[{"data":1,"prerenderedAt":43},["ShallowReactive",2],{"artwork-huang-yu-zi-mu-lu-yi-ming-223803":3},{"id":4,"slug":5,"title":6,"dynasty":7,"author":8,"museum":9,"description":10,"tags":11,"thumbUrl":19,"material":20,"size":21,"collection":22,"collections":23,"showCount":24,"zanCount":25,"manualWeight":26,"mainColor":27,"tagLinks":28},223803,"huang-yu-zi-mu-lu-yi-ming-223803","黄玉子母鹿","宋","佚名","藏地不详","宋辽金时期，实用装饰玉占重要地位，礼性大减，玩味大增，更加接近现实生活。文人的审美意识逐渐渗入玉器的造型之中，总体风格不如唐代浑厚有力，多小件精致器物，出现了玉童子、玉笔架、玉镇纸等新品种。雕刻技法出现深层立体镂雕。值得一提的是，辽、金时契丹、女真等少数民族政权狩猎风盛，喜用海东青捕天鹅和猎取熊、鹿等，这一题材的春水、秋山玉洋溢着浓厚的生活气息和游牧文化风格，也颇受汉族士大夫阶层的喜爱。\n宋辽金玉器在继承隋唐文化市庶化、艺术化的基础上，形成了鲜明的朴素淡雅艺术风格。浓郁的乡土韵味，彰显的民族特性，通过构图精致、空灵剔透、神形兼备的“宋作工”体现得淋漓尽致。宋辽金玉器是我国玉文化的一朵奇葩，它的艺术成就可谓“光前绝后”。",[12,13,14,15,16,17,18],"宋代","玉石","雕刻","兽","子母鹿","黄玉","玉雕","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F50723621fb149f5d4b6e4c6762823d15.jpg","未知","Xcm*Xcm","",[],6,1,0,"795548",[29,31,33,35,37,39,41],{"name":12,"slug":30},"song-dai",{"name":13,"slug":32},"yu-shi",{"name":14,"slug":34},"diao-ke",{"name":15,"slug":36},"shou",{"name":16,"slug":38},"zi-mu-lu",{"name":17,"slug":40},"huang-yu",{"name":18,"slug":42},"yu-diao",1777535441178]