[{"data":1,"prerenderedAt":60},["ShallowReactive",2],{"artwork-feng-ying-zhi-ji-tu-zhou-li-di-221592":3},{"id":4,"slug":5,"title":6,"dynasty":7,"author":8,"museum":9,"description":10,"tags":11,"thumbUrl":24,"material":25,"size":26,"collection":27,"collections":28,"showCount":31,"zanCount":32,"manualWeight":33,"mainColor":34,"tagLinks":35},221592,"feng-ying-zhi-ji-tu-zhou-li-di-221592","枫鹰雉鸡图轴","宋","李迪","北京故宫博物院","此图又称《鹰雉图》或《鹰窥雉图》，是传世宋画中罕见的巨幅，由南宋宫廷画家李迪创作。据左上方署款“慶元丙辰歲李迪畫”，知作于宋宁宗庆元二年（1196年）。\n画面作对角线构图，主体禽鸟雄鹰置于左上角枯枝巅，俯首下视，紧盯着右下角的锦雉。锦鸡张口鸣叫，正向草丛中窜逃。斜线的呼应关系和锦鸡奔向画外的动态，营造出强烈的紧张气氛，扣人心弦。画家着意刻画苍鹰的眼、喙、爪三个关键部位，目光圆瞪，钢喙如钩，爪尖扣进树皮，既突出了鹰的凶猛矫健秉性，又强调出捕捉猎物时的力之凝聚和意念之专注，可谓真实传神。雉的形象也逼真如生，仓惶奔逃的姿态，惊惧的目光，乍开的羽毛，尤其是蹬出后腿又收缩脚爪的动作，准确地刻画出急于逃命又难脱厄运的情状，可见作者体察生物及其捕捉瞬间之动态的敏锐洞察力和写生传神的高超表现力。\n作品的笔墨敷彩技巧也十分成熟。禽鸟工整精细，设色轻淡，承北宋崔白以来的院体花鸟传统画更增动感和生意。树干粗勾细染，斑纹点点，呈苍劲之质。枫叶、兰草、丛竹则细笔双勾，淡墨渲染，形体富有弹性，又疏密有致，画法遵循“宣和体”的写生法则。山石运斧劈皴，兼作笔实墨重的擦染，近李唐又存北宋之法。此图堪称宋代院体花鸟画的巨构杰作。",[12,13,14,15,16,17,18,19,20,21,22,23],"高清","国画","书画","立轴","工笔","设色","花鸟","兽","鹰","雉鸡","老树","枝叶","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F4268072dfb8e29fae047930d5a892391.jpg","绢本，设色","纵189厘米，横209.5厘米","宋画精选",[27,29,30],"花鸟画精选","设色画精选",83,1,0,"795548",[36,38,40,42,44,46,48,50,52,54,56,58],{"name":12,"slug":37},"gao-qing",{"name":13,"slug":39},"guo-hua",{"name":14,"slug":41},"shu-hua",{"name":15,"slug":43},"li-zhou",{"name":16,"slug":45},"gong-bi",{"name":17,"slug":47},"she-se",{"name":18,"slug":49},"hua-niao",{"name":19,"slug":51},"shou",{"name":20,"slug":53},"ying",{"name":21,"slug":55},"zhi-ji",{"name":22,"slug":57},"lao-shu",{"name":23,"slug":59},"zhi-ye",1777535399245]