[{"data":1,"prerenderedAt":58},["ShallowReactive",2],{"artwork-hui-shan-shi-nv-tu-juan-zhou-fang-227085":3},{"id":4,"slug":5,"title":6,"dynasty":7,"author":8,"museum":9,"description":10,"tags":11,"thumbUrl":24,"material":25,"size":26,"collection":27,"collections":28,"showCount":29,"zanCount":30,"manualWeight":31,"mainColor":32,"tagLinks":33},227085,"hui-shan-shi-nv-tu-juan-zhou-fang-227085","挥扇仕女图卷","唐","周昉","北京故宫博物院","《挥扇仕女图》卷，传为唐周昉绘，绢本，设色，纵33.7厘米，横204.8厘米。\n无作者款印。引首清高宗弘历题“猗兰清画”四字。钤明韩世能 “韩世能印”、“韩仲子氏”、“世能”，清梁清标“蕉林书屋”、“蕉林居士”、“蕉林考藏”，清高宗弘历“古希天子”、“乾隆御览之宝”、“石渠宝笈”、“乾隆鉴赏”等鉴藏印，共31方。\n此图描绘了13位头挽高髻、细目圆面、长裙曳地的妃嫔和宫女形象。全幅以横向排列的形式展示了人物的各种活动：执扇慵坐、解囊抽琴、对镜理妆、绣案做工、挥扇闲憩等。作者注意画面横向疏密、松紧的韵律变化，纵向高低错落的层次变化，从而使得画面结构井然有序，并避免了构图上的单调呆板。图中色彩丰富，以红色为主，兼有青、灰、紫、绿等各色。冷暖色调相互映衬，显现出人物肌肤的细嫩和衣料的华贵。衣纹线条近铁线描，圆润秀劲，富有力度和柔韧性，较准确地勾画出了人物的种种体态。\n画家周昉出身于豪门显宦，因此，他对于贵族阶层绮靡奢华的生活非常熟悉。其仕女画不以烈女、贤妇、仙女等为表现对象，而是取材于现实生活中贵族妇女的行乐活动，具有强烈的时代感，从而迎合了中晚唐时期大官僚贵族们的审美意趣。其作品在张扬唐王朝繁华兴盛的物质生活的同时，亦揭示了贵妇们极度贫乏的精神世界。此图中嫔妃们体貌丰腴，衣饰华丽，但她们面含幽怨，举止慵倦，毫无生气。\n明张丑《清河书画舫》，清内府《石渠宝笈续编》，清阮元《石渠随笔》著录。",[12,13,14,15,16,17,18,19,20,21,22,23],"高清","国画","书画","长卷","工笔","设色","人物","仕女","美人","印章","衣帽","器","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F7d64d42508b0dd39153cc6c8554c273c.jpg","纸本 ，设色","纵33.7cm，横204.8cm","",[],1203,11,0,"795548",[34,36,38,40,42,44,46,48,50,52,54,56],{"name":12,"slug":35},"gao-qing",{"name":13,"slug":37},"guo-hua",{"name":14,"slug":39},"shu-hua",{"name":15,"slug":41},"chang-juan",{"name":16,"slug":43},"gong-bi",{"name":17,"slug":45},"she-se",{"name":18,"slug":47},"ren-wu",{"name":19,"slug":49},"shi-nv",{"name":20,"slug":51},"mei-ren",{"name":21,"slug":53},"yin-zhang",{"name":22,"slug":55},"yi-mao",{"name":23,"slug":57},"qi",1777535392731]