[{"data":1,"prerenderedAt":48},["ShallowReactive",2],{"artwork-dong-ting-zhong-shan-er-fu-quan-juan-su-shi-221313":3},{"id":4,"slug":5,"title":6,"dynasty":7,"author":8,"museum":9,"description":10,"tags":11,"thumbUrl":21,"material":22,"size":23,"collection":24,"collections":25,"showCount":26,"zanCount":27,"manualWeight":27,"mainColor":28,"tagLinks":29},221313,"dong-ting-zhong-shan-er-fu-quan-juan-su-shi-221313","洞庭中山二赋全卷","宋","苏轼","吉林省博物院","苏轼的字看似平实、朴素，但有一股汪洋浩荡的气息，就像他渊厚的学问一样，神龙变化不可测。 他长于行书、楷书， 笔法肉丰骨劲， 跌宕自然， 给人以“大海风涛之气”“古槎怪石之形”的艺术美感。 苏轼的书法，后人赞誉颇高。黄庭坚在他《山谷集》里说：“其书姿媚……至酒酣放浪，意忘工拙，字特瘦劲……至于笔圆而韵胜，挟以文章妙天下，忠义贯日月之气，本朝善书，自当推（苏）为第一”。明董其昌盛赞他“全用正锋，是坡公之兰亭也”。传世书迹有《前赤壁赋》《黄州寒食诗帖》《洞庭春色赋》《中山松醪赋》等。",[12,13,14,15,16,17,18,19,20],"高清","行书","书法","长卷","印章","洞庭","松","酒","山水","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ff26499125ec3104dc526016eca85f356.jpg","纸本","28.3x450.3cm","书法精选",[24],196,0,"BDBDBD",[30,32,34,36,38,40,42,44,46],{"name":12,"slug":31},"gao-qing",{"name":13,"slug":33},"xing-shu",{"name":14,"slug":35},"shu-fa",{"name":15,"slug":37},"chang-juan",{"name":16,"slug":39},"yin-zhang",{"name":17,"slug":41},"dong-ting",{"name":18,"slug":43},"song",{"name":19,"slug":45},"jiu",{"name":20,"slug":47},"shan-shui",1777535394773]