[{"data":1,"prerenderedAt":69},["ShallowReactive",2],{"artwork-guan-shan-xing-lv-zhou-zhou-hao-239229":3},{"id":4,"slug":5,"title":6,"dynasty":7,"author":8,"museum":9,"description":10,"tags":11,"thumbUrl":28,"material":29,"size":29,"collection":30,"collections":31,"showCount":33,"zanCount":34,"manualWeight":34,"mainColor":35,"tagLinks":36},239229,"guan-shan-xing-lv-zhou-zhou-hao-239229","关山行旅轴","清","周颢","北京故宫博物院","周颢，同名人物有两位。分别是清代书画家、竹刻家。字晋瞻，号芷嵒（一作巖、岩）、芷道人、芷叟、雪樵，因蓄美须长髯，自号髯痴，人呼周髯；湖北美术学院教师。\n工书画，尤精竹刻。行书师法苏轼，跌宕奇伟，自成风格。山水画早年学王翚，笔墨秀润。又善临摹，仿王蒙最工，人物画也很精妙。擅长画竹，兴酣落笔，风枝或雨叶栩栩如生。尤其以画法施之刻竹，合南北宗为一体。技艺闻名乡里，所刻山水、人物、丛竹，用刀如用笔，不必假借他人稿本。除了擅长以阴刻搭配浅浮雕技法来雕刻纹饰，尤擅长采用阴刻技法雕得相当深陷，再在深陷部位依据纹饰的需要浅雕局部纹饰，名为“陷地深刻”。这种深刻技艺，始于朱松邻，至周颢集大成。传世作品以笔筒和臂搁为主。其竹刻以阴刻技法展现绘画中的“南宗山水”最具特色，与“三朱”的刻竹面目大不相同。金元钰称誉周颢在竹人中，好像杜甫在盛唐诗人中的地位一样，首屈一指。",[12,13,14,15,16,17,18,19,20,21,22,23,24,25,26,27],"国画","书画","立轴","水墨","皴法","山水","山石","树木","人物","建筑","山路","行旅","枯木","小屋","悬崖","路径","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fe459ba58587eb0fbdcff3afdad0c85b6.jpg","","山水画精选",[30,32],"水墨画精选",31,0,"BDBDBD",[37,39,41,43,45,47,49,51,53,55,57,59,61,63,65,67],{"name":12,"slug":38},"guo-hua",{"name":13,"slug":40},"shu-hua",{"name":14,"slug":42},"li-zhou",{"name":15,"slug":44},"shui-mo",{"name":16,"slug":46},"cun-fa",{"name":17,"slug":48},"shan-shui",{"name":18,"slug":50},"shan-shi",{"name":19,"slug":52},"shu-mu",{"name":20,"slug":54},"ren-wu",{"name":21,"slug":56},"jian-zhu",{"name":22,"slug":58},"shan-lu",{"name":23,"slug":60},"xing-lv",{"name":24,"slug":62},"ku-mu",{"name":25,"slug":64},"xiao-wu",{"name":26,"slug":66},"xuan-ya",{"name":27,"slug":68},"lu-jing",1777535410861]