[{"data":1,"prerenderedAt":41},["ShallowReactive",2],{"artwork-hong-mu-chuang-ling-shi-kao-bei-yi-yi-ming-274067":3},{"id":4,"slug":5,"title":6,"dynasty":7,"author":8,"museum":9,"description":10,"tags":11,"thumbUrl":19,"material":20,"size":21,"collection":22,"collections":23,"showCount":24,"zanCount":24,"manualWeight":24,"mainColor":25,"tagLinks":26},274067,"hong-mu-chuang-ling-shi-kao-bei-yi-yi-ming-274067","红木窗棂式靠背椅","清","佚名","藏地不详","敦煌285窟壁画就有两人分坐在椅子上的图像；257窟壁画中有坐方凳和交叉腿长凳的妇女；龙门莲花洞石雕中有坐圆凳妇女。这些图像生动地再现了南北朝时期椅、凳在仕宦贵族家庭中的使用情况。尽管当时的坐具已具备了椅子、凳子的形状，但因其时没有椅、凳的称谓，人们还习惯称之为“胡床”，在寺庙内，常用于坐禅，故又称禅床。唐代以后，椅子的使用逐渐增多，椅子的名称也被广泛使用，才从床的品类中分离出来。因此，论及椅、凳的起源，必须从汉魏时经印度传入的胡床谈起。\n唐代以前的“椅”字还有一种解释，作“车旁”讲，即车的围栏。其作用是人乘车时有所依靠。后来的椅子，其形式是在四足支撑的平台上安装围栏，其制当是受车旁围栏的启发，并沿用其名而称这种坐具为“椅子”了。从现存资料看，唐代已有相当讲究的椅子了。\n五代至宋，高型坐具空前普及，椅子的形式也多了起来，出现靠背椅、扶手椅、圈椅等。同时根据尊卑等级的不同，椅子的形制、质料和功能也有所区别。\n五代至两宋时期的家具大体保留着唐代遗风，只是高型家具较前更加普及了。\n椅子非常古老和简单，虽然许多世纪以来，是一个普通使用状态。在早王朝时期，他们用布或皮革、木雕覆盖椅背和椅面，但是覆盖面积均远低于21世纪的椅子，椅面有时仅离地25厘米。在古埃及时代的椅子似乎已经被极大的丰富，老式乌木、象牙雕刻、镀金的木材等都会被使用。它们被覆盖着昂贵的材料，华丽的图案和猎杀的野兽或雕刻着的俘虏数字。一般来说，地位越高的个人，他的椅子就越高越华丽，这是种荣誉的象征。",[12,13,14,15,16,17,18],"木质","古典家具","靠背椅","窗棂纹","雕刻","日用具","器","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fc8a6cfc08c392c2abed89f78011eb450.jpg","未知","Xcm*Xcm","",[],0,"BDBDBD",[27,29,31,33,35,37,39],{"name":12,"slug":28},"mu-zhi",{"name":13,"slug":30},"gu-dian-jia-ju",{"name":14,"slug":32},"kao-bei-yi",{"name":15,"slug":34},"chuang-ling-wen",{"name":16,"slug":36},"diao-ke",{"name":17,"slug":38},"ri-yong-ju",{"name":18,"slug":40},"qi",1777535528088]