[{"data":1,"prerenderedAt":43},["ShallowReactive",2],{"artwork-dao-sui-tang-lang-zhou-gao-qi-pei-235650":3},{"id":4,"slug":5,"title":6,"dynasty":7,"author":8,"museum":9,"description":10,"tags":11,"thumbUrl":20,"material":21,"size":21,"collection":21,"collections":22,"showCount":23,"zanCount":24,"manualWeight":24,"mainColor":25,"tagLinks":26},235650,"dao-sui-tang-lang-zhou-gao-qi-pei-235650","稻穗螳螂轴","清","高其佩","藏地不详","《稻穗螳螂图》是清代画家 创作的纸本水墨指画，现藏于 。\n此图是描绘仲秋稻谷成熟时期的一角情景。\n画绘左侧下端有一棵截取的稻秆，向画面右上方伸展，稻叶疏密有致，相互交错，在秋风吹拂下摆动，而沉甸的稻穗将稻朴压弯，呈低沉状态。\n唯独有一只螳螂于稻叶之上，举目侧望，昂首挺胸，似欲作捕捉状，悠然自得，为整个画面增添了生气。\n此画布局方面，所画的景物都集中在画面中下端，上端却空旷一片，仅在左上角有款题。\n此画构图十分简洁，浓淡干湿墨色随意点染，飞动不露笔痕的粗细线条，将一螳螂的神形，表现得十分出色。\n故此幅画为他小品指画中的代表作之一。\n高其佩（166或1672—174年），字韦之，号且园，辽宁铁岭人，隶汉军镶黄旗，官至刑部侍郎。\n他擅长指画，即用手掌、手指和指甲勾划线条，并佐以毛笔。\n所绘人物、山水、花卉栩栩如生，丰富了中国画的表现技法，在清代画坛以指画独树一帜。\n清雍正年间曾宫中作画。",[12,13,14,15,16,17,18,19],"国画","书画","立轴","设色","花鸟","稻穗","螳螂","印章","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F372b120f258fb1d4c1366bb580f66867.jpg","",[],13,0,"BDBDBD",[27,29,31,33,35,37,39,41],{"name":12,"slug":28},"guo-hua",{"name":13,"slug":30},"shu-hua",{"name":14,"slug":32},"li-zhou",{"name":15,"slug":34},"she-se",{"name":16,"slug":36},"hua-niao",{"name":17,"slug":38},"dao-sui",{"name":18,"slug":40},"tang-lang",{"name":19,"slug":42},"yin-zhang",1777535425581]