[{"data":1,"prerenderedAt":53},["ShallowReactive",2],{"artwork-er-zu-diao-xin-tu-shi-ke-221178":3},{"id":4,"slug":5,"title":6,"dynasty":7,"author":8,"museum":9,"description":10,"tags":11,"thumbUrl":22,"material":23,"size":24,"collection":25,"collections":26,"showCount":28,"zanCount":29,"manualWeight":30,"mainColor":31,"tagLinks":32},221178,"er-zu-diao-xin-tu-shi-ke-221178","二祖调心图","五代十国","石恪","日本京都国立博物馆","画面展现了两个禅定状态的高僧。其一，头枕屈臂，趴在一只睡虎身上，脸部的五官挤压在一起，呈现了睡眠的神态。其二，弯臂以手托腮，依在自己的右腿上，同样表现了睡眠的神态。但两者有所不同。前者全身依托于睡虎，可谓“沉睡入泥”，生动地表现了高僧达到了酣睡入梦、超脱一切的禅定境地。而后者的头躯则是依托于自身的支撑，入微地表现了高僧若有所思、静心似睡的禅定状态。简而言之，前者突出了一个“静”字，而后者则突出了一个“酣”字。\n《二祖调心图》在表现手法上“删繁就简”，“虚实相生”，“无画处皆成妙境”，正是道家精神的体现。",[12,13,14,15,16,17,18,19,20,21],"高清","名画","国画","书画","水墨","宗教","人物","兽","写意","简笔","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F23a98bd3b86105555a71ed545d41d263.jpg","纸本","纵35.5厘米，横129厘米","人物画精选",[25,27],"水墨画精选",93,1,0,"BDBDBD",[33,35,37,39,41,43,45,47,49,51],{"name":12,"slug":34},"gao-qing",{"name":13,"slug":36},"ming-hua",{"name":14,"slug":38},"guo-hua",{"name":15,"slug":40},"shu-hua",{"name":16,"slug":42},"shui-mo",{"name":17,"slug":44},"zong-jiao",{"name":18,"slug":46},"ren-wu",{"name":19,"slug":48},"shou",{"name":20,"slug":50},"xie-yi",{"name":21,"slug":52},"jian-bi-154",1777535398461]