[{"data":1,"prerenderedAt":43},["ShallowReactive",2],{"artwork-huang-ting-jing-zhao-meng-fu-220841":3},{"id":4,"slug":5,"title":6,"dynasty":7,"author":8,"museum":9,"description":10,"tags":11,"thumbUrl":19,"material":20,"size":21,"collection":22,"collections":23,"showCount":24,"zanCount":25,"manualWeight":26,"mainColor":27,"tagLinks":28},220841,"huang-ting-jing-zhao-meng-fu-220841","黄庭经","元","赵孟頫","北京故宫博物院","《黄庭经》有诸多名家临本传世，如智永、欧阳询、虞世南、褚遂良、赵孟頫等，他们均从中探究王书的路数，得到美的启示。然而也有人认为小楷《黄庭经》笔法不类王羲之，因此亦有真伪之辨。《黄庭经》引，王羲之书，小楷，一百行。原本为黄素绢本，在宋代曾摹刻上石，有拓本流传。此帖其法极严，其气亦逸，有秀美开朗之意态。关于黄庭经，有一段传说：山阴有一道士，欲得王羲之书法，因知其爱鹅成癖，所以特地准备了一笼又肥又大的白鹅，作为写经的报酬。王羲之见鹅欣然为道士写了半天的经文，高兴地“笼鹅而归”。原文载于南朝《论书表》，文中叙说王羲之所书为《道》、《德》之经，后因传之再三，就变成了《黄庭经》， 因此，又俗称《换鹅帖》，无款，末署“永和十二年（356）五月”，现今留传的只是后世的摹刻本了。",[12,13,14,15,16,17,18],"高清","书法","写经","楷书","长卷","水墨","印章","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F13a6a4cd3ec1c6039daa34a804981861.jpg","纸本","26.5X485.4cm","书法精选",[22],159,4,0,"BDBDBD",[29,31,33,35,37,39,41],{"name":12,"slug":30},"gao-qing",{"name":13,"slug":32},"shu-fa",{"name":14,"slug":34},"xie-jing",{"name":15,"slug":36},"kai-shu",{"name":16,"slug":38},"chang-juan",{"name":17,"slug":40},"shui-mo",{"name":18,"slug":42},"yin-zhang",1777535395606]