[{"data":1,"prerenderedAt":74},["ShallowReactive",2],{"artwork-fang-xu-xi-hua-niao-tu-juan-yi-ming-232909":3},{"id":4,"slug":5,"title":6,"dynasty":7,"author":8,"museum":9,"description":10,"tags":11,"thumbUrl":30,"material":31,"size":31,"collection":31,"collections":32,"showCount":33,"zanCount":34,"manualWeight":35,"mainColor":36,"tagLinks":37},232909,"fang-xu-xi-hua-niao-tu-juan-yi-ming-232909","仿徐熙花鸟图卷","明","佚名","藏地不详","徐熙，鍾陵（今進賢西北）人，生卒年不詳，出身世家，「世為江南顯族」。但一生沒有出仕做官，因此後世稱他為「江南布衣」或「南唐處士」。他的藝術成就，集中體現在不同凡響的落墨花鳥畫創作方面。在當時，這種畫的畫法不同於一般傳統的技法，而是大膽創新。它的出現，曾引發了一些遵從傳統技法的畫家的震驚和敵視。\n中國花鳥畫成為獨立的藝術，比人物畫、山水畫稍晚，唐代雖然出現了不少名家，但直到五代南唐徐熙和西蜀黃荃兩家的出現，花鳥畫壇才放出了異彩。\n徐熙、黃荃都是中國繪畫史上影響深遠的大畫家，但繪畫風格不同，宋代流行一句話：「黃荃富貴，徐熙野逸」。王安石盛讚徐熙的畫名滿江南，成就卓著。劉道醇的《聖朝名畫評》將徐熙的作品列為「花竹翎毛門」的神品第一名，認為他「與造化之功不甚遠，宜乎為天下冠也」。\n眼光獨特的北宋書畫大家米芾認為徐熙的畫法富於變化，不為常規所有，用普通的追求形色相似的臨摹方法無法描摹、激賞其藝術上的獨創價值。\n徐熙是一位多產的畫家，宋《宣和畫譜》所載藏於御府的畫目中，徐熙的畫有249種。流傳於世間的重要作品有《寒蘆野鴨》《花竹雜禽》《魚蟹草蟲》《雪竹圖》《百鳥圖卷》等，因其開創了中國寫意花鳥畫的先河，時稱「江南花鳥，始於徐家」。",[12,13,14,15,16,17,18,19,20,21,22,23,24,25,26,27,28,29],"高清","国画","书画","长卷","设色","工笔","临摹","书法","花鸟","飞鸟","孔雀","鹤","树木","山石","花草","日","荷花","鸟类","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F90011eff47e64f1294d5d515d140a732.jpg","",[],73,1,0,"795548",[38,40,42,44,46,48,50,52,54,56,58,60,62,64,66,68,70,72],{"name":12,"slug":39},"gao-qing",{"name":13,"slug":41},"guo-hua",{"name":14,"slug":43},"shu-hua",{"name":15,"slug":45},"chang-juan",{"name":16,"slug":47},"she-se",{"name":17,"slug":49},"gong-bi",{"name":18,"slug":51},"lin-mo",{"name":19,"slug":53},"shu-fa",{"name":20,"slug":55},"hua-niao",{"name":21,"slug":57},"fei-niao",{"name":22,"slug":59},"kong-que",{"name":23,"slug":61},"he-29",{"name":24,"slug":63},"shu-mu",{"name":25,"slug":65},"shan-shi",{"name":26,"slug":67},"hua-cao",{"name":27,"slug":69},"ri",{"name":28,"slug":71},"he-hua",{"name":29,"slug":73},"niao-lei",1777535400732]