[{"data":1,"prerenderedAt":55},["ShallowReactive",2],{"artwork-guan-fu-xi-ying-tu-su-han-chen-216963":3},{"id":4,"slug":5,"title":6,"dynasty":7,"author":8,"museum":9,"description":10,"tags":11,"thumbUrl":23,"material":24,"size":25,"collection":26,"collections":27,"showCount":28,"zanCount":29,"manualWeight":30,"mainColor":31,"tagLinks":32},216963,"guan-fu-xi-ying-tu-su-han-chen-216963","灌佛戏婴图","宋","苏汉臣","台北故宫博物院","婴戏图即描绘儿童游戏时的画作，又称“戏婴图”，是中国人物画的一种。因为以小孩为主要绘画对象，以表现童真为主要目的，所以画面丰富，形态有趣。中国很早已有绘画婴孩的传统，到了唐宋时期技巧渐趋成熟，宋代更是婴戏图的黄金时期，使之成为中国绘画中极受欢迎的画类。\n\n宋代是婴戏图发展的全盛时期，不但取材多样化，而且描绘技巧高超。有的采用鲜艳颜色以衬托婴孩游玩时的愉快心情，营造热闹快乐的气氛；有的利用简洁的线描，刻划平民的市井风情。市井之民虽生于低下阶层，物质生活不甚丰富，但小孩的天真、贪吃贪玩的性情仍溢于纸上。在婴孩的形体构图方面，孩子面貌及身形比例准确，不再是“身小而貌壮”或“妇人之貌”。而且画家每每绘画小孩穿上轻纱薄衣，使观者能通过薄衣透视小孩丰满圆润的身段。婴孩面部表情亦十分丰富，喜怒哀乐活灵活现。宋代婴戏图的兴盛和成功，奠定了婴戏图的基础，亦创新了不少题材，使后世仿效之作甚多。",[12,13,14,15,16,17,18,19,20,21,22],"国画","名画","书画","工笔","设色","人物","牡丹","竹","树","假山","栏杆","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F7fc85835c28e628810548dd2c93dbfbd.jpg","纸本,设色","","人物画精选",[26],525,5,0,"795548",[33,35,37,39,41,43,45,47,49,51,53],{"name":12,"slug":34},"guo-hua",{"name":13,"slug":36},"ming-hua",{"name":14,"slug":38},"shu-hua",{"name":15,"slug":40},"gong-bi",{"name":16,"slug":42},"she-se",{"name":17,"slug":44},"ren-wu",{"name":18,"slug":46},"mu-dan",{"name":19,"slug":48},"zhu",{"name":20,"slug":50},"shu",{"name":21,"slug":52},"jia-shan",{"name":22,"slug":54},"lan-gan",1777535393237]