788855c1e01.jpg",[],{"id":94150,"slug":94151,"title":94152,"dynasty":22,"author":7,"museum":172,"description":94153,"tags":94154,"thumbUrl":94156,"material":296,"size":297,"collection":11,"collections":94157,"showCount":351,"zanCount":49,"manualWeight":49,"mainColor":70},289217,"giuseppe-cades-blessed-francis-venimbeni-celebrating-mass-yi-ming-289217","Giuseppe Cades--Blessed Francis Venimbeni Celebrating Mass","棕褐色调铺陈出静谧肃穆的氛围。主祭神父垂首凝神于祭台经书之上，衣袍褶皱刻画厚重写实，将仪式的庄重感尽显无遗。跪坐的辅祭低垂眉眼，周身漫溢着纯粹的虔敬。左侧云气之间，翼天使与裸身灵众舒展身姿，灵动的线条将天国的辉耀与人间的弥撒相连，柔化了祭典的沉静刻板。\n画作以钢笔淡墨勾勒轮廓，赭色晕染铺陈层次，既精准刻画出祭衣的厚重质感，又烘托出天国幻境的缥缈空灵，让神圣叙事与写实场景自然相融，将宗教仪式的静穆庄严与神性辉耀的张力揉为一体，尽显独有的肃穆氛围感。",[30,1572,38060,11256,38061,56756,93277,94155],"弥撒","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fef4e172995328f4c31600b9db43c72b4.jpg",[],{"id":94159,"slug":94160,"title":94161,"dynasty":22,"author":7,"museum":172,"description":94162,"tags":94163,"thumbUrl":94164,"material":296,"size":297,"collection":11,"collections":94165,"showCount":351,"zanCount":49,"manualWeight":49,"mainColor":70},289216,"giuseppe-cades-the-virgin-immaculate-with-the-christ-child-yi-ming-289216","Giuseppe Cades--The Virgin Immaculate with the Christ Child","淡彩晕染出朦胧柔和的基调，明暗层次晕化出静谧神圣的氛围。画面中心，圣母垂眸含着悲悯，宝冠衬得她神情愈发庄严，怀拥圣婴静立在镰刀之上，寓意着超脱时间洪流。惶惑的亚当立于崖岸，圣母以轻柔姿态安抚，消解着他的不安，右侧天使虔诚托举宝盘，奉呈世间的馈赠与敬慕。云雾间灵动的小天使，让肃穆的画面添了几分轻盈。衣褶线条舒展且富有韵律，勾勒出织物蓬松柔软的质感，将神性救赎的主题静缓铺陈，于素雅色调里，传递出厚重绵长的精神力量。",[1573,1572,38060,11256,27489,48124,38061,2361,359,56710,48084,1352],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F617232c7a9111d042b3d6d9997316db3.jpg",[],{"id":94167,"slug":94168,"title":94169,"dynasty":22,"author":7,"museum":172,"description":94170,"tags":94171,"thumbUrl":94173,"material":296,"size":297,"collection":11,"collections":94174,"showCount":351,"zanCount":49,"manualWeight":49,"mainColor":70},289215,"giuseppe-cades-virgin-and-child-yi-ming-289215","Giuseppe Cades--Virgin and Child","这幅素描以柔润的明暗铺陈出静谧温情，圣母身披流苏长巾，层叠衣褶似被微风轻拂的流云，将女性的柔和包容尽数舒展。她垂眸看向身侧，眉眼间满是温婉怜爱，怀抱着的圣婴以稚嫩手臂环住母亲，神态娇憨又全然依恋。\n\n朦胧荒寂的远景虚化了空间边界，将所有视线牢牢引向相拥的二人。线条松弛却精准妥帖，淡墨晕染出柔和层次，消解了宗教题材自带的肃穆疏离，将神性融于俗世亲昵的母子日常，让圣洁氛围晕开成治愈沉静的古典诗意，温柔描摹出这份跨越维度的脉脉亲情。",[30,1572,38060,27489,48124,94172,48720],"母子","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fcfe21a7b3414e428a04e11029db7aa88.jpg",[],{"id":94176,"slug":94177,"title":94178,"dynasty":22,"author":7,"museum":172,"description":94179,"tags":94180,"thumbUrl":94185,"material":296,"size":297,"collection":11,"collections":94186,"showCount":351,"zanCount":49,"manualWeight":49,"mainColor":70},289214,"giuseppe-galli-bibiena-design-for-a-stage-set-the-gallery-yi-ming-289214","Giuseppe Galli Bibiena--Design for a Stage Set The Gallery","这幅素描以灵动排线勾勒出极尽绮丽的舞台回廊，柔婉回旋的穹顶拱券如流云舒卷，将巴洛克的繁复浪漫尽致挥洒。墙面上层叠的浮雕饰件、精巧壁龛与雕花门楣错落排布，让狭长空间延伸出迷离纵深。\n\n明暗晕染间，光影顺着起伏的雕花漫溢游走，恍若将剧场鎏金灯火藏入纸笔之间。线条疏密暗含呼吸感，既铺陈出宫廷回廊的雍容华贵，又暗合舞台布景的虚幻特质，仿佛乐声即将从雕纹缝隙间流淌而出，引观者坠入绮丽的戏剧幻梦。",[94181,38059,38060,94182,94183,94184],"舞台布景","古典厅堂","穹顶建筑","华丽装饰","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F8fe7072c11151d6bad62dfba3f9b0b11.jpg",[],{"id":94188,"slug":94189,"title":94190,"dynasty":22,"author":7,"museum":172,"description":94191,"tags":94192,"thumbUrl":94193,"material":296,"size":297,"collection":11,"collections":94194,"showCount":351,"zanCount":49,"manualWeight":49,"mainColor":70},289213,"giuseppe-maria-crespi-marcolfa-persuades-cacasenno-to-mount-a-horse-yi-ming-289213","Giuseppe Maria Crespi--Marcolfa Persuades Cacasenno to Mount a Horse","以红棕素描织就鲜活日常，老者攥紧缰绳稳稳控住昂首长嘶的骏马，排线顺着马身肌理铺展，将烈马的桀骜与劲力藏在笔触中。\n\n孩童挣开老者的臂弯，圆脸蛋满是雀跃莽撞，小胳膊奋力指向骏马，稚气的欢喜几乎要冲破纸面。老者眉眼弯着无奈又宠溺的笑意，布料褶皱随着动作自然垂落，粗粝又细腻的线条铺陈出布面软塌的质感。\n\n寥寥数笔晕开松弛的户外氛围，将长辈的包容、幼童的热忱与骏马的烈性揉作一处，让这个朴素的温情场景鲜活动人，满是治愈的烟火暖意。",[38060,33,1006,1527],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fb37d3159de8470cf9c89ef986b19412a.jpg",[],{"id":94196,"slug":94197,"title":94198,"dynasty":22,"author":7,"museum":172,"description":94199,"tags":94200,"thumbUrl":94202,"material":296,"size":297,"collection":11,"collections":94203,"showCount":351,"zanCount":49,"manualWeight":49,"mainColor":70},289212,"giuseppe-maria-mitelli-allegorical-figures-of-experience-and-time-yi-ming-289212","Giuseppe Maria Mitelli--Allegorical Figures of Experience and Time","以红粉笔铺就画面，线条苍劲洗练，以疏密排线勾勒两位寓言化身。左侧老者为经验，裹帽持卷握权杖，神情沉稳内敛，尽显饱经世事的沉静；右侧是时间化身，须发蓬乱肩扛镰刀，指尖轻抬仿佛正在对谈。\n\n二人围立碑铭两侧，古朴铭文规整排布，整体画面肃穆庄重，带着巴洛克式的厚重叙事感。创作者以精准线条塑造体积与光影，将抽象哲思具象化，定格经验与岁月的对话，沉郁的红棕色调烘托出古典思辨的厚重氛围，尽显寓意素描的沉敛典雅。",[38060,1572,92823,7044,33968,1473,56721,94201],"镰刀","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F6287b012800a444a9d14144689dd1cf9.jpg",[],{"id":94205,"slug":94206,"title":94207,"dynasty":22,"author":7,"museum":172,"description":94208,"tags":94209,"thumbUrl":94211,"material":296,"size":297,"collection":11,"collections":94212,"showCount":351,"zanCount":49,"manualWeight":49,"mainColor":50},289211,"giuseppe-passeri-the-ecstacy-of-the-blessed-giacinta-marescotti-yi-ming-289211","Giuseppe Passeri--The Ecstacy of the Blessed Giacinta Marescotti","画面以棕褐调铺就虚实边界，榻上圣女神魂驰往，枯瘦手掌抬起迎向天国，案头骷髅暗喻俗世虚妄。上方云气翻涌，天使簇拥着显圣十字架，灵动排线勾勒出羽翼蓬松肌理与衣袂褶皱的张力，淡彩晕染让云霭柔化了凡俗与神域的分野。明暗晕染间神性降临的震颤呼之欲出，将神魂飞升的迷幻狂喜定格于纸面，肃穆笔触交织出信仰带来的极致精神冲击力，让观者仿佛能共情这份超越尘世的神魂激荡。",[1573,33,38061,92938,38060,32,94210,25604,91081],"神魂超拔","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fe22a980c7911fc9ee3da1e757490078f.jpg",[],{"id":94214,"slug":94215,"title":94216,"dynasty":22,"author":7,"museum":172,"description":94217,"tags":94218,"thumbUrl":94220,"material":296,"size":297,"collection":11,"collections":94221,"showCount":351,"zanCount":49,"manualWeight":49,"mainColor":70},289210,"giuseppe-piattoli-scene-from-ancient-history-yi-ming-289210","Giuseppe Piattoli--Scene from Ancient History","营地支起的帐幕与猎猎旌旗，烘托出肃杀的战地氛围。前景处两名士兵粗暴拖拽瘫倒的俘虏，将他按在石台上，绝望与暴戾的张力瞬间拉满。左侧持矛披甲的卫兵森然伫立，右侧将官或坐或骑，神色冷漠地俯视这一切，阶层分明的排布暗含权力的威压。\n\n作者以迅疾灵动的棕褐线条，顿挫勾勒出铠甲的冷硬褶皱、战马贲张的肌肉起伏，晕开的墨色晕染区分光影层次。无需繁复敷色，仅凭速写粗粝的质感，便将古战场的残酷戏剧感、人物神态间的紧绷张力传递尽致，定格下这裹挟暴力与权力威慑的历史切片。",[38060,47971,518,1572,10980,18002,94219,36587,10978,38059],"伤员","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F86ac31d281a80fc89e21a256d1fe3f9e.jpg",[],{"id":94223,"slug":94224,"title":94225,"dynasty":22,"author":7,"museum":172,"description":94226,"tags":94227,"thumbUrl":94231,"material":296,"size":297,"collection":11,"collections":94232,"showCount":351,"zanCount":49,"manualWeight":49,"mainColor":70},289209,"giuseppe-piattoli-the-sword-of-damocles-yi-ming-289209","Giuseppe Piattoli--The Sword of Damocles","棕褐墨色勾勒出这场浮华宴饮，灵动线条利落铺陈出宏大场域。高台之上君主恣然享乐，环坐宾客或曲意逢迎，或沉湎欢宴，佩剑侍者垂首躬身，将权力场的谄媚浮华尽数铺展。疏密排线晕开明暗层次，墙间浮雕、帷幔褶皱都刻画入微，角落争食的猎犬呼应着席间躁动虚浮。画家将悬剑的悚然暗喻藏进觥筹交错之中，让宴饮的欢闹与暗藏的危机形成尖锐对冲，寥寥笔墨便把权势顶端如影随形的惶惶不安揉进浮华表象里，勾勒出权力场的荒诞张力。",[56812,1572,38060,94228,94229,1607,3243,94230],"群像人物","宫廷宴会","达摩克利斯之剑","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Faf27598ff40a1edd3a5bbfc4fb1c27fb.jpg",[],{"id":94234,"slug":94235,"title":94236,"dynasty":22,"author":7,"museum":172,"description":94237,"tags":94238,"thumbUrl":94239,"material":296,"size":297,"collection":11,"collections":94240,"showCount":351,"zanCount":49,"manualWeight":49,"mainColor":50},289208,"glenn-sujo-self-portrait-drawing-xiii-yi-ming-289208","Glenn Sujo--Self-Portrait Drawing XIII","奔放粗粝的炭笔笔触肆意铺陈，强烈明暗切割开面部轮廓，将自我审视的复杂心绪揉入画面之中。受光面硬朗锐利，如同不肯妥协的自我意志，暗部晕染朦胧，藏着沉郁拉扯的情绪。潦草写意的背景弱化虚化，反衬出肖像的厚重存在感，每一道排线都带着创作者的情绪起伏，把内心的焦灼与沉静的笃定，一同刻绘在纸面之上，让观者得以触碰这份真实浓烈的自我凝视，在明暗交织里，窥见皮囊之下翻腾的精神世界。",[38060,33,2348,190,3244,70252],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F4289d8c6b9ef6dfe0def13840a5cd8ca.jpg",[],{"id":94242,"slug":94243,"title":94244,"dynasty":22,"author":7,"museum":172,"description":94245,"tags":94246,"thumbUrl":94247,"material":296,"size":297,"collection":11,"collections":94248,"showCount":351,"zanCount":49,"manualWeight":49,"mainColor":1162},289205,"goya-a-maja-and-two-companions-yi-ming-289205","Goya--A Maja and Two Companions","淡墨与简笔勾勒出松弛暧昧的瞬间。侧坐的女子身形柔婉，垂落的长发晕开朦胧韵致，裙摆褶皱以顿挫线条交代面料的厚重质感，姿态带着慵懒疏离。身旁男子轮廓模糊，前倾的身姿流露亲昵的靠近感。\n\n仅用寥寥数笔勾出椅架，地面以大片淡墨晕染烘托光影。没有繁复细节，却将市井里偷闲的缱绻张力藏在随性笔触间，像一场未经刻意定格的亲昵片刻，晕开慵懒松弛的浮生氛围。",[38060,38059,33,127],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F38c46f3cea77537fc418f146382afa16.jpg",[],{"id":94250,"slug":94251,"title":94252,"dynasty":22,"author":7,"museum":172,"description":94253,"tags":94254,"thumbUrl":94256,"material":296,"size":297,"collection":11,"collections":94257,"showCount":351,"zanCount":49,"manualWeight":49,"mainColor":70},289202,"goya-a-man-and-a-woman-on-a-mule-images-of-spain-album-yi-ming-289202","Goya--A Man and a Woman on a Mule; Images of Spain Album","以酣畅淋漓的墨色晕染出朦胧郊野夜色，驴蹄轻踏，似带着乡野晚风的松弛气息。男女二人依偎在驴背之上，男子控缰稳坐，女子将脸埋在他肩头，亲昵姿态满溢着日常旅途的脉脉温情。\n\n粗犷随性的笔触勾勒出驴子劲健的身形，浓淡变化的墨块分割开暗夜与微光，不着意精细描摹，却用写意的明暗烘托出郊野的静谧氛围，寥寥数笔便将旅途中松弛亲昵的市井日常勾勒得生动鲜活，尽显随性自在的生活意趣。",[33,94255,144,47971,38059],"骡子","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fa4ba7a13dfcd4fd177988cef6950cdd3.jpg",[],{"id":94259,"slug":94260,"title":94261,"dynasty":22,"author":7,"museum":172,"description":94262,"tags":94263,"thumbUrl":94267,"material":296,"size":297,"collection":11,"collections":94268,"showCount":351,"zanCount":49,"manualWeight":49,"mainColor":70},289200,"goya-a-nun-frightened-by-a-ghost-images-of-spain-album-65-yi-ming-289200","Goya--A Nun Frightened by a Ghost; Images of Spain Album, 65","淡棕墨色晕开浓稠的诡谲氛围，站立的老妇长着两张扭曲的面孔，指尖扣着吉他却神态狞恶，仿佛不是拨弄弦音，而是要将恐惧送入下方修女的魂魄。\n\n坐卧的修女佝偻瑟缩，抬脸的惊惶被牢牢定格，明暗晕染将魂飞魄散的战栗具象化。潦草粗粝的笔触带着即兴速写的癫狂感，把深夜的悸梦揉入纸面，将幽暗中滋生的荒诞恐惧直白泼洒，让观者仿佛亲历这场骇人的鬼魅惊扰，窥见精神世界里潜藏的幽暗悸惧。",[30,33,94264,94265,94266,144],"惊恐","修女","幽灵","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F451515c6fad6631ed18a790fedf87a39.jpg",[],{"id":94270,"slug":94271,"title":94272,"dynasty":22,"author":7,"museum":172,"description":94273,"tags":94274,"thumbUrl":94275,"material":296,"size":297,"collection":11,"collections":94276,"showCount":351,"zanCount":49,"manualWeight":49,"mainColor":50},289199,"goya-a-woman-handing-a-mug-to-an-old-man-yi-ming-289199","Goya--A Woman Handing a Mug to an Old 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Well","淡墨晕染出沉暗的背景，将少女框进一方静谧角落。她垂首敛眉，双手交叠攥于腹前，素色长裙垂坠出柔和的褶皱，周身漫开怅惘的低徊气息。\n\n画师以极简的笔触勾勒井台与汲水装置，粗粝的砖石质感衬得少女身形愈发柔婉朦胧。没有繁复的细节雕琢，却将独处少女的幽微心事藏进克制的姿态里，仿佛她正对着井面的虚影暗自神伤，清冷氛围裹着细腻的情绪张力，将少女的缱绻愁思诉诸笔端，简约却极具感染力。",[38060,56669,1572,70299,7551,94309],"惆怅","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fff29640e19e88ee2266999e82f069eca.jpg",[],{"id":94313,"slug":94314,"title":94315,"dynasty":22,"author":7,"museum":172,"description":94316,"tags":94317,"thumbUrl":94320,"material":296,"size":297,"collection":11,"collections":94321,"showCount":351,"zanCount":49,"manualWeight":49,"mainColor":70},289194,"goya-acrobats-images-of-spain-album-67-yi-ming-289194","Goya--Acrobats; Images of Spain Album, 67","粗粝的焦墨线条肆意勾勒出街头杂耍的鲜活瞬间，明暗晕染间满是蓬勃的市井烟火气。两名艺人以双手撑地，腰背拱起如蓄势的弯弓，稳稳托举倒立的同伴，舒展的肢体张扬着力量的美感。一旁的吹奏者歪戴尖帽，眉眼挤作一团，正将乐器凑近唇边，仿佛喧闹的乐声已冲破纸面。\n\n画家未作精细描摹，只以随性的笔触感刻画出衣料褶皱与肌肉的张力，淡墨晕出的地面光影，让这场即兴表演稳稳扎根在街头尘土之上。潦草却精准的笔触，将民间艺人的鲜活生命力定格，热烈又粗朴，尽显街头演艺的随性与蓬勃生气。",[33,47971,144,89965,94318,94319,16474],"杂耍","小丑","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F8f0faa0292721bc186ee27f937933b29.jpg",[],{"id":94323,"slug":94324,"title":94325,"dynasty":22,"author":7,"museum":172,"description":94326,"tags":94327,"thumbUrl":94329,"material":296,"size":297,"collection":11,"collections":94330,"showCount":351,"zanCount":49,"manualWeight":49,"mainColor":70},289193,"goya-allegory-with-a-radiant-figure-beset-by-dark-spirits-yi-ming-289193","Goya--Allegory with a radiant figure beset by dark spirits","白衣少女伫立在圣光之下，双手紧扣于胸前，神情糅合着圣洁与惶惑，仿佛在以祈祷对抗周身的暗潮。环绕她的恶灵身形粗粝扭曲，如同从噩梦中滋生的暗影，将她牢牢裹挟，左侧的黑袍身影更是如沉默的威压，让窒息感扑面而来。\n\n画作以浓淡墨色的强烈冲撞构建张力，淡墨晕散开圣光的柔亮，焦墨刻画出恶灵的狰狞轮廓，把神圣信仰与邪祟侵蚀的精神对抗具象在纸面。粗粝的笔触带着原始的情绪冲击力，将少女的坚定与周遭的恶意拉扯出尖锐的戏剧感，让观者直观地触摸到这份信仰与梦魇交锋的震颤。",[33,30,94328,70600,144,38060,70242],"黑暗幽灵","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F5db2a03d436551c5ac496dc7174ecbc8.jpg",[],{"id":94332,"slug":94333,"title":94334,"dynasty":22,"author":7,"museum":172,"description":94335,"tags":94336,"thumbUrl":94339,"material":296,"size":297,"collection":11,"collections":94340,"showCount":351,"zanCount":49,"manualWeight":49,"mainColor":70},289192,"goya-at-the-count-palatine-s-al-conde-palatino-yi-ming-289192","Goya--At the Count Palatine's (Al Conde Palatino)","粗粝晕染的水墨铺就出浑浊压抑的酒馆氛围，整幅画带着尖锐的戏谑讽刺。白衣卷发的江湖术士故作矜贵姿态，将不明药剂强硬灌入青年口中，青年双目圆睁面露剧痛却无从挣脱。角落的围观者神色各异，麻木窥看这场荒诞骗局。两名仆从丑态毕现，一人躬身呕吐狼狈不堪，另一人垂头蜷坐似已麻木。\n寥寥线条将群像的荒诞可悲刻画入木，灰暗朦胧的背景晕开沉沉的阴郁，把旧时虚假疗愈的骗局、附庸者的盲从愚钝赤裸裸铺陈，让这场闹剧的污浊与讽刺力直抵观者心底。",[38060,1572,70252,1129,9914,94337,94338],"讽刺","行医场景","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F0a9b4c38331ce2c8af8950e2fc6a6658.jpg",[],{"id":94342,"slug":94343,"title":94344,"dynasty":22,"author":7,"museum":172,"description":94345,"tags":94346,"thumbUrl":94349,"material":296,"size":297,"collection":11,"collections":94350,"showCount":351,"zanCount":49,"manualWeight":49,"mainColor":70},289191,"goya-beggar-with-a-staff-in-his-left-hand-yi-ming-289191","Goya--Beggar with a Staff in His Left Hand","这幅速写用浓淡交织的墨色，将底层流民的困顿凝于纸面。佝偻的脊背如被岁月压垮的枯木，老乞丐左手拄杖撑住摇摇欲坠的身躯，右手托着破帽乞讨，蓬乱须发刻满饱经风霜的褶皱。\n\n重墨堆叠出褴褛衣袍的厚重破败，淡墨晕出松弛皮肉的憔悴，寥寥数笔便勾勒出被苦难磋磨的身形。右下角极简的阴影锚定了窘迫的处境，大片留白衬出他的孤苦无依。粗粝写意的笔锋没有多余修饰，却将乱世流民的悲情与残存的尊严尽数铺展，把时代褶皱里的生存缩影，一笔落尽，藏着滚烫的人文关怀。",[1572,144,47971,94347,48113,94348],"乞丐","落魄","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fa154e6ce8a44d221bd3e29c257fa50ce.jpg",[],{"id":94352,"slug":94353,"title":94354,"dynasty":22,"author":7,"museum":172,"description":94355,"tags":94356,"thumbUrl":94358,"material":296,"size":297,"collection":11,"collections":94359,"showCount":351,"zanCount":49,"manualWeight":49,"mainColor":70},289190,"goya-beggar-with-a-staff-in-his-right-hand-yi-ming-289190","Goya--Beggar with a Staff in His Right Hand,","粗粝奔放的棕褐色笔触下，佝偻的老者撑杖而立，枯皴的手向前托着帽檐，将底层流浪者的困顿尽数铺展。\n线条取舍极具张力，衣物的破洞褶皱、蓬乱的须发都以写意的笔触带过，虚实间尽显衣衫褴褛的落魄。阴影落于足底，将这份漂泊的疲惫钉在纸面，不加修饰的粗朴笔触，把老者谦卑乞讨的模样刻入观者眼底，仿佛能听见他低微的乞声，将街头流民的沧桑苦难凝缩在方寸纸面中，带着直击人心的真实力量。",[33,94347,1291,38060,47971,94357],"乞讨","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ff2537b2dea0d08232840d214749be191.jpg",[],{"id":94361,"slug":94362,"title":94363,"dynasty":22,"author":7,"museum":172,"description":94364,"tags":94365,"thumbUrl":94368,"material":296,"size":297,"collection":11,"collections":94369,"showCount":351,"zanCount":49,"manualWeight":49,"mainColor":70},289188,"goya-construction-in-progress-yi-ming-289188","Goya--Construction in Progress","以棕褐水墨铺就画面，作者以灵动奔放的线条捕捉施工现场的鲜活瞬间。前景处牵拉绳索的劳工姿态紧绷，肌肉的张力藏在粗粝的笔锋中，一旁伫立的长衫观者闲散疏离，二者动静对照，暗合阶层的微妙分野。中后景的脚手架上挤满工人与看客，人群错落拥挤，将工地的喧嚣烟火气尽数收纳。\n没有精雕细琢的刻画，虚实变幻的笔触勾勒出杂乱又蓬勃的劳作氛围，仿佛能听见号子与交谈声交织，将市井劳作的生命力定格在纸面，粗粝笔意裹挟着滚烫的生活质感，让这段日常劳作拥有了直击人心的力量。",[47971,38060,33,94366,94367,3665,3244],"工地","脚手架","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F1f821b3a100042002e7c2b4ae0fb6977.jpg",[],{"id":94371,"slug":94372,"title":94373,"dynasty":22,"author":7,"museum":172,"description":94374,"tags":94375,"thumbUrl":94377,"material":296,"size":297,"collection":11,"collections":94378,"showCount":351,"zanCount":49,"manualWeight":49,"mainColor":70},289187,"goya-crowd-in-a-circle-images-yi-ming-289187","Goya--Crowd in a Circle; Images","以粗粝奔放的笔触定格街头乱斗瞬间，前景扭打的男子肢体紧绷交错，凌厉线条将缠斗的张力拉到极致，仿佛能听见拳脚碰撞的闷响。后景围观的人群挤作一团，晕染出的明暗将面孔隐入混沌，或是亢奋叫嚣，或是漠然旁观，把市井巷陌里的狂热躁动直白铺展。\n\n整幅画摒弃精细描摹，以大块晕染勾勒鼎沸人群的荒诞群像，粗率的笔意放大了现场的喧嚣与紧绷，把底层街头的粗粝暴戾揉进画面里，让观者如同跻身躁动的人群，切身感受这场闹剧的原始冲击力与荒诞烟火气。",[38059,1572,144,47971,2453,26864,94376],"冲突场面","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F8b1145ee2bfa91b6f4b144252d9a4e5e.jpg",[],{"id":94380,"slug":94381,"title":94382,"dynasty":22,"author":7,"museum":172,"description":94383,"tags":94384,"thumbUrl":94385,"material":296,"size":297,"collection":11,"collections":94386,"showCount":351,"zanCount":49,"manualWeight":49,"mainColor":70},289186,"goya-crowd-in-a-park-from-images-of-spain-album-yi-ming-289186","Goya--Crowd in a Park, from Images of Spain Album","淡墨晕开远处林影，朦胧晕染出松弛的郊野底色。近处以迅疾简练的线条层叠出攒动人群，没有分毫精雕细琢，却精准抓住了俯仰谈笑的鲜活神态。\n\n潦草随性的笔触间，游园的喧闹呼之欲出，或是驻足眺望，或是围拢交谈，鲜活的市井烟火凝在笔尖。以写意速写定格下公园午后的松弛快活，带着临场般的鲜活热络，把日常游园的鲜活瞬间封存在方寸纸面之中。",[47971,144,33,93070,4286,131,48720],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fa6f321c56d2f32e739e4f2f0810e4e8a.jpg",[],{"id":94388,"slug":94389,"title":94390,"dynasty":22,"author":7,"museum":172,"description":94391,"tags":94392,"thumbUrl":94395,"material":296,"size":297,"collection":11,"collections":94396,"showCount":351,"zanCount":49,"manualWeight":49,"mainColor":70},289185,"goya-family-vengeance-yi-ming-289185","Goya--Family 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Greed","这幅速写以黑白水彩晕染铺就，满是市井叙事感。柜台后的老者眉眼拧起，目光死死黏在桌面，将悭吝刻在脸上；伏在货堆上的男子满身疲态，气力已然耗尽。右侧女子身披薄纱挺身而立，神情悲悯又坦荡，与老者的刻薄形成刺眼的对冲。\n粗粝朴拙的笔触勾勒出人物神态，明暗反差烘托出情绪张力，将慷慨与贪婪的人性拉扯具象在这方寸市井一隅，直白展露俗世里的人心对峙，让观者一眼便窥见两种心性的鲜明分野，把细碎日常里的人性褶皱揉进画面之中。",[1572,144,38059,1607,94403,94404],"人性对比","市井人物","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Faa10213fe7ea43372dffa64218050c8f.jpg",[],{"id":94408,"slug":94409,"title":94410,"dynasty":22,"author":7,"museum":172,"description":94411,"tags":94412,"thumbUrl":94415,"material":296,"size":297,"collection":11,"collections":94416,"showCount":351,"zanCount":49,"manualWeight":49,"mainColor":1162},289182,"goya-gravediggers-images-yi-ming-289182","Goya--Gravediggers; Images","这幅速写以极具张力的动态定格劳作瞬间：挥锄壮汉的手臂肌肉贲张，力量顺着斧柄倾泻而下，身旁同伴躬身运力，肢体扭转间满是粗粝的劳作质感。浅棕墨色晕染出地面的泥泞暗沉，虚实相生的线条省略繁饰，精准锚定了人物筋骨与情绪。\n粗粝笔触仿佛带着泥土的腥气，将底层劳动者的艰辛与蓬勃生命力揉进每一笔顿挫里，直白铺陈出生存的粗野。没有多余修饰，却让现场的紧绷氛围冲破纸面，将劳作的沉重与生息的蓬勃紧紧缠绕，寥寥数笔便让这份原始的生存之力扑面而来。",[38060,47971,33,70789,94413,94414],"斧头","劳作场景","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F71b2375999af26dd57776d5a401cee4f.jpg",[],{"id":94418,"slug":94419,"title":94420,"dynasty":22,"author":7,"museum":172,"description":94421,"tags":94422,"thumbUrl":94425,"material":296,"size":297,"collection":11,"collections":94426,"showCount":351,"zanCount":49,"manualWeight":49,"mainColor":70},289180,"goya-humility-versus-pride-yi-ming-289180","Goya--Humility Versus Pride","以粗粝的水墨晕开沉郁底色，佝偻的男子攥住对方衣袖，腰背弯折如被生活压垮的藤蔓，满是哀求的脸仰向身旁的男人。后者背过身，抬着下颌，将轻蔑藏在挺直的脊背里，仿佛连施舍一个眼神都是浪费。\n身后的妇孺探出头，眼神里交织焦灼与无措，将阶层间的割裂直白铺展。没有繁复修饰，只用简省的笔触，将小人物的屈膝窘迫与上位者的漠然骄矜狠狠对冲，把世俗冷暖揉进灰暗的画面中，满是刺破虚伪的现实锋芒，让观者窥见入骨的悲凉。",[1572,38059,15399,2453,94423,94424],"谦卑","傲慢","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F39e71f8514ed3e85c2d4253625df215a.jpg",[],{"id":94428,"slug":94429,"title":94430,"dynasty":22,"author":7,"museum":172,"description":94431,"tags":94432,"thumbUrl":94433,"material":296,"size":297,"collection":11,"collections":94434,"showCount":351,"zanCount":49,"manualWeight":49,"mainColor":50},289179,"goya-hunting-lice-images-yi-ming-289179","Goya--Hunting Lice; Images","昏棕的晕染铺就逼仄昏暗的农舍小屋，粗粝松弛的笔触将贫贱日常缓缓铺开。佝偻的老者沉坐椅上，少女俯身专注为他捉虱，旁侧二人埋首桌前，或是沉湎琐事或是短暂休憩。\n\n光影裹挟着粗朴烟火气，潦草随性的线条藏着底层生计的疲惫，没有刻意煽情，只以速写般的随性刻画出小人物的片刻日常，粗粝笔触让窘迫的生活质感扑面而来，将困顿里的麻木与细碎温情揉合在晕开的墨色中，尽显平凡褶皱下的沉郁况味，静诉着底层人生的黯淡庸常。",[1572,144,1607,2453,22907,3244],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F1508bb2fbfdf636bee6dd2db310d8eaa.jpg",[],{"id":94436,"slug":94437,"title":94438,"dynasty":22,"author":7,"museum":172,"description":94439,"tags":94440,"thumbUrl":94441,"material":296,"size":297,"collection":11,"collections":94442,"showCount":351,"zanCount":49,"manualWeight":49,"mainColor":70},289178,"goya-interior-of-a-church-images-yi-ming-289178","Goya--Interior of a Church; Images","以淡墨晕染出幽谧的穹顶，阴影裹挟着朦胧光晕，让整座教堂浸在沉郁安宁的氛围里。\n\n素白修士的色块刺破深褐暗沉，成为画面锚点，他静立的身影和周遭躬身祈愿的信众形成动静对照。信众轮廓被晕染得柔和模糊，仿佛已经融在弥散的香火气息中，将虔诚尽数藏在低垂的姿态里。左侧伫立的神职人员神色沉静，衬出仪式的肃穆。\n\n壁龛中的圣像在晕染下朦胧恍惚，带着神性的疏离。松弛的晕染笔触裹住凝滞的时间，将宗教场合的沉静虔诚藏在墨色层次里，留白与晕染交织，让肃穆的氛围在朦胧间静静流淌。",[30,33,48151,144,38060],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ff7f5d446765de0f5e4b27431da69da59.jpg",[],{"id":94444,"slug":94445,"title":94446,"dynasty":22,"author":7,"museum":172,"description":94447,"tags":94448,"thumbUrl":94451,"material":296,"size":297,"collection":11,"collections":94452,"showCount":351,"zanCount":49,"manualWeight":49,"mainColor":70},289177,"goya-lovers-sitting-on-a-rock-yi-ming-289177","Goya--Lovers Sitting on a Rock","这幅速写以率性粗朴的线条，定格下缱绻亲昵的瞬间。男子斜倚，手搭腰间漫出松弛戏谑，女子倾身向前，如瀑长发将二人缠绕成独属的私密结界。\n\n水墨晕染铺陈出朦胧暧昧的氛围，留白的背景将所有目光都锁在二人贴近的身影中。衣褶的凌厉线条反衬出依偎时的柔软张力，潦草却精准地刻画出神态里的沉醉眷恋，把未加修饰的情欲与浪漫揉进笔触里。即兴的速写留存下最鲜活的悸动，仿佛这片刻温存即将随晚风消散，粗粝笔触里藏着最直白热烈的情愫，将私密亲昵瞬间凝作永恒。",[38060,47971,1572,94449,146,94450],"恋人","亲昵","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F5a2812e9ddced06232fc07073a34442e.jpg",[],{"id":94454,"slug":94455,"title":94456,"dynasty":22,"author":7,"museum":172,"description":94457,"tags":94458,"thumbUrl":94459,"material":296,"size":297,"collection":11,"collections":94460,"showCount":351,"zanCount":49,"manualWeight":49,"mainColor":1162},289176,"goya-maja-and-an-officer-yi-ming-289176","Goya--Maja and an Officer","逼仄的墙角被阴影牢牢包裹，男子探身捂住少女的唇，松垂的佩剑敛去了杀伐冷硬，只剩幽会的拉扯暧昧与难言局促。少女垂着头瑟缩着，绷紧的肩颈泄露出慌乱无措。\n\n淡晕的灰调晕开私密氛围，不加修饰的素描笔触克制又传神，将隐秘胁迫与欲说还休的暧昧揉合，留白间溢满呼之欲出的情绪张力，让这场角落的邂逅藏着道不清的暗流涌动。",[38060,38059,1572,127,93935],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F5736bc666522e72857c54b41c49cb8e7.jpg",[],{"id":94462,"slug":94463,"title":94464,"dynasty":22,"author":7,"museum":172,"description":94465,"tags":94466,"thumbUrl":94469,"material":296,"size":297,"collection":11,"collections":94470,"showCount":351,"zanCount":49,"manualWeight":49,"mainColor":70},289175,"goya-masquerading-asses-yi-ming-289175","Goya--Masquerading Asses","水墨晕染开朦胧底色，执鞭人扬臂作威，对面的驴子却扮作绅士气派，昂首抬手摆出倨傲姿态。\n作者以戏谑荒诞的手笔将牲畜拟人化，借这场怪诞假面闹剧，辛辣嘲弄上流社会装腔作势的虚伪做派，道破所谓体面不过是徒有其表的衣冠戏码。粗率灵动的线条勾勒戏谑怪诞的氛围，浓淡墨色制造强烈反差，将故作姿态的虚浮本质狠狠戳破，让闹剧之下的讽刺锋芒直抵观者心底。",[38060,144,33,272,94467,94468],"拟人","讽刺画","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fd77fc83f88288773f4ce7b6538ce0b1c.jpg",[],{"id":94472,"slug":94473,"title":94474,"dynasty":22,"author":7,"museum":172,"description":94475,"tags":94476,"thumbUrl":94477,"material":296,"size":297,"collection":11,"collections":94478,"showCount":351,"zanCount":49,"manualWeight":49,"mainColor":50},289174,"goya-monks-in-an-interior-images-of-spain-yi-ming-289174","Goya--Monks in an Interior; Images of Spain","以浓淡交织的墨色晕开沉抑的室内氛围，左侧窗格漏入的微光刺破昏沉，与角落浓黑形成强烈明暗对冲。三位老僧神态各藏心绪，立者垂首缄默，隐在兜帽阴影里，络腮胡老僧目光沉郁似有千言，俯身老僧佝腰垂头，仿佛正沉溺在低语或是沉哀之中。\n粗粝朴拙的笔触舍去细节描摹，以大块墨块勾勒出僧侣的萧索身形，将幽闭空间里凝滞的沉默与隐秘情绪定格。整个画面带着厚重的肃穆感，仿佛能让观者触摸到这封闭空间里沉抑的情绪流动，尽显沉郁肃穆的氛围感。",[30,33,19463,144,47971],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F29c67d2acb5dbc33a24a33081429a5be.jpg",[],{"id":94480,"slug":94481,"title":94482,"dynasty":22,"author":7,"museum":172,"description":94483,"tags":94484,"thumbUrl":94489,"material":296,"size":297,"collection":11,"collections":94490,"showCount":351,"zanCount":49,"manualWeight":49,"mainColor":70},289173,"goya-nightmare-witches-and-old-women-yi-ming-289173","Goya--Nightmare; Witches and Old Women","粗粝奔放的笔触以浓淡墨色铺陈出怪诞的堆叠人形，底层佝偻的老者脊背微弯，承托着中层癫狂扭曲的身影，最上方的人形瘫软濒死般耷拉着。\n\n画面以极克制的水墨晕染，将梦魇具象为沉重的负重，扭曲的躯体、麻木与癫狂交织的神情，把沉郁的恐惧层层堆叠，勾勒出超现实的诡谲压抑。潦草的笔意带着原始的冲击力，把深夜里最隐秘不安的怪诞幻觉揉于纸面，让阴郁荒诞的精神困境直抵观者眼前。",[47971,144,33,94485,94486,94487,56753,94488,38059],"女巫","老妇","怪诞","噩梦","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F5ed386209bd99200b0d2b95f18961cea.jpg",[],{"id":94492,"slug":94493,"title":94494,"dynasty":22,"author":7,"museum":172,"description":94495,"tags":94496,"thumbUrl":94497,"material":296,"size":297,"collection":11,"collections":94498,"showCount":351,"zanCount":49,"manualWeight":49,"mainColor":70},289171,"goya-nothing-is-known-of-this-yi-ming-289171","Goya--Nothing Is Known of This","淡晕的墨色晕开模糊的拱门街巷，明暗拉扯出逼仄压抑的市井角落。粗粝的笔触不加修饰，将乱世流民的绝望直白剖开。\n\n前景妇人裹着褴褛头巾，癫狂嘶吼，似要将满腹愤懑全数呕出，手中紧攥的纸片，是她仅能抓住的微弱诉求。身旁男子佝偻滞重，仿佛被千斤生活拖拽，连动作都浸着麻木。\n\n晕散的墨色揉开混沌的世相，将失语的苦难摊开纸面。冷硬的荒诞感扑面而来，直白诉说着底层在泥沼里的挣扎，把麻木与癫狂织成一张密网，将观者拖入这沉郁悲戚的乱世图景中。",[144,33,94070,70124,3244],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F057419497e7da5f9bd0255a13a9e019a.jpg",[],{"id":94500,"slug":94501,"title":94502,"dynasty":22,"author":7,"museum":172,"description":94503,"tags":94504,"thumbUrl":94506,"material":296,"size":297,"collection":11,"collections":94507,"showCount":351,"zanCount":49,"manualWeight":49,"mainColor":70},289169,"goya-rabbit-hunter-with-a-retriever-from-images-yi-ming-289169","Goya--Rabbit Hunter with a Retriever, from Images","暖棕调晕开朦胧野林，将镜头凝在这方狩猎余韵里。猎人佝偻着脊背，粗糙的指尖轻触猎犬衔来的野兔，粗粝衣褶晕染出赶路与狩猎的风尘，斜倚的猎枪还带着刚卸下的紧绷。猎犬昂首递来猎物，脖颈绷起的线条满是邀功的灵动，一人一犬间无需言语的默契漫开。\n画家以松弛的单色晕染，摒弃繁复修饰，寥寥几笔便将乡野猎手的日常瞬间定格，粗朴笔触裹着鲜活的生活温度，把郊野猎归的沉静暖意揉进画面里。",[47971,11256,94505,3243,1027,1464,56789],"猎人","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fa6a63d1a4018cc6f6b8ef2f2b5601d90.jpg",[],{"id":94509,"slug":94510,"title":94511,"dynasty":22,"author":7,"museum":172,"description":94512,"tags":94513,"thumbUrl":94514,"material":296,"size":297,"collection":11,"collections":94515,"showCount":351,"zanCount":49,"manualWeight":49,"mainColor":70},289168,"goya-revenge-upon-a-constable-from-images-yi-ming-289168","Goya--Revenge Upon a Constable, from Images","粗粝的棕褐墨色仓促晕开，寥寥数笔便定格下街头冲突的混乱瞬间。拥挤堆叠的人形在潦草笔触下互相推搡裹挟，光影在墨色浓淡间肆意碰撞，将底层小民的愤懑怨怼尽数铺陈纸面。\n\n上方潦草的手写题注与画面写意呼应，没有精细刻画，却把复仇泄愤的张力拉满。不加修饰的速写带着原生的冲击力，仿佛将街头对峙的嘈杂与怒火凝在纸面，用最直白的粗野笔触，复刻出市井冲突里滚烫的真实情绪。",[38060,47971,33,9914,94393],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F346032c5fcfcb01e98ac1f8a225dbc80.jpg",[],{"id":94517,"slug":94518,"title":94519,"dynasty":22,"author":7,"museum":172,"description":94520,"tags":94521,"thumbUrl":94522,"material":296,"size":297,"collection":11,"collections":94523,"showCount":351,"zanCount":49,"manualWeight":49,"mainColor":70},289167,"goya-self-portrait-yi-ming-289167","Goya--Self-Portrait","这幅炭笔素描以极简笔触锚定人物精神内核。蓬松卷发以浓郁晕染交叠出蓬松质感，明暗交错间带着未经修饰的生动。\n\n面部刻画精准克制，眉峰微蹙，沉郁锐利的眼带着审视意味，颧骨与下颌的明暗块面，勾勒出饱经世事的沧桑轮廓，紧抿的唇线封存着深沉情绪。衣袍仅以浅淡排线轻描，以虚实对比将焦点紧锁于面部，粗粝炭笔肌理与柔和晕染交织，把艺术家的孤傲与敏锐凝在纸面，无冗余细节，却让灵魂的重量跃然纸上。",[38060,33,38081,12520,3244],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F0005e5638f0877978e21e5de3a65a68e.jpg",[],{"id":94525,"slug":94526,"title":94527,"dynasty":22,"author":7,"museum":172,"description":94528,"tags":94529,"thumbUrl":94531,"material":296,"size":297,"collection":11,"collections":94532,"showCount":351,"zanCount":49,"manualWeight":49,"mainColor":70},289166,"goya-self-portrait2-yi-ming-289166","Goya--Self-Portrait2","这幅红粉笔速写以柔和细腻的色调铺陈，侧颜构图将人物沉静内敛的气质缓缓晕开。高顶礼帽压低了轮廓，衬出松弛垂落的发丝与微敛的眉眼，把沉思的神态精准定格。\n松动且肯定的排线交代衣物质感与体积，带着速写独有的随性灵动，没有繁琐修饰，仅以寥寥几笔就勾勒出人物沉静的气场。纸面带着岁月晕染的痕迹，浅淡的边框衬得画面更具复古韵味，在看似松弛的笔触下，藏着精准的造型功力，将创作者沉凝的思绪封存在这一方画纸之上。",[11098,38060,14610,94530,37814],"高顶帽","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F500c659979c934e5aab22e10bc2495c7.jpg",[],{"id":94534,"slug":94535,"title":94536,"dynasty":22,"author":7,"museum":172,"description":94537,"tags":94538,"thumbUrl":94541,"material":296,"size":297,"collection":11,"collections":94542,"showCount":351,"zanCount":49,"manualWeight":49,"mainColor":70},289165,"goya-the-celebrated-picador-yi-ming-289165","Goya--The Celebrated Picador","蚀刻的粗粝线条铺就出沉郁的斗牛场氛围，将斗牛瞬间的紧绷对峙定格。脊背绷紧的公牛昂首抬角，野性的威慑直指向端坐马背的长矛手，一动一静间拉扯出剑拔弩张的张力。左侧骑手仓促控马闪避，慌乱的姿态衬出公牛的凶悍。背景模糊的身影晕开临场的喧嚣，铜版肌理晕染出场地间浮动的烟尘，将斗牛的原始暴力揉进每一道刻痕里，把西班牙斗牛的狂热野性与残酷张力刻画得淋漓尽致，冷硬笔触下满是鲜活的临场气息。",[2750,94539,2944,1006,33,38059,94540,70252],"斗牛","竞技场景","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F38b2ca837b1949ec7bbd4ae922906a7b.jpg",[],{"id":94544,"slug":94545,"title":94546,"dynasty":22,"author":7,"museum":172,"description":94547,"tags":94548,"thumbUrl":94551,"material":296,"size":297,"collection":11,"collections":94552,"showCount":351,"zanCount":49,"manualWeight":49,"mainColor":70},289164,"goya-the-stabbing-images-of-spain-album-53-yi-ming-289164","Goya--The Stabbing, Images of Spain Album, 53","以棕褐淡墨晕染林间荒场，粗粝率性的笔触定格下施暴瞬间。施暴者佝偻着身躯，肌肉紧绷如蓄力的兽，恶狠狠将受害者按于地上，神情狰狞狠厉。受害者四肢瘫软，面庞写满惊惧绝望，肢体因痛苦无助地扭曲。\n\n朦胧晕开的背景林木刻意弱化，将所有张力收拢于二人身上。没有精致描摹，仅用奔放的速写语言就将暴力的窒息感砸向观者，直白撕开人性暴戾的褶皱，把街头暴行的残酷刹那永远定格，粗粝的真实感裹挟着刺骨寒意，将暴力的野蛮赤裸地呈现眼前。",[33,38060,144,94549,94550,48720,70467,70242],"刺杀","暴力","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F0372f16afa28bbacde343db0544103ca.jpg",[],{"id":94554,"slug":94555,"title":94556,"dynasty":22,"author":7,"museum":172,"description":94557,"tags":94558,"thumbUrl":94561,"material":296,"size":297,"collection":11,"collections":94562,"showCount":351,"zanCount":49,"manualWeight":49,"mainColor":70},289163,"goya-the-swing-yi-ming-289163","Goya--The Swing","纤细墨线牵起秋千摆荡的弧度，女子舒展双臂随绳飞扬，发丝衣袂猎猎张扬，仰头沉醉在失重的快意里。地面男子赤足惊呼，双手虚张满是无措，与秋千上的肆意形成鲜活反差。朦胧晕开的淡墨晕出集市人群的虚影，让这场游乐更显鲜活真实。作者以松弛随性的笔触捕捉下这一瞬悸动，寥寥数笔将市井嬉游的烟火气揉进画面，把嬉闹里的浪漫诙谐定格于纸面，仿佛能听见场间飘散的嬉笑喧嚣，将俗世里的鲜活欢愉封存在水墨之间。",[1572,38060,6667,94559,94560,6746,38059],"秋千","男女","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fd59c37d8aff25aa34fabfb46723b8f1c.jpg",[],{"id":94564,"slug":94565,"title":94566,"dynasty":22,"author":7,"museum":172,"description":94567,"tags":94568,"thumbUrl":94570,"material":296,"size":297,"collection":11,"collections":94571,"showCount":351,"zanCount":49,"manualWeight":49,"mainColor":70},289162,"goya-the-tantrum-yi-ming-289162","Goya--The Tantrum","昏灰的淡墨晕出逼仄压抑的室内空间，白衣女子双手狠狠抓扯长发，脊背绷紧，将歇斯底里的崩溃展露无遗。背景里的男子背对而立，冷硬的轮廓透着近乎漠然的疏离，与女子失控的姿态形成刺眼反差。\n\n手写小字像是隐秘的旁白，将这场失态的缘由藏进纸面。明暗拉扯出尖锐的情绪张力，素白裙衫在灰调里格外刺目，把亲密关系里的漠视与女性的精神崩塌揉进方寸画幅里，直白又锋利地定格下这场失态的荒诞与悲凉，将私密的情绪暴力剖开展示。",[1572,38060,11256,38059,11476,5432,94569],"烦躁","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F71524f5a9793710d580b1f046ec857aa.jpg",[],{"id":94573,"slug":94574,"title":94575,"dynasty":22,"author":7,"museum":172,"description":94576,"tags":94577,"thumbUrl":94578,"material":296,"size":297,"collection":11,"collections":94579,"showCount":351,"zanCount":49,"manualWeight":49,"mainColor":70},289161,"goya-they-are-getting-drunk-yi-ming-289161","Goya--They Are Getting Drunk","粗粝的水墨笔触晕开昏沉背景，将视线牢牢锁在纵情狂欢的人群中。有人亲昵拥吻，唇齿间浸着沉醉的情欲；旁人正举杯灌酒，喉间涌动着迷乱快意，裹巾身影仰头豪饮，将醉意一饮而尽，左侧男子噙着玩味笑意冷眼旁观。\n没有精致描摹，只用明暗铺陈出放纵迷乱的氛围，将市井酒馆里醉生梦死的瞬间凝固。褪去体面矫饰，直白袒露人性里原始的享乐欲念，潦草线条精准抓住沉醉神态，勾勒出沉沦狂欢的瞬间张力，粗野又真实。",[38039,33,1706,20619,9914,4672],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fef950e8bea650248ead848a5ddce8eba.jpg",[],{"id":94581,"slug":94582,"title":94583,"dynasty":22,"author":7,"museum":172,"description":94584,"tags":94585,"thumbUrl":94586,"material":296,"size":297,"collection":11,"collections":94587,"showCount":351,"zanCount":49,"manualWeight":49,"mainColor":70},289160,"goya-they-got-the-confessor-to-climb-in-by-the-window-yi-ming-289160","Goya--They Got the Confessor to Climb in by the Window","晕染的灰调晕开隐秘暧昧的氛围，昏暗的室内只剩三人紧绷的肢体动作承载故事。蒙头的女子俯身托扶，带着刻意遮掩的疏离感，将躬身翻墙的男子稳稳托住，男子局促的姿态泄露着慌张与急切。\n\n极简的笔触省略了场景的多余细节，将所有焦点交付于偷摸的肢体张力之间，小心翼翼的动作下，满是打破禁忌的情欲躁动，带着隐秘的讽刺意味，暗喻着道貌岸然之下的荒唐越界。画面留白烘托出不安紧绷的情绪，让观者于无声处脑补出这场闹剧的荒唐底色，将私密偷欢时的忐忑氛围刻画得入木三分。",[33,38060,11256,30,93259],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F24d9273462ed43fab5263d386c1c0f1a.jpg",[],{"id":94589,"slug":94590,"title":94591,"dynasty":22,"author":7,"museum":172,"description":94592,"tags":94593,"thumbUrl":94595,"material":296,"size":297,"collection":11,"collections":94596,"showCount":351,"zanCount":49,"manualWeight":49,"mainColor":1162},289159,"goya-three-washerwomen-madrid-album-yi-ming-289159","Goya--Three Washerwomen; Madrid Album","这幅速写以淡墨晕染铺就底色，明暗对比间铺陈出质朴鲜活的井边日常。中心女子身姿舒展，双手拽紧绳索，仰头抬颈的弧度带着充满张力的鲜活感，衣袍褶皱简练利落，勾勒出柔韧又充满力量的体态。\n\n背景两人虚化朦胧，一人垂首静立，一人俯身劳作，动静交织，让场景更具烟火气。作者以灵动随性的笔触，没有刻意粉饰粗重的劳作，反而定格下女工舒展的瞬间，将日常劳作里的生命力晕染在纸笔间，仿佛能听见绳索晃动的轻响，窥见市井日常里，藏在辛苦里的片刻自在诗意。",[1572,11476,3665,94594,38060,48051],"洗衣","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F5b647752db8777dfd1e52e7542ecc945.jpg",[],{"id":94598,"slug":94599,"title":94600,"dynasty":22,"author":7,"museum":172,"description":94601,"tags":94602,"thumbUrl":94605,"material":296,"size":297,"collection":11,"collections":94606,"showCount":351,"zanCount":49,"manualWeight":49,"mainColor":70},289158,"goya-waking-from-sleep-in-the-open-air-from-images-yi-ming-289158","Goya--Waking from Sleep in the Open Air, from Images","奔放淋漓的棕墨晕染出朦胧郊野，将梦境与现实揉碎在湿润晨雾里。男子抬手驱散未褪的困意，惺忪还凝在眉眼间，女子慵懒倚靠身侧，躯体舒展松弛，仍沉在余韵未散的睡梦之中。\n\n没有精致的轮廓勾勒，肆意晕开的墨迹将晨间初醒的暧昧拉扯到极致，仿佛能触到林间微凉的水汽，听见两人初醒的轻喘，把松弛慵怠的瞬间定格在氤氲墨迹中，恍惚朦胧的氛围顺着墨色漫开，将半梦半醒的松弛永远停驻。",[33,144,48720,94603,56789,94604,47971],"惊醒","双人","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F58860d929d6f641b0b8c13a877ba0326.jpg",[],{"id":94608,"slug":94609,"title":94610,"dynasty":22,"author":7,"museum":172,"description":94611,"tags":94612,"thumbUrl":94614,"material":296,"size":297,"collection":11,"collections":94615,"showCount":351,"zanCount":49,"manualWeight":49,"mainColor":70},289157,"goya-weeping-woman-and-three-men-yi-ming-289157","Goya--Weeping Woman and Three Men","粗粝松动的铅笔线条，即兴定格了一场失控的情绪拉扯。埋首恸哭的女子被身旁男子半揽着，悲怆几乎顺着指缝漫溢而出，对面背身的男人扬臂躁动，似在宣泄又像是斥责。背景里模糊蜷缩的人影，衬得这片空间更显压抑嘈杂。\n\n没有精细的刻画，潦草笔触带着直白的情绪冲击力，将悲戚与莽撞的对冲揉进每一道线条里，把市井里的失态心碎不加修饰地摊开，像是某段闹剧的收尾瞬间，只剩最真实的情绪裸奔，粗粝又鲜活地把无名的拉扯感钉在纸面之上。",[38060,1572,56740,94613,38059,9466],"哭泣","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fa595bd2ce943a144e82e8aa800b45f27.jpg",[],{"id":94617,"slug":94618,"title":94619,"dynasty":22,"author":7,"museum":172,"description":94620,"tags":94621,"thumbUrl":94622,"material":296,"size":297,"collection":11,"collections":94623,"showCount":351,"zanCount":49,"manualWeight":49,"mainColor":70},289156,"goya-women-with-children-by-a-wayside-cross-yi-ming-289156","Goya--Women with Children by a Wayside Cross","沉淡晕墨铺就沉郁底色，路边十字架茕孑矗立，带着缄默肃穆。立着的妇人将婴孩拢在怀中，垂落的头巾掩去半张脸，泄露出长途跋涉的疲惫。旁侧的妇人与孩童亲昵依偎着她，动作里带着同伴间的依赖，也藏着乱世流民的茫然无措。\n\n简练的墨线勾出衣衫褶皱，干湿浓淡的色块晕染出身形轮廓，粗粝随性的笔触裹着生活烟火气，也揉进漂泊的仓皇。十字架冷硬线条和妇孺柔软身形形成对照，信仰的慰藉与生存的窘迫交织，将小人物乱世求生的困顿与温情凝于纸面，满溢着无言悲悯。",[1572,38060,47971,30,5431,4378,92938,48720],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F9bdd578915758fef2f6b3aa99542001b.jpg",[],{"id":94625,"slug":94626,"title":94627,"dynasty":22,"author":7,"museum":172,"description":94628,"tags":94629,"thumbUrl":94631,"material":296,"size":297,"collection":11,"collections":94632,"showCount":351,"zanCount":49,"manualWeight":49,"mainColor":70},289155,"goya-you-ll-see-later-yi-ming-289155","Goya--You'll See Later","粗放的水墨笔触间，拉扯的张力扑面而来。妇人满脸焦灼，死死攥住仰头狂饮的男子，他脖颈绷紧，将容器举到唇边，姿态放浪又带着麻木的颓然。浓淡墨色晕开衣物质感，寥寥数笔就将贫贱日常里的对抗拉扯定格。\n\n这是困顿烟火里的一幕沉溺与拉扯，男子躲在醉乡里逃避现实，妇人却要将他拖回柴米的窘迫中。粗野的笔意揉进了底层市井的荒诞与悲凉，像一声压抑的叹息，把俗世里的失意和无奈封存在画面中。",[1572,144,94560,94630,47971],"争执","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fecce38b59b1133a5bbff0ca0c0d3a601.jpg",[],{"id":94634,"slug":94635,"title":94636,"dynasty":22,"author":7,"museum":172,"description":94637,"tags":94638,"thumbUrl":94641,"material":296,"size":297,"collection":11,"collections":94642,"showCount":351,"zanCount":49,"manualWeight":49,"mainColor":70},289154,"gregorio-de-ferrari-ceiling-design-with-the-presentation-in-the-temple-yi-ming-289154","Gregorio de' Ferrari--Ceiling Design with the Presentation in the Temple","这幅天顶设计稿尽显巴洛克的华丽浪漫。下方拱券缠绕着层叠翻卷的茛苕涡纹，浮雕般的线条勾勒出饱满繁复的装饰细节，如同凝固的绮丽绮思。上方的圣典场景在晕染的云气中铺展开来，浅褐墨水在灰蓝纸本上晕出虚实光影，让人物仿佛腾跃于穹顶云海之间，献祭仪式的庄重感随云霭漫开。松弛却精准的草稿线条，将建筑装饰与宗教叙事浑然糅合，既保留装饰的华贵质感，又赋予神迹场景空灵缥缈的氛围，仿佛抬首便能看见圣光穿透薄雾，在穹顶之上缓缓演绎这幕神圣时刻。",[30,33,94639,38060,11256,284,701,15901,94640],"天顶画设计","圣殿呈献","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F6189d20f5677e35419535efd14b4bf89.jpg",[],{"id":94644,"slug":94645,"title":94646,"dynasty":22,"author":7,"museum":172,"description":94647,"tags":94648,"thumbUrl":94649,"material":296,"size":297,"collection":11,"collections":94650,"showCount":351,"zanCount":49,"manualWeight":49,"mainColor":70},289153,"gregorio-de-ferrari-study-for-emperor-heraclius-carrying-yi-ming-289153","Gregorio de' Ferrari--Study for Emperor Heraclius Carrying","以棕褐淡彩铺陈晕染，灵动线条与明暗层次交织，将政教凯旋的宏大叙事凝于椭圆构图中。左侧牛车雄健奔跃，扈从呼喝簇拥，动感扑面而来；右侧圣物被浩荡人群庄重抬举，浮空天使翩然而降，勾连起神圣天国与俗世庆典。卷涡饰边收拢场面，疏密排布张弛有度，潦草的草稿笔触不减分毫磅礴气魄，让这场盛典的狂热庄严跃然纸面，古典史诗般的雄浑张力尽显其中。",[38060,518,2449,33,2944,38061,92938,2656],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F49dce7aacb5e2f655e1fc2334119c6a9.jpg",[],{"id":94652,"slug":94653,"title":94654,"dynasty":22,"author":7,"museum":172,"description":94655,"tags":94656,"thumbUrl":94657,"material":296,"size":297,"collection":11,"collections":94658,"showCount":351,"zanCount":49,"manualWeight":49,"mainColor":70},289152,"guercino-a-diablerie-yi-ming-289152","Guercino--A Diablerie","棕墨水线条凌厉粗粝，将画面分割成两层诡谲天地。上层群魔姿态张狂狞恶，猴形、犬首的魔物肢体扭曲舒展，带着邪异的躁动气息，怪诞的轮廓勾勒出幽冥邪物的可怖形貌。下层凡人正挣扎嘶吼，惶然的神态与魔物的暴虐形成鲜明对照。没有繁复修饰，以极简的速写笔触烘托出骇人的地狱氛围，将直面超自然恐惧的战栗直白铺展，粗朴的线条间满是冲击力，把暗黑怪诞的幻想幽冥图景具象呈现，让观者沉浸式坠入这场悚然的邪异梦魇之中。",[123,1473,3899,33,3886,2584,1573,1058,94264],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F9ab644a3184fbc41a6b7398e471cf7ac.jpg",[],{"id":94660,"slug":94661,"title":94662,"dynasty":22,"author":7,"museum":172,"description":94663,"tags":94664,"thumbUrl":94665,"material":296,"size":297,"collection":11,"collections":94666,"showCount":351,"zanCount":49,"manualWeight":49,"mainColor":70},289151,"guercino-a-sibyl-holding-a-scroll-yi-ming-289151","Guercino--A Sibyl Holding a Scroll","奔放灵动的线条铺陈开少女的身影，仰起的面庞带着怅惘又虔诚的神采，仿佛正凝神聆听神启。作者以松弛又富有张力的速写笔法，用疏密不一的排线与明暗块面，快速勾勒出衣褶的挺括与头巾的柔和，柔硬线条形成鲜明对比，精准捕捉下人物的动态张力。潦草的手稿字迹随性散落，添了几分即兴创作的鲜活气息，寥寥数笔便赋予人物饱满的精神气质，将少女的虔诚与灵动完美定格，满是即兴速写的蓬勃表现力，凝练又传神地烘托出人物沉浸于神圣时刻的氛围。",[38060,1572,11476,19646,35171,93925],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F255a98e62df4aa935df32ab0e8e4b6be.jpg",[],{"id":94668,"slug":94669,"title":94670,"dynasty":22,"author":7,"museum":172,"description":94671,"tags":94672,"thumbUrl":94674,"material":296,"size":297,"collection":11,"collections":94675,"showCount":351,"zanCount":49,"manualWeight":49,"mainColor":70},289150,"guercino-boy-chasing-a-butterfly-yi-ming-289150","Guercino--Boy Chasing a Butterfly","以棕褐淡晕与线条交织，塑造出祈祷的圣女形象。衣袍褶皱晕染松灵自然，明暗铺陈尽显织物垂坠厚重，线条简括却精准抓住衣物流动的韵律。圣女合十仰首，眉眼微抬，神色虔诚又带着圣洁的悲悯，将向上祈愿的沉静肃穆藏于神态细节中。弯月淡描于脚下暗合宗教意象，整幅带着速写式的随性精妙，于素朴纸面之上，以极简笔墨勾勒出庄重神圣的氛围，传神定格了人物的虔敬之心，尽显古典宗教肖像的含蓄美感。",[30,1572,123,93277,11476,94673,38060],"月牙","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F47193bd4f377afdc2b228b9dd3bfcf9a.jpg",[],{"id":94677,"slug":94678,"title":94679,"dynasty":22,"author":7,"museum":172,"description":94680,"tags":94681,"thumbUrl":94682,"material":296,"size":297,"collection":11,"collections":94683,"showCount":351,"zanCount":49,"manualWeight":49,"mainColor":70},289149,"guercino-bust-of-a-man-facing-right-yi-ming-289149","Guercino--Bust of a Man Facing Right","奔放灵动的笔墨勾勒出老者半身侧颜，浓淡干湿变化的墨色，将蓬松卷曲的发丝层次尽数铺展，粗简线条带过肩部轮廓，写意却精准贴合人体结构。画家以晕染暗部刻画出皮肤松弛纹路与紧绷的下颌线条，将老者凝神远眺时的沉郁沧桑尽数藏在寥寥几笔中。\n整幅速写随性却不失严谨，以极具表现力的笔触定格人物瞬间神态，情绪张力浸透在每一处笔墨里，尽显速写捕捉鲜活气韵的独特魅力。",[11098,5432,37814,47971,144,3244],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fe2dc43e34f29687a37ebaf52171b3e7d.jpg",[],{"id":94685,"slug":94686,"title":94687,"dynasty":22,"author":7,"museum":172,"description":94688,"tags":94689,"thumbUrl":94692,"material":296,"size":297,"collection":11,"collections":94693,"showCount":351,"zanCount":49,"manualWeight":49,"mainColor":70},289148,"guercino-endymion-sleeping-yi-ming-289148","Guercino--Endymion Sleeping","裸身的少年沉眠石台，将头颅枕在交叠的臂弯，蓬松发丝覆着低垂眉眼，周身松弛慵懒，全然沉湎在静谧酣梦里。\n\n淡墨勾塑轮廓，晕染铺陈开躯体柔和的明暗起伏，把肌肤温润的质感藏在虚实笔触间。远景林野朦胧虚化，弯月悬在暗夜里晕开清辉，晕染开幽谧柔婉的底色，斜倚一旁的长杖，静静暗合牧人的身份。\n\n寥寥几笔将神话里月下的缱绻凝成纸面，线条松弛舒展，把夜半梦境的安宁与温柔尽数揉入其中，浪漫又宁静。",[38060,4851,70466,92572,94690,627,94691],"沉睡","新月","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F6f7abee22eb15d00542070356a4bcb60.jpg",[],{"id":94695,"slug":94696,"title":94697,"dynasty":22,"author":7,"museum":172,"description":94698,"tags":94699,"thumbUrl":94702,"material":296,"size":297,"collection":11,"collections":94703,"showCount":351,"zanCount":49,"manualWeight":49,"mainColor":70},289146,"guercino-portrait-of-morose-man-in-half-length-yi-ming-289146","Guercino--Portrait of Morose Man in Half-Length","这幅半身素描以棕褐线条勾勒，笔触松弛却精准。蓬松卷发以流畅排线晕出层次，将毛发柔润蓬松的质感尽显。男子眉头微蹙、眼睑低垂，嘴角紧抿，沉郁寡欢的神态呼之欲出，内敛情绪藏在明暗起伏的轮廓里。\n\n衣纹线条洗练概括，只抓褶皱起伏的节奏，省略细枝末节却精准传递衣物垂坠感，纸面留白恰好烘托出肖像沉静沉抑的氛围。整作下笔克制果断，以极简笔墨刻画出人物郁郁的气质，将一瞬的缄默情绪凝在纸面，带着素描独有的随性生动的表现力。",[11098,37814,38060,5432,94700,1473,38059,94701],"忧郁","愁容","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F8a3473e476eb313c090abaa650dd722e.jpg",[],{"id":94705,"slug":94706,"title":94707,"dynasty":22,"author":7,"museum":172,"description":94708,"tags":94709,"thumbUrl":94710,"material":296,"size":297,"collection":11,"collections":94711,"showCount":351,"zanCount":49,"manualWeight":49,"mainColor":70},289145,"guercino-saint-francis-of-assisi-and-saint-louis-yi-ming-289145","Guercino--Saint Francis of Assisi and Saint Louis","这幅素描草稿以灵动奔放的笔触，将神圣与童趣交织。上方两名小天使振翅牵拉画布，寥寥数笔便勾勒出羽翼翻飞的鲜活动感，带着孩童般的俏皮轻盈。下方左侧人物抬手祈告，衣褶舒展柔和，神态虔诚动容，将圣洁的祈愿描摹尽致；右侧形象笔锋苍劲粗粝，身形厚重沉稳，二者一动一静形成强烈的视觉张力。\n整幅作品以极简线条捕捉刹那神韵，潦草却精准随性，将宗教的肃穆氛围与灵动的世俗意趣自然糅合，尽显速写草稿独有的松弛传神，尽显创作者捕捉情绪动态的深厚功底。",[123,30,33,38061,56078,38060],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F4e42b366c95d2e861bb65357d5385650.jpg",[],{"id":94713,"slug":94714,"title":94715,"dynasty":22,"author":7,"museum":172,"description":94716,"tags":94717,"thumbUrl":94718,"material":296,"size":297,"collection":11,"collections":94719,"showCount":351,"zanCount":49,"manualWeight":49,"mainColor":739},289144,"guercino-seated-old-man-with-right-arm-upraised-yi-ming-289144","Guercino--Seated Old Man with Right Arm Upraised","这幅素描以红粉笔晕染于灰蓝纸面上，冷暖色调碰撞出柔和醒目的视觉层次。作者精准捕捉坐立老者的动态，右臂抬升、身躯微侧，松弛姿态下暗藏躯体的力量感。利落排线顺着肌肉起伏铺陈，将肩胛、胸腹的体积感晕染开来，潦草勾勒的须发衬出老者的沧桑沉郁。老者左手搭在膝头，衣褶的简笔写意呼应躯体的写实刻画，张弛有度。右侧附带的腿部速写小稿，留存下捕捉动态的创作痕迹，让整幅作品兼具写生精准与草稿随性，尽显对人体结构的精妙理解，将老者迟暮沧桑与肉身的蓬勃张力糅合为一。",[1572,38060,7044,1386,79399],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ff262d9d796581dc9d5df7eefd28f84e5.jpg",[],{"id":94721,"slug":94722,"title":94723,"dynasty":22,"author":7,"museum":172,"description":94724,"tags":94725,"thumbUrl":94728,"material":296,"size":297,"collection":11,"collections":94729,"showCount":351,"zanCount":49,"manualWeight":49,"mainColor":1162},289143,"guercino-standing-youth-seen-from-behind-holding-a-bowl-yi-ming-289143","Guercino--Standing Youth Seen from Behind Holding a Bowl","以红粉笔铺就的素描，将青年沉静的瞬间温柔定格。画家以松弛却精准的排线，顺着肩胛、腰背的肌肉起伏铺陈光影，把背部的体量感与肌肉纹理悄然晕开，写实又带着随性的速写韵味。\n\n青年垂首捧碗，下半身裹覆的织物以灵动长线勾勒褶皱，和背部扎实的笔触形成动静对比，慵懒松弛的姿态呼之欲出，褪去拘谨，尽显生活化的悠然氛围。虚实交织的线条里，没有冗余修饰，却把少年柔和的背部轮廓与沉静神态，都藏在每一笔晕染之中。",[38060,1572,92572,94726,94727],"背影","持碗","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fbac432e1658013c0919360a010a3140c.jpg",[],{"id":94731,"slug":94732,"title":94733,"dynasty":22,"author":7,"museum":172,"description":94734,"tags":94735,"thumbUrl":94737,"material":296,"size":297,"collection":11,"collections":94738,"showCount":351,"zanCount":49,"manualWeight":49,"mainColor":70},289142,"marcantonio-franceschini-allegorical-figure-yi-ming-289142","Marcantonio Franceschini--Allegorical Figure","圆形拱顶托举着缥缈天界，中心少女与独角兽相依，仰首望空神色虔诚安宁，独角兽垂首亲昵，将纯洁寓意藏进相依的温柔里。右侧侍女持花回眸，柔缓线条勾勒出曼妙体态，眉眼流转间带着恭谨柔婉。下方孩童捧瓶憨坐，稚嫩神态为画面添上鲜活暖意。\n\n淡墨晕染铺陈明暗，衣袂褶皱蓬松舒展，云絮将人物托举于虚空，笔触细腻又不失松弛韵律，将神性圣洁与古典柔美元气晕开在纸面，人物间的无声呼应织就静谧庄重的氛围感，把寓言的悠远诗意娓娓道来。",[38060,11256,94736,92812,11476,1527,445,40160,38059,48013],"寓言主题","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F442d3044d6b6fbea88f7b5d558d8f18c.jpg",[],{"id":94740,"slug":94741,"title":94742,"dynasty":22,"author":7,"museum":172,"description":94743,"tags":94744,"thumbUrl":94746,"material":296,"size":297,"collection":11,"collections":94747,"showCount":351,"zanCount":49,"manualWeight":49,"mainColor":70},289141,"marcantonio-franceschini-the-birth-of-adonis-yi-ming-289141","Marcantonio Franceschini--The Birth of Adonis","这幅棕色调素描以细腻流畅的线条铺陈神话降生场景，画面中心的宁芙怀抱着初生的婴孩，身旁侍女垂首凝视，氛围静谧温柔。左侧林间萨堤洛斯悄然探窥，小天使与幼童点缀其间，为庄重场景晕开些许灵动意趣。\n\n右侧跪坐的宁芙虔敬地望向婴孩，远景山峦朦胧舒展，苍郁林木环绕周遭，将神话的神圣感融于柔和光影之中。素描以质朴质感复刻出传说里的肃穆温情，让古老神话的氛围感顺着笔意漫溢纸面。",[38060,1572,70377,1058,94745,38061,131,14612,1527,48050],"阿多尼斯诞生","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F0e83bef9f47f8709932f0c62b3128ae9.jpg",[],{"id":94749,"slug":94750,"title":94751,"dynasty":22,"author":7,"museum":172,"description":94752,"tags":94753,"thumbUrl":94754,"material":296,"size":297,"collection":11,"collections":94755,"showCount":351,"zanCount":49,"manualWeight":49,"mainColor":70},289140,"marco-marcola-gaius-mucius-scaevola-thrusting-his-right-hand-yi-ming-289140","Marco Marcola--Gaius Mucius Scaevola Thrusting His Right Hand","粗粝灵动的炭笔线条，将这一瞬的戏剧张力牢牢锁在纸面。男子身躯紧绷，带着孤绝的果决将手探向烈焰，肌肉的起伏在迅疾的排线里喷薄出雄浑力量。身侧女子姿态后仰，肢体舒展里满是惊骇与痛惜，衣袂线条随同情绪一同震颤。右侧潦草勾勒的建筑框架，悄然锚定了这场古典悲剧的舞台。\n\n未经修饰的草稿笔触反而让情绪更具冲击力，没有繁复渲染，却将英雄的悍勇与旁观者的动容精准传递，潦草却精准的线条中，生命的烈度与古典精神的重量尽显无遗。",[1572,38060,123,42074,518,93945],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F67e7824428b5c8c084a6c53fc2b5a26c.jpg",[],{"id":94757,"slug":94758,"title":94759,"dynasty":22,"author":7,"museum":172,"description":94760,"tags":94761,"thumbUrl":94763,"material":296,"size":297,"collection":11,"collections":94764,"showCount":351,"zanCount":49,"manualWeight":49,"mainColor":70},289138,"marco-ricci-clearing-in-a-wooded-landscape-yi-ming-289138","Marco Ricci--Clearing in a Wooded Landscape","以棕褐墨色铺就林间幽境，右侧古树枝干虬曲苍劲，舒展的细枝托举簇叶，宛如在风里舒展筋骨，带着沉厚古拙的野趣。左侧枯松垂挂如苔的线条，将荒疏清冷的质感晕开，留白的天光漫过坡石，远景林影淡成朦胧的晕染，似笼着一层薄雾。\n\n线条松灵兼具力道，淡墨晕出山岩与植被的层次，将幽僻林中空地的静谧生机揉合一处，仿佛能触到林间湿润的风，听见枝桠轻晃的声响，寥寥几笔便将郊野林泉的悠然况味尽数晕开，把无人惊扰的山野闲趣封存在这纸面之间。",[56613,38060,1473,676,613,162,94762],"林间空地","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fc214d933e18f12895a88f7c652b2220b.jpg",[],{"id":94766,"slug":94767,"title":94768,"dynasty":22,"author":7,"museum":172,"description":94769,"tags":94770,"thumbUrl":94771,"material":296,"size":297,"collection":11,"collections":94772,"showCount":351,"zanCount":49,"manualWeight":49,"mainColor":50},289137,"marco-zoppo-the-resurrection-yi-ming-289137","Marco Zoppo--The Resurrection","枯瘦的复活基督居于画面正中，荆冠未卸，右手直指天穹，左手拄杖，薄衫贴覆嶙峋筋骨，将受难后的神性肃穆具象化。他挺拔矗立，与四周瘫睡松弛的守卫形成强烈动静反差，昏沉的尘世姿态更衬出救赎降临的震撼。\n\n棕调基底晕染出复古质感，明暗排线晕染结合，刻画出皮肤褶皱与衣物质感，让基督自朦胧荒寂的山景中浮现，神性光影刺破暗沉昏昧。质朴粗粝的笔触褪去神迹的华丽包装，将复活时刻的神圣悄然铺展，在沉静的视觉张力里，传递出信仰的肃穆力量。",[1573,1572,38060,70543,93002,40572,18002],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fb11a70a7308dbf0184c5b2d364695653.jpg",[],{"id":94774,"slug":94775,"title":94776,"dynasty":22,"author":7,"museum":172,"description":94777,"tags":94778,"thumbUrl":94780,"material":296,"size":297,"collection":11,"collections":94781,"showCount":351,"zanCount":49,"manualWeight":49,"mainColor":70},289136,"marie-rosalie-bonheur-sheet-of-studies-for-the-horse-fair-yi-ming-289136","Marie-Rosalie Bonheur--Sheet of Studies for The Horse Fair","炭笔游走间，两名骑手驱策骏马奔腾向前，鬃毛飞扬如墨色流焰，精准勾勒出骏马贲张的肌肉轮廓，野性张力扑面而来。右侧以淡笔轻扫出马群残影，虚实相映间烘托出集市的喧嚣涌动，悄然铺展出鲜活的场域氛围。\n\n奔放的排线铺陈动势，浓淡光影错落晕开，潦草却精准的速写笔触，把奔跃瞬间的爆发力凝为永恒，细碎草稿线条还留存着创作时的灵动思绪，粗粝炭感揉合着牧场的鲜活生气，将烈马悍勇的生命力永远定格在纸面。",[38060,47971,1006,94779,54588,70763,70580,13692],"骑手","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F4a7d26f83b8927d71d5b029eca7fffd4.jpg",[],{"id":94783,"slug":94784,"title":94785,"dynasty":22,"author":7,"museum":172,"description":94786,"tags":94787,"thumbUrl":94789,"material":296,"size":297,"collection":11,"collections":94790,"showCount":351,"zanCount":49,"manualWeight":49,"mainColor":50},289135,"martin-schongauer-bust-of-a-man-in-a-hat-gazing-upward-yi-ming-289135","Martin Schongauer--Bust of a Man in a Hat Gazing Upward","这幅素描以细腻排线铺陈层次，宽檐高帽用规整密集的线条，将织物厚重质感尽显，侧边的装饰更添几分异域意趣。画家精准勾勒出老者松弛的皮肉、虬结的纹路，上抬的眉眼间带着凝神远眺的怅惘，每一道褶皱都凝缩着岁月洗练的沧桑。\n\n衣领处的绒毛以短促细碎的线条晕染，和帽身的规整排线形成鲜明对比，让画面层次愈发饱满。明暗线条穿插间，将人物的体积感塑造得立体生动，老者沉静肃穆的神态被牢牢定格，写实笔触里藏着克制的温柔，将沉郁的思绪与时光的痕迹尽数藏于笔锋之中。",[1572,38060,1473,38081,94788,93955,345],"戴帽","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F2aed114c2516be64a72baa0ea762a27e.jpg",[],{"id":94792,"slug":94793,"title":94794,"dynasty":22,"author":7,"museum":172,"description":94795,"tags":94796,"thumbUrl":94798,"material":296,"size":297,"collection":11,"collections":94799,"showCount":351,"zanCount":49,"manualWeight":49,"mainColor":739},289134,"master-of-liechtenstein-adoration-of-the-shepherds-yi-ming-289134","Master of Liechtenstein--Adoration of the Shepherds","整体以红调铺陈，画面左右形成强烈动静对冲。左侧士兵步履粗粝刚健，肌肉块面硬朗紧绷，带着惶惶赶路的仓促感，右侧圣家族与牧羊人们围在圣婴身侧，姿态虔诚柔和，满是静谧的朝拜敬意。残垣断壁的废墟背景衬出乱世荒蛮，却让中心的诞生场面愈显圣洁安宁。\n\n锐利线条勾勒出人物筋骨细节，红调晕染的明暗变化区隔出两类人物的气质反差，俗世的粗莽与神性的温柔在此碰撞，将这场朝拜绘就成荒乱中破土而生的温柔神迹，张力十足。",[1573,2750,32,33,48124,48125,93146,94797],"朝拜","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F04071d3cb21c8c1f59446d46f96efecd.jpg",[],{"id":94801,"slug":94802,"title":94803,"dynasty":22,"author":7,"museum":172,"description":94804,"tags":94805,"thumbUrl":94807,"material":296,"size":297,"collection":11,"collections":94808,"showCount":351,"zanCount":49,"manualWeight":49,"mainColor":70},289133,"master-of-the-drapery-studies-christ-appearing-to-mary-magdalen-yi-ming-289133","Master of the Drapery Studies--Christ Appearing to Mary Magdalen","跪坐的玛利亚合十仰望，眼底满是眷恋哀戚，将久别重逢的孺慕与虔诚尽数倾注在姿态神情间。站立的基督手持圣旗，身形挺拔沉静，周身光晕晕开神圣肃穆的气息。\n\n整幅以细密精准的线条铺陈，衣褶刻画极具表现力，层叠褶皱尽显织物垂坠厚重的质感，将人物身形包裹得富有张力。背景庭院草木描摹柔和细腻，烘托出私密静谧的重逢氛围，以明暗线条勾勒情绪，将信徒的追思与圣者的悲悯烘托得淋漓尽致，尽显宗教叙事画作细腻写实的动人质感。",[30,33,123,56660,94806,1573],"抹大拉的马利亚","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F6ed39e7992733c316d45d274048b99b8.jpg",[],{"id":94810,"slug":94811,"title":94812,"dynasty":22,"author":7,"museum":172,"description":94813,"tags":94814,"thumbUrl":94816,"material":296,"size":297,"collection":11,"collections":94817,"showCount":351,"zanCount":49,"manualWeight":49,"mainColor":70},289132,"master-of-the-large-figure-brush-drawings-group-of-men-yi-ming-289132","Master of the Large Figure Brush Drawings--Group of Men","这幅群像以棕褐色调铺陈，松弛却精准的线条勾勒出人物各异的动态。左侧老者探身伸手，似在激昂陈词，身旁众人或侧身聆听、或交头接耳；右侧持械者神色紧绷，抬手的身影将氛围拉向紧绷的临界点。\n\n晕染的阴影轻触衣袍与地面，寥寥几笔便撑起人物体积，没有繁复的细节堆砌，却凭着虚实错落的笔触，把一场街头争执的鲜活瞬间定格。随性的速写感让画面带着即兴的生动，粗犷的笔触下藏着细腻的情绪捕捉，仿佛下一秒就能听见人群的喧嚷争执。",[33,38060,11256,94815,48013],"男子群像","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F68c767e509c951627c86db2acb817a0c.jpg",[],{"id":94819,"slug":94820,"title":94821,"dynasty":22,"author":7,"museum":172,"description":94822,"tags":94823,"thumbUrl":94825,"material":296,"size":297,"collection":11,"collections":94826,"showCount":351,"zanCount":49,"manualWeight":49,"mainColor":70},289104,"jean-daret-study-for-christ-as-mediator-yi-ming-289104","Jean Daret--Study for Christ as Mediator","这幅素描以松弛却精准的排线，勾勒出跪坐的祈祷者形象。他双臂舒展朝天，头颅昂起，眉眼松弛、唇瓣微张，将全然的虔诚与释然揉进神态里，仿佛正沉浸在与天国的低语对话中。\n\n衣褶顺着躯体的张力自然铺陈，厚重垂坠的长袍线条将身形的体积感熨帖呈现，下半身隐没在朦胧的云气晕染中，让神圣感从肉身向外升腾弥散。画面没有多余修饰，仅依靠明暗层次，便将沉静又炽热的信仰震颤凝固在纸面，让观者能触摸到这份纯粹安宁的精神力量。",[38060,1572,30,94824,93049,93277],"耶稣基督","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F76c9c97d0cee38b6ed322fa16b63cd60.jpg",[],{"id":94828,"slug":94829,"title":94830,"dynasty":22,"author":7,"museum":172,"description":94831,"tags":94832,"thumbUrl":94835,"material":296,"size":297,"collection":11,"collections":94836,"showCount":351,"zanCount":49,"manualWeight":49,"mainColor":70},289103,"jean-daret-the-risen-christ-between-the-virgin-and-st-joseph-yi-ming-289103","Jean Daret--The Risen Christ between the Virgin and St. Joseph","以灵动排线铺陈出虚实错落的双层空间，云端上的身影沉静庄严，衣袂褶皱带着舒展的神性韵律。下方众人或仰望祈愿，或伸手呼求，惶惑与敬慕揉杂在紧绷的肢体中。\n\n画师以明暗晕染烘托出天国的圣洁光晕，粗粝却精准的线条刻画出凡人们饱经沧桑的面庞，将尘世对救赎的渴盼全然倾注在抬手仰望的动态里，天人之间的呼应让肃穆的神迹多了一丝温热的共情。明暗交织间，神性的高远与俗世的恳切形成强烈张力，寥寥几笔便让信仰的厚重全然浮现。",[1573,1572,38060,56660,27489,94833,94834,93277],"圣约瑟夫","信徒","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fb9f12add4cfbcbc38ecf7c33473412cc.jpg",[],{"id":94838,"slug":94839,"title":94840,"dynasty":22,"author":7,"museum":172,"description":94841,"tags":94842,"thumbUrl":94846,"material":296,"size":297,"collection":11,"collections":94847,"showCount":351,"zanCount":49,"manualWeight":49,"mainColor":50},289102,"jean-de-mosthe-ne-dugourc-figures-in-a-garden-yi-ming-289102","Jean Démosthène Dugourc--Figures in a Garden","澄澈云空晕开柔淡天光，将这片乡野园林晕染成松弛的闲雅梦境。左侧半木构小屋朴拙可爱，园丁推着独轮车与廊下绅士低语，将劳作揉进日常松弛里。\n\n围栏分隔出两处天地，露台淑女们凭栏慵坐，衣袂舒展如同揉碎的月光，把贵族式闲散融在花木清芬之间。草木枝叶晕染出深浅层次，风穿过树梢，将烟火气与优雅温柔衔接，把旧日乡居的悠然日常，定格成一首舒缓的田园小诗，处处漫溢出松弛慵懒的旧时光气息。",[38039,94843,33,94844,131,2868,94845,93724,4219,2656,48720],"花园","木屋","家犬","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fc3def321d26b1c2e1bf8d13c4dade06a.jpg",[],{"id":94849,"slug":94850,"title":94851,"dynasty":22,"author":7,"museum":172,"description":94852,"tags":94853,"thumbUrl":94855,"material":296,"size":297,"collection":11,"collections":94856,"showCount":351,"zanCount":49,"manualWeight":49,"mainColor":50},289100,"jean-guillaume-moitte-manius-curius-dentatus-refusing-the-presents-yi-ming-289100","Jean Guillaume Moitte--Manius Curius Dentatus Refusing the Presents","画面以冷峻细腻的线条铺展古典叙事，明暗错落间，端坐的主角舒展身形，神色淡然推开身前献礼，自带不容置喙的威严。左侧仆从们躬身捧着珍奇宝器，神色恭敬又带着试探的忐忑。右侧女子伸手指点，满脸惊惶失态，反衬出主角不为利诱所动的坚定。\n\n殿堂烟气袅袅升腾，衬出肃穆沉静的氛围，衣褶勾勒厚重写实，精准传递出人物情绪张力。画作将清廉拒贿的古典风骨藏在庄重场景中，不动声色间诉说着这份超越物欲的高贵气节。",[518,1572,38060,1473,22324,1607,48074,877,94854],"仪式场景","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F77165ecf5f269022033462cc7f4b559c.jpg",[],{"id":94858,"slug":94859,"title":94860,"dynasty":22,"author":7,"museum":172,"description":94861,"tags":94862,"thumbUrl":94864,"material":296,"size":297,"collection":11,"collections":94865,"showCount":351,"zanCount":49,"manualWeight":49,"mainColor":70},289099,"jean-henri-alexandre-pernet-architectural-capriccio-yi-ming-289099","Jean Henri Alexandre Pernet--Architectural Capriccio","这幅椭圆形构图的画，将怀古幽思藏在残垣之间。蚀损的古典柱廊爬覆着野藤，风化的肌理刻满时光的辙痕。中心雕像静立在泉台之上，缄默凝望这片被遗忘的旧景。\n三两行人散落其间，或围坐低语，或凭台远眺，让冷寂废墟漾开鲜活暖意。朦胧天光晕开柔淡雾色，为断壁残瓦覆上一层怀旧薄纱，将岁月的沧桑与日常的悠然融于一处，仿佛踏入被时光封存的梦境，指尖能触到旧时代残留的温柔余温。",[38059,38060,32,94863,56719,93856,33,131],"建筑废墟","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fc5abfdb52e283776b76664df882beab8.jpg",[],{"id":94867,"slug":94868,"title":94869,"dynasty":22,"author":7,"museum":172,"description":94870,"tags":94871,"thumbUrl":94873,"material":296,"size":297,"collection":11,"collections":94874,"showCount":351,"zanCount":49,"manualWeight":49,"mainColor":70},289098,"jean-honore-fragonard-a-gathering-at-woods-edge-yi-ming-289098","Jean Honoré Fragonard--A Gathering at Woods' Edge","以赭色排线晕染铺陈光影，疏密交错的笔触勾勒出古木苍劲肌理，繁叶层叠簇拥将浓荫铺满画幅。留白的流云柔化天际，为沉郁林景晕开透气的轻盈。\n\n郊野浓荫隔绝暑热，林间空地的旅人或卧或坐，舒展松弛的姿态消解山野荒寂，将闲逸慵懒揉入清旷林景。以素描的质朴质感，铺展出避世偷闲的悠然意趣，将乡野漫游的松弛心境，藏进每一缕枝叶纹路与憩息身影之中。",[38060,11256,56613,1572,70467,613,1676,10462,13585,94872,4219],"林间聚会","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fcf242e51e3e60ea81e6c8b4cc9185fd1.jpg",[],{"id":94876,"slug":94877,"title":94878,"dynasty":22,"author":7,"museum":172,"description":94879,"tags":94880,"thumbUrl":94882,"material":296,"size":297,"collection":11,"collections":94883,"showCount":351,"zanCount":49,"manualWeight":49,"mainColor":70},289097,"jean-honore-fragonard-hercules-and-cacus-after-annibale-carracc-yi-ming-289097","Jean Honoré Fragonard--Hercules and Cacus, after Annibale Carracc","粗粝利落的炭笔线条，勾勒出虬结饱满的肌肉轮廓，将角斗的野性张力拉扯到极致。\n\n左侧二人扭打缠斗，高举武器者青筋暴起，将身下对手死死钳制，濒死的挣扎在扭曲的背脊上淋漓毕现。右侧男子攀附岩壁，紧绷的肢体满是奔逃的仓皇狼狈。\n\n明暗皴擦毫无冗余，每一道落笔都在诉说力量的对抗与生存的拉扯，原始的暴力与生命的悍勇呼之欲出，将肉搏的粗粝野性永远定格在纸面，仿佛嘶吼与喘息即将冲破画框而来。",[38060,1572,4851,94881,122,123],"搏斗","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fdb54f96b66ca2e9c4896733061d6f685.jpg",[],{"id":94885,"slug":94886,"title":94887,"dynasty":22,"author":7,"museum":172,"description":94888,"tags":94889,"thumbUrl":94890,"material":296,"size":297,"collection":11,"collections":94891,"showCount":351,"zanCount":49,"manualWeight":49,"mainColor":70},289096,"jean-honore-fragonard-riverside-village-dominated-yi-ming-289096","Jean Honoré Fragonard--Riverside Village Dominated","这幅素描以柔和的明暗层次晕开河畔村落的日常。前景水岸芦苇轻摇，小舟静泊，带着渔夫归家的松弛烟火气。中景的茅草村舍朴拙错落，排线勾勒出墙面与屋顶的岁月斑驳，葱郁林木以朦胧笔触掩映其间，柔化了屋舍硬朗的轮廓。\n\n远景塔楼隐在薄雾里，晕开朦胧的悠远氛围感。没有浓烈色彩，仅以深浅织就松弛韵致，将乡野河畔的恬淡安宁揉进朦胧天色，凝固住旧时光里沉静又温柔的乡野诗意。",[38060,56613,93769,4724,7550,68708,131,2657,1343,33],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F4f07f7fa346032291ee2617b8ff0ba70.jpg",[],{"id":94893,"slug":94894,"title":94895,"dynasty":22,"author":7,"museum":172,"description":94896,"tags":94897,"thumbUrl":94901,"material":296,"size":297,"collection":11,"collections":94902,"showCount":351,"zanCount":49,"manualWeight":49,"mainColor":70},289095,"jean-honore-fragonard-saint-celestine-v-renouncing-the-papacy-yi-ming-289095","Jean Honoré Fragonard--Saint Celestine V Renouncing the Papacy","采用圆形取景收拢画面，将视线牢牢锚定在这场宗教仪式之中。中心主教神色沉静，接过僧众托举的三重冠，周遭修士或垂首肃穆，或抬手侍奉，动作错落交织，烘托出权力更迭之际的庄重氛围。\n\n台阶下孩童毫无章法地玩闹，懵懂的姿态与上方沉重的仪式形成强烈反差，让肃穆的场景生出一丝松弛的对照。创作者以利落粗放的排线刻绘衣褶起伏，明暗晕染区分人物层次，落笔简省却精准勾勒出人物神态与仪式氛围，将权力交接的复杂情绪藏在疏密有致的线条里，寥寥数笔便让这场充满象征意义的仪式，兼具虔诚肃穆与耐人寻味的情绪张力。",[38060,38059,1572,2449,48150,94898,1527,94899,94900],"教皇","教皇逊位","黑白画","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fa45f3c1372b6a0fde4c3c2a449d4f7f8.jpg",[],{"id":94904,"slug":94905,"title":94906,"dynasty":22,"author":7,"museum":172,"description":94907,"tags":94908,"thumbUrl":94910,"material":296,"size":297,"collection":11,"collections":94911,"showCount":351,"zanCount":49,"manualWeight":49,"mainColor":277},289094,"jean-jacques-lagrene-e-landscape-with-a-scene-from-fe-nelon-s-yi-ming-289094","Jean Jacques Lagrenée--Landscape with a Scene from Fénelon's","月夜郊野晕染在幽蓝底色之上，淡墨铺就林影与云絮，朦胧柔润。滩涂弃舟静卧，和林间翩然舞动的身影形成静动对冲。远处古堡隐在月色云霭间，将郊野实景揉进幻梦叙事里。\n\n灵动群像打破夜色沉郁，带着古典牧歌式的松弛浪漫，让山野月夜化作神话逸事的舞台。光影借月色铺陈出幽谧氛围，晕染笔触将自然与人文叙事相融，在静谧夜色与欢愉群像的碰撞中，晕开复古诗意，把浪漫遐想藏进朦胧底色里。",[38039,70466,70467,2657,128,33,16470,94909,18637,3277],"古典风景","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F405126ff43080dc98027c73148a0bcc6.jpg",[],{"id":94913,"slug":94914,"title":94915,"dynasty":22,"author":7,"museum":172,"description":94916,"tags":94917,"thumbUrl":94918,"material":296,"size":297,"collection":11,"collections":94919,"showCount":351,"zanCount":49,"manualWeight":49,"mainColor":70},289093,"jean-jacques-lagrene-e-rest-on-the-flight-into-egypt-yi-ming-289093","Jean Jacques Lagrenée--Rest on the Flight into Egypt","这幅淡棕素描以松弛灵动的线条，铺陈出悠然静谧的神性休憩时刻。垂首静思的约瑟、怀拥圣婴柔婉安坐的圣母，将奔波的疲惫融于田园一隅。\n\n右侧天使偕持花环的小爱神缓步趋近，柔缓衣褶晕开暖意，背景朦胧的小天使托举棕榈枝，添上轻盈神圣的氛围感。作者以细腻排线铺陈光影层次，未用浓艳色彩，却将肃穆的宗教叙事化作日常般的脉脉温情，让神迹归于片刻安恬，勾勒出平和治愈的神圣日常。",[38060,1573,1572,38061,92879,1527,38588,2449,56788],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F50a779416c80f8e74909de7498768bc7.jpg",[],{"id":94921,"slug":94922,"title":94923,"dynasty":22,"author":7,"museum":172,"description":94924,"tags":94925,"thumbUrl":94930,"material":296,"size":297,"collection":11,"collections":94931,"showCount":351,"zanCount":49,"manualWeight":49,"mainColor":70},289090,"jean-jacques-lequeu-longitudinal-and-cross-sections-yi-ming-289090","Jean Jacques Lequeu--Longitudinal and Cross Sections","这幅室内立面设计尽显新古典主义的典雅克制。左上与左下方案以对称门楣、浮雕壁龛为骨架，复刻大理石肌理凸显石材冷冽质感，雕塑与雕花壁柱烘托出庄重仪式感，将建筑理性融于形制细节。\n\n右上与右下则以布艺柔化空间氛围，湖蓝与墨绿帘幔呼应墙面浮雕，采光窗嵌入装饰逻辑，让规整的古典形制晕染出通透暖意。细密排线精准区分材质层次，将装饰美学与实用功能平衡统一，还原了法式贵族宅邸的优雅范式，是新古典室内设计的细腻范本，尽显克制奢华的古典美学意趣。",[48007,1997,94926,32,94927,94928,93856,94929,25374,70686],"室内设计","剖面图","壁饰","窗饰","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F0314a264bf4808629ccada37f5a55b60.jpg",[],{"id":94933,"slug":94934,"title":94935,"dynasty":22,"author":7,"museum":172,"description":94936,"tags":94937,"thumbUrl":94940,"material":296,"size":297,"collection":11,"collections":94941,"showCount":351,"zanCount":49,"manualWeight":49,"mainColor":70},289089,"jean-jacques-lequeu-section-and-plan-of-the-small-dining-room2-yi-ming-289089","Jean Jacques Lequeu--Section and Plan of the Small Dining Room2","这幅新古典主义室内设计图，以对称构图尽显庄重雅致。立面中央设拱形壁龛，古典女雕像成为视觉焦点，两侧木门对称排布，檐下饰带以茛苕纹与人面浮雕点缀，将古典符号融于餐室设计，暗合贵族审美意趣。\n\n下方平面图呼应立面，细致呈现壁龛基座细节，让设计逻辑完整自洽。绘图以淡墨排线晕染光影，清晰区分石材肌理与立面层次，既饱含艺术美感，又兼具工程实用性，淋漓尽致展现了法式宅邸对古典美学的追慕，将礼制秩序与优雅格调藏于每一处细节之中。",[329,92803,94938,93856,48009,48022,38060,48012,94939],"室内空间","餐厅","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F7e7c2499a582e26bbff8bb7fb9333202.jpg",[],{"id":94943,"slug":94944,"title":94945,"dynasty":22,"author":7,"museum":172,"description":94946,"tags":94947,"thumbUrl":94949,"material":296,"size":297,"collection":11,"collections":94950,"showCount":351,"zanCount":49,"manualWeight":49,"mainColor":70},289088,"jean-jacques-de-boissieu-farmyard-yi-ming-289088","Jean Jacques de Boissieu--Farmyard","这幅乡野画作用明暗晕染铺陈出松弛的午后日常。笔触朴拙自然，将柔光揉进粗粝的乡居肌理里，木构阳台爬着荒草，石墙带着风霜磨蚀的痕迹，堆置的干草捆漫溢慵懒的山野气息。\n\n三两村人散落各处，阳台孩童凭栏眺望，近景的农夫歇坐长木休憩，墙根路人蜷卧酣睡，闲散松弛漫在风里。左侧林木枯荣交织，虬曲枝桠和乡居的破败粗朴相映，勾勒出未加修饰的原生野趣。\n明暗层次晕开静谧氛围，将乡居烟火的温柔日常定格，满是质朴治愈的松弛暖意。",[38060,38059,4672,12246,676,650,70788,33,94948,3244],"干草","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fb79807babc00ca6f5c74e6dffa05938a.jpg",[],{"id":94952,"slug":94953,"title":94954,"dynasty":22,"author":7,"museum":172,"description":94955,"tags":94956,"thumbUrl":94958,"material":296,"size":297,"collection":11,"collections":94959,"showCount":351,"zanCount":49,"manualWeight":49,"mainColor":70},289087,"jean-jacques-de-boissieu-self-portrait-yi-ming-289087","Jean Jacques de Boissieu--Self-Portrait","这帧肖像以红粉笔铺陈，笔触兼具松弛与细腻。发丝卷曲蓬松，根缕层次清晰，柔化了面部的硬朗轮廓。画家精准捕捉自身神态，眉眼沉静锐利，带着审视自我的内敛沉稳，面部光影晕染柔和自然，将中年面容的肌理感真实呈现。领口领结褶皱刻画入微，线条凝练又不失生动。画面留白松弛透气，带着古典肖像的严谨写实，又暗藏速写般的灵动鲜活，将创作者沉静自持的文人气质尽显无余，氤氲着古典肖像特有的优雅克制。",[38060,12520,1572,38081,94957],"写实技法","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F76bc135ccdf10f2bcb3a9f6eddc0cb86.jpg",[],{"id":94961,"slug":94962,"title":94963,"dynasty":22,"author":7,"museum":172,"description":94964,"tags":94965,"thumbUrl":94966,"material":296,"size":297,"collection":11,"collections":94967,"showCount":351,"zanCount":49,"manualWeight":49,"mainColor":739},289086,"jean-laurent-legeay-architectural-fantasy-yi-ming-289086","Jean Laurent Legeay--Architectural Fantasy","赭石单色晕染出沉郁雅致的氛围，圆形构图将这片古建废墟幻想收拢成一场闭环遗梦。残损柱梁、崩坍祭坛错落崖间，左侧层叠城邦半掩在枯藤之后，右侧悬岩碑刻与悬空祭台漫着失落文明的诡谲诗意。排线晕开朦胧雾气，让断壁残垣隐在氤氲里，把怀古怅惘揉进荒寂天地。虚实交错间，破碎古典建筑织就褪色荣光的凭吊图景，静诉着时间磨蚀文明的缄默往事，颓败美感里藏着对逝去城邦的幽微追念。",[329,38060,93413,92748,93722,162,131,70665],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F0a11dcf0f2b57a59f52815d4e9e76043.jpg",[],{"id":94969,"slug":94970,"title":94971,"dynasty":22,"author":7,"museum":172,"description":94972,"tags":94973,"thumbUrl":94976,"material":296,"size":297,"collection":11,"collections":94977,"showCount":351,"zanCount":49,"manualWeight":49,"mainColor":739},289085,"jean-laurent-legeay-architectural-fantasy1-yi-ming-289085","Jean Laurent Legeay--Architectural Fantasy1","赭红单色晕染出沉郁悠远的氛围，前景枯虬老树盘错伸展，苍劲枝桠自然框住画面，将视线引向朦胧雾气里的古典断壁残垣。石阶遗迹依偎林木，带着时光剥蚀的沧桑质感。\n\n圆形画幅收拢景致，将自然荒疏与人工废墟柔化糅合，晕染的笔触晕开怀古幽思，凭吊逝去的古典荣光。静谧里漫着旧时光的余韵，将废墟之美藏在细腻的线条间，引观者坠入一场朦胧的古典幻梦。",[38059,38060,676,92748,56616,94974,94975,48051],"苍凉","建筑风景画","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F030434abd561ecafeec8de0e6a8e82e5.jpg",[],{"id":94979,"slug":94980,"title":94981,"dynasty":22,"author":7,"museum":172,"description":94982,"tags":94983,"thumbUrl":94984,"material":296,"size":297,"collection":11,"collections":94985,"showCount":351,"zanCount":49,"manualWeight":49,"mainColor":70},289084,"jean-marc-nattier-self-portrait-yi-ming-289084","Jean Marc Nattier--Self Portrait","灵动的松快笔触捕捉住男子侧半身回望的瞬间，蓬松卷发依靠晕染排线铺展出柔软质感，衣褶起落间概括出布料垂坠的重量感，将松弛又带着一丝讶然的神态定格。右上角的手部速写带着即兴推敲的鲜活，是创作过程里留存的灵感碎片。浅棕纸底搭配提亮的局部高光，让面部与衣摆层次愈发生动。没有繁琐细节雕琢，却精准抓住人物气韵，将速写捕捉动态与神情的优势尽显，带着未完成的随性张力，留存下创作时的鲜活思考痕迹。",[38060,33,5432,163,12520],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fd77501bd613f6ba464217dd588700d4b.jpg",[],{"id":94987,"slug":94988,"title":94989,"dynasty":22,"author":7,"museum":172,"description":94990,"tags":94991,"thumbUrl":94994,"material":296,"size":297,"collection":11,"collections":94995,"showCount":351,"zanCount":49,"manualWeight":49,"mainColor":50},289083,"jean-restout-le-jeune-funeral-of-franc-ois-duplessis-de-mornay-yi-ming-289083","Jean Restout le jeune--Funeral of François Duplessis de Mornay","以炭笔线条铺就整场肃穆葬礼，虚实错落间排布群像。简练精准的排线勾勒出神职修士沉凝的身形，厚重衣褶尽显仪式的庄重肃穆。中心执杖队列静穆前行，前景伏地恸哭的身影将悲戚具象化，旁侧躬身备下祭具的侍者，让宗教仪典染上世俗的真切哀恸。\n\n朦胧晕开的街景拉开景深，将视线牢牢锚定葬礼核心。无彩的画面以明暗层次烘托沉郁氛围，把宗教仪式的庄严与俗世哀悼相融，静立的群像之下，满溢着克制却深沉的悲恸张力，寥寥线条便将一场葬礼的沉重氛围感全然铺展在纸面之上。",[38060,1572,2449,94992,2453,94993,13786,70377],"丧葬场景","城镇街道","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F4f6f20c46af77040819a450169121ac9.jpg",[],{"id":94997,"slug":94998,"title":94999,"dynasty":22,"author":7,"museum":172,"description":95000,"tags":95001,"thumbUrl":95002,"material":296,"size":297,"collection":11,"collections":95003,"showCount":351,"zanCount":49,"manualWeight":49,"mainColor":70},289082,"jean-restout-le-jeune-head-of-a-bearded-man-yi-ming-289082","Jean Restout le jeune--Head of a Bearded Man","这是一幅精妙的色粉素描，以红棕与深色粉笔铺陈画面。画家以松弛流转的排线，勾勒出老者发丝卷曲蓬松的层次，虚实掩映间晕开鬓角与耳侧的明暗变化，将发丝柔软却苍劲的质感尽显。\n顺着线条向下，长髯的笔触舒展柔和，顺着胡须走向铺陈出蓬松厚重的体量感，又以细腻的色调过渡刻画出皮肤松弛的褶皱肌理，将老者饱经风霜却沉静平和的神态细腻铺陈。冷暖色调的克制搭配，既区分开毛发与肤色，又赋予画面温柔的温度，仅以简练精准的笔触便烘托出人物沉静安然的气韵，尽显古典写实素描的雅致功底。",[38060,1572,11098,42056,93183,68628,93184],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fc10ecbb77d320d3b3e9525b6f8cc4c4c.jpg",[],{"id":95005,"slug":95006,"title":95007,"dynasty":22,"author":7,"museum":172,"description":95008,"tags":95009,"thumbUrl":95010,"material":296,"size":297,"collection":11,"collections":95011,"showCount":351,"zanCount":49,"manualWeight":49,"mainColor":70},289081,"jean-restout-le-jeune-seated-male-nude-yi-ming-289081","Jean Restout le jeune--Seated Male Nude","这幅素描以色纸为底，明暗碰撞极具感染力。松弛又精准的笔触感，将男性躯体的张力尽数捕捉：肩胛、胸肌与腿部的肌肉起伏清晰可见，光影铺陈下，皮下筋肉的力量感呼之欲出。\n\n人物垂眉敛目，舒展的双臂添了沉静悲悯的氛围，擦笔晕染出柔和的明暗过渡，利落排线勾勒出骨骼棱角，粗粝的明暗块面烘托出沉郁肃穆的氛围感，兼顾古典人体写生的写实严谨与灵动写意，让静态素描拥有呼吸感，将男性躯体的力量与沉静神态相融。",[38060,33,92572,1386,3244,2449],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F8cb02b80e26cf6a244c962c6843fa352.jpg",[],{"id":95013,"slug":95014,"title":95015,"dynasty":22,"author":7,"museum":172,"description":95016,"tags":95017,"thumbUrl":95020,"material":296,"size":297,"collection":11,"collections":95021,"showCount":351,"zanCount":49,"manualWeight":49,"mainColor":70},289080,"jonas-umbach-june-one-of-a-series-representing-the-labors-yi-ming-289080","Jonas Umbach--June (one of a series representing the labors","红粉笔晕开暖调天光，铺就乡野仲夏底色。前景农人们围坐剪羊毛，动作熟稔松弛，妇人膝头安抚幼崽，将劳作里的温柔揉在日常里。线条松灵随性，勾勒出农人的憨态，剪落的羊毛散在脚边，粗粝又鲜活。\n\n背景村舍旁，牧羊人与羊群静立，云絮柔缓舒展在天际，烟火气漫过田埂。没有繁复雕琢，只以质朴笔触定格乡野劳作的悠然，将乡野耕织的细碎温情藏进每一道线条里，软风似的把仲夏乡野的松弛漫开，让日常劳作也浸着恬淡暖意。",[38060,4672,33,3102,12246,70788,95018,95019],"农事劳动","田园场景","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F15ce4993b8f26a3c5d5ba926afac0582.jpg",[],{"id":95023,"slug":95024,"title":95025,"dynasty":22,"author":7,"museum":172,"description":95026,"tags":95027,"thumbUrl":95028,"material":296,"size":297,"collection":11,"collections":95029,"showCount":351,"zanCount":49,"manualWeight":49,"mainColor":70},289079,"jonas-umbach-march-one-of-a-series-representing-the-labors-yi-ming-289079","Jonas Umbach--March (one of a series representing the labors","以红棕粉笔晕开乡野劳作图景，林边空地漫着浅淡烟火气。左侧农人扬巾呼喝，似在招呼同侪，身畔负斧老者歇坐，皱纹里藏着劳作的疲怠。右侧农人与稚童合力拽扯枝桠，将乡野协作的日常鲜活铺陈。\n\n线条松弛精准，粗粝排线晕染出林木苍劲肌理，人物衣褶随动作自然堆叠，将农人舒展质朴的神态一一勾勒。没有繁复修饰，以速写般的鲜活，把初春备耕伐木的片段凝于纸上，粗朴又生动地定格了郊野春日劳作的温热瞬间，满溢着乡野生活的原生暖意。",[38060,4672,33,48720,70467,3665],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F961c21388294a9abb79ba5488bcea101.jpg",[],{"id":95031,"slug":95032,"title":95033,"dynasty":22,"author":7,"museum":172,"description":95034,"tags":95035,"thumbUrl":95036,"material":296,"size":297,"collection":11,"collections":95037,"showCount":351,"zanCount":49,"manualWeight":49,"mainColor":70},289078,"jonas-umbach-november-one-of-a-series-representing-the-labors-yi-ming-289078","Jonas Umbach--November (one of a series representing the labors","暖棕红调晕开郊野行旅的松弛日常，灵动线条勾勒出休憩的旅人图景。