[{"data":1,"prerenderedAt":67},["ShallowReactive",2],{"artwork-hua-zhu-jin-ji-tu-zhou-wang-yuan-221839":3},{"id":4,"slug":5,"title":6,"dynasty":7,"author":8,"museum":9,"description":10,"tags":11,"thumbUrl":26,"material":27,"size":28,"collection":29,"collections":30,"showCount":32,"zanCount":33,"manualWeight":34,"mainColor":35,"tagLinks":36},221839,"hua-zhu-jin-ji-tu-zhou-wang-yuan-221839","花竹锦鸡图轴","元","王渊","北京故宫博物院","元代的花鸟画不及宋代昌盛，但却有新的面貌。一部分画家继承了北宋院画刻画严谨的传统并加以变化，发展了勾勒、点染相结合的写生技法，画风朴实拙茂又不失精微细密；另一部分画家则彻底摆脱院体工整妍巧的写生风格，以萧散简逸为宗，充分体现了赵孟頫以书法入画的艺术主张。但总体来看，元代花鸟画的气格是宁静、沉着和庄严的，既不变形又不放纵，体现了“法不逾矩”的特点。活跃于元代中后期的王渊是继承北宋院画的代表画家。",[12,7,13,14,15,16,17,18,19,20,21,22,23,24,25],"高清","国画","书画","立轴","工笔","设色","花鸟","鸡","竹","孤石","飞鸟","花草","岩石","树木","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F7466780a1e6d1a39bd28e7e52a2208b0.jpg","绢本，设色","纵175.7cm，横110.1cm","花鸟画精选",[29,31],"设色画精选",120,1,0,"795548",[37,39,41,43,45,47,49,51,53,55,57,59,61,63,65],{"name":12,"slug":38},"gao-qing",{"name":7,"slug":40},"yuan",{"name":13,"slug":42},"guo-hua",{"name":14,"slug":44},"shu-hua",{"name":15,"slug":46},"li-zhou",{"name":16,"slug":48},"gong-bi",{"name":17,"slug":50},"she-se",{"name":18,"slug":52},"hua-niao",{"name":19,"slug":54},"ji",{"name":20,"slug":56},"zhu",{"name":21,"slug":58},"gu-shi",{"name":22,"slug":60},"fei-niao",{"name":23,"slug":62},"hua-cao",{"name":24,"slug":64},"yan-shi",{"name":25,"slug":66},"shu-mu",1777535396946]