[{"data":1,"prerenderedAt":69},["ShallowReactive",2],{"artwork-fa-jie-yuan-liu-tu-juan-ding-guan-peng-230212":3},{"id":4,"slug":5,"title":6,"dynasty":7,"author":8,"museum":9,"description":10,"tags":11,"thumbUrl":28,"material":29,"size":30,"collection":31,"collections":32,"showCount":33,"zanCount":34,"manualWeight":34,"mainColor":35,"tagLinks":36},230212,"fa-jie-yuan-liu-tu-juan-ding-guan-peng-230212","法界源流图卷","清","丁观鹏","藏地不详","纵观此图，场面宏大，人物众多，气势磅礴。内容主要描绘的是诸佛菩萨、天龙八部、法会、禅宗六祖和十八罗汉等形象。每个人物无论从装束、姿态、大小还是表情上都各具特色。佛祖释迦牟尼居于画面的中心，他坐卧于佛案上，身穿宽大的佛袍，面向观者，代表着佛界的最高权威。他神态平和而威严，似乎世间的一些都在其掌控之中。他身后的佛光照亮了天地万物，作者巧妙地运用放射性的波纹线条来表现背景，正好与佛光的发射性结合起来。运用这种表现手法正是作者的高明之处，这些线条穿过树木，透过腾腾的云气，一直延展下去，也许正在向世人暗示佛法的无边。周围人物各居两边，有的为侧面，有的为正面；有的呈坐姿，有的呈立姿；有的宽袍长衣，佛带飘逸，有的袒胸露腹，盔甲满身；有的面容俊逸，温和慈善，有的瞠目立眉，叱咤狰狞。表现手法真是多种多样，但无论怎样变化，他们都是聚集在佛祖身边，手拿法器，各居其位，时刻待命。观此景象也许你会感受到一种无穷的力量在感召着你，那普照的佛光会一直射进你的心中，与你的心灵产生一种完美的契合。\n此画为横幅巨制，布局谨严饱满。在构图方式和人物设置上，除了微小的部分有些变化之外，整体气势冲和一致，甚至有的地方比原作更加集中，用笔更为健劲有力。比如图中以释迦牟尼为中心，运用对称的构图方法，把众多人物分别聚集两边，彼此又自有其序，既有连续性，又有独立性，这就是虽然人物繁多但无一点杂乱之感的原因。尽管人物姿态各异，但总的来说都是朝向画面中，L的佛祖，使得画面充满着一种巨大的凝聚力和向心力。在技法上，此卷以重设色大描金的方法画成。运用刚劲有力的“细铁线”，人物形体准确，神态生动。设色浓丽，金碧辉煌，显示出作者高超的绘画才能。",[12,13,14,15,16,17,18,19,20,21,22,23,24,25,26,27],"国画","长卷","人物画","宗教画","佛教","释迦牟尼","诸佛菩萨","罗汉","天龙八部","金刚","法会","工笔","重设色","描金","细铁线","祥云","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F950eadf8283cfbade839b352b2a917d2.jpg","未知","Xcm*Xcm","",[],23,0,"BDBDBD",[37,39,41,43,45,47,49,51,53,55,57,59,61,63,65,67],{"name":12,"slug":38},"guo-hua",{"name":13,"slug":40},"chang-juan",{"name":14,"slug":42},"ren-wu-hua",{"name":15,"slug":44},"zong-jiao-hua",{"name":16,"slug":46},"fo-jiao",{"name":17,"slug":48},"shi-jia-mu-ni",{"name":18,"slug":50},"zhu-fu-pu-sa",{"name":19,"slug":52},"luo-han",{"name":20,"slug":54},"tian-long-ba-bu",{"name":21,"slug":56},"jin-gang",{"name":22,"slug":58},"fa-hui",{"name":23,"slug":60},"gong-bi",{"name":24,"slug":62},"zhong-she-se",{"name":25,"slug":64},"miao-jin",{"name":26,"slug":66},"xi-tie-xian",{"name":27,"slug":68},"xiang-yun",1777535415594]