[{"data":1,"prerenderedAt":42},["ShallowReactive",2],{"artwork-fu-shou-jia-an-jing-yi-ming-223875":3},{"id":4,"slug":5,"title":6,"dynasty":7,"author":8,"museum":9,"description":10,"tags":11,"thumbUrl":19,"material":20,"size":21,"collection":22,"collections":23,"showCount":24,"zanCount":25,"manualWeight":25,"mainColor":26,"tagLinks":27},223875,"fu-shou-jia-an-jing-yi-ming-223875","福寿家安镜","宋","佚名","藏地不详","在中国各个时代的铜镜中，宋镜的外形最为丰富，有圆形、方形、长方形、菱花形、钟形、盾形，鼎炉形、鸡心形等。单从镜形看。可谓空前绝后。\n在中国铜镜的合金成分方面，宋镜也是一个重要转折时期，宋镜与汉唐镜不同，含锡量减少，含铅量增多，于是一反汉唐镜铜质银白色泽，而为黄铜色泽，质地也不如汉唐镜坚硬，变得粗软。\n重实用不重纹饰是南宋镜的最大特点，宋代除了名号，没有任何纹饰的镜商标铭文镜极为流行。这种情况在唐代镜子中几乎没有见到。",[12,13,14,15,16,17,18],"宋代","铜制","青铜器","雕刻","铸造","文字纹饰","环形纹饰","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fee3ae4a89572f53b7085ebf4d4f1a7ea.jpg","未知","Xcm*Xcm","",[],1,0,"795548",[28,30,32,34,36,38,40],{"name":12,"slug":29},"song-dai",{"name":13,"slug":31},"tong-zhi",{"name":14,"slug":33},"qing-tong-qi",{"name":15,"slug":35},"diao-ke",{"name":16,"slug":37},"zhu-zao",{"name":17,"slug":39},"wen-zi-wen-shi",{"name":18,"slug":41},"huan-xing-wen-shi",1777535501765]