[{"data":1,"prerenderedAt":38},["ShallowReactive",2],{"artwork-fu-gui-li-mao-tu-yi-ming-227352":3},{"id":4,"slug":5,"title":6,"dynasty":7,"author":8,"museum":9,"description":10,"tags":11,"thumbUrl":18,"material":19,"size":19,"collection":19,"collections":20,"showCount":21,"zanCount":22,"manualWeight":23,"mainColor":24,"tagLinks":25},227352,"fu-gui-li-mao-tu-yi-ming-227352","富贵狸猫图","宋","佚名","藏地不详","宋朝人喜欢猫，原因归根于宋朝建立后，随着绝对君权的建立与官僚体制的完善，文人士大夫的社会地位有了很大提高，但也逐步失去了盛唐人那种“致君尧舜上”的历史条件。\n\n同时，宋代封建经济的发展水平远超过唐代，手工业、农业、商业的发展使得中小地主日益兴盛起来，商品经济更加活跃，城市经济繁荣发达，市民队伍迅速壮大。民众安居乐业，故而从曾经追求事业成功的“外王” 转变为重个体修养的 “内圣”之中；人们的审美情趣，也从盛唐的“大漠孤烟直，长河落日圆”了，转而变为“庭院深深深几许，杨柳堆烟”，“衣带渐宽终不悔，为伊消得人憔悴”这样的深庭小院式的浅吟低唱，细琐平易，浅斟低唱，走进更为细腻的官能感受和情感色彩捕捉追求中，更加重视对日常狭小生活的兴致。",[12,13,14,15,16,17],"国画","名画","工笔","设色","牡丹","猫","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fd40deffda1a591cba6dd3190f0d63c8c.jpg","",[],187,2,0,"795548",[26,28,30,32,34,36],{"name":12,"slug":27},"guo-hua",{"name":13,"slug":29},"ming-hua",{"name":14,"slug":31},"gong-bi",{"name":15,"slug":33},"she-se",{"name":16,"slug":35},"mu-dan",{"name":17,"slug":37},"mao",1777535394883]