[{"data":1,"prerenderedAt":50},["ShallowReactive",2],{"artwork-gui-nong-zhou-zhang-lu-239419":3},{"id":4,"slug":5,"title":6,"dynasty":7,"author":8,"museum":9,"description":10,"tags":11,"thumbUrl":22,"material":23,"size":23,"collection":24,"collections":25,"showCount":26,"zanCount":27,"manualWeight":27,"mainColor":28,"tagLinks":29},239419,"gui-nong-zhou-zhang-lu-239419","归农轴","明","张路","藏地不详","张路（1464—1538 ，一作1464—1537）明代画家。字天驰，号平山，汴梁（今河南省开封）人，明代画家。绘人物，师法吴伟，山水学戴进“狂态”，用笔豪放纵逸，水墨酣畅淋漓，与朱端、蒋嵩、汪肇等同为“浙派”名家 。亦工鸟兽、花卉。\n早年画学戴进，临摹能肖其神，画法工细。至南京后，又宗法吴伟，变为粗笔写意。他善画人物，多绘神仙、士子、渔夫，形象质朴，神态清朗，具高昂向上的气质。景致简略，笔墨遒劲，风格豪放，然少秀逸和蕴藉之致；为浙派健将，亦开后来学者粗率之风。他具有典型风貌的水墨写意作品较多，人物多用顿折的重墨线条勾勒，山石以粗犷的笔触作大斧劈皴，运笔迅捷，水墨淋漓，具有豪放动荡的气势。亦能画写意花鸟。\n此图为张路水墨山水画代表作之一，写山雨欲来前狂风大作，乌云满天的情景。此图在笔墨形成上亦有独到之处，充分运用绢不易晕化的特性，多用湿笔和浓墨，恰到好处。山石画法近似马、夏及戴进的带水斧劈法，但又有所不同。画树则多以短笔横向画出，自然生动。全幅笔墨健拔淋漓，气势壮阔。",[12,13,14,15,16,17,18,19,20,21],"国画","名画","立轴","水墨","皴法","人物","山水","老树","山石","农具","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F5fa15f5abc30d1fdeadcb813b27c6ca6.jpg","","山水画精选",[24],27,0,"795548",[30,32,34,36,38,40,42,44,46,48],{"name":12,"slug":31},"guo-hua",{"name":13,"slug":33},"ming-hua",{"name":14,"slug":35},"li-zhou",{"name":15,"slug":37},"shui-mo",{"name":16,"slug":39},"cun-fa",{"name":17,"slug":41},"ren-wu",{"name":18,"slug":43},"shan-shui",{"name":19,"slug":45},"lao-shu",{"name":20,"slug":47},"shan-shi",{"name":21,"slug":49},"nong-ju",1777535412759]