[{"data":1,"prerenderedAt":41},["ShallowReactive",2],{"artwork-dong-qing-you-wu-cai-jia-jin-hua-niao-wen-da-hua-pen-yi-ming-256579":3},{"id":4,"slug":5,"title":6,"dynasty":7,"author":8,"museum":9,"description":10,"tags":11,"thumbUrl":19,"material":20,"size":21,"collection":22,"collections":23,"showCount":24,"zanCount":24,"manualWeight":24,"mainColor":25,"tagLinks":26},256579,"dong-qing-you-wu-cai-jia-jin-hua-niao-wen-da-hua-pen-yi-ming-256579","冬青釉五彩加金花鸟纹大花盆","清","佚名","藏地不详","中国瓷器著名传统颜色釉。亦称“青瓷釉”。古代南方青釉，是瓷器最早的颜色釉。\n所谓“青釉”，颜色并不是纯粹的青，有：月白、天青、粉青、梅子青、豆青、豆绿、翠青等，但多少总能泛出一点青绿色。同时，古人往往将青、绿、蓝三种颜色，一统称为“青色”，例如许之衡《饮流斋说瓷》称：“古瓷尚青，凡绿也、蓝也，皆以青括之。”刘子芬《竹园陶说》中也说：“青色一种，常与蓝色相混。雨过天晴，钧窑、元窑之青，皆近蓝色。”“惟千峰翠色、梅子青、豆青、乃为纯青耳。天色本蓝，有时为青。”\n青釉是我国使用最早，延用时间最久，分布最广的一个釉种，它的发明是与我国瓷土矿大都含有一定量的铁矿的现象相一致的。青色也符合我国人民的传统审美情趣。青色与碧玉相若，认为稳重而高雅。浙江、江西、河南等地已出土了不少早至商周时期的原始青釉瓷。六朝至唐宋以越窑为代表的南方青釉瓷；宋到元明的龙泉窑系青瓷；耀州窑、临汝窑、钧窑等宋代北方青瓷；以及明、清以来的景德镇青釉瓷，是青釉发展的几个重要阶段，所谓的宋代“汝、定、官、哥、钧”五大名窑，除定窑外均属青釉瓷。表釉的呈色主要决定于着色氧化物的含铁量与烧成气氛，青釉含铁量一般在1—3%左右，过高会变成黑釉，低了就能烧成白瓷。在还原气氛中烧成。釉色青绿；在氧化气氛中烧成，釉色泛黄。因而陶瓷界所谓的青釉是相对而言的，正如许之衡《饮流斋说瓷》中所说：“古瓷尚青，凡绿也，蓝也，皆以青括之。”",[12,13,14,15,16,17,18],"陶瓷","器","冬青釉","五彩","加金","花鸟","设色","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F0ff446a139761e772ca0be4d54e8d285.jpg","未知","Xcm*Xcm","",[],0,"795548",[27,29,31,33,35,37,39],{"name":12,"slug":28},"tao-ci",{"name":13,"slug":30},"qi",{"name":14,"slug":32},"dong-qing-you",{"name":15,"slug":34},"wu-cai",{"name":16,"slug":36},"jia-jin",{"name":17,"slug":38},"hua-niao",{"name":18,"slug":40},"she-se",1777535569168]