骑手勒马驻望天际，侍仆持枪前驱探路，猎犬逡巡脚畔，驮马垂首暂歇，将行将歇的松弛感跃然纸上。远景丘峦层叠，村舍隐在林莽间，飞鸟划破淡云天色，草木枝蔓的写意线条鲜活又蓬勃，揉合了深秋郊野的清寂与乡居烟火气。\n\n红粉笔粗粝又柔润的笔触带着速写特有的即兴鲜活，将行猎途中的片刻驻留定格为充满生活质感的一隅，仿佛能嗅见郊野草木的涩意，听见马蹄轻踏泥土地的闷响，把乡野行旅的日常诗意娓娓道来。",[38060,33,1006,7922,12495,131,12246,1464,38059],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F3c4f403eb1db791c874f595516a86bd5.jpg",[],{"id":95039,"slug":95040,"title":95041,"dynasty":22,"author":7,"museum":172,"description":95042,"tags":95043,"thumbUrl":95045,"material":296,"size":297,"collection":11,"collections":95046,"showCount":351,"zanCount":49,"manualWeight":49,"mainColor":70},289077,"jonas-umbach-october-one-of-a-series-representing-the-labors-yi-ming-289077","Jonas Umbach--October (one of a series representing the labors","暖棕红的粉笔线条晕开醇厚的乡野烟火，将秋日采撷的鲜活定格在纸面。前景里农人们各尽其职，攀枝剪收的汉子把肌肉的张力藏在粗粝衣褶中，跪坐分拣的农妇俯身拢住筐中鲜果，负篓的老者低头理着绳带，每一道线条都带着劳作的朴拙力量。远景村舍轮廓柔缓，将农忙的匆忙晕成松弛的田园底色。\n\n排线疏密张弛有度，粗粝笔触刻画出布衣的糙感，又用柔缓走线晕开乡野的慵懒，把平凡的收获时刻绘成生机满溢的乡土小诗，藏着对乡野日常的细致体察，将朴素劳作酿成了动人的古典风土篇章。",[38060,33,7553,10768,6668,95044,3665],"丰收","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ff35912a9b95e85a893f841dc159935b1.jpg",[],{"id":95048,"slug":95049,"title":95050,"dynasty":22,"author":7,"museum":172,"description":95051,"tags":95052,"thumbUrl":95054,"material":296,"size":297,"collection":11,"collections":95055,"showCount":351,"zanCount":49,"manualWeight":49,"mainColor":70},289076,"jonas-umbach-september-one-of-a-series-representing-the-labors-yi-ming-289076","Jonas Umbach--September (one of a series representing the labors","以红粉笔铺就乡野日常，线条松弛随性，晕开温柔质朴的氛围感。林间空地旁，野餐的妇孺被携鸟笼的游方艺人吸引，孩童抬手探向笼中飞鸟，左侧男子摘下满枝野果缓步走来。郊野草木舒展，归鸟掠过天际，野餐食具随意散落，将秋日乡居的悠然鲜活定格。粗粝却灵动的笔触，把邻里相逢的松弛瞬间凝在纸间，漫溢出朴质的生活暖意，将乡野闲居的松弛烟火气娓娓道来。",[38060,1572,163,131,48720,899,1527,4219,95053],"风俗场景","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fc3ff5143ea764eb80e27900a6beb987a.jpg",[],{"id":95057,"slug":95058,"title":95059,"dynasty":22,"author":7,"museum":172,"description":95060,"tags":95061,"thumbUrl":95063,"material":296,"size":297,"collection":11,"collections":95064,"showCount":351,"zanCount":49,"manualWeight":49,"mainColor":70},289075,"joseph-marie-vien-kneeling-figure-wearing-a-cope-yi-ming-289075","Joseph Marie Vien--Kneeling Figure Wearing a Cope","这幅单色粉笔衣纹写生，以细腻笔触捕捉法衣垂坠的万千形态。画家精准拿捏布料张力与重力的博弈，肩头的衣料如瀑布倾泻，褶皱或松或紧、或宽或窄，随着隐含的躯体姿态舒卷蜷曲。淡晕的明暗层次衬出绸缎暗纹的华贵肌理，隐约勾勒出底下身形轮廓，让静止衣袍暗伏人体动态的余韵。画面留白克制，将目光尽数引向衣褶流动的韵律中，落笔松弛却不失精准，把织物的厚重柔软感尽显无疑，尽显对物象形态的透彻理解，是兼具写实功底与审美意趣的写生佳作。",[38060,38059,49637,95062,41],"衣袍","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fa87ab77ea82f0f89517dc76c12e431fc.jpg",[],{"id":95066,"slug":95067,"title":95068,"dynasty":22,"author":7,"museum":172,"description":95069,"tags":95070,"thumbUrl":95071,"material":296,"size":297,"collection":11,"collections":95072,"showCount":351,"zanCount":49,"manualWeight":49,"mainColor":70},289074,"joseph-vernet-bridge-in-the-campagna-yi-ming-289074","Joseph Vernet--Bridge in the Campagna","棕褐水色晕开郊野清晨的静穆，左侧虬曲林木枝叶层叠，浓淡笔触揉着湿润的林中风韵，牵起视线落向跨溪古桥。敦实拱券带着风雨浸淫的斑驳石痕，古朴桥身静卧浅流之上，石材质感晕染细腻，将岁月的摩挲凝于纸面。\n\n浅滩碎石错落，水面晕开朦胧倒影，远处山林以淡笔虚描，晕出松弛悠远的层次。整幅画作以干湿浓淡的水彩层次铺陈，笔触松弛鲜活，将郊野无人的安谧封存在纸间，仿佛踏入溪畔桥边，能听见浅流轻响，呼吸林间湿润的潮气，旧时光的温柔沉静漫开，将乡野闲逸的片刻定格成永恒。",[56613,11256,5420,1643,8830,131,12495],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fed155f92c30848e2496d93ba82f60538.jpg",[],{"id":95074,"slug":95075,"title":95076,"dynasty":22,"author":7,"museum":172,"description":95077,"tags":95078,"thumbUrl":95080,"material":296,"size":297,"collection":11,"collections":95081,"showCount":351,"zanCount":49,"manualWeight":49,"mainColor":70},289073,"joseph-vernet-the-castel-nuovo-in-naples-yi-ming-289073","Joseph Vernet--The Castel Nuovo in Naples","以浅淡棕调铺陈画面，速写式的笔触勾勒出古堡砖石楼宇与圆塔，肌理褶皱间晕开岁月的沉厚斑驳。远景山峦朦胧舒展，一缕轻烟缠上山尖，柔化了天地边界。\n\n画作没有繁复修饰，用克制精准的线条捕捉建筑的敦实轮廓，以晕染的淡彩晕开远山的朦胧诗意。冷硬石质古迹与柔缓山景相映，将城郭的沉静日常定格，仿佛能触摸到暖晒后的砖石温度，呼吸到裹挟着山风的慵懒气息，把刹那的风景凝固成带着烟火余温的视觉诗行。",[38060,11256,56613,70115,68708,95079,1340,48007],"火山","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F87a2d28d726504243d8490cddbff5d12.jpg",[],{"id":95083,"slug":95084,"title":95085,"dynasty":22,"author":7,"museum":172,"description":95086,"tags":95087,"thumbUrl":95090,"material":296,"size":297,"collection":11,"collections":95091,"showCount":351,"zanCount":49,"manualWeight":49,"mainColor":739},289072,"joseph-wright-smaller-italian-sketchbook-yi-ming-289072","Joseph Wright--Smaller Italian Sketchbook","以排线晕染砖石的粗粝肌理，湿墨晕开苔痕野意，残损拱券间虬曲藤蔓垂落，荒草漫过坍圮的断壁。天光从颓败穹顶漏入，为沉郁的废墟晕开一层柔雾。\n\n笔触松弛自然，将古迹被野林吞噬的萧索温柔定格，明暗层次里藏着旧文明沉眠的余温。风穿拱门的轻响仿佛随画面漫出，荒芜里揉着静谧诗意，把遗迹与荒林交融的沧桑寂寥，缓缓铺陈在纸面之上。",[38060,95088,93722,70124,1737,6340,95089,48022],"风景写生","古建遗存","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F3347dc84bd9362d3002862e69fa1741e.jpg",[],{"id":95093,"slug":95094,"title":95095,"dynasty":22,"author":7,"museum":172,"description":95096,"tags":95097,"thumbUrl":95099,"material":296,"size":297,"collection":11,"collections":95100,"showCount":351,"zanCount":49,"manualWeight":49,"mainColor":70},289071,"juan-carren-o-de-miranda-studies-for-the-assumption-yi-ming-289071","Juan Carreño de Miranda--Studies for the Assumption","这是一幅充满创作温度的习作稿，以松快随性的线条铺陈画面。主位女性身形饱满舒张，衣褶以长线勾勒出流动韵律，寥寥数笔便将人物沉浸的神态烘托而出，暗合主题的神圣氛围感。旁侧形象或淡墨晕染，或短线雕琢，带着即兴捕捉的鲜活感，可见创作者推敲人物情态与构图排布的思考过程。纸面错落的小稿与淡痕，留存下构思的轨迹，将肃穆的宗教主题以松弛的创作状态呈现。粗粝的底色衬得线条愈发富有生命力，尽显草稿独有的随性张力，让观者得以触碰创作时蓬勃热忱的灵光瞬间。",[38060,2449,1572,70580,123,95098],"圣母升天","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F374a9713054a0dd63f35c0cc7152cacc.jpg",[],{"id":95102,"slug":95103,"title":95104,"dynasty":22,"author":7,"museum":172,"description":95105,"tags":95106,"thumbUrl":95109,"material":296,"size":297,"collection":11,"collections":95110,"showCount":351,"zanCount":49,"manualWeight":49,"mainColor":70},289068,"jules-fre-de-ric-bouchet-circular-drawing-of-a-classical-interior-yi-ming-289068","Jules-Frédéric Bouchet--Circular Drawing of a Classical Interior","整体采用圆形构图，以柔和的棕褐色调铺就复古底色，定格下古典宅邸的静谧一隅。画面中，人形立柱肃穆承托器物，带着古典雕塑的厚重质感；炉火烧得正暖，晕开融融暖意，花瓮植着繁密草木，为冷硬的古典陈设添了几分生机。创作者以细腻线条勾勒出每一处细节肌理，淡彩晕染出柔和光影层次，将新古典主义的内敛雅致融入画面，仿佛凝固了旧时光里悠然沉静的片刻。带着手稿特有的温润质感，将古典美学的肃穆与家居日常的柔和相融，传递出沉静舒缓的空间美学张力。",[92637,38060,38059,95107,95108,29964,1607],"古典室内","古典器物","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fae1f952c35501b7d983c2bf619ac11f4.jpg",[],{"id":95112,"slug":95113,"title":95114,"dynasty":22,"author":7,"museum":172,"description":95115,"tags":95116,"thumbUrl":95117,"material":296,"size":297,"collection":11,"collections":95118,"showCount":351,"zanCount":49,"manualWeight":49,"mainColor":70},289066,"jusepe-de-ribera-adoration-of-the-shepherds-yi-ming-289066","Jusepe de Ribera--Adoration of the Shepherds","这幅速写以松弛灵动的笔触晕染出明暗层次，上方云中的小天使舒展翻飞，朦胧云雾烘托出神性空灵感。下方圣母子静卧中央，牧羊人们或俯身凝视或屈膝跪拜，质朴的神态满含虔敬温柔，将宗教的圣洁与世俗的温情相融。淡墨晕开的虚渺背景，将视线牢牢锁在圣家族与信众身上，光影错落间，神圣的静谧感裹挟着烟火暖意扑面而来，寥寥几笔便定格下虔敬安宁的瞬间，让神性的光晕与人间的质朴爱意交织成动人的图景。",[30,1572,38060,38061,48125,48124,27489,94797],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F71477c65dfb7e230d951c5973f73d0d1.jpg",[],{"id":95120,"slug":95121,"title":95122,"dynasty":22,"author":7,"museum":172,"description":95123,"tags":95124,"thumbUrl":95127,"material":296,"size":297,"collection":11,"collections":95128,"showCount":351,"zanCount":49,"manualWeight":49,"mainColor":70},289065,"jusepe-de-ribera-study-for-a-crucifixion-of-st-peter-yi-ming-289065","Jusepe de Ribera--Study for a Crucifixion of St. Peter","这幅草稿以近乎狂放的线条，将受刑躯体的张力展现得淋漓尽致。枯削的脊背绷紧着痛苦与虔诚，肢体舒展在倾斜木架之上，每一道粗粝的排线都带着沉甸甸的痛感，精准勾勒出皮下虬结的筋肉、僵直紧绷的下肢，省略繁饰却将濒死的动态神韵牢牢攥住。\n\n下方即兴肆意的涂鸦符号，与画面潦草粗野的气质呼应，成为情绪的延伸注脚。它跳脱精致描摹的桎梏，以速写般的野性笔触，将殉道的悲壮凝在方寸纸间，粗拙线条之下，是对信仰之痛最直接的叩问，潦草之中藏着极致的情绪张力。",[38060,1573,123,33,95125,95126,2449],"受难场景","钉十字架","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F2f352cc987ad8e8a6d95d396a1df65c1.jpg",[],{"id":95130,"slug":95131,"title":95132,"dynasty":22,"author":7,"museum":172,"description":95133,"tags":95134,"thumbUrl":95136,"material":296,"size":297,"collection":11,"collections":95137,"showCount":351,"zanCount":49,"manualWeight":49,"mainColor":70},289064,"jusepe-de-ribera-unidentified-scene-figures-watching-yi-ming-289064","Jusepe de Ribera--Unidentified Scene Figures Watching","这幅素描以奔放写意的线条构建叙事张力。下方躯体颓然伏倒，将沉重的悲恸凝于纸面。右侧人物高举双手，错愕与呼号的情绪顺着笔锋跃然纸上，定格下事发刹那的震颤。\n\n上方云端灵体以松快虚渺的游线勾勒，虚化轮廓勾连起天界与凡世的割裂感，和地面凝滞的悲剧氛围形成强烈对冲。作者以极简笔触精准捕捉神态动线，留白处皆浸满叙事感，潦草排线衬出场景压抑的底色，将超现实异象与俗世悲恸揉合，让粗粝线条间满溢着震撼的戏剧表现力。",[38060,123,1572,2449,56720,95135],"敬畏","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F87b225cf73de7d2f10a15cfbdac342ec.jpg",[],{"id":95139,"slug":95140,"title":95141,"dynasty":22,"author":7,"museum":172,"description":95142,"tags":95143,"thumbUrl":95144,"material":296,"size":297,"collection":11,"collections":95145,"showCount":351,"zanCount":49,"manualWeight":49,"mainColor":70},289063,"karel-van-mander-i-the-challenge-of-the-pierides-yi-ming-289063","Karel van Mander I--The Challenge of the Pierides","这幅素描以棕调晕染铺陈，构图繁而不乱。石台之上的阿波罗沉静俯瞰，成为画面锚点。左侧缪斯衣袂舒展，神色带着诘问的锋芒；右侧神女或拨弦展卷，伸臂抗辩，将诗艺竞逐的张力拉满。林间天使翔集，古木虬枝掩映出幽谧神域氛围，地面弃置的乐器暗合竞技主题。\n线条兼具柔婉与劲挺，衣褶的垂坠柔感与神祇躯体的硬朗轮廓形成鲜明反差，明暗层次区分开空间远近，把神话里的诗艺对决定格为充满戏剧感的林间盛景，肃穆叙事感与素描松弛质感相融，尽显古典主题的庄重张力。",[38060,33,1058,38061,687,70467,163,127,93743,56755],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F1d6867cfb173b35621fa05c5bcdbb3bb.jpg",[],{"id":95147,"slug":95148,"title":95149,"dynasty":22,"author":7,"museum":172,"description":95150,"tags":95151,"thumbUrl":95153,"material":296,"size":297,"collection":11,"collections":95154,"showCount":351,"zanCount":49,"manualWeight":49,"mainColor":739},289062,"karel-van-mander-a-proverb-wealth-and-poverty-yi-ming-289062","Karel van Mander--A Proverb Wealth and Poverty","两位围坐木墩的年轻人正酣然谈笑、把酒寻欢，神态松弛沉溺，满是世俗富足的闲散意态。一旁佝偻的老者赤足拄杖而立，衣衫褴褛枯瘦，目光紧锁二人，眼尾翻涌着艳羡又苦涩的怅然。\n\n这幅素描以粗粝又传神的线条铺陈开强烈的贫富对照，淡晕的墨色晕染出郊野萧瑟底色，将市井冷暖直白铺展。耽于享乐的富足与窘迫失意的困顿并置，暗讽财富催生的沉溺慵懒，也道尽贫苦者的望尘莫及，潦草鲜活的笔触将世俗世情的辛辣藏在画面里，让贫富隔阂与荒诞跃然纸上。",[33,38060,1473,1706,70788,7044,12246,131,95152],"贫富","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F5a9a0efb288fb9f2cd484967e03ce265.jpg",[],{"id":95156,"slug":95157,"title":95158,"dynasty":22,"author":7,"museum":172,"description":95159,"tags":95160,"thumbUrl":95161,"material":296,"size":297,"collection":11,"collections":95162,"showCount":351,"zanCount":49,"manualWeight":49,"mainColor":70},289061,"karl-rudolphe-henrich-lehmann-portrait-of-anton-heinrich-springer-yi-ming-289061","Karl-Rudolphe-Henrich Lehmann--Portrait of Anton Heinrich Springer","以炭笔铺就肖像，线条松弛却精准传神。画家将重心落于人物神态塑造，柔长发丝带着蓬松的空气感，一双眼沉静锐利，藏着知识分子的思索锋芒，胡须的细碎纹理晕出沉稳气质，将主人公的儒雅内敛尽数展现。衣纹用概括性排线晕染，虚实之间勾勒出西装的挺括随性，让视觉锚定在人物精神风貌之上。右下角的手写字迹晕开时光温度，为肖像添上纪实的温柔底色，整体克制又饱含人文温度，把人物沉静疏离的书卷气定格在纸面之上。",[38060,11098,5432],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fffbf97177ecbcde0d239bdec32b1cfd3.jpg",[],{"id":95164,"slug":95165,"title":95166,"dynasty":22,"author":7,"museum":172,"description":95167,"tags":95168,"thumbUrl":95169,"material":296,"size":297,"collection":11,"collections":95170,"showCount":351,"zanCount":49,"manualWeight":49,"mainColor":50},289060,"karl-rudolphe-henrich-lehmann-study-for-the-figure-of-sarah-yi-ming-289060","Karl-Rudolphe-Henrich Lehmann--Study for the figure of Sarah","这帧素描以白粉笔在灰蓝纸面上铺陈，灵动的线条捕捉住女性侧身舒展的瞬间。头巾垂覆的曲线柔缓贴合轮廓，舒展的手臂带着松弛的韵律感。衣褶用笔虚实相生，简练线条精准交代出布料的垂坠重量，既勾勒躯体起伏，又烘托出温婉沉静的气质。淡去的边缘让人物仿佛晕融在背景里，留白恰到好处，带着速写独有的鲜活质感，将动态凝固在松弛的笔触间，寥寥几笔就赋予人物鲜活的呼吸感。",[38060,1572,11476,2361,1473,95062],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F95e93aae1cc5fd62d17cf1e1537f60b7.jpg",[],{"id":95172,"slug":95173,"title":95174,"dynasty":22,"author":7,"museum":172,"description":95175,"tags":95176,"thumbUrl":95178,"material":296,"size":297,"collection":11,"collections":95179,"showCount":351,"zanCount":49,"manualWeight":49,"mainColor":70},289059,"katsukawa-shunsho-ichikawa-danzo-iii-as-a-samurai-drawing-yi-ming-289059","Katsukawa Shunshō--Ichikawa Danzo III as a Samurai Drawing","这是一幅充满张力的役者绘，夸张的红色隈取妆面搭配凌厉上扬的眉形，将武士桀骜狠戾的气场拉满，紧绷的下颌线条暗藏隐忍的锋芒。武士正蓄力拔剑，一手按鞘一手抽刃，赤足踏地，身姿紧绷，静中酝酿着一触即发的杀伐动感。\n\n宽袖和服纹样华丽复古，暖棕与朱红交织出沉稳又明艳的层次，衣褶线条流畅劲挺，精准衬出人物的力量感。利落的版画线条凝练传神，将舞台上武士的威严气场定格，尽显日式美学雅致又极具表现力的特质，鲜活还原了戏剧角色的硬汉神采。",[10461,33,32,5967,41300,95177,2751],"日式衣帽","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F461b6d0e86d1039eb3dd4bbe59c14ba6.jpg",[],{"id":95181,"slug":95182,"title":95183,"dynasty":22,"author":7,"museum":172,"description":95184,"tags":95185,"thumbUrl":95187,"material":296,"size":297,"collection":11,"collections":95188,"showCount":351,"zanCount":49,"manualWeight":49,"mainColor":70},289057,"lambert-lombard-christ-healing-at-the-pool-of-bethesda-yi-ming-289057","Lambert Lombard--Christ Healing at the Pool of Bethesda","画面以利落蚀刻线条铺展神迹：左侧长者伸手唤住背负瘫者的男子，池畔横陈疾苦之人，天使振翅自天际降临。明暗排线晕开光影，衬出人群惶惑与愈者沉郁的张力，远景城郭肃穆拱卫这场神圣疗愈，古典楼宇的厚重为信仰注脚。作者以刚劲笔触描摹市井疾苦与神性救赎的碰撞，将悲悯藏进衣褶纹路、沉凝的神色中，让信仰的温度浸透质朴刻绘，把宗教叙事的庄重沉静，融在细腻的人间百态描摹里。",[30,123,33,2750,56719,38061,95186,70807],"水池","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F570dbfcfec21d6d828d4723396b32c49.jpg",[],{"id":95190,"slug":95191,"title":95192,"dynasty":22,"author":7,"museum":172,"description":95193,"tags":95194,"thumbUrl":95199,"material":296,"size":297,"collection":11,"collections":95200,"showCount":351,"zanCount":49,"manualWeight":49,"mainColor":70},289056,"lambert-van-noort-st-george-and-the-sorcerer-of-dacian-yi-ming-289056","Lambert van Noort--St. George and the Sorcerer of Dacian","淡蓝排线晕开肃穆氛围，圆形画框收拢着满溢的戏剧张力。画面中央的核心人物被众人环伺，军士持戟神色紧绷，跪拜者俯身满含虔诚，围观者或惊叹或议论，各色神态铺陈出饱满的故事感。\n\n细密精准的线条勾勒出衣料的垂坠厚重，硬朗的块面刻画出人物肌肉的紧实质感，带着古典写实的叙事特质。远景行进的队伍烘托出仪式的盛大，将宗教叙事的庄重，凝缩为这一瞬充满冲突的视觉定格，让纸面跃动着鲜活的情绪流转。",[1573,1572,123,11256,2361,95195,95196,18002,95197,687,95198],"圣乔治","巫师","柱廊","宗教场景","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F20764e7e8b726e58dbf1ea157e6f9cd5.jpg",[],{"id":95202,"slug":95203,"title":95204,"dynasty":22,"author":7,"museum":172,"description":95205,"tags":95206,"thumbUrl":95208,"material":296,"size":297,"collection":11,"collections":95209,"showCount":351,"zanCount":49,"manualWeight":49,"mainColor":70},289055,"laurent-pe-cheux-st-peter-baptizing-cornelius-acts-yi-ming-289055","Laurent Pécheux--St. Peter Baptizing Cornelius (Acts -)","这幅草稿以红棕线条铺陈叙事，笔锋松弛灵动，带着即兴未竟的质感。中心沉穆长者被信众环绕，前景跪伏的信徒垂首躬身，满是渴慕虔诚，左侧男子持物待命，肢体紧绷充满张力。远景古典柱廊轻勾淡抹，朦胧晕出仪式的庄严场域，顶部小天使添上神性柔光。\n\n线条疏密张弛有度，精准捕捉人物的动态与情绪层次，信众的簇拥烘托出洗礼的神圣氛围。潦草却传神的笔痕，将皈依的肃穆与热忱揉合，虽为草稿，却让宗教叙事的感染力跃然纸上，尽显创作者对群像构图和情感表达的精妙把控。",[1573,38060,47971,1572,70543,93058,95207,56719,38061,48095],"施洗","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F403d0388bfe91775ce8e507d31a15eef.jpg",[],{"id":95211,"slug":95212,"title":95213,"dynasty":22,"author":7,"museum":172,"description":95214,"tags":95215,"thumbUrl":95217,"material":296,"size":297,"collection":11,"collections":95218,"showCount":351,"zanCount":49,"manualWeight":49,"mainColor":70},289054,"laurent-de-la-hyre-st-roch-interceding-yi-ming-289054","Laurent de La Hyre--St. Roch Interceding","画面以上下分层铺展神性与俗世的拉扯，粗犷排线晕开明暗层次，将洞窟空间烘托得压抑肃穆。\n祈愿的圣徒抬手向穹顶，垂落的羽翼带着恳切张力，病榻上的垂死者身形枯槁，颓丧姿态写尽疫病苦楚。上方穹顶小景以柔缓排线晕出微光，悲悯神性穿透沉郁，将救赎暖意递向人间。\n随性又充满力量的笔触揉合悲恸与祈盼，速写的松弛感里藏着厚重共情，让苦难与慈悲在此交织震颤。",[30,33,38060,95216,38061,3243],"圣罗克","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F1a0bc825e4df4660081758afbee0a677.jpg",[],{"id":95220,"slug":95221,"title":95222,"dynasty":22,"author":7,"museum":172,"description":95223,"tags":95224,"thumbUrl":95225,"material":296,"size":297,"collection":11,"collections":95226,"showCount":351,"zanCount":49,"manualWeight":49,"mainColor":70},289048,"leonardo-da-vinci-a-bear-walking-yi-ming-289048","Leonardo da Vinci--A Bear Walking","这幅速写以精炼的炭笔线条，定格下熊行走的瞬间姿态。创作者精准勾勒出肩部隆起的肌肉轮廓，鬃毛以短促顿挫的排线表现出蓬松粗糙的质感，将熊的敦实凶悍藏于流畅的动态之中。\n\n画面左侧残留的掌部草稿，可见作者反复推敲兽爪结构的过程，寥寥数笔便把爪尖锋利遒劲的力量感传递出来。整幅画作没有多余修饰，以质朴的线条还原野兽的生猛野性，带着速写独有的即兴鲜活感，尽显对动物躯体结构的深刻理解与表现力。",[38060,272,9505],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F1c9daa6bd723a5e9b8dfc459f4cf25f8.jpg",[],{"id":95228,"slug":95229,"title":95230,"dynasty":22,"author":7,"museum":172,"description":95231,"tags":95232,"thumbUrl":95234,"material":296,"size":297,"collection":11,"collections":95235,"showCount":351,"zanCount":49,"manualWeight":49,"mainColor":70},289047,"leonardo-da-vinci-allegory-on-the-fidelity-of-the-lizard-yi-ming-289047","Leonardo da Vinci--Allegory on the Fidelity of the Lizard","浅棕钢笔线条凝作圆形画框，宛如一枚封存寓言的徽章。郊野水岸旁，静坐的人物垂首敛神，蜷伏的蜥蜴依偎身侧，矮树与水泽晕开幽寂的乡野氛围。\n\n线条松弛却极具叙事感，寥寥数笔便将忠诚的隐喻揉进闲淡郊景，把抽象寓意藏进质朴的乡野小景。留白的纸面让思绪随浅淡笔触漫溢，带着文艺复兴素描独有的诗意思辨，克制的笔力裹着随性的手绘温度，简淡之下满是内敛张力。",[123,38060,95233,131,33,36536,93631],"蜥蜴","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F2d70d35ff303c1a75424693433df3559.jpg",[],{"id":95237,"slug":95238,"title":95239,"dynasty":22,"author":7,"museum":172,"description":95240,"tags":95241,"thumbUrl":95243,"material":296,"size":297,"collection":11,"collections":95244,"showCount":351,"zanCount":49,"manualWeight":49,"mainColor":739},289046,"leonardo-da-vinci-head-of-a-man-in-profile-facing-to-the-left-yi-ming-289046","Leonardo da Vinci--Head of a Man in Profile Facing to the Left","这是一幅充满张力的侧面头像速写，用交叉排线铺陈出沉实的体积感。螺旋状的灵动笔触将卷发蓬松蓬松的绒感鲜活呈现，顺着面部骨骼起伏的调子，利落刻画出硬朗的眉骨、棱角分明的下颌，凝沉的神情藏在深浅错落的阴影里，带着未说出口的沉郁故事。\n\n残损的画纸晕开了时间的痕迹，每一道线条都带着即兴的生动，没有刻意修饰的匠气，只用纯粹的素描语言，将观察瞬间的神态牢牢定格。粗粝又细腻的笔触感，让这个男性形象既有世俗的厚重粗莽，又裹挟着古典式的威严，仿佛是从旧时光里拓印而出的侧影，静静诉说着速写独有的鲜活力量。",[38060,33,38081,95242,3244,12520],"侧面人像","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F13b1521fe4d3ef59fffa3c317bd8a964.jpg",[],{"id":95246,"slug":95247,"title":95248,"dynasty":22,"author":7,"museum":172,"description":95249,"tags":95250,"thumbUrl":95252,"material":296,"size":297,"collection":11,"collections":95253,"showCount":351,"zanCount":49,"manualWeight":49,"mainColor":70},289045,"leonardo-da-vinci-portrait-of-leonardo-da-vinci-yi-ming-289045","Leonardo da Vinci--Portrait of Leonardo da Vinci","这帧蚀刻肖像以明暗线条铺陈层次，精准勾勒出人物标志性的蓬松长髯，发丝虬曲卷曲，在细腻排线中晕开柔和光影，衬出面容的沉静深邃。宽檐软帽压低，眉眼间凝敛着沉思神色，暗合巨匠内敛深沉的气质。粗粝的毛皮衣领与柔润须发形成质感对比，刻绘层次分明，让肖像兼具写实质感与古典版画的肃穆庄重。整体刻画克制而传神，寥寥刀笔间，将这位博学者的儒雅睿智与从容风骨尽显纸面，还原出巨匠沉静深邃的精神气韵。",[12520,2750,38081,95251],"长须老者","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F4379060da9b93284f7a6fe914b7afeb1.jpg",[],{"id":95255,"slug":95256,"title":95257,"dynasty":22,"author":7,"museum":172,"description":95258,"tags":95259,"thumbUrl":95260,"material":296,"size":297,"collection":11,"collections":95261,"showCount":351,"zanCount":49,"manualWeight":49,"mainColor":50},289044,"leonardo-da-vinci-the-head-of-the-virgin-in-three-quarter-yi-ming-289044","Leonardo da Vinci--The Head of the Virgin in Three-Quarter","这副素描以细腻入微的笔触，将女性的柔婉圣洁尽数铺陈。蓬松的卷发以疏密有致的排线勾勒，发丝卷曲的蓬松感呼之欲出，层次迭见。面部以柔和的晕染过渡明暗，贴合骨骼肌理缓缓铺陈光影，低垂的眉眼敛着静谧温柔，唇线轻抿，仿佛浸着虔诚安然的情绪。朦胧的晕染让面容仿若笼着柔光，褪去锐利的线条，将古典女性的温婉虔诚揉进每一处细节里，静穆又带着动人的柔意，尽显素描语言的细腻表现力。",[79,38060,1572,2361,11476,48361],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F8c6cb5f50367525e2fbb77ce2d87fbee.jpg",[],{"id":95263,"slug":95264,"title":95265,"dynasty":22,"author":7,"museum":172,"description":95266,"tags":95267,"thumbUrl":95269,"material":296,"size":297,"collection":11,"collections":95270,"showCount":351,"zanCount":49,"manualWeight":49,"mainColor":50},289043,"le-on-ge-rard-leonardo-da-vinci-drawing-for-christ-yi-ming-289043","Léon Gérard--Leonardo da Vinci, Drawing for Christ","眼睑低垂，眉峰轻蹙，沉静的神情里裹挟着悲悯与苦痛，将基督受难前的恸意凝在斑驳的墙面之上。朦胧晕开的发肤与风化粗粝的肌理相融，仿佛形象从岁月侵蚀的壁面中缓缓浮现。\n粗粝的笔触带着未完成的朴拙，模糊了创作痕迹与时光磨蚀的边界，把神性的庄重揉进人性的柔软里，让沉静的面容自带沉郁肃穆的张力。每一处斑驳裂痕都像是为这份虔诚刻下的注脚，让悲悯的神情在岁月晕染中更显厚重。",[30,33,56660,38060,95268],"沉静","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F6937318e7086d0a4db107651d18e5fd7.jpg",[],{"id":95272,"slug":95273,"title":95274,"dynasty":22,"author":7,"museum":172,"description":95275,"tags":95276,"thumbUrl":95278,"material":296,"size":297,"collection":11,"collections":95279,"showCount":351,"zanCount":49,"manualWeight":49,"mainColor":70},289042,"lorenzo-sarti-drawing-for-a-door-frame-yi-ming-289042","Lorenzo Sarti--Drawing for a Door Frame","这幅手绘以精准雅致的笔触，勾勒出古典门框的精妙形制。对称构图尽显庄重秩序感，两侧爱奥尼克小柱搭配层叠线脚，腰线浅浮雕纹样细腻古朴，勾勒出石材的厚重质感。弧形额楣虚实平衡，留白与浮雕相映，淡彩晕染的柔和光影，恰到好处地衬出建筑构件的层次与肌理。\n它将功能性与装饰性相融，恪守古典建筑的形制章法，又以细节雕琢流露匠心，带着手稿独有的细腻温度，是古典建筑美学的缩影，沉稳雅致间尽显复古装饰建筑的隽永审美意趣。",[329,92803,95277,56719,48022,11256,1504],"门楣","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fc7d21229f490a4eaf69ed02dca7657d1.jpg",[],{"id":95281,"slug":95282,"title":95283,"dynasty":22,"author":7,"museum":172,"description":95284,"tags":95285,"thumbUrl":95287,"material":296,"size":297,"collection":11,"collections":95288,"showCount":351,"zanCount":49,"manualWeight":49,"mainColor":70},289041,"lorenzo-de-ferrari-christ-driving-the-money-changers-yi-ming-289041","Lorenzo de' Ferrari--Christ Driving the Money Changers","这幅素描以遒劲线条铺陈戏剧张力，中心身影高举手臂，将神圣愤慨具象化，怒斥驱赶神殿商贩。台阶上观者神色错愕凝滞，前景人群奔逃推搡，肢体的慌乱动态将冲突拉至顶点。精准的穹顶透视收拢视线，肃穆的神殿空间反衬出这场驱逐的动荡喧嚣。明暗排布烘托情绪层次，圣洁怒斥与世俗狼狈形成强烈反差，虽为草稿，却将洁净圣殿的激昂瞬间定格，叙事张力饱满尽显，古典宗教画的肃穆力量跃然纸面。",[30,33,123,38060,93838,56660,95286],"宗教事件","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F0c8d9f89a00d35ffd3c8e6145bcb79fe.jpg",[],{"id":95290,"slug":95291,"title":95292,"dynasty":22,"author":7,"museum":172,"description":95293,"tags":95294,"thumbUrl":95296,"material":296,"size":297,"collection":11,"collections":95297,"showCount":351,"zanCount":49,"manualWeight":49,"mainColor":70},289040,"lorenzo-de-ferrari-study-of-justice-dispensing-rewards-to-the-arts-yi-ming-289040","Lorenzo de' Ferrari--Study of Justice Dispensing Rewards to the Arts","画面以端坐的正义为核心，她神色沉静庄重，抬手将嘉奖赐予身旁众人。左侧武士仗剑拱卫，衬出秩序威严，环绕的天使与匠人形象，象征着诸般艺文技艺。\n\n作者以虚实交融的手笔创作，铅笔勾勒松弛灵动的轮廓，棕褐色晕染铺陈明暗层次，未完成的线条留存下构思时的鲜活思路，让人物兼具随性的生动与叙事的厚重感。错落排布的群像让画面既富有紧凑的秩序感，又不失创作草图独有的松弛张力，将正义嘉奖艺文的内核在笔下缓缓铺展，古典肃穆的氛围呼之欲出。",[38060,47971,1572,38059,95295,3243,93945],"正义女神","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fae777acaade94634917717a73b4b00b1.jpg",[],{"id":95299,"slug":95300,"title":95301,"dynasty":22,"author":7,"museum":172,"description":95302,"tags":95303,"thumbUrl":95306,"material":296,"size":297,"collection":11,"collections":95307,"showCount":351,"zanCount":49,"manualWeight":49,"mainColor":70},289039,"louis-chaix-the-so-called-stables-of-maecenas-at-tivoli-yi-ming-289039","Louis Chaix--The So-Called Stables of Maecenas at Tivoli","以细密排线铺陈出幽邃的洞窟残迹，风化的拱券刻满时光剥蚀的纹路，荒弃木架攀附壁间晕开颓败古意。叠瀑从洞窟深处奔涌而下，分阶砸向深谷，水流的柔润和石质粗粝形成强烈对冲，明暗排布让水汽仿佛顺着纸面漫溢而出。\n\n边角野木虬枝肆意滋长，将人工造物彻底揉入山野荒境，将荒废古迹与自然生息缠织一处。沉郁苍劲的氛围里，既写尽古建残败的寂寥，又借飞瀑生机打破死寂，苍凉与鲜活在画面共生，勾勒出时间冲刷下人文与自然交融的沉静图景。",[56594,2750,38060,95304,1102,1643,359,7390,95305],"山洞","建筑遗迹","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fe18162a71e43b6092490550f46361d04.jpg",[],{"id":95309,"slug":95310,"title":95311,"dynasty":22,"author":7,"museum":172,"description":95312,"tags":95313,"thumbUrl":95315,"material":296,"size":297,"collection":11,"collections":95316,"showCount":351,"zanCount":49,"manualWeight":49,"mainColor":70},289038,"louis-chaix-trofei-di-mario-rome-yi-ming-289038","Louis Chaix--Trofei di Mario, Rome","以蚀刻线条铺展残墟图景，半截塔楼斜刺入流云，砖石肌理被时光啃噬出皴裂缺口，藤蔓虬曲攀附断壁，将建筑残骸晕染上野趣生机。\n\n前景旅人围坐小憩，鲜活的身影破开荒颓的死寂，让古旧残墟与人间烟火温柔相融。作者以利落排线刻画出坍塌砖石的粗糙质感，用明暗层次晕开天际流云的慵懒，把岁月摧折后的怅惘，与自然悄然复生的生机揉为一处，将罗马遗迹的沉郁诗意娓娓铺陈纸面。",[38060,2750,38059,93722,92748,131,33,687,56594,95314],"荒寂","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fa1a9a9d397df6a2607563ad989ec07d8.jpg",[],{"id":95318,"slug":95319,"title":95320,"dynasty":22,"author":7,"museum":172,"description":95321,"tags":95322,"thumbUrl":95323,"material":296,"size":297,"collection":11,"collections":95324,"showCount":351,"zanCount":49,"manualWeight":49,"mainColor":739},289037,"louis-claude-vasse-venus-teaching-cupid-to-use-his-bow-yi-ming-289037","Louis Claude Vassé--Venus Teaching Cupid to Use His Bow","这幅红粉笔素描以柔缓细腻的排线铺陈光影，将二人的互动晕染得静谧温柔。裸身女神垂眸颔首，指尖轻引身旁孩童的手，沉静缱绻的气息漫开。孩童依偎身侧，蓬松羽翼带着绒软质感，天真懵懂融在亲昵姿态里。\n\n画师以松弛却精准的线条勾勒圆润躯体轮廓，借红棕色调深浅变化，柔化肌肉起伏与衣料褶皱，让雕塑般的质感晕开温度，古典神话里的脉脉温情在笔端流淌，神性清冷与稚拙暖意交融，定格下这温柔亲昵的一瞬。",[38060,1572,42846,38071,93694,70378,48050,38061,48114,21745,26462],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F7892ec8cac0d953adc9ae9210605b5ba.jpg",[],{"id":95326,"slug":95327,"title":95328,"dynasty":22,"author":7,"museum":172,"description":95329,"tags":95330,"thumbUrl":95336,"material":296,"size":297,"collection":11,"collections":95337,"showCount":351,"zanCount":49,"manualWeight":49,"mainColor":50},289036,"louis-comfort-tiffany-design-for-double-lancet-window-yi-ming-289036","Louis Comfort Tiffany--Design for double lancet window","这幅双联尖拱花窗沿用哥特教堂窗的经典形制，上下两组对窗搭配顶部圆窗，规整而庄重。修长花格间缠饰卷叶浮雕，四组圆形纹章成为视觉重心，复古纹绘暗含世家威仪。晕染的水彩晕开朦胧色彩，暖棕底色晕着琉璃蓝与赭石调，细腻还原彩玻通透的柔光质感，复刻中世纪彩窗的肃穆雅致。泛黄手稿晕着旧时光晕，将宗教建筑的庄重与装饰美学融于一体，留存下设计初始的细腻巧思。",[95331,95332,95333,70638,32,95334,95335],"彩窗设计","尖拱窗","徽章纹样","宗教装饰","哥特式","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F61b6fcf8477aad6bd9d0baa738bdc64d.jpg",[],{"id":95339,"slug":95340,"title":95341,"dynasty":22,"author":7,"museum":172,"description":95342,"tags":95343,"thumbUrl":95345,"material":296,"size":297,"collection":11,"collections":95346,"showCount":351,"zanCount":49,"manualWeight":49,"mainColor":70},289033,"louis-galloche-kneeling-female-figure-holding-a-child-yi-ming-289033","Louis Galloche--Kneeling Female Figure Holding a Child","这是一幅兼具松弛感与表现力的习作，以红粉笔与石墨结合创作。作者着重刻画衣物质感，厚重裙装以细腻排线勾勒垂坠褶皱，光影晕染自然，将织物的柔软与重量感尽显无遗。暖调粉笔晕染上衣，与灰调裙身形成温柔冷暖对比，让人物层次分明。\n\n人物姿态缱绻温柔，虽未精细刻画面容，却借依偎的肢体传递出静谧的母性氛围。画面保留了未完成的淡线稿，与深入刻画的衣装形成虚实对照，将创作过程的灵动留存纸面，让观者得以窥见落笔时的思考轨迹，在未竟之中自成含蓄韵味。",[38060,1572,32,95344,1527],"跪姿女性","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fb7431d651600cf3d54f5f79667c1712b.jpg",[],{"id":95348,"slug":95349,"title":95350,"dynasty":22,"author":7,"museum":172,"description":95351,"tags":95352,"thumbUrl":95355,"material":296,"size":297,"collection":11,"collections":95356,"showCount":351,"zanCount":49,"manualWeight":49,"mainColor":70},289032,"louis-gustave-taraval-design-for-a-neoclassical-building-yi-ming-289032","Louis Gustave Taraval--Design for a Neoclassical Building","整体遵循严整对称的古典构图，以神庙形制为基底，粗犷隅石立面勾勒建筑轮廓，中央柱廊复刻多立克柱式的庄重肃穆，壁龛与檐部浮雕延续古典叙事性装饰脉络。分层水景从壁龛、中央柱厅逐层铺展跌落，刚硬石材与柔缓水流形成视觉对冲，消解纪念性建筑的沉郁感。顶端的胜利女神雕塑收束立面视觉，水彩晕染的浅灰天际柔化建筑冷硬感，将礼制秩序与灵动水景精妙糅合，尽显新古典主义的秩序美学，是纪念性建筑与造景艺术融合的典范设计。",[329,95353,92803,95354,89922,29964,32],"新古典主义","西洋建筑","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F3114e2cb293f258de761972a2fe46f48.jpg",[],{"id":95358,"slug":95359,"title":95360,"dynasty":22,"author":7,"museum":172,"description":95361,"tags":95362,"thumbUrl":95364,"material":296,"size":297,"collection":11,"collections":95365,"showCount":351,"zanCount":49,"manualWeight":49,"mainColor":739},289030,"louis-jean-jacques-durameau-the-last-communion-yi-ming-289030","Louis Jean Jacques Durameau--The Last Communion","这幅棕调素描以明暗铺陈出极致肃穆的氛围，将临终圣餐的神圣瞬间定格。细腻排线与晕染塑造出厚重衣袍的垂坠褶皱，神父俯身满含庄重悲悯，天使低垂眉眼流露温柔怜悯，将圣洁的抚慰倾注于受圣餐的少女身上。\n\n少女仰首沉静接受救赎，光影精准收拢在圣餐的刹那，将视线牢牢锚定在仪式中心，侧旁隐现的人影衬出场景的庄重私密。整体画面带着沉静的神性张力，将宗教救赎的安然肃穆娓娓道来。",[1573,1572,38060,2449,38061,95363,70133,2453,93413],"圣餐","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F37a64aff34e71075413f116773dd28c9.jpg",[],{"id":95367,"slug":95368,"title":95369,"dynasty":22,"author":7,"museum":172,"description":95370,"tags":95371,"thumbUrl":95372,"material":296,"size":297,"collection":11,"collections":95373,"showCount":351,"zanCount":49,"manualWeight":49,"mainColor":70},289029,"louis-joseph-le-lorrain-frontispiece-for-a-suite-yi-ming-289029","Louis Joseph Le Lorrain--Frontispiece for a Suite","这幅棕褐淡彩速写以古典瓮瓶为视觉核心，浮雕缠枝与人面饰纹精细典雅，稳稳镇住画面重心。郊野林木层叠掩映，石台斑驳铭文带着岁月沉迹，让庄重古物融于山野静境。前景处，旅人斜卧休憩，修士垂首祝祷，两种日常情态悄然晕开松弛又肃穆的氛围。单色素调铺陈出复古沉静的质感，把怀古幽思藏进郊野一隅，让古典庄重与乡野闲意温柔相融，漫开旧时光的沉静余韵。",[38059,93431,11256,1473,50648,131,2361,48073],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F2ad183b931de9cbeac2fa50466a821f5.jpg",[],{"id":95375,"slug":95376,"title":95377,"dynasty":22,"author":7,"museum":172,"description":95378,"tags":95379,"thumbUrl":95380,"material":296,"size":297,"collection":11,"collections":95381,"showCount":351,"zanCount":49,"manualWeight":49,"mainColor":70},289028,"louis-joseph-le-lorrain-study-for-a-vase-in-a-suite-yi-ming-289028","Louis Joseph Le Lorrain--Study for a Vase in a Suite","棕褐淡晕铺就沉静底色，笔线精准勾勒出古典祭瓶的庄重轮廓。器身浅浮雕暗藏古风叙事，人物纹饰带着庄重的仪式感，环绕的垂缎柔化石材冷硬，将肃穆与典雅揉为一体。稳重的层叠基座承托起瓶身，衬景的草木枝桠与轻描云气，为这件礼器晕染出静谧的纪念氛围。明暗层次细腻过渡，将石材厚重质感与织物垂坠柔感巧妙区分，既有理性克制的素描法度，又带着对古风器物的追慕，把祭瓶的仪式感与优雅风韵尽数铺展，沉静间尽显复古装饰的精妙张力。",[38060,48022,877,6570,6838,779],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fc2a3de3d127de8a0507c6e9824ed12c6.jpg",[],{"id":95383,"slug":95384,"title":95385,"dynasty":22,"author":7,"museum":172,"description":95386,"tags":95387,"thumbUrl":95388,"material":296,"size":297,"collection":11,"collections":95389,"showCount":351,"zanCount":49,"manualWeight":49,"mainColor":70},289026,"louis-lagrene-e-seated-male-nude-yi-ming-289026","Louis Lagrenée--Seated Male Nude","这幅素描以暖棕色调铺陈，将男性躯体的力量感与沉思的柔意相融。细腻排线顺着肌肉走势铺展，精准刻画出肩胛的棱角、胸腹的块面肌理，腿部舒展的曲线带着松弛却内敛的张力，把人体结构的美感尽数呈现。\n\n男子掌托下颌沉湎思绪，低垂眉眼晕开沉静氛围，石座上垂落的衬布褶皱柔化了躯体硬朗的线条，让画面虚实相生。明暗层次晕出饱满体积，静态坐姿里藏着静谧的情绪流动，写实功底尽显，将阳刚躯体与冥想的柔和气质平衡得恰到好处，是兼具造型功力与氛围感的人体佳作。",[38060,1572,92572,1386,70231],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fcd8309b59f30e256d2082e809d515616.jpg",[],{"id":95391,"slug":95392,"title":95393,"dynasty":22,"author":7,"museum":172,"description":95394,"tags":95395,"thumbUrl":95396,"material":296,"size":297,"collection":11,"collections":95397,"showCount":351,"zanCount":49,"manualWeight":49,"mainColor":70},289025,"louis-lagrene-e-the-resurrection-yi-ming-289025","Louis Lagrenée--The Resurrection","这幅祭坛画以复活的基督为视觉核心，他周身光晕环绕，挣脱墓茔昂首向天，神性威严喷薄而出。周遭罗马兵丁或瘫倒惊呼，或错愕失神，将神迹降临的震撼烘托到极致。\n\n华丽的教堂祭坛框架为画面镶边，鎏金饰纹配搭大理石立柱，帷幔垂坠柔润舒展，衬出祭台的庄严肃穆。下方圣坛与持炬天使承接整体氛围，让信仰的厚重感贯穿画面。淡彩晕染让光影层次柔和分明，将神圣光辉与宗教建筑的沉静质感相融，将救赎降临的瞬间永久定格，满溢着庄严虔诚的信仰力量。",[1573,32,93002,33,38061,92938,56756,10218],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fd2151a965e2c08718f14c905b3c6767c.jpg",[],{"id":95399,"slug":95400,"title":95401,"dynasty":22,"author":7,"museum":172,"description":95402,"tags":95403,"thumbUrl":95405,"material":296,"size":297,"collection":11,"collections":95406,"showCount":351,"zanCount":49,"manualWeight":49,"mainColor":50},289024,"louis-licherie-de-beurie-a-concert-yi-ming-289024","Louis Licherie de Beurie--A Concert","这幅群像以灵动线条铺陈出一场鲜活沙龙雅聚。左侧琉特琴手斜身落座，指尖似在弦上轻跃，随性又沉醉。端坐键琴前的女子垂眸落指，腕间衣料褶皱被细致晕开。围拢案前的歌者们手持歌谱和声，有人抬手轻打节拍，华服的繁复肌理被明暗线条铺陈得淋漓尽现。\n\n画面疏密错落，明暗交织里，席间融洽热烈的氛围呼之欲出，仿佛能听见弦音混着歌声漫开，将旧贵族沙龙的松弛雅致定格纸面，把旧时光里的声色欢愉晕染开来，带着复古温热的鲜活质感。",[38060,38059,33,687,95404],"音乐会","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F0e23f74c69edce94c05bc5fac60042d2.jpg",[],{"id":95408,"slug":95409,"title":95410,"dynasty":22,"author":7,"museum":172,"description":95411,"tags":95412,"thumbUrl":95415,"material":296,"size":297,"collection":11,"collections":95416,"showCount":351,"zanCount":49,"manualWeight":49,"mainColor":70},289023,"louis-de-boullogne-the-elder-sacrifice-offered-yi-ming-289023","Louis de Boullogne the Elder--Sacrifice Offered","这幅素描以棕褐笔触铺展祭祀图景。中心祭司立于祭坛前抬手主持仪轨，祭坛青烟微动，将献祭的肃穆晕开。两侧眷属神态虔诚，或凝神注目，或垂静待礼。左侧水畔林间，裸身男女安然憩息，为庄重仪式晕开松弛逸趣。前景孩童嬉闹于阶下，柔化了祭祀的庄严感。\n\n作者线条张弛有度，精准勾勒出衣褶的垂坠柔润与人体肌理，淡墨晕染出林间光影层次，让神域图景拥有真实呼吸感，将神性仪式与俗世闲情糅合定格，尽显古典叙事绘画的沉静诗意。",[38060,33,95413,56756,3277,131,1527,1473,48720,95414],"宗教祭祀","献祭","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F1b5c9cafeec1efcaf5f8f85590d37073.jpg",[],{"id":95418,"slug":95419,"title":95420,"dynasty":22,"author":7,"museum":172,"description":95421,"tags":95422,"thumbUrl":95424,"material":296,"size":297,"collection":11,"collections":95425,"showCount":351,"zanCount":49,"manualWeight":49,"mainColor":70},289022,"luca-cambiaso-the-holy-family-with-the-infant-baptist-yi-ming-289022","Luca Cambiaso--The Holy Family with the Infant Baptist","淡墨线条随性铺展，勾勒出松弛鲜活的群像氛围。站立老者身形凝练粗粝，几笔顿挫刻画出沉静肃穆的神态。坐席上的妇人姿态柔婉舒展，指尖轻托婴孩，落笔便晕开亲昵温存的母子羁绊。攀附在侧的幼童身形稚拙，将孩童娇憨灵动的模样尽数显现。斜向排线轻描出空间层次，整幅速写以极简的笔墨取舍，精准捕捉人物互动的温情瞬间，将静谧又温暖的氛围定格在纸面，尽显随性却传神的表现力，把细碎日常里的脉脉温情揉入笔墨之间。",[30,1572,38060,123,95423,4399],"圣家庭","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F3554e8e4946736f00f342c232febfeca.jpg",[],{"id":95427,"slug":95428,"title":95429,"dynasty":22,"author":7,"museum":172,"description":95430,"tags":95431,"thumbUrl":95433,"material":296,"size":297,"collection":11,"collections":95434,"showCount":351,"zanCount":49,"manualWeight":49,"mainColor":70},289021,"luca-giordano-the-abduction-of-helen-yi-ming-289021","Luca Giordano--The Abduction of Helen","奔放随性的线条铺展开篇叙事，中央男女身姿紧绷仓促，猎猎衣袂裹挟着海风，满是仓皇奔赴的张力。左侧翻涌浪涛里，海怪探出头颅，为这场劫掠晕开诡谲底色。远景云霞与浮空神祇虚影，以虚淡排线晕出独属史诗的缥缈氛围感。\n\n画师以速写式粗粝笔触，精准勾勒人物的肌肉起伏与动态韵律，摒弃繁琐细节堆砌，将惶急的私奔式劫掠与史诗的恢弘糅合一处。潦草却充满力量的线条，仿佛还留存落笔时的急促心绪，将这紧张瞬间凝固定格在素纸之上，粗朴笔触下藏着浓烈戏剧张力，让神话场景跃然纸面。",[38060,123,1473,1572,56812,1749,163,56516,95432],"劫持场景","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fb5075dc5795615f0d2df748df4a156a7.jpg",[],{"id":95436,"slug":95437,"title":95438,"dynasty":22,"author":7,"museum":172,"description":95439,"tags":95440,"thumbUrl":95443,"material":296,"size":297,"collection":11,"collections":95444,"showCount":351,"zanCount":49,"manualWeight":49,"mainColor":70},289020,"luca-giordano-the-triumph-of-cybele-yi-ming-289020","Luca Giordano--The Triumph of Cybele","以奔放的棕褐线条晕染铺陈，蓬松云气托举浩荡神群，衣袂猎猎舒展，将凯旋巡行的磅礴藏在速写随性之中。拉车异兽肌肉紧绷，带着奔突的张力，神祇们姿态雄健昂扬，仪仗簇拥间错落有致，晕开热烈的行进韵律。潦草却精准的笔触，勾勒出华美奔放的氛围感，仿佛能听见云端号角齐鸣，把神话盛典的恢弘凝在纸面，随性酣畅里尽显浪漫遐想。",[38060,42846,33,92638,2560,95441,95442,4851],"云端","凯旋场景","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fe2b182ce455e249789130f56179cc3a7.jpg",[],{"id":95446,"slug":95447,"title":95448,"dynasty":22,"author":7,"museum":172,"description":95449,"tags":95450,"thumbUrl":95452,"material":296,"size":297,"collection":11,"collections":95453,"showCount":351,"zanCount":49,"manualWeight":49,"mainColor":70},289018,"ludovico-carracci-the-last-communion-of-saint-jerome-yi-ming-289018","Ludovico Carracci--The Last Communion of Saint Jerome","浅淡方格布满纸面，是为复刻而做的底稿排布。松散却精准的线条，将群像的哀恸与庄重揉在一处。中心人物佝偻的身形牵引着视线，围拢的信众低垂眉眼，沉恸顺着衣袍褶皱漫开。\n\n寥寥排线勾勒出肌肤起伏，用最克制的笔痕定格住临别的凝滞瞬间。未完成的淡痕留住了创作时的鲜活思考，朦胧间将肃穆悠长的氛围晕染开来，带着半成品独有的松弛张力，把告别的沉郁藏在每一笔轮廓里。",[30,33,38060,123,95451,95198],"圣杰罗姆","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F4790b889e0609aea5a19c724ffc9289f.jpg",[],{"id":95455,"slug":95456,"title":95457,"dynasty":22,"author":7,"museum":172,"description":95458,"tags":95459,"thumbUrl":95460,"material":296,"size":297,"collection":11,"collections":95461,"showCount":351,"zanCount":49,"manualWeight":49,"mainColor":70},289017,"luigi-vanvitelli-manuscript-page-with-a-project-for-a-fountain-yi-ming-289017","Luigi Vanvitelli--Manuscript page with a Project for a Fountain","这张手稿以钢笔淡墨铺陈构思，线条松弛却精准勾勒出一座大型水景喷泉。环形主水池搭配层叠水台，台座错落排布着古典人像与装饰灯柱，斜倚的雕塑舒展自然，巴洛克式华丽呼之欲出。背景的建筑轮廓以淡墨晕染，朦胧间拉开空间纵深，潦草排线带着即兴构思的鲜活温度。草稿随性却藏着精巧考量，将造园美学与雕塑装饰相融，设计师推敲方案的灵动思绪跃然纸上，未完成的留白里，满是这件水景装置的宏伟浪漫构想，古典雅致的氛围感透过薄纸扑面而来。",[38060,48022,70426,89922,2656,29964,1993],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F60d7ed8884a784ed5fa42366a5cf6954.jpg",[],{"id":95463,"slug":95464,"title":95465,"dynasty":22,"author":7,"museum":172,"description":95466,"tags":95467,"thumbUrl":95468,"material":296,"size":297,"collection":11,"collections":95469,"showCount":351,"zanCount":49,"manualWeight":49,"mainColor":70},289016,"made-by-hubert-clerget-drawing-for-title-page-le-petit-journal-yi-ming-289016","Made by Hubert Clerget--Drawing for title page Le Petit Journal","这是一幅兼具装饰性与纪实感的报刊扉页设计。整体采用新古典装帧风格，顶部纹章环绕刊名，两侧古典女神持卷静立，柱身点缀共和国徽记，烘托出刊物的庄重质感。画面主体刻画报社大楼，规整的古典主义立面尽显庄重气派，门前景致鲜活，往来行人三两驻足，复刻出报社日常的市井烟火气。线条细腻考究，明暗层次铺陈雅致，将报业的体面权威与街头的鲜活日常相融，让官方感与市井温情在画面中共生，是极具代表性的报刊装帧艺术佳作。",[38060,93431,48012,1126,33,70368,1504],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F5c025495b8611d1ff04285be4686776a.jpg",[],{"id":95471,"slug":95472,"title":95473,"dynasty":22,"author":7,"museum":172,"description":95474,"tags":95475,"thumbUrl":95477,"material":296,"size":297,"collection":11,"collections":95478,"showCount":351,"zanCount":49,"manualWeight":49,"mainColor":70},289015,"maerten-de-vos-captain-de-bours-handing-over-the-keys-yi-ming-289015","Maerten de Vos--Captain de Bours handing over the Keys","圆形构图将视线尽数收拢于核心的钥匙交接场景。中心将领躬身递出钥匙，甲胄在身的受方神态沉稳从容，无言间完成城池主权的交割。周遭林立的甲士长枪列阵，粗粝的笔触勾勒出铠甲棱角与紧绷的姿态，将受降时刻的肃穆氛围拉满。\n\n简练却精准的线条刻画出人物的神情姿态，远景错落的城池排布齐整的兵士让画面更添纪实厚重感。将冷兵器时代城池易主的庄重与沉静缓缓铺陈，仿佛能让人听见甲叶轻响、呼吸凝滞，复刻出古战场落幕的肃穆瞬间，以质朴叙事感将权力更迭的郑重定格在纸面。",[38060,123,1572,518,9663,5002,9149,95476,18002,36585],"交钥匙仪式","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F676c79bed473acc0ec52c7416b004f81.jpg",[],{"id":95480,"slug":95481,"title":95482,"dynasty":22,"author":7,"museum":172,"description":95483,"tags":95484,"thumbUrl":95486,"material":296,"size":297,"collection":11,"collections":95487,"showCount":351,"zanCount":49,"manualWeight":49,"mainColor":70},289014,"marcantonio-franceschini-allegorical-figure-of-charity-yi-ming-289014","Marcantonio Franceschini--Allegorical Figure of Charity","以棕墨晕染铺就暖调底色，白粉提亮晕出穹顶柔光。端坐云间的女性舒展雍容，衣褶晕染厚重自然，将神性悲悯揉入温柔体态，怀中稚子依偎尽显暖意，抬手施予的动作让博爱具象可见。\n\n周遭小天使或托举馈赠、或持杖游弋云间，柔化了画面的庄重感，晕开天国独有的安宁暖意。明暗层次铺陈出云气流动的空灵感，笔触松弛却精准勾勒出慈悲氛围，古典人文中的仁爱悉数融于朦胧暖调，沉静又动人。",[1572,38060,11256,56730,95485,70637,445,38059],"慈善","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F695117726eb6b176a4637fee3d2c1c4c.jpg",[],{"id":95489,"slug":95490,"title":95491,"dynasty":22,"author":7,"museum":172,"description":95492,"tags":95493,"thumbUrl":95494,"material":296,"size":297,"collection":11,"collections":95495,"showCount":351,"zanCount":49,"manualWeight":49,"mainColor":70},289013,"marcantonio-franceschini-allegorical-figure-of-faith-yi-ming-289013","Marcantonio Franceschini--Allegorical Figure of Faith","画面中央的女性神情端凝沉静，居于扇贝华盖之下，右手托举圣体光，左手覆心口诠释信仰的赤诚。右侧侍女神情肃穆，双手捧举圣爵与之呼应，完成神圣的呼应。两个小天使奏响天音，流云托举起整组群像，让神圣氛围愈发充盈。\n\n创作者以棕色调晕染明暗，松弛又精准的线条勾勒出衣褶的垂坠褶皱，用光影层次烘托出圣洁庄严的氛围。不同人物神态各异，却共同烘托出信仰的崇高安宁，将抽象的精神内核具象为典雅的神圣图景，带着古典雅致的韵味，让信仰的庄重在温柔的色调里徐徐铺展。",[1573,38060,11256,33,38061,687,93212],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fefa90c9416459afed5740d2959d92f08.jpg",[],{"id":95497,"slug":95498,"title":95499,"dynasty":22,"author":7,"museum":172,"description":95500,"tags":95501,"thumbUrl":95503,"material":296,"size":297,"collection":11,"collections":95504,"showCount":351,"zanCount":49,"manualWeight":49,"mainColor":50},288914,"giovanni-battista-naldini-the-dead-christ-supported-by-three-figures-yi-ming-288914","Giovanni Battista Naldini--The Dead Christ Supported by Three Figures","粗粝炭笔裹挟着情绪在纸面游走，将悲恸瞬间凝为永恒。瘫软的躯体带着沉甸甸的衰颓感，被三位搀扶者托举，紧绷的肢体线条如被拉扯的弦，将沉郁哀恸尽数吐露。\n\n画家以极具弹性的线条勾勒肌肉起伏，精准捕捉濒死躯体的重量感，未加修饰的潦草轮廓反而放大了情绪张力。淡墨晕染模糊了空间边界，让所有视线都锁紧这幕悲剧场景，低垂的头颅、紧绷的肩背，每一处细节都在诉说着难以言喻的悲怆，带着未完成的粗粝质感，却比完整画作更具直击人心的感染力，将死亡降临时凝滞的哀伤牢牢封存在纸面之上。",[30,33,38060,56660,95502,9914],"哀悼","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fd09032f508c7b2449b9f09358f94a413.jpg",[],{"id":95506,"slug":95507,"title":95508,"dynasty":22,"author":7,"museum":172,"description":95509,"tags":95510,"thumbUrl":95511,"material":296,"size":297,"collection":11,"collections":95512,"showCount":351,"zanCount":49,"manualWeight":49,"mainColor":50},288913,"giovanni-battista-paggi-christ-receiving-the-virgin-into-heaven-yi-ming-288913","Giovanni Battista Paggi--Christ Receiving the Virgin into Heaven","以淡褐底色晕开朦胧氛围，利落线条勾勒人物轮廓衣褶。光晕轻笼圣子周身，他与圣母交握的手是画面核心，将久别重逢的温存藏在静穆的神态间。云浪里的小天使们或托举护持，或凝目注视，让圣洁的氛围层层漫开。衣物褶皱舒展层叠，带着庄重的古典韵律，将二人悲悯圣洁的气质尽数铺陈。笔调轻缓柔润，将神性的辉光融在朦胧底色中，让这场天人相会的肃穆场景，晕染出动容的温情，把信仰中的至善至美，凝在方寸画间。",[1573,33,56660,27489,38061,38060,687],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fcd83ef0d7aad1701e1852825ffa3403e.jpg",[],{"id":95514,"slug":95515,"title":95516,"dynasty":22,"author":7,"museum":172,"description":95517,"tags":95518,"thumbUrl":95522,"material":296,"size":297,"collection":11,"collections":95523,"showCount":351,"zanCount":49,"manualWeight":49,"mainColor":70},288912,"giovanni-battista-piazzetta-boy-with-an-egg-girl-with-a-hen-yi-ming-288912","Giovanni Battista Piazzetta--Boy with an Egg, Girl with a Hen","这幅素描以明暗交织定格市井日常瞬间，左侧男孩偷瞥的眼神藏着孩童的狡黠灵动，中间少女眉眼柔婉，怀中小鸡晕开鲜活暖意，右侧女子神色沉静内敛。以炭笔铺陈暗调，又以白色提亮衣褶的蓬松质感，寥寥数笔便精准抓住人物神态特质，将不同年龄的情绪张力揉入画面之中。松弛的笔触衬出生活化的松弛氛围，把平凡日常的鲜活意趣定格，让观者仿佛能窥见街头一隅的鲜活片刻，细腻勾勒出人物间暗藏的情绪联结。",[38060,33,95519,95520,94486,3174,95521,3244],"男孩","女孩","鸡蛋","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F9297762ecdd98ce63857515837aecdf6.jpg",[],{"id":95525,"slug":95526,"title":95527,"dynasty":22,"author":7,"museum":172,"description":95528,"tags":95529,"thumbUrl":95531,"material":296,"size":297,"collection":11,"collections":95532,"showCount":351,"zanCount":49,"manualWeight":49,"mainColor":70},288911,"giovanni-battista-piazzetta-david-with-the-head-of-goliath-yi-ming-288911","Giovanni Battista Piazzetta--David With the Head of Goliath","这幅素描以极具张力的构图，定格下俯身握持首级的瞬间，粗犷却精准的排线铺陈明暗，利落勾勒出躯体紧绷的肌肉轮廓，体积感呼之欲出。创作者摒弃史诗叙事的激昂，转而捕捉沉郁肃穆的情绪，褪去斩敌的狂喜，只剩战后的疲惫与沉重。画面虚实相生，淡逸的线条晕开衣褶的松弛，浓深的排线收紧肩臂的力道，于潦草的速写感中，将英雄暗藏的复杂心绪倾泻而出，用克制的笔墨烘托出强烈的戏剧氛围，把宏大叙事揉进细腻的情绪描摹里。",[38060,1572,42846,42074,93484,95530],"歌利亚","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ff2bf5aceaf0dcd715e3c22795e8eedbe.jpg",[],{"id":95534,"slug":95535,"title":95536,"dynasty":22,"author":7,"museum":172,"description":95537,"tags":95538,"thumbUrl":95542,"material":296,"size":297,"collection":11,"collections":95543,"showCount":351,"zanCount":49,"manualWeight":49,"mainColor":70},288910,"giovanni-battista-piazzetta-executioner-holding-up-a-severed-head-yi-ming-288910","Giovanni Battista Piazzetta--Executioner Holding Up a Severed 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Figure",[38060,1572,38061,56730,95557,38059],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fff6ba14fbd04b1fd6e6e93fa20181a9d.jpg",[],{"id":95619,"slug":95620,"title":95621,"dynasty":22,"author":7,"museum":172,"description":56691,"tags":95622,"thumbUrl":95623,"material":296,"size":297,"collection":11,"collections":95624,"showCount":351,"zanCount":49,"manualWeight":49,"mainColor":70},288899,"giovanni-battista-tiepolo-illustration-for-a-book-general-carried-in-triumph-yi-ming-288899","Giovanni Battista Tiepolo--Illustration for a Book General Carried in Triumph",[38060,33,18002,3362,687,93108,518],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F87459b25ac28cbb59e9fa51b630ed935.jpg",[],{"id":95626,"slug":95627,"title":95628,"dynasty":22,"author":7,"museum":172,"description":56691,"tags":95629,"thumbUrl":95632,"material":296,"size":297,"collection":11,"collections":95633,"showCount":351,"zanCount":49,"manualWeight":49,"mainColor":70},288898,"giovanni-battista-tiepolo-illustration-for-a-book-inhabitants-leaving-a-conquered-city-yi-ming-288898","Giovanni Battista Tiepolo--Illustration for a Book Inhabitants Leaving a Conquered 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Alms","这幅红褐素描以质朴笔触铺陈出满溢慈悲的场景。前景中主教俯身递出施舍，指尖相触的瞬间定格了温厚善意，赤贫的乞者垂首承接，嶙峋脊背写尽困顿里的谦卑与感激。\n\n背景街巷里人群涌动，神职者将赈济递向簇拥的流民，喧闹烟火气与前景的静谧共情形成对照，让善举从个体温情延伸为普惠的悲悯。\n线条松弛却精准，主教衣褶的垂坠感勾勒出庄重气度，流民粗糙肌理以简笔带过，明暗晕染烘托出柔和光影层次，没有刻意修饰，却将信仰中的人道关怀刻入每一处细节，让慈善的温度跃然纸面。",[30,1572,38060,95984,92766,95985,2361],"施舍","平民","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F7775fcacbad573507be7004fb0c2e5d8.jpg",[],{"id":95989,"slug":95990,"title":95991,"dynasty":22,"author":7,"museum":172,"description":95992,"tags":95993,"thumbUrl":95996,"material":296,"size":297,"collection":11,"collections":95997,"showCount":351,"zanCount":49,"manualWeight":49,"mainColor":70},288824,"pelagio-palagi-king-charles-viii-of-france-with-the-dying-gian-galeazzo-sforza-yi-ming-288824","Pelagio Palagi--King Charles VIII of France with the Dying Gian Galeazzo 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Multitude","以奔放淋漓的棕褐线条铺陈画面，无多余皴染，仅靠线条疾缓粗细区分人物动势与层次。右侧施洗者身姿挺拔庄重，左侧人群或虔诚伫立，或环拥孩童，神态动作各有不同，涌动着虔敬鲜活的氛围。潦草却精准的笔触，捕捉住人群涌动的松弛与热忱，将宗教仪式的肃穆和人间烟火的鲜活融为一体，寥寥几笔便让整个场景充满饱满叙事感，尽显速写捕捉刹那氛围的独特魅力。",[30,33,38060,95207,47655],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F8034bd050b3e6de60c78cd676e653491.jpg",[],{"id":96007,"slug":96008,"title":96009,"dynasty":22,"author":7,"museum":172,"description":96010,"tags":96011,"thumbUrl":96013,"material":296,"size":297,"collection":11,"collections":96014,"showCount":351,"zanCount":49,"manualWeight":49,"mainColor":70},288822,"pellegrino-tibaldi-six-studies-of-animal-heads-and-of-a-cartouche-yi-ming-288822","Pellegrino Tibaldi--Six Studies of Animal Heads and of a Cartouche","以奔放不羁的速写笔触，勾勒出六枚狞猛异兽的头颅，或怒目咆哮，或獠牙毕露，鬃毛虬结的线条肆意舒展，将野性凶悍尽数倾泻于纸面。局部晕染的墨色晕开体积，让兽首的肌肉轮廓更具张力，每一枚头像都带着独有的狂放神态，鲜活的凶戾呼之欲出。\n\n下方的装饰小稿则收敛锋芒，规整的线条带着匠造的克制，与兽首的肆意形成强烈反差。整幅手稿带着即兴创作的灵动，随性却精准地抓握住异兽的狞美感，将野性与装饰意趣揉合一处，尽显手绘草图的生动张力。",[38060,123,272,59,26617,96012],"动物头部","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F9965b0429d658219906de8ca15b25639.jpg",[],{"id":96016,"slug":96017,"title":96018,"dynasty":22,"author":7,"museum":172,"description":96019,"tags":96020,"thumbUrl":96021,"material":296,"size":297,"collection":11,"collections":96022,"showCount":351,"zanCount":49,"manualWeight":49,"mainColor":50},288820,"perino-del-vaga-jupiter-appearing-to-semele-yi-ming-288820","Perino del Vaga--Jupiter Appearing to Semele","棕褐色调铺就厚重底色，粗犷精准的线条拉扯出满幅张力。朱庇特须发怒张，裹挟风雷火光自天际俯冲而下，虬结的肌肉贲张着神性的原始力量，羽翼衣袂翻卷如暴风中的浪涛，将神祇降临的威压拉至顶点。\n\n下方的塞墨勒仰面伸臂，层叠柔缓的衣褶衬出凡人躯体的纤弱，面庞写满惊愕与迷醉。明暗晕染模糊了神域与俗世的边界，流火流云晕开恍惚的氛围感，让这场神凡相遇充满宿命般的戏剧张力，将刹那的震颤定格成永恒的叙事瞬间。",[1572,56812,10218,38060,5107,163,4851],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F109308242f0f358e24fef24b69004bf3.jpg",[],{"id":96024,"slug":96025,"title":96026,"dynasty":22,"author":7,"museum":172,"description":96027,"tags":96028,"thumbUrl":96030,"material":296,"size":297,"collection":11,"collections":96031,"showCount":351,"zanCount":49,"manualWeight":49,"mainColor":70},288819,"perino-del-vaga-presentation-of-the-virgin-in-the-temple-yi-ming-288819","Perino del Vaga--Presentation of the Virgin in the Temple","三角构图收拢起整个仪式场景，紧凑又带着庄重的秩序感。前景两侧人物以舒展的动作传递出饱满情绪，左侧女眷探身伸手，似是不舍的叮咛，右侧老者抬手祈愿，将视线引向台阶上端躬身的少女。\n棕褐素描结合淡彩在灰底晕开，衣褶粗粝的肌理被精准勾勒，台阶排线层层抬升空间，殿内群像朦胧肃穆，烘托出仪式的神圣氛围。几何边框将虔诚心绪凝锁其中，把送别与祈愿的温情融于简练笔触，静穆间流淌着庄重的叙事感，让这场仪式的虔诚氛围感扑面而来。",[30,1572,38060,93838,47655,96029,10218],"圣母献殿","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F73134ac0aef5f397c2f0dcf69e334739.jpg",[],{"id":96033,"slug":96034,"title":96035,"dynasty":22,"author":7,"museum":172,"description":96036,"tags":96037,"thumbUrl":96038,"material":296,"size":297,"collection":11,"collections":96039,"showCount":351,"zanCount":49,"manualWeight":49,"mainColor":70},288818,"perino-del-vaga-saint-peter-and-saint-john-healing-a-cripple-yi-ming-288818","Perino del Vaga--Saint Peter and Saint John Healing a Cripple","这幅速写以奔放灵动的线条铺陈神迹场景。枯瘦的瘫者跪伏伸手，姿态满含祈盼，使徒挺拔舒展，衣褶线条苍劲跌宕，将神圣的悲悯张力拉满。建筑拱门将空间收拢，依靠排线层次区分光影虚实，让神迹氛围愈发肃穆。\n\n粗粝笔触裹挟情绪流动，省略精细描摹，却把瘫者的卑微、使徒的庄严烘托得淋漓尽致。潦草中带着极强的叙事感，仿佛下一秒便有治愈的神迹降临，以最简练的线条，定格下信仰救赎的瞬间力量，尽显速写捕捉情绪与场景的独到魅力。",[38060,123,1573,1572,92683,56720,2656],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fdcce3dcf4f0457b6a8581357d9ffc025.jpg",[],{"id":96041,"slug":96042,"title":96043,"dynasty":22,"author":7,"museum":172,"description":96044,"tags":96045,"thumbUrl":96046,"material":296,"size":297,"collection":11,"collections":96047,"showCount":351,"zanCount":49,"manualWeight":49,"mainColor":50},288815,"perino-del-vaga-two-standing-male-figures-yi-ming-288815","Perino del Vaga--Two Standing Male Figures","这幅习作以虚实相衬的线条，定格了两组截然不同的男性身姿。左侧人物裹曳厚重袍服，顿挫凝练的线条顺着布料垂坠起伏，将身形藏于衣褶之下，内敛沉静中带着古典仪式感的庄重。右侧男子则裸露紧实躯体，奔放舒展的笔触顺着肌肉轮廓游走，肩胛、腰腿的起伏在明暗铺陈下呼之欲出，原始力量感喷薄而来。\n\n创作者巧用底色与提亮色塑造层次，衣袍褶皱的高光与肌肉的明暗交界线相互呼应，让沉稳织物的厚重质感与鲜活躯体的张力形成强烈碰撞，寥寥数笔便将两种气质精妙融合，尽显素描语言的动人表现力。",[38060,1572,42074,47971],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fe117080c1ecdad116e275eafee385f2f.jpg",[],{"id":96049,"slug":96050,"title":96051,"dynasty":22,"author":7,"museum":172,"description":96052,"tags":96053,"thumbUrl":96054,"material":296,"size":297,"collection":11,"collections":96055,"showCount":351,"zanCount":49,"manualWeight":49,"mainColor":70},288814,"perugino-study-of-a-kneeling-youth-and-of-the-head-yi-ming-288814","Perugino--Study of a Kneeling Youth and of the Head","这幅速写以灵动炭笔线条铺陈画面，右侧跪姿少年身形完整，双膝着地、双手轻叠胸前，衣褶排线疏密相宜，将布料垂坠的柔软质感勾勒得淋漓尽致，虔诚沉静的氛围感呼之欲出。\n左上角少女头像以局部刻画尽显功力，卷曲蓬松的发丝婉转柔和，眉眼低垂噙着淡淡哀伤，神态描摹细腻入微。\n整幅创作带着随性的手稿质感，无多余修饰，以简约线条承载充沛情绪，尽显古典写实速写的质朴张力，让人窥见创作者捕捉动态与神态的深厚功底。",[38060,33,24744,30,2348,70580],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fa82696cba0c1c37390574a4b58272708.jpg",[],{"id":96057,"slug":96058,"title":96059,"dynasty":22,"author":7,"museum":172,"description":96060,"tags":96061,"thumbUrl":96063,"material":296,"size":297,"collection":11,"collections":96064,"showCount":351,"zanCount":49,"manualWeight":49,"mainColor":70},288813,"pesellino-saint-philip-seated-holding-a-book-and-a-cross-yi-ming-288813","Pesellino--Saint Philip Seated, Holding a Book and a Cross","以细腻排线铺陈明暗光影，衣褶层叠舒展，遒劲线条顺着肢体走势起伏，精准刻画出毛料垂坠的厚重质感。圣徒须发卷曲蓬松，眉眼低垂凝思，沉静肃穆的神态跃然纸面。他左手扶着十字架，右手轻按书本，安稳坐姿满是笃诚静穆，浅淡晕染的光晕衬出圣洁气质。整幅作品构图沉敛安稳，写实笔触糅合宗教的庄严氛围，将圣徒自持笃定的形象勾勒得生动传神，尽显古典宗教素描的静谧张力，让观者感知到人物沉静内敛的精神内核。",[30,1572,38060,92938,96062,92683],"书籍","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fdaa82e7c1c3f8898be2d3a8197ca1ca5.jpg",[],{"id":96066,"slug":96067,"title":96068,"dynasty":22,"author":7,"museum":172,"description":38057,"tags":96069,"thumbUrl":96071,"material":296,"size":297,"collection":11,"collections":96072,"showCount":351,"zanCount":49,"manualWeight":49,"mainColor":50},288811,"peter-paul-rubens-a-sermon-in-a-village-church-yi-ming-288811","Peter Paul Rubens--A Sermon in a Village Church",[48137,30,1572,48151,96070,70788,3243],"布道","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fe5739dff8153c430ef3b620f5e7b3d04.jpg",[],{"id":96074,"slug":96075,"title":96076,"dynasty":22,"author":7,"museum":172,"description":38057,"tags":96077,"thumbUrl":96080,"material":296,"size":297,"collection":11,"collections":96081,"showCount":351,"zanCount":49,"manualWeight":49,"mainColor":70},288810,"peter-paul-rubens-alcibiades-interrupting-the-symposium-verso-sketches-yi-ming-288810","Peter Paul Rubens--Alcibiades Interrupting the Symposium; verso Sketches",[38060,1572,2453,96078,38059,96079,9466],"酒会场景","神态刻画","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fc3fa4b065cdc1eed45c86dad702da9a5.jpg",[],{"id":96083,"slug":96084,"title":96085,"dynasty":22,"author":7,"museum":172,"description":38057,"tags":96086,"thumbUrl":96089,"material":296,"size":297,"collection":11,"collections":96090,"showCount":351,"zanCount":49,"manualWeight":49,"mainColor":70},288809,"peter-paul-rubens-anatomical-studies-a-left-forearm-in-two-positions-yi-ming-288809","Peter Paul Rubens--Anatomical Studies a left forearm in two positions",[38060,96087,96088,3244,2668,93522],"人体解剖","手臂","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fbc04fc15e33371299220160c40e094c3.jpg",[],{"id":96092,"slug":96093,"title":96094,"dynasty":22,"author":7,"museum":172,"description":38057,"tags":96095,"thumbUrl":96096,"material":296,"size":297,"collection":11,"collections":96097,"showCount":351,"zanCount":49,"manualWeight":49,"mainColor":70},288806,"peter-paul-rubens-presentation-in-the-temple-yi-ming-288806","Peter Paul Rubens--Presentation in the Temple",[1573,1572,38060,47971,6667,2361,94640,2453],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F296a8be0b100f9a3a17169ab2594ac60.jpg",[],{"id":96099,"slug":96100,"title":96101,"dynasty":22,"author":7,"museum":172,"description":38057,"tags":96102,"thumbUrl":96105,"material":296,"size":297,"collection":11,"collections":96106,"showCount":351,"zanCount":49,"manualWeight":49,"mainColor":70},288805,"peter-paul-rubens-susanna-yi-ming-288805","Peter Paul Rubens--Susanna",[1572,2449,38060,47971,96103,93532,96104,70807],"淡墨渲染","惊惧","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Feddbce4c66d8a3e1c2ebdddfd609e8fc.jpg",[],{"id":96108,"slug":96109,"title":96110,"dynasty":22,"author":7,"museum":172,"description":38057,"tags":96111,"thumbUrl":96113,"material":296,"size":297,"collection":11,"collections":96114,"showCount":351,"zanCount":49,"manualWeight":49,"mainColor":70},288803,"peter-paul-rubens-the-garden-of-love-right-portion-yi-ming-288803","Peter Paul Rubens--The Garden of Love (right portion)",[38059,1572,38060,11256,127,70637,1993,42846,94228,48074,96112],"欢愉","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F354ffe34c0a663f6a3d86f3a89f7859d.jpg",[],{"id":96116,"slug":96117,"title":96118,"dynasty":22,"author":7,"museum":172,"description":38057,"tags":96119,"thumbUrl":96121,"material":296,"size":297,"collection":11,"collections":96122,"showCount":351,"zanCount":49,"manualWeight":49,"mainColor":70},288802,"peter-paul-rubens-the-prophets-david-and-daniel-yi-ming-288802","Peter Paul Rubens--The Prophets David and Daniel",[38060,1572,2449,96120,38061,28920],"先知","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F38a587f8e08f4359ad982978023e9ce6.jpg",[],{"id":96124,"slug":96125,"title":96126,"dynasty":22,"author":7,"museum":172,"description":96127,"tags":96128,"thumbUrl":96132,"material":296,"size":297,"collection":11,"collections":96133,"showCount":351,"zanCount":49,"manualWeight":49,"mainColor":70},288799,"phil-may-costume-drawing-for-little-john-yi-ming-288799","Phil May--Costume Drawing for Little John","这是一幅充满即兴创作感的舞台服装设计手稿。利落的速写线条勾勒出英气逼人的女扮男装造型，高顶羽毛窄檐帽衬出人物冷艳神情，黑色收身军装搭配撞色黄缎腰饰，硬朗的制服轮廓与腰肢柔线形成绝妙平衡，飒爽中暗藏柔美。\n\n手稿旁的手写批注细致标注面料与工艺，点明黑绒上衣配黄色开叉衬里、金扣镶边，既是鲜活的创作实录，也让设计兼具审美性与落地性。随性的手绘笔触与细碎批注，还原了构思过程的生动细节，带着复古剧场的浪漫质感，尽显舞台服饰兼顾造型张力与功能性的巧思。",[1572,47971,32,96129,64,91135,96130,96131],"服装设计图","手杖","戏剧造型","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F4bcd892502bb935191ed04e792e48971.jpg",[],{"id":96135,"slug":96136,"title":96137,"dynasty":22,"author":7,"museum":172,"description":96138,"tags":96139,"thumbUrl":96140,"material":296,"size":297,"collection":11,"collections":96141,"showCount":351,"zanCount":49,"manualWeight":49,"mainColor":70},288797,"pier-leone-ghezzi-abbe-jean-antoine-nollet-yi-ming-288797","Pier Leone Ghezzi--Abbé Jean-Antoine Nollet","这幅棕褐调速写以利落线条勾勒出侧身伫立的全身人像，精准刻画出长袍垂坠褶皱的柔和韵律，寥寥数笔便捕捉到人物悠然转头的瞬间。卷发、软帽的细节简约传神，尽显十八世纪学者温文儒雅的气度。\n\n地面排线清晰利落，晕染的阴影为画面铺陈出真实的空间实感，让人物仿佛正缓步穿行其中。画作摒弃繁复修饰，以极简的写实笔触定格人物沉稳从容的神态，将实验物理学家的知性雅致融于速写的灵动之中，尽显古典肖像速写的传神功力。",[1572,12520,38060,42074,81996,6667],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F6cf7e520a50f1c5fb97cf900fab4d7df.jpg",[],{"id":96143,"slug":96144,"title":96145,"dynasty":22,"author":7,"museum":172,"description":96146,"tags":96147,"thumbUrl":96149,"material":296,"size":297,"collection":11,"collections":96150,"showCount":351,"zanCount":49,"manualWeight":49,"mainColor":70},288796,"pier-leone-ghezzi-luigi-vanvitelli-yi-ming-288796","Pier Leone Ghezzi--Luigi Vanvitelli","这是一幅蚀刻铜版肖像，以利落细腻的棕调线条，定格了侧身伫立的绅士身影。宽大衣袍的垂坠褶皱被刻画得极具质感，精准衬出人物沉稳雍容的仪态，三角假发与配剑细节，还原了彼时精英阶层的着装风貌，将建筑师的身份气度融于笔端。\n\n画面下方的手写小字，为肖像补上人文注脚，让作品跳出单纯的形象复刻，兼具纪实温度。整体画风克制雅致，用极简色调勾勒写实造型，既有古典肖像的庄重感，亦带着版画特有的细腻肌理美感，是一件兼具身份纪实性与古典美学意趣的小品。",[1572,123,1473,38081,2750,96148,93935],"古代衣帽","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F6e61efb501119da59970a32be3a60eab.jpg",[],{"id":96152,"slug":96153,"title":96154,"dynasty":22,"author":7,"museum":172,"description":96155,"tags":96156,"thumbUrl":96159,"material":296,"size":297,"collection":11,"collections":96160,"showCount":351,"zanCount":49,"manualWeight":49,"mainColor":739},288795,"pierre-alexandre-wille-two-women-in-an-elegant-interior-yi-ming-288795","Pierre Alexandre Wille--Two Women in an Elegant Interior","闺房之内，执诗琴的少女垂眸拨弦，伴立的女伴持羽扇缓摇，为她驱散溽暑。高耸繁复的假发、曳地蓬松的长裙，尽显洛可可时代独有的精致柔美。背景中的古典雕塑、软包座椅与华纹地毯，铺陈出雅致雍容的室内氛围。\n画家以细腻笔触晕染衣物质感，褶皱明暗过渡自然，将闺中密友闲适松弛的午后时光定格。静室里似有琴音流淌，慵懒悠然漫溢其间，将贵族女性的闲逸日常尽数展现，尽显洛可可艺术柔媚优雅的独特意趣。",[1572,38059,38060,11256,1607,127,48074,687,96157,12361,96158],"鲁特琴","闺房","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F8b7fed7fe920b0495c3f04d297113f94.jpg",[],{"id":96162,"slug":96163,"title":96164,"dynasty":22,"author":7,"museum":172,"description":96165,"tags":96166,"thumbUrl":96169,"material":296,"size":297,"collection":11,"collections":96170,"showCount":351,"zanCount":49,"manualWeight":49,"mainColor":70},288793,"pierre-antoine-baudouin-le-matin-morning-yi-ming-288793","Pierre Antoine Baudouin--Le Matin (Morning)","蓝调帷幔围起一方私密闺房，鎏金饰边晕着华贵暖意。榻上女子尚陷在晨睡余韵中，手臂交叠枕于脑后，肌肤被晨光晕出柔润光泽，慵懒松弛漫溢开来。男子止步侧身，目光凝向榻上，似被这晨间慵态绊住脚步，一旁孩童扯住他的衣袍，为这暧昧氛围添上几分稚拙的拉扯感。\n\n笔触细腻晕开织物褶皱的柔光，以雅致配色铺就贵族晨间日常图景，将洛可可式的缱绻意趣藏在光影里，让私邸晨光里的松弛与暧昧，都融在人物细微的神态互动间。",[38039,1572,1607,96167,127,5432,1527,32,48013,96168],"卧室","晨起","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F5ab80b5e9afb5f726df2bf7b031e3390.jpg",[],{"id":96172,"slug":96173,"title":96174,"dynasty":22,"author":7,"museum":172,"description":96175,"tags":96176,"thumbUrl":96179,"material":296,"size":297,"collection":11,"collections":96180,"showCount":351,"zanCount":49,"manualWeight":49,"mainColor":70},288792,"pierre-hubert-subleyras-st-benedict-resuscitating-an-infant-yi-ming-288792","Pierre Hubert Subleyras--St. Benedict Resuscitating an Infant","这是一幅充满创作温度的速写草稿，松快灵动的铅笔线条精准定格了神圣救赎的瞬间。画面以俯身施救的老者为视觉中心，寥寥数笔便勾勒出他的专注悲悯。周遭人物神态各异，有人虔诚祈祷、有人屏息凝望，有人难掩动容，简括的线条便撑起了饱满的情绪层次。\n\n浅淡排线铺陈光影，烘托出静穆庄重的氛围，未完成的留白反而留存下创作时的鲜活感，将神迹叙事的肃穆松弛融合，尽显古典宗教题材速写的表现力，于随性笔触间传递出悲悯温情的内核。",[38060,2449,1572,2361,96177,96178,48095],"圣本笃","救婴场景","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F0e604c8c6d9e53adc35e12b9293b332b.jpg",[],{"id":96182,"slug":96183,"title":96184,"dynasty":22,"author":7,"museum":172,"description":96185,"tags":96186,"thumbUrl":96188,"material":296,"size":297,"collection":11,"collections":96189,"showCount":351,"zanCount":49,"manualWeight":49,"mainColor":70},288790,"pierre-jean-david-d-angers-sheet-of-studies-three-male-heads-yi-ming-288790","Pierre Jean David d'Angers--Sheet of Studies Three Male Heads","这幅速写以精准克制的排线，勾勒出静立的古典女神形象。衣褶线条利落且富有层次，将织物垂坠、紧绷的微妙质感尽数铺陈，贴合出躯体柔和的轮廓。薄纱半覆面容，柔化了雕塑般硬朗的侧脸，神性的端庄中揉进一丝朦胧柔婉，手中长杖又为周身添了沉静威仪。\n\n边角潦草的小稿与左上角轻飘的枝叶，为画面注入松弛的构思意趣，中和了古典造型的肃穆感。整体笔意既有对古典人体韵律的精准拿捏，又带着手绘速写特有的鲜活灵动，神性庄重与手绘温度融于纸面。",[38060,123,1572,4851,96187,47971,207],"女神","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F308ca766380ab5d3828e1d311b06b5ae.jpg",[],{"id":96191,"slug":96192,"title":96193,"dynasty":22,"author":7,"museum":172,"description":96194,"tags":96195,"thumbUrl":96198,"material":296,"size":297,"collection":11,"collections":96199,"showCount":351,"zanCount":49,"manualWeight":49,"mainColor":70},288789,"pierre-paul-prud-hon-seated-female-nude-recto-standing-male-nude-yi-ming-288789","Pierre Paul Prud'hon--Seated Female Nude (recto); Standing Male Nude","这幅素描以精妙的明暗铺陈，将女性躯体的柔美与力量感相融。细腻排线与块面明暗精准贴合身体结构，肩胛的舒展、腰胯的曲线、腿部的肌肉起伏被刻画得浑然天成，柔和过渡的色调晕染出皮肤的温润质感。\n\n抬手垂首的姿态带着沉静的氛围感，弱化面部以聚焦躯体的韵律之美，让观者沉浸于人体的优雅张力之中。扎实的写实功底将体积感与柔润感平衡得恰到好处，把生命的鲜活凝固在纸面，尽显古典人体素描的极致塑造力。",[38060,96196,96197,1386,3244],"人体画","女性裸体","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F73cec835382e1095edcb5d0cb0207602.jpg",[],{"id":96201,"slug":96202,"title":96203,"dynasty":22,"author":7,"museum":172,"description":96204,"tags":96205,"thumbUrl":96206,"material":296,"size":297,"collection":11,"collections":96207,"showCount":351,"zanCount":49,"manualWeight":49,"mainColor":70},288788,"pierre-paul-prud-hon-the-assumption-of-the-virgin-yi-ming-288788","Pierre Paul Prud'hon--The Assumption of the Virgin","以浅色素纸铺就底色，炭笔晕染出缭绕云雾，朦胧晕开升天图景。上方圣像于云间舒展，轮廓虚化在烟霭中，带着庄严缥缈的神性。下方两位使徒扬臂仰望，衣袂线条松弛又充满张力，将仰望神迹时的震颤与虔诚藏在起伏的褶皱里。\n\n虚实相生的笔触让云雾与人物边界消融，光影隐在氤氲雾气间，把超验的神圣时刻定格，肃穆又带着空灵的氛围感，将信徒直面神迹的共情与震撼悄然传递。",[30,33,95098,38060],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F941593ed8987624efd52e1e34a69e142.jpg",[],{"id":96209,"slug":96210,"title":96211,"dynasty":22,"author":7,"museum":172,"description":96212,"tags":96213,"thumbUrl":96215,"material":296,"size":297,"collection":11,"collections":96216,"showCount":351,"zanCount":49,"manualWeight":49,"mainColor":70},288786,"pierre-puget-a-frigate-at-sea-yi-ming-288786","Pierre Puget--A Frigate at Sea","阴沉朦胧的海天之间，巨型战舰正乘风破浪，满张的船帆在风中猎猎鼓动，繁复桅杆交织错落，尽显大航海时代的雄浑气魄。笔触细腻写实，船体密布的炮窗、甲板上攒动的水手，将远洋航行的蓬勃张力与征途日常的细节尽数还原。\n\n翻涌的浪涛以晕染勾勒，在明暗深浅间烘托出海面的动荡，远景里的小帆船与主舰形成鲜明尺度对比，衬得巨舰愈发巍峨，右下角礁石旁忙碌的水手则让画面多了几分生活气，让远航的浪漫里又糅杂着鲜活的真实。水雾朦胧了天地边界，将冒险的豪情与远洋的厚重揉为一体，静帧里仿佛能听见海风呼啸、浪击船舷。",[38060,96214,2418,1749,7389,33,1343],"海景画","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F638a472df26c774076f048bb360b3547.jpg",[],{"id":96218,"slug":96219,"title":96220,"dynasty":22,"author":7,"museum":172,"description":96221,"tags":96222,"thumbUrl":96223,"material":296,"size":297,"collection":11,"collections":96224,"showCount":351,"zanCount":49,"manualWeight":49,"mainColor":70},288785,"pierre-puget-design-for-a-tabernacle-yi-ming-288785","Pierre Puget--Design for a Tabernacle","这幅设计稿带着浓郁的巴洛克张力，顶部十字架锚定神圣内核，涡卷状雕饰缠绕出华丽韵律，将建筑与雕塑精妙融合。\n\n中央圣龛被灵动翻飞的天使与健硕的古典人像簇拥，云团中迸绽的线条模拟圣光，烘托出庄严神性。排线细腻的素描技法精准铺陈明暗层次，让石材的厚重与人体的柔润呼之欲出，古典人文意趣与宗教肃穆感相融，每一处细节都在平衡仪式感与装饰性，仿佛能窥见这座圣体柜落成后，在光影下流淌的灵动气韵。",[30,123,38060,38061,92938,2361,272,2656,32337],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ff116b934f26d5d792d208483d4e0fdc4.jpg",[],{"id":96226,"slug":96227,"title":96228,"dynasty":22,"author":7,"museum":172,"description":96229,"tags":96230,"thumbUrl":96234,"material":296,"size":297,"collection":11,"collections":96235,"showCount":351,"zanCount":49,"manualWeight":49,"mainColor":70},288784,"pierre-numa-bassaget-fashion-drawing-with-a-woman-seated-in-a-chair-yi-ming-288784","Pierre-Numa Bassaget--Fashion Drawing with a Woman Seated in a Chair","这幅水彩以柔润晕染铺陈开旧时光景。斜倚扶手椅的贵妇，珊瑚红软帽配同色蕾丝镶边晨衣，慵懒姿态里满是矜贵松弛感。身旁两个孩童相映成趣，女孩白纱绣裙蓬松雅致，男孩风琴褶上衣带着复古俏皮，仰头的神态似在软声诉说童趣日常。低饱和色调晕开朦胧温柔的氛围，将上流宅邸的午后闲情定格，仿佛能听见童声软语和贵妇含笑的轻应，把闺阁细碎的暖意揉进纸面，晕成一首安静的复古情诗。",[48137,32,1572,96231,96232,1527,1607,96233],"时装画","贵妇","欧式服饰","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F6aec5d0a21f79315420cb6d2d129cf14.jpg",[],{"id":96237,"slug":96238,"title":96239,"dynasty":22,"author":7,"museum":172,"description":96240,"tags":96241,"thumbUrl":96242,"material":296,"size":297,"collection":11,"collections":96243,"showCount":351,"zanCount":49,"manualWeight":49,"mainColor":70},288783,"pieter-cornelisz-kunst-allegorical-figure-faith-yi-ming-288783","Pieter Cornelisz Kunst--Allegorical Figure (Faith)","###\n这幅钢笔版画以细腻线条刻画出信仰的化身，华冠层袍缀满珠络蕾丝，每一处褶皱都尽显精工雅致。女子左手紧握苦像长杆，圣光自基督身形间淌落，右手抬起似在颂赞虔心。脚下流云将她托于尘世之上，远景河畔小城炊烟轻绕、舟楫漾波，平和俗世恰好衬出信仰的超然澄澈。\n\n排线铺陈出明暗层次，精准区分衣料的柔润与饰件的冷硬，带着北方文艺复兴版画的典型特质，将信仰的庄严肃穆融于写实笔触间，静静诉说信仰对俗世的庇佑与指引。",[1573,1572,123,70543,92938,92746,13585,7388,2657,2418],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F8567fac4f1d9db10758aba587352404c.jpg",[],{"id":96245,"slug":96246,"title":96247,"dynasty":22,"author":7,"museum":172,"description":96248,"tags":96249,"thumbUrl":96251,"material":296,"size":297,"collection":11,"collections":96252,"showCount":351,"zanCount":49,"manualWeight":49,"mainColor":50},288782,"pietro-antonio-novelli-chained-nude-prisoner-yi-ming-288782","Pietro Antonio Novelli--Chained Nude Prisoner","奔放的棕褐墨色晕开沉郁的背景，将逼仄的窒息感铺满纸面。健硕的裸身囚徒被枷锁锢在石柱之上，隆起的肩背与虬结的腹肌，将身体里攒着的愤懑与挣扎尽数透出。粗粝的笔痕刻画出紧绷的侧脸，眉峰拧起、下颌绷紧，不甘的情绪顺着线条漫溢开来。\n\n浅棕底色衬出深褐剪影，明暗拉扯间将被困的绝望与未熄的韧劲揉合一处。没有精致描摹，只以写意笔触把困兽般的张力刻入纸面，带着粗粝的写实力量，让观者仿佛能触摸到那枷锁下滚烫的反抗余温。",[1572,56754,96250,91081,38060,3244],"囚徒","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fadcc781bd77c0656e5b47748a48fac3f.jpg",[],{"id":96254,"slug":96255,"title":96256,"dynasty":22,"author":7,"museum":172,"description":96257,"tags":96258,"thumbUrl":96261,"material":296,"size":297,"collection":11,"collections":96262,"showCount":351,"zanCount":49,"manualWeight":49,"mainColor":739},288781,"pietro-bracci-design-for-a-tomb2-yi-ming-288781","Pietro Bracci--Design for a Tomb2","整体兼具庄重纪念性与巴洛克装饰意趣。上方以浅浮雕胸像为核心，俏皮的小爱神静立旁侧，姿态舒展的拟人化缪斯坐于碑顶，柔美的雕塑形态辅以细腻的光影晕染，将石材的温润质感表现得淋漓尽致。碑身以涡卷雕饰与面具浮雕点缀铭文区域，华丽又不失肃穆。下方附带标注尺寸的立面细节，尽显设计的严谨周全，让这份设计不仅是饱含哀思的纪念造物，更是一件兼具美学观赏性与实用功能性的古典设计佳作。",[96259,29964,96260,11256,38060,48013,1504],"墓碑设计","人物像","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F4909a348a0ddb1d798cfad44a860d952.jpg",[],{"id":96264,"slug":96265,"title":96266,"dynasty":22,"author":7,"museum":172,"description":96267,"tags":96268,"thumbUrl":96269,"material":296,"size":297,"collection":11,"collections":96270,"showCount":351,"zanCount":49,"manualWeight":49,"mainColor":70},288780,"pietro-damini-saint-louis-of-france-saint-francis-yi-ming-288780","Pietro Damini--Saint Louis of France, Saint Francis","棕褐色素描晕染出沉静肃穆的氛围，上方云间的小天使们嬉闹玩赏，柔化了宗教主题的厚重感。\n下方三位圣徒各怀神态，左侧圣者抬手作祈祷状，神色恭谨，中轴圣徒怀拥十字架，眉眼间沉凝着信仰的重量。右侧女性圣者垂首低眉，衣袍褶皱以利落排线勾勒，将布料垂坠质感刻画得细腻真切。\n画面以线条疏密区分光影层次，淡扫的云雾串联起上下场景，灵动笔触为庄严的宗教叙事注入呼吸感，寥寥笔力间，将圣徒们笃诚沉静的精神内核精准勾勒，在简约的素描语言里，晕开宗教题材下的人文温度。",[1573,1572,38060,2361,38061,92683,93413],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ffebec3d2735565a4ebbf57bd74b9b359.jpg",[],{"id":96272,"slug":96273,"title":96274,"dynasty":22,"author":7,"museum":172,"description":96275,"tags":96276,"thumbUrl":96278,"material":296,"size":297,"collection":11,"collections":96279,"showCount":351,"zanCount":49,"manualWeight":49,"mainColor":70},288779,"pietro-faccini-seated-female-figure-yi-ming-288779","Pietro Faccini--Seated Female Figure","以红粉笔晕染铺陈，笔触感松弛凝练，精准捕捉布料垂坠的张力。衣褶厚重蓬松，头巾柔薄轻盈，明暗对比间铺叙出材质的层次变化。\n女子垂眸敛神，神态温婉沉静，舒展的手臂柔缓自然，将娴静氛围悄然晕开。光影顺着衣料起伏流淌，把静态坐姿晕染出含蓄生动的韵律，落笔间兼具速写的鲜活灵动与古典肖像的沉静雅致，凭单色粉笔便勾勒出丰盈体积感，将柔雅诗意藏于每一处褶皱与神态细节之中。",[38060,1572,96277,48074,47971],"坐姿女性","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fa627e1873984882cda65d218511c856b.jpg",[],{"id":96281,"slug":96282,"title":96283,"dynasty":22,"author":7,"museum":172,"description":96284,"tags":96285,"thumbUrl":96286,"material":296,"size":297,"collection":11,"collections":96287,"showCount":351,"zanCount":49,"manualWeight":49,"mainColor":70},288777,"remigio-cantagallina-a-view-of-a-village-with-figures-yi-ming-288777","Remigio Cantagallina--A View of a Village with Figures","以棕调蚀刻线条铺展乡野日常，苍劲古木虬枝舒展，撑开一方荫凉天地。石砌村舍带着粗糙的岁月肌理，错落依偎在林木旁。画中人物闲散鲜活，井台旁乡邻闲话小憩，田埂上有人照看牲畜，远处村人缓步穿行。排线疏密交织晕开温柔光影，将郊野午后的慵懒烟火气缓缓铺陈。没有浓墨重彩，只以细腻松弛的线条，把乡野日常的恬淡安然永远定格，藏着旧时光里悠然松弛的村居意趣。",[2750,70788,1125,613,33,94845,6668,4219],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fbc3cb64f782b15d6234355ee87996fbe.jpg",[],{"id":96289,"slug":96290,"title":96291,"dynasty":22,"author":7,"museum":172,"description":96292,"tags":96293,"thumbUrl":96294,"material":296,"size":297,"collection":11,"collections":96295,"showCount":351,"zanCount":49,"manualWeight":49,"mainColor":70},288775,"richard-wilson-house-of-pompey-at-albano-yi-ming-288775","Richard Wilson--House of Pompey at Albano","这幅速写以浅淡素描糅合晕染淡彩，以沉静灰调铺底，晕染出山城聚落的沧桑柔缓。房屋顺着缓坡错落铺陈，细腻排线勾勒出石墙的残破肌理，朦胧柔光漫过檐角与断壁，似是薄暮时分的朦胧天色晕开了边界。\n\n作者以克制笔触将荒颓古迹与寻常民居织为一处，没有浓烈着色，仅靠明暗层次沉淀岁月厚重，松弛的纪实感揉进每一处笔痕里，将地中海山城的慵懒沉静凝为永恒，引着观者沉进这方流淌缓慢的旧时光中。",[38060,56594,1125,93146,31238,93722,13692],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F61cf1a4f7e3fde3fce74f1dd0a034f5a.jpg",[],{"id":96297,"slug":96298,"title":96299,"dynasty":22,"author":7,"museum":172,"description":96300,"tags":96301,"thumbUrl":96304,"material":296,"size":297,"collection":11,"collections":96305,"showCount":351,"zanCount":49,"manualWeight":49,"mainColor":739},288774,"robert-demachy-struggle-yi-ming-288774","Robert Demachy--Struggle","暖棕单色素调晕开朦胧氛围，奔放粗粝的笔锋裹挟着裸女躯体。