[{"data":1,"prerenderedAt":49},["ShallowReactive",2],{"artwork-guan-chao-tu-ye-guo-xi-227543":3},{"id":4,"slug":5,"title":6,"dynasty":7,"author":8,"museum":9,"description":10,"tags":11,"thumbUrl":22,"material":23,"size":23,"collection":23,"collections":24,"showCount":25,"zanCount":26,"manualWeight":26,"mainColor":27,"tagLinks":28},227543,"guan-chao-tu-ye-guo-xi-227543","观潮图页","宋","郭熙","藏地不详","郭熙（约1000～约1090年），北宋杰出画家、绘画理论家。字淳夫，河阳府温县（今属河南）人。他出身平民，早年信奉道教，游于方外，以画闻名。熙宁元年召入画院，后任翰林待诏直长。山水师法李成，山石创为状如卷云的皴笔，后人称为“卷云皴”。 他画山水注重深入体察生活，能真实、细致、微妙地表现出不同地区、季节、气候的特点，得“远近浅深，四时朝暮，风雨明晦之不同”，创造出极其丰富优美动人的意境，另外他还长于影塑，在墙壁上用泥堆塑浮雕式的山水，别具情趣。\n\n郭熙有《早春图》《关山春雪图》《窠石平远图》《幽谷图》《古木遥山图》等传世。其中《早春图》成功地表现出冬去春来、大地复苏、万物甦醒的细致季节变化。在绘画理论上郭熙亦有很高建树，其理论集中反映在他的《林泉高致》一书中。",[12,13,14,15,16,17,18,19,20,21],"高清","国画","书画","山水","水墨","皴法","册","山崖","树","潮","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F3fd2704c889b3485019347aec338e950.jpg","",[],26,0,"795548",[29,31,33,35,37,39,41,43,45,47],{"name":12,"slug":30},"gao-qing",{"name":13,"slug":32},"guo-hua",{"name":14,"slug":34},"shu-hua",{"name":15,"slug":36},"shan-shui",{"name":16,"slug":38},"shui-mo",{"name":17,"slug":40},"cun-fa",{"name":18,"slug":42},"ce",{"name":19,"slug":44},"shan-ya",{"name":20,"slug":46},"shu",{"name":21,"slug":48},"chao",1777535413401]