[{"data":1,"prerenderedAt":60},["ShallowReactive",2],{"artwork-hua-luo-han-zhou-li-song-290329":3},{"id":4,"slug":5,"title":6,"dynasty":7,"author":8,"museum":9,"description":10,"tags":11,"thumbUrl":25,"material":26,"size":27,"collection":28,"collections":29,"showCount":30,"zanCount":31,"manualWeight":31,"mainColor":32,"tagLinks":33},290329,"hua-luo-han-zhou-li-song-290329","画罗汉轴","宋","李嵩","藏地不详","李嵩（1166—1243），中国南宋画家，钱塘（今浙江杭州）人。少年时曾为木工，后成为画院画家李从训的养子，绘画上得其亲授，擅长人物、道释，尤精于界画，为光宗、宁宗、理宗（1190一1264）时期画院待诏。\n李嵩画过许多表现下层社会生活的风俗画，及表现农民劳动生活的《春溪渡牛图》、《春社图》和组画《服田图》等。传日的《货郎图》是李嵩传世的重要作品。他以货郎为题材，创作过多幅货郎图。除故宫博物院藏的一幅横卷外，余皆为小幅，分别藏于台北故宫博物院、美国堪萨斯州阿肯博物馆的尼尔逊美术馆及美国纽约大都会美术馆。\n李嵩具有多方面才能，尤其善于通过绘画，表达自己对生活的感受和态度，他的《夜湖图》《水殿招凉图》《观潮图》《西湖图》《仙山瑶涛图》《骷髅幻戏图》《观灯图》《柳塘聚禽图》《花篮图》等，都显示出他卓越的绘画技巧。其中《骷髅幻戏图》则以其不易被人理解的深刻的寓意，为美术史留下了一个画谜。",[12,13,14,15,16,17,18,19,20,21,22,23,24],"国画","名画","立轴","宗教","佛教","人物","罗汉","僧侣","枯树","山石","设色","工笔","器物","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F51594b9dddcd6e6e0a5bfb102e8e42f7.jpg","未知","Xcm*Xcm","",[],12,0,"795548",[34,36,38,40,42,44,46,48,50,52,54,56,58],{"name":12,"slug":35},"guo-hua",{"name":13,"slug":37},"ming-hua",{"name":14,"slug":39},"li-zhou",{"name":15,"slug":41},"zong-jiao",{"name":16,"slug":43},"fo-jiao",{"name":17,"slug":45},"ren-wu",{"name":18,"slug":47},"luo-han",{"name":19,"slug":49},"seng-lv",{"name":20,"slug":51},"ku-shu",{"name":21,"slug":53},"shan-shi",{"name":22,"slug":55},"she-se",{"name":23,"slug":57},"gong-bi",{"name":24,"slug":59},"qi-wu",1777535426534]