她背向观者，双臂奋力向上攀附，柔润的肌肉曲线在激荡的色块里浮现，和周围飞散的笔痕形成鲜明动静对冲。\n躯体的柔美线条在野性笔触的包裹下，带着拉扯的张力，仿佛是困厄中向外的求索，又像是沉溺于本能的挣扎。朦胧边界模糊了人体与背景的界限，让情绪冲破画布束缚，将渴望与拉扯揉进每一道笔痕中，让观者在单色调的氤氲里触摸到躯体中奔涌的生命力。",[38039,1572,56754,96302,96303],"挣扎","单色调","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F69ff59b1c89cea26b434c2f3ab37b2a3.jpg",[],{"id":96307,"slug":96308,"title":96309,"dynasty":22,"author":7,"museum":172,"description":96310,"tags":96311,"thumbUrl":96312,"material":296,"size":297,"collection":11,"collections":96313,"showCount":351,"zanCount":49,"manualWeight":49,"mainColor":70},288772,"roelandt-savery-a-hungarian-horseman-yi-ming-288772","Roelandt Savery--A Hungarian Horseman","这帧速写以松弛却精准的线条，定格下骑手与骏马的刹那剪影。背身的骑手裹着披巾，顶戴羽饰的轮廓简练利落，将游牧武者的剽悍藏于随性勾勒间。座下骏马昂首抬蹄，肌肉起伏的粗粝线条里，满是即将奔赴前路的动感张力。\n\n没有繁复铺陈，仅凭简练排线晕出体积感，即兴的笔触留存住鲜活的临场感，仿佛下一刻人马便要扬蹄疾驰，把游牧骑手的飒爽气魄，与人马间浑然一体的默契传神定格。泛黄纸面承载着粗朴质感，让这份随性写实的韵味更显醇厚。",[38060,1572,33,1006],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F3f98e25af5196ffa1fbee1ed081aa409.jpg",[],{"id":96315,"slug":96316,"title":96317,"dynasty":22,"author":7,"museum":172,"description":96318,"tags":96319,"thumbUrl":96320,"material":296,"size":297,"collection":11,"collections":96321,"showCount":351,"zanCount":49,"manualWeight":49,"mainColor":70},288771,"romulo-cincinnato-three-standing-male-figures-yi-ming-288771","Romulo Cincinnato--Three Standing Male Figures","以奔放的铁线勾勒人物动态，顿挫的墨痕晕开衣褶厚重的垂坠感。三个人物错落排布，主侧分明，中间长者须发蓬松扭转，交握的双手沉敛肃穆，仿佛正凝神聆听；两侧同伴姿态恭谨，简括的面部轮廓将神态尽显，褶皱衣袍随肢体走势自然铺展，潦草却精准锚定了人物的身份张力。\n\n纸面晕开的淡墨晕染出朦胧氛围，寥寥数笔便让静止画面涌动着叙事感，仿佛定格一场古老议事的瞬间。粗粝笔意带着即兴灵气，将古典人物的庄重沉凝融在随性挥洒的笔触之中，质朴却尽显写意的力量，落笔无多却意蕴饱满。",[33,42074,123,144,38060,9271,38059],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fc65d4ea80dd315695234fe33f01b3712.jpg",[],{"id":96323,"slug":96324,"title":96325,"dynasty":22,"author":7,"museum":172,"description":96326,"tags":96327,"thumbUrl":96328,"material":296,"size":297,"collection":11,"collections":96329,"showCount":351,"zanCount":49,"manualWeight":49,"mainColor":50},288769,"rosso-fiorentino-bust-of-a-woman-with-an-elaborate-coiffure-yi-ming-288769","Rosso Fiorentino--Bust of a Woman with an Elaborate Coiffure","这幅素描以凌厉刚劲的笔触，铺陈出极具张力的殉刑场景。受刑者仰天长啸，肌肉紧绷满是悲愤不屈，施暴者面目狞恶、动作粗野狂乱，将群体的盲目暴戾拉扯到极致。马上士兵冷眼旁观，更添悲剧的肃穆压抑，空中天使翻飞舞动，似在发出无声悲鸣，与人间暴行形成尖锐对照。\n\n作品以排线堆叠体积，明暗对比强化戏剧冲突，将宗教殉难的悲壮与人性幽暗撕扯开来，笔触间满是撼人的情绪冲击力，仿佛能让观者听见刑场的嘈杂嘶吼，窥见受难者的悲愤呼号。",[38060,1572,2449,1006,9914,95125,38061,48114,94957],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F11fb52c4004a0841da38d97e379861ad.jpg",[],{"id":96331,"slug":96332,"title":96333,"dynasty":22,"author":7,"museum":172,"description":96334,"tags":96335,"thumbUrl":96337,"material":296,"size":297,"collection":11,"collections":96338,"showCount":351,"zanCount":49,"manualWeight":49,"mainColor":50},288767,"salvator-rosa-a-large-tree-yi-ming-288767","Salvator Rosa--A Large Tree","这幅素描以苍劲古木为绝对主角，笔力带着粗粝的质感。主干盘虬扭结，如蛰伏的虬龙，将经受过岁月风霜的沧桑张力尽显无遗。作者以虚实兼具的笔法区分层次，外层叶簇用淡晕的排线晕染出蓬松朦胧的空气感，仿佛风拂过枝叶时光影在浮动，内层枝桠则以锐利硬挺的线条，精准勾勒出交错纠缠的结构，让树木筋骨分明。\n\n粗粝的根须牢牢抓附地面，把荒野古木沉浑的生命力凝于纸面，舍去多余布景，全然聚焦树木本身的野性与静穆，将自然造物的朴拙美感定格成永恒的沉静诗篇。",[38060,613,96336,131,56613,3244],"大树","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F363a22da69d982b931abcc2571a8d260.jpg",[],{"id":96340,"slug":96341,"title":96342,"dynasty":22,"author":7,"museum":172,"description":96343,"tags":96344,"thumbUrl":96345,"material":296,"size":297,"collection":11,"collections":96346,"showCount":351,"zanCount":49,"manualWeight":49,"mainColor":70},288766,"salvator-rosa-landscape-with-hills-and-a-lake-trees-in-right-foreground-yi-ming-288766","Salvator Rosa--Landscape with hills and a lake, trees in right foreground","这幅速写以灵动随性的线条，铺展郊野湖畔的幽寂意趣。右侧前景虬曲枯木打破规整构图，牵引视线纵深游走。左侧丘坡以疏密浓淡的线条铺陈植被，顿挫间区分出坡地起伏与林叶层次。水面以极简淡线勾勒，大片留白烘托出沉静空濛的氛围。\n\n岸侧点缀的渺小人物，为山野空境晕开一丝烟火暖意，平衡了丘林的空旷感。整作以朴拙写意的笔触，摒弃繁复修饰，将郊野松弛又清寂的瞬间气韵定格，尽显写生速写捕捉自然灵韵的动人魅力。",[123,60,13158,19286,676,33,56613],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fbeed5c3cb95a34896c120938e667190d.jpg",[],{"id":96348,"slug":96349,"title":96350,"dynasty":22,"author":7,"museum":172,"description":96351,"tags":96352,"thumbUrl":96354,"material":296,"size":297,"collection":11,"collections":96355,"showCount":351,"zanCount":49,"manualWeight":49,"mainColor":70},288765,"salvator-rosa-st-paul-hermit-yi-ming-288765","Salvator Rosa--St. Paul, Hermit","幽寂荒野之中，苦修者枯长褴褛的须发与身形融为一体，肢体舒展，仿佛正迎向穿透云霭的灵启之光。晕染的墨色铺陈出诡谲翻涌的云气与虬曲苍劲的林木，明暗拉扯间烘托出沉郁肃穆的神秘张力。\n\n粗粝奔放的线条刻画出苦修者饱经风霜的沧桑模样，将其对信仰的赤诚与执念尽数揉入笔端。远山隐现的朦胧光晕晕开天启的神圣感，让荒蛮野性的自然底色，与澄澈坚定的神性感召形成强烈碰撞，潦草却极具表现力的笔触，定格下隐士在孤寂修行中迎来神性昭示的瞬间，粗朴画面里满溢着虔诚厚重的宗教氛围感。",[1573,2361,96353,42163,1572,38060,131,162,56650],"圣保禄","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F991396b6636bc46787f8d172983c7303.jpg",[],{"id":96357,"slug":96358,"title":96359,"dynasty":22,"author":7,"museum":172,"description":96360,"tags":96361,"thumbUrl":96362,"material":296,"size":297,"collection":11,"collections":96363,"showCount":351,"zanCount":49,"manualWeight":49,"mainColor":70},288764,"salvator-rosa-studies-for-a-figure-lifted-from-a-grave-yi-ming-288764","Salvator Rosa--Studies for a Figure Lifted from a Grave","这幅速写以奔放灵动的线条定格了充满张力的瞬间。站立男子肌肉紧绷，双手攥紧绳索，虬劲粗犷的衣褶线条将躯体发力的紧绷感全然彰显。跪地俯身的人物脊背弓起，与站立者形成力的拉扯呼应，让画面充满对抗的动势。\n\n下方被拖动的躯体线条松动却带着沉滞的重量感，暗合场景的肃穆沉重。墨线浓淡变化简约精准，区分开人体结构、衣物褶皱与空间层次，纸面的岁月痕迹更添朴拙的复古质感。它以即兴的笔触，将这场肃穆又充满力量的行动凝固，粗粝之下藏着对人体动态的深刻理解，让静态画面拥有了强烈的戏剧张力，尽显古典叙事绘画对情绪与动态的精准拿捏。",[123,33,2449,38060,94992],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F532acb5eaa102dcfd294d99f1f532b76.jpg",[],{"id":96365,"slug":96366,"title":96367,"dynasty":22,"author":7,"museum":172,"description":96368,"tags":96369,"thumbUrl":96371,"material":296,"size":297,"collection":11,"collections":96372,"showCount":351,"zanCount":49,"manualWeight":49,"mainColor":70},288763,"salvator-rosa-studies-of-kneeling-figures-yi-ming-288763","Salvator Rosa--Studies of Kneeling Figures","以淡棕墨水晕染铺底，灵动线条精准捕捉人物瞬移动态与神情。上方半身像寥寥数笔刻画出部棱角，头巾褶皱利落勾勒出异域装束的独特质感。中心立姿人物双臂舒展，衣袂线条遒劲舒张，满溢激昂张力，将人物的情绪尽数倾泻于笔端。下方跪伏躯体以简练线条交代肌肉起伏，传递出仓皇卑微的姿态。\n\n整幅速写虚实相生，随性挥洒中将不同人物的气质收拢于一纸，娴熟把控人体动态韵律，即兴创作间尽显鲜活生机，让每个形象都拥有独一无二的情绪温度。",[38060,47971,1572,96370,16474,93413],"跪姿人物","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F8f8169443c572b6649f84a5d555cd8b6.jpg",[],{"id":96374,"slug":96375,"title":96376,"dynasty":22,"author":7,"museum":172,"description":96377,"tags":96378,"thumbUrl":96381,"material":296,"size":297,"collection":11,"collections":96382,"showCount":351,"zanCount":49,"manualWeight":49,"mainColor":70},288762,"salvator-rosa-the-fall-of-the-giants-yi-ming-288762","Salvator Rosa--The Fall of the 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Swine","枯瘦的浪子跪伏林间，双手按在胸口仰头祈告，褴褛粗布裹着饥寒的身躯，长杖勉强撑住他几近虚脱的身形。身侧翻倒的木桶暗喻着过往荒糜放纵的岁月。\n\n苍郁虬结的林木裹挟着沉窒氛围，薄淡天光刺破浓云，恰好落在他仰起的面庞，像是迟来的救赎微光。笔触晕开沉郁色调，将浪子的愧悔、对归途的渴盼凝在纸面。荒野的缄默里满是恳切叩问，把忏悔的卑微与痛切揉进每一处线条，让这一幕回头的瞬间，成为带着悲悯的具象救赎。",[1573,38060,33,676,30992,56650,96389,96390],"悔改","浪子回头","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fa2d9dd9bc9203c46b14ed011ee9972e9.jpg",[],{"id":96394,"slug":96395,"title":96396,"dynasty":22,"author":7,"museum":172,"description":96397,"tags":96398,"thumbUrl":96400,"material":296,"size":297,"collection":11,"collections":96401,"showCount":351,"zanCount":49,"manualWeight":49,"mainColor":70},288760,"salvator-rosa-the-raising-of-lazarus-yi-ming-288760","Salvator Rosa--The Raising of 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globe","以迅疾狂放的线条勾连人形轮廓，枯焦墨笔带着潦草粗粝的野性，晕开的墨块铺陈出厚重的体积张力。三个躯体紧绷虬结，或俯身按压，或倾身拖拽，仿佛正与这颗星球进行一场无声角力。\n\n潦草的题字穿插在缝隙之间，更添即兴创作的癫狂质感。未加修饰的速写笔触，将荒诞又肃穆的拉扯感具象化，把沉郁躁动的情绪藏在模糊的轮廓里，带着原始粗粝的冲击力，仿佛是一场关于世界与存在的即兴诘问，狂乱笔锋满是叩问的张力。",[1572,47971,1473,144,33,96408],"地球仪","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F74d7549b3d60954bca0c1698b6983419.jpg",[],{"id":96412,"slug":96413,"title":96414,"dynasty":22,"author":7,"museum":172,"description":96415,"tags":96416,"thumbUrl":96417,"material":296,"size":297,"collection":11,"collections":96418,"showCount":351,"zanCount":49,"manualWeight":49,"mainColor":70},288758,"salvator-rosa-turbaned-warrior-holding-a-mace-yi-ming-288758","Salvator Rosa--Turbaned Warrior Holding a Mace","粗粝纸面之上，炭笔游走托出沉凝的武士身姿。头巾束着乱发，虬髯裹挟风霜，袒露的肩臂肌肉线条紧实饱满，暗藏张力于松弛神态之间。\n\n衣袍褶皱层叠利落，顺着躯体走势垂坠翻卷，既勾勒出壮硕身形，又添几分随性不羁。他双手扶着重锤，冷硬的锋芒与人物沧桑的气场相融，沉静站姿里藏着百战的厚重过往。\n\n明暗晕染克制精准，寥寥数笔便衬出迟暮武者的疲惫与悍勇，将浴血归来的沉郁氛围感拉满。每一道线条都带着鲜活的生命力，把武者的沧桑与力量尽数铺陈纸面，粗朴笔触间藏着动人的张力。",[1572,38060,5967,2405,5432,95900],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F6e923336deeb6e957fb11b9f85ad5cd3.jpg",[],{"id":96420,"slug":96421,"title":96422,"dynasty":22,"author":7,"museum":172,"description":96423,"tags":96424,"thumbUrl":96426,"material":296,"size":297,"collection":11,"collections":96427,"showCount":351,"zanCount":49,"manualWeight":49,"mainColor":70},288757,"salvator-rosa-two-standing-men-gesticulating-yi-ming-288757","Salvator Rosa--Two Standing Men Gesticulating","奔放洒脱的墨线肆意游走，寥寥数笔便将两人交谈的鲜活瞬间定格。左侧男子侧头回望，右手搭在腰间佩剑上，带着倾听的沉静；右侧男子抬手挥舞，身体前倾，似正慷慨陈词，肢体动作满是情绪张力。\n\n粗粝的线条精准扫过衣袍褶皱与身形轮廓，即兴速写的松弛感扑面而来，没有刻意雕琢的笔触，却将人物神态与动态刻画得淋漓尽致，仿佛下一秒就能听见他们的争论呼告。纸面的晕染墨迹带着随性的烟火气，潦草中藏着对刹那生机的敏锐捕捉，尽显速写直击情绪与动态的独特魅力，让转瞬即逝的日常对话成为了永恒的视觉留存。",[123,33,5432,48115,96425,47971,38060],"手势","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ffb36058584c0c025f4962bf56a0c5dd8.jpg",[],{"id":96429,"slug":96430,"title":96431,"dynasty":22,"author":7,"museum":172,"description":96432,"tags":96433,"thumbUrl":96435,"material":296,"size":297,"collection":11,"collections":96436,"showCount":351,"zanCount":49,"manualWeight":49,"mainColor":70},288755,"salvator-rosa-witches-sabbath-yi-ming-288755","Salvator Rosa--Witches' Sabbath","棕褐笔调铺就诡谲底色，奔放粗粝的线条勾勒出癫狂迷乱的群像。上方翼状邪灵张牙舞爪、盘旋纠缠，将阴森感肆意铺散；下方人影姿态扭曲惶惑，有人佝偻着搅动器物，有人拖拽同伴，癫狂与惶惑交织蔓延。潦草却精准的笔触，把禁忌仪式的迷狂暗黑揉进每一处褶皱，仿佛嘶哑呓语与诡异嘶吼穿透纸面，将观者拽入这场混沌荒诞的邪异场景之中，让神秘主义的惊悚氛围感扑面而来。",[38060,123,1572,30,1058,56752,94485,96434],"怪物","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fd384c3637db3116aed2de20a9147b55f.jpg",[],{"id":96438,"slug":96439,"title":96440,"dynasty":22,"author":7,"museum":172,"description":96441,"tags":96442,"thumbUrl":96443,"material":296,"size":297,"collection":11,"collections":96444,"showCount":351,"zanCount":49,"manualWeight":49,"mainColor":70},288753,"sante-pacini-prophets-and-saints-in-glory-after-bernardino-poccetti-yi-ming-288753","Sante Pacini--Prophets and Saints in Glory, after Bernardino Poccetti","画面以云气铺就天国基底，将圣众分置左右。细腻排线勾勒衣褶，既衬出织物的厚重垂坠，也烘托出人物静穆神态。左侧圣众持圣器低首凝神，右侧王者身姿的人物伴琴端坐，尽显庄严神性。\n\n灵动小天使穿梭云间，或翻飞嬉戏、或环侍左右，柔化了天国的肃穆，让神圣图景添了几分轻盈生机。整幅以利落线条构建神圣秩序，将信仰的庄重与天国的澄澈相融，勾勒出宁静崇高的神性之美，尽显古典宗教绘画的隽永质感。",[123,1573,1572,38061,92683,96120,70321,122,70637,95441],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fff838224fc7ca8fc4330d160632cf11c.jpg",[],{"id":96446,"slug":96447,"title":96448,"dynasty":22,"author":7,"museum":172,"description":96449,"tags":96450,"thumbUrl":96453,"material":296,"size":297,"collection":11,"collections":96454,"showCount":351,"zanCount":49,"manualWeight":49,"mainColor":50},288749,"school-of-raphael-fragment-of-a-tapestry-cartoon-foot-in-a-buskin-yi-ming-288749","School of Raphael--Fragment of a Tapestry Cartoon Foot in a Buskin","这处残片将服饰质感描摹得极具张力，鞣制皮革的粗粝肌理顺着靴面自然延展，编织系带错落咬合，褶皱起伏间明暗层次分明，将金属扣件的冷硬与蝴蝶结饰的柔润形成鲜明反差。一旁织物的回纹古典规整，纹样勾勒利落凝练，衬出戎装靴履的威严厚重。背景植被晕染柔和朦胧，与主体的精细刻画形成虚实对比，以局部见整体，尽显写实技法的精湛功力，将古典戎装的工艺考究与威仪质感凝缩于方寸残片之中。",[38059,96451,96452,32,1504,4533,37],"人物局部","靴履","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fa2132753c942d6d831ee2c71fbfb2cc3.jpg",[],{"id":96456,"slug":96457,"title":96458,"dynasty":22,"author":7,"museum":172,"description":96459,"tags":96460,"thumbUrl":96462,"material":296,"size":297,"collection":11,"collections":96463,"showCount":351,"zanCount":49,"manualWeight":49,"mainColor":50},288748,"school-of-raphael-fragment-of-a-tapestry-cartoon-outstretched-hand-yi-ming-288748","School of Raphael--Fragment of a Tapestry Cartoon Outstretched Hand","这处残片以极具写实功底的笔触勾勒的手为核心，紧绷的指节与粗粝的皮肤肌理，将充满力量感的张力凝固在画面中，带着雕塑般的厚重质感。\n\n暖黄底色上半褪的棕调线条晕开织物褶皱的柔软暖意，与右侧冷灰硬质布料的冷峻质感形成鲜明对冲。岁月剥落的斑驳痕迹爬满画面，磨损的纹理成为时间的注脚，将古典匠造的写实细节与残损的诗意结合。局部的截取自宏大构图，让观者得以凝视这方寸之间的力道与温度，残存笔触里藏着精湛功底，把定格的张力与旧迹的沧桑揉合为一体。",[33,96461,70552,38039,93534],"手部特写","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fe23fc18fd79de79ca90bbc47b2f176ac.jpg",[],{"id":96465,"slug":96466,"title":96467,"dynasty":22,"author":7,"museum":172,"description":96468,"tags":96469,"thumbUrl":96470,"material":296,"size":297,"collection":11,"collections":96471,"showCount":351,"zanCount":49,"manualWeight":49,"mainColor":50},288747,"school-of-raphael-head-of-a-boy-and-section-of-a-horse-s-mane-yi-ming-288747","School of Raphael--Head of a boy and section of a horse's mane","这幅小品以局部为引，将柔与刚的质感精妙并置。流畅晕染的墨色铺陈马鬃，卷曲线条带着蓬勃野性张力，明暗晕开蓬松粗粝的毛发质感，仿佛能触摸到鬃毛的韧度与暖意。\n\n右侧少年侧脸刻画克制柔和，肤色晕染过渡自然，微张的唇线带着沉静鲜活的气息，和旁侧富有力量感的马鬃形成绝妙呼应。\n\n作品放弃完整构图，聚焦局部细节，将两种截然不同的生命质感并置，古典写生的松弛意趣铺满纸面，在方寸之间晕开鲜活的呼吸感。",[33,1006,38060,11256,38059],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fbf898bfbe8fad37bb777b4d0d171fdc8.jpg",[],{"id":96473,"slug":96474,"title":96475,"dynasty":22,"author":7,"museum":172,"description":96476,"tags":96477,"thumbUrl":96478,"material":296,"size":297,"collection":11,"collections":96479,"showCount":351,"zanCount":49,"manualWeight":49,"mainColor":70},288744,"school-of-rembrandt-man-leading-a-camel-yi-ming-288744","School of Rembrandt--Man Leading a Camel","利落的炭笔线条定格下行旅一隅，牵驼男子与骆驼构为画面重心。简劲笔锋精准交代出驼鞍织物的褶皱起伏与负重细节，鬃毛、绳结处的刻画尽显细腻巧思，寥寥数笔便勾勒出骆驼敦实的体量感。\n\n男子侧身贴靠驼身，仿佛正伴着驼铃缓步行进，左侧淡去的牲畜身影拓展了画面空间，烘托出商队赶路的松弛氛围。整幅作品笔触随性却极具表现力，留白恰到好处，将行旅沉静的氛围感藏在简淡笔意中，于极简勾勒间尽显深厚造型功底，尽显素描写意动人的魅力。",[38060,47971,123,33,9637,38059],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fb72c1050726f50e7f4dfb32840c3a475.jpg",[],{"id":96481,"slug":96482,"title":96483,"dynasty":22,"author":7,"museum":172,"description":96484,"tags":96485,"thumbUrl":96488,"material":296,"size":297,"collection":11,"collections":96489,"showCount":351,"zanCount":49,"manualWeight":49,"mainColor":70},288743,"school-of-rembrandt-the-entombment-after-mantegna-yi-ming-288743","School of Rembrandt--The Entombment, after Mantegna","画面以沉郁排线织就悲恸底色，群像铺陈出一场离别仪式。左侧众人紧绷肢体托举逝者，低垂眉眼将哀恸藏在动作里；中心男子神色肃穆沉静，与身旁崩溃瘫软的女眷形成强烈情绪反差。右侧老者仰首哀号，将整场悲伤推向顶点。\n\n衣褶线条粗粝苍劲，明暗铺陈出厚重质感，石碑铭文静静伫立，成为这场告别的沉默注脚。古典肃穆的构图之下，写实的动态将刻骨悲伤尽数展现，让悲悯浸透纸面，把葬礼之上的不舍与剧痛永远凝固。",[38060,30,33,96486,96487,122],"基督下葬","悲伤","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F882bc858c5287c117bc4364de9a91af0.jpg",[],{"id":96491,"slug":96492,"title":96493,"dynasty":22,"author":7,"museum":172,"description":96494,"tags":96495,"thumbUrl":96496,"material":296,"size":297,"collection":11,"collections":96497,"showCount":351,"zanCount":49,"manualWeight":49,"mainColor":70},288742,"school-of-rembrandt-zacharias-and-the-angel-yi-ming-288742","School of Rembrandt--Zacharias and the Angel","淡墨晕开朦胧的神圣氛围，天使隐在左侧烟气间，目光柔和垂落，静静注视跪地的撒迦利亚。他双手紧扣抵在胸前，背脊微弓，将敬畏与虔诚揉进每一道紧绷的线条里。\n\n右侧显圣的形象以轻逸笔触勾勒，光晕晕染柔和，仿佛正轻声降下启示。整幅画松弛灵动，光影在淡晕的墨色里缓缓流淌，留白裹挟着余韵，定格了神迹降临的肃穆瞬间。速写的粗粝质感非但没有削弱感染力，反而让神性的温柔与凡人的敬虔更加真挚动人，寥寥几笔便将信仰里的悸动精准捕捉，即兴又深情地诉说着这一瞬的神圣与动容。",[1573,38060,33,38061,93277,123],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F8b314832368a484d79180d9162f3bdd6.jpg",[],{"id":96499,"slug":96500,"title":96501,"dynasty":22,"author":7,"museum":172,"description":96502,"tags":96503,"thumbUrl":96504,"material":296,"size":297,"collection":11,"collections":96505,"showCount":351,"zanCount":49,"manualWeight":49,"mainColor":70},288740,"sebald-beham-the-presentation-of-the-infant-jesus-in-the-temple-yi-ming-288740","Sebald Beham--The Presentation of the Infant Jesus in the Temple","圆形画面将圣典瞬间凝于方寸，遒劲利落的线条勾勒出人物衣褶起伏与神态细节，淡彩晕染烘托出柔和沉静的氛围。前景女子躬身献礼，姿态虔诚庄重，老者托举圣婴，面容饱含慈爱肃穆，其余人物或持杖静立凝视，或低语慨叹，神情各有层次，生动还原了献祭时刻的庄严肃穆。整体构图饱满紧凑，以细密线条铺陈叙事，将神性的庄重与人性的真挚相融，带着质朴写实的质感，让这宗教圣典的瞬间拥有了触动人心的沉静力量。",[1573,1572,1473,32,93838,48124,70807,70562],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fe8b0eea555a35443dd9ac34c02d08779.jpg",[],{"id":96507,"slug":96508,"title":96509,"dynasty":22,"author":7,"museum":172,"description":96510,"tags":96511,"thumbUrl":96512,"material":296,"size":297,"collection":11,"collections":96513,"showCount":351,"zanCount":49,"manualWeight":49,"mainColor":70},288739,"sebald-beham-the-return-of-the-prodigal-son-yi-ming-288739","Sebald Beham--The Return of the Prodigal Son","跪伏的浪子攥紧父亲手腕，佝偻的脊背载满愧悔，老父倾身将掌心覆在他肩头，疼惜与释然融在微佝的身形里。旁侧乡邻或驻足侧目，或持衣静立，廊下雇工仍俯身劳作，将团圆的温热揉进日常庸常里。\n\n远景田垄里扶犁农人缓行，堡寨静立在晕开的淡墨天光中。粗粝朴拙的线条勾勒出乡野烟火，没有刻意渲染悲喜，只靠肢体拉扯与神态微末，把久别重逢的动容藏在平实乡风里，让救赎的主题随墨色缓缓铺陈，将古典叙事晕染成触手可及的俗世温情。",[2449,1572,123,96390,70115,131,7549,3665],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F7a908132d9664c4fe321ad63cc1e05a3.jpg",[],{"id":96515,"slug":96516,"title":96517,"dynasty":22,"author":7,"museum":172,"description":96518,"tags":96519,"thumbUrl":96521,"material":296,"size":297,"collection":11,"collections":96522,"showCount":351,"zanCount":49,"manualWeight":49,"mainColor":70},288738,"sebastiaen-vrancx-estates-general-leaving-troy-yi-ming-288738","Sebastiaen Vrancx--Estates General Leaving Troy","淡墨排线晕开港口烟火，左侧港湾商船错列，攒动的人群里满是临行前的喧嚷，挑担的妇人与牵稚童的旅人混在人流中，将离乡的仓促藏在松弛的笔触里。右侧行人结伴缓行，肩扛头顶的行囊写满行路的奔波，神态真切鲜活。下方手书小字似随行心绪随笔，潦草却带着滚烫的情绪余温。\n\n整幅画作以速写式的松弛笔触，将口岸市井的喧闹与远行的沉郁揉合，把这场远行的鲜活图景凝在细腻的笔痕之中，朴拙的纪实质感让离别与市井烟火气跨越时光留存。",[38060,518,2453,7388,7387,6932,1473,48022,96520],"出行场景","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F82b6403254c6788b27581b4a93f48439.jpg",[],{"id":96524,"slug":96525,"title":96526,"dynasty":22,"author":7,"museum":172,"description":96527,"tags":96528,"thumbUrl":96529,"material":296,"size":297,"collection":11,"collections":96530,"showCount":351,"zanCount":49,"manualWeight":49,"mainColor":70},288726,"urs-graf-the-bearer-of-the-banner-of-the-canton-glarus-yi-ming-288726","Urs Graf--The Bearer of the Banner of the Canton Glarus","刀锋镂刻下，孔武的佣兵背向观者，紧绷的肌理撑起挺拔轮廓，层叠肩甲的冷硬褶皱在铜痕里尽显铠甲厚重质感。肩头的圣徒光晕柔化了杀伐之气，垂坠的僧衣纹路与佣兵凌厉装束形成鲜明对照，神性护佑与世俗战意的张力在纸面铺展。\n\n旗面细密的叙事性刻绘暗藏信仰注脚，粗粝古旧的纸色晕开沉郁的时代底色，将佣兵的虔诚与悍勇凝在刀笔方寸间，成为征伐与祈愿交织的缄默注脚。",[30,33,123,2750,12054,2770,92683,5967],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fd0dd6eac92d323e3ca8e076863ee6f9e.jpg",[],{"id":96532,"slug":96533,"title":96534,"dynasty":22,"author":7,"museum":172,"description":96535,"tags":96536,"thumbUrl":96538,"material":296,"size":297,"collection":11,"collections":96539,"showCount":351,"zanCount":49,"manualWeight":49,"mainColor":70},288724,"valentin-lefebvre-david-chooses-three-days-of-pestilence-yi-ming-288724","Valentin Lefebvre--David Chooses Three Days of Pestilence","褐棕水彩晕开帷幔的垂坠褶皱，跪坐的圣者仰首向天，光晕环衬他虔诚惶惑的面容。云端天使振翼持械，充满力量感的肌肉线条裹挟着神性威严破空而来。古典拱门的背景，将神域与凡世悄然分割，器物细节暗藏宿命抉择的隐喻。明暗交叠间，巴洛克式戏剧张力拉满，将天启降临时的震颤瞬间定格，让观者直面信仰之中的惊惧与赤诚。",[1573,1572,38060,11256,38061,2361,13585,21361,2656,70418,96537],"狮像","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fc6446478d209163e07b51b39a1fc6407.jpg",[],{"id":96541,"slug":96542,"title":96543,"dynasty":22,"author":7,"museum":172,"description":96544,"tags":96545,"thumbUrl":96547,"material":296,"size":297,"collection":11,"collections":96548,"showCount":351,"zanCount":49,"manualWeight":49,"mainColor":50},288719,"vincent-van-gogh-nursery-on-schenkweg-yi-ming-288719","Vincent van Gogh--Nursery on Schenkweg","枯瘦秃树错落而立，细密笔触晕染出水泽边荒草的萧索蓬松。凝滞的水面晕开景物轮廓，将沉郁静谧揉进每一处线条里。远处屋舍隐在灰调暮色中，寒鸦斜掠长空，把空旷孤寂铺满城郊角落。克制的笔调裹藏着饱满情绪，将无人问津的城郊荒境，晕成带着清冷诗意的日常一隅，静诉着独处时的沉郁安然，让萧瑟荒芜也染上细腻温柔的氛围感。",[38060,11256,676,163,332,1125,9525,93028,29336,96546,1623],"秋冬","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F5366e8d7509e05852b010c1108615378.jpg",[],{"id":96550,"slug":96551,"title":96552,"dynasty":22,"author":7,"museum":172,"description":96553,"tags":96554,"thumbUrl":96556,"material":296,"size":297,"collection":11,"collections":96557,"showCount":351,"zanCount":49,"manualWeight":49,"mainColor":70},288718,"vincenzo-tamagni-creation-of-eve-yi-ming-288718","Vincenzo Tamagni--Creation of Eve","棕褐线条随性又精准，将三个形象的神态与动态淋漓铺展。长袍老者抬手带着肃穆庄重，裸女内敛瑟缩尽显柔婉，右侧少年姿态灵动跃然纸面。简练线条勾勒出人体肌肉的起伏张力，衣袍褶皱垂坠自然流畅，带着即兴创作的松弛质感。未加修饰的粗粝稿面，衬出构思时的鲜活灵光，将古典主题揉进质朴随性的笔触里，每一道线条都藏着对形体气韵的反复推敲，尽显速写独有的真挚生动。",[38060,123,1473,1572,35171,96555,48050,42056],"创造夏娃","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F72bb0d1490342a8c84cdd25b49d9e694.jpg",[],{"id":96559,"slug":96560,"title":96561,"dynasty":22,"author":7,"museum":172,"description":96562,"tags":96563,"thumbUrl":96564,"material":296,"size":297,"collection":11,"collections":96565,"showCount":351,"zanCount":49,"manualWeight":49,"mainColor":50},288717,"vittore-carpaccio-studies-of-a-seated-youth-in-armor-yi-ming-288717","Vittore Carpaccio--Studies of a Seated Youth in Armor","以灰蓝纸本为底，明暗线条织就中世纪武士的利落身姿。主角抬手振臂，板甲的冷硬棱角与锁子甲的细密肌理被精准铺陈，动态舒展利落，仿佛下一刻便会提刃而动。右上角头像稿松弛却精准，盔帽褶皱与侧脸神态晕染柔和，暗合沉郁的武勇气质。角落的弃置头盔与足部速写，藏着对铠甲细节、肢体动态的反复打磨，将习作的严谨考究融在松弛的草图质感中，让静态的纸面生出随时欲发的张力。",[38060,1572,5967,18011,72299,2405,47971,70580],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F0ec10932baf7bdb9afbcc998ed2f5d1c.jpg",[],{"id":96567,"slug":96568,"title":96569,"dynasty":22,"author":7,"museum":172,"description":96570,"tags":96571,"thumbUrl":96572,"material":296,"size":297,"collection":11,"collections":96573,"showCount":351,"zanCount":49,"manualWeight":49,"mainColor":70},288716,"vittorio-amedeo-rapous-the-vision-of-st-hubert-yi-ming-288716","Vittorio Amedeo Rapous--The Vision of St. Hubert","这幅素描淡彩以拱形框围合出神圣叙事场景，单膝跪地的骑士敛容屏息，将全部心神交付于林间异象——头顶灵光的圣鹿于林木间显现，这是天启降临的瞬间。身旁骏马温驯静立，脚边猎犬却警觉躁动，动静反差放大了此刻的超现实张力。朦胧晕染的林间背景将神迹包裹在氤氲雾气里，把狩猎的日常骤然拉向神性的感召。松弛却精准的线条勾勒出人物的虔敬神态，淡彩铺就柔和氛围感，定格住圣徒信仰觉醒的肃穆刹那，让神性的启迪与凡俗的悸动融为一体。",[30,33,358,1006,3243,123,1573,38060],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fb7dcd60520526f6015a06b47b73aa855.jpg",[],{"id":96575,"slug":96576,"title":96577,"dynasty":22,"author":7,"museum":172,"description":96578,"tags":96579,"thumbUrl":96581,"material":296,"size":297,"collection":11,"collections":96582,"showCount":351,"zanCount":49,"manualWeight":49,"mainColor":50},288715,"vittorio-maria-bigari-allegorical-figure-of-history-yi-ming-288715","Vittorio Maria Bigari--Allegorical Figure of History","这幅作品以色粉在灰蓝纸上营造出类浅浮雕的视觉效果，明暗晕染如石材般厚重沉静。静穆的天使展翼持卷，与垂颓疲惫的时间之神形成强烈对照。天使凝思的神情呼应上方题旨，将历史承载的文明荣光娓娓铺陈；一旁的时间之神枯槁佝偻，身侧沙漏与镰刀暗喻岁月流逝，抬手扶额的姿态尽显沧桑倦怠。摊开的古书静置于角落，暗合历史的叙事底色。创作者以雕塑化的造型语言，将历史在时间洪流里存续荣光、裹挟消逝的深邃哲思，藏入细腻的光影层次之中。",[38060,1572,93212,38061,7044,56710,96062,19646,95845,94201,48680,96580],"宗教元素","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F00fa3466829d08b1ca12ed5f967ce251.jpg",[],{"id":96584,"slug":96585,"title":96586,"dynasty":22,"author":7,"museum":172,"description":96587,"tags":96588,"thumbUrl":96592,"material":296,"size":297,"collection":11,"collections":96593,"showCount":351,"zanCount":49,"manualWeight":49,"mainColor":50},288714,"wallerant-vaillant-boy-drawing-a-bust-of-the-roman-emperor-vitellius-yi-ming-288714","Wallerant Vaillant--Boy Drawing a Bust of the Roman Emperor Vitellius","明暗晕开静谧的工坊角落，卷发少年垂首沉心，指尖轻抵摊开的画纸，目光牵系着纸笔与身旁的帝王胸像，将心神悉数交付于摹画创作。右侧的胸像带着帝王的傲慢沉凝，与少年柔和专注的神态形成奇妙张力。地面散落的镜片、卷轴静卧，晕开松弛的日常创作氛围。\n\n蚀刻版画的细腻笔触将光影揉进发丝衣褶，精准捕捉少年低垂的眉眼、紧绷的指节，把专注沉静的氛围感拉满。古典雕像的厚重肃穆，与学徒沉浸创作的松弛日常相融，定格下艺术求索的温柔瞬间，让古典创作的静谧诗意漫溢画面。",[2750,1572,95836,96589,122,70252,3244,96590,96591],"帝王胸像","专注","绘画工具","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F48ff666a52161e468bf15d18a9c601d5.jpg",[],{"id":96595,"slug":96596,"title":96597,"dynasty":22,"author":7,"museum":172,"description":96598,"tags":96599,"thumbUrl":96602,"material":296,"size":297,"collection":11,"collections":96603,"showCount":351,"zanCount":49,"manualWeight":49,"mainColor":70},288713,"wenzel-jamnitzer-urania-yi-ming-288713","Wenzel Jamnitzer--Urania","这尊立身女神带着古典静穆的质感，硬朗的排线铺陈出衣褶垂坠厚重的肌理，贴合身形的布料暗显躯体柔润轮廓，兼具庄重与优雅。她头顶星环，掌中天球仪凝缩寰宇，指尖轻触星轨纹理，周身浸着沉静神性。\n\n地面卧着的大球与掌中小球形成鲜明尺度对照，暗喻天地宏观与个体执掌星象的反差，荒草与散置器物晕开旷野荒寂氛围，将形象锚定在鸿蒙天地间。明暗排线层次细腻，织物褶皱如缓流般带着韵律，把理性的宇宙意象融入典雅的古典造像，沉敛诉说着对宇宙秩序的凝望与掌控。",[38060,95798,1572,38059,4851,96600,96601,96408],"天文女神","天球仪","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fc3591a516fe95fe83b0d8d5c962c48f7.jpg",[],{"id":96605,"slug":96606,"title":96607,"dynasty":22,"author":7,"museum":172,"description":96608,"tags":96609,"thumbUrl":96612,"material":296,"size":297,"collection":11,"collections":96613,"showCount":351,"zanCount":49,"manualWeight":49,"mainColor":70},288712,"willem-van-de-velde-ii-the-french-vessel-courtisan-yi-ming-288712","Willem van de Velde II--The French Vessel Courtisan","这幅素描以精准细腻的笔触，将风帆战舰的威仪尽显。作者以严谨的排线铺陈明暗，刻画出船体敦实的体积感，艏部极尽繁复的巴洛克浮雕群像层次分明，神祇、贵族饰纹错落交织，还原出王室舰船奢华无匹的装饰工艺。\n\n画面截取半侧船体静泊水面，留白的浅淡水色晕开沉稳氛围，写实的海事绘图技法糅合古典美学张力，将大航海时代舰船的巅峰装饰美学凝于纸面，静静铺陈着风帆纪元的荣光与匠心。",[38060,38059,96610,41620,1281,3244,96611],"古帆船","浮雕装饰","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F7f05661b97e8ad6efd648a614eff0c79.jpg",[],{"id":96615,"slug":96616,"title":96617,"dynasty":22,"author":7,"museum":172,"description":96618,"tags":96619,"thumbUrl":96624,"material":296,"size":297,"collection":11,"collections":96625,"showCount":351,"zanCount":49,"manualWeight":49,"mainColor":50},288709,"william-blake-the-parable-of-the-wise-and-foolish-virgins-yi-ming-288709","William Blake--The Parable of the Wise and Foolish Virgins","昏沉夜色里，惶急与沉静撕扯出强烈的张力。跪地伸手的少女眼含惊惶，苦苦拽住前方身影，旁侧童女将灯盏倒置，徒留空茫徒劳。左侧少女们神色安然垂立，灯盏明灭轻摇，领头者抬臂直指远方，沉静又带着不容置疑的坚定。\n\n上方灵体吹起号角，将救赎的召唤送彻夜色。朦胧晕染的笔触揉合了神圣肃穆与失丧悔恨，把等候的持守与怠惰的悔恨具象在神态动作之中。空灯与明盏，惊惶与安然，画面用明暗拉扯出两种心境，将虔诚与疏怠的分野骤然清晰，让寓言的诘问藏在每一处细节里。",[30,1572,48243,38061,96620,96621,96622,13786,96623,70377,93641],"提灯","夜晚","惊慌","圣经寓言","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F1fe7a9f1a0399b5cdee82c7c80dd0aa5.jpg",[],{"id":96627,"slug":96628,"title":96629,"dynasty":22,"author":7,"museum":172,"description":96630,"tags":96631,"thumbUrl":96634,"material":296,"size":297,"collection":11,"collections":96635,"showCount":351,"zanCount":49,"manualWeight":49,"mainColor":70},288707,"william-henry-fox-talbot-photogenic-drawing-of-a-plant-yi-ming-288707","William Henry Fox Talbot--[Photogenic Drawing of a Plant]","这是早期摄影术留存的诗意定格，以光为笔将植物拓印在相纸上。纤弱舒展的花序与叶片化作温润的白色剪影，在氧化泛黄的底色里晕开旧时光晕。脉络细节清晰留存，将植物鲜活的姿态凝为永恒的标本式印记，带着自然原生的细腻温柔。黄褐色调如同旧书页的肌理，为画面晕开复古朦胧的质感，仿佛将山野间的一瞬呼吸封存在纸间，让生命的轻盈形态与岁月沉淀的厚重感相融，静诉着早期影像技法与自然美学的浪漫邂逅。",[96632,37,207,190,96633],"摄影作品","剪影","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fbd55a79a999f900d5330fddc24320e9f.jpg",[],{"id":96637,"slug":96638,"title":96639,"dynasty":22,"author":7,"museum":172,"description":96640,"tags":96641,"thumbUrl":96643,"material":296,"size":297,"collection":11,"collections":96644,"showCount":351,"zanCount":49,"manualWeight":49,"mainColor":739},288706,"william-kentridge-casspirs-full-of-love-yi-ming-288706","William Kentridge--Casspirs Full of Love","粗粝的蚀刻线条拉扯出逼仄拥挤的车厢，黑人面孔堆叠在方寸空间里，麻木、疲惫与隐忍凝结在皲裂的轮廓中。\n\n以反讽的命题解构残酷时代，将暴力装甲车的车厢装填进被压迫者的群像，潦草涂鸦的题字像一声荒诞的讪笑，把温情词句揉进血色的种族隔离历史里。\n黑白灰的压抑色调里，杂乱划痕如同割裂的社会肌理，每一道线条都在撕扯着被桎梏的灵魂，将被碾压的个体尊严与国家暴力进行尖锐碰撞，把时代的荒诞与底层的悲鸣浓缩在这方寸蚀刻之间。",[38060,70252,1572,70242,96642],"面部特写","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F16d4f212dd264cdfb6fb047f0e9691e6.jpg",[],{"id":96646,"slug":96647,"title":96648,"dynasty":22,"author":7,"museum":172,"description":96649,"tags":96650,"thumbUrl":96652,"material":296,"size":297,"collection":11,"collections":96653,"showCount":351,"zanCount":49,"manualWeight":49,"mainColor":50},288704,"william-trost-richards-sketchbook-of-pacific-northwest-landscape-subjects-yi-ming-288704","William Trost Richards--Sketchbook of Pacific Northwest Landscape Subjects","这幅速写以松弛排线勾勒苍劲巨木，左侧用淡晕留白晕开林间晨雾，将幽寂空濛的山野氛围铺陈开来。右侧原木小屋带着质朴烟火气，烟囱、木栏的细节描摹，让荒野拓荒的日常暖意跃然纸上。\n\n画面虚实相映，朦胧雾林与写实木屋形成巧妙反差，既刻画出古木的雄浑苍古，也以淡柔笔触晕染出林间氤氲的湿气。寥寥几笔将原始森林的清寂与人居暖意相融，仿佛能听见穿林风响，窥见避世栖居的悠然日常，简淡笔触下藏着饱满的自然诗意。",[38060,47971,56613,96651,94844,131,56789,627],"森林","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fad6b8f93a02995a7c20dd34d22aa609a.jpg",[],{"id":96655,"slug":96656,"title":96657,"dynasty":22,"author":7,"museum":172,"description":96658,"tags":96659,"thumbUrl":96660,"material":296,"size":297,"collection":11,"collections":96661,"showCount":351,"zanCount":49,"manualWeight":49,"mainColor":70},288703,"workshop-of-battista-franco-design-for-the-decoration-yi-ming-288703","Workshop of Battista Franco--Design for the Decoration","这幅设计稿以素描淡彩铺陈，将拱顶与墙面装饰融为一体。拱顶之上，天使与神话场景错落排布，花环与涡卷纹样穿插其间，让装饰兼具叙事性与韵律感。墙面壁龛浮雕刻画凝练，人物动态张弛有度，烘托出宗教叙事的肃穆氛围。\n\n线条精准利落，明暗晕染巧妙烘托出浮雕立体感，尽显文艺复兴晚期装饰美学。建筑结构与装饰艺术精妙融合，每一处细节都暗藏缜密巧思，将装饰的功能性与艺术性平衡得恰到好处，尽显古典艺术的庄严雅致。",[123,33,30,12368,38060,4851,15901],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fa9019c049ff59c402edd6c2b3410afcc.jpg",[],{"id":96663,"slug":96664,"title":96665,"dynasty":22,"author":7,"museum":172,"description":96666,"tags":96667,"thumbUrl":96668,"material":296,"size":297,"collection":11,"collections":96669,"showCount":351,"zanCount":49,"manualWeight":49,"mainColor":70},288702,"workshop-of-ennemond-alexandre-petitot-landscape-yi-ming-288702","Workshop of Ennemond Alexandre Petitot--Landscape","棕褐蚀刻晕开沉郁哀思，线条婉转细腻，定格下肃穆的哀悼场景。垂敛羽翼的天使立于古朴石棺之侧，神情悲悯，垂首相慰跪伏恸哭的男子。石棺浮雕带着岁月厚重质感，背景林木朦胧晕染出幽寂氛围。\n\n整幅作品以简练的蚀刻笔触，将悲恸揉进古典肃穆的构图里，让哀伤在静谧的场景中缓缓流淌，细腻勾勒出人物的情绪张力，尽显古典丧葬题材特有的庄重温柔，带着纪念性绘画独有的沉郁氛围感。",[38060,1473,1572,38061,33967,131,2560,56740,70377],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F8d0d2475e018612840d6e3257e153842.jpg",[],{"id":96671,"slug":96672,"title":96673,"dynasty":22,"author":7,"museum":172,"description":96674,"tags":96675,"thumbUrl":96677,"material":296,"size":297,"collection":11,"collections":96678,"showCount":351,"zanCount":49,"manualWeight":49,"mainColor":70},288700,"workshop-of-gilles-marie-oppenord-study-for-a-garden-capriccio1-yi-ming-288700","Workshop of Gilles-Marie Oppenord--Study for a Garden Capriccio1","这件蚀刻版画以极尽华丽的巴洛克造园奇想为主题，凌厉细密的线条铺陈出层次饱满的园林水景装置。方柱上的拟人躯干像沉凝肃穆，坛瓮顶端环绕着嬉闹的小天使，柔化了石刻的冷硬。右侧水神女像持器倾注水流，狮身瑞兽伏护着纹章铭牌，奔涌的水线破开画面沉静，与左侧凭栏眺望的观景士人形成动静呼应。明暗排线塑出雕塑的厚重体积，繁复涡旋雕饰带着洛可可初兴的绮丽恣肆，将古典神话意趣与造园美学交融，仿佛能听见潺潺水声，尽显园林设计中的浪漫幻想与雕塑张力。",[70252,2750,1473,1993,89922,130,29964,4851,96676,70637,15901],"狮身兽","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F62af449cc8ee2d1bd40a9c11edcfd86b.jpg",[],{"id":96680,"slug":96681,"title":96682,"dynasty":22,"author":7,"museum":172,"description":96683,"tags":96684,"thumbUrl":96685,"material":296,"size":297,"collection":11,"collections":96686,"showCount":351,"zanCount":49,"manualWeight":49,"mainColor":70},288696,"written-by-francis-grose-plate-iv-from-rules-for-drawing-caricaturas-yi-ming-288696","Written by Francis Grose--Plate IV, from Rules for Drawing Caricaturas","以连贯的头像序列，将侧面到正面的肖像形变拆解为细腻递进的层次。上下两排分别搭配十八世纪流行的帽饰与发套，面孔神态错落铺陈，从倨傲哂笑过渡到沉郁愁苦，暗藏英式市井的戏谑趣味。利落的蚀刻排线勾勒起伏轮廓，将肖像漫画的造型技巧藏于视觉叙事之中，让实用的技法演示，化为一组带着鲜活情绪的群像小品，在严谨的造型教学里糅进了诙谐的讽刺意趣。",[33,9914,2750,70252,94468,70204],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fb2477c2aeeaea9a38be852d4fb3d6cd9.jpg",[],{"id":96688,"slug":96689,"title":96690,"dynasty":22,"author":7,"museum":172,"description":96691,"tags":96692,"thumbUrl":96697,"material":296,"size":297,"collection":11,"collections":96698,"showCount":351,"zanCount":49,"manualWeight":49,"mainColor":70},288695,"written-by-pieter-camper-the-works-of-the-late-professor-camper-yi-ming-288695","Written by Pieter Camper--The Works of the late Professor Camper","这幅跨页手稿以四组对照绘图，串联起从兽类颅骨到人类头部的形态递变。细密的网格辅助线锚定每一处骨相轮廓与面部比例，将物种间的颌面差异抽丝剥茧般铺陈开来。\n\n上方的颅骨素描精准还原骨缝、牙槽与颞骨结构，笔力冷峻克制，分毫毕现解剖细节；下方的人像轮廓承接颅骨比例，清晰展现骨骼架构如何支撑起肌肉线条。科学考据的理性与素描艺术的美感相融，将对生命形态的细致观察凝固在泛黄纸面，是兼具研究价值与审美价值的古典解剖绘图范本。",[123,48095,96087,96693,96694,96695,96696],"颅骨","人物头部","科学绘图","解剖图","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fd89953051b8d2d884e87ffdbabfdd664.jpg",[],{"id":96700,"slug":96701,"title":96702,"dynasty":22,"author":7,"museum":172,"description":96703,"tags":96704,"thumbUrl":96707,"material":296,"size":297,"collection":11,"collections":96708,"showCount":351,"zanCount":49,"manualWeight":49,"mainColor":70},288694,"attributed-to-andrea-boscoli-scenes-from-ancient-history-after-polidoro-da-caravaggio-yi-ming-288694","attributed to Andrea Boscoli--Scenes from Ancient History, after Polidoro da Caravaggio","这幅仿古典叙事浮雕稿以棕褐色墨水铺陈，用排线晕染塑造光影体积。画面分左右两组场景，左侧将领被仆从搀扶欲行，跪地老者垂首哀恸，伸手苦苦恳求，动态满含戏剧张力。右侧人群躁动攒动，长袍长者抬手厉声呼告，高大陶瓶锚定右半画面重心，平衡构图。整体以浅浮雕的排布区分人物层次，疏密有致。创作者精准拿捏古典历史题材的肃穆感，将世俗悲怆凝为永恒叙事，线条兼具力量与柔度，让静态画面涌动着沉郁的悲剧情绪，尽显古代历史场景的厚重与戏剧冲突。",[33,518,38060,96705,7922,96706,13786,10218],"浮雕风格","陶瓶","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F16aec70038dfd5d536c7784ef239a849.jpg",[],{"id":96710,"slug":96711,"title":96712,"dynasty":22,"author":7,"museum":172,"description":96713,"tags":96714,"thumbUrl":96717,"material":296,"size":297,"collection":11,"collections":96718,"showCount":351,"zanCount":49,"manualWeight":49,"mainColor":70},288693,"attributed-to-andrea-celesti-allegory-of-venetian-power-yi-ming-288693","attributed to Andrea Celesti--Allegory of Venetian Power","这是一幅棕色素描稿，华丽雕花画框包裹着饱满的叙事构图。中央冕旒加身的端方女性，乘云辇被众神环拥，神性威仪扑面而来。下方海面之上，俯身跪拜的民众与航海意象呼应，暗喻着海洋城邦的制霸权柄与万民归心。棕色调晕染铺陈明暗层次，线条兼具力量感与柔润度，既勾勒出神祇的雍容庄重，也细腻描摹出凡俗敬慕的神态，将权力叙事融于古典神性图景里，尽显庄重恢弘的诗意表达。",[38060,1572,92813,4851,38061,1473,96715,96716,34091,48013],"权力寓意","朝拜场景","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ffea62dc5fd85a48ef354e184f8645f8c.jpg",[],{"id":96720,"slug":96721,"title":96722,"dynasty":22,"author":7,"museum":172,"description":96723,"tags":96724,"thumbUrl":96725,"material":296,"size":297,"collection":11,"collections":96726,"showCount":351,"zanCount":49,"manualWeight":49,"mainColor":70},288691,"attributed-to-andre-s-de-melgar-female-herm-with-two-dogs-other-grotesques-yi-ming-288691","attributed to Andrés de Melgar--Female Herm with Two Dogs; Other Grotesques","淡墨钢笔下迸发着奇想碎片，左上角女身赫尔墨斯立于台座，双犬垂首拱卫，线条带着古典仪式感，旁侧小字手札似私藏的创作注脚。右上角侏儒小像与翼爪兼具的奇美拉异兽，诡谲怪诞又带着浪漫张力。下方茛苕纹装饰糅合古典建筑装饰的韵律感。\n\n潦草勾勒的草稿带着随性松弛的创作张力，将典雅神话意象与怪诞造物并置，复刻着复古奇想美学的余韵，私密的手书衬出灵感迸发的瞬间，仿佛将文艺复兴的怪诞浪漫凝缩在纸面。",[123,38060,33,3243,59,1353,4485,1504],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F320148f2d0c0780324dfe5339cad043a.jpg",[],{"id":96728,"slug":96729,"title":96730,"dynasty":22,"author":7,"museum":172,"description":96731,"tags":96732,"thumbUrl":96733,"material":296,"size":297,"collection":11,"collections":96734,"showCount":351,"zanCount":49,"manualWeight":49,"mainColor":70},288688,"attributed-to-andre-s-de-melgar-grotesque-at-right-with-winged-female-and-lion-mask-yi-ming-288688","attributed to Andrés de Melgar--Grotesque at Right with Winged Female; and Lion Mask","这幅手稿以刚柔碰撞的奇趣美学铺展画面。左侧异兽狞猛诡谲，狮首卷躯、龙形蜷身，涡旋肌理缠绕着神话生物的凌厉骨相，线条利落锋利，把幻想造物与古典卷草饰纹肆意糅合。右侧则以舒展羽翼的裸女为核心，柔美的躯体缠绕华丽茛苕纹样，柔化了异兽的暴戾气质。\n\n创作者以细腻排线勾勒轮廓，随性的手绘线条里藏着装饰设计的巧思，怪诞奇想与古典雅致彼此制衡，让狞厉的异兽与柔婉人像在卷草间共生，勾勒出中古奇幻美学的浪漫剪影，尽显复古怪谲的灵动诗意。",[123,48095,26617,1057,70675,48104,12368,2584,48680],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fe85579304a607bb95b13c75572308a88.jpg",[],{"id":96736,"slug":96737,"title":96738,"dynasty":22,"author":7,"museum":172,"description":96739,"tags":96740,"thumbUrl":96742,"material":296,"size":297,"collection":11,"collections":96743,"showCount":351,"zanCount":49,"manualWeight":49,"mainColor":70},288686,"attributed-to-andre-s-de-melgar-grotesque-with-satyr-head-and-fan-above-octagonal-yi-ming-288686","attributed to Andrés de Melgar--Grotesque with Satyr Head and Fan Above Octagonal","以细密线条织就蛛网扇形顶饰，下方狞厉兽首衔垂帷幔，撑起对称构图的威严骨架。八角龛中缩着古典小像，暗合复古意趣。两侧狮鹫雄健对峙，翼羽层叠舒张，俯身托举托盘，野性张力扑面而来。\n\n底部女像柱柔婉舒展，承起上方异兽的犷悍，刚柔相撞间生出奇妙平衡。壁板上的小面具悄悄呼应顶部兽首，让整体视觉串联成一体。手绘草稿带着随性灵动的笔意，将古典神话异兽与装饰纹样揉合，诡谲华丽的复古氛围扑面而来，尽显怪诞装饰美学的奇想巧思。",[123,38060,48095,4851,96741,272,93532,70674,12368],"狮鹫","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F248ee63410b4a114470369be76f40e33.jpg",[],{"id":96745,"slug":96746,"title":96747,"dynasty":22,"author":7,"museum":172,"description":96748,"tags":96749,"thumbUrl":96751,"material":296,"size":297,"collection":11,"collections":96752,"showCount":351,"zanCount":49,"manualWeight":49,"mainColor":70},288683,"attributed-to-andre-s-de-melgar-merman-with-strapwork-above-strapwork-and-snails-yi-ming-288683","attributed to Andrés de Melgar--Merman with Strapwork, Above Strapwork and Snails","画面上方人鱼躯干健硕紧绷，肌肉线条利落刻画出力量感，鱼尾盘绕成柔美的涡卷，将神话的绮想凝于笔端。下半部分带状饰纹极尽巧思，蝾螈状异兽蜷曲于缠枝涡卷之中，蜗牛纹样点缀其间，排线铺陈出明暗层次，勾勒出浮雕般的立体质感。\n\n整幅手稿以灵动线条串联起神话异兽与古典雕饰，怪诞绮丽又带着复古雅致，粗粝的纸面上藏着随性又精妙的巧思，揉合人体的力量韵律与装饰纹样的流动美感，尽显复古装饰美学的天马行空。",[123,1473,38060,96750,59,27036,1058,1504],"人鱼","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fefb3f57251d9dc23ade2a870c855f298.jpg",[],{"id":96754,"slug":96755,"title":96756,"dynasty":22,"author":7,"museum":172,"description":96757,"tags":96758,"thumbUrl":96759,"material":296,"size":297,"collection":11,"collections":96760,"showCount":351,"zanCount":49,"manualWeight":49,"mainColor":70},288682,"attributed-to-andre-s-de-melgar-seated-female-with-staff-receiving-female-bringing-yi-ming-288682","attributed to Andrés de Melgar--Seated Female with Staff Receiving Female Bringing","画面上下分野，织就双重意趣。上半阙神女安坐，衣褶垂坠如凝固浪涛，伸手接引的动作带着静穆的神性。来者步履带风，帛袂翻卷似流云，动静之间铺陈出庄重的祭典氛围，线条轻重收放勾勒出人物神态的细微差别。\n\n下半阙异兽持号齐鸣，肌肉虬张带着蛮荒粗粝的野性，怪诞戏谑的张力拉满，与上方的肃穆形成强烈反差。整幅以速写线条铺陈，粗简与细腻交织，将神圣祭典与蛮荒狂想揉合在方寸纸页，笔尖定格下神话的绮丽剪影，仿佛能听见角号混着神祇的低语。",[123,38060,1572,33,2584,687,48085,3277],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fc77714ed74ae3e7a186f38b4d67a194c.jpg",[],{"id":96762,"slug":96763,"title":96764,"dynasty":22,"author":7,"museum":172,"description":96765,"tags":96766,"thumbUrl":96769,"material":296,"size":297,"collection":11,"collections":96770,"showCount":351,"zanCount":49,"manualWeight":49,"mainColor":70},288680,"attributed-to-andre-s-de-melgar-strapwork-term-with-arm-extended-onto-head-yi-ming-288680","attributed to Andrés de Melgar--Strapwork Term with Arm Extended onto Head","这幅钢笔素描以利落排线铺陈体积，圆润饱满的小天使侧身舒展，肌肉起伏在疏密线条中柔和显现，稚拙中带着古典人体的柔美张力。\n\n它将怪诞柱头、缠枝饰带与涡纹构件相融，小天使与拟人化柱头呼应，绮丽复古。作为古典壁饰构思，把人文意象与工艺装饰巧妙结合，线条灵动勾勒出复古奇幻的装饰美学，带着文艺复兴晚期怪诞装饰风格的余韵，简约却尽显精致巧思。",[123,38060,1473,38059,12368,1527,96767,318,701,96768],"半裸人物","柱饰","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ffc345f784fdfb833b3ef64df73abc602.jpg",[],{"id":96772,"slug":96773,"title":96774,"dynasty":22,"author":7,"museum":172,"description":96775,"tags":96776,"thumbUrl":96777,"material":296,"size":297,"collection":11,"collections":96778,"showCount":351,"zanCount":49,"manualWeight":49,"mainColor":70},288677,"attributed-to-andre-s-de-melgar-term-with-shell-and-dragons-yi-ming-288677","attributed to Andrés de Melgar--Term with Shell and Dragons","尖笔勾勒出一场诡谲的装饰幻梦，半裸老者化身托姆柱，腰背驮起涡卷贝壳，肌肉线条苍劲朴拙，带着古典肃穆的诡异感。蜿蜒盘虬的龙形异兽攀附柱身，尖喙利齿森然，鬃毛翻卷如焰，躯体糅合爬虫的嶙峋与飞禽的矫捷，狞厉又灵动。\n\n画面角落的异种奇兽或蜷伏低吼，或奔跃探爪，凌厉洗练的线条带着版画般的硬朗质感。垂落的织物幔帐柔化了异兽的凶戾，起伏褶皱中和了尖刻笔触，令怪诞奇想糅合了雅致松弛。\n\n整体构图左右铺展呼应，将古典装饰语汇与超现实异兽之梦交织，铺陈出充满张力的暗黑美学图景，怪诞绮想在纤细刚劲的笔锋下，沉凝出独特的复古奇幻气质。",[123,59,272,33,1058],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fa3db207e77bc3adc04bfa9eb5c17ab06.jpg",[],{"id":96780,"slug":96781,"title":96782,"dynasty":22,"author":7,"museum":172,"description":96783,"tags":96784,"thumbUrl":96785,"material":296,"size":297,"collection":11,"collections":96786,"showCount":351,"zanCount":49,"manualWeight":49,"mainColor":70},288676,"attributed-to-andre-s-de-melgar-warrior-reclining-over-reclining-cupid-in-interior-yi-ming-288676","attributed to Andrés de Melgar--Warrior Reclining, Over Reclining Cupid in Interior","利落的排线勾勒明暗层次，上下双景带着鲜明的意象反差。上半帐幔低垂，老将斜倚榻间，铠甲棱线冷硬苍劲，虬结的肌肉带着饱经战事的沉郁感，榻边雕饰华美的兵器衬出骑士的威仪。\n\n下半空间私密柔和，小爱神慵卧床榻，持弓少年回身相望，躯体线条舒展柔婉，满是神话情爱里的松弛诗意。一刚一柔并置，将勇武与爱欲的古典母题悄然呼应，笔痕粗粝却藏着细腻的动态捕捉，铺陈出复古浪漫的叙事张力。",[38060,1572,5967,93694,19463,2405,1058,123],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fb8bd6c9b0155f9fad8dbc89d02e11ef3.jpg",[],{"id":96788,"slug":96789,"title":96790,"dynasty":22,"author":7,"museum":172,"description":96791,"tags":96792,"thumbUrl":96793,"material":296,"size":297,"collection":11,"collections":96794,"showCount":351,"zanCount":49,"manualWeight":49,"mainColor":70},288675,"attributed-to-bernardino-lanino-the-virgin-and-child-with-saint-roch-yi-ming-288675","attributed to Bernardino Lanino--The Virgin and Child with Saint Roch","画面左侧戎装圣者身姿挺拔，沉凝肃穆。圣母安坐石台，怀拥圣婴，垂眸间满是温柔眷念，指尖轻触孩童，圣婴探手抚向长杖，牵起微妙联结。旁侧二人低首静立，烘托出静谧庄重的宗教氛围。\n\n以棕调素描铺就整体，衣褶排线利落厚重，明暗层次柔和过渡，细腻勾勒出人物衣物质感与神态情绪。神圣静穆的底色晕染脉脉温情，将古典宗教主题的庄重感与隐秘羁绊相融，尽显内敛雅致的文艺复兴晚期宗教创作风韵。",[1573,1572,38060,27489,48124,92683],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F2927089b2f96c412e54f9f32009102b7.jpg",[],{"id":96796,"slug":96797,"title":96798,"dynasty":22,"author":7,"museum":172,"description":96799,"tags":96800,"thumbUrl":96803,"material":296,"size":297,"collection":11,"collections":96804,"showCount":351,"zanCount":49,"manualWeight":49,"mainColor":70},288673,"attributed-to-francesco-allegrini-aeneas-carrying-anchises-in-the-burning-yi-ming-288673","attributed to Francesco Allegrini--Aeneas Carrying Anchises in the Burning","棕褐色调晕开乱世烟尘，明暗光影切割出仓促的逃亡之路。埃涅阿斯紧绷的腰背驮起老父安喀塞斯，肌肉线条在笔锋下凸显着背负的重量，那是至亲的性命，更是家国火种存续的重担。身侧幼童踉跄追随，手足间满是慌乱与依赖。\n\n背景里的特洛伊城火舌翻卷，奔逃的人群隐在烟霭之中，将战火绝望的氛围铺满画面。粗犷率性的速写笔触没有多余修饰，却把灾厄之下的亲情感张力拉到极致，将史诗名篇中的仓皇逃生，定格成带着温度的瞬间，战乱的悲怆与血脉牵绊的温情交织，鲜活跃然于纸面。",[1572,38060,11256,56812,96801,96802,93722,1527],"逃亡","火灾","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F5f73eaf512665aa9813c2af6fd424f47.jpg",[],{"id":96806,"slug":96807,"title":96808,"dynasty":22,"author":7,"museum":172,"description":96809,"tags":96810,"thumbUrl":96811,"material":296,"size":297,"collection":11,"collections":96812,"showCount":351,"zanCount":49,"manualWeight":49,"mainColor":70},288672,"attributed-to-francesco-allegrini-aeneas-and-achates-entering-dido-s-palace-yi-ming-288672","attributed to Francesco Allegrini--Aeneas and Achates Entering Dido's Palace","赭褐淡晕铺展出朦胧古殿，明暗晕染切分出空间层次，拱门高台之上，王座人物威仪尽显，侍从拱卫环立，将庄严的朝堂氛围拉满。左侧来客身姿紧绷前倾，带着觐见的局促与恭谨，寥寥线条便勾勒出人物的情绪张力。\n\n这幅速写以灵动概括的笔触，省去琐细描摹，却精准抓住了这场会面的仪式感，将史诗叙事里的郑重瞬间凝于纸面，淡彩晕开的朦胧质感，让场景带着即兴捕捉的鲜活温度，仿佛能让人窥见这场会面下暗涌的情绪与故事脉络。",[33,56812,3620,11256,47971,9914],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fdd1890ca736b0eda5757c97ac3d9047e.jpg",[],{"id":96814,"slug":96815,"title":96816,"dynasty":22,"author":7,"museum":172,"description":96817,"tags":96818,"thumbUrl":96820,"material":296,"size":297,"collection":11,"collections":96821,"showCount":351,"zanCount":49,"manualWeight":49,"mainColor":70},288671,"attributed-to-francesco-allegrini-athletes-yi-ming-288671","attributed to Francesco Allegrini--Athletes","这组人体速写以洗练灵动的棕褐线条铺陈，精准捕捉男性躯体的动态张力。左侧衣装男子抬手侧目，似在交流呼应；中间裸身者舒展挺拔，肌肉轮廓在简洁走线中呼之欲出；右侧行进的裸者跨步前冲，肢体舒展充满动感。\n创作者以极简笔触勾勒躯体结构，无繁复修饰，每一根线条都贴合人体起伏，将力量感与韵律感凝于笔端。旧纸泛黄的质感晕开岁月痕迹，角落落款更添随性创作氛围，尽显速写即兴鲜活的特质，直白诠释了古典人体美学的动人之处。",[123,1572,92572,96819,1473,47971],"运动员","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fc7225898306ed84850caf4c95ac153a7.jpg",[],{"id":96823,"slug":96824,"title":96825,"dynasty":22,"author":7,"museum":172,"description":96826,"tags":96827,"thumbUrl":96829,"material":296,"size":297,"collection":11,"collections":96830,"showCount":351,"zanCount":49,"manualWeight":49,"mainColor":70},288669,"attributed-to-francesco-allegrini-cain-slaying-abel-yi-ming-288669","attributed to Francesco Allegrini--Cain Slaying Abel","这幅速写以枯棕色调铺陈，用粗犷却极具力量感的线条，定格下悲剧爆发的瞬间。扭打在一起的躯体肌肉贲张，紧绷的弧度里满是挣扎与癫狂，施暴者的动作带着原始的野蛮，将受害者的绝望困在方寸画幅中。\n\n背景草木晕染潦草朦胧，蛮荒的热带氛围为这场悲剧蒙上压抑底色。没有过多细节雕琢，即兴随性的笔触将人性撕扯下的原始残酷尽数烘托，粗粝的质感让这场暴力更具冲击力，把罪恶与绝望揉进每一道笔痕之中。",[2449,1572,38060,70436,96828,131],"该隐杀亚伯","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F7b9f5d5981ca9c10c45765667ab01e27.jpg",[],{"id":96832,"slug":96833,"title":96834,"dynasty":22,"author":7,"museum":172,"description":96835,"tags":96836,"thumbUrl":96837,"material":296,"size":297,"collection":11,"collections":96838,"showCount":351,"zanCount":49,"manualWeight":49,"mainColor":70},288666,"attributed-to-francesco-allegrini-cavalry-engagement-2-yi-ming-288666","attributed to Francesco Allegrini--Cavalry Engagement 2","这幅速写以灵动飞逸的线条裹挟着战场疾风，骑手与战马的轮廓在笔触的顿挫与飞白间呼之欲出。没有繁复刻画，仅以简练走线勾勒出人马奔腾的紧绷张力，前倾的身姿、扬起的马蹄，将短兵相接前的悍勇与焦灼尽数铺陈。潦草却精准的笔痕，仿佛将厮杀前的刹那凝固，战马的嘶鸣、甲胄的震颤似乎穿透纸面而来。创作者以极富韵律的走线，把混乱的对冲化为充满秩序感的视觉旋律，每一道线条都带着奔涌的力道，让静态画纸承载了千军突进的磅礴气势，尽显马背交锋的野性与壮烈。",[123,33,1006,54418,15773,38060],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F2f96a9767b3642ef5a9e6e3c9b746beb.jpg",[],{"id":96840,"slug":96841,"title":96842,"dynasty":22,"author":7,"museum":172,"description":96843,"tags":96844,"thumbUrl":96845,"material":296,"size":297,"collection":11,"collections":96846,"showCount":351,"zanCount":49,"manualWeight":49,"mainColor":70},288665,"attributed-to-francesco-allegrini-cavalry-engagement-yi-ming-288665","attributed to Francesco Allegrini--Cavalry Engagement","这幅速写以灵动线条捕捉骑兵混战的磅礴张力，简练的排线与顿挫的轮廓勾勒出奔马的肌肉起伏，鬃毛翻涌、马蹄腾跃，将骏马奔突的野性尽数彰显。骑手身形隐于跃动的马群间，模糊的轮廓烘托出战场的纷乱嘈杂，无需繁复铺陈，仅靠虚实交织的笔意便将短兵相接的紧张感倾泻而出。纸面的斑驳痕迹晕开岁月沉郁的质感，让这场古旧骑战更添厚重氛围。粗粝笔触下藏着酣畅动感，仿佛能听见马蹄踏地的轰鸣，将转瞬即逝的混战瞬间定格为永恒的视觉印记，尽显临场般的激昂与喧嚣。",[38060,1006,33,15773,1473],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F221f52dd53c9546176053643681c175c.jpg",[],{"id":96848,"slug":96849,"title":96850,"dynasty":22,"author":7,"museum":172,"description":96851,"tags":96852,"thumbUrl":96853,"material":296,"size":297,"collection":11,"collections":96854,"showCount":351,"zanCount":49,"manualWeight":49,"mainColor":70},288664,"attributed-to-francesco-allegrini-cavalry-engagement1-yi-ming-288664","attributed to Francesco Allegrini--Cavalry Engagement1","这幅速写以迅疾奔放的棕褐线条，铺陈出骑兵混战的炽热张力。奔马昂首腾蹄、肌肉紧绷，骑士们挥刃嘶吼，交错的人马裹挟着狂暴战意扑面而来。\n\n前景倒伏的躯体，将缠斗的惨烈拉至眼前，潦草却精准的笔触勾勒出肢体的挣扎与战马的野性，仅凭线条的疏密急缓，便将短兵相接的混乱与热血迸发的冲击力直抵观者心底，粗粝笔触自带原始的杀伐质感，让这场骑斗的喧嚣仿佛冲破纸面。",[38060,1473,93339,33,10980,54418,66853],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fb064627240c9a75b3adaad52f5f64fca.jpg",[],{"id":96856,"slug":96857,"title":96858,"dynasty":22,"author":7,"museum":172,"description":96859,"tags":96860,"thumbUrl":96861,"material":296,"size":297,"collection":11,"collections":96862,"showCount":351,"zanCount":49,"manualWeight":49,"mainColor":70},288663,"attributed-to-francesco-allegrini-christ-crucified-with-the-good-thief-yi-ming-288663","attributed to Francesco Allegrini--Christ Crucified with the Good Thief","这是两幅钉刑受难的速写稿，左侧形象肌肉张力饱满，赭色块面晕染出受刑躯体的沉郁苦痛，紧绷的四肢拉伸着濒死的沉重感，将受刑者的肉身煎熬尽数倾注在粗粝笔触中。\n\n右侧形象则更写意疏朗，枯笔淡墨勾勒躯干，明暗对比锐利洗练，带着潦草却极具力量的生动感。整张手稿带着创作实验的松弛感，留白与晕染间留存着即兴创作的温度，将宗教题材的肃穆，转化为直击感官的情绪张力，寥寥数笔就传递出受难之下的悲悯与精神重量。",[30,38060,47971,56660,92938,33],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F2d748a74c5b49edbc2a2bdf5ae440871.jpg",[],{"id":96864,"slug":96865,"title":96866,"dynasty":22,"author":7,"museum":172,"description":96867,"tags":96868,"thumbUrl":96870,"material":296,"size":297,"collection":11,"collections":96871,"showCount":351,"zanCount":49,"manualWeight":49,"mainColor":70},288662,"attributed-to-francesco-allegrini-enthroned-warrior-distributing-crowns-yi-ming-288662","attributed to Francesco Allegrini--Enthroned Warrior Distributing Crowns","以洗练的棕褐笔触铺陈群像，高台之上的授勋者抬手递出桂冠，成为视觉焦点。下方众人或躬身仰望满含敬慕，或托举承接满是郑重，动作里浸着仪式的张力。右侧留白处勾勒出备鞍骏马，暗合着军功的底色，烘托出肃穆庄重的氛围。\n线条灵动松弛，淡墨晕染晕开明暗层次，没有细碎的细节堆砌，却精准捕捉住人物的姿态与情绪，将这场荣誉礼赞的鲜活氛围跃然纸上。潦草却传神的手稿质感，留存下构思时的鲜活瞬间，让观者得以窥见这场古典仪式的生动侧影，尽显叙事速写的简约力量。",[123,6667,33,1006,5967,96869],"授冠","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ffad707525114ce8341755794b0322617.jpg",[],{"id":96873,"slug":96874,"title":96875,"dynasty":22,"author":7,"museum":172,"description":96876,"tags":96877,"thumbUrl":96878,"material":296,"size":297,"collection":11,"collections":96879,"showCount":351,"zanCount":49,"manualWeight":49,"mainColor":70},288661,"attributed-to-francesco-allegrini-figures-yi-ming-288661","attributed to Francesco Allegrini--Figures","以利落的棕褐线条铺陈三段日常图景。左侧踞坐者抬手宣讲，簇拥的众人凝神侧目，将讲道的专注氛围尽显；中段两位老者相对休憩，持杖者似正絮叨，垂首搭档静然聆听，松弛又带着老友间的熟稔；右侧二人执手低语，亲昵氛围呼之欲出。\n作者以极简的速写笔触，依靠线条疏密虚实勾勒衣褶起伏、人物神态，不着多余晕染，却精准定格了不同场景的情绪张力，将古典市井群像的鲜活意趣凝于纸面，即兴随性的笔触，留存了日常互动的细腻情态，质朴又传神。",[33,123,30,38060,4485],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fc673c3dcf4b663b6f69db21923b83f28.jpg",[],{"id":96881,"slug":96882,"title":96883,"dynasty":22,"author":7,"museum":172,"description":96884,"tags":96885,"thumbUrl":96887,"material":296,"size":297,"collection":11,"collections":96888,"showCount":351,"zanCount":49,"manualWeight":49,"mainColor":70},288660,"attributed-to-francesco-allegrini-figures2-yi-ming-288660","attributed to Francesco Allegrini--Figures2","这幅速写以枯淡墨线起形，顿挫勾勒间定格满幅张力。前景扭抱拉扯的人物肌肉紧绷，粗粝排线晕开衣物褶皱，将争执的拉扯感具象化。画面虚实对比强烈，远景的人物与十字架仅用细碎点染带过，如同将骤然浮现的骚乱瞬间，从恍惚记忆中攥住。\n\n没有精描细绘，却把慌乱躁动的氛围传递得淋漓尽致，每一道即兴的线条都带着鲜活的动感，仿佛下一秒这些身影就要冲破纸面，将这动荡瞬间永久封存在方寸纸间，尽显速写捕捉气韵的独特生命力。",[38060,47971,1572,2449,96886,2453],"耶稣受难","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F6f21b85fd1faffb6a12b03bfee4695e5.jpg",[],{"id":96890,"slug":96891,"title":96892,"dynasty":22,"author":7,"museum":172,"description":96893,"tags":96894,"thumbUrl":96896,"material":296,"size":297,"collection":11,"collections":96897,"showCount":351,"zanCount":49,"manualWeight":49,"mainColor":70},288659,"attributed-to-francesco-allegrini-four-figures-studies-one-of-a-standing-archer-yi-ming-288659","attributed to Francesco Allegrini--Four Figures Studies, One of a Standing Archer","这幅速写以红棕线条铺陈，洗练灵动地定格了四组迥异的人体动态。顶端裸身人物舒展傲然，脊背舒展带着神性的超然气度；左侧弓箭手肌肉紧绷，拉弓的姿态积蓄着饱满的张力，武者的刚健呼之欲出；下方半跪的躯体低垂肩背，满是臣服的恭谨；右侧女子抬手后仰，惶惑无措的神态跃然纸上。\n创作者以极简线条捕捉人体韵律，省去繁复铺陈，精准勾勒出不同人物的情绪与力量感，将神性、刚健、恭谨与惶惶揉于一处，尽显古典人体写生的扎实功底，定格刹那间鲜活的神态张力。",[33,96895,38060,1473,47971,1572],"弓箭手","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F33b720de46079a8056ac380d914abfb9.jpg",[],{"id":96899,"slug":96900,"title":96901,"dynasty":22,"author":7,"museum":172,"description":96902,"tags":96903,"thumbUrl":96904,"material":296,"size":297,"collection":11,"collections":96905,"showCount":351,"zanCount":49,"manualWeight":49,"mainColor":70},288658,"attributed-to-francesco-allegrini-four-flying-angels-two-flying-figures-yi-ming-288658","attributed to Francesco Allegrini--Four Flying Angels ; Two Flying Figures","这幅小稿以极简铁线勾勒出振翅天使，锐利线条带着飞扬张力，晕染水墨铺陈出羽翼蓬松质感，灵动身影仿佛要冲破纸页。右侧淡墨晕开的朦胧虚影，是未加修饰的灵光残影，虚实相映间，好似将天光里神迹乍现的瞬间定格。潦草随性的笔触是灵感迸发的即兴捕捉，泛黄纸面晕开旧时光的温柔，将飞翔轻盈与神性缥缈完美糅合，如一帧将散的幻梦，留存下转瞬即逝的空灵诗意。",[144,123,30,33,38061,163,28],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F4a50854e41a370511e74273bae39ca13.jpg",[],{"id":96907,"slug":96908,"title":96909,"dynasty":22,"author":7,"museum":172,"description":96910,"tags":96911,"thumbUrl":96913,"material":296,"size":297,"collection":11,"collections":96914,"showCount":351,"zanCount":49,"manualWeight":49,"mainColor":70},288657,"attributed-to-francesco-allegrini-four-horsemen-in-battle-yi-ming-288657","attributed to Francesco Allegrini--Four Horsemen in Battle","这幅速写以奔放淋漓的棕褐笔墨，定格了混战瞬间。骑手们俯身控马，战马扬蹄腾挪，肢体的扭转、肌肉的紧绷都被狂放的线条晕染勾勒，将骑乘冲锋的冲击力喷薄而出。\n\n下方的坠马身影更添厮杀的混乱与野性，没有精细刻画，却依靠虚实交错的色块与飞白，让战马的鬃毛、皮革的紧绷感呼之欲出。短兵相接的肃杀与动感揉进每一笔晕染里，粗犷笔触自带原始张力，仿佛能听见马蹄轰鸣与兵器碰撞之声，用极简色调将古战场的悍勇与混乱牢牢锁在纸面之上。",[38060,47971,11256,33,1006,15773,66853,54418,96912],"激烈","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F6ae573f6152f0006e7dbdc90cfdc04b2.jpg",[],{"id":96916,"slug":96917,"title":96918,"dynasty":22,"author":7,"museum":172,"description":96919,"tags":96920,"thumbUrl":96923,"material":296,"size":297,"collection":11,"collections":96924,"showCount":351,"zanCount":49,"manualWeight":49,"mainColor":70},288656,"attributed-to-francesco-allegrini-four-nude-warriors-yi-ming-288656","attributed to Francesco Allegrini--Four Nude Warriors","淡褐墨色勾勒利落线条，精准捕捉武士们奔突呼号的瞬间。上方探身挥臂的武士仿佛正厉声号令，肌肉的紧绷感顺着笔锋倾泻而出。下方三人姿态各异，或攥拳蓄力，或侧身嘶吼，或提剑疾冲，每一处肢体扭转都带着呼啸的杀伐动感。\n\n作者舍弃繁复刻画，以短促肯定的笔触勾勒肌肉起伏，将古战场上的悍勇与临场的紧绷氛围烘托得淋漓尽致。虽为素笔习作，却饱含戏剧张力，仿佛下一秒金铁交鸣之声就要冲破纸面，把战士们浴血搏杀的悍勇气魄尽数定格在纸端。",[38060,1572,123,96921,16474,96922],"裸体武士","战斗姿态","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F5bec24addbf70a9a47819f7ea0298f7d.jpg",[],{"id":96926,"slug":96927,"title":96928,"dynasty":22,"author":7,"museum":172,"description":96929,"tags":96930,"thumbUrl":96932,"material":296,"size":297,"collection":11,"collections":96933,"showCount":351,"zanCount":49,"manualWeight":49,"mainColor":70},288654,"attributed-to-francesco-allegrini-group-of-five-allegorical-figures-yi-ming-288654","attributed to Francesco Allegrini--Group of Five Allegorical Figures","棕褐墨色在纸面肆意游走，灵动线条勾勒出张力满溢的群像图景。端坐的神女衣袂舒展垂落，神情凝敛自带神性威严，抬手间似在降下谕示。右侧立身者引吭振臂，姿态激越仿若将神旨高声传扬。下方凡躯奔突扭曲，惶惑与挣扎顺着笔锋倾泻而出，伏身的猎犬贴着倒地身影，更添凄惶意绪。\n\n潦草随性的笔触精准锚定每一处动态，虚实明暗间，神性的肃穆与俗世的躁动拉扯碰撞。留白处余韵悠长，寥寥数笔便将寓意图景的戏剧张力全然铺开，情绪顺着笔尖流淌成画面肌理，即兴又充满力量感。",[123,1572,93631,33,38060,2584,6673,96931],"激昂","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F3038894d18652244127293402cad0564.jpg",[],{"id":96935,"slug":96936,"title":96937,"dynasty":22,"author":7,"museum":172,"description":96938,"tags":96939,"thumbUrl":96940,"material":296,"size":297,"collection":11,"collections":96941,"showCount":351,"zanCount":49,"manualWeight":49,"mainColor":70},288653,"attributed-to-francesco-allegrini-group-of-horsemen-yi-ming-288653","attributed to Francesco Allegrini--Group of Horsemen","这幅速写以棕褐线条铺陈出行扈从，灵动简练的笔触勾勒人马情态。马匹或扬蹄躁动或稳步徐行，短促排线晕染出肌肉的起伏张力，尽显骏骑矫健质感。骑士华冠峨服，仅以概括线条交代服饰层叠与冠饰形制，便烘托出仪仗队伍的华贵庄重。\n\n人物错落排布，既有群体出行的规整秩序，又带着松弛随性的鲜活氛围。纸面留存的岁月痕迹晕开古朴质感，极简的速写语言无需多余修饰，便将古典仪仗出行的庄重鲜活尽数传递，尽显写意传神的古典速写表现力。",[38060,123,47971,33,1006,38059],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F8c25177bffeec7fdf979fa7a946f4b63.jpg",[],{"id":96943,"slug":96944,"title":96945,"dynasty":22,"author":7,"museum":172,"description":96946,"tags":96947,"thumbUrl":96948,"material":296,"size":297,"collection":11,"collections":96949,"showCount":351,"zanCount":49,"manualWeight":49,"mainColor":70},288652,"attributed-to-francesco-allegrini-group-of-standing-and-seated-female-figures-yi-ming-288652","attributed to Francesco Allegrini--Group of Standing and Seated Female Figures","红粉笔在泛黄的纸页上随性游走，勾勒出鲜活的古典群像。中心立姿女郎身形舒展，长发垂落间尽显柔婉优雅，身旁坐者慵懒松弛，似正低语闲谈。右侧三人依偎而立，抬手抬眼间皆是亲昵融洽的情态，角落的小天使轻盈灵动，为画面添了几分浪漫轻盈。\n\n没有繁复修饰，线条精准捕捉住人体的动态张力，寥寥几笔就将女性的柔美温婉晕开，草稿独有的松弛随性裹挟着旧纸的岁月质感，让这场静谧的休憩场景仿若跨越时光，鲜活如初。创作者以敏锐的观察力，将瞬间的情绪与姿态定格，传递出古典女性独有的典雅气韵。",[38060,33,11476,38061],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F1bc95dc0aca2ec1ca4d3d7b8465170a1.jpg",[],{"id":96951,"slug":96952,"title":96953,"dynasty":22,"author":7,"museum":172,"description":96954,"tags":96955,"thumbUrl":96956,"material":296,"size":297,"collection":11,"collections":96957,"showCount":351,"zanCount":49,"manualWeight":49,"mainColor":70},288651,"attributed-to-francesco-allegrini-horse-and-rider-yi-ming-288651","attributed to Francesco Allegrini--Horse and Rider","这幅速写以奔放随性的线条，定格了惊险的一瞬。骑手仰身挥臂，肌肉线条带着惶急的张力，将突逢变故的惊惧流露无余。奔马以简练遒劲的块面勾勒轮廓，四蹄腾空，把疾驰的动感拉到极致，筋骨的爆发力仿佛要冲破纸面。\n\n下方仆地的人物线条松弛瘫软，与骑手骏马的紧绷姿态形成强烈对冲，暗合这场意外的猝然惨烈。潦草却精准的笔触未加多余修饰，以粗粝的生命力将突发变故的紧张感牢牢锁在纸面，寥寥数笔就把惊险的戏剧张力渲染得淋漓尽致。",[38060,47971,123,33,1006,48095,54589],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fa2c94eb09070641367fa38f3b83175f8.jpg",[],{"id":96959,"slug":96960,"title":96961,"dynasty":22,"author":7,"museum":172,"description":96962,"tags":96963,"thumbUrl":96964,"material":296,"size":297,"collection":11,"collections":96965,"showCount":351,"zanCount":49,"manualWeight":49,"mainColor":70},288648,"attributed-to-francesco-allegrini-horsemen-and-archers-yi-ming-288648","attributed to Francesco Allegrini--Horsemen and Archers","浅淡的素描笔触灵动松弛，寥寥数笔定格下戎马时刻的鲜活瞬间。骑马者挺身握矛，身姿沉稳远眺，马匹的肌肉轮廓简练却满含张力，仿佛正蓄势待发。下方的弓箭手舒展身姿引弓待发，动作充满爆发力。\n整幅没有精雕细琢的描摹，依靠随性的线条精准捕捉住人物与马匹的神态动势，仿佛下一秒就要策马奔驰、箭矢离弦，将戎马倥偬的氛围感凝于纸面，尽显速写语言独有的写意魅力，带着草稿独有的生动气韵。",[38060,47971,123,33,1006,96895,54418],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F5c02c8e2e263dd8038bc5a318a2dc97e.jpg",[],{"id":96967,"slug":96968,"title":96969,"dynasty":22,"author":7,"museum":172,"description":96970,"tags":96971,"thumbUrl":96972,"material":296,"size":297,"collection":11,"collections":96973,"showCount":351,"zanCount":49,"manualWeight":49,"mainColor":70},288646,"attributed-to-francesco-allegrini-horses-heads-yi-ming-288646","attributed to Francesco Allegrini--Horses' Heads","这是一幅满含即兴生命力的写生稿，松弛的排线勾勒出骏马的俊朗风骨，寥寥数笔便抓住马头沉静威仪的神态，简练线条精准还原出肌肉轮廓与毛发蓬松的质感。\n\n右上角随性的小稿带着潦草的灵动，像是灵光乍现的速记，纸面的斑驳晕开时光的旧意，角落晕开的签名，留存下创作者落笔时的仓促热忱。整幅画作不加过多修饰，将观察时的鲜活感受定格纸面，把骏马的沉静气度藏在简练笔触之中，带着创作草稿独有的随性拙朴，动人又鲜活。",[1006,272,123,47971],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fdfe002f007d5189d24ef9c7baa841bb0.jpg",[],{"id":96975,"slug":96976,"title":96977,"dynasty":22,"author":7,"museum":172,"description":96978,"tags":96979,"thumbUrl":96980,"material":296,"size":297,"collection":11,"collections":96981,"showCount":351,"zanCount":49,"manualWeight":49,"mainColor":70},288645,"attributed-to-francesco-allegrini-horses1-yi-ming-288645","attributed to Francesco Allegrini--Horses1","这幅速写以凝练线条捕捉骏马百态，左侧骏马静立悠然，利落笔线勾勒出舒展筋骨，尽显温驯体态；中间马匹抬蹄转身，鬃毛轻扬，将动静转换的瞬间定格；右侧骏马前蹄腾空，长尾肆意舒展，张扬出奔腾的野性张力。画师以入微观察力，用极简笔触贴合马匹肌肉走势，串联起骏马从安闲到勃发的神态变化，无繁复修饰，却让每匹马的灵动神气跃然纸面，带着古典写生的质朴生动，寥寥数笔便将生灵矫健昂扬的美感尽数展现。",[79,28,123,1006,272],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fa245e2ba0e79392e6906a7a7c79f0a20.jpg",[],{"id":96983,"slug":96984,"title":96985,"dynasty":22,"author":7,"museum":172,"description":96986,"tags":96987,"thumbUrl":96988,"material":296,"size":297,"collection":11,"collections":96989,"showCount":351,"zanCount":49,"manualWeight":49,"mainColor":70},288644,"attributed-to-francesco-allegrini-horses3-yi-ming-288644","attributed to Francesco Allegrini--Horses3","这幅速写以精准洗练的线条，定格两匹健硕骏马的背影。左侧骏马昂首曳尾，轮廓线条利落分明，顺着马匹脊背、腿部的肌肉起伏排布排线，将筋骨的力量感藏在疏密变化里，劲瘦的肌理呼之欲出。右侧的骏马微偏脖颈，臀部曲线圆润饱满，蓬松尾梢以松动的线条轻扫而过，添了几分悠然灵动。\n\n整幅画作没有繁复修饰，落笔笃定干脆，以极简的排线铺陈体积，寥寥数笔便将骏马的体态神韵凝练在纸面，带着速写独有的鲜活气韵，仿佛下一秒骏马就能踏步而去，尽显画者对马匹肌理神态的通透理解。",[123,1006,38060,70763,2584],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F8fbd255f56bbd66d0fb5425333586d94.jpg",[],{"id":96991,"slug":96992,"title":96993,"dynasty":22,"author":7,"museum":172,"description":96994,"tags":96995,"thumbUrl":96997,"material":296,"size":297,"collection":11,"collections":96998,"showCount":351,"zanCount":49,"manualWeight":49,"mainColor":50},288635,"jean-baptiste-deshays-phryne-before-the-areopagus-yi-ming-288635","Jean-Baptiste Deshays--Phryne Before the Areopagus","这幅稿作用赭色浓淡铺陈光影，勾勒出喧嚷的法庭场域。前景跪地的躯体奋力伸展手臂，带着哀恳与申辩的张力，将视线锚向高台肃穆的审判者。廊柱分割开空间，把焦灼的人群与端坐的法官区隔开来，晕染的暗部烘托出紧绷的氛围，仿佛能听见场中沸沸的议论与抗辩的声息。\n作者以奔放的线条捕捉人物情绪起伏：有人交头接耳私语，有人愤然争执，有人怆然动容。潦草却精准的笔触，将这场审判的戏剧张力凝于纸面，定格了人性在律法与情欲间拉扯震颤的瞬间。",[38060,32,2453,518,96996,1607],"法庭场景","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F3f778f38edf98897cdb02c85211def16.jpg",[],{"id":97000,"slug":97001,"title":97002,"dynasty":22,"author":7,"museum":172,"description":97003,"tags":97004,"thumbUrl":97005,"material":296,"size":297,"collection":11,"collections":97006,"showCount":351,"zanCount":49,"manualWeight":49,"mainColor":739},288633,"jean-baptiste-greuze-a-farmer-entrusting-the-plow-to-his-son-yi-ming-288633","Jean-Baptiste Greuze--A Farmer Entrusting the Plow to His Son","粗粜的炭笔线条晕开郊野晨雾，苍劲林木环抱着这场庄重的托付。老父抬手殷殷嘱托，青年握定犁柄凝神颔首，身旁乡邻簇立，满含期许。左侧牛群缓行，伴着手执长鞭的吆喝，喧闹的乡野队伍把农作传承的温情悄然铺展。\n\n没有浓丽敷色，仅以明暗光影勾勒鲜活神态，将农家代际间的劳作托付揉进松弛笔触里，把乡土日常的热忱与庄重定格。粗朴的线条藏着饱满的烟火暖意，让平凡的农事交接，成为满是人情温度的隽永瞬间。",[38060,38059,1572,2944,3243,131,70788,7548,48720,2453,47971],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F65568e933fa148c15af5dcdc8f22d40b.jpg",[],{"id":97008,"slug":97009,"title":97010,"dynasty":22,"author":7,"museum":172,"description":97011,"tags":97012,"thumbUrl":97014,"material":296,"size":297,"collection":11,"collections":97015,"showCount":351,"zanCount":49,"manualWeight":49,"mainColor":50},288632,"jean-baptiste-greuze-domestic-scene-yi-ming-288632","Jean-Baptiste Greuze--Domestic Scene","暖棕淡彩晕开一室烟火，松弛灵动的线条勾勒出满溢温情的日常。画面里，有人怀抱着幼童轻声逗弄，有人俯身依偎私语，老者安坐椅上垂眸休憩，小童子依偎身侧安静亲昵，连脚边蜷卧的小狗都浸着慵懒松弛的气息。\n随性的明暗铺陈里，没有刻意雕琢的精致，却精准捕捉住每个角色的神态动作，将家人间脉脉的温情揉进每一处互动里，仿佛下一秒就能听见屋中的软语和孩童的笑闹，把俗世日常里细碎鲜活的暖意，永远定格在这方寸画纸间。",[1572,4672,38060,11256,1607,38588,1527,23423,94845,97013],"温馨日常","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F425ae02db494af8a36b6e81568f10d2f.jpg",[],{"id":97017,"slug":97018,"title":97019,"dynasty":22,"author":7,"museum":172,"description":97020,"tags":97021,"thumbUrl":97022,"material":296,"size":297,"collection":11,"collections":97023,"showCount":351,"zanCount":49,"manualWeight":49,"mainColor":70},288631,"jean-baptiste-greuze-florentine-woman-wearing-a-butterfly-cap-yi-ming-288631","Jean-Baptiste Greuze--Florentine Woman Wearing a Butterfly Cap","这幅速写以灵动洗练的笔墨，定格了少女柔婉鲜活的情态。侧身回望的少女眼波带着柔婉的好奇，宽檐软帽衬得面庞愈发娇俏动人。画家以浓淡变化的墨线勾勒衣褶，虚实之间贴合人体轮廓，裙摆垂坠褶皱写意又生动，将布料的蓬松柔软尽数展现。少女指尖轻搭膝上小鼓，漫不经心的慵懒松弛扑面而来，一旁台面随意搭着织物，更添日常松弛的氛围感。整幅画作无冗余修饰，以极简笔墨抓住瞬间气韵，尽显速写捕捉鲜活情态的动人魅力。",[38060,33,127,345,47971],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fdd6d94d26ec1f86584c5cbd57fe57420.jpg",[],{"id":97025,"slug":97026,"title":97027,"dynasty":22,"author":7,"museum":172,"description":97028,"tags":97029,"thumbUrl":97032,"material":296,"size":297,"collection":11,"collections":97033,"showCount":351,"zanCount":49,"manualWeight":49,"mainColor":70},288630,"jean-baptiste-greuze-reclining-river-god-yi-ming-288630","Jean-Baptiste Greuze--Reclining River God","以红粉笔铺就的画面满是张力，后仰的躯体裹挟着狂放动感。作者精准捕捉肌肉的起伏舒张，遒劲线条刻画出力量感与松弛感的对冲，将躯体的健美质感淋漓呈现。利落排线铺陈明暗，粗粝笔触烘托出荒蛮氛围感，右侧水瓮点明形象神职属性，左侧朦胧的伴生形象让画面多了几分叙事留白。笔意酣畅随性，将神格的威仪糅合在充满野性的动态之中，尽显古典人体写生的扎实功底，带着古典神话速写独有的磅礴随性。",[38060,4851,92572,97030,97031],"斜卧","人体绘画","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F57a1d80c8c0a4d8cd7737eb5b3cb203c.jpg",[],{"id":97035,"slug":97036,"title":97037,"dynasty":22,"author":7,"museum":172,"description":97038,"tags":97039,"thumbUrl":97040,"material":296,"size":297,"collection":11,"collections":97041,"showCount":351,"zanCount":49,"manualWeight":49,"mainColor":70},288627,"jean-baptiste-marie-pierre-st-charles-borromeo-distributing-communion-yi-ming-288627","Jean-Baptiste Marie Pierre--St. Charles Borromeo Distributing Communion","画面以阶梯分割出两个情绪场域，下方民众或瘫倒在地气息奄奄，或伸臂哀号，将灾厄中的困顿与绝望刻画得入木三分。台阶之上的人物衣褶厚重沉稳，动作轻柔庄重，带着悲悯肃穆的质感，与下方悲苦形成强烈对冲。画家以排线与晕染铺陈明暗层次，精准勾勒出不同人物的神情张力，将施舍的神圣暖意，揉进受者的濒死绝望之中，让慈悲救赎的主题在素色纸面间震颤。",[38060,1573,1572,70562,2361,3244],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fdc5cc6b4de2cc7917dd20ce4214fdb14.jpg",[],{"id":97043,"slug":97044,"title":97045,"dynasty":22,"author":7,"museum":172,"description":97046,"tags":97047,"thumbUrl":97048,"material":296,"size":297,"collection":11,"collections":97049,"showCount":351,"zanCount":49,"manualWeight":49,"mainColor":50},288626,"jean-baptiste-marie-pierre-the-flight-into-egypt-yi-ming-288626","Jean-Baptiste Marie Pierre--The Flight into Egypt","以棕褐色调铺就山野洞窟，逃难的圣家族暂作停留。怀拥圣婴的圣母周身晕着柔光，约瑟牵马立身侧，前景村民围拢跪拜，奉以蔬果敬奉神迹，牛群静卧在旁，消解了流亡的仓促。\n\n粗粝的笔触皴擦岩壁肌理，将山野荒蛮与人物的柔润线条交织，日常烟火与神圣叙事相融。随性松弛的速写感，让奔波的宗教故事落回俗世暖意，在幽寂的洞窟里，把流亡跋涉，化为一场温柔的林间驻留。",[30,38060,33,2944,1006,13257,38059],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fa3873bf61d65803ebf7c716c2c9f0465.jpg",[],{"id":97051,"slug":97052,"title":97053,"dynasty":22,"author":7,"museum":172,"description":97054,"tags":97055,"thumbUrl":97058,"material":296,"size":297,"collection":11,"collections":97059,"showCount":351,"zanCount":49,"manualWeight":49,"mainColor":70},288625,"jean-baptiste-marie-pierre-the-rape-of-europa-yi-ming-288625","Jean-Baptiste Marie Pierre--The Rape of Europa","以暖红素描晕开这场宿命邂逅，线条柔婉舒展，将洛可可式轻盈揉进古典神话之中。欧罗巴倚坐白牛身侧，神色懵懂恍惚，侍女们环伺周遭，或牵衣低语或俯身注视，衣袂褶皱随动作自然垂落，柔美的情态跃然纸上。\n\n空中小天使乘飞鹰俯瞰，静静凝望这场隐秘邂逅。远景林木朦胧，古堡隐现于枝叶之后，晕开氤氲浪漫氛围。整体笔触松弛细腻，将相遇时的暧昧绮丽悉数铺陈，把神话的旖旎诗意藏在暖红色调中，让古典浪漫缓缓漫溢。",[38059,95946,1572,97056,127,2944,70637,163,8830,92748,97057],"红褐素描","欧罗巴被劫","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F08c110e71ec670449c7b973dd52fa7ee.jpg",[],{"id":97061,"slug":97062,"title":97063,"dynasty":22,"author":7,"museum":172,"description":97064,"tags":97065,"thumbUrl":97066,"material":296,"size":297,"collection":11,"collections":97067,"showCount":351,"zanCount":49,"manualWeight":49,"mainColor":50},288623,"jean-baptiste-oudry-view-in-the-gardens-of-arcueil-yi-ming-288623","Jean-Baptiste Oudry--View in the Gardens of Arcueil","这幅素描以细腻排线晕染林间光影，左侧林木与围栏错落交织，繁密叶片以疏密线条铺陈层次，将幽谧的林下氛围缓缓铺展开来。蜿蜒园路顺着视线向前延伸，尽头的铁艺门扉隐在树影朦胧间，牵引出更深邃的园林意韵。画师以精细线条勾勒皴擦树干肌理，用明暗调子区分光影边界，将林荫午后松弛静谧的氛围精准定格，仿佛能让人踏入这方园林，触摸微凉的树干，呼吸草木浸润的清新空气，沉溺在郊野花园的悠然意趣之中。",[38060,56613,1993,131,20324,6671,627],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F8835df83b1ef58facb2679e18f1ea0b7.jpg",[],{"id":97069,"slug":97070,"title":97071,"dynasty":22,"author":7,"museum":172,"description":97072,"tags":97073,"thumbUrl":97075,"material":296,"size":297,"collection":11,"collections":97076,"showCount":351,"zanCount":49,"manualWeight":49,"mainColor":50},288620,"jean-michel-moreau-the-younger-design-for-the-engraving-re-jouissances-yi-ming-288620","Jean-Michel Moreau the Younger--Design for the Engraving Réjouissances","高耸灯柱如银锋挑起点点星芒，流泻的光焰撕破夜的墨色，将这片林荫广场晕开暖融融的辉光。两侧浓荫如黛，框住这场沸腾的夜游盛事。\n\n衣香鬓影之间，贵族执盏谈笑，乐师奏起欢曲，马车碾过碎石，仆从穿行奔忙，处处漫溢松弛恣肆的欢愉。远景屋宇隐在树影里，将喧嚣妥帖拢在这片天地中。\n\n细密线条铺陈光影层次，明暗交织晕开梦幻朦胧的氛围感，将夜游狂欢的迷醉鲜活复刻，仿佛丝竹管弦混着笑语，正顺着晚风悠悠漫来。",[2750,38060,4672,96621,48720,40509,4286,6949,131,97074,6888],"纪念碑","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F20db5833158ee2ff09a7ef1bf1e73ec9.jpg",[],{"id":97078,"slug":97079,"title":97080,"dynasty":22,"author":7,"museum":172,"description":97081,"tags":97082,"thumbUrl":97086,"material":296,"size":297,"collection":11,"collections":97087,"showCount":351,"zanCount":49,"manualWeight":49,"mainColor":70},288619,"jean-michel-moreau-the-younger-perfect-harmony-yi-ming-288619","Jean-Michel Moreau the Younger--Perfect Harmony","这幅单色素描以柔缓的棕调晕开沙龙的慵懒雅致。细腻笔触勾勒出雕花墙板、柔垂纱幔与精致坐具，将室内典雅肌理尽数铺陈。竖琴手拨弦姿态舒展，女眷侧倚凝神，青年静坐倾听，三人沉醉在流淌的琴音里，神态松弛又带着隐秘的融洽。光影漫过纱裙褶皱与发间羽饰，晕开朦胧柔美的氛围，让静谧画面仿佛漾着琴音余韵，将知音和鸣的融洽，悄然定格在这场闲适雅集之中。",[38059,38060,11256,33,127,97083,687,70321,97084,19463,97085,69519],"绅士","古钢琴","贵族生活","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F827780675cf1263b3de68c987765178c.jpg",[],{"id":97089,"slug":97090,"title":97091,"dynasty":22,"author":7,"museum":172,"description":97092,"tags":97093,"thumbUrl":97095,"material":296,"size":297,"collection":11,"collections":97096,"showCount":351,"zanCount":49,"manualWeight":49,"mainColor":50},288618,"jean-pierre-louis-laurent-hou-el-visitors-with-torches-yi-ming-288618","Jean-Pierre Louis Laurent Hoüel--Visitors with Torches","这幅作品以淡彩晕染开古雅底色，环形厅堂中科林斯立柱肃穆排布，斑驳拱顶带着岁月侵蚀的痕迹，整体沉郁又庄重。摇曳的火把撕破昏沉夜色，暖光将访客身影刻在冷调石质建筑中，明暗拉扯出强烈氛围感。\n画师细腻勾勒柱身纹理与拱券结构，精准还原古建形制，又借弥散烟火晕开朦胧意境。古迹的厚重沧桑，糅合夜游探幽的鲜活悸动，仿佛能听见火把燃动的轻响，窥见旅人指尖抚过残石时，追怀往昔文明的震颤。",[38059,11256,56719,95197,33,97094,1607],"火把","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F31dcc726a3cdf93c3741455352e5273b.jpg",[],{"id":97098,"slug":97099,"title":97100,"dynasty":22,"author":7,"museum":172,"description":97101,"tags":97102,"thumbUrl":97104,"material":296,"size":297,"collection":11,"collections":97105,"showCount":351,"zanCount":49,"manualWeight":49,"mainColor":70},288617,"joachim-wtewael-christ-with-the-cross-yi-ming-288617","Joachim Wtewael--Christ with the Cross","棕色调粉笔晕染出沉静底色，蓬松卷发与虬结胡须以浓淡笔触铺就粗糙质感，光影刻画出面部沟壑间饱经苦难的沧桑。抬望的双目糅合悲悯与坚毅，放射状线条晕染出的光晕，烘托出庄严圣洁的神性氛围。\n\n紧扣十字架的指节绷起，臂弯肌肉紧绷的张力，将背负苦难的沉重尽数传递。衣褶以利落排线堆叠，硬朗里带着破碎疲惫，把隐忍的苦痛藏进褶皱缝隙。