[{"data":1,"prerenderedAt":51},["ShallowReactive",2],{"artwork-huang-shan-tu-ce-mei-qing-233429":3},{"id":4,"slug":5,"title":6,"dynasty":7,"author":8,"museum":9,"description":10,"tags":11,"thumbUrl":22,"material":23,"size":24,"collection":25,"collections":26,"showCount":27,"zanCount":28,"manualWeight":28,"mainColor":29,"tagLinks":30},233429,"huang-shan-tu-ce-mei-qing-233429","黄山图册","清","梅清","北京故宫博物院","黄山位于安徽省南部，歙县西北，山脉绵延三百余里，拥有72峰，以奇松、怪石、云海、温泉“四绝”名闻于世。清初安徽地区的著名画家弘仁、梅清、石涛等多以黄山奇景入画，形成了“黄山画派”。其中，梅清笔下的黄山以气势取胜，不同凡响。\n这套《黄山图》册是梅清晚年的精心之作。全册共八开，分别绘天都峰、莲花峰等黄山８景，或孤峰千仞，或云海茫茫，或苍松蔽日，或雄关峻岭，景色各异，气象万千。梅清画黄山之法有三，一以线条勾勒为主，二以墨色渲染为重，三是融勾勒与渲染为一炉。此图册便是采用第三种方法绘制而成。\n梅清的山水画远承宋元诸家的遗绪，近学“元四家”和沈周的笔墨技法，又尝与石涛相互切磋画艺，故功力尤深。他的创作最重师法自然，他曾在燕、吴、齐、楚之地游历名山大川，终日面对青山描摹写生。黄山和家乡宣城是梅清绘画中最着力表现的题材。在《赠慕潭黄山十六景》册上，他自题“余游黄山，凡有笔墨，大半皆黄山矣。”可见他对黄山景色用功之勤。梅清图写黄山自写生入手，又加入自己的主观感受，再以豪放、泼辣的用笔，突出黄山奇、峻、险、秀的意境，独树一帜，别开生面。",[12,13,14,15,16,17,18,19,20,21],"国画","水墨","山水","册","皴法","孤峰","山石","松树","云雾","印章","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fc3b44c628fe1686b51a5d8febfd1e871.jpg","纸本，设色","纵26厘米，横33厘米","",[],3,0,"BDBDBD",[31,33,35,37,39,41,43,45,47,49],{"name":12,"slug":32},"guo-hua",{"name":13,"slug":34},"shui-mo",{"name":14,"slug":36},"shan-shui",{"name":15,"slug":38},"ce",{"name":16,"slug":40},"cun-fa",{"name":17,"slug":42},"gu-feng",{"name":18,"slug":44},"shan-shi",{"name":19,"slug":46},"song-shu",{"name":20,"slug":48},"yun-wu",{"name":21,"slug":50},"yin-zhang",1777535458383]