[{"data":1,"prerenderedAt":51},["ShallowReactive",2],{"artwork-hong-liao-shui-qin-tu-ye-yi-ming-234020":3},{"id":4,"slug":5,"title":6,"dynasty":7,"author":8,"museum":9,"description":10,"tags":11,"thumbUrl":22,"material":23,"size":24,"collection":25,"collections":26,"showCount":27,"zanCount":28,"manualWeight":28,"mainColor":29,"tagLinks":30},234020,"hong-liao-shui-qin-tu-ye-yi-ming-234020","红蓼水禽图页","宋","佚名","北京故宫博物院","《红蓼水禽图》是中国美术史上的花鸟画名作，以前人们认为是五代名家徐崇矩所作，或传为宋徽宗赵佶所作。其所绘意境正如诗中所咏：“西风红蓼香，水禽破苍茫。小虾清滩里，涟漪泛斜阳。”此画是典型的宋院体画，手法细腻，形象生动。 水边一枝红蓼，小花盛开。水鸟发现波中青虾，悄然飞落红蓼枝头，引喙而啄。红蓼被水鸟的体重与蹬力压弯，梢头、叶尖浸入水中。而青虾在水中灵活地悠游，对面临的危险浑然不觉。自然界中这惊险的一霎被巧妙地摄入绢素，极为生动传神。水禽和红蓼设色鲜丽，工笔细写。小鸟纤细的毛羽清晰可数，连蓼花粟米大的花冠也用紫红、粉白晕染得一丝不苟，层次分明。而水中的青虾和荇藻则采用模糊的手法表现，唯以淡墨绿一色染成，类似写意画法。因而虽不画水，却水旱两界分明。",[12,13,14,15,16,17,18,19,20,21],"名画","国画","书画","册","工笔","设色","花鸟","鸟","红蓼","印章","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F7bd0e66811feaeb67ea3c69d5e352504.jpg","绢本设色","25.2x26.8cm","",[],10,0,"BDBDBD",[31,33,35,37,39,41,43,45,47,49],{"name":12,"slug":32},"ming-hua",{"name":13,"slug":34},"guo-hua",{"name":14,"slug":36},"shu-hua",{"name":15,"slug":38},"ce",{"name":16,"slug":40},"gong-bi",{"name":17,"slug":42},"she-se",{"name":18,"slug":44},"hua-niao",{"name":19,"slug":46},"niao",{"name":20,"slug":48},"hong-liao",{"name":21,"slug":50},"yin-zhang",1777535430632]