[{"data":1,"prerenderedAt":67},["ShallowReactive",2],{"artwork-chen-shu-hua-li-dai-di-wang-dao-tong-tu-qian-chen-qun-shu-zan-he-ce-chen-shu-238544":3},{"id":4,"slug":5,"title":6,"dynasty":7,"author":8,"museum":9,"description":10,"tags":11,"thumbUrl":27,"material":28,"size":29,"collection":30,"collections":31,"showCount":33,"zanCount":34,"manualWeight":34,"mainColor":35,"tagLinks":36},238544,"chen-shu-hua-li-dai-di-wang-dao-tong-tu-qian-chen-qun-shu-zan-he-ce-chen-shu-238544","陈书画历代帝王道统图钱陈群书赞合册","清","陈书","藏地不详","陈书（1660～1736）字南楼，号上元弟子，晚号南楼老人，秀水（今浙江嘉兴）人，适海监钱纶光，善画花鸟虫草，家贫，卖画自给，教子甚严。以长子钱陈群诰封太淑人。\n陈书擅长人物、山水、花卉，书法也秀丽遒劲，诗文颇为精通。她成年后嫁于钱纶光为妻，钱氏为嘉兴望族，惜乎她的丈夫很早就离开了人间。她只能勤俭持家，夜来纺纱织布，苦度岁月，对于子女的教育从不放松，教子读经吟诗至深夜。其子钱陈群在她的精心培育下，在清康熙六十年中了进士，进入朝廷担任侍读学士等官职。陈书教子成名，自己画了一幅“夜纺授经图”，此图描绘夜深人静一边纺纱，一边教子读经，神态毕俱。这幅面得皇帝的赞赏，并题诗二首在画上，当时乾隆皇帝带头题诗称道这幅画，那些高官名人也纷纷题诗歌颂之。这幅令人瞩目的“夜纺授经图”，后来刻在石上，嵌在嘉兴中山路钱氏故居壁间，笔者曾见其拓本，原作是否存在，已不得而知。但其刻石仍保存在钱氏后裔手中。因在扩展中山路时有人看到其石刻完好地嵌在墙间，现钱氏故居已拆除，其旧址即现在中国银行嘉兴支行这块地基上。\n陈书在书画方面的造诣很高，笔墨娴雅，结构严谨。当时书画家评论她画的人物称得上逸品，画的山水、花卉称为神品，可见对她的评价相当高。陈书的子孙受她的影响也能书画，在笔墨技法上很像她，可以说一门数代继承家风。她的作品曾为清代皇室珍藏，流传民间也不少。嘉兴博物馆藏有她的花卉真迹，笔者在杭州、苏州、扬州等地也看到过她的作品。她的诗为人们所重视，《复庵吟稿》收集了她诗作的精华，流传至今。",[12,13,14,15,16,17,18,19,20,21,22,23,24,25,26],"国画","书画","册","设色","工笔","人物","行书","书法","印章","树木","山石","台阶","人群","服饰","建筑","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F4b1bf6b2c65b651b60c09fe8353699f2.jpg","未知","Xcm*Xcm","人物画精选",[30,32],"设色画精选",23,0,"BDBDBD",[37,39,41,43,45,47,49,51,53,55,57,59,61,63,65],{"name":12,"slug":38},"guo-hua",{"name":13,"slug":40},"shu-hua",{"name":14,"slug":42},"ce",{"name":15,"slug":44},"she-se",{"name":16,"slug":46},"gong-bi",{"name":17,"slug":48},"ren-wu",{"name":18,"slug":50},"xing-shu",{"name":19,"slug":52},"shu-fa",{"name":20,"slug":54},"yin-zhang",{"name":21,"slug":56},"shu-mu",{"name":22,"slug":58},"shan-shi",{"name":23,"slug":60},"tai-jie",{"name":24,"slug":62},"ren-qun",{"name":25,"slug":64},"fu-shi",{"name":26,"slug":66},"jian-zhu",1777535415462]