[{"data":1,"prerenderedAt":65},["ShallowReactive",2],{"artwork-hu-xi-cao-tang-hua-xin-wen-zheng-ming-221996":3},{"id":4,"slug":5,"title":6,"dynasty":7,"author":8,"museum":9,"description":10,"tags":11,"thumbUrl":26,"material":27,"size":28,"collection":29,"collections":30,"showCount":32,"zanCount":33,"manualWeight":34,"mainColor":35,"tagLinks":36},221996,"hu-xi-cao-tang-hua-xin-wen-zheng-ming-221996","浒溪草堂画芯","明","文徴明","台北故宫博物院","作品是作者六十六岁时所作。描绘的是吴邑沉天民的浒溪草堂，既反映了草堂主人淡泊明志，不追逐名利的品格，又对映了主人热情好客的秉性，同时也折射出了作者本人的好恶。\n《浒溪草堂图》原藏沉天民家中，明末遗失。沉天民曾孙沈培风少时曾在朋友姚子文家见到此画，想要购回，却终究没好意思开口，一直是心头的一块心病，念念不忘。二十年后的一天，得知姚子文已于一年前的冬天患病不治而逝的讯息后，沈培风立即前往浙江的姚宅，欲觅得此画，可惜宅内已空无一物。有道是功夫不负有心人，不久有人将画送上门来。经过二十年世事沧桑，百变流转，培风又遇此画，便下定决心说什么也不能让机会从自己身边再次溜走。于是，几乎倾其所有，重金购得，并请工匠重新装裱后珍藏起来。此举显示出培风与其曾祖一样不忘本，具有难得的孝心。当年天民虽生活在城市，但仍不忘先祖的桑梓生活而在城市中修建草堂，取名为浒溪，才得以有画作《浒溪草堂图》留传至今，让后人一睹名家画作的风采。\n此画画法秀润，意境清幽，构图严谨，笔法细腻，设色明快。画面上描绘的是高木浓荫，掩映草堂，群山环抱，清波蜒曲，帆樯林立，榭阁屋宇错落。近处草堂敞轩，二高士案前对坐，正在高谈阔论；远山以石青晕染，近山则石青加赭石微抹，树干纯以赭石钩染，枝叶以石绿加石青点染，背光处加渴墨，显得更加郁郁葱葱。在艺术表现手法上，用笔细腻严谨，山石仅用渴笔微抹，以点苔显出明暗，经营位置，得写生之助化出清幽境界。",[12,13,14,15,16,17,18,19,20,21,22,23,24,25],"高清","国画","山水","山","水","树","房","桥梁","舟船","设色","浅绛","写意","长卷","纸本","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Feeb9da20bb028a48cc761920595df3e9.jpg","绢本","166 X 31.5cm","山水画精选",[29,31],"设色画精选",66,3,0,"BDBDBD",[37,39,41,43,45,47,49,51,53,55,57,59,61,63],{"name":12,"slug":38},"gao-qing",{"name":13,"slug":40},"guo-hua",{"name":14,"slug":42},"shan-shui",{"name":15,"slug":44},"shan",{"name":16,"slug":46},"shui",{"name":17,"slug":48},"shu",{"name":18,"slug":50},"fang",{"name":19,"slug":52},"qiao-liang",{"name":20,"slug":54},"zhou-chuan",{"name":21,"slug":56},"she-se",{"name":22,"slug":58},"qian-jiang",{"name":23,"slug":60},"xie-yi",{"name":24,"slug":62},"chang-juan",{"name":25,"slug":64},"zhi-ben",1777535401581]