[{"data":1,"prerenderedAt":77},["ShallowReactive",2],{"artwork-feng-a-shan-fang-tu-ce-wu-li-zhu-yi-zun-lu-zun-deng-220680":3},{"id":4,"slug":5,"title":6,"dynasty":7,"author":8,"museum":9,"description":10,"tags":11,"thumbUrl":31,"material":32,"size":33,"collection":34,"collections":35,"showCount":36,"zanCount":37,"manualWeight":37,"mainColor":34,"tagLinks":38},220680,"feng-a-shan-fang-tu-ce-wu-li-zhu-yi-zun-lu-zun-deng-220680","凤阿山房图册","清","吴历,朱彝尊,陆遵等","香港中文大学文物馆","吴历 ，字渔仙，号桃溪居士，后号墨井道人，江苏常熟人。曾笃信天主教，并往澳门逗留。工诗、善画山水，师事王时敏 (1592-1680)与王鉴 (1598-1677) ，连同王翚 (1632-1717)、王原祁 (1642-1715)和恽寿平 (1633-1690) 合称「四王吴恽」或称「清初六家」，为清代正统派绘画代表。\n\n该画为吴历应友人侯大年（约1641-约1710）之命所作，并以友人之号「凤阿」命名，绘于康熙十六年（1677）之后，为吴氏中晚年之作。画面山峦起伏，高树竹丛、屋舍数间，屋前小桥流水，一人策杖过桥。整幅作品尺幅虽不大，却构图繁密，墨色苍润，流露对笔墨的追求与讲究，是吴历的精品。事实上，吴历与侯大年交谊深厚，曾应命绘制多幅《凤阿山房图》，以表达侯氏「述祖德，守先业」并归隐的志向，然而凤阿山房终未建成。据记载，侯大年在吴历绘制完立轴后，另请他绘制小册并请诸友题咏，正是此册。全册共分上、下两册，引首朱彝尊　(1629-1709) 书「凤阿山房」，后有吴历、朱彝尊、姜宸英、梁佩兰、宋骏业、王撰、陆遵、梅庚、钱大昕等六十六家诗题，其中陆遵、梅庚补图并题诗。吴历此作无疑是全册点睛之笔，见证了他与侯大年的交谊。",[12,13,14,15,16,17,18,19,20,21,22,23,24,25,26,27,28,29,30],"高清","名画","国画","书画","册","水墨","山水","山峦","高树","竹丛","屋舍","小桥","流水","人物","行书","题咏","归隐","墨色苍润","构图繁密","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F02a22bf85c7c0e917ffbba786a999d21.jpg","水墨,设色,纸本,册页","18×34.5厘米","",[],1,0,[39,41,43,45,47,49,51,53,55,57,59,61,63,65,67,69,71,73,75],{"name":12,"slug":40},"gao-qing",{"name":13,"slug":42},"ming-hua",{"name":14,"slug":44},"guo-hua",{"name":15,"slug":46},"shu-hua",{"name":16,"slug":48},"ce",{"name":17,"slug":50},"shui-mo",{"name":18,"slug":52},"shan-shui",{"name":19,"slug":54},"shan-luan",{"name":20,"slug":56},"gao-shu",{"name":21,"slug":58},"zhu-cong",{"name":22,"slug":60},"wu-she",{"name":23,"slug":62},"xiao-qiao",{"name":24,"slug":64},"liu-shui",{"name":25,"slug":66},"ren-wu",{"name":26,"slug":68},"xing-shu",{"name":27,"slug":70},"ti-yong",{"name":28,"slug":72},"gui-yin",{"name":29,"slug":74},"mo-se-cang-run",{"name":30,"slug":76},"gou-tu-fan-mi",1777535502126]