[{"data":1,"prerenderedAt":63},["ShallowReactive",2],{"artwork-chang-jiang-wan-li-tu-hou-juan-xia-gui-288371":3},{"id":4,"slug":5,"title":6,"dynasty":7,"author":8,"museum":9,"description":10,"tags":11,"thumbUrl":26,"material":27,"size":28,"collection":29,"collections":30,"showCount":31,"zanCount":32,"manualWeight":32,"mainColor":33,"tagLinks":34},288371,"chang-jiang-wan-li-tu-hou-juan-xia-gui-288371","长江万里图后卷","宋","夏圭","台北故宫博物院","《长江万里图》是一幅长超过11公尺的手卷，画卷的前半段，以接近平视的角度近景特写岩块、林木，以及江行的舟船，表现长江三峡险峻和波涛汹涌的景观；后半段则是以俯视和远观的角度描绘江面上的活动，以及沿途所见秀丽的景色。从逼近观者的景物，转换到辽阔空旷的视野，这种构图的方式具有戏剧性的效果。在画卷最后，有元代鉴藏家柯九思的题字，鉴定这幅画作者是南宋夏珪。但是柯九思题字是后人伪造，所以这样的意见值得强烈怀疑。从时代风格来看，这种山水长卷的构图方式流行于明初，而在笔墨技巧方\n宋夏圭长江万里图卷\n宋夏圭长江万里图卷\n面，本幅的“斧劈皴”用同一方向的侧锋表现，而水纹的描绘也刻意强调浪花的造型和装饰效果，这些特征显示〈长江万里图〉的创作时代为十四世纪末至十五世纪初，可能是一张与明代宫廷画院风格密切相关的作品。",[12,13,14,15,16,17,18,19,20,21,22,23,24,25],"高清","国画","长卷","水墨","山水画","皴法","山峦","江景","孤舟","亭台","松树","云雾","崖壁","远山","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fc17ed61dd6a5972ee7a6aea3bd1ee1f2.jpg","绢","该幅26.8x1115.3公分；隔水一 11.3公分；引首 26.8x75.7公分；隔水二 13.7公分；隔水三 11.3公分；拖尾 26.9x241公分","",[],64,0,"795548",[35,37,39,41,43,45,47,49,51,53,55,57,59,61],{"name":12,"slug":36},"gao-qing",{"name":13,"slug":38},"guo-hua",{"name":14,"slug":40},"chang-juan",{"name":15,"slug":42},"shui-mo",{"name":16,"slug":44},"shan-shui-hua",{"name":17,"slug":46},"cun-fa",{"name":18,"slug":48},"shan-luan",{"name":19,"slug":50},"jiang-jing",{"name":20,"slug":52},"gu-zhou",{"name":21,"slug":54},"ting-tai",{"name":22,"slug":56},"song-shu",{"name":23,"slug":58},"yun-wu",{"name":24,"slug":60},"ya-bi",{"name":25,"slug":62},"yuan-shan",1777535401811]