[{"data":1,"prerenderedAt":61},["ShallowReactive",2],{"artwork-fu-chun-shan-ju-tu-wu-yong-shi-juan-huang-gong-wang-218995":3},{"id":4,"slug":5,"title":6,"dynasty":7,"author":8,"museum":9,"description":10,"tags":11,"thumbUrl":25,"material":26,"size":27,"collection":28,"collections":29,"showCount":30,"zanCount":31,"manualWeight":32,"mainColor":33,"tagLinks":34},218995,"fu-chun-shan-ju-tu-wu-yong-shi-juan-huang-gong-wang-218995","富春山居图-无用师卷","元","黄公望","台北故宫博物院","《富春山居图》是元朝画家黄公望于1350年创作完成的纸本水墨画，被誉为“画中之兰亭”，是中国十大传世名画之一。\n该作品是黄公望为师弟郑樗（无用师）所绘，以浙江富春江为背景，全图用墨淡雅，山和水的布置疏密得当，墨色浓淡干湿并用，极富于变化。\n《富春山居图》，始画于至正七年(1347)，于至正十年完成。虽黄公望晚年定居今富阳市境内,但画卷内容对比宽敞平坦的富阳江和山峰峻奇峡谷雄伟的桐庐江就可得知,富春山居图所画内容约80%在桐庐境内富春江的景色,20%为富阳的景色.，画面表现出秀润淡雅的风貌，气度不凡，以浙江富春江为背景，是黄公望的代表作。明朝末年富春山居图传到收藏家吴洪裕手中，吴洪裕极为喜爱此画，每天不思茶饭的观赏临摹。甚至在临死前下令将此画焚烧殉葬，幸被吴洪裕的侄子及时从火中抢救出，但此时画已被烧成一大一小两段，前段较小，称“剩山图”；后段画幅较长，称“无用师卷”。\n前半卷名称：《富春山居图·剩山图》黄公望《富春山居图·无用师卷》\n馆藏：浙江省博物馆尺幅：纵31.8厘米，横51.4厘米浙江博物馆《富春山居图》（《剩山图》）\n后半卷名称：《富春山居图·无用师卷》馆藏：台北故宫博物院尺幅：纵33厘米，横636.9厘米仿本名称：《富春山居图·子明卷》馆藏：台北故宫博物院名称：《富春山居图·沈周临摹本》馆藏：北京故宫博物院",[12,13,14,15,16,17,18,19,20,21,22,23,24],"高清","国画","书画","长卷","水墨","皴法","山水","树木","山石","流水","孤舟","行书","印章","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F12c3aaea3b2aafed20e97198b6d6d088.jpg","绢本,设色","横636.9公分，高33公分","山水画精选",[28],3513,21,0,"BDBDBD",[35,37,39,41,43,45,47,49,51,53,55,57,59],{"name":12,"slug":36},"gao-qing",{"name":13,"slug":38},"guo-hua",{"name":14,"slug":40},"shu-hua",{"name":15,"slug":42},"chang-juan",{"name":16,"slug":44},"shui-mo",{"name":17,"slug":46},"cun-fa",{"name":18,"slug":48},"shan-shui",{"name":19,"slug":50},"shu-mu",{"name":20,"slug":52},"shan-shi",{"name":21,"slug":54},"liu-shui",{"name":22,"slug":56},"gu-zhou",{"name":23,"slug":58},"xing-shu",{"name":24,"slug":60},"yin-zhang",1777535391048]