[{"data":1,"prerenderedAt":58},["ShallowReactive",2],{"artwork-he-hua-yuan-yang-zhou-zhou-zhi-mian-239086":3},{"id":4,"slug":5,"title":6,"dynasty":7,"author":8,"museum":9,"description":10,"tags":11,"thumbUrl":24,"material":25,"size":25,"collection":26,"collections":27,"showCount":29,"zanCount":30,"manualWeight":31,"mainColor":32,"tagLinks":33},239086,"he-hua-yuan-yang-zhou-zhou-zhi-mian-239086","荷花鸳鸯轴","明","周之冕","北京故宫博物院","此图画面下部绘有一对鸳鸯，活跃在荷塘水草之中，一只雄性的徴莺，正潜水觅食，双翅合拢，羽尾上翘，伸颈张嘴，正在捕捉食物。另一只雌性站立在荷塘岸上，扭弯脖颈，双目炯炯有神，正在注视河水中正在捕食的雄性。画面的背景主要集中右上方，右侧湖石从旁伸展，湖石造型奇特，玲珑别透，湖石上面有一棵廾满花朵的花树，枝干弯曲，伸向画面左中侧。湖石旁有数株荷叶，荷茎挺拔，荷花盛开，荷叶有的平展，有的悬垂，荷叶整、残相间，另间有其水草。\n此图写湖石、荷花、鸳鹫，形象通真，生动传神。画面清秀，笔墨自然，设色艳丽。此画是周氏用勾花点叶画法画的一幅典型作品，作者把草书的笔法融汇到画法中去，运笔疾速，枝叶的穿插、花朵的安排都恰到好处。作品用笔简洁、概括，例如河岸、湖石的画法，用粗笔勾勒，只有很少的儿笔魃染，寥寥数笔却颇具形态，水面大部分空白，只以淡淡的几条水纹表现水的存在，却有动感，杂草看去似不经心之笔却错落有致。鸳鸯的造型是在写实的基础上略有变化。两只鸳鹫神态各异，但都生动自然，日似点漆，颇具精神。鸳鹫大部分以淡墨浅设色写出，颈部、背部的毛用纤细的笔法画出，根根可见，表现出画家娴熟的工笔技法。头、尾、足又巧妙地利用了生纸的性能，水墨自然晕开，甚为生动，翅膀用笔虽较硬，但由于水墨涸晕的效果，把羽毛丰满的鸳鸯形象表现得淋漓尽致。兼工.带写，别具一格。鸳整体设色浓淡得宜立体感很强。荷花采用匀花点叶法，花以线条勾出，叶子则直接落笔成形，然后以墨勾叶筋，荷花设色淡雅，清新自然。这一切都显示了画家的笔墨造形功力。",[12,13,14,15,16,17,18,19,20,21,22,23],"国画","名画","立轴","花鸟","设色","工笔","荷花","鸳鸯","鸟","荷叶","树枝","花卉","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F848b8317f95838a26d9b5f0806530d75.jpg","","花鸟画精选",[26,28],"设色画精选",272,2,0,"795548",[34,36,38,40,42,44,46,48,50,52,54,56],{"name":12,"slug":35},"guo-hua",{"name":13,"slug":37},"ming-hua",{"name":14,"slug":39},"li-zhou",{"name":15,"slug":41},"hua-niao",{"name":16,"slug":43},"she-se",{"name":17,"slug":45},"gong-bi",{"name":18,"slug":47},"he-hua",{"name":19,"slug":49},"yuan-yang",{"name":20,"slug":51},"niao",{"name":21,"slug":53},"he-ye",{"name":22,"slug":55},"shu-zhi",{"name":23,"slug":57},"hua-hui",1777535394051]