\n\n古典写实的笔触将牺牲与救赎的精神内核凝于椭圆构图中，把受难的神圣感召，熔铸成极具感染力的静态瞬间，每一处光影都在诉说信仰的重量。",[30,33,56660,92938,38060,5432,97103],"悲悯","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F0c87e14a5ec3ad8ea08e77b2cae06671.jpg",[],{"id":97107,"slug":97108,"title":97109,"dynasty":22,"author":7,"museum":172,"description":97110,"tags":97111,"thumbUrl":97112,"material":296,"size":297,"collection":11,"collections":97113,"showCount":351,"zanCount":49,"manualWeight":49,"mainColor":70},288616,"johan-carl-loth-solomon-yi-ming-288616","Johan Carl Loth--Solomon","画面铺陈出一场慵懒放浪的宴饮图景，男女嬉游缱绻，侍从穿梭其间，纵情声色的迷醉气息扑面而来。作者以灵动迅疾的棕线在灰底之上勾勒轮廓，寥寥数笔便将衣褶流转、肌肉起伏的韵律精准捕捉，又以白色提亮晕染肌肤高光与衣袂亮部，在灰纸衬映下，光影层次呼之欲出。整体构图饱满错落，拥挤的人物排布将享乐图景铺陈得鲜活生动，笔意松弛随性，却精准传递出人物沉醉欢愉的神态，将这场奢华宴饮的绮靡质感渲染尽致。",[38060,33,9914,1607,1998,35171,123],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F53249bcd7086ce744e4bb5962bd3ae3d.jpg",[],{"id":97115,"slug":97116,"title":97117,"dynasty":22,"author":7,"museum":172,"description":97118,"tags":97119,"thumbUrl":97121,"material":296,"size":297,"collection":11,"collections":97122,"showCount":351,"zanCount":49,"manualWeight":49,"mainColor":70},288615,"johan-carl-loth-the-sacrifice-of-isaac-yi-ming-288615","Johan Carl Loth--The Sacrifice of Isaac","以棕褐墨色铺陈的稿面，将献祭的濒死瞬间定格。老者肌肉贲张、嘶吼未歇，短刃堪堪停落之际，天使骤然攥住他的手腕，翼翅裹挟着气流将神圣的干预具象化。瘫坐的少年全然未觉死神擦身而过，松弛的躯体与老者紧绷的姿态形成强烈对冲。\n\n枯湿浓淡的墨色揉擦出起伏的体积感，衣褶飞扬、羽翼舒展，将刹那间的惊惶与神性的肃穆凝于纸面，让这场抉择的震颤冲破二维桎梏，让观者亲历这一瞬的惊心动魄。",[1573,1572,38060,95414,38061,7044,97120,56812,1473],"青年","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F667ce7dd71f6f959eade278f1c067b3b.jpg",[],{"id":97124,"slug":97125,"title":97126,"dynasty":22,"author":7,"museum":172,"description":97127,"tags":97128,"thumbUrl":97129,"material":296,"size":297,"collection":11,"collections":97130,"showCount":351,"zanCount":49,"manualWeight":49,"mainColor":70},288614,"johann-jakob-frey-the-elder-leaf-from-aedes-walpolianae-mounted-yi-ming-288614","Johann Jakob Frey the Elder--Leaf from Aedes Walpolianae mounted","左幅铜版画定格休憩瞬间，圣母垂眸温柔，孩童依偎身侧，老者递上果盘，林野间光影交织，衣褶纹路细腻写实，晕开旅途暂歇的脉脉温情，为宗教题材晕染出质朴暖意。\n\n右幅红印版画则以舒展线条勾勒神话群像，众神身姿灵动舒展，暖调晕染烘托出绮丽浪漫的梦幻氛围，尽显神话题材的飘逸恣肆。\n\n两幅并置，一静一柔、一逸一绮，以两种版画语言，诠释古典叙事的双重魅力，让沉静肃穆与浪漫瑰奇在此交融共生。",[2750,2449,1572,27489,48124,7044,4840,131,4851,9914],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fe99d0006fabe9b0bb2e939d11d926a0b.jpg",[],{"id":97132,"slug":97133,"title":97134,"dynasty":22,"author":7,"museum":172,"description":97135,"tags":97136,"thumbUrl":97137,"material":296,"size":297,"collection":11,"collections":97138,"showCount":351,"zanCount":49,"manualWeight":49,"mainColor":70},288613,"johannes-van-doetecum-the-elder-large-farm-with-draw-well-yi-ming-288613","Johannes van Doetecum the elder--Large Farm with Draw Well","这幅蚀刻版画以洗练的线条织就乡野日常。疏云漫过浅淡天际，两只飞鸟轻划开岑寂。错落的茅草农舍静立中央，石砌墙身带着朴拙肌理，窗棂与汲水井藏着细碎烟火。林木疏密有致，近旁高树舒展枝桠，远木虬枝错落，温柔框住农庄的松弛日常。创作者以细腻排线铺陈明暗，无刻板描摹，只凭蚀刻线条勾勒光影层次，将郊野的安恬定格，把乡居的闲散与静谧封存在纸面，晕开旧时光里的温柔质感。",[2750,123,70788,12246,6668,131,163,7551,94051],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ff7dbfd2a833a6798f62501a844d54021.jpg",[],{"id":97140,"slug":97141,"title":97142,"dynasty":22,"author":7,"museum":172,"description":97143,"tags":97144,"thumbUrl":97146,"material":296,"size":297,"collection":11,"collections":97147,"showCount":351,"zanCount":49,"manualWeight":49,"mainColor":50},288611,"john-robert-cozens-view-of-the-villa-lante-on-the-janiculum-in-rome-yi-ming-288611","John Robert Cozens--View of the Villa Lante on the Janiculum in Rome","灰蓝薄晕铺展天穹，流云轻揉出松弛朦胧的底色。前景的林木以深浅不一的墨色层叠交织，将山野的幽深蓬勃铺陈开来，把视线缓缓引向高地之上的宅邸。\n\n宅邸规整沉稳，连廊顺着山脊舒展，让人工形制与野趣柔化相融。高地边缘的石松笔挺高挑，为画面晕开疏朗的韵律感。整幅画作以水彩的朦胧晕染，柔化了天地边界，色调克制沉静，将郊野庄园的闲逸娓娓道来，仿若能窥见旧日郊野的悠然日常，在明暗晕染之间，藏着古典风景独有的安宁诗意。",[56613,48137,31238,97145,1707,10462],"别墅","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F7f34578c937859209e28f64ed8436441.jpg",[],{"id":97149,"slug":97150,"title":97151,"dynasty":22,"author":7,"museum":172,"description":97152,"tags":97153,"thumbUrl":97154,"material":296,"size":297,"collection":11,"collections":97155,"showCount":351,"zanCount":49,"manualWeight":49,"mainColor":70},288610,"john-sloan-of-human-bondage-chapter-87-yi-ming-288610","John Sloan--Of Human Bondage, Chapter 87","这幅铅笔速写以松弛随性的线条，定格了室内暗流涌动的片刻。立着的女子神态柔和舒展，椅背旁垂首偏倚的老者似正沉溺在私语中，背景的少年静立旁观，沉默烘托出隐秘拉扯的氛围。\n\n未加修饰的笔调留存下创作时的鲜活感，边角潦草的手书，将构思的思绪一同凝固在纸面。人物间的张力藏在简略勾勒的神态与动作里，仿佛将一段暧昧纠葛的人际关系定格，带着草稿独有的即兴温度，让观者得以触碰创作者捕捉情绪瞬间时的心境，将未完成的朦胧质感，揉进了这场缄默的场景中。",[38060,1572,95798,1607,48022,2453],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F0f24e495705c2b730edf8e5d3a1c468e.jpg",[],{"id":97157,"slug":97158,"title":97159,"dynasty":22,"author":7,"museum":172,"description":97160,"tags":97161,"thumbUrl":97162,"material":296,"size":297,"collection":11,"collections":97163,"showCount":351,"zanCount":49,"manualWeight":49,"mainColor":70},288609,"john-smith-leaf-from-aedes-walpolianae-mounted-with-a-print-and-a-drawing-yi-ming-288609","John Smith--Leaf from Aedes Walpolianae mounted with a print and a drawing","上方铜版画里，长发匠人执刀侧坐，指尖抚触未竟的半身雕像，沉静神态尽显创作时的专注沉浸。袍服褶皱在柔和晕染的明暗里层次分明，将匠人的从容气度具象呈现。\n\n下方的古典壁龛设计图纸对称规整，三角楣饰与立柱勾勒出庄重克制的古典美感，精准还原经典装饰范式。\n整页将肖像与设计稿并置，既是对工艺大师风貌的写实留存，也尽显其横跨雕塑与建筑设计的全能造诣，定格了匠人精神与古典美学交融的独特质感。",[2750,12520,48007,29964,14610,70252,3244,1473],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F43b7986d3812eee694d7e29d17cf107f.jpg",[],{"id":97165,"slug":97166,"title":97167,"dynasty":22,"author":7,"museum":172,"description":97168,"tags":97169,"thumbUrl":97173,"material":296,"size":297,"collection":11,"collections":97174,"showCount":351,"zanCount":49,"manualWeight":49,"mainColor":70},288608,"jonas-umbach-april-one-of-a-series-representing-yi-ming-288608","Jonas Umbach--April (one of a series representing","以红棕素描晕开春日暖意，前景里贵族男女悠然闲坐，侍从为女眷打理发丝，农妇静分拣作物，幼童在侧嬉闹，远景农夫驱牛耕作，田舍错落林梢抽芽。\n线条松弛灵动，将闲情雅致与乡野生机相融，一边是慵懒松弛的享乐日常，一边是勤恳质朴的田间劳作，动静交织铺陈出春日乡野的鲜活图景。笔触轻简却精准勾勒出人物神态，把春日郊野松弛的烟火气晕染开来，将乡野四月的恬淡意趣藏进每一处细节里，让春日乡居的鲜活日常跃然纸上。",[38060,4672,1572,70788,97170,131,2944,97171,1527,97172,1125],"初春","农作","户外休憩","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fbdb901d16793ed62bfbfa1784835eaa3.jpg",[],{"id":97176,"slug":97177,"title":97178,"dynasty":22,"author":7,"museum":172,"description":97179,"tags":97180,"thumbUrl":97181,"material":296,"size":297,"collection":11,"collections":97182,"showCount":351,"zanCount":49,"manualWeight":49,"mainColor":70},288607,"jonas-umbach-august-one-of-a-series-representing-the-labors-yi-ming-288607","Jonas Umbach--August (one of a series representing the labors","红粉笔晕出暖调乡野，林畔空地是农人们的休憩角落。少女们环坐分饮陶罐里的饮品，笑意仿佛随水汽漫开，一旁农人枕臂瘫坐，将劳作的疲惫尽数卸下。远景田垄间仍有人俯身采收，更远处村舍轻融在柔云之下。\n\n线条松弛柔和，将衣物褶皱与林木枝叶的肌理细细铺陈，疏密构图让画面张弛有度。农忙间隙的松弛日常被定格，乡野烟火气裹着午后暖意漫开，把八月郊野的慵懒惬意揉进笔底，晕染出质朴舒展的田园诗意。",[38060,4672,33,131,2944,6668,48128,3665],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fc97ef30cf42f9c16db124cf9d540186f.jpg",[],{"id":97184,"slug":97185,"title":97186,"dynasty":22,"author":7,"museum":172,"description":97187,"tags":97188,"thumbUrl":97189,"material":296,"size":297,"collection":11,"collections":97190,"showCount":351,"zanCount":49,"manualWeight":49,"mainColor":70},288606,"jonas-umbach-december-one-of-a-series-representing-the-labors-yi-ming-288606","Jonas Umbach--December (one of a series representing the labors","这帧红粉笔素描以粗粝随性的笔触，定格乡野宰牲的日常图景。前景男女跪身合力制住生猪，紧绷的肩背肌肉线条，将蛮力拉扯的张力尽显。背景农舍下众人围忙，窗沿有人探首旁观，远处田舍错落、云绕疏林，乡野烟火气四下漫开。\n\n作者以利落排线铺陈体积光影，没有精雕细琢，却将村人协作的热络、劳作的憨直藏在笔痕中，把腊月农闲宰牲的鲜活瞬间凝在纸上，让乡土冬日的粗朴暖意顺着纸笔缓缓漫溢。",[38060,1572,4672,70788,12246,14719,3665,48720,4428,4229],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F53d94d609ae4ec1f5320d53e322b0b86.jpg",[],{"id":97192,"slug":97193,"title":97194,"dynasty":22,"author":7,"museum":172,"description":97195,"tags":97196,"thumbUrl":97197,"material":296,"size":297,"collection":11,"collections":97198,"showCount":351,"zanCount":49,"manualWeight":49,"mainColor":70},288605,"jonas-umbach-february-one-of-a-series-representing-the-labors-yi-ming-288605","Jonas Umbach--February (one of a series representing the labors","这帧红粉笔素描，以灵动线条铺陈市井日常。门廊之下，雇主安坐椅上，雇工正细细打理他的皮靴，脚边孩童逗弄幼犬，松弛又鲜活。门后两人探身旁观，将闲逸氛围晕开。右侧拱门后的街巷里，人群喧闹奔走，鲜活躁动的街头光景，与门廊边的慵懒静谧形成强烈对照。\n\n画家以柔和的明暗晕染区分层次，红褐笔痕粗朴又生动，将市镇冬日的浮生百态揉进画面，粗粝纸面衬出烟火质感，让平淡日常里的松弛闲散，与巷弄间的鲜活热烈交织成暖意融融的市井图景。",[38060,4672,33,3243,93250,1126,94414],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F22202e5b40507bda01933e5f5b50374a.jpg",[],{"id":97200,"slug":97201,"title":97202,"dynasty":22,"author":7,"museum":172,"description":97203,"tags":97204,"thumbUrl":97207,"material":296,"size":297,"collection":11,"collections":97208,"showCount":351,"zanCount":49,"manualWeight":49,"mainColor":70},288604,"jonas-umbach-january-one-of-a-series-representing-the-labors-yi-ming-288604","Jonas Umbach--January (one of a series representing the labors","暖棕的红粉笔铺就冬日底色，画面被暖意与萧寒生生切开。前景炉火明旺，烤火的男子摊开手掌烘着寒气，脚边小狗垂首摇尾静候温存，侍者端着热气氤氲的食盘，将烟火气揉进暖室。背景街巷清寒，行人瑟缩赶路，将冬日凛冽尽数写在佝偻的背影里。\n\n线条松弛灵动，明暗晕开冷暖边界，把隆冬里市井日常的温热与奔波的清冷对撞，粗粝笔触勾勒出鲜活的人间情态，让萧索冬日晕开熨帖暖意，定格下寒月里最平凡动人的片刻温存。",[38060,38059,33,3243,97205,734,1126,22907,1607,19061,97206],"炉火","日常劳作","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F3bc0adf67108b3fb7f67076724fc5493.jpg",[],{"id":97210,"slug":97211,"title":97212,"dynasty":22,"author":7,"museum":172,"description":97213,"tags":97214,"thumbUrl":97217,"material":296,"size":297,"collection":11,"collections":97218,"showCount":351,"zanCount":49,"manualWeight":49,"mainColor":70},288603,"jonas-umbach-july-one-of-a-series-representing-the-labors-yi-ming-288603","Jonas Umbach--July (one of a series representing the labors","以红棕粉笔铺就乡野日常，前景农人与依偎的女子鼻尖相抵，缱绻不舍漫在松弛的笔触里，左侧同伴正打理农具，藏着奔赴田垄的匆忙。远景田埂间众人攒动，麦草垛高高堆起，错落村舍晕开质朴烟火。暖调笔触松弛细腻，没有繁复修饰，将农忙间隙的温柔相守，与田野间的劳作烟火揉作一处，把乡野日常里细碎鲜活的人情定格，晕开独属于旧时光田园的平凡暖意，让观者触摸到乡土劳作里的鲜活温度。",[38060,33,12246,7549,3665,97215,10324,70788,4672,97216],"麦垛","农耕场景","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fc4c947095d6846a6fd792e78f47cc500.jpg",[],{"id":97220,"slug":97221,"title":97222,"dynasty":22,"author":7,"museum":172,"description":97223,"tags":97224,"thumbUrl":97225,"material":296,"size":297,"collection":11,"collections":97226,"showCount":351,"zanCount":49,"manualWeight":49,"mainColor":70},288602,"attributed-to-francesco-allegrini-horses4-yi-ming-288602","attributed to Francesco Allegrini--Horses4","这组速写以利落遒劲的线条，将骏马的灵动野性尽数铺展。六匹骏马姿态各殊，或扬蹄奔跃，鬃尾随疾风肆意飞扬，肌肉的起伏张力被精准勾勒；或徐缓回身，沉稳的姿态里仍藏着悍马的筋骨气力。\n画师以极简的排线交代明暗结构，没有繁复晕染，却让每一匹马都带着鲜活生气，仿佛蹄声欲从纸面破空而来。寥寥数笔便定格下奔马的转瞬动态，将生灵蓬勃的生命力凝练在泛黄的纸页之上，尽显速写对动态捕捉的极致魅力。",[123,1006,272,28,47971,38060],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F2e8ebe360a074596530941c09ccfdad8.jpg",[],{"id":97228,"slug":97229,"title":97230,"dynasty":22,"author":7,"museum":172,"description":97231,"tags":97232,"thumbUrl":97235,"material":296,"size":297,"collection":11,"collections":97236,"showCount":351,"zanCount":49,"manualWeight":49,"mainColor":70},288600,"attributed-to-francesco-allegrini-king-solomon-receiving-the-queen-of-sheba-yi-ming-288600","attributed to Francesco Allegrini--King Solomon Receiving the Queen of Sheba","淡墨速写灵动随性，以寥寥线条铺陈出这场会面场景。画面右侧的核心二人衣袂舒展，趋近的身姿暗合会面的庄重氛围。周遭人群神态各异，或躬身肃穆，或自在舒展，潦草却精准的笔触点画出衣袍褶皱的垂坠张力，浓淡错落的墨色区分出人物层次。\n没有繁复雕琢，却以临场感极强的速写笔法，将仪式的庄重与人群的鲜活融于一纸，仿佛能听见场间的细碎低语与衣料摩挲声响，用最朴拙的线条，定格下这场会面最生动鲜活的瞬间。",[30,33,123,38060,70807,97233,97234],"所罗门王","示巴女王","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fa8f69199b242831eca58683da863a31f.jpg",[],{"id":97238,"slug":97239,"title":97240,"dynasty":22,"author":7,"museum":172,"description":97241,"tags":97242,"thumbUrl":97243,"material":296,"size":297,"collection":11,"collections":97244,"showCount":351,"zanCount":49,"manualWeight":49,"mainColor":70},288599,"attributed-to-francesco-allegrini-landscape-with-figures-the-silver-age-yi-ming-288599","attributed to Francesco Allegrini--Landscape with Figures The Silver Age","淡棕墨水晕染出朦胧乡野，线条松弛随性，铺展出一幅日常交织的田园图景。前景妇人拥着孩童闲坐，身旁男子似正待启程，静立的马匹晕开出行的悠然意趣。中远景则是热火朝天的耕作场景，农夫驱牛犁地，身影朴实有力，尽显劳作的蓬勃生机。疏朗林木与起伏坡地拉开开阔景深，明暗晕染揉合出柔和光影层次，将山野间的松弛与鲜活融为一体。整幅作品未做精雕细琢的刻画，写意笔触间带着鲜活的生活温度，将古典田园的质朴诗意娓娓道来。",[38060,38059,70788,6668,1006,2944,33,131,3665],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F1274e5736a7cec001806ae7591aa276a.jpg",[],{"id":97246,"slug":97247,"title":97248,"dynasty":22,"author":7,"museum":172,"description":97249,"tags":97250,"thumbUrl":97251,"material":296,"size":297,"collection":11,"collections":97252,"showCount":351,"zanCount":49,"manualWeight":49,"mainColor":70},288598,"attributed-to-francesco-allegrini-landscape-with-a-fortified-building-yi-ming-288598","attributed to Francesco Allegrini--Landscape with a Fortified Building","枯涩的墨线勾画出塔楼粗粝的轮廓，冷峻的防御感跃然纸面。白墙建筑依偎着塔楼，在晕染的墨色植被中半隐半现。作者以酣畅的晕染铺陈阴影，随性的笔触扫过郊野植被，明暗错落间，郊野的荒疏静谧扑面而来。\n\n没有精雕细琢的描摹，只以写意的笔调定格旅途偶遇的片刻，浓淡变幻的墨色在纸面晕开松弛的氛围感，将建筑的厚重质感与郊野的野趣柔和相融，仿佛能窥见古堡沉眠的慵懒午后，质朴的写生笔触里藏着鲜活的临场感。",[56613,68708,734,2868,131,47971,144],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fddba33016c30440a337b36e3b3e6f71e.jpg",[],{"id":97254,"slug":97255,"title":97256,"dynasty":22,"author":7,"museum":172,"description":97257,"tags":97258,"thumbUrl":97260,"material":296,"size":297,"collection":11,"collections":97261,"showCount":351,"zanCount":49,"manualWeight":49,"mainColor":70},288597,"attributed-to-francesco-allegrini-landscape-with-a-ruined-temple-yi-ming-288597","attributed to Francesco Allegrini--Landscape with a Ruined 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Polyxena","画面以灵动简练的线条铺陈悲剧底色，左侧侍女身姿沉缓，神色凝郁，持器徐行的模样满是哀悼的肃穆。前景横陈的裸身躯体，晕开的淡墨晕出暗沉悲怆，将死亡的死寂直白铺展。远景朦胧的荒寂地貌与模糊人形，把哀恸的氛围晕染扩散。\n松弛却精准的笔触带着速写独有的鲜活张力，无需繁复雕琢便将献祭后的悲戚尽数传递，每一道线条都裹挟着沉郁的哀伤，寥寥几笔便定格住这场悲剧的沉重余韵。",[38060,123,33,56812,97362],"死亡场景","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F7d46b45ceea49387dcc9cfe96ca3b937.jpg",[],{"id":97366,"slug":97367,"title":97368,"dynasty":22,"author":7,"museum":172,"description":97369,"tags":97370,"thumbUrl":97372,"material":296,"size":297,"collection":11,"collections":97373,"showCount":351,"zanCount":49,"manualWeight":49,"mainColor":70},288583,"attributed-to-francesco-allegrini-the-expulsion-of-adam-and-eve-from-paradise-yi-ming-288583","attributed to Francesco Allegrini--The Expulsion of Adam and Eve from Paradise","这幅速写以利落的红黑线条铺陈叙事，左侧长者抬手斥逐，线条凝练沉稳，带着不容置喙的威严。前列四人身形从佝偻惶然到踉跄奔逃，虚实交织的笔锋勾勒出肌肉紧绷的仓皇，淡红细线晕染出情绪的焦躁与局促。\n\n整幅画无需繁复着色，仅以灵动的线条就将驱逐时刻的戏剧张力拉满，把被逐者的窘迫惊惶与裁决者的肃穆威严，尽数揉进疏密有致的笔触里，极简却极具感染力。",[123,33,30,56812,97371],"驱逐场景","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fb44165b9333dde94090aa70109c090b1.jpg",[],{"id":97375,"slug":97376,"title":97377,"dynasty":22,"author":7,"museum":172,"description":97378,"tags":97379,"thumbUrl":97381,"material":296,"size":297,"collection":11,"collections":97382,"showCount":351,"zanCount":49,"manualWeight":49,"mainColor":70},288582,"attributed-to-francesco-allegrini-the-judgment-of-solomon-yi-ming-288582","attributed to Francesco Allegrini--The Judgment of Solomon","以松弛随性的速写笔触铺陈开这场古典叙事，断续的线条勾画出拥挤躁动的人群。左侧观者交头接耳、神色焦灼，高台之上的裁决者肃穆端坐，焦点处的妇人正拉扯争执，将母爱撕扯的痛楚与审判的紧绷暗藏于浅淡晕染间。\n\n没有厚重敷色，仅依靠明暗排线排布空间层级，潦草草稿精准抓住了场景情绪张力，每一道线条都裹挟着拉扯的戏剧冲突，将断案现场的喧嚣与庄重凝于轻薄纸页，随性笔触下藏着饱满叙事分量，让古典故事鲜活流转在素朴纸本之上。",[38060,2449,2453,56765,97380],"所罗门的审判","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F59f0e5e7846ea989c342c5cc8fd26889.jpg",[],{"id":97384,"slug":97385,"title":97386,"dynasty":22,"author":7,"museum":172,"description":97387,"tags":97388,"thumbUrl":97391,"material":296,"size":297,"collection":11,"collections":97392,"showCount":351,"zanCount":49,"manualWeight":49,"mainColor":70},288581,"attributed-to-francesco-allegrini-the-library-of-pergamus-given-to-cleopatra-yi-ming-288581","attributed to Francesco Allegrini--The Library of Pergamus Given to Cleopatra","棕褐水彩晕染出朦胧帐幕空间，松弛的线条却极具叙事张力。左侧伏案抄录的文士俯身勾勒出专注沉静的姿态，与右侧列队人群形成鲜明动静对比。铠甲武士伸手托举馆藏典籍，衣袍垂坠褶皱饱含厚重质感，将文明馈赠的庄重感缓缓铺陈。晕染色块模糊背景边界，将视线牢牢锚定在这场文明递接的瞬间，仿佛跨越千年的典籍温度仍在笔尖与掌间流动。粗粝的速写笔触藏着即兴的生动，将献书的庄重底蕴揉进随性笔意里，复刻出这段文明馈赠的肃穆与温热。",[38060,11256,1572,518,22324,93193,47911,97389,97390,2453,32],"书架","埃及艳后","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F0ebc219020ba6bc98c69d29ab417da37.jpg",[],{"id":97394,"slug":97395,"title":97396,"dynasty":22,"author":7,"museum":172,"description":97397,"tags":97398,"thumbUrl":97399,"material":296,"size":297,"collection":11,"collections":97400,"showCount":351,"zanCount":49,"manualWeight":49,"mainColor":70},288580,"attributed-to-francesco-allegrini-the-martyrdom-of-saint-sebastian-yi-ming-288580","attributed to Francesco Allegrini--The Martyrdom of Saint Sebastian","这页速写以洗练的铁线捕捉了充满张力的瞬间，寥寥数笔就将人物的动态韵律全然勾勒。左侧引弓的射手脊背绷紧，蓄势待发的力量感顺着弓弦倾泻；中心的圣者舒展躯体，带着受难时刻的凛然沉静，抬手的姿态消解了受刑的痛苦，转而透出神圣的从容；右侧的射手正奋力递出箭镞，肢体的紧绷和前者形成呼应。\n\n纸面淡晕的痕迹带着即兴创作的鲜活感，没有繁饰雕琢，却将殉难场景的戏剧冲突凝于薄纸之上，仿佛下一秒箭矢便要破空而出，让这幕神圣时刻的张力永远留存。",[123,33,30,38060,92775,1573],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fe09bc6a013b370392d7123242faa28b6.jpg",[],{"id":97402,"slug":97403,"title":97404,"dynasty":22,"author":7,"museum":172,"description":97405,"tags":97406,"thumbUrl":97409,"material":296,"size":297,"collection":11,"collections":97410,"showCount":351,"zanCount":49,"manualWeight":49,"mainColor":70},288578,"attributed-to-francesco-allegrini-the-rape-of-the-sabines-yi-ming-288578","attributed to Francesco Allegrini--The Rape of the Sabines","以奔放粗粝的线条铺陈开这场劫掠叙事，左侧静立的人物冷眼旁观，右侧则是扭打拉扯、裹挟奔逃的群像，将冲突张力淋漓尽致地释放。寥寥数笔便勾勒出人物的肢体韵律，精准捕捉拉扯时的肌肉紧绷、奔逃时的仓皇姿态，留白恰到好处烘托出骚乱的空茫感，带着即兴创作的鲜活质感，将古典题材的戏剧冲突凝缩在方寸纸间，以速写特有的表现力定格下混乱又充满力量的瞬间。",[38060,123,33,1006,19601,97407,70377,2453,97408],"劫掠场景","传说故事","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F5ec1ad294945865462199b58af99fe81.jpg",[],{"id":97412,"slug":97413,"title":97414,"dynasty":22,"author":7,"museum":172,"description":97415,"tags":97416,"thumbUrl":97417,"material":296,"size":297,"collection":11,"collections":97418,"showCount":351,"zanCount":49,"manualWeight":49,"mainColor":70},288577,"attributed-to-francesco-allegrini-two-horses-yi-ming-288577","attributed to Francesco Allegrini--Two Horses","以棕褐墨色绘就的两匹骏马，线条灵动又不失力道。顿挫起伏的笔触顺着肌肉走势铺展，精准勾勒出健硕躯体，将骏马的筋骨虬结展现得淋漓尽致。前侧昂首的骏马侧目而立，鬃毛飞扬自带桀骜神采，后侧马儿姿态稍显内敛，二者一动一静呼应成趣。画面以极简淡墨晕染背景，将视觉焦点全然交付于马匹，随性的排线自然区分明暗层次，无需繁复雕琢，便将骏马昂扬雄健的气韵定格于纸面，尽显写生速写的率真意趣。",[38060,47971,70763,1006],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fcecbdb03e89cd13b23a39f680b450716.jpg",[],{"id":97420,"slug":97421,"title":97422,"dynasty":22,"author":7,"museum":172,"description":97423,"tags":97424,"thumbUrl":97426,"material":296,"size":297,"collection":11,"collections":97427,"showCount":351,"zanCount":49,"manualWeight":49,"mainColor":70},288575,"attributed-to-francesco-allegrini-two-standing-male-figures-in-antique-military-costume-yi-ming-288575","attributed to Francesco Allegrini--Two Standing Male Figures in Antique Military Costume","淡墨勾连起雄健轮廓，浅淡水色晕开朦胧底色，寥寥几笔便将两名古战士的身姿定格。左侧武士按胯伫立，兜帽投下的阴影勾勒出冷硬侧脸，沉凝神态似在思索战局。右侧同伴昂首抬手，垂落的披风化作厚重褶皱，铠甲的硬朗肌理在简笔中隐现，肢体舒展间自带昂扬气场。\n\n松弛的线条暗藏精准的动态捕捉，二人仿佛正于战前低语，沉默的张力满溢纸面。没有繁复雕琢，却以拙朴笔触勾勒出古风军旅的沉郁气场，简而不单，将武士的肃穆气魄尽数铺陈在方寸画纸之上。",[1572,38060,11256,42074,97425,5967],"古代军事服饰","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fa817f44becf65828b00566f9256f78d2.jpg",[],{"id":97429,"slug":97430,"title":97431,"dynasty":22,"author":7,"museum":172,"description":97432,"tags":97433,"thumbUrl":97435,"material":296,"size":297,"collection":11,"collections":97436,"showCount":351,"zanCount":49,"manualWeight":49,"mainColor":70},288574,"attributed-to-francesco-allegrini-unidentified-subject-figures-before-a-palace-or-temple-yi-ming-288574","attributed to Francesco Allegrini--Unidentified Subject Figures before a Palace or Temple","以棕褐淡墨晕染铺陈，利落线条勾勒出古罗马形制的殿宇。挺拔立柱撑起舒展拱券，台阶上人群簇立，似正等候仪式启幕。左侧行人驻足低语，骑手勒马侧目望向内庭，赤膊侍者持盾疾步奔走；右侧骑手纵马飞驰，二楼凭栏看客遥遥观望。\n\n画面虚实相生，淡墨柔化建筑棱角，让肃穆的古典场景晕开鲜活烟火气。每处人物的动态都暗藏叙事张力，将仪式前夕的松弛与躁动细腻铺展，庄重古建与市井情态相融，让古典场景拥有了饱满的叙事氛围感，尽显手绘稿中藏着的细腻创作巧思。",[38060,38059,33,1006,3620,97434,95197,56719,95689],"神庙","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F95ff7202e8687f19202f507fadad099e.jpg",[],{"id":97438,"slug":97439,"title":97440,"dynasty":22,"author":7,"museum":172,"description":97441,"tags":97442,"thumbUrl":97443,"material":296,"size":297,"collection":11,"collections":97444,"showCount":351,"zanCount":49,"manualWeight":49,"mainColor":70},288573,"attributed-to-francesco-allegrini-unidentified-subject-nine-figures-and-a-horse-yi-ming-288573","attributed to Francesco Allegrini--Unidentified Subject Nine Figures and a Horse","这幅单色速写以极简却精准的线条，定格了充满张力的一幕。寥寥数笔便勾勒出马匹挺拔的身形，俊朗姿态跃然纸面。画面中的人物神态动作各异，有人簇拥低语，有人伸手对峙，地上蜷卧的身影又为场景添上了一丝戏剧化的凝重。\n\n画师以随性却老辣的笔触，摒弃多余修饰，用粗犷而鲜活的线条捕捉住人物最生动的动态，让观者能脑补出这一场景的前因后果，仿佛能窥见这幕街头或舞台上的故事切片。泛黄的纸面承载着拙朴的笔痕，将即兴捕捉的鲜活瞬间永久留存，尽显速写艺术直击心神的动人魅力。",[47971,123,33,1006],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F00d1bc7d7e5abd1feb1329604a80781c.jpg",[],{"id":97446,"slug":97447,"title":97448,"dynasty":22,"author":7,"museum":172,"description":97449,"tags":97450,"thumbUrl":97451,"material":296,"size":297,"collection":11,"collections":97452,"showCount":351,"zanCount":49,"manualWeight":49,"mainColor":70},288572,"attributed-to-francesco-allegrini-unidentified-subject-two-falling-figures-yi-ming-288572","attributed to Francesco Allegrini--Unidentified Subject Two Falling Figures","利落灵动的蚀刻线条，勾勒出强烈的动静对冲。左侧两名坠落的身形衣袂翻卷，仿佛裹挟急风而下，带着惶然失重的动感，打破画面的平稳韵律。右侧两位女子相拥低语，衣褶垂坠柔和，姿态娴静安然，与左侧形成鲜明反差。朦胧的晕染模糊了背景边界，让冲突感更加聚焦。创作者用松弛随性的素描笔触，截取了充满叙事感的瞬间，一半是倏然的慌乱坠落，一半是静谧的私语，留下大片叙事空白，引观者遐想这两个割裂场景背后的隐秘联系，渲染出带着神秘感的戏剧氛围。",[30,1572,123,38061,11476,38060,47971],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F875f0de47c0f82d7ec38597334ae8826.jpg",[],{"id":97454,"slug":97455,"title":97456,"dynasty":22,"author":7,"museum":172,"description":97457,"tags":97458,"thumbUrl":97459,"material":296,"size":297,"collection":11,"collections":97460,"showCount":351,"zanCount":49,"manualWeight":49,"mainColor":70},288571,"attributed-to-francesco-melzi-two-grotesque-heads-old-woman-yi-ming-288571","attributed to Francesco Melzi--Two Grotesque Heads Old Woman","这幅素描以松弛精准的排线勾勒出两个面目夸张的老妇侧面像，将市井丑态以怪诞手法放大。左侧妇人的宽檐帽与尖削长鼻、外翻嘴唇形成荒诞反差，右侧老者毛发蓬乱，鼻部臃肿垂坠，眉眼拧蹙，似正与对方争执。\n\n作者仅靠疏密变化的线条交代光影轮廓，捕捉面部肌肉的扭曲神态，没有多余修饰，将戏谑的市井观察凝于纸面。怪诞变形的五官并非单纯丑化，暗含着对世俗样貌的调侃，让观者在荒诞中窥见日常口角的鲜活张力，粗粝的纸面质感更添古朴的速写趣味，尽显即兴速写的生动表现力。",[38060,33,123,94487,7044,2348],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fb0fe98780247e2a8c174e54ca06f4fcb.jpg",[],{"id":97462,"slug":97463,"title":97464,"dynasty":22,"author":7,"museum":172,"description":97465,"tags":97466,"thumbUrl":97468,"material":296,"size":297,"collection":11,"collections":97469,"showCount":351,"zanCount":49,"manualWeight":49,"mainColor":50},288569,"attributed-to-giacomo-cavedone-profile-head-of-a-youth-looking-to-upper-left-yi-ming-288569","attributed to Giacomo Cavedone--Profile Head of a Youth Looking to Upper Left","这幅素描以明暗虚实勾勒出少年侧颜，淡调阴影晕开面部轮廓，留白衬出俊秀线条，将青年的清隽锐气藏于沉静神态里。蓬松卷发以粗犷排线铺陈，带着随性松弛的笔触感，却精准烘托出毛发的蓬松层次。\n下方交握的双手落笔扎实硬朗，骨节肌理被细腻捕捉，暗藏沉凝力道。粗粝纸底晕开复古质感，速写式笔法松弛又不失精准，明暗之间将少年灵动神采与手部张力相融，寥寥几笔便将人物气韵描摹得鲜活饱满，尽显古典肖像的雅致生动。",[38060,1572,97467,95242,96461],"男性青年","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F6222a9d2e46f9f57315d9ed855b3ecdc.jpg",[],{"id":97471,"slug":97472,"title":97473,"dynasty":22,"author":7,"museum":172,"description":97474,"tags":97475,"thumbUrl":97479,"material":296,"size":297,"collection":11,"collections":97480,"showCount":351,"zanCount":49,"manualWeight":49,"mainColor":739},288568,"attributed-to-giorgione-putto-bending-a-bow-yi-ming-288568","attributed to Giorgione--Putto Bending a Bow","以红粉笔晕染出暖调底色，朦胧铺就壁龛的幽谧氛围。幼童躯体饱满软润，肌肉线条带着稚拙张力，低头挽弓的动作舒展松弛，蓬松卷发的细节晕擦柔和，将大理石雕像般的静穆质感，与孩童鲜活的生气相融。光影顺着壁龛弧面自然晕开，消解了素描的生硬，让小天使仿佛栖身于静谧神龛，揉合了古典雕塑的庄重与孩童的灵动，简淡笔触间漫溢着柔婉的诗意，将神性与童真织为一体。",[38060,1572,97476,1527,38061,97477,97478],"红稿","挽弓","壁龛","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F06c8fcd0fa95ce15293b963090c29e31.jpg",[],{"id":97482,"slug":97483,"title":97484,"dynasty":22,"author":7,"museum":172,"description":97485,"tags":97486,"thumbUrl":97488,"material":296,"size":297,"collection":11,"collections":97489,"showCount":351,"zanCount":49,"manualWeight":49,"mainColor":70},288566,"attributed-to-giuseppe-zocchi-landscape-prospect-with-a-buggy-and-a-herd-of-goats-yi-ming-288566","attributed to Giuseppe Zocchi--Landscape Prospect with a Buggy and a Herd of Goats","这幅风景以淡墨晕染铺就朦胧底色，前景枯木虬曲，框住乡野闲情。坡头三五乡人歇坐闲话，目光追随着土道上辚辚驶过的马车。浅滩水光轻漾，驮队踱步过村舍拱廊，远处羊群漫过草甸，将烟火日常揉进氤氲晨雾里。\n\n画师以细腻排线区分光影，丘峦层叠着漫向天际，晕开的墨色晕染出山峦的朦胧，把乡野的松弛与静美缓缓铺展。无浓烈色彩，却用深浅墨色织就鲜活的田园日常，将郊野的悠然氛围定格在纸面之上。",[56613,38059,38060,11256,60,2688,676,97487,33,1006,6949,3885],"乡村建筑","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fc3c07276728919b92534419c5a574b9a.jpg",[],{"id":97491,"slug":97492,"title":97493,"dynasty":22,"author":7,"museum":172,"description":97494,"tags":97495,"thumbUrl":97497,"material":296,"size":297,"collection":11,"collections":97498,"showCount":351,"zanCount":49,"manualWeight":49,"mainColor":70},288565,"attributed-to-lorenzo-de-ferrari-ceiling-design-with-the-glorification-yi-ming-288565","attributed to Lorenzo de' Ferrari--Ceiling Design with the Glorification","这是一幅充满神性张力的天顶设计稿，以棕调明暗铺陈天国幻境。中心圣光迸发，如瀑的射线刺破云海，天使簇拥环绕，抬举象征神圣的礼器。武神身披铠甲立在云峦之上，与身旁圣徒遥遥呼应，衣袂褶皱随云气翻涌舒展。下方修士昂首仰望，凡俗与天国在此联结。\n画家以灵动线条勾勒出羽翼振颤、云浪奔涌的动感，明暗晕染铺就悬浮纵深感，将信仰的崇高具象为缥缈恢弘的圣境，仿佛能听见天国颂歌在云间盘旋，尽显这类装饰稿的浪漫与庄严。",[38060,2449,97496,38061,2361,445,23825,1572,48013],"天顶画","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F5e820653d60857ce1736eb89bf4803a8.jpg",[],{"id":97500,"slug":97501,"title":97502,"dynasty":22,"author":7,"museum":172,"description":97503,"tags":97504,"thumbUrl":97505,"material":296,"size":297,"collection":11,"collections":97506,"showCount":351,"zanCount":49,"manualWeight":49,"mainColor":70},288564,"attributed-to-marco-benefial-youth-kissing-an-outstretched-hand-yi-ming-288564","attributed to Marco Benefial--Youth Kissing an Outstretched Hand","以红粉笔晕染铺陈，棕底衬出暖调柔光。少年长发松垂卷曲，发丝的蓬松肌理被细细勾勒，侧脸埋在伸出的手背之上，吻落的瞬间带着缱绻又克制的温柔。\n画面手部刻画尤为动人，指节的起伏、筋肉的张力被精准捕捉，交叠的手指似在攥住即将消散的暖意，将隐秘的眷恋与不舍凝于笔端。虚实交错的线条消弭冗余轮廓，朦胧光影裹住这私密亲昵的一瞬，将转瞬即逝的浓烈心绪定格为沉静又深情的永恒。",[38060,1572,94450,3244,96461,68628],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F0793555ad164557d03a039cded63eeb7.jpg",[],{"id":97508,"slug":97509,"title":97510,"dynasty":22,"author":7,"museum":172,"description":97511,"tags":97512,"thumbUrl":97514,"material":296,"size":297,"collection":11,"collections":97515,"showCount":351,"zanCount":49,"manualWeight":49,"mainColor":50},288563,"attributed-to-mauro-berti-framed-design-for-a-stage-set-yi-ming-288563","attributed to Mauro Berti--Framed Design for a Stage Set","明暗为笔，勾勒出古典回廊的剧场氛围。粗糙石质立柱如缄默卫士，撑起伏叠拱顶，石面纹理载着厚重的质感。回旋阶梯蜿蜒向幽深处，墙间壁灯凝着昏柔余韵。暖棕淡晕与墨色暗影交错，在柱身切出利落明暗面，将舞台布景的虚幻揉入砖石的实感里。静止的建筑仿佛漾开沉缓呼吸，石缝间藏着虚构场景的真实张力，静谧中漫开隐秘的叙事感，仿佛转瞬便会有人拾级转过拐角，打破这凝固的肃穆昏光。",[94181,38060,56669,70280,2708,70124,48007,38059,97513,1624],"光影","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F07a34edcd35cfc76152450ba5f252afb.jpg",[],{"id":97517,"slug":97518,"title":97519,"dynasty":22,"author":7,"museum":172,"description":97520,"tags":97521,"thumbUrl":97525,"material":296,"size":297,"collection":11,"collections":97526,"showCount":351,"zanCount":49,"manualWeight":49,"mainColor":70},288562,"attributed-to-nosadella-kneeling-bearded-old-man-recto-section-yi-ming-288562","attributed to Nosadella--Kneeling Bearded Old Man (recto); Section","以红粉笔搭配淡墨铺陈，跪坐老者的背影张力拉满。肩背肌肉的块面被利落勾勒，精准贴合人体解剖结构，将老者的苍劲体魄尽显。他仰头嘶吼，抬手的姿态裹挟着翻涌的情绪，似悲愤又似恳切祷告。衣褶随躯体走势肆意延展，虚实交错间，让衣物的厚重和躯体的力道相融。\n\n笔触干湿浓淡富于变化，在写实精准和写意松弛间达成绝妙平衡，将一瞬迸发的情绪定格，观者足以穿透纸面，触摸到老者灵魂里翻腾的炽热情绪，尽显古典素描的表现力与感染力。",[38060,1572,7044,97522,97523,97524,93277,93049],"长须","跪地","裸背","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F9ef5f163d303bb94327cb4b8df424475.jpg",[],{"id":97528,"slug":97529,"title":97530,"dynasty":22,"author":7,"museum":172,"description":97531,"tags":97532,"thumbUrl":97534,"material":296,"size":297,"collection":11,"collections":97535,"showCount":351,"zanCount":49,"manualWeight":49,"mainColor":70},288561,"attributed-to-pier-francesco-mola-saint-john-the-baptist-preaching-yi-ming-288561","attributed to Pier Francesco Mola--Saint John the Baptist Preaching","这幅草稿以红棕与棕褐淡墨随性铺陈，灵动线条一气呵成。施洗者约翰立在台前抬手宣讲，围坐的信众神态各异，或凝神静听，或私语沉思，将传道的庄肃氛围悄然烘托。右侧河畔几人正登舟离岸，远景椰树舒展、山峦朦胧，晕开荒蛮又松弛的河畔底色。\n没有精细刻画，仅以简笔捕捉人物动态与场景气韵，将传道现场鲜活平和的瞬间定格。潦草却精准的笔触里藏着朴素的叙事张力，随性间尽显对神态与氛围的精妙把控。",[1573,38060,33,97533,4707,1343],"讲道","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F6060f6878f7571d11ea188b804f9f6f6.jpg",[],{"id":97537,"slug":97538,"title":97539,"dynasty":22,"author":7,"museum":172,"description":97540,"tags":97541,"thumbUrl":97544,"material":296,"size":297,"collection":11,"collections":97545,"showCount":351,"zanCount":49,"manualWeight":49,"mainColor":70},288560,"attributed-to-pietro-antonio-novelli-satirical-drawing-artist-painting-yi-ming-288560","attributed to Pietro Antonio Novelli--Satirical drawing Artist Painting","这幅风俗讽刺画，将沙龙画室里的荒诞瞬间定格。端坐的贵族夫人带着傲慢神气，膝头蜷着爱犬静待肖像落成，而背身的画家，却在画板上将她画得怪诞丑陋。\n\n周围看客反应耐人寻味：胖绅士攥紧双手强憋笑意，年轻男子掩嘴窃笑，夫人身侧宾客或故作镇定打量画作，或低头掩饰嗤笑，朗读书本的男子也偷瞄着画板忍俊不禁。\n\n浅淡复古的水彩晕开旧时代的沙龙氛围，以戏谑笔调刺破贵族附庸风雅、爱慕容颜虚荣的假面，将众人的虚伪揣度，藏进微妙的神态与肢体之中，尽显辛辣滑稽的嘲讽意味。",[94468,32,33,127,38059,19463,97542,97543],"宠物狗","画像场景","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fe52d0d465500191e462f0865a2e62ca5.jpg",[],{"id":97547,"slug":97548,"title":97549,"dynasty":22,"author":7,"museum":172,"description":97550,"tags":97551,"thumbUrl":97553,"material":296,"size":297,"collection":11,"collections":97554,"showCount":351,"zanCount":49,"manualWeight":49,"mainColor":70},288559,"carlo-galli-bibiena-design-for-a-stage-set-solomon-receiving-the-queen-yi-ming-288559","carlo Galli Bibiena--Design for a Stage Set Solomon Receiving the Queen","这幅舞台设计稿以棕褐淡墨铺陈，将巴洛克的浮夸恢弘与戏剧叙事感融为一体。左侧繁复的柱廊缠绕着浮雕与壁龛，利落的线条勾勒出华丽肌理，明暗晕染让雕塑仿若呼之欲出，尽显装饰的极致张力。\n右侧露台广场错落排布着人群，侍从簇拥仪仗队列，动态十足，仿佛正上演着庄重的会面。远景朦胧虚化，巧妙拉大舞台景深，将仪式的肃穆热烈暗藏在疏密有致的画面中，每一处细节都在为戏剧氛围铺垫，让纸面仿佛已成为即将启幕的戏剧现场，尽显古典舞台设计的精妙构思。",[30,33,38060,97552,6667,48012,4286,70807],"舞台设计","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F6a9a33edac83f1289a3453bdd68f19ce.jpg",[],{"id":97556,"slug":97557,"title":97558,"dynasty":22,"author":7,"museum":172,"description":97559,"tags":97560,"thumbUrl":97561,"material":296,"size":297,"collection":11,"collections":97562,"showCount":351,"zanCount":49,"manualWeight":49,"mainColor":70},288558,"francesco-guardi-figure-studies-recto-figures-along-a-canal-and-yi-ming-288558","‬Francesco Guardi--Figure Studies (recto); Figures Along a Canal and","这是一组极具生命力的人物速写，灵动的线条如行云流水，将四位绅士的动态与神情悉数定格。从垂头沉思、缓步独行，到侧身抬首、昂然伫立，姿态次第转变，情绪层次分明。利落的笔线勾勒出燕尾长衣与三角帽的服饰细节，精准还原了时代风貌。浅淡晕开的背景墙面，朦胧托出街巷的松弛氛围，不加过多修饰却自带临场感。画家以松弛随性的笔触捕捉住街头偶遇的片刻日常，让静穆纸面流淌着鲜活的市井烟火，尽显速写捕捉瞬时气韵的独特魅力。",[38060,1572,47971,123,56721,42074,48074],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F53a2415afb3ceb684b522f6fae6de06a.jpg",[],{"id":97564,"slug":97565,"title":97566,"dynasty":22,"author":7,"museum":172,"description":97567,"tags":97568,"thumbUrl":97569,"material":296,"size":297,"collection":11,"collections":97570,"showCount":351,"zanCount":49,"manualWeight":49,"mainColor":70},288557,"guercino-saint-cecilia-playing-the-organ-yi-ming-288557","‬Guercino--Saint Cecilia Playing the 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寶塔心經手稿","此作以经文书就佛宝塔形，经文随塔势层叠排布，自塔尖至基座，般若文句婉转铺陈，笔墨朴拙古雅，自带沉静禅意。塔心线刻佛像，庄严端凝，与周遭经文浑然一体，将礼佛虔心融于书法形制之中。\n\n整作是写刻结合的宗教艺术遗存，以字为砖，以文为塔，把经文深意化作视觉禅境，古旧纸面晕开岁月沉淀，平淡间藏着抄写者的至诚匠心，别具一格地诠释了经文与造像相融的东方美学。",[29,3053,124,3054,30,1170,986,292,3056,82],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F4edb9f1996a308899b4c56a8f53bf7e5.jpg",[],{"id":97705,"slug":97706,"title":97707,"dynasty":22,"author":7,"museum":172,"description":97708,"tags":97709,"thumbUrl":97710,"material":296,"size":297,"collection":11,"collections":97711,"showCount":351,"zanCount":49,"manualWeight":49,"mainColor":277},287936,"jin-gang-bo-re-bo-mi-jing-can-juan-hei-se-zhi-yi-ming-287936","金剛般若波蜜經殘卷黑色紙","此残卷以乌地衬出劲秀小楷，通篇排布匀整茂密，字字端雅秀润，笔致清劲凝练，尽显写经特有的恭谨法度。点画精到到位，结体端稳舒展，字距行距齐整划一，通篇气息贯通肃穆，带着宗教典籍特有的沉静庄严。\n\n纸面虽有斑驳残损，却更添古旧沧桑的厚重质感，残存经文绵密却不拥塞，笔意匀净含蓄，将书写者的虔诚融入笔墨之间，尽显写经的典型风貌，静静承载着久远的信仰传承与古典书法美学的融合意蕴。",[26,3053,124,3054,96,1170,30,4486,33589],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fe98caf8ba711aec5b83d21a51125972e.jpg",[],{"id":97713,"slug":97714,"title":97715,"dynasty":22,"author":7,"museum":172,"description":97716,"tags":97717,"thumbUrl":97718,"material":296,"size":297,"collection":11,"collections":97719,"showCount":351,"zanCount":49,"manualWeight":49,"mainColor":1162},287926,"ping-fu-tie-yi-ming-287926","平复帖","此作为小楷题跋，笔致秀雅温润，结体灵动舒展，兼得晋唐小楷的端严法度与文人书写的散淡意趣。墨色苍润匀净，字距排布错落合宜，通篇气息平和疏朗。以笔墨承载考证思绪，将题识的严谨考据与书法的抒情雅致相融，寸楮之间既有金石考据的沉静文心，亦见老笔纷披的醇厚韵味，尽显旧时文人题跋的斯文风骨。",[124,125,82,1421,28],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fb6826f3f63557cc8d3e991db18b0900c.jpg",[],{"id":97721,"slug":97722,"title":56955,"dynasty":22,"author":7,"museum":172,"description":97723,"tags":97724,"thumbUrl":97725,"material":296,"size":297,"collection":11,"collections":97726,"showCount":351,"zanCount":49,"manualWeight":49,"mainColor":70},287918,"yu-jia-shi-di-lun-sheng-wen-di-fen-men-ji-juan-zhi-bei-yi-ming-287918","泛黄麻纸晕开岁月的痕迹，墨笔排布匀整端严，朴拙笔意藏着抄经手静定的修行日常。朱笔校注错落点缀，是研学义理时的悉心标注，虽为纸背誊录，却凝着中古佛学传习的鲜活切片。残损纸缘刻着时光剥蚀的印记，笔墨沉潜千年研学温度，是信仰与文字交织的质朴遗存，静静诉说着往昔僧众研阅经论的虔诚日常。",[26,96,124,3053,30,4486,3054],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fa83fa2fb23e184ca6b2eb4cdac400852.jpg",[],{"id":97728,"slug":97729,"title":97730,"dynasty":22,"author":7,"museum":172,"description":97731,"tags":97732,"thumbUrl":97733,"material":296,"size":297,"collection":11,"collections":97734,"showCount":351,"zanCount":49,"manualWeight":49,"mainColor":50},287914,"miao-fa-lian-hua-jing-di-qi-juan-yi-ming-287914","妙法連華經第七卷","此卷小楷写经笔致精劲凝练，字字端稳匀净，通篇排布齐整森然，气息绵密贯通，虽为长篇经文，却无一笔怠懈，尽显恪守法度的恭谨。墨色沉朴古雅，与泛黄藏经纸相得益彰，既有写经体的庄严静穆，又暗藏笔锋细微意趣，毫无刻板匠气。\n\n岁月晕染的纸色与留存的朱印，沉淀着悠悠时光的厚重，是宗教热忱与翰墨匠心的融合遗存，静静诉说着千年前抄经时的肃穆氛围，尽显东方书写的独特意蕴。",[26,96,124,3053,1170,3054,4486,30,28],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F7e68da8fcfe21569d24cda1d43b6b66a.jpg",[],{"id":97736,"slug":97737,"title":97738,"dynasty":22,"author":7,"museum":172,"description":97739,"tags":97740,"thumbUrl":97741,"material":296,"size":297,"collection":11,"collections":97742,"showCount":351,"zanCount":49,"manualWeight":49,"mainColor":50},287912,"fu-shuo-zhai-jing-juan-yi-ming-287912","佛說齋經卷","此卷小楷恭谨端丽，笔墨清劲匀净，是典型的写经风貌。通篇字势端稳排布齐整，笔笔呼应，气息静谧安和，与经文清修主旨相融共生。\n\n纸面因岁月经年晕染泛黄，古雅沉静的质感愈发浓厚。写经人以持敬之心落墨，将宗教的肃穆虔诚藏进每一笔起落中，让书法与经文意蕴合一，尽显写经书法内敛虔诚之美，兼具宗教价值与书法审美价值。",[26,96,124,3053,3054,1170,4486],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ff7b599d590540bad7af7468827e89604.jpg",[],{"id":97744,"slug":97745,"title":97746,"dynasty":22,"author":7,"museum":172,"description":97747,"tags":97748,"thumbUrl":97749,"material":296,"size":297,"collection":11,"collections":97750,"showCount":351,"zanCount":49,"manualWeight":49,"mainColor":70},287911,"fa-hua-jing-xuan-zan-juan-di-shi-juan-miao-fa-hua-jing-ming-jue-yao-shu-cao-shu-yi-ming-287911","法華經玄贊卷第十卷妙法華經明決要述草書","此卷以狂放草书挥就，笔墨酣畅肆意。起笔迅疾利落，收笔或戛然而止或萦丝牵绕，字间气脉贯通如行云出岫。通篇排布密而不窒，字形大小欹正变幻自然，枯墨飞白与润墨浓笔交错相生，将经文的沉静意趣与草书的恣肆笔意相融。笔势时而开张奔逸如惊鸿掠影，时而收敛凝注似古松凝立，仿佛可见书写者挥毫时意气流转，将经文义理暗藏在跌宕的笔墨节律中，通篇浑成一体，尽显随性自在的书写意韵，是抄经草书中极具韵致的佳构。",[26,124,3330,3053,96,30,1170,28],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ff2d388ca95316d99712574bcb335113f.jpg",[],{"id":97752,"slug":97753,"title":97754,"dynasty":22,"author":7,"museum":172,"description":97755,"tags":97756,"thumbUrl":97757,"material":296,"size":297,"collection":11,"collections":97758,"showCount":351,"zanCount":49,"manualWeight":49,"mainColor":70},287901,"fa-ju-jing-shu-juan-yi-ming-287901","法句經疏卷","此卷以行草写就，墨色沉朴古雅，纸面虽因岁月经年泛黄斑驳，笔墨意趣却丝毫不减。字迹排布紧凑却不壅挤，笔势牵丝映带、流转自如，兼具法度与随性之美。行笔朴拙凝练，粗细藏露随心变化，可见书写时的松弛与持敬。通篇浸透着禅门写经特有的沉静肃穆，字里行间既有疏朗的呼吸感，又带着誊抄经疏时的专注静定，是兼具文献价值与书法审美意趣的古写本佳作。",[26,96,3053,124,1170,30,4486,3330],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fc4bdfcd9c630bffd1c1823b351080c78.jpg",[],{"id":97760,"slug":97761,"title":97762,"dynasty":22,"author":7,"museum":172,"description":97763,"tags":97764,"thumbUrl":97765,"material":296,"size":297,"collection":11,"collections":97766,"showCount":351,"zanCount":49,"manualWeight":49,"mainColor":50},287850,"miao-fa-lian-hua-jing-juan-di-qi-juan-wei-yi-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逸气韵。通卷文字排布舒朗齐整，抄写一丝不苟，尽显书写者的恭谨虔诚，是佛教写本中的上乘之作。\n\n笔墨裹挟着千年梵音的沉静力量，将经文义理以笔墨具象化。虽历经岁月晕染，依旧墨色沉稳风骨宛然，静静诉说着中古时期佛教文化传布的虔敬底色，让观者于笔墨间触摸到跨越时空的信仰温度。",[124,3053,3054,96,30,1170,26764,4486],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fbd8d28d176cb3b49d5a3c2bce911cd9c.jpg",[],{"id":97895,"slug":97896,"title":97897,"dynasty":22,"author":7,"museum":499,"description":97898,"tags":97899,"thumbUrl":97900,"material":296,"size":297,"collection":11,"collections":97901,"showCount":351,"zanCount":49,"manualWeight":49,"mainColor":50},287628,"da-bo-re-bo-luo-mi-duo-jing-juan-di-qi-shi-san-shou-gao-yi-ming-287628","大般若波羅蜜多經卷第七十三手稿","此卷小楷精雅端严，笔墨匀净沉润，历久弥新。字迹排布齐整却不失灵动，起笔收锋藏露得宜，兼具六朝写经的简古遗韵与唐楷的端整法度。抄经人以虔敬之心落墨，笔势舒展圆融，每一字都带着沉静肃穆的禅意，将经文的幽微义理融于笔底。卷面条幅舒展绵长，墨色乌亮澄澈，字里行间流淌着中古抄经特有的清雅氛围，仿佛能让观者窥见千年前青灯下，抄经人凝神落笔的静谧瞬间，体悟书法与经文合二为一的禅风雅韵。",[124,3053,3054,96,4486,1170,26764],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F81ea15b71ea62688481ae5ac85182dc3.jpg",[],{"id":97903,"slug":97904,"title":97905,"dynasty":22,"author":7,"museum":499,"description":97906,"tags":97907,"thumbUrl":97908,"material":296,"size":297,"collection":11,"collections":97909,"showCount":351,"zanCount":49,"manualWeight":49,"mainColor":70},287625,"miao-fa-lian-hua-jing-juan-di-wu-shou-gao-yi-ming-287625","妙法蓮華經卷第五手稿","此卷小楷写经笔致精秀端雅，点画匀净工稳，结体舒展宽和，尽显恭谨肃穆的书写心境。泛黄纸面上乌丝界格规整，墨色历久莹润，字行排布齐整连贯，通篇笔势沉敛安和，不见懈怠之笔。\n\n它既恪守写经范式的庄严法度，又于细微处暗含书写者的笔底情致，将礼佛的虔诚融于毫端，承载着中古书写美学与信仰的交融，沉静肃穆的书卷气扑面而来，尽显工稳与虔敬的合一之美。",[96,124,3054,3053,1170,26764,4486],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fea71583ab411a487583aa903934be51a.jpg",[],{"id":97911,"slug":97912,"title":97913,"dynasty":22,"author":7,"museum":499,"description":97914,"tags":97915,"thumbUrl":97916,"material":296,"size":297,"collection":11,"collections":97917,"showCount":351,"zanCount":49,"manualWeight":49,"mainColor":70},287624,"miao-fa-lian-hua-jing-juan-di-si-shou-gao-yi-ming-287624","妙法蓮華經卷第四手稿","此卷纸色黄褐晕染，带着岁月浸蚀的斑驳痕迹，通篇以端秀小楷抄就，字势匀净工稳，行气贯通舒展。抄经笔意内敛沉和，提按转折皆合法度，笔墨凝练沉静，每一字都蕴含着抄录时的敬谨之心，尽显写经书法特有的庄严端雅。\n\n经文排布齐整，墨色虽历经年深日久而淡褪，却依旧清晰可观，笔墨与经文意蕴相融，既承载着信仰的厚重，亦是书法妙品，将虔诚之心凝于笔端，晕开跨越时光的沉静古朴之气。",[96,124,3053,3054,1170,30,4486,3056],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F3feef02ae81c26d71b277095094c2855.jpg",[],{"id":97919,"slug":97920,"title":97921,"dynasty":22,"author":7,"museum":499,"description":97922,"tags":97923,"thumbUrl":97925,"material":296,"size":297,"collection":11,"collections":97926,"showCount":351,"zanCount":49,"manualWeight":49,"mainColor":70},287623,"miao-fa-lian-hua-jing-juan-di-er-shou-gao-yi-ming-287623","妙法蓮華經卷第二手稿","这件写经以小楷抄就，笔锋温润秀雅，起收含蓄内敛，行笔匀净稳健。字字排布齐整却不失灵动，全篇长篇经文行气舒展贯通，不见懈怠。墨色匀净莹润，历经年岁依旧黑亮澄澈，与泛黄纸面相衬，古意盎然。\n\n抄经人落笔恭谨克制，将宗教虔诚融于笔墨，尽显写经书法端雅平和的特质，让沉静内敛的禅意浸透全篇，是书法艺术与佛教典籍融合的典范之作。",[124,3053,96,3054,1170,3056,3055,97924,48323],"手写稿","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fb99384a1eee67eba37e36527bc929635.jpg",[],{"id":97928,"slug":97929,"title":97930,"dynasty":22,"author":7,"museum":499,"description":97931,"tags":97932,"thumbUrl":97934,"material":296,"size":297,"collection":11,"collections":97935,"showCount":351,"zanCount":49,"manualWeight":49,"mainColor":50},287621,"qian-shou-qian-yan-guan-shi-yin-pu-sa-guang-da-yuan-man-wu-ai-da-bei-xin-tuo-luo-jing-jing-shou-gao-yi-ming-287621","千手千眼觀世音菩薩廣大圓滿無礙大悲心陀羅經經手稿","泛黄古纸之上，唐人小楷匀整舒展，笔势沉稳端严，兼具写经体的规整法度与手写温度。墨迹浓黑鲜亮，与岁月晕染的浅褐底色相映，晕开沉静厚重的时光质感。整卷经文排布舒朗，笔锋起落间，是抄经人将虔敬心力凝注于毫端，以笔墨践行修行，一字一句皆是对信仰的诠释。长卷铺展，仿佛能窥见千年前禅堂内抄经人屏息恭书的身影，带着藏经洞封存的千年梵音余韵，是书法艺术与宗教虔诚交织的珍贵遗存。",[96,3053,124,3054,1170,6053,14167,48323,97933],"陀罗尼经","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F686ba81407a647934d8bd671660e20db.jpg",[],{"id":97937,"slug":97938,"title":97939,"dynasty":22,"author":7,"museum":499,"description":97940,"tags":97941,"thumbUrl":97942,"material":296,"size":297,"collection":11,"collections":97943,"showCount":351,"zanCount":49,"manualWeight":49,"mainColor":50},287618,"jin-guang-ming-zui-sheng-wang-jing-fu-jing-juan-di-er-shou-gao-yi-ming-287618","金光明最勝王經佛經卷第二手稿","这件写经以工整小楷书就，笔墨匀净秀雅，笔势恭谨端严。起收笔含蓄温润，点画排布错落合宜，字字气脉连贯。经纸虽因岁月浸染泛黄，却愈发衬出抄经人沉潜肃穆的书写心境。\n\n书写者以虔敬之心落墨，通篇排布齐整，兼具唐楷的端稳筋骨与抄经特有的内敛柔和，字里行间法度暗藏，禅意自生，将礼佛的至诚融于笔锋起落之间。整卷气息安宁沉静，尽显写经书法中和内敛的独特气质，是兼具宗教价值与书法审美意义的珍品。",[3053,124,3054,96,4486,30,1170,26764],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F784c74b38128f4b67ce2410fd4e36afa.jpg",[],{"id":97945,"slug":97946,"title":97947,"dynasty":22,"author":7,"museum":172,"description":97948,"tags":97949,"thumbUrl":97950,"material":296,"size":297,"collection":11,"collections":97951,"showCount":351,"zanCount":49,"manualWeight":49,"mainColor":50},287382,"shou-gao-jing-ye-yi-ming-287382","手稿经页","昏黄纸页浸着岁月斑驳痕迹，行笔朴拙随性，无刻意雕琢的匠气，笔墨浓淡藏着书写时的心绪起伏。文字排布错落舒展，带着旧时尺牍的质朴意趣，粗粝纸面托着温热笔痕，字里行间留存着过往人际往来的细碎日常。\n\n笔触带着手写的鲜活温度，没有刻板规整的束缚，每一处晕开的墨渍、略显潦草的笔锋，都在诉说着写下它时的即时心境，让久远的故事仍有可触摸的温热质感，静静铺展着旧时光里的鲜活剪影。",[124,3053,4485,3019,125,82,4486],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fc263a66b4a8bea2e68732028bf7d279b.jpg",[],{"id":97953,"slug":97954,"title":97955,"dynasty":171,"author":7,"museum"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雅致巧思。",[687,9268,3561,2197,59,101808,29543],"朵莲纹","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F1c49c9e6e314fd3df11d3f9b5398cc76.jpg",[],{"id":101812,"slug":101813,"title":101814,"dynasty":55,"author":7,"museum":172,"description":101815,"tags":101816,"thumbUrl":101818,"material":296,"size":297,"collection":11,"collections":101819,"showCount":351,"zanCount":49,"manualWeight":49,"mainColor":70},275694,"zhu-hong-qi-miao-jin-yun-long-wen-xiao-yi-ming-275694","竹红漆描金云龙纹箫","朱红漆色如凝脂匀覆器身，赤金勾勒的云龙穿梭其间。龙身矫健遒劲，利爪张合间带着磅礴威仪，云纹舒卷灵动，金线流转间似有风雷隐于光影之中。髹漆光润莹亮，纹饰走线细腻流畅，不见分毫滞涩，将漆饰工艺与乐器形制完美相融。\n\n修长器身比例匀停，音孔排布规整妥帖，既承载着雅乐演奏的实用之能，又以华贵纹饰彰显出不俗格调，静穆中透着雍容气度，将传统礼乐的雅致与漆艺装饰美学合二为一，尽显旧时工艺的精妙匠心。",[687,101817,29543,3561,2197,27813,59],"箫","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F7fd02ae37811f198831adf8707d9c272.jpg",[],{"id":101821,"slug":101822,"title":101823,"dynasty":55,"author":7,"museum":172,"description":101824,"tags":101825,"thumbUrl":101826,"material":296,"size":297,"collection":11,"collections":101827,"showCount":351,"zanCount":49,"manualWeight":49,"mainColor":70},275686,"mu-niu-jiao-hua-pi-gong-yi-ming-275686","木牛角桦皮弓","以木为胎，牛角辅强，裹身桦皮晕出沉静苍绿。弓身弧线流畅舒展，宛若弯月，局部髹饰缠缚，既加固了弓体，又添缀出雅致细节。紧绷的弓弦张弛之间，藏着旧时骑射的飒爽风骨。\n\n它褪去了战场杀伐的戾气，将实用与审美融于一身，尽显武备工艺的精巧心思。作为古兵器遗存，静静留存着传统弓作技艺的极致追求，是往昔射艺文化的缩影，凝缩着古人对趁手兵器的匠心打磨。",[2405,34556,1251,19636,67204],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F546bcb85393c86a37cb6ac7ba8c83153.jpg",[],{"id":101829,"slug":101830,"title":101831,"dynasty":55,"author":7,"museum":172,"description":101832,"tags":101833,"thumbUrl":101834,"material":296,"size":297,"collection":11,"collections":101835,"showCount":351,"zanCount":49,"manualWeight":49,"mainColor":70},275685,"mu-niu-jiao-qi-gong-yi-ming-275685","木牛角漆弓","此弓以木为胎，贴附牛角强化张力，髹红漆周身，漆面凝润晕染着岁月痕迹。两端承弓处露出白木原色，与牛角拼接过渡自然，粗粝的旧弓弦带着纤维质感，仿佛仍残留着当年鞣制兽皮的厚重气息。\n握持处的缠裹层已被摩挲得油亮，是无数次张弓留下的温度，默声诉说着往昔骑射旧事。它以实用为本，无繁复纹饰，质朴里藏着匠人的巧思，角木相合将弹性尽数释放，既是武备器具，也是凝住旧时弓马之风的手作，静静沉淀着冷兵器时代的铿锵余韵。",[2405,34556,1251,3561,19636],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ffb7e15f97d6fa233d8e4ef23e74456eb.jpg",[],{"id":101837,"slug":101838,"title":101839,"dynasty":55,"author":7,"museum":172,"description":101840,"tags":101841,"thumbUrl":101842,"material":296,"size":297,"collection":11,"collections":101843,"showCount":351,"zanCount":49,"manualWeight":49,"mainColor":50},275680,"qian-long-di-yu-yong-gao-jian-yi-ming-275680","乾隆帝御用櫜鞬","主体以灰地绒线绣缠枝花卉，晕染出花瓣柔润层次，银线勾勒茎叶舒展之态，珍珠钉缀其间，雅致华贵。明黄绦带配鎏金錾花铜扣，色泽鲜亮沉稳，与绣面相映成趣。\n\n左侧箭囊以同纹绣料包覆，朱红织锦为衬，沿边镶明黄绫边，兼顾美观与实用。整体配色和谐庄重，绣工细腻精湛，将装饰性与功能性精妙融合，尽显御用器物的考究规制，藏着旧时宫廷造物的极致匠心，静静诉说着昔日皇家仪仗的威仪与精致美学。",[346,2405,41,1924,190,1954],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Feef6706d7cebb5c0a73d99b2335af353.jpg",[],{"id":101845,"slug":101846,"title":101847,"dynasty":55,"author":7,"museum":172,"description":101848,"tags":101849,"thumbUrl":101851,"material":296,"size":297,"collection":11,"collections":101852,"showCount":351,"zanCount":49,"manualWeight":49,"mainColor":50},275676,"huang-zhang-rong-tuan-feng-wen-an-chan-yi-ming-275676","黄漳绒团凤纹鞍韂","明黄底色雍容华贵，蓝绒团凤纹样对称排布。凤鸟蜷身回环，翎羽舒展灵动，纤细流畅的线条将瑞鸟的威仪与柔美糅合无间。边缘缠枝小花细密萦绕，勾勒出柔婉轮廓，让整体构图匀整和谐。\n\n漳绒织造的绒面短密平整，蓝黄撞色鲜明沉稳，尽显清代丝织工艺的精妙造诣。它将仪仗配饰的端庄规整，与吉祥纹样的祥瑞气韵相融，把实用装饰性与传统审美完美结合，是颇具匠心的传统工艺佳作。",[41,101850,8550],"鞍具","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F1b487e767c95e02d206d9941a35b78e3.jpg",[],{"id":101854,"slug":101855,"title":101856,"dynasty":55,"author":7,"museum":172,"description":101857,"tags":101858,"thumbUrl":101860,"material":296,"size":297,"collection":11,"collections":101861,"showCount":351,"zanCount":49,"manualWeight":49,"mainColor":50},275657,"tie-zan-shen-hua-wen-jiao-qiang-yi-ming-275657","铁錾神花纹交枪","木质枪身包浆温润莹泽，黄铜饰件错落排布，既加固枪身结构，又添雅致点缀。随附的木质支架与皮绳背带，历经岁月仍柔韧依旧，尽显旧时匠人的周全考量。\n\n枪管錾刻的神花纹，虽在时光里淡去锋芒，却暗合旧时武备装饰的审美意趣，将杀伐之晕染出古朴威仪。整器形制修长规整，褪去了锋锐戾气，余下沉淀百年的厚重质感，静静诉说着往昔武备工艺的精湛，亦是冷热兵器过渡时期的鲜活注脚，藏着手工艺人的巧思与时代兵器演化的痕迹。",[2405,11223,1251,101859,73089],"枪械","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fabdc45bf78d112066af81ff16dfa1c72.jpg",[],{"id":101863,"slug":101864,"title":101823,"dynasty":55,"author":7,"museum":172,"description":101865,"tags":101866,"thumbUrl":101867,"material":296,"size":297,"collection":11,"collections":101868,"showCount":351,"zanCount":49,"manualWeight":49,"mainColor":70},275651,"mu-niu-jiao-hua-pi-gong-yi-ming-275651","弓身曲度舒展雅致，以木为基底，嵌合牛角强化弓臂韧性，外敷桦皮髹以红漆，古朴纹理晕染出沉静质感。中段握把取用素木打磨圆润，贴合掌心弧度，尽显实用巧思。弓弦紧绷，将蓄势的张力内敛于修长弓身之中。\n\n它是旧时骑射传统的具象载体，将武备实用性与工艺审美相融，手作的细腻藏于漆色与拼接缝隙中，静默间仍能让人遥想挽弓搭箭的飒爽意气，藏着古早武备工艺的独到意趣。",[2405,34556,1251,19636,67204],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fffd3573544112e0da3a057256ef72aa6.jpg",[],{"id":101870,"slug":101871,"title":72305,"dynasty":55,"author":7,"museum":172,"description":101872,"tags":101873,"thumbUrl":101875,"material":296,"size":297,"collection":11,"collections":101876,"showCount":351,"zanCount":49,"manualWeight":49,"mainColor":70},275646,"xiang-bai-qi-kui-jia-yi-ming-275646","以白缎为底，朱红绲边勾绘轮廓，银质甲钉如星子错落排布，配色明快醒目，尽显规制严整。甲身分段连缀护肩、护胸与战裙，在周全防护之余，亦不碍辗转腾挪。錾钉既是加固甲片的实用构件，亦是装点素色底缎的纹饰，铺展出规整韵律。\n\n头盔以黑漆为骨，鎏金饰件勾勒锋芒，顶戴鹖羽凛凛生威，承袭着骑射民族的尚武风骨。它褪去战场杀伐的戾气，凝萃仪仗之上的威仪，将等级礼制与工艺审美融于一针一铆之间，藏着马背山河的沉雄底气，是冷兵器时代甲胄工艺的生动缩影。",[2405,18011,64,41,101874],"金属饰钉","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F07d31c3e5609f2cf3b57602f3fc0d2c7.jpg",[],{"id":101878,"slug":101879,"title":101880,"dynasty":55,"author":7,"museum":172,"description":101881,"tags":101882,"thumbUrl":101885,"material":296,"size":297,"collection":11,"collections":101886,"showCount":351,"zanCount":49,"manualWeight":49,"mainColor":70},275645,"xiang-lan-qi-kui-jia-yi-ming-275645","镶蓝旗盔甲","这套甲胄以靛蓝为底，朱红镶边勾勒硬朗筋骨，鎏金铜钉如星子错落排布，沉稳配色间尽显威仪。高挑宝顶配黑缨束于盔顶，黄铜护面冷光暗藏，自带肃杀之气。甲身分段严整，披膊、胸甲与腿裙贴合身形，既保障实战防护，又循着八旗武备制式排布，规整中带着鲜明的旗属辨识度。冷硬甲片凝着清代武备的森严规制，沉静靛蓝晕开旗属专属的肃穆格调，静静诉说着往昔戎马岁月的肃然荣光。",[18011,2405,41,101883,101884],"金属制品","镶蓝旗","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fd5e30a84729ab512fcccdbce566bc5a6.jpg",[],{"id":101888,"slug":101889,"title":72314,"dynasty":55,"author":7,"museum":172,"description":101890,"tags":101891,"thumbUrl":101893,"material":296,"size":297,"collection":11,"collections":101894,"showCount":351,"zanCount":49,"manualWeight":49,"mainColor":1162},275641,"xiang-huang-qi-kui-jia-yi-ming-275641","明黄缎面为底，朱红绦带勾边，金铆钉错落排布，既锁合甲片强化防护，又如星子缀满周身，衬出华贵威仪。\n盔顶鎏金饰件高挑，黑羽垂落添得几分悍勇桀骜，尽显旗籍上三旗的尊崇规制。\n这套盔甲将实用武备与礼制审美相融，织锦包边细腻规整，甲片层叠暗藏肃杀战力，静立之间，仿佛仍能窥见当年旗营甲士列阵时的凛凛雄风，是清代八旗武备精工与等级礼制的具象缩影。",[101892,18011,345,2405,41],"镶黄旗","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F68953e39d9589b48a6de011810c8abaa.jpg",[],{"id":101896,"slug":101897,"title":72322,"dynasty":55,"author":7,"museum":172,"description":101898,"tags":101899,"thumbUrl":101900,"material":296,"size":297,"collection":11,"collections":101901,"showCount":351,"zanCount":49,"manualWeight":49,"mainColor":1162},275637,"xiang-hong-qi-kui-jia-yi-ming-275637","朱红为底，银钉如星子错落排布，撞色白边勾勒出甲胄凌厉轮廓。盔顶金矛挑着玄色缨穗，冷冽威仪扑面而来。甲身分护肩、掩心甲与战裙，结构严整，兼顾实战防护与仪仗规制。\n鲜亮沉凝的朱红是标志性主色，银钉排布齐整，尽显匠造工艺的精细肃穆，将八旗军武的雄浑气魄藏于甲片之间。静立之中，仿佛仍能窥见演武校场的肃杀风貌，是甲胄规制与装饰美学融合的典型器物，凝着当年劲旅的铁血荣光。",[18011,2405,345,41],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fc00622d81bb530aeed62df05af5fd49d.jpg",[],{"id":101903,"slug":101904,"title":101905,"dynasty":55,"author":7,"museum":172,"description":101906,"tags":101907,"thumbUrl":101908,"material":296,"size":297,"collection":11,"collections":101909,"showCount":351,"zanCount":49,"manualWeight":49,"mainColor":739},275631,"zheng-huang-qi-kui-jia-yi-ming-275631","正黄旗盔甲","它以暖橙为底色，铜钉如碎星错落排布，规整间尽显严整威仪。护肩圆转贴合身形，护腹方正敦实，分裁结构兼顾防护与行动便利，走线细密工整，每一处钉铆都藏着匠人的精工细作。配套盔帽鎏金饰边提亮，顶戴缨饰高挑劲挺，将武士的悍勇气魄凝于一身。\n\n厚实用料承载着战场杀伐的厚重过往，它将实用防护与仪仗礼制融于一体，静静诉说着往昔甲士列阵出征的肃杀气势，是冷兵器时代武备美学与实用功能的绝佳融合，把劲旅的铁血荣光凝固在衣甲之间。",[18011,2405,345,41],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F12349aeb42b602c20df902b3b3ffccf0.jpg",[],{"id":101911,"slug":101912,"title":101913,"dynasty":55,"author":7,"museum":172,"description":101914,"tags":101915,"thumbUrl":101916,"material":296,"size":297,"collection":11,"collections":101917,"showCount":351,"zanCount":49,"manualWeight":49,"mainColor":70},275610,"tie-yue-ya-shuang-gou-yi-ming-275610","铁月牙双钩","此兵形制巧夺天工，枪锋冷锐直指前方，月牙弯钩随侧舒展，兼具突刺破防与钩锁卸械之能，将枪戈钩三者之利熔于一炉。通体铁色凝着经年锈痕，似载着往昔演武的烈烈风烟，木柄裹缠的旧料包浆温润，暗合持握的趁手感。\n\n素面锻造不见繁饰，尽显实用至上的武备本色，苍朴锈迹里藏着匠造的分寸心思，虽历经岁序磨洗，杀伐锋芒仍隐而不褪，静静诉说着冷兵器时代的骁勇底色。",[2405,11223,47765],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ffd065a0283fc0db2462aae33e96b0aef.jpg",[],{"id":101919,"slug":101920,"title":101921,"dynasty":55,"author":7,"museum":172,"description":101922,"tags":101923,"thumbUrl":101925,"material":296,"size":297,"collection":11,"collections":101926,"showCount":351,"zanCount":49,"manualWeight":49,"mainColor":50},275594,"pi-xiang-tong-hua-huo-yao-dai-yi-ming-275594","皮镶铜花火药袋","红褐皮革包浆莹润，与鎏金铜饰相映成趣，明丽与温厚撞出别致韵味。袋面铜饰錾刻细密缠枝纹，蜿蜒舒展间，阴阳纹错落排布，带着古朴东方意趣，繁复中见章法，粗犷里藏精巧。管口铜件浅刻纹饰，线条细腻柔婉，勾勒出雅致细节。软韧系带色泽依旧，将实用与美学相融，把军械器物化作匠心之作。它带着岁月摩挲的质感，将游牧武备的飒爽与工艺巧思揉为一体，静静沉淀着旧时的风霜与精致意韵。",[346,403,268,2405,101924,30],"皮具","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F73d2d7a3f185e3a509a618d2ba6270df.jpg",[],{"id":101928,"slug":101929,"title":101930,"dynasty":55,"author":7,"museum":172,"description":101931,"tags":101932,"thumbUrl":101936,"material":296,"size":297,"collection":11,"collections":101937,"showCount":351,"zanCount":49,"manualWeight":49,"mainColor":50},275586,"sui-fa-xiao-shou-qiang-yi-ming-275586","燧发小手枪","它以胡桃木为枪托，象牙收尾作握柄，暖棕木色配莹白握柄，雅致古朴。燧发击发结构精巧紧凑，金属构件带着岁月氧化的斑驳痕迹，却依旧咬合严密，尽显旧时工匠的不俗技艺。修长枪身比例匀称，金属箍与木身契合自然，将武备刚硬与匠造柔和融于一身，兼顾实用性能与装饰美感，静静沉淀着旧时光里火器制造的独特美学。",[2405,101933,101934,1251,11223,3953,101935,877],"手枪","燧发枪","火器","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fb5a1c4bb629a2df7ad77de8b358dd99a.jpg",[],{"id":101939,"slug":101940,"title":101941,"dynasty":55,"author":7,"museum":172,"description":101942,"tags":101943,"thumbUrl":101945,"material":296,"size":297,"collection":11,"collections":101946,"showCount":351,"zanCount":49,"manualWeight":49,"mainColor":70},275583,"si-tong-huo-qiang-yi-ming-275583","四筒火枪","周身凝着厚重的岁月包浆，木质枪托被摩挲得温润发亮，嵌饰的铜片晕开旧时光的斑驳锈色。四管并行的独到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了几分古旧温雅的质感，沉润木骨配素净画芯，将文人清雅风骨凝于咫尺之间，尽显旧时文人闲赏寄情的悠然意韵。",[219,27,144,5134,124],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fb11c4f542bc020508a790362d59ee7e2.jpg",[],{"id":106629,"slug":106630,"title":106631,"dynasty":55,"author":7,"museum":172,"description":106632,"tags":106633,"thumbUrl":106634,"material":296,"size":297,"collection":11,"collections":106635,"showCount":351,"zanCount":49,"manualWeight":49,"mainColor":70},270201,"zhu-gu-diao-hua-bian-hei-mian-ni-jin-shu-hua-zhe-shan-yi-ming-270201","竹股雕花边黑面泥金书画折扇","竹股镂刻花边，秀巧雅致，衬得乌色扇面愈发沉静内敛。泥金书迹在黑纸之上熠熠生辉，笔锋沉稳端秀，结体舒展停匀，通篇排布和谐从容，笔墨间浸染着清隽雅致的意韵。\n\n将翰墨风雅凝缩于盈尺扇面，开合之间，兼具竹骨的文人气韵与泥金书法的华贵雅致。此扇融书画之美与日用功能为一体，尽显旧时文人日常赏玩的审美意趣，把闲居雅赏的情致藏于开合之间，是清代雅致文玩的精巧之作。",[219,18679,16255,24191,124,125],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F55cb1a2766caa2d85cf11f68badf9e5d.jpg",[],{"id":106637,"slug":106638,"title":106639,"dynasty":55,"author":7,"museum":172,"description":106640,"tags":106641,"thumbUrl":106642,"material":296,"size":297,"collection":11,"collections":106643,"showCount":351,"zanCount":49,"manualWeight":49,"mainColor":70},270199,"zong-zhu-gu-diao-hua-bian-hua-can-zhi-tu-mian-zhe-shan-wei-yi-ming-270199","棕竹股雕花边画蚕织图面折扇-纬","此扇乌金纸面，泥金行书隽秀温润，笔意舒展挺劲，词句将蚕织纬作的日常意趣融于笔端，把缫丝织作的细腻烟火化为清雅墨痕。棕竹扇骨雕饰花边，天然竹纹沉静雅致，与乌金扇面相映成趣，既有文人士子的清逸书卷气，又暗合桑蚕民生的温柔意韵。整扇制式精巧，将书法笔墨、工艺匠心与风物意趣揉合一处，藏着旧时江南丝织文化的细腻底色，尽显文人雅玩里的烟火情致。",[219,124,125,268,2195],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fadd5eb769c6f4fdc91c5042045262954.jpg",[],{"id":106645,"slug":106646,"title":106647,"dynasty":55,"author":7,"museum":172,"description":106648,"tags":106649,"thumbUrl":106651,"material":296,"size":297,"collection":11,"collections":106652,"showCount":351,"zanCount":49,"manualWeight":49,"mainColor":50},270197,"zong-zhu-gu-bian-hei-mian-ni-jin-yong-yan-shu-zhe-shan-yi-ming-270197","棕竹股边黑面泥金永琰书折扇","这柄折扇以乌漆黑面为底，泥金题字似星芒落于幽潭，沉静底色衬得金笔书迹愈显鲜亮华贵。行书笔墨婉转流丽，点画间顿挫合宜，行气连贯舒展，在扇面之上排布疏密得当，将文人书卷气尽数铺陈于尺幅之间，笔意带着温雅舒展的韵致，尽显书写者的笔墨功底。棕竹扇骨肌理天然古拙，温润质感与墨金扇面相互衬映，将文玩工艺与书法艺术相融一体，藏着旧时文人摇扇闲赏的风雅意趣，尽显清代文房清玩的雅致风貌。",[219,18679,124,24191,74499,106650,3054],"黑面","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fc20bf51ce3863de501ff6958060c207f.jpg",[],{"id":106654,"slug":106655,"title":106656,"dynasty":55,"author":7,"museum":172,"description":106657,"tags":106658,"thumbUrl":106659,"material":296,"size":297,"collection":11,"collections":106660,"showCount":351,"zanCount":49,"manualWeight":49,"mainColor":70},270193,"bai-ling-gu-bing-yu-shan-yi-ming-270193","白翎骨柄羽扇","骨柄温润莹白，镂空雕花细腻古雅，将简约与巧思相融。白翎羽片层层铺展，排布疏密得宜，柔白羽色似初雪凝霜，羽丝轻软蓬松，既兼具纳凉实用之能，又仿若揽尽流云清辉。垂下的皮绳添就灵动意趣，整体将材质天然之美与匠造匠心相合，静立间便裹挟着古典清隽的气韵，尽显旧时雅致的闲情逸趣，藏着东方生活里独有的温柔美学。",[6009,48629,2195,27674,106477,268],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fdd715e3efea9f6c8d5a2d313fccf7a6c.jpg",[],{"id":106662,"slug":106663,"title":106664,"dynasty":55,"author":7,"museum":172,"description":106665,"tags":106666,"thumbUrl":106667,"material":296,"size":297,"collection":11,"collections":106668,"showCount":351,"zanCount":49,"manualWeight":49,"mainColor":70},270190,"bian-teng-kong-hua-mu-bing-tuan-shan-yi-ming-270190","编藤空花木柄团扇","此扇以柔细青藤编织扇面，取同心圆环层层铺展，留白处镂作网格冰纹，虚实相映间尽显通透灵秀，既为暑气留出散逸空隙，又凭精巧排布勾勒出雅致肌理。\n\n乌黑髹漆木柄与素色扇面冷暖相称，柄身饰以雕花小饰，于简约中暗藏巧思。整体圆融温婉，藤编的天然朴拙晕染出静雅东方意韵，将纳凉实用与赏玩之美相融，藏着旧时夏日的清润闲趣，尽显传统工艺的温润匠心。",[219,42455,1251,7656,2195],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fcd20ec0380772a962c25d320ca68e7d2.jpg",[],{"id":106670,"slug":106671,"title":106672,"dynasty":55,"author":7,"museum":172,"description":106673,"tags":106674,"thumbUrl":106675,"material":296,"size":297,"collection":11,"collections":106676,"showCount":351,"zanCount":49,"manualWeight":49,"mainColor":70},270189,"duan-xin-chou-bian-ding-bo-li-zhu-hua-gu-bing-tuan-shan-yi-ming-270189","缎心绸边钉玻璃珠花骨柄团扇","素缎为面，浅粉打褶绸边柔婉舒展，晕开闺阁柔甜气韵。扇面以玻璃珠铺陈花蔓，深褐圆珠作缀，银亮细珠勾连枝桠，明暗错落地凝着星芒般的光泽，将西洋玻璃工法融于东方团扇形制。素白骨柄光润雅致，系挂素绦添古朴意趣。\n\n整体兼容闺阁柔媚与工艺精巧，把日常妆饰的含蓄美感藏于方寸扇间，轻摇时软褶微动，似能窥见旧时仕女扑萤纳凉的闲静光景，是晚清中西合璧美学的细腻缩影。",[219,5954,41,19665,190,2195,39],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fe763e2b63bc013bd83862cc28d351575.jpg",[],{"id":106678,"slug":106679,"title":106680,"dynasty":55,"author":7,"museum":172,"description":106681,"tags":106682,"thumbUrl":106684,"material":296,"size":297,"collection":11,"collections":106685,"showCount":351,"zanCount":49,"manualWeight":49,"mainColor":70},270188,"duan-xin-chou-bian-ding-bo-li-zhu-zi-gu-bing-tuan-shan-yi-ming-270188","缎心绸边钉玻璃珠字骨柄团扇","骨柄素净修长，柄尾垂挂朱红流苏，搭配彩珠串饰，为素净器物添了几分灵动娇俏。\n\n扇面以素绸打褶围边，匀净蓬松的褶皱如同初绽白菊的瓣边，柔婉雅致。中心缎地之上，青、银两色玻璃钉珠排布出立体字样，莹润珠粒在素色底衬上格外亮眼，带着剔透光泽。边框辅以细腻绣纹缠绕，浅淡柔美的针脚柔化了钉珠的硬朗，将工巧藏于细节之中。\n\n整体配色素洁清新，红珠流苏又作点睛提亮，将手工细作的雅致与日常把玩的意趣相融，尽显旧时闺中温婉内敛的审美情致。",[5954,219,106477,19665,41,2195,106683],"钉珠工艺","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F738a4392d24cf1d40d3fc7ecae7953b2.jpg",[],{"id":106687,"slug":106688,"title":106689,"dynasty":55,"author":7,"museum":172,"description":106690,"tags":106691,"thumbUrl":106692,"material":296,"size":297,"collection":11,"collections":106693,"showCount":351,"zanC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配饰的审美意趣，是工艺与材质俱佳的精巧配饰。",[160,39,1251,267,2338,8331,268,4199],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F919b90f5d58587b7075c803b1d7a0b87.jpg",[],{"id":135511,"slug":135512,"title":135513,"dynasty":55,"author":7,"museum":172,"description":135514,"tags":135515,"thumbUrl":135516,"material":296,"size":297,"collection":11,"collections":135517,"showCount":351,"zanCount":49,"manualWeight":49,"mainColor":277},241844,"song-shi-chao-zhu-yi-ming-241844","松石朝珠","主体松石圆珠色泽匀净通透，湖绿底色自带温润清灵质感，颗颗遴选齐整，串联如春水环绕。深红玛瑙为佛头、结珠，冷暖撞色醒目又和谐，平衡素雅基调。背云以鎏金累花丝为底，嵌宝为饰，精巧华贵，下坠坠角饱满莹润，细节尽显匠心。三串纪念以粉碧玺错落串联，间饰细小米珠，尾缀松石坠角，柔婉灵动。整器制式严整循礼，选材上乘考究，将天然材质的清隽与宫廷工艺的精致相融，清丽贵气兼具礼制器物的庄重与配饰的雅致美感。",[160,39,267,1693,268,431],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F90a863b183d94731fcbc45ad75b08b40.jpg",[],{"id":135519,"slug":135520,"title":135521,"dynasty":55,"author":7,"museum":172,"description":575,"tags":135522,"thumbUrl":135525,"material":296,"size":297,"collection":11,"collections":135526,"showCount":351,"zanCount":49,"manualWeight":49,"mainColor":1162},241834,"cui-yu-lou-diao-shuang-mian-xiang-nang-yi-ming-241834","翠玉镂雕双面香囊",[160,267,26098,268,39,59,19635,1562,135523,24310,135524],"橙色","双面","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fa6edc879ac57d6cf623c26fa72ce60ec.jpg",[],{"id":135528,"slug":135529,"title":135513,"dynasty":55,"author":7,"museum":172,"description":135530,"tags":135531,"thumbUrl":135532,"material":296,"size":297,"collection":11,"collections":135533,"showCount":351,"zanCount":49,"manualWeight":49,"mainColor":277},241831,"song-shi-chao-zhu-yi-ming-241831","这串朝珠以莹润绿松石为主珠，匀净苍绿如凝苍山翠色，沉静雅致。四颗浓红玛瑙隔珠错落点缀，冷暖相映，衬得整串层次分明，鲜活亮眼。\n\n佛头下的背云尤为精巧，缠金丝镶就轮廓，内嵌青金石晕开幽蓝，如藏夜空中的星芒，内敛又带着华贵气度。四串记捻以米珠串联，垂坠小巧嵌宝坠角，轻晃间自带灵动雅韵。\n\n整体制式规整肃穆，尽显旧时仪制的端庄华贵，松石的温润中和了礼制的严苛，将清雅意趣与朝堂仪轨相融，静静沉淀着岁月打磨过后的内敛风华。",[160,39,12597,267,34790,1390,1563,1954],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F89133faa297896d0e3971128a6e553ab.jpg",[],{"id":135535,"slug":135536,"title":87141,"dynasty":55,"author":7,"museum":172,"description":135537,"tags":135538,"thumbUrl":135539,"material":296,"size":297,"collection":11,"collections":135540,"showCount":351,"zanCount":49,"manualWeight":49,"mainColor":277},241827,"cui-xiang-nang-yi-ming-241827","这枚香囊以满色高翠雕琢而成，玉色浓莹鲜亮，水头饱满澄澈，尽显顶级老坑翡翠的绝佳质地。通体透雕缠枝纹样，刀工婉转流畅，镂刻出通透空灵的层次，既为香气留出散逸的缝隙，更衬出翠色清透灵动。\n\n配搭颇见巧思，珊瑚圆珠温婉润丽，与金质米珠错落串联，冷暖色调相映，更衬得翠色愈发娇妍。下端珊瑚米珠流苏垂落，间以翠绿饰条点缀，摇曳间尽显灵动雅致。当年悬于衣襟帐中，暗香随步履轻漫，将世家闲雅意趣凝于一身，是玉作与佩饰工艺交融的上乘之作。",[55,267,268,39,430,2338,19635,190],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F2606a3122f301b94d43f525c82f7d0ea.jpg",[],{"id":135542,"slug":135543,"title":135544,"dynasty":55,"author":7,"museum":172,"description":575,"tags":135545,"thumbUrl":135546,"material":296,"size":297,"collection":11,"collections":135547,"showCount":351,"zanCount":49,"manualWeight":49,"mainColor":1162},241822,"dai-mao-xiang-zhu-qian-yu-shi-hua-hui-wen-bian-fang-yi-ming-241822","玳瑁镶珠嵌玉石花卉纹扁方",[160,2645,25822,30154,11578,268,431,39,446,221,419,267,38496,1390,93586,62910],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F5144edf8853a97983847b1a997a95dfe.jpg",[],{"id":135549,"slug":135550,"title":135551,"dynasty":55,"author":7,"museum":172,"description":135552,"tags":135553,"thumbUrl":135554,"material":296,"size":297,"collection":11,"collections":135555,"showCount":351,"zanCount":49,"manualWeight":49,"mainColor":50},241821,"tong-du-jin-qian-zhu-bao-san-kuai-dai-wa-yi-ming-241821","铜镀金嵌珠宝三块带瓦","采用累金工艺打造底托，色泽凝润华贵，仿若揉碎了落日熔金。中心嵌一颗莹白东珠，柔光内敛，周遭以一圈鸽血红宝铺作层叠花瓣，浓艳似燃透的朱砂，将珠光衬得愈发清透灵润。\n\n卡扣暗藏于底，兼顾装饰性与实用性，将贵金属的厚重质感与珠宝的明艳柔和完美相融，尽显旧时匠人的极致匠心，静静诉说着旧时贵族配饰的雅致奢华，将佩戴者的身份格调凝于这方寸之间。",[160,403,430,39,2644,2647,2631],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F76d388b6f3bace258a71a1609b7b401f.jpg",[],{"id":135557,"slug":135558,"title":135559,"dynasty":55,"author":7,"museum":172,"description":63969,"tags":135560,"thumbUrl":135561,"material":296,"size":297,"collection":11,"collections":135562,"showCount":351,"zanCount":49,"manualWeight":49,"mainColor":277},241812,"jin-lei-si-xiang-cui-zhai-jie-pai-yi-ming-241812","金累丝镶翠斋戒牌",[160,430,267,24497,2632,39,268],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F7e2b2dde931b48d73e644d8185bf4172.jpg",[],{"id":135564,"slug":135565,"title":5083,"dynasty":55,"author":7,"museum":172,"description":135566,"tags":135567,"thumbUrl":135568,"material":296,"size":297,"collection":11,"collections":135569,"showCount":351,"zanCount":49,"manualWeight":49,"mainColor":277},241809,"tong-du-jin-xiang-bao-shi-dai-tou-yi-ming-241809","铜镀金为底，通体錾刻缠枝卷草纹，细密肌理铺就华贵底色。三颗随形红宝石为主体，雕作饱满鲜果，浓艳宝色沉凝内敛，自带醇厚光泽。搭配点翠、彩玉雕琢的花叶，与錾刻而成的翩跹蝴蝶相映，灵动雅致，为满目的富丽添了几分鲜活意趣。整体构图饱满圆融，将贵金属的奢丽、宝石的矜贵与雅致雕饰相融，既尽显重工细作的极致匠心，也借花果蝶纹寄寓着吉祥圆满的美好祈愿，尽显旧时首饰工艺的精妙意韵。",[160,403,430,431,268,1563,1839,580,2239,39],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F7715dc4a43f582d7d9b8494dd0dc5484.jpg",[],{"id":135571,"slug":135572,"title":135573,"dynasty":55,"author":7,"museum":172,"description":5639,"tags":135574,"thumbUrl":135575,"material":296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洁净，将白菊的莹润通透描摹尽致。石绿晕染叶片，筋脉勾勒细劲，苍润叶色衬出素花的清冷皎洁，秀挺墨线的枝干虚实相生，承托出秋菊疏朗脱俗的姿态。\n画面留白疏阔，舍去冗杂布景，仅以一花半叶撑住画幅，将菊花凌霜自持的君子品格融于笔底，观之如临清秋篱畔，似有淡菊暗香萦于襟袖，尽显中式花鸟含蓄清逸的意韵。",[27,28,530,31,32,80,920],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fb8b99a6d99bce798332dff590352a361.jpg",[],{"id":135840,"slug":135841,"title":13012,"dynasty":55,"author":7,"museum":172,"description":135842,"tags":135843,"thumbUrl":135844,"material":296,"size":297,"collection":11,"collections":135845,"showCount":351,"zanCount":49,"manualWeight":49,"mainColor":70},238917,"qing-ren-ju-pu-ce-yi-ming-238917","此作以折枝入画，斜逸的菊枝打破画面匀整留白，虚实相生更显空灵雅致。双朵寿仙桃菊层瓣舒展，白紫晕染柔润自然，瓣尖点染朱砂艳红，将秋菊的雍容饱满尽数描摹，娇妍却不失清逸风骨。枝叶以淡绿分染，叶脉细笔勾勒，深浅层次鲜活灵动，尽显菊叶清翠润泽之态。整体工致细腻，设色秀雅柔和，写实之中暗合文人画的清雅意趣，把秋菊的绰约姿容定格，将花木的生机与文人爱菊的雅趣融为一体。",[27,28,530,32,31,80,920],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F36037e740bb6463577a27b0b2759ce8f.jpg",[],{"id":135847,"slug":135848,"title":13012,"dynasty":55,"author":7,"museum":172,"description":135849,"tags":135850,"thumbUrl":135851,"material":296,"size":297,"collection":11,"collections":135852,"showCount":351,"zanCount":49,"manualWeight":49,"mainColor":70},238911,"qing-ren-ju-pu-ce-yi-ming-238911","此作用笔秀逸工细，斜逸的花枝舒展错落，主次分明。两簇主花饱满雍容，鹅黄瓣丝纤细繁密，晕染自然柔和，层层叠叠尽态极妍，将盛放之姿描摹得鲜活生动。花叶以花青敷色，墨线勾勒筋脉，枯荣虚实相映，暗藏清隽生机。\n\n设色明润雅致，暖黄与苍绿相互衬映，调和出清逸脱俗的氛围。画作写实入微，既精准还原了菊花的娇柔形貌，又暗合文人意趣，将菊之冷傲风骨晕染尽致。素净绢底托衬雅致意蕴，尽显传统花鸟小品的隽秀意趣，把秋菊君子般的高洁气质藏入笔底。",[27,32,31,80,920],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F17f3c2b4209c40c74e192c034ce31fa8.jpg",[],{"id":135854,"slug":135855,"title":32983,"dynasty":55,"author":7,"museum":172,"description":135856,"tags":135857,"thumbUrl":135858,"material":11,"size":11,"collection":11,"collections":135859,"showCount":351,"zanCount":49,"manualWeight":49,"mainColor":50},238900,"dong-gao-chun-hua-ji-qing-ce-yi-ming-238900","此作为诗画合璧的册页，上下两帧各揽一景。上帧绘湖岸春烟，柔丝垂柳漫过堤岸，远处江帆隐现于烟雨间，楼宇凌于坡岸，淡墨轻皴晕染出水色空濛的朦胧春意，将诗句里菱湖畔的春愁烟雨铺展眼前。\n\n下帧取景林泉早春，抽芽春树间幽禽独立枝桠，溪石隐于苔草间，浅淡设色晕染出柔润春韵，呼应早春暖林的诗意。\n\n全作用笔秀婉细腻，设色清雅恬和，以画释诗，将江南早春的柔婉雅致凝于尺幅间，尽显恬和静谧的文人雅趣，笔墨简淡却余韵悠长。",[27,28,530,32,60,125,131,162,531],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F8001ecc357b403284aaf4421e15632fc.jpg",[],{"id":135861,"slug":135862,"title":32983,"dynasty":55,"author":7,"museum":172,"description":135863,"tags":135864,"thumbUrl":135865,"material":11,"size":11,"collection":11,"collections":135866,"showCount":351,"zanCount":49,"manualWeight":49,"mainColor":739},238899,"dong-gao-chun-hua-ji-qing-ce-yi-ming-238899","此作为诗画合璧的小品佳制。两帧山水分别呼应御题春景诗句：上帧绘茂林村墟，野意盎然，将春雨村耕的恬然乡居之景细细铺陈，林木苍润，村居错落间尽是春日乡野的松弛意趣。下帧绘烟霭山居，行旅踏春，楼阁隐于翠峦间，轻岚浮动晕染出春城晓色的清润雅致。设色浅淡柔润，线条秀逸细腻，以具象山水诠释诗意，笔墨温婉精致，把郊野春闲与皇城春妍的融融春意尽藏笔底，尽显清和雅致的春日氛围感。",[27,28,530,32,60,131,162,124,125],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F9257fd5a721f29acb03e7e3dc813ba0a.jpg",[],{"id":135868,"slug":135869,"title":32983,"dynasty":55,"author":7,"museum":172,"description":135870,"tags":135871,"thumbUrl":135872,"material":11,"size":11,"collection":11,"collections":135873,"showCount":351,"zanCount":49,"manualWeight":49,"mainColor":50},238897,"dong-gao-chun-hua-ji-qing-ce-yi-ming-238897","此作以诗画合璧尽显雅致意趣，上下两帧各绘山水景致。上帧写春云出山之景，枯木疏林衬着淡墨晕染的烟峦，岚气氤氲将山容晕得朦胧清寂，恰似诗文里高人幽远心境。下帧绘茂林流泉，林木华滋苍润，溪石隐现于林下，晕开春日林泉幽盛之态。\n\n书法秀雅端丽，笔致匀净温雅，诗文与山水两两呼应，将暮春朝望的清逸林怀融于尺幅之间，尽显静穆温婉的文人雅趣，是极具古典意韵的小品佳作。",[27,28,530,60,32,613,162,130,614],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fc5c03092153d5c4e26867d3d8dbf9a33.jpg",[],{"id":135875,"slug":135876,"title":9660,"dynasty":55,"author":7,"museum":172,"description":135877,"tags":135878,"thumbUrl":135879,"material":11,"size":11,"collection":11,"collections":135880,"showCount":351,"zanCount":49,"manualWeight":49,"mainColor":70},238652,"ping-ding-miao-jiang-zhan-tu-ce-yi-ming-238652","以全景式构图铺展平叛战事，山峦层叠间林木苍莽葱郁，左畔坚壁临水矗立，山壑之中兵马云集。人马或整队开拔、或列阵待命，衣甲兵器细节皆清晰逼真，生动还原出平叛行军的肃穆阵仗。\n\n左上御题诗文与画面呼应，兼具中式山水的悠远意境与西洋铜版技法的写实质感，将征伐行军的雄浑气势融于山水之间，以画笔复刻战事实景，御题点明赫赫军功，是纪实叙事与宫廷审美的绝妙结合，尽显纪功图特有的庄重厚重。",[160,2751,123,31,33,1006,60,131,1142,2657,9149],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ffd02a0b74e449f03dccb578d0b806acb.jpg",[],{"id":135882,"slug":135883,"title":10972,"dynasty":55,"author":7,"museum":172,"description":135884,"tags":135885,"thumbUrl":135886,"material":11,"size":11,"collection":11,"collections":135887,"showCount":351,"zanCount":49,"manualWeight":49,"mainColor":70},238637,"ping-ding-an-nan-zhan-tu-ce-yi-ming-238637","本作以全景式构图铺展战事图景，铜版雕刻复刻出层叠崇山，山峦皴刻细腻，林木沟壑层次分明，将清军列阵安营、沿山进军的行军场面藏于山水之间。\n\n人物排布错落有序，军士整肃列阵的姿态清晰可见，攻守态势暗藏其间，细节处尽显行军的肃穆气势。右上方御题诗文点明此战功绩，以刀代笔将纪实性与艺术性相融，既细致还原平叛征程，又借层叠山水烘托出征伐的磅礴厚重。尽显清代纪实战画的典型特质，复刻出这场战役的行军图景，兼具历史实录价值与版画艺术审美价值。",[27,31,144,614,530,60,33,953,131,2656,3626,5002],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fe530afe00e5ca98fd25030cf955d19f3.jpg",[],{"id":135889,"slug":135890,"title":24687,"dynasty":55,"author":7,"museum":172,"description":135891,"tags":135892,"thumbUrl":135893,"material":296,"size":297,"collection":11,"collections":135894,"showCount":351,"zanCount":49,"manualWeight":49,"mainColor":70},238629,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原碉楼形制。