[{"data":1,"prerenderedAt":64},["ShallowReactive",2],{"artwork-dai-du-tu-ye-li-tang-227770":3},{"id":4,"slug":5,"title":6,"dynasty":7,"author":8,"museum":9,"description":10,"tags":11,"thumbUrl":27,"material":28,"size":28,"collection":28,"collections":29,"showCount":30,"zanCount":31,"manualWeight":31,"mainColor":32,"tagLinks":33},227770,"dai-du-tu-ye-li-tang-227770","待渡图页","宋","李唐","藏地不详","李唐（1066年－1150年），字晞古，亦作希古，宋朝著名画家，河阳三城（今河南孟县）人。\n\n李唐原供奉北宋徽宗的画院，1127年金兵攻陷汴京，李唐颠沛流离，逃往临安（今杭州），以卖画度日。南宋恢复画院后，李唐经人举荐，进入画院，授成忠郎职务。\n\n李唐精于山水画，变荆浩、范宽之法，山水画最初用峭劲的笔墨，写出北方山河雄峻气势；晚年去繁就简，创大斧劈皴；画水打破鱼鳞纹程式，而得盘涡动荡之状；兼工人物画，初似李公麟，后衣褶变为方折劲硬；并以画牛著称。\n\n描绘青绿山水，如《万壑松风图》、《长夏江寺图》等，是北派山水的著名代表人之一，其后用笔及取景变的简括凝炼、构图精练、意境优美，开辟南宋的新画风，并创作人物画《胡笳十八拍》、《采薇图》等，借历史抒发怀念故国，希图中兴的感情。\n\n李唐的画风对后世有很大影响，他也培养了一些杰出弟子如萧照，其后马远、夏圭继承和发展了他的画风，和他一起，并称为“南宋四家”（李唐、刘松年、马远、夏圭）。",[12,13,14,15,16,17,18,19,20,21,22,23,24,25,26],"高清","国画","名画","设色","皴法","山水","孤舟","人物","老树","山石","渡头","岸坡","树木","远岫","云雾","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fd8f2618414ab002b13ecc03ab10213de.jpg","",[],29,0,"795548",[34,36,38,40,42,44,46,48,50,52,54,56,58,60,62],{"name":12,"slug":35},"gao-qing",{"name":13,"slug":37},"guo-hua",{"name":14,"slug":39},"ming-hua",{"name":15,"slug":41},"she-se",{"name":16,"slug":43},"cun-fa",{"name":17,"slug":45},"shan-shui",{"name":18,"slug":47},"gu-zhou",{"name":19,"slug":49},"ren-wu",{"name":20,"slug":51},"lao-shu",{"name":21,"slug":53},"shan-shi",{"name":22,"slug":55},"du-tou",{"name":23,"slug":57},"an-po",{"name":24,"slug":59},"shu-mu",{"name":25,"slug":61},"yuan-xiu",{"name":26,"slug":63},"yun-wu",1777535411945]