[{"data":1,"prerenderedAt":69},["ShallowReactive",2],{"artwork-fang-gu-shan-shui-ce-wang-hui-234717":3},{"id":4,"slug":5,"title":6,"dynasty":7,"author":8,"museum":9,"description":10,"tags":11,"thumbUrl":28,"material":29,"size":30,"collection":31,"collections":32,"showCount":33,"zanCount":34,"manualWeight":34,"mainColor":35,"tagLinks":36},234717,"fang-gu-shan-shui-ce-wang-hui-234717","仿古山水册","清","王翚","藏地不详","《仿古山水册》共计十二页，其中设色二页，水墨十页。仿董源、巨然、米芾、赵大年、赵孟頫、吴镇、倪瓒、王蒙、黄公望、管道升、曹知白、陈汝言等而作。每幅均自题七律一首，末开款署“壬寅六月王翚”，册尾有顾复初题跋。前选一图，系仿曹云西山水，写柳汀板桥、芦荻孤舟，晓风残月，雁影徘徊。笔墨疏秀，意境苍莽迷蒙。\n王翚得名家传授，又博览古人佳作和游历真山实水，画艺日臻成熟，40岁时即名闻海内。王翚出生于绘画世家，他的曾祖王伯臣、祖父王载仕、父亲王云客都是画家，幼时即得到家学熏陶，初学画于同乡画家张珂。顺治年间王鉴游虞山时，见王翚画扇，极为赏识，赞其天资超人，收为弟子。后转师王时敏，得以临摹许多历代名家真迹，镕铸造南北画派于一炉，技艺大进。尝与王时敏遍游大江南北，广识著名收藏家，观摹宋、元真迹。其摹古功力极得王时敏赞赏：“（石谷）凡唐宋诸名家无不摹仿逼肖，偶一点染展卷即古色苍然，毋论位置溪径，宛然古人，而笔墨神韵一一夺真，且仿某家，则全是某家，不杂一他笔，使非题款，虽善鉴者，不能辨。”于是他在摹古仿古的基础上，综合诸家之长，晚年画风简练苍浑，有独到的艺术风格，在“四王”中，王翚的艺术成就最为显著，门生弟子很多，以杨晋较为著名，其山水画的影响极为深广。",[12,13,14,15,16,17,18,19,20,21,22,23,24,25,26,27],"国画","书画","册","水墨","皴法","临摹","山水","老树","亭","竹","远山","枯枝","山石","水面","题字","印章","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F91ed578ee3d10a4c1ccad6c5f78d6b63.jpg","纸本，水墨","25.6厘米，横：20.5厘米","",[],13,0,"BDBDBD",[37,39,41,43,45,47,49,51,53,55,57,59,61,63,65,67],{"name":12,"slug":38},"guo-hua",{"name":13,"slug":40},"shu-hua",{"name":14,"slug":42},"ce",{"name":15,"slug":44},"shui-mo",{"name":16,"slug":46},"cun-fa",{"name":17,"slug":48},"lin-mo",{"name":18,"slug":50},"shan-shui",{"name":19,"slug":52},"lao-shu",{"name":20,"slug":54},"ting",{"name":21,"slug":56},"zhu",{"name":22,"slug":58},"yuan-shan",{"name":23,"slug":60},"ku-zhi",{"name":24,"slug":62},"shan-shi",{"name":25,"slug":64},"shui-mian",{"name":26,"slug":66},"ti-zi",{"name":27,"slug":68},"yin-zhang",1777535425627]