[{"data":1,"prerenderedAt":59},["ShallowReactive",2],{"artwork-han-yan-fei-pu-zhou-ding-yun-peng-237548":3},{"id":4,"slug":5,"title":6,"dynasty":7,"author":8,"museum":9,"description":10,"tags":11,"thumbUrl":25,"material":26,"size":26,"collection":27,"collections":28,"showCount":29,"zanCount":30,"manualWeight":30,"mainColor":31,"tagLinks":32},237548,"han-yan-fei-pu-zhou-ding-yun-peng-237548","寒岩飞瀑轴","明","丁云鹏","藏地不详","其画以人物、佛道最负盛名,论者谓,在明末人物画家中，丁云鹏与陈洪绶、崔子忠成鼎足之势。早年人物画工整秀雅，晚期趋于沉着古朴，前后变化可从存世的《媛挡熊图》及《三教图》（均藏故宫博物院）中窥知一斑。山水画也有一定造诣，在师法宋元基础上,自具风格。早期隽秀,晚期古拙，以平整为法。亦能作兰草，有《楚泽流芳图》（故宫博物院）存世。后世流传他的作品，有不少是伪作。而台北故宫博物院所藏钱选《卢同烹茶图》实为丁云鹏手笔。丁云鹏生活于雕板、制墨业发达的徽州，还为书刊画了不少插画，对于新安木刻画的发展起到了一定作用。\n丁云鹏是仇英之后最著名的人物画家，他工给的笔法不下仇英，而高古文雅似又过之。他最擅长的是佛教题材，佛祖、菩萨、罗汉在他笔下既栩栩如生，又庄严肃穆。此帧李公麟《维摩演教图》画人物五十三，动物数头，趁具法器、峰峦堂宇、树石祥云，皆精密工给，非费一两月之功不能为此。董其昌与丁云鹏为挚交，曾题丁氏所绘《五像观音图卷》云：“丁南羽写此时，在吾松为顾光禄正心所馆，年三十馀，故极工妙。自后不复能事，多老年漫应。”",[12,13,14,15,16,17,18,19,20,21,22,23,24],"国画","立轴","水墨","山水","寒岩","飞瀑","枯树","松树","岩石","流水","积雪","皴法","工笔","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F7bfb54d7727b890b82438801fe3408aa.jpg","","山水画精选",[27],16,0,"BDBDBD",[33,35,37,39,41,43,45,47,49,51,53,55,57],{"name":12,"slug":34},"guo-hua",{"name":13,"slug":36},"li-zhou",{"name":14,"slug":38},"shui-mo",{"name":15,"slug":40},"shan-shui",{"name":16,"slug":42},"han-yan",{"name":17,"slug":44},"fei-pu",{"name":18,"slug":46},"ku-shu",{"name":19,"slug":48},"song-shu",{"name":20,"slug":50},"yan-shi",{"name":21,"slug":52},"liu-shui",{"name":22,"slug":54},"ji-xue",{"name":23,"slug":56},"cun-fa",{"name":24,"slug":58},"gong-bi",1777535421685]