[{"data":1,"prerenderedAt":45},["ShallowReactive",2],{"artwork-hua-luo-mu-han-shan-cheng-shan-zhou-chen-222373":3},{"id":4,"slug":5,"title":6,"dynasty":7,"author":8,"museum":9,"description":10,"tags":11,"thumbUrl":20,"material":21,"size":22,"collection":23,"collections":24,"showCount":25,"zanCount":26,"manualWeight":26,"mainColor":27,"tagLinks":28},222373,"hua-luo-mu-han-shan-cheng-shan-zhou-chen-222373","画落木寒山成扇","明","周臣","台北故宫博物院","周臣（1460–1535），字舜卿，号东村，中国明代著名画家。吴（今江苏苏州）人。擅画。\n中国明代中期的著名职业画家。他生活在成化至嘉靖年间。字舜卿，号东村，吴（今江苏苏州）人，生年不详，卒于明世宗嘉靖十四年（即1535年）。擅长画人物和山水，画法严整工细。他有两个学生特别著名，一个唐寅，另一个仇英。唐寅、仇英青出于蓝，风格上极为接近，但当时名气已超过老师。\n周臣山水师承陈暹。曾刻苦临摹李成、郭熙、李唐、马远等作品，其主要取法于李唐派系。画山石坚凝，章法严谨，用笔纯熟。曾与戴进并驱，则互有所长。人物画也非常出色，古貌奇姿，绵密萧散，各极意态。南京博物院收藏的周臣代表作《柴门送别图》 ，描绘一文人携琴访友后，主客分别时依依不舍的情景，明月早已挂在高空，船工也已在船头熟睡，直至客人快要上船了，他还未酲来，说明主客送别时间之长，友谊之深，这其中也融含周臣画体的“院体画”与“文人画”的相融之处。周臣被人们称为非院派的“院派”画家。",[12,13,14,15,16,17,18,19],"国画","书画","扇面","水墨","山水","枯树","寒山","皴法","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ffd4a8d6c02d01551c29bf4cf15e57f3c.jpg","设色","34x54.2厘米","",[],10,0,"BDBDBD",[29,31,33,35,37,39,41,43],{"name":12,"slug":30},"guo-hua",{"name":13,"slug":32},"shu-hua",{"name":14,"slug":34},"shan-mian",{"name":15,"slug":36},"shui-mo",{"name":16,"slug":38},"shan-shui",{"name":17,"slug":40},"ku-shu",{"name":18,"slug":42},"han-shan",{"name":19,"slug":44},"cun-fa",1777535431322]