整作兼具纪实性与艺术性，以厚重的史画质感定格鏖战瞬间，让观者可窥见这场平叛之战的艰险壮阔，裹挟着古战场的肃杀厚重之气。",[530,518,31,614,60,1142,135951,135952,87737,135953,135919],"碉楼","要塞","古战场","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fb85b1bb72dfecfa96c989d513a1f945a.jpg",[],{"id":135957,"slug":135958,"title":30420,"dynasty":55,"author":7,"museum":172,"description":135959,"tags":135960,"thumbUrl":135964,"material":11,"size":11,"collection":11,"collections":135965,"showCount":351,"zanCount":49,"manualWeight":49,"mainColor":70},238602,"ping-ding-liang-jin-chuan-de-sheng-tu-ce-yi-ming-238602","全景式铺展山地战事，以精细线描勾勒嶙峋峰峦与密集碉寨，将清军穿梭攻坚的激烈战况如实铺陈。创作者融合中西技法，以墨色浓淡晕出山峦明暗肌理，兼具西洋版画的写实立体感与中式山水的空间层次。\n\n画面题字详实载录战事细节，图文相辅，将纪实性与艺术性相融。冷峻的墨色烘托出战场肃杀氛围，定格下边地平叛的艰难瞬间，既是纪实战史图像，也留存下清代叙事纪实绘画的独特风貌。",[79,27,144,530,123,60,33,135961,135962,135963,3244,36595,5525],"碉寨","战争纪实","中西技法","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F31f49882c4be3894fc3ef67dc4e25ae6.jpg",[],{"id":135967,"slug":135968,"title":30420,"dynasty":55,"author":7,"museum":172,"description":135969,"tags":135970,"thumbUrl":135971,"material":11,"size":11,"collection":11,"collections":135972,"showCount":351,"zanCount":49,"manualWeight":49,"mainColor":70},238601,"ping-ding-liang-jin-chuan-de-sheng-tu-ce-yi-ming-238601","这幅作品以全景式构图铺展战地全貌，层叠山峦间碉寨星罗棋布，石砌堡垒扼守险隘，将川西山地的崎岖地势与战防布局细致勾勒。细密的线条刻画出军士或整备行军、或据碉瞭望的动态，山野间兵卒阵列错落，暗伏的旌旗透露出肃杀战意。远景江天辽阔，山峦横陈，皴笔疏密有致地铺展山石肌理，将战场的紧绷氛围与边地雄浑地貌相融，既有纪实刻画的严谨细节，又不失山水画卷的章法意境，尽显战地的险峻与征戍的沉凝氛围。",[160,31,123,144,60,33,162,131,45919,614,530],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fdbe959544f3b188753250491cd357147.jpg",[],{"id":135974,"slug":135975,"title":30420,"dynasty":55,"author":7,"museum":172,"description":135976,"tags":135977,"thumbUrl":135978,"material":11,"size":11,"collection":11,"collections":135979,"showCount":351,"zanCount":49,"manualWeight":49,"mainColor":50},238600,"ping-ding-liang-jin-chuan-de-sheng-tu-ce-yi-ming-238600","以全景式构图铺展川西峡谷战事，苍劲线条勾勒出雄峙山峦，崖间错落的碉楼精准还原战地险隘风貌。画中兵将排布错落有致，或攀崖仰攻碉楼，或于谷口列阵集结，细节生动复刻出平叛攻坚的肃杀场面。墨色晕染层次分明，将川地的崎岖山势烘托得极具张力，以写实笔法记录战事细节，带着纪实绘画的史学厚重感，把平乱战事的宏大叙事收揽于卷内，融战地纪实与古典绘事所长，兼具艺术审美与历史考据价值。",[31,614,144,530,329,60,33,129,131,162,3362,3626,9663,45919,1643,7390,1142,9149],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fd8e8c406ba78414ebc93a4dd19b806b7.jpg",[],{"id":135981,"slug":135982,"title":30420,"dynasty":55,"author":7,"museum":172,"description":135983,"tags":135984,"thumbUrl":135985,"material":11,"size":11,"collection":11,"collections":135986,"showCount":351,"zanCount":49,"manualWeight":49,"mainColor":70},238599,"ping-ding-liang-jin-chuan-de-sheng-tu-ce-yi-ming-238599","全景式铺展山地战事，巉岩陡峰间碉楼错落排布，清军将士或攀越栈道、或潜行山谷，右侧营地严整有序，远处碉楼腾起滚滚硝烟，还原出战地肃杀紧绷的氛围。\n\n画笔细密劲挺，以明暗皴擦勾勒山石肌理与碉楼结构，将山地征伐的崎岖艰险，与清军稳步推进的行军态势刻画入微。带着纪实铜版画的冷峻质感，既复刻川西峡谷的真实地貌，也将平叛战事的艰难卓绝尽显纸上，仿若能让观者听见百年前峡谷间的杀伐声浪，触摸到这场山地鏖战的严酷底色。",[27,28,530,31,614,60,33,129,131,162],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F9a396d62167e278fdad7ab2bee960ae7.jpg",[],{"id":135988,"slug":135989,"title":30420,"dynasty":55,"author":7,"museum":172,"description":135990,"tags":135991,"thumbUrl":135992,"material":11,"size":11,"collection":11,"collections":135993,"showCount":351,"zanCount":49,"manualWeight":49,"mainColor":50},238598,"ping-ding-liang-jin-chuan-de-sheng-tu-ce-yi-ming-238598","这幅作品以全景构图铺展关山雄姿，铁线白描勾勒出巉岩峻岭苍劲肌理，长城敌台错落嵌入崖谷，山道蜿蜒连通营寨村落，还原出边地要塞的荒寒风貌。\n\n用笔清劲细致，山石皴擦简练不失厚重，林木点染疏密有致，不见浓艳设色，全凭线条虚实层次凸显山川雄浑。它将纪实叙事与山水笔墨相融，把平乱后驻防守备的图景藏入山川格局，既绘出关山扼守之势，也暗合军功纪实的沉重心绪，尽显纪实叙事画的沉稳格调。",[27,28,79,530,144,614,60,129,131,162],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fcb349fa4777d5af144bfb79cfac836ad.jpg",[],{"id":135995,"slug":135996,"title":30420,"dynasty":55,"author":7,"museum":172,"description":135997,"tags":135998,"thumbUrl":135999,"material":11,"size":11,"collection":11,"collections":136000,"showCount":351,"zanCount":49,"manualWeight":49,"mainColor":70},238597,"ping-ding-liang-jin-chuan-de-sheng-tu-ce-yi-ming-238597","这幅画作以全景式构图铺陈受降阅兵的盛大场景，营帐错落规整，甲士阵列肃然齐整，静立的旌旗衬出得胜后的庄严威仪。远景层峦逶迤，烘托出场地开阔宏阔的气势。左上方题满诗文，为画面赋予纪功表彰之意。\n\n画师以精细工稳的线描，细致勾勒将士衣甲细节、营寨规制，如实复刻平叛凯旋后的受捷场面，笔意肃穆沉稳，将军功盛典的恢弘厚重淋漓尽致展现而出，堪称清代纪实战图的典型之作，留存下得胜盛典图景，承载着宣功纪威的内核。",[27,31,329,32,530,33,60,131,129,1006,2770,9663,2656,3362],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ffadcc1c8dbb89126211b877fe6d7c6fd.jpg",[],{"id":136002,"slug":136003,"title":30420,"dynasty":55,"author":7,"museum":172,"description":136004,"tags":136005,"thumbUrl":136006,"material":11,"size":11,"collection":11,"collections":136007,"showCount":351,"zanCount":49,"manualWeight":49,"mainColor":50},238594,"ping-ding-liang-jin-chuan-de-sheng-tu-ce-yi-ming-238594","本作以细密写实的铜版笔触，全景铺展山地攻坚的严酷战事。碉楼如棘刺般嵌于陡崖沟壑间，将西南山地的险绝尽数展现。清军将士攀越巉岩、奔突冲锋的身姿错落排布，工事营寨与硝烟残影隐现于峰峦间，把平叛攻坚的铁血张力尽数定格。\n\n右上角题诗与画景呼应，让纪实图景晕染开史诗厚重感。画作兼具档案般的历史真实性与绘画的叙事感染力，将征伐的艰辛与战地的肃杀凝固于纸面，冷峻复刻出战事原貌，把山地作战的步步维艰铺陈在观者眼前。",[31,144,614,530,60,33,129,162,131,9149,18001],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fe8e7b3f5d6e1e3f6ac46304839a7233c.jpg",[],{"id":136009,"slug":136010,"title":30420,"dynasty":55,"author":7,"muse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格绢素，兼具纪实精准与宫廷绘画特有的规整雍容，尽显古典肖像画的精妙。",[27,79,28,29,31,32,33,1006],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fc1852ab6f6e8b805c7906aa1981b52b5.jpg",[],{"id":136188,"slug":136189,"title":136190,"dynasty":55,"author":7,"museum":172,"description":136191,"tags":136192,"thumbUrl":136193,"material":296,"size":297,"collection":11,"collections":136194,"showCount":351,"zanCount":49,"manualWeight":49,"mainColor":70},234398,"min-ning-xing-jian-si-cang-xiang-zhou-yi-ming-234398","旻宁行健思藏像轴","此作为工笔肖像佳作，主人公面容清癯沉静，身着常服安坐于马背，神情端严内敛，自带沉凝威仪。所乘白马神俊挺拔，鬃尾柔润飘逸，缓步徐行的姿态被刻画得鲜活灵动，画师细腻勾勒出马匹的肌理骨骼，晕染写实自然，将骏马神形尽显。\n\n画面色调层次分明，衣袍的沉暗与白马的莹润、鞍鞯的明丽形成柔和对比，雅致和谐。右上角题字呼应主题，整作工细写实，既精准记录人物形貌气度，又以精妙笔触烘托出静穆雅致的氛围，尽显扎实写实功力，将主人建行思沉稳的心境融于笔端。",[27,29,160,31,32,33,1006,82,345],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F919c71adb8b2e2f9924a490fa79efc60.jpg",[],{"id":136196,"slug":136197,"title":136198,"dynasty":55,"author":7,"museum":172,"description":136199,"tags":136200,"thumbUrl":136201,"material":296,"size":297,"collection":11,"collections":136202,"showCount":351,"zanCount":49,"manualWeight":49,"mainColor":70},234397,"min-ning-rong-zhuang-xiang-zhou-yi-ming-234397","旻宁戎装像轴","整作工致写实，画中主人公身着遍饰缠枝龙纹的华贵铠甲，头戴暖帽，神色沉稳威严，自带帝王的从容气度。他背负箭囊，缓控马缰徐行，将清代帝王重骑射、尚武勇的风貌尽显无遗。\n\n胯下骏马神骏矫健，棕黄色皮毛晕染细腻，质感逼真，鞍鞯绣饰妍丽精巧，与铠甲华纹呼应。设色雅致沉稳，线条精细流畅，既精准还原清代戎装规制，又细腻描摹出人物与坐骑的神韵，是兼具纪实性与艺术性的肖像佳作。",[79,27,28,29,32,31,33,1006,28294,26462,270,82],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fb3c9179f22061ec8bcc9ae379bf4c3bd.jpg",[],{"id":136204,"slug":136205,"title":36998,"dynasty":75,"author":7,"museum":56,"description":136206,"tags":136207,"thumbUrl":136208,"material":348,"size":136209,"collection":11,"collections":136210,"showCount":351,"zanCount":49,"manualWeight":49,"mainColor":70},234025,"shan-yao-lou-guan-tu-ye-yi-ming-234025","山水画至宋代进入了全盛时期，百花齐放，名家竞起。正如元代汤垕在《画鉴》中所说：“唐画山水，至宋始备。”山水画的许多表现方法都发轫于宋代，创造这些画法的名家大师们都成了后世争相效仿的典范。宋代山水画成了人们心目中一座永远无法逾越的高峰。而山水小品画则可看作是宋代山水画发展中百家争鸣的一个缩影，从中也能看出宋代山水画的众多源流。\n魏晋南北朝时期，山水画逐步摆脱了作为人物画背景的角色，并发展成为一门独立的画种。此时的山水画技法与人物画大体相似，所运用的都是勾线填彩法，即以线描勾勒出山石树木的轮廓，再用颜色渲染出其形体。从现存的宋人摹顾恺之《洛神赋图》中可以看出当时的大致风貌。山水画发展到唐代，呈现出一片繁荣的景象，画家们已不满足于只用人物画的勾线填色法来表现自然山水，新的画法竞相出现。以李思训、李昭道父子为代表的青绿山水画派，其画法是在继承了魏晋以来的山水画勾线填色法的基础上，着重以青、绿二色为主的一种风格。此画法在唐代影响较大，从学者众多，被后世认为是最能体现唐代山水画风貌的流派。南宋的赵伯驹、赵伯骕便是此画派集大成者。如《龙舟竞渡图》《仙山楼阁图》都属于继承此种风格的作品。此外李思训、李昭道亦长于楼阁界画，后世从学者众多，在宋代小品画中也有体现，如《蓬莱仙馆图》《高阁凌空图》《层楼春眺图》等。\n唐代的水墨山水画尚处在发展阶段，并不能做到笔墨兼济。吴道子、项容、王维、张璪、王墨等人都使用了水墨来表现山水风光，他们在画法上各具特色，开启了后世水墨画的先声。直到五代十国时期，荆浩的出现才打破了笔墨之间的藩篱，他创造性地在山水画中使用了“皴法”，真正地做到了笔墨兼济的理想状态，并将自己的绘画心得记录下来，写成了《笔法记》一书。荆浩的弟子关仝继承其衣钵，后有出蓝之誉，与其师并称“荆关”。与此同时，南唐的董源在表现南方烟雨空濛的景色上独具面貌。其弟子巨然在“短披麻皴”的基础上发展出“长披麻皴”，画史将师徒二人称为“董巨”。至此，山水画中影响后世最为深远的两大流派已然形成，这也标志着中国山水画由此走向了成熟。\n北宋时期山水画迎来了历史性的高峰，其空前的成就堪称“百代标程”。北宋初年，山水流派出现了所谓“三家鼎峙”的局面，关仝、李成、范宽被画史誉为“北宋三大家”。其中关仝、李成乃至北宋中后期的郭熙、王诜都继承了荆浩“卷云皴”的画法流派，如山水小品中的《山店风帘图》《青山白云图》《风雨归舟图》《春江帆饱图》即属此种风格。范宽则在荆浩“斧劈皴”的基础上稍变其趣，独创“豆瓣皴”，如《云关雪栈图》《雪山萧寺图》都属范宽画派风格。北宋时期，并非所有的画家都钟情于描绘雄伟壮丽的宏阔之景，如惠崇、赵令穰便是以描绘湖山小景而著称，由此也开创了南宋山水小景之先河。山水小品中的《橙黄橘绿图》《秋塘图》《柳溪春色图》都是这类风格的典型作品。\n伴随着王朝更迭，赵宋南渡，山水画的风格面貌也发生了非常大的转变，其最为显著的特征就是南宋一改北宋山水画全景式的宏大构图，代之以空灵雅致的边角式构图。这是南北山河地貌的差异造成的：描绘的对象发生了改变，画家们的画法自然也会随之改变。这种画风上的变革却常常被后世附会为画家们用画作中的“残山剩水”寄托对故土的哀思，更以此去劝诫君王莫要偏安一隅。然而，正是南宋时期对山水画独特的审美追求造就了山水小品画空前繁荣，现存的宋代山水小品画也大多创作于这一时期。\n南宋时期山水画的主流是李唐画派。李唐的山水画早年师法荆浩、范宽，多以“小斧劈皴法”为主，晚年一变古法而创“大斧劈皴法”。小品画中署款李嵩所作的《赤壁赋图》、旧题为刘松年所作的《秋窗读书图》、旧题为燕文贵所作的《层楼春眺图》都属于受李唐早期“小斧劈皴”画法风格影响的典型作品。或许是江南的烟雨朦胧，加之其年逾古稀后的放达，李唐一改早年严谨且略带刻画的刚劲笔致，变为粗犷简阔的“大斧劈皴法”；用墨上也十分大胆，变“惜墨如金”为“水墨淋漓”。这种风格影响了其后众多名家，与李唐并称“南宋四大家”的马远、夏圭的山水画正是在李唐晚年画风影响下发展出来的。李唐画派正是在马远、夏圭的推动下极大地影响了其后绘画的发展，这也使得马、夏的画风堪称是南宋山水画的代名词。",[27,219,144,614,329,124,82,60,129,6267,131],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fe1e2993d2fd93e9d4f6b8f0edca7e429.jpg","22.6×23.7cm",[],{"id":136212,"slug":136213,"title":136214,"dynasty":75,"author":7,"museum":56,"description":136215,"tags":136216,"thumbUrl":136217,"material":348,"size":136218,"collection":11,"collections":136219,"showCount":351,"zanCount":49,"manualWeight":49,"mainColor":70},234022,"tian-mo-gui-fan-tu-ye-yi-ming-234022","天末归帆图页","描绘黄昏湖光山色，画面右下方长满水草，渔船横卧，远山若隐若现。 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褶皱，设色明丽古雅，衣料质感呼之欲出。旁侧题字或载族属风俗，笔墨与彩绘相映成趣。人物姿态鲜活，立者端稳，行者矫健，眼神神态各有千秋，似能窥见彼时朝贡场景的生动一隅。画作以细腻笔触定格异域风貌，留存边疆民族与中央王朝交流的直观印记，兼具艺术审美与史料价值，为清世民族图景添一抹鲜活色彩。",[26,160,530,32,31,33,345],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fc8ab4a845fc09dc925e42c4ed92047ca.jpg",[],{"id":141253,"slug":141254,"title":141255,"dynasty":55,"author":7,"museum":172,"description":141256,"tags":141257,"thumbUrl":141258,"material":43,"size":11,"collection":11,"collections":141259,"showCount":351,"zanCount":49,"manualWeight":49,"mainColor":50},216124,"zhi-gong-tu-ju-fu-cai-hui-ce-ye-di-2-ce-36-yi-ming-216124","职贡图巨幅彩绘册页第2册-36","画面绘两异域人物，左为女子，身着粉紫暗纹长袍，头巾缀饰，手持器物，身姿温婉；右为男子，黄帕裹头，络腮胡须，橙裳白袂外覆粉褐披肩，足蹬皮靴，神情朴厚。人物刻画工细，衣纹线条流畅，色彩明丽雅致。旁附题识，详述其族属风俗。整幅画作写实生动，既展现异域风貌，又暗含清代对外域与边疆民族的认知，兼具艺术观赏性与历史文献价值，是职贡题材绘画中颇具代表性的作品。",[26,27,28,530,32,31,33,345],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fb11babbfb1ec9ac919a4017bdfba6f60.jpg",[],{"id":141261,"slug":141262,"title":141263,"dynasty":55,"author":7,"museum":172,"description":141264,"tags":141265,"thumbUrl":141266,"material":43,"size":11,"collection":11,"collections":141267,"showCount":351,"zanCount":49,"manualWeight":49,"mainColor":50},216120,"zhi-gong-tu-ju-fu-cai-hui-ce-ye-di-2-ce-38-yi-ming-216120","职贡图巨幅彩绘册页第2册-38","画面分左右两帧，左帧女子衣袂明丽，黄地菱形纹长袍镶绿边，紫带束腰，发鬓轻挽，侧身微倾似作揖，姿态温婉；右帧男子着浅蓝长袍，内衬棕褐衣物，紫粉相间的腰带松束腰间，头戴绿顶宽檐帽，面容和善，手势若在交谈。旁侧墨书小字，或详载其族属风俗。画作以细腻笔触捕捉人物神态与服饰细节，衣料纹理、配饰样式皆考究入微。既呈现边疆族群的独特风貌，亦隐现清代多民族交流的图景，笔墨间藏着对异域风情的细致观察，是窥见当时民族文化交融的生动窗口，兼具艺术价值与历史意涵。",[26,27,28,530,32,31,33,345],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F84545aa37284684232fc317bcfb17688.jpg",[],{"id":141269,"slug":141270,"title":141271,"dynasty":55,"author":7,"museum":172,"description":141272,"tags":141273,"thumbUrl":141274,"material":43,"size":11,"collection":11,"collections":141275,"showCount":351,"zanCount":49,"manualWeight":49,"mainColor":70},216072,"zhi-gong-tu-ju-fu-cai-hui-ce-ye-di-3-ce-8-yi-ming-216072","职贡图巨幅彩绘册页第3册-8","画面分左右两帧，笔墨细腻勾勒出两位异域风貌的人物。左侧人物着兽皮饰边短装，条纹绑腿衬出赤脚质朴，姿态从容，眉眼间透着温和；右侧武士怒目圆睁，羽饰头饰与兽皮战袍张扬野性，腰间佩刀、手持带缨兵器，肢体张力尽显骁勇。服饰细节考究，毛皮纹理与绑带纹样清晰可见，神态鲜活如临其境。画作以写实笔触记录族群风貌，既展现不同文化的独特质感，也暗藏清代对边疆族群的观察视角，是研究当时民族交流与视觉文化的生动载体。",[26,27,32,31,33,64,2405,530],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F0a4ec5a7d1b3e3bc0bea4624e4617196.jpg",[],{"id":141277,"slug":141278,"title":141279,"dynasty":55,"author":7,"museum":172,"description":141280,"tags":141281,"thumbUrl":141283,"material":43,"size":11,"collection":11,"collections":141284,"showCount":351,"zanCount":49,"manualWeight":49,"mainColor":70},216071,"zhi-gong-tu-ju-fu-cai-hui-ce-ye-di-3-ce-9-yi-ming-216071","职贡图巨幅彩绘册页第3册-9","画面分左右二帧，左帧女子头戴红巾，衣纹轻柔，青裙曳地，神态温婉沉静，服饰细节勾勒细腻；右帧男子纹身遍体，赤足腾跃，红装利落，姿态豪放不羁。设色古朴雅致，线条流畅精准，人物形象鲜活传神，既呈现边疆族群独特风貌，又蕴含清代对异域文化的观察记录，兼具艺术审美与历史文献价值，笔墨间尽显传统工笔彩绘的细腻质感与人文意趣。",[26,160,31,32,530,33,141282,64,1169],"少数民族","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F58c7dd8070539295b5b610074b414005.jpg",[],{"id":141286,"slug":141287,"title":141288,"dynasty":55,"author":7,"museum":172,"description":141289,"tags":141290,"thumbUrl":141291,"material":43,"size":11,"collection":11,"collections":141292,"showCount":351,"zanCount":49,"manualWeight":49,"mainColor":70},216069,"zhi-gong-tu-ju-fu-cai-hui-ce-ye-di-3-ce-7-yi-ming-216069","职贡图巨幅彩绘册页第3册-7","画面展呈两位边地或异域人物的鲜活形象，工笔彩绘细腻传神。左侧人物着黑衫红裙，手持器物，神态平和；右侧人物身佩蛇形杖与短刃，蓝裤红带，绑腿赤足，姿态刚健。人物服饰细节丰沛，纹样配色尽显族群特色，旁附文字注解身份背景。\n\n画作写实生动，既捕捉神态之真，又还原器物服饰之细，折射出清代对边疆或外域族群的观察与记录，承载着彼时民族交流与文化互鉴的鲜活印记，尽显职贡图类作品的历史价值与艺术张力。",[26,27,28,530,32,31,33,345,2405,688],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F7f9f6ba1a53bf4fa3c785d793b9c5574.jpg",[],{"id":141294,"slug":141295,"title":141296,"dynasty":55,"author":7,"museum":172,"description":141297,"tags":141298,"thumbUrl":141299,"material":43,"size":11,"collection":11,"collections":141300,"showCount":351,"zanCount":49,"manualWeight":49,"mainColor":70},216068,"zhi-gong-tu-ju-fu-cai-hui-ce-ye-di-3-ce-14-yi-ming-216068","职贡图巨幅彩绘册页第3册-14","画面分左右两帧，铺展两位边地人物的鲜活样貌。左者头裹蓝巾，蓝袖白衣衬紫裙，赤足而立，肩挑木杆，一端悬铜铃，一端挂竹篮，神情平和。右者发挽脑后，深衣罩身，内衬蓝布，赤足微屈，手持系红穗的长杆，神色间藏着岁月痕迹。衣纹线条流畅，设色淡雅古朴，器具细节刻画入微，尽显清代职贡图写实风貌。既记录异域族群生活样貌，又于笔墨间传递独特人文气息与历史质感，简而有致，韵味悠长。",[26,160,32,31,530,33,345,91594],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F67a6218a2140762cc1fd49939caa5c75.jpg",[],{"id":141302,"slug":141303,"title":141304,"dynasty":55,"author":7,"museum":172,"description":141305,"tags":141306,"thumbUrl":141307,"material":43,"size":11,"collection":11,"collections":141308,"showCount":351,"zanCount":49,"manualWeight":49,"mainColor":70},216067,"zhi-gong-tu-ju-fu-cai-hui-ce-ye-di-3-ce-16-yi-ming-216067","职贡图巨幅彩绘册页第3册-16","画面左侧人物衣袂翩然，蓝衫绿裙衬红绦，肩负农具、手提竹篮，神态质朴尽显劳作之态；右侧壮汉赤足束腰，白褐条纹短打配蓝裙，弓箭在握，身旁猎犬昂首相伴，姿态雄健。线条细腻勾勒衣纹轮廓，设色明丽古雅，服饰细节鲜明体现地域特色。人物动态自然，猎犬刻画栩栩如生，尽显生活气息。旁题墨书似载族群风俗，既为工笔彩绘佳作，更承载清代多元文化交融与职贡关系的历史印记，兼具艺术审美与历史价值。",[26,27,32,31,530,33,272,10324,2405,64],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F676d292a3e19e51ff420f1b622fede34.jpg",[],{"id":141310,"slug":141311,"title":141312,"dynasty":55,"author":7,"museum":172,"descript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与记录，传递出清代职贡图类作品记录四方、彰显大一统的文化意涵。整体写实传神，于细节处见匠心，是研究清代边疆族群形象与文化交流的珍贵视觉载体。",[26,160,27,28,530,32,31,1169,33,358,272],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ff9c30f6c43dacb2a6ac93b02b1789abd.jpg",[],{"id":141375,"slug":141376,"title":141377,"dynasty":55,"author":7,"museum":172,"description":141378,"tags":141379,"thumbUrl":141381,"material":43,"size":11,"collection":11,"collections":141382,"showCount":351,"zanCount":49,"manualWeight":49,"mainColor":70},216052,"zhi-gong-tu-ju-fu-cai-hui-ce-ye-di-3-ce-27-yi-ming-216052","职贡图巨幅彩绘册页第3册-27","画面分左右二帧，各绘一人物。左者白衣素裹，跣足束发，手提竹桶，身形灵动间透着山野质朴；右者蓝衣覆身，顶戴斗笠，红带系腰，虬髯垂胸，神态憨直尽显豪迈。笔触工细流畅，设色淡雅却鲜明，衣饰细节与动态刻画入微。作为职贡图的一页，它以直观视觉语言记录特定族群的生活样貌与精神气质，既展现清代绘画写实功力，也为研究当时边疆民族文化与交流提供鲜活图像佐证。",[26,160,530,32,31,33,345,90071,141380,81996],"水桶","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fc7840a0c85d02d60fb68fea43d269745.jpg",[],{"id":141384,"slug":141385,"title":141386,"dynasty":55,"author":7,"museum":172,"description":141387,"tags":141388,"thumbUrl":141389,"material":43,"size":11,"collection":11,"collections":141390,"showCount":351,"zanCount":49,"manualWeight":49,"mainColor":70},216051,"zhi-gong-tu-ju-fu-cai-hui-ce-ye-di-3-ce-26-yi-ming-216051","职贡图巨幅彩绘册页第3册-26","画面绘两位人物，左侧身着毛皮短袄，下配淡蓝长裙，足蹬软靴，神态悠然；右侧披斑斓兽皮，手持长杆与猎获，身姿矫健。彩绘笔触细腻，衣物质感跃然纸上——毛皮的蓬松、裙料的垂顺皆清晰可见。人物神情鲜活，或从容伫立，或携猎具而归，尽显边地生活的质朴意趣。此作以写实笔调勾勒族群风貌，既展现了绘画技艺的精湛，更暗藏清代边疆民族的生活图景与文化印记，笔墨间流淌着对异域风情的细致描摹与生动记录。",[26,55,530,32,31,33,345,2405,272],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F987bf45be1a106a064ae11743878a24b.jpg",[],{"id":141392,"slug":141393,"title":141394,"dynasty":55,"author":7,"museum":172,"description":141395,"tags":141396,"thumbUrl":141397,"material":43,"size":11,"collection":11,"collections":141398,"showCount":351,"zanCount":49,"manualWeight":49,"mainColor":50},216042,"zhi-gong-tu-ju-fu-cai-hui-ce-ye-di-4-ce-1-yi-ming-216042","职贡图巨幅彩绘册页第4册-1","这幅彩绘以细腻笔触铺展朝贡图景，人物神态鲜活灵动，各族服饰、器物细节毕现——或披兽皮持猎具，或着锦袍携方物，衣纹线条流转自然，色彩晕染层次分明。画面不仅定格了朝觐的庄重瞬间，更藏着边疆族群的生活印记与邦交往来的温度。册页形制承载着这份历史记忆，每一处细节都是往昔民族交流、文化互鉴的生动注脚，让久远的天下图景在笔墨间缓缓苏醒，尽显传统绘事对世间万象的精微记录与深情观照。",[26,27,28,530,32,33],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F9a54030c817efdc9f26d14517effa76e.jpg",[],{"id":141400,"slug":141401,"title":141402,"dynasty":55,"author":7,"museum":172,"description":141403,"tags":141404,"thumbUrl":141405,"material":43,"size":11,"collection":11,"collections":141406,"showCount":351,"zanCount":49,"manualWeight":49,"mainColor":50},216038,"zhi-gong-tu-ju-fu-cai-hui-ce-ye-di-4-ce-3-yi-ming-216038","职贡图巨幅彩绘册页第4册-3","两帧画面各呈鲜活风情。左帧女子赤脚缓行，蓝裙曳地缀粉绡，肩扛渔网、腰挎竹篓，长杆轻握，神情温婉安然，尽显渔者日常之态；右帧男子赤足跨步，蓝衫飘带翻飞，身形矫健动感十足，似正疾行赶路。彩绘笔触细腻，服饰纹理与人物姿态皆传神鲜活，既勾勒出特定族群的生活剪影，亦承载着清代对边地民俗的细致观照，笔墨间流淌着多元文化的生动气息，是一幅纪实性与艺术性交融的民俗画卷。",[26,27,28,1222,32,31,33,345,1169],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F0930b33ff705c90d058bb2096f2e5f07.jpg",[],{"id":141408,"slug":141409,"title":141410,"dynasty":55,"author":7,"museum":172,"description":141411,"tags":141412,"thumbUrl":141413,"material":43,"size":11,"collection":11,"collections":141414,"showCount":351,"zanCount":49,"manualWeight":49,"mainColor":50},216032,"zhi-gong-tu-ju-fu-cai-hui-ce-ye-di-4-ce-11-yi-ming-216032","职贡图巨幅彩绘册页第4册-11","画面分左右两帧，各绘一位人物，服饰鲜明，神态生动。左帧人物着蓝纹长裙，外披彩边披肩，头饰精巧，身姿温婉；右帧人物长袍缀星纹图案，腰间佩弯刀与彩绳，足蹬红靴，神情刚毅，尽显游牧气息。画作笔触细腻，色彩明快，精准捕捉人物服饰、配饰细节，形神兼备。既呈现不同族群的生活风貌，亦折射清代多民族交流融合的图景，为研究当时民族文化与服饰艺术留存珍贵视觉印记。",[26,160,32,31,530,33,345,2405,47440],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F2abe3f0f0c8cf48960d376f84978e218.jpg",[],{"id":141416,"slug":141417,"title":141418,"dynasty":55,"author":7,"museum":172,"description":141419,"tags":141420,"thumbUrl":141421,"material":43,"size":11,"collection":11,"collections":141422,"showCount":351,"zanCount":49,"manualWeight":49,"mainColor":50},216030,"zhi-gong-tu-ju-fu-cai-hui-ce-ye-di-4-ce-16-yi-ming-216030","职贡图巨幅彩绘册页第4册-16","画面以细腻笔触描摹边地人物情态，左侧人物肩挎竹篮，素白长裙垂落，粉带轻系腰间，步态悠然尽显质朴；右侧者肩扛长物，短褐裹身，腰佩短刃，赤足踏地，神情骁健流露山野气息。衣纹线条流畅婉转，色彩淡雅却层次分明，人物神态鲜活如生。背景素笺与边缘纹饰相衬，古朴雅致。整幅画作既为异域风貌的真实纪实，又兼具绘画的审美意趣，于细节处见匠心，展现出对边地文化的细致体察，是清代纪实绘画中兼具艺术价值与历史意义的佳作。",[26,160,530,31,32,1169,33,345,346],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F3dc7911428c18d254898f3074cf5dc4e.jpg",[],{"id":141424,"slug":141425,"title":141426,"dynasty":55,"author":7,"museum":172,"description":141427,"tags":141428,"thumbUrl":141429,"material":43,"size":11,"collection":11,"collections":141430,"showCount":351,"zanCount":49,"manualWeight":49,"mainColor":50},216029,"zhi-gong-tu-ju-fu-cai-hui-ce-ye-di-4-ce-10-yi-ming-216029","职贡图巨幅彩绘册页第4册-10","画面绘两异服人物，左侧者头裹红蓝纹巾，身披浅褐帔帛，内着橙黄短褐，下着青蓝褶裙，赤足而立，双手拢于胸前似作揖状，腰间缀饰小巧囊袋，细节生动；右侧者发如墨瀑披散，外罩玄色长斗篷，内搭黄白交领衣与青蓝裙，腰束彩绦，双臂环抱于腹，神情沉稳。画作线条工细流畅，设色明丽雅致，人物姿态鲜活，服饰纹样独具地域特色，既展现了异域或边地族群的风貌，亦折射出清代多民族交流与朝贡体系下的人文图景，颇具历史与艺术价值。",[26,27,160,32,31,33,345,530],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fd2b0d877a4ca67bae6f78a6b58e4a628.jpg",[],{"id":141432,"slug":141433,"title":141434,"dynasty":55,"author":7,"museum":172,"description":141435,"tags":141436,"thumbUrl":141437,"material":43,"size":11,"c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一处都透着从容的生活气息，让观者沉入遥远岁月里的平和安然，仿佛能触到那纸间流淌的温软旧梦。",[530,32,33,345],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ffdb42bff813ca7ff86df5c8f6259b537.jpg",[],{"id":142046,"slug":142047,"title":142048,"dynasty":55,"author":7,"museum":465,"description":142049,"tags":142050,"thumbUrl":142051,"material":616,"size":11,"collection":11,"collections":142052,"showCount":351,"zanCount":49,"manualWeight":49,"mainColor":70},215893,"qing-ren-hua-ce-3-yi-ming-215893","清人画册-3","绿衫覆身，蓝扣如星子缀于襟前，粉裾轻垂至踝，足下青鞋衬出几分素净。人物眉眼弯着浅淡笑意，手中细枝缀着点点红，似把巷陌间的春日闲逸拈在指尖。笔触细腻处，衣纹的褶皱、花枝的轻颤皆藏着温婉心思。色彩明润却不张扬，晕染出清寂又温暖的氛围。方寸之间，凝住清代生活里的寻常意趣，那恬淡神态，仿佛能触到旧时光里漫过的温柔烟火气，叫人忍不住想凑近，听一听画中人藏在笑意里的细碎故事。",[32,31,530,33,345,190],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fa63050007e298e40aed190f4326219d1.jpg",[],{"id":142054,"slug":142055,"title":142056,"dynasty":55,"author":7,"museum":465,"description":142057,"tags":142058,"thumbUrl":142059,"material":616,"size":11,"collection":11,"collections":142060,"showCount":351,"zanCount":49,"manualWeight":49,"mainColor":70},215889,"qing-ren-hua-ce-10-yi-ming-215889","清人画册-10","画面铺展一段雅致日常：端坐者执笔落墨，粉裙蓝褂衬着案上粉瓶，几枝艳粉花朵斜倚瓶身，似与纸上字迹遥遥呼应。立者身着浅绿纹袍，俯身轻凝，衣袂垂落间藏着几分关切或欣赏。线条细腻勾勒衣褶纹理，色彩温润如旧时光里的软玉，将书房一隅的静谧与人际的温煦悄然封存。无需浓墨重彩，却以淡远笔触摹写文人生活的闲雅况味，每一处细节都似在诉说往昔岁月里，关于笔墨与陪伴的细碎美好，静静流淌着岁月沉淀的温柔与恬淡。",[27,28,530,32,31,33,10788,6570,220,346],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fda8c3f333026caabd73245b0d7b2442c.jpg",[],{"id":142062,"slug":142063,"title":142064,"dynasty":55,"author":7,"museum":465,"description":142065,"tags":142066,"thumbUrl":142067,"material":616,"size":11,"collection":11,"collections":142068,"showCount":351,"zanCount":49,"manualWeight":49,"mainColor":70},215888,"qing-ren-hua-ce-9-yi-ming-215888","清人画册-9","朱红袄子绣纹隐现，湖蓝裙裾镶边精致，女子发髻间翠饰点染，珠花轻缀，执扇半掩，姿态娴静如春日垂杨。蓝纹边框圈定一方雅致天地，笔墨细腻处，眉眼含柔，衣袂带风，似能窥见清代闺阁女子的温婉情态。色彩搭配明丽却不张扬，红与蓝的碰撞衬出人物灵动，细节纹饰简而精，尽显当时审美风尚。这帧小画如悄然绽放的旧时光之花，佚名画家以细腻笔触捕捉闺阁闲雅片刻，让观者于方寸间触摸清代女性的柔美与沉静。",[530,31,32,33,127,345],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fbada7efce5f2188f4d357a40da3c957e.jpg",[],{"id":142070,"slug":142071,"title":142072,"dynasty":55,"author":7,"museum":465,"description":142073,"tags":142074,"thumbUrl":142075,"material":616,"size":11,"collection":11,"collections":142076,"showCount":351,"zanCount":49,"manualWeight":49,"mainColor":70},215886,"qing-ren-hua-ce-8-yi-ming-215886","清人画册-8","人物面容圆润憨然，浅绿镶蓝边的短褂缀着细碎纹样，粉色裤脚轻扫青蓝布鞋，步履似带轻快。手中一枝虬曲梅枝，几点殷红花苞初绽，枝上墨羽小鸟似与人物相望，生机暗涌。蓝绿织纹边框圈定一方清趣天地，设色明丽却不艳俗，线条细腻流畅。画中日常闲逸被定格，透着清代市井生活的温婉鲜活，观之如沐春风，心生暖意。",[27,32,31,530,33,163,542],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fb0ba4730c295e27048130288d80b0c10.jpg",[],{"id":142078,"slug":142079,"title":142080,"dynasty":55,"author":7,"museum":465,"description":142081,"tags":142082,"thumbUrl":142083,"material":616,"size":11,"collection":11,"collections":142084,"showCount":351,"zanCount":49,"manualWeight":49,"mainColor":70},215885,"qing-ren-hua-ce-12-yi-ming-215885","清人画册-12","画面中人物身着粉红外褂与蓝绿长袍，衣袂褶皱以简练线条勾勒，灵动传神。光头造型契合清代男子风尚，蓝白布鞋更添生活气息。人物指尖前伸，神态平和从容，似在指引或轻语，将日常瞬间定格为生动图景。色彩搭配清新雅致，粉与蓝绿的碰撞既显活泼又不失沉稳，尽显传统审美意趣。画作以细腻笔触与鲜活神态，精准捕捉清代人物风貌，于方寸间传递出时代的生活质感，堪称兼具历史价值与艺术感染力的佳作。",[160,32,33,31,345,530],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fe28e600951e9cc8089d15d89bf5f98bc.jpg",[],{"id":142086,"slug":142087,"title":142088,"dynasty":55,"author":7,"museum":172,"description":142089,"tags":142090,"thumbUrl":142091,"material":616,"size":11,"collection":11,"collections":142092,"showCount":351,"zanCount":49,"manualWeight":49,"mainColor":70},215877,"qing-dai-xing-fa-ji-lu-tu-ce-9-yi-ming-215877","清代刑罚记录图册-9","画面定格了清代刑罚的一幕：跪姿者红衫紫裤，双臂上举被绳索死死缚住，身躯因拉扯而紧绷如弓；两侧执绳人弓步沉腰，麻绳在手中绷成直线，力道似要穿透画面。左侧立者青袍束带，神情冷峻如旁观的监者，衣袂间透着疏离的威严。\n\n笔触简练却见筋骨，人物姿态的张力藏于线条褶皱间——跪者微蹙的眉峰、执绳者紧绷的小臂、监者微抬的下颌，皆勾勒出场景的沉重。色彩克制却有冲击力：红衫的刺目与蓝灰衣袍的沉郁形成对照，似在无声诉说惩戒的凛冽。\n\n这幅写实的记录，以具象的肢体语言与神态，还原了昔日社会治理中冷峻的一隅，让观者在静态画面里触碰到历史语境下的张力与沉重。",[27,28,530,32,31,33,160,9792],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F45c1af5a234d5fe1330480ef24728cb0.jpg",[],{"id":142094,"slug":142095,"title":142096,"dynasty":55,"author":7,"museum":172,"description":142097,"tags":142098,"thumbUrl":142100,"material":616,"size":11,"collection":11,"collections":142101,"showCount":351,"zanCount":49,"manualWeight":49,"mainColor":70},215875,"qing-dai-xing-fa-ji-lu-tu-ce-5-yi-ming-215875","清代刑罚记录图册-5","棺木敞口横陈，赤衣躯体僵卧其中，蓝裤红衫者持刃俯身猛刺，动作狠厉决绝。刃光寒冽，与棺木暗沉形成刺目对比。旁立二人，蓝衣者叉腰提笼，似观刑役卒，姿态倨傲；紫衣人持牍而立，或为案录小吏，神色漠然。画面以写实笔触勾勒刑罚场景，人物神态、动作皆细致入微：刺刃者的狰狞、观刑者的冷视、伏案者的麻木，层层铺陈出旧时代司法的酷烈底色。冰冷的线条里藏着阴森压迫感，每个细节都折射出权力对生命的漠视，仿佛能听见利刃穿木的钝响，窥见底层命运在专制铁律下的破碎悲歌，是清代社会专制统治与人性异化的无声见证。",[27,28,530,32,31,33,9792,26925,142099,64],"笼子","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F3733d38d37fffe0dc2da87d67cf25f1e.jpg",[],{"id":142103,"slug":142104,"title":142105,"dynasty":55,"author":7,"museum":172,"description":142106,"tags":142107,"thumbUrl":142110,"material":616,"size":11,"collection":11,"collections":142111,"showCount":351,"zanCount":49,"manualWeight":49,"mainColor":70},215855,"qing-dai-xing-fa-ji-lu-tu-ce-19-yi-ming-2158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着生活的温度。笔触不事雕琢，色彩温润明快，将民间演奏的日常凝于素净底色上。孩童神态沉静，仿佛乐声正从鼓面漫出，没有繁复布景，仅以简素衬出器物与人物的鲜活。这帧小画像旧时光里遗落的信笺，藏着市井的烟火气与寻常人的热忱，简而不薄，淡却有味，把民间艺术的纯粹与生活的真趣，悄悄揉进了每一笔色彩里。",[160,32,31,33,687,14059,530],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fdbfb9f9162aab328a48437e1c48324e4.jpg",[],{"id":142361,"slug":142362,"title":142363,"dynasty":55,"author":7,"museum":172,"description":142364,"tags":142365,"thumbUrl":142366,"material":616,"size":16729,"collection":11,"collections":142367,"showCount":351,"zanCount":49,"manualWeight":49,"mainColor":70},215795,"min-jian-yan-zou-tu-ce-11-yi-ming-215795","民间演奏图册-11","画面中，人物身着紫衫绿裤，踞坐于饰有暗纹的粉物之上，一手握琴杆，一手引弓弦，神态专注，似正沉浸于乐声之中。淡雅的色彩晕染出悠然的市井氛围，每一处衣褶的勾勒、每一丝神情的描摹，都藏着民间生活的鲜活意趣。仿佛能听见那弦上流淌的婉转曲调，将寻常日子里的乐声与烟火气，凝作纸上生动的一瞬。这帧小画以细腻笔触捕捉民间演奏的日常，没有繁复铺陈，却让市井里的悠然与乐声，在方寸间静静流淌。",[27,28,530,31,32,33,687,14059],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F1bb0dbfe286ca2ddff210ee4ec1888d2.jpg",[],{"id":142369,"slug":142370,"title":142371,"dynasty":55,"author":7,"museum":172,"description":142372,"tags":142373,"thumbUrl":142374,"material":616,"size":16729,"collection":11,"collections":142375,"showCount":351,"zanCount":49,"manualWeight":49,"mainColor":70},215794,"min-jian-yan-zou-tu-ce-4-yi-ming-215794","民间演奏图册-4","画面里的人物衣饰鲜活，粉色短衫配宝蓝立领，明黄裤脚边垂着翠色绣纹布幅，色彩明快得像巷口的春日暖阳。他一手攥鼓槌，一手托圆鼓，指节微弯似正待敲出清脆的声响，眉眼间带着几分自在的专注。线条勾勒简练却见功力，衣褶的软垂、布料的肌理藏在细腻笔触里，连鞋头的墨痕都透着生活的实感。这幅小画像截取了清代市井的一个片段，鼓点未响，却已能感受到烟火气里浮动的乐声，满是民间艺人的日常意趣与平凡中的鲜活欢愉。",[27,28,530,31,32,33,687,160],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F08f4e56376d4ecec5b09509d73e90746.jpg",[],{"id":142377,"slug":142378,"title":142379,"dynasty":55,"author":7,"museum":172,"description":142380,"tags":142381,"thumbUrl":142383,"material":616,"size":16729,"collection":11,"collections":142384,"showCount":351,"zanCount":49,"manualWeight":49,"mainColor":70},215792,"min-jian-yan-zou-tu-ce-13-yi-ming-215792","民间演奏图册-13","素纸之上，两位清人身影鲜活如昨。立者紫袍轻垂，团扇半展，似欲随隐约的节拍轻摇；坐者红绿衣袂相映，俯身案前，指尖捻动的器物藏着市井闲趣。线条朴拙却见情致，色彩淡染而鲜活——没有繁复的装饰，只以日常的互动勾连起烟火气：或许是一曲未终的小调，或许是一段相谈甚欢的闲叙。\n\n佚名画师以细腻观照捕捉民间片刻：衣褶的起伏藏着风的痕迹，眉眼的微蹙含着专注的暖意。笔墨间没有宏大叙事，却将平凡日子里的温情与生动凝于方寸，让百年后的我们仍能触摸到那个时代里，市井角落的细碎欢愉，仿佛听见器物碰撞的轻响，混着两人低声的谈笑，漫过时光的缝隙。",[27,28,530,32,33,142382,70203,160,31],"民间生活","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fb792b7fc748f417e6fbf50c01a2d5d0c.jpg",[],{"id":142386,"slug":142387,"title":142388,"dynasty":55,"author":7,"museum":172,"description":142389,"tags":142390,"thumbUrl":142391,"material":616,"size":16729,"collection":11,"collections":142392,"showCount":351,"zanCount":49,"manualWeight":49,"mainColor":70},215791,"min-jian-yan-zou-tu-ce-12-yi-ming-215791","民间演奏图册-12","粉衫黄裤的身影立于素净背景前，清代民间的鲜活气息自衣褶间漫出。他手持纹饰精巧的乐器与鼓槌，指尖似凝着未散的韵律，专注的神态里藏着市井生活的热络。身旁青绿物件添了几分明快，色彩搭配质朴却鲜活。画面虽简，却将民间演奏的生动瞬间定格，仿佛能听见那穿越时光的乐声，把寻常日子里的烟火气与艺术意趣揉成一抹温暖的记忆，尽显民俗风情的动人之处。",[160,27,28,530,31,32,14059,33,687],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F9a38900e38e0680a9c52eea4bcaa47e5.jpg",[],{"id":142394,"slug":142395,"title":142396,"dynasty":55,"author":7,"museum":172,"description":142397,"tags":142398,"thumbUrl":142399,"material":724,"size":11,"collection":11,"collections":142400,"showCount":351,"zanCount":49,"manualWeight":49,"mainColor":70},215622,"tian-xia-ming-shan-tu-3-yi-ming-215622","天下名山图-3","皴笔如鳞，勾勒出山峦嶙峋筋骨，层叠峰峦间藏着远近纵深感。前景溪流如带，绕乱石轻吟，几株古木枝桠虬曲，苍劲中透着疏朗。中景屋舍隐于林麓，或临流筑居，或倚山而卧，烟火气与林泉意趣悄然相融。远景峰峦愈显巍峨，留白处似有云雾流转，将视野引向天际。整幅画以线为骨，墨色分阶，布局疏密得宜：山石的厚重、流水的灵动、树木的姿态、屋宇的闲静，交织成一幅兼具雄浑与清幽的山水图景，尽显传统笔墨的意韵悠长与自然山水的灵秀之美。",[27,28,123,144,60,614,530,6267,131,734,531,1643,359,19172,2656],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fb38434c15960d0719926ca3fa4cffd52.jpg",[],{"id":142402,"slug":142403,"title":142404,"dynasty":55,"author":7,"museum":172,"description":142405,"tags":142406,"thumbUrl":142407,"material":724,"size":11,"collection":11,"collections":142408,"showCount":351,"zanCount":49,"manualWeight":49,"mainColor":70},215621,"tian-xia-ming-shan-tu-4-yi-ming-215621","天下名山图-4","烟波浩渺的水面上，远山如黛层叠，线条柔和却见风骨。几处洲渚点缀其间，草木葱茏似藏着未说的幽意。扁舟轻泛，帆影与波光相映，似载着时光的闲淡缓缓游弋。近岸田畴错落，柳丝拂水，晕开几分烟火气，与远岫的旷远形成呼应。墨线勾勒简练却精准，山水的旷达与田园的温润交织，仿佛能听见桨声欸乃，看见风过林梢。整幅画以水为脉，串联起天地人景，意韵悠长，将一方山水的静谧与生机，悄然凝于纸间。",[27,28,530,123,60,130,128,131,14795,163],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F9879080b45cf7f192509e0589b6405fc.jpg",[],{"id":142410,"slug":142411,"title":142412,"dynasty":55,"author":7,"museum":172,"description":142413,"tags":142414,"thumbUrl":142415,"material":724,"size":11,"collection":11,"collections":142416,"showCount":351,"zanCount":49,"manualWeight":49,"mainColor":70},215616,"tian-xia-ming-shan-tu-10-yi-ming-215616","天下名山图-10","线描勾勒的山水间，山石皴纹细密如织，嶙峋体态跃然纸上。远近峰峦层叠，云雾在缝隙间游走，留白处漾开空灵气息。山间屋舍星罗，或傍崖而筑，或临溪而居；小桥卧波，溪流潺潺似携清响。林木疏朗点缀，添几分生机。构图疏密相宜，把山川的雄奇与人文的雅致揉合，绘就清幽静谧的山林胜境，藏着传统山水里“天人合一”的诗意回响。笔墨间见匠心，每一处线条都藏着对自然的敬畏与对生活的向往，尽显古典山水的含蓄之美。",[27,28,123,614,60,162,131,129,1623,130,734,531],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F904439cdb94d15742ad8bc019e959ee1.jpg",[],{"id":142418,"slug":142419,"title":142420,"dynasty":55,"author":7,"museum":172,"description":142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贩的身影。斗笠檐角微翘，衣袂褶皱随步履轻摆，肩头扁担压出浅浅弧度，两侧货囊以细密线条织就纹理，虽无色彩渲染，却见物态之真。人物神态安然，似正走在巷陌间，市井烟火气从简淡笔墨中漫出。白描之妙，在于以少胜多——寥寥几笔便定格清代街头买卖的日常，衣纹的转折、扁担的质感、货囊的垂坠，皆藏着对生活细节的敏锐捕捉。没有浓墨重彩，却让平凡的生计场景有了鲜活的温度，仿佛能听见巷弄里隐约的叫卖声，触到那个时代最质朴的人间气息。",[26,27,28,530,123,33,345,2195],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fb93217be0ba0d22513339b59c91157fb.jpg",[],{"id":142546,"slug":142547,"title":142548,"dynasty":55,"author":7,"museum":172,"description":142549,"tags":142550,"thumbUrl":142551,"material":109,"size":11,"collection":11,"collections":142552,"showCount":351,"zanCount":49,"manualWeight":49,"mainColor":70},215484,"bai-miao-jie-tou-mai-mai-hua-ce-72-yi-ming-215484","白描街头买卖画册-72","素纸间墨线流转，勾勒出市井贩夫的鲜活模样。裸肩男子微倾身躯，头顶与臂侧的圆货憨态尽显，臂膀的弧度似承着生计的分量。衣袂随步履轻摆，褶皱起伏藏着风的痕迹；赤足踏地的细节，晕开烟火气的温度。线条简练却见筋骨，肌肉纹理、侧脸微蹙的神态，皆在墨线的浓淡转合里，藏着街头买卖的日常况味。无繁复设色，仅以素笔写尽人间烟火，每道线条都是生活的注脚，将平凡生计里的坚韧与鲜活，凝作纸间的生动剪影。",[26,27,28,530,123,33,41782,2195],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F3839ca4a24ff8a2c5f1625741593da12.jpg",[],{"id":142554,"slug":142555,"title":142556,"dynasty":55,"author":7,"museum":172,"description":142557,"tags":142558,"thumbUrl":142559,"material":109,"size":11,"collection":11,"collections":142560,"showCount":351,"zanCount":49,"manualWeight":49,"mainColor":70},215483,"bai-miao-jie-tou-mai-mai-hua-ce-74-yi-ming-215483","白描街头买卖画册-74","线条如行云流水，勾勒出市井商贩的鲜活姿态。肩扛扁担的身影，衣褶随肢体动作自然铺展，赤脚的细节更添生活粗粝。左侧筐中叠放的货物与右侧竹篮相映，扁担弧度似承载烟火重量。人物侧脸微扬，似在赶路或吆喝，虽无色彩渲染，却以极简白描留住旧时光的烟火气。寥寥数笔，将贩夫走卒的日常凝于纸上，留白处暗含市井丰饶，仿佛能听见扁担吱呀，窥见清代街头鲜活一角。",[26,27,28,530,123,33,2195],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ff8a4064f23ac50884454b48c7213940f.jpg",[],{"id":142562,"slug":142563,"title":142564,"dynasty":55,"author":7,"museum":172,"description":142565,"tags":142566,"thumbUrl":142567,"material":109,"size":11,"collection":11,"collections":142568,"showCount":351,"zanCount":49,"manualWeight":49,"mainColor":70},215482,"bai-miao-jie-tou-mai-mai-hua-ce-75-yi-ming-215482","白描街头买卖画册-75","细劲线条勾勒出市井里的鲜活身影。头戴斗笠的小贩身着短褐，肩挑悬着炊具的货担，步履间带着生计的从容。衣物褶皱随身形舒展，斗笠的纹理、器物的轮廓皆以极简笔触呈现，却精准传神。货担上的器具似随脚步轻晃，隐有叮当余韵。无需浓墨重彩，白描的质朴便将街头买卖的日常意趣凝于纸上，平凡瞬间里藏着尘世的温暖烟火气。",[26,55,123,530,33,2195],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F50cfa170359b43d76dc0ac286c7bbda9.jpg",[],{"id":142570,"slug":142571,"title":142572,"dynasty":55,"author":7,"museum":172,"description":142573,"tags":142574,"thumbUrl":142575,"material":109,"size":11,"collection":11,"collections":142576,"showCount":351,"zanCount":49,"manualWeight":49,"mainColor":70},215480,"bai-miao-jie-tou-mai-mai-hua-ce-78-yi-ming-215480","白描街头买卖画册-78","素纸之上，墨线流转成一段市井旧影。身着布衫的买卖人立在画中，帽檐下眉眼温和，唇边短须轻翘，似刚与主顾寒暄过。手中货篮以细密线条勾勒，篮身纹理清晰可辨，仿佛能触到竹编的粗糙质感。衣褶的垂坠、布料的软硬，皆由长短不一的墨线晕染出层次——没有浓墨重彩，却将寻常生活的鲜活气尽数收揽。他站姿从容，周身似萦绕着街头巷尾的烟火余温，每一笔线条都像在低语：这是清代里弄间最寻常的片刻，是买卖人肩上的生计，也是时光里藏着的温柔烟火。",[26,27,28,530,123,33,345,2195],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F947e67192b5ab5b4b757a6911b7720ad.jpg",[],{"id":142578,"slug":142579,"title":142580,"dynasty":55,"author":7,"museum":172,"description":142581,"tags":142582,"thumbUrl":142583,"material":109,"size":11,"collection":11,"collections":142584,"showCount":351,"zanCount":49,"manualWeight":49,"mainColor":70},215478,"bai-miao-jie-tou-mai-mai-hua-ce-77-yi-ming-215478","白描街头买卖画册-77","素纸铺展，墨线轻走，勾出市井间最鲜活的剪影。戴斗笠的挑夫赤足前行，扁担压出肩背的弧度，两端竹篮晃着细碎的生计——一侧似盛陶壶与杂物，一侧格子里藏待售的零星。他手抚扁担的姿态从容，脚步带起微风，连斗笠边缘都沾着街头的烟火气。白描的妙处正在于此：无浓彩却见筋骨，无喧哗却闻人声。每一笔线条都藏着人间温热，像老巷深处飘来的叫卖声，淡而悠长，把寻常日子的生动，凝在这页素净里，任时光流转，仍能触到那份鲜活的烟火。",[26,55,123,530,33,2195],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fbe678c9da7137eb7bd5c258689d6764b.jpg",[],{"id":142586,"slug":142587,"title":142588,"dynasty":55,"author":7,"museum":172,"description":142589,"tags":142590,"thumbUrl":142591,"material":109,"size":11,"collection":11,"collections":142592,"showCount":351,"zanCount":49,"manualWeight":49,"mainColor":70},215477,"bai-miao-jie-tou-mai-mai-hua-ce-81-yi-ming-215477","白描街头买卖画册-81","细墨勾勒的身影，是旧巷里寻常的模样。斗笠斜遮半面，素布裹身，赤脚踩地的姿态里，藏着街头奔波的烟火气。扁担横肩，一手轻扶以稳平衡，两端竹篮沉甸甸，似盛着清晨刚摘的蔬果，或是街坊所需的杂物。线条简练却传神，人物的动态与神情跃然纸上：眉眼间带着生计的平实，步履间透着奔波的从容。白描的素净褪去浮华，只留最本真的生活模样——那是旧时光里，街头巷尾随处可见的日常，却在笔端化作了动人的温暖，让观者仿佛能听见巷弄里传来的叫卖声，触碰到市井里鲜活的气息。",[26,123,33,90071,56376,25298,41782,23543],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fad0c8c9741ef4d7a9851c375b8b015ec.jpg",[],{"id":142594,"slug":142595,"title":142596,"dynasty":55,"author":7,"museum":172,"description":142597,"tags":142598,"thumbUrl":142599,"material":109,"size":11,"collection":11,"collections":142600,"showCount":351,"zanCount":49,"manualWeight":49,"mainColor":70},215472,"bai-miao-jie-tou-mai-mai-hua-ce-85-yi-ming-215472","白描街头买卖画册-85","线条清劲流畅，勾勒出挑担小贩的鲜活姿态。身形微倾，肩扛扁担，双手稳握杆头以平衡重心，两侧木桶悬垂，内中物事隐约可见，似是带着市井烟火气的应季货品。笔墨极简却意韵饱满，将街头买卖的日常生动凝于纸上。每一道线条都藏着人间温度，仿佛能听见扁担吱呀声漫过巷陌，窥见老时光里的生活图景，鲜活亲切，尽显本真质感。那些简练的笔触，不仅是对身影的描摹，更是对烟火人间的温柔定格，让平凡日常有了动人的韵律。",[26,123,530,33,346,1129],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fe94727c8c722f5af9c92afbad21771f0.jpg",[],{"id":142602,"slug":142603,"title":142604,"dynasty":55,"author":7,"museum":172,"description":142605,"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流转。\n\n白描以线塑形，衣褶流畅如溪，草帽宽边、竹器经纬皆由精准墨线勾勒，无浓彩却见生动。平凡的街头买卖场景，因这疏密有致的线条有了温度——那些被时光淡去的市井细碎，凝在素纸上，静静诉说着旧日生活的鲜活质感，每一笔都带着人间烟火的余温。",[26,27,28,530,123,33,345,2195,346],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fb31d8dd16e8d56f767ca868f8b97ed0e.jpg",[],{"id":143212,"slug":143213,"title":143214,"dynasty":55,"author":7,"museum":172,"description":143215,"tags":143216,"thumbUrl":143217,"material":109,"size":11,"collection":11,"collections":143218,"showCount":351,"zanCount":49,"manualWeight":49,"mainColor":70},215352,"bai-miao-jie-tou-mai-mai-hua-ce-205-yi-ming-215352","白描街头买卖画册-205","画面中挑担商贩的身影，在简练白描线条里鲜活起来。草帽斜覆，衣袂随步履轻摆，褶皱勾勒如流水般自然；腿部绑带紧致，赤脚细节藏着奔波印记。扁担一头悬带架灯盏，另一头挂字迹招牌与竹篮，每处结构皆以精准线条撑起，无冗余却尽显生活实态。人物弯腰前倾的姿态，似正穿梭街巷，肩头扁担挑起的不仅是营生，更是市井里鲜活的晨昏烟火。简笔之下，平凡生计的韧劲与暖意跃然纸上，白描素净反而衬出人间烟火的醇厚，叫人一眼触到旧时光里的街头温度。",[26,123,530,33,2195,345],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F13634918046a86b881868aa7dae779b6.jpg",[],{"id":143220,"slug":143221,"title":143222,"dynasty":55,"author":7,"museum":172,"description":143223,"tags":143224,"thumbUrl":143225,"material":109,"size":11,"collection":11,"collections":143226,"showCount":351,"zanCount":49,"manualWeight":49,"mainColor":70},215351,"bai-miao-jie-tou-mai-mai-hua-ce-206-yi-ming-215351","白描街头买卖画册-206","墨线简练传神，寥寥数笔勾出市井买卖人的鲜活模样。宽檐草帽下，半侧面庞似带吆喝余韵，衣褶随步履轻摆，货担上物什错落——格子筐、长壶，皆是营生家当。无华彩渲染，却以白描素净藏住街头烟火：那是走街串巷的奔波，亦是寻常日子的踏实生计。线条轻重转折间，似能听见旧时光里的叫卖声，漫过青石板路，直抵人心。素笔勾勒的不仅是身形，更是浮生里的烟火温度，让远去的市井图景在墨痕中静静流淌。",[26,27,28,530,123,33,345,2195],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fc3b90523e4b36171555e83103aad371c.jpg",[],{"id":143228,"slug":143229,"title":143230,"dynasty":55,"author":7,"museum":172,"description":143231,"tags":143232,"thumbUrl":143233,"material":109,"size":11,"collection":11,"collections":143234,"showCount":351,"zanCount":49,"manualWeight":49,"mainColor":70},215350,"bai-miao-jie-tou-mai-mai-hua-ce-207-yi-ming-215350","白描街头买卖画册-207","白描线条简练有神，人物辫发与衣袍褶皱以流畅笔触勾勒，身姿动态呼之欲出。手持长杆的模样专注，似正投入街头营生的某个瞬间——或许是叫卖，或许是展演技艺？旁侧小形影线条轻快，与人物形成有趣互动，添了几分市井鲜活。无华丽色彩，却以素净之笔捕捉生活本真，寻常巷陌的烟火气仿佛透过纸面漫溢，将那个时代街头的生动片段，凝练成一幅充满意趣的生活速写。",[26,160,123,530,33,272,2405,345],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F5e148c7f626e75ec3351b03cecfeb1d4.jpg",[],{"id":143236,"slug":143237,"title":143238,"dynasty":55,"author":7,"museum":172,"description":143239,"tags":143240,"thumbUrl":143241,"material":109,"size":11,"collection":11,"collections":143242,"showCount":351,"zanCount":49,"manualWeight":49,"mainColor":70},215349,"bai-miao-jie-tou-mai-mai-hua-ce-209-yi-ming-215349","白描街头买卖画册-209","素纸淡墨间，街头贩夫的身影跃然纸上。宽袍束腰，软帽斜戴，他臂弯横托竹盘，盘中叠放的方匣似裹着市井烟火气。线条如行云流水，寥寥数笔便勾勒出衣袂褶皱与布料质感，无浓墨重彩却形神兼备。人物侧身微倾，步履似缓似急，眉宇间藏着生计的平实热忱——那是旧巷里随处可见的鲜活，被凝在素净纸页。白描的极简恰衬出生活丰满：每道线条都裹着风的痕迹，每个褶皱都藏着人间温度。这帧小画如一扇窗，推开便见旧时光里的烟火，静静诉说平凡日子里的细碎真切，让观者于淡墨中触到岁月的肌理。",[26,123,530,33,2195],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fe2dfdb35161f09f78e0217226f377139.jpg",[],{"id":143244,"slug":143245,"title":143246,"dynasty":55,"author":7,"museum":172,"description":143247,"tags":143248,"thumbUrl":143249,"material":109,"size":11,"collection":11,"collections":143250,"showCount":351,"zanCount":49,"manualWeight":49,"mainColor":70},215348,"bai-miao-jie-tou-mai-mai-hua-ce-208-yi-ming-215348","白描街头买卖画册-208","墨线轻转，勾勒出市井行人的鲜活身影。衣褶随步履起伏，似有风掠过；手提竹篮的弧度、肩挎工具的姿态，皆藏着营生的细碎日常。白描的妙处在于以简胜繁——竹篮的编织纹理隐于线间，人物眉眼的平和神态凝于笔端，无需浓墨重彩，便将街头买卖的烟火气铺展开来。平凡的劳作瞬间被定格，仿佛能听见巷陌里的隐约吆喝，触碰到旧时生活的温热质感，让观者在极简的线条里，读懂一段鲜活的市井记忆。",[26,123,530,33,2195],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F643f5667f47665124bbfc3bcfaea9e39.jpg",[],{"id":143252,"slug":143253,"title":143254,"dynasty":55,"author":7,"museum":172,"description":143255,"tags":143256,"thumbUrl":143257,"material":109,"size":11,"collection":11,"collections":143258,"showCount":351,"zanCount":49,"manualWeight":49,"mainColor":70},215347,"bai-miao-jie-tou-mai-mai-hua-ce-210-yi-ming-215347","白描街头买卖画册-210","素纸之上，货郎身影鲜活如在眼前。光头着素袍，肩背竹担，一手握蓬松羽束如聚云，一手拈小穗似正招揽主顾。白描线条简练却传神，衣褶随步态轻晃舒展，羽翎的柔细与衣料的朴拙相映成趣。人物神态憨朴专注，虽无色彩晕染，却似能闻见街巷间的叫卖声，触到市井里的烟火气。寥寥数笔将街头买卖的日常凝于纸上，平凡人物的生动姿态藏着最真实的生活温度，让人窥见往昔市井的鲜活一隅。",[26,27,28,530,123,33,345,2195],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fabc5d877bdc41b15b45e3b206639befe.jpg",[],{"id":143260,"slug":143261,"title":143262,"dynasty":55,"author":7,"museum":172,"description":143263,"tags":143264,"thumbUrl":143265,"material":109,"size":11,"collection":11,"collections":143266,"showCount":351,"zanCount":49,"manualWeight":49,"mainColor":70},215346,"bai-miao-jie-tou-mai-mai-hua-ce-211-yi-ming-215346","白描街头买卖画册-211","淡墨线条勾勒出挑担人的侧影，斗笠遮去半面，衣纹随步履舒展，似能感知微风掠过布衫的轻软。肩头扁担压出的弧度藏着日常劳作的分量，筐间悬垂的细物若隐若现，像是市井里未散的吆喝余韵。白描不着色彩，却以极简笔触抓住人物神态的从容——非匆忙赶路，而是带着生计的安稳。素纸之上，这抹身影成了烟火人间的缩影，每道线条都在诉说街头买卖的寻常与鲜活，让观者仿佛触到那个年代里，市井角落的温热气息。",[26,27,28,530,123,33,2209],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F5a32156aa1cc94fcc8403c629d34fb6d.jpg",[],{"id":143268,"slug":143269,"title":143270,"dynasty":55,"author":7,"museum":172,"description":143271,"tags":143272,"thumbUrl":143273,"material":109,"size":11,"collection":11,"collections":1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传神，于极简中见丰富，寻常生活里的从容意趣，随这清浅线条缓缓漫开，尽显传统白描“以线塑形、以形达意”的独特韵味，淡而愈浓，静而愈远。",[26,27,28,123,530,33,346,345],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F4ad2ab29e5e54a6649d281c53e2c40f2.jpg",[],{"id":144189,"slug":144190,"title":144191,"dynasty":55,"author":7,"museum":172,"description":144192,"tags":144193,"thumbUrl":144194,"material":109,"size":11,"collection":11,"collections":144195,"showCount":351,"zanCount":49,"manualWeight":49,"mainColor":70},215222,"bai-miao-jie-tou-mai-mai-hua-ce-336-yi-ming-215222","白描街头买卖画册-336","线条如行云流水，勾勒出市井小贩的鲜活身影。侧身而立的他，肩挎布囊，手托浅筐，筐中物什隐约，似是待售的零星货品。眉眼间藏着生计的从容，衣袂褶皱里裹着烟火的温度。无浓墨重彩，仅以素笔轻描，却将街头买卖的日常细碎凝于尺幅。每一道线条都带着生活的呼吸，仿佛能听见巷陌里的隐约叫卖，触到旧时街头的烟火气。寥寥数笔写尽市井百态的质朴生动，让远去的街头光景在素纸上静静流淌。未加修饰的线条恰是生活本真模样，于简洁中见丰盈，平淡里藏深味，将岁月里的市井温情凝作永恒。",[26,27,28,530,123,33,2195],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F9015aa350d42c893d46341806233ce7f.jpg",[],{"id":144197,"slug":144198,"title":144199,"dynasty":55,"author":7,"museum":172,"description":144200,"tags":144201,"thumbUrl":144202,"material":109,"size":11,"collection":11,"collections":144203,"showCount":351,"zanCount":49,"manualWeight":49,"mainColor":70},215221,"bai-miao-jie-tou-mai-mai-hua-ce-333-yi-ming-215221","白描街头买卖画册-333","素笔轻描的身影立于纸上，长袍宽袖裹着温婉姿态，发髻轻挽，一支簪饰斜斜点缀。手中铜镜映出半张面容，简淡线条却藏着专注神情——许是整理鬓发，或是端详妆容。衣褶的流转、发丝的弧度，皆以利落笔触勾勒，不见浓墨重彩，却有行云流水的韵致。这帧市井小景，于白描的清简里，藏着旧时生活的细碎温暖，仿佛能触到那份不慌不忙的日常，让寻常瞬间在素净线条中，晕开静美的余味。",[26,27,123,530,33],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F1c94f5e729887c6a9eac84dbe0f6dd36.jpg",[],{"id":144205,"slug":144206,"title":144207,"dynasty":55,"author":7,"museum":172,"description":144208,"tags":144209,"thumbUrl":144210,"material":109,"size":11,"collection":11,"collections":144211,"showCount":351,"zanCount":49,"manualWeight":49,"mainColor":70},215220,"bai-miao-jie-tou-mai-mai-hua-ce-337-yi-ming-215220","白描街头买卖画册-337","墨线流转如丝，勾勒出人物端坐椅上的娴静姿态。纤指轻拢慢捻，弦上意韵似欲溢出纸面。衣袂褶皱随身形舒展，线条起落间藏着衣物的柔软质感；椅具轮廓简洁利落，几笔勾勒便见器物的朴实质地。\n\n以线立形，以形传神。无浓墨重彩，却将人物专注的神情、指尖的细腻动作刻画得真切动人。弦乐器的构件细节清晰，与人物姿态相映成趣，似能闻得一缕轻缓弦音，漫过简素的画面。\n\n笔墨间藏着清人白描的含蓄意趣，于简约中见生动。画面虽简，却以凝练的线条捕捉到日常瞬间的淡然况味，仿佛时光在此刻慢下来，让观者在素净笔墨里感受到那份静穆的生活气息。",[26,27,28,123,33,687],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F542b183cb3212cc8e549385d3b12f1e6.jpg",[],{"id":144213,"slug":144214,"title":144215,"dynasty":55,"author":7,"museum":172,"description":144216,"tags":144217,"thumbUrl":144218,"material":109,"size":11,"collection":11,"collections":144219,"showCount":351,"zanCount":49,"manualWeight":49,"mainColor":70},215219,"bai-miao-jie-tou-mai-mai-hua-ce-339-yi-ming-215219","白描街头买卖画册-339","简素线条勾勒出街头买卖的鲜活瞬间。人物姿态憨朴，俯身摆弄器具的动作利落，凝神专注的神情藏在简笔轮廓里，木架与陶盆的线条分明，似能听见器具轻碰的细碎声响。白描的留白处漫溢着市井烟火的温热，无浓墨重彩，却以简练笔触捕捉生活本真模样。每道线条都裹着时光质感，将旧时街头寻常片段定格成永恒生动，让观者窥见往昔岁月里，那藏在街头巷尾的人间烟火气。",[26,123,530,33,346,2195,41782],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fd3feccdf3e16c1dbd7ba449d9849d3c8.jpg",[],{"id":144221,"slug":144222,"title":144223,"dynasty":55,"author":7,"museum":172,"description":144224,"tags":144225,"thumbUrl":144226,"material":109,"size":11,"collection":11,"collections":144227,"showCount":351,"zanCount":49,"manualWeight":49,"mainColor":70},215218,"bai-miao-jie-tou-mai-mai-hua-ce-338-yi-ming-215218","白描街头买卖画册-338","画面以简练白描勾勒街头商贩的日常。肩扛扁担的身影，宽檐草帽遮去半面日光，一手扶杆稳住平衡，赤脚踩地的细节藏着生计奔波的实感。竹篮悬于扁担两端，细密线条织就篮身纹路，内里堆叠的货物虽未着色，却似透着蔬果的鲜灵。人物衣袂褶皱随动作舒展，线条流畅如行云，既勾画出布衣的质感，也显露出体态的自然。整幅画无浓墨重彩，却以素净笔触捕捉市井烟火的鲜活——街巷里流动的生活气息，平凡日子里藏着的韧劲与温度，于极简线条中，让百年前的街头场景跃然纸上。",[26,55,27,123,530,33,90071,33347,25297,41782],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fc2dc77a8ebe221643a806f22f3648a2b.jpg",[],{"id":144229,"slug":144230,"title":144231,"dynasty":55,"author":7,"museum":172,"description":144232,"tags":144233,"thumbUrl":144234,"material":109,"size":11,"collection":11,"collections":144235,"showCount":351,"zanCount":49,"manualWeight":49,"mainColor":70},215217,"bai-miao-jie-tou-mai-mai-hua-ce-340-yi-ming-215217","白描街头买卖画册-340","素笔勾勒的身影，肩挑竹担立于纸面。线条如行云流水，握扁担的指节微凸，赤脚沾地的姿态，将市井劳作的实感揉进每一笔。两侧竹筐叠着整齐货物，似载着沉甸甸的生计，却因白描的素净添了恬淡。无浓墨重彩，却以极简笔触捕捉街头买卖人的日常——平凡里的坚守与安然，如一缕烟火在素纸上晕开，让观者触到旧时光里最真实的生活温度。那些藏在简练线条里的细节，是对市井烟火最朴素的致敬，每一笔都在诉说着寻常日子里的踏实与鲜活。",[26,27,28,530,123,33,2195],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F94a2e7de496f99c046b5d083acefaef3.jpg",[],{"id":144237,"slug":144238,"title":144239,"dynasty":55,"author":7,"museum":172,"description":144240,"tags":144241,"thumbUrl":144242,"material":109,"size":11,"collection":11,"collections":144243,"showCount":351,"zanCount":49,"manualWeight":49,"mainColor":70},215216,"bai-miao-jie-tou-mai-mai-hua-ce-341-yi-ming-215216","白描街头买卖画册-341","这幅白描作品以简练流畅的线条，定格了市井劳作的鲜活瞬间。画面中人物俯身水中，双手扶定竹笼，姿态专注有力，衣袂褶皱随动作自然舒展，尽显劳作的质朴张力。竹笼经纬交错的纹理，经纤细笔触细致勾勒，质感分明；脚下水波轻漾，几抹弧线便漾开生活的灵动。整幅画无多余渲染，却以线条疏密变化，将市井烟火气与劳动者的专注神态凝于纸上，简淡中饱含温度，似能窥见旧时街头买卖背后的辛勤与鲜活，于素净线条里藏着生活本真的模样。",[26,55,123,530,33,318,35,346,1768],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F6179e0cdacc57f330bcd2a4e1b237ecc.jpg",[],{"id":144245,"slug":144246,"title":144247,"dynasty":55,"author":7,"museum":172,"description":144248,"tags":144249,"thu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0618,"material":296,"size":297,"collection":11,"collections":180619,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":70},275913,"bi-yu-qian-long-yu-bi-kuo-er-ka-suo-gong-xiang-ma-zhi-jing-shi-yi-zhi-shi-ce-yi-ming-275913","碧玉乾隆御笔廓尔喀所贡象马至京诗以志事册","以碧玉仿典籍成册，青底色泽匀净温润，以描金工艺饰于板面。中心双囍被双龙拱卫，缠枝纹细密铺陈环绕，金线流转柔劲兼具，将皇家华贵气度融于方寸。\n\n玉质清透沉静，衬得金彩愈发鲜亮明丽，雕绘间尽显工匠精湛功力。此册将纪事御笔镌于玉页，把边疆来贡的盛事凝为永恒藏品，让文风雅韵与礼制威仪共生，是清代玉雕工艺与宫廷典藏美学的精妙融合。",[267,530,124,4486,268,59,1006,2197],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fe9ea60601c24b3f5a3206b005b6b9107.jpg",[],{"id":180621,"slug":180622,"title":180623,"dynasty":55,"author":7,"museum":172,"description":180624,"tags":180625,"thumbUrl":180626,"material":296,"size":297,"collection":11,"collections":180627,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":70},275912,"bi-yu-yu-zhi-shu-ming-guan-chen-ru-wu-san-gui-qin-gui-wang-you-lang-shi-yu-ce-yi-ming-275912","碧玉御制书命馆臣入吴三桂擒桂王由榔识语册","红木为匣，素面清雅，嵌留旧签晕开古意。内页泥金妆边，暗露华贵矜重底色。\n此册以纪事为旨，将西南定鼎的往昔凝于尺幅之间，落笔沉凝厚重，字字承载乱世终定的肃然分量。它并非寻常赏玩之珍，而是载录庙堂筹谋、征伐终章的史证，静穆匣身收贮一段风云旧事，触手可感百年前的庙堂襟怀，沉浑的历史余温漫溢其间。",[530,267,1251,4486,124,19601],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F27abb74a000a17e47530e2a89d9cdff3.jpg",[],{"id":180629,"slug":180630,"title":180631,"dynasty":55,"author":7,"museum":172,"description":180632,"tags":180633,"thumbUrl":180634,"material":296,"size":297,"collection":11,"collections":180635,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":50},275911,"bi-yu-yu-zhi-xiao-chun-shuo-ce-yi-ming-275911","碧玉御制小春说册","温润凝腻的碧玉为材，将御制文辞錾刻于上，刀工匀净凝练，把笔墨风骨复刻于玉面之上，文字排布疏朗得体，与玉质清润浑然相融，尽显器物的庄重雅致。\n\n外裹缠枝团纹锦盒，明黄底色衬出繁复却不失清雅的织纹，古雅华贵，将玉册妥帖珍藏。整套装制形制规整，玉册清润雅致，装帧华贵古朴，既承载文思内涵底蕴，又尽显玉石工艺的精湛造诣，是雅趣与匠心融合的精巧之作。",[267,530,124,4486],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F738cbbabe9d71cc2ec21365b795f1cab.jpg",[],{"id":180637,"slug":180638,"title":180639,"dynasty":55,"author":7,"museum":172,"description":180640,"tags":180641,"thumbUrl":180642,"material":296,"size":297,"collection":11,"collections":180643,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":277},275910,"bi-yu-jia-qing-yu-bi-wei-yu-shu-shi-ji-ce-yi-ming-275910","碧玉嘉庆御笔味余书室记册","以良玉裁为书页，莹润碧色凝敛沉静质感，仿古籍装帧制式规整雅致。页面填金题字，笔意隽秀，边框勾勒简洁端庄，衬黄页边还原典籍古雅形制。将御笔篇章凝于玉册之上，融合玉雕工艺与翰墨风雅，既有玉石厚重温润的质感，又饱含书卷文气，尽显宫廷文玩的雅致意趣，是清代玉作与文藏匠心结合的精巧珍玩。",[267,530,124,4486],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F14976b81b28f61d129384f595004cfb5.jpg",[],{"id":180645,"slug":180646,"title":180647,"dynasty":55,"author":7,"museum":172,"description":180648,"tags":180649,"thumbUrl":180650,"material":296,"size":297,"collection":11,"collections":180651,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":50},275909,"yu-zhi-ding-wu-lan-ting-mu-qian-yu-zi-ce-yi-ming-275909","御制定武兰亭木嵌玉字册","紫檀夹板沉静古雅，嵌贴金质签条，更衬出器物的华贵庄重。册中以玉字复刻兰亭法帖，玉质莹润清透，雕刻刀工匀净挺秀，将王羲之笔底的飘洒灵动，凝为温润可观的立体风骨。把纸上的笔墨意趣化为玉石上的隽永雕刻，寸寸玉字皆藏着对书圣法帖的极致推崇。整器装帧考究，木质的沉敛中和玉的清透，文气与匠意相融，尽显庄重雅致的典藏气韵。",[530,124,1251,267,1421,4486],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fbfbcddf4f783662abc01b55d253e46a0.jpg",[],{"id":180653,"slug":180654,"title":180655,"dynasty":55,"author":7,"museum":172,"description":180656,"tags":180657,"thumbUrl":180658,"material":296,"size":297,"collection":11,"collections":180659,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":50},275908,"qing-yu-yu-zhi-jing-yan-lun-ce-yi-ming-275908","青玉御制经筵论册","此函以紫檀为材，周身凝润熟美的包浆，晕开时光沉淀的温雅质感。盒身开光錾刻缠连团龙纹样，线条婉转回环，将祥瑞意趣藏于方寸之间，边角以铜饰包镶，兼顾美观与牢固。盖面阴文填金题字，笔意端方厚重，沉雅木色与耀目金彩相映，更显庄重古拙。\n\n它妥帖收纳玉册，将木雕细作的灵秀与宫廷制式的规整相融，是清代文房典藏工艺的典型缩影，静穆之中尽显庙堂雍容之气。",[267,530,1251,268,4486],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fba9c784ecdba78e4ca493466f00dd0e4.jpg",[],{"id":180661,"slug":180662,"title":180663,"dynasty":55,"author":7,"museum":172,"description":180664,"tags":180665,"thumbUrl":180666,"material":296,"size":297,"collection":11,"collections":180667,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":70},275907,"qing-yu-qian-long-yu-bi-du-yi-xi-ci-shang-chuan-di-wu-zhang-shu-yi-ce-yi-ming-275907","青玉乾隆御笔读易系辞上传第五章书义册","这套册页取青玉为材，玉色清润莹和，页面以墨笔书就易辞要义，笔力端雅遒劲，尽显皇家翰墨气度。外配满工锦地纹木匣，纹饰细密匀净，做工严整考究，将玉册妥帖珍藏，既是研读数典的文房珍品，亦是清代治玉工艺与宫廷审美结合的典范，静静承载着古经义理的隽永韵味。",[267,530,124,4486],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F3e5de45e97be3cdf6df2932b240be342.jpg",[],{"id":180669,"slug":180670,"title":180671,"dynasty":55,"author":7,"museum":172,"description":180672,"tags":180673,"thumbUrl":180674,"material":296,"size":297,"collection":11,"collections":180675,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":277},275905,"bi-yu-cao-wen-zhi-shu-yu-zhi-du-jin-shi-ce-yi-ming-275905","碧玉曹文埴书御制读金史册","硬木盒身遍饰回纹兽面雕纹，走线利落规整，古意厚重沉静。盒中玉册以刀为笔，将诗文风骨镂刻于莹润玉料之上，字口挺括温润，既留存书法的隽秀筋骨，又晕开玉石的清灵质感，工艺匠心与笔墨意趣相融相合，尽显内敛雅致的典藏格调，是工巧与文思相映的精妙之作。",[1251,268,346,267,124,4486,530],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F888ae37b22ff56855903bc00fc7ce055.jpg",[],{"id":180677,"slug":180678,"title":180679,"dynasty":55,"author":7,"museum":172,"description":180680,"tags":180681,"th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,"此硬木匣以戗金为饰，满工铺陈精妙纹饰。盒面题识周边环饰缠枝卷草，清雅规整。四壁云龙纹活灵活现，金彩于褐底之上流转生辉，神龙穿云破雾，身姿矫健威严，细密云纹层层铺衬，衬得龙形愈发灵动磅礴。底足回纹环绕，形制端庄沉稳。整器工艺卓绝，将皇家的华贵气度与匠师的精工巧思融为一体，纹饰繁而不乱，华丽不失庄重，尽显盛世宫廷造物的极致水准。",[1251,268,59,346,4486,124,530],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F0623d8471bdda259c3a0ab3cf7fe9d53.jpg",[],{"id":180814,"slug":180815,"title":180703,"dynasty":55,"author":7,"museum":172,"description":180816,"tags":180817,"thumbUrl":180818,"material":296,"size":297,"collection":11,"collections":180819,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":277},275877,"bi-yu-yu-zhi-shi-quan-lao-ren-zhi-bao-shuo-ce-yi-ming-275877","此作外盒以漆金为地，高浮雕游龙戏珠纹饰，祥云缠枝缭绕周遭，龙姿矫健灵动，线条婉转流畅，金漆随年月晕开柔润包浆，古意盎然。底座镂雕卷草纹，形制沉稳雅致，托举盒身更显雍容。\n\n内藏碧玉册页玉色清润莹澈，阴刻文字端凝隽秀，填金装饰熠熠生辉，将御制文辞的庄重与玉作工艺的精妙相融，尽显清宫匠造的顶级水准，承载着盛世皇家的审美意趣与风雅文心。",[267,530,268,59,4486,346],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fbf0d9fe927d24d358e018102d86105be.jpg",[],{"id":180821,"slug":180822,"title":180823,"dynasty":55,"author":7,"museum":172,"description":180824,"tags":180825,"thumbUrl":180826,"material":296,"size":297,"collection":11,"collections":180827,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":277},275876,"bi-yu-zhao-yuan-yan-qing-ce-yi-ming-275876","碧玉肇元衍庆册","此器取温润碧玉为材，板面浅浮雕描金双龙纹，龙躯辗转矫健，鳞爪分明威严，流云萦于周身，将皇家威仪凝于玉作之中。描金晕开华贵光泽，与苍润玉色相衬，愈发雅致端庄。\n\n册页以黄绫镶边，朱字题款点缀侧边，形制规整肃穆。玉雕、髹金与装帧工艺精妙相融，尽显雍容端肃的皇家气韵，是清代玉作精工的典型缩影，静敛间流露礼制尊崇与匠心巧思。",[267,530,59,268,2197,4486],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F1834b903efeface1a749242965c0211e.jpg",[],{"id":180829,"slug":180830,"title":180831,"dynasty":55,"author":7,"museum":172,"description":180832,"tags":180833,"thumbUrl":180834,"material":296,"size":297,"collection":11,"collections":180835,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":50},275874,"qing-yu-lian-zao-ming-xun-ce-yi-ming-275874","青玉联藻铭勋册","此件以万字团寿织锦为匣，明黄底色搭配蓝棕纹样，古朴华贵，衬得内里器物愈发不凡。青玉质地莹润匀净，錾刻的铭文隽秀规整，将功勋过往凝刻于良玉之中。将无上殊荣藏于温润玉色，既是嘉奖功勋的礼制重器，亦是清代玉雕工艺的具象体现。玉面生光，墨痕留韵，静诉往昔荣光，融工艺水准与礼制文化于一身，尽显庄重雅致的古韵风华。",[267,530,603,268],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F5c99a98b8a6df2da1c6fa13d592c3cb7.jpg",[],{"id":180837,"slug":180838,"title":180839,"dynasty":55,"author":7,"museum":172,"description":180840,"tags":180841,"thumbUrl":180842,"material":296,"size":297,"collection":11,"collections":180843,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":70},275873,"bi-yu-yu-bi-wu-fu-song-ce-yi-ming-275873","碧玉御笔五福颂册","此匣取硬木成器，通身满饰精雕纹案。立面双龙穿云破浪，龙姿矫健灵动，云海翻涌层叠，浪涛卷舒磅礴，刀工圆劲细腻，将皇家威仪融于寸木之间。顶盖嵌饰鎏金构件，暗金光泽与沉雅木色相映，更添华贵厚重。底座纹饰与器身呼应，整体布局严整协调。\n它收纳御笔珍册，亦是清代木雕匠心之作，将宫廷审美意趣与卓绝工艺相融，尽显庄重典雅的雍容气度。",[267,530,268,59,124,1251,346],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F1e3e38ac8254ae68857eca796837deb2.jpg",[],{"id":180845,"slug":180846,"title":180847,"dynasty":55,"author":7,"museum":172,"description":180848,"tags":180849,"thumbUrl":180850,"material":296,"size":297,"collection":11,"collections":180851,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":277},275872,"bi-yu-yu-zhi-qing-wen-fan-yi-quan-cang-jing-xu-ce-yi-ming-275872","碧玉御制清文繙译全藏经序册","深碧玉底沉静古雅，描金填彩的行龙盘踞其间。龙身矫健盘绕，鬃须张扬飞舞，利爪遒劲锋利，圆目怒睁自带慑人威仪。周身祥云袅袅缠萦，下方浪涛拍击山石，动静相映勾勒出磅礴天地气象。\n\n描金走线细腻流畅，将龙鳞层叠排布刻画入微，云纹水浪舒展灵动，刚劲狂龙与柔婉卷云形成韵律反差。玉质的温润内敛，搭配金彩的华贵明丽，将器物的威严庄重与精工巧思融为一体，尽显泱泱气度。",[267,530,59,268,2197,30,4486],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fc8c363c99c3949b808e062a8858dc356.jpg",[],{"id":180853,"slug":180854,"title":180855,"dynasty":55,"author":7,"museum":172,"description":180856,"tags":180857,"thumbUrl":180859,"material":296,"size":297,"collection":11,"collections":180860,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":277},275870,"bi-yu-qian-long-yu-bi-yue-pu-yu-ce-yi-ming-275870","碧玉乾隆御笔乐谱谕册","以温润碧玉裁为册页，配红木雕花座架，古雅端方。册面描金饰行龙穿云纹，鳞爪灵动威严，描金题字笔力沉稳隽秀。侧边金漆篇目排布齐整，条理分明。整器将玉石的莹润质感与髹金工艺相融，沉静玉色衬得金纹愈发华贵亮眼，既承载宫廷礼乐规制底蕴，又尽显清代宫廷精工之美，是工艺与礼制文化结合的精巧之作，尽显盛世宫廷的雅致气度。",[267,530,4486,59,124,180858,268],"乐谱","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fbe98937e65400101317fb811603d9157.jpg",[],{"id":180862,"slug":180863,"title":180864,"dynasty":55,"author":7,"museum":172,"description":180865,"tags":180866,"thumbUrl":180867,"material":296,"size":297,"collection":11,"collections":180868,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":277},275869,"cui-yu-yu-zhi-guo-xue-xin-jian-pi-yong-yuan-shui-gong-cheng-bei-ji-ce-yi-ming-275869","翠玉御制国学新建辟雍园水工成碑记册","此器端方沉稳，木座承托更显端庄雅致。匣身满饰细密锦地，开光内浮雕盘长衔双喜，回纹卷草勾勒边框，线条圆柔婉转，纳吉祥圆满之意于刀工之中。盖面饰件点缀其间，晕开几分华贵雅致。整体髹色沉敛温润，雕工精丽细腻，将祈福之心融于手作细节，尽显清代木雕工艺的雅致匠心，是兼具实用与赏玩价值的精巧储物佳器。",[267,530,1251,268,346],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fb9fa3814d4f54904a22cdf3ce5aec345.jpg",[],{"id":180870,"slug":180871,"title":180872,"dynasty":55,"author":7,"museum":172,"description":16586,"tags":180873,"thumbUrl":180874,"material":296,"size":297,"collection":11,"collections":180875,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":50},275868,"bai-yu-yu-lin-tang-wen-huang-tie-ce-yi-ming-275868","白玉御临唐文皇帖册",[530,124,1421,1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-ce-yi-ming-275835","碧玉御制搢圭说册","此盒以硬木为地，错金嵌银勾勒纹饰。缠枝金莲舒展盛放，银丝萦纡为枝蔓，明暗交织间尽显华贵。盖面文饰与莲纹呼应，边角回纹利落规整，将富丽与雅致融于一体。金辉银晕衬着沉穆木色，尽显匠心造诣，把宫廷制器的严谨精巧尽数展现，将礼制气度与工巧美学相合，是清代金属细作与木作工艺结合的上乘之作。",[3561,1251,268,446,267,4486,530,346],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F33bf07725d5b8dbae23bf9e7bab4a215.jpg",[],{"id":181080,"slug":181081,"title":181082,"dynasty":55,"author":7,"museum":172,"description":181083,"tags":181084,"thumbUrl":181085,"material":296,"size":297,"collection":11,"collections":181086,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":70},275834,"bi-yu-qian-long-yu-bi-jie-de-tang-hou-ji-ce-yi-ming-275834","碧玉乾隆御笔戒得堂后记册","此器取碧玉为材，通体重工浮雕。盒身满刻云龙纹，祥云翻卷缠绕，龙身姿矫健威严，利爪张弛间尽显威仪，底部海浪层叠，烘托出磅礴雄浑之势。盒面嵌饰金片，在沉郁玉色中点染华贵锋芒，于素雅器型里暗生高光。整体器型方正端稳，刀工浑厚凝练，将礼制庄重气度与玉雕极致美学相融，尽显顶尖制器匠心，是清代重工玉雕的上乘之作。",[267,530,268,59,124,4486],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fda96f9796514674b9d2700360214da16.jpg",[],{"id":181088,"slug":181089,"title":181090,"dynasty":55,"author":7,"museum":172,"description":181091,"tags":181092,"thumbUrl":181093,"material":296,"size":297,"collection":11,"collections":181094,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":50},275833,"bi-yu-sui-bian-jing-zhi-ce-yi-ming-275833","碧玉绥边经制册","此器以硬木为地，百宝嵌饰尽显匠心。宝相花缠枝舒展环绕，金彩明丽、蓝彩沉静、黄彩娇妍，于深褐底色之上晕染出华贵威仪。盖面嵌饰碧玉牌，温润质感中和了彩饰的繁丽，文气自生。器身比例匀停，下承雕花底座，卷草纹柔婉托举箱体，线条流畅自然。整器工致规整，将宫廷重工华彩与文房清隽气质相融，尽显清代细作工艺的精妙，暗合雅致端庄的审美意趣。",[3561,4486,267,32,190,346],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ff80e7b6a944880d9adf29c32e540f9cc.jpg",[],{"id":181096,"slug":181097,"title":181098,"dynasty":55,"author":7,"museum":172,"description":181099,"tags":181100,"thumbUrl":181101,"material":296,"size":297,"collection":11,"collections":181102,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":277},275832,"bi-yu-yu-zhi-gui-mao-shuo-ce-yi-ming-275832","碧玉御制圭瑁说册","此匣以硬木为骨，漆色如夜沉敛。周身错金镶贝，金莲灼灼似凝晓光，螺钿缠枝柔婉萦回，拐子纹饰于四方，以规整中和缠枝柔媚。盖心留白题字，与周遭繁丽相映成趣，疏密之间尽显分寸匠心。器壁纹饰与盖面相呼应，整器华贵不失端方，将百工巧思凝于寸匣。静穆中带着雍容气度，暗合宫廷造物的雅致格调，是细作工艺的精妙缩影。",[3561,267,530,124,268,446,1251],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fbd479cd8f714a0d294f28858d7b329b0.jpg",[],{"id":181104,"slug":181105,"title":181106,"dynasty":55,"author":7,"museum":172,"description":181107,"tags":181108,"thumbUrl":181109,"material":296,"size":297,"collection":11,"collections":181110,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":70},275831,"bi-yu-yu-bi-gu-xi-shuo-ce-yi-ming-275831","碧玉御笔古希说册","此盒以髹漆戗金为工，盒身双龙穿游于祥云惊涛之间，龙躯矫健雄劲，鳞爪毕现，江崖海水纹层叠细腻，将威仪与祥瑞意蕴融于一处。盒面题字錾刻工整，古意盎然。\n\n棕褐底色衬以赤金纹路，沉穆底色点亮华彩金辉，器型方正雅致，线条利落挺括，每一处纹饰尽显精工规制，内敛华贵之间藏着旧时宫廷文玩的匠心底蕴，静诉往昔宫廷器物的典雅风骨。",[3561,346,59,2197,268,267,530,124],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F88e5f0e65ffe6a839d9dfb16f43eef57.jpg",[],{"id":181112,"slug":181113,"title":181114,"dynasty":55,"author":7,"museum":172,"description":181115,"tags":181116,"thumbUrl":181117,"material":296,"size":297,"collection":11,"collections":181118,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":277},275830,"bi-yu-yu-bi-kai-guo-fang-lve-xu-ce-yi-ming-275830","碧玉御笔开国方略序册","此作取整料碧玉斫制，石色苍润匀净，自带沉静古雅质感。册身以描金勾勒行龙穿云，金彩凝亮醒目，龙爪雄劲、龙身蜿蜒，祥云簇拥间尽显磅礴威严，将皇家气度融于寸尺玉料之上。侧面题字笔锋挺括，金墨映衬愈显端方雅致。红木座架纹饰细腻古拙，稳稳承托玉册，与玉色沉郁形成鲜明却和谐的视觉层次，将玉石之润、描金之丽、木雕之朴精妙结合，尽显宫廷造办的精湛匠心，尽显庄重华贵的宫廷气韵。",[267,530,59,124,3054,268,4486,346],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fb268114df4d6522577d588bb8fd5ea01.jpg",[],{"id":181120,"slug":181121,"title":181122,"dynasty":55,"author":7,"museum":172,"description":181123,"tags":181124,"thumbUrl":181125,"material":296,"size":297,"collection":11,"collections":181126,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":50},275829,"bi-yu-yu-zhi-jing-yan-lun-ce-yi-ming-275829","碧玉御制经筵论册","此器以硬木为骨，周身满布回纹锦地，细密如织，妥帖衬出开光内浮雕缠枝宝相花，花叶婉转饱满，雍容雅致。顶面嵌玉题字，朱框配玉文，古雅端方，与周身繁丽纹饰相映，勾勒出庄重内敛的华贵气质。原配束腰底座，牙脚轻向外撇，线条柔婉挺拔，将器物托衬得愈发沉稳端凝。\n\n整器工艺考究，纹饰层次分明，于规整中见精细，沉稳里藏雅致，尽显旧时造物的上乘工法与审美意趣，是文房储陈兼具赏玩的佳器。",[1251,268,267,530,4486],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fcb6a06f8558bc2e515eab2c40209851c.jpg",[],{"id":181128,"slug":181129,"title":181130,"dynasty":55,"author":7,"museum":172,"description":181131,"tags":181132,"thumbUrl":181133,"material":296,"size":297,"collection":11,"collections":181134,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":70},275828,"bi-yu-yu-bi-re-he-kao-ce-yi-ming-275828","碧玉御笔热河考册","此匣髹深褐漆为地，以戗金工艺装饰满幅纹饰。匣身游龙矫健身姿穿梭于缠枝云海之中，龙鳞爪角分毫清晰，下衬翻卷海涛，将皇家威严与磅礴气势融于一体。盖面留白錾刻御题，辅以细密卷草锦地，繁简相映，层次分明。\n\n戗金线条细劲流畅，金辉在沉色漆面之上熠熠生辉，尽显造办极致匠心。它既是典册的庄重载体，亦是一件独运匠心的工艺佳器，将华贵矜重的皇家气度诠释得淋漓尽致。",[3561,2197,59,530,4486,124],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F73a6a659124bff10af12afb90c65fff6.jpg",[],{"id":181136,"slug":181137,"title":181138,"dynasty":55,"author":7,"museum":172,"description":181139,"tags":181140,"thumbUrl":181141,"material":296,"size":297,"collection":11,"collections":181142,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":277},275826,"bi-yu-yu-zhi-ning-shou-gong-ming-ce-yi-ming-275826","碧玉御制宁寿宫铭册","褐漆为底，金莳绘晕染松竹景致。苍松虬枝舒展，带着凌霜不凋的古拙意韵，修竹叶脉清灵，尽显君子清雅风骨。盒身轮廓圆柔温润，转角处消弭了冷硬棱角，如意形铜质锁扣，色泽沉敛和融，为整件器物添了几分庄重质感。\n\n髹漆匀净莹润，莳绘走线细腻自然，将文人心头的岁寒雅趣，藏进这一方小盒之中。它既是收纳文玩的实用佳器，亦是融绘艺与漆艺的雅致摆件，沉静古朴里藏着旧时案头的闲逸意趣。",[3561,2195,1524,145,2197],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F361f357678e45ad6451ae6088ad79147.jpg",[],{"id":181144,"slug":181145,"title":181146,"dynasty":55,"author":7,"museum":172,"description":181147,"tags":181148,"thumbUrl":181149,"material":296,"size":297,"collection":11,"collections":181150,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":70},275824,"bi-yu-bu-yong-zhan-sheng-kuo-er-ka-zhi-tu-xu-ce-yi-ming-275824","碧玉补咏战胜廓尔喀之图序册","此件外盒以戗金描漆工艺精工而成，通体以卷云为地，双龙矫健身姿穿梭云海间，利爪遒劲，龙髯舒展，灵动威严兼具。下缘江崖海水纹饰沉稳厚重，呼应龙纹磅礴气势。盖面嵌红木题牌，与漆地形成材质对比，层次分明。戗金线条细劲流畅，描金光泽凝润古朴，将宫廷礼制的庄重与漆作匠人的巧思融于一体，尽显清代宫廷工艺的华贵典雅，将皇家威仪藏于方寸漆盒，是清代漆作匠心的绝佳体现。",[530,267,3561,1251,268,59,2197],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F60f2cfc2e71c6725cbd90a9f8b0a6ada.jpg",[],{"id":181152,"slug":181153,"title":181154,"dynasty":55,"author":7,"museum":172,"description":181155,"tags":181156,"thumbUrl":181157,"material":296,"size":297,"collection":11,"collections":181158,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":50},275823,"qing-yu-dong-gao-shu-yu-zhi-san-lao-wu-geng-shuo-ce-yi-ming-275823","青玉董诰书御制三老五更说册","此件以黑漆为底，描金绘就水乡秋居图景，芦丛水禽悠然、茅舍归人恬适，江南野趣跃于盒身，笔触细腻雅致。盒内青玉册页碾刻精工，字纹隽秀挺括，玉质莹润温糯，与外盒漆绘相映成趣。御制文辞凝于良玉，髹金漆饰衬其雅韵，将文辞深意与工艺巧思相融，尽显制器的细腻匠心，藏纳着传统文人的隐逸意趣，又不失端整气度，是文房清玩中的上乘佳制。",[3561,267,530,124,268,60,531,33,163,346],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F3310cf501b0a8a8ce5e085abe5d49198.jpg",[],{"id":181160,"slug":181161,"title":181162,"dynasty":55,"author":7,"museum":172,"description":181163,"tags":181164,"thumbUrl":181165,"material":296,"size":297,"collection":11,"collections":181166,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":50},275822,"qing-yu-yu-bi-ning-shou-gong-ming-ce-yi-ming-275822","青玉御笔宁寿宫铭册","此盒以黑漆为底，描金为饰，盖面开光题字，通身游龙腾跃于流云骇浪之中。描金线脚细密灵动，龙躯矫健遒劲，云纹舒卷连绵，海涛翻涌磅礴，繁丽纹饰排布严整不乱，金辉与乌漆相映，华贵雍容尽显。器形规整沉稳，将皇家威严气度与漆作工艺的极致工巧相融，尽显宫廷造物的精巧匠心，是清代漆艺的上乘之作。",[3561,59,268,2197,267,530,124,4486],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F6303b3a1442d34bda9e622bc6ca677cc.jpg",[],{"id":181168,"slug":181169,"title":181170,"dynasty":55,"author":7,"museum":172,"description":181171,"tags":181172,"thumbUrl":181173,"material":296,"size":297,"collection":11,"collections":181174,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":50},275821,"qing-yu-yu-zhi-jie-de-tang-ji-ce-yi-ming-275821","青玉御制戒得堂记册","这套装帧沉静古雅的册匣，裹饰碎花函套，素绳缚系，尽显内敛意蕴。其内册页取匀净温润的青玉为材，御制铭文以精妙刀工镌刻而就，笔画劲挺隽秀，字口深峻清晰，将御笔文思与治玉匠心相融无间。\n\n文字寄寓着戒慎修身的哲思，清透莹润的玉质，与工整书意相得益彰，是宫廷玉作与御制文玩结合的上乘之作，内敛华贵间彰显着旧时宫中文玩的雅致格调，沉淀着传统器物审美意趣与精神内核。",[267,530,124,268],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F2677a4a5e61a1686c1ed1e26fffc1151.jpg",[],{"id":181176,"slug":181177,"title":181178,"dynasty":55,"author":7,"museum":172,"description":181179,"tags":181180,"thumbUrl":181181,"material":296,"size":297,"collection":11,"collections":181182,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":739},275818,"qing-yu-yu-zhi-long-quan-si-zhan-li-er-shi-yun-ce-yi-ming-275818","青玉御制龙泉寺瞻礼二十韵册","此作取青玉为材，摹古籍册页形制，木包皮封面满琢云龙纹饰，祥云迤逦环绕，龙姿矫健遒劲，錾刻线条锋芒内敛却劲力十足，将皇家威仪暗藏其间。封面题签填金虽有斑驳，仍见华贵底色。\n\n玉册仿古籍装裱成册，玉质莹润凝脂，与古朴装帧相得益彰，融宫廷重工雕琢与文籍雅韵于一身。它将治玉匠心与典籍形制妙然合一，既是精巧陈设，亦是清代玉雕工艺的具象缩影，尽显彼时手作技艺的巅峰水准，静诉礼制审美与工艺匠心的交融。",[267,530,268,59,4486],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F05eacd39027d872426a1f8c3632cfe02.jpg",[],{"id":181184,"slug":181185,"title":181186,"dynasty":55,"author":7,"museum":172,"description":181187,"tags":181188,"thumbUrl":181189,"material":296,"size":297,"collection":11,"collections":181190,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":50},275817,"qing-yu-yu-zhi-kai-tai-shuo-ce-yi-ming-275817","青玉御制开泰说册","以凝润青玉裁为册页，御制文字以精妙刀工镌于玉面，笔锋苍劲端方，刀痕隐于字间，将书法的笔墨意趣完美留存于莹润玉质当中。外配提梁红木箱，铜质构件雅致古朴，内置抽屉以明黄锦缎为衬，尽显规整大气的典藏格调。\n\n玉册承载祈福开泰的美好寄寓，玉的沉静温润与文字的厚重意蕴相融，是匠心工艺与礼制意涵的集萃，静静晕开往昔的雅致气韵。",[267,530,346],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fca2daa8b1610b7df1eeaf144f0511d6c.jpg",[],{"id":181192,"slug":181193,"title":181194,"dynasty":55,"author":7,"museum":172,"description":181195,"tags":181196,"thumbUrl":181197,"material":296,"size":297,"collection":11,"collections":181198,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":50},275815,"qing-yu-cao-zhen-yong-shu-yu-zhi-yang-xin-dian-ji-ce-yi-ming-275815","青玉曹振镛书御制养心殿记册","此作以青玉裁为书页，以泥金题字，莹润青玉与灿然金彩相映，清贵雅致。函套织锦纹样繁丽规整，尽显装裱工艺的考究用心。书法取馆阁体风貌，笔力稳健端方，排布齐整庄重，将御制文辞的肃穆意蕴尽显无遗。它将玉石的温润质感、书法的笔墨意趣与装帧工艺相融，是宫廷匠心的凝练之作，尽显皇家器物的端庄大气，藏着清代宫廷美学的雅致风骨。",[267,530,124,3054,4486],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F1d022b25116a19e01f6cecaab123a105.jpg",[],{"id":181200,"slug":181201,"title":181202,"dynasty":55,"author":7,"museum":172,"description":181203,"tags":181204,"thumbUrl":181205,"material":296,"size":297,"collection":11,"collections":181206,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":277},275814,"qing-yu-yu-zhi-xiao-chun-shuo-ce-yi-ming-275814","青玉御制小春说册","以温润青玉为纸，以刀代笔，将文辞凝于莹泽玉面。刀工匀净细腻，复刻笔墨端凝风骨，把小春岁时的清雅致怀藏于方寸册页之间。\n\n配套红木盛箱铜饰雅致，榫合严密，暗合着对这套雅玩的珍视。整体将玉之温润、文之隽秀、木之沉敛相融，尽显华贵精巧，静静诉说着岁序里的悠然意韵。",[267,530,4486,1251,268,124],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F1c910b1aadc3164044c82764d06eba6b.jpg",[],{"id":181208,"slug":181209,"title":181210,"dynasty":55,"author":7,"museum":172,"description":181211,"tags":181212,"thumbUrl":181213,"material":296,"size":297,"collection":11,"collections":181214,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":50},275813,"qing-yu-yu-zhi-wu-liu-tian-di-zhi-zhong-he-fu-ce-yi-ming-275813","青玉御制五六天地之中合赋册","以青玉裁册，岁月晕出温润包浆，墨玉册盖精雕云纹辗转环绕，衬得中部题额愈发庄重沉静。册身平整厚重，每片玉页皆经精心砣刻，辞隽语秀镌于玉面，笔画端凝方正，与玉质清润相融，尽显宫廷制器的庄重典雅。\n\n触手凉润，仿佛能触到旧时案头的沉静时光，将文学意趣与治玉匠心精妙相合，把礼制风雅悄然藏于一方玉册之中，是文心与工艺交融的上乘之作。",[267,530,268,4486,124],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fd52f24e616200cedbab05d9eeb2b6ea3.jpg",[],{"id":181216,"slug":181217,"title":181218,"dynasty":55,"author":7,"museum":172,"description":181219,"tags":181220,"thumbUrl":181221,"material":296,"size":297,"collection":11,"collections":181222,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":70},275812,"qing-yu-yu-zhi-shi-ce-yi-ming-275812","青玉御制诗册","红木函盒内敛温润，漆面题签古雅沉静，晕开旧时光的厚重质感。玉质匀净凝润，墨笔诗文镌刻隽秀端庄，刀工细腻妥帖，笔画舒展雅致。\n\n诗文的翰墨风雅与玉石的清润内敛相融，将宫廷文玩的雅致意趣静静沉淀。形制规整装帧考究，以精工细作尽显匠心，把玉石温润之美与御制文字的端方气度合为一体，带着沉静内敛的古典气韵，藏着不彰自显的华贵质感，是玉作与文心相合的绝佳载体。",[267,530,124,4486],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F6347362d56b00e62fabeed107216e77b.jpg",[],{"id":181224,"slug":181225,"title":181226,"dynasty":55,"author":7,"museum":172,"description":181227,"tags":181228,"thumbUrl":181229,"material":296,"size":297,"collection":11,"collections":181230,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":277},275811,"qing-yu-shi-quan-lao-ren-zhi-bao-shuo-ce-yi-ming-275811","青玉十全老人之宝说册","整器以紫檀大料斫制，回纹勾边界定章法，立面高浮雕云龙腾跃于沧溟祥云间，龙爪遒劲、鳞须毕现，海浪翻涌灵动逼真，刀工浑厚爽利，尽显华贵威仪。