[{"data":1,"prerenderedAt":53},["ShallowReactive",2],{"artwork-he-lu-tu-zhou-huang-shen-236383":3},{"id":4,"slug":5,"title":6,"dynasty":7,"author":8,"museum":9,"description":10,"tags":11,"thumbUrl":22,"material":23,"size":24,"collection":25,"collections":26,"showCount":28,"zanCount":29,"manualWeight":30,"mainColor":31,"tagLinks":32},236383,"he-lu-tu-zhou-huang-shen-236383","荷鹭图轴","清","黄慎","北京故宫博物院","黄慎的花鸟画更多地继承了明代徐渭的泼墨大写意花鸟画风。此图描绘雨后双鹭于荷塘憩戏觅食的情景。画上荷花数茎，枝叶劲挺，花瓣娇媚，似有暗香浮动。两只白鹭翩翩而下，谨慎地着入水面，画家通过这一细节巧妙地表现出“水满池”的情景，“用笔极简，意趣自足”，由此可见一斑。对于荷叶的用笔恣肆狂放，墨色浓重，显示出荷花枝叶肥厚、“风飘不动”的旺盛生命力。在硕壮浓郁的荷叶的衬托下，以淡而轻的笔法描绘出白鹭的轻盈稚嫩，惹人怜爱。此外，画家在简洁的构图中力求营造空间感：图中荷花高低错落，荷叶相互掩映，俯仰向背，姿态各异，有着明显的纵深前后关系。两只白鹭停息在荷杆之后，尤其那只迎面飞来的白鹭起到了扩展画面空间的作用。在文人画中，很容易因注重笔墨形式而忽略景物的空间感，职业画家出身的黄慎在吸收文人笔墨情趣的同时，恰当地将写实与写意相结合，从而形成自己独特的风格。",[12,13,14,15,16,17,18,19,20,21],"国画","书画","立轴","水墨","写意","书法","花鸟","荷","荷花","鹭鸟","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F70ddc7422f4a85b05d360154cb4bbb54.jpg","纸本，墨笔","纵130.2 厘米，横71.2厘米","花鸟画精选",[25,27],"水墨画精选",56,1,0,"BDBDBD",[33,35,37,39,41,43,45,47,49,51],{"name":12,"slug":34},"guo-hua",{"name":13,"slug":36},"shu-hua",{"name":14,"slug":38},"li-zhou",{"name":15,"slug":40},"shui-mo",{"name":16,"slug":42},"xie-yi",{"name":17,"slug":44},"shu-fa",{"name":18,"slug":46},"hua-niao",{"name":19,"slug":48},"he",{"name":20,"slug":50},"he-hua",{"name":21,"slug":52},"lu-niao",1777535403475]