[{"data":1,"prerenderedAt":42},["ShallowReactive",2],{"artwork-fu-shan-lan-zhi-zhou-fu-shan-237454":3},{"id":4,"slug":5,"title":6,"dynasty":7,"author":8,"museum":9,"description":10,"tags":11,"thumbUrl":19,"material":20,"size":21,"collection":22,"collections":23,"showCount":24,"zanCount":25,"manualWeight":25,"mainColor":26,"tagLinks":27},237454,"fu-shan-lan-zhi-zhou-fu-shan-237454","傅山兰芝轴","清","傅山","北京故宫博物院","傅山，初名鼎臣，字青竹，改字青主，又有浊翁、观化等别名，汉族， 山西太原人。明清时期道家思想家、书法家、医学家。\n傅山自称为老庄之徒，他自己也在很多场合与作品中反复强调、自陈：“老夫学老庄者也”、“我本徒蒙庄”、“吾师庄先生”、“吾漆园家学”。自觉继承道家学派的思想文化。他对老庄的“道法自然”、“无为而治”、“泰初有无”、“隐而不隐”等命题，都作了认真的研究与阐发，对道家传统思想作了发展 ,常以老庄之徒自居。\n傅山于学无所不通，经史之外，兼通先秦诸子，又长于书画医学。北京大学教授、引碑入草开创者的李志敏评价：“傅山的草书圈眼多，繁而不乱，于郁勃浑脱之中，又有逸岩之态”。 [3] 著有《霜红龛集》等。一些武侠小说里，傅山被描写为武侠高手。他是著名的道家学者，哲学、医学、内丹、儒学、佛学、诗歌、书法、绘画、金石、武术、考据等无所不通。他被认为是明末清初保持民族气节的典范人物。\n傅青主与顾炎武、黄宗羲、王夫之、李颙、颜元一起被梁启超称为“清初六大师”。著有《傅青主女科》《傅青主男科》等传世之作，在当时有“医圣”之名。《清史稿》卷五百一有传。",[12,13,14,15,16,17,18],"国画","书画","立轴","水墨","兰","芝","印章","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ff5c35d01ea4392d55c4239ad5cde0d02.jpg","纸本","","花鸟画精选",[22],28,0,"BDBDBD",[28,30,32,34,36,38,40],{"name":12,"slug":29},"guo-hua",{"name":13,"slug":31},"shu-hua",{"name":14,"slug":33},"li-zhou",{"name":15,"slug":35},"shui-mo",{"name":16,"slug":37},"lan",{"name":17,"slug":39},"zhi-1346",{"name":18,"slug":41},"yin-zhang",1777535412291]