顶盖纹饰繁丽古雅，雕工细腻入微。\n\n内置玉册温润莹洁，楷法端凝雍容，字里行间尽显盛世帝王的踌躇满志。沉穆紫檀配清润美玉，将皇家气度与匠人之巧完美融合，是清代重工工艺与文心雅韵并存的典范之作。",[1251,268,59,267,530,346],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F84399ec7a6d7238fde649ed7f3a6b711.jpg",[],{"id":181232,"slug":181233,"title":181234,"dynasty":55,"author":7,"museum":172,"description":181235,"tags":181236,"thumbUrl":181237,"material":296,"size":297,"collection":11,"collections":181238,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":50},275810,"qing-yu-yu-zhi-wen-yuan-wen-yuan-wen-jin-san-ge-ji-ce-yi-ming-275810","青玉御制文渊文源文津三阁记册","紫檀匣身遍镌游龙，纹路辗转灵动，古朴沉穆间尽显仪范。内中玉册缠裹云锦，明黄为底，彩纹迤逦华贵。青玉质地匀净莹润，刀笔镌刻文字，笔画苍劲端方，走线利落细腻，将文阁藏书的风雅深意凝于方寸玉面，把对典藏文脉的珍视藏入匠心之中，是工艺与文藏意趣结合的上乘之作，静静承载着旧时内府的文脉记忆。",[267,530,1251,268,59,4486],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fc6a9f09b699c53aa1bc4bfbf2c25f93d.jpg",[],{"id":181240,"slug":181241,"title":181242,"dynasty":55,"author":7,"museum":172,"description":181243,"tags":181244,"thumbUrl":181245,"material":296,"size":297,"collection":11,"collections":181246,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":277},275809,"qing-yu-yu-zhi-sheng-jing-tu-feng-za-yong-shi-er-shou-ce-yi-ming-275809","青玉御制盛京土风杂咏十二首册","紫檀外盒透雕缠枝龙纹，以回纹界分装饰区域，雕工圆浑老辣，龙纹辗转腾挪隐于缠枝间，威严中带着灵动生气。盒身方正沉稳，弯足底座添几分秀逸，与盒身厚重感相得益彰。\n\n内盛青玉册页莹润温糯，镌刻诗文刀工精细挺括，笔意清晰传神，将盛京风土意趣凝于玉面。木之沉敛与玉之清润相映成趣，既是工艺匠心的缩影，也藏着一方水土的人文脉络，尽显雅致厚重的清宫文玩气韵。",[267,530,124,1251,268,346],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F25f3f29fde594390a8647dd4c7de010a.jpg",[],{"id":181248,"slug":181249,"title":181250,"dynasty":55,"author":7,"museum":172,"description":181251,"tags":181252,"thumbUrl":181253,"material":296,"size":297,"collection":11,"collections":181254,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":277},275808,"qing-yu-yu-zhi-zai-yue-ba-shou-ce-yi-ming-275808","青玉御制载月八首册","此作以木为胎，巧用异色嵌雕，周身刀工细腻圆熟。立面花鸟错落，湖石点景，翎雀穿梭花枝间，灵动鲜活；盖面山水层叠，人物隐于林泉间，章法疏密有致。深浅木色相映，明暗勾勒出雅致层次，将闲居雅趣凝于方盒之上。包浆温润莹泽，带着时光摩挲的质感，把中式文人的寄情山水之意藏于寸匣之间，尽显手作工艺的匠心，静穆雅致里藏着旧时光的温度。",[1251,268,346,80,232,98,163],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fdb6c02de6eddcb3b51151936ccf34104.jpg",[],{"id":181256,"slug":181257,"title":181258,"dynasty":55,"author":7,"museum":172,"description":181259,"tags":181260,"thumbUrl":181261,"material":296,"size":297,"collection":11,"collections":181262,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":70},275805,"qing-yu-yu-zhi-san-ge-ji-ce-yi-ming-275805","青玉御制三阁记册","此玉册取青玉为料，质地莹润凝厚，自带沉静内敛的君子气质。御制铭文以阴刻填金技法镌刻其上，笔意劲挺端严，尽显皇家制式的规整肃穆，填金工艺让字痕在玉色映衬下愈显华贵醒目。\n配套锦盒织纹古雅繁复，配色明丽沉稳，带着清宫器物独有的精致华贵，妥帖将玉册珍藏其中。它以玉为纸，以刀代笔，将御制文辞永久留存，既是帝王心迹的载体，更是玉作工艺与书法美学的精妙融合，静静沉淀着旧时宫苑的沉敛风华，是工艺价值与文史价值兼具的佳构。",[267,530,124,4486,268],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F1bd01b9e978c8f77336e7b8fe04f5f2a.jpg",[],{"id":181264,"slug":181265,"title":181266,"dynasty":55,"author":7,"museum":172,"description":181267,"tags":181268,"thumbUrl":181269,"material":296,"size":297,"collection":11,"collections":181270,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":277},275803,"qing-yu-yu-zhi-fan-yue-shi-er-yong-ce-yi-ming-275803","青玉御制泛月十二咏册","此盒取紫檀为材，通身满刻游龙云海，鳞爪遒劲矫健，云纹舒卷灵动，方寸间尽显雕工卓绝，衬出内藏玉册的珍责。\n\n玉册温润凝脂，将十二首咏月诗文悉心镌刻，笔锋挺秀匀净，把月色清景与雅致情怀凝于玉上。器物将木雕的雄浑雅致与玉作的莹洁隽秀相合，既有宫廷造办的规整华贵，又饱含赏月寄怀的文人情致，是工艺与雅趣融合的精妙之作。",[267,530,1251,268,59,346],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fb12d3f757b6bc0a93f90aa6bd6590679.jpg",[],{"id":181272,"slug":181273,"title":181274,"dynasty":55,"author":7,"museum":172,"description":181275,"tags":181276,"thumbUrl":181277,"material":296,"size":297,"collection":11,"collections":181278,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":70},275802,"qing-yu-yu-zhi-ji-shui-kao-ce-yi-ming-275802","青玉御制济水考册","外配红木匣盖，錾刻回纹环饰，题字端雅厚朴，装帧一如线装古籍，古韵悠然。内页青玉莹润细腻，以阴刻技法摹绘济水脉络，详考其源流变迁。刀工匀净凝练，走线利落，将舆地考据的严谨深意融于玉作之中。\n\n它将干巴巴的水文著述，化作可触可赏的雅致珍玩，把考据学风与治玉匠心相融，让学术思辨成为具象的美学载体，静静沉淀着旧时治学与造物的风雅意趣，是文心与工巧的绝妙契合。",[530,267,4486,1251,268,124],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F0ee92849caa11818a075e298bd5d774b.jpg",[],{"id":181280,"slug":181281,"title":181282,"dynasty":55,"author":7,"museum":172,"description":181283,"tags":181284,"thumbUrl":181285,"material":296,"size":297,"collection":11,"collections":181286,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":50},275801,"qing-yu-qian-long-yu-bi-jian-cun-you-yi-ce-yi-ming-275801","青玉乾隆御笔鉴存游艺册","硬木为匣，戗金错银装饰器身，宝相花居于中心，蝠纹环簇四周，晕开吉庆雍容的氛围。漆面沉敛古雅，构图规整富丽，线条婉转灵动，尽显造办精湛匠心。册页取青玉为材，镌刻御笔，玉质莹润温糯，书法苍劲浑厚，文心与工美相融，是雅艺礼制相合的典范，藏纳着旧时皇家的审美意趣与文玩雅好。",[530,267,3561,1251,268,346],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F5186821cf6c0bb06f8e1c24c31ba02a7.jpg",[],{"id":181288,"slug":181289,"title":181290,"dynasty":55,"author":7,"museum":172,"description":181291,"tags":181292,"thumbUrl":181293,"material":296,"size":297,"collection":11,"collections":181294,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":50},275800,"qing-yu-yu-zhi-bi-shu-shan-zhuang-wu-fu-ji-ce-yi-ming-275800","青玉御制避暑山庄五福记册","以硬木为胎，采用错金错银工艺装饰器身。缠枝莲纹迤逦舒展，卷草柔婉灵动，间饰佛家八宝纹样，宝相庄严华美，构图繁密却丝毫不显拥塞。金色厚重莹润，银色素净雅致，与深沉的木色相互衬映，华贵雍容尽显御造的不俗格调，将吉祥寓意融于细腻工巧之中，是清代金属镶嵌工艺的精巧之作，尽显盛世的工艺水准与典雅审美意趣。",[530,267,346,3561,1251,268,1954,73014],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F26a6ab7bf2bb27f57dfe5273edc141fd.jpg",[],{"id":181296,"slug":181297,"title":181298,"dynasty":55,"author":7,"museum":172,"description":181299,"tags":181300,"thumbUrl":181301,"material":296,"size":297,"collection":11,"collections":181302,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":50},275797,"qing-yu-liang-guo-zhi-shu-yu-zhi-jie-de-tang-ji-ce-yi-ming-275797","青玉梁国治书御制戒得堂记册","此册取青玉为料，仿书页形制成册，配红木函匣，匣面戗金题字古雅端方。玉页阴刻御制文辞，复刻手书笔意，刀工细致妥帖，将书法的端秀风骨尽数还原，字口填金与温润玉色相衬，更显华贵肃穆。整作将御制文心、书法意韵与治玉匠心相融，形制精巧雅致，既承载着文辞深意，又尽显清中期玉作与书法合璧的高超工艺水准，是兼具礼制内涵与文玩意趣的精妙佳器。",[267,530,124,4486,3054,1251],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F2335d27a53d7211461db47e82ce94968.jpg",[],{"id":181304,"slug":181305,"title":181306,"dynasty":55,"author":7,"museum":172,"description":181307,"tags":181308,"thumbUrl":181309,"material":296,"size":297,"collection":11,"collections":181310,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":50},275796,"qing-yu-yu-zhi-chuang-ye-shou-cheng-nan-yi-shuo-ce-yi-ming-275796","青玉御制创业守成难易说册","整器以剔红工艺精雕而就，器身满饰矫龙遨游于沧溟怒浪间，龙躯蜿蜒遒劲，爪牙张弛有力，戏珠于云涛之中，剔刻刀工爽利落拓，浮雕层次错落分明，朱漆色泽沉凝莹润。方正箱体配雕花束腰矮足，将皇家威仪与匠造巧思相融，尽显清代雕漆工艺的极致水准，是一件兼具收纳实用与陈设赏鉴价值的漆作佳器。",[3561,268,59,346],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ff96a5e84f20d11740bbac60984fb0ccb.jpg",[],{"id":181312,"slug":181313,"title":172777,"dynasty":55,"author":7,"museum":172,"description":181314,"tags":181315,"thumbUrl":181316,"material":296,"size":297,"collection":11,"collections":181317,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":277},275795,"qing-yu-wei-ke-zi-ce-yi-ming-275795","此木盒包浆温润莹泽，木纹舒展流丽，方正盒身尽显端雅沉静。搭配卷云纹底座，线条柔婉灵动，中和了盒体的厚重质感，尽显工艺的内敛考究。\n\n盒中玉册素面无饰，留白之间仿佛仍在等待笔墨镌题，将文房藏玩的清隽意趣敛于一方盒内。木质的暖调凝住岁月沉香，素玉的莹润留存留白之美，将旧时文人的雅致心境静静封存，古韵悠然，愈品愈觉沉静动人。",[267,530,1251,346],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F2f8765cc8ac20b8742d474fd43281544.jpg",[],{"id":181319,"slug":181320,"title":181321,"dynasty":55,"author":7,"museum":172,"description":181322,"tags":181323,"thumbUrl":181324,"material":296,"size":297,"collection":11,"collections":181325,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":50},275794,"qing-yu-yu-zhi-zhong-hua-gong-ji-ce-yi-ming-275794","青玉御制重华宫记册","封面雕镂云龙赶珠纹，苍龙矫健灵动，于祥云怒涛间腾挪辗转，鬃尾盘曲张扬，尽显皇家威仪磅礴。刀工深峻圆润，将龙的雄健气势与云浪的柔婉层次刻画入微。内页青玉册片温润莹洁，以阴刻技法摹写御制文辞，笔意舒展隽秀，刻痕深浅合宜，将帝王文思与玉作匠心融为一体，既承载着庙堂文辞之重，又尽显宫廷工艺的极致水准，是清代工艺美学与皇家礼制意趣的凝练缩影。",[530,267,268,59,4486],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F8f7dcefc014942c7bde29c155a902f50.jpg",[],{"id":181327,"slug":181328,"title":181329,"dynasty":55,"author":7,"museum":172,"description":181330,"tags":181331,"thumbUrl":181332,"material":296,"size":297,"collection":11,"collections":181333,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":50},275793,"qing-yu-qian-long-yu-bi-wen-jin-ge-ji-ce-yi-ming-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挲的痕迹。它以球状汽罐为动力源，跳脱了传统火绳击发的古早形制，是西风东渐浪潮里，本土造物与近代工艺碰撞的缩影。\n\n整枪无繁复纹饰，将实用性贯穿始终，枪身遗留的贴纸残片，默默留存着往昔收藏的印记。它静静承载着冷兵器向热兵器迭代的脉络，以古朴质感藏着工业变革的细碎余响，是旧时代兵器演化的具象见证者。",[2405,182417,1251,11223],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F47c4872631ccc20eafa9f8b9cff96715.jpg",[],{"id":182423,"slug":182424,"title":182417,"dynasty":55,"author":7,"museum":172,"description":182425,"tags":182426,"thumbUrl":182428,"material":296,"size":297,"collection":11,"collections":182429,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":50},275612,"qi-qiang-yi-ming-275612","木质枪身錾刻防滑网格纹理，温润触感呼应黄铜构件的莹亮华贵，修长枪身线条舒展雅致，将实用武力与装饰美学柔和相融。配套球状储气瓶、备用枪管与小件配件，形制精巧规整，尽显造物的缜密心思。它跳出了兵器的冷硬刻板，化作一件融汇巧思的精工藏品，把器械的实用性与手工美学揉为一体，静静铺陈出旧时手工技艺的精湛造诣，藏着独属于那个时代的审美意趣与匠心温度。",[2405,182417,101935,1251,403,182427],"器械","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fa38f0ae8aad7c5c82a0cb83125d7ed5c.jpg",[],{"id":182431,"slug":182432,"title":101913,"dynasty":55,"author":7,"museum":172,"description":182433,"tags":182434,"thumbUrl":182435,"material":296,"size":297,"collection":11,"collections":182436,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":70},275611,"tie-yue-ya-shuang-gou-yi-ming-275611","此器形制诡谲凌厉，将钩、刺、劈三用融于一体。通体铁锻，包铜束杆处可见往昔匠心，锈蚀虽掩去当年锋芒，却依旧能窥见冷兵器时代的实用美学。尾钩可锁拿兵刃、勾绊敌手，前刺直取要害，月牙刃劈砍利落，是奇门兵刃里极具巧思的代表，凝萃着尚武年代的杀伐智慧，带着旧时光里金铁交鸣的厚重余韵，尽显冷兵器实用与工艺兼备的独特质感。",[2405,11223,47765],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fc188c14716da1dd08e9d40987dbca6ad.jpg",[],{"id":182438,"slug":182439,"title":182440,"dynasty":55,"author":7,"museum":172,"description":182441,"tags":182442,"thumbUrl":182443,"material":296,"size":297,"collection":11,"collections":182444,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":50},275609,"fei-hu-fu-yi-ming-275609","飞虎斧","铁斧髹黑漆为地，错金飞虎纹饰跃于斧面。金兽双翼舒展、身姿腾挪，鬃毛张扬如携风雷，将骁勇之势凝于方寸，墨色沉敛托衬金纹华贵亮眼。修长木柄通体玄黑，底端包铜收束，既配重防滑、兼顾实用，更添器物整体的沉稳肃穆。\n\n它褪去战阵杀伐之锐，尽显仪仗兵器的威仪气度，静穆间便能窥见旧日仪典的庄重排场，是礼制美学与工艺巧思的凝练之作。",[2405,11223,86273,887,346],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fe65aedb97747a8dd158ed31cfef5d035.jpg",[],{"id":182446,"slug":182447,"title":182448,"dynasty":55,"author":7,"museum":172,"description":182449,"tags":182450,"thumbUrl":182451,"material":296,"size":297,"collection":11,"collections":182452,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":50},275608,"lian-hua-kou-pai-qiang-yi-ming-275608","莲花口排枪","整枪修长舒展，木质枪托凝着厚重包浆，线条贴合握持弧度，古朴趁手。金属击发构件虽经岁月磨洗，冷硬质感依旧，藏着旧时工匠的细致考量。分段枪身以铜质饰件衔接点缀，既加固枪体，又添了错落雅致的韵味，枪口敛藏锋芒，暗合东方器物的内敛美学。\n它将武备实用性与工艺审美相融，沉凝着旧时武备的岁月光影，静静诉说着往昔匠造里，实用与雅致平衡的独到心思。",[2405,101859,1251],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fab940eb95bfda59a440628caa14b15b9.jpg",[],{"id":182454,"slug":182455,"title":182456,"dynasty":55,"author":7,"museum":172,"description":182457,"tags":182458,"thumbUrl":182459,"material":296,"size":297,"collection":11,"collections":182460,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":50},275607,"yong-zheng-di-yu-yong-hua-mu-qiao-hua-xian-qiang-yi-ming-275607","雍正帝御用桦木鞘花线枪","枪身修长劲挺，桦木枪托色泽沉敛温润，包铜饰件古朴厚重，于细节处尽显精工。线条洗练流畅，将武备的刚健与御用器物的雅致融于一身，既有狩猎实用之能，亦具皇家仪仗之仪。匠作打磨考究，木身与金属饰件契合无间，带着旧时皇家围猎的悠悠余韵，静述往昔射猎图景，是武备工艺与皇权规制相融的绝佳缩影。",[2405,101935,101859,1251,181630],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F1646231f9f1f1689c3f8266286ab6d26.jpg",[],{"id":182462,"slug":182463,"title":182464,"dynasty":55,"author":7,"museum":172,"description":182465,"tags":182466,"thumbUrl":182467,"material":296,"size":297,"collection":11,"collections":182468,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":50},275606,"qian-long-di-yu-yong-su-tie-jiao-qiang-yi-ming-275606","乾隆帝御用素铁交枪","此枪素朴雅致，木质枪托包浆莹润，带着岁月浸润的温润质感，素铁枪管褪去冷冽锋芒，尽显沉敛厚重。随附的枪架与皮绳留存着旧时使用痕迹，将实用武备与御用器物的矜贵融为一体。\n它凝聚着往昔匠造的精湛技艺，褪去杀伐之气后，静静承载着旧时武备的规制审美，诉说着工艺与威仪交织的远去过往。",[2405,11223,1251,73210],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F431bb569ada0d4e2cf4191f8415df499.jpg",[],{"id":182470,"slug":182471,"title":182472,"dynasty":55,"author":7,"museum":172,"description":182473,"tags":182474,"thumbUrl":182476,"material":296,"size":297,"collection":11,"collections":182477,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":50},275605,"tie-zan-shen-hua-wen-pao-qiang-yi-ming-275605","铁錾神花纹炮枪","整体浑朴厚重，木质枪托凝着经年摩挲的温润包浆，带着时光浸淫的质感。修长铁管硬朗冷冽，与木身以皮箍束为一体，刚柔相融。\n\n随附的支架与皮绳，既是稳定射姿的实用配件，也勾画出往昔持枪瞄准时的鲜活图景。隐于铁色之下的神花纹錾刻，暗合旧时工匠的祈福心意，褪去兵器的凛冽锋芒，将武备工艺与民俗信仰相融，多了一层柔软的人文温度。\n\n它静静承载着往昔的兵戈烟火与匠人巧思，是旧时光里工艺美学与人文意趣结合的缩影。",[2405,11223,1251,73089,182475],"炮枪","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F8951e8abd04a1e97c139522e09f0d947.jpg",[],{"id":182479,"slug":182480,"title":182481,"dynasty":55,"author":7,"museum":172,"description":182482,"tags":182483,"thumbUrl":182484,"material":296,"size":297,"collection":11,"collections":182485,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":70},275604,"huo-shuo-te-bei-le-gong-jin-sui-fa-qiang-yi-ming-275604","霍硕特贝勒恭进燧发枪","此枪木质枪托包浆厚重莹润，历经岁月仍质感温实。燧发击发机件形制规整，钢色沉敛，尽显清代火器锻造的精湛做工。原配皮质枪绳柔韧依旧，随附布囊墨迹虽淡，当年的敬献规制依稀可辨。\n\n它兼具实战性能与礼制价值，是边疆与中原之间往来联结的具象见证，凝缩了清代中期手工火器的工艺水准，朴拙厚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漆彩画云龙纹搏拊鼓","此器髹漆明丽莹润，鼓身饱满圆融。鼓面彩绘云龙，矫龙盘虬腾跃，云气迤逦缠绕，线条舒展灵动，设色古雅沉静，将威肃磅礴的气韵尽藏于方寸之间。鼓沿缀饰乳钉与缠枝花卉，刚柔相济，兽首衔环肌理写实，古拙雄浑，兼具实用与装饰意趣。\n\n层叠基座浮雕莲瓣、回纹，雕工圆润饱满，步步铺陈出庄重典雅的气度。整器繁简相宜，将髹漆、彩画与木雕工艺精妙融合，既有规整大气的制式美感，又不失手工营造的灵动细节，尽显传统工艺的华美厚重。",[687,1251,268,22370,57659,270,13861],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fe6d14eba31b8cb3557150fafc8bd940d.jpg",[],{"id":183510,"slug":183511,"title":183504,"dynasty":55,"author":7,"museum":172,"description":183512,"tags":183513,"thumbUrl":183514,"material":296,"size":297,"collection":11,"collections":183515,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":739},275447,"jin-qi-cai-hua-yun-long-wen-bo-fu-gu-yi-ming-275447","鼓身饱满丰润，金漆裹身明丽莹润，尽显华贵气韵。鼓面彩绘云龙，龙躯矫健腾跃，云纹迤逦环绕，设色调和古雅，走线细腻灵动，将瑞兽神威描摹得淋漓尽致。鼓身以朱红铜珠为饰，兽首系钮浮雕凸起，为莹润金漆增添威严厚重之感。\n\n下配须弥雕花底座，层叠繁复，自上而下雕饰莲瓣、卷草纹样，层次分明繁而不杂，将整器的庄重典雅烘托到极致。集髹漆、彩画、雕刻工艺于一身，尽显造器极致匠心，是礼制器物与美学工艺融合的典范。",[687,13861,1251,22370,57659,270,268,3561],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ff877262fc8400b27837a103b7f75241e.jpg",[],{"id":183517,"slug":183518,"title":181917,"dynasty":241,"author":7,"museum":172,"description":183519,"tags":183520,"thumbUrl":183521,"material":296,"size":297,"collection":11,"collections":183522,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":1162},275446,"zhong-ni-shi-qin-yi-ming-275446","此琴造型端雅肃穆，古漆凝敛着深褐包浆，断纹隐现如岁月皴痕，晕开百年沉郁风华。龙池凤沼形制规整，金弦静伏琴身，尾穗垂落似旧年余绪。\n\n它以极简身形承载东方雅韵，暗合君子藏锋守拙的风骨，指尖轻触仿佛能唤起松间鸣泉的太古清音，将旧时文人寄情山水、以琴修身的意趣封存在木纹之中，静默诉说着旧时光里的清雅余味。",[687,1251,16832,181917],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ffc59a04dbd15c2b11c0520408889d97e.jpg",[],{"id":183524,"slug":183525,"title":181917,"dynasty":55,"author":7,"museum":172,"description":183526,"tags":183527,"thumbUrl":183528,"material":296,"size":297,"collection":11,"collections":183529,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":70},275445,"zhong-ni-shi-qin-yi-ming-275445","此器形制雅致内敛，线条简约舒展，承袭经典制式的端庄风骨。漆面沉静乌润，历经岁月晕染出温润包浆，琴面徽位错落如星，暗合天地节律。七弦紧绷，似凝着旧时泠泠余韵，垂落的素色流苏，晕开一抹清隽雅致。\n\n它曾是文人寄怀山水、修身澄心的良伴，指尖拂过弦间，便将东方雅意缓缓铺陈，每一处弧度都藏着传统工艺的沉心匠意，静默伫立间，便漾开幽远绵长的古雅余味，晕染出中式美学的隽永底色。",[346,687,16832,1251],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fe00c25576e6d97e97a34350955f333e0.jpg",[],{"id":183531,"slug":183532,"title":181917,"dynasty":55,"author":7,"museum":172,"description":183533,"tags":183534,"thumbUrl":183535,"material":296,"size":297,"collection":11,"collections":183536,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":70},275444,"zhong-ni-shi-qin-yi-ming-275444","此器线条古雅内敛，通体髹漆凝厚温润，漫着岁月沉淀的沉静质感。素面无饰，岳山琴轸简净雅致，暗合儒门谦和中正的风骨。徽位排布严整，暗蕴天地数理之妙，七弦张弛有度，轻拨之下，可奏太古清音，抒寄幽怀。尾端朱红流苏轻垂，墨色沉凝间点染一抹灵动，恰似君子藏器待时，于简素中尽显风雅。将华夏文人寄情林泉、澄心修身的意趣熔铸其中，抚之如晤古贤，静聆松涛涧鸣，悠悠然俗虑尽消。",[687,16832,1251,102060],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fac7a56bfdcb59522277576e82d8edee6.jpg",[],{"id":183538,"slug":183539,"title":181940,"dynasty":55,"author":7,"museum":172,"description":183540,"tags":183541,"thumbUrl":183542,"material":296,"size":297,"collection":11,"collections":183543,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":70},275440,"mu-hei-qi-miao-jin-yun-long-wen-dou-sheng-yi-ming-275440","这件古笙形制典雅大气，斗部髹漆黑如墨夜，以描金技法晕染云龙纹饰。金漆明丽鲜亮，祥龙身姿矫健蜿蜒，鳞爪张弛有力，祥云舒卷环绕其间，线条灵动流畅，尽显华贵雍容的气度。\n竹制笙管排布齐整，色泽沉润古雅，周身裹着岁月浸润出的莹润包浆，带着时光摩挲的温润质感。\n它既是奏出雅乐的礼乐器物，亦是精工细作的工艺珍品，将传统吉祥寓意藏于纹饰，把匠心巧思凝于器身，静静晕开旧时礼乐文化的悠悠古韵。",[687,181880,3561,2197,59,1251,27813],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fda4a1398feef9ad21912c73bf04364a9.jpg",[],{"id":183545,"slug":183546,"title":181940,"dynasty":55,"author":7,"museum":172,"description":183547,"tags":183548,"thumbUrl":183549,"material":296,"size":297,"collection":11,"collections":183550,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":70},275439,"mu-hei-qi-miao-jin-yun-long-wen-dou-sheng-yi-ming-275439","髹黑漆为底，描金云龙纹游走器身，龙姿矫健腾跃，云纹舒卷灵动，填金饱满匀净，黑金地色衬得纹饰华贵庄重。\n\n笙管排布齐整，竹面凝着经年温润质感，皮质束带雅致妥帖，牢牢束起音管。弯形执柄打磨圆润趁手，端头骨质构件素雅点睛，兼顾审美与实用。\n\n这件雅器融礼乐功能与匠心工艺为一体，将瑞兽祥纹的吉庆意蕴融入乐器形制，尽显手作的细腻工巧，静静沉淀着旧时礼乐风华，是工艺与古乐美学的精妙结合。",[687,101799,3561,2197,27813,1251],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F4fd5c4adc14eaafcc68765addd084c79.jpg",[],{"id":183552,"slug":183553,"title":183554,"dynasty":55,"author":7,"museum":172,"description":183555,"tags":183556,"thumbUrl":183557,"material":296,"size":297,"collection":11,"collections":183558,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":70},275438,"mu-hei-qi-miao-jin-long-feng-yun-wen-dou-sheng-yi-ming-275438","木黑漆描金龙凤云纹斗笙","以黑漆为底，描金晕染龙凤云纹，龙凤矫健身姿于流云间辗转腾挪，线条细腻舒展，尽显灵动华贵。竹制笙管排布规整，皮箍束合兼具牢固性与装饰感，髹漆工艺匀净考究，历经年岁仍葆莹润光泽，描金纹饰带着时光浸蚀的浅淡痕迹，更衬古韵悠然。\n它将传统髹漆描金工艺与古器乐形制相融，既是礼制雅乐中的实用之器，也是承载东方审美的工艺佳构，细节之间藏着手艺人的匠心巧思，静静晕开旧时礼乐文化的雅致风华。",[687,1251,3561,2197,270,8550,284,101799],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F07593a32427fc1a4fb0689a07cebde44.jpg",[],{"id":183560,"slug":183561,"title":183562,"dynasty":55,"author":7,"museum":172,"description":183563,"tags":183564,"thumbUrl":183565,"material":296,"size":297,"collection":11,"collections":183566,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":277},275437,"mu-hei-qi-dou-sheng-yi-ming-275437","木黑漆斗笙","此器素黑漆裹身，竹管依长短错落层叠，以棕丝环束规整。上端骨质簧片素洁雅致，与沉色竹管相映，下端漆斗圆润，配骨质吹嘴，古拙中带着清雅质感。\n\n它凝萃着旧时匠人的精妙巧思，管身排布暗合声学妙谛，髹漆工艺让器身历经岁月仍沉稳内敛。静默伫立间，仿佛仍能遥想往昔它奏响的雅乐，是传统礼乐文化的具象载体，带着时光沉淀的温润，尽显古乐器的雅致匠心与东方审美意趣。",[687,1251,3561,101799],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F0156cfa8a3c588bb6e2975d85932e4d1.jpg",[],{"id":183568,"slug":183569,"title":29487,"dynasty":55,"author":7,"museum":172,"description":183570,"tags":183571,"thumbUrl":183574,"material":296,"size":297,"collection":11,"collections":183575,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":70},275436,"zhu-guan-yi-ming-275436","这件乐器以硬竹为身，深褐底色凝润沉静，两端以骨质饰件收束，温润的象牙白与竹色相映，雅致内敛。吹口簧片取天然材料制成，朴拙自然。管身开孔匀齐规整，是匠人手作的精巧体现。\n\n它褪去繁复装饰，以简约形制诉说旧时工艺温度，历经岁月摩挲，仍能窥见旧时民间器乐的审美意趣。轻启簧片，仿佛便能听见清越乐声流转，带着古早的悠然意韵，尽显传统乐器的素雅风骨与沉静匠心。",[687,183572,29543,3953,183573],"管乐器","吹奏乐器","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F0c41729565169a1d3b4f5bf85de9650e.jpg",[],{"id":183577,"slug":183578,"title":29487,"dynasty":55,"author":7,"museum":172,"description":183579,"tags":183580,"thumbUrl":183581,"material":296,"size":297,"collection":11,"collections":183582,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":70},275435,"zhu-guan-yi-ming-275435","管身呈沉郁乌褐，两端以素洁骨质饰件收束，暗棕与莹白撞出雅致观感。七孔匀整排布于管身，是匠人反复校准的精巧用心。顶端芦簧肌理仍清晰可见，仿佛依旧能抖落旧时光里的清越声响。\n\n它弃绝繁饰，以极简形制勾勒中式器乐的尚朴美学，将古早的丝竹雅意凝于这一方窄管。静静伫立间，带着岁月浸润的温润余韵，暗合旧时文人寄情音声的澹澹意趣。",[687,29543,183572],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F508995921504ebfe27fb2558d85ac231.jpg",[],{"id":183584,"slug":183585,"title":29487,"dynasty":55,"author":7,"museum":172,"description":183586,"tags":183587,"thumbUrl":183588,"material":296,"size":297,"collection":11,"collections":183589,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":70},275434,"zhu-guan-yi-ming-275434","紫褐竹身为骨，莹白骨饰衔于两端与吹接之处，素净配色自带清雅古意，沉郁竹色衬着润白骨质，愈发显得朴拙温润。匀整排布的七孔，循着传统气鸣乐器的规制而成，吹管无多余雕饰，尽显匠人内敛克制的审美意趣。\n\n它静静沉淀着旧时光余温，曾在旧时被人轻握掌心，吐纳之间流淌出悠然乡音，是民间俗乐风貌的具象缩影，将往昔的丝竹雅韵凝于一身，静默诉说着传统器乐的雅致底蕴。",[687,183572,29543,3953],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F705d1f93d22576843e6f0dd54a1bcba3.jpg",[],{"id":183591,"slug":183592,"title":29487,"dynasty":55,"author":7,"museum":172,"description":183593,"tags":183594,"thumbUrl":183595,"material":296,"size":297,"collection":11,"collections":183596,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":70},275433,"zhu-guan-yi-ming-275433","管身取老竹制得，深棕肌理莹润沉敛，两端以素白素骨饰件收束，冷暖色调相映，朴雅和谐。八孔齐整排布，开孔圆匀走线规整，可见匠人手制的细腻心思。顶端竹簧形制古拙，历经年岁仍保持规整形态，仿佛还留存着旧时丝竹雅集的余韵。\n\n它形制简约却藏古法营造的巧思，不事雕琢却尽显中式器物的内敛美学，握于手中可感竹骨温润，静置案头亦是一方雅致陈设，将实用与审美融于一身，承载着旧时雅乐的悠悠意趣，尽显东方造物的含蓄风雅。",[687,29543,3953,183572],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F5dede34dc5597a98df1fb7a1663ef3fd.jpg",[],{"id":183598,"slug":183599,"title":101805,"dynasty":55,"author":7,"museum":172,"description":183600,"tags":183601,"thumbUrl":183602,"material":296,"size":297,"collection":11,"collections":183603,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":70},275431,"zhu-hong-qi-miao-jin-duo-lian-wen-long-xing-di-yi-ming-275431","此笛以苍龙塑身，龙首雕刻灵动威严，鳞片刻画细腻写实，将吹奏之器化作瑞兽身姿。器身以朱红为底，描金勾勒朵朵青莲，朱色浓艳衬得金彩鲜亮夺目，纹样排布齐整雅致，在华贵中透着清雅禅意。音孔暗藏于纹饰之间，将实用与雅饰完美相融，既保留竹笛的礼乐之用，又以精妙工艺承载祥龙瑞莲的美好寓意，尽显这份匠艺的雅致精巧，是传统工艺与礼乐文化交织的精妙造物。",[687,61957,59,3561,2197,29543,101808],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F9d3fdfa1a6b1cfea360fbc2c5a372029.jpg",[],{"id":183605,"slug":183606,"title":101805,"dynasty":55,"author":7,"museum":172,"description":183607,"tags":183608,"thumbUrl":183609,"material":296,"size":297,"collection":11,"collections":183610,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":70},275430,"zhu-hong-qi-miao-jin-duo-lian-wen-long-xing-di-yi-ming-275430","此笛以竹为骨，龙首作吹口，鬃须张弛、鳞爪分明，描金晕染出威灵神态，蜷曲身形宛若游龙将醒。通体髹朱红漆地，以描金绘就朵莲，顺着竹节依次铺陈，朱赤与赤金交相辉映，华贵雅致。\n它将雕刻、髹漆与描金工艺相融，把礼乐之用与工艺美学结合，瑞龙衔音、莲纹缀身，让朴素竹材蜕变为兼具雅韵与威仪的工艺精品，藏着旧时匠人精妙的造物巧思。",[687,61957,59,11589,3561,2197,268,101808],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F514f883d06ea39b32cb3b5af1eea1dfc.jpg",[],{"id":183612,"slug":183613,"title":101805,"dynasty":55,"author":7,"museum":172,"description":183614,"tags":183615,"thumbUrl":183616,"material":296,"size":297,"collection":11,"collections":183617,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":70},275429,"zhu-hong-qi-miao-jin-duo-lian-wen-long-xing-di-yi-ming-275429","龙首昂然为笛首，鳞纹肌理刻画入微，将清雅乐器与瑞兽威仪相融。朱红漆底鲜亮沉凝，描金勾勒朵莲缠枝纹饰，分段排布于竹身之上，金红交辉，古雅华贵。作为竹制雅器，它兼顾吹奏实用，又以重工髹饰承载传统审美，匠造精工与礼乐意趣合二为一，尽显清代手工技艺的雅致格调。",[687,3561,11589,2197,59,268,9268,101808],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F38aa7308f1abcccc862079bf88858315.jpg",[],{"id":183619,"slug":183620,"title":101805,"dynasty":55,"author":7,"museum":172,"description":183621,"tags":183622,"thumbUrl":183623,"material":296,"size":297,"collection":11,"collections":183624,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":70},275428,"zhu-hong-qi-miao-jin-duo-lian-wen-long-xing-di-yi-ming-275428","以竹为骨，朱漆髹底，描金朵莲纹饰顺着笛身次第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纹饰，龙身蜿蜒矫健，云纹舒卷飘逸，金红交辉尽显华贵雍容。竹胎髹漆既护住竹质避免耗损，又凭浓艳色调提亮器物气韵。音孔排布匀整规整，将漆作装饰与乐器实用巧妙融合，让礼乐器具兼具审美价值与工艺水准，静立之中，亦可窥见清代手工技艺的精巧匠心与宫廷雅器的富丽风华。",[687,101817,3561,2197,27813,29543],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F883bf7c989820f8b1df822cc63a944bc.jpg",[],{"id":183683,"slug":183684,"title":183685,"dynasty":55,"author":7,"museum":172,"description":183686,"tags":183687,"thumbUrl":183688,"material":296,"size":297,"collection":11,"collections":183689,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":50},275416,"mu-hong-qi-miao-jin-long-feng-yun-wen-du-zhu-guan-pai-xiao-yi-ming-275416","木红漆描金龙凤云纹椟竹管排箫","此器以红漆为地，描金纹饰鲜亮华贵。龙躯矫健穿梭祥云，凤羽灵动舒展于间，刻画精细流畅，龙凤瑞纹呼应，尽显雍容大气的宫廷格调。器身取如意轮廓，线条柔婉雅致，齐整的竹管静列其上，将雅乐器的端庄与清代工艺审美相融。朱红描金色彩浓烈饱满，髹漆工艺细腻匀净，把礼乐重器的肃穆和装饰美学合二为一，是髹漆工艺与古乐形制结合的精巧佳作，尽显清代盛世工艺的考究与华贵审美意韵。",[687,3561,1251,2197,59,564,284,57344],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fcdfeaed5b27ebb454c80147041dcf0fc.jpg",[],{"id":183691,"slug":183692,"title":183693,"dynasty":55,"author":7,"museum":172,"description":183694,"tags":183695,"thumbUrl":183696,"material":296,"size":297,"collection":11,"collections":183697,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":70},275415,"tong-yun-luo-yi-ming-275415","铜云锣","朱红木架搭配描金雕花构件，雅致亮眼，黄丝弦将十面深褐小铜锣排布齐整。铜色深沉，包浆厚重莹润，晕染着岁月浸漫的痕迹。\n\n它作为传统击奏乐器，音域错落有致，执槌轻击时，音色可清越脆亮，亦可沉朴厚重，常现身于宗教法事与民间乐班演奏。整器做工规整，木架浮雕纹路生动细腻，铜锣形制周正，将实用性能与工艺审美融于一体，尽显旧时手作的匠心巧思，静静诉说着往昔丝竹和鸣的热闹图景。",[403,687,132937,1251,268],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F4ce0871d2e64d06effe187268405b44b.jpg",[],{"id":183699,"slug":183700,"title":183693,"dynasty":55,"author":7,"museum":172,"description":183701,"tags":183702,"thumbUrl":183703,"material":296,"size":297,"collection":11,"collections":183704,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":70},275414,"tong-yun-luo-yi-ming-275414","朱红漆木架描金雕花，古雅端庄，十二面小铜锣错落排布其上。锣面覆着苍古包浆，錾刻标记依稀可辨，凝着岁月摩挲的厚重质感。\n\n它曾是民俗雅乐里的灵动声部，指尖轻击便漾开清越脆响，携带着旧时庙堂市井的鲜活余韵。木架雕花缠枝卷云，朱漆褪去鲜亮，晕染出沉敛古韵，铜锣悬系于架，静诉往昔丝竹绕梁的盛景，将旧日礼乐风华封存在这一方器物之中。",[687,403,1251,268],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F6b77ae38a2fa54b8b71797031cb0f5fe.jpg",[],{"id":183706,"slug":183707,"title":183708,"dynasty":55,"author":7,"museum":172,"description":183709,"tags":183710,"thumbUrl":183711,"material":296,"size":297,"collection":11,"collections":183712,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":50},275413,"gang-fang-xiang-yi-ming-275413","钢方响","两排钢制音板以黄绳穿系固定，板面錾刻字符标注律名与音高，深褐包浆覆着沧桑旧痕，带着经年使用的温润质感。形制齐整素雅，无繁复雕饰，尽显拙朴古雅的匠造意趣。它曾在礼乐雅奏中振鸣清越之音，如今静置无声，却依旧裹挟旧时光里的礼乐余韵，将传统乐律的古朴质感凝于方寸，藏着旧时音律传承的温度。",[687,11223,124,126],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fde66a8bb69a778d4ae3a10ed66280c11.jpg",[],{"id":183714,"slug":183715,"title":183708,"dynasty":55,"author":7,"museum":172,"description":183716,"tags":183717,"thumbUrl":183718,"material":296,"size":297,"collection":11,"collections":183719,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":50},275412,"gang-fang-xiang-yi-ming-275412","这组钢方响以熟钢锻造为板，分两排编缀系挂。板面錾刻斑驳题识与标注符号，暗褐锈迹裹着沉厚包浆，晕开百年时光痕迹。\n\n作为打击雅乐器，每块钢板音高各别，曾振鸣出清越金石之音。錾刻的文字符号既是音位标识，也为这件古物增添考据价值，将器乐实用与手工錾刻工艺相融，静静沉淀着旧时礼乐风华。",[687,11223,132937,60146],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F99319d0c4fb8089772d8f0ff2f00bdb5.jpg",[],{"id":183721,"slug":183722,"title":183723,"dynasty":55,"author":7,"museum":172,"description":22940,"tags":183724,"thumbUrl":183725,"material":296,"size":297,"collection":11,"collections":183726,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":50},275411,"he-jin-shuang-long-niu-yun-long-wen-bian-zhong-huang-zhong-yi-ming-275411","合金双龙纽云龙纹编钟-黄钟",[687,45314,268,59,22509,27813],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F787f75e8df477b3f9f03409bb37e5cd1.jpg",[],{"id":183728,"slug":183729,"title":183730,"dynasty":55,"author":7,"museum":172,"description":31727,"tags":183731,"thumbUrl":183732,"material":296,"size":297,"collection":11,"collections":183733,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":50},275410,"tong-du-jin-shuang-long-niu-yun-long-wen-bian-zhong-bei-yi-ze-yi-ming-275410","铜镀金双龙纽云龙纹编钟-倍夷则",[403,402,687,268,59,45314],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fe53769b2eff953168758afc2cffc67c0.jpg",[],{"id":183735,"slug":183736,"title":183737,"dynasty":55,"author":7,"museum":172,"description":22940,"tags":183738,"thumbUrl":183739,"material":296,"size":297,"collection":11,"collections":183740,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":50},275409,"tong-du-jin-lou-kong-niu-ba-gua-wen-xiao-bian-zhong-huang-zhong-yi-ming-275409","铜镀金镂空纽八卦纹小编钟-黄钟",[403,687,268,39148,7656,57462],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F17013a1222f1da7c7254bf6ea0253963.jpg",[],{"id":183742,"slug":183743,"title":183744,"dynasty":55,"author":7,"museum":172,"description":22940,"tags":183745,"thumbUrl":183746,"material":296,"size":297,"collection":11,"collections":183747,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":50},275408,"tong-du-jin-sh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工艺的细腻考究，静静诉说着旧时起居礼佛的温柔日常。",[403,402,2195,346,268],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F81ce613495ee846d3437ecf9d9b5b340.jpg",[],{"id":186484,"slug":186485,"title":186486,"dynasty":55,"author":7,"museum":172,"description":186487,"tags":186488,"thumbUrl":186489,"material":296,"size":297,"collection":11,"collections":186490,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":277},274943,"tong-qian-liao-shi-la-qian-yi-ming-274943","铜嵌料石蜡扦","双层灯盘错落有致，盘沿錾刻缠枝卷草，柔婉灵动似将随风舒展。柱身挺拔修长，过渡舒展柔和。钟形底座满饰垂覆宝相花，花瓣间隙嵌缀料石，虽经岁月摩挲包浆沉厚，依旧能窥见当年点缀的华彩。\n\n整体形韵端庄雅致，自上而下由简入繁，刚柔相济。沉穆古雅的铜色裹着温润包浆，将点灯的实用与装饰美学浑然相融，尽显旧时造物的细腻匠心，静静伫立间，仿佛仍能映照出百年前案头摇曳的灯火，晕开旧时光的雅致余韵。",[402,403,268,59264,2195],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fe24658a5e7d34b4313b8621fc6cfa0ed.jpg",[],{"id":186492,"slug":186493,"title":186486,"dynasty":55,"author":7,"museum":172,"description":186494,"tags":186495,"thumbUrl":186496,"material":296,"size":297,"collection":11,"collections":186497,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":277},274942,"tong-qian-liao-shi-la-qian-yi-ming-274942","双层灯盘错落排布，高挑扦针利落挺拔。灯盘面錾刻缠枝卷草，柔婉舒展，将春意凝于铜上。束腰暗饰兽首，古拙沉静，暗合庄重之气。钟形基座以垂幔宝相花为饰，嵌饰彩料石如星子缀于其上，晕开细碎光泽，添了几分华贵雅致。\n\n铜质厚重温润，包浆沉敛，将錾刻、嵌宝工艺精妙融合，既有礼器的端正规整，亦不失装饰意趣，尽显造物的精巧工致，藏着旧时案头灯影里的雅致意韵。",[402,403,2195,268,12617,346],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F18f472f30ef361157a9765c88652965b.jpg",[],{"id":186499,"slug":186500,"title":186501,"dynasty":55,"author":7,"museum":172,"description":35761,"tags":186502,"thumbUrl":186503,"material":296,"size":297,"collection":11,"collections":186504,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":50},274941,"tong-yuan-hua-gu-yi-ming-274941","铜圆花觚",[402,403,406,688,346],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fba1153e2477167a17ad472fd42f13d31.jpg",[],{"id":186506,"slug":186507,"title":186508,"dynasty":55,"author":7,"museum":172,"description":22132,"tags":186509,"thumbUrl":186510,"material":296,"size":297,"collection":11,"collections":186511,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":277},274940,"tong-shuang-er-san-shou-zu-lu-yi-ming-274940","铜双耳三兽足炉",[402,403,268,346,272,1494],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fbe0b0d24a9c7a6d1f8d7388fe65dcdb3.jpg",[],{"id":186513,"slug":186514,"title":186515,"dynasty":55,"author":7,"museum":172,"description":186516,"tags":186517,"thumbUrl":186518,"material":296,"size":297,"collection":11,"collections":186519,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":277},274938,"tong-jiu-ti-yi-ming-274938","铜酒提","此器素朴雅致，长杆挺括纤长，顶端回弯折成悬钩，可握可挂，藏着日常使用的巧思。浅圆斗腹内敛柔和，周身包浆温润，凝着岁月摩挲的痕迹。通体无饰，以舒展柔婉的线条勾勒形制，将极简美学融于实用之间。\n\n长杆探入酒瓮可免污沾衣袍，弯钩妥帖挂于坛沿，把旧时沽酒添盏的日常，酿成含蓄的雅致意趣。它是烟火生活里的美学注脚，将寻常器物淬成东方雅致的载体，静静晕开往日宴饮里松弛悠然的旧时光。",[403,688,2195,346],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fb46a7aaab901d9a4771f215e07018717.jpg",[],{"id":186521,"slug":186522,"title":185957,"dynasty":55,"author":7,"museum":172,"description":186523,"tags":186524,"thumbUrl":186526,"material":296,"size":297,"collection":11,"collections":186527,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":739},274937,"tong-du-jin-ba-bao-chang-yi-ming-274937","这件造像以精金铸就，自上而下层次分明。顶部吉祥结盘曲往复，线条柔婉连绵，暗含圆满无尽的祈愿，下托盛放的仰莲，瓣尖轻扬，似含朝露。中层云纹翻涌灵动，将上下构件自然衔合，如祥光浮空。底座葫芦饱满圆润，錾刻纹饰细密精巧，缠枝卷叶环绕，与须弥莲座呼应成趣。\n\n周身金水厚重莹润，煌煌光泽间尽显华贵庄重，精湛金工藏于每一处细节里，将宗教意蕴与宫廷审美相融，线条流转间带着沉静典雅的气韵，把清净圆满的美好寄于这件精巧造物之中。",[430,403,268,30,186525,102383,346],"佛教八宝","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F024f413bda96bfc04767b2eb36f7cd37.jpg",[],{"id":186529,"slug":186530,"title":186531,"dynasty":55,"author":7,"museum":172,"description":186532,"tags":186533,"thumbUrl":186534,"material":296,"size":297,"collection":11,"collections":186535,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":739},274936,"tong-du-jin-ba-bao-yu-yi-ming-274936","铜镀金八宝-鱼","这件供器鎏金璨然华贵，造型层层铺陈，尽显匠心。顶部双鱼灵动舒展，鳍尾鲜活如生，被缠枝莲台托举簇拥，暗合吉庆有余的祥瑞意涵。中层云纹座翻卷灵动，似将仙气托举而上，下接宝瓶葫芦，纹饰饱满精细，纳聚祈福安和之意。\n\n整体以錾刻、累丝工艺精作而成，线条华丽流畅，细节处尽显工造极致水准，融合了吉祥意蕴与宫廷审美风骨，华贵之余不失空灵隽秀，是礼佛供器里的精巧佳构，将鎏金铜器的华美与祈福深意融于一体。",[430,403,268,318,30,877,177],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fdd924e3f13af4f6c435bb6ae0d43d2c8.jpg",[],{"id":186537,"slug":186538,"title":185965,"dynasty":55,"author":7,"museum":172,"description":186539,"tags":186540,"thumbUrl":186541,"material":296,"size":297,"collection":11,"collections":186542,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":70},274935,"tong-du-jin-ba-bao-guan-yi-ming-274935","通体鎏金匀净厚重，宝光内敛华贵。整器造型层叠呼应，顶端宝瓶挺拔秀雅，盖顶饰钮，两侧缠枝形耳灵动舒展，安坐仰莲台座，下承流云束腰柱，云纹卷舒饱满，线条婉转柔润，将灵动与沉稳融于一身。\n\n中部宝瓶复刻上制，莲瓣承托，上下形制呼应协谐，让整体视觉平衡舒展。底座錾刻纹饰细密妥帖，稳稳承载整器威仪。\n\n这件器物以吉祥宝瓶为核心意象，錾刻与铸造工艺精湛绝伦，纹饰繁而不杂，把神性庄严与金工美学融于一体，静穆间自有祥瑞之气流淌，尽显庄重圣洁的祈福之意。",[430,403,268,30,11266,877],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fce8f713303f2d5adff5c584b35b9889a.jpg",[],{"id":186544,"slug":186545,"title":185973,"dynasty":55,"author":7,"museum":172,"description":186546,"tags":186547,"thumbUrl":186548,"material":296,"size":297,"co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896,"tong-du-jin-ba-bao-lun-yi-ming-274896","此器自上而下层次分明，桃形背光錾刻缠枝莲纹拱卫法轮，轮心纹饰庄严尽显圆满禅意。莲台层层绽露饱满莲苞，稳稳承托圣物。支架透雕卷草纹灵动舒展，与莲台静穆形成动静相宜的反差。底足覆莲环绕，鎏金历经岁月晕染，古旧包浆更衬器物雍容华贵。整器庄重精巧，将藏传佛教清净意蕴与精湛造办工艺相融，是佛前供器中的佳品，尽显信仰与工艺交织的大美。",[403,2239,268,30,66499,177,1377],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F332c5c6ab0006cda5b1c7dc212698bc4.jpg",[],{"id":186808,"slug":186809,"title":48568,"dynasty":55,"author":7,"museum":172,"description":186810,"tags":186811,"thumbUrl":186812,"material":296,"size":297,"collection":11,"collections":186813,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":277},274895,"yin-du-jin-tuo-hua-gong-yang-pu-sa-yi-ming-274895","菩萨白身赤足舒坐莲台，身姿曼妙灵动，抬手展具，周身朱焰萦回，青珐琅底色晕染出澄澈清净的佛境，配色鲜亮明快，佛韵盎然。银镀金底座分饰层莲与缠枝瑞纹，錾刻走线细腻古拙，鎏金莹润光泽与珐琅彩的明丽相映成趣，将藏地造像的神性静穆与内地金属细作的精工华贵融于一体，气韵庄严又不失灵动雅致，尽显彼时宗教造像的审美意趣，是匠心独具的供佛佳器。",[30,1154,430,434,33,1169,268,877,177],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F243d51a1e734e161ea2f5b8411fe9061.jpg",[],{"id":186815,"slug":186816,"title":48568,"dynasty":55,"author":7,"museum":172,"description":186817,"tags":186818,"thumbUrl":186819,"material":296,"size":297,"collection":11,"collections":186820,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":50},274894,"yin-du-jin-tuo-hua-gong-yang-pu-sa-yi-ming-274894","水滴形鎏金佛龛内，菩萨安坐莲台，莹白法身环饰璎珞，神态慈悲自在。蓝底嵌饰细密匀净，托出菩萨明丽衣色与宝相，色彩古雅沉静，尽显殊圣安然。\n\n下方银质莲台舒展层叠，卷草缠枝纹饰柔婉灵动，与鎏金龛沿的繁复雕花彼此呼应。素银冷冽光泽与鎏金华贵金芒相融，藏地造像的雄浑气质与精工巧思交织，将信仰凝注于寸厘工艺中，静静诉说着清净庄严的供养之心，尽显藏地供具的独特美学意涵。",[30,1154,430,268,434,32,48571,177,17617,2361],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fd5d8fb5c0f366d5e012b7fb49546ea94.jpg",[],{"id":186822,"slug":186823,"title":48568,"dynasty":55,"author":7,"museum":172,"description":186824,"tags":186825,"thumbUrl":186826,"material":296,"size":297,"collection":11,"collections":186827,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":277},274893,"yin-du-jin-tuo-hua-gong-yang-pu-sa-yi-ming-274893","这件供器融珐琅绘像与錾金造艺于一体，中心珐琅面板之上，菩萨身姿舒展安和，眉眼慈悲柔婉，衣带随形飘举，在青蓝色底釉映衬下，色彩明丽鲜活，尽显清净庄严的神性美感。\n\n银镀金托架匠心十足，层叠仰莲承托宝桃形画框，框身錾刻缠枝卷草，纹路饱满灵动，下接雕花束腰底座，鎏金光泽沉稳古雅。藏地造像的厚重质感与珐琅彩饰的鲜亮相映成趣，既饱含宗教供器的肃穆气韵，又尽显手工技艺的精妙水准，是信仰与匠意融合的绝佳载体。",[30,1170,37231,1154,430,268,33,346,19712],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fff841df9437a175f0670d3893ba6c053.jpg",[],{"id":186829,"slug":186830,"title":186831,"dynasty":55,"author":7,"museum":172,"description":186832,"tags":186833,"thumbUrl":186834,"material":296,"size":297,"collection":11,"collections":186835,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":70},274891,"tong-xiang-yin-qi-zhen-mo-ni-bao-yi-ming-274891","铜镶银七珍-摩尼宝","这件造像以莲台承托鎏金背光，主尊仪态端严，双手托举法珠，绶带宝纹随形环绕，灵动舒展。铜银错镶的工艺让明暗层次尽显分明，鎏金的华贵与银质的清冽相互映衬。下接卷草缠枝束腰支架，仰覆莲底座錾刻禅纹，线条辗转间尽显藏地造像的精工巧思。\n\n整体静穆中带着富丽质感，既承载着护持祥瑞的宗教神性，又尽显清时造像的审美意趣，将摩尼宝的圣洁华贵凝练其中，是匠心与信仰融合的精妙之作。",[30,1170,403,1154,268,986,39612,1377,34566,346],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fc23103e57a8ecf769b87a54426341d51.jpg",[],{"id":186837,"slug":186838,"title":186839,"dynasty":55,"author":7,"museum":172,"description":186840,"tags":186841,"thumbUrl":186842,"material":296,"size":297,"collection":11,"collections":186843,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":70},274890,"tong-xiang-yin-qi-zhen-jiang-jun-bao-yi-ming-274890","铜镶银七珍-将军宝","整体造型庄重雅致，铜银错金的工艺让器物明暗交映，鎏金褪去的痕迹晕开岁月包浆。宝顶主尊安坐于缠枝纹环绕的背光之内，錾刻细腻，法相端严祥和，纹饰灵动舒展。下方莲台瓣层叠饱满，舒展而富有生机。下接卷草镂空底座，缠枝纹婉转流畅，将藏地手工的极致巧思凝于一身。\n作为供器，它承载着祈福护佑的信仰重量，佛仪规整，细节处尽显匠心，静穆之间尽显华贵庄严的宗教气韵。",[403,1154,268,30,1170,877,177,986],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ffc9c99eb0c25621a7a2a4909ef1ce18e.jpg",[],{"id":186845,"slug":186846,"title":186847,"dynasty":55,"author":7,"museum":172,"description":186848,"tags":186849,"thumbUrl":186850,"material":296,"size":297,"collection":11,"collections":186851,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":70},274889,"tong-xiang-yin-qi-zhen-lun-bao-yi-ming-274889","铜镶银七珍-轮宝","此件以铜银错镶为工，宝顶錾刻驮宝瑞象，背负摩尼宝，缠枝莲纹环伺周遭，瑞象温驯端凝，纹饰灵动细腻，尽显吉庆圣洁的意蕴。\n\n上下层莲座瓣棱明洁，银质莲晕沉古雅，与鎏金铜色交相辉映。束腰处镂空卷草柔婉舒展，承托莲台更显秀挺雅致。底足覆裹莲瓣，鎏金凝厚莹润，层层递进间将庄严与雅致融为一体，尽显雪域信仰美学，是清时藏传造像工艺的精巧之作。",[30,403,1154,268,346,2944,34565],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F81cc0f8d6ea5b68a279a29c6e9192057.jpg",[],{"id":186853,"slug":186854,"title":186855,"dynasty":55,"author":7,"museum":172,"description":186856,"tags":186857,"thumbUrl":186858,"material":296,"size":297,"collection":11,"collections":186859,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":70},274888,"tong-xiang-yin-qi-zhen-xiang-bao-yi-ming-274888","铜镶银七珍-象宝","此供器以莲台高擎主饰，宝象身躯敦实厚重，背负宝幢鞍鞯，周身纹饰錾刻细腻入微，尽显祥瑞威仪。外缘缠枝纹盘绕环护，鎏金与素银错色分明，勾勒出饱满华丽的视觉层次。\n\n底座镂空卷草舒展灵动，仰覆莲瓣与莲台上下呼应，下承浮雕莲纹基座，整体庄雅典重。手工錾刻的肌理尽显匠心，将宗教器物的神圣感与金属细作的精妙融合一体，静穆间流露庄重质感，尽显传统工艺的凝练巧思。",[30,403,1154,268,346,2559,177],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F0b6a6403e3778be29a4aa707404fcfca.jpg",[],{"id":186861,"slug":186862,"title":186863,"dynasty":55,"author":7,"museum":172,"description":186864,"tags":186865,"thumbUrl":186866,"material":296,"size":297,"collection":1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挺括，将清净雅致的意韵藏于形制之中。中部支架透雕缠枝卷草，回旋舒展的线条灵动流畅，把华丽工巧与典雅气韵相融无间。通体鎏金厚重匀净，色泽明丽华贵，尽显工致精湛的锻造技艺。\n\n整体造型上下呼应，层层递进，兼具供器的庄严规整与装饰的精巧灵秀，将吉祥寓意凝于细节之中，是清代金属细作的上乘之作。",[403,430,268,30,177,11266,346],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F3703341596c11dd92853b758eeef455c.jpg",[],{"id":187286,"slug":187287,"title":185989,"dynasty":55,"author":7,"museum":172,"description":187288,"tags":187289,"thumbUrl":187290,"material":296,"size":297,"collection":11,"collections":187291,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":50},274819,"tong-du-jin-ba-bao-gai-yi-ming-274819","通体鎏金匀净厚重，宝光莹莹历经岁时不减。顶部法盖威严灵动，卷舒纹饰似携梵音流转，下承仰莲座，瓣叶层叠饱满，凝住莲绽刹那的清灵。茎身缠枝卷草婉转舒展，线条如流云曳动，将神性庄严与柔美意态融于一处。底托镂空莲瓣造型空灵精巧，层层造型递次铺展，刚柔相济。\n整器工致精巧，将供器的端雅圣洁与造艺匠心相融，静穆间尽显佛前供具的虔诚意趣，是彼时造作工艺的精妙缩影。",[30,403,430,268,11266,19712,1377,346],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fbd15dc71d71aac48d5e2a8bc15c66e03.jpg",[],{"id":187293,"slug":187294,"title":185997,"dynasty":55,"author":7,"museum":172,"description":187295,"tags":187296,"thumbUrl":187297,"material":296,"size":297,"collection":11,"collections":187298,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":50},274818,"tong-du-jin-ba-bao-san-yi-ming-274818","此器鎏金莹润亮泽，宝伞作为核心饰于顶冠，錾刻精细饱满，灵动舒展的缠枝纹承托宝伞，下覆仰莲座承接主体。器身镂空卷草纹层叠流转，线条柔婉暗含力道，仿若舒展的莲枝，层层铺陈开佛国静雅意蕴。整体造型端庄不失精巧，鎏金厚重匀净，尽显卓绝做工，将藏传佛教八宝的圣洁寓意凝于寸尺之间，静穆中带着华贵雍容，是清代佛前供器的上乘之作，静静诉说着佛前供仪的庄严与精致。",[430,403,268,30,186525,406,15938,346],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F77755ff320c33d8e48f464d94aad234e.jpg",[],{"id":187300,"slug":187301,"title":186567,"dynasty":55,"author":7,"museum":172,"description":187302,"tags":187303,"thumbUrl":187304,"material":296,"size":297,"collection":11,"collections":187305,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":50},274817,"tong-du-jin-ba-bao-luo-yi-ming-274817","法螺宝顶錾刻细腻灵动，威严中带着精巧神采。下接覆莲底座，舒展的卷草纹茎干柔婉多姿，将庄重与柔美相融。通体鎏金熠熠生辉，纹饰排布层次分明，刚劲线条勾勒宗教器物的肃穆神性，柔婉卷草又添雅致风韵。\n\n整体自上而下一气呵成，沉稳镂空底座承托造型，尽显华贵庄严，将藏地礼器的神圣感与清代金属细作的匠心完美结合，是工艺与宗教美学合璧的精巧之作。",[30,1170,403,430,268,346,186570],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ff19426880749fda4b7b66ae9295191d2.jpg",[],{"id":187307,"slug":187308,"title":185981,"dynasty":55,"author":7,"museum":172,"description":187309,"tags":187310,"thumbUrl":187311,"material":296,"size":297,"collection":11,"collections":187312,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":50},274816,"tong-du-jin-ba-bao-lun-yi-ming-274816","此器鎏金饱满莹润，整作自上而下层次分明。顶部法轮纹饰规整庄重，轮辐匀衬环绕中心宝毂，周饰圆珠，下接灵动舒展的卷草飞天，将法轮稳稳承托于覆莲宝座之上。\n\n束腰茎干以镂刻缠枝卷草为饰，枝蔓虬曲回转，灵动雅致，仿佛汲取莲池生机，将莲座与底足自然衔接。底足作镂空仰莲样式，与上部覆莲呼应和谐。\n\n法轮为八宝之首，寓意佛法辗转不息、恒常绵长。整器做工精湛细腻，尽显清代佛供造像的华贵气韵，静穆间自有清净庄严的佛门意蕴。",[403,430,268,30,66499,11266,1377],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F3695cdcc31943bde60ce28dbf62ffb6d.jpg",[],{"id":187314,"slug":187315,"title":102232,"dynasty":55,"author":7,"museum":172,"description":187316,"tags":187317,"thumbUrl":187318,"material":296,"size":297,"collection":11,"collections":187319,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":50},274815,"tong-du-jin-qi-zhen-jiang-jun-bao-yi-ming-274815","此器主尊将军神武飒然，挥刀持盾，蹲踞威立，将护法降魔的勇武姿态凝练于方寸之间，衣袂战甲肌理分毫毕现，英气勃发。\n\n覆莲台承托主尊，下接缠枝卷草镂雕支架，纹饰舒展灵动，层叠回旋如盛放宝花，底托镂空莲瓣，整器自上而下浑然一体。铜镀金工艺精湛醇熟，金水莹润厚重，周身光泽华贵内敛，细节处分毫必究，既承袭藏地造像的雄浑刚健，又兼具清式造办的精工雅致，尽显宝相庄严与匠作匠心。",[403,430,268,30,1170,33,346,34565,72418],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F778fed8ede8fbdc5bcae306eb1cba1a2.jpg",[],{"id":187321,"slug":187322,"title":185941,"dynasty":55,"author":7,"museum":172,"description":187323,"tags":187324,"thumbUrl":187325,"material":296,"size":297,"collection":11,"collections":187326,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":50},274814,"tong-du-jin-qi-zhen-mo-ni-bao-yi-ming-274814","此件器物鎏金厚重莹润，宝顶以焰光簇拥千叶莲苞，仿佛正迸发澄澈光华。炉身仰莲盛放，稳稳承托顶饰，下接缠枝卷草镂空座身，柔婉卷纹舒展灵动，留白处题字添古朴雅意，刚柔相济。底足作莲瓣开光，沉稳端庄，撑起整器风骨。\n\n整体以莲为核心纹饰，呼应摩尼宝圆满清净的寓意，将法器的庄严神性与金属细作的装饰美学融于一体，尽显华贵精巧的工艺水准，宝光历经岁月依旧内敛醇厚，是宗教造像与宫廷匠心结合的绝佳典范。",[403,430,268,30,1170,1377,34566,346],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F5683bc23401abe172466c1ccadc184ca.jpg",[],{"id":187328,"slug":187329,"title":187330,"dynasty":55,"author":7,"museum":172,"description":187331,"tags":187332,"thumbUrl":187333,"material":296,"size":297,"collection":11,"collections":187334,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":50},274813,"tong-du-jin-qi-zhen-lun-bao-yi-ming-274813","铜镀金七珍-轮宝","法轮周匝圆珠环列，如星子环拱北辰，辐条舒展规整，带着清净无染的宗教威仪。下方卷草扶摇而上，灵动托举着层叠仰莲，莲瓣饱满圆润，似凝着朝露将绽未绽。\n\n器身缠枝纹虬结回转，线条柔婉又暗含劲力，浅刻铭文为这件古物镌下时光的注脚，静静诉说过往岁月。底足镂空莲台稳稳承托，通体鎏金莹润亮泽，历经年岁依旧熠熠生辉。\n\n整器将宗教的神圣肃穆与金属细作的精巧工致相融，把信仰的庄重与工艺美学精妙糅合，尽显匠心独运，是一件兼具精神价值与审美价值的上乘之作。",[403,430,268,30,406,66499],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F3bedfc7a841a719fd5109629db0aa18d.jpg",[],{"id":187336,"slug":187337,"title":185933,"dynasty":55,"author":7,"museum":172,"description":187338,"tags":187339,"thumbUrl":187340,"material":296,"size":297,"collection":11,"collections":187341,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":50},274812,"ton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祀重器的威仪，凝缩为案头雅玩，古韵盎然，是仿古铜作中颇具意趣的佳品。",[402,403,688,406,268],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ff6332f5bab99be017ceaee17d0b56638.jpg",[],{"id":187595,"slug":187596,"title":187540,"dynasty":55,"author":7,"museum":172,"description":187597,"tags":187598,"thumbUrl":187599,"material":296,"size":297,"collection":11,"collections":187600,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":70},274776,"qian-long-kuan-tong-jue-yi-ming-274776","敞口宽沿舒展雅致，双柱鼎立器身，高挑三足稳稳撑托整体，复刻商周青铜爵的经典形制。器腹纹饰层次分明，兽面纹搭配回纹边框，线条规整利落，古韵盎然。整体铜色沉敛厚重，包浆温润，既有古礼器的肃穆庄重，又带着清代造器的精细工致，将上古酒器的礼制意蕴复刻传递，尽显仿古铜作的不俗匠心，把复古雅韵融于青铜之中，是仿古铜器里颇具韵味的精巧之作。",[402,688,403,406,268],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fbeb73a96c3db15f0dce9d651fe9d8a8d.jpg",[],{"id":187602,"slug":187603,"title":187540,"dynasty":55,"author":7,"museum":172,"description":187604,"tags":187605,"thumbUrl":187606,"material":296,"size":297,"collection":11,"collections":187607,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":70},274775,"qian-long-kuan-tong-jue-yi-ming-274775","敞口宽沿舒展雅致，双柱挺拔立于流折之间，腹身浅浮雕兽面纹，线条古朴凝练，勾勒出上古礼器的狞厉庄重。三足斜撑沉稳端庄，整体包浆厚重匀净，带着历经岁月的沉穆质感。\n它摹古商周青铜爵形制，细节处还原古器威仪，将三代礼器的庙堂气度凝练于一身，虽是仿古之作，却尽显清代制铜工艺的精妙，藏着对上古青铜文化的追慕与复刻，尽显庄重典雅的古韵风姿。",[402,403,688,406,268],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fef8f22386cf9c6104d56411d20d2841c.jpg",[],{"id":187609,"slug":187610,"title":187540,"dynasty":55,"author":7,"museum":172,"description":187611,"tags":187612,"thumbUrl":187613,"material":296,"size":297,"collection":11,"collections":187614,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":70},274774,"qian-long-kuan-tong-jue-yi-ming-274774","敞口宽沿舒展，菌形立柱分置两侧，束腹下三足挺拔撑立，器型古拙端方。腹部纹饰精丽，兽面回纹勾连缠绕，线条凝练古雅，复刻商周礼器的肃穆气韵。深褐铜色沉凝温润，包浆厚重自然，虽为仿古之作，却将古爵的庄严雅致传神呈现，循着古礼器的形制精工细摹，静静承载着上古饮酒礼祭的风雅余韵，尽显仿古铜作的匠心与古韵。",[402,403,688,406,268],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F274bdecce913bead1e0db92a4db75b37.jpg",[],{"id":187616,"slug":187617,"title":187540,"dynasty":55,"author":7,"museum":172,"description":187618,"tags":187619,"thumbUrl":187620,"material":296,"size":297,"collection":11,"collections":187621,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":70},274773,"qian-long-kuan-tong-jue-yi-ming-274773","此器取商周爵制式，敞口两翼微微上扬，双菌柱挺拔而立，三棱足沉稳托举器身，尽显礼器端方气度。腹部回纹为地，浅浮雕兽面纹古朴狞厉，复刻上古青铜的肃穆威严。铜色沉敛温润，包浆自然醇厚，带着金石古意。它以摹古为趣，追慕三代礼器的庄重神韵，将上古祭祀重器的威仪凝缩其中，静穆间尽显复古雅韵，带着沉静的金石气息。",[402,403,688,406,268,346],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F746ccac087bf04f8f3bb84230bef3497.jpg",[],{"id":187623,"slug":187624,"title":187540,"dynasty":55,"author":7,"museum":172,"description":187625,"tags":187626,"thumbUrl":187627,"material":296,"size":297,"collection":11,"collections":187628,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":70},274772,"qian-long-kuan-tong-jue-yi-ming-274772","此爵取商周青铜爵古制而成，宽流撇尾，双柱挺拔立于口沿，高挑三足撑承器身，器型舒展稳重。腹部浅刻兽面回纹，线条规整古拙，复刻三代青铜礼器的肃穆威仪。器物通体覆暗沉古铜色，包浆厚润斑驳，摹尽古物沧桑质感，将复古雅趣与工致匠艺相融，尽显沉静古雅的金石意趣。",[402,688,406,403,268],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F54274c3fa6917ad081ce59906cea23b2.jpg",[],{"id":187630,"slug":187631,"title":187540,"dynasty":55,"author":7,"museum":172,"description":187632,"tags":187633,"thumbUrl":187634,"material":296,"size":297,"collection":11,"collections":187635,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":70},274771,"qian-long-kuan-tong-jue-yi-ming-274771","敞口宽沿微微上扬，双柱亭亭立于流折之上，三锥足沉稳撑托起器身，造型恪守上古青铜爵的典雅庄重。腹部以回纹铺底，兽面纹饰线条凝练古朴，古韵盎然。通体包浆厚重温润，晕染着时光沉淀的沉郁色泽，虽为摹古之作，却精准还原商周礼器的肃穆气质，褪去古器的狞厉，更添清赏文玩的静穆雅致。将复古风尚融于铜铸匠心，静静伫立间流转着跨越千年的青铜意韵，尽显对上古礼制器物的追慕与诠释。",[402,403,688,346,268],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fb7928beb7a68d621c73ddd6225bf3551.jpg",[],{"id":187637,"slug":187638,"title":187540,"dynasty":55,"author":7,"museum":172,"description":187639,"tags":187640,"thumbUrl":187641,"material":296,"size":297,"collection":11,"collections":187642,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":70},274770,"qian-long-kuan-tong-jue-yi-ming-274770","敞口宽流，双柱高挑出沿，三足沉稳撑托器身，形制复刻三代爵杯古意。腹部饰仿古兽面纹，线条褪去商周古器的狞厉雄奇，自带着端正雅致的复刻质感。铜色苍润沉凝，包浆厚实质朴，尽显追慕青铜礼器风尚的审美意趣。它以精细摹古的匠心，还原三代礼器的庄严规整，带着造作的内敛精细，将古礼器的古韵风骨复刻再造，是复古摹古工艺的典型之作。",[402,403,688,268],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F0478cd81436c625777b62497503367e8.jpg",[],{"id":187644,"slug":187645,"title":187540,"dynasty":55,"author":7,"museum":172,"description":187646,"tags":187647,"thumbUrl":187648,"material":296,"size":297,"collection":11,"collections":187649,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":70},274769,"qian-long-kuan-tong-jue-yi-ming-274769","此器敞口宽流，双柱高挑而立，腹身浅刻兽面纹饰，线条古拙凝练，带着上古礼器的肃穆气韵。三足撑立沉稳庄重，周身包浆温润沉郁，铜色暗哑古雅。\n\n以古爵为范复刻而成，既保留了青铜礼器的庄重形制，又融入清代制器的规整工致，静穆端庄间尽显复古雅趣，将铜器特有的厚重沉静之美展现得淋漓尽致。",[402,403,688,406,268],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ff4daf7ad4bde41fb2be5a6086c0c3612.jpg",[],{"id":187651,"slug":187652,"title":187540,"dynasty":55,"author":7,"museum":172,"description":187653,"tags":187654,"thumbUrl":187655,"material":296,"size":297,"collection":11,"collect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的陈墨香气里，藏着旧时杏林的脉脉温情，把代代相传的行医经验，酿成了带着人文温度的藏品，静静诉说着老时光里的治愈日常。",[4486,192005,146870,124,3054,11797],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fd5b08ac803cff6545aa733b5a1224438.jpg",[],{"id":192049,"slug":192050,"title":192051,"dynasty":55,"author":7,"museum":172,"description":192052,"tags":192053,"thumbUrl":192054,"material":296,"size":297,"collection":11,"collections":192055,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":70},273993,"bu-yi-men-yao-fang-yi-ming-273993","“补益门”药方","这方旧纸裹挟着岁月的昏黄暖意，左侧册页墨字朴拙厚重，笔端带着旧时代的沉静力道，将养生的细致思量藏于纸间。右侧素笺小楷工整妥帖，一味味药材排布有序，笔墨间晕开杏林之人的严谨心意。\n\n泛黄纸页晕开时光的痕迹，每一笔字迹、每一味配伍，都是传统本草养生智慧的缩影，将旧时医者的经验与对颐养身心的思索，封存在这旧纸当中，静静晕开传统养生文化的脉脉底蕴。",[4486,124,3054,192005,1222],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F298f54c7528a0da5b04ace15140f3cd0.jpg",[],{"id":192057,"slug":192058,"title":192059,"dynasty":55,"author":7,"museum":172,"description":192060,"tags":192061,"thumbUrl":192062,"material":296,"size":297,"collection":11,"collections":192063,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":70},273992,"xie-li-men-yao-fang-yi-ming-273992","“泻痢门”药方","封皮楷书朴拙厚重，墨色苍劲沉稳，带着旧时光的沉郁质感。内里药方小字娟秀工整，笔端带着医家的细致郑重。泛黄纸页晕开细碎墨痕，褶皱间藏着被反复翻阅的温度。\n\n它是杏林传承的微缩载体，将旧时疗愈疾患的心血凝于尺幅之间。纸面斑驳是岁月摩挲的痕迹，静静诉说着曾被珍视翻阅的过往，藏着古人济世疗疾的温热智慧，带着旧世杏林的脉脉余温，是传统中医烟火气与传承心的具象留存。",[4486,124,3054,192005,530,3019],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fdeaa24ffea24fd7212123e7b65eb0045.jpg",[],{"id":192065,"slug":192066,"title":192067,"dynasty":55,"author":7,"museum":172,"description":192068,"tags":192069,"thumbUrl":192071,"material":296,"size":297,"collection":11,"collections":192072,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":70},273991,"yan-ke-men-yao-fang-yi-ming-273991","“眼科门”药方","泛黄麻纸裹挟着旧时光晕，封皮题字朴拙苍劲，带着老中医提笔时的沉静力道。内页工整小楷清晰罗列眼目诸方，墨迹虽历经年岁依旧匀净明了。\n\n十九样眼科药方藏着旧时民间医技的细致巧思，纸面折痕与藏品编号，默默诉说它曾被反复翻阅、妥帖收存的过往。它跳脱开精致雅玩的范畴，带着实打实的实用温度，是传统中医眼科诊疗智慧的具象缩影，将晚清民间行医的日常封存在这尺幅纸页之中。",[4486,124,3054,192005,192070,109,82,24157],"中医药","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fcace45b47bbc81f2b01aeed56ba05067.jpg",[],{"id":192074,"slug":192075,"title":192076,"dynasty":55,"author":7,"museum":172,"description":192077,"tags":192078,"thumbUrl":192079,"material":296,"size":297,"collection":11,"collections":192080,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":70},273990,"pi-wei-men-yao-fang-yi-ming-273990","“脾胃门”药方","泛黄封皮上的榜书大字朴拙沉凝，笔力苍劲沉稳，侧边小字内敛克制，晕染着旧时光的温凉。内页小楷工整流丽，一行行药方排布齐整，淡褪的墨迹仍清晰留存着手泽余温。\n\n它无山水花鸟的雅致，却藏着旧时医者的仁心。纸面褶皱里浸着岁月痕迹，每味药材的配比，都是古人疗愈脾胃的经验凝练，将中式康养的日常智慧，封存在这一方旧纸之中，静静诉说着往昔杏林传承的脉脉温情。",[192005,4486,3054,124,1222,109],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fb87fd90b605e32acdd35c93a31552ee2.jpg",[],{"id":192082,"slug":192083,"title":192084,"dynasty":55,"author":7,"museum":172,"description":192085,"tags":192086,"thumbUrl":192088,"material":296,"size":297,"collection":11,"collections":192089,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":70},273989,"shang-han-men-yao-fang-yi-ming-273989","“伤寒门”药方","泛黄纸页带着岁月浸淫的旧色，题字朴拙苍劲，带着手写的随性温度，全无刻板匠气。内页工整抄录的药方，藏着民间杏林的鲜活脉络。纸页边缘摩挲出的毛边，是反复翻阅的痕迹，凝着旧时医者反复参照的日常。\n\n它没有雕版印刷的规整，却带着市井行医的烟火气，将中医药的传承藏在笔墨之间，是民间杏林仁心的具象遗存，静静诉说着旧时医家抄录药方、守护一方的过往。",[4486,124,3054,192005,1222,24157,192087],"纸张","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F95a80b55c30bb8101a05eee750d1547f.jpg",[],{"id":192091,"slug":192092,"title":192093,"dynasty":55,"author":7,"museum":172,"description":192094,"tags":192095,"thumbUrl":192096,"material":296,"size":297,"collection":11,"collections":192097,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":70},273988,"tan-sou-men-yao-fang-yi-ming-273988","“痰嗽门“药方","纸面晕开岁月的黄痕，墨笔手书朴拙苍劲，旧册页与药方笺带着旧时光的温润质感。\n这里收录二十七样痰嗽丸方，每一味药材配伍都详实工整，全无浮华雕饰，尽是杏林医者实打实的疗病心得。\n没有精致装帧，满是实用的烟火气，将旧时民间行医的细致与仁心藏于泛黄纸间，是中医药文化传承的鲜活注脚，静静诉说着古人的养生智慧，让百年前的疗病暖意，仍能透过纸面传递至今。",[4486,124,3054,3019,192005,1222],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F71bd79360285a1d1b1809d5cda909748.jpg",[],{"id":192099,"slug":192100,"title":192101,"dynasty":55,"author":7,"museum":172,"description":192102,"tags":192103,"thumbUrl":192104,"material":296,"size":297,"collection":11,"collections":192105,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":70},273986,"shang-shou-ren-shen-yu-shu-zhang-yi-ming-273986","《上收人参于术账》","封面暗刻缠云纹自带沉静古雅，端正的馆阁体墨字题款朴拙厚重。没有华丽的装帧与纹饰，这册账页带着独有的市井烟火气，以最平实的方式记录着药材收兑的日常。\n\n纸面泛黄发脆的边角、晕开的墨痕，都是岁月摩挲留下的痕迹，藏着晚清民间药行流转的鲜活细节，是商贸业态的微观注脚。它褪去了文玩藏品的刻意雕琢，以直白真切的日常留存，成为触摸旧时市井营生的鲜活载体，带着朴素又温热的历史质感。",[4486,3054,103336,124],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F22e63797de41206d44848bf1f9e68db5.jpg",[],{"id":192107,"slug":192108,"title":192109,"dynasty":55,"author":7,"museum":172,"description":192110,"tags":192111,"thumbUrl":192113,"material":296,"size":297,"collection":11,"collections":192114,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":70},273985,"shang-yong-shang-yao-yao-wei-deng-xiang-di-bu-yi-ming-273985","《上用上要药味等项底簿》","纸面晕开旧时光的黄晕，暗纹隐在纸间沉静雅致。板框内题字端稳工整，右侧手书的光绪纪年墨迹依旧清晰，标注着这部底簿数载过往。\n\n它是旧时药料采办调配的详实底账，刊刻的规整与手书的随性相映成趣，既有官档的严整，又藏着日常署务的温热细节。纸面的斑驳痕迹皆是岁月摩挲的印记，静静承载着清代药业运作的细碎脉络，是窥见彼时医署日常、药务流转的珍贵遗存。",[4486,2751,3054,124,24157,192112],"底簿","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F01ad0b0770480392c75b1f45dc7e406f.jpg",[],{"id":192116,"slug":192117,"title":192118,"dynasty":55,"author":7,"museum":172,"description":192119,"tags":192120,"thumbUrl":192122,"material":296,"size":297,"collection":11,"collections":192123,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":70},273984,"shang-chuan-jiao-cun-wai-shang-di-bu-yi-ming-273984","《上传交存外赏底簿》","米黄色装帧素雅沉静，签条墨字端方内敛，朱红藏印晕开一抹亮色。内页小楷清隽工整，笔意匀净秀挺，诸般名目罗列齐整，墨色历经岁月经年仍清晰饱满。泛黄笺纸晕开时光痕迹，带着旧物独有的温润质感。\n\n它并非精工雅制的藏品，却带着旧文书独有的规整严谨，藏着往昔的日常脉络。细碎名目背后是旧时的烟火日常，朴素纸面承载着岁月沉淀的厚重温度，静静诉说着过往的细碎旧事，将平淡往昔凝练成可触摸的时光标本，带着沉静的烟火气，成为回望旧时日常的珍贵载体。",[4486,124,3054,192121,24157,24155],"中医药方","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F2455be6ef6141f5921c37d62879401be.jpg",[],{"id":192125,"slug":192126,"title":192127,"dynasty":55,"author":7,"museum":172,"description":192128,"tags":192129,"thumbUrl":192131,"material":296,"size":297,"collection":11,"collections":192132,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":70},273983,"ge-zhong-gao-yao-di-zhang-yi-ming-273983","《各种膏药底账》","这是一册带着旧时光温度的线装底账，版式朴拙雅致。朱丝界栏里，墨笔书就的字迹工整端方，左侧题签醒目利落，右侧则是开立时日与琳琅满目的膏方药目。\n\n泛黄纸页间藏着晚清民间医药的鲜活脉络，一行行手录的膏方名目，皆是旧时药人传习的医药智慧。素净装帧承载着药行日常，纸面晕开的岁月痕迹，都是往昔市井药铺的烟火注脚，静静诉说着百年前的行医往事。",[4486,3054,124,192070,24156,192130],"线装书","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F78abb336fb6e806928d24837a39c1a0e.jpg",[],{"id":192134,"slug":192135,"title":192136,"dynasty":55,"author":7,"museum":172,"description":192137,"tags":192138,"thumbUrl":192140,"material":296,"size":297,"collection":11,"collections":192141,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":70},273982,"zao-bing-lang-deng-yao-di-bu-yi-ming-273982","《枣槟榔等药底簿》","这是一方浸着旧时光的线装簿册，米黄封皮带着岁月晕开的柔和色泽，竖排墨字端稳舒展，笔墨沉静质朴，无多余修饰，尽是中式古籍的清雅风骨。\n\n纸面浅淡的泛黄痕迹，是时光摩挲而过的印记。封侧小字藏着旧时药铺的日常脉络，没有繁复纹饰，却以极简装帧承载着传统行医的细致日常，将烟火气的行医过往封存在纸页之间，静静诉说着旧日抓药记账的平凡日常，是平淡却珍贵的传统行业缩影，藏着独属于旧时代的沉静暖意。",[4486,24155,3054,192139],"医药文献","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fb20a1fbd75635bbd3a57362cc1d14d8b.jpg",[],{"id":192143,"slug":192144,"title":192145,"dynasty":55,"author":7,"museum":172,"description":192146,"tags":192147,"thumbUrl":192148,"material":296,"size":297,"collection":11,"collections":192149,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":70},273981,"liu-shui-chu-zhang-yi-ming-273981","《流水出账》","绫面云纹温婉雅致，竖排墨书端厚朴拙，笔力沉凝稳正，带着旧时手作的质朴温度。泛黄纸页晕开岁月痕迹，规整题字暗藏商号日常的细碎脉络，把市井生计的日常凝于纸面。\n\n没有繁复雕饰，只以素净装帧承载烟火账本，将商号流水的收支点滴妥帖安放，是藏于古籍里的市井注脚，静静诉说着旧时的经营日常，朴素沉静间晕开旧时光的厚重质感。",[4486,24155,3054,124,24156],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F4ebc371d5822e01938c016970c5e270e.jpg",[],{"id":192151,"slug":192152,"title":192153,"dynasty":55,"author":7,"museum":172,"description":192154,"tags":192155,"thumbUrl":192156,"material":296,"size":297,"collection":11,"collections":192157,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":70},273980,"chuan-yao-di-zhang-yi-ming-273980","《传药底账》","封面以祥云游龙暗纹为底，自带沉静古雅的底色。两处竖排墨字一敛一舒，左侧牌框里的题字方正端凝，尽显账册的规整肃穆，右侧题字笔墨清劲舒展，带着晚清文人的书卷意。角落朱红藏书印小巧醒目，为素雅封面添上一抹鲜活暖意，勾勒出旧藏典籍的流转痕迹。整体装帧简约克制，将实用医账文书融于传统线装形制中，内敛又庄重，静静沉淀着旧时医馆的日常脉络，把寻常文牍晕染出雅致的书卷质感。",[4486,3054,124,103336,270],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fcb58e537f0e50abe952e332b0ebe7223.jpg",[],{"id":192159,"slug":192160,"title":192161,"dynasty":55,"author":7,"museum":172,"description":192162,"tags":192163,"thumbUrl":192165,"material":296,"size":297,"collection":11,"collections":192166,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":70},273978,"shang-jiao-wan-san-yao-wei-di-bu-yi-ming-273978","《上交丸散药味底簿》","整体装帧素雅古旧，左侧竖排题签笔墨端凝方正，右侧朱栏小楷秀雅工整，一笔一划沉静内敛，工整开列诸方名号。米黄宣纸晕开岁月沉淀的色泽，墨色沉润明洁，极简版式无多余修饰，承载着传统中医药的传承脉络。\n\n它以实用本草之姿，融着文人笔墨的温雅，每一个药名背后都是往昔医家的经验积淀，质朴无华却意蕴厚重，带着旧时光的温润质感，静静诉说着中医药文化的绵长底蕴。",[4486,124,3054,192121,192164],"簿册","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fd9522a00c3cd56d4714305aa5c86bc08.jpg",[],{"id":192168,"slug":192169,"title":192170,"dynasty":55,"author":7,"museum":172,"description":192171,"tags":192172,"thumbUrl":192173,"material":296,"size":297,"collection":11,"collections":192174,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":70},273977,"shang-jiao-yao-wei-deng-xiang-di-bu-yi-ming-273977","《上交药味等项底簿》","封面以浅素米纸为底，左侧竖书墨字朴拙方正，右侧明黄签条以朱笔分题药名，隽秀小楷工整流丽。整体装帧素雅沉静，带着旧物特有的温润质感。\n\n它跳脱刻板文书的冰冷，以手录温度承载旧时药事脉络，纸面晕开的浅淡痕迹，晕染出民间药铺的日常烟火。工整字迹藏着手录者的细致谨严，将药味名录化作旧时光里的鲜活遗存，静静铺陈着往日药事的细致章法。",[4486,3054,124,192139],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fe2b89e632ebc5285d9a862320bbb0755.jpg",[],{"id":192176,"slug":192177,"title":192178,"dynasty":55,"author":7,"museum":172,"description":192179,"tags":192180,"thumbUrl":192181,"material":296,"size":297,"collection":11,"collections":192182,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":70},273974,"zong-guan-yong-yao-bu-yi-ming-273974","《总管用药簿》","靛蓝布面沉静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小物，也是民间手作的精巧缩影，将日常童趣与匠人细心揉为一体，静静晕开旧时光里的质朴暖意。",[1251,268,9637,272,27580],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F66cb0c51b368c0961e3546870ab072c0.jpg",[],{"id":195414,"slug":195415,"title":195416,"dynasty":55,"author":7,"museum":172,"description":195417,"tags":195418,"thumbUrl":195422,"material":296,"size":297,"collection":11,"collections":195423,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":50},273364,"huang-pao-dai-qu-qu-zhao-wu-chou-ni-ren-yi-ming-273364","黄袍戴蛐蛐罩武丑泥人","这尊泥塑虽历经岁月，釉色有所剥蚀，却依旧鲜活灵动。明黄袍身点染粉红花枝，绿饰对比鲜明，色彩古艳动人。匠人手底功夫老道，将武丑机灵敏捷的戏韵捏塑入微，虬髯横生，眉眼带俏，神色诙谐鲜活。蛐蛐罩头饰暗藏市井雅趣，把玩家闲情与戏曲造型融于一体，满是民间巧思。\n\n朴拙的泥胎里藏着旧时光的暖意，将戏文里鲜活的武丑定格，既是世俗雅好与戏曲文化的精巧融合，也带着晚清民间造物独有的烟火情味。",[48689,9318,268,1169,31425,195419,195420,195421],"武丑","黄袍","蛐蛐","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F9e2cb346a380b625cb655e4a9c92c2e7.jpg",[],{"id":195425,"slug":195426,"title":195427,"dynasty":55,"author":7,"museum":172,"description":195428,"tags":195429,"thumbUrl":195433,"material":296,"size":297,"collection":11,"collections":195434,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":277},273363,"lv-zhe-zi-dai-qiao-liang-jin-hua-lian-ni-ren-yi-ming-273363","绿褶子戴桥梁巾花脸泥人","这尊泥人将戏曲净行的刚烈气魄凝于方寸。红底勾黑的花脸怒目圆睁，额间纹饰凌厉，把角色的威猛神态刻画得活灵活现，自带戏台之上的凛凛威风。\n\n一身绿釉褶子以粉花黑叶点缀，柔润釉色配鲜活纹饰，雅致又透着民间审美里的鲜活意趣。人物宽袖微抬，身姿挺拔，举手投足间复刻出戏曲行当的经典做派。\n\n它带着民间泥塑的质朴灵气，以指尖巧思定格戏台瞬间，把俗世戏台的热闹揉进泥土，藏着手艺人的滚烫匠心，静静晕开戏韵悠长的余味。",[48689,3858,31425,195430,1169,195431,195432,115315],"花脸","绿褶子","桥梁巾","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F76147bcb92d7ff41fe5a2731085e4c38.jpg",[],{"id":195436,"slug":195437,"title":195438,"dynasty":55,"author":7,"museum":172,"description":195439,"tags":195440,"thumbUrl":195442,"material":296,"size":297,"collection":11,"collections":195443,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":277},273362,"zhi-shuang-chui-hua-lian-ni-ren-yi-ming-273362","执双锤花脸泥人","这尊泥塑武人，花脸以黑白利落勾纹，狞厉眉眼煞气尽显，头顶朱缨更添赳赳威风。皂色袍身晕着青竹云纹，雅致绣色中和了凶戾，黄绦束腰衬出身姿挺拔，双锤鎏金沉坠，将武将悍勇膂力凝于掌中。\n\n妆彩虽有岁月斑驳，却掩不住往昔精工。手艺人将戏台武生的刚猛气魄，凝在寸尺泥胎之上，把戏曲里的鲜活神采定格成可触的具象，藏着旧时光里手艺人对戏文的细腻体悟，尽显民间泥塑戏文造像的精妙意趣。",[48689,268,31425,195430,195441,33,32],"双锤","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F12ddcc75ed73e3c8cb335377a182902f.jpg",[],{"id":195445,"slug":195446,"title":195447,"dynasty":55,"author":7,"museum":172,"description":12334,"tags":195448,"thumbUrl":195450,"material":296,"size":297,"collection":11,"collections":195451,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":277},273356,"sa-jin-qi-wen-ju-he-yi-ming-273356","洒金漆文具-盒",[3561,2195,48874,920,195449,431],"洒金","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F1d43492be8294b14730a316600ea06b6.jpg",[],{"id":195453,"slug":195454,"title":195455,"dynasty":55,"author":7,"museum":172,"description":195456,"tags":195457,"thumbUrl":195458,"material":296,"size":297,"collection":11,"collections":195459,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":70},273353,"tong-du-jin-xiang-tong-yi-ming-273353","铜镀金香筒","整体取亭塔式制，顶盖飞檐翘角，古韵悠然。筒身透雕满饰，苍龙矫健穿梭于缠枝花卉间，龙姿辗转腾挪，须发张扬灵动，缠枝柔婉舒展，刚柔相济。鎏金包浆温润内敛，褪去了初时的亮烈，晕开岁月沉淀的柔泽。\n镂空形制巧思尽显，既成全了视觉上的繁复层次，又让香烟穿镂而出，袅袅弥散，将陈设装饰与焚香雅用合二为一。瑞兽与繁花相生相融，把威严祥瑞融入日常雅事里，尽显传统工艺的极致匠心，藏着旧时厅堂的雅致余韵。",[403,430,268,7656,59,129137,346,2195],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F08a75d3dd38bb9ebb39a43cb97162631.jpg",[],{"id":195461,"slug":195462,"title":195455,"dynasty":55,"author":7,"museum":172,"description":195463,"tags":195464,"thumbUrl":195465,"material":296,"size":297,"collection":11,"collections":195466,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":70},273352,"tong-du-jin-xiang-tong-yi-ming-273352","仿亭阁为形，宝顶飞檐自带古雅气韵。筒身透雕缠枝卷草，金苍龙蜿蜒穿游于繁枝之间，身姿灵动矫健，生气盎然。通体镀金莹亮华贵，嵌饰珠宝于卷草纹路里提亮点缀，分毫之处尽显匠心巧思。\n\n这件香器融极致五金工艺于礼佛香具，尽显华贵雅致的宫廷审美。熏香之际，青烟自镂孔徐徐漫出，朦胧间衬得器物更显古韵悠然，是清代金属细作的上乘佳器。",[346,403,430,268,59,73889],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F79092640eaed92ac81b3fa0b3a37f8e7.jpg",[],{"id":195468,"slug":195469,"title":195470,"dynasty":55,"author":7,"museum":172,"description":195471,"tags":195472,"thumbUrl":195473,"material":296,"size":297,"collection":11,"collections":195474,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":50},273351,"tong-du-jin-song-peng-guo-zhao-yi-ming-273351","铜镀金松篷果罩","此器六角攒尖顶覆翠色仿松枝，鎏金宝顶冠于其上，华贵雅致。支架以镂空虬龙盘构而成，龙身錾刻精细入微，须发鳞爪灵动张扬，苍劲瑞气扑面而来。\n\n围栏与额枋填饰烧蓝珐琅，宝蓝与鎏金相映，明丽沉稳，缠枝纹饰婉转灵动。朱红底座承托器身，冷暖色彩碰撞鲜明，更衬器物华美。通体鎏金厚重灿烂，珐琅釉色匀净莹润，重工细作尽显匠心，是凝练极致工艺水准的陈设佳器。",[403,430,5146,268,531,59,1524,877],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F3a74f7af8592651b887cf6606dc38195.jpg",[],{"id":195476,"slug":195477,"title":195478,"dynasty":55,"author":7,"museum":172,"description":22132,"tags":195479,"thumbUrl":195480,"material":296,"size":297,"collection":11,"collections":195481,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":70},273350,"tong-tai-qian-shi-shou-shi-xun-lu-yi-ming-273350","铜胎嵌石兽式熏炉",[272,403,430,268,32053,346],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fa454dc395ecdd6d29e1196048b36f0e7.jpg",[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nCount":49,"manualWeight":49,"mainColor":277},272479,"duan-shi-gua-tian-yan-yi-ming-272479","端石瓜田砚",[3020,346,268,1251,267,124,3054,404,67332],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F956671f51f614504ecd2cebebe43172e.jpg",[],{"id":199647,"slug":199648,"title":199649,"dynasty":241,"author":7,"museum":172,"description":199650,"tags":199651,"thumbUrl":199652,"material":296,"size":297,"collection":11,"collections":199653,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":50},272477,"dai-mao-guan-zi-hao-bi-yi-ming-272477","玳瑁管紫毫笔","笔管取玳瑁天然肌理，深浅褐黄交织晕染，似烟霞入墨，自带华贵古雅的质感。紫毫笔头锋颖修挺，是遴选上品兔毫所制，锋健劲挺，适配小楷抄录与精微点染。\n\n整器形制修长端雅，套管严丝合缝，可见旧时制笔工艺的考究用心。它既是文房实用佳器，亦是可赏可藏的工艺珍玩，凝缩着古时文人案头的清隽意趣，将天然材质之美与匠造工巧相融，静静晕开文房雅物的隽永风骨。",[3017,9044,2645,73610],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F182ee58c06035305fbdcc32ae0f12c4c.jpg",[],{"id":199655,"slug":199656,"title":199657,"dynasty":55,"author":7,"museum":172,"description":12334,"tags":199658,"thumbUrl":199659,"material":296,"size":297,"collection":11,"collections":199660,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":50},272476,"qia-si-fa-lang-kui-long-wen-nuan-yan-he-yi-ming-272476","掐丝珐琅夔龙纹暖砚盒",[5146,3020,59,18077],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F6d68a168936bfe58a5715b65abf3c2d5.jpg",[],{"id":199662,"slug":199663,"title":199664,"dynasty":241,"author":7,"museum":172,"description":199665,"tags":199666,"thumbUrl":199667,"material":296,"size":297,"collection":11,"collections":199668,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":50},272475,"wan-li-kuan-hei-qi-miao-jin-shuang-long-wen-guan-bi-yi-ming-272475","万历款黑漆描金双龙纹管笔","此笔以乌亮黑漆为地，描金饰纹尽显华贵。双龙矫健身姿穿缠于祥云间，鳞爪纤毫毕现，辗转腾挪间灵动威严，辅以缠枝花卉点缀，金彩熠熠与墨色浓黑相映，愈发雍容雅致。\n\n髹漆与描金工艺相融无间，漆面匀净莹润，金纹历经岁月依旧鲜亮，尽显制器匠心。笔身制式规整挺拔，带着庄重典雅的宫廷气韵，将文房雅器的精致工艺与皇家威仪完美相合，是髹漆制笔的上乘之作。",[3017,3561,2197,59],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F581340fbdff75ef36e3030645fb477f1.jpg",[],{"id":199670,"slug":199671,"title":57886,"dynasty":241,"author":7,"museum":172,"description":199672,"tags":199673,"thumbUrl":199674,"material":296,"size":297,"collection":11,"collections":199675,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":50},272474,"wan-li-kuan-hei-qi-miao-jin-long-feng-wen-guan-bi-yi-ming-272474","此笔以乌亮髹漆为底，描金纹饰跃然其上。龙姿矫健张扬，凤影柔婉翩跹，二者穿行于缠枝花卉之间，线条细劲流畅，熠熠金彩与沉穆黑漆相映，华贵雅致尽显。\n\n笔身纹饰排布疏密有致，填金饱满匀净，尽显髹饰工艺的精湛造诣。兼毫笔锋刚柔相济，蓄墨吐纳自如，将文房雅趣与宫廷奢丽审美相融，是制笔工艺与漆艺结合的上乘之作，陈设与实用两相皆宜。",[3017,3561,2197,59,564],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fc0a29516df521e9bfb8acd79f919ebc8.jpg",[],{"id":199677,"slug":199678,"title":57886,"dynasty":241,"author":7,"museum":172,"description":199679,"tags":199680,"thumbUrl":199681,"material":296,"size":297,"collection":11,"collections":199682,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":739},272472,"wan-li-kuan-hei-qi-miao-jin-long-feng-wen-guan-bi-yi-ming-272472","此笔以乌亮黑漆为底，描金勾勒纹饰，金线在深沉底色上焕然生辉。