[{"data":1,"prerenderedAt":38},["ShallowReactive",2],{"artwork-diao-zhui-lao-shu-yi-ming-221630":3},{"id":4,"slug":5,"title":6,"dynasty":7,"author":8,"museum":9,"description":10,"tags":11,"thumbUrl":17,"material":18,"size":19,"collection":20,"collections":21,"showCount":22,"zanCount":23,"manualWeight":23,"mainColor":24,"tagLinks":25},221630,"diao-zhui-lao-shu-yi-ming-221630","吊坠（老鼠）","宋","佚名","藏地不详","尚玉之风，千古一同，南宋时亦然，对玉器的尊崇更在金器之上。追求时尚、讲究品位的社会风尚，使得玉器成为帝王将相、士夫富贾的珍爱之物。\n历经数千年的发展，南宋的玉器走向世俗化。南宋经济发展，城市繁荣，商业贸易发达，手工业兴盛。新兴市民阶层的消费需求不断提高，民间碾玉作坊和买卖玉器的店铺林立。《西湖老人繁胜录》记载，临安有一家“七宝社”，经营玉带、玉碗、玉花瓶、玉束带、玉劝盘、玉轸芝、玉绦环等玉器，多是人们日常生活中使用的衣饰、酒具、花器等实用器。\n南宋玉器一方面是以仿生器、花鸟纹为主的自然写实风格，惟妙惟肖，浪漫天真，布局设计亦受宋代花鸟画的影响；但另一方面，在恢复礼乐制度的影响下，受士大夫金石学的学术旨趣导向，玉作呈现出复古的特征，多有玉卣、玉璧、玉带钩等仿古器形，纹饰则流行螭虎纹、云纹、谷纹等。其中，璧环类玉器原为礼器，然而南宋时或多成为寄托复古情怀之物，一些小型器也或为佩饰。",[7,12,13,14,15,16],"玉石","雕刻","鼠","兽","饰品","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F975b271e62d460846aa7a18335bc5645.jpg","未知","Xcm*Xcm","",[],9,0,"795548",[26,28,30,32,34,36],{"name":7,"slug":27},"song-670",{"name":12,"slug":29},"yu-shi",{"name":13,"slug":31},"diao-ke",{"name":14,"slug":33},"shu-132",{"name":15,"slug":35},"shou",{"name":16,"slug":37},"shi-pin",1777535433401]