[{"data":1,"prerenderedAt":52},["ShallowReactive",2],{"artwork-hong-ren-jie-shou-tu-zhou-hong-ren-236353":3},{"id":4,"slug":5,"title":6,"dynasty":7,"author":8,"museum":9,"description":10,"tags":11,"thumbUrl":21,"material":22,"size":23,"collection":24,"collections":25,"showCount":27,"zanCount":28,"manualWeight":29,"mainColor":30,"tagLinks":31},236353,"hong-ren-jie-shou-tu-zhou-hong-ren-236353","弘仁节寿图轴","清","弘仁","北京故宫博物院","弘仁的《节寿图轴》山水画，是一幅画在绢上的比较早的作品。画家51岁的时候画的，风格面貌已经成熟，松树干上有皴擦，石头做了渲染，画得很生动。特别是水，画得有一层一层流动的感觉。当代的一些山水画，常常画山就有水，但是不能明确“水”在画面中所起到的作用。所以水容易画得很概念，留空白就代表水，如果瀑布就从源头一直画到下端，好像瀑布很短、很矮，一眼能够全部看到，这都是不妥当的。其实对于自然山水中的溪流、瀑布来说，一般只能看到一个部分，其他会被山石、树木等遮挡，不可能全部看到。弘仁的这幅作品中，对于水流的处理是一个很好的参考。画中的瀑布溪流，平面过来一层，又有一个平面，又是一层，流过来再有一个下降的过程，就有了节奏和变化，而且符合大自然的规律。要画好水，就要去观察研究水的实际动态，研究古人画的水，研究自然中的水。",[7,12,13,14,15,16,17,18,19,20],"水墨","山水","立轴","皴法","松","竹","山石","溪流","岩石","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fa70ff3779eca9bcdcd2e3e605f6901b2.jpg","绢本，设色","102.2×51.5cm","花鸟画精选",[24,26],"设色画精选",72,2,0,"BDBDBD",[32,34,36,38,40,42,44,46,48,50],{"name":7,"slug":33},"qing",{"name":12,"slug":35},"shui-mo",{"name":13,"slug":37},"shan-shui",{"name":14,"slug":39},"li-zhou",{"name":15,"slug":41},"cun-fa",{"name":16,"slug":43},"song",{"name":17,"slug":45},"zhu",{"name":18,"slug":47},"shan-shi",{"name":19,"slug":49},"xi-liu",{"name":20,"slug":51},"yan-shi",1777535400814]