[{"data":1,"prerenderedAt":55},["ShallowReactive",2],{"artwork-han-gong-qiu-yue-tu-zhou-yuan-yao-235119":3},{"id":4,"slug":5,"title":6,"dynasty":7,"author":8,"museum":9,"description":10,"tags":11,"thumbUrl":24,"material":25,"size":25,"collection":25,"collections":26,"showCount":27,"zanCount":28,"manualWeight":28,"mainColor":29,"tagLinks":30},235119,"han-gong-qiu-yue-tu-zhou-yuan-yao-235119","汉宫秋月图轴","清","袁耀","藏地不详","《汉宫秋月图》是清代袁耀创作的绢本设色画。\n本幅自题：“汉宫秋月，壬申初冬邗上袁耀画。\n”钤“袁耀”、“昭道”印2方。\n袁江和袁耀父子的绘画艺术，从题材到绘画风格完全一脉相承。\n“汉宫秋月”是袁氏父子经常画的一个题材，内容以昭君出塞的历史故事为背景。\n王昭君是汉元帝时的宫女，貌美且有志气，自愿远嫁匈奴和亲。\n在她的影响下，匈奴与中原之间得以和平相处，“三世无犬吠之警，黎庶无干戈之役”。\n袁耀曾多次选此题材，其主要兴趣在于描绘华美的宫殿建筑。\n此幅中殿宇宫门紧闭，月光似水，将庭院笼罩在一片苍茫的夜色中，淡淡的凄凉情调正符合王昭君即将远离故乡和亲人的离愁别绪，这使得原本精工华丽的楼阁也带上了一丝哀婉的色彩。\n袁耀（生卒年不详，约活动于18世纪中期），字昭道，江都（今江苏扬州）人，袁江之子。\n生平资料很少，《画人补遗》一书中称其“山水楼阁尚能守家法”。\n工于山水楼阁界画，继承了唐宋及明代仇英青绿山水的画法。\n笔墨严整工细，设色艳丽浓郁，与袁江同为清代界画代表人物。",[12,13,14,15,16,17,18,19,20,21,22,23],"国画","立轴","界画","设色","工笔","楼阁","人物","树木","明月","栏杆","宫殿建筑","庭院","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F42519666a6f65ddfe5d818f7ca2bf727.jpg","",[],21,0,"795548",[31,33,35,37,39,41,43,45,47,49,51,53],{"name":12,"slug":32},"guo-hua",{"name":13,"slug":34},"li-zhou",{"name":14,"slug":36},"jie-hua",{"name":15,"slug":38},"she-se",{"name":16,"slug":40},"gong-bi",{"name":17,"slug":42},"lou-ge",{"name":18,"slug":44},"ren-wu",{"name":19,"slug":46},"shu-mu",{"name":20,"slug":48},"ming-yue",{"name":21,"slug":50},"lan-gan",{"name":22,"slug":52},"gong-dian-jian-zhu",{"name":23,"slug":54},"ting-yuan",1777535417025]