[{"data":1,"prerenderedAt":48},["ShallowReactive",2],{"artwork-da-nuo-tu-zhou-yi-ming-233022":3},{"id":4,"slug":5,"title":6,"dynasty":7,"author":8,"museum":9,"description":10,"tags":11,"thumbUrl":21,"material":22,"size":23,"collection":24,"collections":25,"showCount":26,"zanCount":27,"manualWeight":27,"mainColor":28,"tagLinks":29},233022,"da-nuo-tu-zhou-yi-ming-233022","大傩图轴","宋","佚名","北京故宫博物院","此画面上共画有十二个人。他们都穿着奇异的服装，戴着各式的帽子和插着花枝。帽子的式样毫不重复，除了斗笠、巾和冠之外，有的是戴着粗角的兽头，有的是农家场院器具斗、箩、箕之属。他们的手中或身上携拿着鼓、铃、檀板等乐器，或为扇、篓、帚等用具，或为花枝、瓜之属。所有人的面部都化了妆，可能戴的是假面具。十二个人团团围住，手舞足蹈，充满着欢乐的气氛。旧题《大傩图》。\n描写民间风俗习惯的绘画，宋代特别发展，《大傩图》轴即是一幅风俗画。傩(音挪)，是一种古老的驱除疠疫的民间习俗。《论语》中就有“乡人傩”的记载。《后汉书》记载：“先腊一日，大傩，选中黄门子弟，十岁以上十二岁以下百二十人为侲子。”唐代《乐府杂录》中描写说：“用四方相，戴冠及面具，黄金为四目，衣熊裘，持戈扬盾，口作傩傩之声，似除也。侲子五百，小儿为之，朱褶青襦，戴面具，晦日于紫宸殿前傩，张宫悬乐。”这些描述与画上的情况基本相似。当然到了宋代，傩时的具体情形和细节，又会有许多的发展变化。从画面情形来看，其中增加了许多农具，可见这种古老的习俗，到了宋代除了驱除邪祟之外，还有祈求丰收的意味，同时也是一种民间娱乐活动。所以此幅画，从艺术到内容，都值得珍视。",[12,13,14,15,16,17,18,19,20],"国画","书画","立轴","设色","工笔","人物","乐器","衣帽","仪式","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F811f5eb801a8357cdf3c7a7af199fa5a.jpg","绢本，设色","纵67.4厘米，横59.2厘米","",[],12,0,"795548",[30,32,34,36,38,40,42,44,46],{"name":12,"slug":31},"guo-hua",{"name":13,"slug":33},"shu-hua",{"name":14,"slug":35},"li-zhou",{"name":15,"slug":37},"she-se",{"name":16,"slug":39},"gong-bi",{"name":17,"slug":41},"ren-wu",{"name":18,"slug":43},"yue-qi",{"name":19,"slug":45},"yi-mao",{"name":20,"slug":47},"yi-shi",1777535427219]