[{"data":1,"prerenderedAt":60},["ShallowReactive",2],{"artwork-han-lin-ping-ye-tu-li-cheng-232619":3},{"id":4,"slug":5,"title":6,"dynasty":7,"author":8,"museum":9,"description":10,"tags":11,"thumbUrl":25,"material":26,"size":27,"collection":28,"collections":29,"showCount":30,"zanCount":31,"manualWeight":31,"mainColor":32,"tagLinks":33},232619,"han-lin-ping-ye-tu-li-cheng-232619","寒林平野图","宋","李成","台北故宫博物院","北宋山水画主要承续五代荆浩、关仝的北方山水画系，由李成、范宽创立一代新风，传派繁衍。北宋时代，知名画家的人数仅从《图画见闻录》和《画继》两书来统计，就有386人之多。而李成的山水画以“气象萧疏，烟林清旷，毫锋颖脱，墨法精微”而著称，因而《宣和画谱》云：“凡称山水者，必以成为古今第一”。\n图绘萧瑟的隆冬平野中，长松亭立，林木薄疏，小丘起伏，古柏苍虬，枝干交柯，老根盘结，河道曲折，似冰冻凝固，烟霭空蒙而至天际。此画李成用硬笔锐锋，在绢上勾画的松针，粗干细枝，土坡石廓，线条瘦硬坚韧，极具功力，即使不染墨，也神定气足。图中所绘树枝，无论粗细，均呈弧曲形，将线条的力度发挥到了最大程度。所以李成的画，仅用淡墨作少量的烘染，给人以一种秀润淡雅的享受。\n李成注重真实的山水写生，深谙透视画理，墨法变化微妙，风格清新，意韵精致。他的山水画不但表现出山川气象形势的变化，而且还特别强调了季节气候的特点，其中最突出的成就，是他创造了“寒林”的形象。\n另外，李成作画总是用墨不浓，轻淡如在烟雾里，显得缥缈幽清，史称李成“惜墨如金”。\n李成(919—967)，字咸熙，其先人为唐宗室，世居长安(今西安)。他出身贵族，有文学才能，性情旷达，聪颖多才，因世变抑郁不得志，而好饮酒与游历。善画山水以自娱。《宣和画谱》记述他的山水画说：“所画山林薮泽，平远险易，萦带曲折，飞流、危栈、断桥、绝涧、水石，风雨晦明，烟云雪雾之状，一皆吐其胸中，而写之笔下。”李成在继承前代成就的基础上，将山水画的表现内容和技巧，推向了纵深的发展，影响而及元、明、清。",[12,13,14,15,16,17,18,19,20,21,22,23,24],"国画","书画","立轴","水墨","皴法","山水","枯树","老树","平野","孤石","山峦","枯枝","裸根","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fdcee0e7c9374961a654e3f9f6b89cc35.jpg","绢本水墨","纵137.8厘米，横69.2厘","宋画精选",[28],78,0,"795548",[34,36,38,40,42,44,46,48,50,52,54,56,58],{"name":12,"slug":35},"guo-hua",{"name":13,"slug":37},"shu-hua",{"name":14,"slug":39},"li-zhou",{"name":15,"slug":41},"shui-mo",{"name":16,"slug":43},"cun-fa",{"name":17,"slug":45},"shan-shui",{"name":18,"slug":47},"ku-shu",{"name":19,"slug":49},"lao-shu",{"name":20,"slug":51},"ping-ye",{"name":21,"slug":53},"gu-shi",{"name":22,"slug":55},"shan-luan",{"name":23,"slug":57},"ku-zhi",{"name":24,"slug":59},"luo-gen",1777535399956]