[{"data":1,"prerenderedAt":44},["ShallowReactive",2],{"artwork-feng-a-shan-fang-tu-ce-wu-li-zhu-yi-zun-lu-zun-deng-220685":3},{"id":4,"slug":5,"title":6,"dynasty":7,"author":8,"museum":9,"description":10,"tags":11,"thumbUrl":20,"material":21,"size":22,"collection":23,"collections":24,"showCount":25,"zanCount":26,"manualWeight":26,"mainColor":23,"tagLinks":27},220685,"feng-a-shan-fang-tu-ce-wu-li-zhu-yi-zun-lu-zun-deng-220685","凤阿山房图册","清","吴历,朱彝尊,陆遵等","香港中文大学文物馆","吴历 ，字渔仙，号桃溪居士，后号墨井道人，江苏常熟人。曾笃信天主教，并往澳门逗留。工诗、善画山水，师事王时敏 (1592-1680)与王鉴 (1598-1677) ，连同王翚 (1632-1717)、王原祁 (1642-1715)和恽寿平 (1633-1690) 合称「四王吴恽」或称「清初六家」，为清代正统派绘画代表。\n\n该画为吴历应友人侯大年（约1641-约1710）之命所作，并以友人之号「凤阿」命名，绘于康熙十六年（1677）之后，为吴氏中晚年之作。画面山峦起伏，高树竹丛、屋舍数间，屋前小桥流水，一人策杖过桥。整幅作品尺幅虽不大，却构图繁密，墨色苍润，流露对笔墨的追求与讲究，是吴历的精品。事实上，吴历与侯大年交谊深厚，曾应命绘制多幅《凤阿山房图》，以表达侯氏「述祖德，守先业」并归隐的志向，然而凤阿山房终未建成。据记载，侯大年在吴历绘制完立轴后，另请他绘制小册并请诸友题咏，正是此册。全册共分上、下两册，引首朱彝尊　(1629-1709) 书「凤阿山房」，后有吴历、朱彝尊、姜宸英、梁佩兰、宋骏业、王撰、陆遵、梅庚、钱大昕等六十六家诗题，其中陆遵、梅庚补图并题诗。吴历此作无疑是全册点睛之笔，见证了他与侯大年的交谊。",[12,13,14,15,16,17,18,19],"国画","书画","册","设色","皴法","山水","房舍","树木","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F5b570da58db06cb48597aa6831a63471.jpg","水墨,设色,纸本,册页","18×34.5厘米","",[],2,0,[28,30,32,34,36,38,40,42],{"name":12,"slug":29},"guo-hua",{"name":13,"slug":31},"shu-hua",{"name":14,"slug":33},"ce",{"name":15,"slug":35},"she-se",{"name":16,"slug":37},"cun-fa",{"name":17,"slug":39},"shan-shui",{"name":18,"slug":41},"fang-she",{"name":19,"slug":43},"shu-mu",1777535472971]