[{"data":1,"prerenderedAt":60},["ShallowReactive",2],{"artwork-ba-su-shi-huang-zhou-han-shi-shi-huang-ting-jian-221283":3},{"id":4,"slug":5,"title":6,"dynasty":7,"author":8,"museum":9,"description":10,"tags":11,"thumbUrl":25,"material":26,"size":27,"collection":28,"collections":29,"showCount":30,"zanCount":31,"manualWeight":31,"mainColor":32,"tagLinks":33},221283,"ba-su-shi-huang-zhou-han-shi-shi-huang-ting-jian-221283","跋苏轼黄州寒食诗","宋","黄庭坚","台北故宫博物院","《黄州寒食诗卷跋》是黄庭坚在苏轼《黄州寒食诗帖》后写的一段跋语，此跋历来为人们所珍视，与原帖合称“双璧”。《寒食帖跋》表现了“黄书”的基本艺术特点。《跋文》用笔锋利爽截而富有弹性。其字写得藏锋护尾，纵横奇崛，其长笔画波势比较明显。由于黄庭坚善于把握字的松紧，因此形成了中宫收缩而四周放射的特殊形式感，人们也称其为辐射式书体。在布局上，《跋文》常从欹侧中求平衡，于倾斜中见稳定，因此变化无穷，曲尽其妙。从局部看，一行字忽左忽右，但从整体看，呼应对比，浑成一体。此跋给人以神情饱满，气势贯通的感受，决无荒率之病，达到了艺术的化境，所以他在最后不无得意地说：“他日东坡或见此书，应笑我于无佛处称尊也”。",[12,13,14,15,16,17,18,19,20,21,22,23,24],"高清","名画","书法","行书","纸本","宋代","墨书","笔力劲健","结体舒展","顿挫有致","墨色变化","长卷","书画","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fdee18dc5af9010f82b2dba444201b634.jpg","白纸本","纵34.2公分，横199.5公分","书法精选",[28],169,0,"BDBDBD",[34,36,38,40,42,44,46,48,50,52,54,56,58],{"name":12,"slug":35},"gao-qing",{"name":13,"slug":37},"ming-hua",{"name":14,"slug":39},"shu-fa",{"name":15,"slug":41},"xing-shu",{"name":16,"slug":43},"zhi-ben",{"name":17,"slug":45},"song-dai",{"name":18,"slug":47},"mo-shu",{"name":19,"slug":49},"bi-li-jin-jian",{"name":20,"slug":51},"jie-ti-shu-zhan",{"name":21,"slug":53},"dun-cuo-you-zhi",{"name":22,"slug":55},"mo-se-bian-hua",{"name":23,"slug":57},"chang-juan",{"name":24,"slug":59},"shu-hua",1777535395369]