[{"data":1,"prerenderedAt":39},["ShallowReactive",2],{"artwork-huang-you-ci-yan-yi-ming-223823":3},{"id":4,"slug":5,"title":6,"dynasty":7,"author":8,"museum":9,"description":10,"tags":11,"thumbUrl":18,"material":19,"size":20,"collection":21,"collections":22,"showCount":23,"zanCount":24,"manualWeight":24,"mainColor":25,"tagLinks":26},223823,"huang-you-ci-yan-yi-ming-223823","黄釉瓷砚","唐","佚名","藏地不详","明代书画家陈继儒在其《妮古录•卷二》说道：“文人有砚，犹美人之有镜也，一生之中最相亲傍。故镜须秦汉， 砚必宋唐。”唐代政治、经济、文化高度发达，国力强盛，物质雄厚，书法绘画艺术成就巨大，促进了文房用具的发展。特别是隋唐科举制度的推行，使天下学子可以通过文章考试进入社会上层阶级，极大促进了制砚业的发展。\n唐砚承继了魏晋南北朝砚台的制式与材质，还发展各种优质砚材，宋砚基本是唐砚的延续。唐代最具代表性的砚形是辟雍式和箕形式。\n宋代著作《文学四谱》中提到魏晋学者繁钦在《砚赞》中云：“圆如盘而中隆起，水环之者，谓之辟雍砚。”魏晋时期多流行三足或四足的青瓷圆砚，南北朝变化为五足到十足不等的多足砚、辟雍砚，到了隋唐时期，发展出了圆形多足的辟雍砚。",[12,13,14,15,16,17],"唐代","陶瓷","砚","黄釉","雕刻","器","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F0ac07e2b4c9553c4c6d934e317943632.jpg","未知","Xcm*Xcm","",[],4,0,"795548",[27,29,31,33,35,37],{"name":12,"slug":28},"tang-dai",{"name":13,"slug":30},"tao-ci",{"name":14,"slug":32},"yan",{"name":15,"slug":34},"huang-you",{"name":16,"slug":36},"diao-ke",{"name":17,"slug":38},"qi",1777535451519]