[{"data":1,"prerenderedAt":74},["ShallowReactive",2],{"artwork-hu-shan-qing-yi-tu-juan-shou-juan-hong-ren-220092":3},{"id":4,"slug":5,"title":6,"dynasty":7,"author":8,"museum":9,"description":10,"tags":11,"thumbUrl":29,"material":30,"size":31,"collection":32,"collections":33,"showCount":35,"zanCount":36,"manualWeight":37,"mainColor":38,"tagLinks":39},220092,"hu-shan-qing-yi-tu-juan-shou-juan-hong-ren-220092","湖山清逸图卷手卷","清","弘仁","私人收藏","根据《中国画史馨香录》书中所记，此题画诗原出自郑旼康熙戊申（1668年）录“渐公题诗二十三首”手钞本，1934年，许承尧录寄黄宾虹。渐江和尚画笔师法云林，又得徽州山水特别是黄山松壑云泉的蒙养，加之性格刚硬，所以其画并不为云林所囿。磊磊落落，逋峭冷隽，笔底山川，或幽深邃密，或峻拔嵯峨，气象高华而趣味淡宕，人品画品皆为时称道，是新安派中首屈一指的领军人物。观此卷气象，以平远式构图表现，岩壑奇秀，奇松点缀其中，沿江景物，用笔瘦硬，皴染枯淡而墨韵清润。以刚劲凝练的笔线勾勒，折带皴、披麻皴交互为用，山峰之间，礁石垒叠，疏疏密密、大大小小，形成参差错落的“矾块”，山峰中的涧溪，曲折逶迤而下，形如盘龙出水，跳荡击石，泠然有声。清人杨翰曾评论其突出的风格：“于极瘦削处见腴润，极细弱处见苍劲，虽淡无可淡，而饶有余韵。”当时本幅之写照。此卷诗题：“清秋凝目郁苍苍，百里嶙峋一草堂。世代频更人不到，未燔书尽此中藏。",[12,13,14,15,16,17,18,19,20,21,22,23,24,25,26,27,28],"国画","长卷","水墨","山水画","皴法","折带皴","披麻皴","岩壑","奇松","礁石","涧溪","草堂","清润","冷隽","清逸","书法","行书","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F689de6099893b4044c6746888a67279c.jpg","纸本,水墨","引首17.5×66.5cm；画心17.5×131cm；题跋17.5×83.5cm","山水画精选",[32,34],"水墨画精选",156,1,0,"BDBDBD",[40,42,44,46,48,50,52,54,56,58,60,62,64,66,68,70,72],{"name":12,"slug":41},"guo-hua",{"name":13,"slug":43},"chang-juan",{"name":14,"slug":45},"shui-mo",{"name":15,"slug":47},"shan-shui-hua",{"name":16,"slug":49},"cun-fa",{"name":17,"slug":51},"zhe-dai-cun",{"name":18,"slug":53},"pi-ma-cun",{"name":19,"slug":55},"yan-he-584",{"name":20,"slug":57},"qi-song",{"name":21,"slug":59},"jiao-shi",{"name":22,"slug":61},"jian-xi",{"name":23,"slug":63},"cao-tang",{"name":24,"slug":65},"qing-run",{"name":25,"slug":67},"leng-juan",{"name":26,"slug":69},"qing-yi",{"name":27,"slug":71},"shu-fa",{"name":28,"slug":73},"xing-shu",1777535395688]