[{"data":1,"prerenderedAt":51},["ShallowReactive",2],{"artwork-gao-hui-xi-qin-tu-zhou-li-gong-lin-290858":3},{"id":4,"slug":5,"title":6,"dynasty":7,"author":8,"museum":9,"description":10,"tags":11,"thumbUrl":22,"material":23,"size":24,"collection":25,"collections":26,"showCount":27,"zanCount":28,"manualWeight":28,"mainColor":29,"tagLinks":30},290858,"gao-hui-xi-qin-tu-zhou-li-gong-lin-290858","高会习琴图轴","宋","李公麟","台北故宫博物院","李公麟（1049～1106），北宋舒州（今属安徽桐城）人，宋代杰出画家。字伯时，号龙眠居士、龙眠山人，享年五十七岁。熙宁三年（公元1070年）进士。\n出身名门大族，家藏古器名画法书甚多，自幼知识渊博，好古善鉴，多识奇字，自夏商以来钟鼎尊彝皆能考订世次，辨别款识。长于诗文，行楷书有晋人风。与王安石、苏轼、米芾、黄庭坚为至交，系驸马王诜之座上客。熙宁三年（1070）中进士，为中书门下省删定官，后官至朝奉郎。元符三年（1100）病痹告老，居家乡桐城龙眠山，号龙眠居士。一生勤奋，作画无数，人物、史实、释道、士女、山水、鞍马、走兽、花鸟无所不能，无所不精。人物、道释深得吴道子旨趣，运笔如行云流水，造型正确，神态飞动；山水气韵清秀，得王维正传；着色山水追李思训心法；画马过韩干。能集诸家之长，得其大成，师法自然，大胆创新，自成一家，被后代敬为第一大手笔、百代宗师。",[12,13,14,15,16,17,18,19,20,21],"国画","名画","立轴","设色","工笔","人物","乐器","庭院","雅集","琴","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F64262348adbc35a07c0481862b62ec38.jpg","未知","Xcm*Xcm","",[],15,0,"795548",[31,33,35,37,39,41,43,45,47,49],{"name":12,"slug":32},"guo-hua",{"name":13,"slug":34},"ming-hua",{"name":14,"slug":36},"li-zhou",{"name":15,"slug":38},"she-se",{"name":16,"slug":40},"gong-bi",{"name":17,"slug":42},"ren-wu",{"name":18,"slug":44},"yue-qi",{"name":19,"slug":46},"ting-yuan",{"name":20,"slug":48},"ya-ji",{"name":21,"slug":50},"qin",1777535422532]