灵动龙凤缠枝花间穿行，线条流转婉转，细节刻画入微，将瑞兽灵姿与盛放花容描摹得鲜活雅致。\n\n整器纹饰排布疏密得当，自上而下一气呵成，将髹漆描金工艺的精巧尽显无疑。它既是伴书研墨的文房实用之器，也承载着旧时精湛的工艺审美，雅致之中暗蕴华贵气韵，静静诉说着文房的风雅意趣，尽显匠人匠心独运的髹饰造诣。",[3017,3561,2197,59,564],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F9638af19a31e3ab1954d2ace078945e8.jpg",[],{"id":199684,"slug":199685,"title":104766,"dynasty":241,"author":7,"museum":172,"description":199686,"tags":199687,"thumbUrl":199688,"material":296,"size":297,"collection":11,"collections":199689,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":70},272471,"wan-li-kuan-cai-qi-shuang-long-wen-guan-bi-yi-ming-272471","此笔以髹漆为骨，乌亮漆地之上，朱红描金勾勒龙凤穿云，线条灵动舒展，龙凤身姿矫健遒劲，祥云缠萦左右，尽显华贵威仪。填彩技法精妙考究，色漆饱满鲜亮，经岁月洗练仍明艳如初，笔身金属饰件包浆温润，与漆色相映成趣，勾勒出器物的精致细节。\n\n整体形制修长隽秀，将文房雅器的静雅风骨，与皇家纹饰的雍容气度相融，是漆艺制笔的精妙之作，藏着古人工匠的匠心巧思，尽显彼时文玩工艺的巅峰水准。",[3017,3561,59,52375,9044],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F90bce6002d28b23f88e779d72dc0741a.jpg",[],{"id":199691,"slug":199692,"title":199664,"dynasty":241,"author":7,"museum":172,"description":199693,"tags":199694,"thumbUrl":199695,"material":296,"size":297,"collection":11,"collections":199696,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":50},272469,"wan-li-kuan-hei-qi-miao-jin-shuang-long-wen-guan-bi-yi-ming-272469","此笔以黑漆为底，描金饰纹，华贵雅致。双龙矫健遒劲，于云涛间辗转腾挪，鬃须张扬、爪锋锐利，尽显威严大气。云纹舒卷灵动，衬得龙姿更见雄浑磅礴。笔管尾端题字端正隽秀，与恣肆龙纹相映成趣，平衡画面气韵。\n\n兼毫笔尖齐整紧实，可见制笔工艺精湛独到。髹漆与制笔技艺相融，既为文房实用佳器，亦是匠心独具的装饰珍品，暗合明代尚雅重礼的文玩之风，尽显宫廷造物的考究工致，静静诉说着旧时文房的风雅意趣。",[3017,3561,2197,270,9044],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fefa29a6909900f4f8593526b9d8a9750.jpg",[],{"id":199698,"slug":199699,"title":199664,"dynasty":241,"author":7,"museum":172,"description":199700,"tags":199701,"thumbUrl":199702,"material":296,"size":297,"collection":11,"collections":199703,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":50},272468,"wan-li-kuan-hei-qi-miao-jin-shuang-long-wen-guan-bi-yi-ming-272468","以素净黑漆为底，描金饰绘双龙遨游云海，龙身矫健遒劲，鳞片纹理分毫毕现，祥云迤逦环绕于江崖海涛间，威仪尽显。管身填金款识规整隽秀，细节处处尽显匠心。兼毫笔锋挺拔利落，兼具实用与赏玩价值。金漆交相辉映，华贵雅致扑面而来，将漆艺与制笔工艺精妙融合，尽显明代工匠顶尖造诣，凝缩着旧时文房雅器的极致审美意趣。",[3017,3561,2197,59,29489],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fbb8001121b526fa5bbc2a8543c16798a.jpg",[],{"id":199705,"slug":199706,"title":73409,"dynasty":241,"author":7,"museum":172,"description":199707,"tags":199708,"thumbUrl":199709,"material":296,"size":297,"collection":11,"collections":199710,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":70},272465,"wan-li-kuan-cai-qi-long-feng-wen-guan-bi-yi-ming-272465","以漆黑为底，描金间填朱彩雕琢龙凤纹样。龙凤身姿舒展灵动，祥云与缠枝花卉错落铺陈，纹饰繁而不乱，华贵雅致。笔管尾端描金题款秀挺工整，为器物更添文雅意趣。紫毫笔头锋颖锐利饱满，将文房实用功能与装饰工艺融于一体，尽显明代髹漆工艺的精湛造诣，是文房雅器中的上乘之作。",[3017,3561,59,564,52375,9044],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F3d6517350d02e08175993404be532b35.jpg",[],{"id":199712,"slug":199713,"title":104766,"dynasty":241,"author":7,"museum":172,"description":199714,"tags":199715,"thumbUrl":199716,"material":296,"size":297,"collection":11,"collections":199717,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":70},272464,"wan-li-kuan-cai-qi-shuang-long-wen-guan-bi-yi-ming-272464","笔身以黑漆为底，金、朱彩漆填绘双龙。龙躯矫健遒劲，鳞爪凌厉鲜活，火珠与云纹环绕其间，烘托出威严灵动之势。彩漆描金线条精细入微，漆色莹润亮泽，尽显漆作工艺的精湛考究。修长笔管搭配沉厚包浆的铜饰，黑漆与金朱相互映衬，华贵雅致兼具。将文房雅器的清隽意趣与宫廷造办的精工质感相融，暗合当时崇文重艺之风，静静承载着旧时工巧匠心，是漆制文房中的上乘之作。",[3017,3561,270,52375],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fc44779963b33c515e93146c29ce518d8.jpg",[],{"id":199719,"slug":199720,"title":73409,"dynasty":241,"author":7,"museum":172,"description":199721,"tags":199722,"thumbUrl":199723,"material":296,"size":297,"collection":11,"collections":199724,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":70},272463,"wan-li-kuan-cai-qi-long-feng-wen-guan-bi-yi-ming-272463","此笔以黑漆为地，金红彩漆填饰龙凤纹。龙姿矫健蜿蜒，凤羽舒展灵动，祥云缭绕其间，纹饰层次分明、鲜亮夺目，铜饰镶边更添华贵质感。\n它将文房制笔与髹漆工艺精妙相融，漆色莹润沉稳，构图疏密相宜，既带着宫廷器物的规整大气，又兼具文房雅器的清隽意趣，把实用属性与装饰美学完美结合，尽显高超工艺水准，藏着古人赏用一体的文房审美哲思。",[3017,3561,59,564,52375],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fdff036c9b4d02c831331857da31a0500.jpg",[],{"id":199726,"slug":199727,"title":104766,"dynasty":241,"author":7,"museum":172,"description":199728,"tags":199729,"thumbUrl":199730,"material":296,"size":297,"collection":11,"collections":199731,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":70},272461,"wan-li-kuan-cai-qi-shuang-long-wen-guan-bi-yi-ming-272461","笔管以黑漆为底，朱红描焰、金彩勾纹，双龙矫然蜿蜒，翔游于祥云之间，龙睛凌厉有神，鳞爪张弛尽显遒劲气势。漆色莹润乌亮，红金亮色于沉黑之上鲜明夺目，纹饰繁密却层次井然，尽显华贵雅致。\n\n锋颖锐利紧实的笔毫，兼具实用之效与赏玩之趣，将髹漆工艺与文房雅器相融，尽显制艺的细腻考究，勾勒出案头清供的雅致意韵。",[3017,3561,270,52375,9044],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F98acc3887da568aad006ac8a70bc4d59.jpg",[],{"id":199733,"slug":199734,"title":73409,"dynasty":241,"author":7,"museum":172,"description":199735,"tags":199736,"thumbUrl":199737,"material":296,"size":297,"collection":11,"collections":199738,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":70},272459,"wan-li-kuan-cai-qi-long-feng-wen-guan-bi-yi-ming-272459","笔身以黑漆为底，金彩填饰龙凤穿花，苍龙腾挪灵动，彩凤翩跹柔婉，缠枝花卉舒展娇妍，繁密纹饰层次井然，尽显髹漆工艺的极致精妙。\n\n黄铜饰件点缀笔管首尾，冷润金属与温润漆色相映，添了几分华贵庄重。填金落款雅致端方，将祥瑞寓意与文房雅韵相融，龙凤呈祥衬以盛放繁花，既有宫廷器物的富丽规制，又带着明代髹漆技艺的典型特质。\n\n这是文房雅器中的精工之作，藏着旧时匠人的极致审美与沉潜匠心，将实用与赏玩完美合二为一。",[3017,3561,59,564,52375],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F7be0c55a6524ab4bb04dff1e86804ab4.jpg",[],{"id":199740,"slug":199741,"title":73409,"dynasty":241,"author":7,"museum":172,"description":199742,"tags":199743,"thumbUrl":199744,"material":296,"size":297,"collection":11,"collections":199745,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":70},272458,"wan-li-kuan-cai-qi-long-feng-wen-guan-bi-yi-ming-272458","此笔以黑漆为底，彩绘龙凤穿游于云海浪涛之间。龙姿矫健张扬，凤形柔婉翩跹，红彩点染鳍羽，描金勾勒纹路，深浅明暗交织晕染，让瑞兽仿佛破云而出，灵动鲜活。\n\n铜质包边温润内敛，磨痕载着岁月余温，与漆色冷暖相映，既固笔身，更添庄重雅致。狼毫笔锋挺括饱满，将文房雅器的审美意趣与实用属性相融，把髹漆与制笔工艺精妙结合，尽显华贵古雅的宫廷文玩气韵。",[3017,3561,59,564,52375],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F397c6d0b119b2d6f9e7130742c392bcb.jpg",[],{"id":199747,"slug":199748,"title":57886,"dynasty":241,"author":7,"museum":172,"description":199749,"tags":199750,"thumbUrl":199751,"material":296,"size":297,"collection":11,"collections":199752,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":50},272455,"wan-li-kuan-hei-qi-miao-jin-long-feng-wen-guan-bi-yi-ming-272455","黑漆为地，以描金勾勒龙凤祥纹，凤羽层叠分明，龙形隐现于缠枝花卉间，金彩在黑底晕衬下愈见鲜亮华贵。线条婉转流畅，将瑞兽的威仪与花饰柔巧相融，笔身落款填金端正雅致，细节处尽显精工巧思。紫毫笔锋劲挺锐利，与华美笔管相映成趣，文气与匠意兼具，尽显古雅雍容的造物美学，是文房雅器中的上乘之作。",[3017,3561,2197,59,564],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F27d36404e7fd082463ed314ed46078f8.jpg",[],{"id":199754,"slug":199755,"title":199664,"dynasty":241,"author":7,"museum":172,"description":199756,"tags":199757,"thumbUrl":199758,"material":296,"size":297,"collection":11,"collections":199759,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":50},272453,"wan-li-kuan-hei-qi-miao-jin-shuang-long-wen-guan-bi-yi-ming-272453","以黑漆为素地，描金饰双龙穿云遨游，龙躯矫健灵动，鳞爪锋芒毕现，流云缠缀环绕，金彩明丽鲜亮，与乌地相映，尽显华贵雍容。笔管錾刻题款，笔意端正隽秀，为器物添上文雅注解。紫毫笔锋紧实挺括，锋颖锐利，兼具绝佳形制与实用性能。它是髹漆与制笔工艺相融的佳作，将文房清玩的雅致与宫廷工艺的精细完美结合，静静承载着古时文房案头的风雅意趣，尽显明代手作的极致匠心。",[3017,3561,2197,270,9044],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F77a2a8116610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，刀工清浅秀雅，将花木之妍与笔墨之趣相融一体。紫毫锋颖修长劲挺，蓄墨适中，是挥毫染翰的趁手佳器。笔管两端以牙料为饰，素洁温润，和竹质的清隽朴雅相映成趣。整器制式规整，兼具实用与赏玩之妙，把诗思、雕刻工艺与文房雅物合而为一，尽显旧时文房器物的雅致格调，是匠艺与文心碰撞出的精巧之作。",[3017,73610,29543,268,190,9044],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F170425587122d216ce9fbd6ef50e909f.jpg",[],{"id":207743,"slug":207744,"title":207745,"dynasty":55,"author":7,"museum":172,"description":207746,"tags":207747,"thumbUrl":207748,"material":296,"size":297,"collection":11,"collections":207749,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":739},271091,"ge-shi-yu-zhi-hua-hui-shi-guan-zi-hao-bi-zhu-guan-shi-liu-hua-shi-bi-yi-ming-271091","各式御制花卉诗管紫毫笔-竹管石榴花诗笔","竹管浅黄莹润，笔身镌刻诗文，笔墨意趣藏于方寸。紫毫笔头锋颖修长锐挺，紫毫坚劲，适配小楷细书。配套笔斗雕石榴花卉，刀工细腻，暗合多子吉祥的美好意涵。\n\n整器制式周正雅致，将文房清趣与宫廷工巧相融，把制笔工艺、雕刻技法与吉祥寓意外化为文房雅物，尽显清代文房器具的精巧匠心，静穆中晕开传统文房的隽永情致。",[3017,29486,29487,9044,60146,4541],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fdedc2d67a6567e67f79a5c445d762a9d.jpg",[],{"id":207751,"slug":207752,"title":207753,"dynasty":55,"author":7,"museum":172,"description":207754,"tags":207755,"thumbUrl":207756,"material":296,"size":297,"collection":11,"collections":207757,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":739},271090,"ge-shi-yu-zhi-hua-hui-shi-guan-zi-hao-bi-zhu-guan-lan-ju-hua-shi-bi-yi-ming-271090","各式御制花卉诗管紫毫笔-竹管兰菊花诗笔","此笔以竹为管，浅镌兰菊，花枝舒展清逸，间配诗文，诗画相映，氤氲着文雅悠然的意境。紫毫笔尖修削合宜，锋颖饱满挺括，柔中带刚，尽显制工艺的精巧考究。素净竹色衬浅刻纹饰，雅致内敛，将文房雅趣与工艺美学相融，藏着旧时案头的风雅意趣，是兼具实用与赏玩价值的文房佳器。",[3017,29486,29487,1665,920,268,124,10430],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F336c74fbe230e4262341febd26f56d47.jpg",[],{"id":207759,"slug":207760,"title":207745,"dynasty":55,"author":7,"museum":172,"description":207761,"tags":207762,"thumbUrl":207763,"material":296,"size":297,"collection":11,"collections":207764,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":739},271088,"ge-shi-yu-zhi-hua-hui-shi-guan-zi-hao-bi-zhu-guan-shi-liu-hua-shi-bi-yi-ming-271088","竹管莹润修长，浅镌诗文，将文思与工巧藏于素朴纹理间，笔韵墨意暗流于方寸之上。笔帽烫绘石榴花，榴华灼灼，暗寓多子嘉祥的美好意涵。首尾以骨质饰件镶嵌，凝润素雅，中和竹材的清朴质感。紫毫笔锋颖锐齐整，攒束精良，尽显制笔工艺的精妙。\n\n整器兼具实用与赏玩之趣，将题咏、雕刻与文房雅器合而为一，尽显旧时文房清隽雅致的审美意韵，藏着传统文人的闲情雅思，亦见匠人造物的极致用心。",[3017,11589,268,4541,73610,9044],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fe0d7fd81a23157d4b40970d7fc8cc9ec.jpg",[],{"id":207766,"slug":207767,"title":105715,"dynasty":55,"author":7,"museum":172,"description":207768,"tags":207769,"thumbUrl":207770,"material":296,"size":297,"collection":11,"collections":207771,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":739},271084,"ge-shi-yu-zhi-hua-hui-shi-guan-zi-hao-bi-zhu-guan-shui-xian-hua-shi-bi-yi-ming-271084","竹管以浅刻填色妆点，水仙舒展灵动，配文题字刀工秀雅，将花叶柔态与笔墨意趣藏于竹间肌理。紫毫锋颖锐利劲挺，毛色匀净鲜亮，兼顾书写实用与案头赏玩。\n\n素竹底色晕染古雅意趣，花绘与诗文相映成趣，形制隽秀清雅，将文人心韵与工艺匠心相融，尽显清逸出尘的文房雅韵，是兼具审美意趣与实用价值的精巧之作。",[3017,29486,145,268,2604,10430],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F0d96f5828a6bbb5ded5565f74256b274.jpg",[],{"id":207773,"slug":207774,"title":207753,"dynasty":55,"author":7,"museum":172,"description":207775,"tags":207776,"thumbUrl":207777,"material":296,"size":297,"collection":11,"collections":207778,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":739},271083,"ge-shi-yu-zhi-hua-hui-shi-guan-zi-hao-bi-zhu-guan-lan-ju-hua-shi-bi-yi-ming-271083","竹管以留青浅刻技法，将兰菊清姿晕染于竹色肌理，辅以题诗刀笔秀雅细腻，刻绘柔婉地衬出花草悠然逸态。紫毫锋颖锐利，毛色青黑莹润，属制笔上品。骨质装口温润素净，更衬竹韵清雅。整器融制笔工艺与竹刻书画于一体，兼具文房实用与案头赏玩之趣，将旧时文人案头的隽秀审美藏于其间，尽显文玩器物的风雅意趣，是传统文房里工艺与艺术性兼备的精巧之作。",[3017,29486,29487,1665,920,124,9044],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F86e03ca8f7b0a8d4ac5ebc432ba1a692.jpg",[],{"id":207780,"slug":207781,"title":105715,"dynasty":55,"author":7,"museum":172,"description":207782,"tags":207783,"thumbUrl":207784,"material":296,"size":297,"collection":11,"collections":207785,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":739},271082,"ge-shi-yu-zhi-hua-hui-shi-guan-zi-hao-bi-zhu-guan-shui-xian-hua-shi-bi-yi-ming-271082","浅刻留青技法晕染竹管，水仙舒展灵动，花瓣脉络纤毫毕现，阴刻诗文与花影相映，刀工清浅秀雅，将文思与画意凝于一管。紫毫锋颖锐挺褐亮，攒束紧实，尽显制笔匠心。牙质装顶温润素净，与竹管清雅相得益彰，整体形制秀巧隽雅，融工艺审美与书写实用为一体，藏着旧时文房的静雅意趣，是兼具赏用之妙的文房佳器。",[3017,29486,29543,2604,268,124,9044],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F81bd85a02ac124ff1e83286172b5f0de.jpg",[],{"id":207787,"slug":207788,"title":207789,"dynasty":55,"author":7,"museum":172,"description":207790,"tags":207791,"thumbUrl":207793,"material":296,"size":297,"collection":11,"collections":207794,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":70},271081,"ge-shi-yu-zhi-hua-hui-shi-guan-zi-hao-bi-zhu-guan-jia-zhu-tao-shi-bi-yi-ming-271081","各式御制花卉诗管紫毫笔-竹管夹竹桃诗笔","笔管取湘妃竹为材，留青浅刻夹竹桃与诗句，刀痕清浅秀润，枝蔓柔婉舒展，花卉娇妍灵动，墨书诗句娟秀雅致，与竹皮天然肌理相融，尽显刻绘巧思。紫毫笔颖锋锐挺健，攒毫齐整，兼具实用性与审美性。将诗、画、镌刻工艺相融，把雅致意趣藏于竹间，尽显旧时案头的风雅格调。",[3017,29486,145,268,207792,9044],"夹竹桃","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F691fc4c36e275ed830590257686fe53a.jpg",[],{"id":207796,"slug":207797,"title":207753,"dynasty":55,"author":7,"museum":172,"description":207798,"tags":207799,"thumbUrl":207800,"material":296,"size":297,"collection":11,"collections":207801,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"整体华贵富丽，以素缎为底，串联玻璃珠勾勒出灵动龙蝶纹样，重工走线精巧细腻。枚枚绒球撞色鲜明，浓艳鲜亮将盔身衬得雅致莹润。鎏金饰件錾刻细腻，嵌饰珠宝流光熠熠，将戏曲扮相的威严大气与装饰美学融为一体，尽显传统匠造的极致巧思与晚清戏曲头面的独特审美意趣，是清代戏装头面里极具代表性的精工之作。",[39,345,41,270,24362,49184,34790,2634,109166],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F573946a3224af89d2da84c1fe9d77ad5.jpg",[],{"id":224408,"slug":224409,"title":224410,"dynasty":55,"author":7,"museum":172,"description":224411,"tags":224412,"thumbUrl":224414,"material":296,"size":297,"collection":11,"collections":224415,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":70},267501,"lan-se-duan-chuan-bo-li-zhu-long-die-hua-wen-dai-zi-bai-rong-qiu-fu-zi-kui-yi-ming-267501","蓝色缎串玻璃珠龙蝶花纹带紫白绒球夫子盔","宝蓝缎为底，衬得满身装饰鲜亮夺目。串起的玻璃珠错落铺陈，勾勒龙蝶灵趣纹样，细密纹路尽显造物者的精巧心力。晕染红白的绒球团团簇于冠顶，柔绒蓬松，与硬朗的錾花铜饰刚柔相映。两侧镂空铜饰蜿蜒如龙，垂绒点缀收尾，动静之间皆具神采。凝缩旧时光里的戏台风华，将戏曲行头的华丽张扬尽数体现，是传统戏曲妆造工艺的绝佳缩影。",[224413,345,39,270,24362,49184,14432,19665,75265],"夫子盔","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ffc2f8a0616ac4a7dd6fb14415463ac19.jpg",[],{"id":224417,"slug":224418,"title":224419,"dynasty":55,"author":7,"museum":172,"description":224420,"tags":224421,"thumbUrl":224422,"material":296,"size":297,"collection":11,"collections":224423,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":50},267500,"xing-huang-se-duan-chuan-bo-li-zhu-long-die-hua-wen-dai-bai-lv-rong-qiu-fu-zi-kui-yi-ming-267500","杏黄色缎串玻璃珠龙蝶花纹带白绿绒球夫子盔","杏黄缎底华贵明艳，串缀的玻璃珠折射细碎莹光，龙蝶纹饰錾刻精巧，缠绕出威仪与雅致兼具的气度。白绿绒球错落点缀，柔化金属构件的冷硬，为盔帽添了几分灵动鲜活。点翠残色依稀可见当年鲜妍，花丝累丝工艺繁复细腻，将匠人的巧思凝于方寸之间。\n\n盔身纹饰层层递进，龙凤的遒劲配衬蝶纹的柔婉，肃穆中带着灵动，暗合角色文武兼具的气质，尽显晚清戏曲服饰工艺的极致考究，将舞台上的张扬雅致融于一处。",[345,39,224387,270,49184,34790,2634,14432],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F36339b1fd4fa1caab40db587c1f33217.jpg",[],{"id":224425,"slug":224426,"title":224427,"dynasty":55,"author":7,"museum":172,"description":224428,"tags":224429,"thumbUrl":224431,"material":296,"size":297,"collection":11,"collections":224432,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":50},267498,"chuan-bo-li-zhu-long-hua-die-wen-dai-lan-lv-bai-rong-qiu-shuai-kui-yi-ming-267498","串玻璃珠龙花蝶纹带蓝绿白绒球帅盔","这件帅盔重工华彩，尽显威仪。盔顶高耸挺拔，玻璃珠串蜿蜒勾勒龙凤花蝶纹样，将灵秀意趣融于武饰之中。金属錾刻饰片层叠舒展如翼，冷硬底色间，蓝绿白绒球错落点缀，深浅晕染盘活了整体气场，为英挺盔型添了灵动俏皮。下方朱红绣袍上，绒线盘绣出鲜活瑞纹，绣线流光溢彩，与盔上珠饰交相辉映。它将繁复工艺与将帅气度揉合无间，无一处不藏着旧时匠人的巧思心血，于华丽铺陈间尽显飒爽风骨。",[39,224430,9297,49184,19665,270,14461,1924,1154,41,268],"帅盔","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fe6d654096b39de6a72369ec21d3daa84.jpg",[],{"id":224434,"slug":224435,"title":224436,"dynasty":55,"author":7,"museum":172,"description":224437,"tags":224438,"thumbUrl":224439,"material":296,"size":297,"collection":11,"collections":224440,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":70},267497,"chuan-bo-li-zhu-long-hua-die-wen-dai-zi-hong-xing-huang-rong-qiu-cao-wang-kui-yi-ming-267497","串玻璃珠龙花蝶纹带紫红杏黄绒球草王盔","以串饰玻璃珠勾勒龙纹与花蝶，细密珠粒排布出灵动鲜活的纹样，莹润光泽晕开华贵质感。盔顶遍覆紫红绒球，明丽醒目的色块极大增强视觉张力，杏黄饰边柔化了盔帽的硬朗形制，刚柔相济间平衡了威严与雅致。两侧朱红长穗垂曳，随动作轻摆摇曳，为厚重盔帽添上灵动飘逸的生机。\n作为戏曲武将盔帽，它将装饰性与实用性相融，在舞台之上既彰显王侯武将的煊赫气势，也凭借精巧纹饰与艳丽配色，成为极具观赏性的工艺精品，凝聚着传统盔帽工艺的审美巧思与匠造功力。",[39,224387,270,14461,19665,49184,19635],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fd8e97f742d10be0754d3ac95961c2b7f.jpg",[],{"id":224442,"slug":224443,"title":224444,"dynasty":55,"author":7,"museum":172,"description":3338,"tags":224445,"thumbUrl":224447,"material":296,"size":297,"collection":11,"collections":224448,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":50},267496,"hong-qing-se-duan-xiu-si-tuan-cai-yun-fu-jin-long-wen-yuan-bu-gua-yi-ming-267496","红青色缎绣四团彩云蝠金龙纹圆补褂",[345,41,1924,4531,59,7583,284,224446],"圆补褂","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fcd9a5345e63bdc44b686801fc22389a8.jpg",[],{"id":224450,"slug":224451,"title":224452,"dynasty":55,"author":7,"museum":172,"description":224453,"tags":224454,"thumbUrl":224455,"material":296,"size":297,"collection":11,"collections":224456,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":50},267495,"hong-se-ne-xiu-cai-yun-fu-he-jin-long-wan-zi-wen-nan-mang-yi-ming-267495","红色呢绣彩云蝠鹤金龙万字纹男蟒","朱红呢料为地，万字回纹铺满底衬，连绵往复寓意福寿无尽。通身刺绣华彩斐然，正龙威严踞于胸背，行龙灵动游走袍身，金彩龙纹间点缀祥云、仙鹤与蝙蝠，既彰显仪制威严，又暗藏洪福齐天、松鹤延年的吉庆寓意。\n下摆海水江崖拱卫福山，宝相花错落其间，斜向彩条层叠如浪涛翻涌，暗喻山河永固。整体针脚细密平齐，配色浓烈鲜明，朱红衬金尽显华贵雍容，蓝调纹饰提亮层次，繁而不乱，将礼制规制与吉祥意趣融为一体，尽显传统刺绣工艺的精湛造诣。",[345,41,1924,59,7583,404,12579,19745,59020],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F057058b73c6b3f176289ef7d3601d296.jpg",[],{"id":224458,"slug":224459,"title":224460,"dynasty":55,"author":7,"museum":172,"description":4529,"tags":224461,"thumbUrl":224463,"material":296,"size":297,"collection":11,"collections":224464,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":50},267486,"hong-se-duan-ping-jin-xiu-shi-tuan-yun-long-wen-fu-xing-yi-yi-ming-267486","红色缎平金绣十团云龙纹福星衣",[345,1924,14433,59,39644,14432,41,224462,10129],"神话服饰","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F4fac5a6cb151cbf42d740ab04574f5b0.jpg",[],{"id":224466,"slug":224467,"title":224468,"dynasty":55,"author":7,"museum":172,"description":3338,"tags":224469,"thumbUrl":224470,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以米珠攒钉团纹，精巧雅致，于低调间晕开华贵气度。厚底以木胎裱布制成，浅米色调中和深色靴身，兼顾礼制要求与日常行走实用性。\n\n整体配色沉敛大气，细节处镶绣工艺尽显匠心，将服制规矩与工艺美学相融，静诉着旧时服制的庄重雅致，是清代服饰工艺的典型缩影。",[345,38707,14432,106683,41],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fc1397d7f2b39dc2ab8a14c924baed4ad.jpg",[],{"id":227632,"slug":227633,"title":227634,"dynasty":55,"author":7,"museum":172,"description":227635,"tags":227636,"thumbUrl":227637,"material":296,"size":297,"collection":11,"collections":227638,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":50},266695,"huang-se-duan-bu-rong-yun-wen-tou-jian-di-xue-yi-ming-266695","黄色缎补绒云纹头尖底靴","明黄缎面澄澈华贵，石青绒料沉稳内敛，二者撞色鲜明却和谐相宜。补绒云纹盘绕靴身，卷草柔婉流转，既有祈福纳祥的美好寓意，又以立体绒面衬出雅致层次。靴头尖俏利落，靴筒挺括修长，贴合骑射实用需求，又暗合礼制考究。针线细密工整，每一处纹饰走线尽显匠心，将游牧审美与宫廷礼制精妙融合，是兼具实用与收藏价值的服饰佳制，尽显旧时服饰工艺的精湛水准。",[345,41,284,38707],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fd4a6757b8d61653cf22c7f65186b7b49.jpg",[],{"id":227640,"slug":227641,"title":110030,"dynasty":55,"author":7,"museum":172,"description":227642,"tags":227643,"thumbUrl":227644,"material":296,"size":297,"collection":11,"collections":227645,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":70},266694,"shi-qing-se-duan-rong-yun-wen-tou-jian-di-xue-yi-ming-266694","整体色调沉稳端雅，靴身暗织云团纹样，低调间尽显华贵质感。靴头錾刻缠枝卷叶，线条柔婉精致，浅木厚底配翠绿镶边，为厚重配色提亮添趣。\n\n靴筒拼接墨色立绒，织就吉庆字样，勾勒出庄重的礼制氛围感，上部辅以彩绣龙纹饰边，金线勾边，彩丝晕染出腾龙身姿，威严又带着祥瑞意蕴。\n\n一针一线尽显旧时制靴工艺的极致考究，将礼制规制与匠人手艺相融，藏着传统服饰中含蓄内敛的审美意趣，是清代制靴工艺的精巧缩影。",[345,110016,109916,41,284],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F36a0023884c817b67f7bce9ae949bbf0.jpg",[],{"id":227647,"slug":227648,"title":227649,"dynasty":55,"author":7,"museum":172,"description":227650,"tags":227651,"thumbUrl":227652,"material":296,"size":297,"collection":11,"collections":227653,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":50},266693,"xiang-se-duan-bang-xiu-lian-hua-feng-wen-tou-jian-di-xue-yi-ming-266693","香色缎帮绣莲花凤纹头尖底靴","靴身挺拔修长，厚底衬出端庄威仪。缎面上绣纹细密生动，缠枝莲花柔婉舒展，凤纹隐于花蔓之间，翎羽纹路丝丝分明。绒线晕染出层次渐变，金线锁边勾勒轮廓，将明艳配色调和得华贵不俗。绣工精巧细腻，针脚匀整密实，织绣光泽柔润莹亮，纹样疏密有致，兼具灵秀雅致与端重气场，尽显旧时织绣工艺的巅峰水准，匠心巧思藏于每一处针脚之中。",[345,41,1924,177,8550,38707],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F7dd4314f3989c08d44db97892c5f500d.jpg",[],{"id":227655,"slug":227656,"title":227657,"dynasty":55,"author":7,"museum":172,"description":227658,"tags":227659,"thumbUrl":227661,"material":296,"size":297,"collection":11,"collections":227662,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":277},266692,"xing-huang-se-duan-ji-xian-xiu-mi-zhu-zao-xue-yi-ming-266692","杏黄色缎缉线绣米珠皂靴","靴身取杏黄缎为地，暖柔色调自带华贵雍容之感。侧边以深蓝宽绦带为饰，缉线绣十字宝相花，绿线勾边、米珠点饰花心，排布齐整对称，雅致又不失庄重。靴靿上段镶饰深蓝绣料，彩线晕染缠枝花卉与灵动纹样，绣工细腻晕色自然，层次丰富饱满。\n\n厚圆靴头配浅宽厚底，形制挺拔规整，尽显制式考究。缉线绣与米珠妆花工艺结合，将实用功能与装饰美学精妙融合，尽显清代织绣制靴工艺的精湛造诣，是清代服饰工艺兼具美观与实用性的典型佳作。",[345,220916,41,14432,75682,227660],"米珠绣","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fc1715185e6fb9ede2e35696764be598d.jpg",[],{"id":227664,"slug":227665,"title":227666,"dynasty":55,"author":7,"museum":172,"description":227667,"tags":227668,"thumbUrl":227669,"material":296,"size":297,"collection":11,"collections":227670,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":277},266691,"lv-se-duan-qian-mi-zhu-zao-xue-yi-ming-266691","绿色缎嵌米珠皂靴","这双高筒厚底靴形制端方肃穆，藏蓝靴地之上，彩线晕染出团花缠枝，金线勾边锁形，绣迹细密匀整，晕色柔雅过渡。靴面嵌饰米珠，颗颗莹润攒成精巧纹样，在光影下熠熠生辉。\n\n柔绿缎衬里与深色外壁冷暖相映，暗显配色巧思。麻裱厚底扎实耐磨，兼顾礼制威仪与日常实用。整体将制式庄重与装饰美学融为一体，细密绣工与珠饰工艺尽显造物考究，静静承载着旧时服饰礼制与匠心工巧。",[345,41,38707,419,1924,39],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fed3b011bd9176508efa4ef01f7508e72.jpg",[],{"id":227672,"slug":227673,"title":227674,"dynasty":55,"author":7,"museum":172,"description":227675,"tags":227676,"thumbUrl":227677,"material":296,"size":297,"collection":11,"collections":227678,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":50},266690,"ming-huang-se-duan-ji-mi-zhu-zao-xue-yi-ming-266690","明黄色缎缉米珠皂靴","明黄靴筒自带华贵威仪，与玄色靴面对比鲜明。靴面以米珠缉成瑞兽纹样，光泽莹润，栩栩如生，于沉稳底色中透出灵动雅致。侧边绣片团花萦回，织锦镶边晕开柔润层次，配色张弛有度，尽显调和之美。素面厚底简约质朴，稳稳承托起整体雍容形制。\n整靴将礼制庄重与匠造巧思相融，针线起落间尽显织绣工艺的精湛造诣，把宫廷服饰的华贵底蕴藏于方寸细节，是旧时造物美学的凝练缩影。",[345,110016,14432,41,19754,49803],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F984d36793a706bffb6692fe5d08e807e.jpg",[],{"id":227680,"slug":227681,"title":227682,"dynasty":55,"author":7,"museum":172,"description":227683,"tags":227684,"thumbUrl":227685,"material":296,"size":297,"collection":11,"collections":227686,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":70},266689,"huang-se-zhang-rong-rong-yun-wen-tou-jian-di-xue-yi-ming-266689","黄色漳绒绒云纹头尖底靴","此靴以明黄漳绒为主体，游云纹样随绒面肌理婉转舒展，自带华贵雍容之气。藏青绒料作镶边，金彩绣线盘绣缠枝纹饰，明暗撞色勾勒出鲜明层次。靴首微微上翘，以翠色窄边提亮细节，厚木底沉稳扎实，兼顾美观与实用。\n\n整体形制挺拔利落，配色鲜明庄重，织纹细腻流畅，云纹灵动柔婉，将礼制规整与匠人的精巧工艺融于一体，尽显宫廷靴履的华贵气度，是传统织绣造物美学的绝佳缩影。",[345,38707,41,270,284],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F7a4d5f2a6d021ffbd748d35bbf2e0321.jpg",[],{"id":227688,"slug":227689,"title":227690,"dynasty":55,"author":7,"museum":172,"description":227691,"tags":227692,"thumbUrl":227693,"material":296,"size":297,"collection":11,"collections":227694,"showCount":49,"zanCount":49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身姿凝练威严，八宝瑞纹环簇四周，礼制庄重与丝缎柔润相融交织。经纬走线藏纳匠人之巧，将皇家贵气隐入低调肌理，静穆间尽显华贵质感。暗纹流转间，织就旧时光里内敛端方的织造风华。",[41,18782,27728,23149,59],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F27c2abab3f8fa93a38eabc00d336280b.jpg",[],{"id":241397,"slug":241398,"title":241399,"dynasty":55,"author":7,"museum":172,"description":241400,"tags":241401,"thumbUrl":241402,"material":296,"size":297,"collection":11,"collections":241403,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":50},263847,"tao-hong-se-yun-he-wen-an-hua-duan-yi-ming-263847","桃红色云鹤纹暗花缎","桃红色调明妍柔婉，自带独有的温婉韵致。暗花工艺将云鹤纹样藏于缎面，仙鹤振翅穿云，身姿舒展灵动，祥云缱绻萦回，线条婉转雅致，晕开清寂悠远的中式意境。\n\n作为提花丝织品，它触之顺滑莹润，带着蚕丝独有的细腻质感，纹样若隐若现，低调间尽显精工巧思。云鹤寄寓着长寿安康、凌云高升的美好祈愿，纹样排布疏密相宜，满幅铺陈却无繁乱之感，审美与实用兼具，尽显旧时匠人的绝佳巧思。",[41,18782,284,404],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F79a7dfe4dbcba904b144d78a2fa21918.jpg",[],{"id":241405,"slug":241406,"title":241407,"dynasty":55,"author":7,"museum":172,"description":241408,"tags":241409,"thumbUrl":241410,"material":296,"size":297,"collection":11,"collections":241411,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":70},263844,"zao-hong-se-tuan-shuang-feng-shou-zi-wen-an-hua-duan-yi-ming-263844","枣红色团双凤寿字纹暗花缎","此缎以热烈沉凝的枣红为底，以暗花技法织就团窠纹样，光影里纹样若隐若现，自带含蓄雅致的质感。每一团窠中双凤拱绕寿字，凤羽柔婉舒展，姿态灵动雍容，将祥瑞华贵之气藏于经纬。\n\n规整排布的团纹让整幅织物尽显端庄秩序，缎面自带莹润光泽，尽显织造工艺的精妙。将祝寿与纳福的祈愿织入寸寸丝缕，让吉庆意韵随缎面光影流转，融实用与审美为一体，尽显旧时工艺里的细腻巧思与吉祥意趣。",[41,25900,18862,17683,1562],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F3b2bea3cdf3dbe0fd52f5dea3f7280f2.jpg",[],{"id":241413,"slug":241414,"title":241415,"dynasty":55,"author":7,"museum":172,"description":241416,"tags":241417,"thumbUrl":241418,"material":296,"size":297,"collection":11,"collections":241419,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":277},263842,"lv-se-que-mei-wen-an-hua-duan-yi-ming-263842","绿色雀梅纹暗花缎","鲜妍翠绿晕开清雅生机，暗花工艺将雀鸟梅枝隐入缎面肌理，似把早春园景裁入锦帛。灵雀振翅欲飞，梅苞凝露待绽，纹样排布疏密相宜，随缎面褶皱光影浮动，静中藏动。\n\n它将江南织绣的婉约意趣融于经纬，把文人咏梅的雅致意境悄然藏入暗纹，不张扬外露，却将岁寒报春的意韵织入丝缕，以含蓄内敛的织造美学，把中式古典的清雅审美揉进日常织物，于方寸间留存旧时工艺的细腻匠心。",[41,25900,163,542,24310],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F52ebc78e1a5e2e3aa114c8c3622c274c.jpg",[],{"id":241421,"slug":241422,"title":241423,"dynasty":55,"author":7,"museum":172,"description":241424,"tags":241425,"thumbUrl":241426,"material":296,"size":297,"collection":11,"collections":241427,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":277},263840,"shi-qing-se-kui-long-kui-feng-wen-jiang-chou-yi-ming-263840","石青色夔龙夔凤纹江绸","石青底色沉穆端凝，江绸肌理紧密莹润，晕着内敛柔光。同色绣制的夔龙夔凤隐于料面，似藏似露，低调雅致。龙凤身形婉转灵动，线条古雅流畅，将祥瑞之意融于暗纹之中，尽显传统礼制纹样的庄重意蕴。\n面料拼接齐整，虽经时光洗礼，依旧留存着精湛织造工艺的质感，将丝织品的柔润细腻与礼制纹样的端方大气相融，藏起张扬，尽显内敛华贵的东方美学，静静诉说着旧时匠人的极致用心。",[41,38924,23071],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F3f9bba8e63c571f8bb93867c61548872.jpg",[],{"id":241429,"slug":241430,"title":241431,"dynasty":55,"author":7,"museum":172,"description":241432,"tags":241433,"thumbUrl":241434,"material":296,"size":297,"collection":11,"collections":241435,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":70},263838,"bao-lan-se-di-tuan-san-duo-jin-shou-zi-wen-zhuang-hua-chou-yi-ming-263838","宝蓝色地团三多金寿字纹妆花绸","宝蓝底色沉敛华贵，衬得绣纹鲜亮夺目。团窠为形，金寿字居于中心，环以桃、石榴、佛手组成的三多纹样，分别承载着长寿、多子、多福的美好祈愿，构图饱满圆融，是清代吉祥纹饰的经典范式。\n\n妆花工艺施色明快雅致，绒线光泽柔润，针脚细密齐整，将瑞果的娇俏形态与寿字的端严风骨巧妙融合，既有装饰的妍丽美感，又饱含传统中式的祈福意韵，尽显彼时织绣工艺的精巧工致与审美意趣。",[41,109129,34956,17683,17625,43005],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fc5995dfeb89f7358a2595b003df48851.jpg",[],{"id":241437,"slug":241438,"title":241439,"dynasty":55,"author":7,"museum":172,"description":10620,"tags":241440,"thumbUrl":241442,"material":296,"size":297,"collection":11,"collections":241443,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":50},263833,"jiang-se-di-chuan-zhi-da-yang-hua-wen-jin-bao-di-jin-yi-ming-263833","酱色地串枝大洋花纹金宝地锦",[41,2358,59825,18747,241441,190,32,4533],"大洋花","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Faa58b549d03e23ca87df0bf195c182e7.jpg",[],{"id":241445,"slug":241446,"title":241447,"dynasty":55,"author":7,"museum":172,"description":241448,"tags":241449,"thumbUrl":241450,"material":296,"size":297,"collection":11,"collections":241451,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":70},263832,"mi-huang-se-di-tao-shou-wen-zhuang-hua-chou-yi-ming-263832","米黄色地桃寿纹妆花绸","米黄底色温婉柔和，以妆花工艺织就满铺桃纹。饱满桃实以赤朱晕染果尖，余下晕开柔润湖蓝，冷暖色调碰撞鲜活灵动，衬以舒展碧叶，将蟠桃的丰硕饱满尽数呈现。纹样排布规整有序却不显呆板，循环往复间铺满织物，带着规整雅致的韵律感。\n\n蟠桃为传统寿瑞之象，借妆花工艺让纹样更具层次肌理，隐现的丝线光泽赋予织物温润质感，既承载着福寿绵长的美好祈愿，尽显雅致审美，又藏着细腻匠心，是实用性与吉祥意趣兼具的织绣精品。",[41,109129,24352,9603,32,16907],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F7d45c467666c62cc08bdde68ff2823e6.jpg",[],{"id":241453,"slug":241454,"title":241455,"dynasty":55,"author":7,"museum":172,"description":241456,"tags":241457,"thumbUrl":241458,"material":296,"size":297,"collection":11,"collections":241459,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":70},263831,"yue-bai-se-tuan-long-wen-jiang-chou-yi-ming-263831","月白色团龙纹江绸","这款织物自带清润温婉的气质，月白底色柔雅沉静，暗纹团龙隐于纱线肌理之间，是低调华贵的典范。\n经纬交织尽显工艺精湛，团龙纹饰婉转规整，藏而不露，自带庄重威仪。纱面细腻莹润，触手软糯，历经岁月依旧色泽匀净，将含蓄内敛的审美意趣尽数诠释，肃穆礼制与柔美质感相融相合，是传统丝织品中含蓄奢华的绝佳代表。",[41,59,27728,35145],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fc8f990e4a52c24e22b8d934a1266d488.jpg",[],{"id":241461,"slug":241462,"title":241463,"dynasty":55,"author":7,"museum":172,"description":241464,"tags":241465,"thumbUrl":241466,"material":296,"size":297,"collection":11,"collections":241467,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":70},263829,"jiang-zi-se-da-yang-hua-wen-tai-xi-duan-yi-ming-263829","绛紫色大洋花纹泰西缎","绛紫底色沉敛华贵，同色大洋花暗纹在缎面晕染开来，花瓣舒展饱满，枝叶蜿蜒缠绕，带着南洋热带风物的浪漫意趣。提花工艺精妙独到，纹样致密规整，光影拂过缎面时，莹润光泽裹着柔婉花纹若隐若现，将西洋织造技法与东方含蓄审美相融。\n面料历经岁月依旧匀净细腻，暗纹层次柔和不张扬，静静晕开雅致氛围感，藏着西风东渐的审美变迁痕迹，于低调间尽显不俗质感，是彼时中西文化交融之下的织物佳作。",[41,27791,223147,38644,2820],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fa0b7e541a8a9cc510cfe951ea713a1f0.jpg",[],{"id":241469,"slug":241470,"title":241471,"dynasty":55,"author":7,"museum":172,"description":241472,"tags":241473,"thumbUrl":241474,"material":296,"size":297,"collection":11,"collections":241475,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":50},263827,"hong-se-di-da-hua-wen-yin-hua-yang-zhou-chou-yi-ming-263827","红色地大花纹印花洋绉绸","朱红底色如熔凝的朱砂，热烈浓艳，托举着满苑花团。主花饱满舒展，以棕褐勾边、米白铺瓣，带着端庄雍容的气度；折枝小花与卷叶错落其间，石青、暖橙点缀其中，配色冷暖交织，艳而不俗。\n印花匀净细腻，绉绸的肌理让纹样添了柔润的呼吸感，排布疏密相宜，满幅烂漫却不觉繁冗。将东方花艺意趣与西洋印花工法相融，织就出旧时光里的绮丽雅致，藏着织造匠人玲珑巧思，晕开复古雍容的风华。",[41,22459,190,32,38908,223393,98],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F42673a7d99830e7e493a9a7decdcabee.jpg",[],{"id":241477,"slug":241478,"title":241479,"dynasty":55,"author":7,"museum":172,"description":241480,"tags":241481,"thumbUrl":241482,"material":296,"size":297,"collection":11,"collections":241483,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":50},263825,"fen-di-hei-bai-tiao-wen-hua-chou-yi-ming-263825","粉地黑白条纹花绸","柔粉底色晕着经年沉淀的软和暖意，细密的黑白条纹错落排布，把细碎光影揉织进纱线之间。织物带着旧时光留下的自然褶皱，没有繁复绮丽的纹样，仅用极简的线条勾勒出克制的雅致。纱线交织紧密匀净，依稀可见旧时织造的细腻匠心，细条纹理为柔淡底色注入灵动韵律，暗合东方审美里内敛温婉的意趣，清隽耐看，尽显沉静柔和的中式风情。",[41,59964,62949,345],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F35482cbc36124272ad40248bf5f1d8cf.jpg",[],{"id":241485,"slug":241486,"title":241487,"dynasty":55,"author":7,"museum":172,"description":10620,"tags":241488,"thumbUrl":241489,"material":296,"size":297,"collection":11,"collections":241490,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":50},263824,"dou-qing-se-di-zhe-zhi-ju-hua-wen-er-chong-jin-yi-ming-263824","豆青色地折枝菊花纹二重锦",[41,17691,100,17717,240684],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fde6cfb96e979df4e4134adcf9569a087.jpg",[],{"id":241492,"slug":241493,"title":241494,"dynasty":55,"author":7,"museum":172,"description":241495,"tags":241496,"thumbUrl":241497,"material":296,"size":297,"collection":11,"collections":241498,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":50},263823,"lan-se-han-wa-luo-wen-hua-chou-yi-ming-263823","蓝色汉瓦罗纹花绸","沉静靛蓝铺展，暗纹隐于柔润绸面，唯有光影流转时，汉瓦罗纹方才缓缓浮现。纹样取汉瓦当朴拙古雅的意趣，排布规整却不见刻板，将金石砖瓦的厚重雅致，融于轻软丝缕之间。\n\n织物肌理细腻挺括，带着旧时织造的温润质感，把文人藏于日常的审美意趣织入其中，暗花朦胧雅致，不露锋芒却尽现匠心，将实用与雅趣揉合为一，尽显传统丝织工艺的内敛美学风骨。",[41,35003,112404,75127],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F6ead1a85f912c6e983ecb0b8bbe13004.jpg",[],{"id":241500,"slug":241501,"title":241502,"dynasty":55,"author":7,"museum":172,"description":241503,"tags":241504,"thumbUrl":241505,"material":296,"size":297,"collection":11,"collections":241506,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":50},263822,"xiang-se-da-hu-lu-hua-wen-zhou-chou-yi-ming-263822","香色大葫芦花纹绉绸","这匹织物以沉郁雅致的香色为底，暗纹提花隐现其间，缠枝藤蔓蜿蜒牵起宝相葫芦纹样，将福禄绵长的吉意藏进每一缕经纬。\n绉绸自带柔润褶皱肌理，岁月晕染让底色更添温厚质感，提花走线细腻规整，古雅的纹样在织物表面若隐若现，静诉旧时织造匠人的精巧匠心。它如同旧时光的信笺，将东方世俗里的祈愿与雅致织就成可以触摸的诗意，质朴耐看，藏着古人把吉庆日常穿在身上的温柔意趣。",[41,26285,38908],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fdb6ddc9ae0d810712eaa2fb922b437fa.jpg",[],{"id":241508,"slug":241509,"title":241510,"dynasty":55,"author":7,"museum":172,"description":241511,"tags":241512,"thumbUrl":241513,"material":296,"size":297,"collection":11,"collections":241514,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":50},263820,"mo-lv-se-man-di-gou-lian-ye-wen-hua-chou-yi-ming-263820","墨绿色满地勾莲叶纹花绸","墨绿底色沉敛如深潭，纱线交织出匀净细密的肌理，内敛柔光晕开沉静雅致的气韵。暗刻的莲叶纹样隐于绸面，含蓄清雅，带着中式审美里独有的留白意趣。经纬之间藏着旧时织造的匠心，纱线紧实平整，带着经年沉淀下来的温润质感，将日常织物晕染出古典雅致的格调，把实用与审美悄然相融，于无声处尽显传统丝织工艺的细腻底蕴。",[41,35127,12203,232,76857],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ff9bf619b2b55e14787f1fb10b7709792.jpg",[],{"id":241516,"slug":241517,"title":241518,"dynasty":55,"author":7,"museum":172,"description":241519,"tags":241520,"thumbUrl":241521,"material":296,"size":297,"collection":11,"collections":241522,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":50},263818,"xing-huang-se-bai-die-wen-zhou-chou-yi-ming-263818","杏黄色百蝶纹绉绸","暖杏底色柔润沉静，绉纱肌理自带朦胧褶皱，似揉过春日软风。百蝶纹样隐于纱线之间，似蛱蝶振翅掠过时留下的淡影，不彰自显，将中式写意的含蓄揉入经纬。织纹细密匀净，配色暖而不艳，把闲雅的审美意趣藏在寸缕之间，触之仿若能感知旧时光里的温婉日常，尽显东方织物自带的隽雅古韵。",[41,38908,1157,32,345],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F700059b5123e6238ff7562f5d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面便见蛱蝶似振翅欲飞，将灵动生机藏于沉静暮色般的底色中。\n手工织造的春绸挺括又带着软糯触感，纱线捻度匀净规整，历经岁月色泽依旧匀净饱满，不见褪败斑驳。暗纹蝶影藏而不露，暗合中式含蓄意趣，将东方审美的克制雅致织入寸寸丝缕，触摸间可感往昔手工织物独有的温润呼吸，是旧时织造工艺与雅致审美相融的缩影。",[41,24362,32044,35127],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fcdcd0b7c524b52c4267036cee5a03aee.jpg",[],{"id":241790,"slug":241791,"title":241792,"dynasty":55,"author":7,"museum":172,"description":241793,"tags":241794,"thumbUrl":241795,"material":296,"size":297,"collection":11,"collections":241796,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":277},263770,"cui-lv-se-hu-lu-tuan-hua-wen-chun-chou-yi-ming-263770","翠绿色葫芦团花纹春绸","莹润翠绿晕出深浅渐变，如将春山烟霭织入经纬之间。暗刻的葫芦团花纹样隐于布面，把福禄祈愿藏进含蓄肌理，温婉雅致不张扬。手工织造的质朴肌理仍清晰可见，毛边带着岁月摩挲的细碎痕迹，将旧日织造的细腻匠心凝在纱线中，把寻常面料晕染成带着烟火暖意的雅致风物，静述传统织物的内敛美学。",[41],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F6a66774fcaffae24d556c0c9830e34a5.jpg",[],{"id":241798,"slug":241799,"title":241800,"dynasty":55,"author":7,"museum":172,"description":241801,"tags":241802,"thumbUrl":241803,"material":296,"size":297,"collection":11,"collections":241804,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":8798},263764,"qing-se-tuan-li-he-wen-yuan-yang-duan-yi-ming-263764","青色团立鹤纹鸳鸯缎","深褐底色沉郁内敛，暗织团鹤与鸳鸯纹样在光影里若隐若现，将祥瑞意涵藏于经纬。湖蓝与酒红的滚边点缀两侧，冷色与暖色相映，打破了整体厚重感，添了几分灵动层次。\n\n暗纹织造工艺精妙，纹样雅致却不张扬，贴合含蓄的审美意趣。经纬之间藏着织匠巧思，把吉庆祥和融于日常面料之中，静而不闷，简而不寡，尽显传统织绣工艺的内敛韵味与不俗匠心。",[41,14432,42927,32295],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F275c98e3beab8cffefe19090c303c5a1.jpg",[],{"id":241806,"slug":241807,"title":241808,"dynasty":55,"author":7,"museum":172,"description":241809,"tags":241810,"thumbUrl":241812,"material":296,"size":297,"collection":11,"collections":241813,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":70},263763,"pu-hui-se-hu-lu-hua-ba-bao-yun-wen-xian-chou-yi-ming-263763","葡灰色葫芦花八宝云纹线绸","沉静雅致的葡灰底色之上，葫芦花与八宝云纹以暗提花工艺隐于绸面，纹饰含蓄灵动。葫芦暗含福禄之吉，八宝藏纳祥瑞祈愿，将传统吉祥意韵融于织物肌理。右侧规整压褶赋予面料挺括柔和的韵律感，提花工艺细腻入微，让纹样于素色中若隐若现，低调尽显内敛华贵。整体将织造工艺的精巧与东方审美含蓄温润的特质相融，把日常织物化作承载美好期许的雅致载体，尽显旧时光里的温婉意趣。",[41,35127,75449,241811],"八宝云纹","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F8b2c828fe6e576e623fe1451b566d0b4.jpg",[],{"id":241815,"slug":241816,"title":241817,"dynasty":55,"author":7,"museum":172,"description":241818,"tags":241819,"thumbUrl":241820,"material":296,"size":297,"collection":11,"collections":241821,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":50},263762,"lan-se-er-ze-han-wen-xian-chou-yi-ming-263762","蓝色二则汉纹线绸","宝蓝色调沉静端庄，暗织团纹于经纬之间若隐若现，带着东方美学独有的含蓄雅致。细窄黄边勾勒幅面，提亮了沉郁底色，让整体配色沉稳又不失灵动。暗纹排布规整内敛，将古朴意趣藏于织物肌理当中。岁月赋予其温润哑光的质感，每一寸经纬都凝聚着细腻匠心，低调间尽显古典华贵气韵，晕染出独属于旧时光的沉静氛围感。",[41,35127,32246,34956],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fe8ea465285de6fc650642c9722f642fb.jpg",[],{"id":241823,"slug":241824,"title":241825,"dynasty":55,"author":7,"museum":172,"description":241826,"tags":241827,"thumbUrl":241828,"material":296,"size":297,"collection":11,"collections":241829,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":50},263761,"lv-se-mei-die-qiu-wen-xian-chou-yi-ming-263761","绿色梅蝶球纹线绸","整体色调清润雅致，如春水初融。底料匀净莹润，其上梅蝶球纹往复排布，梅花娇俏含韵，蝶翼轻展灵动，团团纹样流转间，将冬日清趣与翩然生机糅合为一。织纹细密紧实，走线匀整不见糙意，暗纹随光线晕化深浅，于低调内敛中尽显织造匠心，藏着旧时审美里的温婉意趣，静静诉说着传统织绣工艺的精巧细致。",[41,24310,542,1157,80,4533],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fd01a76a839f133ad050d0ce96b7404f5.jpg",[],{"id":241831,"slug":241832,"title":241833,"dynasty":55,"author":7,"museum":172,"description":241834,"tags":241835,"thumbUrl":241836,"material":296,"size":297,"collection":11,"collections":241837,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":50},263760,"tao-hong-se-tuan-long-wen-xian-chou-yi-ming-263760","桃红色团龙纹线绸","此织物色泽柔润鲜亮，桃红色调自带喜庆温婉的氛围感，暗合传统吉庆审美。团龙纹以暗晕技法织就，线条婉转细腻，祥龙盘绕成团，威严灵动兼具，暗藏纳福祈祥的美好寓意。底料带规整竖纹肌理，挺括匀净，将纹样衬得愈发雅致耐看。织作工艺考究精妙，纹样排布错落有序，既保留了制式织物的庄重感，又凭借柔润色彩消解了严肃感，尽显传统织造美学的精巧匠心，是东方丝织华贵质感与古典审美的绝佳体现。",[41,59,27728,12947],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F9ea2a53fc3e076f73afb00d0b7d6cbf9.jpg",[],{"id":241839,"slug":241840,"title":241841,"dynasty":55,"author":7,"museum":172,"description":241842,"tags":241843,"thumbUrl":241844,"material":296,"size":297,"collection":11,"collections":241845,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":70},263759,"mei-gui-hong-se-mei-die-qiu-wen-xian-chou-yi-ming-263759","玫瑰红色梅蝶球纹线绸","这款面料以柔婉的玫瑰红铺陈底色，宛若将春日霞色裁入丝缕。梅枝萦回、蝶翼翩跹，团团簇成暗纹花球，将报春梅韵与恋花蝶影相融，暗藏岁长春和、团圆美满的祈愿。\n\n织纹细腻莹润，柔光顺着纱线晕开，暗纹隐现间把文人雅致揉进日常织物中，触之滑糯亲肤。方寸面料间，藏着传统织造的精巧心思，把东方审美里的温柔意趣织入寸缕，静述旧时的雅致日常。",[41,35003,28176,24362,112545],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F126eb31c238b453284b61e3a68c98185.jpg",[],{"id":241847,"slug":241848,"title":241849,"dynasty":55,"author":7,"museum":172,"description":241850,"tags":241851,"thumbUrl":241852,"material":296,"size":297,"collection":11,"collections":241853,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":70},263758,"shi-qing-se-tuan-long-wen-xian-chou-yi-ming-263758","石青色团龙纹线绸","石青底色沉穆端雅，将华贵隐于暗敛色泽之中。团龙纹以暗花工艺织就，于绸面之上若隐若现，龙身线条婉转灵动，细节处尽显织造匠人的精妙工力。暗纹随光影流转时隐时现，既契合礼制中内敛端方的规制意蕴，又将威仪藏于织物肌理。手工织造的温润质感，让沉凝底色与柔滑触感相融，把肃穆等级与织造美学悄然揉合，于静谧间铺陈出旧时织造工艺的极致匠心，尽显古典织物的隽永之态。",[41,59,27728,35127,345],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Feed90fbb67cefd2312429968491996ce.jpg",[],{"id":241855,"slug":241856,"title":241857,"dynasty":55,"author":7,"museum":172,"description":241858,"tags":241859,"thumbUrl":241860,"material":296,"size":297,"collection":11,"collections":241861,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":50},263756,"mu-hong-se-er-ze-tuan-long-wen-jiang-chou-yi-ming-263756","木红色二则团龙纹江绸","木红如霞色初凝，沉敛雅致自带华贵气韵。织面匀净细腻，团龙暗纹隐于纱线肌理之间，若现若藏，将皇家制式的威仪融于低调肌理中，不显张扬却暗合礼制章法。江绸质地莹润软糯，经纬交织紧实平整，尽显织造工艺的精湛考究。它以极简底色承载传统礼制纹样，将实用性与礼制意涵相融，把东方美学的含蓄内敛藏入织物骨血，是兼具质感与意蕴的精巧造物。",[41,270,345],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fafeee93598272e6c2379ca1f426ddc39.jpg",[],{"id":241863,"slug":241864,"title":241865,"dynasty":55,"author":7,"museum":172,"description":241866,"tags":241867,"thumbUrl":241868,"material":296,"size":297,"collection":11,"collections":241869,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":70},263755,"jiang-se-tuan-long-za-bao-wen-jiang-chou-yi-ming-263755","绛色团龙杂宝纹江绸","沉稳绛红铺陈全貌，敛去张扬火气，自带古雅静穆的质感。暗织的团龙杂宝隐于料面，龙纹威仪内敛，杂宝纹样暗喻祥瑞祈愿，经纬之间织就旧时礼制与吉庆意涵。纱线紧致细密，仿佛能触到百年前织造时的手心温度。侧边明黄细条提亮沉色，于肃穆之中晕开一丝灵动。\n\n整料气息端方厚重，是旧时织造工艺里礼制面料的缩影，将实用属性与礼制审美相融，藏着旧朝规制与匠人巧思，静默诉说着传统织物里的雅致章法。",[41,27728,27729],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F84c051441116f8b4ecff4bec1e76b847.jpg",[],{"id":241871,"slug":241872,"title":241873,"dynasty":55,"author":7,"museum":172,"description":241874,"tags":241875,"thumbUrl":241876,"material":296,"size":297,"collection":11,"collections":241877,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":115},263752,"xing-huang-se-gua-die-mian-mian-wen-zhou-chou-yi-ming-263752","杏黄色瓜瓞绵绵纹绉绸","暖调杏黄晕染雅致光泽，瓜瓞绵绵纹样暗织其间，卷须硕果错落隐现，取义子孙绵延、福寿不绝。织物肌理带着绉绸特有的微皱质感，暗纹随光线流转若隐若现，既有华贵雍容的气韵，又以含蓄纹样寄托吉祥祈愿，尽显精妙织造匠心，将礼制审美与民俗意趣融于寸缕之间，静诉旧时织物的雅致底蕴。",[41,38908,75281,27684],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fdf967de953001a0d2d9eaae96c33c950.jpg",[],{"id":241879,"slug":241880,"title":241881,"dynasty":55,"author":7,"museum":172,"description":241882,"tags":241883,"thumbUrl":241884,"material":296,"size":297,"collection":11,"collections":241885,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":50},263751,"xing-huang-se-die-lian-mu-dan-wen-xian-chou-yi-ming-263751","杏黄色蝶莲牡丹纹线绸","杏黄底色柔和温婉，自带华贵雅致的古韵氛围。纹样排布规整有序，蝶影翩跹于莲间，牡丹舒展盛放，将清雅莲韵与富丽花意相融，既有出尘之态，又携富贵吉庆的美好寓意。\n\n提花工艺细腻匀整，纹样若隐若现于柔滑底料之上，光影晕开含蓄雅致的肌理层次，尽显旧时织造工艺的精妙造诣，将日常织物晕染为兼具装饰性与审美性的古典佳作，静诉着旧时造物里的细腻巧思。",[41,98,446,105,16907],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F93bde43bc10608fb05628662763542b1.jpg",[],{"id":241887,"slug":241888,"title":241889,"dynasty":55,"author":7,"museum":172,"description":241890,"tags":241891,"thumbUrl":241892,"material":296,"size":297,"collection":11,"collections":241893,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":70},263750,"tuo-huang-se-su-jiang-chou-yi-ming-263750","驼黄色素江绸","这匹素绸色调沉稳柔和，驼黄一如落日熔金后的余温，晕开沉静雅致的氛围感。织物以平实无纹的素面呈现，将中式留白美学融于经纬之间，没有繁复雕饰，只以细腻均匀的纱线肌理展现织造功底。经纬交织紧密扎实，带着旧时光沉淀下的温润质感，内敛克制的形制里，藏着古典审美的极致意蕴，静静诉说着旧时手作织造的匠心，仿佛能触摸到百年前的织造温度。",[41,223074,21401,12949],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fbd0ca64227dbc6a98fefb5a0ca0d523f.jpg",[],{"id":241895,"slug":241896,"title":241897,"dynasty":55,"author":7,"museum":172,"description":241898,"tags":241899,"thumbUrl":241900,"material":296,"size":297,"collection":11,"collections":241901,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":115},263749,"ming-huang-se-er-ze-tuan-long-wen-jiang-chou-yi-ming-263749","明黄色二则团龙纹江绸","明黄底色自带沉敛威仪，团龙暗花隐于绸面，将华贵藏于含蓄之间。经纬交织织就莹润肌理，龙纹线条婉转却暗含遒劲力道，不见分毫张扬，却尽显尊崇礼制。柔光轻覆，暗纹若隐若现，仿佛将皇家肃穆矜重揉入每一缕丝线，触之可感江绸垂坠莹润的质感。静穆中沉淀着旧时宫廷审美的极致克制，把无上威仪织进织物肌理，于无声处诉说着曾经的规制风华。",[41,59,27728,35067,35145],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ff8b080fb62b3bc99ebae4a745a616cda.jpg",[],{"id":241903,"slug":241904,"title":241905,"dynasty":55,"author":7,"museum":172,"description":241906,"tags":241907,"thumbUrl":241908,"material":296,"size":297,"collection":11,"collections":241909,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":50},263748,"ming-huang-se-tuan-tai-ping-you-xiang-wen-jiang-chou-yi-ming-263748","明黄色团太平有象纹江绸","明黄正色自带皇家仪制的华贵庄重，团窠内太平有象纹样细密婉转，憨态瑞象藏着河清海晏的祈愿，缠枝纹饰缭绕其间，柔化礼制肃穆，晕开灵动雅致。江绸地子莹润挺括，暗纹随光流转隐现，织工匀整精妙，将高超织造技艺与吉祥意趣相融，静述着旧时对太平盛世的深切期许，是清代宫廷织造审美与礼制文化的缩影。",[41,35145,35067,22979,34956],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F0fbf1bb476c03195f034b9a4b7289239.jpg",[],{"id":241911,"slug":241912,"title":241913,"dynasty":55,"author":7,"museum":172,"description":241914,"tags":241915,"thumbUrl":241917,"material":296,"size":297,"collection":11,"collections":241918,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":50},263746,"e-huang-se-duo-lan-si-ze-gong-bi-wen-jiang-chou-yi-ming-263746","鹅黄色朵兰四则供璧纹江绸","鹅黄温婉如春日初阳融雪，柔和雅致。左侧细密直褶如春水漾开的细纹，规整中带着灵动韵律。暗纹隐于纱线之间，朵兰清雅舒展，供璧圆融安宁，暗合祥瑞清和之意，不显山露水却藏尽匠心巧思。\n\n织物肌理匀净细腻，将礼制的端方与文人意趣悄然糅合，静穆里带着江南织造的温婉质感。指尖轻触可感纱线的紧实匀净，仿佛能窥见旧时织坊里匠人指尖的温度，藏着传统织造的精致底色。",[41,58917,110404,241916,35145,4533],"供璧纹","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F2f0f3419fc8aed7425bfa9bc67252871.jpg",[],{"id":241920,"slug":241921,"title":241922,"dynasty":55,"author":7,"museum":172,"description":241923,"tags":241924,"thumbUrl":241925,"material":296,"size":297,"collection":11,"collections":241926,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":11321},263744,"ming-huang-se-xie-wan-di-hu-lu-fu-shou-wen-jiang-chou-yi-ming-263744","明黄色斜万地葫芦福寿纹江绸","明黄底色自带威仪庄重，是旧时专属的华贵之色。斜纹地子之上，暗织葫芦福寿纹样，隐而不发，在光影流转间才显露出精巧构图。葫芦谐音福禄，搭配福寿团纹，将纳福祈寿的美好寓意藏入经纬。\n\n其织造工艺精妙卓绝，纱线排布细密匀整，触感软糯垂坠，尽显传统丝织手艺的顶尖水准。将礼制规制与吉祥意趣融为一体，藏着古人对安康圆满的深切期许，是兼具审美价值与文化内涵的织物精品。",[41,26285,12948],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ffab61bf2cfde4921796274efbe6fb599.jpg",[],{"id":241928,"slug":241929,"title":241930,"dynasty":55,"author":7,"museum":172,"description":241931,"tags":241932,"thumbUrl":241934,"material":296,"size":297,"collection":11,"collections":241935,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":50},263741,"bao-lan-se-hu-jiao-yan-han-wa-wen-hua-chou-yi-ming-263741","宝蓝色胡椒眼汉瓦纹花绸","沉邃底色晕开静穆雅致，细碎胡椒眼地纹铺就细密肌理，汉瓦团纹隐于丝缕之间。提花工艺尽显精巧，团纹排布匀整对称，将秦汉瓦当的苍古韵味织入织物，形制内敛克制，却藏着中式审美里的含蓄雅致。未以繁复彩饰张扬，仅以一色一展织造匠心，把古意与日常织造相融，尽显旧时造物的沉静美学。",[41,35003,43005,75127,241933,59964],"胡椒眼","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fda581d2088ace7bf29c1b400215580ff.jpg",[],{"id":241937,"slug":241938,"title":241939,"dynasty":55,"author":7,"museum":172,"description":241940,"tags":241941,"thumbUrl":241942,"material":296,"size":297,"collection":11,"collections":241943,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":70},263739,"yin-hui-se-ling-xian-zhu-shou-wen-jiang-chou-yi-ming-263739","银灰色灵仙祝寿纹江绸","暗花织纹隐于素色绸面，灵仙祝寿的吉庆意象随经纬铺展。仙芝缠寿纹、瑞鹤伴清景，线条柔婉细腻，似将祥瑞藏于莹润纱色之中。不见浓墨重彩，只凭明暗层次晕开雅致氛围，把祈寿纳福的心意，尽数织入方寸丝缕间。织物莹润自带柔光，暗纹似有若无，如薄雾笼住庭间瑞景，尽显旧时织造的内敛匠心，静诉中式织物独有的温婉意蕴。",[41,35127,75400,5548],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F7722fcdfd9daa5d6fc418cd6007e12db.jpg",[],{"id":241945,"slug":241946,"title":241947,"dynasty":55,"author":7,"museum":172,"description":241948,"tags":241949,"thumbUrl":241950,"material":296,"size":297,"collection":11,"collections":241951,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":50},263738,"bao-lan-se-ling-xing-wen-di-xiao-tuan-hua-wen-hua-chou-yi-ming-263738","宝蓝色菱形纹地小团花纹花绸","这款织物以沉静宝蓝为底，暗织菱形肌理铺就细腻底色，其上小团花错落舒展，纹样精巧含蓄，悄然晕开雅致意趣。朱红窄边勾勒轮廓，冷暖色调相映，中和了蓝调的沉敛，凭添几分灵动鲜活。整体织造细密平整，纹样排布匀齐规整，将旧时匠人考究工艺藏在经纬之间，把东方古典的含蓄审美融于丝线交织中，尽显传统织物隽永静雅的别致韵味。",[41,59964,76743,223546],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fad9b4734ef53084243bd75cd092ba265.jpg",[],{"id":241953,"slug":241954,"title":241955,"dynasty":55,"author":7,"museum":172,"description":241956,"tags":241957,"thumbUrl":241958,"material":296,"size":297,"collection":11,"collections":241959,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":70},263737,"lan-se-die-bao-fu-gui-wen-chun-chou-yi-ming-263737","蓝色蝶报富贵纹春绸","靛蓝匀净沉雅，如浸了暮春天色。暗纹蝶报富贵隐于纱绸间，蝶影轻绕花团，敛藏着吉祥意趣。春绸质地柔润细腻，纹样若隐若现，将中式雅致融于日常。沉静蓝调裹着旧时光的温润，织造的匠心藏在低调肌理中，把东方审美里的内敛克制尽数展现，在无声里诉说旧时造物的雅致情致。",[41,75216,32246,105,98,25797],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fa34be3f0cfcdeb92d2c1edf47b67d562.jpg",[],{"id":241961,"slug":241962,"title":241963,"dynasty":55,"author":7,"museum":172,"description":241964,"tags":241965,"thumbUrl":241966,"material":296,"size":297,"collection":11,"collections":241967,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":50},263734,"pu-hui-se-er-ze-tuan-long-wen-jiang-chou-yi-ming-263734","葡灰色二则团龙纹江绸","沉敛柔和的底色晕开古雅氛围，团龙暗纹以二则排布，规整间暗藏巧思。龙纹隐于江绸肌理之下，随光线流转时明时暗，将帝王礼制的威严敛于朦胧晕染间。\n\n江绸质地莹润软糯，经年岁月赋予织物温润旧韵，纱织肌理带着旧时织造的温度。肃穆龙纹不再张扬外放，融于素净底色之中，把礼制规制藏入日常织物的温婉里，尽显旧时织造工艺平衡礼制与审美的绝妙匠心，静述旧时光里的织造巧思。",[41,35145,59,27728],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fe3a9f9fddea89b75ed67364a0dcebd79.jpg",[],{"id":241969,"slug":241970,"title":241971,"dynasty":55,"author":7,"museum":172,"description":241972,"tags":241973,"thumbUrl":241974,"material":296,"size":297,"collection":11,"collections":241975,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":70},263733,"zi-hong-se-tuan-nian-nian-ji-qing-wen-jiang-chou-yi-ming-263733","紫红色团年年吉庆纹江绸","以饱满的紫红色铺陈底色，华贵沉郁间带着东方独有的雅致氛围感。暗织的团纹隐于缎面经纬，年年吉庆的美好寓意藏在纹样肌理之中，随着光线流转，暗纹时而朦胧浮现，时而融入底色，带着含蓄的灵动美感。明黄窄边撞色勾勒轮廓，为深沉色调注入一抹鲜亮生机。\n\n丝线交织的细腻光泽晕染开旧时光的温度，匠人的巧思藏在每一寸肌理，将对岁岁安和的祈愿织入缎面，静诉着旧时的绵长祝福。",[41,35145,34956,241354],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F03b1e9e8a12e8851ca5a20347b041a00.jpg",[],{"id":241977,"slug":241978,"title":241979,"dynasty":55,"author":7,"museum":172,"description":241980,"tags":241981,"thumbUrl":241983,"material":296,"size":297,"collection":11,"collections":241984,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":277},263732,"lan-se-yi-pin-zhao-yang-wen-an-hua-duan-yi-ming-263732","蓝色一品朝阳纹暗花缎","宝蓝色调沉敛雅致，暗花隐于缎面，唯有光影流转时方能窥见全貌。纹样取一品朝阳之制，仙鹤身姿舒展，翩然翔于圆光之中，朝日流云衬其左右，寄寓一品当朝、前程似锦的美好祈愿。\n\n暗花织就的工艺将礼制美感藏于低调，无张扬彩饰，以一色同纹的排布尽显规整端方，把森严的品级规制融于丝织巧思之内，静穆中透着含蓄华贵，尽显官用织物兼具礼制与美学的独到匠心。",[41,18782,241982,191,32246],"一品朝阳纹","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F2e483a4f49051771f496100b3803bf4c.jpg",[],{"id":241986,"slug":241987,"title":241988,"dynasty":55,"author":7,"museum":172,"description":241989,"tags":241990,"thumbUrl":241991,"material":296,"size":297,"collection":11,"collections":241992,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":50},263731,"tuo-se-yun-he-wen-jiang-chou-yi-ming-263731","驼色云鹤纹江绸","驼色柔润沉稳，自带岁月晕染出的复古暖意。江绸质地紧密匀净，光泽内敛温润，不显张扬。暗织的云鹤纹排布舒展相宜，云纹如卷似舒，晕染开清逸仙气，仙鹤身姿悠然翩跹，将长寿祥瑞的祈愿藏在经纬交织之中。\n\n纹样未做过度繁复堆砌，只以含蓄肌理诉说东方雅致审美，匠人的精工藏在每一丝走线里，把传统祥瑞意趣融于日常织物，尽显旧时织造工艺的内敛风骨，触摸之下，仿佛能感知百年前那份从容雅致的生活意趣。",[41,39149,35145],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F627375f0a9487dce79a2d29068b1ece5.jpg",[],{"id":241994,"slug":241995,"title":241996,"dynasty":55,"author":7,"museum":172,"description":575,"tags":241997,"thumbUrl":241998,"material":296,"size":297,"collection":11,"collections":241999,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":50},263730,"hui-se-zheng-zhi-yu-tang-fu-gui-wen-jiang-chou-yi-ming-263730","灰色整枝玉堂富贵纹江绸",[41,35145,112188,98],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F259d5c69ffab4a88159545b0ab6d19be.jpg",[],{"id":242001,"slug":242002,"title":242003,"dynasty":55,"author":7,"museum":172,"description":242004,"tags":242005,"thumbUrl":242006,"material":296,"size":297,"collection":11,"collections":242007,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":50},263728,"yue-bai-se-lian-hua-shuang-xi-wen-jiang-chou-yi-ming-263728","月白色莲花双喜纹江绸","月白底色莹润温婉，暗纹疏朗排布，莲花缱绻环绕双喜纹样，藏韵于丝缕之间。丝织物肌理紧实匀净，柔光晕开，暗花若隐若现，尽显含蓄雅致的东方意趣。\n\n莲纹清丽脱俗，携着清和雅致的气韵，将成双之喜藏于花团深处，把佳偶天成的祝福融在素净底色之中。经纬交织间尽显织造匠心，以暗花工艺将浪漫期许悄悄织入莹润丝缎，静诉旧时织作的精巧意韵，把中式美学里的内敛温柔藏进织物纹理，是兼具审美意趣与吉祥意蕴的精巧造物。",[41,446,5652],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F2eb8b5718dbaa4eeee91ca68f60f5233.jpg",[],{"id":242009,"slug":242010,"title":242011,"dynasty":55,"author":7,"museum":172,"description":242012,"tags":242013,"thumbUrl":242014,"material":296,"size":297,"collection":11,"collections":242015,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":70},263727,"ou-he-se-yuan-shou-zi-hui-wen-jiang-chou-yi-ming-263727","藕荷色圆寿字回纹江绸","藕荷柔色自带沉静温婉的古韵，暗织圆寿与回纹。回纹连绵缠绕，寓意福寿无尽，团寿饱满周正，纹样排布疏密相宜，在光影下隐现流动，低调间尽显精巧匠心。江绸质地细密挺括，触感顺滑莹润，织造工艺成熟老道，将祥瑞寓意藏于经纬之间，把日常织物晕染出含蓄雅致的中式美学，是兼具实用与审美的上乘织物。",[41,59481,32044,17683,11286],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fed5a28cc8cccc3c0982a3f116f4b7bae.jpg",[],{"id":242017,"slug":242018,"title":242019,"dynasty":55,"author":7,"museum":172,"description":242020,"tags":242021,"thumbUrl":242023,"material":296,"size":297,"collection":11,"collections":242024,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":50},263726,"tu-huang-se-tian-zhu-mu-dan-wen-jiang-chou-yi-ming-263726","土黄色天竹牡丹纹江绸","暖润底色之上，暗花如浅梦隐现。天竹清隽、牡丹娇妍，枝蔓舒展缠绕，花叶柔婉灵动，提花工艺将纹样晕织于绸身，似有若无间尽显温婉雅致。构图匀净疏朗，边角铺陈纹样，留白妥帖，衬出织物莹润柔滑的质感。暗花工艺让纹样与底色浑融一体，静穆间藏着雅致生机，将吉祥意趣融于日常织物里，晕开旧时东方审美里含蓄内敛的温婉意韵，尽显传统织造的细腻匠心。",[41,27791,18784,242022],"天竹纹","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F260a8fec14394eead6c0e71420a08f7d.jpg",[],{"id":242026,"slug":242027,"title":242028,"dynasty":55,"author":7,"museum":172,"description":242029,"tags":242030,"thumbUrl":242032,"material":296,"size":297,"collection":11,"collections":242033,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":50},263725,"jiang-se-tuan-ju-hua-wen-jiang-chou-yi-ming-263725","绛色团菊花纹江绸","沉稳绛红铺陈底色，团菊暗纹隐于绸面，似藏着晚来秋意。江绸质地细密莹润，经纬之间织就饱满肌理，将菊的柔婉风骨敛于沉色之中，不张扬却自显雅致。\n\n纹样循回排布，规整中带着鲜活生气，把东方审美里的含蓄尽致展现。垂顺流苏缀于侧边，为沉敛的织物添了几分灵动柔和。整体气质端庄沉静，将日常织物揉进古典意趣，藏着旧时织造工艺的精妙心思，把雅致融于方寸之间，尽显内敛温婉的东方韵致。",[41,100,242031],"团花纹饰","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Feeb977717189bb7726e8433458554434.jpg",[],{"id":242035,"slug":242036,"title":242037,"dynasty":55,"author":7,"museum":172,"description":242038,"tags":242039,"thumbUrl":242040,"material":296,"size":297,"collection":11,"collections":242041,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":50},263723,"lv-se-teng-luo-die-wen-jiang-chou-yi-ming-263723","绿色藤萝蝶纹江绸","豆绿底色澄澈温婉，以暗花工艺将藤萝蛱蝶织入柔滑纱地。枝蔓蜿蜒舒展，缠连交错间晕开春日生机，蛱蝶轻栖花间，身影若隐若现，似藏在蔓叶里私语。\n整幅织物虚实相映，暗纹不彰自显，将中式写意的含蓄美学融于丝缕。没有浓艳着色，只以同色系暗花晕染出缱绻雅致的庭园意趣，触手柔润细腻，观之静谧悠然，把春日清景凝作可触可感的诗意，尽显东方温婉隽永的雅致格调。",[41,35145,5681,105,25797,4533],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F44d2f3a15f290f7b6b3984e6f147a854.jpg",[],{"id":242043,"slug":242044,"title":242045,"dynasty":55,"author":7,"museum":172,"description":242046,"tags":242047,"thumbUrl":242048,"material":296,"size":297,"collection":11,"collections":242049,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":50},263721,"lv-se-tuan-yi-pin-zhao-yang-wen-jiang-chou-yi-ming-263721","绿色团一品朝阳纹江绸","这匹江绸选色沉静雅致，柔润绿意自带古典氤氲气息。团窠一品朝阳纹排布匀整，纹样晕染柔和却层次明晰，朝日与祥纹呼应相合，暗合礼制规制，暗含端方威仪。\n\n江绸质地细密垂顺，历经岁月仍葆有柔光，织纹隐现间尽显旧时织造工艺的精妙，将礼制寓意与织造匠心融于一身，静诉传统丝织美学的内敛华章，是兼具礼制内涵与工艺价值的不俗之作。",[41,35145,14445,241982],"https:\u00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瓷小品里的精巧之作。",[160,2194,7581,32,190,98,146,346],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F5b90eef9cdf2d14fdaf6181d8917ac65.jpg",[],{"id":264306,"slug":264307,"title":264300,"dynasty":55,"author":7,"museum":172,"description":264308,"tags":264309,"thumbUrl":264310,"material":296,"size":297,"collection":11,"collections":264311,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":50},257748,"kang-xi-kuan-wu-cai-shi-er-yue-hua-hui-wen-bei-xiao-yi-ming-257748","此杯器型秀巧玲珑，胎质莹白似玉，釉面匀净温润。外壁以青花题咏诗句，笔意隽秀雅致，字体端丽清秀，诗文暗合晓花意境，雅致脱俗。青花发色明快沉静，留白恰到好处，将文人情趣融于素瓷之中，不见彩绘花影，却以诗传意，勾勒出破晓时分清寂幽远的花下意境，静穆间晕染出清雅诗意，尽显雅致格调，是制瓷工艺与文人雅趣精妙结合的佳品。",[2194,7581,11578,82,160,688,6616,54885,580,17738],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F9595796115013cc5fd370bd7fe1b7e9d.jpg",[],{"id":264313,"slug":264314,"title":264315,"dynasty":55,"author":7,"museum":172,"description":264316,"tags":264317,"thumbUrl":264318,"material":296,"size":297,"collection":11,"collections":264319,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":70},257747,"kang-xi-kuan-wu-cai-shi-er-yue-hua-hui-wen-bei-bu-yi-ming-257747","康熙款五彩十二月花卉纹杯-不","此杯胎质莹白轻薄，敞口弧腹，圈足秀巧玲珑。釉面匀净清透，以五彩绘就庭间花景：矾红月季饱满妍丽，花瓣层次分明，绿彩晕染枝叶，娇柔舒展，青花勾勒枝茎、点染坡石，以晕染之法摹写出朦胧幽意。青花沉静与彩料鲜妍相映成趣，色调柔和雅致。画面构图疏朗简约，将月季柔婉生机融于素净瓷面，勾勒晕染细腻写实，尽显隽秀雅致的审美意趣，是彩瓷小品中的精巧佳制。",[2194,7581,32,190,207,98,55],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F70835ec45c5bbbb04b4dff011d943064.jpg",[],{"id":264321,"slug":264322,"title":264315,"dynasty":55,"author":7,"museum":172,"description":264323,"tags":264324,"thumbUrl":264325,"material":296,"size":297,"collection":11,"collections":264326,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":50},257746,"kang-xi-kuan-wu-cai-shi-er-yue-hua-hui-wen-bei-bu-yi-ming-257746","此杯胎质莹白细腻如凝脂，釉色温润似玉，形制玲珑隽巧，线条柔婉流畅。杯身以青花题诗，笔意秀逸疏朗，“不随千种尽，独放一年红”，将花木孤高自持的品格融于字句间。题侧钤印方正古朴，与诗文相映成趣。\n\n它将制瓷工艺、诗文篆刻融为一体，把文人雅致藏于日用茶器中，观之如见清秋独绽的花木，暗合中式审美里的清寂出尘之意，是文人情思与匠艺完美契合的佳品。",[160,2194,7581,190,124,82,346],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F46eb1beedaa1d39673f04ddde89ccff9.jpg",[],{"id":264328,"slug":264329,"title":61174,"dynasty":55,"author":7,"museum":172,"description":264330,"tags":264331,"thumbUrl":264332,"material":296,"size":297,"collection":11,"collections":264333,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":70},257745,"kang-xi-kuan-wu-cai-shi-er-yue-hua-hui-wen-bei-su-yi-ming-257745","素白瓷胎为纸，淡彩晕染冬梅虬枝，花苞轻缀其上，似含待放之姿。青花勾勒湖石幽草，浅淡色调衬出清冷雅致，笔触细腻温婉，将冬日花境的清寂意趣融于杯身。\n\n杯盏虽小，却以彩料作笔墨，把冬梅凌寒的娴静之美凝缩其中，疏朗构图衬出文人审美里的淡远意韵，尽显旧时制瓷的雅致匠心，将一花一景的清幽雅致藏于掌心器物间。",[2194,7581,32,542,2784,36,190],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F127cbde6f643b7215fb4c69306e8bba0.jpg",[],{"id":264335,"slug":264336,"title":39162,"dynasty":55,"author":7,"museum":172,"description":264337,"tags":264338,"thumbUrl":264339,"material":296,"size":297,"collection":11,"collections":264340,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":50},257742,"kang-xi-kuan-wu-cai-shi-er-yue-hua-hui-wen-bei-qing-yi-ming-257742","这只小杯胎质轻薄莹润，釉色素白匀净如凝脂。青花题诗隽秀雅致，钤印添缀文韵，与浅淡五彩花卉相映成趣，将花木清灵之态与诗意共情融于方寸瓷胎。色彩明丽却不张扬，笔触细腻写实，把花木的舒柔情态晕染恰到好处，既保留饮器的实用意趣，又兼具文玩的清雅格调，将文人雅趣凝于掌心把玩间，尽显旧时制瓷的精妙匠心与古典审美意趣，于细微之处见雅致风骨。",[2194,7581,32,190,346,688,82],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fd2717fa3c064e3694b55b74a0b3aaa89.jpg",[],{"id":264342,"slug":264343,"title":264344,"dynasty":55,"author":7,"museum":172,"description":264345,"tags":264346,"thumbUrl":264347,"material":296,"size":297,"collection":11,"collections":264348,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":70},257741,"kang-xi-kuan-wu-cai-shi-er-yue-hua-hui-wen-bei-feng-yi-ming-257741","康熙款五彩十二月花卉纹杯-风","此杯以五彩妆点，老干虬曲苍劲，赭褐枝桠肆意舒展，丹红小花攒簇枝头，娇嫩绿萼小叶点缀其间，将花木盛放的鲜活意趣尽揽杯身。杯底以淡蓝轻点坡石苔痕，素净清润，衬得花树愈发明艳热烈。\n\n设色柔丽和谐，红彩鲜亮却无艳俗之感，绿彩匀净雅致。绘者笔致工细写实，枝干皴染细致，尽显古木苍朴质感，花瓣晕染层次分明，柔娇之态呼之欲出。莹白瓷胎温润通透，将花木绰约风姿与瓷色清莹相融，整体秀逸雅致，藏着春日融融的生机，尽显古雅清新的审美意韵。",[2194,7581,32,542,190,2784,192,160,346],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F7b92306acbdc79868849146a81cd578c.jpg",[],{"id":264350,"slug":264351,"title":264344,"dynasty":55,"author":7,"museum":172,"description":264352,"tags":264353,"thumbUrl":264354,"material":296,"size":297,"collection":11,"collections":264355,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":50},257740,"kang-xi-kuan-wu-cai-shi-er-yue-hua-hui-wen-bei-feng-yi-ming-257740","撇口敛腹，胎骨莹白轻薄。杯身以五彩绘就花树，苍劲老枝以赭石晕染，尽显嶙峋古意，枝头丹红小花攒簇绽放，嫩绿新叶错落点缀，鲜活灵动，仿若将春日枝桠盛放的生机凝于杯上。底部淡蓝晕染丛草，添了几分幽谧雅致。色彩明丽柔和，艳而不俗，笔触细腻写实，将诗画意趣融于瓷艺，把寻常茶器晕染出雅致的文人意境，方寸之间尽显匠心巧思。",[55,2194,7581,32,542,190,346],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F9cf8b9b96b184a35c444031f714e332a.jpg",[],{"id":264357,"slug":264358,"title":264359,"dynasty":55,"author":7,"museum":172,"description":264360,"tags":264361,"thumbUrl":264362,"material":296,"size":297,"collection":11,"collections":264363,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":70},257739,"kang-xi-kuan-wu-cai-shi-er-yue-hua-hui-wen-bei-qian-yi-ming-257739","康熙款五彩十二月花卉纹杯-千","胎质莹润洁白，釉色匀净清透。杯身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江苏扬州一带）。南宋官窑瓷器沿袭北宋风格，规整对称，宫廷气势，高雅大气，一丝不苟。因为胎土含铁量极高，手感沉重，胎土呈深黑褐色，后称”紫口铁足“。釉面沉重幽亮，釉厚如堆脂，温润如玉。釉面多层反复细刮，釉光下沉而不刺眼，纹理布局规则有致，造型庄重大方。另外”肉腐留骨“（露胎处像死人骨头，俗称”骨董“）也是那时所造。我们今天所称官窑泛指历朝官府烧造瓷器，其实，历史上仅指南宋时期烧造的瓷器，后世再无此称呼。\n官窑起自唐，有两种涵义，一是指贡器，一是指官厂。自唐代至元代（公元八世纪~十四世纪），官窑多有贡器，少有官厂，采取的形式是“官监民烧”，烧出的瓷器，“千中选十，百中选一”，进贡给统治阶级。这种瓷器就叫做贡瓷和官窑。那时，唐代在产瓷区设有司务，如唐景隆初（公元707~709年）褚绥为新平(景德镇)司务，奉诏监烧献陵祭器。宋代设监，如太平兴国年间(公元976~983年)，派殿前承旨赵仁济监理越州窑务。到了元代则设局，以提领监陶，后改为本设总管。他们烧出的“景德年制”，“枢府’等款式的瓷器，分别称为“景德窑’，“枢府窑”等。\n官窑之谓，在中国古代陶瓷史上有不同的内涵。就广义而言，是有别民窑而专为官办的瓷窑，其产品为宫廷所垄断。在宋代瓷器中，官窑即是一种专称，指北宋和南宋时在京城汴京（汴梁，今开封）和临安（今杭州）由宫廷设窑烧造的青瓷，故又有“旧官”和“新官”之分，前者为北宋官窑，后者为南宋官窑。\n官窑是在宋大观及政和年间于汴梁所造，青瓷釉色晶莹惕透，有开裂或呈冰片状，粉青紫口铁定是其特色。\n宋室南移在凤凰山下设立官窑，又称修内司官窑或内窑，郊坛下设立的郊坛下官窑，器形较多，有直径大过一尺的大型产品。\n从1128年元世祖忽必烈设置“浮梁磁局”，到二十世纪清朝覆亡，景德镇是元、明、清三代皇家瓷厂所在地，中国的官窑制度在这里延续了632年，江西景德镇也由此拥有烧造时间最长、规模最大、工艺最精巧的官办瓷厂。景德镇地下也因此存有大量因禁绝流入民间而被就地掩埋的古碎瓷，成为中国品类最完整、年代最可靠、信息最丰富的官窑遗址和“地下瓷都”。北宋官窑也称汴京官窑。相传北宋大观、政和年间，在汴京附近设立窑场，专烧宫廷用瓷器，即北宋官窑。南宋顾文荐《负暄杂录》记载：\"宋宣政间（宣和、政和即公元1111－1125年）京师自置窑烧造，名曰官窑\"，南宋叶在其《垣斋笔衡》中对北京官窑亦有记载：\"政和京师自置窑烧造，名曰官窑\"。当时的京师即汴京（今开封），因宋代汴京遗址已沉入地底，到今为止，尚未发掘出北宋官窑遗址，对于北宋官窑遗址缺乏考古发掘地资料和充足的文献资料的支撑，因此，时到今，关于北宋官窑遗址在何处，仍有不同说法，一般有三种说法：一说北宋官窑即为汝窑；二说否认北宋官窑的存在；三说为北宋官窑即为汴京官窑，它与南宋时的修内司官窑先后存在。\n南宋顾文荐《负睻杂录》记载：“宋宣政间（宣和、政和即公元1111~1125年）京师自置窑烧造，名曰‘官窑’”，南宋叶寘在其《垣斋笔衡》中对北京官窑亦有记载：“政和京师自置窑烧造，名曰‘官窑’”。明代《事物绀珠》、《留留青》因袭此说。当时的京师即汴京(今河南开封)，因宋代汴京遗址已沉入地下，到今为止，尚未发掘出北宋官窑遗址。对于北宋官窑遗址缺乏考古发掘地资料和充足的文献资料的支撑，因此，今关于北宋官窑遗址在何处，仍有不同说法，一般有三种说法：一说北宋官窑即为汝窑；二说否认北宋官窑的存在；三说为北宋官窑即为汴京官窑，它与南宋时的修内司官窑先后存在。支持第三种说法的人较多。\n北宋官窑传世品很少，形质与工艺与汝窑有共同处。器多仿古，主要有碗、瓶、洗等。胎体显厚，胎骨深灰、紫色或黑色，釉色有淡青、粉青、月白等，釉质莹润温雅，尤以釉面开大裂纹片著称，不同于南宋官窑和汝窑及龙泉窑瓷器。底有文钉烧痕，有“紫口铁足”的特征。",[2194,12327,5679,117166,931,346],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F8b0e849bd765cb8c50970732a3eb1f60.jpg",[2200],{"id":264975,"slug":264976,"title":264977,"dynasty":55,"author":7,"museum":172,"description":22457,"tags":264978,"thumbUrl":264980,"material":296,"size":297,"collection":2200,"collections":264981,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":277},257616,"fang-ding-yao-bai-you-hua-hua-yun-long-wen-zhe-yan-xi-yi-ming-257616","仿定窑白釉划花云龙纹折沿洗",[55,61014,3788,264979,27813,78441,2194,6616],"划花技法","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F0917bce7dc8e24ade403f8db39182798.jpg",[2200],{"id":264983,"slug":264984,"title":264985,"dynasty":241,"author":7,"museum":172,"description":22457,"tags":264986,"thumbUrl":264987,"material":296,"size":297,"collection":2200,"collections":264988,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":70},257614,"fang-ding-yao-bai-you-hua-hua-chan-zhi-lian-wen-wan-yi-ming-257614","仿定窑白釉划花缠枝莲纹碗",[2194,19818,6959,3788,61014,2195],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F590c561492b63f3c4caf9db135a98950.jpg",[2200],{"id":264990,"slug":264991,"title":264992,"dynasty":55,"author":7,"museum":172,"description":22457,"tags":264993,"thumbUrl":264994,"material":296,"size":297,"collection":2200,"collections":264995,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":277},257613,"fang-ding-yao-bai-you-hua-hua-hai-shui-shuang-yu-mu-dan-wen-li-shi-wan-yi-ming-257613","仿定窑白釉划花海水双鱼牡丹纹笠式碗",[55,2194,50813,3788,19818,10650,51852,98,17700],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fb142adf72a98957fe4cee366528da657.jpg",[2200],{"id":264997,"slug":264998,"title":264999,"dynasty":55,"author":7,"museum":172,"description":22457,"tags":265000,"thumbUrl":265001,"material":296,"size":297,"collection":2200,"collections":265002,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":277},257612,"fang-ding-yao-bai-you-hua-hua-hai-shui-shuang-yu-wen-zhe-yan-xi-yi-ming-257612","仿定窑白釉划花海水双鱼纹折沿洗",[55,2194,50813,3788,19818,10650,78440],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F6d94af50effe8beaffef32b0fb4cef6d.jpg",[2200],{"id":265004,"slug":265005,"title":265006,"dynasty":55,"author":7,"museum":172,"description":22457,"tags":265007,"thumbUrl":265008,"material":296,"size":297,"collection":2200,"collections":265009,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":277},257611,"fang-ding-yao-bai-you-hua-hua-mu-dan-shuang-yu-wen-wan-yi-ming-257611","仿定窑白釉划花牡丹双鱼纹碗",[160,50813,3788,19818,98,78440,2194,346],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fb10f89ffc205e76b6f3f3f08c0a30f9e.jpg",[2200],{"id":265011,"slug":265012,"title":118444,"dynasty":241,"author":7,"museum":172,"description":12964,"tags":265013,"thumbUrl":265014,"material":296,"size":297,"collection":11,"collections":265015,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":277},257610,"fang-jun-mei-gui-zi-you-pan-yi-ming-257610",[2194,39278,61328,11749,17738,931],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F9a4444232ce3598c300a271eb793b109.jpg",[],{"id":265017,"slug":265018,"title":265019,"dynasty":241,"author":7,"museum":172,"description":8319,"tags":265020,"thumbUrl":265021,"material":296,"size":297,"collection":11,"collections":265022,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":277},257608,"lan-di-diao-hua-shuang-er-fang-ping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考究。\n整体无过多繁饰，以釉色之美取胜，沉静的色调尽显内敛华贵，带着端庄气韵，将素雅美学融于实用器物中，尽显制珐琅工艺的精湛造诣，静穆端方之间，尽显匠心凝练的雅致风骨。",[5145,32,5146,346,542,6837],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fb9d2cd2ba0da309309a3d1d9f3d6b03c.jpg",[],{"id":302283,"slug":302284,"title":302285,"dynasty":55,"author":7,"museum":172,"description":12334,"tags":302286,"thumbUrl":302287,"material":296,"size":297,"collection":11,"collections":302288,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":70},249225,"hua-fa-lang-tao-shi-jiu-zi-he-yi-ming-249225","画珐琅桃式九子盒",[160,5145,8331,346,45077,32],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fc3a4dff006d5e551a3e4963edd8a19c4.jpg",[],{"id":302290,"slug":302291,"title":302292,"dynasty":55,"author":7,"museum":172,"description":302293,"tags":302294,"thumbUrl":302295,"material":296,"size":297,"collection":11,"collections":302296,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":277},249224,"qian-long-kuan-hua-fa-lang-bai-hua-wen-xi-yi-ming-249224","乾隆款画珐琅百花纹洗","敞口浅腹，鎏金口沿晕开华贵质感。外壁以蓝釉绘缠枝纹，蓝白交织如烟雨绕枝，繁密却不失清雅韵律，将含蓄温婉藏在釉色莹润里。内壁遍绘百花齐放，群芳挤簇成团，粉艳娇黄错落交织，把春日花苑敛于方寸，浓丽鲜活，尽显重工彩饰的惊艳手笔。\n\n器物将素净清丽与秾艳鲜活相融，釉彩的通透光泽搭配鎏金边饰的雅致华贵，静立便揽尽一园春景，尽显旧时造器的极致匠心，是彩饰工艺集大成的精巧之作。",[5145,8331,32,25870,346],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F5dd87ad86c68cee25887cb9d905ee0db.jpg",[],{"id":302298,"slug":302299,"title":302300,"dynasty":55,"author":7,"museum":172,"description":302301,"tags":302302,"thumbUrl":302303,"material":296,"size":297,"collection":11,"collections":302304,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":50},249223,"qian-long-kuan-hua-fa-lang-lan-se-guang-su-yuan-hua-pen-yi-ming-249223","乾隆款画珐琅蓝色光素圆花盆","此器釉色匀净莹润，如深海凝萃的幽蓝暗光，素净无饰却自带华贵气场。敞口折沿，胎骨匀薄，口沿露出的白釉底与浓蓝形成鲜明撞色，利落雅致。器型线条舒展流畅，自底向上缓缓外撇，似承托一捧清辉，简约大气却尽显规整考究。釉色厚腴饱满，光线下泛着温润柔光，以纯粹色彩勾勒极简美学，将工艺的沉稳雅致展现得淋漓尽致，于素净间诠释出高阶内敛的审美意趣。",[5145,42624,6837,8331,346],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F1643b27934b2988d12a4d9a94f608e6c.jpg",[],{"id":302306,"slug":302307,"title":302308,"dynasty":55,"author":7,"museum":172,"description":302309,"tags":302310,"thumbUrl":302311,"material":296,"size":297,"collection":11,"collections":302312,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":277},249222,"qian-long-kuan-hua-fa-lang-kai-guang-shan-shui-ren-wu-tu-chang-fang-hua-pen-yi-ming-249222","乾隆款画珐琅开光山水人物图长方花盆","此件长方花盆造型规整端雅，原配台座更添稳重之态。器身以缠枝百花铺陈为地，繁丽饱满，鎏金边饰勾勒出清雅开光。\n\n开窗内山水人物图意韵悠长：浅淡晕染的远山层叠朦胧，近岸间雅士聚谈、渔樵悠然，人物衣袂灵动舒展，草木水景细腻入微。珐琅釉色鲜亮匀净，西式彩釉工艺与中式文人山水意韵相融，华贵大气又不失悠远意境，将宫廷制器的精工与传统风雅审美巧妙结合，尽显清中期画珐琅工艺的超凡水准，雍容雅致，意韵绵长。",[55,5145,12695,32,60,33,8331,346],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fd264a6a768ae3573da85a6400f83749f.jpg",[],{"id":302314,"slug":302315,"title":126788,"dynasty":55,"author":7,"museum":172,"description":35761,"tags":302316,"thumbUrl":302317,"material":296,"size":297,"collection":11,"collections":302318,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":50},249221,"qian-long-kuan-hua-fa-lang-wu-gong-bing-mei-kai-guang-hua-guo-wen-hua-gu-yi-ming-249221",[160,5145,12695,32,17692,17718,43844,8331,31],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F6eb95f2fcf7eb520b3fcaea746786aff.jpg",[],{"id":302320,"slug":302321,"title":302322,"dynasty":55,"author":7,"museum":172,"description":302323,"tags":302324,"thumbUrl":302325,"material":296,"size":297,"collection":11,"collections":302326,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":277},249220,"qian-long-kuan-hua-fa-lang-lian-hua-wen-die-yi-ming-249220","乾隆款画珐琅莲花纹碟","此碟取睡莲花形塑胎，胭脂红晕染瓣身，细笔勾勒花脉，将莲瓣柔润舒展之态凝于器身。釉色匀净莹亮，红彩深浅渐变，仿若晨露未散的菡萏，带着荷塘清韵。口沿描金勾边，柔媚底色晕出华贵雅致，红金相映间，把水生花的清隽与精细工巧相融，静立案头，宛如将一捧夏塘雅致凝缩方寸，尽显清逸秀美的东方意趣。",[5145,177,5146,346],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fc069fb5c0da7c2087a42c9ccbf4a6150.jpg",[],{"id":302328,"slug":302329,"title":302330,"dynasty":55,"author":7,"museum":172,"description":302331,"tags":302332,"thumbUrl":302333,"material":296,"size":297,"collection":11,"collections":302334,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":50},249218,"qian-long-kuan-hua-fa-lang-wu-gong-bing-mei-kai-guang-hua-guo-wen-zhu-tai-yi-ming-249218","乾隆款画珐琅五供-冰梅开光花果纹烛台","此烛台形制挺拔隽秀，双层方台错落承托，黄铜尖钉高挑烛位，静候明烛燃起。