[{"data":1,"prerenderedAt":57},["ShallowReactive",2],{"artwork-hong-wu-yang-ju-tu-ce-hong-wu-238173":3},{"id":4,"slug":5,"title":6,"dynasty":7,"author":8,"museum":9,"description":10,"tags":11,"thumbUrl":25,"material":26,"size":26,"collection":26,"collections":27,"showCount":28,"zanCount":28,"manualWeight":28,"mainColor":29,"tagLinks":30},238173,"hong-wu-yang-ju-tu-ce-hong-wu-238173","弘旿洋菊图册","清","弘旿","藏地不详","爱新觉罗·弘旿（1743-1811），清朝宗室、画家。字卓亭，号恕斋，一号醉迂，别号瑶华道人，又号一如居士。康熙帝爱新觉罗·玄烨孙，爱新觉罗·胤秘第二子。封固山贝子，两次缘事革退，复赏封奉恩将军。能诗，工书、画，以三绝称。弘旿工画，师董邦达，自署瑶华道人，名与紫琼道人胤禧并。论者称其“山水得董、黄之妙谛。”永珠既夺爵 [1] ，以弘旿孙绵勋袭贝子。子孙递降，以镇国公世袭。\n观其传世作品，似受董邦达影响为多。此卷笔墨秀润，细皴密擦，林麓滃郁华滋，功力不浅。卷末落“臣”字款，又自称“恭绘”，可见是进御之作。《石渠宝笈》著录弘旿画计有三十多件，内府收藏的估计还有不少。可见弘旿作画之勤，亦可见乾隆对这位同宗兄弟笔墨的赞许。但从流传的弘旿作品看，此卷却是其中极为精彩的一幅，且保存完好，值得珍视。",[12,13,14,15,16,17,18,19,20,21,22,23,24],"国画","书画","册","工笔","设色","花鸟","菊","花叶","清代","工笔花鸟","设色花鸟","洋菊","花卉","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ffac69ace841a6d886296ada8bac31bdc.jpg","",[],0,"BDBDBD",[31,33,35,37,39,41,43,45,47,49,51,53,55],{"name":12,"slug":32},"guo-hua",{"name":13,"slug":34},"shu-hua",{"name":14,"slug":36},"ce",{"name":15,"slug":38},"gong-bi",{"name":16,"slug":40},"she-se",{"name":17,"slug":42},"hua-niao",{"name":18,"slug":44},"ju",{"name":19,"slug":46},"hua-ye",{"name":20,"slug":48},"qing-dai",{"name":21,"slug":50},"gong-bi-hua-niao",{"name":22,"slug":52},"she-se-hua-niao",{"name":23,"slug":54},"yang-ju",{"name":24,"slug":56},"hua-hui",1777535610322]