[{"data":1,"prerenderedAt":80},["ShallowReactive",2],{"artwork-feng-a-shan-fang-tu-ce-wu-li-zhu-yi-zun-lu-zun-deng-220693":3},{"id":4,"slug":5,"title":6,"dynasty":7,"author":8,"museum":9,"description":10,"tags":11,"thumbUrl":32,"material":33,"size":34,"collection":35,"collections":36,"showCount":37,"zanCount":38,"manualWeight":38,"mainColor":35,"tagLinks":39},220693,"feng-a-shan-fang-tu-ce-wu-li-zhu-yi-zun-lu-zun-deng-220693","凤阿山房图册","清","吴历,朱彝尊,陆遵等","香港中文大学文物馆","吴历 ，字渔仙，号桃溪居士，后号墨井道人，江苏常熟人。曾笃信天主教，并往澳门逗留。工诗、善画山水，师事王时敏 (1592-1680)与王鉴 (1598-1677) ，连同王翚 (1632-1717)、王原祁 (1642-1715)和恽寿平 (1633-1690) 合称「四王吴恽」或称「清初六家」，为清代正统派绘画代表。\n\n该画为吴历应友人侯大年（约1641-约1710）之命所作，并以友人之号「凤阿」命名，绘于康熙十六年（1677）之后，为吴氏中晚年之作。画面山峦起伏，高树竹丛、屋舍数间，屋前小桥流水，一人策杖过桥。整幅作品尺幅虽不大，却构图繁密，墨色苍润，流露对笔墨的追求与讲究，是吴历的精品。事实上，吴历与侯大年交谊深厚，曾应命绘制多幅《凤阿山房图》，以表达侯氏「述祖德，守先业」并归隐的志向，然而凤阿山房终未建成。据记载，侯大年在吴历绘制完立轴后，另请他绘制小册并请诸友题咏，正是此册。全册共分上、下两册，引首朱彝尊　(1629-1709) 书「凤阿山房」，后有吴历、朱彝尊、姜宸英、梁佩兰、宋骏业、王撰、陆遵、梅庚、钱大昕等六十六家诗题，其中陆遵、梅庚补图并题诗。吴历此作无疑是全册点睛之笔，见证了他与侯大年的交谊。",[12,13,14,15,16,17,18,19,20,21,22,23,24,25,26,27,28,29,30,31],"高清","国画","书画","册","行书","书法","水墨","设色","皴法","山水","楼阁","树木","明月","流水","平林","田","秋水","夕阳","红月","孤石","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fb096dba09967f3165e9ac12273771f79.jpg","水墨,设色,纸本,册页","18×34.5厘米","",[],1,0,[40,42,44,46,48,50,52,54,56,58,60,62,64,66,68,70,72,74,76,78],{"name":12,"slug":41},"gao-qing",{"name":13,"slug":43},"guo-hua",{"name":14,"slug":45},"shu-hua",{"name":15,"slug":47},"ce",{"name":16,"slug":49},"xing-shu",{"name":17,"slug":51},"shu-fa",{"name":18,"slug":53},"shui-mo",{"name":19,"slug":55},"she-se",{"name":20,"slug":57},"cun-fa",{"name":21,"slug":59},"shan-shui",{"name":22,"slug":61},"lou-ge",{"name":23,"slug":63},"shu-mu",{"name":24,"slug":65},"ming-yue",{"name":25,"slug":67},"liu-shui",{"name":26,"slug":69},"ping-lin",{"name":27,"slug":71},"tian-3410",{"name":28,"slug":73},"qiu-shui",{"name":29,"slug":75},"xi-yang",{"name":30,"slug":77},"hong-yue",{"name":31,"slug":79},"gu-shi",1777535502093]