霁蓝釉为底，遍铺冰梅纹样，朵朵白梅似凝霜缀于幽蓝间，清冷雅致。开光处晕染花果图景，饱满的鲜果与盛放花叶色泽鲜亮，打破底色沉静，晕开几分鲜活意趣。周身描金勾勒轮廓，冷蓝釉色与暖金线条相映，让釉色层次愈发分明，华贵而不失清雅。将精工融于礼制器物，既持礼器的端方规整，又以冰梅寄清雅、花果寓生机，尽显雅致匠心。",[160,8331,5145,12695,17692,17718,34507],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F621bdf74fbc14ffa52bdbeddd5c6f87a.jpg",[],{"id":302336,"slug":302337,"title":302330,"dynasty":55,"author":7,"museum":172,"description":302338,"tags":302339,"thumbUrl":302340,"material":296,"size":297,"collection":11,"collections":302341,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":50},249217,"qian-long-kuan-hua-fa-lang-wu-gong-bing-mei-kai-guang-hua-guo-wen-zhu-tai-yi-ming-249217","此烛台以画珐琅工艺精作，双层方盘承接烛火，鎏金针形挺拔端正。宝蓝釉地间冰梅满布，清寒雅致，开光之处晕染花果，饱满鲜活的花叶色泽明丽，写实生动。\n器身层次分明，莹润珐琅与鎏金边饰相映，既有礼器的规整肃穆，又将清中期珐琅作的妍丽细腻尽致展现。填色匀净鲜亮，工致细腻，融庄重礼制与匠作巧思于一身，尽显华贵雅致的宫廷气韵。",[5145,514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趣，是颇具韵味的经典之作。",[5089,5146,403,30099,83899,931,346],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F7c6bd741596ba9b1db62e7486ba572c9.jpg",[],{"id":303166,"slug":303167,"title":303168,"dynasty":55,"author":7,"museum":172,"description":8329,"tags":303169,"thumbUrl":303170,"material":296,"size":297,"collection":11,"collections":303171,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":50},249029,"jing-tai-kuan-qia-si-fa-lang-gou-lian-wen-ding-shi-lu-yi-ming-249029","景泰款掐丝珐琅勾莲纹鼎式炉",[160,5089,5146,403,30099,39340,346],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fc4c29f6a9faddc6a88f39bc1435338ff.jpg",[],{"id":303173,"slug":303174,"title":303145,"dynasty":241,"author":7,"museum":172,"description":303175,"tags":303176,"thumbUrl":303177,"material":296,"size":297,"collection":11,"collections":303178,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":277},249028,"jing-tai-kuan-qia-si-fa-lang-gou-lian-wen-hua-gu-yi-ming-249028","此器形制挺拔端庄，取青铜古觚之雅韵。以鲜亮湖蓝为地，掐丝勾勒缠枝卷叶，舒展环绕间点缀着红、白、黄各色宝相花，釉色沉莹厚实，色泽对比鲜明亮眼。金边棱线利落规整，勾勒出器物的挺拔骨相。整体纹饰繁而不乱，掐丝走线匀净流畅，带着朴拙古雅的气质，缠枝婉转间尽显华贵雍容，岁月晕染下的釉色更添沉静古韵，将传统吉祥意趣与古器形制相融，尽显东方造物的雅致厚重。",[931,5089,8331,30099,346],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F6edc3d4141f53ca1531d8e4465720e2e.jpg",[],{"id":303180,"slug":303181,"title":303182,"dynasty":241,"author":7,"museum":172,"description":303183,"tags":303184,"thumbUrl":303185,"material":296,"size":297,"collection":11,"collections":303186,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":50},249027,"qia-si-fa-lang-gou-lian-wen-chi-er-xiang-zu-lu-yi-ming-249027","掐丝珐琅勾莲纹螭耳象足炉","它以鎏金敞口勾勒端庄器型，螭龙双耳矫健灵动，象足承托沉稳厚重，刚柔相济尽显大气威仪。松石蓝釉为底，缠枝勾莲蜿蜒舒展，红、黄、白釉色的宝相花错落其间，掐丝走线匀净流畅，填釉饱满鲜亮，繁而不紊，华贵雅致。\n\n作为早期珐琅佳作，它带着元代遗风的热烈厚重，又渐显明式装饰的雅致清丽，鎏金莹润亮眼，釉色明快鲜亮，将宫廷重器的庄重与装饰美学完美融合，尽显手工艺人的不俗匠心。",[931,5089,8331,403,346,30084,2154,272,30099,405],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fb1230ab06b61d0bb40bd2fae13a49808.jpg",[],{"id":303188,"slug":303189,"title":303190,"dynasty":241,"author":7,"museum":172,"description":303191,"tags":303192,"thumbUrl":303193,"material":296,"size":297,"collection":11,"collections":303194,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":50},249026,"jing-tai-kuan-qia-si-fa-lang-ju-hua-wen-chi-er-lu-yi-ming-249026","景泰款掐丝珐琅菊花纹螭耳炉","敞口鼓腹，鎏金螭耳身形矫健，鬃尾盘曲灵动，既添威严气势又不失精巧雅致。鎏金口沿与底足提亮整器色调，尽显华贵质感。\n\n器身以湖蓝珐琅为地，掐丝勾勒缠枝漫卷舒展，各色菊花或浓艳或淡雅，红白金彩相映成趣。掐丝走线匀细流畅，釉色填绘饱满厚重、莹亮明丽，尽显成熟工艺质感，将金属的厚重沉稳与珐琅釉色的明绚柔润相融，整器端庄雅致，古韵盎然，是精巧的珐琅佳作。",[241,5089,8331,100,30084,272,346],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F3111da699759639c38ab35119e340c51.jpg",[],{"id":303196,"slug":303197,"title":303198,"dynasty":241,"author":7,"museum":172,"description":303199,"tags":303200,"thumbUrl":303201,"material":296,"size":297,"collection":11,"collections":303202,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":50},249025,"jing-tai-kuan-qia-si-fa-lang-gou-lian-wen-long-er-gai-lu-yi-ming-249025","景泰款掐丝珐琅勾莲纹龙耳盖炉","炉身敞口饱满，鎏金龙耳遒劲威严，线条刚柔并济。盖顶鎏金狮钮雄健昂扬，鬃毛卷曲灵动，神态威猛张扬，尽显瑞兽威仪。盖面透雕缠枝莲纹，精巧繁复，烟气可自镂隙悠然漫出，虚实间意境悠长。\n\n炉身以珐琅天青为底色，掐金丝勾勒缠枝花卉，红白釉色点染其间，宝相花妍丽饱满，缠枝婉转舒展。金线游走间华贵雅致尽显，鎏金莹润厚重，珐琅釉色鲜亮明丽，掐丝工艺细腻流畅，尽显古工艺的精湛造诣，是陈设焚香俱佳的绝美雅器，古意盎然，雍容华贵。",[5089,5146,346,30099,59,26617,272,2646],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fe5e1581c8f43225dd4d47dee9be6b2ab.jpg",[],{"id":303204,"slug":303205,"title":303206,"dynasty":55,"author":7,"museum":172,"description":8329,"tags":303207,"thumbUrl":303208,"material":296,"size":297,"collection":11,"collections":303209,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":277},249022,"qia-si-fa-lang-hua-hui-wen-feng-er-gai-ping-yi-ming-249022","掐丝珐琅花卉纹凤耳盖瓶",[55,5089,8331,190,564,346,32],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F3040c9e9f9cc2797059a7b4191c435d0.jpg",[],{"id":303211,"slug":303212,"title":303213,"dynasty":55,"author":7,"museum":172,"description":8329,"tags":303214,"thumbUrl":303215,"material":296,"size":297,"collection":11,"collections":303216,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":277},249021,"kang-xi-kuan-qia-si-fa-lang-chan-zhi-lian-wen-chong-er-lu-yi-ming-249021","康熙款掐丝珐琅缠枝莲纹冲耳炉",[55,5089,2893,405,346,8331,403],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F2c449f601714599309a643bb5227cb3e.jpg",[],{"id":303218,"slug":303219,"title":303220,"dynasty":55,"author":7,"museum":172,"description":12334,"tags":303221,"thumbUrl":303222,"material":296,"size":297,"collection":11,"collections":303223,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":50},249019,"qian-long-kuan-hua-fa-lang-lian-hua-shi-he-yi-ming-249019","乾隆款画珐琅莲花式盒",[55,5145,8331,346,177],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F56acfa655d9e75c6add632b7e9c4fad5.jpg",[],{"id":303225,"slug":303226,"title":297242,"dynasty":55,"author":7,"museum":172,"description":8329,"tags":303227,"thumbUrl":303228,"material":296,"size":297,"collection":11,"collections":303229,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":50},249017,"qian-long-kuan-qi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秀雅，双龙耳蜿蜒灵动，柔化了扁圆器身的敦实感。器身以回纹为地，錾刻龙凤与变体兽面满布盘面，线条细密劲利，纹饰排布错落规整，层次分明尽显錾工精湛。通体金泽莹润厚重，华贵沉敛，将金作工艺的富丽工致尽数展现，端庄大气间暗藏精巧细节，是传统金属细作里兼具审美意趣与工艺价值的上乘之作。",[430,20129,268,2266,59,564,579],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fe675a3f35c922227ef05fb1679f9df3f.jpg",[],{"id":321601,"slug":321602,"title":321603,"dynasty":55,"author":7,"museum":172,"description":321604,"tags":321605,"thumbUrl":321606,"material":296,"size":297,"collection":11,"collections":321607,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":50},245529,"jin-guang-su-pen-yi-ming-245529","金光素盆","敞口宽腹，圈足沉稳端庄，不着一丝纹饰，以纯金本味尽显雍容质感。金水饱满匀净，历经岁月浸洗，依旧流转着温润柔光，将奢华藏于极简形制之中。\n\n素净器身不见多余雕饰，凭借纯粹金属光泽烘托出雅致内敛的气度，表面留存的细微时光痕迹，更添沉静厚重的古韵，尽显古朴大气的匠造底蕴，于简约形制中蕴藏极致工艺水准，以返璞归真的姿态诠释东方器物美学的隽永意境。",[160,430,3399,9901],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F62f1c1a20fa0724a90264979f06a3f24.jpg",[],{"id":321609,"slug":321610,"title":321603,"dynasty":55,"author":7,"museum":172,"description":321611,"tags":321612,"thumbUrl":321613,"material":296,"size":297,"collection":11,"collections":321614,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":50},245528,"jin-guang-su-pen-yi-ming-245528","它通体素净无饰，弃绝了繁复雕缛，将金质本身的矜贵作为唯一的注脚。敞口浅腹搭配利落圈足，器型饱满圆润，线条舒展柔和，流露着内敛沉静的气度。沉实的金色凝于器身，岁月晕开温润的包浆，每一寸弧度都晕着暖调柔光，简约却尽显华贵雍容，以极简形制勾勒出沉静雅致的东方意韵，将材质本味的美感发挥到了极致。",[160,430,9901,877,15609,26321,130666,52731],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ff543e8e1e08862c1d9e3d2eee914f447.jpg",[],{"id":321616,"slug":321617,"title":321618,"dynasty":55,"author":7,"museum":172,"description":321619,"tags":321620,"thumbUrl":321621,"material":296,"size":297,"collection":11,"collections":321622,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":70},245526,"jia-qing-kuan-jin-guang-su-pen-yi-ming-245526","嘉庆款金光素盆","敞口弧腹，圈足沉稳规整，通体不着一缕纹饰，将黄金本身的明润光泽全然释放。没有繁复錾刻的喧宾夺主，只以极简形制凸显金质本身的醇厚柔光，自带庄重典雅的气度。\n它褪去浮华装饰，以素净造型彰显材质本真之美，暗合内敛克制的宫廷审美意趣。静静伫立间，内敛雍容的皇家风范扑面而来，尽显金作器物返璞归真的质感，是素面金器中的上乘之作。",[55,430,9901,2195,346],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F7bcff49201d58103f463c26885121857.jpg",[],{"id":321624,"slug":321625,"title":321626,"dynasty":55,"author":7,"museum":172,"description":321627,"tags":321628,"thumbUrl":321629,"material":296,"size":297,"collection":11,"collections":321630,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":50},245525,"guang-xu-kuan-jin-guang-su-pen-yi-ming-245525","光绪款金光素盆","此盆素净无饰，器型端庄内敛，敞口收腹下承圈足，线条舒展流畅，尽显匀净雅致之态。金质温润醇厚，历经时光晕染，表层晕开深浅错落的光泽，晕染出沉静古朴的岁月氛围感。\n无繁复纹样缀饰，仅以纯粹形制诠释极简审美，将规整大气藏于克制之中，于朴素间流露庄重典雅的质感，让金属材质的厚重与器物的灵秀相融无间。",[160,430,9901,15609,346],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ffe15b8a33d2458b162a40d6f02599370.jpg",[],{"id":321632,"slug":321633,"title":321626,"dynasty":55,"author":7,"museum":172,"description":321634,"tags":321635,"thumbUrl":321636,"material":296,"size":297,"collection":11,"collections":321637,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":277},245524,"guang-xu-kuan-jin-guang-su-pen-yi-ming-245524","敞口折沿，矮圈足沉稳利落，器身光素无饰，将金质本真的华贵凝练到极致。暖调金辉晕开深浅包浆，胭红铜色纹理似旧年霞色凝于周身，褪去繁复雕饰，以极简形制衬出金器自带的端庄大气。流畅弧面勾勒出温婉舒展的器型，沉静内敛间尽显端方雅致，带着旧时光沉淀的厚重质感，静静诉说着往昔肃穆雍容的皇家气韵。",[160,430,346,9901,22509,15609],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fef849ec36e0d04834016b23abd2eb0c6.jpg",[],{"id":321639,"slug":321640,"title":321641,"dynasty":55,"author":7,"museum":172,"description":321642,"tags":321643,"thumbUrl":321644,"material":296,"size":297,"collection":11,"collections":321645,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":70},245523,"jin-lei-si-qian-song-shi-tan-cheng-yi-ming-245523","金累丝嵌松石坛城","累丝工艺织就层叠梵宇，鎏金光泽晕开华贵庄重的气韵。楼宇重檐错落，如同将须弥净土凝缩于方寸之间，每一缕金丝都细密勾勒出佛刹的森严法度。周身嵌缀松石，幽碧冷色撞破金辉暖芒，晕开雪域灵韵。底座缠枝纹蜿蜒盘绕，稳稳承托这一方佛国天地。\n\n它将藏地信仰融于细金神技，把缥缈极乐化作可触的供奉重器，以登峰造极的工艺，藏着信徒对圣域的极致向往，尽显清时金工巅峰水准。",[30,430,346,13557,431,12597],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F4a8c3f9ae69ffaf9f0efa55bcf278171.jpg",[],{"id":321647,"slug":321648,"title":321649,"dynasty":55,"author":7,"museum":172,"description":321650,"tags":321651,"thumbUrl":321652,"material":296,"size":297,"collection":11,"collections":321653,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":277},245522,"jin-qian-bao-qi-zhen-mo-ni-bao-yi-ming-245522","金嵌宝七珍-摩尼宝","这件供器以纯金为骨，以累花丝嵌、点翠镶宝工艺打造。顶饰轮盘饱满华丽，中心与周身满嵌红蓝宝石，宝光莹润鲜亮，环绕的点翠饰件晕出幽蓝雅致，与赤金相衬更显华贵。\n\n器身花枝舒展，翠羽铺就花叶纹理，宝石点缀其间，将贵金属的厚重雍容与点翠的清灵雅致相融，细节处尽显繁复精巧的宫廷造办技艺，尽显庄严华贵的佛供美学，是藏传礼供器物中的精工之作。",[160,30,1170,430,12617,5087,1690,5146,346,877,2631,2282],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F6ddb4e5a81aeea5152399081b3cef7a1.jpg",[],{"id":321655,"slug":321656,"title":321657,"dynasty":55,"author":7,"museum":172,"description":321658,"tags":321659,"thumbUrl":321660,"material":296,"size":297,"collection":11,"collections":321661,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":50},245517,"ba-cheng-jin-yin-xia-yi-ming-245517","八成金印匣","以八成金打制而成，色泽沉敛华贵，带着时光浸润出的温润包浆。整体造型方正端稳，盖顶取盝顶制式，线条利落凝练，尽显庄重肃穆之感。正面锁扣錾刻规整，扣合严丝合缝，侧面衔接构件精巧牢固，处处流露着匠心考究的工艺水准，将收纳实用的功能与华贵礼制的威仪相融，静静承载着旧时仪制的厚重底蕴，尽显器物自带的端庄风雅。",[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朴茂雄浑中隽秀自生。",[124,854,125,1421],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F59a62b3dfa5b819d2355a5ec2fab81d9.jpg",[],{"id":331319,"slug":331320,"title":66051,"dynasty":241,"author":7,"museum":172,"description":331321,"tags":331322,"thumbUrl":331323,"material":296,"size":297,"collection":11,"collections":331324,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":50},242293,"wan-xiang-tang-su-shu-tie-yi-ming-242293","此帖集录东坡书迹，韵致卓然。开篇题字古雅厚朴，行书笔势舒展雍容，带着苏轼标志性的丰腴圆劲，骨力潜于丰肌之中，尽显文人旷达意致。\n\n后接小楷《心经》，结体匀整端雅，笔墨温静安和，静穆间漫出禅意，将东坡书法兼具的萧散简远与端雅沉凝复刻传神。朱印浓艳映于乌墨黑底之上，朱墨撞色让古雅更添灵动，刻工精妙，将苏轼笔底的疏朗意趣留存下来，字里行间既有文人心境，又含出世禅味，是极具赏鉴价值的法帖。",[124,125,854,3053,82,1421,3054],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fa8dc3aa4188d6aeec68afa0e8f9bfbe0.jpg",[],{"id":331326,"slug":331327,"title":66051,"dynasty":241,"author":7,"museum":172,"description":331328,"tags":331329,"thumbUrl":331330,"material":296,"size":297,"collection":11,"collections":331331,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":50},242292,"wan-xiang-tang-su-shu-tie-yi-ming-242292","此作取法东坡行书意趣，笔墨圆劲丰润，行笔舒展灵动。所书古风诗作将诗情与笔意相融，章法错落有致，字距行气连贯却开合自如，刻工精良尽显乌亮莹润的墨色质感，忠实还原出东坡书法萧散简远的意韵。\n\n单字顾盼生姿，通篇一气呵成，既有士大夫的疏朗襟怀，又暗藏雄放沉厚笔力，尽显宋人尚意的风神，复刻出坡居士挥毫时的疏放襟怀，将诗文旷达豪情与书法洒脱气质交织，是颇具韵味的刻帖佳品。",[124,854,125,163,26676,60],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F0ef5899b76579696643c781e7875622f.jpg",[],{"id":331333,"slug":331334,"title":66051,"dynasty":241,"author":7,"museum":172,"description":331335,"tags":331336,"thumbUrl":331337,"material":296,"size":297,"collection":11,"collections":331338,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":50},242291,"wan-xiang-tang-su-shu-tie-yi-ming-242291","此作为墨拓刻帖，墨色匀净乌亮，装裱清雅规整。题署小篆古雅端凝，先点明意趣。刻工精妙入微，高度还原东坡书法神韵，行书线条圆劲丰润，藏巧于朴拙之间，尽显苏轼书法萧散旷达的意致。\n\n帖中文辞出自东坡手笔，笔墨与文心交映，既有尺牍随性自然的松弛感，又兼具碑刻沉静厚重的质感。借由成熟刻帖技艺，将苏轼书法的舒展灵动凝于石上传拓，虽经刊刻却未失文人风雅，字里行间漫溢着东坡居士疏朗简远的襟怀，展卷如晤古人，静赏可体味书法传拓的精妙意趣，是复刻名家翰墨、传递古典文心的上乘刻本。",[124,854,125,122],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F825b5b72678a2c651ea2a8529e9cc68f.jpg",[],{"id":331340,"slug":331341,"title":66051,"dynasty":241,"author":7,"museum":172,"description":331342,"tags":331343,"thumbUrl":331344,"material":296,"size":297,"collection":11,"collections":331345,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":50},242290,"wan-xiang-tang-su-shu-tie-yi-ming-242290","此作为集苏轼行书刻帖，墨地填金，愈显古雅沉静。字法承袭东坡行书典型意韵，笔致丰腴跌宕，圆劲灵动，结体欹侧奇崛却舒展自然，尽显苏轼随性旷达的风神。\n\n帖中内容为东坡养生闲谈，将寻常起居服药之语，以风雅笔墨书就。整幅章法匀整疏朗，字间呼吸相宜，精细复刻出东坡笔墨意趣，泥金与乌墨相映，让宋贤的笔墨风神被妥帖留存，尽显刻帖的隽永质感与宋人的雅致意趣。",[124,854,1421,125,3054],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F99ec6c4d0ea3c26cacfce2f91f0e6207.jpg",[],{"id":331347,"slug":331348,"title":66051,"dynasty":241,"author":7,"museum":172,"description":331349,"tags":331350,"thumbUrl":331351,"material":296,"size":297,"collection":11,"collections":331352,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":50},242289,"wan-xiang-tang-su-shu-tie-yi-ming-242289","此作墨色乌亮如漆，字口清隽朗润，尽显行书飘逸沉凝之姿。用笔提按转折自在随心，笔画舒展灵动，既有丰腴浑厚的笔力，又不失劲挺爽利的镌刻意趣，将尚意风神藏于起收之间。\n章法错落疏朗，字间疏密得宜，行气贯通畅达。笔墨间裹挟着禅意文思，每一字都晕染着雅致高古的书卷气，虽经刊刻却未失笔墨本真，将文人的疏俊襟怀尽数融于笔锋起落，观之如沐清风，尽显书法里的高古意趣。",[931,125,854,124,1421],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fce4213b59a9cec88b61c6aa8596d08f0.jpg",[],{"id":331354,"slug":331355,"title":66051,"dynasty":241,"author":7,"museum":172,"description":331356,"tags":331357,"thumbUrl":331358,"material":296,"size":297,"collection":11,"collections":331359,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":50},242288,"wan-xiang-tang-su-shu-tie-yi-ming-242288","此作为黑底嵌金的刻帖，雅致沉静。右侧开篇以古雅篆字题引，其后小楷书《黄庭内景经》，笔致清劲端雅，舒展灵动，自带晋人飘逸散淡的气韵，提按转折皆细腻可观。左侧小楷行气匀整，笔画温润秀雅，将经文清虚出尘的气质融于笔墨之中。\n\n刻工精妙入微，把原作的笔墨意趣完整复刻，乌亮莹润的墨底间，金字愈发隽秀雅致，虽为拓本，却留存下原作的秀逸风神。整体气息静穆内敛，翰墨与经文相融，观之涤荡尘心，沉浸在古雅清虚的韵致之中，是颇见功力的刻帖佳制。",[931,854,124,125,1421,122],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F3f9ca76fd4ff09efa3f4b30f18c516f8.jpg",[],{"id":331361,"slug":331362,"title":66051,"dynasty":241,"author":7,"museum":172,"description":331363,"tags":331364,"thumbUrl":331365,"material":296,"size":297,"collection":11,"collections":331366,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":50},242287,"wan-xiang-tang-su-shu-tie-yi-ming-242287","此帖行书意态温雅舒展，尽得东坡书法神韵。墨色沉凝古雅，刀刻细致还原笔墨提按转折，将纸墨间的氤氲意韵凝于金石，未失笔墨原有的灵动生机。\n\n帖文为东坡谈风物食养的随笔短札，书法与文辞相映成趣，字里行间漫溢出东坡居士寄情日常的散淡疏朗。笔画间既有宋代文人的萧散风神，又藏着明代刻工的精巧用心，复刻出苏字的旷达疏放，带着江南风物的清隽意趣，尽显宋人尺牍的闲雅情致。",[931,124,854,1421,125],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fb532973604adf3da4e3e56d08408dc3e.jpg",[],{"id":331368,"slug":331369,"title":66051,"dynasty":241,"author":7,"museum":172,"description":331370,"tags":331371,"thumbUrl":331372,"material":296,"size":297,"collection":11,"collections":331373,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":50},242286,"wan-xiang-tang-su-shu-tie-yi-ming-242286","此帖节录宋玉《九辩》悲秋开篇，行书取东坡笔意，以铁线精摹勒石，墨色乌亮莹润，古意盎然。行笔舒展灵动，结体疏密得宜，既存东坡行书的丰腴雍容，又不失飘逸隽秀之姿，将苏书尚意的神韵复刻精妙。笔墨与文辞相融，萧瑟秋意寄于婉转笔锋，沉郁雅致的书卷气漫溢纸面。刻工精良，笔画转折间筋骨暗藏，尽显宋明递嬗之际，文人对苏式书风的追慕与传承，是兼具文辞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，静静诉说时光赋予的温润底蕴，自带沉静安然的质感，尽显内敛雍容的东方意趣。",[55,3244,70289,12999,346,39,32],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F17c1be9085a6b7ccde7af797b8f25b4a.jpg",[],{"id":332363,"slug":332364,"title":332365,"dynasty":55,"author":7,"museum":172,"description":332366,"tags":332367,"thumbUrl":332368,"material":296,"size":297,"collection":11,"collections":332369,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":277},241824,"yin-du-jin-xiang-hong-bao-shi-dai-tou-yi-ming-241824","银镀金镶红宝石带头","银镀金托錾刻细密绳纹，圈住一方随形红宝石。原生原石带着天然绺裂纹理，浓艳玫红如将高原赤霞凝锁，未经刻意打磨的粗粜肌理，与规整柔润的金托撞出别致反差，尽显匠人顺天而为的巧思。\n\n岁月晕开金层柔光，宝石依旧凝着沉敛华贵的色泽，朴拙中藏着雅致旧韵，将民族工艺的厚重质感融于方寸之间，静静晕开旧时的审美意趣。",[55,39,5641,1559,431,2631,267],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F400ca0df2cddfc25e05752ccbb86c386.jpg",[],{"id":332371,"slug":332372,"title":332373,"dynasty":55,"author":7,"museum":172,"description":332374,"tags":332375,"thumbUrl":332376,"material":296,"size":297,"collection":11,"collections":332377,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":277},241823,"yin-du-jin-xiang-bao-shi-dai-tou-yi-ming-241823","银镀金镶宝石带头","以细金花丝层叠盘绕，织就柔婉轮廓，将主石稳稳承托。艳红主石肌理舒展，凝着深郁玫色光韵，好似揉碎的赤霞封藏于天然脉络之中，莹润质感与冷冽金光泽碰撞交融，华贵糅合着原生拙朴。\n\n整体形制饱满圆融，花丝的细腻线条勾勒出复古雅致格调，静静诠释旧时工艺的极致匠心，内敛又带着磅礴华贵气韵，在光影里晕开沉静的古典风华，将内敛奢华的旧时审美藏于方寸之间。",[160,5641,185395,39,2631,268],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F371eabf1633ff977a0fd93d978b2b69b.jpg",[],{"id":332379,"slug":332380,"title":332381,"dynasty":55,"author":7,"museum":172,"description":332382,"tags":332383,"thumbUrl":332384,"material":296,"size":297,"collection":11,"collections":332385,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":277},241820,"tong-du-jin-xiang-bao-shi-gou-huan-yi-ming-241820","铜镀金镶宝石钩环","铜胎镀金莹润厚重，包浆凝着岁月的华贵光泽。主石红宝石肌理浓郁如凝血，饱满光润，翠绿配石如莲瓣环簇，珐琅勾边界定层次，明暗交映间尽显雅致。卡扣处蓝宝石卧于如意座中，添了一抹清灵。周身錾刻缠枝卷云与吉字纹，线条婉转灵动，花丝细工尽显精妙。它融实用与装饰为一体，将中原细作工艺与珠宝镶嵌的华贵结合，藏着祈福纳祥的美好期许，尽显盛世造物的雍容雅致。",[160,403,430,185395,2239,8331,39,268],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fb9391eba9994dd45198d499900957f71.jpg",[],{"id":332387,"slug":332388,"title":5083,"dynasty":55,"author":7,"museum":172,"description":332389,"tags":332390,"thumbUrl":332391,"material":296,"size":297,"collection":11,"collections":332392,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":277},241819,"tong-du-jin-xiang-bao-shi-dai-tou-yi-ming-241819","边框以铜镀金錾刻缠枝卷草纹，柔婉线条回旋缠绕，带着古韵富丽的精致匠意，将随形主石稳稳承托。主石凝敛浓艳玫色，莹润质地间布天然生长纹理，如将霞光揉碎封藏其中。金属的冷冽亮泽与宝石的暖调莹光交相辉映，手工錾刻的肌理带着指尖温度，天然宝石化作点睛之笔，尽显旧时华贵雅致的审美意趣，是重工配饰里金玉共生的精巧佳作。",[55,403,430,268,332021,39],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F69194e02ec07b705ea567f60e4b18246.jpg",[],{"id":332394,"slug":332395,"title":332018,"dynasty":55,"author":7,"museum":172,"description":332396,"tags":332397,"thumbUrl":332398,"material":296,"size":297,"collection":11,"collections":332399,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":277},241818,"tong-du-jin-xiang-hong-bao-shi-dai-tou-yi-ming-241818","暖金缠枝细密盘绕，托举着这枚浓艳如凝血的天然红宝石。未经刻意打磨的原石带着自然生长的纹理，如烈焰在晶体内翻涌流动，粗粝朴拙的石形，与精细入微的镀金边框形成鲜明反差，华贵中带着野性张力。\n\n金属的亮泽衬得宝石愈发莹润深邃，仿佛将百年时光凝在方寸之间，匠人以精妙巧思，把贵金属的柔美和宝石的厚重气韵相融，于方寸之中尽显古典雍容的华贵格调。",[160,5086,431,1559,39,268],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F3e360866dd1dcfa59cf3c01c8692da62.jpg",[],{"id":332401,"slug":332402,"title":332403,"dynasty":55,"author":7,"museum":172,"description":332404,"tags":332405,"thumbUrl":332406,"material":296,"size":297,"collection":11,"collections":332407,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":277},241816,"tong-du-jin-xiang-bao-shi-dai-gou-yi-ming-241816","铜镀金镶宝石带钩","此件以铜胎鎏金为底，累丝烧蓝勾勒边框，花丝盘绕细密精巧，蓝釉幽光衬得宝色愈盛。主石随形而置，艳红凝润自带厚重古韵，两侧配石清透如冰，辅以翠绿、酒红小宝石错落排布，色彩层次丰盈饱满。\n\n下方衔翡翠玉环，水色匀净淡雅，玉质温软中和了金饰的堂皇，刚柔并济尽显巧思。整体将花丝工艺的精妙与珠宝的材质之美融合到极致，尽显重工奢华的古韵审美，华贵内敛，是珠宝镶嵌工艺的精巧之作。",[2268,403,2239,332021,8331,267,268,39,102570],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fb51f3c14eae23e4ec348265bbd7ec4cf.jpg",[],{"id":332409,"slug":332410,"title":332411,"dynasty":55,"author":7,"museum":172,"description":575,"tags":332412,"thumbUrl":332413,"material":296,"size":297,"collection":11,"collections":332414,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":277},241815,"tong-du-jin-xiang-bao-shi-yu-dai-gou-yi-ming-241815","铜镀金镶宝石玉带钩",[403,430,267,1563,8331,39,346,268,431],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F8355f0497eac186003466ef7077a467f.jpg",[],{"id":332416,"slug":332417,"title":332418,"dynasty":55,"author":7,"museum":172,"description":332419,"tags":332420,"thumbUrl":332421,"material":296,"size":297,"collection":11,"collections":332422,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":277},241814,"tong-du-jin-xiang-hong-lan-bao-shi-gou-huan-yi-ming-241814","铜镀金镶红蓝宝石钩环","铜镀金为底錾刻缠枝卷草，填饰烧蓝晕开幽蓝柔光，衬得主石愈发莹润鲜活。左侧随形红宝石色如赤霞凝露，浓艳深邃，右侧蓝宝石似幽夜寒潭，星色散动，中间小石呼应成趣，衔接自然柔婉。\n\n金水厚重亮泽，錾刻纹路细腻灵动，将金属细工与天然宝光揉合无间，既有宫廷造办的规整精工，又带着游牧配饰的大气华贵，尽显旧时贵族配饰的奢雅格调。",[160,403,430,431,1563,1690,39,2631,268],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F42497d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林下之风。",[160,28,124,125,82,109,530],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fc3ff0b73d3c6639d2ae54a707f5e7b2d.jpg",[],{"id":333295,"slug":333296,"title":333297,"dynasty":55,"author":7,"museum":172,"description":333298,"tags":333299,"thumbUrl":333300,"material":296,"size":297,"collection":11,"collections":333301,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":70},239851,"shi-ye-yi-ming-239851","□□□诗页","这帧册页行书纸色温润古雅，两处书迹一繁一简，相映成趣。左侧笔墨清隽舒逸，行笔提按间尽显文人雅韵，结体舒展灵动，字里行间带着冲淡散淡的林下之风。右侧书迹字形稍敛，墨色沉凝，笔势连贯圆融，牵丝映带间暗藏法度，字字独立却气脉贯通。\n\n笔墨间浸透着旧时文人的日常意趣，不见刻意雕琢，纯然是心性的自然流露。浅淡的岁月痕迹晕染纸面，让整幅作品更添沉静古拙的书卷质感，仿佛能窥见伏案濡毫时的松弛心境，尽显传统尺牍书法的隽永意蕴。",[28,125,82,3018,530],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fb9bac4916c074e89fbad6dbbed388d8c.jpg",[],{"id":333303,"slug":333304,"title":333305,"dynasty":55,"author":7,"museum":172,"description":333306,"tags":333307,"thumbUrl":333308,"material":11,"size":11,"collection":3059,"collections":333309,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":70},239848,"ren-ben-ti-gong-fu-zhuan-ling-yuan-yun-xiao-zhuan-shi-ye-yi-ming-239848","□仁本题功甫撰令媛韫小传诗页","朱枝淡影晕染纸面，墨笔题字偎依花旁，文与画彼此映衬，漾开沉静雅致的书卷氛围。左侧行书诗文笔致清灵舒展，墨色层次自然柔和，将缱绻诗意藏入流转笔锋里。\n\n旧纸温黄的底色晕开时光质感，诗笺融书、画、情为一体，尽显旧时文人寄情尺牍的风雅意趣，字里画间漫溢着淡远幽柔的怀旧情思，把文人的细腻心绪晕染在方寸之间，清雅动人。",[28,124,125,82,32,530],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F035c654da8624a2e89960409e1789313.jpg",[3059],{"id":333311,"slug":333312,"title":333313,"dynasty":55,"author":7,"museum":172,"description":333314,"tags":333315,"thumbUrl":333316,"material":296,"size":297,"collection":11,"collections":333317,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":70},239815,"he-shi-feng-gong-fu-ye-yi-ming-239815","□鹤诗奉功甫页","此作为水滴形异形诗笺，以淡墨勾勒水波纹理衬于字间，将行书笔墨与造形巧思相融。笔致清隽秀逸，行气顺着水滴轮廓蜿蜒舒展，字句排布疏密得宜，既贴合形制又不失书法行气韵律。\n\n以酬赠诗作入笺，笔墨晕染间尽显旧时文人酬唱的雅致意趣，将寻常尺牍小品化为别致赏玩之物，藏着清代文人闲逸的文心雅韵，把日常酬答的诗稿，变为兼具笔墨美感与造型巧思的文人雅玩。",[124,125,530,82,144],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F5f8ad0907db19f6d37d200475b53b1db.jpg",[],{"id":333319,"slug":333320,"title":333321,"dynasty":55,"author":7,"museum":172,"description":333322,"tags":333323,"thumbUrl":333325,"material":296,"size":297,"collection":11,"collections":333326,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":70},239789,"er-ge-gou-tian-lan-ting-xu-ce-yi-ming-239789","二格钩填兰亭叙册","此作为行书钩填兰亭，笔墨温润秀雅，字形舒展灵动，墨色匀净沉静，将晋人萧散风神藏于点画之中。笔锋起落皆有法度，既恪守原作的飘逸简淡，又带着摹填时的谨严工稳，尽得永和雅集的清旷气韵。\n\n朱红古印错落点缀，与墨色相映成趣，晕开古雅意趣。字里行间漫溢着林下风流，虽经钩填，却未失原作疏朗散淡的文人意致，将兰亭修禊的清和雅致，凝练成卷上的笔墨风华，书卷气扑面而来。",[124,125,122,333324,82,530,1421],"钩填","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F92412137c7bd16d4516f302ea034c6eb.jpg",[],{"id":333328,"slug":333329,"title":333330,"dynasty":55,"author":7,"museum":172,"description":333331,"tags":333332,"thumbUrl":333333,"material":296,"size":297,"collection":11,"collections":333334,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":277},239722,"qing-ren-shu-fu-shuo-guan-wu-liang-shou-jing-ce-yi-ming-239722","清人书佛说观无量寿经册","以瓷青纸为底，泥金楷书恭录经文，沉雅底色与明丽金彩相映，满卷庄严静穆之气。笔法端秀规整，点画匀停内敛，法度谨严不失平和韵致，将礼佛的至诚贯注笔端，笔墨意趣与清净经义相融无间。\n\n册页装帧古朴雅致，每开排版疏朗得当，字里行间皆是书写者的恭谨之心。尽显清代馆阁体写经的端正工稳之美，既承载着抄写者的宗教祈愿，亦兼具书法审美与宗教文化价值，是清代抄经书法中颇具代表性的精致之作。",[530,124,3053,3054,30,32,4486],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F5c2038d5fe23b5cba844ccf79d0f22fc.jpg",[],{"id":333336,"slug":333337,"title":333338,"dynasty":75,"author":7,"museum":172,"description":333339,"tags":333340,"thumbUrl":333341,"material":11,"size":11,"collection":11,"collections":333342,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":70},239719,"song-xian-yi-han-ce-lu-wei-chao-ju-tie-yi-ming-239719","宋贤遗翰册-陆囗朝裾帖","此作为行书尺牍，行笔灵动舒展，牵丝映带间暗合章法韵律，随性却不失雅致。墨色枯湿浓淡错落，循着书写节奏自然晕化，尽显信手挥毫时的松弛意趣，带着宋人尺牍独有的日常温情，褪去刻意雕琢，全然是士人平素往复的笔墨风流。泛黄斑驳的古纸晕开岁月痕迹，将彼时文人寄友的平实心绪静静封存，字里行间漫溢出闲散萧散的书卷之气，把宋代文人笔下的日常意韵温柔留存。",[75,125,124,530,1421,144],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Faeb2d6decca32cf70c6dd3d25ca7c961.jpg",[],{"id":333344,"slug":333345,"title":333346,"dynasty":75,"author":7,"museum":172,"description":333347,"tags":333348,"thumbUrl":333350,"material":11,"size":11,"collection":11,"collections":333351,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":70},239718,"song-xian-yi-han-ce-zhang-ji-zhi-shi-han-yi-ming-239718","宋贤遗翰册-张即之诗翰","此作用笔以楷书为骨，暗融行书意趣，点画凝练饱满，骨力劲挺又不失温润质感，粗细变化自然灵动，可见书写时松弛悠然的心境。\n\n章法疏朗匀整，行气连贯圆和，墨色浓淡合宜，古雅沉静间带着舒展自在的意致。笔墨与自遣诗文相融，将闲居遣怀的散淡襟怀寄寓笔端，尽显宋贤尚意的书法风神，是书文合一的典型风貌，清雅醇厚的书卷气扑面而来，如见作者于日常闲居中安然自适的情态。",[124,3054,125,530,82,136619,333349,28],"闲居自适","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fa08b41e239d28929590229e2023a843d.jpg",[],{"id":333353,"slug":333354,"title":333355,"dynasty":55,"author":7,"museum":172,"description":333356,"tags":333357,"thumbUrl":333358,"material":11,"size":11,"collection":11,"collections":333359,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":70},239697,"er-ge-gou-xuan-ji-yuan-jin-ce-yi-ming-239697","二格钩璇玑鸳锦册","此作为朱笔隶书册页，朱墨鲜亮沉静，与素净装裱相映成趣。字体取法汉隶，兼具清代隶书的端雅工稳，结体匀整舒展，波磔分明，点画凝练劲挺，既葆有汉隶的厚重朴拙，又融有馆阁书风的秀雅规整，金石气与文人情韵相融。所书文辞雅致，摹写器物巧思与艺苑旧事，笔墨间兼具书法美感与文心雅趣，尽显清代隶书成熟期的典型风貌，是一件兼具审美价值与文玩意趣的佚名佳作。",[124,530,3054,32,82,126],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F9baa8769a156a35b4dc55ec456b63991.jpg",[],{"id":333361,"slug":333362,"title":333355,"dynasty":55,"author":7,"museum":172,"description":333363,"tags":333364,"thumbUrl":333365,"material":11,"size":11,"collection":11,"collections":333366,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":70},239696,"er-ge-gou-xuan-ji-yuan-jin-ce-yi-ming-239696","此作为篆法示范册页，左右开页朱墨相映。右页玉筋篆取法李阳冰，线条匀挺圆融，温润劲直，结体端庄舒展，尽显小篆雅正之姿。左页奇字古奥诡谲，字形奇崛朴拙，尽显商周古文的瑰异神采。\n\n每页篆文旁配以小字释解，辨析字形流变与笔法传承，既是精妙书法范本，亦是古文字考据小品。朱墨二色静雅清隽，装裱素净古雅，尽显复古谨严的治学审美意趣，将金石考据与书法雅好相融，朴茂静穆间尽显文士沉潜向古的风骨。",[28,124,126,82,530,32,122,1421,9280],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fb47a3ffb8c1942260f8506f92e06d72d.jpg",[],{"id":333368,"slug":333369,"title":333355,"dynasty":55,"author":7,"museum":172,"description":333370,"tags":333371,"thumbUrl":333373,"material":11,"size":11,"collection":11,"collections":333374,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":70},239695,"er-ge-gou-xuan-ji-yuan-jin-ce-yi-ming-239695","此作为朱砂隶书册页，朱墨沉艳衬于素净纸底，古雅沉静。字形端严工稳，恪守汉隶法度，笔画凝练厚重、舒展内敛，既存汉隶朴茂古拙之态，又具清人隶书整饬秀润之姿。\n\n所书为璇玑锦文，将文辞奇变回转之意涵，融于规整的章法排布间，字距行距匀停，行气贯通，把织锦文辞的灵动奇趣和隶书的端雅完美相融，尽显扎实的金石临摹功底，以及清代书坛尚雅崇古的审美意趣，整体静谧庄重，笔墨间满溢隽永醇厚的古典韵味。",[124,3054,530,32,333372],"朱砂","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F67770ae7886e5e830cc8792fd9cf8d0b.jpg",[],{"id":333376,"slug":333377,"title":32983,"dynasty":55,"author":7,"museum":172,"description":333378,"tags":333379,"thumbUrl":333380,"material":11,"size":11,"collection":11,"collections":333381,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":739},238898,"dong-gao-chun-hua-ji-qing-ce-yi-ming-238898","这是诗画合璧的雅致册页，上下两开各以山水呼应题诗意境。上开层林蓊郁，溪桥架于浅流，山居隐于翠微之间，墨色苍润秀雅，晕染出盛春山林清润幽深的融融生机。\n\n下开枯木疏朗，村舍依水而建，淡墨轻皴晕出早春将醒的萧寒淡远。配套书法端秀工稳，与山水景致相得益彰，笔墨间兼具文人气韵与静谧禅意，将春日山林从繁茂到初醒的不同情致一一铺展，诗与画浑融无间，观之如揽春山清韵，尽得中式文人画的雅致意趣。",[27,28,530,144,60,131,32,125,614,146,130,162,5525],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F69442da05342a53e64e8ac9de29a7a88.jpg",[],{"id":333383,"slug":333384,"title":32983,"dynasty":55,"author":7,"museum":172,"description":333385,"tags":333386,"thumbUrl":333387,"material":11,"size":11,"collection":11,"collections":333388,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":70},238896,"dong-gao-chun-hua-ji-qing-ce-yi-ming-238896","此作为诗画合璧的小品佳制。上方绘溪村早春，疏柳未匀新绿，板桥卧于浅溪之上，水色空濛，漫着初春清寂的淡霭；下方画沐雨春郊，耕牛就坡而憩，新芜初萌，野树含烟，尽是田家春日的恬和意趣。\n\n配笔挺秀雅的馆阁小楷，诗句与画境呼应相合。整体笔墨清浅柔润，设色淡净温丽，以极简尺幅铺展出早春的柔润清和，将郊野春景的澹远闲雅与乡居意趣相融，把春日的恬然生机藏于疏淡笔墨之间，尽显雅致温婉的小品意韵。",[27,28,530,32,60,2944,532,146,125,614,31],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F2eb63941b23d36907b1802ce7750404b.jpg",[],{"id":333390,"slug":333391,"title":32983,"dynasty":55,"author":7,"museum":172,"description":333392,"tags":333393,"thumbUrl":333394,"material":11,"size":11,"collection":11,"collections":333395,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":70},238895,"dong-gao-chun-hua-ji-qing-ce-yi-ming-238895","此作为诗画合璧的小品，分绘两幕春景。上幅里田畴漾着浅翠，牧童斜倚田埂，水牛静卧垄边，乡野放牧的闲逸随笔墨漫开，配诗呼应郊原春牧的悠然意趣，笔致朴淡疏朗，尽染田家春日松弛况味。\n\n下帧绘寒林雪岸，枯桠错落江岸，江天空濛清寂，诗句摹写春江将醒、渔樵待兴的幽谧。两景一喧一静，以浅淡设色晕染江南初春的不同情态，将乡野春思融于尺幅之间，秀雅平和的笔致，尽显以景寄情的文人雅致内核。",[27,28,530,32,60,33,131,125],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fca9806cd2b235a3f7bb5c0db5a86353a.jpg",[],{"id":333397,"slug":333398,"title":32983,"dynasty":55,"author":7,"museum":172,"description":333399,"tags":333400,"thumbUrl":333401,"material":11,"size":11,"collection":11,"collections":333402,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":50},238894,"dong-gao-chun-hua-ji-qing-ce-yi-ming-238894","此作为诗画合璧小品，上下两帧各成意境。上帧枯木虬枝错落，溪岸浅滩之上，幽人闲坐濯饮，淡赭敷色晕染出料峭早春的清寂疏朗，笔墨简淡却藏悠远况味。\n\n下帧晕染春山浅黛，村居隐于茂林之间，田埂蜿蜒，将春日郊野的融融生机铺展开来。右侧行书秀润端雅，诗句衬景，诗画相映，把春日郊居的闲逸雅兴凝于尺幅，尽显含蓄隽永的文人情致。",[27,28,530,32,60,131,1623,2656,124],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fe88f7b4bca5c328139aed7647428847b.jpg",[],{"id":333404,"slug":333405,"title":333406,"dynasty":55,"author":7,"museum":172,"description":333407,"tags":333408,"thumbUrl":333410,"material":296,"size":297,"collection":11,"collections":333411,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":70},238871,"qing-ren-yin-jie-tuo-zun-zhe-xiang-zhou-yi-ming-238871","清人因竭陀尊者像轴","因竭陀尊者面容莹白安和，身披遍饰宝纹的朱金法衣，安坐千叶莲台之上。左手托持经函，右手轻执禅杖，神态沉静超然。上方虚空，佛陀与祖师安住光轮之中，祥云翻卷，尽显清净法界的庄严。下方夜叉躬身承托供盘，地面散落彩珠珍宝，衬得道场殊胜华贵。远景青绿晕染出层叠山水，村镇错落其间，将宗教的出尘肃穆与世间烟火气精妙融合。整幅设色明丽厚重，线条精细流畅，织物纹样描摹入微，藏汉画风交融，将神性庄严与工笔意趣合于一处，尽显静穆空灵的宗教意境。",[27,29,30,32,31,33,1057,284,60,177,333409,5107,2561,64],"宝珠","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F04711aca82c61f0d30d9f9a9925da724.jpg",[],{"id":333413,"slug":333414,"title":9660,"dynasty":55,"author":7,"museum":172,"description":333415,"tags":333416,"thumbUrl":333417,"material":296,"size":297,"collection":11,"collections":333418,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":739},238659,"ping-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\n\n铁线勾勒山石肌理，皴擦晕染间尽显崖壁苍劲质感，将士甲胄纹路、猎猎旌旗褶皱分毫毕现，把山地征伐的肃杀凝于纸面。冷峻纪实的笔触复刻出战事细节，将平乱攻坚的紧迫与雄浑定格，兼具历史实录的厚重与工笔画的精妙。",[31,123,2751,530,33,1006,2405,60,359,131,2688,2657],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F269dec5135978c2d6c2741c894d13b17.jpg",[],{"id":333527,"slug":333528,"title":9660,"dynasty":55,"author":7,"museum":172,"description":333529,"tags":333530,"thumbUrl":333531,"material":296,"size":297,"collection":11,"collections":333532,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":70},238641,"ping-ding-miao-jiang-zhan-tu-ce-yi-ming-238641","远景层叠峰峦铺展出辽远开阔的战地格局，近景聚焦激烈的攻城攻坚场面。清军或涉水架梯、或纵马弯弓仰攻，守军凭城据守反击，人马排布错落有致，将短兵相接的紧张凶险尽数铺陈。\n\n创作者以铜版蚀刻技法入画，线条锐利精细，山石林木的皴刻兼具写实质感与传统山水章法，光影明暗层次分明，既还原了战地细节的纪实性，又以细腻刻画渲染出冷兵器战场的肃杀之气，将战事的激烈瞬间定格于纸面，兼具历史记录价值与艺术表现力。",[160,27,28,530,31,329,614,123,144,82,33,1006,60,2405,129,130,613],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F246dbd65781bab34de8097fdbd0e8f22.jpg",[],{"id":333534,"slug":333535,"title":10972,"dynasty":55,"author":7,"museum":172,"description":333536,"tags":333537,"thumbUrl":333538,"material":11,"size":11,"collection":11,"collections":333539,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":739},238639,"ping-ding-an-nan-zhan-tu-ce-yi-ming-238639","整幅作品以细密线描铺陈朝典盛景，楼宇围合出规整仪式场域，主次错落层次分明。阶下百官垂手肃立，使节团恭谨入朝，殿宇之上庄严肃穆，将觐见受封的盛大场面铺展眼前。\n\n作者以写实笔触细致勾勒建筑层叠飞檐与雕栏回廊，复刻清代官式建筑精巧规制；又以疏密有致的线条排布人物阵列，烘托典礼的森严威仪，于方寸间尽显皇家礼制的庄重气派，如实复刻这场外交盛典的恢弘场面，带着纪实叙事的厚重质感。",[31,329,530,33,129,650,3622,131,8652,9663],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F66d067155002f4f0c3fe8179770c9d27.jpg",[],{"id":333541,"slug":333542,"title":10972,"dynasty":55,"author":7,"museum":172,"description":333543,"tags":333544,"thumbUrl":333545,"material":11,"size":11,"collection":11,"collections":333546,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":70},238636,"ping-ding-an-nan-zhan-tu-ce-yi-ming-238636","全景式铺展寿昌江血战，近岸骑兵列阵前驱，水师破浪抢滩，炮火掀卷水浪，将士争先冲锋，硝烟漫过江渚，将战事焦灼烘托尽致。远景山峦静穆，营寨错落其间，动静交织反衬出鏖战之急切。左侧题笔详述破敌经过，图文呼应，完整还原此役始末。\n\n笔触细密写实，甲胄的寒芒、翻涌的怒涛与猎猎旌旗皆刻画入微，以西式铜版画的写实质感，糅合中式题跋叙事，纪实性与艺术性兼具，将征伐的悍勇与军功赫赫的主旨融为一体，尽显这类纪实战绘的独特风貌。",[31,530,124,82,33,1006,60,131,2405],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F8c403ca18a5b22ebe5908d02a4d4ce7d.jpg",[],{"id":333548,"slug":333549,"title":10972,"dynasty":55,"author":7,"museum":172,"description":333550,"tags":333551,"thumbUrl":333552,"material":11,"size":11,"collection":11,"collections":333553,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":70},238635,"ping-ding-an-nan-zhan-tu-ce-yi-ming-238635","此作为纪实铜版画，以全景构图铺陈山地水泽间的战事图景，线条细密劲挺，将层叠山峦、盘曲栈道与行军阵列的细节一一复刻还原。右上角御题诗点明此战功绩，画面里清军或潜行突袭、或据岸列阵，将士甲胄严整、行伍有序。刻工以明暗排线晕染山石阴阳，兼具传统界画的工整与西洋铜版画的写实质感，既还原了实战地形的险峻，又渲染出平乱战事的肃杀威仪，是纪实性与艺术性相融的佳作，藏着纪功表彰的厚重肃穆。",[530,31,614,144,60,131,33,1006,1142,18002,3626],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F3f0f71c8ba0d2d6a6dbd8f302ca118e9.jpg",[],{"id":333555,"slug":333556,"title":24687,"dynasty":55,"author":7,"museum":172,"description":333557,"tags":333558,"thumbUrl":333559,"material":11,"size":11,"collection":11,"collections":333560,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":70},238634,"ping-ding-tai-wan-zhan-tu-ce-yi-ming-238634","全景式铺展山地战事，层叠峰峦间，清军列阵攻坚，藤牌开路、水师呼应，番众凭隘顽抗，攻守之势跃然纸上。铜版画技法让山石林木写实逼真，军士厮杀的悍勇、阵前调度的严整皆被精细捕捉，每处细节都在还原战役的激烈壮烈。右上角题诗与画面呼应，以纪实笔触复刻平叛瞬间，将战事的紧张肃杀尽数定格，兼具纪实性与艺术性，是清代战史的鲜活注脚，尽显纪实版画的独特表现力。",[27,28,530,31,614,60,33,1006,162,131,2656,9663],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F61b1b22678af262c9a68cf68eedb19ae.jpg",[],{"id":333562,"slug":333563,"title":24687,"dynasty":55,"author":7,"museum":172,"description":333564,"tags":333565,"thumbUrl":333566,"material":11,"size":11,"collection":11,"collections":333567,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":70},238633,"ping-ding-tai-wan-zhan-tu-ce-yi-ming-238633","这帧作品以山海为卷，一边怒海翻涌，碉楼雄踞海面，水师严阵以待；一边层峦叠嶂，密林间兵阵暗藏，平叛之势隐伏于山野。浅绛笔墨皴擦出山岩苍劲肌理，浪涛以遒劲线条层层铺展，将渡海靖乱的肃杀张力晕开。题诗与图景呼应，把兵锋所向的沉凝战意具象化。它跳脱山水闲情，以纪实笔调定格铁血战事，潮声与金戈之鸣似在耳畔，将那段海防平叛的铁血瞬间封存在绢素之上。",[530,31,614,32,60,33,10979,1749,1142],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fa1f2500cb1eed838cd277f3149881745.jpg",[],{"id":333569,"slug":333570,"title":24687,"dynasty":55,"author":7,"museum":172,"description":333571,"tags":333572,"thumbUrl":333573,"material":11,"size":11,"collection":11,"collections":333574,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":70},238631,"ping-ding-tai-wan-zhan-tu-ce-yi-ming-238631","全景式铺陈山野战事，层叠山峦勾勒出战地的险峻格局。右侧烟焰腾涌，是清军攻坚激战之处，火光翻卷渲染出破阵的焦灼；山道间兵卒次第推进，人马错落排布，行伍细节清晰详实，将奔袭驰援的紧迫节奏藏进山谷沟壑间。\n以白描版画技法绘就，兼具传统界画的工整细腻与纪实叙事的厚重感，山峦雄峙烘托出兵事的壮阔，人物排布疏密得当，把山地平叛的行军攻坚全貌复刻纸上，让观者仿若置身战地，窥见这场平乱战事的紧张瞬间，兼具历史存证价值与古典军事纪实画的审美意趣。",[27,28,530,31,614,60,33,1006,131,162,32],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F3564166c989985137854734dbad8f213.jpg",[],{"id":333576,"slug":333577,"title":24687,"dynasty":55,"author":7,"museum":172,"description":333578,"tags":333579,"thumbUrl":333580,"material":296,"size":297,"collection":11,"collections":333581,"showCount":49,"zanCount":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,{"id":333810,"slug":333811,"title":66621,"dynasty":55,"author":7,"museum":172,"description":333812,"tags":333813,"thumbUrl":333814,"material":296,"size":297,"collection":11,"collections":333815,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":50},236259,"bi-shu-shan-zhuang-tu-li-zong-wan-shu-shi-cheng-shan-yi-ming-236259","泥金扇底沉稳华贵，山峦以披麻皴铺展层叠肌理，坡岸林木错落，屋舍隐于葱茏间，平远开阔的山居景致铺陈开来，将林苑的雄浑与幽居闲适揉合一处，笔墨苍润兼具雅致。细密攒聚的扇骨包浆莹润，与扇面的山水笔墨相映成趣，书画合璧，尽显清隽文心，将山水意趣与文房雅玩的精巧相融，尽显传统制艺与文人审美的绝佳契合。",[27,219,32,60,129,131,162,124,614],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F20d068b8aa448b0515ffb666b635f59e.jpg",[],{"id":333817,"slug":333818,"title":66621,"dynasty":55,"author":7,"museum":172,"description":333819,"tags":333820,"thumbUrl":333821,"material":296,"size":297,"collection":11,"collections":333822,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":277},236258,"bi-shu-shan-zhuang-tu-li-zong-wan-shu-shi-cheng-shan-yi-ming-236258","泥金笺本莹润华贵，青绿设色明雅妍丽，将林泉胜景收于纨扇之上。亭台环水错落，古塔峙于山巅，林木敷色层次丰盈，丹朱、石青、赭石交织晕染，既保有院体精工，又暗合文人山水的清逸韵致。\n\n咫尺扇面铺陈丘壑纵深，将皇家园林的雍容与江南山水的温婉相融，开合间尽览林泉清幽旷远。棕褐扇骨包浆温厚，与画面相得益彰，足见绘者深谙山水经营之妙，以小见大，尽显山水精致意趣。",[219,27,28,32,60,129,531,163,131],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ffdbe98a2d63ad8f5c9e21d033cdca6ea.jpg",[],{"id":333824,"slug":333825,"title":66621,"dynasty":55,"author":7,"museum":172,"description":333826,"tags":333827,"thumbUrl":333828,"material":296,"size":297,"collection":11,"collections":333829,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":50},236257,"bi-shu-shan-zhuang-tu-li-zong-wan-shu-shi-cheng-shan-yi-ming-236257","此作为泥金扇面，自带华贵雅润底色，平畴铺展间远山衔翠，浅赭晕染山峦，墨笔点簇林木苍秀错落，将林泉夏景铺陈于方寸之间。笔触清润柔和，以写实之态描摹苑囿平林野趣，层次疏朗分明，无繁复皴法，却将避暑林泉的悠然凉意晕染开来。整体意境清和淡远，咫尺扇面尽揽山野闲趣，藏着消夏的恬然意趣，尽显传统文人寄情林泉的雅致情怀。",[27,28,219,60,131,2656,32,614,125,124],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F6df8e9d7d12ef6b84177b24d50652aae.jpg",[],{"id":333831,"slug":333832,"title":66621,"dynasty":55,"author":7,"museum":172,"description":333833,"tags":333834,"thumbUrl":333835,"material":296,"size":297,"collection":11,"collections":333836,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":50},236255,"bi-shu-shan-zhuang-tu-li-zong-wan-shu-shi-cheng-shan-yi-ming-236255","此扇以泥金为底，墨笔绘就林泉幽居之景。近处苍松蟠曲，层林错落，山居屋舍隐现其间，似可暂避溽热，静享幽凉。中远景山峦层递，以淡墨晕染烟岚，留白虚实相生，晕出远山空濛悠远之意。水墨勾勒皴擦兼具工稳与写意，将山野清旷之境铺陈开来，一侧诗书相衬，书画合璧，尽显林下雅趣。泥金底色的华贵，中和了水墨的清雅，让画面既具富丽质感，又不失山水静穆澹远之致，轻摇间似可揽得林泉凉意，是兼具赏玩与收藏价值的雅致文玩。",[219,27,28,60,32,614,131,162,129,124],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fe732b75ad2a28669ee7bc0ed4c3a8102.jpg",[],{"id":333838,"slug":333839,"title":66621,"dynasty":55,"author":7,"museum":172,"description":333840,"tags":333841,"thumbUrl":333842,"material":296,"size":297,"collection":11,"collections":333843,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":50},236254,"bi-shu-shan-zhuang-tu-li-zong-wan-shu-shi-cheng-shan-yi-ming-236254","此作为泥金扇面，以青绿浅绛设色绘水畔名园。层叠楼阁依偎碧波，隐于繁花茂林之中，丹粉花树、靛青枝叶与赭石山石相映，色彩明丽和谐。远山以淡墨晕染，晕开空濛悠远之境，疏密布局得当，将幽居消暑的静雅意趣娓娓铺陈。\n\n书画合璧，一面绘景，一面题诗，尽显文人雅赏之韵。棕竹扇骨肌理细腻，包浆温润，古意盎然，是兼具审美与收藏价值的风雅旧物，尽显旧时清夏闲赏的悠然意致。",[27,28,219,32,60,129,131,162,2656,650],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F574532c10d36c9b98500beb5028c48e3.jpg",[],{"id":333845,"slug":333846,"title":66621,"dynasty":55,"author":7,"museum":172,"description":333847,"tags":333848,"thumbUrl":333849,"material":296,"size":297,"collection":11,"collections":333850,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":50},236253,"bi-shu-shan-zhuang-tu-li-zong-wan-shu-shi-cheng-shan-yi-ming-236253","此作为泥金扇面，浅设色绘山居胜景。暖调金底晕出雅致基调，远山层峦叠翠，林木蓊郁苍润，屋舍错落排布在林畔水滨，将山居夏凉的清旷意境收于盈尺之间，工细写实中透着文人山水的悠然意趣。诗画合璧，景致与诗书相映成趣，将园林胜景的静穆清和融于扇中，尽显清代扇画诗书画一体的雅致格调，笔墨工致细腻，晕染柔和自然，带着夏日山居的沁人凉意，是兼具观赏与收藏价值的扇画佳制。",[27,28,219,32,60,614,125,42434,2656,1142,131],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F167b80713ade90382ad76f2bf6e6a4d3.jpg",[],{"id":333852,"slug":333853,"title":66621,"dynasty":55,"author":7,"museum":172,"description":333854,"tags":333855,"thumbUrl":333856,"material":296,"size":297,"collection":11,"collections":333857,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":50},236252,"bi-shu-shan-zhuang-tu-li-zong-wan-shu-shi-cheng-shan-yi-ming-236252","以泥金为底，墨色晕染出层叠山峦，苍松茂林错落掩映着屋舍板桥，将名园夏景凝缩于盈尺扇面。笔触清隽秀雅，既写实还原了林泉雅致的园居意趣，又以文人山水的笔墨意韵，勾勒出疏朗开阔的山居清凉，在金笺的华贵底色衬映下，咫尺丘壑里藏着林下幽居的澹然意趣，尽显精致工致的审美意趣。",[27,28,219,32,60,614,124,1142,131],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F2b916d94ef4389e164da30dced0ab5b3.jpg",[],{"id":333859,"slug":333860,"title":66621,"dynasty":55,"author":7,"museum":172,"description":333861,"tags":333862,"thumbUrl":333863,"material":296,"size":297,"collection":11,"collections":333864,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":50},236251,"bi-shu-shan-zhuang-tu-li-zong-wan-shu-shi-cheng-shan-yi-ming-236251","泥金笺底自带华贵沉稳，浅绛晕染出平林远岫之致。近岸林木苍郁，坡岸逶迤着衔起水泽幽光，远山以淡墨轻扫层叠铺展，将夏日林泉的清旷闲逸晕开。笔墨简淡秀雅，不刻意求工，却把幽寂安宁的林泉高致烘托尽致。黝黑莹润的扇骨与金底山水相映，雅致古朴，将避暑的悠然意态藏于开合之间，尽显文人清赏的雅韵风骨。",[219,27,28,32,614,60,2656,131,124],"https:\u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28,219,60,129,131,32,614,124],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ff80c793f4441e4eaa665a86bcb4a8be2.jpg",[],{"id":333923,"slug":333924,"title":66621,"dynasty":55,"author":7,"museum":172,"description":333925,"tags":333926,"thumbUrl":333927,"material":296,"size":297,"collection":11,"collections":333928,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":277},236242,"bi-shu-shan-zhuang-tu-li-zong-wan-shu-shi-cheng-shan-yi-ming-236242","此扇以泥金笺为底，墨笔绘就山居丘林景致。远山层叠晕染，草木华滋蓊郁，近舍错落隐于繁荫之间，笔墨苍秀清润，将山居避暑的幽旷闲静氛围尽数铺展。一侧配书诗文，书画合璧，尽显文人雅玩的审美意趣，朴雅古拙的扇骨衬得这帧小品愈显雅致。虽无名款，亦能窥见彼时山水小品的典型风貌，是兼具赏玩与收藏价值的文房清玩。",[219,27,28,60,32,614,129,131,124,125],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F3e78faae2ebc8efa888f479aad353905.jpg",[],{"id":333930,"slug":333931,"title":66621,"dynasty":55,"author":7,"museum":172,"description":333932,"tags":333933,"thumbUrl":333934,"material":296,"size":297,"collection":11,"collections":333935,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":50},236241,"bi-shu-shan-zhuang-tu-li-zong-wan-shu-shi-cheng-shan-yi-ming-236241","泥金扇底晕开暖雅底色，远山以淡墨轻勾晕染，烟岚浮于层峦间，晕出空濛悠远之意。丘壑间林木葱郁，山居屋舍隐现其中，似藏夏日幽凉意趣。布局疏密得宜，左侧铺陈山水实景，右侧留白落款虚实相映，尽显中式山水的空灵雅致。乌润扇骨与暖金扇面相映成趣，将林泉高致凝于盈尺扇面之间，开合间尽纳山水丘壑，融文人赏玩意趣与工艺精巧为一体，静赏便觉山居凉意扑面而来。",[219,60,614,32,124,125,1142,129],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fe680122ea17ca0664a593a65a39a33a7.jpg",[],{"id":333937,"slug":333938,"title":66621,"dynasty":55,"author":7,"museum":172,"description":333939,"tags":333940,"thumbUrl":333941,"material":296,"size":297,"collection":11,"collections":333942,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":50},236240,"bi-shu-shan-zhuang-tu-li-zong-wan-shu-shi-cheng-shan-yi-ming-236240","金笺为底，墨色晕染间衬以浅淡青绿，层次婉转分明。远山轻烟弥散，黛色含晕，林泉之间屋舍亭台错落排布，嘉木繁荫葱翠，将盛夏清和消暑的意韵尽显。雅致山水间藏着闲居清赏的意趣，笔墨秀润灵和，写尽林泉雅墅的静穆安恬。配竹骨莹润光洁，工艺精巧，书画合璧，将文人悠然消暑的心境融于咫尺扇面，尽显隽永雅致的旧时雅韵。",[219,32,60,124,125,129,131,162,614],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F4970e68989959a6db21f5c17cfb9f9e5.jpg",[],{"id":333944,"slug":333945,"title":66621,"dynasty":55,"author":7,"museum":172,"description":333946,"tags":333947,"thumbUrl":333948,"material":296,"size":297,"collection":11,"collections":333949,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":50},236239,"bi-shu-shan-zhuang-tu-li-zong-wan-shu-shi-cheng-shan-yi-ming-236239","此作用泥金扇面绘就，满幅晕着沉敛华贵的光泽。层林如盖，蓊郁苍润，山居屋舍错落排布于浓荫之间，隐现雅致格局。远处山峦平缓铺展，与平林烟霭相融，将山庄幽寂清宁的夏日常态铺陈眼前，笔墨工致细腻，晕染柔和清润，把山居避暑的闲雅意趣尽数藏入尺幅间。搭配古朴匀整的扇骨，与扇面书画呼应相成，整体意蕴悠然沉静，尽显传统山水小品的雅致情致，藏着旧时林下幽居的恬淡意涵。",[27,28,219,32,60,129,131,734,124,31,614],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F6ad75937842031be1e76c63dfd0a475a.jpg",[],{"id":333951,"slug":333952,"title":66621,"dynasty":55,"author":7,"museum":172,"description":333953,"tags":333954,"thumbUrl":333955,"material":296,"size":297,"collection":11,"collections":333956,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":50},236237,"bi-shu-shan-zhuang-tu-li-zong-wan-shu-shi-cheng-shan-yi-ming-236237","此作为泥金折扇，取平远法绘消暑湖山。近岸林木蓊郁，以浓淡墨色点簇枝叶，翠色鲜活。林间草堂隐现，暗合幽居避暑的闲逸意涵。远景山峦以淡赭轻勾浅染，留白铺作水泽汀洲，层层推演出辽远空阔的湖山胜致。泥金底纸晕染出古雅华贵的质感，笔墨清润简淡，温婉雅致的色调衬出林泉高致的悠然意境，于尺幅扇面收纳千里湖山，尽显清寂出尘的林下雅趣。",[219,32,60,1142,131,2656,124,125,614],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F66f75d35e0925af32c1b7463e5b9ce46.jpg",[],{"id":333958,"slug":333959,"title":66621,"dynasty":55,"author":7,"museum":172,"description":333960,"tags":333961,"thumbUrl":333962,"material":296,"size":297,"collection":11,"collections":333963,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":50},236236,"bi-shu-shan-zhuang-tu-li-zong-wan-shu-shi-cheng-shan-yi-ming-236236","金笺为底，以墨彩晕染出苑囿胜景。山峦逶迤叠嶂，林木苍郁错落，殿宇台榭隐现于林泉之间，平远构图铺展出开阔辽寂的林下气象。笔墨工稳秀润，设色浅淡清雅，既带着文人山水的萧散意趣，又暗合皇家园林的端严静穆，将林泉之胜与规制气度融为一体。配搭的扇骨雕琢暗纹，细腻雅致，与画面相得益彰，尽显清代造扇工艺与山水画小品的精妙融合，是一件兼具观赏与工艺价值的佳构。",[219,27,28,32,614,60,129,131,124],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fc244ed513cd4a2aa10f29b3ebe305571.jpg",[],{"id":333965,"slug":333966,"title":66621,"dynasty":55,"author":7,"museum":172,"description":333967,"tags":333968,"thumbUrl":333969,"material":296,"size":297,"collection":11,"collections":333970,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":50},236235,"bi-shu-shan-zhuang-tu-li-zong-wan-shu-shi-cheng-shan-yi-ming-236235","此作为金笺成扇，水墨设色绘就山居胜景。远山以淡墨晕染层叠，隐没天际，近麓林木苍蔚繁茂，亭台藏于林樾之间，通幅笔墨秀润清逸，将林泉幽致铺陈扇面之上，似可揽得山风凉意，尽显山居静穆旷远的意境。\n\n画面层次分明，近景苍郁、远景虚和，咫尺之间纳得丘壑万千。搭配题诗文气雅致，将林泉高致藏于轻纨之上，案头展观便可神游林麓，是文人雅赏的精妙佳制。",[27,219,32,60,1142,131,129,614,160,124,125],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F8b2b8a06b63d674be7c2c66fa228a636.jpg",[],{"id":333972,"slug":333973,"title":66621,"dynasty":55,"author":7,"museum":172,"description":333974,"tags":333975,"thumbUrl":333976,"material":296,"size":297,"collection":11,"collections":333977,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":50},236234,"bi-shu-shan-zhuang-tu-li-zong-wan-shu-shi-cheng-shan-yi-ming-236234","此作为泥金笺设色山水，以工细笔触绘就林泉行宫之景。楼阁排布错落雅致，界画严整工丽，屋舍隐于葱郁林木间，青绿淡染山峦，流云轻笼远岫，将林泉消暑的清幽闲雅晕染开来。泥金底色衬得设色愈发古雅华贵，笔墨温婉细腻，将园林的静谧雅致尽数铺陈。整幅扇面与配书诗章相映成趣，融山水之秀、匠艺之精于盈尺之间，尽显清隽沉静的雅致意趣，是兼具观赏与收藏价值的成扇佳制。",[27,28,219,32,329,60,129,131,2656,650],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fb635dcf4eccd529ebb97bb063765782f.jpg",[],{"id":333979,"slug":333980,"title":66621,"dynasty":55,"author":7,"museum":172,"description":333981,"tags":333982,"thumbUrl":333983,"material":296,"size":297,"collection":11,"collections":333984,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":50},236233,"bi-shu-shan-zhuang-tu-li-zong-wan-shu-shi-cheng-shan-yi-ming-236233","此作为泥金笺成扇，以浅绛糅合青绿设色。远景山峦层叠，干笔皴擦勾勒岩体质感，赭石晕染出苍润秋意。近林木色鲜妍，青绿点染生机盎然，临水亭台回廊婉转，屋舍俨然排布，将林居雅意与山水野趣相融无间。\n\n线条秀雅精细，设色雅致沉稳，泥金底衬得画面愈显富丽隽秀，兼具院体工致与文人山水的清逸，尽显苑囿题材山水画的温婉意趣，将幽居避暑的闲适雅致晕染于金笺之上，藏着悠游林泉的澹澹诗意。",[27,28,219,32,60,129,131,124,614],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F41d19b3c62b6df4883609e067ab0a7f0.jpg",[],{"id":333986,"slug":333987,"title":66621,"dynasty":55,"author":7,"museum":172,"description":333988,"tags":333989,"thumbUrl":333990,"material":296,"size":297,"collection":11,"collections":333991,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":50},236232,"bi-shu-shan-zhuang-tu-li-zong-wan-shu-shi-cheng-shan-yi-ming-236232","此扇以泥金笺为底，设色绘就山居胜景，山峦层叠晕染细腻，墨色浓淡铺陈出远近层次，坡岸林木错落，点染秋红，为苍润山色添几分灵动意趣。溪上架木桥，屋舍隐于林麓间，笔墨工致又不失写意松弛，将幽居林泉的静谧雅致娓娓铺展。\n扇面书画相映成趣，整体透着温润雅致的古韵，扇骨包浆匀净，装裱完好，融汇诗书画扇工艺之美，是兼具赏玩与收藏价值的雅致佳品。",[27,28,219,32,614,60,129,131,124],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fa009aa3814c5612e1ad1e43d2cbc57d3.jpg",[],{"id":333993,"slug":333994,"title":66621,"dynasty":55,"author":7,"museum":172,"description":333995,"tags":333996,"thumbUrl":333997,"material":296,"size":297,"collection":11,"collections":333998,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":50},236231,"bi-shu-shan-zhuang-tu-li-zong-wan-shu-shi-cheng-shan-yi-ming-236231","泥金笺底晕开夏时湖山，淡墨轻勾远山轮廓，晕染出氤氲空蒙的暑日烟岚。近岸林木葱郁苍润，掩映着临水茅庐，静立湖滨，似藏着幽居纳凉的闲雅意趣。设色清柔雅致，浅赭铺陈山峦，翠色点染茂林，与泥金底色相衬，自带古雅华贵的质感。构图疏密有致，远近层次分明，将水岸消暑的静谧闲淡收于咫尺扇间，把文人寄情林泉的隐逸意趣融于笔墨，方寸之间尽显山水雅韵，自带沉静悠然的消暑氛围。",[219,27,28,32,31,60,129,131,2656,2657,124,125],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F7dc3c58cc2fcc4cd18228e0256819d91.jpg",[],{"id":334000,"slug":334001,"title":87534,"dynasty":55,"author":7,"museum":172,"description":334002,"tags":334003,"thumbUrl":334005,"material":11,"size":11,"collection":11,"collections":334006,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":70},235907,"yuan-ji-shan-shui-tu-ye-yi-ming-235907","这幅山水以留白晕染出氤氲云气，将层叠山峦裁得分明远近。披麻皴勾勒山骨，墨色浓淡铺陈出植被苍润郁茂的质感，山峦层叠错落，兼具厚重与灵秀。\n\n两处山居隐于崖畔林间，幽僻出尘，山道上的独行旅人，为清寂山林添入灵动生息，动静相映成趣。淡设色晕染山石，浅淡清雅，将江南空山的湿润空濛尽数铺展，尽显文人山水的隐逸禅意，观之如临幽寂林泉，恍若可闻山风松涛，浸溺在物我两忘的悠然里。",[79,27,28,530,144,614,60,162,131,63,334004,14352],"山间屋舍","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F2e77401a54764a6509ab19cb6b7bc64a.jpg",[],{"id":334008,"slug":334009,"title":28323,"dynasty":55,"author":7,"museum":172,"description":334010,"tags":334011,"thumbUrl":334012,"material":296,"size":297,"collection":11,"collections":334013,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":70},235398,"shan-shui-ce-yi-ming-235398","此作取平远之景，近处坡岸怪石棱棱，苔点轻缀，暗生意趣。左侧三株寒木虬枝疏叶，孑然独立，衬出郊野空寂悠远。远景山峦以没骨淡扫，云气裹挟峰峦，虚实相生，将山野荒寒清逸缓缓铺陈。笔触松秀简淡，设色浅明净洁，以留白承接天地，把秋郊萧散淡远融于尺幅之间，尽显静穆冷逸的文人山水意趣，观之如临空寂荒寒之野，引人沉湎于这份疏淡幽远的林下诗意中。",[27,28,530,144,614,60,613,146],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fbf0cfc237a7370b37bd77c37e26a6bc6.jpg",[],{"id":334015,"slug":334016,"title":28323,"dynasty":55,"author":7,"museum":172,"description":334017,"tags":334018,"thumbUrl":334019,"material":296,"size":297,"collection":11,"collections":334020,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":70},235397,"shan-shui-ce-yi-ming-235397","此作以淡墨晕染烟水空濛之境，近岸危石朴拙苍润，浅草缀于石畔暗生意趣。水洲之上新柳抽芽，嫩色轻敷，柔枝舒展，尽显早春萌动生机。一叶扁舟浮于烟波深处，渔人幽然泛游，似在春波里漫寻闲意。\n\n远景山峦隐没在霭霭云烟之中，虚实相生，将春日江天的空阔淡远铺陈开来。整幅笔致松秀淡雅，不施繁复皴染，以留白衬出烟水浩渺，把江南早春的柔润清和尽数写出，将文人寄情山水的幽逸心境融在淡墨轻色之中，清寂又带着融融春意，尽显平淡天真的画中逸趣。",[27,28,530,144,60,146,128,131],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F19b419a22771b0dccddfb779b8300e5e.jpg",[],{"id":334022,"slug":334023,"title":28323,"dynasty":55,"author":7,"museum":172,"description":334024,"tags":334025,"thumbUrl":334026,"material":296,"size":297,"collection":11,"collections":334027,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":70},235396,"shan-shui-ce-yi-ming-235396","此作用淡墨晕染铺就沙碛荒漠，以虚渺留白勾勒出辽远空寂的天地格局。画面中顽石兀立，苍朴的石形与周遭晕染的虚柔沙地形成强烈虚实对比，沉凝的块面破开荒芜的单调。远景关隘隐现于淡墨烟霭，三两旅人驱策而行，渺小身影衬出塞外天地的阔大清冷。\n全幅设色浅淡素雅，以极简笔触勾勒行旅意象，无繁复皴擦，只以水墨晕染传递出塞下荒原的荒寒萧索，将塞外行旅的孤寂与天地浩渺的清寂融为一体，尽显悠远淡宕的山水意趣。",[27,28,530,144,32,60,146,1006],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F8e4c187e3a92cc620c53b2211f654771.jpg",[],{"id":334029,"slug":334030,"title":28323,"dynasty":55,"author":7,"museum":172,"description":334031,"tags":334032,"thumbUrl":334033,"material":296,"size":297,"collection":11,"collections":334034,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":70},235394,"shan-shui-ce-yi-ming-235394","近景老树虬曲苍劲，枯桠疏朗舒展，经风霜的古意扑面而来，与浅皴淡染的坡石相融，自带萧疏沉静的质感。远景以淡墨晕染山峦林舍，烟岚氤氲间，林木错落隐现，村居藏于云霭之中，不见人声，却满溢山居幽寂的意趣。\n全作用笔松秀，水墨干湿互用，以浓淡层次铺展秋山空濛之境，无一笔艳色点缀，尽显简淡萧散的文人画意韵，将山野间清寂淡远的秋日山居图景缓缓铺陈，观之如临其境，仿佛能聆闻山中风声，浸染林间清润气息。",[27,28,530,144,60,2144,613,146,614],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F1e62411695dd3070f970b1b6130a6ccc.jpg",[],{"id":334036,"slug":334037,"title":28323,"dynasty":55,"author":7,"museum":172,"description":334038,"tags":334039,"thumbUrl":334040,"material":11,"size":11,"collection":11,"collections":334041,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":70},235393,"shan-shui-ce-yi-ming-235393","此作以淡墨晕染铺就底色，近处老干虬曲苍劲，枯梢轻缀浅淡花意，间杂深青丛叶，枯荣相映，古拙里暗蕴春日生机。坡岩以淡赭勾勒皴擦，朴拙厚重。\n\n林间茅庐半隐，暗合幽居避世之趣，远景山峦以淡墨轻扫，虚渺朦胧，将尺幅天地拓出辽远空寂。\n笔墨简淡清润，以少胜多，摒去繁复皴法，全凭墨色浓淡层次晕染出萧散空静的山林意境，尽显文人画寄情林泉的审美意趣，静穆淡逸的林下之风扑面而来。",[27,144,530,60,676,953,1525,614],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fb92d039f8c92ccc0bac6f472616ca29c.jpg",[],{"id":334043,"slug":334044,"title":334045,"dynasty":55,"author":7,"museum":172,"description":334046,"tags":334047,"thumbUrl":334048,"material":11,"size":11,"collection":11,"collections":334049,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":70},235051,"chong-lie-shu-qi-lv-si-shou-ce-ye-yi-ming-235051","崇烈书七律四首册页","此作用笔匀停温润，点画精整秀雅，结体端稳工致，通篇排布疏朗匀净，墨色乌亮莹润，一丝不苟尽显端雅法度。\n\n笔锋藏露得宜，撇捺舒展飘逸，既恪守馆阁体的规整谨严，又暗蕴文人书法的隽雅意趣。朱印轻落，朱墨相映，为通篇的素洁添了几分古雅点缀。\n\n笔墨间浸着清和文气，将仕林翰墨的规矩与酬唱诗文的雅致相融，沉静端凝里藏着平和温雅的书卷之风，如谦谦君子揖立卷上，尽显清雅端凝的翰墨风神。",[55,124,125,530,82,38,1103,163,128,130,531,60,220],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F433ef1b4e749edb8d06b7b687471ae2d.jpg",[],{"id":334051,"slug":334052,"title":22241,"dynasty":55,"author":7,"museum":172,"description":334053,"tags":334054,"thumbUrl":334055,"material":11,"size":11,"collection":11,"collections":334056,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":70},235049,"yuan-ji-za-hua-tu-ce-yi-ming-235049","此作用极简水墨绘就鲜果枝叶，以浓淡墨色区分虚实，深墨晕染果实，饱满莹润仿佛可触，淡墨铺衬留白，衬托出鲜果的鲜活质感。叶片以劲爽枯笔写出，笔锋苍劲带着疏朗野趣，寥寥数笔便将蔬果生机尽显。\n\n旁侧题诗与画面相映成趣，诗画合璧尽显文人意趣，以随性的笔墨抒发悠然禅意，不刻意雕琢形貌，只撷取日常小景的天然意韵，将寻常蔬果赋予清雅超脱的文人心境，尽显写意画以形写神的精妙，平淡天真中蕴藏盎然生趣。",[27,144,530,542,124,80],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fc29c7f6fee060e05ba2524c85b948b2c.jpg",[],{"id":334058,"slug":334059,"title":22241,"dynasty":55,"author":7,"museum":172,"description":334060,"tags":334061,"thumbUrl":334062,"material":11,"size":11,"collection":11,"collections":334063,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":70},235048,"yuan-ji-za-hua-tu-ce-yi-ming-235048","此作用水墨写意绘就水仙与墨竹，水仙叶片修长舒展，笔意酣畅淋漓，花瓣晕染清润柔和，尽显冰姿玉骨之态。旁侧数枝墨竹劲挺清健，竹叶如刀裁般爽利，刚健之气与水仙秀雅柔婉相映，刚柔并济，意蕴悠长。\n\n画面右侧题字行笔苍劲跌宕，墨色浓淡错落，书画相映成趣，更添文雅逸气。全画不施丹青，以水墨氤氲生发意境，寥寥数笔便勾勒出幽淡出尘的氛围，将文人寄情花木、以物抒怀的意趣融于纸面，尽显清冷隽雅的审美风骨。",[27,28,530,144,2604,145,82],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F6e43237e11e7c708369263e3187246c9.jpg",[],{"id":334065,"slug":334066,"title":22241,"dynasty":55,"author":7,"museum":172,"description":334067,"tags":334068,"thumbUrl":334069,"material":11,"size":11,"collection":11,"collections":334070,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":70},235045,"yuan-ji-za-hua-tu-ce-yi-ming-235045","此作用淡墨晕染豆叶，浓墨勾勒叶脉，叶片俯仰错落，尽显舒展之姿。垂挂的豆荚以枯湿浓淡变化的墨色绘就，饱满写实，带着乡野蔬果的质朴生趣。\n左侧题书朴拙苍劲，诗画相映，文气悠然。整幅以水墨写就，未施艳色，将夏末豆花褪尽、豆荚渐熟的乡野闲景铺陈开来，把田园清趣藏在极简笔墨间，淡远萧疏，尽显文人寄情于寻常风物的雅致意趣，笔简意足，余韵悠长。",[27,144,125,82,530,80,14639,221],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fe100cc9f5a43244e1ea38ce809dc33a1.jpg",[],{"id":334072,"slug":334073,"title":22241,"dynasty":55,"author":7,"museum":172,"description":334074,"tags":334075,"thumbUrl":334076,"material":11,"size":11,"collection":11,"collections":334077,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":70},235044,"yuan-ji-za-hua-tu-ce-yi-ming-235044","此作用写意水墨绘就兰石，运笔纵逸老辣。怪石以阔笔泼墨晕染，留白勾勒纹理，浑朴厚重，苍莽质感尽显。幽兰以中锋写兰叶，笔势舒展虬曲，如锥画沙，尽显柔韧舒展之姿，淡墨点花，清雅空灵。左侧题款笔力雄健，与画面相映成趣。\n\n整体构图极简，以兰之清逸衬石之朴拙，借物抒怀尽显文人画以物明志的意趣。寥寥数笔间将君子风骨寄寓其中，简淡中见情致，尽显水墨写意的精妙韵味，古雅清幽的意境扑面而来。",[27,28,530,144,1665,146,124,82],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F5fc2549e142b73e8a4a519e5c9296a25.jpg",[],{"id":334079,"slug":334080,"title":22241,"dynasty":55,"author":7,"museum":172,"description":334081,"tags":334082,"thumbUrl":334083,"material":11,"size":11,"collection":11,"collections":334084,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":70},235043,"yuan-ji-za-hua-tu-ce-yi-ming-235043","此作书画合璧，疏淡雅致。右侧以淡墨勾勒茶壶，造型朴拙圆润，线条简净温润，静穆中带着烟火暖意；旁侧古瓶斜插梅枝，枯墨写枝，淡墨圈花，梅影横斜清雅灵动，瓶身笔意通透，寥寥数笔便将清寂冬景里的案头雅趣铺展开来。\n\n左侧题诗笔力苍劲洒脱，墨色枯润相宜，与画面意境呼应，将煮茶赏梅的闲情寄于笔墨。整幅以枯淡墨色晕染出疏旷散淡的氛围，尽显文人幽居的悠然意趣，简笔却韵味悠长，淡中见雅，把岁寒清居的诗意描摹尽致。",[27,144,530,125,542,346,124],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F940530150c0491c9c8943a88c16e9e38.jpg",[],{"id":334086,"slug":334087,"title":22241,"dynasty":55,"author":7,"museum":172,"description":334088,"tags":334089,"thumbUrl":334090,"material":11,"size":11,"collection":11,"collections":334091,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":70},235042,"yuan-ji-za-hua-tu-ce-yi-ming-235042","此作以水墨写意绘就蔬果雅景，淡墨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古朴艺术意趣。简练笔触藏着明代边疆防务的缜密思考，淡雅色彩晕染出塞上边地独特风情，为后世留存兼具历史价值与审美韵味的珍贵遗存。",[26,27,28,32,329,124,125,60,9149,9148,3626,2656,33,663],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F8f95b575c765d6ce48d75b81152afd6b.jpg",[],{"id":344613,"slug":344614,"title":344615,"dynasty":241,"author":7,"museum":172,"description":344616,"tags":344617,"thumbUrl":344618,"material":43,"size":11,"collection":11,"collections":344619,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":70},216441,"xuan-da-shan-xi-san-zhen-tu-202-yi-ming-216441","宣大山西三镇图-202","青绿设色晕染层叠峰峦，关隘壁垒与城防工事错落其间，蒙古包、巡骑点缀，鲜活还原北疆戍守图景。左侧题跋详述防务细节：城墙规制、粮饷转运、屯田事宜，文字与舆图互证，既藏军事档案的严谨，又含传统绘画的雅致韵致。线条简练却精准勾勒地理脉络，色彩古朴温润，于壮阔边疆景致里，暗蕴戍边战略智慧。作品融实用与审美于一体，是兼具文献价值与艺术魅力的珍贵遗存，尽显传统舆图的独特韵味与历史厚重感。",[26,27,28,32,1622,329,31,60,953,343710,24579,3362,1006,2656,45919],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fd251369110476e168d43f27799191c4a.jpg",[],{"id":344621,"slug":344622,"title":344623,"dynasty":241,"author":7,"museum":172,"description":344624,"tags":344625,"thumbUrl":344626,"material":43,"size":11,"collection":11,"collections":344627,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":70},216440,"xuan-da-shan-xi-san-zhen-tu-199-yi-ming-216440","宣大山西三镇图-199","此图以细密小楷缀于舆地间，将宣大山西三镇边防图景徐徐铺展。文字详载河防距度、兵备配置与城堡兴修细节——“河距二百里”的精准丈量，“兵三千”的严谨调度，“城堡兴修”的规划考量，处处彰显边镇防御的周密。笔墨间凝注着戍边者的筹谋，每一处标注皆为疆土安危的注脚，既承载实用的军事舆图功能，更藏着明代边镇治理的鲜活印记，静静诉说着那段守土卫国的沉厚岁月。",[26,931,28,124,3054,4486,3019],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F58ed5b1ad89b2886ca86e68e109bdd09.jpg",[],{"id":344629,"slug":344630,"title":344631,"dynasty":241,"author":7,"museum":172,"description":344632,"tags":344633,"thumbUrl":344634,"material":43,"size":11,"collection":11,"collections":344635,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":70},216439,"xuan-da-shan-xi-san-zhen-tu-201-yi-ming-216439","宣大山西三镇图-201","画面分左右两帧，左为细密文字，叙地域疆界、道里距离及军政典故；右为青绿设色舆图，层岩叠嶂以蓝绿晕染，城邑以方框标识，山间路径婉转勾连。图文相契，兼具纪实性与艺术性，既精准记录地理信息，又蕴含传统山水画的笔墨意趣，生动展现明代舆图绘制的独特范式，为探究当时区域地理与社会状况留存了鲜活的视觉佐证。其笔墨质朴却细节饱满，青绿设色虽简淡却层次分明，于纪实中见雅致，是明代舆图艺术与地理认知结合的典型范本。",[26,27,1622,32,31,124,125,60,1142,9149,2657],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fa8b198139a0f4fee299ed65c65234e8c.jpg",[],{"id":344637,"slug":344638,"title":344639,"dynasty":241,"author":7,"museum":172,"description":344640,"tags":344641,"thumbUrl":344642,"material":43,"size":11,"collection":11,"collections":344643,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":70},216438,"xuan-da-shan-xi-san-zhen-tu-203-yi-ming-216438","宣大山西三镇图-203","青绿设色的山峦叠嶂间，蓝绿晕染出苍茫边地气象，既有山水写意的韵致，又暗藏舆图的方位肌理。中间“朔州卫”题框醒目，周边散落的符号似烽燧、驿站，勾连起边镇防务的地理脉络。左侧古朴小楷详注卫所沿革与山川形胜，图文互证，实用与雅致兼具。笔墨将军事舆图的严谨与传统绘画的意趣相融，青绿色泽经岁月沉淀仍温润可观，字里行间藏着明代边镇的战略格局，是窥见当时边防体系与舆图艺术的珍贵窗口。",[26,27,28,32,1622,60,9247,82,124,953,35,530],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F8526d452f0b5dc4f65824d6dd8982567.jpg",[],{"id":344645,"slug":344646,"title":344647,"dynasty":241,"author":7,"museum":172,"description":344648,"tags":344649,"thumbUrl":344650,"material":43,"size":11,"collection":11,"collections":344651,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":70},216437,"xuan-da-shan-xi-san-zhen-tu-204-yi-ming-216437","宣大山西三镇图-204","画面左卷以墨笔详述边镇地理防务，文字古朴凝重，记录山川险易、驻军分布与粮秣供给，尽显戍守之艰。右卷青绿设色绘山川形胜，峰峦叠翠间驿路蜿蜒，营垒烽燧错落，核心城垣标注清晰，兼具军事地图实用与山水画雅致。画风古朴沉郁，线条简练却精准勾勒边防格局，色彩淡雅中透出边塞苍凉肃穆，既是明代边防战略的直观呈现，也暗含对戍边将士的深切致意，笔墨间藏历史厚重。",[26,27,32,1622,60,9148,3626,3362,1006,2656,124],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F222b3cefb1accefa41ac9afa3fc5e583.jpg",[],{"id":344653,"slug":344654,"title":344655,"dynasty":241,"author":7,"museum":172,"description":344656,"tags":344657,"thumbUrl":344658,"material":43,"size":11,"collection":11,"collections":344659,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":70},216436,"xuan-da-shan-xi-san-zhen-tu-205-yi-ming-216436","宣大山西三镇图-205","这幅舆图以青绿设色晕染层叠峰峦，笔墨古朴雅致。画面中央标注“偏头关城”，周围营帐星罗棋布，山道间人马行迹隐约，生动呈现边关防御布局与地理态势。左侧蝇头小楷详述地理沿革与军事要事，图文互证，兼具纪实性与叙事性。它既展现明代北部军事防御体系，又体现“图史结合”的绘制特色，笔墨间承载边塞战略记忆，是研究明代边防的珍贵视觉文献，静静诉说着往昔边关的风云岁月。",[26,27,32,31,1622,60,33,1006,3362,9149,82],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F98e6dff600915b39dfe6e4693e12584c.jpg",[],{"id":344661,"slug":344662,"title":344663,"dynasty":241,"author":7,"museum":172,"description":344664,"tags":344665,"thumbUrl":344666,"material":43,"size":11,"collection":11,"collections":344667,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":70},216435,"xuan-da-shan-xi-san-zhen-tu-207-yi-ming-216435","宣大山西三镇图-207","青绿设色的山峦如黛，层叠环绕着中央的贾家堡城寨。夯土围垣与防御工事勾勒出边塞要塞的肃穆，城寨方正矗立，似守望着一方安宁。左侧细密的小楷文字，详载此地的地理脉络与戍守旧事。图文相契，以写意山水铺展空间格局，用严谨文字补注军事民生细节，将明代边防重镇的沉雄气息凝于纸间。古朴笔触里藏着历史的厚重，青绿晕染中透着戍边的沧桑，既是地理信息的直观呈现，亦是边塞岁月的无声叙事。",[26,27,28,530,1622,32,124,60,6267,2656,82],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F272a877f31f11456e2afc48279f59d9f.jpg",[],{"id":344669,"slug":344670,"title":344671,"dynasty":241,"author":7,"museum":172,"description":344672,"tags":344673,"thumbUrl":344674,"material":43,"size":11,"collection":11,"collections":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的纤秀相映，静岩与流泉相衬，尽显山川灵秀与人文意趣，于素净线条中藏天地大美。",[27,28,123,60,162,131,129,130,7390,6267],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F205d74ceaf9020f3503fd62295d027ec.jpg",[],{"id":345726,"slug":345727,"title":345728,"dynasty":55,"author":7,"museum":172,"description":345729,"tags":345730,"thumbUrl":345732,"material":724,"size":11,"collection":11,"collections":345733,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":70},215606,"tian-xia-ming-shan-tu-17-yi-ming-215606","天下名山图-17","笔墨轻挥间，山水之韵徐徐铺展。前景溪流蜿蜒，岸线层叠，水纹细劲如丝，似有潺潺声入耳。中景坡地起伏，林木疏密有致，几椽屋舍隐于其间，添了烟火气却不失清幽。背景山峦巍峨，轮廓刚劲含柔，山间留白若云雾缭绕，将远岫的深邃悄然晕开。线条简练却见功底，皴擦点染皆合章法，简淡中藏深远，平实处生奇趣。整幅画如无声的山水诗，把自然静谧与人文闲适融于尺幅，引人入胜，心生向往。",[79,27,28,530,123,144,614,60,131,1340,345731,359,130],"近山","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F9e7b0bab5cf9e908df16329dcb37bf07.jpg",[],{"id":345735,"slug":345736,"title":345737,"dynasty":55,"author":7,"museum":172,"description":345738,"tags":345739,"thumbUrl":345740,"material":724,"size":11,"collection":11,"collections":345741,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":70},215605,"tian-xia-ming-shan-tu-13-yi-ming-215605","天下名山图-13","线痕勾勒层峦脉络，皴擦间藏山石苍劲肌理。云雾似轻纱漫过峰巅，晕染出远近丘壑的虚实层次。山顶亭台隐于云霭，如遗落的仙踪；林麓溪涧藏于深谷，似有潺潺声入耳。细密笔触铺展林木，葱茏间透着生机；劲挺线条刻画石崖，嶙峋中显风骨。整幅画以线为骨，以意传神，凝名山雄浑与灵秀于一纸。静穆里带着悠远气息，仿佛牵引观者踏入烟霞深处，尽览丘壑间的万千意趣——山石的沉稳、云雾的轻盈、草木的鲜活，皆在笔墨流转中，化作可感的山水诗行。",[27,28,123,614,60,953,445,131,35],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fdd8394b00c27a1825ce9e44ffccd130e.jpg",[],{"id":345743,"slug":345744,"title":345745,"dynasty":55,"author":7,"museum":172,"description":345746,"tags":345747,"thumbUrl":345748,"material":724,"size":11,"collection":11,"collections":345749,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":70},215604,"tian-xia-ming-shan-tu-22-yi-ming-215604","天下名山图-22","奇峰嵯峨，层峦叠嶂间云气氤氲，烟岚如轻纱漫卷。山坳隐现亭台，与嘉木相映成趣；山麓城墙蜿蜒，门楼古朴，藏岁月沧桑。笔墨以线描为骨，勾勒精准利落，山石皴法简洁有致，简练中见丘壑之深。云雾柔润与山石硬朗相衬，动静相宜，尽显山川雄浑与灵秀。意境清幽旷远，引观者步入烟霞深处，听松涛阵阵，观云卷云舒，心随山水静，意与天地悠。",[27,123,60,530,129,131,163,1623,130,953],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F269afc58a44f0e1e03b8848a437d5522.jpg",[],{"id":345751,"slug":345752,"title":345753,"dynasty":55,"author":7,"museum":172,"description":345754,"tags":345755,"thumbUrl":345759,"material":724,"size":11,"collection":11,"collections":345760,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":70},215603,"tian-xia-ming-shan-tu-23-yi-ming-215603","天下名山图-23","笔墨晕染出山川灵秀风骨，峰峦叠嶂隐于烟霞缥缈间，溪涧蜿蜒绕林麓。线条苍劲古拙，墨色浓淡藏虚实相生之妙，尽显清代山水含蓄韵致。每一笔触似诉名山千年底蕴，烟岚浮动中，松涛阵阵可闻，飞瀑流泉如见。虽佚名，却以自然之笔绘就天地大美，观者于尺幅间神游万仞，心寄烟霞，沉醉于那份古朴静谧的山水诗意里，不知归处。",[79,27,28,60,144,136263,6350,345756,345757,5523,17305,345758,3801,627],"烟霞","溪涧","松涛","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fbf6a0b9248f3d7c0896470902e898923.jpg",[],{"id":345762,"slug":345763,"title":345764,"dynasty":55,"author":7,"museum":172,"description":345765,"tags":345766,"thumbUrl":345767,"material":724,"size":11,"collection":11,"collections":345768,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":70},215600,"tian-xia-ming-shan-tu-24-yi-ming-215600","天下名山图-24","笔墨勾勒间，层峦叠嶂自左铺展，峰崖错落如剑戟横空，皴法细密处见山石肌理，苍劲中藏秀逸。山脚下林木扶疏，几株古松枝干虬劲，掩映着茅舍隐现，石径蜿蜒间，一隐士凭石而坐，似与山光对语，野趣盎然。右侧云气氤氲，淡墨晕染出烟波浩渺，远处楼阁半藏于雾霭，恍若仙境浮于尘世。整幅画面虚实相生，近景的真切与远景的缥缈相映成趣，将山水之雄浑与文人之雅意融于一纸，观之如临溪山深处，心随云卷云舒，顿生旷远之思。",[27,123,614,60,6267,131,359,130,1623,531,33],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F09ca8330c953affc3651f81a97b60ad8.jpg",[],{"id":345770,"slug":345771,"title":345772,"dynasty":55,"author":7,"museum":172,"description":345773,"tags":345774,"thumbUrl":345775,"material":724,"size":11,"collection":11,"collections":345776,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":70},215599,"tian-xia-ming-shan-tu-19-yi-ming-215599","天下名山图-19","峰峦如削，劲挺线条勾勒出山石嶙峋轮廓，皴擦点染间显肌理苍古。云雾轻笼，淡墨晕染与留白相映，层叠山岩似浮于烟霭之上。山间隐现亭榭，小径行人缓步，为雄奇景致添几分生活意趣。笔墨细腻却藏力道，线条精准而富变化，既绘出山川壮阔气象，又含林泉高致清雅之韵。整幅画以线立骨、以墨生韵，将自然奇秀与文人情怀融于一纸，尽显传统山水的笔墨匠心与意境之美。",[27,28,123,60,614,6267,131,129,130,1623,33,531],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F5563039e1aa92ca9812b376ef1e688c5.jpg",[],{"id":345778,"slug":345779,"title":345780,"dynasty":55,"author":7,"museum":172,"description":345781,"tags":345782,"thumbUrl":345783,"material":724,"size":11,"collection":11,"collections":345784,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":70},215598,"tian-xia-ming-shan-tu-30-yi-ming-215598","天下名山图-30","墨线勾勒的峰峦层叠如浪，自远及近铺展成壮阔山景。近山林木错落，枝叶简笔点染，添几分生机；远山轮廓淡远，似隐于云雾间。山间小径蜿蜒穿梭，连接标注地名，藏着古人踏访的足迹。整幅画以极简笔墨揉合长白山的雄奇与静谧——既有群峰竞秀的磅礴，又有林径幽寂的清雅。笔墨虽简，却道尽山川神韵：仿佛能听见山风掠树梢，看见云雾绕山脊，是古人对自然的敬畏与诗意凝萃，让观者于尺幅间触摸到山川的魂魄。",[27,28,530,123,144,60,953,532,2688,130,614],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fe0d0a5dd1bce0fa60dc5b609ffbf60b0.jpg",[],{"id":345786,"slug":345787,"title":345788,"dynasty":55,"author":7,"museum":172,"description":345789,"tags":345790,"thumbUrl":345791,"material":724,"size":11,"collection":11,"collections":345792,"showCount":49,"zanCount":49,"manualWeight":49,"mainColor":70},215597,"tian-xia-ming-shan-tu-28-yi-ming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