[{"data":1,"prerenderedAt":36},["ShallowReactive",2],{"artwork-fen-cai-qing-zhuang-ren-wu-tu-bi-yan-hu-yi-ming-259985":3},{"id":4,"slug":5,"title":6,"dynasty":7,"author":8,"museum":9,"description":10,"tags":11,"thumbUrl":17,"material":18,"size":19,"collection":20,"collections":21,"showCount":22,"zanCount":23,"manualWeight":23,"mainColor":24,"tagLinks":25},259985,"fen-cai-qing-zhuang-ren-wu-tu-bi-yan-hu-yi-ming-259985","粉彩清装人物图鼻烟壶","清","佚名","藏地不详","鼻烟壶指的是盛鼻烟的容器，小可手握，便于携带。明末清初，鼻烟传入中国，鼻烟盒渐渐东方化，产生了鼻烟壶。\n人们嗜用鼻烟的习惯几近绝迹，但鼻烟壶却作为一种精美艺术品流传下来，而且长盛不衰，被誉为“集中各国多种工艺之大成的袖珍艺术品”。\n中国鼻烟壶，作为精美的工艺品，采用瓷、铜、象牙、玉石、玛瑙、琥珀等材质，运用青花、五彩、雕瓷、套料、巧作、内画等技法，汲取了域内外多种工艺的优点，被雅好者视为珍贵文玩，在海内外皆享有盛誉。\n在世界上，中国素有「烟壶之乡」的称誉，其中鼻烟壶以其精巧卓绝的制作技术，被称为「集多种工艺之大成于一身的袖珍艺术品」。鼻烟壶为盛装鼻烟之容器，鼻烟系一种烟草制品，原为西洋之物，明末清初自欧洲传入中国后，加工转化后成为粉末状药材，吸闻之后不但具有明目避疫的功效，吸闻鼻烟在各阶层更是蔚为风尚，且迅速地融入了中国的艺术风格，发展出匠心独运的各式鼻烟壶，在清代美学工艺上大放异彩，成为清代艺术的重要标志之一。",[12,13,14,15,16],"陶瓷","粉彩","人物","鼻烟壶","日用具","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F9b4866d6cca41ef11887da009911628a.jpg","未知","Xcm*Xcm","",[],2,0,"795548",[26,28,30,32,34],{"name":12,"slug":27},"tao-ci",{"name":13,"slug":29},"fen-cai",{"name":14,"slug":31},"ren-wu",{"name":15,"slug":33},"bi-yan-hu",{"name":16,"slug":35},"ri-yong-ju",1777535464919]