[{"data":1,"prerenderedAt":48},["ShallowReactive",2],{"artwork-bai-zi-xi-chun-tu-ye-yi-ming-232995":3},{"id":4,"slug":5,"title":6,"dynasty":7,"author":8,"museum":9,"description":10,"tags":11,"thumbUrl":21,"material":22,"size":23,"collection":24,"collections":25,"showCount":26,"zanCount":27,"manualWeight":27,"mainColor":28,"tagLinks":29},232995,"bai-zi-xi-chun-tu-ye-yi-ming-232995","百子嬉春图页","宋","佚名","北京故宫博物院","此图以极细腻的笔法刻画百子嬉戏游乐的场面。亭台之下的儿童动态十足，他们或舞狮追逐，或斗草争鞠，或玩木偶，或上树，或泛舟；而亭台之上的儿童则较收敛成熟，或品评诗画，或对弈下棋，或抚弄琴弦，或围坐议享，画面人物杂而不乱，繁而不冗。设色和谐明丽。“狮子舞”是人们熟识喜爱的传统民间舞蹈，有关狮子舞的最早记载见于三国魏人孟康的《汉书·礼乐志》注，注中有“象人，若今戏鱼虾狮子者也”。迄今所见最早的狮子舞形象是新疆吐鲁番阿斯塔那墓出土的两人扮成的狮子。此图原载《四朝选藻册》（见《石渠宝笈续编》）。签题苏汉臣作。按《图绘宝鉴》：“苏汉臣，开封人。宣和画院待诏。师刘宗古，工画道释，人物臻妙，尤善婴儿。绍兴间（1131-1162）复官。孝宗隆兴初（1163），画佛像称旨，补承信郎。”世人凡见婴戏图，便题苏汉臣作。此图亦题汉臣作，不知何据。是陈宗训以来的作风，有动作而无表情。名手之笔，不当如是。故改题无名氏作。",[12,13,14,15,16,17,18,19,20],"国画","工笔","设色","册","人物","楼阁","庭院","孩童","嬉戏","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F7127b27e089c572a605b01e9b762712a.jpg","绢本设色","纵26.6cm，横27.7cm","",[],10,0,"BDBDBD",[30,32,34,36,38,40,42,44,46],{"name":12,"slug":31},"guo-hua",{"name":13,"slug":33},"gong-bi",{"name":14,"slug":35},"she-se",{"name":15,"slug":37},"ce",{"name":16,"slug":39},"ren-wu",{"name":17,"slug":41},"lou-ge",{"name":18,"slug":43},"ting-yuan",{"name":19,"slug":45},"hai-tong",{"name":20,"slug":47},"xi-xi",1777535430684]